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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
Going, going, gone. | 0:00:10 | 0:00:12 | |
-Yes! -I think I've fallen in love with a brick. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
Yes! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:21 | |
I feel antiqued out! | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-Charlie! -Sorry about that! | 0:00:28 | 0:00:30 | |
This is The Antiques Road Trip. | 0:00:30 | 0:00:32 | |
It's the final leg of our battle of the sexes | 0:00:37 | 0:00:39 | |
round the north of England. | 0:00:39 | 0:00:40 | |
Road Trip rookie Christina Trevanion has been tussling | 0:00:40 | 0:00:43 | |
with the former youngster of the team, Charles Hanson. | 0:00:43 | 0:00:47 | |
See, you've taken the mantle now. I was the youngest on the Road Trip. | 0:00:47 | 0:00:50 | |
-Am I the youngest on the Road Trip? -I was the youngest on the Road Trip. | 0:00:50 | 0:00:53 | |
You're now officially the youngest. | 0:00:53 | 0:00:56 | |
Charles may have lost his junior status, | 0:00:56 | 0:00:58 | |
but this rather nifty 1969 Morris Minor | 0:00:58 | 0:01:01 | |
has a good few years on the pair of them. | 0:01:01 | 0:01:03 | |
New girl in class Christina has got off to a good start. | 0:01:05 | 0:01:08 | |
Well done. Well done, partner. | 0:01:08 | 0:01:10 | |
But head boy Charles played a blinder, | 0:01:10 | 0:01:13 | |
winning the next two legs with handsome profits. | 0:01:13 | 0:01:15 | |
Oh, that's it! | 0:01:15 | 0:01:17 | |
Feisty Christina fought back, | 0:01:17 | 0:01:19 | |
winning the fourth leg thanks to a rattling railway lot. | 0:01:19 | 0:01:22 | |
Brilliant! | 0:01:22 | 0:01:23 | |
So, it's 2-2. | 0:01:23 | 0:01:25 | |
It's all to play for on this final leg. | 0:01:25 | 0:01:27 | |
It's your first ever Road Trip. | 0:01:27 | 0:01:29 | |
I'm a man who's road-tripped about five times now. | 0:01:29 | 0:01:32 | |
This could be a giant killer. | 0:01:32 | 0:01:34 | |
This could be Man United being blown away by Accrington Stanley. | 0:01:34 | 0:01:38 | |
-Are you calling me Accrington Stanley? -I might be. | 0:01:38 | 0:01:41 | |
Old boy Charles began the trip with £200, | 0:01:41 | 0:01:44 | |
but has made some handsome profits and now has an impressive £567.84 | 0:01:44 | 0:01:50 | |
to play with, putting him miles ahead in the race to the finish. | 0:01:50 | 0:01:55 | |
Newbie Christina also began with £200 | 0:01:55 | 0:01:58 | |
and has steadily increased her total to a respectable £335.24, | 0:01:58 | 0:02:03 | |
but with Charles more than £200 ahead she's playing catch-up. | 0:02:03 | 0:02:08 | |
Who will be this trip's victor? | 0:02:08 | 0:02:10 | |
I think the winner will take it all today. | 0:02:10 | 0:02:13 | |
# The winner takes it all | 0:02:13 | 0:02:15 | |
# The loser standing tall... # | 0:02:16 | 0:02:18 | |
Thank you. Well, I am tall. | 0:02:18 | 0:02:19 | |
-I am tall, I'll give you that. -Yeah. | 0:02:19 | 0:02:22 | |
Our experts embarked from Whaley Bridge in Derbyshire | 0:02:22 | 0:02:25 | |
before weaving over 600 miles around the north of England | 0:02:25 | 0:02:28 | |
to conclude at Cobridge in Stoke-on-Trent in the Potteries. | 0:02:28 | 0:02:32 | |
Today we're starting out in Harrogate, | 0:02:32 | 0:02:33 | |
heading east to York then north to Northallerton, | 0:02:33 | 0:02:37 | |
Masham and Richmond, before auction in Cobridge, Stoke-on-Trent. | 0:02:37 | 0:02:41 | |
Harrogate found fame as a spa town at the end of the 16th century, | 0:02:42 | 0:02:46 | |
its reputation growing through the 17th century, | 0:02:46 | 0:02:48 | |
when people came from far and wide to drink the waters. | 0:02:48 | 0:02:51 | |
The Royal Baths were opened in 1897, | 0:02:51 | 0:02:54 | |
although only the Turkish bath remains working today. | 0:02:54 | 0:02:57 | |
With the stakes at two wins each, Charles and Christina are heading | 0:02:59 | 0:03:02 | |
into the Harrogate Antiques Centre to see who can up the ante today. | 0:03:02 | 0:03:07 | |
-Let's go, Christina. 2-2. 2-2. -Best of luck. | 0:03:07 | 0:03:09 | |
May the best lady or gentleman win, OK? On your mark, get set, go. | 0:03:09 | 0:03:13 | |
Will it be Charles or Christina who finds a winner amongst | 0:03:15 | 0:03:18 | |
the more than 50 stalls here? | 0:03:18 | 0:03:21 | |
Charles is first off the plot and is guided by Phil, | 0:03:21 | 0:03:23 | |
who's looking after lots of stallholders' wares today. | 0:03:23 | 0:03:27 | |
What I'm looking for is something quirky, something a bit different. | 0:03:27 | 0:03:31 | |
This is quite interesting | 0:03:31 | 0:03:32 | |
because what we've got here is a painted plaster cherub, Cupid. | 0:03:32 | 0:03:36 | |
-Yeah. Well, I think it's just a... -Cherub. | 0:03:36 | 0:03:38 | |
It's referred to as the Goose Boy. | 0:03:38 | 0:03:40 | |
Why's he the Goose Boy? | 0:03:40 | 0:03:41 | |
Because he's with the goose. | 0:03:41 | 0:03:44 | |
Are your glasses fogged? | 0:03:44 | 0:03:46 | |
Use your eyes, Charles. Let's see how Christina is getting on. | 0:03:46 | 0:03:49 | |
I'm thinking a little bit of jewellery would be great. | 0:03:49 | 0:03:53 | |
To beat Charlie I need to make a lot of money. | 0:03:53 | 0:03:56 | |
Which is looking unlikely. | 0:03:57 | 0:03:59 | |
But it'll be fine. Think positive. | 0:03:59 | 0:04:01 | |
It's hard to think positively | 0:04:01 | 0:04:03 | |
when you're being distracted by Mr Hanson's dulcet tones. | 0:04:03 | 0:04:06 | |
CHARLES LAUGHS | 0:04:06 | 0:04:07 | |
I can hear him. | 0:04:07 | 0:04:09 | |
Charles' voice does carry a tad. Has anything taken his fancy yet? | 0:04:10 | 0:04:14 | |
-Can we very carefully lift her off? -Right. | 0:04:14 | 0:04:17 | |
What I want to do is just determine what she's made of. She's very heavy. | 0:04:17 | 0:04:22 | |
If I put her down there... | 0:04:22 | 0:04:23 | |
Yeah, she is plaster. | 0:04:23 | 0:04:26 | |
Am I loving her? | 0:04:26 | 0:04:28 | |
Am I feeling her? | 0:04:29 | 0:04:30 | |
Well, clearly, I mean... | 0:04:30 | 0:04:32 | |
-No... -Oh, lordy. | 0:04:32 | 0:04:34 | |
Just watch where you put those hands, Charles. | 0:04:34 | 0:04:36 | |
-It's not really giving me that love. -OK. | 0:04:38 | 0:04:40 | |
So, no lighting up Charles' world here. | 0:04:40 | 0:04:43 | |
Has Christina found anything at Roy's stall? | 0:04:43 | 0:04:46 | |
There's a cabinet of curiosities if ever I saw it. | 0:04:46 | 0:04:49 | |
Oh, that's fun. Can I have a look at the little dish with the owl on top? | 0:04:49 | 0:04:53 | |
That's rather lovely, isn't it? | 0:04:55 | 0:04:57 | |
What's your best price on that one, Roy? | 0:04:57 | 0:04:59 | |
-Er... -£22 on him. | 0:04:59 | 0:05:03 | |
£15. | 0:05:04 | 0:05:05 | |
A neighbouring stallholder, Myra, also has an owl to offer, Christina. | 0:05:05 | 0:05:09 | |
It's lovely. Is that yours or is that Roy's? | 0:05:09 | 0:05:13 | |
-That's Roy's, that's mine. -That's yours. | 0:05:13 | 0:05:15 | |
Ooh, we've got competition, I like it! | 0:05:15 | 0:05:17 | |
What's your best price on that one, Myra? That's 35. | 0:05:19 | 0:05:22 | |
Er, 25. | 0:05:24 | 0:05:25 | |
25. And 15 for that one. | 0:05:25 | 0:05:28 | |
-See, that one makes that one look quite expensive. -12. -Ooh! | 0:05:28 | 0:05:31 | |
We've got an auction going on. | 0:05:31 | 0:05:33 | |
