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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:06 | |
a classic car and a goal - to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
Going, going, gone! | 0:00:10 | 0:00:12 | |
I think I've fallen in love with a brick! | 0:00:13 | 0:00:14 | |
The aim, to make the biggest profit at auction, but it's no mean feat! | 0:00:14 | 0:00:18 | |
Yes! | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
I feel antiqued out! | 0:00:22 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-GEARS CRUNCH -Charlie! -Sorry about that! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's the fourth leg of our titanic tussle in a 1969 Morris Minor | 0:00:37 | 0:00:42 | |
between Road Trip new recruit Christina Trevanion | 0:00:42 | 0:00:46 | |
and gangly grandmaster Charles Hanson | 0:00:46 | 0:00:49 | |
Have you ever won a Road Trip before? | 0:00:49 | 0:00:51 | |
-I've only ever lost one, darling! -Oh, really? | 0:00:51 | 0:00:54 | |
-I never knew that! -I've played six, lost one. | 0:00:54 | 0:00:57 | |
Crikey, Christina! I bet you wish you hadn't asked. | 0:00:58 | 0:01:01 | |
Still, our auctioneer and Shropshire lass is giving as good as she gets. | 0:01:01 | 0:01:05 | |
And the contents? | 0:01:05 | 0:01:07 | |
-Ooh, no! -No? | 0:01:07 | 0:01:09 | |
Charles from Derbyshire might be prone to the odd spill... | 0:01:09 | 0:01:12 | |
-How much is it? -It's £25. | 0:01:12 | 0:01:14 | |
-Don't throw it about! -Sorry about that. | 0:01:14 | 0:01:17 | |
But when it comes to bargains her fellow gavel wielder has a very keen eye, | 0:01:17 | 0:01:21 | |
and after suffering an early setback he stormed into the lead. | 0:01:21 | 0:01:26 | |
-£170! -Yes! I won that! | 0:01:26 | 0:01:29 | |
Charles began with £200 and after three trips to auction | 0:01:29 | 0:01:33 | |
he's increased that to an entirely laudable... | 0:01:33 | 0:01:36 | |
Christina also started out with £200 | 0:01:40 | 0:01:43 | |
and so far she's acquired a respectable... | 0:01:43 | 0:01:46 | |
But a long way behind. | 0:01:48 | 0:01:50 | |
I think you've got to play dangerous. I think you've got to... | 0:01:51 | 0:01:53 | |
I'm either going to lose it all or lose it all. | 0:01:53 | 0:01:57 | |
Chin up, Christina! | 0:01:58 | 0:01:59 | |
Our experts embarked from Whaley Bridge in Derbyshire, | 0:01:59 | 0:02:02 | |
before weaving over 600 miles through the North of England | 0:02:02 | 0:02:05 | |
to conclude at Cobridge in the Potteries. | 0:02:05 | 0:02:09 | |
Today, they'll kick off in Leeds, Yorkshire, | 0:02:09 | 0:02:12 | |
before heading north to a thrilling auction at Penrith in Cumbria. | 0:02:12 | 0:02:16 | |
But to start, Charles has brought Christina to the scene of one of the greatest sporting comebacks | 0:02:18 | 0:02:24 | |
of all time, Headingley Cricket Ground. | 0:02:24 | 0:02:27 | |
-This is phenomenal. -Just look at this, Christina. -Wowee! | 0:02:27 | 0:02:30 | |
-This is any English gentleman's paradise. -Is it? -Yeah. | 0:02:30 | 0:02:34 | |
-When you look up at that wicket... -Yeah? -..Look at that green... -Yeah? | 0:02:34 | 0:02:37 | |
..What are your tactics if you're talking sport and cricket? | 0:02:37 | 0:02:41 | |
If I was... Well, I'm not really a cricket fan, I have to be honest, | 0:02:41 | 0:02:44 | |
-but I'm going to have to be quite clever because you're way out ahead of me. -Get out of it! -You are! | 0:02:44 | 0:02:49 | |
-If you're on the ground, it's four runs, if you go over me, it's six. -Right. | 0:02:49 | 0:02:54 | |
-OK? -OK. -So go for a six. | 0:02:54 | 0:02:56 | |
I will! I am going to go for a six! Can you do a twelve? | 0:02:56 | 0:02:59 | |
Er...no. | 0:03:00 | 0:03:02 | |
That didn't go well. Good job we're only talking about cricket rather than actually playing it! | 0:03:02 | 0:03:07 | |
-Madam. -Thank you very much. | 0:03:08 | 0:03:11 | |
-Your driver will depart. -See you later. -Go for it. -Bye. | 0:03:11 | 0:03:14 | |
But when it comes to the great crease of life, | 0:03:14 | 0:03:16 | |
I'm sure Christina will be straight on to the front foot. | 0:03:16 | 0:03:20 | |
-Hello. -Hello. | 0:03:20 | 0:03:21 | |
-I'm Christina. -I'm Pete. -Pete, nice to meet you, Pete. -Nice to meet you, Christina. | 0:03:21 | 0:03:25 | |
This looks very exciting. | 0:03:25 | 0:03:26 | |
Lots of furniture, I see. | 0:03:26 | 0:03:28 | |
More besides... | 0:03:28 | 0:03:29 | |
-There's a bit more down there. -Show me round, Pete, show me your empire. | 0:03:32 | 0:03:35 | |
-Bit more furniture. -Bit more furniture in here. | 0:03:35 | 0:03:38 | |
This could be quite a task. | 0:03:38 | 0:03:40 | |
I've only got £271 to spend. | 0:03:40 | 0:03:44 | |
-And he's come up with something really golden. -Oh, Lordy! | 0:03:45 | 0:03:48 | |
Oh, look! | 0:03:53 | 0:03:55 | |
Somebody's bear. | 0:03:55 | 0:03:57 | |
Well, he used to be golden! Quite some time ago, though... | 0:03:57 | 0:04:01 | |
He's certainly well loved. | 0:04:01 | 0:04:03 | |
He's got very much replaced pads and paws all over the place | 0:04:03 | 0:04:08 | |
which bear collectors are not going to like. | 0:04:08 | 0:04:10 | |
The search goes on. | 0:04:10 | 0:04:12 | |
It's amazing what you can come up with. | 0:04:12 | 0:04:15 | |
Oh! There's a big spider in there! | 0:04:15 | 0:04:18 | |
Ooooh! I don't like spiders. | 0:04:20 | 0:04:22 | |
Maybe it's time to consult Pete. | 0:04:22 | 0:04:24 | |
There's this dressing table. | 0:04:24 | 0:04:27 | |
-It's got this sort of tambour... -Yes, they're little tambour... | 0:04:27 | 0:04:30 | |
Tops. | 0:04:30 | 0:04:32 | |
Ooh! | 0:04:33 | 0:04:34 | |
Ow! | 0:04:34 | 0:04:35 | |
They're vicious! | 0:04:35 | 0:04:37 | |
I don't think we're seeing it at its best. | 0:04:37 | 0:04:39 | |
So what's that sort of money? | 0:04:39 | 0:04:41 | |
45. | 0:04:41 | 0:04:42 | |
£45. | 0:04:42 | 0:04:44 | |
It's a big lump. | 0:04:44 | 0:04:45 | |
That's what concerns me. It's a big bit of furniture. | 0:04:46 | 0:04:49 | |
Not many people could accommodate it in their homes, | 0:04:49 | 0:04:51 | |
but there's something about it that I just quite like. | 0:04:51 | 0:04:54 | |
And what would that be, Christina? | 0:04:54 | 0:04:56 | |
£20? | 0:04:56 | 0:04:57 | |
-35. -Come on, Pete. | 0:04:57 | 0:04:59 | |
30. | 0:04:59 | 0:05:01 | |
-Oh, go on, it gives me a fighting... -25 and that's that. -It gives me a fighting chance at £20. | 0:05:01 | 0:05:07 | |
-OK, 20. It's done. -Yeah? -OK, yeah. -Pete, you're a legend. Thank you. | 0:05:07 | 0:05:11 | |
It's either going to be brilliant or it's going to bomb spectacularly, | 0:05:11 | 0:05:14 | |
and I think it's probably going to be the latter. | 0:05:14 | 0:05:16 | |
Possibly, but isn't it staggering that you can pick up a substantial piece of furniture for just £20? | 0:05:16 | 0:05:22 | |
Now, here's Charles, padded up and ready for his first delivery. | 0:05:22 | 0:05:26 | |
-Good morning, sir. -Good morning. -How are you? -Fine. | 0:05:26 | 0:05:29 | |
