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-It's the nation's favourite antiques experts. -All right, viewers? -With £200 each, a classic car, | 0:00:03 | 0:00:07 | |
and a goal, to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire. Yes! | 0:00:10 | 0:00:12 | |
Sold. Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
-50p! -There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
-You've had it a while, haven't you? -Will it be the high road to glory, | 0:00:22 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
-Ooh! Ooh-hoo! -Oh, no. | 0:00:27 | 0:00:29 | |
This is The Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this Antiques Road Trip, | 0:00:36 | 0:00:37 | |
two esteemed auctioneers are battling for fortune. | 0:00:37 | 0:00:41 | |
There's always that element of luck that's involved, | 0:00:41 | 0:00:44 | |
-James, and that's what makes it fun as well. -Yes. | 0:00:44 | 0:00:47 | |
Anita Manning is a gabby Glasgow gal | 0:00:47 | 0:00:50 | |
with an eye for quality and nerves of steel. | 0:00:50 | 0:00:53 | |
Look. | 0:00:53 | 0:00:55 | |
Ah, argh! | 0:00:55 | 0:00:57 | |
-JAMES LAUGHS -Most of the time. Ha. | 0:00:57 | 0:00:59 | |
Whilst James Lewis is a doughty Derbyshire dandy, | 0:00:59 | 0:01:02 | |
always keen to take a goggle at a potential bargain. | 0:01:02 | 0:01:05 | |
JAMES LAUGHS | 0:01:05 | 0:01:07 | |
Perfect for a classic car. | 0:01:07 | 0:01:10 | |
Scary. | 0:01:10 | 0:01:11 | |
Both our game gavel-meisters started this road trip with £200. | 0:01:11 | 0:01:15 | |
So far, Anita has managed to leverage her lolly | 0:01:15 | 0:01:19 | |
up to a respectable £439.32. | 0:01:19 | 0:01:22 | |
But James is in the lead. | 0:01:22 | 0:01:24 | |
His wallet positively overfloweth. | 0:01:24 | 0:01:27 | |
He begins this leg with a whopping £971.94. | 0:01:27 | 0:01:33 | |
Well, I never did. | 0:01:33 | 0:01:34 | |
Today, they're driving a bonny blue beauty, the 1969 Volkswagen Beetle. | 0:01:34 | 0:01:39 | |
You know, James, I'm quite... | 0:01:41 | 0:01:43 | |
happy to be driving through these Devonshire lanes. | 0:01:43 | 0:01:47 | |
It's quite exciting, you never know what's coming round the corner! | 0:01:47 | 0:01:50 | |
Their concern is it's you! | 0:01:50 | 0:01:52 | |
-JAMES LAUGHS -Very good, James. | 0:01:52 | 0:01:53 | |
On this whole road trip, they began in Oxfordshire | 0:01:55 | 0:01:58 | |
and will tour the sunny southern counties of England, | 0:01:58 | 0:02:01 | |
before ending up in grand old smoky herself, London. | 0:02:01 | 0:02:05 | |
On today's leg, they're dawdling through delicious Devon, | 0:02:05 | 0:02:09 | |
beginning in the city of Exeter | 0:02:09 | 0:02:10 | |
and aiming for auction in the small town of Chudleigh. | 0:02:10 | 0:02:14 | |
-Now, James, we've travelled a long way. -We have. | 0:02:14 | 0:02:18 | |
They're just arriving in Exeter. | 0:02:18 | 0:02:21 | |
Devonshire's handsome county town | 0:02:21 | 0:02:23 | |
seems a lively place to start their day, | 0:02:23 | 0:02:26 | |
but it looks like James has nodded off. | 0:02:26 | 0:02:28 | |
Tut, tut. | 0:02:28 | 0:02:29 | |
Wakey-wakey, James. Wakey-wakey. | 0:02:29 | 0:02:32 | |
-Ah... -ANITA LAUGHS | 0:02:32 | 0:02:34 | |
This is just too nice. What a lovely day. | 0:02:34 | 0:02:39 | |
Oh, blimey. | 0:02:39 | 0:02:41 | |
Oh... | 0:02:41 | 0:02:42 | |
-It's too nice for antique shopping. -No, no. Mind on your work, on you go. | 0:02:42 | 0:02:46 | |
Quite right, Anita. | 0:02:46 | 0:02:48 | |
-OK, I'll head this way. -Bye. -Have fun. | 0:02:48 | 0:02:50 | |
Anita's on her way to her first shop of the day, Otto Retro, | 0:02:50 | 0:02:56 | |
where resides the very dapper dealer, Lewis. | 0:02:56 | 0:02:59 | |
-Hello. -Hi. | 0:02:59 | 0:03:00 | |
-I'm Anita. -Nice to meet you. -And I love your shop. | 0:03:00 | 0:03:04 | |
This shop specialises in 20th century retro pieces, | 0:03:04 | 0:03:07 | |
quirky items which appeal to Anita's wild side. | 0:03:07 | 0:03:11 | |
Stand by. | 0:03:11 | 0:03:12 | |
-It's 20th century, it vintage, it's kitsch, it's fun. -Mmm. | 0:03:12 | 0:03:16 | |
-It's interesting. -It's interesting, it's interesting. | 0:03:16 | 0:03:20 | |
And she soon found something which packs a stylish punch. | 0:03:25 | 0:03:29 | |
This, despite the fact that it looks a wee bit scruffy | 0:03:29 | 0:03:33 | |
is a very romantic item. | 0:03:33 | 0:03:36 | |
It's a suitcase, probably from the early 20th century, | 0:03:36 | 0:03:40 | |
1910, 1920 and it's a bit of leather, that's good | 0:03:40 | 0:03:44 | |
and these are quite sought after at the moment. | 0:03:44 | 0:03:46 | |
But what I like about this one is we've still our original... | 0:03:46 | 0:03:52 | |
labels on them. Look at this. | 0:03:52 | 0:03:54 | |
We've got one for the Royal Hotel in Windermere, | 0:03:54 | 0:03:57 | |
we've got a French one here. | 0:03:57 | 0:04:00 | |
Bruges... | 0:04:00 | 0:04:02 | |
So, this suitcase has travelled, it's taken someone on their holidays. | 0:04:02 | 0:04:06 | |
Hmm. Ticket price is £60. Lewis will be summoned. | 0:04:06 | 0:04:10 | |
I was just looking at this suitcase | 0:04:10 | 0:04:13 | |
and I fell in love with these wonderful stickers, original ones. | 0:04:13 | 0:04:17 | |
-And below it is another suitcase. -This is nice. | 0:04:17 | 0:04:21 | |
This one again, probably very, very early 20th century, | 0:04:21 | 0:04:24 | |
sort of '20s, '30s. Probably colonial. | 0:04:24 | 0:04:28 | |
-Made in China. -Right. -When China was of quality. | 0:04:28 | 0:04:32 | |
Ticket price on that is also £60, so, £120 for the two. | 0:04:32 | 0:04:36 | |
But I love these. I love these little Chinese tigers. | 0:04:36 | 0:04:42 | |
-I love these. -It's beautiful, beautiful detailing. | 0:04:42 | 0:04:45 | |
-When you go on your holidays, do you take one of them? -I do. | 0:04:45 | 0:04:49 | |
You're a man of style. | 0:04:49 | 0:04:50 | |
She's buttering you up, Lewis. Guess what's coming. | 0:04:50 | 0:04:54 | |
I'd like to buy the two of them for about 45 quid. | 0:04:54 | 0:04:58 | |
Crikey, Anita. That would be a discount. | 0:04:58 | 0:05:00 | |
Am I way out there? | 0:05:01 | 0:05:03 | |
-Am I a wee bit out? -Quite a bit, really. Yeah. | 0:05:03 | 0:05:06 | |
Would 55 buy them? | 0:05:06 | 0:05:08 | |
I really, really couldn't do 55. | 0:05:09 | 0:05:11 | |
I... I think probably the lowest I could really do... | 0:05:11 | 0:05:14 | |
..on two suitcases like that would probably be 80. | 0:05:16 | 0:05:19 | |
-Would 70 buy them? -Erm... | 0:05:19 | 0:05:22 | |
-75 would. -It's a deal, Lewis. | 0:05:22 | 0:05:24 | |
