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'It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
'a classic car and a goal to scour Britain for antiques.' | 0:00:05 | 0:00:10 | |
-Going, going, gone! -I've fallen in love with a brick! | 0:00:10 | 0:00:14 | |
'The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
'There'll be worthy winners and valiant losers.' | 0:00:18 | 0:00:22 | |
I feel antiqued out! | 0:00:22 | 0:00:24 | |
'Will it be the high road to glory or the slow road to disaster?' | 0:00:24 | 0:00:27 | |
-GEARS CRUNCH -Charlie! -Sorry! | 0:00:27 | 0:00:29 | |
'This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
'Yeah! | 0:00:34 | 0:00:35 | |
'This week, we're with the dashing duo of the antiques world. | 0:00:35 | 0:00:40 | |
'Auctioneer, antiques expert and all-round good guy Charles Hanson | 0:00:43 | 0:00:48 | |
'had a shaky start...' | 0:00:48 | 0:00:50 | |
I don't believe it! You conquered me today! | 0:00:50 | 0:00:53 | |
'..but has fought hard to take back the lead.' | 0:00:53 | 0:00:56 | |
LAUGHTER Thank you very much. | 0:00:56 | 0:00:59 | |
'Hot on his heels is jewellery expert Christina Trevanion. She may be a Road Tip rookie...' | 0:01:01 | 0:01:06 | |
-As it's my first Road Trip...! -HE LAUGHS | 0:01:06 | 0:01:09 | |
'..but she's got one thing on her mind.' | 0:01:09 | 0:01:12 | |
-I NEED a bargain! -Need a bargain! | 0:01:12 | 0:01:15 | |
'And she's going to great lengths to get what she wants.' | 0:01:15 | 0:01:20 | |
-That's it. The gloves are off, baby! -LAUGHS | 0:01:20 | 0:01:23 | |
'Charles started with £200 | 0:01:27 | 0:01:29 | |
'and after two trips to auction has made some impressive profits, | 0:01:29 | 0:01:33 | |
'giving him £391.96p to spend today. | 0:01:33 | 0:01:37 | |
'Also kicking off with £200, | 0:01:41 | 0:01:43 | |
'Christina's seen a steady return on her purchases, | 0:01:43 | 0:01:46 | |
'clocking up a respectable budget of £229.20p.' | 0:01:46 | 0:01:51 | |
I thrive when I'm under pressure, and I do feel under pressure. | 0:01:58 | 0:02:02 | |
Just impress me, just swank around, OK? | 0:02:02 | 0:02:06 | |
When I see you at the next reveal, | 0:02:06 | 0:02:08 | |
impress me, OK, because you have so far. | 0:02:08 | 0:02:11 | |
'Their worthy steed for the journey | 0:02:13 | 0:02:15 | |
'is this beautifully preserved 1969 Morris Minor.' | 0:02:15 | 0:02:18 | |
Sorry. | 0:02:18 | 0:02:19 | |
-CHRISTINA LAUGHS -What happened? | 0:02:19 | 0:02:23 | |
'Yet another car suffers at the hands of Hanson!' | 0:02:23 | 0:02:27 | |
My knob's come off. Sorry. CHRISTINA LAUGHS | 0:02:27 | 0:02:31 | |
-Do you want me to screw it back on? -Could you screw my knob on, please? | 0:02:31 | 0:02:35 | |
'Oh, try to behave, Charles! | 0:02:35 | 0:02:38 | |
'The route for the week takes our intrepid road trippers | 0:02:40 | 0:02:43 | |
'from Whaley Bridge in Derbyshire over peak and dale | 0:02:43 | 0:02:47 | |
'to their final destination of Cobridge in Staffordshire, | 0:02:47 | 0:02:50 | |
'covering approximately 600 miles. | 0:02:50 | 0:02:53 | |
'On this part of the journey, | 0:02:55 | 0:02:57 | |
'they'll kick off their shopping in Liverpool and work their way up | 0:02:57 | 0:03:01 | |
'to the auction in Lytham St Annes in Lancashire.' | 0:03:01 | 0:03:04 | |
-Oh, my goodness! Liverpool! -Look at the horizon over there. | 0:03:06 | 0:03:10 | |
It just captures an industrial age, doesn't it? | 0:03:10 | 0:03:14 | |
'And as they skirt around the Wirral coast en route to the big city, | 0:03:15 | 0:03:20 | |
'Christina's full of facts.' | 0:03:20 | 0:03:22 | |
When the banana first came to England it was through Liverpool. | 0:03:22 | 0:03:25 | |
-Really? -Yeah. -Are you serious? -Yeah. What date do you think? | 0:03:25 | 0:03:28 | |
I'm going to say, look at me... | 0:03:28 | 0:03:31 | |
the first banana came into the UK via Liverpool in about 1684. | 0:03:31 | 0:03:35 | |
No, Charlie. | 0:03:35 | 0:03:37 | |
-OK. Hold on. 1720. -No. | 0:03:37 | 0:03:39 | |
-Hold on. 1715. -Colder. | 0:03:39 | 0:03:41 | |
-What year? -1884 - the year of your birth. -That late? | 0:03:41 | 0:03:45 | |
-You've been doing homework? -Yeah. I have. | 0:03:45 | 0:03:48 | |
'Every day's a school day, eh, Charles? | 0:03:48 | 0:03:51 | |
'Liverpool's wealth was in part due | 0:03:53 | 0:03:56 | |
'to the city handling 40% of the world's trade | 0:03:56 | 0:04:00 | |
'by the early 19th century. | 0:04:00 | 0:04:02 | |
'Can our duo cash in on this rich heritage?' | 0:04:02 | 0:04:05 | |
-I think Liverpool has so much to offer and to offer us as well. -Yeah. | 0:04:05 | 0:04:10 | |
There is a wealth of material. | 0:04:10 | 0:04:12 | |
The sun's coming out. We're prospering. The day's good. | 0:04:12 | 0:04:16 | |
'They're off to a great start(!)' | 0:04:16 | 0:04:18 | |
-The car's running off. -Is it? Sorry! Handbrake! | 0:04:18 | 0:04:22 | |
'Or maybe not.' | 0:04:22 | 0:04:25 | |
-Might not be here when we get back. -It's my tactics, OK? | 0:04:25 | 0:04:29 | |
-See you later. -Bye. | 0:04:29 | 0:04:31 | |
'With no sign of putting the brakes on, | 0:04:33 | 0:04:36 | |
'Charles is starting in pole position. | 0:04:36 | 0:04:38 | |
'Can his first shop of the trip and owner Trevor help him stay there?' | 0:04:38 | 0:04:44 | |
-I'll go for a walk around. I'm on thrill chase today. -Good. | 0:04:44 | 0:04:49 | |
-To keep myself in the lead. -Well, bright and optimistic is good. | 0:04:49 | 0:04:52 | |
I'll be back in a second. | 0:04:52 | 0:04:54 | |
I'm trying to impress Christina. | 0:04:56 | 0:04:58 | |
A man is always underdressed without a waistcoat. | 0:04:58 | 0:05:01 | |
'Quite the gentleman, isn't he?' | 0:05:01 | 0:05:04 | |
That could be Christina on this cigarette card. | 0:05:05 | 0:05:09 | |
'Cheeky boy!' | 0:05:09 | 0:05:10 | |
It's a wonderful shop! There's everything here. | 0:05:10 | 0:05:13 | |
'But is there anything you like, Charles?' | 0:05:13 | 0:05:16 | |
What I quite like is down here. | 0:05:16 | 0:05:18 | |
It's marked Ruskin. | 0:05:18 | 0:05:21 | |
What has caught my eye is it's priced at... | 0:05:21 | 0:05:24 | |
