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-It's the nation's favourite antiques experts. -All right, viewers? | 0:00:02 | 0:00:05 | |
With £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
I'm on fire. Yes! | 0:00:10 | 0:00:12 | |
Sold, going, going, gone. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction but it's no mean feat. | 0:00:13 | 0:00:17 | |
-50p. -There will be worthy winners and valiant losers. | 0:00:17 | 0:00:22 | |
You've had it a while, haven't you? | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-Oh! -Oh, no. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
On this road trip two antiquarian aces are driving a hard bargain. | 0:00:36 | 0:00:41 | |
Well, darling, today you can drive me. | 0:00:41 | 0:00:45 | |
You're meant to be driving me for two days. | 0:00:45 | 0:00:47 | |
-But I have to say, I just decided I wanted to live. -Charming. | 0:00:48 | 0:00:53 | |
James Lewis is a Derbyshire auctioneer | 0:00:56 | 0:00:58 | |
and valuer never afraid to strike while the hammer is hot. | 0:00:58 | 0:01:01 | |
I know a few auctioneers who could use that. | 0:01:01 | 0:01:04 | |
Whilst Anita Manning is a chatty Glaswegian gavel-meister | 0:01:04 | 0:01:08 | |
who's a friend to all she meets. | 0:01:08 | 0:01:11 | |
How do you do, Frederick? Hello. | 0:01:11 | 0:01:14 | |
On the last leg James made a serious bundle on the Chinese blue | 0:01:15 | 0:01:19 | |
and white vase. | 0:01:19 | 0:01:20 | |
-I think you're about £7,000 ahead of me now. -Not quite that far ahead. | 0:01:24 | 0:01:29 | |
Both of our daring duo started this trip with £200. | 0:01:31 | 0:01:35 | |
So far Anita has managed to trade that up to a healthy... | 0:01:35 | 0:01:39 | |
But James is as rich as Rockefeller holding a whopping... | 0:01:42 | 0:01:44 | |
Cash! | 0:01:47 | 0:01:48 | |
Today they're driving a groovy gal. The 1969 Volkswagen Beetle. | 0:01:50 | 0:01:54 | |
This road trip they began in Oxfordshire | 0:01:57 | 0:01:59 | |
and will travel through the well upholstered southern counties of | 0:01:59 | 0:02:02 | |
England to end up at auction in our nation's stately capital, London. | 0:02:02 | 0:02:07 | |
On this show they begin near Lacock in Wiltshire, | 0:02:09 | 0:02:13 | |
heading for auction in Cirencester, Gloucestershire. | 0:02:13 | 0:02:16 | |
They're supposed to be on their way to a shop. | 0:02:17 | 0:02:20 | |
-Car boot sale. -Oh, hang on. -Let's go and have a look there. | 0:02:21 | 0:02:25 | |
That's where the bargains will be had. Look! Let's do it, yes? | 0:02:25 | 0:02:28 | |
In the usual haphazard fashion they're making an unplanned stop at | 0:02:30 | 0:02:35 | |
Lacock car boot sale which is about four miles from the centre of Chippenham. | 0:02:35 | 0:02:39 | |
This bustling car boot runs in the summer months, weather permitting. | 0:02:41 | 0:02:45 | |
ANITA LAUGHS | 0:02:45 | 0:02:47 | |
-Nice to see you. -And James soon has his eye on a pair of objects. | 0:02:47 | 0:02:52 | |
There we go. A pair of true fire dogs. | 0:02:54 | 0:03:00 | |
These fire dogs or andirons would stand in the hearth | 0:03:00 | 0:03:03 | |
and support a large log or a basket, helping to create a warming blaze. | 0:03:03 | 0:03:07 | |
The stallholder who owns them, | 0:03:10 | 0:03:11 | |
Oliver, James's sartorial twin has priced the pair at £40. | 0:03:11 | 0:03:16 | |
These are French provincial. They're about 1860/1870. | 0:03:16 | 0:03:20 | |
True to form, James is going to try a cheeky offer. | 0:03:20 | 0:03:24 | |
-I'll give you 14 quid for them. -Gosh. | 0:03:24 | 0:03:26 | |
-I think they might make 20 at the auction. -16 and we've dealt. | 0:03:26 | 0:03:30 | |
Dead easy. There you go. | 0:03:30 | 0:03:32 | |
16, there you go. | 0:03:34 | 0:03:36 | |
-Right... -And he's spotted something else at Oliver's stall. | 0:03:36 | 0:03:40 | |
One of my biggest spot spots is for snuff boxes | 0:03:41 | 0:03:44 | |
and this little chap is about 1850/1860. | 0:03:44 | 0:03:49 | |
It's turned wood and therefore treen. | 0:03:50 | 0:03:52 | |
It's not worth very much money at all, but it's just quite sweet. | 0:03:53 | 0:03:58 | |
-Will another cheeky offer fly? -I will give you two quid for that box. | 0:03:58 | 0:04:02 | |
-It's cracked and it's lost its top. -It's lovely. | 0:04:02 | 0:04:06 | |
-Go on. -No. -Three. -Certainly not. Four. I came down tons on that one. | 0:04:06 | 0:04:11 | |
-Four. -Thank you very much. | 0:04:11 | 0:04:13 | |
Careful, sir. | 0:04:14 | 0:04:16 | |
Oliver sticks to his guns but £4 is enough to buy the box, eh. | 0:04:16 | 0:04:19 | |
Anita meanwhile is, as usual, trying on some headgear. | 0:04:22 | 0:04:24 | |
STAR WARS THEME PLAYS | 0:04:24 | 0:04:26 | |
I'm not sure that dealer's impressed, Anita. | 0:04:31 | 0:04:34 | |
Lordy. | 0:04:38 | 0:04:41 | |
James is at least looking at antiques. | 0:04:41 | 0:04:43 | |
These are interesting. Only two of them there, which is a real shame. | 0:04:44 | 0:04:48 | |
An early 19th century fire shovel and a pair of tongs. | 0:04:49 | 0:04:53 | |
Sadly, now separated from the poker that would have completed the set. | 0:04:53 | 0:04:56 | |
And he's also found a toasting fork. | 0:05:00 | 0:05:03 | |
Probably dating from a little earlier. | 0:05:03 | 0:05:04 | |
There's no ticket price on them. | 0:05:04 | 0:05:06 | |
He's thinking of incorporating all three into a lot with | 0:05:06 | 0:05:09 | |
the fire dogs he's already bought. | 0:05:09 | 0:05:11 | |
That makes a more respectable lot for an auction. What would buy those? | 0:05:11 | 0:05:16 | |
-£4. -I'm going to be a mean git and offer you two. | 0:05:16 | 0:05:20 | |
-Go on then. -Is that all right? There you go. You've got yourself a deal. | 0:05:22 | 0:05:26 | |
Thank you very much. Thank you. | 0:05:26 | 0:05:28 | |
-Hello, darling. How did you get on? -Not too bad. | 0:05:29 | 0:05:32 | |
Anita hasn't found anything here so they're going to get back on track. | 0:05:32 | 0:05:36 | |
Let's roll. | 0:05:36 | 0:05:37 | |
They're finally back on the road and aiming for Bath. | 0:05:42 | 0:05:45 | |
Gorgeous Bath with its fine Georgian architecture is | 0:05:47 | 0:05:50 | |