-That's lovely. -Thank you. | 0:05:24 | 0:05:25 | |
I love them to bits. | 0:05:25 | 0:05:27 | |
A good deal at £75 for the two. | 0:05:27 | 0:05:30 | |
This is quite fun. | 0:05:32 | 0:05:33 | |
This is a medical poster, which is | 0:05:33 | 0:05:36 | |
showing the injuries that you can get on ankles and knees. | 0:05:36 | 0:05:43 | |
It's in French, so I don't know what it says. | 0:05:43 | 0:05:45 | |
Medical items are very popular - people like them. | 0:05:45 | 0:05:49 | |
Look at these ligaments and tendons - they're scary. | 0:05:49 | 0:05:56 | |
I think I'll have a go at that. | 0:05:56 | 0:05:57 | |
Ticket price is £25. | 0:05:57 | 0:06:01 | |
Lewis. Lewis. | 0:06:01 | 0:06:02 | |
But, of course, Anita is going to ask Lewis for a discount. | 0:06:02 | 0:06:06 | |
-Poor Lewis. -Could I buy it for ten? | 0:06:06 | 0:06:08 | |
We would do 12 on it. | 0:06:08 | 0:06:10 | |
-You could do 12? -Yeah. -Right. That's a deal. Thank you very much. | 0:06:10 | 0:06:14 | |
So, she's packed her bags and she's off. | 0:06:14 | 0:06:17 | |
Now James is elsewhere in Exeter | 0:06:22 | 0:06:24 | |
and is wandering into McBains Antiques complex, | 0:06:24 | 0:06:27 | |
where he's meeting dealer Aaron. | 0:06:27 | 0:06:30 | |
-Good morning. -Hello there. Nice to see you. -You too. How you doing? | 0:06:30 | 0:06:33 | |
-I'm very well. Very well. I'm James. -I'm Aaron. | 0:06:33 | 0:06:36 | |
Hello, Aaron. You seem a friendly fellow. | 0:06:36 | 0:06:40 | |
Best get browsing, James. | 0:06:40 | 0:06:42 | |
Look out. That's Tilly the shiatsu, | 0:06:50 | 0:06:52 | |
and James has also to meet another member of the family. | 0:06:52 | 0:06:56 | |
My dad Gordon. | 0:06:56 | 0:06:57 | |
-Gordon boss man. -Gordy. Lordy. | 0:06:57 | 0:07:00 | |
Soon enough, James has spotted someone else he's quite taken with, | 0:07:00 | 0:07:03 | |
though she does seem a little worse for wear. | 0:07:03 | 0:07:06 | |
It's a 20th century shop mannequin, who's taken | 0:07:06 | 0:07:09 | |
a bit of a knock on her bonce. | 0:07:09 | 0:07:12 | |
Ticket price is £80. | 0:07:12 | 0:07:15 | |
I don't think it's her head that needs covering, James. | 0:07:15 | 0:07:17 | |
He's going to make a cheeky offer. Stand by. | 0:07:17 | 0:07:20 | |
Well, she could be something really silly... | 0:07:20 | 0:07:23 | |
-Yeah. -..like 20 quid or something. | 0:07:23 | 0:07:26 | |
-She can be 40. There you are. -40. | 0:07:26 | 0:07:29 | |
The damage is still a problem, | 0:07:29 | 0:07:32 | |
but he's having a brainwave. | 0:07:32 | 0:07:34 | |
A wig would do her. | 0:07:34 | 0:07:36 | |
If you can find me a wig, you can have 35. | 0:07:36 | 0:07:38 | |
I do have a big bouffant wig kicking around, I think. | 0:07:38 | 0:07:41 | |
-Have you got one, really? -I do, yeah. I could go and grab it. | 0:07:41 | 0:07:44 | |
HE LAUGHS | 0:07:44 | 0:07:48 | |
Hang on. | 0:07:48 | 0:07:50 | |
Ah, this is it. | 0:07:50 | 0:07:52 | |
-James wanted it. -No. | 0:07:52 | 0:07:54 | |
I think I've got one of these somewhere. | 0:07:54 | 0:07:56 | |
You've been to...those 1970s dudes, haven't you? | 0:07:57 | 0:08:01 | |
Hmm. Suits you. | 0:08:01 | 0:08:03 | |
Here we go. I'll give you 35 quid for that. | 0:08:03 | 0:08:06 | |
ALL LAUGH | 0:08:06 | 0:08:08 | |
-We can do it for 35. -You sure? | 0:08:08 | 0:08:10 | |
The wig for free. | 0:08:10 | 0:08:12 | |
-You've got a deal. -Thank you very much. | 0:08:13 | 0:08:15 | |
He's got the mannequin and wig together for £35, | 0:08:15 | 0:08:18 | |
and he's soon reflecting on another item elsewhere in the shop. | 0:08:18 | 0:08:22 | |
It's a big two-handle tray. | 0:08:24 | 0:08:26 | |
About 1900 in date. | 0:08:28 | 0:08:30 | |
It's made of copper electroplated with silver. | 0:08:30 | 0:08:33 | |
The fact that the copper's coming through, | 0:08:33 | 0:08:36 | |
some people absolutely hate it, but other people actually like it. | 0:08:36 | 0:08:40 | |
It's known as bleeding. | 0:08:40 | 0:08:41 | |
It's where the copper comes through the Sheffield plate or | 0:08:41 | 0:08:44 | |
the silver plating. | 0:08:44 | 0:08:46 | |
-I can do that for £45, James. -Hello, puss. What do you think? | 0:08:46 | 0:08:50 | |
Eh? | 0:08:50 | 0:08:51 | |
She's your lucky sign, James. | 0:08:51 | 0:08:53 | |
Could be. | 0:08:53 | 0:08:55 | |
That's Jess, the shop's pussy. | 0:08:55 | 0:08:57 | |
What do you think, Jess? | 0:08:57 | 0:08:59 | |
-Should I buy it? -Jess says yes. | 0:08:59 | 0:09:01 | |
-I'll give you £30 for it. -Go on then. | 0:09:01 | 0:09:04 | |
You've got a deal. £30. | 0:09:06 | 0:09:08 | |
On Jess' sage advice, James takes the tray and he's on his way. | 0:09:08 | 0:09:13 | |
Now Anita's back in the Beetle | 0:09:16 | 0:09:18 | |
and driving on to the town of Crediton in Devon. | 0:09:18 | 0:09:21 | |
She's going to spend the afternoon visiting a local collector | 0:09:21 | 0:09:24 | |
who can certainly provide her with some food for thought. | 0:09:24 | 0:09:27 | |
She's meeting food historian | 0:09:30 | 0:09:32 | |
and avid cookery book collector Paul Cleave. | 0:09:32 | 0:09:35 | |
-Hello. Come in. -Hello, I'm Anita. | 0:09:39 | 0:09:42 | |
-It's lovely to be here. -Lovely to meet you and welcome. | 0:09:42 | 0:09:45 | |
Well, I love food, Paul, and I know that you have one of the most | 0:09:45 | 0:09:51 | |
wonderful collections of cookery books. | 0:09:51 | 0:09:54 | |
Paul has been a cookbook fanatic since his school days | 0:09:54 | 0:09:58 | |
and has filled his house with a vast collection, | 0:09:58 | 0:10:01 | |
which tell the story of British grub throughout history. | 0:10:01 | 0:10:04 | |
In the modern era, we're beset on all sides by celebrity chefs | 0:10:08 | 0:10:13 | |
releasing cook books, | 0:10:13 | 0:10:14 | |
but this craze dates back further than you might think. | 0:10:14 | 0:10:18 | |
Paul's taking Anita to see a double volume cookbook written | 0:10:18 | 0:10:21 | |
by a chef who revolutionised high-class cooking in the '20s and '30s, | 0:10:21 | 0:10:25 | |
and became one of our first famous foodies. | 0:10:25 | 0:10:29 | |
You've got The Finer Cooking by Marcel Boulestin, | 0:10:29 | 0:10:33 | |
who ran a very smart restaurant in Covent Garden. | 0:10:33 | 0:10:37 | |
Boulestin was a French native who moved to Britain | 0:10:37 | 0:10:40 | |
and had a huge influence on classy dining in the inter-war years. | 0:10:40 | 0:10:45 | |
He even became Britain's first TV chef. | 0:10:45 | 0:10:48 | |
As befits the period, the book Paul has | 0:10:50 | 0:10:52 | |
is Upstairs, Downstairs in cookbook form. | 0:10:52 | 0:10:56 | |