WHISPERING: ..£55! | 0:05:24 | 0:05:27 | |
And that's really cheap. The problem is, it says "cracked". | 0:05:27 | 0:05:31 | |
If it wasn't cracked, it could be worth £300 or £400. | 0:05:31 | 0:05:36 | |
'Well, Charles, that's quite a find.' | 0:05:36 | 0:05:38 | |
-Trevor? -Yeah. | 0:05:39 | 0:05:41 | |
-I couldn't look in your cabinet? -You're welcome. | 0:05:41 | 0:05:44 | |
I just noticed on this shelf down here a nice Ruskin bowl. | 0:05:44 | 0:05:47 | |
Yes, it has a crack in it. | 0:05:47 | 0:05:49 | |
-Has a crack. -It's incredibly thin. -Is it? -Yeah. | 0:05:49 | 0:05:53 | |
-You're circa 1920, aren't you, with this? -I'm sure. | 0:05:53 | 0:05:56 | |
It's Ruskin copying the great Chinese master potters | 0:05:56 | 0:06:02 | |
in their flambe and other glazes. | 0:06:02 | 0:06:04 | |
Trevor, what's your best price on that? | 0:06:04 | 0:06:06 | |
-Charles... -Trevor. -..you're a nice guy. -Yes, mate! | 0:06:06 | 0:06:10 | |
-You don't give any nasty pressure. -No. | 0:06:10 | 0:06:13 | |
-£30. -Trevor, you say 30. I'm always one to come back. | 0:06:13 | 0:06:17 | |
I think one's got to negotiate and make a counter offer. | 0:06:17 | 0:06:20 | |
-Would you take £25? -I would, Charles. | 0:06:20 | 0:06:23 | |
-Would you really, Trevor? -Yes. -Because it's just got to go? -No. | 0:06:23 | 0:06:27 | |
-Because it's as sunny as you are! -'Ha ha! He's a jolly fellow!' | 0:06:27 | 0:06:31 | |
I'm really excited. | 0:06:31 | 0:06:33 | |
What Trevor doesn't realise | 0:06:34 | 0:06:37 | |
is that on the bottom it's dated 1917. | 0:06:37 | 0:06:41 | |
It's also not cracked. Um... | 0:06:41 | 0:06:44 | |
And I think it's really nice. I think it's worth £100. | 0:06:45 | 0:06:49 | |
Hanson! Off and running! | 0:06:49 | 0:06:51 | |
'Well, Charles, that might make you a pretty packet at auction. | 0:06:52 | 0:06:56 | |
'Christina's got some serious catching up to do.' | 0:06:56 | 0:06:59 | |
And there's 40. | 0:06:59 | 0:07:00 | |
-Thanks very much, Trevor. Good to see you again. -Good luck. | 0:07:00 | 0:07:04 | |
'Her first shop was the stables | 0:07:07 | 0:07:10 | |
'which served one of the first train stations in the world. | 0:07:10 | 0:07:14 | |
'With so much history packed in, she'll have to work hard | 0:07:14 | 0:07:17 | |
'to find the right piece for profit in this place.' | 0:07:17 | 0:07:19 | |
It's so frustrating not being able to get at anything. | 0:07:19 | 0:07:23 | |
I'm looking for one thing, possibly one or two things, | 0:07:23 | 0:07:26 | |
which are going to make me big money. | 0:07:26 | 0:07:28 | |
"Needle" and "haystack"... springs to mind. | 0:07:28 | 0:07:32 | |
It'll be fine. | 0:07:32 | 0:07:34 | |
'This labyrinth of antiques is putting our girl in a bit of a spin.' | 0:07:36 | 0:07:40 | |
How do you get into anything? | 0:07:42 | 0:07:44 | |
-I just want to tidy it all up! -LAUGHS | 0:07:46 | 0:07:50 | |
'With so much choice, Christina's turning to the auction house for divine inspiration.' | 0:07:52 | 0:07:57 | |
So we're looking for jewellery and silver, ceramics and Chinese? | 0:07:57 | 0:08:02 | |
Bye, bye. | 0:08:02 | 0:08:04 | |
It's very much "smalls". | 0:08:04 | 0:08:07 | |
In that case, furniture's out. | 0:08:07 | 0:08:09 | |
-BREATHES IN -No pressure(!) | 0:08:09 | 0:08:12 | |
'Armed with that advice, there'll be no more horsing about.' | 0:08:12 | 0:08:16 | |
It looks almost Picasso in inspiration, doesn't it? | 0:08:16 | 0:08:19 | |
It's quite lovely. I like that. | 0:08:19 | 0:08:22 | |
Quite a nice shape, very displayable. | 0:08:22 | 0:08:24 | |
The kind of thing my granny would have loved and is coming back into vogue. | 0:08:25 | 0:08:29 | |
'Christina's first find is an Italian art pottery jug. | 0:08:29 | 0:08:34 | |
'Now she's on a roll.' | 0:08:34 | 0:08:36 | |
So, these would have been carpet bowls, | 0:08:36 | 0:08:39 | |
or ARE carpet bowls. | 0:08:39 | 0:08:41 | |
You would have played your carpet bowls inside as a game. | 0:08:41 | 0:08:48 | |
Like you play crown green balls now. | 0:08:48 | 0:08:50 | |
You really want to make sure that they've got no chips to the glaze. | 0:08:50 | 0:08:54 | |
These haven't, as far as I can see. They're nice decorative things. | 0:08:54 | 0:08:59 | |
Together, they make quite a nice little display. | 0:08:59 | 0:09:02 | |
'They're marked up at £6 each. | 0:09:02 | 0:09:04 | |
'At last, she's bowled over, | 0:09:04 | 0:09:06 | |
'but can she strike a deal with owner Paul?' | 0:09:06 | 0:09:09 | |
Paul, what's your thoughts on... | 0:09:09 | 0:09:13 | |
..a jug and some carpet bowls? | 0:09:14 | 0:09:16 | |
-£20 the lot. -That sounds like quite a lot of money. | 0:09:16 | 0:09:20 | |
-That's cheap. -No? -I had hours of fun with them bowls. | 0:09:21 | 0:09:24 | |
'Oh, he's a lot of fun.' | 0:09:24 | 0:09:27 | |
I was thinking more like a tenner. | 0:09:27 | 0:09:30 | |
-We're in 2013. -I know. -The war's over! | 0:09:30 | 0:09:35 | |
-I'll take 15 quid for them. -I'm still at a tenner. | 0:09:35 | 0:09:38 | |
-Go on. -They're cheap at 15. -A tenner? I need the head start! | 0:09:38 | 0:09:42 | |
-Split the difference at 12? -Yeah. Go on. -Yeah? Do me at 12? -Yeah. | 0:09:42 | 0:09:46 | |
Brilliant. You're a star. Thank you very much. | 0:09:46 | 0:09:49 | |
'She knows how to get what she wants. | 0:09:49 | 0:09:51 | |
'With deal at £12, it's time to hit the road once more | 0:09:51 | 0:09:55 | |
'and make the short journey towards Prescot. | 0:09:55 | 0:09:59 | |
'Sitting on the edge of town is our next stop, Knowsley Hall, | 0:10:01 | 0:10:05 | |
'a 2,500-acre estate. | 0:10:05 | 0:10:08 | |
'And all this beautiful countryside is inspiring our eager experts | 0:10:08 | 0:10:13 | |
'to stage an impromptu rescue attempt.' | 0:10:13 | 0:10:16 | |
Come on! | 0:10:16 | 0:10:17 | |
Christina? LAMB BLEATING | 0:10:17 | 0:10:21 | |
-Come on. -Shoo him back here. I'll catch him. | 0:10:21 | 0:10:25 | |
Oh, no! | 0:10:25 | 0:10:27 | |
-Hey! -There you go. | 0:10:34 | 0:10:36 | |
'What a hero he is! | 0:10:36 | 0:10:38 | |
'Now, hurry along, Charles, cos Christina has an important date.' | 0:10:38 | 0:10:43 | |
