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-It's the nation's favourite antiques experts... -All right, viewers? | 0:00:02 | 0:00:05 | |
..with £200 each, a classic car and a goal - | 0:00:05 | 0:00:07 | |
to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire! | 0:00:10 | 0:00:12 | |
Sold! Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim? To make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:18 | |
50p! | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
You've had it a while, haven't you? | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
Ooh! | 0:00:27 | 0:00:28 | |
Oh, no! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this road trip, we're travelling with two auctioneering aces. | 0:00:37 | 0:00:40 | |
They're also the best of pals. | 0:00:40 | 0:00:42 | |
James, this is our last leg, | 0:00:42 | 0:00:45 | |
and I'll be awful sad to finish it, | 0:00:45 | 0:00:47 | |
because we have had a few laughs, haven't we? | 0:00:47 | 0:00:50 | |
Anita Manning is a glamorous Glasgow girl, | 0:00:50 | 0:00:53 | |
who has had her fair share of surprises on this trip. | 0:00:53 | 0:00:56 | |
Argh! | 0:00:58 | 0:00:59 | |
I still don't like spiders. | 0:00:59 | 0:01:02 | |
Well, hopefully we won't find any on the last leg. | 0:01:04 | 0:01:06 | |
Or maybe on the last eight legs. | 0:01:06 | 0:01:09 | |
Very good, James. | 0:01:09 | 0:01:10 | |
Whilst James Lewis is a Derbyshire lad | 0:01:10 | 0:01:13 | |
who's really displayed the Midas touch. | 0:01:13 | 0:01:15 | |
Give him a wee clap! | 0:01:15 | 0:01:17 | |
They both began this trip with £200. | 0:01:20 | 0:01:22 | |
In previous legs, Anita has managed | 0:01:22 | 0:01:25 | |
to swell her coffers | 0:01:25 | 0:01:27 | |
to a healthy £466.32. | 0:01:27 | 0:01:30 | |
But James is currently Mr Moneybags, | 0:01:32 | 0:01:34 | |
having accumulated a cash pot | 0:01:34 | 0:01:37 | |
of an extraordinary £1,204.54. | 0:01:37 | 0:01:41 | |
Today our twosome are driving a Swinging Sixties sweetheart - | 0:01:43 | 0:01:47 | |
the 1969 Volkswagen Beetle. | 0:01:47 | 0:01:50 | |
We've seen some wonderful counties in England. | 0:01:50 | 0:01:54 | |
We've been to Herefordshire. No, Hertfordshire. | 0:01:54 | 0:01:56 | |
Hertfordshire, Herefordshire and Hampshire, | 0:01:56 | 0:02:00 | |
where hurricanes hardly ever happen. | 0:02:00 | 0:02:02 | |
Huh! | 0:02:02 | 0:02:03 | |
They started this whole road trip actually in Oxfordshire, | 0:02:03 | 0:02:06 | |
and have toured the stately southern counties of England, | 0:02:06 | 0:02:09 | |
heading for auction in London. | 0:02:09 | 0:02:10 | |
On this last leg of their journey, | 0:02:10 | 0:02:12 | |
they'll begin in Dorchester, | 0:02:12 | 0:02:13 | |
with all eyes on their final auction in our nation's capital. | 0:02:13 | 0:02:17 | |
Oxfordshire... | 0:02:17 | 0:02:19 | |
Devon... | 0:02:19 | 0:02:20 | |
Dorset... | 0:02:20 | 0:02:22 | |
Yes, they've been all over. | 0:02:22 | 0:02:24 | |
But this morning, they are indeed in Dorset | 0:02:24 | 0:02:27 | |