It was published in two volumes - one for the lady of the house | 0:10:56 | 0:10:59 | |
and the other for her cook. | 0:10:59 | 0:11:01 | |
There is no need to ask which one is which. | 0:11:01 | 0:11:04 | |
BOTH LAUGH | 0:11:04 | 0:11:05 | |
So, what's happening here is they're trying to bring | 0:11:05 | 0:11:08 | |
the aristocratic lady, or the middle-class lady, into the kitchen. | 0:11:08 | 0:11:13 | |
That's right. So, she'd known what was going on. | 0:11:13 | 0:11:15 | |
She could issue orders to the cook to prepare a particular menu. | 0:11:15 | 0:11:19 | |
What other information is in the lady's book? | 0:11:19 | 0:11:23 | |
Details, really, of menu composition, the wines, the foods, | 0:11:23 | 0:11:28 | |
what was in season at a particular time of year, | 0:11:28 | 0:11:30 | |
everything that she would need to know. | 0:11:30 | 0:11:33 | |
The background to her menu and successful entertaining. | 0:11:33 | 0:11:37 | |
While the volume for below stairs was rather more practical. | 0:11:37 | 0:11:41 | |
And the cook would refer to that one. | 0:11:41 | 0:11:43 | |
That's right, and she would refer to that very well used, | 0:11:43 | 0:11:45 | |
very well worn, gravy-spattered copy. | 0:11:45 | 0:11:49 | |
As the decades moved on towards the Second World War, | 0:11:49 | 0:11:52 | |
British food continued to evolve. | 0:11:52 | 0:11:54 | |
Really, the story of feeding Britain in the Second World War | 0:11:54 | 0:11:58 | |
relied hugely on the role of women. | 0:11:58 | 0:12:03 | |
Women at home making the best of very, very limited ingredients. | 0:12:03 | 0:12:08 | |
They were very important in keeping the morale of the country up | 0:12:08 | 0:12:13 | |
through interesting food. | 0:12:13 | 0:12:15 | |
And Paul has an item which proves that women, in all tiers of society, | 0:12:15 | 0:12:19 | |
were involved, even at the very highest echelon. | 0:12:19 | 0:12:23 | |
Ah! So, what have we got here? | 0:12:23 | 0:12:25 | |
Well, here, just before the outbreak of the Second World War, | 0:12:25 | 0:12:29 | |
a story about Princess Elizabeth. | 0:12:29 | 0:12:31 | |
Now the Queen, of course. | 0:12:31 | 0:12:33 | |
Princess Elizabeth learns to cook, | 0:12:33 | 0:12:35 | |
and apparently she was given lessons by the chef at Buckingham Palace, | 0:12:35 | 0:12:41 | |
and was interested in her cookery lessons. | 0:12:41 | 0:12:44 | |
She made cakes, which were given as gifts to | 0:12:44 | 0:12:48 | |
children as treats in distressed areas. | 0:12:48 | 0:12:50 | |
And the gifts bearing the statement, | 0:12:50 | 0:12:53 | |
"This cake was made by Princess Elizabeth." | 0:12:53 | 0:12:55 | |
God bless her. But this subject seems to be getting to Anita. | 0:12:55 | 0:12:59 | |
All this talk about food and recipes has made me a wee bit hungry, | 0:12:59 | 0:13:04 | |
and something smells good in here. | 0:13:04 | 0:13:07 | |
Ah! What a treat. | 0:13:07 | 0:13:10 | |
Paul's cooked up some of his favourite dishes from his books. | 0:13:10 | 0:13:14 | |
Paul, this is a lovely, lovely feast. | 0:13:14 | 0:13:18 | |
Ah! And this is all Devon fayre. | 0:13:18 | 0:13:22 | |
All from Devon, the West Country and the books. | 0:13:22 | 0:13:25 | |
Hmm. Lashings of lovely grub. | 0:13:25 | 0:13:28 | |
Don't dally too long, Anita. There are still buys to be found. | 0:13:28 | 0:13:31 | |
Ooh, she likes a scoff. | 0:13:32 | 0:13:34 | |
Meanwhile, James is still back in Exeter | 0:13:34 | 0:13:37 | |
and strolling off into Exeter Vintage Warehouse. | 0:13:37 | 0:13:40 | |
All right, mate? | 0:13:40 | 0:13:42 | |
I don't think everyone's as keen on that hat as you are, James. | 0:13:43 | 0:13:47 | |
He's meeting dealer Simon. | 0:13:47 | 0:13:48 | |
-Hello there. -Hi. How are you doing? | 0:13:48 | 0:13:50 | |
-Nice to meet you. -I'm James. -Hi, James. | 0:13:50 | 0:13:52 | |
It's quite a big place. | 0:13:52 | 0:13:53 | |
It is all yours? Is it...? | 0:13:53 | 0:13:55 | |
There's 3,5000 square feet here, James, | 0:13:55 | 0:13:58 | |
and it's pretty much all down to me. | 0:13:58 | 0:14:00 | |
Blimey, Simon. You've got some ground to cover then, James. | 0:14:00 | 0:14:04 | |
Best get on the prowl, mate. | 0:14:04 | 0:14:05 | |
I love this sort of piled-up stuff. | 0:14:11 | 0:14:14 | |
Fingers crossed there might be something here. | 0:14:14 | 0:14:16 | |
And in a flash, he's found a group of items that take his fancy. | 0:14:16 | 0:14:20 | |
How about your cases? | 0:14:20 | 0:14:22 | |
More luggage? After Anita's buys this morning, eh? Golly. | 0:14:22 | 0:14:27 | |
Well, they're quite sought after, but I can do you a deal. | 0:14:27 | 0:14:31 | |
Shall we get them down and have a look? | 0:14:31 | 0:14:33 | |
It's a collection of four pieces of vintage luggage, | 0:14:33 | 0:14:35 | |
two gentleman's suitcases, a lady's suitcase | 0:14:35 | 0:14:39 | |
and a bag in a style known as a Gladstone. | 0:14:39 | 0:14:42 | |
They all date from between the mid-19th century and to around 1920. | 0:14:42 | 0:14:46 | |
James would possibly like to buy them all as one lot, | 0:14:46 | 0:14:49 | |
but what can Simon do on the price? | 0:14:49 | 0:14:51 | |
You can see they've been there a while from the dust. | 0:14:51 | 0:14:56 | |
Blimey. | 0:14:56 | 0:14:57 | |
How about all four? | 0:14:57 | 0:14:59 | |
100 quid. 80 if it helps you. | 0:14:59 | 0:15:02 | |
-60? -I can't. | 0:15:02 | 0:15:04 | |
On a bad day, they could make 50 quid. | 0:15:04 | 0:15:07 | |
So, how about 65? | 0:15:07 | 0:15:08 | |
Erm... | 0:15:09 | 0:15:11 | |
-75. -That is a fair price. -It is. -Right. Let me think. | 0:15:11 | 0:15:14 | |
Now, though that's a great deal from Simon, | 0:15:14 | 0:15:17 | |
he's still not sure he can turn a profit on them as auction, | 0:15:17 | 0:15:20 | |
so he's browsing on. | 0:15:20 | 0:15:22 | |
HE LAUGHS | 0:15:25 | 0:15:27 | |
Perfect for a classic car. | 0:15:27 | 0:15:30 | |
And after a thorough scout about, he's heading outside, | 0:15:30 | 0:15:33 | |
where Simon is relaxing with his partner's children Oliver and Tegan. | 0:15:33 | 0:15:38 | |
That's quite fun. | 0:15:41 | 0:15:43 | |
Is that Egyptian, do you think? | 0:15:43 | 0:15:44 | |
-I'm not sure. -Your tea table. | 0:15:44 | 0:15:47 | |
Honestly, James. | 0:15:47 | 0:15:49 | |
Let these nice people have their tea break in peace. | 0:15:49 | 0:15:53 | |
The table at which they're eating is brass topped | 0:15:53 | 0:15:55 | |
and decorated in the Egyptian style. | 0:15:55 | 0:15:58 | |
Isn't that Simon good-natured about having his coffee break hijacked? | 0:15:59 | 0:16:03 | |
Lovely man. | 0:16:03 | 0:16:05 | |
We could do that for 30 quid. | 0:16:05 | 0:16:07 | |