-I'm Charles Hanson. -I'm John. -Good to see you, John. -Welcome to our emporium. | 0:05:29 | 0:05:33 | |
Now, something tells me there'll be no boundaries at Swiss Cottage either, | 0:05:33 | 0:05:37 | |
but in this game it's all about responding to whatever life delivers. | 0:05:37 | 0:05:41 | |
Is there anything here, John, that's quite quirky, that's quite different, that's quite...radical? | 0:05:41 | 0:05:47 | |
Bull's head, if you want quirky. | 0:05:47 | 0:05:49 | |
Golly! It's an old one, isn't it, the bull's head. Tell me where it came from? | 0:05:49 | 0:05:54 | |
A butcher's, an old-style butcher's. | 0:05:54 | 0:05:56 | |
-This bull's head, I would have thought, would date to what 1910, 1920... -Something like that. | 0:05:56 | 0:06:01 | |
It's Edwardian, it's George V, that typical shield back is very Edwardian. | 0:06:01 | 0:06:05 | |
He's a bit tired, isn't he? He's been a bit moth-eaten. | 0:06:05 | 0:06:08 | |
-But it's got a big price, hasn't it? 350. -It's a big price, yes. -Yeah. | 0:06:08 | 0:06:12 | |
What's the very best, John, if our horns were locked at 350? | 0:06:12 | 0:06:16 | |
-At 300 we'd come down... -Look at me. | 0:06:16 | 0:06:18 | |
-300 we'd come down... -That's the very best, is it? -Yes. | 0:06:18 | 0:06:20 | |
This bull's head could rear its ugly face and make £400, | 0:06:20 | 0:06:24 | |
but it could happily make £100. | 0:06:24 | 0:06:26 | |
And I would be taking too much of a gamble at £300. I'll leave it. | 0:06:26 | 0:06:31 | |
Never mind! There's plenty more wildlife to be spotted around here. | 0:06:31 | 0:06:34 | |
And they're nice up there. | 0:06:34 | 0:06:36 | |
These red leaping deer capture the art deco, and that's really nice. | 0:06:37 | 0:06:44 | |
This is a vase that goes with it. | 0:06:44 | 0:06:46 | |
And there we are. They're made by Crown Devon. | 0:06:46 | 0:06:49 | |
And Crown Devon were a really forward-thinking art deco manufacturer. | 0:06:49 | 0:06:56 | |
They're all been priced individually. It's just a lovely ensemble. | 0:06:56 | 0:07:01 | |
And probably a bit out of my price range. £175 and actually I would want the whole lot going together | 0:07:01 | 0:07:09 | |
as one bundle of art deco joy. | 0:07:09 | 0:07:12 | |
-Hi, John. -Hiya. | 0:07:12 | 0:07:14 | |
What would be your best price for the famous five? | 0:07:14 | 0:07:19 | |
Er... | 0:07:19 | 0:07:20 | |
-110. -110. | 0:07:20 | 0:07:22 | |
The only concern is if it's a general sale and it's a real bric-a-brac affair... | 0:07:22 | 0:07:27 | |
-It's all there. -They might get lost. | 0:07:27 | 0:07:30 | |
I'm going to think about it. £110 is a really good offer, | 0:07:30 | 0:07:33 | |
but I need to be really sure about it. | 0:07:33 | 0:07:35 | |
Hang on! He's off. Charles is having his usual trouble, though, getting started, it seems. | 0:07:35 | 0:07:41 | |
Christina, meanwhile, has left town with Morris. | 0:07:45 | 0:07:48 | |
Whoo! | 0:07:48 | 0:07:50 | |
Motoring from Leeds over to Shipley... | 0:07:52 | 0:07:55 | |
..and the historic Victorian village of Saltaire. | 0:07:56 | 0:07:59 | |
It's really lovely, look! | 0:08:00 | 0:08:02 | |
She's not here for the World Heritage site, though... | 0:08:02 | 0:08:06 | |
-Hello. -Hello. -Hi. | 0:08:08 | 0:08:10 | |
-Are you Malcolm? -I am, yes. -Hi, Malcolm. -Nice to meet you. -I'm Christina, very nice to meet you. | 0:08:10 | 0:08:14 | |
-Nice to meet you too. -This is amazing. -Oh, yes. It's a treasure trove. | 0:08:14 | 0:08:17 | |
Malcolm's establishment on the third floor of an old textile mill has a bit of everything. | 0:08:18 | 0:08:23 | |
Not that that always helps! | 0:08:23 | 0:08:25 | |
Mr Bond, I've been expecting you. | 0:08:25 | 0:08:27 | |
Boggled and perhaps a trifle regretful about that dressing table, she's called the auctioneer. | 0:08:28 | 0:08:34 | |
What about furniture? | 0:08:34 | 0:08:36 | |
Ouch! | 0:08:39 | 0:08:40 | |
Right, OK. | 0:08:40 | 0:08:41 | |
OK. | 0:08:41 | 0:08:43 | |
Well, no more furniture, then, certainly. | 0:08:44 | 0:08:46 | |
I love that! Look at that! How cool is that? | 0:08:49 | 0:08:52 | |
Chrome set of aeroplane cruets. That's awesome. | 0:08:52 | 0:08:55 | |
Practical too. | 0:08:56 | 0:08:57 | |
-You're looking at this? -Yes, please. | 0:08:57 | 0:09:00 | |
I think it's quite fun. | 0:09:00 | 0:09:01 | |
I mean, I think it's terrible. It's obviously in very bad condition and not worth that at all. | 0:09:01 | 0:09:05 | |
I know that ploy. | 0:09:06 | 0:09:07 | |
So the ticket price is... | 0:09:07 | 0:09:10 | |
-£68. -Right. | 0:09:10 | 0:09:12 | |
I'll have to ring him, but I can normally work up to 10%. | 0:09:12 | 0:09:16 | |
-So that's £6.80. -But I'd... -That's £60-ish. -Well, I'd say £60. | 0:09:16 | 0:09:20 | |
But I can also ring and see if I can squeeze a bit more out. | 0:09:20 | 0:09:24 | |
That would be amazing. Especially as a lot of the chrome is peeling on there. | 0:09:24 | 0:09:28 | |
-It's an unusual thing, isn't it? -No! | 0:09:28 | 0:09:30 | |
-I see them every day! -Do you? Oh, right. You can get me another one, then! | 0:09:30 | 0:09:34 | |
-I'll go and ask. -Thanks. -I'll come back. | 0:09:36 | 0:09:37 | |
Obviously you'd want it in good condition. | 0:09:37 | 0:09:39 | |
When you're buying something you want it is as best condition as you can get. | 0:09:39 | 0:09:42 | |
So to have that bubbling in sight, it would detract from the value. | 0:09:42 | 0:09:45 | |
Yeah, it's a bit mottled. | 0:09:45 | 0:09:47 | |
But I think it looks very art deco. It's also got a registered number | 0:09:48 | 0:09:52 | |
on the back there which is a good sign. | 0:09:52 | 0:09:54 | |
But it's just a bit of fun, isn't it? | 0:09:54 | 0:09:57 | |
He's back. | 0:09:57 | 0:09:58 | |
-Can't get hold of him. -Oh! -So... -Oh? | 0:09:58 | 0:10:02 | |
I will... | 0:10:03 | 0:10:05 | |
I'll do it at... | 0:10:05 | 0:10:07 | |
Yes? | 0:10:07 | 0:10:08 | |
..56. | 0:10:10 | 0:10:11 | |
Mmm. | 0:10:11 | 0:10:12 | |
-56? That's your absolute maximum? -It is. | 0:10:12 | 0:10:14 | |
Because what I'm doing is taking the commission off. | 0:10:14 | 0:10:16 | |
-I'm asking for blood, aren't I? -You are. | 0:10:16 | 0:10:19 | |
And I can't give you it. | 0:10:19 | 0:10:21 | |
-You can ask your mother. -Is there any leverage on about £50? | 0:10:21 | 0:10:25 | |
I'm prepared to let it go at 50, but that's the best I can do. | 0:10:25 | 0:10:29 | |
OK. So £50. | 0:10:29 | 0:10:30 | |
I like it. | 0:10:30 | 0:10:32 | |
-Why not have it? What are you whispering for? -I don't know! | 0:10:32 | 0:10:35 | |
Oh, go on, then! £50. | 0:10:37 | 0:10:39 | |
-All right, lovely. -Brilliant. Thank you very much. -You're welcome. | 0:10:39 | 0:10:42 | |
Let's go for it. | 0:10:42 | 0:10:43 | |
But while Christina's been busy making her first buy, Charles has headed for the centre of Leeds, | 0:10:51 | 0:10:57 | |
where, down on the waterfront, further along the River Aire, | 0:10:57 | 0:11:01 | |
is a museum dedicated to arms and armour. | 0:11:01 | 0:11:03 | |