and driving towards Dorchester, | 0:02:27 | 0:02:30 | |
where they're both beginning their day's shopping. | 0:02:30 | 0:02:32 | |
Oh, they've driven straight into the middle of a classic motorcycle meet. | 0:02:32 | 0:02:36 | |
Trust you two! Probably try and buy one, James. | 0:02:36 | 0:02:39 | |
Wow, look at this! | 0:02:39 | 0:02:40 | |
Oh, James! Wow! | 0:02:40 | 0:02:43 | |
An old Norton. Wow! | 0:02:43 | 0:02:45 | |
-This is very much your era, isn't it? -Yeah! | 0:02:45 | 0:02:48 | |
-'30s and all that. -Watch it, watch it! | 0:02:48 | 0:02:50 | |
-Oh, dear! -These are wonderful. | 0:02:52 | 0:02:54 | |
Golly! | 0:02:54 | 0:02:56 | |
-Anyway, less about the old bikes, more about antiques. -OK. | 0:02:56 | 0:03:00 | |
Indeed. | 0:03:00 | 0:03:02 | |
They're splitting up to wander to their first shops. | 0:03:02 | 0:03:05 | |
James is strolling off into De Danann Antiques, | 0:03:07 | 0:03:10 | |
where he's meeting dealer John. | 0:03:10 | 0:03:11 | |
-Hi there! -All right. -Is it John? -Yeah. -James. Nice to see you. | 0:03:11 | 0:03:15 | |
Golly! You've got a big place. | 0:03:17 | 0:03:18 | |
No need to be personal. | 0:03:18 | 0:03:20 | |
It's a sizeable antiques centre, so he'll need to use his head | 0:03:20 | 0:03:23 | |
if he's going to root out a bargain. | 0:03:23 | 0:03:25 | |
Hello! | 0:03:28 | 0:03:29 | |
Hello! He's shortly spotted another couple of animal-themed items. | 0:03:29 | 0:03:34 | |
Crufts dog show. | 0:03:35 | 0:03:36 | |
Oh, really? | 0:03:36 | 0:03:39 | |
A pair of EPBM - electro-plated base metal - cups. | 0:03:39 | 0:03:42 | |
Commemorating the Crufts dog show. | 0:03:43 | 0:03:45 | |
When did Crufts start? | 0:03:45 | 0:03:47 | |
1891, as it happens. | 0:03:47 | 0:03:49 | |
These possibly date from the early years of the event. | 0:03:49 | 0:03:52 | |
Ticket price is £45 for the pair. | 0:03:52 | 0:03:55 | |
Not much. | 0:03:55 | 0:03:56 | |
The style of them - this is very much in what we call the Rococo style. | 0:03:56 | 0:04:01 | |
Very Victorian. | 0:04:01 | 0:04:03 | |
Embossed with flowers and these giant C-scrolls. | 0:04:03 | 0:04:06 | |
It says they're a pair, but they're not, | 0:04:06 | 0:04:08 | |
because if you hold them together, | 0:04:08 | 0:04:10 | |
one is about half an inch longer than the other, | 0:04:10 | 0:04:13 | |
and also, different makers, | 0:04:13 | 0:04:15 | |
so I reckon they'd have been different years. | 0:04:15 | 0:04:18 | |
He's noting them and browsing on. | 0:04:18 | 0:04:20 | |
Soon he spies something else which really speaks of its own history. | 0:04:22 | 0:04:26 | |
That's quite interesting. | 0:04:26 | 0:04:28 | |
Lt W Batty of the Royal Signals. | 0:04:28 | 0:04:32 | |
So we've got an engineer's tool cabinet | 0:04:32 | 0:04:37 | |
with precision instruments and chisels. | 0:04:37 | 0:04:41 | |
I don't see any precision instruments, | 0:04:41 | 0:04:44 | |
but the Royal Corps of Signals is a branch of the armed forces | 0:04:44 | 0:04:47 | |