-It should be 30 quid, shouldn't it? -It's worth that all day long. | 0:16:07 | 0:16:11 | |
James is also still keen on the collection of luggage. | 0:16:11 | 0:16:14 | |
He's going to make a final offer. | 0:16:14 | 0:16:16 | |
So...60 for the luggage and 20 for the table. How about that? | 0:16:16 | 0:16:20 | |
-Is that all right? -It's a deal. -You've got a deal. Brilliant. | 0:16:20 | 0:16:23 | |
-Thank you. Well... -I guess we have to clear it now. Do we? | 0:16:23 | 0:16:28 | |
I'm afraid so, but James has spotted something else of Simons he likes. | 0:16:28 | 0:16:31 | |
You'll be lucky if you have your shirt on by the end of this, Simon. | 0:16:35 | 0:16:39 | |
That is wonderful! | 0:16:39 | 0:16:41 | |
I use it just to scare the customers with. | 0:16:41 | 0:16:43 | |
I usually put it under a chest of drawers and, while they're looking, | 0:16:43 | 0:16:46 | |
we turn it on. Out comes the spider. | 0:16:46 | 0:16:49 | |
I just thought, for Anita, that would be perfect. | 0:16:49 | 0:16:51 | |
Simon is generously going to allow James to take the spider away, | 0:16:51 | 0:16:54 | |
not for auction, just for a little planned devilment | 0:16:54 | 0:16:58 | |
when he catches up with Anita. Honestly, James. | 0:16:58 | 0:17:01 | |
This rare breed of arachnid is now known as spider Jamesus Lewisus. | 0:17:03 | 0:17:11 | |
Yes! | 0:17:11 | 0:17:13 | |
And with that tomfoolery, it's the end of their day. Night-night. | 0:17:15 | 0:17:19 | |
But nothing can keep bargain hounds of this | 0:17:21 | 0:17:24 | |
calibre off the road for long. | 0:17:24 | 0:17:26 | |
Morning greets them back in the car and bickering, as usual. | 0:17:26 | 0:17:30 | |
For goodness' sake, woman, you're going to kill us! | 0:17:30 | 0:17:33 | |
Oh, calm down, James. | 0:17:34 | 0:17:37 | |
Yes, James dear, calm down. Calm down. | 0:17:37 | 0:17:41 | |
So far, Anita's spent £87 on two lots - the two suitcases | 0:17:41 | 0:17:45 | |
and the French medical chart. | 0:17:45 | 0:17:48 | |
Whilst James has been positively profligate by comparison, | 0:17:48 | 0:17:51 | |
spending £145 on four lots - | 0:17:51 | 0:17:55 | |
the cross-legged mannequin, the silver plated tray, | 0:17:55 | 0:17:58 | |
the Egyptian-style table | 0:17:58 | 0:18:01 | |
and his own job lot of luggage. | 0:18:01 | 0:18:03 | |
They're driving along the Devon coast. | 0:18:05 | 0:18:07 | |
James, I love this south coast and I really, really, | 0:18:07 | 0:18:10 | |
really love the seaside. | 0:18:10 | 0:18:14 | |
-The seaside brings out the wild child in me. -Does it? -Yes! | 0:18:14 | 0:18:19 | |
Crikey Moses. They're heading towards the Torquay area. | 0:18:19 | 0:18:23 | |
The capital of the so-called English Riviera, | 0:18:23 | 0:18:25 | |
Torquay is one of Britain's best-loved seaside resorts | 0:18:25 | 0:18:29 | |
and Anita's dropping James off here. | 0:18:29 | 0:18:31 | |
-There we are, James. This looks lovely. -Doesn't it? Very nice. | 0:18:31 | 0:18:36 | |
We'll come back to you shortly, James. | 0:18:37 | 0:18:40 | |
Anita is motoring onwards to Ashburton, | 0:18:40 | 0:18:43 | |
another pretty little Devonian town. | 0:18:43 | 0:18:45 | |
Anita's aiming for Etcetera Antiques, | 0:18:47 | 0:18:50 | |
where dealer Rob is ready to greet her. Hello, Rob. | 0:18:50 | 0:18:53 | |
-Hello, I'm Anita. -Hi, Anita. I'm Rob. | 0:18:53 | 0:18:56 | |
-Nice to meet you. -It's lovely to be here. | 0:18:56 | 0:18:58 | |
Soon enough, Anita's alighted on an unusual little something. | 0:19:05 | 0:19:09 | |
-That comes off. -Careful now. | 0:19:09 | 0:19:12 | |
I think it's a ruler. Not to measure, but to actually rule lines. | 0:19:12 | 0:19:16 | |
Sometimes they're made of ebony and I think it's one of those, personally. | 0:19:16 | 0:19:20 | |
I quite like it. | 0:19:20 | 0:19:22 | |
Ticket price is £15. | 0:19:22 | 0:19:24 | |
What I'd like to pay for that is very, very, very little. | 0:19:24 | 0:19:27 | |
Is that sounding...? | 0:19:29 | 0:19:30 | |
We're somewhere close because I want to get very, very, very much, | 0:19:30 | 0:19:33 | |
-so we're not that far away, are we? -Not that far away. | 0:19:33 | 0:19:37 | |
Good, good, good. Can that be bought for a fiver? | 0:19:37 | 0:19:39 | |
Erm... | 0:19:41 | 0:19:42 | |
No. BOTH LAUGH | 0:19:42 | 0:19:45 | |
We can get somewhere near if you buy something else, maybe. | 0:19:45 | 0:19:49 | |
OK. Well... I actually don't think | 0:19:49 | 0:19:50 | |
that I'd have a great deal of difficulty | 0:19:50 | 0:19:53 | |
with that because I've spotted something else that I like. | 0:19:53 | 0:19:56 | |
Lead on, Anita. | 0:19:56 | 0:19:58 | |
The other thing that drew my attention was this female bust here. | 0:19:58 | 0:20:02 | |
I quite like the image. | 0:20:02 | 0:20:04 | |
She's a... | 0:20:04 | 0:20:06 | |
An artistic lady, maybe from the early part of the 20th century. | 0:20:06 | 0:20:12 | |
This bohemian babe is priced up at £30. | 0:20:12 | 0:20:15 | |
Erm, is she...? Is she bronze? Can I have a wee look? | 0:20:15 | 0:20:18 | |
Unfortunately, she's not bronze. | 0:20:18 | 0:20:20 | |
She's actually a plaster. | 0:20:20 | 0:20:22 | |
Oh, yeah. | 0:20:22 | 0:20:25 | |
It's not bronze price, so that's an advantage, isn't it? | 0:20:25 | 0:20:29 | |
Music to Anita's ears then. | 0:20:29 | 0:20:31 | |
I would not be wanting to pay a lot of money for that either. | 0:20:31 | 0:20:33 | |
I guess we're coming to the haggling bit again. | 0:20:33 | 0:20:36 | |
-Is this...? Are we coming to the haggling bit? -It felt like it to me. | 0:20:36 | 0:20:39 | |
I like you, Rob. | 0:20:39 | 0:20:40 | |
Could that be bought for a tenner? And that bought for £5? | 0:20:40 | 0:20:44 | |
Erm, I don't think I can go down that low. | 0:20:44 | 0:20:47 | |
Being incredibly generous - | 0:20:47 | 0:20:48 | |
I'm not known for my generosity, to be honest with you... | 0:20:48 | 0:20:52 | |
-I don't believe that. -..we're going to go for £20 for both bits. | 0:20:52 | 0:20:56 | |
-Do you think I'll make a profit? -Erm... | 0:20:56 | 0:20:59 | |
I mean, I don't need to make a big profit, | 0:20:59 | 0:21:01 | |
but I don't want to lose anything. | 0:21:01 | 0:21:03 | |
-No. -But I don't want to upset you either. | 0:21:03 | 0:21:05 | |
I want you to be happy when I walk out the door. | 0:21:05 | 0:21:08 | |
-I'll be very happy when you walk out the door. -Touche, Rob. | 0:21:08 | 0:21:11 | |
OK. I think £20. I can't get you down any further, can I? | 0:21:11 | 0:21:15 | |
-No. -No, can't. Well, let's just go for a deal. | 0:21:15 | 0:21:18 | |