-And you must be... -I'm Karen. -Karen. Charles Hanson. -Lovely to meet you, Charles. | 0:11:03 | 0:11:09 | |
Welcome to the Armouries. | 0:11:09 | 0:11:11 | |
This impressive building displays the National Collection. | 0:11:12 | 0:11:15 | |
It all started out in the Tower of London, but the huge space here can display over 8,500 objects | 0:11:15 | 0:11:22 | |
and Charles is in for a behind-the-scenes treat. | 0:11:22 | 0:11:26 | |
What's was this armour's serving purpose? Was it protection? | 0:11:26 | 0:11:29 | |
A combination of saving your life and, at the same time, looking good. | 0:11:29 | 0:11:34 | |
Is this OK for you in a more contemporary way? | 0:11:37 | 0:11:40 | |
Yes, and he's got form too, having snapped up a suit earlier this trip. | 0:11:40 | 0:11:45 | |
The museum has items like this lobster-tail helmet from the Civil War, | 0:11:45 | 0:11:50 | |
but Charles is here to see the much fancier tournament sword. | 0:11:50 | 0:11:54 | |
These were the jousts that began in the Middle Ages and soon became a highly dangerous spectator sport. | 0:11:55 | 0:12:02 | |
Henry VIII was very keen, but so were other European monarchs. | 0:12:02 | 0:12:06 | |
This one here is one of the jewels of our collection. | 0:12:06 | 0:12:09 | |
This armour here's got a breastplate, a back plate, a neck plate | 0:12:09 | 0:12:12 | |
-and full articulating arm defences. You can see how you can move. -Yeah. | 0:12:12 | 0:12:17 | |
-What age is this? -Precisely, and you don't often get a chance to say that, 1591. -It's not? It's not? | 0:12:17 | 0:12:25 | |
Sophie, Electress of Saxony, wants to give her husband Christian | 0:12:25 | 0:12:30 | |
the best Christmas present ever, | 0:12:30 | 0:12:32 | |
and she orders him a suite of 12 of these. | 0:12:32 | 0:12:36 | |
It was a way of showing yourself. | 0:12:36 | 0:12:38 | |
I actually think that's why Henry VIII was so well-known as a physical presence | 0:12:38 | 0:12:45 | |
was because he showed himself at tournaments. | 0:12:45 | 0:12:47 | |
King Henry became so enthusiastic about jousting that he hired German craftsmen | 0:12:49 | 0:12:55 | |
to create his own armoury in Greenwich, | 0:12:55 | 0:12:57 | |
making plate of increasing thickness. | 0:12:57 | 0:12:59 | |
I feel fairly underdressed, I feel quite open to damage. | 0:12:59 | 0:13:03 | |
You need some extra bits. | 0:13:03 | 0:13:05 | |
This is to protect your face. | 0:13:05 | 0:13:08 | |
Because this is the most vulnerable area, this is the area you're going to be hit. | 0:13:08 | 0:13:13 | |
I'm jousting in what year in this? | 0:13:13 | 0:13:15 | |
You're jousting in about the 1580s, 1590s. | 0:13:15 | 0:13:19 | |
-In England? -In England. -So this is an English-made jousting outfit? | 0:13:19 | 0:13:22 | |
-English-made jousting outfit. -I feel very humble to wear this. | 0:13:22 | 0:13:25 | |
And for sir's tootsies? | 0:13:25 | 0:13:27 | |
These are the steel feet of Henry VIII. | 0:13:27 | 0:13:31 | |
-Worn by Henry VIII? -Worn by Henry VIII. | 0:13:33 | 0:13:36 | |
-I can't believe it. -You can flex it. | 0:13:36 | 0:13:38 | |
It's just amazing. So, essentially, Karen, they were worn like that, were they? | 0:13:38 | 0:13:43 | |
Yeah. Absolutely. | 0:13:43 | 0:13:44 | |
-So I'm actually walking... -You're walking in Henry VIII's footsteps. | 0:13:44 | 0:13:48 | |
That's just incredible. | 0:13:48 | 0:13:50 | |
But these shoes are by no means the only items of armour that once belonged to Henry here. | 0:13:51 | 0:13:56 | |
There's a complete suit, for example, made for the young king at a very famous joust. | 0:13:56 | 0:14:01 | |
Well, here we are in the Tournament Gallery | 0:14:01 | 0:14:03 | |
and I'm going to show you an armour for Henry VIII made for him when he was a young man, still in his 20s. | 0:14:03 | 0:14:10 | |
It was made for him to wear at the Field of Cloth of Gold tournament... | 0:14:10 | 0:14:14 | |
-Gosh! -..A magnificent tournament that was held between himself and King Francis I of France | 0:14:14 | 0:14:20 | |
in 1520. It became the byword for luxury and extravagance. | 0:14:20 | 0:14:25 | |
He is almost invincible. He was Henry VIII, he was invincible. | 0:14:25 | 0:14:29 | |
And I'm thinking, how can I prod him? Where can I take a hit? | 0:14:29 | 0:14:33 | |
You're never going to get into this armour, I can tell you. | 0:14:33 | 0:14:36 | |
Every single plate locks into every other. It does however weight 94 lbs, so it's very heavy. | 0:14:36 | 0:14:43 | |
I've got to be Christina's knight in shining armour, | 0:14:43 | 0:14:47 | |
and seeing Henry VIII, King Henry from 1520, what are your tips for me? | 0:14:47 | 0:14:53 | |
I think you've got everything it needs, because I can see you've got a chivalrous nature. | 0:14:53 | 0:14:57 | |
I think Karen's got a bit of a soft spot for our Charles! | 0:14:57 | 0:15:01 | |
But I've heard that the knights of old did sing a fair bit. | 0:15:06 | 0:15:09 | |
-Can you yodel? -No. | 0:15:09 | 0:15:11 | |
-It just makes you want to sing. -It does. | 0:15:11 | 0:15:14 | |
-# The hills are alive... -..With the sound of music... # | 0:15:14 | 0:15:20 | |
-SHE CONTINUES -Quite. | 0:15:20 | 0:15:23 | |
-# Those songs I shall sing... -La-la-la... | 0:15:23 | 0:15:26 | |
-# For a thousand years... -La-la-la... # | 0:15:26 | 0:15:30 | |
Anyone would think this wasn't a Road Trip competition at all! | 0:15:30 | 0:15:33 | |
Nighty-night, you two! | 0:15:33 | 0:15:36 | |
Next morning, Christina learns the truth about Charles. | 0:15:41 | 0:15:43 | |
-So did you buy anything yesterday? -No comment. | 0:15:44 | 0:15:47 | |
-You're not allowed to tell me? -I can't tell you. | 0:15:47 | 0:15:50 | |
-But surely you can tell me whether you bought something? -If I tell you, you'd know the truth, | 0:15:50 | 0:15:54 | |
-I would feel under more pressure, so that's a clue. -So you haven't? | 0:15:54 | 0:15:58 | |
Maybe not. | 0:15:58 | 0:15:59 | |
Yes... | 0:16:01 | 0:16:02 | |
After not spending a penny in Yorkshire so far, Charles still has an awful lot of cash left, | 0:16:02 | 0:16:07 | |
£543.80, to be precise. | 0:16:07 | 0:16:10 | |
I'm going mad, but I quite like it. | 0:16:10 | 0:16:13 | |
While Christina has so far bought a 1960s dressing table and a salt-and-pepper set for £70, | 0:16:13 | 0:16:19 | |
leaving her with £201.94 at her disposal. | 0:16:19 | 0:16:23 | |
It's either going to be brilliant or it's going to bomb spectacularly. | 0:16:23 | 0:16:26 | |
Later they're making for the auction in Penrith, | 0:16:26 | 0:16:29 | |
but our next stop is Skipton. | 0:16:29 | 0:16:31 | |
This historic market town is famous for its castle and mills, | 0:16:36 | 0:16:40 | |
although it's a lesser-known fact that Skipton was also the site of prisoner-of-war camps | 0:16:40 | 0:16:45 | |
during both World Wars. | 0:16:45 | 0:16:47 | |
Nowadays, one of those is a caravan park! | 0:16:47 | 0:16:50 | |
-There's a parking space there. -Wash House Antiques. It's tiny! | 0:16:50 | 0:16:54 | |
It's tiny! | 0:16:54 | 0:16:56 | |