-Gateway to heaven! -Yeah, indeed! -Who are you seeing here? | 0:10:43 | 0:10:47 | |
I am ditching you for the delightful Earl of Derby. | 0:10:47 | 0:10:50 | |
I can't compete with this guy! | 0:10:50 | 0:10:52 | |
-I know. -It's in my dreams, Christina! | 0:10:52 | 0:10:55 | |
Absolutely beautiful. | 0:10:55 | 0:10:57 | |
-Have fun shopping. -Thanks(!) Ditch me! Enjoy yourself. See you later. | 0:10:57 | 0:11:01 | |
-Go carefully. Bye. -Bye. | 0:11:01 | 0:11:03 | |
'The current resident of Knowsley Hall | 0:11:05 | 0:11:08 | |
'is the 19th Earl of Derby. | 0:11:08 | 0:11:10 | |
'His family's history is closely connected to the history of Britain | 0:11:10 | 0:11:14 | |
'and includes a Prime Minister, a champion of William Shakespeare | 0:11:14 | 0:11:18 | |
'and close ties to the royal family stretching back to Richard III. | 0:11:18 | 0:11:23 | |
'Despite all that, it's the family's passion for horse racing | 0:11:23 | 0:11:28 | |
'that's arguably been their biggest contribution to British life. | 0:11:28 | 0:11:31 | |
'They created their namesake, the Derby, | 0:11:31 | 0:11:35 | |
'the best-known horse race in the world.' | 0:11:35 | 0:11:38 | |
GALLOPING HOOVES | 0:11:40 | 0:11:42 | |
-You must be Lord Derby. -Hi there. -Thank you so much for having us. | 0:11:49 | 0:11:53 | |
Your house is absolutely stunning. | 0:11:53 | 0:11:56 | |
It helps that you've come on a sunny day. We haven't had so much of those of late. | 0:11:56 | 0:12:02 | |
I'm very proud to be part of a long lineage here. | 0:12:02 | 0:12:05 | |
The family have lived here for 600 years. | 0:12:05 | 0:12:08 | |
-There's obviously been a link with horses. -A huge link with horses. | 0:12:08 | 0:12:13 | |
Going way, way back, pre-Civil War. | 0:12:13 | 0:12:16 | |
Here at Knowsley in the park, there was a racecourse. | 0:12:16 | 0:12:20 | |
-This is the park of this house? -This is the park. | 0:12:20 | 0:12:23 | |
That tower which was a lookout for the racecourse is still there. | 0:12:23 | 0:12:26 | |
Very, very long races, they had in those days. | 0:12:26 | 0:12:29 | |
It shows that that family link with racing goes on a long way. | 0:12:29 | 0:12:35 | |
'It was the 12th Earl of Derby who started the Epsom Oaks in 1779, | 0:12:37 | 0:12:43 | |
'and then the Derby a year later, | 0:12:43 | 0:12:45 | |
'marking the beginning of the sport as we know it today.' | 0:12:45 | 0:12:49 | |
The naming of the Derby was at a dinner party at Epsom, | 0:12:50 | 0:12:54 | |
and a toss of a coin between Sir Charles Bunbury and Lord Derby. | 0:12:54 | 0:12:59 | |
Derby won the toss, but Diomed, Sir Charles Bunbury's horse, | 0:12:59 | 0:13:03 | |
-won the first running of the race. -That's very diplomatic! | 0:13:03 | 0:13:06 | |
It took another nine years till Derby could win it. | 0:13:06 | 0:13:11 | |
'The family have had great success across the generations, | 0:13:13 | 0:13:17 | |
'right up to today, with Lord Derby's own champion horse, | 0:13:17 | 0:13:21 | |
'Ouija Board. | 0:13:21 | 0:13:24 | |
'And of course, their name has gone beyond horse racing | 0:13:24 | 0:13:27 | |
'and has spread into other sporting events.' | 0:13:27 | 0:13:31 | |
It has flourished into all these wonderful international events! | 0:13:34 | 0:13:38 | |
It's spread out into all these international events. | 0:13:38 | 0:13:41 | |
We've gone beyond racing. We've got donkey derby and demolition derby. | 0:13:41 | 0:13:45 | |
And football thinks it owns this expression of the local derby, | 0:13:45 | 0:13:49 | |
with Man U, Man City - here, it's Liverpool and Everton. | 0:13:49 | 0:13:53 | |
In fact, we believe the origin of that expression, the local derby, | 0:13:53 | 0:13:57 | |
comes from rugby league, a very popular sport round here, | 0:13:57 | 0:14:01 | |
mainly played in the north of England. | 0:14:01 | 0:14:03 | |
That, we believe, is where the original expression came from. | 0:14:03 | 0:14:07 | |
What a sporting legacy to uphold! | 0:14:07 | 0:14:09 | |
Quite a sporting legacy! Quite a family history! | 0:14:09 | 0:14:12 | |
I'm very proud to be part of such an illustrious and long family history. | 0:14:12 | 0:14:16 | |
-Thank you for sharing it with us. -Great pleasure. | 0:14:16 | 0:14:19 | |
'With Christina otherwise engaged, | 0:14:19 | 0:14:21 | |
'Charles is trotting round the countryside.... | 0:14:21 | 0:14:23 | |
'..en route to Wigan in Greater Manchester, | 0:14:26 | 0:14:31 | |
'one of the first towns in the country to feature a railway. | 0:14:31 | 0:14:35 | |
'George Orwell also brought fame to the town | 0:14:35 | 0:14:38 | |
'with The Road To Wigan Pier, | 0:14:38 | 0:14:40 | |
'largely concerned with England's working poor. | 0:14:40 | 0:14:44 | |
'Today, the area is the centre of a large regeneration project. | 0:14:44 | 0:14:49 | |
'Can our Charles turn rags to riches at his next stop, JW Antiques? | 0:14:49 | 0:14:55 | |
'Go for it, Charles. | 0:14:55 | 0:14:57 | |
'He's certainly keeping his eyes peeled for a bargain!' | 0:15:02 | 0:15:06 | |
I'm short-sighted. | 0:15:06 | 0:15:09 | |
'Looking good, Charles!' | 0:15:10 | 0:15:11 | |
No, it's not very good. | 0:15:11 | 0:15:14 | |
When it comes to afternoon tea, you take a seat. | 0:15:17 | 0:15:19 | |
"How are you, darling?" "How are you?" | 0:15:19 | 0:15:21 | |
'Oh, Charles! First, it's an imaginary friend. | 0:15:21 | 0:15:25 | |
'Now a tea party on the floor!' | 0:15:25 | 0:15:28 | |
We've got some chips on the rims over there. | 0:15:28 | 0:15:31 | |
We've got a nice set of three milk to cream jugs and a small jug. | 0:15:31 | 0:15:37 | |
A condiment jar and cover for jam | 0:15:37 | 0:15:39 | |
and that lovely condiment set - just gorgeous and so complete. | 0:15:39 | 0:15:44 | |
'This Art Deco tea and coffee set dates from the 1930s | 0:15:44 | 0:15:48 | |
'and has a price tag of £80 | 0:15:48 | 0:15:50 | |
'for the lot. | 0:15:50 | 0:15:53 | |
'What's he up to now? | 0:15:55 | 0:15:57 | |
'He's picking up items by the bucket-load, with the help of John.' | 0:15:57 | 0:16:03 | |