I'm happy with that. I like both of these items. | 0:21:18 | 0:21:20 | |
Excellent. Rob stands firm at £20 for them | 0:21:20 | 0:21:23 | |
and Anita's got another two items bagged. | 0:21:23 | 0:21:26 | |
James is back in Torquay, where he's going to spend the morning | 0:21:30 | 0:21:33 | |
exploring the subterranean wonder | 0:21:33 | 0:21:35 | |
of a world-class archaeological site. | 0:21:35 | 0:21:38 | |
Hello, there. | 0:21:38 | 0:21:39 | |
Hi, I'm Nick. I'm the owner of Kents Cavern and we're here to show | 0:21:39 | 0:21:43 | |
you around the caves and find some exciting stuff in there. | 0:21:43 | 0:21:47 | |
This is a large cave complex with a truly ancient history. | 0:21:47 | 0:21:50 | |
-Right. Watch your head here. Just... -Oh, wow. | 0:21:52 | 0:21:55 | |
The stalactites and stalagmites of these limestone caves | 0:21:55 | 0:21:59 | |
are a time capsule of ancient life, | 0:21:59 | 0:22:01 | |
which were formed over hundreds of thousands of millennia. | 0:22:01 | 0:22:05 | |
Human beings have occupied the warm sheltered caves for many | 0:22:09 | 0:22:13 | |
thousands of years. | 0:22:13 | 0:22:14 | |
The caves were first systematically excavated in the 19th century | 0:22:19 | 0:22:24 | |
and yielded up countless archaeological finds, | 0:22:24 | 0:22:26 | |
which shed light on the early history of man | 0:22:26 | 0:22:29 | |
and continue to astound scientists to this day. | 0:22:29 | 0:22:34 | |
The earliest sort of modern finds in the caves are actually Roman coins, | 0:22:34 | 0:22:37 | |
so the Victorians, when they were excavating the caves, | 0:22:37 | 0:22:40 | |
found these coins. So, we know that they... | 0:22:40 | 0:22:42 | |
The Romans were here. So, that was about 2,000 years ago. | 0:22:42 | 0:22:45 | |
And then, coming right through history, | 0:22:45 | 0:22:47 | |
there's evidence of people using the caves. | 0:22:47 | 0:22:50 | |
But it wasn't till the 1820s when a Roman Catholic priest, | 0:22:50 | 0:22:54 | |
a chap called Father John MacEnery, | 0:22:54 | 0:22:56 | |
started to discover something very, very strange about the cave. | 0:22:56 | 0:23:00 | |
And he was finding bones of extinct animals, | 0:23:00 | 0:23:02 | |
mammoths and woolly rhinos and sabre-toothed tigers, | 0:23:02 | 0:23:07 | |
lying side-by-side next to stones that had been shaped by some | 0:23:07 | 0:23:11 | |
kind of intelligent being. | 0:23:11 | 0:23:12 | |
This intelligent being was of course a human. | 0:23:12 | 0:23:15 | |
At the time, it was popularly supposed that human history | 0:23:15 | 0:23:18 | |
stretched back only a few thousand years, | 0:23:18 | 0:23:21 | |
but MacEnery's discovery showed that people had | 0:23:21 | 0:23:24 | |
been around for very much longer than that. | 0:23:24 | 0:23:27 | |
His finds led to the cave being carefully excavated in the 19th | 0:23:27 | 0:23:31 | |
and 20th centuries. | 0:23:31 | 0:23:32 | |
Today, the cavern is recognised as one of the most important | 0:23:32 | 0:23:36 | |
archaeological and paleontological sites in Britain. | 0:23:36 | 0:23:40 | |
Don't try saying that too quickly. | 0:23:40 | 0:23:42 | |
Nick's taking James to see a copy of a find that has only recently | 0:23:42 | 0:23:46 | |
revolutionised our understanding of early man. | 0:23:46 | 0:23:49 | |
-This was discovered in Kents Cavern. -In the 19th century? | 0:23:49 | 0:23:53 | |
In the 1920s. This is... Well, it's a copy. | 0:23:53 | 0:23:56 | |
..of the oldest piece of human bone found anywhere in Britain, | 0:23:56 | 0:24:00 | |
and it's a piece of human jaw bone. | 0:24:00 | 0:24:03 | |
In the last few years, new scientific analysis | 0:24:03 | 0:24:06 | |
of the specimen has suggested that the jaw bone is more than 40,000 years old. | 0:24:06 | 0:24:11 | |
While Nick has a copy, the real thing is nearby in Torquay Museum. | 0:24:11 | 0:24:15 | |
It's about 42,000 years old. | 0:24:16 | 0:24:18 | |
Just to put that into perspective. | 0:24:18 | 0:24:20 | |
If we think of Stonehenge, for example. | 0:24:20 | 0:24:23 | |
Stonehenge is about 5,000 years old. | 0:24:23 | 0:24:25 | |
This discovery suggests that modern humans were living in Britain | 0:24:25 | 0:24:29 | |
much earlier than was previously though. | 0:24:29 | 0:24:32 | |
It's the oldest human bone in the whole of northwestern Europe, | 0:24:32 | 0:24:35 | |
comes from Torquay, which is pretty extraordinary, really. | 0:24:35 | 0:24:38 | |
-Isn't it just? -So, that's... -Incredible. | 0:24:38 | 0:24:41 | |
Almost 200 years after MacEnery's finds, | 0:24:41 | 0:24:44 | |
the cavern is still offering up the secrets of our ancient | 0:24:44 | 0:24:47 | |
Stone Age past. | 0:24:47 | 0:24:48 | |
Do you know? It's been absolutely fantastic. I've had a great time. | 0:24:48 | 0:24:51 | |
I really enjoyed it. Thank you very much. | 0:24:51 | 0:24:53 | |
One last request. Show me the way out... | 0:24:53 | 0:24:56 | |
-because I'm totally lost. -It's over here, James. | 0:24:56 | 0:24:59 | |
-Thanks very much. -This way. -Thank you. | 0:24:59 | 0:25:01 | |
Now don't get lost, James. | 0:25:01 | 0:25:02 | |
People tend to get stuck down here for quite a long while. | 0:25:02 | 0:25:04 | |
Elsewhere in the fine county of Devon, | 0:25:09 | 0:25:11 | |
Anita's driven on to the town of Bovey Tracey. | 0:25:11 | 0:25:14 | |
-Hello, Anita. -Hello. | 0:25:16 | 0:25:19 | |
-How lovely to meet you. -And you as well. | 0:25:19 | 0:25:22 | |
This shop incorporates a little tea room. | 0:25:22 | 0:25:25 | |
-Hello, girls. -Are you having a lovely time, ladies? | 0:25:25 | 0:25:28 | |
ALL: Yes. | 0:25:28 | 0:25:30 | |
Anita has a plan this afternoon. | 0:25:30 | 0:25:32 | |
She's decided that she'd like to find some jewels. | 0:25:32 | 0:25:35 | |
I'm continually drawn to jewellery cabinets | 0:25:35 | 0:25:39 | |
because I love jewellery and I like buying it. | 0:25:39 | 0:25:41 | |
And I like to see a selection like that. | 0:25:41 | 0:25:44 | |
I'm going to ask Tina | 0:25:44 | 0:25:46 | |
if she has any little groups of jewellery behind the counter. | 0:25:46 | 0:25:52 | |
Might Tina have any hidden treasures which haven't been put on display? | 0:25:52 | 0:25:57 | |
Tina. | 0:25:57 | 0:25:58 | |
Yes, Anita. | 0:25:58 | 0:26:00 | |
I've been looking in your jewellery cabinet here. | 0:26:00 | 0:26:03 | |
I wondered if you had anything behind the counter, | 0:26:03 | 0:26:08 | |
anything that's fresh in. | 0:26:08 | 0:26:10 | |
-I have a hidden little box I might be able to show you. -Yes! | 0:26:10 | 0:26:14 | |
SHE LAUGHS | 0:26:14 | 0:26:17 | |
Ah! Now this is what I call very exciting. | 0:26:17 | 0:26:21 | |