justly famed as a UNESCO World Heritage Site | 0:05:50 | 0:05:53 | |
and one of the loveliest destinations in the UK. | 0:05:53 | 0:05:56 | |
I like Bath. Have you been here before? | 0:05:58 | 0:06:00 | |
-I have been here before and I absolutely love it. -Glad to hear it. | 0:06:00 | 0:06:04 | |
What better place for them to continue their day? | 0:06:05 | 0:06:08 | |
Here we go. | 0:06:12 | 0:06:13 | |
-James, isn't this absolutely wonderful? -Beautiful, isn't it? | 0:06:15 | 0:06:21 | |
-James, I've got to go shopping. I've got lots to do. -Indeed you do, Anita. | 0:06:21 | 0:06:26 | |
She's strolling off into Old Bank Antiques Centre where she's | 0:06:26 | 0:06:29 | |
meeting dealer Alex. | 0:06:29 | 0:06:31 | |
Hi, Alex. | 0:06:31 | 0:06:32 | |
How lovely to be in Bath. That a wonderful place. | 0:06:32 | 0:06:36 | |
Lovely place, isn't it? | 0:06:36 | 0:06:37 | |
This centre incorporates 11 different | 0:06:37 | 0:06:40 | |
dealers as well as one feline friend. | 0:06:40 | 0:06:43 | |
-Meow. -What's his name? -His name is Frederick Augustus. | 0:06:43 | 0:06:47 | |
Hello, Frederick. | 0:06:47 | 0:06:48 | |
Are you Frederick? Are you Frederick? How do you do, Frederick? | 0:06:50 | 0:06:55 | |
-Hello. -Stop chatting up the locals, Anita. There are buys to be found. | 0:06:55 | 0:07:01 | |
And soon, something on the walls put a gleam in her eye. | 0:07:04 | 0:07:07 | |
My eye was drawn to this mirror. By this wonderful horse. | 0:07:09 | 0:07:15 | |
And horseman, he's quite good looking too. | 0:07:15 | 0:07:18 | |
What we have in the top is an engraving and underneath a mirror. | 0:07:18 | 0:07:22 | |
But this image is so splendid and so beautiful and he has the best | 0:07:22 | 0:07:27 | |
and proudest of steed. | 0:07:27 | 0:07:28 | |
It probably dates from the early 19th century. Ticket price is £85. | 0:07:30 | 0:07:34 | |
-That's too steep. -So Alex will have to be consulted. | 0:07:35 | 0:07:40 | |
-Alex! -Hello. -I was quite taken by this mirror here. | 0:07:40 | 0:07:45 | |
Do you know anything about this print? | 0:07:45 | 0:07:47 | |
Do you know who the character is? To me it looks like... | 0:07:47 | 0:07:50 | |
Looks a little bit like the Duke of Wellington. | 0:07:50 | 0:07:52 | |
-With that nose. -Could it be the Duke of Wellington? | 0:07:52 | 0:07:55 | |
He was very much a hero in the early part of the 19th century. | 0:07:55 | 0:07:59 | |
It might indeed be the first Duke of Wellington. | 0:07:59 | 0:08:02 | |
Hero of the Napoleonic battle of Waterloo. | 0:08:02 | 0:08:04 | |
What do you think, Frederick? | 0:08:06 | 0:08:08 | |
Frederick is tight lipped on the subject. | 0:08:08 | 0:08:10 | |
So, what could Alex do on the price? | 0:08:10 | 0:08:12 | |
Could you do 40 on that? | 0:08:13 | 0:08:15 | |
-Yes, go on. -We'll go for that. That's fine. | 0:08:16 | 0:08:21 | |
-Thank you very much, Alex. Thank you. -Marvellous. | 0:08:21 | 0:08:24 | |
A super, less than half-price deal on the mirror. | 0:08:24 | 0:08:27 | |
But Anita's got her eye on another celebratory item. | 0:08:27 | 0:08:31 | |
This is really just a bit of fun. | 0:08:31 | 0:08:35 | |
-This crazy ice bucket and is there any champagne in there? -No. | 0:08:35 | 0:08:42 | |
Thankfully. | 0:08:42 | 0:08:44 | |
It's a modern plastic ice bucket in the shape of a top hat | 0:08:44 | 0:08:47 | |
along with a display bottle, sans champagne. | 0:08:47 | 0:08:50 | |
Not exactly antique, is it, Anita? But festive. | 0:08:50 | 0:08:53 | |
What could it be bought for, £8? | 0:08:55 | 0:08:57 | |
-Yes, go on then. -For fun. -Why not? | 0:08:59 | 0:09:02 | |
Done. She's got her two lots in this shop and she's charging on. | 0:09:03 | 0:09:06 | |
Very natty, Anita. | 0:09:13 | 0:09:15 | |
Now, James is less than a mile away | 0:09:17 | 0:09:19 | |
and about to wander off into his first shop proper. | 0:09:19 | 0:09:23 | |
Brian and Caroline Craik Ltd where the proprietress boasts | 0:09:23 | 0:09:28 | |
a family connection to one of James's fellow antiques experts | 0:09:28 | 0:09:31 | |
and former rival on the Road Trip. | 0:09:31 | 0:09:33 | |
Ow! That's my head. | 0:09:37 | 0:09:38 | |
I'm feeling slightly nervous as the lady who owns this shop is | 0:09:39 | 0:09:44 | |
Thomas Plant's auntie. | 0:09:44 | 0:09:46 | |
Now, if anyone knows this game really well it's going to be her. | 0:09:46 | 0:09:50 | |
As Bertie Wooster often observed, there are bad aunts and good aunts. | 0:09:52 | 0:09:57 | |
Which will Thomas's auntie Caroline turn out to be, I wonder? | 0:09:57 | 0:10:00 | |
-Welcome, David.... -Hello there. -..to my emporium. -Nice to see you. | 0:10:02 | 0:10:07 | |
-I do like that hat. -Thank you. -Let's see it on. Oh, yes. | 0:10:07 | 0:10:13 | |
Good aunt, definitely. | 0:10:13 | 0:10:15 | |
James has soon spied something that attracts him. | 0:10:18 | 0:10:21 | |
That's an interesting bit of furniture. | 0:10:23 | 0:10:25 | |
It's a Chinese occasional table fashioned from rosewood | 0:10:27 | 0:10:30 | |
-and dating from around 1900. -This is lovely. | 0:10:30 | 0:10:33 | |
The quality of this little hook here and the lovely line of the leg... | 0:10:33 | 0:10:39 | |
..is exactly what people are looking for in this Chinese furniture. | 0:10:40 | 0:10:44 | |
Caroline had a price of £225 in mind for the table but, of course, | 0:10:45 | 0:10:49 | |
James is keen to negotiate. Stand by. | 0:10:49 | 0:10:52 | |
-Is there much movement there? -Well, 175? | 0:10:53 | 0:10:58 | |
I've got to pay full commission at auction, as well. | 0:10:59 | 0:11:02 | |
Well, we all do. | 0:11:02 | 0:11:04 | |
Quite right, Caroline. I think James has met his match here. | 0:11:04 | 0:11:07 | |
-100 quid? -No. -110? -No. | 0:11:09 | 0:11:13 | |
-I'm afraid not. -How about 130 and I'm pretty much there. | 0:11:16 | 0:11:19 | |
-If you say 150, OK, I'll let it go. -James is tempted. | 0:11:21 | 0:11:26 | |
-You got a deal. -Woo! | 0:11:26 | 0:11:27 | |
Deal done at £150. It's not like James to splash his cash. | 0:11:28 | 0:11:33 | |
Let's hope the gavel pays off. | 0:11:33 | 0:11:34 | |
Now, Anita has travelled about 14 miles onwards to the | 0:11:36 | 0:11:40 | |