-It looks packed to the rafters. -They say small is beautiful, don't they? -They certainly do. | 0:16:56 | 0:17:01 | |
So what we can do is we can go with a hop, a skip and a jump! | 0:17:01 | 0:17:05 | |
See you later. | 0:17:05 | 0:17:07 | |
Now, Charles, Skipton has little to do with skipping. | 0:17:07 | 0:17:10 | |
-Good morning. -Good morning, Charles. -How are you? -Fine, thank you. | 0:17:10 | 0:17:13 | |
-What a wonderful shop you have. -Thank you. -I'm Charles and you're the lady in tweed. | 0:17:13 | 0:17:17 | |
-I'm Samantha. -Hi, Samantha. Good to see you. -Hello. -Are you a Yorkshire lady? -I am, yes. -Fine. | 0:17:17 | 0:17:20 | |
I think the tweed has definitely put him in the mood, | 0:17:20 | 0:17:23 | |
plus of course the contents of Samantha's fine little shop. | 0:17:23 | 0:17:27 | |
-That's a nice gavel, isn't it? -Yes. | 0:17:28 | 0:17:30 | |
As an auctioneer, you always want to sell objects with a gavel that's tactile, | 0:17:30 | 0:17:36 | |
and this is light, has a lovely feel, | 0:17:36 | 0:17:39 | |
-and it's probably what, 1920s? -Right. -Nice gavel, isn't it? | 0:17:39 | 0:17:43 | |
-I shall think about it. -That would do the job. | 0:17:43 | 0:17:45 | |
-It could be going, going, gone if the price is right. -All right. | 0:17:45 | 0:17:48 | |
That's a nice box as well, isn't it? | 0:17:48 | 0:17:50 | |
I think that's a really beautiful box. | 0:17:50 | 0:17:53 | |
-It has got a little issue in that it's missing a little bit of the foot there. -Yeah. | 0:17:53 | 0:17:58 | |
I love this box because the detail is so good, | 0:17:58 | 0:18:01 | |
and furthermore it has a lovely feel, has a nice mellow colour, | 0:18:01 | 0:18:05 | |
and it's just a pretty box. | 0:18:05 | 0:18:07 | |
-Circa 1880. How much is that? -Have I not put a price...? -No price. -Oh! | 0:18:07 | 0:18:13 | |
Is it a freebie? | 0:18:13 | 0:18:15 | |
-Is it a freebie? -Well, no... | 0:18:15 | 0:18:17 | |
It could be very cheap! | 0:18:17 | 0:18:18 | |
-Not quite free, Charles, but it could be very reasonable. -Yeah. | 0:18:18 | 0:18:22 | |
-If I were to say £15... -£15. It's food for thought. | 0:18:22 | 0:18:26 | |
He's giving the shop a thorough examination! | 0:18:26 | 0:18:30 | |
In the corner over there is a really nice oil lamp, the one with the... is it a ram's horn? | 0:18:30 | 0:18:36 | |
-Right. It's actually a Victorian put-together. -A made-up. | 0:18:36 | 0:18:40 | |
-And it's actually an electric lamp now. -Oh, is it? | 0:18:40 | 0:18:43 | |
-Obviously for the purpose of auction we would have to have it PAT tested. -Yes. | 0:18:43 | 0:18:48 | |
Check the leccy is in order for public sale and use. | 0:18:48 | 0:18:54 | |
I just think somebody might enjoy it for what is it. | 0:18:54 | 0:18:59 | |
It's a bit of a drama queen by appearance. | 0:18:59 | 0:19:01 | |
What would it cost me to buy? | 0:19:01 | 0:19:03 | |
If I was to say 35... | 0:19:03 | 0:19:06 | |
-What I might do is come back to you with an offer for maybe two, three or even four items. -Right. | 0:19:06 | 0:19:14 | |
-Is that OK with you? -Fine, yeah. I'll see what I can do. | 0:19:14 | 0:19:17 | |
Thanks, Samantha. You could be my great redeemer! | 0:19:17 | 0:19:19 | |
Come on, Charles, let's see the colour of your cash! | 0:19:19 | 0:19:22 | |
Now, what about your travelling companion? | 0:19:23 | 0:19:26 | |
My name's Christina. | 0:19:26 | 0:19:28 | |
-I'm June. -June. Nice to meet you, June. | 0:19:28 | 0:19:30 | |
-Hi. And you are... -Melanie. -Melanie. And you're my ladies for today. -We are. | 0:19:30 | 0:19:34 | |
Brilliant. | 0:19:34 | 0:19:36 | |
Well, it's nice to have plenty of help. | 0:19:36 | 0:19:37 | |
-Brilliant. This building's phenomenal, isn't it? The old foundry. -Yeah. | 0:19:37 | 0:19:41 | |
Quite a place too. | 0:19:41 | 0:19:43 | |
Oh, gosh, we're going up again... | 0:19:43 | 0:19:45 | |
-Up again. -Right, OK. | 0:19:45 | 0:19:47 | |
Lots of choice, but with very few dealers around, | 0:19:47 | 0:19:50 | |
so she'll need all the advice that Melanie and June can supply. | 0:19:50 | 0:19:54 | |
I have dealings with this dealer. | 0:19:54 | 0:19:56 | |
-I know exactly what she'll do in the end. -OK, brilliant. | 0:19:56 | 0:19:59 | |
OK, that's great. | 0:19:59 | 0:20:01 | |
Ah, now, that could be handy. | 0:20:01 | 0:20:03 | |
Well, I think we might go for a bit of a group lot. | 0:20:03 | 0:20:06 | |
Nice picture frame. | 0:20:06 | 0:20:08 | |
That's quite nice, isn't it? That's London 1984. | 0:20:08 | 0:20:12 | |
£55 on that. | 0:20:12 | 0:20:14 | |
Well, that's quite nice, isn't it? | 0:20:14 | 0:20:17 | |
That's nice with the patterned glass. | 0:20:17 | 0:20:19 | |
We've got D&F which is Deakin and Francis, and then Birmingham | 0:20:19 | 0:20:24 | |
-and...is that 1919? -Yes. | 0:20:24 | 0:20:28 | |
The toilet jar is £50. | 0:20:28 | 0:20:30 | |
-What about the scent bottle? -That's rather nice. | 0:20:30 | 0:20:33 | |
This is fast work! | 0:20:33 | 0:20:35 | |
That's got a nice star-cut base | 0:20:35 | 0:20:38 | |
which you would expect of a slightly better quality piece. | 0:20:38 | 0:20:41 | |
-But it stands nice, though, doesn't it? -Yeah it does. | 0:20:41 | 0:20:43 | |
The scent bottle is £35. | 0:20:43 | 0:20:46 | |
If we were to hypothetically say this group, what do you think on that? | 0:20:46 | 0:20:51 | |
We'll say £90. | 0:20:52 | 0:20:53 | |
I'm thinking more probably along the region of maybe £70 for the group. | 0:20:53 | 0:20:59 | |
Well, go to 80. 80's my best offer. | 0:20:59 | 0:21:03 | |
-80? -Yeah. -I will go for that 80, because I think that's very fair. | 0:21:03 | 0:21:06 | |
It's very fair and thank you very much. Grand. Thank you. | 0:21:06 | 0:21:09 | |
Speedy! Now, the last time we saw Charles he had quite a heap of stuff too. Any news? | 0:21:09 | 0:21:15 | |
The last item I'm going to sort of remark upon are the two birds. Tell me about them. | 0:21:15 | 0:21:20 | |
I've had this some time, but I seem to recollect when I bought it that the lady said it was a Russian one... | 0:21:20 | 0:21:25 | |
Da! | 0:21:25 | 0:21:27 | |
-It's quite sweet, isn't it? -Whether it is... Now, this one, I'm sure, is a modern one. | 0:21:27 | 0:21:31 | |
-That one, I think has some age. -Yeah, this is quite a quirky toy. | 0:21:31 | 0:21:34 | |
But who knows? He might just fly away at auction. | 0:21:34 | 0:21:37 | |
There doesn't seem to be a key for the clockwork. | 0:21:37 | 0:21:40 | |
Hello! What's your name? | 0:21:40 | 0:21:42 | |
Though, fortunately, Charles can supply all the energy required. | 0:21:42 | 0:21:46 | |
What am I worth? A fiver? A fiver? | 0:21:46 | 0:21:49 | |
Silly boy! Now, any danger of a deal? | 0:21:50 | 0:21:52 | |
If I bought our four items, could you work a price out for me? | 0:21:52 | 0:21:57 | |
-Looking at the individual prices, it would be totting up to £90. -Right. | 0:21:57 | 0:22:02 | |
I could trim it down to 50. | 0:22:02 | 0:22:04 | |
I would love to really buy the group for about £40. | 0:22:04 | 0:22:08 | |