You've got competition with Charles Hanson. | 0:05:33 | 0:05:35 | |
-I have, haven't I? I've really got to win. -I've got to see you win. | 0:05:35 | 0:05:39 | |
-Exactly. -All right. I'll go down to 20! -Oh! I love it, brilliant. | 0:05:39 | 0:05:43 | |
Road Trip fever seems to have gripped Roy and Myra. | 0:05:43 | 0:05:46 | |
They're slashing their prices like billyo. | 0:05:46 | 0:05:48 | |
How about 20 for the both of those as a job lot, | 0:05:48 | 0:05:52 | |
-cos I want to buy something off both of you? -32. | 0:05:52 | 0:05:55 | |
-32 for the two. -On the two. | 0:05:55 | 0:05:58 | |
Can we say 30 for the two? | 0:05:58 | 0:06:01 | |
-Cash, now. -Go on. -Yeah! | 0:06:01 | 0:06:03 | |
Brilliant! Thank you very much, sir. Thank you, Roy. Thank you, Myra. | 0:06:03 | 0:06:07 | |
Christina's off to a flying start with those two owl-adorned boxes. | 0:06:07 | 0:06:12 | |
Is Charles ready to swoop as well? | 0:06:12 | 0:06:14 | |
One thing I did see earlier on that is just nagging at me a bit | 0:06:14 | 0:06:18 | |
is this thing over here. | 0:06:18 | 0:06:20 | |
-The scent bottle. -Yeah. | 0:06:20 | 0:06:22 | |
This green malachite glass bottle with stopper | 0:06:22 | 0:06:25 | |
was made in Czechoslovakia in the 1930s. | 0:06:25 | 0:06:28 | |
If I said to you, what's your best on that...? | 0:06:28 | 0:06:30 | |
-It's priced at 210... -I can do better than that. | 0:06:31 | 0:06:34 | |
-It's a big price and you must make a profit. -My best is 80. -Really? | 0:06:34 | 0:06:39 | |
I'd want to pay probably about £45. That's my maximum. | 0:06:41 | 0:06:45 | |
A £210 ticket price down to £45? | 0:06:45 | 0:06:49 | |
That's quite a proposal, Charles. | 0:06:49 | 0:06:51 | |
Get it sold. If it's not... | 0:06:51 | 0:06:53 | |
-OK. 45. -Sure? -45. -We've got a deal. | 0:06:53 | 0:06:55 | |
-Sold! -Wow! | 0:06:55 | 0:06:57 | |
He's done it! Clever boy, Charles. | 0:06:57 | 0:06:59 | |
See ya, gents! Bye! | 0:06:59 | 0:07:01 | |
Well, they're both off to a good start with those lots. | 0:07:01 | 0:07:05 | |
Back to the road. | 0:07:05 | 0:07:06 | |
Leaving Harrogate, our duo are now heading east to York. | 0:07:09 | 0:07:13 | |
York is one of England's most historic cities. | 0:07:13 | 0:07:16 | |
Full of stunning architecture, | 0:07:16 | 0:07:18 | |
it has been a Roman, Saxon and Viking settlement. | 0:07:18 | 0:07:21 | |
The now-ruined medieval keep of York's ancient castle | 0:07:21 | 0:07:24 | |
is known as Clifford's Tower. | 0:07:24 | 0:07:27 | |
While Charles shops, Christina will be exploring York's Viking past. | 0:07:27 | 0:07:32 | |
But first Charles has a lofty peak to traverse. | 0:07:32 | 0:07:35 | |
-Do you know what, Christina? -Yes, my love? | 0:07:35 | 0:07:37 | |
-There's a huge crowd over there. -Yeah. | 0:07:37 | 0:07:39 | |
-I think you go that way, I might go that way. -OK. -Over the hill. | 0:07:39 | 0:07:43 | |
-Have fun. -Do you miss me? -Over the hill? -Shall I do this? -Go on, go. | 0:07:43 | 0:07:47 | |
-OK. -Go, go, go! I'll time you. -OK. See you later. | 0:07:47 | 0:07:49 | |
What on earth are you doing, Charles? | 0:07:49 | 0:07:52 | |
Go on, Charlie! Whoo! | 0:07:53 | 0:07:56 | |
Charles might be stamping his mark on York's medieval monuments, | 0:07:58 | 0:08:02 | |
but Christina's off to meet Nicky Rodgers at the city's Viking museum. | 0:08:02 | 0:08:07 | |
-Hello. -Hello. -Hi, you must be Nicky. | 0:08:07 | 0:08:09 | |
-I am. Hello, nice to meet you. -I'm Christina. | 0:08:09 | 0:08:12 | |
Jorvik opened its doors in 1984 | 0:08:12 | 0:08:14 | |
after a six-year archaeological dig in Coppergate, | 0:08:14 | 0:08:18 | |
revealing tens of thousands of perfectly preserved | 0:08:18 | 0:08:21 | |
Viking artefacts. | 0:08:21 | 0:08:23 | |
Vikings came to this area at the end of the eighth century, | 0:08:23 | 0:08:26 | |
settling in what became known as the city of Jorvik. | 0:08:26 | 0:08:30 | |
Commonly regarded as a violent people, | 0:08:30 | 0:08:32 | |
they were actually skilled traders | 0:08:32 | 0:08:34 | |
who integrated with the native population | 0:08:34 | 0:08:37 | |
and left a wealth of objects buried under York. | 0:08:37 | 0:08:39 | |
Oh, my goodness. What are these? | 0:08:39 | 0:08:41 | |
Well, this is a small sample of the finds that we recovered | 0:08:41 | 0:08:45 | |
-from the excavations at Coppergate. -So these are actually... | 0:08:45 | 0:08:48 | |
-These are Viking items? -These are all Viking items, absolutely. | 0:08:48 | 0:08:53 | |
-Every one. -This, how old is this? | 0:08:53 | 0:08:56 | |
Well, this is tenth century, so you're talking about, erm... | 0:08:56 | 0:09:00 | |
-Over 1,000 years old! -Oh, yes, yes, over that. | 0:09:00 | 0:09:03 | |
Oh, my goodness! | 0:09:03 | 0:09:05 | |
Well, it looks like some sort of brush or comb, or what is it? | 0:09:05 | 0:09:08 | |
It is a hair comb. | 0:09:08 | 0:09:09 | |
It's made of antler and obviously beautifully decorated. | 0:09:09 | 0:09:13 | |
Time to get hands-on with the precious artefacts. | 0:09:13 | 0:09:16 | |
If we have a close look at this... Erm, it's made of a horse long bone. | 0:09:16 | 0:09:21 | |
What this actually is, is a skate. | 0:09:21 | 0:09:24 | |
-A skate? -An ice skate. -No. | 0:09:24 | 0:09:26 | |
Yes, they're using this to travel across ice. | 0:09:26 | 0:09:29 | |
The other thing that you might want to think about | 0:09:29 | 0:09:31 | |
is that their shoes, like this one here, | 0:09:31 | 0:09:34 | |
which is made of leather, | 0:09:34 | 0:09:35 | |
are not necessarily going to be terribly waterproof. | 0:09:35 | 0:09:38 | |
So it's another way of keeping their feet out of the wet. | 0:09:38 | 0:09:41 | |
-Out of the snow. -Yes. -This is an original Viking shoe. | 0:09:41 | 0:09:44 | |
It's reconstructed, but it is original. | 0:09:44 | 0:09:47 | |
And what they would do is sew the upper to the sole | 0:09:47 | 0:09:51 | |
and then turn it inside out so that the seam is on the inside. | 0:09:51 | 0:09:55 | |
-So they're called turn shoes because they turned them inside out. -Wow. | 0:09:55 | 0:09:58 | |
I mean, I've got shoes that look in worse condition than that. | 0:09:58 | 0:10:01 | |
That's amazing. | 0:10:01 | 0:10:02 | |
The massive Jorvik collection contains many rare artefacts | 0:10:02 | 0:10:04 | |
of leather and wood which survived over 1,000 years | 0:10:04 | 0:10:07 | |
underground in waterlogged conditions. | 0:10:07 | 0:10:09 | |
This actually prevented the air and bacteria from destroying them. | 0:10:09 | 0:10:13 | |
Jewellery expert Christina is naturally drawn | 0:10:14 | 0:10:16 | |
to the sparkly stuff. | 0:10:16 | 0:10:18 | |
This is amber. So we have an amber pendant. | 0:10:18 | 0:10:22 | |
-Effectively this is jewellery. -It is, absolutely. It is jewellery. | 0:10:22 | 0:10:26 | |
They certainly liked to look pretty. | 0:10:26 | 0:10:29 | |
There's certainly plenty of adorning of their bodies going on. | 0:10:29 | 0:10:34 | |
Tell me, I specialise in jewellery and silver and coins, | 0:10:35 | 0:10:39 | |
-and these look like early hammered coins. -They are. | 0:10:39 | 0:10:42 | |
So what we have here is this is a coin dye. | 0:10:42 | 0:10:45 | |
-This is what would've been used to strike one face of a coin. -Right. | 0:10:45 | 0:10:49 | |
And then you would put that onto your metal and you would... | 0:10:49 | 0:10:52 | |