dedicated to telecommunications. | 0:04:47 | 0:04:49 | |
This toolkit dates from the early 20th century. | 0:04:49 | 0:04:52 | |
Well, maybe. Ticket price, £60. | 0:04:52 | 0:04:55 | |
It's mahogany lined as well, which is nice. | 0:04:55 | 0:04:58 | |
And brass locks and hinges. | 0:04:58 | 0:05:01 | |
-John, could I...? -Yeah. -Thank you. | 0:05:01 | 0:05:04 | |
I've got a couple of things I'm looking at up here. | 0:05:06 | 0:05:10 | |
I thought they're quite interesting. | 0:05:10 | 0:05:12 | |
-Yeah, Crufts. -I thought they might be early Crufts trophies, | 0:05:12 | 0:05:15 | |
but they're not a pair, though. | 0:05:15 | 0:05:17 | |
-One's slightly bigger than the other. -Good lord! | 0:05:17 | 0:05:20 | |
-One for one year and one for another? -Yes, that's what I think. | 0:05:20 | 0:05:23 | |
Er...25. | 0:05:23 | 0:05:25 | |
25. OK. | 0:05:25 | 0:05:27 | |
And what about the signalman's toolkit? | 0:05:27 | 0:05:30 | |
That could be 40. | 0:05:30 | 0:05:32 | |
(40...) | 0:05:32 | 0:05:34 | |
65. | 0:05:35 | 0:05:37 | |
60 for the two. | 0:05:37 | 0:05:38 | |
-50 the two? -55? | 0:05:38 | 0:05:41 | |
There you go. 55. Thank you. | 0:05:41 | 0:05:44 | |
Excellent! A great deal done with military efficiency. | 0:05:44 | 0:05:48 | |
And James has the Crufts vases and the toolkit for £55 the lot. | 0:05:48 | 0:05:53 | |
Now, Anita's nearby at Dorchester Curiosity Centre, | 0:05:56 | 0:05:59 | |
where she's meeting dealer Martin. | 0:05:59 | 0:06:01 | |
Stand by, Martin. | 0:06:01 | 0:06:03 | |
-Hello! -Hi. | 0:06:03 | 0:06:05 | |
-I'm Anita. -I'm Martin. Nice to meet you. | 0:06:05 | 0:06:07 | |
Anita's full of childlike wonder this morning. | 0:06:07 | 0:06:10 | |
I love this type of place. | 0:06:10 | 0:06:12 | |
It's a big warehouse and there is thousands and thousands of items | 0:06:12 | 0:06:18 | |
of every type and every fashion. | 0:06:18 | 0:06:22 | |
MUSIC: "Black Beauty" THEME | 0:06:22 | 0:06:24 | |
And she's soon spotted something outside | 0:06:24 | 0:06:26 | |
that she'd like to take for a ride. | 0:06:26 | 0:06:28 | |
What's this wee soul doing out here all alone? | 0:06:31 | 0:06:35 | |
He's a black beauty. | 0:06:35 | 0:06:37 | |
Certainly is. | 0:06:37 | 0:06:39 | |
It's a metal spring-mounted rocking horse. | 0:06:39 | 0:06:41 | |
Ticket price is £65. | 0:06:41 | 0:06:43 | |
He's a tin toy. He's from the 1940s, | 0:06:43 | 0:06:47 | |
so he has a bit of age. He's a vintage item. | 0:06:47 | 0:06:51 | |
He's resting on these springs, | 0:06:51 | 0:06:55 | |
and it's a fairly tough and substantial toy. | 0:06:55 | 0:06:59 | |
Of course, she's going to test that theory. Stand by. | 0:06:59 | 0:07:02 | |
He would probably take my weight. | 0:07:02 | 0:07:04 | |
Careful! | 0:07:06 | 0:07:07 | |
TIM TITTERS | 0:07:07 | 0:07:09 | |
My legs are too long! | 0:07:09 | 0:07:11 | |
But he's a good strong creature. | 0:07:11 | 0:07:14 | |
I think I'll have a go at him. | 0:07:14 | 0:07:16 | |
Hmm. Better get Martin. | 0:07:16 | 0:07:18 | |
Why has he been tethered outside? | 0:07:18 | 0:07:20 | |