The reason I quite like this bucket is because clearly it has some age. | 0:16:03 | 0:16:07 | |
It's quite rustic. It's coopered. | 0:16:07 | 0:16:10 | |
Which is this iron or... Yeah, it is, cast-iron binding. | 0:16:10 | 0:16:14 | |
I think it's pine, isn't it? | 0:16:14 | 0:16:17 | |
That's just quite a nice bucket. | 0:16:17 | 0:16:19 | |
If I said to you, John, what sort of value on this bucket, | 0:16:19 | 0:16:24 | |
what would you tell me? | 0:16:24 | 0:16:26 | |
To a poor man from Derbyshire, John, looking to earn a buck at auction. | 0:16:26 | 0:16:29 | |
'Let the man think, Charles!' | 0:16:29 | 0:16:32 | |
-45. -OK. | 0:16:34 | 0:16:36 | |
-I'll give it some thought. -No problem. -He's saying... | 0:16:36 | 0:16:39 | |
That man over there is saying how much? | 0:16:39 | 0:16:42 | |
-< £25! £25. Do you know him? -Yeah. | 0:16:42 | 0:16:45 | |
-Oh, I know him. -Good man. I'll give it some thought! | 0:16:45 | 0:16:48 | |
'Oh, boss Will says £25. | 0:16:49 | 0:16:53 | |
'There's no stopping you, Charles. He's spotted another piece.' | 0:16:53 | 0:16:57 | |
I like this. This is of Newcastle, Newcastle on Tyne. | 0:16:57 | 0:17:01 | |
They're flowering out in a great Deco style. | 0:17:01 | 0:17:05 | |
It's called the crocus pattern. It's not in bad condition. | 0:17:05 | 0:17:08 | |
Bit of wear and tear. | 0:17:08 | 0:17:10 | |
'Charles is adding this crocus pattern pottery bowl | 0:17:12 | 0:17:16 | |
'to the items on his wish list, | 0:17:16 | 0:17:18 | |
'featuring the 18th-century peat bucket and the coffee and tea set. | 0:17:18 | 0:17:23 | |
'Right, boys. Prepare yourselves. Hanson's ready to deal.' | 0:17:23 | 0:17:27 | |
-I think you said the best on the bucket was 20. -Yeah. | 0:17:28 | 0:17:31 | |
'Actually, Charles, it was 25, but who's counting?' | 0:17:31 | 0:17:34 | |
-OK. What's the best on the bowl? -That is the best. | 0:17:36 | 0:17:40 | |
-20? -Yeah. | 0:17:40 | 0:17:41 | |
What's the best price, John, on that big coffee set? | 0:17:41 | 0:17:45 | |
I would value that at between 50 and 80 at auction. | 0:17:45 | 0:17:48 | |
I want to buy it for about £40, but you've got your margins. | 0:17:48 | 0:17:52 | |
If you want it for 50, you can have it. You'll make money on it. | 0:17:52 | 0:17:57 | |
Yeah. It's tempting. | 0:17:57 | 0:17:59 | |
If I said to you I'm going to buy the peat bucket for 20, 20 for that, | 0:17:59 | 0:18:04 | |
and rather than paying 50 for that big set... | 0:18:04 | 0:18:09 | |
..would you accept 40? You would? | 0:18:11 | 0:18:14 | |
Thank you, John. I'll take the whole lot. | 0:18:14 | 0:18:16 | |
'Chancer Charles wins again and walks away with the coffee and tea set for £40, | 0:18:19 | 0:18:24 | |
'the pottery bowl for £20 and the bucket also for £20. | 0:18:24 | 0:18:29 | |
'Bargains all round! | 0:18:29 | 0:18:31 | |
'And joining Christina once more, | 0:18:32 | 0:18:34 | |
'they bid farewell to another day of antique adventures. | 0:18:34 | 0:18:38 | |
'So night-night, you two. | 0:18:38 | 0:18:40 | |
'It's a brand new day - and new personas, apparently.' | 0:18:43 | 0:18:47 | |
I'm Bonnie Prince Charlie, you're Lady Godiva. | 0:18:47 | 0:18:50 | |
-Hang on a second! -BOTH LAUGH | 0:18:50 | 0:18:54 | |
-She didn't have any clothes on. -Oh, yeah! | 0:18:54 | 0:18:57 | |
'That's a thought. | 0:18:59 | 0:19:01 | |
'Yesterday, Charles spent £105 and bought four items - | 0:19:01 | 0:19:05 | |
'the Ruskin stoneware bowl dated 1917, | 0:19:05 | 0:19:09 | |
'the Art Deco tea and coffee set, circa 1930, | 0:19:09 | 0:19:14 | |
'the crocus pattern pottery bowl | 0:19:14 | 0:19:16 | |
'and the late 18th century pine peat bucket. | 0:19:16 | 0:19:20 | |
'Which still leaves him with a hefty budget of £286.96p | 0:19:20 | 0:19:25 | |
'to spend today. | 0:19:25 | 0:19:27 | |
'Christina, though, only parted with £12 and bought two items - | 0:19:29 | 0:19:33 | |
'the Chinese porcelain carpet bowls | 0:19:33 | 0:19:37 | |
'and the Italian art pottery jug, | 0:19:37 | 0:19:39 | |
'giving her £217.20p to see her to the end of the day. | 0:19:39 | 0:19:45 | |
'And their first stop is the Lancastrian city of Preston. | 0:19:46 | 0:19:51 | |
'Although it wears the crown of being England's newest city, | 0:19:55 | 0:19:59 | |
'Preston is steeped in history, | 0:19:59 | 0:20:01 | |
'with evidence of an Ancient Roman presence.' | 0:20:01 | 0:20:04 | |
-Adieu, Christine. -Go conquer. | 0:20:04 | 0:20:06 | |
Morning has broken. Give me a song. | 0:20:06 | 0:20:08 | |
-Morning has broken. -See you later. Just get on with your visit! | 0:20:08 | 0:20:12 | |
'As Christina heads off to the shops, | 0:20:17 | 0:20:19 | |
'Charles is in for an altogether more sensory experience. | 0:20:19 | 0:20:23 | |
'He's come to the impressive Harris Museum and Art Gallery | 0:20:26 | 0:20:29 | |
'for an appointment with the country's largest collection of scent bottles. | 0:20:29 | 0:20:34 | |
'Collected by a Mrs French in the 19th and 20th centuries | 0:20:34 | 0:20:39 | |
'and bequeathed to the museum through a mutual friend | 0:20:39 | 0:20:43 | |
'after her death in 1963. | 0:20:43 | 0:20:45 | |
'Incredibly, there are almost 3,000 items! | 0:20:45 | 0:20:49 | |
'Each known well by museum head of arts and heritage Alex Walker.' | 0:20:51 | 0:20:56 | |
-Good morning. -Good morning. -You must be Alex. -I am, yes. | 0:21:00 | 0:21:04 | |
SNIFFS I can smell something. | 0:21:04 | 0:21:06 | |
-'Stop it, Charles!' -You smell very nice! | 0:21:06 | 0:21:08 | |
I'm here to learn about Mrs French and her scent bottle collection. | 0:21:08 | 0:21:14 | |
We know that sadly she was a widow, but she did have a son. | 0:21:14 | 0:21:18 | |
Unfortunately, he was killed during the Second World War. | 0:21:18 | 0:21:21 | |
It seems to be after that that she really began to collect more. | 0:21:21 | 0:21:26 | |
'Mrs French's unique collection of bottles | 0:21:28 | 0:21:30 | |
'are renowned with collectors who flock from around the world | 0:21:30 | 0:21:34 | |
'to witness this "scent-sational" glimpse into the past.' | 0:21:34 | 0:21:38 | |
When you say scent bottle, | 0:21:40 | 0:21:42 | |