town of Frome in Somerset. | 0:11:40 | 0:11:42 | |
Attractive Frome is known for its lively cultural scene | 0:11:45 | 0:11:48 | |
so lets hope Anita can harness some of that energy as she heads | 0:11:48 | 0:11:52 | |
for her next shop, Cobwebs where she's meeting dealer Alan. | 0:11:52 | 0:11:56 | |
Hello, Alan. | 0:11:56 | 0:11:57 | |
-Hi, Anita. How are you? -I'm good thank you. -Nice to see you. | 0:11:57 | 0:12:01 | |
What about this wee guy here. Tell me about him. | 0:12:01 | 0:12:04 | |
I think this wee guy is great fun. It's a teddy bear, knitting. | 0:12:04 | 0:12:10 | |
-Is he working. -It works. | 0:12:10 | 0:12:13 | |
MUSIC: "O Fortuna" | 0:12:13 | 0:12:14 | |
He's pretty scary. | 0:12:19 | 0:12:20 | |
Those eyes that light up in the dark, | 0:12:25 | 0:12:28 | |
would that not terrify the life out of a child? | 0:12:28 | 0:12:31 | |
-He's very...arresting. -Certainly something about him. | 0:12:40 | 0:12:45 | |
You can say that again. | 0:12:45 | 0:12:46 | |
Let's see if we've got a little maker's mark here. | 0:12:46 | 0:12:51 | |
This is a Japanese one. | 0:12:51 | 0:12:54 | |
It is indeed a Japanese automaton toy bear with light up eyes | 0:12:54 | 0:12:59 | |
dating from the 1950s. | 0:12:59 | 0:13:00 | |
Ticket price is £65. | 0:13:03 | 0:13:05 | |
Anita seems keen on it but will need to seek a substantial discount. | 0:13:05 | 0:13:09 | |
I would like to have a go at that for fun. | 0:13:11 | 0:13:14 | |
But I would like to be talking to you | 0:13:14 | 0:13:19 | |
in the region of £20. | 0:13:19 | 0:13:23 | |
I think my best price would be 35. | 0:13:23 | 0:13:27 | |
-Well, its... -That's a good price. -Would £25 buy him? | 0:13:28 | 0:13:34 | |
-Can we go anywhere in that sort of region? -OK. -We can do it for 25. | 0:13:34 | 0:13:39 | |
That's absolutely wonderful. Thank you, very much. | 0:13:39 | 0:13:43 | |
I'm hoping that he will do well and somebody will fall in love with him. | 0:13:43 | 0:13:47 | |
He's positively hypnotic. | 0:13:47 | 0:13:48 | |
Anita's got the bear for a bargain £25, which is | 0:13:50 | 0:13:53 | |
marvellous as long as she keeps it away from me. | 0:13:53 | 0:13:56 | |
-Thank you. Bye-bye. Take care. -Bye-bye. | 0:13:58 | 0:14:00 | |
James, meanwhile is still back in Bath. | 0:14:03 | 0:14:05 | |
He's heading for the Herschel Museum of Astronomy which tells | 0:14:05 | 0:14:09 | |
the story of one 18th century Bath residents stellar achievements. | 0:14:09 | 0:14:14 | |
He's meeting museum volunteer and astrophysicist Rebecca. | 0:14:14 | 0:14:18 | |
-Rebecca, hi. -Hi, James. Welcome to the Herschel Museum. | 0:14:20 | 0:14:24 | |
-Let's go inside. -Lovely. | 0:14:24 | 0:14:25 | |
William Herschel was a German-born musician who moved to Bath | 0:14:26 | 0:14:29 | |
in 1766 and indeed into this very house. | 0:14:29 | 0:14:33 | |
Herschel was to go on to become the first astronomer to discover | 0:14:36 | 0:14:40 | |
a planet in our solar system since ancient times. | 0:14:40 | 0:14:43 | |
But it was his outstanding talent in music that first brought him | 0:14:43 | 0:14:47 | |
to Bath. | 0:14:47 | 0:14:48 | |
He was appointed the music director at the newly built | 0:14:48 | 0:14:53 | |
-Octagon Chapel for the high society of Bath. -OK. | 0:14:53 | 0:14:56 | |
William soon settled into his new role and his place in Bath society. | 0:14:57 | 0:15:02 | |
But this intelligent | 0:15:02 | 0:15:03 | |
and determined man also embarked on a varied programme of self-education. | 0:15:03 | 0:15:08 | |
William taught himself English and then he taught himself mathematics. | 0:15:08 | 0:15:13 | |
-OK. -He studied optics and became quite interested in astronomy. | 0:15:13 | 0:15:18 | |
Astronomy was very popular with society. | 0:15:18 | 0:15:21 | |
It was the fashionable thing to do. | 0:15:21 | 0:15:23 | |
At a dinner party you get out a telescope and have a look for things. | 0:15:23 | 0:15:27 | |
So he took it up as a hobby originally | 0:15:27 | 0:15:30 | |
and borrowed some telescopes. | 0:15:30 | 0:15:32 | |
Tried to find some things. | 0:15:32 | 0:15:33 | |
And decided he was quite disappointed with them | 0:15:33 | 0:15:36 | |
and thought, "I can do better than this." And that's really where | 0:15:36 | 0:15:39 | |
-he started because his telescopes are the best in the world. -Really. | 0:15:39 | 0:15:43 | |
Remarkably, Herschel crafted these remarkably sophisticated telescopes | 0:15:44 | 0:15:48 | |
right here in this very house and using skills he taught himself. | 0:15:48 | 0:15:53 | |
He had the talents to do it. Which he did all from scratch. | 0:15:53 | 0:15:57 | |
He turned this shop basically into workshop. | 0:15:57 | 0:15:59 | |
Every room was full of speculum metal, polishing mirrors, lathes. | 0:15:59 | 0:16:04 | |
-Lovely. And you've still got workshops here? -Yes, we do. | 0:16:04 | 0:16:07 | |
Love to see. Yeah? Come on. | 0:16:07 | 0:16:08 | |
Oh, golly. Right, so what's all this? | 0:16:12 | 0:16:17 | |
These are the tools he used to make his mirrors for his own telescopes. | 0:16:17 | 0:16:21 | |
This is the speculum metal they use for the mirrors. | 0:16:21 | 0:16:24 | |
An alloy of copper and tin. | 0:16:24 | 0:16:26 | |
These precisely shaped mirrors were the secret to Herschel's | 0:16:26 | 0:16:30 | |
powerful, home-made telescopes. | 0:16:30 | 0:16:32 | |
Using them, he made his most famous discovery. | 0:16:32 | 0:16:36 | |
They are heading outside to see the spot where it happened. | 0:16:36 | 0:16:39 | |
This is Herschel's garden where he used to bring his telescopes. | 0:16:39 | 0:16:42 | |
And we think this is the area of the garden where | 0:16:42 | 0:16:45 | |
he first discovered a new planet. | 0:16:45 | 0:16:46 | |
When he first observed the new celestial body, | 0:16:47 | 0:16:50 | |
Herschel thought it might be a comet. | 0:16:50 | 0:16:53 | |
However, further observation by Herschel | 0:16:53 | 0:16:55 | |
and others revealed it to be Uranus. | 0:16:55 | 0:16:59 | |
The first new planet found in our solar system | 0:16:59 | 0:17:01 | |
since at least the ancient Greeks. | 0:17:01 | 0:17:03 | |