Yes, and we have a modern replica today... | 0:10:52 | 0:10:56 | |
-Of this? -..made of the same dye. -Wonderful. | 0:10:56 | 0:11:00 | |
All these fantastic things up, | 0:11:00 | 0:11:02 | |
I'm totally naive and innocent about the whole thing. | 0:11:02 | 0:11:04 | |
Were you as surprised as I am to see such an array of domestic items | 0:11:04 | 0:11:09 | |
in such beautiful condition? | 0:11:09 | 0:11:11 | |
Yes, it's an outstanding assemblage for lots of reasons. | 0:11:11 | 0:11:14 | |
It's the sheer quantity. | 0:11:14 | 0:11:15 | |
As I say, this is a very small part, but it's some fascinating things. | 0:11:15 | 0:11:21 | |
A stunning collection of Viking finds at Jorvik, | 0:11:21 | 0:11:24 | |
but will Charles find any more treasures to be unearthed | 0:11:24 | 0:11:27 | |
at the Banana Warehouse? | 0:11:27 | 0:11:29 | |
He might be leading in the money stakes on this Road Trip, | 0:11:33 | 0:11:37 | |
but at two legs each it's all to play for on the home straight. | 0:11:37 | 0:11:40 | |
Charles has spotted something in one of Dave Dee's cabinets. | 0:11:43 | 0:11:46 | |
-Might it be a valuable Steiff bear? -He's definitely an old bear. | 0:11:46 | 0:11:52 | |
Oh, he's sad, isn't he? | 0:11:52 | 0:11:53 | |
He's really sad because what we've got here, | 0:11:53 | 0:11:56 | |
he's not a Steiff bear, | 0:11:56 | 0:11:57 | |
despite this hump and this almost plush honey fur. | 0:11:57 | 0:12:01 | |
He is long-armed and they are movable | 0:12:01 | 0:12:04 | |
-and he obviously, I mean, look at his poor nose. -He's been loved. | 0:12:04 | 0:12:07 | |
He's blown his nose so hard. | 0:12:07 | 0:12:10 | |
What do you say? | 0:12:10 | 0:12:11 | |
No, he's poorly, he says. He's so poorly. I know. | 0:12:11 | 0:12:15 | |
And he could be quite cheap as well. | 0:12:15 | 0:12:17 | |
If I said to you, Dave, what's your best price on the bear, | 0:12:17 | 0:12:19 | |
to take a poor little bear away to auction...? | 0:12:19 | 0:12:21 | |
Well, I would think I would be asking £50 for him | 0:12:23 | 0:12:26 | |
-because he's in the state he's in. -Yeah, what do you think? | 0:12:26 | 0:12:28 | |
-I think so, yeah. He's a good lad, yeah. -He's not overly sure. | 0:12:30 | 0:12:34 | |
You know what? I... I'll leave him, Dave, at £50. | 0:12:35 | 0:12:39 | |
I'll say thank you but no, thanks. | 0:12:39 | 0:12:41 | |
Awww. No home for the bear, then. | 0:12:41 | 0:12:43 | |
And there doesn't seem to be anything else | 0:12:43 | 0:12:45 | |
catching Charles' eye in here. | 0:12:45 | 0:12:47 | |
He's going to head down the road to another shop, BBC Antiques. | 0:12:47 | 0:12:51 | |
Hello, sir. | 0:12:51 | 0:12:53 | |
-How are you? Resting merrily, I hope. -Yes, I am, yes. -I'm Charles Hanson. | 0:12:53 | 0:12:57 | |
-Good to see you. -Pleased to meet you, sir. -May I browse your emporium? | 0:12:57 | 0:13:00 | |
-You can. Help yourself. -That's very kind. | 0:13:00 | 0:13:03 | |
Now, will this shop be more to Charles' liking? | 0:13:03 | 0:13:05 | |
Careful now, Charles. | 0:13:12 | 0:13:13 | |
Spider! There's a big spider. | 0:13:16 | 0:13:18 | |
You really must leave alone, dear boy. | 0:13:18 | 0:13:21 | |
There's a nice feel in this emporium of antiques. | 0:13:21 | 0:13:24 | |
There's some really nice objects. | 0:13:24 | 0:13:26 | |
And first and foremost there's this vase in here which is marked Monart | 0:13:26 | 0:13:29 | |
and it's Scottish, it captures the essence of the early 20th century. | 0:13:29 | 0:13:34 | |
£60 isn't a great deal and I think collectors will recognise it | 0:13:34 | 0:13:38 | |
for being what it is and it could be worth a bit more. | 0:13:38 | 0:13:42 | |
Now, over there Charles has spotted a rather nice Liberty enclosed-style | 0:13:42 | 0:13:46 | |
Arts and Crafts cabinet. | 0:13:46 | 0:13:47 | |
It's from the same sort of period. | 0:13:47 | 0:13:49 | |
It's mahogany... | 0:13:49 | 0:13:50 | |
I think you'll find it's oak, Charles. | 0:13:50 | 0:13:53 | |
You've got this wonderful almost sinuous stained-glass effect. | 0:13:53 | 0:13:57 | |
It's very Art Nouveau. | 0:13:57 | 0:14:00 | |
Charles' wish list is getting rather full, | 0:14:00 | 0:14:02 | |
and oh, dear, he's spotted something else. | 0:14:02 | 0:14:05 | |
There's a huge market today for sporting ephemera, | 0:14:05 | 0:14:09 | |
sporting memorabilia. | 0:14:09 | 0:14:11 | |
What you want is to find something that really takes you back in time. | 0:14:11 | 0:14:15 | |
That's interesting. It could make £20, it could make £100. | 0:14:15 | 0:14:19 | |
And sometimes you've got to gamble. | 0:14:21 | 0:14:23 | |
Now, I think it's about time to step up to the wicket | 0:14:23 | 0:14:25 | |
and start the ball rolling, Charles. | 0:14:25 | 0:14:27 | |
-These items don't belong to you, do they? -No. | 0:14:27 | 0:14:29 | |
I'm working on behalf of a friend of mine. | 0:14:29 | 0:14:31 | |
-He's over there, isn't he? -Yes. | 0:14:31 | 0:14:33 | |
-He's a bit camera shy, isn't he? -He's a bit camera shy. | 0:14:33 | 0:14:35 | |
If I bought the cabinet, the Monart glass vase and the cricket ball | 0:14:35 | 0:14:41 | |
and the last thing was the cane, which, um... | 0:14:41 | 0:14:45 | |
..I've just seen, actually. I just pulled it out of the, er... | 0:14:46 | 0:14:50 | |
the bin there. This is Chester hallmarked. If I bought all four... | 0:14:50 | 0:14:53 | |
Hmm. | 0:14:53 | 0:14:54 | |
..what's the best price? 150. | 0:14:55 | 0:14:57 | |
What could you knock the whole lot down for? | 0:14:57 | 0:15:00 | |
Look at your mate, he's over there. | 0:15:00 | 0:15:01 | |
I don't want him to fall over with shock, if he falls over. | 0:15:01 | 0:15:05 | |
It's all up to camera-shy Martin. | 0:15:05 | 0:15:07 | |
I can see it. He's saying 120. | 0:15:07 | 0:15:10 | |
He's saying 120. Would you do the whole lot for £100? | 0:15:10 | 0:15:14 | |
Yes, he says yes. Upset and he's crying now though. | 0:15:16 | 0:15:19 | |
He's walking away. And that's it. Thanks ever so much. | 0:15:19 | 0:15:23 | |
But this innings is not over yet. | 0:15:23 | 0:15:25 | |
Our camera-shy dealer has thrown in an extra item as part of the deal, | 0:15:25 | 0:15:30 | |
an early 20th-century monochrome photograph of a cricket team, | 0:15:30 | 0:15:33 | |
probably of the era that would've used Charles' cricket ball. | 0:15:33 | 0:15:37 | |
That's wonderful. What a bonus. | 0:15:37 | 0:15:40 | |
Guys, that's the first time that's ever happened to me. | 0:15:40 | 0:15:42 | |
Time for our grand young duke and duchess to march out of York | 0:15:44 | 0:15:49 | |
and regroup, ready for their final day of shopping. | 0:15:49 | 0:15:52 | |
Night-night, boys and girls. | 0:15:52 | 0:15:54 | |
Ah, the sun is shining, but our Charles is mourning his lost youth. | 0:15:56 | 0:16:01 | |
-I was a young pretender. -Yeah. -You are now the young pretendess. | 0:16:01 | 0:16:06 | |
-The young pretendess. -And you can take me. -Yes, Charles. | 0:16:06 | 0:16:09 | |
She'll take you to the next shop. | 0:16:09 | 0:16:11 | |
Yesterday Charles shopped till he dropped | 0:16:11 | 0:16:14 | |
and spent £145 on a scent bottle, an Arts and Crafts cabinet, | 0:16:14 | 0:16:19 | |
a glass vase, a cane and a cricket ball and stand, | 0:16:19 | 0:16:22 | |
leaving him with an impressive £422.84 to spend today. | 0:16:22 | 0:16:28 | |
Christina swooped on this feathery lot of owl-adorned boxes, | 0:16:28 | 0:16:32 | |