obviously I wear my smells and I'm sure you wear your... | 0:21:42 | 0:21:47 | |
-Do you like it? -Oh, yes. -Thank you! I could come here again! | 0:21:47 | 0:21:50 | |
Tell me, back in the 18th century, | 0:21:50 | 0:21:53 | |
the English scent bottle, what was its primary role? | 0:21:53 | 0:21:56 | |
We're used today to scent being a sort of luxury product, | 0:21:56 | 0:22:01 | |
very often associated with a couturier, | 0:22:01 | 0:22:04 | |
and the scent bottles themselves are part of the branding of the scent. | 0:22:04 | 0:22:09 | |
But not so much in the past. | 0:22:09 | 0:22:12 | |
You had your individual scent bottle filled by a chemist, a perfumer, | 0:22:12 | 0:22:17 | |
who would make up a recipe and decant it into your bottle. | 0:22:17 | 0:22:22 | |
'Our love of scent goes back to Egyptian times, | 0:22:24 | 0:22:27 | |
'but scent bottles have come a long way since then. | 0:22:27 | 0:22:31 | |
'Although most of Mrs French's bottles are Victorian, | 0:22:31 | 0:22:34 | |
'she collected some from as far back as the 1700s.' | 0:22:34 | 0:22:38 | |
The interesting thing about this | 0:22:41 | 0:22:43 | |
is the little mirrored patch box set in the side. | 0:22:43 | 0:22:47 | |
Of course, Alex, if you're off for a night out in 1780, | 0:22:47 | 0:22:51 | |
you can put your scent on, then check yourself out. | 0:22:51 | 0:22:54 | |
There's no warts. LAUGHS | 0:22:54 | 0:22:56 | |
I can see no smallpox, no scars. | 0:22:56 | 0:22:59 | |
I don't know! | 0:22:59 | 0:23:01 | |
'He sure does know how to charm a lady(!) | 0:23:02 | 0:23:05 | |
'Mrs French displayed many of her bottles in her home in Kent. | 0:23:05 | 0:23:09 | |
'One that stands out for its technical complexity | 0:23:09 | 0:23:13 | |
'was made by the glassmaker Thomas Webb in the early 1880s.' | 0:23:13 | 0:23:17 | |
The most remarkable thing is the very beautiful carved feathers. | 0:23:18 | 0:23:22 | |
It's really odd, isn't it? It's a duck's head, is it? | 0:23:22 | 0:23:26 | |
-Yes... -Or a swan's head? | 0:23:26 | 0:23:29 | |
-I'm not very good on birds. -I'm not, either, when it comes to birds. | 0:23:29 | 0:23:34 | |
What is so remarkable, in my opinion, | 0:23:34 | 0:23:37 | |
is this was Victorian novelty - I mean, that is so novel! | 0:23:37 | 0:23:41 | |
There was a period towards the end of the 19th century | 0:23:41 | 0:23:45 | |
when scent bottles became a medium | 0:23:45 | 0:23:48 | |
for producing novelty decorative objects. | 0:23:48 | 0:23:51 | |
-We have this one in the shape of opera glasses. -I see. | 0:23:51 | 0:23:57 | |
-Just novelty items. -Like that, but both lids would support scents. | 0:23:57 | 0:24:02 | |
I've got £300. | 0:24:02 | 0:24:05 | |
You've got 2,700. | 0:24:05 | 0:24:08 | |
Any in that price bracket... for sale? | 0:24:08 | 0:24:11 | |
-Don't ask. -OK. That's a no, is it? -That's a no. | 0:24:11 | 0:24:15 | |
Long may Mrs French's collection continue living in Preston. | 0:24:15 | 0:24:19 | |
'Charles's attempt at a deal may not have come up smelling of roses. | 0:24:19 | 0:24:24 | |
'Perhaps Christina will have more luck, | 0:24:28 | 0:24:30 | |
'as she's been making her way to the small village of Bretherton. | 0:24:30 | 0:24:35 | |
'With a recorded history going back over 800 years, | 0:24:39 | 0:24:42 | |
'perhaps Bretherton's biggest claim to fame is its association | 0:24:42 | 0:24:46 | |
'with the father of British astronomy, Jeremiah Horrocks. | 0:24:46 | 0:24:50 | |
'The perfect place for Christina to reach for the stars | 0:24:52 | 0:24:55 | |
'and steal back the lead.' | 0:24:55 | 0:24:58 | |
-Hello! -Hello, Christina. It's lovely to see you. | 0:24:58 | 0:25:02 | |
-What's your name? -Aiden. -Nice to meet you, Aiden. | 0:25:02 | 0:25:05 | |
-Thank you so much for having us. -You're welcome. -How exciting. | 0:25:05 | 0:25:09 | |
I wonder what we can tempt you with. We want you to make a profit. | 0:25:09 | 0:25:13 | |
Oh, thank you! Well, I need to at the moment. I'm trailing. | 0:25:13 | 0:25:17 | |
-That's no good. -I know! -You won't trail when you've been here, darling! | 0:25:17 | 0:25:21 | |
'Ah, excellent, Christina, a partner in crime, eh?' | 0:25:21 | 0:25:25 | |
-Jewellery here. -And silver there, brilliant. | 0:25:25 | 0:25:28 | |
I'm not an expert on jewellery. | 0:25:28 | 0:25:30 | |
'Well, Aiden, luckily our girl is, so move aside.' | 0:25:30 | 0:25:33 | |
That's nice, that little pepper. | 0:25:33 | 0:25:36 | |
'This Edwardian silver pepperette has caught Christina's eye.' | 0:25:36 | 0:25:41 | |
Nice Birmingham hallmark. | 0:25:41 | 0:25:43 | |
I can see it's got a blue glass liner, which really helps. | 0:25:43 | 0:25:47 | |
-And it's got some original pepper! -LAUGHS | 0:25:47 | 0:25:50 | |
-It just screams Art Nouveau, doesn't it? -Yeah. | 0:25:50 | 0:25:53 | |
-So... -What's it got on it? -You've got £80 on that. -£80? | 0:25:53 | 0:25:57 | |
-You like a bargain, don't you? -I NEED a bargain. | 0:25:57 | 0:26:01 | |
You need a bargain! | 0:26:01 | 0:26:03 | |
How's 40? | 0:26:03 | 0:26:05 | |
'Half price? He's trying hard, Christina.' | 0:26:05 | 0:26:08 | |
-That's a big drop. -Wow! That is a big drop! Incredibly kind. | 0:26:08 | 0:26:11 | |
-We want you to make a profit. -Thank you. | 0:26:11 | 0:26:14 | |
'Huh! Team Christina all the way!' | 0:26:14 | 0:26:17 | |
-Oh, that's nice. -They are nice, those. | 0:26:17 | 0:26:20 | |
Chester as well. Those are lovely. | 0:26:20 | 0:26:23 | |
Great you've got the original box and there's still six. | 0:26:23 | 0:26:26 | |
-You've got a good eye, haven't you? -I try! Not so far! I'm losing! | 0:26:26 | 0:26:30 | |
You're picking nice pieces. | 0:26:30 | 0:26:33 | |
'The case of six Edwardian silver buttons dates from 1903 | 0:26:34 | 0:26:38 | |
'and are priced at £125.' | 0:26:38 | 0:26:41 | |
I would look at those and I would say 80 to 120 at auction. | 0:26:42 | 0:26:46 | |
-Right. -Can you do something like 75...? -Oooh! | 0:26:46 | 0:26:51 | |
I know you're pretty! It's that smile you've got, isn't it? | 0:26:51 | 0:26:55 | |
Good job not all my customers have got smiles or I'd be broke! | 0:26:55 | 0:26:59 | |