It brought him world fame. | 0:17:05 | 0:17:07 | |
And his telescopes, which suddenly became well known | 0:17:08 | 0:17:11 | |
over the world, were ordered by many of the best astronomers. | 0:17:11 | 0:17:15 | |
Herschel went on to make many more contributions to science, | 0:17:15 | 0:17:19 | |
including the discovery of infrared radiation. | 0:17:19 | 0:17:23 | |
And was appointed the King's astronomer by George III. | 0:17:23 | 0:17:27 | |
There were always annoying children at school who were | 0:17:28 | 0:17:31 | |
good at sport, good at music, good at science. | 0:17:31 | 0:17:33 | |
-He was just one of those, wasn't he? -Yeah. It wasn't even school for him. | 0:17:33 | 0:17:37 | |
He was self taught. | 0:17:37 | 0:17:39 | |
An inspiring individual but it's time for James to be on his way. | 0:17:39 | 0:17:42 | |
And with that, it's the end of a jam packed first day. Nighty-night. | 0:17:46 | 0:17:51 | |
But the morning finds them back on the road | 0:17:56 | 0:17:58 | |
and soaking up the ancient environment. | 0:17:58 | 0:18:01 | |
Look at that wonderful, big standing stone. Oh, millions of them. Wow! | 0:18:01 | 0:18:07 | |
That's Avebury Stone Circle. | 0:18:08 | 0:18:11 | |
Like nearby Stonehenge a mysterious megalithic site. | 0:18:11 | 0:18:15 | |
It really made an impression on Anita. | 0:18:15 | 0:18:17 | |
-I can feel the energy surging through me. Can you? -No. | 0:18:18 | 0:18:24 | |
Anita, that is the extra latte you had for breakfast. | 0:18:24 | 0:18:28 | |
That has nothing to do with the standing stones. | 0:18:28 | 0:18:31 | |
So far Anita's spent £73 on three lots. | 0:18:31 | 0:18:35 | |
The mirror, which might depict Wellington, | 0:18:35 | 0:18:38 | |
the novelty ice bucket and the special bear. | 0:18:38 | 0:18:42 | |
Whilst James has been unusually profligate by comparison | 0:18:44 | 0:18:47 | |
spending £172 on three lots. | 0:18:47 | 0:18:49 | |
The fire dogs and the fire tools, the treen snuff box and the Chinese table. | 0:18:50 | 0:18:55 | |
They're driving to the town of Marlborough in Wiltshire. | 0:18:57 | 0:19:00 | |
Handsome Marlborough earned its royal charter in 1204. | 0:19:01 | 0:19:06 | |
Local public school Marlborough College counts poet | 0:19:06 | 0:19:09 | |
Sir John Betjeman and actor | 0:19:09 | 0:19:12 | |
James Mason amongst its august alumni. | 0:19:12 | 0:19:15 | |
Let's hope James | 0:19:15 | 0:19:17 | |
and Anita prove themselves as well educated as they aim | 0:19:17 | 0:19:20 | |
for their first shop of the day, the Marlborough Parade Antiques Centre. | 0:19:20 | 0:19:24 | |
-James, this looks wonderful. -Looks nice, doesn't it? | 0:19:24 | 0:19:28 | |
Aw, this looks great. | 0:19:28 | 0:19:29 | |
They're meeting dealers Gary and Robert. | 0:19:29 | 0:19:32 | |
-Hello. -I'm Anita. -I'm Gary, pleased to meet you. | 0:19:35 | 0:19:38 | |
-This is my big pal James. -This is Robert. -Best get browsing, you two. | 0:19:38 | 0:19:46 | |
It can be a bit tricky shopping in the same place as James Lewis | 0:19:52 | 0:19:55 | |
because he's always following you about. | 0:19:55 | 0:19:59 | |
Trying to see what bargains you're trying to get. | 0:19:59 | 0:20:01 | |
But it looks like someone else is following James around. | 0:20:01 | 0:20:04 | |
That's Eric, the shop's pooch. | 0:20:04 | 0:20:06 | |
Now then, where are the bargains? Where are the bargains? | 0:20:08 | 0:20:11 | |
Soon enough, Anita spies something almost as cute. | 0:20:13 | 0:20:16 | |
She's found a pair of Art Nouveau metal earrings with seed pearls. | 0:20:17 | 0:20:21 | |
Ticket price is £49. | 0:20:21 | 0:20:22 | |
Of course, Anita wants to negotiate, but Gary is being quite strict about | 0:20:24 | 0:20:28 | |
the shop's policy of discounting no more than 10% for trade. | 0:20:28 | 0:20:31 | |
-Think the dealer would give us a wee bit more than 10%? -She won't | 0:20:36 | 0:20:39 | |
do much more than that because they're reasonable, aren't they? | 0:20:39 | 0:20:43 | |
-They're nice. How low would she go? -42. | 0:20:43 | 0:20:46 | |
Gary's sticking at that price. | 0:20:46 | 0:20:48 | |
She's tempted and she's spotted another two | 0:20:48 | 0:20:50 | |
pieces of jewellery in another cabinet, as well. | 0:20:50 | 0:20:53 | |
-And the dog. -We've got these big sort of... | 0:20:54 | 0:21:00 | |
They're like Cairngorms but they're big bits of show. | 0:21:00 | 0:21:04 | |
1950s, they've got that sort of 1950s look about them. | 0:21:05 | 0:21:10 | |
It's two brooches inset with large gemstones which looks similar | 0:21:10 | 0:21:14 | |
to the Cairngorm quartz native to Anita's Caledonian homeland. | 0:21:14 | 0:21:18 | |
Combined ticket price on the two is £19 | 0:21:21 | 0:21:23 | |
and it doesn't sound like Gary's open to negotiation. | 0:21:23 | 0:21:27 | |
-Don't even try it. -Oh, right. | 0:21:28 | 0:21:30 | |
You're a mean beastie. | 0:21:30 | 0:21:32 | |
So can I have them for 19, surely you'd take your 10% off. | 0:21:32 | 0:21:36 | |
-Not on those. Anything under 20. -Is that your rule? -That is our rule. | 0:21:36 | 0:21:41 | |
OK, darling. We'll see what happens. It's worth taking a chance on. | 0:21:43 | 0:21:48 | |
But Anita will take the pair for £19, | 0:21:48 | 0:21:50 | |
as well as the earrings for £42. | 0:21:50 | 0:21:53 | |
But in a last ditch attempt to sweeten the deal, Anita wants Gary | 0:21:53 | 0:21:58 | |
to throw in some jewellery boxes she can use to display her baubles. | 0:21:58 | 0:22:02 | |
Ah, you brilliant man. Yes. That's the box for it. | 0:22:04 | 0:22:08 | |
Because these have got a sort of slightly Scottish look about them. | 0:22:08 | 0:22:11 | |
-Good. -Brilliant man. Thank you very much. | 0:22:13 | 0:22:17 | |
Her trinkets packaged up nicely, Anita's all bought up | 0:22:17 | 0:22:19 | |
and on her way. | 0:22:19 | 0:22:21 | |
Meanwhile, James has wondered outside | 0:22:23 | 0:22:25 | |
and has found an item of his own. | 0:22:25 | 0:22:26 | |
It's a carpenter's trunk. | 0:22:30 | 0:22:31 | |
These things were popular in the 19th century. | 0:22:34 | 0:22:37 | |
In fact, right the way through to the 1920s. | 0:22:37 | 0:22:40 | |