spending just £30, meaning she still has £305.24 to claw her way back | 0:16:32 | 0:16:38 | |
to her first Road Trip series triumph. | 0:16:38 | 0:16:41 | |
Later they'll head south to the potteries for their auction | 0:16:41 | 0:16:44 | |
in Cobridge, Stoke-on-Trent, | 0:16:44 | 0:16:45 | |
but our first stop of the day is Northallerton. | 0:16:45 | 0:16:49 | |
-Oh, I say! Look at this. -Look at that bicycle. | 0:16:49 | 0:16:51 | |
-Look at this shop, Christina. -Well done. -This could be the winner. | 0:16:51 | 0:16:56 | |
-Good luck, enjoy yourself. -Will do. -Bye! | 0:16:57 | 0:17:00 | |
Oops. Mind how you go there, Charles. Whoopsie! | 0:17:01 | 0:17:04 | |
-Good morning. -Good morning. -How are you? -Very well, thank you. | 0:17:04 | 0:17:07 | |
-What a fine day. -Excellent. -In Northallerton. | 0:17:07 | 0:17:09 | |
-Good to see you, I'm Charles Hanson. -Pleased to meet you. Andrew. | 0:17:09 | 0:17:12 | |
It's the first chance for Charles to buy that quirky lot that will | 0:17:12 | 0:17:16 | |
lay waste to Christina's hopes of winning her first Road Trip 3-2. | 0:17:16 | 0:17:21 | |
Yeah, we're doing well. Christina, obviously she's done very well, | 0:17:21 | 0:17:24 | |
she's just beaten me in the last auction, so it's almost like 2-2. | 0:17:24 | 0:17:28 | |
She's a Shropshire girl, it's Shropshire 2 Derbyshire 2. | 0:17:28 | 0:17:31 | |
Charles just needs to unearth a really special lot to be | 0:17:32 | 0:17:35 | |
-the decider. -Is there anything market-fresh? | 0:17:35 | 0:17:39 | |
Has anything just come in? | 0:17:39 | 0:17:41 | |
Are there any rich pickings that maybe haven't been | 0:17:41 | 0:17:43 | |
looked at before already? | 0:17:43 | 0:17:45 | |
-A couple of bits. -Oh, yeah? | 0:17:45 | 0:17:46 | |
We've got the prints on the top there from the north-east | 0:17:46 | 0:17:49 | |
and then we've got some selections in the back. | 0:17:49 | 0:17:51 | |
-These are interesting prints, aren't they? -They are. | 0:17:51 | 0:17:54 | |
Obviously the gentleman on there, | 0:17:54 | 0:17:55 | |
-Jimmy Kay, had them published in the 1920s. -Who was Jimmy Kay? | 0:17:55 | 0:17:58 | |
We believe when we've researched it this gentleman obviously did | 0:17:58 | 0:18:01 | |
these charcoals and etchings, | 0:18:01 | 0:18:03 | |
and then he had them published in newspapers as well. | 0:18:03 | 0:18:05 | |
He's from Harding in County Durham, | 0:18:05 | 0:18:07 | |
so obviously they're all very mining shots with obviously the mining | 0:18:07 | 0:18:10 | |
and the sort of north-east Geordie little bit of twang in there | 0:18:10 | 0:18:13 | |
as well. But they're absolutely fabulous. | 0:18:13 | 0:18:15 | |
They're wonderful. | 0:18:15 | 0:18:16 | |
The sad thing is they could only make £35, but sometimes when you've | 0:18:16 | 0:18:20 | |
got that passion burning inside for real art you want to buy them. | 0:18:20 | 0:18:25 | |
And the best price would be £80? | 0:18:25 | 0:18:26 | |
-We could probably do them at 50 if you wanted. -Oh, don't say that. | 0:18:26 | 0:18:29 | |
Let's walk on. | 0:18:29 | 0:18:30 | |
Charles is keen but decides to call the auction house | 0:18:30 | 0:18:33 | |
to get some advice. | 0:18:33 | 0:18:34 | |
Tell me, I'm up here in North Yorkshire now | 0:18:34 | 0:18:38 | |
and I've come across some very nice pen and ink drawings | 0:18:38 | 0:18:42 | |
of local scenes of a neighbouring region of the north-east. | 0:18:42 | 0:18:47 | |
Do you think they might sell well from the 1920s? | 0:18:47 | 0:18:51 | |
The auctioneer's not sure that the drawings would do well | 0:18:51 | 0:18:54 | |
further afield. | 0:18:54 | 0:18:56 | |
I'm back, Andrew. | 0:18:56 | 0:18:57 | |
I've just spoken to the auctioneer in Stoke-on-Trent, | 0:18:57 | 0:19:00 | |
and there's one thing he can guarantee me | 0:19:00 | 0:19:02 | |
and that's theatre, drama and romance. | 0:19:02 | 0:19:06 | |
Are you sure that's what the auctioneer said, Charles? | 0:19:06 | 0:19:08 | |
What's the best price on them? | 0:19:08 | 0:19:10 | |
-50. -50, and no less? -No less. -No less, OK. | 0:19:10 | 0:19:14 | |
They're probably worth anything from £30 upwards. Um... | 0:19:14 | 0:19:19 | |
Make me an offer. | 0:19:21 | 0:19:23 | |
But you're a Yorkshire man, aren't you? | 0:19:23 | 0:19:24 | |
You're a Yorkshire man and I'm a Derbyshire man. | 0:19:24 | 0:19:27 | |
-I've got short arms and long pockets. -Exactly. | 0:19:27 | 0:19:29 | |
If you don't make an offer you never know, but I won't be cheeky. | 0:19:29 | 0:19:33 | |
-I think my offer... -49. | 0:19:33 | 0:19:36 | |
-Take a chance. -Take a chance... | 0:19:38 | 0:19:40 | |
..at £30. | 0:19:41 | 0:19:42 | |
-I can do 30. -Are you sure? -You're a nice guy, yes. -Are you sure? Mates! | 0:19:44 | 0:19:49 | |
-Is that mates' rates? -£30. -Are you sure? -Deal. -Is that mates' rates? | 0:19:49 | 0:19:52 | |
-It is. -Well, that's deal done, then. | 0:19:52 | 0:19:55 | |
Charles has got his last lot for the auction | 0:19:55 | 0:19:57 | |
and Andrew packs up the drawings in the old suitcase they came in. | 0:19:57 | 0:20:00 | |
While Charles is packing his bags, | 0:20:03 | 0:20:04 | |
Christina is off to Masham for her first shop of the day. | 0:20:04 | 0:20:08 | |
The pressure is on for her to beat Charles at the next auction, | 0:20:08 | 0:20:11 | |
but she's still a long way behind in the money stakes. | 0:20:11 | 0:20:14 | |
Will Aura Antiques hold her winning lot? | 0:20:14 | 0:20:17 | |
Hello. | 0:20:17 | 0:20:18 | |
-You must be Robert. -That's right. -Hi, Robert, I'm Christina. | 0:20:19 | 0:20:22 | |
-Hello, Christina. -Nice to meet you. Hi. | 0:20:22 | 0:20:24 | |
After a quick look at his wares, | 0:20:28 | 0:20:30 | |
Christina makes the owner an offer he can't refuse. | 0:20:30 | 0:20:33 | |
Take me upstairs, Robert. That's not an offer you have every day, is it? | 0:20:33 | 0:20:37 | |
Hmm, mind your step. | 0:20:37 | 0:20:38 | |
I love this, how much is this? | 0:20:38 | 0:20:41 | |
-That screen? -Yeah. | 0:20:41 | 0:20:43 | |
-It's a tenner. -A tenner? -Yes. | 0:20:43 | 0:20:46 | |
Why so cheap? | 0:20:48 | 0:20:49 | |
Well, it's really a shop fitting but I no longer require it. | 0:20:49 | 0:20:54 | |
But it's a nice funky thing. I don't know how old it is, but it's... | 0:20:54 | 0:20:58 | |
-Well, it's not going to be very old, is it? -No, but it's... | 0:20:58 | 0:21:01 | |
In fact, I don't think it's very old at all, | 0:21:01 | 0:21:04 | |
but the prints on it I think have got some age to it, haven't they? | 0:21:04 | 0:21:07 | |
Yeah. | 0:21:07 | 0:21:08 | |
OK, well, I've got to make a lot of money. | 0:21:08 | 0:21:12 | |
I think you could do well out of that for a tenner. | 0:21:12 | 0:21:15 | |
-I think, what, a fiver? -Oh, no! | 0:21:17 | 0:21:19 | |
Oh, go on. Do it for a fiver. | 0:21:19 | 0:21:20 | |
Go on. | 0:21:20 | 0:21:22 | |
Come on, Robert. | 0:21:22 | 0:21:24 | |
You know you want to. | 0:21:24 | 0:21:25 | |
I'm clearing a space for you, you can put some nice furniture there. | 0:21:25 | 0:21:28 | |
-Go on, then. -A fiver? -Yeah. -You're a legend. I love you, thank you. | 0:21:28 | 0:21:32 | |
Well done, Christina. The killer negotiator strikes again. | 0:21:32 | 0:21:36 | |
Right, so, what have we got in here? | 0:21:37 | 0:21:40 | |