I'll get my wee glass out. | 0:26:21 | 0:26:24 | |
Anita's selecting a little group of rings - | 0:26:24 | 0:26:26 | |
two nine-carat gold pieces, a gold and platinum ring | 0:26:26 | 0:26:29 | |
and a 22-carat wedding band. | 0:26:29 | 0:26:32 | |
All of these items bear some damage or a little tired in style. | 0:26:32 | 0:26:37 | |
She's aiming to build up a lot that might appeal to a scrap gold dealer or a rag and bone man. | 0:26:37 | 0:26:42 | |
And you're dealing with gold, which you know has to be recycled, | 0:26:43 | 0:26:49 | |
and I sometimes think that that is a wonderful aspect | 0:26:49 | 0:26:53 | |
of our business... | 0:26:53 | 0:26:54 | |
-Yes. -..in that we are the original recyclers. | 0:26:54 | 0:26:58 | |
I'd like to make an offer on that little group. | 0:26:58 | 0:27:01 | |
I'd like to be paying £25 on that wee lot. | 0:27:01 | 0:27:04 | |
-You're happy at that? -Yeah. | 0:27:06 | 0:27:08 | |
-That's great. -That's what I had in my mind. | 0:27:08 | 0:27:10 | |
-Is that what you had in your mind? -Yes. | 0:27:10 | 0:27:13 | |
What a team we would make. | 0:27:13 | 0:27:15 | |
Indeed. Anita's happy with the lot of gold rings | 0:27:15 | 0:27:19 | |
she thinks might sell for scrap, | 0:27:19 | 0:27:21 | |
but she's spotted a broach fashioned of a non-precious yellow | 0:27:21 | 0:27:25 | |
metal that she'd also like to throw into the lot. | 0:27:25 | 0:27:28 | |
This is not for scrap. I think it's cos she just likes it, to be honest. | 0:27:28 | 0:27:32 | |
-See this wee thing here? -Yes. | 0:27:33 | 0:27:36 | |
-If we put that in with it. -30. | 0:27:36 | 0:27:38 | |
You're a very decisive woman. | 0:27:39 | 0:27:42 | |
You are, Tina. | 0:27:42 | 0:27:43 | |
Let's go for £30 AND let's shake on that again. | 0:27:43 | 0:27:47 | |
Thank you very much. | 0:27:47 | 0:27:48 | |
And with that, Anita has all her buys for auction. | 0:27:48 | 0:27:51 | |
Now James is back in the Beetle and he's got some company. | 0:27:53 | 0:27:57 | |
I'm not quite sure how to break the news | 0:27:57 | 0:28:00 | |
to Anita that she's been replaced. | 0:28:00 | 0:28:04 | |
He's hatching a plan to return to Exeter, | 0:28:05 | 0:28:07 | |
if he can figure out how to get there. | 0:28:07 | 0:28:09 | |
Erm, excuse me. Hi. | 0:28:10 | 0:28:12 | |
You couldn't tell me the right way to Exeter, could you? | 0:28:12 | 0:28:16 | |
-Go up to the top of the junction. -I do apologise. | 0:28:16 | 0:28:18 | |
-That's quite all right. -She's showing a bit too much. | 0:28:18 | 0:28:21 | |
-Turn right. -Yeah. | 0:28:21 | 0:28:23 | |
You need to get down on to the A380. | 0:28:23 | 0:28:24 | |
Thank you, sir. Much obliged. | 0:28:26 | 0:28:28 | |
The windblown look certainly suits you. | 0:28:28 | 0:28:31 | |
So, why exactly are you going back to Exeter, James? | 0:28:31 | 0:28:34 | |
I have a... A little plan. | 0:28:34 | 0:28:37 | |
And that is, the hotel that Anita and I stayed in last night | 0:28:37 | 0:28:40 | |
is littered with odd antiques here and there, | 0:28:40 | 0:28:44 | |
so I had a word with the owner | 0:28:44 | 0:28:46 | |
and she seems rather keen to sell the odd one. | 0:28:46 | 0:28:51 | |
And so back to Exeter. | 0:28:51 | 0:28:52 | |
And to the Gipsy Hill Hotel. | 0:28:54 | 0:28:57 | |
The owner's name is Grace, but she's a little camera shy. | 0:28:59 | 0:29:03 | |
So, James is meeting the duty manager, Thierry. | 0:29:04 | 0:29:07 | |
-Hello there. -Hello. | 0:29:08 | 0:29:10 | |
-Hi, I'm James. -Hi, I'm Thierry. | 0:29:10 | 0:29:12 | |
James is hoping that he might find a forgotten treasure amongst | 0:29:12 | 0:29:15 | |
the hotel's knick-knacks and objects. | 0:29:15 | 0:29:18 | |
Remembering the Chinese vase he made a bundle on | 0:29:19 | 0:29:22 | |
in an earlier leg, | 0:29:22 | 0:29:23 | |
James is keen on a pair of 19th century Chinese vases he spotted. | 0:29:23 | 0:29:28 | |
At the moment, these are really doing OK, | 0:29:28 | 0:29:31 | |
so these are quite fashionable. | 0:29:31 | 0:29:33 | |
They're Chinese and they're known as famille rose. | 0:29:33 | 0:29:36 | |
Of course, being French, you'll know - family of pink. Erm... | 0:29:36 | 0:29:41 | |
And we've got warriors and we've got these figures of the Oriental court. | 0:29:41 | 0:29:47 | |
It's got a chunk out of that one. | 0:29:47 | 0:29:50 | |
-On the top there. -Yeah. | 0:29:50 | 0:29:52 | |
But it's a small... In overall terms, it could be worse. | 0:29:52 | 0:29:56 | |
Oddly enough, there's no ticket price because this is a hotel, | 0:29:57 | 0:30:01 | |
but what will James offer? | 0:30:01 | 0:30:02 | |
It's got one perfect, one damaged. | 0:30:04 | 0:30:06 | |
£100. | 0:30:06 | 0:30:07 | |
-What do you think? -I'll go and find out for you. | 0:30:09 | 0:30:11 | |
Have a word. Thank you. | 0:30:11 | 0:30:14 | |
Thierry will got and ask the owner if £100 would buy them, | 0:30:14 | 0:30:17 | |
but James is having an uncharacteristic change of heart. | 0:30:17 | 0:30:21 | |
I've come in at 100 because I want to be fair. | 0:30:22 | 0:30:24 | |
Do you know, I think even if he says yes to 100, I think I'm going | 0:30:24 | 0:30:27 | |
to give him a bit more. | 0:30:27 | 0:30:29 | |
150 probably. What do you think? | 0:30:29 | 0:30:31 | |
-She said it's not enough, £100. She said 150. -Oh, did she? | 0:30:31 | 0:30:35 | |
OK. | 0:30:35 | 0:30:37 | |
I'm going to give you 180. | 0:30:37 | 0:30:38 | |
Gosh. He must be feeling guilty. | 0:30:40 | 0:30:43 | |
That's because it's not a shop, it's not a dealer situation, | 0:30:43 | 0:30:47 | |
so I'm taking a bit more of a risk. | 0:30:47 | 0:30:50 | |
But I'm hoping that they'll do well. | 0:30:50 | 0:30:53 | |
But I want you to feel that it's been fair as well. | 0:30:53 | 0:30:55 | |
James also upped his own offer for the other Chinese | 0:30:55 | 0:30:58 | |
vase on an earlier leg of this trip. | 0:30:58 | 0:31:00 | |
This is a rare thing for me. I'm going to give you 40. | 0:31:00 | 0:31:02 | |
He's making a habit of this. | 0:31:04 | 0:31:05 | |
And he's certainly feeling confident about it. | 0:31:05 | 0:31:08 | |
Thank you. That's great. Thank you very much. | 0:31:08 | 0:31:11 | |
So, both our pair have all their lots for auction. | 0:31:15 | 0:31:18 | |
Anita's caught up with James in Exeter | 0:31:18 | 0:31:21 | |
and they're ready to unveil their hauls. | 0:31:21 | 0:31:24 | |
Anita's up first. | 0:31:24 | 0:31:25 | |
-I want to show you my wonderful pieces first of all. -Come on. | 0:31:25 | 0:31:29 | |
Uh! SHE LAUGHS | 0:31:31 | 0:31:34 | |
I have a little plaster bust, early 20th century, of an artistic lady | 0:31:34 | 0:31:41 | |