And carpenters would have a trunk like this that would be | 0:22:41 | 0:22:44 | |
full of their little tools. | 0:22:44 | 0:22:46 | |
It's fashioned of pine and probably dates from the late 1800s. | 0:22:48 | 0:22:53 | |
It was marked up at a hefty £150, but since it's been sitting | 0:22:53 | 0:22:57 | |
outside dealer Robert seems to be in a generous mood. | 0:22:57 | 0:23:01 | |
-Give me £50. -30 quid. -I can't. -Can't you? | 0:23:01 | 0:23:06 | |
-I wish I could. -35? -£40 and we have a deal. -You've got a deal. 40 quid. | 0:23:08 | 0:23:15 | |
Well... It's worth a bash at that. | 0:23:15 | 0:23:19 | |
Another lot in the bag and James does seem to be in luck | 0:23:20 | 0:23:23 | |
today as he shortly enlisted Gary's help in finding another bargain. | 0:23:23 | 0:23:28 | |
Just found that in the back room. | 0:23:28 | 0:23:31 | |
-At least it's an original. -It's a pastel, is it? -Pastel, yeah. | 0:23:31 | 0:23:36 | |
# The tears of a clown | 0:23:36 | 0:23:38 | |
# When there's no-one around. # | 0:23:38 | 0:23:42 | |
It is indeed a fairly modern pastel drawing of a clown. | 0:23:42 | 0:23:46 | |
Gary's willing to kick off the negotiation at £15. | 0:23:48 | 0:23:51 | |
But James is ever ready to go lower. | 0:23:51 | 0:23:53 | |
Fiver. | 0:23:54 | 0:23:55 | |
-Are you trying to rob me? -No. -Trying to rob me, bankrupt me? | 0:23:57 | 0:24:00 | |
12.50 and that hurt. How about 7.50. Straight into the soft underbelly. | 0:24:03 | 0:24:09 | |
You're crippling me. Tenner and it's yours. | 0:24:10 | 0:24:14 | |
-Eight. -Tenner. -Tenner. -Thank you very much. -Ten quid. | 0:24:14 | 0:24:19 | |
Terrific. With that last buy he's wandering onwards. | 0:24:20 | 0:24:24 | |
Now, having bought all her items, Anita's back in the car. | 0:24:26 | 0:24:30 | |
She's driving to Swindon in Wiltshire. | 0:24:31 | 0:24:34 | |
This afternoon she's in luck. Anita's always loved trains. | 0:24:36 | 0:24:40 | |
And she's aiming for the Museum of the Great Western Railway. | 0:24:40 | 0:24:43 | |
Which celebrates the area's strong connection to the steam age of rail. | 0:24:43 | 0:24:47 | |
These big, big engines. | 0:24:48 | 0:24:51 | |
Anita's meeting assistant curator Elaine Arthurs. | 0:24:53 | 0:24:56 | |
-Hi, I'm Elaine. Welcome to STEAM. -Thank you. I'm so excited to be here. | 0:24:59 | 0:25:04 | |
This is really the Mecca for all those | 0:25:04 | 0:25:08 | |
who are interested in the story of the railway. | 0:25:08 | 0:25:11 | |
It is. | 0:25:11 | 0:25:13 | |
Running its first train in 1838, | 0:25:13 | 0:25:15 | |
Great Western Railway was amongst the most impressive British | 0:25:15 | 0:25:18 | |
engineering achievements of the 19th century. | 0:25:18 | 0:25:20 | |
The railway network was the masterpiece of its chief | 0:25:23 | 0:25:25 | |
engineer, the legendary Isambard Kingdom Brunel. | 0:25:25 | 0:25:28 | |
The museum occupies a railway | 0:25:30 | 0:25:32 | |
building on the former site of Swindon Works. | 0:25:32 | 0:25:34 | |
The manufacturing hub of the Great Western Railway. | 0:25:34 | 0:25:37 | |
At the height of its powers, | 0:25:37 | 0:25:39 | |
capable of producing three enormous steam locomotives per week. | 0:25:39 | 0:25:44 | |
It's here that they made all their locomotives. | 0:25:44 | 0:25:46 | |
Some of the most iconic in the world. | 0:25:46 | 0:25:48 | |
I'm dying to see these huge monumental steam engines. | 0:25:48 | 0:25:54 | |
-Can you take me and show me them? -Of course. We've got loads. -Lovely. | 0:25:54 | 0:25:57 | |
In the 18th and 19th Centuries a small group of engineers | 0:25:59 | 0:26:03 | |
and scientists made innovations that fuelled the huge social | 0:26:03 | 0:26:07 | |
upheaval we know as the Industrial Revolution. | 0:26:07 | 0:26:10 | |
Central to this was steam power. | 0:26:10 | 0:26:13 | |
The technology refined and commercialised by James Watt | 0:26:13 | 0:26:16 | |
and Matthew Boulton in the late 1700s. | 0:26:16 | 0:26:19 | |
The steam engine was adapted for use in trains in the early | 0:26:21 | 0:26:24 | |
decades of the 19th century and, of course, | 0:26:24 | 0:26:26 | |
these new trains needed expanded rail networks on which to run. | 0:26:26 | 0:26:30 | |
This is where Isambard Kingdom Brunel demonstrated his genius. | 0:26:33 | 0:26:38 | |
For the Great Western Railway Brunel designed a system of tracks, | 0:26:38 | 0:26:42 | |
bridges, tunnels and viaducts that revolutionised engineering | 0:26:42 | 0:26:46 | |
and transformed both transport and the British landscape. | 0:26:46 | 0:26:50 | |
He was a man of tremendous vision | 0:26:50 | 0:26:52 | |
and he created a wonderful network of railways. | 0:26:52 | 0:26:56 | |
It covered a wide area ranging from London down to the West Country, | 0:26:56 | 0:27:00 | |
Devon and Cornwall over to Wales and up to the north including Liverpool. | 0:27:00 | 0:27:05 | |
-All aboard. -Look at that. | 0:27:05 | 0:27:09 | |
Brunel largely delegated the design of the actual locomotive to other | 0:27:09 | 0:27:13 | |
engineers. | 0:27:13 | 0:27:14 | |
It was the roots and infrastructure which were amongst his greatest gifts to the nation. | 0:27:14 | 0:27:19 | |
He was much more skilled at designing | 0:27:19 | 0:27:22 | |
pieces of architecture, bridges, tunnels, buildings. | 0:27:22 | 0:27:26 | |
That's where his true talents lie. | 0:27:26 | 0:27:27 | |
The Great Western Railway truly was one of the great marvels of the age. | 0:27:27 | 0:27:31 | |
And that's down to the genius of Brunel. | 0:27:31 | 0:27:34 | |
There's certain features on the line including Box Tunnel and | 0:27:34 | 0:27:38 | |
Maidenhead Bridge that everybody thought wouldn't work and he defied | 0:27:38 | 0:27:42 | |
the odds and they still stand today as great pieces of architecture. | 0:27:42 | 0:27:45 | |
He packed so much into his life and so much is left behind now. | 0:27:45 | 0:27:48 | |
He's just got this great legacy. | 0:27:48 | 0:27:50 | |
Now, Anita's dying to take this engine out for a spin. | 0:27:50 | 0:27:53 | |
-Stand by. -So, shovel the coal. There we are. | 0:27:53 | 0:27:57 | |
And... | 0:27:58 | 0:28:00 | |
ENGINE HISSES | 0:28:02 | 0:28:03 | |