CHRISTINA LAUGHS Go on, then. We want you to win. | 0:26:59 | 0:27:02 | |
-Brilliant. Can we do it at 75? -75. | 0:27:02 | 0:27:04 | |
I don't know how much money I've got. I'm spending too much money! | 0:27:04 | 0:27:08 | |
-You've run out. -I think I might have done! | 0:27:08 | 0:27:10 | |
'Relax, Christina. There's still £102.20p in your kitty. | 0:27:10 | 0:27:15 | |
'So, can Aiden tempt you with yet more goodies?' | 0:27:15 | 0:27:19 | |
I should be looking at this! | 0:27:19 | 0:27:22 | |
Everything that I'm buying for £1 makes me most profit. | 0:27:22 | 0:27:26 | |
-It's ridiculous. -How about that for a bargain? | 0:27:26 | 0:27:29 | |
Oh, he's cute. Dogs. | 0:27:29 | 0:27:32 | |
-Yeah, good subject. -We're a nation of animal lovers. | 0:27:32 | 0:27:35 | |
It's got to be the right price, though. It's not silver. | 0:27:35 | 0:27:39 | |
Going off that, you can't lose at £1, can you? | 0:27:39 | 0:27:42 | |
£1? Are you serious? Aiden, it's a deal. Thank you. | 0:27:42 | 0:27:45 | |
-It's only cos you're smiling! -Brilliant, thank you. | 0:27:45 | 0:27:49 | |
-I'm a sucker for a smile. -I'll take it. -You're welcome. | 0:27:49 | 0:27:52 | |
'A silver-plated dog for a £1 note? | 0:27:54 | 0:27:57 | |
'You'd have to be barking mad to say no, Christina. | 0:27:57 | 0:28:00 | |
'Added to the buttons and the pepperette, | 0:28:00 | 0:28:03 | |
'she's walking away with a silver haul.' | 0:28:03 | 0:28:05 | |
Shall we call it 115? | 0:28:05 | 0:28:08 | |
-How much is it? -116. -Go on, then! | 0:28:08 | 0:28:11 | |
'She's done it again!' | 0:28:11 | 0:28:13 | |
Thank you very much. Ah! What a gentleman! | 0:28:13 | 0:28:16 | |
'And a kiss to seal the deal. | 0:28:16 | 0:28:19 | |
'Back on the road, Charles is also turning on the charm.' | 0:28:22 | 0:28:25 | |
-You've got the X factor! -Don't be daft! -You have! Those eyelashes! | 0:28:25 | 0:28:29 | |
-If I've got the X factor, what have you got? -It's a good question. | 0:28:29 | 0:28:33 | |
-You have natural talent. -Thank you very much. You can come again. | 0:28:33 | 0:28:38 | |
'Don't encourage him, Christina. | 0:28:38 | 0:28:41 | |
'They're making the short journey to the village of Eccleston, | 0:28:42 | 0:28:45 | |
'home to Olympic gold cyclist extraordinaire, Sir Bradley Wiggins. | 0:28:45 | 0:28:51 | |
'And two old weaving mills - | 0:28:55 | 0:28:57 | |
'one converted into an Aladdin's cave of antiques and collectables.' | 0:28:57 | 0:29:02 | |
It's called Bygone Times. | 0:29:02 | 0:29:05 | |
-It says, "Begone with you!" -"Buy me then be gone?" -Exactly. Find the bargains! | 0:29:05 | 0:29:09 | |
-'He's in a hurry!' -Let's get shopping. | 0:29:09 | 0:29:12 | |
-Which way are you going? -That way. -OK. See you later. | 0:29:12 | 0:29:16 | |
Good luck. | 0:29:16 | 0:29:18 | |
'And they're off, scouring their final shop of the day.' | 0:29:19 | 0:29:24 | |
This basket here. Ah! | 0:29:24 | 0:29:27 | |
This man is almost a lookalike for Charlie Ross! | 0:29:27 | 0:29:30 | |
Charlie, would you mind? Thanks, mate. You're a good man. | 0:29:30 | 0:29:34 | |
'How rude!' | 0:29:34 | 0:29:36 | |
WOLF WHISTLE | 0:29:36 | 0:29:39 | |
LAUGHING | 0:29:39 | 0:29:40 | |
He's going to get so lost! Think I ought to give him a map? | 0:29:42 | 0:29:45 | |
'Not a bad idea, girl. | 0:29:45 | 0:29:48 | |
'With the clock ticking, Charles is feeling the pressure.' | 0:29:50 | 0:29:55 | |
-Any bargains in there? -I don't know. | 0:29:56 | 0:29:58 | |
I feel antiqued out! It's just huge. | 0:30:00 | 0:30:03 | |
'After an hour of searching, | 0:30:03 | 0:30:05 | |
'Charles makes a last mad dash for a final purchase | 0:30:05 | 0:30:09 | |
'across the road.' | 0:30:09 | 0:30:12 | |
Ah, hello. | 0:30:12 | 0:30:14 | |
-Sir, Charles Hanson. Your name is? -Darren. -Hi, Darren. | 0:30:14 | 0:30:18 | |
-Are you English? -Yes. -OK, fine. Sorry. | 0:30:18 | 0:30:21 | |
-Can I wander round? -Course you can. -I'm going to be really quick. | 0:30:21 | 0:30:25 | |
'Already armed with five lots, Christina decides to ditch shopping | 0:30:28 | 0:30:32 | |
'for an altogether more relaxing experience.' | 0:30:32 | 0:30:35 | |
Enjoy this sunshine! | 0:30:35 | 0:30:37 | |
'Time's running out, Charles.' | 0:30:40 | 0:30:42 | |
I'm struggling here. | 0:30:42 | 0:30:44 | |
-There's a nice little wall stand that I bought this morning. -Oh, yes? | 0:30:44 | 0:30:48 | |
-From over the road. -I love the chandelier. How much is that? | 0:30:48 | 0:30:52 | |
-1,200. -OK. I'll leave it. | 0:30:52 | 0:30:55 | |
-There you go, Charles. -That's quite nice, actually. | 0:30:55 | 0:30:58 | |
'Has he finally found his last lot in this late Victorian wall rack?' | 0:30:58 | 0:31:03 | |
What I love about this is the turning. | 0:31:05 | 0:31:09 | |
Are they walnut? | 0:31:09 | 0:31:12 | |
-I think they are, yeah. -Walnut and ebonised on mahogany shelf tiers. | 0:31:12 | 0:31:17 | |
-It is, what, 1880? -Yeah. | 0:31:17 | 0:31:20 | |
1870. And you'll tell me, Charles, it's how much? | 0:31:20 | 0:31:24 | |
45 to you. | 0:31:24 | 0:31:26 | |
-You wouldn't take 30 for it? -No. | 0:31:26 | 0:31:28 | |
-In cash. -No. -Darren look at me. -No, it's got to be £40. -For me? | 0:31:28 | 0:31:33 | |
-No less? -Yeah. £40. I think you'll get a profit out of it. | 0:31:33 | 0:31:37 | |
I'll take it. Go on. Sold. | 0:31:38 | 0:31:40 | |
That's my fifth item. | 0:31:40 | 0:31:42 | |
I'm happy. Good man. | 0:31:44 | 0:31:46 | |
'At last, he's walking away with the wall rack, | 0:31:47 | 0:31:51 | |
'but will Christina think it's worth the wait? | 0:31:51 | 0:31:54 | |
'Time to bare all, Charles. Well, almost.' | 0:31:54 | 0:31:57 | |
-Are you ready? -Yeah. I'm ready, baby. -Be kind. | 0:31:58 | 0:32:02 | |
OK, close your eyes. | 0:32:02 | 0:32:04 | |
One, two, three. Voila! | 0:32:04 | 0:32:06 | |
Oooh! | 0:32:07 | 0:32:09 | |
-That's nice. -There's one more down there. | 0:32:09 | 0:32:13 | |
-Is there? -Yeah, yeah. -This is very nice. | 0:32:13 | 0:32:15 | |
It's got style. They're pansies. What's it worth? | 0:32:15 | 0:32:19 | |