-You've got a lovely little ruby there. -And the turquoise. | 0:21:40 | 0:21:44 | |
Very sweet. I like that. £90. | 0:21:44 | 0:21:48 | |
The ticket price is £90 on that gold brooch, | 0:21:48 | 0:21:51 | |
and here's another little gem. | 0:21:51 | 0:21:52 | |
Nine-carat. Is it jade or...? | 0:21:52 | 0:21:56 | |
-Looks Scottish to me. -Hmm. You've got some lovely things. | 0:21:57 | 0:22:01 | |
Come on, Christina. Make a decision, make a decision. | 0:22:01 | 0:22:05 | |
Yes, come on, Christina, do make your mind up, dear. | 0:22:05 | 0:22:07 | |
Right, Robert, I think these two are the ones | 0:22:07 | 0:22:10 | |
that I'm most interested in. | 0:22:10 | 0:22:12 | |
That one at £90 and that one at £55. | 0:22:12 | 0:22:17 | |
-But I don't want to pay that. -100 for the two. | 0:22:17 | 0:22:21 | |
You couldn't squeeze just a little bit more? | 0:22:21 | 0:22:23 | |
-That would make me a liar. -Would it? | 0:22:24 | 0:22:26 | |
Yes, cos I've just said that's me best. | 0:22:26 | 0:22:29 | |
95 would be wonderful. | 0:22:30 | 0:22:32 | |
-Go on, then. -You're a star! Thank you very much. | 0:22:32 | 0:22:36 | |
£95. That's wonderful. | 0:22:36 | 0:22:37 | |
Negotiating on your knees seems to work. | 0:22:37 | 0:22:41 | |
£95 for the two brooches and a measly fiver for that screen. | 0:22:41 | 0:22:45 | |
Right, so... | 0:22:45 | 0:22:47 | |
-I owe you £100. It's a round 100, isn't it? -Yes, it is. | 0:22:47 | 0:22:50 | |
Well, that was short and sweet. | 0:22:50 | 0:22:51 | |
Will those brooches raise enough to take Christina ahead of Charles? | 0:22:51 | 0:22:55 | |
We'll find out at the auction. | 0:22:55 | 0:22:56 | |
-It's been a pleasure. -Thank you. | 0:22:56 | 0:22:58 | |
-Thank you very much. -Hope you do well. -So do I! | 0:22:58 | 0:23:00 | |
Thank you. | 0:23:00 | 0:23:01 | |
Christina and Charles get together again | 0:23:01 | 0:23:04 | |
and head off to their final shopping destination, Richmond. | 0:23:04 | 0:23:07 | |
Founded in the 11th century by the Normans, | 0:23:10 | 0:23:13 | |
this market town nestles in the heart of the Yorkshire Dales. | 0:23:13 | 0:23:16 | |
Arriving in Market Place itself, | 0:23:17 | 0:23:19 | |
Christina gives Charles his marching orders. | 0:23:19 | 0:23:22 | |
He's off to meet Linda Powell | 0:23:22 | 0:23:24 | |
at the museum of the Green Howards Regiment. | 0:23:24 | 0:23:27 | |
-Afternoon. -Good afternoon. -I'm hoping you're Linda Powell. | 0:23:27 | 0:23:30 | |
-I am. Lovely to meet you. -I'm Charles Hanson. | 0:23:30 | 0:23:32 | |
-It's great to be here at your museum. -Thank you. | 0:23:32 | 0:23:34 | |
-May I have a wander round? -Of course. -Can't wait. | 0:23:34 | 0:23:37 | |
Fighting in every major campaign | 0:23:37 | 0:23:39 | |
from the 17th century through two world wars | 0:23:39 | 0:23:41 | |
to the Gulf War and Bosnia, | 0:23:41 | 0:23:43 | |
the regiment had a proud history for over 300 years. | 0:23:43 | 0:23:46 | |
They became part of the Yorkshire Regiment in 2006. | 0:23:46 | 0:23:51 | |
Regiments were originally named after their colonels. | 0:23:51 | 0:23:53 | |
The Green Howards were differentiated | 0:23:53 | 0:23:56 | |
from another regiment, led by a second Colonel Howard, | 0:23:56 | 0:23:58 | |
as "green" because of the trimmings on their uniforms. | 0:23:58 | 0:24:02 | |
What has your museum got that you would say is a bit different? | 0:24:02 | 0:24:05 | |
What can it tell us about the history of our great regiments? | 0:24:05 | 0:24:10 | |
I think what we can do here | 0:24:10 | 0:24:12 | |
is both tell the story of the great and the good, | 0:24:12 | 0:24:14 | |
but also the ordinary soldier. | 0:24:14 | 0:24:17 | |
But more than that, we can tell the story | 0:24:17 | 0:24:19 | |
of the whole regimental family, | 0:24:19 | 0:24:20 | |
and that includes women who were married | 0:24:20 | 0:24:22 | |
and who followed their men throughout their sentry, | 0:24:22 | 0:24:25 | |
so it's not just about the fighting. | 0:24:25 | 0:24:28 | |
It's about everyone who was part of the regiment. | 0:24:28 | 0:24:30 | |
It wasn't uncommon, even as far back as the Crimean War, | 0:24:30 | 0:24:33 | |
for small numbers of women to accompany their husbands | 0:24:33 | 0:24:36 | |
to the front line. | 0:24:36 | 0:24:38 | |
One lady did write about her experiences, | 0:24:38 | 0:24:40 | |
and we have something called the Green Howards' Gazette. | 0:24:40 | 0:24:43 | |
After the Crimea, in about the 1890s, | 0:24:43 | 0:24:45 | |
she wrote in to this magazine to describe her experiences | 0:24:45 | 0:24:49 | |
during the Crimea, and it's a wonderful account. | 0:24:49 | 0:24:51 | |
Linda reads Margaret Kerwin's account of an attack. | 0:24:51 | 0:24:55 | |
"The day of the explosion | 0:24:55 | 0:24:56 | |
"was the most frightful thing that I ever witnessed. | 0:24:56 | 0:24:59 | |
"It was reported that some Frenchmen got heavy punishment | 0:24:59 | 0:25:02 | |
"as they had set fire to the English and French magazines | 0:25:02 | 0:25:05 | |
"which were together. | 0:25:05 | 0:25:06 | |
"I was on my knees ironing at the time, | 0:25:06 | 0:25:09 | |
"and my little pet goat lying beside me, | 0:25:09 | 0:25:11 | |
"when four shells exploded in my tent | 0:25:11 | 0:25:14 | |
"and covered me all over with earth. | 0:25:14 | 0:25:16 | |
"There were 28 sheep and 14 bullocks | 0:25:16 | 0:25:19 | |
"torn to pieces at the back of my tent." | 0:25:19 | 0:25:22 | |
That just gives you some idea of what she was going through, | 0:25:22 | 0:25:25 | |
and at the same time, she carries on ironing. | 0:25:25 | 0:25:27 | |
The museum has some more hard-hitting exhibits. | 0:25:27 | 0:25:30 | |
-So what's this? -It's a piece of somebody's belt | 0:25:30 | 0:25:34 | |
which, erm...a shot has landed in the middle of it. | 0:25:34 | 0:25:38 | |
But he survives it. | 0:25:38 | 0:25:39 | |
He was a bit bruised, but he survived. | 0:25:39 | 0:25:42 | |
-And this was lodged in...? -His belt buckle. | 0:25:42 | 0:25:45 | |
-That's incredible. -Yeah. | 0:25:45 | 0:25:47 | |
You look at the size of this bullet, | 0:25:47 | 0:25:49 | |
and I mean, for it just to be lodged there | 0:25:49 | 0:25:51 | |
and not even penetrate is incredible. | 0:25:51 | 0:25:53 | |
The stunning medals room reflects the honours awarded | 0:25:54 | 0:25:57 | |
to members of the regiment. | 0:25:57 | 0:25:59 | |
I feel, Linda, like I should be walking like... | 0:25:59 | 0:26:02 | |
-A proper officer. -A true officer, because this room is just startling. | 0:26:02 | 0:26:07 | |
And so revealing, isn't it? Tell me about it. | 0:26:07 | 0:26:10 | |
You've got over 5,000 medals in this room, | 0:26:10 | 0:26:13 | |
including 18 Victoria Crosses. | 0:26:13 | 0:26:16 | |
-18 Victoria Crosses?! -Yeah. -And of course, the Victoria Cross... | 0:26:16 | 0:26:20 | |
It's the highest award you can be awarded. | 0:26:20 | 0:26:23 | |
Less than 1,400 Victoria Crosses have been awarded | 0:26:23 | 0:26:28 | |
in the 157 years since its inception. | 0:26:28 | 0:26:33 | |
Awarded for valour in the face of the enemy, | 0:26:33 | 0:26:35 | |
the medals have traditionally been cast of metal from Russian cannons | 0:26:35 | 0:26:39 | |
captured during the Crimean War. | 0:26:39 | 0:26:41 | |
You stand in a room like this and you feel very small. | 0:26:43 | 0:26:47 | |
You feel very small for what these great men | 0:26:47 | 0:26:50 | |