-And we're away. -We're away. | 0:28:05 | 0:28:08 | |
You certainly are. We'll leave that with you. | 0:28:08 | 0:28:11 | |
WHISTLE BLOWS | 0:28:11 | 0:28:12 | |
James meanwhile has travelled on to Hungerford in Berkshire by car. | 0:28:13 | 0:28:18 | |
This historic market town seems the ideal place for him | 0:28:19 | 0:28:22 | |
to bag his last bargains. | 0:28:22 | 0:28:24 | |
He's sauntering into Hungerford Arcade where he's meeting | 0:28:26 | 0:28:29 | |
dealer Adrian who's an old pal. | 0:28:29 | 0:28:32 | |
-Hello there. -Hello, James. Good to see you. -Good to see you. | 0:28:32 | 0:28:35 | |
James has decided to assemble a job lot of small | 0:28:37 | 0:28:39 | |
items around the little treen snuff box he bought yesterday. | 0:28:39 | 0:28:43 | |
So, he'll need to scour this sizeable antiques centre carefully. | 0:28:43 | 0:28:47 | |
-I know a few auctioneers who could use that. -Hang on. | 0:28:50 | 0:28:53 | |
He's soon found a candidate for his job lot - a bijouterie. | 0:28:53 | 0:28:57 | |
It's a novelty pin cushion shaped like a lady's shoe. | 0:28:57 | 0:29:01 | |
Ticket price is £6. | 0:29:01 | 0:29:02 | |
-Would three quid be any good for that? -I will try. -Thank you. | 0:29:04 | 0:29:08 | |
-Thanks very much. -I'm not sure. -Last of the big spenders and all that. | 0:29:08 | 0:29:12 | |
Adrian will call the person who owns it. | 0:29:12 | 0:29:15 | |
-Can you please do £3? Yes. -Brilliant. That's great. | 0:29:15 | 0:29:20 | |
That's in the bag for £3. | 0:29:20 | 0:29:22 | |
In the meanwhile, he's found something else. | 0:29:22 | 0:29:24 | |
-Crikey, that's fun. -He should have a matchbox on his back there. | 0:29:26 | 0:29:30 | |
It's another novelty item. | 0:29:30 | 0:29:32 | |
A Victorian pewter smoker's stand or matchbox holder. | 0:29:32 | 0:29:36 | |
This one is a monkey mounted on a clam shell. As you do. | 0:29:36 | 0:29:39 | |
The box would slot down and strike on the side. 25, would you ask her? | 0:29:40 | 0:29:47 | |
With pleasure. | 0:29:47 | 0:29:49 | |
James is in luck. The dealer will accept £25 for that. | 0:29:52 | 0:29:55 | |
And he's now got something else at a price that suits him. | 0:29:57 | 0:30:01 | |
I just found this cast iron font-like creature | 0:30:01 | 0:30:07 | |
that would hold matches | 0:30:07 | 0:30:10 | |
and I thought, "Whoopee! That's not expensive." | 0:30:10 | 0:30:14 | |
"Small cast iron urn, no lid - £1." | 0:30:14 | 0:30:18 | |
Even James isn't barefaced enough to haggle on that. | 0:30:18 | 0:30:21 | |
So he's got the smoker's stand, pin cushion and urn for £29, | 0:30:21 | 0:30:25 | |
and Adrian's going to throw in a few antique coins | 0:30:25 | 0:30:29 | |
that might slot into the missing recess in the snuff box | 0:30:29 | 0:30:33 | |
for one extra pound. That's nice. | 0:30:33 | 0:30:36 | |
-£30 - spot on. -And thank you so much. | 0:30:36 | 0:30:38 | |
-It's been lovely. -Really enjoyed it. | 0:30:38 | 0:30:40 | |
Thank you very much. | 0:30:40 | 0:30:41 | |
And he's got everything he needs for auction. | 0:30:41 | 0:30:44 | |
So he's off to catch up with Anita in Swindon | 0:30:44 | 0:30:46 | |
for the ceremonial unveiling of their buys...and a kiss. | 0:30:46 | 0:30:51 | |
James is up first. | 0:30:51 | 0:30:53 | |
Well, it's an interesting combination, James. | 0:30:53 | 0:30:56 | |
I see you've got some scrap metal down here. | 0:30:56 | 0:30:59 | |
My car boot finds - a big pair of Arts and Crafts French firedogs. | 0:30:59 | 0:31:06 | |
Now, these things could be blasted and cleaned up | 0:31:06 | 0:31:09 | |
-and they'd look absolutely wonderful. -They could. | 0:31:09 | 0:31:13 | |
But at the moment, they just look like a heap of old scrap iron. | 0:31:13 | 0:31:18 | |
Next, I got my Chinese hardwood table. | 0:31:18 | 0:31:22 | |
This is a lovely table, James, a lovely table. | 0:31:22 | 0:31:24 | |
-Are you proud of it? -Yes, I am. | 0:31:24 | 0:31:26 | |
-I love that lot. -How much? | 0:31:26 | 0:31:29 | |
I paid £150 for it. | 0:31:30 | 0:31:32 | |
And how much are you hoping to get for it? | 0:31:32 | 0:31:36 | |
-I've seen them make four. -Oh, right. | 0:31:36 | 0:31:38 | |
A mixed reaction. Will Anita's haul fare any better? | 0:31:38 | 0:31:41 | |
The first thing I bought was a little engraving of Wellington. | 0:31:41 | 0:31:46 | |
Wellington? Why Wellington? | 0:31:46 | 0:31:49 | |
Do you think that is Wellington? | 0:31:49 | 0:31:51 | |
You think it's only Wellington's cousin? | 0:31:51 | 0:31:54 | |
It might just be a bad...engraving of Wellington. | 0:31:54 | 0:31:58 | |
Oh, dear. Wellington's identity questioned, eh? | 0:31:58 | 0:32:02 | |
Not a great start. | 0:32:02 | 0:32:03 | |
How will he react to the terrifying bear? | 0:32:03 | 0:32:05 | |
I quite enjoyed buying my little tinplate knitting bear. | 0:32:07 | 0:32:13 | |
He reminded me of you. | 0:32:13 | 0:32:16 | |
And if you turn him on... | 0:32:16 | 0:32:19 | |
JAMES LAUGHS | 0:32:19 | 0:32:21 | |
..his eyes light up in the dark. | 0:32:21 | 0:32:23 | |
He's great. I like him. | 0:32:23 | 0:32:25 | |
A mild bit of praise rounds them off. | 0:32:25 | 0:32:28 | |
-Good luck to you, my friend. -Good luck to you. | 0:32:28 | 0:32:30 | |
Oh, how very official. | 0:32:30 | 0:32:32 | |
They're waspish enough face to face, | 0:32:34 | 0:32:36 | |
so what will they have to say behind closed doors? | 0:32:36 | 0:32:39 | |
His chest - wormed and damp. | 0:32:39 | 0:32:43 | |
So it's going to be difficult, even at £40. | 0:32:43 | 0:32:46 | |
I like his table, that's a nice table. | 0:32:46 | 0:32:49 | |
£150 he paid for it, and he's going to have to make £200, | 0:32:49 | 0:32:55 | |
just about, to make any profit on that at all. | 0:32:55 | 0:32:59 | |
I think the only item with any credibility at all, | 0:32:59 | 0:33:03 | |
out of any of the objects, mine or Anita's, is the table. | 0:33:03 | 0:33:07 | |
That Oriental table has at least got some quality about it | 0:33:07 | 0:33:10 | |
and has a chance. | 0:33:10 | 0:33:12 | |
But other than that, what a load of rubbish. | 0:33:12 | 0:33:15 | |
Don't mince your words. | 0:33:15 | 0:33:17 | |