-Violas. -Are you serious? -That's the pattern name! -Oh, is it? | 0:32:19 | 0:32:23 | |
-Viola. -Is that a flower? -They're a type of pansy, I think. | 0:32:23 | 0:32:27 | |
-I'm not a floral guy. -You've bought for the sale that we're going to. | 0:32:27 | 0:32:32 | |
-Like the bowl? -I do. Is that Ruskin? | 0:32:32 | 0:32:34 | |
-Have a look. -It's very thin for Ruskin. | 0:32:34 | 0:32:37 | |
It is very thin and high-fired, almost a Chinese flambe. | 0:32:37 | 0:32:43 | |
-Wonderful iridescent colours. -It's in good condition. What's it worth? | 0:32:43 | 0:32:48 | |
-What's it worth? -Yeah. -35, 40 quid? | 0:32:48 | 0:32:50 | |
-What did you pay for it? -£55. | 0:32:50 | 0:32:53 | |
-No, £25. -Did you? -Yeah. -Perfect. -Thank you. -Well done. | 0:32:53 | 0:32:57 | |
I'm pleased. I haven't gone to town on the spending. | 0:32:57 | 0:33:00 | |
-God willing, Christina! -You've played it safe? | 0:33:00 | 0:33:04 | |
'But how do things stack up against his rival's riveting items?' | 0:33:04 | 0:33:08 | |
Oh, oh... | 0:33:09 | 0:33:11 | |
What draws me in straight away, Christina, I must admit, | 0:33:11 | 0:33:15 | |
are the buttons. | 0:33:15 | 0:33:17 | |
-I'm sure you'll tell me they're Birmingham or Chester. -Chester. | 0:33:17 | 0:33:20 | |
Let me guess a date. They look to be about 1904. | 0:33:20 | 0:33:23 | |
-Ooh, 1903. -They're very nice. -One out. -You know how it is. | 0:33:23 | 0:33:28 | |
'He's good!' | 0:33:28 | 0:33:29 | |
-They're pierced in that great formal organic style. -What's the best bit? | 0:33:29 | 0:33:33 | |
-They come with their box and they're complete! -Yeah! | 0:33:33 | 0:33:37 | |
I reckon you spent on those buttons... Look at me. ..£70. | 0:33:37 | 0:33:41 | |
-Oh. 75. -Oh, they're good. They're very nice. | 0:33:41 | 0:33:44 | |
-Like your dog! -Do you? | 0:33:44 | 0:33:46 | |
I quite like your dog. Tell me about him. | 0:33:46 | 0:33:49 | |
-He is... Well, what do you think? -He's not silver, is he? | 0:33:49 | 0:33:53 | |
Is he silver? Not silver. Is he silver? | 0:33:53 | 0:33:55 | |
-Is he silver! -He is silver plate. | 0:33:55 | 0:33:58 | |
-OK. Nation of animal lovers. -£15. -Do you know what? | 0:33:58 | 0:34:03 | |
What's the most money that we've been making on our items? | 0:34:03 | 0:34:07 | |
If you dared told me he was 100 pence... | 0:34:07 | 0:34:10 | |
I'll go berserk! | 0:34:10 | 0:34:12 | |
-How much? -£1. -No, he wasn't? Goodness me, Christina! | 0:34:12 | 0:34:15 | |
You have done it again! Would you swap with me? | 0:34:15 | 0:34:19 | |
Exactly. You're pausing because you wouldn't. | 0:34:20 | 0:34:23 | |
-Put it there. I'll see you in Lytham St Annes. -Take care. | 0:34:23 | 0:34:27 | |
I'll try to! | 0:34:27 | 0:34:29 | |
'She wouldn't say it to his face, | 0:34:32 | 0:34:34 | |
'but come on Christina, tell us what you really think - amongst us.' | 0:34:34 | 0:34:38 | |
I have to be honest, I think he's bought some pretty things... | 0:34:38 | 0:34:42 | |
..but I don't think there's anything that's going to make a fortune. | 0:34:43 | 0:34:47 | |
The bucket's nice. Market-fresh, great. | 0:34:47 | 0:34:51 | |
But it's a bucket, isn't it? | 0:34:51 | 0:34:53 | |
I'm really excited. | 0:34:53 | 0:34:55 | |
Yes, I would swap some of my items for hers, | 0:34:56 | 0:34:59 | |
but I'm still very content to sit pretty. | 0:34:59 | 0:35:01 | |
Christina, watch, girl - and learn. | 0:35:01 | 0:35:04 | |
'Ooh! That's fighting talk, Charles. | 0:35:04 | 0:35:07 | |
'It doesn't look like it's letting up on the road, either.' | 0:35:07 | 0:35:10 | |
-Would you like me to... -Get off my hair! -I'm trying to protect you from the rain! | 0:35:10 | 0:35:17 | |
'They're heading to auction | 0:35:18 | 0:35:20 | |
'in the seaside resort of Lytham St Annes near Blackpool. | 0:35:20 | 0:35:23 | |
'Consisting of neighbours, the 19th-century planned town of St Annes | 0:35:25 | 0:35:29 | |
'and its older counterpart Lytham, | 0:35:29 | 0:35:32 | |
'this area has been a popular holiday destination since Victorian times.' | 0:35:32 | 0:35:38 | |
Christina, I'd love to say to you, "It's lovely being by the seaside." | 0:35:38 | 0:35:43 | |
CHRISTINA LAUGHS But it's not, is it, really? | 0:35:43 | 0:35:45 | |
-It's blowing a gale! -It would be beautiful if the sun was shining. | 0:35:45 | 0:35:50 | |
-But we're in Britain. -Yeah. | 0:35:50 | 0:35:52 | |
'Today, they're going to Gerrards auctioneers and valuers. | 0:35:54 | 0:35:58 | |
'While Christina gets a measure of the competition, | 0:35:58 | 0:36:01 | |
'Charles has dreams of hitting the ocean waves. | 0:36:01 | 0:36:05 | |
'But what of their own offerings? | 0:36:05 | 0:36:07 | |
'Does auctioneer Jonathan Cook think they'll sink or swim?' | 0:36:07 | 0:36:12 | |
Some of them, I think, will do well. Others might struggle a bit. | 0:36:14 | 0:36:18 | |
The peat bucket would appeal to a lot of dealers on the internet. | 0:36:18 | 0:36:23 | |
Lots of dog lovers out there. They're going to want it. | 0:36:23 | 0:36:27 | |
Looks like their dog they've got at home. | 0:36:27 | 0:36:30 | |
Sure it'll do well. | 0:36:30 | 0:36:32 | |
'Charles started this leg in the lead with £391.96p. | 0:36:34 | 0:36:40 | |
'He's parted with £145 and is offering up five lots. | 0:36:40 | 0:36:44 | |
'Christina began with £229.20p | 0:36:45 | 0:36:48 | |
'and has also bought five items, at a cost of £127. | 0:36:48 | 0:36:54 | |
'Today's auction is in the room, over the phone and online, | 0:36:58 | 0:37:01 | |
'so take it away, Jonathan. | 0:37:01 | 0:37:04 | |
'First up is Christina and her silver-plated dog.' | 0:37:05 | 0:37:09 | |
£20 on the net. Any advance on 20? | 0:37:09 | 0:37:11 | |
-£20! -Where'd that come from? | 0:37:11 | 0:37:14 | |
Any advance on 20 in the room? 22 on the net. | 0:37:14 | 0:37:17 | |
24. 26. | 0:37:17 | 0:37:19 | |
-Well done. I don't believe this. -All finished at £28...? | 0:37:19 | 0:37:23 | |
-Brilliant! -Yay! | 0:37:25 | 0:37:27 | |
'That profit will keep you out of the doghouse for a while, Christina. | 0:37:27 | 0:37:32 | |
'Can Charles also rack up a profit with his first lot of the day?' | 0:37:33 | 0:37:38 | |