achieved in their lifetimes and for what they did for us today. | 0:26:50 | 0:26:54 | |
It's said very frequently, but to be in this room now, | 0:26:54 | 0:26:58 | |
just surrounded, it just... | 0:26:58 | 0:27:00 | |
-Well, it takes your breath away, doesn't it? -Yeah. | 0:27:00 | 0:27:03 | |
Absolutely, Charles. | 0:27:03 | 0:27:04 | |
Heading into York House Antiques, | 0:27:09 | 0:27:11 | |
it's Christina's last chance to find that hidden treasure | 0:27:11 | 0:27:14 | |
which will take her ahead of Charles and win her the day. | 0:27:14 | 0:27:18 | |
-Oh, hello. -Hi. -How do you do? -I'm Christina, how are you? | 0:27:18 | 0:27:22 | |
-I'm Christina, too. -Are you? Oh, my goodness! | 0:27:22 | 0:27:25 | |
Heading upstairs, our Christina's on a mission to hammer home a bargain. | 0:27:25 | 0:27:30 | |
Maybe that's what I need as my new gavel. | 0:27:30 | 0:27:32 | |
This little...tile here... | 0:27:36 | 0:27:39 | |
Great subject - look at him, bless him. | 0:27:41 | 0:27:43 | |
This poor little caged bird, looking at these beautiful moths, | 0:27:43 | 0:27:47 | |
which are all out and free, and he's stuck behind his cage. | 0:27:47 | 0:27:50 | |
Quite a sad subject, really. | 0:27:51 | 0:27:53 | |
Oh, but great that it's Mintons. | 0:27:53 | 0:27:56 | |
Absolutely brilliant - Stoke-on-Trent. | 0:27:56 | 0:27:58 | |
Minton was one of the best-known of the Stoke potteries, | 0:27:58 | 0:28:01 | |
founded by Thomas Minton at the end of the 18th century. | 0:28:01 | 0:28:05 | |
Time to see if that damage can help Christina get the price down. | 0:28:05 | 0:28:09 | |
Um...yeah, nice tile, but unfortunate about this crack. | 0:28:09 | 0:28:13 | |
What's your best price on that? | 0:28:13 | 0:28:15 | |
Because I wouldn't be looking to pay anything near that, because... | 0:28:15 | 0:28:18 | |
I wouldn't either. | 0:28:18 | 0:28:19 | |
THEY LAUGH | 0:28:19 | 0:28:21 | |
-I don't think so, no. -Because of this damage. | 0:28:21 | 0:28:23 | |
I mean, literally, I was thinking a fiver. | 0:28:23 | 0:28:25 | |
Literally, because of this. | 0:28:27 | 0:28:29 | |
-But I do like it. -It is nice, yes. | 0:28:30 | 0:28:33 | |
-I would say yes, OK. -For a fiver? Oh, you're a genius! Wow, OK. | 0:28:33 | 0:28:37 | |
Another item for a fiver - cheeky girl. | 0:28:37 | 0:28:40 | |
I'm really pleased with that, | 0:28:40 | 0:28:42 | |
because I wanted to buy something that would go with the area, | 0:28:42 | 0:28:46 | |
and I mean, it's even got Stoke-on-Trent on the back. | 0:28:46 | 0:28:49 | |
No, I'm really pleased with that. Thank you very much. | 0:28:49 | 0:28:52 | |
That's my last purchase. Fantastic. | 0:28:52 | 0:28:55 | |
Well, that's Christina's final lot. | 0:28:55 | 0:28:57 | |
Will her purchases earn enough profit | 0:28:57 | 0:29:00 | |
for her to overtake Charles' lead of over £200? | 0:29:00 | 0:29:04 | |
Time to see what each other has bought. Charles first. | 0:29:04 | 0:29:08 | |
# Da-da-da-da-da-da... # | 0:29:08 | 0:29:10 | |
-Ooh, that's nice. -Voila! | 0:29:10 | 0:29:13 | |
-Ooh! -OK, Christina, talk to me about my wares. | 0:29:13 | 0:29:16 | |
-Ooh, what's that? -Let me tell you - that's a late Victorian cricket ball. | 0:29:16 | 0:29:21 | |
We were at Headingley a few days ago. | 0:29:21 | 0:29:24 | |
-It just has a bit of summertime feel about it. -Absolutely. | 0:29:24 | 0:29:27 | |
-And we can't miss this. -It's just a really good-looking cabinet. | 0:29:27 | 0:29:31 | |
-It's Art Nouveau. -Lovely. What did you pay for that? | 0:29:31 | 0:29:34 | |
It wasn't cheap - £40. | 0:29:34 | 0:29:37 | |
Liberty's style may have waned slightly in popularity, | 0:29:37 | 0:29:40 | |
but it's still quite a bargain. | 0:29:40 | 0:29:42 | |
-So what's this? -This is a box which was found in an attic | 0:29:42 | 0:29:46 | |
with these wonderful pen and ink drawings. | 0:29:46 | 0:29:48 | |
They cost me £30, and I just think | 0:29:48 | 0:29:51 | |
they have the heartbeat of the Road Trip with them | 0:29:51 | 0:29:55 | |
-because they're unique. -Exactly. | 0:29:55 | 0:29:56 | |
Even though they're not by an old master, | 0:29:56 | 0:29:59 | |
can Christina's five lots compare to those of the young master? | 0:29:59 | 0:30:03 | |
Oh, that's...oh, crikey! That's really nice. | 0:30:05 | 0:30:08 | |
Oh, that's really nice. | 0:30:08 | 0:30:09 | |
Don't look round here, you probably don't want to look round here. | 0:30:09 | 0:30:12 | |
-What's over there? -Nothing... -Is there a hole in it? | 0:30:12 | 0:30:16 | |
-Oh, no! -A small hole. Just a very, very, very... | 0:30:16 | 0:30:18 | |
Did it happen before you bought it or after? Was it there? | 0:30:18 | 0:30:20 | |
-It was already there. -I bet it cost you...£55. | 0:30:20 | 0:30:26 | |
-How much? -Lower. -Oh, not a lot lower. | 0:30:26 | 0:30:28 | |
-£35. -Lower. | 0:30:28 | 0:30:30 | |
Oh, don't do this to me. Not a tenner? | 0:30:30 | 0:30:32 | |
-Lower. -Oh, dear me. I might as well go home now. | 0:30:32 | 0:30:35 | |
-Are you being serious? £5? -It cost me £5. | 0:30:35 | 0:30:38 | |
-Oh, Christina. -That's not bad, is it? -You know what? | 0:30:38 | 0:30:41 | |
-This is far from over, you know? -Do you want to see the rest? -Yeah. | 0:30:41 | 0:30:45 | |
-Doesn't look very impressive, does it? There we go. -Oh, crikey. | 0:30:45 | 0:30:48 | |
This is my last purchase, which I love... | 0:30:48 | 0:30:50 | |
-Aesthetic Minton? -Very much so. | 0:30:50 | 0:30:53 | |
-It has got a huge crack in it. -Oh, I love that. | 0:30:53 | 0:30:55 | |
But it cost you...knowing you, it probably cost you, like, £15. | 0:30:55 | 0:30:59 | |
-Lower. -Oh, dear me! Are you being serious? | 0:30:59 | 0:31:02 | |
-£5. Yeah. -Oh, my dear! Five and five! OK, keep going. | 0:31:02 | 0:31:06 | |
I haven't really spent very much, | 0:31:06 | 0:31:08 | |
but this is where it gets a bit interesting, | 0:31:08 | 0:31:10 | |
because I bought these - this one I'm particularly excited about, | 0:31:10 | 0:31:13 | |
because I think that could be quite interesting. | 0:31:13 | 0:31:16 | |
Nine-carat gold, hallmarked. | 0:31:16 | 0:31:17 | |
But just underneath that nine-carat gold stamp is an initial. | 0:31:17 | 0:31:22 | |
S...possibly D. | 0:31:22 | 0:31:24 | |
-Sibyl Dunlop. -Oh, of course! | 0:31:24 | 0:31:26 | |
Sibyl Dunlop was one of the most respected and collectable | 0:31:26 | 0:31:29 | |
20th-century makers working between the wars. | 0:31:29 | 0:31:32 | |
I reckon you'd probably paid, for the two together...£80? | 0:31:32 | 0:31:36 | |
Oh, I paid £95. I did pay quite a lot for them. | 0:31:36 | 0:31:40 | |
But, knowing you, I thought they'd be, like, £5 each. | 0:31:40 | 0:31:43 | |
Knowing how you've done so far. | 0:31:43 | 0:31:45 | |
-Good luck. -Good luck. Well done. | 0:31:45 | 0:31:47 | |
THEY LAUGH | 0:31:47 | 0:31:48 | |
Well done. | 0:31:48 | 0:31:49 | |
Let's get our experts alone and see if the gloves come off. | 0:31:49 | 0:31:53 | |
I like what he's bought, I really like what he's bought. | 0:31:53 | 0:31:55 | |
I love his Liberty cupboard. | 0:31:55 | 0:31:57 | |
It's not overly in vogue at the moment, | 0:31:57 | 0:31:59 | |
but with that name attached to it, it should do really well. | 0:31:59 | 0:32:01 | |
He's done a great job with that. | 0:32:01 | 0:32:03 | |
I like his Monart vase. | 0:32:03 | 0:32:05 | |