But they're ready for auction, | 0:33:17 | 0:33:20 | |
and driving to Cirencester in Gloucestershire. | 0:33:20 | 0:33:24 | |
The market town of Cirencester | 0:33:24 | 0:33:25 | |
has origins dating back to the Roman occupation of Britain. | 0:33:25 | 0:33:29 | |
They're pulling up at the saleroom | 0:33:30 | 0:33:32 | |
of auctioneers Moore, Allen and Innocent. | 0:33:32 | 0:33:34 | |
Here we are, James. | 0:33:36 | 0:33:37 | |
Here we go. | 0:33:38 | 0:33:39 | |
This looks interesting. | 0:33:42 | 0:33:44 | |
Best dive right in, then. | 0:33:44 | 0:33:46 | |
Presiding today will be auctioneer Philip Allwood. | 0:33:48 | 0:33:51 | |
Before the off, what does he make of their lots? | 0:33:51 | 0:33:53 | |
Well, there's certainly an eclectic mix. | 0:33:53 | 0:33:55 | |
Particularly, I like the Chinese rosewood folding table, | 0:33:55 | 0:34:00 | |
which is a bit of fun. | 0:34:00 | 0:34:02 | |
Anita, of course, brought in the automaton knitting bear, | 0:34:02 | 0:34:05 | |
which is quite a...rarish piece. | 0:34:05 | 0:34:10 | |
Anita started this leg with £318.80p. | 0:34:11 | 0:34:15 | |
She spent £134 and has five lots to show for it. | 0:34:15 | 0:34:19 | |
Whilst James began with £813.94p | 0:34:21 | 0:34:24 | |
and he spent £252, also on five lots in today's sale. | 0:34:24 | 0:34:29 | |
The auction's about to begin. | 0:34:31 | 0:34:33 | |
First up, it's James's pair of 19th century firedogs, | 0:34:34 | 0:34:37 | |
accompanied by fire tools. | 0:34:37 | 0:34:39 | |
They didn't light Anita's fire. | 0:34:39 | 0:34:42 | |
Will they set the saleroom ablaze? | 0:34:42 | 0:34:45 | |
I can start you on the book at 30. | 0:34:45 | 0:34:47 | |
At £30, got it here. Five, if you like, now. | 0:34:47 | 0:34:50 | |
That's a start. | 0:34:50 | 0:34:51 | |
Five, 50. At 50...five. | 0:34:51 | 0:34:54 | |
60, five. 70. | 0:34:54 | 0:34:56 | |
At £70 here. Five anywhere? Five. 80. | 0:34:56 | 0:34:59 | |
At £80, back with me at £80. Anyone? | 0:34:59 | 0:35:02 | |
At £80, you all sure? | 0:35:02 | 0:35:04 | |
At £80, five on the net. | 0:35:04 | 0:35:06 | |
At £85 here, the book's out. | 0:35:06 | 0:35:08 | |
85, you all sure...? | 0:35:08 | 0:35:10 | |
Blimey - that certainly did burn a hot streak. | 0:35:11 | 0:35:14 | |
I am thrilled with that. | 0:35:14 | 0:35:17 | |
I bet you are. | 0:35:17 | 0:35:18 | |
Now it's Anita's mirror, appended to a portrait | 0:35:18 | 0:35:21 | |
that may be the Duke of Wellington - or may be somebody else entirely. | 0:35:21 | 0:35:25 | |
20? Ten, to get on, going to be a tenner. | 0:35:25 | 0:35:28 | |
£10 for the glass? | 0:35:28 | 0:35:30 | |
A fiver? | 0:35:30 | 0:35:31 | |
Oh, dear - this isn't going in the right direction. | 0:35:31 | 0:35:35 | |
-Nobody? A fiver? -Go on! | 0:35:35 | 0:35:38 | |
-At £5 over here. -James, I'm going to burst into floods of tears! | 0:35:38 | 0:35:42 | |
At £5, on my right here at £5. | 0:35:42 | 0:35:44 | |
A fiver. At £5. At £5... | 0:35:44 | 0:35:47 | |
I'll need another 50. | 0:35:47 | 0:35:49 | |
At £5. | 0:35:49 | 0:35:51 | |
That's trotted off to a disaster. | 0:35:51 | 0:35:53 | |
Bad luck, Anita. | 0:35:53 | 0:35:54 | |
Now another try for James, with his pine carpenter's chest. | 0:35:56 | 0:36:00 | |
Will it carve out a profit? | 0:36:00 | 0:36:02 | |
Who'll start me at 100? | 0:36:02 | 0:36:04 | |
100? | 0:36:04 | 0:36:05 | |
Good pine chest there. 100? | 0:36:05 | 0:36:07 | |
-50, to get on. £50. -He's trying... | 0:36:07 | 0:36:10 | |
-30, then. -Oh, what? -£30? | 0:36:10 | 0:36:13 | |
£30, a bid there at 30. Got to be cheap, at £30. | 0:36:13 | 0:36:15 | |
Five, anyone? At £30, five. 40. Five. | 0:36:15 | 0:36:19 | |
At £45 in the room now. | 0:36:19 | 0:36:20 | |
£45 - 50, if you like? | 0:36:20 | 0:36:22 | |
At £45, it's selling right in front of me here. | 0:36:22 | 0:36:24 | |
At £45 - 50. At 55. | 0:36:24 | 0:36:27 | |
At 55. 60, now. | 0:36:27 | 0:36:29 | |
At £55 in front of me, now. At 55, it's selling. | 0:36:29 | 0:36:32 | |
60. Five. At £65, right in front of me in the room here. | 0:36:32 | 0:36:36 | |
At £65, you're out on the net. | 0:36:36 | 0:36:38 | |
At £65, you all sure? | 0:36:38 | 0:36:40 | |
Selling here, then. At 65, you all done...? | 0:36:40 | 0:36:44 | |
So, it does nail a decent profit in the end. | 0:36:45 | 0:36:47 | |
-He did his best there. -Not bad. -He did his best. | 0:36:47 | 0:36:50 | |
Now, will there be cause for celebration | 0:36:50 | 0:36:53 | |
on Anita's ice bucket and display bottle of champers? | 0:36:53 | 0:36:56 | |
Ten to get on. £10, a bid there. | 0:36:56 | 0:36:58 | |
-Yeah, yeah! -£10, I have. | 0:36:58 | 0:37:01 | |
At £10, 12, going to say now. | 0:37:01 | 0:37:02 | |
At £10. 12, on the net. | 0:37:02 | 0:37:05 | |
At 12, the book's out at £12. £15, if you like, now? | 0:37:05 | 0:37:08 | |
At 12, 15. 18, over there. | 0:37:08 | 0:37:10 | |
Oh! Go on, go, go on! | 0:37:10 | 0:37:12 | |
I'm getting all excited here, James! | 0:37:12 | 0:37:15 | |
£18, a bid here. At £18 - 20, now. | 0:37:15 | 0:37:18 | |
Fill it up. At £18, it's selling on the net, here. | 0:37:18 | 0:37:20 | |
You're all out in front of me. At £18... | 0:37:20 | 0:37:23 | |
-18, it is. -Aw! | 0:37:23 | 0:37:24 | |
Corks popped all round, then. | 0:37:24 | 0:37:26 | |
At least it's back on the right road. | 0:37:28 | 0:37:30 | |
Next, it's James's job lot of bijouterie - | 0:37:30 | 0:37:34 | |
will the little items serve up a big profit? | 0:37:34 | 0:37:37 | |
At £50. | 0:37:37 | 0:37:39 | |
30, to get on. | 0:37:39 | 0:37:40 | |
At £20 a bid - at £20, five, now. | 0:37:40 | 0:37:43 | |
At £20 - five. 30. Five. | 0:37:43 | 0:37:45 | |
At £35, got to be cheap at 35. 40. | 0:37:45 | 0:37:48 | |
Five. 50. Five. | 0:37:48 | 0:37:51 | |
60, if you like, madam? At 55...60. | 0:37:51 | 0:37:54 | |
Five. 70? There's 65, here. | 0:37:54 | 0:37:57 | |
At £65 - it's on the left. | 0:37:57 | 0:37:59 | |
They like it, James. They like it. | 0:37:59 | 0:38:01 | |
You all done? | 0:38:01 | 0:38:02 | |
A sizable win for James. | 0:38:04 | 0:38:06 | |
-Ah... -There's a profit, there. That's good. -You're doing all right. | 0:38:06 | 0:38:10 | |