and I thought that that suited us quite nicely. | 0:31:41 | 0:31:45 | |
If you say so. | 0:31:45 | 0:31:46 | |
But I have to say...luggage? | 0:31:46 | 0:31:48 | |
-I know. -Who buys luggage today? | 0:31:48 | 0:31:52 | |
Er, you do, James. | 0:31:52 | 0:31:53 | |
These are things that cool dudes would buy. | 0:31:55 | 0:31:59 | |
-Cool dudes buy leather luggage? -Yeah! | 0:31:59 | 0:32:01 | |
You've sold it to me. I now agree with you | 0:32:01 | 0:32:06 | |
that young trendy men buy leather luggage. | 0:32:06 | 0:32:08 | |
Let me show you my lots. | 0:32:08 | 0:32:10 | |
-I'll start with that. -Oh! | 0:32:10 | 0:32:13 | |
Very droll, James. | 0:32:13 | 0:32:15 | |
A nice pile of leather luggage. | 0:32:15 | 0:32:17 | |
Admit it, how young am I? How trendy am I? | 0:32:17 | 0:32:21 | |
I like these, James. | 0:32:21 | 0:32:22 | |
-These were not owned by a dealer at all. -Right. | 0:32:22 | 0:32:25 | |
They were in the bar area of our hotel. | 0:32:27 | 0:32:30 | |
-How much? -£180. | 0:32:30 | 0:32:32 | |
£180. Well... | 0:32:32 | 0:32:35 | |
Worried, Anita? | 0:32:35 | 0:32:37 | |
-So, is that all, James? -Aha! No. | 0:32:37 | 0:32:41 | |
My star lot. DRUMROLL | 0:32:41 | 0:32:44 | |
Don't look. | 0:32:47 | 0:32:49 | |
SHE LAUGHS | 0:32:49 | 0:32:51 | |
What do you think? | 0:32:51 | 0:32:52 | |
Is that your new girlfriend? | 0:32:52 | 0:32:55 | |
She's called Anita. SHE LAUGHS | 0:32:55 | 0:32:58 | |
-I just thought she reminded me of you. -Thank you, darling. | 0:32:58 | 0:33:02 | |
-James, take that afro off. -No. | 0:33:02 | 0:33:06 | |
Take off her wig, so that we can have a look at her bonnie, | 0:33:06 | 0:33:09 | |
bonnie face. | 0:33:09 | 0:33:10 | |
Her bonnie, bonnie face has a big hole in the middle of her forehead. | 0:33:10 | 0:33:13 | |
Of course, James has one last surprise for Anita. | 0:33:15 | 0:33:18 | |
Look. | 0:33:18 | 0:33:19 | |
SHE SCREAMS | 0:33:20 | 0:33:22 | |
-Come on. Come and have a look. -James, no! | 0:33:22 | 0:33:26 | |
-No, no, no. -Anita... -No! | 0:33:26 | 0:33:29 | |
-Come back. Anita... -No! | 0:33:29 | 0:33:33 | |
BOTH LAUGH | 0:33:33 | 0:33:35 | |
What do they really think of their rival's lots? | 0:33:35 | 0:33:39 | |
His vases. He's playing that old Oriental card again, | 0:33:39 | 0:33:44 | |
and he's found them in the hotel. | 0:33:44 | 0:33:46 | |
My goodness. No place is safe with James Lewis about. | 0:33:46 | 0:33:51 | |
And as for his mannequin. That piece of old junk. | 0:33:51 | 0:33:56 | |
I mean, she might have been a good-looking bird at some point, | 0:33:56 | 0:34:00 | |
but now... | 0:34:00 | 0:34:02 | |
I'm sure she speaks very highly of you, Anita. | 0:34:02 | 0:34:05 | |
So, what do you think? | 0:34:05 | 0:34:08 | |
To the...other one? | 0:34:08 | 0:34:11 | |
The other Anita. | 0:34:11 | 0:34:12 | |
She's not saying. | 0:34:12 | 0:34:14 | |
Anita's things, well, what has she got? | 0:34:14 | 0:34:16 | |
We've got a little ruler, the art nouveau bust. | 0:34:16 | 0:34:19 | |
She's not going to lose anything. | 0:34:19 | 0:34:21 | |
And that gold, my goodness. Guaranteed profit. | 0:34:21 | 0:34:25 | |
On this delightful Devon road trip, | 0:34:26 | 0:34:28 | |
James and Anita began in Exeter | 0:34:28 | 0:34:29 | |
and are now motoring towards | 0:34:29 | 0:34:31 | |
auction in the town of Chudleigh. | 0:34:31 | 0:34:34 | |
And indeed to Chudleigh's town hall, | 0:34:35 | 0:34:37 | |
wherein today's auction will take place. | 0:34:37 | 0:34:40 | |
-Oh, look, it's the town hall. -Oh, yeah. | 0:34:40 | 0:34:43 | |
Certainly is, Anita. | 0:34:43 | 0:34:45 | |
And presiding over this morning's sale is the auctioneer | 0:34:47 | 0:34:50 | |
Michael Bowman. | 0:34:50 | 0:34:52 | |
Before battle commences, what does he make of Anita and James' buys? | 0:34:52 | 0:34:56 | |
I think my favourite lot is the pair of Cantonese vases. | 0:34:56 | 0:34:59 | |
The showstopper, in a sense, would be the mannequin. | 0:34:59 | 0:35:02 | |
That's the unmissable item. | 0:35:02 | 0:35:04 | |
It reminded me of Phil Lynott from behind. | 0:35:04 | 0:35:07 | |
Hey! I like the cut of your jib, sir. | 0:35:07 | 0:35:09 | |
On this leg, Anita began with £439.32. | 0:35:11 | 0:35:14 | |
She's spent £137 and has five lots in today's sale. | 0:35:14 | 0:35:18 | |
While James began with a budget of £971.94. | 0:35:20 | 0:35:24 | |
He's spent a total of £325 and also has five lots | 0:35:24 | 0:35:29 | |
to show for it. | 0:35:29 | 0:35:32 | |
The sale is about to begin. Oh! The tension. | 0:35:32 | 0:35:34 | |
First up, it's Anita's French medical chart. | 0:35:38 | 0:35:42 | |
Start me at £10 for the chart. | 0:35:42 | 0:35:45 | |
Ten is there? Five if you like. | 0:35:45 | 0:35:48 | |
This medical chart. Five bid, thank you. £5. | 0:35:48 | 0:35:51 | |
At five. At £5. | 0:35:51 | 0:35:53 | |
We'll have one bid at £5. At five. | 0:35:53 | 0:35:56 | |
I'm selling at £5. | 0:35:57 | 0:35:59 | |
-That wasn't a good start, James. -HE LAUGHS | 0:36:02 | 0:36:05 | |
Not very healthy. | 0:36:05 | 0:36:07 | |
Next it's another lot for Anita, | 0:36:07 | 0:36:08 | |
as her two leather suitcases meet the crowd. | 0:36:08 | 0:36:11 | |
£10 for the two. | 0:36:12 | 0:36:14 | |
-£10. -£10. | 0:36:14 | 0:36:16 | |
12. | 0:36:16 | 0:36:17 | |
15. 17. | 0:36:18 | 0:36:20 | |
20. At £20. | 0:36:20 | 0:36:22 | |
-Gentleman's bidding in the centre at 20. At £20. -No! | 0:36:22 | 0:36:26 | |
At 20. In the centre at 20. All done? | 0:36:26 | 0:36:29 | |
At £20. | 0:36:29 | 0:36:30 | |
Slaughtered, James. | 0:36:30 | 0:36:32 | |
20 quid! | 0:36:32 | 0:36:34 | |
Oh, dear. | 0:36:34 | 0:36:36 | |
They're sent packing at a stinging loss. | 0:36:36 | 0:36:39 | |
See if they like yours better, I'm going to burst into floods of tears. | 0:36:39 | 0:36:43 | |
So, with hopes that Anita's mascara is waterproof, | 0:36:44 | 0:36:47 | |
it's James' own lot of luggage now. | 0:36:47 | 0:36:50 | |
Start me at £10 for the lot. | 0:36:50 | 0:36:52 | |
10 bid, thank you. 12. | 0:36:52 | 0:36:55 | |
15. 17. | 0:36:55 | 0:36:57 | |
20. 22. | 0:36:57 | 0:36:59 | |
25. 27. | 0:36:59 | 0:37:00 | |
30. 32 | 0:37:00 | 0:37:02 | |
35. 37. | 0:37:02 | 0:37:04 | |
40. 42. | 0:37:04 | 0:37:06 | |
45. | 0:37:06 | 0:37:07 | |
At £45 in the centre seated. | 0:37:07 | 0:37:09 | |
-Well... -At £45. | 0:37:09 | 0:37:10 | |
Gentleman's bid at 45. | 0:37:10 | 0:37:12 | |
All done? At £45. | 0:37:12 | 0:37:15 | |
Still pretty depressing, isn't it? SHE LAUGHS | 0:37:17 | 0:37:19 | |
Cheer up, James. | 0:37:19 | 0:37:22 | |
Now it's Anita's plaster bust of a bohemian lady. | 0:37:22 | 0:37:26 | |