He loves the fresh air. | 0:07:20 | 0:07:22 | |
What I'd be looking to buy him for | 0:07:22 | 0:07:24 | |
is round about £25. | 0:07:24 | 0:07:27 | |
HE INHALES SHARPLY Right. | 0:07:27 | 0:07:29 | |
I'd like to look at 30. | 0:07:29 | 0:07:31 | |
-At 30? -Yeah. -Uh-huh. | 0:07:31 | 0:07:32 | |
Could you come a wee bit sort of... | 0:07:32 | 0:07:35 | |
halfway between the two? | 0:07:35 | 0:07:37 | |
-Let's go £28, then. How's that? -£28? That sounds absolutely wonderful. | 0:07:37 | 0:07:41 | |
Thank you very much. | 0:07:41 | 0:07:42 | |
One item safely stabled, | 0:07:42 | 0:07:44 | |
and she's soon toying with the idea of another playful buy. | 0:07:44 | 0:07:48 | |
We've got a whole army there. I'm not sure | 0:07:48 | 0:07:52 | |
which army! | 0:07:52 | 0:07:54 | |
I think it's second childhood, you know. | 0:07:54 | 0:07:57 | |
100 lead toy soldiers, | 0:07:57 | 0:07:59 | |
not all originating from the same set. | 0:07:59 | 0:08:01 | |
Ticket price on the whole assortment is £108. | 0:08:01 | 0:08:04 | |
Is she going gaga? | 0:08:04 | 0:08:06 | |
I think we have Confederates, | 0:08:06 | 0:08:09 | |
so it might be something to do... | 0:08:09 | 0:08:12 | |
or some of them might be something to do with the American Civil War. | 0:08:12 | 0:08:15 | |
I'm going to ask the dealer about them. | 0:08:15 | 0:08:17 | |
The dealer who owns them is called Gary. | 0:08:17 | 0:08:19 | |
Excuse me! Hello! | 0:08:19 | 0:08:22 | |
-I'm Anita. -Hello, Anita. Gary. | 0:08:22 | 0:08:24 | |
What I do like about this is that you've got quite a quantity. | 0:08:24 | 0:08:28 | |
You can have a good wee...war there. | 0:08:28 | 0:08:30 | |
A good battle, yeah! | 0:08:30 | 0:08:31 | |
And if all else fails, | 0:08:31 | 0:08:34 | |
you've got these four Scotsmen with kilts on, | 0:08:34 | 0:08:37 | |
who will come down and win the battle. | 0:08:37 | 0:08:40 | |
And all this chat about brave Scots warriors | 0:08:40 | 0:08:42 | |
has whetted Anita's appetite for a serious haggle. Look out, Gary! | 0:08:42 | 0:08:46 | |
Can they be bought for in the region of, | 0:08:46 | 0:08:51 | |
say, £30, £35? | 0:08:51 | 0:08:54 | |
I think the best I could do really is 55. | 0:08:54 | 0:08:56 | |
-55 on that? -Yes. | 0:08:56 | 0:08:58 | |
Could you take another tenner off of it? | 0:08:58 | 0:09:00 | |
I'll met you halfway. 50. | 0:09:00 | 0:09:03 | |
Shall we go for it? | 0:09:03 | 0:09:04 | |
-If you're happy. -Let's go with that. Thank you very much, Gary. | 0:09:04 | 0:09:07 | |
-You're very welcome. -That's smashing. | 0:09:07 | 0:09:09 | |
I'm in a playful mood today. | 0:09:09 | 0:09:11 | |
You certainly seem to be. | 0:09:11 | 0:09:12 | |
So, she's got the rocking horse and the lead soldiers | 0:09:12 | 0:09:15 | |
for a total of £78. | 0:09:15 | 0:09:16 | |
And now she's trotting off to find a sandpit to play in, perhaps. | 0:09:16 | 0:09:21 | |
Now, James is still in his first shop. | 0:09:23 | 0:09:27 | |
That's ominous. | 0:09:27 | 0:09:28 | |