I think to pay £25 for that was an absolute steal. | 0:32:05 | 0:32:07 | |
He did really well with that. | 0:32:07 | 0:32:09 | |
But those pen and ink drawings were just...just gorgeous, love those. | 0:32:09 | 0:32:13 | |
Icing on the cake, just totally unique. | 0:32:13 | 0:32:15 | |
He's absolutely right. | 0:32:15 | 0:32:16 | |
I think he's pulled a bit of a blinder with those. | 0:32:16 | 0:32:18 | |
I don't know what Christina did to actually merit and justify | 0:32:18 | 0:32:22 | |
buying these cheap objects - £5 for a screen, unbelievable. | 0:32:22 | 0:32:25 | |
The tile - OK, it was £5, but it had a big crack in, | 0:32:25 | 0:32:29 | |
but it is local interest. | 0:32:29 | 0:32:30 | |
But the screen's a wonderful item. | 0:32:30 | 0:32:32 | |
They are hard to sell, but that £5 will happily turn, | 0:32:32 | 0:32:35 | |
in my opinion, into £40. | 0:32:35 | 0:32:38 | |
That wonderful little Deco oval brooch could really fly. | 0:32:38 | 0:32:41 | |
She's bought really well. Really nervous about this. | 0:32:41 | 0:32:45 | |
After starting out in Harrogate, heading east to York, | 0:32:45 | 0:32:48 | |
then north to the Richmond area, | 0:32:48 | 0:32:51 | |
the last stretch of our trip heads back south, to the Potteries, | 0:32:51 | 0:32:54 | |
and concludes at an auction in Cobridge, | 0:32:54 | 0:32:57 | |
Stoke-on-Trent. | 0:32:57 | 0:32:58 | |
Cobridge was once known as the global heart | 0:32:58 | 0:33:01 | |
of the ceramics industry. | 0:33:01 | 0:33:02 | |
Josiah Wedgwood founded the first of Stoke's many potteries | 0:33:02 | 0:33:06 | |
in the 18th century, | 0:33:06 | 0:33:07 | |
and today, the area remains a thriving industry. | 0:33:07 | 0:33:11 | |
Our intrepid duo are finally arriving at their showdown | 0:33:11 | 0:33:14 | |
at ASH Auctions. | 0:33:14 | 0:33:16 | |
-This is quite daunting, isn't it? -I'm excited! | 0:33:17 | 0:33:20 | |
This is the last one, but also...it's the big one. | 0:33:20 | 0:33:24 | |
-Oh. -Isn't it? -Well, good luck. -Good luck. | 0:33:24 | 0:33:27 | |
Opened in 1994, the auction house holds weekly general sales. | 0:33:27 | 0:33:31 | |
Founding partner Lee Sherratt will man the gavel at today's auction. | 0:33:32 | 0:33:37 | |
So, what does he think of our experts' offerings? | 0:33:37 | 0:33:39 | |
The display cabinet is, erm...OK. | 0:33:42 | 0:33:46 | |
Liberty & Co, good name. | 0:33:46 | 0:33:49 | |
The condition does let it down slightly. | 0:33:49 | 0:33:52 | |
The Monart glass vase, it's...an unusual item, but, uh... | 0:33:52 | 0:33:56 | |
I doubt if that'll do very well, really. | 0:33:57 | 0:34:00 | |
The outstanding item, for me, is the nine-carat gold brooch. | 0:34:00 | 0:34:03 | |
Stamped on the back, "SD", which should be Sibyl Dunlop, | 0:34:03 | 0:34:08 | |
and if this is the case, I'm sure it'll go well. | 0:34:08 | 0:34:12 | |
Charles Hanson started this final leg with £567.84p, | 0:34:12 | 0:34:18 | |
and spent £175 on five lots. | 0:34:18 | 0:34:22 | |
Christina Trevanion started with £335.24p | 0:34:22 | 0:34:26 | |
and spent £135, also on five lots. | 0:34:26 | 0:34:29 | |
Charles is more than £200 ahead of Christina - | 0:34:29 | 0:34:33 | |
could she steal the trip from him at the last moment? | 0:34:33 | 0:34:36 | |
Let the games begin! | 0:34:36 | 0:34:38 | |
First up is Christina's brooch, | 0:34:39 | 0:34:41 | |
that may or may not be by Sibyl Dunlop. | 0:34:41 | 0:34:43 | |
But what will the bidders think? | 0:34:43 | 0:34:45 | |
£50, straight in on commission. | 0:34:45 | 0:34:46 | |
£50, it's on sale at £50. | 0:34:46 | 0:34:48 | |
At £50, bid at 55, can I see? | 0:34:48 | 0:34:50 | |
At £50, bid £55. Are you carrying on? | 0:34:50 | 0:34:52 | |
Still on commissions. Carry on, Jeff. | 0:34:52 | 0:34:54 | |
AUCTIONEER: 55, 65, 75, 78. | 0:34:54 | 0:34:57 | |
Up to £78 on commission bids, £78. | 0:34:57 | 0:35:00 | |
At £78, all done? | 0:35:00 | 0:35:02 | |
Finishes at £78. | 0:35:02 | 0:35:05 | |
-It's great. -Phew! -That's great, well done, that's great! | 0:35:05 | 0:35:08 | |
Splendid! Keep it up, Christina, and you might just catch him. | 0:35:08 | 0:35:12 | |
Next up, Charles' first lot, the Monart glass vase | 0:35:12 | 0:35:16 | |
that the auctioneer doesn't think will fare well. | 0:35:16 | 0:35:19 | |
25 on bid. 25, straight in. I thought you would. | 0:35:19 | 0:35:21 | |
-Look at the hands! -Look at the hands! | 0:35:21 | 0:35:24 | |
35. 35, 40. | 0:35:24 | 0:35:25 | |
40 bid, 5, 45. 50, 55. 55, 60. | 0:35:25 | 0:35:28 | |
At £55 on my right. At... | 0:35:28 | 0:35:31 | |
60, fresh money standing. 60, 65, 65, 70. | 0:35:31 | 0:35:34 | |
70 I'm bid. | 0:35:34 | 0:35:36 | |
-Go on! One more! -75... | 0:35:36 | 0:35:37 | |
80, 80 I'm bid. 85. 85, 90. | 0:35:37 | 0:35:40 | |
90 I'm bid now. 95, 95 - top it up? | 0:35:40 | 0:35:42 | |
One more! One more! | 0:35:42 | 0:35:44 | |
Bid £100, and five. He's out now, you see? | 0:35:44 | 0:35:47 | |
At £100. At £100. | 0:35:47 | 0:35:49 | |
Selling at £100, selling... | 0:35:49 | 0:35:51 | |
Oh, he hasn't finished yet, Lee. | 0:35:51 | 0:35:53 | |
£105, back in, seated. | 0:35:53 | 0:35:55 | |
105, 105. | 0:35:55 | 0:35:56 | |
Have another go, madam. 110. | 0:35:56 | 0:35:58 | |
100...108, then. 108, I'm tempting you. | 0:35:58 | 0:36:01 | |
At £105, then. First time, second time, at £105... | 0:36:01 | 0:36:06 | |
SHE LAUGHS | 0:36:07 | 0:36:09 | |
Well, now! The auctioneer got it wrong on that one. | 0:36:09 | 0:36:12 | |
That's a massive profit for Charles. | 0:36:12 | 0:36:14 | |
Will Christina's bargain-basement screen shield her | 0:36:14 | 0:36:17 | |
from impending disaster? | 0:36:17 | 0:36:19 | |
£20 to get on, somebody. | 0:36:19 | 0:36:20 | |
£20 - come on, it's worth that, surely? | 0:36:20 | 0:36:23 | |
Come on, Christina - gallop it. Canter... | 0:36:23 | 0:36:25 | |
£20 for it. £15 for it. | 0:36:25 | 0:36:26 | |
-Ugh... -£15 for it - come on, it's got to be worth that? | 0:36:26 | 0:36:29 | |
£10. £10 for it. | 0:36:29 | 0:36:31 | |
-Hey! She's bid on it. -It's cheap at £10 - come on. | 0:36:31 | 0:36:35 | |
Well short. I'll sell it at £10, all done. Maiden bid for only £10. | 0:36:35 | 0:36:41 | |
Double the money there, but double a fiver isn't much, | 0:36:41 | 0:36:44 | |
and she's still lagging behind. | 0:36:44 | 0:36:46 | |
Next, it's Charles's Liberty-style cabinet. | 0:36:46 | 0:36:49 | |
£50 - it's got to be worth that. £50. £40, bid me. | 0:36:49 | 0:36:52 | |
£40 bid. Great buy at £40. | 0:36:52 | 0:36:55 | |
-That's good. -This is very cheap at £40. | 0:36:55 | 0:36:57 | |
I'll take £50, if you like. 50. | 0:36:57 | 0:36:58 | |
At 55, now five. 55, 60. 60 bid, now 65. | 0:36:58 | 0:37:02 | |
65, 70. 70... | 0:37:02 | 0:37:04 | |
-Good girl... -75. | 0:37:04 | 0:37:07 | |
-At 75. -Go on! -At 75. Commission bidder. | 0:37:07 | 0:37:10 | |
-At £75, then... -Yes, 80! Sorry... | 0:37:10 | 0:37:15 | |
£80 for it. You can't do that! | 0:37:15 | 0:37:18 | |
£80 bid, 80 bid. | 0:37:18 | 0:37:19 | |
Keep your hands down! | 0:37:19 | 0:37:22 | |
For you, madam, £80. Commissions are now out. | 0:37:22 | 0:37:24 | |
At £80, then, once, twice...third and final time, 80... | 0:37:24 | 0:37:29 | |
Well done, Charles. So, what's that? | 0:37:29 | 0:37:32 | |
I must calm down, I'm so excited! Sorry! | 0:37:32 | 0:37:34 | |