Time now for Anita's automaton bear. | 0:38:11 | 0:38:14 | |
It impressed Philip the auctioneer. Will the crowd agree? | 0:38:14 | 0:38:18 | |
Who'll start me, 50? £50? | 0:38:18 | 0:38:20 | |
Go on, go on... | 0:38:20 | 0:38:21 | |
£30? | 0:38:21 | 0:38:23 | |
20, to get on. Got to be £20. | 0:38:23 | 0:38:26 | |
-Yes, £20, a bid there. -Go on! We've started. | 0:38:26 | 0:38:28 | |
30. At £30, I have £30. Anyone else? | 0:38:28 | 0:38:32 | |
At £30, it's in the room, now. At £30. Five, anyone? | 0:38:32 | 0:38:34 | |
At £30 - it's got to be cheap, at £30. | 0:38:34 | 0:38:36 | |
Look at him! | 0:38:36 | 0:38:38 | |
It's only one eye that's on. | 0:38:38 | 0:38:40 | |
Oh, dear, that's not going to help...Cyclops. | 0:38:40 | 0:38:43 | |
It's selling in the room, here. You all done at 30? | 0:38:43 | 0:38:46 | |
Grr! | 0:38:46 | 0:38:47 | |
The uncooperative bear picks a terrible time to break down, | 0:38:47 | 0:38:51 | |
but at least it scrapes a profit. | 0:38:51 | 0:38:53 | |
It wasn't just one eye when we had it! | 0:38:54 | 0:38:56 | |
Now it's James' modern pastel portrait of a Pierrot. | 0:38:59 | 0:39:03 | |
Will it be smiles or tears after this lot? | 0:39:03 | 0:39:05 | |
£20 for the Pierrot, there. | 0:39:05 | 0:39:07 | |
The bidders have been scared off. | 0:39:07 | 0:39:09 | |
-A tenner? -No! | 0:39:09 | 0:39:11 | |
Dear me - £10, it's no laughing matter. | 0:39:11 | 0:39:14 | |
£10. Nobody? A fiver? | 0:39:14 | 0:39:17 | |
Oh, what? | 0:39:17 | 0:39:18 | |
Yes? Really? £5, a bid. At £5, at £5, there. | 0:39:20 | 0:39:23 | |
-Anybody? -Wow... | 0:39:23 | 0:39:25 | |
-I can't believe who's bidding. -That is mad. | 0:39:25 | 0:39:28 | |
At £5, it's selling here for a fiver. | 0:39:28 | 0:39:30 | |
At £5 - the frame would cost you that. | 0:39:30 | 0:39:32 | |
-At £5, you all sure? -He's trying... -You all done at a fiver? | 0:39:32 | 0:39:36 | |
Tears, as it turns out. | 0:39:38 | 0:39:40 | |
That is just insane. | 0:39:40 | 0:39:44 | |
One more for Anita, as her pair of Cairngorm-style brooches are up. | 0:39:44 | 0:39:49 | |
£10. | 0:39:49 | 0:39:51 | |
A fiver? | 0:39:51 | 0:39:52 | |
THEY GROAN | 0:39:52 | 0:39:53 | |
£5, a bid at five. Eight. | 0:39:53 | 0:39:55 | |
Ten. At 12, do you mean, madam? | 0:39:55 | 0:39:57 | |
At £10 here. At £10. 12 - thank you, madam. | 0:39:57 | 0:40:01 | |
At the back at 12. 15, if you like? | 0:40:01 | 0:40:02 | |
15. 18. At £18 at the back, there. | 0:40:02 | 0:40:05 | |
20, if you like, now? | 0:40:05 | 0:40:06 | |
£18, you all sure? | 0:40:06 | 0:40:08 | |
Go on, go on! | 0:40:08 | 0:40:10 | |
What a shame. | 0:40:10 | 0:40:12 | |
Oh...it could have been a LOT worse. | 0:40:12 | 0:40:16 | |
Now it's James's great hope - the Chinese table. | 0:40:17 | 0:40:21 | |
I can start you on the book at... | 0:40:21 | 0:40:24 | |
At 180. At 180, we've started. At 180. | 0:40:26 | 0:40:29 | |
190, now. At £180, I have. 180...190. | 0:40:29 | 0:40:32 | |
Looking good... | 0:40:32 | 0:40:34 | |
220. 240. 260. 280. | 0:40:34 | 0:40:37 | |
At £280 - 300, if you like. 280 I have. | 0:40:37 | 0:40:41 | |
At £280. £300, on the phone, if you like? | 0:40:41 | 0:40:44 | |
At £280 here. At £280, you all sure now? | 0:40:44 | 0:40:49 | |
At 280... | 0:40:49 | 0:40:50 | |
James's instincts were right. | 0:40:52 | 0:40:54 | |
That lot was full of Eastern Promise. | 0:40:54 | 0:40:56 | |
Well done. Well done, well done. | 0:40:56 | 0:40:59 | |
And finally, Anita's up with her Art Nouveau earrings, | 0:40:59 | 0:41:03 | |
set with seed pearls. | 0:41:03 | 0:41:04 | |
£50, to get on. £50 a bid - thank you, madam. At £50. | 0:41:04 | 0:41:08 | |
At 50, look cheap at £50. Five, anyone? | 0:41:08 | 0:41:10 | |
Five on the net. 60. Five. 70. At 75... | 0:41:10 | 0:41:14 | |
80. Five. 90. At £90...five. | 0:41:14 | 0:41:18 | |
100... | 0:41:18 | 0:41:19 | |
It's a flier. | 0:41:19 | 0:41:20 | |
120. 130. 140 to me madam. | 0:41:20 | 0:41:25 | |
At 130, 140 on the net. | 0:41:25 | 0:41:26 | |
150, if you like, on the phone? | 0:41:26 | 0:41:28 | |
At 140. 150. | 0:41:28 | 0:41:30 | |
At 150. 160, if you like, on the phone? | 0:41:30 | 0:41:32 | |
At 150, I have. 150. It's on the net here at 150. | 0:41:32 | 0:41:36 | |
160. | 0:41:36 | 0:41:37 | |
At 160, someone else...170, now. | 0:41:37 | 0:41:40 | |
It's at 160. It's on the phone now, the net's out. | 0:41:40 | 0:41:43 | |
-At 160. 170, back in. -Back in! | 0:41:43 | 0:41:45 | |
At 170. 180 if you like, now. | 0:41:45 | 0:41:47 | |
180. At 190. 200, fill it up, now. | 0:41:47 | 0:41:51 | |
200. | 0:41:51 | 0:41:52 | |
-Crikey! -This is running and running. | 0:41:52 | 0:41:54 | |
240 now. At 220. 240. | 0:41:54 | 0:41:58 | |
At 240. It's on the phone now at 240. 260, now. | 0:41:58 | 0:42:02 | |
At £240 - it's on the phone, now, at 240. | 0:42:02 | 0:42:06 | |
An absolutely smashing profit | 0:42:07 | 0:42:09 | |
proves Anita really does | 0:42:09 | 0:42:11 | |
have an eye for style. | 0:42:11 | 0:42:13 | |
-Yes! -Yes! Well done! | 0:42:13 | 0:42:16 | |
Anita started this leg with £318.30p. | 0:42:18 | 0:42:21 | |
After paying auction costs, she made a profit of £121.02p | 0:42:21 | 0:42:26 | |
and ends today with £439.32p. | 0:42:26 | 0:42:30 | |
Well done. | 0:42:30 | 0:42:32 | |
But heavyweight James beat her to the punch once more. | 0:42:34 | 0:42:38 | |
He began with £813.94p | 0:42:38 | 0:42:41 | |
and after costs, made a profit of £158 today, | 0:42:41 | 0:42:45 | |
giving him £971.94p to carry onwards. | 0:42:45 | 0:42:50 | |
-Well, James, that was SO exciting! -He did his best, didn't he? | 0:42:52 | 0:42:57 | |
-Uh-huh. -Got every last pound out of them. | 0:42:57 | 0:42:59 | |
Indeed, he did. | 0:42:59 | 0:43:01 | |
To the Beetle, and away to the next leg. | 0:43:01 | 0:43:04 | |
-Here we go! -Aye, here we go. | 0:43:04 | 0:43:05 | |
On the next Antiques Road Trip, | 0:43:07 | 0:43:10 | |
Anita gets a bit of a shock... | 0:43:10 | 0:43:12 | |
Argh! | 0:43:12 | 0:43:14 | |
..and James just looks a fright. | 0:43:16 | 0:43:18 | |
Mwah-ha-ha-ha! | 0:43:18 | 0:43:21 | |
Subtitles by Red Bee Media Ltd | 0:43:39 | 0:43:42 |