That's quite interesting. | 0:09:33 | 0:09:34 | |
It's a shot flask for... | 0:09:36 | 0:09:38 | |
or powder flask | 0:09:38 | 0:09:41 | |
for an 18th-century musket. | 0:09:41 | 0:09:44 | |
Made from one whole cow horn. | 0:09:44 | 0:09:47 | |
Mmm. It's designed to hold shot or gunpowder. | 0:09:47 | 0:09:51 | |
Ticket price is £18 | 0:09:51 | 0:09:53 | |
and James is impressed with its quality. | 0:09:53 | 0:09:56 | |
Just look at the way that's been heated | 0:09:58 | 0:10:01 | |
and flattened. Very subtly done. | 0:10:01 | 0:10:04 | |
Into these panels and then spiralled. | 0:10:04 | 0:10:07 | |
£18. | 0:10:07 | 0:10:09 | |
Well...it's not expensive at that. | 0:10:09 | 0:10:12 | |
I'll just see what he can do on it. | 0:10:12 | 0:10:14 | |
See what his best price is. | 0:10:14 | 0:10:16 | |
Go for it. | 0:10:16 | 0:10:17 | |
-Hi. -Hi. -What could you do on that for me? | 0:10:17 | 0:10:21 | |
-9. -9? -Yeah. | 0:10:23 | 0:10:25 | |
Deal. Thank you very much. | 0:10:25 | 0:10:27 | |
That's grand. | 0:10:27 | 0:10:28 | |
Golly, that deal was over like a shot. | 0:10:28 | 0:10:30 | |
Swift work, chaps. | 0:10:30 | 0:10:32 | |
And his magpie eye is soon caught by something shiny | 0:10:36 | 0:10:39 | |
elsewhere in the shop. | 0:10:39 | 0:10:40 | |
I'm thinking about useful things for the dining table. | 0:10:42 | 0:10:45 | |
And there we've got a pair of | 0:10:45 | 0:10:48 | |
Victorian Sheffield plate bottle coasters. | 0:10:48 | 0:10:53 | |
Sheffield plate is clever stuff. | 0:10:53 | 0:10:55 | |
It looks just like the real solid silver, | 0:10:55 | 0:10:58 | |
except it's silver on top of a layer of copper. | 0:10:58 | 0:11:01 | |
Popular in the 18th and 19th centuries. | 0:11:01 | 0:11:04 | |
Two pairs of the coasters, priced up at £30 each, | 0:11:04 | 0:11:08 | |
so £60 the lot. | 0:11:08 | 0:11:10 | |
But it's the damage, and the damage is key. | 0:11:11 | 0:11:15 | |
We've got a boss missing off that one in the centre | 0:11:15 | 0:11:18 | |
and we've got woodworm in the base there. | 0:11:18 | 0:11:20 | |
HE INHALES | 0:11:20 | 0:11:22 | |
Best see what John could do, then. | 0:11:22 | 0:11:24 | |
John, what could they be? | 0:11:24 | 0:11:27 | |
40 the lot. | 0:11:27 | 0:11:29 | |
How about 35, then? | 0:11:29 | 0:11:31 | |
-35, yeah? -Is 35 all right? -Yeah. That's fine. | 0:11:31 | 0:11:34 | |
You've got a deal. Thank you very much. | 0:11:34 | 0:11:36 | |
Thank you. | 0:11:36 | 0:11:37 | |
Smashing. | 0:11:37 | 0:11:38 | |
After a bumper browse in this shop, | 0:11:38 | 0:11:40 | |
James has secured a whopping four items. | 0:11:40 | 0:11:42 | |
Thank you, John! | 0:11:42 | 0:11:44 | |
Now, Anita's also still in Dorchester. | 0:11:47 | 0:11:49 | |
Continuing the playful theme she started this morning shopping with, | 0:11:49 | 0:11:53 | |
she's now wandered on to the town's teddy bear museum. | 0:11:53 | 0:11:56 | |
Fancy a hug? | 0:11:56 | 0:11:57 | |
She's meeting the proprietor, Jackie Ridley. | 0:12:00 | 0:12:03 | |
Hello! It's lovely to be here. | 0:12:03 | 0:12:06 | |