After being physically restrained from joining in, | 0:37:34 | 0:37:38 | |
Charles doubles his money there. | 0:37:38 | 0:37:39 | |
Christina's next lot, the Victorian snake brooch. | 0:37:39 | 0:37:43 | |
-£50 commission, straight in. -Great. -£50, straight in, here. | 0:37:43 | 0:37:46 | |
I'll take five, if you like. £50, take five. | 0:37:46 | 0:37:49 | |
If not, commissions still in. Carry on, Jeff. | 0:37:49 | 0:37:51 | |
AUCTIONEER: 50, 60. 60, 70. 73. | 0:37:51 | 0:37:56 | |
We're up to £73 now on commission. 73, is there 75 anywhere? | 0:37:56 | 0:37:59 | |
If not, then it's straight to commission at £73. | 0:37:59 | 0:38:03 | |
Not bad. Is she catching Charles yet? | 0:38:03 | 0:38:06 | |
Will his scent bottle have the sweet smell of success? | 0:38:06 | 0:38:10 | |
-Straight in, we've got a commission bid of £50. -Good lad! | 0:38:10 | 0:38:13 | |
At £50, where's 55? | 0:38:13 | 0:38:15 | |
This is a belter. At £50, where's 55? I should think so. | 0:38:15 | 0:38:18 | |
55, 60. At £60, where's 65? Go on, it's worth more than this. | 0:38:18 | 0:38:22 | |
Straight to a commission bidder. | 0:38:22 | 0:38:24 | |
-Five. At 65, 70. At £70, at £75. -One more! | 0:38:24 | 0:38:28 | |
-Now 80. £80 bid. -Go on, one more! | 0:38:28 | 0:38:31 | |
-It's only money! -One more! -Commission bidder gets it. | 0:38:31 | 0:38:34 | |
-At £80, the hammer's up... -Hold on... | 0:38:34 | 0:38:38 | |
So, £80 for that fragrant lot. He's ahead by more than a nose now. | 0:38:38 | 0:38:43 | |
Will Christina's tile fire up some interest back in its home town? | 0:38:43 | 0:38:46 | |
£30 - can I see 20? | 0:38:46 | 0:38:48 | |
-£20, £20... -Go! | 0:38:48 | 0:38:50 | |
£20 bid on the right-hand side. I'll take two, if you like. | 0:38:50 | 0:38:53 | |
If not...maiden bidder at £20, the hammer's up. | 0:38:53 | 0:38:58 | |
Quadruple! You know... | 0:38:58 | 0:39:00 | |
Well, that was quick! Top marks, Christina. | 0:39:00 | 0:39:03 | |
It's the turn of Charles' pen and ink drawings. | 0:39:03 | 0:39:06 | |
Could they be his masterpiece? | 0:39:06 | 0:39:07 | |
£50 the lot. Interesting lot, here. £40 can I see? | 0:39:07 | 0:39:10 | |
£40 to get along. £20 the lot. | 0:39:10 | 0:39:13 | |
£20 - £20, off at £20. I'll take £25, now. | 0:39:13 | 0:39:16 | |
At £20 bid. All over the place. 25 bid. 25 bid now. | 0:39:16 | 0:39:19 | |
30 bid now. 35, 35 bid now. 35, 40 bid now. | 0:39:19 | 0:39:22 | |
At 40 bid now. 45 bid. At 45 bid now. 50 bid? 45. | 0:39:22 | 0:39:26 | |
At £45, left-hand side at 45. | 0:39:26 | 0:39:28 | |
-Being sold off, no mistake... -She's back in again. | 0:39:28 | 0:39:31 | |
At 50 bid, now. She's out, now. In the seats at £50. | 0:39:31 | 0:39:34 | |
At £50 bid once. £50 twice. | 0:39:34 | 0:39:37 | |
Third and final time at £50. | 0:39:37 | 0:39:40 | |
£50, eh? Charles just keeps increasing that lead. | 0:39:40 | 0:39:44 | |
Christina's last lot, now - the two boxes, decorated with birds. | 0:39:44 | 0:39:48 | |
But is it "owl" over for her already? | 0:39:48 | 0:39:51 | |
15, can I see 15? Give me ten to get on, somebody. £10. | 0:39:51 | 0:39:55 | |
At £10, front row... | 0:39:55 | 0:39:56 | |
Hey! I don't think they've noticed Lee has started the bidding... | 0:39:56 | 0:39:59 | |
At £12, now 14. 14 bid now, 16, if you like. | 0:39:59 | 0:40:03 | |
16. At £16, now 18, if you like? | 0:40:03 | 0:40:05 | |
18. 18 bid, now 20's against you, 20. | 0:40:05 | 0:40:08 | |
At £18, then, front row bid at £18. | 0:40:08 | 0:40:12 | |
It's the first loss of the day, and our experts didn't even notice. | 0:40:12 | 0:40:16 | |
What? Have we sold? Did they sell? | 0:40:16 | 0:40:19 | |
They've sold it already! | 0:40:19 | 0:40:22 | |
Maybe they'll be more on the ball now - ha! | 0:40:22 | 0:40:25 | |
Here's Charles's final lot, | 0:40:25 | 0:40:27 | |
the cane, photograph and cricket ball with stand. | 0:40:27 | 0:40:30 | |
£40. £40 straight in, it's on sale. That's 40 bid. | 0:40:30 | 0:40:34 | |
At £40, worth more than this, surely. Where are the bids? | 0:40:34 | 0:40:36 | |
45. 45, 50. Five. On commission... | 0:40:36 | 0:40:40 | |
No mistake. You carrying on? | 0:40:40 | 0:40:42 | |
-53, 54. -Up to £54 on commission. | 0:40:42 | 0:40:46 | |
At £54, commission bid. | 0:40:46 | 0:40:48 | |
At £54 once, twice, third and final time... | 0:40:49 | 0:40:53 | |
Howzat? | 0:40:55 | 0:40:56 | |
Let's just say it's been an experience! | 0:40:56 | 0:40:58 | |
SHE LAUGHS | 0:40:58 | 0:41:00 | |
-One last time, Christina. -One last time. -Bowl me a good one. | 0:41:00 | 0:41:03 | |
Well, Christina wasn't out for a duck, | 0:41:03 | 0:41:06 | |
but I think it was Charles who scored a six there. | 0:41:06 | 0:41:09 | |
Christina began this leg with £335.34p. | 0:41:09 | 0:41:13 | |
After paying auction costs, she made a profit of £28.18p, | 0:41:13 | 0:41:18 | |
giving her a grand total of £363.42p. | 0:41:18 | 0:41:22 | |
Charles began with an impressive £567.84p. | 0:41:23 | 0:41:27 | |
After costs, he made a profit of £127.58p, | 0:41:27 | 0:41:32 | |
winning the trip with a massive total of £695.42p. | 0:41:32 | 0:41:37 | |
Charles may have seen off the threat from the young pretender Christina, | 0:41:37 | 0:41:41 | |
but she's not letting his victory go to his head. | 0:41:41 | 0:41:44 | |
-She's still in charge of the keys. -Eh, where are you going? | 0:41:44 | 0:41:46 | |
You may have won, but your driving is still atrocious. | 0:41:46 | 0:41:49 | |
-Hand over the keys. -Come on! | 0:41:49 | 0:41:51 | |
Listen, this is a built-up area! Surely it's a man's prerogative? | 0:41:51 | 0:41:55 | |
No, not this time. No, I want to go home alive. | 0:41:55 | 0:41:58 | |
SHE LAUGHS | 0:41:58 | 0:42:00 | |
-Come on. -It's been a wonderful journey, Christina. -Good, I'm glad. | 0:42:00 | 0:42:03 | |
On behalf of Queen and country, it's been wonderful with you. | 0:42:03 | 0:42:07 | |
-Good. Right... -Take me home. | 0:42:07 | 0:42:11 | |
Thanks for the memories. All the best. Well played. | 0:42:11 | 0:42:15 | |
-That's it. That's it, Christina. -Woo-hoo! -Woo-hoo! | 0:42:15 | 0:42:17 | |
Our youthful duo have toured hill and dale this Road Trip, | 0:42:17 | 0:42:21 | |
and they're still singing. | 0:42:21 | 0:42:22 | |
# Bring me sunshine in your smile | 0:42:22 | 0:42:26 | |
# Bring me laughter all the while... | 0:42:26 | 0:42:32 | |
# Make me happy through the years... # | 0:42:32 | 0:42:37 | |
-Charlie! -Sorry about that. | 0:42:37 | 0:42:39 | |
My knob's come off, sorry. | 0:42:39 | 0:42:40 | |
# Any tears... # | 0:42:40 | 0:42:43 | |
I'm going mad, but I quite like it. | 0:42:43 | 0:42:45 | |
# Let your arms be as warm as the sun from up above | 0:42:45 | 0:42:50 | |
# Bring me fun, bring me sunshine | 0:42:50 | 0:42:53 | |
# Bring me love, sweet love... # | 0:42:53 | 0:42:56 | |
I can't believe I just bought a brick! | 0:42:56 | 0:42:59 | |
# Bring me love... # | 0:42:59 | 0:43:05 | |
Hey! | 0:43:05 | 0:43:07 | |
Next time on Antiques Road Trip, | 0:43:07 | 0:43:09 | |
this antiques lark is digging up old memories for Anita. | 0:43:09 | 0:43:12 | |
It's lovely. He reminds me of one of my old boyfriends. | 0:43:12 | 0:43:15 | |
And James Lewis reaches boiling point. | 0:43:16 | 0:43:19 | |
I'm going for a beer. | 0:43:19 | 0:43:21 | |
You're all mad! | 0:43:21 | 0:43:23 | |
Subtitles by Red Bee Media Ltd | 0:43:42 | 0:43:45 |