Bids there at £28. | 0:37:38 | 0:37:40 | |
At 28. 30. £32? On the net at 32. | 0:37:40 | 0:37:45 | |
34. 36. | 0:37:45 | 0:37:47 | |
At £36 on the net. Any advance in the room? At £36... | 0:37:47 | 0:37:52 | |
'Do sit still, Charles.' | 0:37:52 | 0:37:54 | |
-..At 40, £40. -Calm down! | 0:37:54 | 0:37:56 | |
42 on the phone! At £42, then. Sell away at 42... | 0:37:56 | 0:38:02 | |
'After all the time he took to find it, | 0:38:03 | 0:38:06 | |
'his £2 profit will be wiped out by auction house costs. | 0:38:06 | 0:38:10 | |
'Shame. | 0:38:10 | 0:38:12 | |
'Back to Christina. | 0:38:13 | 0:38:15 | |
'Will her horsey Italian jug see her galloping into profit?' | 0:38:15 | 0:38:20 | |
£10 on the net. £10 on the internet. Any advance in the room...? | 0:38:20 | 0:38:24 | |
-They don't like my jug. -It's a profit. | 0:38:24 | 0:38:27 | |
-They don't like my jug. -It's a profit, though, isn't it? | 0:38:27 | 0:38:31 | |
-You're warming up still. -OK. I'd better warm up quickly. | 0:38:31 | 0:38:35 | |
'Indeed, Christina, | 0:38:35 | 0:38:37 | |
'as most of that small profit will be eaten up in costs. | 0:38:37 | 0:38:41 | |
'Charles again, now, | 0:38:41 | 0:38:43 | |
'with his late 18th-century pine peat bucket.' | 0:38:43 | 0:38:46 | |
£25. 26. At 26. 30. | 0:38:46 | 0:38:50 | |
-£30. Five. 40. -Yay! | 0:38:50 | 0:38:53 | |
Five. 50. £50. Any advance on 50? | 0:38:53 | 0:38:57 | |
'There's a bucket-load of profit there for you, Charles. Well done. | 0:38:58 | 0:39:03 | |
'Can Christina follow suit with the Art Nouveau silver buttons?' | 0:39:04 | 0:39:09 | |
£28. £30. 32. | 0:39:09 | 0:39:11 | |
34. 36. 38. 40. | 0:39:11 | 0:39:14 | |
42. 44. 46. | 0:39:14 | 0:39:16 | |
£46 on the net. 48. 50. | 0:39:16 | 0:39:19 | |
Five. 60. Five. | 0:39:19 | 0:39:22 | |
At £65. Any advance in the room? | 0:39:22 | 0:39:25 | |
-Come on! -£65. | 0:39:25 | 0:39:27 | |
'Ah! It's a blow, with a £10 loss. | 0:39:29 | 0:39:32 | |
'Staying with silver, | 0:39:33 | 0:39:35 | |
'can her pepperette sprinkle her with profit?' | 0:39:35 | 0:39:38 | |
Starting off at 28. 30. 32. 34. 36. | 0:39:38 | 0:39:42 | |
-Brilliant. -At £36. 38. 40. | 0:39:42 | 0:39:45 | |
-You're in profit. -At £40. 42. 44... | 0:39:45 | 0:39:48 | |
'A lot of interest here, Christina.' | 0:39:48 | 0:39:50 | |
..Five. 60. Five. 70. 75. | 0:39:50 | 0:39:55 | |
-80. Five. -Oh! | 0:39:55 | 0:39:58 | |
One more! Go 88. | 0:39:58 | 0:40:00 | |
88? | 0:40:00 | 0:40:01 | |
£88. 90. | 0:40:03 | 0:40:05 | |
Thank you anyway, madam. | 0:40:05 | 0:40:06 | |
£90, are we all sure? | 0:40:06 | 0:40:08 | |
'£51 profit on the pepperette! | 0:40:09 | 0:40:12 | |
'That's not to be sneezed at! Ha! | 0:40:12 | 0:40:15 | |
'Over to Charles and his crocus pattern pottery bowl.' | 0:40:15 | 0:40:20 | |
-£10. Any advance on ten? -A tenner! | 0:40:20 | 0:40:22 | |
-It's lovely, in perfect condition. -£12. 14 on the net. | 0:40:22 | 0:40:26 | |
-Keep going. -14. 16. | 0:40:26 | 0:40:29 | |
-18. 20. -Oh, yes! | 0:40:29 | 0:40:32 | |
Sell away at 20... | 0:40:32 | 0:40:34 | |
-It's one of mine. Thanks. -No-one would have guessed(!) | 0:40:34 | 0:40:38 | |
'It may be in perfect condition, but it's breaking even. | 0:40:38 | 0:40:43 | |
'No profits here, Charles. | 0:40:43 | 0:40:45 | |
'Next is Charles's tea and coffee set, circa 1930.' | 0:40:46 | 0:40:50 | |
£50 bid on the net. 55. | 0:40:50 | 0:40:53 | |
-Go on. -60. Five. | 0:40:53 | 0:40:55 | |
-70. 75. -Keep going, boy. | 0:40:55 | 0:40:58 | |
-£80 on the net. -Keep going. -It's going to sell. £80... | 0:40:58 | 0:41:02 | |
'Cor! He's doubled his money with that lot. | 0:41:03 | 0:41:05 | |
'Will Christina's carpet bowls help her roll into bigger profits?' | 0:41:05 | 0:41:11 | |
Tenner at the back. £10. Gent's bid at ten. | 0:41:11 | 0:41:14 | |
At £10. Any advance on ten? | 0:41:14 | 0:41:16 | |
12 on the net. 14. | 0:41:16 | 0:41:18 | |
No further interest. | 0:41:18 | 0:41:20 | |
-No interest at all... -Get on with it! | 0:41:20 | 0:41:23 | |
-Are we all sure? -Bring that gavel down! | 0:41:23 | 0:41:25 | |
'Another £9 in the bank, Christina. | 0:41:26 | 0:41:30 | |
'Last up is Charles, with his Ruskin stoneware bowl. | 0:41:30 | 0:41:34 | |
'Can he capitalise on its good condition?' | 0:41:34 | 0:41:38 | |
-Nice thing this. -It IS a good thing. -Start it off at £100. | 0:41:38 | 0:41:42 | |
110. 120... | 0:41:43 | 0:41:45 | |
Go on, boy! We're riding! | 0:41:45 | 0:41:47 | |
..140. 150. | 0:41:47 | 0:41:50 | |
-160. -Keep going, boy. -£170, all finished...? | 0:41:50 | 0:41:54 | |
'It's a cracker! £145 profit. Wow!' | 0:41:56 | 0:42:01 | |
-That was absolutely phenomenal. -Can't believe it. Thank you. | 0:42:01 | 0:42:06 | |
'You are out of this world, Charles, with two auction wins in a row. | 0:42:06 | 0:42:10 | |
'Well done. | 0:42:10 | 0:42:11 | |
'Christina Trevanion started with £229.20p. | 0:42:13 | 0:42:17 | |
'After auction costs, she's made a profit of £42.74p, | 0:42:17 | 0:42:22 | |
'which makes her total for the next round... | 0:42:22 | 0:42:25 | |
'But, having started with £391.96p, | 0:42:31 | 0:42:34 | |
'Charles Hanson has made a hefty profit, of £151.84p after costs, | 0:42:34 | 0:42:40 | |
'increasing his lead and giving him £543.80p | 0:42:40 | 0:42:45 | |
'to flash on the next leg.' | 0:42:45 | 0:42:47 | |
-Shall I drive? -Yes, why not? | 0:42:49 | 0:42:51 | |
You've made such a phenomenal profit. I'm slightly in shock still. | 0:42:51 | 0:42:55 | |
-I literally cannot believe it. -I love Lytham! -I bet you do. | 0:42:55 | 0:43:00 | |
Long live Lytham. | 0:43:00 | 0:43:02 | |
-Let's go. On to Leeds. -Off we go. | 0:43:02 | 0:43:05 | |
HONKS HORN | 0:43:05 | 0:43:07 | |
-'Next on Antiques Road Trip...' -Wheeee! | 0:43:10 | 0:43:14 | |
'..a knight in shining armour...' | 0:43:14 | 0:43:16 | |
I feel underdressed. I feel open to damage. | 0:43:16 | 0:43:19 | |
'..and a damsel in distress.' | 0:43:19 | 0:43:22 | |
-SCREAMING: -I don't like spiders! | 0:43:22 | 0:43:24 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:32 | |
E-mail [email protected] | 0:43:32 | 0:43:35 |