-My name's Anita. -I'm Jackie. | 0:12:06 | 0:12:07 | |
-And I'm a teddy bear girl. -I'm so glad! | 0:12:07 | 0:12:10 | |
You've come to the right place. | 0:12:10 | 0:12:12 | |
This enchanting museum grew out of | 0:12:12 | 0:12:14 | |
Jackie's own enormous and quirky collection of teddy bears. | 0:12:14 | 0:12:18 | |
Collecting bears is a personal passion | 0:12:19 | 0:12:21 | |
that she's had since childhood. | 0:12:21 | 0:12:23 | |
-Do you still have your first bear? -I do. | 0:12:23 | 0:12:26 | |
-And he's here today. -Is he? Oh! | 0:12:26 | 0:12:28 | |
-Can I have a wee cuddle? -Oh, yes. | 0:12:28 | 0:12:30 | |
Aw! He's very sweet. | 0:12:30 | 0:12:32 | |
Jackie, I can't wait to see the rest of the collection. | 0:12:32 | 0:12:35 | |
Well, come and have a look. | 0:12:35 | 0:12:37 | |
Teddy bears are named after | 0:12:39 | 0:12:41 | |
US President Theodore - or Teddy - Roosevelt. | 0:12:41 | 0:12:44 | |
The story goes that Roosevelt spared the life of a bear | 0:12:45 | 0:12:48 | |
when on a hunting trip, | 0:12:48 | 0:12:50 | |
and this inspired a couple who owned as Brooklyn candy store | 0:12:50 | 0:12:53 | |
to create a toy in tribute. | 0:12:53 | 0:12:56 | |
The wife, Rose, Rose Michtom, | 0:12:56 | 0:12:58 | |
would actually make a little tiny Teddy's bear. | 0:12:58 | 0:13:03 | |
So she makes a Teddy's bear and pops it in her husband's shop window. | 0:13:03 | 0:13:07 | |
-And that's how they started? -That's how it all started. | 0:13:07 | 0:13:10 | |
Though the teddy is as American as apple pie in its origins, | 0:13:10 | 0:13:14 | |
it was a German company, Steiff, | 0:13:14 | 0:13:17 | |
that really popularised it | 0:13:17 | 0:13:19 | |
and remains the key name in collectable bears to this day. | 0:13:19 | 0:13:22 | |
Well, Margarete Steiff had the capacity | 0:13:22 | 0:13:27 | |
to key into this Teddy's bear. | 0:13:27 | 0:13:31 | |
She had a huge factory and she was able to suddenly | 0:13:31 | 0:13:34 | |
manufacture them in quantity, | 0:13:34 | 0:13:36 | |
and by 1903, the Germans had virtually taken over | 0:13:36 | 0:13:41 | |
the market for this new phenomenon which everyone wanted, | 0:13:41 | 0:13:46 | |
which was a teddy bear. | 0:13:46 | 0:13:48 | |
So they had the capacity. They did it. They got in first. | 0:13:48 | 0:13:53 | |
The Steiff company has remained synonymous | 0:13:53 | 0:13:56 | |
with valuable and collectable bears. | 0:13:56 | 0:13:59 | |
Jackie's taking Anita to see a copy | 0:13:59 | 0:14:01 | |
of the most valuable teddy in the world - | 0:14:01 | 0:14:04 | |
a Steiff bear that sold at auction for an astonishing £110,000. | 0:14:04 | 0:14:10 | |
In the museum, what we wanted to do, we wanted to show people | 0:14:11 | 0:14:14 | |
what someone has bought for that kind of money. | 0:14:14 | 0:14:19 | |
What are we looking for in an early Steiff bear? | 0:14:19 | 0:14:24 | |
What are the characteristics that we need to look for? | 0:14:24 | 0:14:27 | |
Look at the length of the arms. | 0:14:27 | 0:14:29 | |