The big oil lamp would be £20, the gavel and the box, 15, | 0:22:08 | 0:22:13 | |
and then the two birds would be £5. | 0:22:13 | 0:22:16 | |
Well, it's not something I would usually do, but in this case I think we can end it at that, then. | 0:22:16 | 0:22:22 | |
-Are you sure? -Yes. -Can I raise my gavel? -Yes. | 0:22:22 | 0:22:25 | |
-Going, going... -Gone. | 0:22:25 | 0:22:28 | |
Sold! £40. | 0:22:28 | 0:22:30 | |
Thank you very much. | 0:22:30 | 0:22:31 | |
Just as I go and say au revoir... | 0:22:31 | 0:22:35 | |
Aye-aye? | 0:22:35 | 0:22:36 | |
That bookcase over there, Globe-Wernicke, early 20th century... | 0:22:36 | 0:22:40 | |
-and it appears to be in good condition... -It is, it is in good condition. -Could it be a goer? | 0:22:40 | 0:22:45 | |
Hang on! This is turning into quite an outing! | 0:22:45 | 0:22:48 | |
I think it's a real popular item. | 0:22:48 | 0:22:50 | |
I think it's one of those pieces of furniture that's really in at the moment. | 0:22:50 | 0:22:53 | |
Globe-Wernicke, founded in the USA during the late 19th century, | 0:22:53 | 0:22:57 | |
patented the expanding bookcase, whereby units of different depth and height could be fitted together. | 0:22:57 | 0:23:04 | |
They're now highly collectable. | 0:23:04 | 0:23:06 | |
What's your rock-bottom price? | 0:23:06 | 0:23:08 | |
-I think for that I would have to stick with £100. -£100? | 0:23:08 | 0:23:13 | |
The very, very best I could do would be 95. I definitely couldn't move below that. | 0:23:15 | 0:23:21 | |
I think at £95 I shall say... | 0:23:21 | 0:23:24 | |
I'll take it. Thank you very much. I'm going to take it. £95. | 0:23:26 | 0:23:29 | |
I'm over the moon. | 0:23:29 | 0:23:30 | |
That is impressive, Charles! | 0:23:30 | 0:23:32 | |
So after yesterday's draught, now the flood. | 0:23:32 | 0:23:35 | |
Back at the Antique Centre, Christina's finally got hold of a dealer. | 0:23:35 | 0:23:39 | |
What about some photographs from the Beeching era? | 0:23:39 | 0:23:43 | |
-Are they railway photographs? -Yes, they came out of a clearance I did from an ex-train driver. -Right. | 0:23:43 | 0:23:48 | |
So they were all his snaps just after Beeching which is the time a lot of the railway stations disappeared. | 0:23:48 | 0:23:56 | |
So there's a good little bit of history from the mid-'60s. | 0:23:56 | 0:23:58 | |
And then lots of disused stations... | 0:23:58 | 0:24:01 | |
some of them actually with the track taken up as well, so a bit later. | 0:24:01 | 0:24:06 | |
-But all the lovely old signal boxes... -All abandoned. -..And things like that. | 0:24:06 | 0:24:09 | |
Quite a few stations. | 0:24:09 | 0:24:11 | |
-Gosh! It is a very specialist market, though, isn't it? -It is. | 0:24:11 | 0:24:14 | |
-But if you found that right market. -Yeah. | 0:24:14 | 0:24:16 | |
-What have you got on these, then? -Asking sort of 38 for the whole lot. | 0:24:16 | 0:24:21 | |
I'm just concerned that they could be the kind of thing that makes a couple of quid at auction | 0:24:21 | 0:24:27 | |
-or they could make quite a lot of money. -Yeah. | 0:24:27 | 0:24:29 | |
I would be happy to get these in the sort of £15-20 region. | 0:24:29 | 0:24:34 | |
I think maybe sort of, like, 35, maybe 30 would be the best, really. | 0:24:36 | 0:24:41 | |
I think they're fascinating, but I don't know how many other people will think they're fascinating. | 0:24:41 | 0:24:45 | |
Yeah. There's lots of chaps love this sort of stuff. | 0:24:45 | 0:24:48 | |
You'll be fine, honestly! | 0:24:48 | 0:24:50 | |
Seb's got a point, Christina. | 0:24:50 | 0:24:52 | |
Give me £26 and we have a deal. | 0:24:52 | 0:24:54 | |
-Shall we go 25? -Yeah, let's go 25, then. -Yeah? -OK? | 0:24:54 | 0:24:57 | |
-OK, 25. -Thank you. -Thank you. I think those are quite interesting. -Yeah, they're good fun. | 0:24:57 | 0:25:02 | |
-Completely not what I would usually buy, but maybe that's where I've been going wrong! -Yes. | 0:25:02 | 0:25:06 | |
These do seem to be a bit of a bargain. Remember she's still got about £100 left. | 0:25:07 | 0:25:12 | |
Now, anything else? | 0:25:12 | 0:25:13 | |
-What are those prints over there? -Fashion prints, yeah. -1940s. | 0:25:13 | 0:25:18 | |
-They're rather lovely, aren't they? -Yeah, original frames as well. | 0:25:18 | 0:25:21 | |
Original parcel tape? | 0:25:21 | 0:25:23 | |
Yeah, absolutely, yeah! | 0:25:23 | 0:25:25 | |
I think they've got a lot of style | 0:25:25 | 0:25:27 | |
with these sort of slightly demure colours, | 0:25:27 | 0:25:29 | |
but that's what ladies were going for, slightly higher hemlines. | 0:25:29 | 0:25:32 | |
I mean, this art deco look is very, very trendy at the moment. | 0:25:32 | 0:25:35 | |
But this price... Is that £18 for the two or each? | 0:25:35 | 0:25:38 | |
Each at the moment. | 0:25:38 | 0:25:40 | |
What about...? You're going to hate me. | 0:25:41 | 0:25:44 | |
-How much am I going to hate you? -Quite a lot. | 0:25:45 | 0:25:47 | |
What about £15 the pair? | 0:25:47 | 0:25:50 | |
-The pair? -Yes. | 0:25:51 | 0:25:52 | |
-15's too low. -OK. What's your absolute, absolute minimum? | 0:25:52 | 0:25:56 | |
I'm thinking sort of 24. | 0:25:56 | 0:25:58 | |
-24 for the pair? -For the pair. And the frames, of course, as well as the prints. | 0:25:58 | 0:26:02 | |
-Well, I would hope that you'd throw the frames in! -You know! | 0:26:02 | 0:26:05 | |
What about £20 for the pair? | 0:26:05 | 0:26:07 | |
I'm going to let you have them for 20, OK? | 0:26:08 | 0:26:10 | |
-OK, you've got a deal. -OK. Well done. -You're a star. Thank you. -Thank you. £20. | 0:26:10 | 0:26:14 | |
Well done, Skipton. Quite a haul for them both, | 0:26:14 | 0:26:17 | |
that explains the very good mood in the Morris, I presume. | 0:26:17 | 0:26:20 | |
Whee! | 0:26:21 | 0:26:23 | |
They're now motoring south and west across the Lancashire border | 0:26:25 | 0:26:28 | |
from Skipton to Burnley. | 0:26:28 | 0:26:30 | |
Just... | 0:26:31 | 0:26:32 | |
It's almost like being in a Flintstone car. | 0:26:32 | 0:26:35 | |
Who was the lady in the Flintstones who had ginger hair? Was it Alma? | 0:26:35 | 0:26:39 | |
"Wilma!" actually, Charles. | 0:26:39 | 0:26:42 | |
Shall we just open the footwell and I'll pedal? | 0:26:42 | 0:26:45 | |
Yabba dabba doo! | 0:26:45 | 0:26:48 | |
Burnley, of course, bears little resemblance to the town of Bedrock, | 0:26:49 | 0:26:52 | |
certainly since it sped into the industrial age during the 18th and 19th centuries, | 0:26:52 | 0:26:58 | |
becoming one of the world's largest manufacturers of cotton cloth. | 0:26:58 | 0:27:02 | |
Looks like this establishment works on a fairly industrial scale too. | 0:27:06 | 0:27:10 | |
Off you go, then, Charles. Good luck. | 0:27:10 | 0:27:12 | |
He's still got an awful lot of cash to spend at Karlen Antiques. | 0:27:14 | 0:27:18 | |
So what will take his fancy, eh? | 0:27:18 | 0:27:21 | |
Retro pottery? | 0:27:22 | 0:27:23 | |
Come over here, Sharon. | 0:27:23 | 0:27:25 | |
This is quite nice. | 0:27:25 | 0:27:26 | |