10 bid, thank you. £10. | 0:37:26 | 0:37:28 | |
At 10. | 0:37:28 | 0:37:29 | |
12. 15. | 0:37:29 | 0:37:30 | |
17. 20. At £20. | 0:37:30 | 0:37:33 | |
Up on the stairs at 20. At £20. | 0:37:33 | 0:37:36 | |
At 20. Up on the stairs at 20. Are we all done? | 0:37:36 | 0:37:39 | |
I'm selling at £20. | 0:37:39 | 0:37:42 | |
Well, that is a tiny, tiny blood transfusion after the blood bath. | 0:37:42 | 0:37:46 | |
A profit. Let's hope this is the lot that changes their fortunes. | 0:37:47 | 0:37:51 | |
Now, will James' silver plated tray shine? | 0:37:52 | 0:37:56 | |
Start me at £10 for the tray. | 0:37:56 | 0:37:58 | |
10 bid. 12. | 0:37:58 | 0:37:59 | |
15. 17. | 0:37:59 | 0:38:01 | |
20. At £20. | 0:38:01 | 0:38:03 | |
Back of the room standing at 20. | 0:38:03 | 0:38:05 | |
-What? -£20. -No way! -It's not good. | 0:38:05 | 0:38:08 | |
25. 27. | 0:38:08 | 0:38:10 | |
30. 32. | 0:38:10 | 0:38:12 | |
35. At £35. | 0:38:13 | 0:38:15 | |
Back of the room now at 35. | 0:38:15 | 0:38:16 | |
Gentleman's bid standing at 35. | 0:38:16 | 0:38:18 | |
All done? At £35. | 0:38:18 | 0:38:22 | |
It does scrape a small profit, | 0:38:22 | 0:38:24 | |
but he'll have to pay auction costs on that. | 0:38:24 | 0:38:26 | |
Now the lot that made such an impression on Michael | 0:38:28 | 0:38:30 | |
the auctioneer - it's the bewigged mannequin. | 0:38:30 | 0:38:32 | |
At 10. | 0:38:32 | 0:38:35 | |
Is there 12 anywhere? At £10 for this mannequin. | 0:38:35 | 0:38:38 | |
12. 15. | 0:38:38 | 0:38:40 | |
17. 20. At £20. | 0:38:40 | 0:38:42 | |
-Go on. -On the stairs there, 20. | 0:38:42 | 0:38:44 | |
At £20. | 0:38:44 | 0:38:45 | |
At 20. Up on the stairs at 20. We're all done? | 0:38:45 | 0:38:48 | |
At £20. | 0:38:48 | 0:38:51 | |
Oh! | 0:38:51 | 0:38:52 | |
Surprise, surprise - no-one else likes it as much as James does. | 0:38:52 | 0:38:57 | |
Anita's cylindrical ruler is next. | 0:38:58 | 0:39:01 | |
Will it draw a straight line to a profit? | 0:39:01 | 0:39:03 | |
10 bid, thank you. At £10. | 0:39:04 | 0:39:06 | |
At 10. 12. | 0:39:06 | 0:39:08 | |
You're in profit. £12. | 0:39:08 | 0:39:11 | |
15. At £15. | 0:39:11 | 0:39:12 | |
-Trebled your money. -15. Back of the room now at 15. | 0:39:12 | 0:39:15 | |
15. On my left at 15. Gentleman's bid at 15. | 0:39:15 | 0:39:18 | |
Are we all done? I'm selling at £15. | 0:39:18 | 0:39:22 | |
That does rule in her favour. | 0:39:22 | 0:39:23 | |
Now it's James' Egyptian-style brass top table. | 0:39:24 | 0:39:28 | |
20 bid, thank you. At £20. | 0:39:28 | 0:39:30 | |
And five, may I say? At £20. | 0:39:30 | 0:39:31 | |
Are we all done then at £20? | 0:39:32 | 0:39:35 | |
At £20. I'm selling if there's no further bids at 20. | 0:39:35 | 0:39:37 | |
-All done? -No way. | 0:39:37 | 0:39:39 | |
At £20. | 0:39:39 | 0:39:41 | |
LAUGHTER | 0:39:41 | 0:39:44 | |
No need to throw your toys out of the pram, James. | 0:39:44 | 0:39:47 | |
It was a ghastly thing. Although that is a loss after costs. | 0:39:47 | 0:39:51 | |
-Bad boy. -HE LAUGHS | 0:39:51 | 0:39:54 | |
Now it's Anita's job lot of gold rings, | 0:39:56 | 0:39:58 | |
along with a yellow metal broach. | 0:39:58 | 0:40:00 | |
James fancied it. Will the punters? | 0:40:00 | 0:40:03 | |
20, is there? 20 bid, thank you. | 0:40:03 | 0:40:05 | |
25. 35. 40. | 0:40:05 | 0:40:09 | |
Five. 50. | 0:40:10 | 0:40:12 | |
Five. 60. | 0:40:14 | 0:40:15 | |
-65. -It's climbing. | 0:40:16 | 0:40:18 | |
100. 105. | 0:40:18 | 0:40:21 | |
110. 115. | 0:40:21 | 0:40:25 | |
And climbing. | 0:40:25 | 0:40:26 | |
140. | 0:40:26 | 0:40:28 | |
And 140. Are we all sound at 140? | 0:40:28 | 0:40:31 | |
At £140. | 0:40:31 | 0:40:34 | |
A very nice profit pulls Anita back from the brink. | 0:40:34 | 0:40:37 | |
NARRATOR WHISTLES | 0:40:37 | 0:40:39 | |
-Wow. -£140. -Well done. | 0:40:39 | 0:40:42 | |
Now it's James' moneybags purchase, | 0:40:42 | 0:40:45 | |
two Chinese vases privately bought from a hotelier. | 0:40:45 | 0:40:49 | |
At £50. 60. | 0:40:50 | 0:40:52 | |
70. 80. | 0:40:52 | 0:40:53 | |
90. 100. | 0:40:53 | 0:40:56 | |
-110. -It's getting there, James. | 0:40:56 | 0:40:58 | |
130. 140. 150. | 0:40:58 | 0:41:03 | |
160. At 160. | 0:41:03 | 0:41:05 | |
-On the landing at 160. -No. | 0:41:05 | 0:41:08 | |
No, no, no. | 0:41:08 | 0:41:09 | |
Don't panic, James. | 0:41:09 | 0:41:11 | |
-Don't panic. -I'm not panicking. | 0:41:11 | 0:41:13 | |
180. 190. | 0:41:13 | 0:41:15 | |
200. 210. | 0:41:15 | 0:41:17 | |
-Telephone's still in. -220. | 0:41:17 | 0:41:19 | |
It's got legs, this one. | 0:41:19 | 0:41:21 | |
320. | 0:41:21 | 0:41:22 | |
340. | 0:41:22 | 0:41:24 | |
360. | 0:41:24 | 0:41:26 | |
SHE WHISPERS | 0:41:26 | 0:41:27 | |
380. 400. | 0:41:27 | 0:41:29 | |
-(400.) -Well, that's what I thought they should make. | 0:41:29 | 0:41:32 | |
It's gathering momentum. | 0:41:32 | 0:41:33 | |
420. 480. | 0:41:33 | 0:41:35 | |
500. | 0:41:35 | 0:41:37 | |
That's good now. | 0:41:37 | 0:41:38 | |
520. | 0:41:38 | 0:41:40 | |
540. | 0:41:40 | 0:41:42 | |
At 560. | 0:41:42 | 0:41:44 | |
At 560 and I'm selling. | 0:41:44 | 0:41:47 | |
At £560. | 0:41:47 | 0:41:50 | |
(Yes!) | 0:41:50 | 0:41:51 | |
Jeez! | 0:41:51 | 0:41:54 | |
Look out! He's more than trebled his money on that one. | 0:41:54 | 0:41:58 | |
Well... | 0:42:01 | 0:42:02 | |
It's been a very odd day. | 0:42:02 | 0:42:05 | |
Certainly has been an odd day. | 0:42:05 | 0:42:08 | |
Still, there we are. | 0:42:08 | 0:42:09 | |
Anita started this leg with £439.32. | 0:42:10 | 0:42:14 | |
After paying auction costs, she holds a small profit of £27 exactly, | 0:42:14 | 0:42:18 | |
giving her £466.32 to carry onwards and upwards. | 0:42:18 | 0:42:25 | |
Whilst James began with £917.94. | 0:42:27 | 0:42:31 | |
He made a smashing profit of £232.60, giving him | 0:42:31 | 0:42:36 | |
a whopping £1,204.54 cash in hand. | 0:42:36 | 0:42:42 | |
Oh, James, that was a bit of a rollercoaster ride. | 0:42:46 | 0:42:51 | |
Wasn't it just? | 0:42:51 | 0:42:52 | |
That's all it needs - one star lot. | 0:42:52 | 0:42:54 | |
-Come on. -Thank you. | 0:42:54 | 0:42:56 | |
So let's hope there will be some more star lots on the next leg. | 0:42:56 | 0:43:00 | |
Drive on! | 0:43:00 | 0:43:01 | |
On the next Antiques Road Trip, Anita takes to the saddle. | 0:43:01 | 0:43:06 | |
It would probably take my weight. | 0:43:06 | 0:43:08 | |
SHE LAUGHS | 0:43:08 | 0:43:10 | |
And James encounters some wild beasts of his own. | 0:43:10 | 0:43:13 | |
There's a bird sitting on a cat's head - that's bonkers. | 0:43:13 | 0:43:17 | |
Subtitles By Red Bee Media Ltd | 0:43:17 | 0:43:20 |