Look at that for design. | 0:27:26 | 0:27:29 | |
-That to me...is it Midwinter? -It is. -It is Midwinter... -And it's cheap. | 0:27:29 | 0:27:33 | |
Is it cheap? Oh, Sharon, you're talking my language now. | 0:27:33 | 0:27:37 | |
-Are these little soup bowls or...? -They're soup bowls, I would say. | 0:27:37 | 0:27:40 | |
-We'll put those up there. -They look quite sweet. -Yeah, they do look sweet. | 0:27:40 | 0:27:44 | |
Is it the '50s or '60s? | 0:27:44 | 0:27:46 | |
I think probably more like '60s. But does it matter? | 0:27:46 | 0:27:48 | |
-You know, if you're a swinger and you like the '60s, that's fine, isn't it? -Yeah. | 0:27:48 | 0:27:52 | |
If I said to you, what's the very best on that little ensemble, what would you tell me? | 0:27:52 | 0:27:57 | |
-Only because it's you and I know you need to make money... -Sharon! I'm in need. | 0:27:57 | 0:27:59 | |
-We're talking £10. -Oh, my God, Sharon! Don't do that to me, Sharon! | 0:27:59 | 0:28:04 | |
-I like your little doll here. That's quite nice. -Dream baby, that one is. -Yeah. | 0:28:04 | 0:28:08 | |
-I used to... -How much could she be? | 0:28:08 | 0:28:11 | |
What is she on there? 22. | 0:28:11 | 0:28:14 | |
£12. | 0:28:14 | 0:28:15 | |
She can't help herself. | 0:28:15 | 0:28:17 | |
He'll find it difficult to spend much here. | 0:28:17 | 0:28:19 | |
What about this hat, sweetheart? | 0:28:19 | 0:28:21 | |
This is '60s. | 0:28:21 | 0:28:23 | |
-It is, isn't it? -It is, isn't it? | 0:28:23 | 0:28:25 | |
The right lady...it's very Audrey Hepburn, do you not think? | 0:28:25 | 0:28:29 | |
Can you put it on for me? I can't model it. | 0:28:29 | 0:28:31 | |
I just don't think I'll do it justice. | 0:28:31 | 0:28:34 | |
Oh, I say! No, you do. | 0:28:34 | 0:28:36 | |
-That pretty young lady! -It's got to go. How much is it? | 0:28:36 | 0:28:39 | |
-£5. -£5. | 0:28:39 | 0:28:41 | |
Is he buying all of it? | 0:28:41 | 0:28:43 | |
What's the best price on the whole lot? | 0:28:43 | 0:28:47 | |
20 for all the lot there. I think that's a real bargain. | 0:28:47 | 0:28:50 | |
Can you see the little glass dish there with the bull's-eye? | 0:28:50 | 0:28:53 | |
-Oh, yes, that one there. -You can throw that in. -I just can't say no to you! | 0:28:53 | 0:28:57 | |
I just can't say no! | 0:28:57 | 0:28:58 | |
You know, if that's OK with you, I'm going to say yes. | 0:28:58 | 0:29:01 | |
-Yes, well, I'm really happy! Let's shake on it quickly! -Are you sure? | 0:29:01 | 0:29:03 | |
That's done. Thank you very much. Give us a kiss. Thank you. | 0:29:03 | 0:29:07 | |
So Charles is now done shopping with almost £400 still in his pocket. | 0:29:08 | 0:29:13 | |
While blissfully unaware of just how cash rich her rival is, Christina's still at the wheel, | 0:29:14 | 0:29:19 | |
slipping out of Burnley and down to Cliviger. | 0:29:19 | 0:29:23 | |
Now, do you remember the salt-and-pepper set Christina acquired yesterday? | 0:29:24 | 0:29:29 | |
Well, she's about to visit someone who's filled her home with such treasures. | 0:29:29 | 0:29:33 | |
-Hello! -How do you do? Come in. | 0:29:34 | 0:29:37 | |
-I'm Christina. -And I'm Christine. -Oh, there we go. | 0:29:37 | 0:29:40 | |
Oh, my goodness! Oh, my goodness! It goes on and on and on. | 0:29:41 | 0:29:45 | |
Oh, my goodness! Christine, this is phenomenal. | 0:29:46 | 0:29:49 | |
# Shake your money maker... # | 0:29:49 | 0:29:51 | |
Over the course of 30 years, Christine has acquired 2,830 salt-and-pepper sets | 0:29:51 | 0:29:58 | |
and shows no sign of wanting to shake the habit just yet. | 0:29:58 | 0:30:02 | |
But every collection starts with just one. | 0:30:02 | 0:30:05 | |
-I was doing an antiques fair in Harrogate with a friend... -Mmm? | 0:30:05 | 0:30:08 | |
And there was a stall of Carlton Ware which I love. | 0:30:08 | 0:30:12 | |
But the only thing I could afford on the stall was the condiment set. | 0:30:12 | 0:30:16 | |
-Oh, this is the first one? -This is the very first one. | 0:30:16 | 0:30:18 | |
This is the first one that you bought ever? | 0:30:18 | 0:30:20 | |
-Tell me how this flourished into... -This. -..This. | 0:30:20 | 0:30:25 | |
I wasn't looking for something to collect, because I don't think that's what happens. | 0:30:25 | 0:30:30 | |
-They look for you! -Right. -They find you. | 0:30:30 | 0:30:32 | |
-Which is your favourite? -This one. | 0:30:32 | 0:30:34 | |
# All the little pigs they grunt and howl | 0:30:36 | 0:30:38 | |
# The cats meow, the dogs bow-wow | 0:30:38 | 0:30:40 | |
# Everybody makes some row | 0:30:40 | 0:30:42 | |
# Down on Jollity Farm... # | 0:30:42 | 0:30:44 | |
Salt's been a valuable commodity throughout human history and pepper is the world's most traded spice. | 0:30:44 | 0:30:50 | |
Plus with just about all the major potteries having dabbled in cruets, | 0:30:50 | 0:30:55 | |
they're naturally attractive to collectors. | 0:30:55 | 0:30:57 | |
Is there anything like the Koh-i-Noor of the salt-and-pepper world? | 0:30:57 | 0:31:02 | |
Is there anything that you would really, really like to find? | 0:31:02 | 0:31:05 | |
-Dickens characters. -Salt-and-peppers? | 0:31:05 | 0:31:08 | |
Oh, they've got to be salt-and-peppers, yes. I manage to keep to that now. | 0:31:08 | 0:31:11 | |
Except occasionally I buy a sugar sifter. | 0:31:11 | 0:31:14 | |
-Or a teapot...or a biscuit barrel... -But it's similar. | 0:31:15 | 0:31:18 | |
# Well, get out in that kitchen and rattle those pots and pans... # | 0:31:20 | 0:31:24 | |
The 2,830 and counting salt-and-pepper sets are themed around Christine's home. | 0:31:25 | 0:31:32 | |
The kitchen is home to anything that might conceivably relate to eating and food. | 0:31:32 | 0:31:37 | |
Must get in the way of cooking, though! | 0:31:37 | 0:31:39 | |
Whilst her office is populated by sports, occupations and travel. | 0:31:43 | 0:31:48 | |
# ..Shake, rattle and roll... # | 0:31:48 | 0:31:50 | |
-A lot of salt-and-peppers are souvenirs. -Right. | 0:31:50 | 0:31:54 | |
-It's one of the things I really like about them, I like souvenirs. -Yeah. | 0:31:54 | 0:31:57 | |
I like to buy something when I've been somewhere. | 0:31:57 | 0:32:00 | |
-To take home with you to remind you of that place? -Yes. | 0:32:00 | 0:32:02 | |
-So can you remember where you bought everything? -Yes. | 0:32:02 | 0:32:05 | |
-You've obviously got an incredible memory! -Not bad. | 0:32:05 | 0:32:09 | |
That's quite something! | 0:32:09 | 0:32:10 | |
Especially when your entire house is salt-and-peppered! | 0:32:11 | 0:32:14 | |
# It's the time of the season... # | 0:32:14 | 0:32:18 | |
Even Christine's bathroom has a seasonal theme, | 0:32:18 | 0:32:21 | |
with just about every watery variation thoroughly explored. | 0:32:21 | 0:32:25 | |
-Shells! Of course you can have shells in the bathroom! -Yes. | 0:32:25 | 0:32:28 | |
-And penguins. -Yes. -And boats. -Yes. | 0:32:28 | 0:32:31 | |
-And ice creams! -Isn't that one nice? -I love that one. | 0:32:31 | 0:32:36 | |
It's brilliant, very kitsch. | 0:32:36 | 0:32:37 | |
Christine, I love your collection. It is fantastically eccentric | 0:32:37 | 0:32:41 | |
and I think it's wonderfully British. | 0:32:41 | 0:32:43 | |
And I think it's about to get a bit bigger. | 0:32:43 | 0:32:45 | |
-Are you ready for this? -I am. -Not one... | 0:32:45 | 0:32:48 | |
..but two! | 0:32:50 | 0:32:52 | |
-Oh, I say! -Antiques Road Trip salt-and-pepper! | 0:32:52 | 0:32:55 | |
-That's fabulous. -Totally unique and yours. -Thank you. | 0:32:55 | 0:32:58 | |
Thank you so much. | 0:32:58 | 0:32:59 | |
# Salt'n'Pepa's here... # | 0:33:02 | 0:33:04 | |
Now, let's have a look at what our two have salted away. | 0:33:07 | 0:33:10 | |
-It's really very fragile, Hanson, so be really careful. -Oh, that's cool! Wow! | 0:33:10 | 0:33:14 | |
-Christina... -This I love! -Do you really? -Yeah! | 0:33:14 | 0:33:18 | |
Shame about the shade. | 0:33:18 | 0:33:20 | |
-So you've got a Globe-Wernicke bookcase... -Yes. -OK, like that. What did you pay for that? | 0:33:20 | 0:33:24 | |
What's it worth? | 0:33:24 | 0:33:25 | |
-Well, they used to be £100-150, didn't they? -Yeah. | 0:33:25 | 0:33:29 | |
It cost me £95. | 0:33:29 | 0:33:32 | |
-OK. -So it wasn't cheap and you're spot-on low estimate. | 0:33:32 | 0:33:34 | |
And then you got some china. | 0:33:34 | 0:33:35 | |
Much more than that, Christina! | 0:33:35 | 0:33:37 | |
Yeah, that's my bundle of joy over there. An Armand Marseille bisque-head baby, | 0:33:37 | 0:33:41 | |
a hat that I thought would really suit you... | 0:33:41 | 0:33:44 | |
-Ooh! -This is 1960s, darling. -It looks whoo! | 0:33:44 | 0:33:47 | |
And the lady who sold it to me said... That's just gorgeous. | 0:33:47 | 0:33:51 | |
-Oh, I love it! -You know what? You've got style. -That is special. -Isn't it? -Yeah. | 0:33:51 | 0:33:55 | |
You get the 1960s retro Midwinter, | 0:33:55 | 0:33:58 | |
and Sharon the stallholder also threw me in an ashtray. | 0:33:58 | 0:34:02 | |
Now, follow that, Christina! | 0:34:02 | 0:34:04 | |
OK, ready...three, two, one...go! | 0:34:04 | 0:34:08 | |
Oh, wow! Oh, my gosh, it's bright! | 0:34:08 | 0:34:11 | |
Do you know...? I like! | 0:34:11 | 0:34:14 | |
Seems a lot shinier than when we last saw it. | 0:34:14 | 0:34:17 | |
Some spit and polish perhaps. | 0:34:17 | 0:34:19 | |
-It was totally out of vogue, wasn't it? -It was. | 0:34:19 | 0:34:21 | |
-And now I think the market is coming for it. It's really... -I like it. -A 20th-century antique. | 0:34:21 | 0:34:25 | |
-It's for the 21st century. -I'm going to do one thing. -Yeah. | 0:34:25 | 0:34:28 | |
Nice. | 0:34:28 | 0:34:29 | |
What I also like and what I was looking for was something of novelty. | 0:34:30 | 0:34:33 | |
-I love this. -And it's a cruet set. -I hope it wasn't too cheap. | 0:34:33 | 0:34:36 | |
-No, it cost me 50, though. -That's cheap. -Well, no... -No, I like it. | 0:34:36 | 0:34:40 | |
-And over there, you've got a nice collection... -Of railway photographs. -Nice. | 0:34:40 | 0:34:44 | |
If you're that way inclined. | 0:34:44 | 0:34:46 | |
-Well... -Do you know? It could be an interesting race. | 0:34:46 | 0:34:48 | |
-It'll be very interesting. Good luck. -Good luck. Can't wait. Good luck. | 0:34:48 | 0:34:52 | |
Well done, partner, well done. | 0:34:52 | 0:34:53 | |
Partner? What do they really think? | 0:34:53 | 0:34:55 | |
Mine were quite cheap, Christina's bought quality, but they've come at expense. | 0:34:56 | 0:35:01 | |
I love the bookcase. I love the lamp. I think those are really quirky. | 0:35:01 | 0:35:05 | |
Look at the ducks! I've a feeling I'm going to be out for a duck...again! | 0:35:05 | 0:35:08 | |
She's really gambled hard, she's going for it, and go, girl, go, girl! | 0:35:09 | 0:35:13 | |
Come and catch me if you can! | 0:35:13 | 0:35:15 | |
After starting out in Yorkshire, at Leeds, | 0:35:15 | 0:35:18 | |
before heading over to Lancashire, | 0:35:18 | 0:35:20 | |
this leg of our trip concludes | 0:35:20 | 0:35:22 | |
at an auction in the Cumbrian town of Penrith. | 0:35:22 | 0:35:25 | |
Look at this. It's lovely, isn't it, Christina? | 0:35:25 | 0:35:27 | |
-Really sweet. -It's so pretty. | 0:35:27 | 0:35:29 | |
Penrith is blessed with a large number of wells | 0:35:30 | 0:35:32 | |
and the town's good fortune was once marked by pagan-inspired well-dressing ceremonies during May. | 0:35:32 | 0:35:39 | |
-I can pop you here. -That looks perfect. | 0:35:39 | 0:35:42 | |
There we are. I can almost roll you out a red carpet on this sunny day. | 0:35:42 | 0:35:46 | |
Right, good luck. | 0:35:47 | 0:35:48 | |
I think that Charles is still trying to be a good knight. | 0:35:48 | 0:35:51 | |
It's Christina's birthday as well, so let's hope that that is a good omen. | 0:35:51 | 0:35:56 | |
Welcome to Penrith Farmers' & Kidd where at least ten delightful lots are just waiting to be snapped up. | 0:35:57 | 0:36:04 | |
Let's hear what auctioneer Tom Sergeant makes of them. | 0:36:04 | 0:36:07 | |
Mixed lot. It is very strange. You'd really need somebody to want everything in that lot, | 0:36:07 | 0:36:12 | |
but they might see the potential in one of the items, but it is a very varied lot. | 0:36:12 | 0:36:16 | |
Hardest lot to sell, probably the dressing table. | 0:36:16 | 0:36:19 | |
Normally we can't sell a whole suite of that, so a dressing table on its own could be a struggle. | 0:36:19 | 0:36:25 | |
Christina began with £271.94 and she's spent £195 on five auction lots. | 0:36:27 | 0:36:34 | |
Whilst Charles started out with £543.80 and he has just spent £158 | 0:36:35 | 0:36:42 | |
also on five auction lots. | 0:36:42 | 0:36:44 | |
Now, you two, attention, please. | 0:36:45 | 0:36:47 | |
There's an auction underway. Charles' birds go first. | 0:36:47 | 0:36:50 | |
-Clockwork toys. -One's working. Come on! | 0:36:50 | 0:36:54 | |
I've £10 on commission. £10, the bid's with me. | 0:36:54 | 0:36:58 | |
10. 12. 15. | 0:36:58 | 0:37:00 | |
-18. 20. -Keep going. -£20 bid. At 20. -They're there, look. -Keep going. | 0:37:00 | 0:37:05 | |
20 bid. 22. 25. | 0:37:05 | 0:37:08 | |
Good lad! Keep going. | 0:37:08 | 0:37:09 | |
Selling at £25. 350. | 0:37:09 | 0:37:13 | |
Well, those certainly grabbed the worm! | 0:37:13 | 0:37:15 | |
What will Penrith make of his next very mixed lot, though? | 0:37:17 | 0:37:21 | |
Absolutely a perfect lot for this market, isn't it? | 0:37:21 | 0:37:24 | |
It's a general sale. You want general items. | 0:37:24 | 0:37:27 | |
-You'll do really well on this. -Look at me. | 0:37:27 | 0:37:29 | |
No, you will. | 0:37:29 | 0:37:31 | |
Armand Marseille doll and the other bits and pieces with that as well. | 0:37:31 | 0:37:34 | |
Oh, it suits you. | 0:37:34 | 0:37:36 | |
£10 bid. £10. 12. | 0:37:36 | 0:37:39 | |
15. 18. 20. | 0:37:39 | 0:37:40 | |
-22. 22 bid. -Keep going. -At 22. -Cheap. | 0:37:40 | 0:37:44 | |
22. At 22. | 0:37:44 | 0:37:46 | |
22. Selling at £22. | 0:37:46 | 0:37:48 | |
3085. | 0:37:48 | 0:37:49 | |
Oh, a tiny loss after commission. | 0:37:49 | 0:37:52 | |
You've got to ride it. | 0:37:52 | 0:37:54 | |
I'm disappointed. I've fallen off. | 0:37:55 | 0:37:57 | |
Now for his box and gavel. | 0:37:57 | 0:37:59 | |
The auctioneer's been casting admiring glances at that one! | 0:37:59 | 0:38:03 | |
And £10 bid. | 0:38:03 | 0:38:05 | |
Come on! Keep going! | 0:38:05 | 0:38:07 | |
10. 12. 15. 15 bid. | 0:38:07 | 0:38:09 | |
18. 20. | 0:38:09 | 0:38:11 | |
-Good! -Go on, you could do with a new gavel! -Keep going! | 0:38:11 | 0:38:14 | |
-One more. -20 I've got. | 0:38:14 | 0:38:16 | |
22. | 0:38:16 | 0:38:17 | |
25. Still with me, 25. | 0:38:17 | 0:38:20 | |
25 and the lady's got it at 25. | 0:38:20 | 0:38:22 | |
That late spurt has got him a profit. | 0:38:24 | 0:38:27 | |
-That's a £10 profit. -Exactly. -I can't grumble. | 0:38:28 | 0:38:30 | |
That is properly in the money, isn't it? | 0:38:30 | 0:38:33 | |
Now for Charles' curious lamp, | 0:38:33 | 0:38:35 | |
£3 dearer thanks to its PAT test. | 0:38:35 | 0:38:38 | |
There we are. 20 bid. £20 bid. At 20. | 0:38:38 | 0:38:42 | |
25. 25 bid. | 0:38:42 | 0:38:43 | |
-25. 30. -There's more hands! There's more hands! Come on! | 0:38:43 | 0:38:46 | |
At 50 bid. | 0:38:46 | 0:38:49 | |
At 50 bid. At 55. 60. 60 bid. | 0:38:49 | 0:38:52 | |
At 60. 60 bid for that one. | 0:38:52 | 0:38:54 | |
-More, more! -One more! | 0:38:54 | 0:38:55 | |
At 60. | 0:38:55 | 0:38:58 | |
-I'm over the moon. -Well done. | 0:38:58 | 0:38:59 | |
Remember all the cricket analogies earlier? | 0:38:59 | 0:39:01 | |
That's a four, I'd say. | 0:39:01 | 0:39:03 | |
Christina's turn now. | 0:39:03 | 0:39:05 | |
You just need one item to take off, to ignite, to inspire... | 0:39:05 | 0:39:09 | |
So will her little silver collection be that very lot? | 0:39:10 | 0:39:13 | |
Various bids. I've £40 bid. | 0:39:13 | 0:39:16 | |
£40 bid for the lot. At 40. 45. 50. | 0:39:16 | 0:39:19 | |
55. 60. | 0:39:19 | 0:39:21 | |
60 bid. 65. | 0:39:21 | 0:39:23 | |
-Keep going! -65. Now with 65. | 0:39:23 | 0:39:26 | |
65, all done. Selling now at 65. | 0:39:26 | 0:39:28 | |
621. | 0:39:28 | 0:39:30 | |
Oh, dear! That's out for a duck, I'd say! | 0:39:30 | 0:39:34 | |
Minus 15! | 0:39:34 | 0:39:36 | |
It's my birthday! | 0:39:36 | 0:39:38 | |
-# It's my party... -And I'll cry if I want to! # | 0:39:39 | 0:39:42 | |
Now for her salt-and-pepper aeroplane. | 0:39:43 | 0:39:45 | |
There we are. £10 bid. | 0:39:45 | 0:39:48 | |
10 for the cruets. 10 bid. | 0:39:48 | 0:39:51 | |
-Some more, some more! -Any more? 10 for that. 10 bid. | 0:39:51 | 0:39:54 | |
-More, surely? -12 for the cruet. | 0:39:54 | 0:39:57 | |
-12 for the cruet, then. Selling then. -It's iconic! -Ah! -Selling at 12. | 0:39:57 | 0:40:00 | |
Oh, dear, never mind, Christina. | 0:40:02 | 0:40:04 | |
Your fashion plates are up next. | 0:40:04 | 0:40:06 | |
At £10 bid. 12. 15. 18. 20. | 0:40:06 | 0:40:11 | |
-22 I'm after. 22 over on the right. -You're in profit. | 0:40:11 | 0:40:13 | |
£22. 25. 28. | 0:40:13 | 0:40:16 | |
£28 bid. | 0:40:16 | 0:40:17 | |
28, all right. Selling at 28. | 0:40:17 | 0:40:21 | |
Well done, partner. | 0:40:21 | 0:40:22 | |
She'll never catch him up at this rate! | 0:40:22 | 0:40:24 | |
-It's a mixed day, isn't it? -A mixed day. Do you know...? -It really is a mixed day. | 0:40:25 | 0:40:29 | |
Let's just hope all those railway buffs the dealer talked about | 0:40:29 | 0:40:33 | |
have been poring over these. | 0:40:33 | 0:40:35 | |
I have 55 bid. | 0:40:35 | 0:40:36 | |
Brilliant! | 0:40:36 | 0:40:38 | |
55. 60. 65. | 0:40:38 | 0:40:40 | |
70. 75. | 0:40:40 | 0:40:41 | |
80. 85. | 0:40:41 | 0:40:43 | |
90. 95. | 0:40:43 | 0:40:44 | |
100. 105. | 0:40:44 | 0:40:45 | |
110. 115. | 0:40:45 | 0:40:46 | |
130. 140. 150. | 0:40:46 | 0:40:49 | |
-160 I have. -Obviously, they're incredibly valuable. | 0:40:49 | 0:40:51 | |
170. 180. | 0:40:51 | 0:40:53 | |
190. 200. | 0:40:53 | 0:40:54 | |
-At 200. -It's your birthday! | 0:40:54 | 0:40:56 | |
£200 the bid. | 0:40:56 | 0:40:58 | |
At 200 selling, at £200. | 0:40:58 | 0:41:00 | |
Great stuff, Christina! | 0:41:01 | 0:41:03 | |
The comeback starts here! | 0:41:03 | 0:41:05 | |
Give us a hug, give us a hug! | 0:41:06 | 0:41:07 | |
Lot 651. | 0:41:07 | 0:41:09 | |
That's amazing! | 0:41:09 | 0:41:11 | |
This was the not-so-big-spending Charles' greatest investment. | 0:41:11 | 0:41:16 | |
I've 50 bid. | 0:41:16 | 0:41:17 | |
-Keep going. -55. 60. | 0:41:17 | 0:41:19 | |
65. 70. | 0:41:19 | 0:41:21 | |
Got to be 100, isn't it? | 0:41:21 | 0:41:22 | |
£85 bid. 90. | 0:41:22 | 0:41:25 | |
-£90 the bid. -Cheap. One more. -Come on, come on, come on. | 0:41:25 | 0:41:28 | |
At £90. 53. | 0:41:28 | 0:41:30 | |
Lost a fiver. | 0:41:30 | 0:41:31 | |
Yeah, and even more after commission. | 0:41:32 | 0:41:34 | |
That's life! | 0:41:34 | 0:41:35 | |
You win some, you lose some. | 0:41:35 | 0:41:37 | |
Despite the cheap price, Christina's dressing table | 0:41:38 | 0:41:40 | |
looks a lot riskier. | 0:41:40 | 0:41:42 | |
-What's it going to make, really? -A fiver. -Oh, come on! -A fiver. | 0:41:42 | 0:41:46 | |
Why'd you but it, then? Why'd you but it? | 0:41:46 | 0:41:49 | |
-Cos it was a punt. -I've £10 bid. | 0:41:49 | 0:41:52 | |
-10 for the dressing table. At 10. -That's it! | 0:41:52 | 0:41:54 | |
10 for dressing table, then. 10 bid. | 0:41:54 | 0:41:58 | |
-10 for the dressing table. -The mirror's worth that. | 0:41:58 | 0:42:01 | |
At £10. | 0:42:01 | 0:42:02 | |
It doubled our expectations! | 0:42:02 | 0:42:05 | |
-Yeah. -It doubled our expectations! | 0:42:05 | 0:42:07 | |
Someone's got quite a bargain there! | 0:42:07 | 0:42:10 | |
But thanks to her photographs, Christina is the victor today. | 0:42:10 | 0:42:13 | |
-It's your day, birthday girl. I commend you. Well done. -Thank you very much. | 0:42:13 | 0:42:17 | |
-Cup of tea? -Yes, cup of tea! | 0:42:17 | 0:42:18 | |
Christina began with... | 0:42:19 | 0:42:20 | |
And after paying auction costs, she's made a profit of £63.30, | 0:42:22 | 0:42:27 | |
leaving her with... | 0:42:27 | 0:42:29 | |
..to spend next time. | 0:42:29 | 0:42:32 | |
Charles started out with... | 0:42:33 | 0:42:36 | |
And after paying auction costs, he's made a profit of £24.04, | 0:42:37 | 0:42:42 | |
leaving him with... | 0:42:42 | 0:42:44 | |
..and a lead of almost £250. | 0:42:46 | 0:42:49 | |
-I've won two. You've won two. -Correct. | 0:42:49 | 0:42:52 | |
-You have a little bit more money than I do. -Pass me the keys! | 0:42:52 | 0:42:54 | |
No, I think...I think... it's a victory drive for me. | 0:42:54 | 0:42:57 | |
Go on, get in the passenger seat. | 0:42:57 | 0:43:00 | |
Next on Antiques Road Trip... | 0:43:08 | 0:43:09 | |
nothing escapes the eagle eyes of our Charles! | 0:43:09 | 0:43:13 | |
-It's known as the goose boy. -Why the goose boy? | 0:43:13 | 0:43:15 | |
Because he's with the goose. | 0:43:15 | 0:43:17 | |
And could Christina's charms bring her victory? | 0:43:17 | 0:43:20 | |
Oh, we've got competition! I like it! | 0:43:20 | 0:43:22 | |
Subtitles by Red Bee Media Ltd | 0:43:31 | 0:43:35 |