Look at this lovely hump. | 0:14:29 | 0:14:31 | |
Look at the way the stitching is done, | 0:14:33 | 0:14:35 | |
the way the nose is made, and the eyes. | 0:14:35 | 0:14:38 | |
The eyes are glass eyes. | 0:14:38 | 0:14:41 | |
They're not plastic eyes. | 0:14:41 | 0:14:43 | |
I don't think it's only that, | 0:14:43 | 0:14:45 | |
but it's the fact that this is just a gorgeous...thing. | 0:14:45 | 0:14:50 | |
Well, I think this will send us all | 0:14:50 | 0:14:52 | |
-searching in the attics for our old teddy bear. -Absolutely. | 0:14:52 | 0:14:57 | |
But it would have to be a very, very special teddy. | 0:14:57 | 0:15:00 | |
It would. | 0:15:00 | 0:15:01 | |
It's nearly time for Anita to hit the road, | 0:15:01 | 0:15:03 | |
but first, she's going to have | 0:15:03 | 0:15:05 | |
a last look around Jackie's collection. | 0:15:05 | 0:15:07 | |
# If you go down in the woods today | 0:15:07 | 0:15:10 | |
# You're sure of a big surprise... # | 0:15:10 | 0:15:13 | |
Look out, Anita! Some of the locals are taking an interest in you. | 0:15:13 | 0:15:16 | |
They'll want an autograph. | 0:15:16 | 0:15:18 | |
# For every bear that ever there was | 0:15:18 | 0:15:21 | |
# Will gather there for certain because | 0:15:21 | 0:15:24 | |
# Today's the day the teddy bears have their picnic. # | 0:15:24 | 0:15:29 | |
It's the end of a jolly packed first day. | 0:15:30 | 0:15:34 | |
Night-night, chaps. | 0:15:34 | 0:15:36 | |
But the fresh morning air greets them back in the car | 0:15:37 | 0:15:40 | |
and they're as competitive as ever. | 0:15:40 | 0:15:42 | |
-I bought some really wonderful things. -Aw, no! | 0:15:42 | 0:15:45 | |
-Wonderful. -Aw, no! | 0:15:45 | 0:15:47 | |
Don't despair, Anita. | 0:15:47 | 0:15:49 | |
So far, James has spent £99 on four lots - | 0:15:51 | 0:15:54 | |
the army engineer's toolbox, | 0:15:54 | 0:15:56 | |
the Crufts vases, | 0:15:56 | 0:15:58 | |
the 19th-century shot flask and the bottle coasters. | 0:15:58 | 0:16:01 | |
Whilst Anita has spent only £78 on two lots - | 0:16:04 | 0:16:08 | |
the rocking horse and the job lot of toy soldiers. | 0:16:08 | 0:16:10 | |
What I want to do today, James, is to find something | 0:16:12 | 0:16:14 | |
that's going to make me £3,000! | 0:16:14 | 0:16:17 | |
Don't we all, Anita. | 0:16:17 | 0:16:18 | |
Let's hope your luck's in, girl. | 0:16:18 | 0:16:21 | |
They're driving to the city of Portsmouth in Hampshire. | 0:16:21 | 0:16:24 | |
Portsmouth has for centuries | 0:16:24 | 0:16:26 | |
been one of Britain's most vital naval ports. | 0:16:26 | 0:16:29 | |
Its history is commemorated by the city's modern Spinnaker Tower. | 0:16:29 | 0:16:33 | |
They're pulling up beside a naval hero. | 0:16:34 | 0:16:37 | |
-There we go! -Well done, James. | 0:16:37 | 0:16:39 | |
Who is that? | 0:16:39 | 0:16:41 | |
-It's Nelson, of course. -Oh, yeah! | 0:16:41 | 0:16:44 | |
Good-looking guy from the back. | 0:16:44 | 0:16:46 | |
Hey, Anita, stop ogling a statue! | 0:16:46 | 0:16:49 | |
She's going to drive onwards, though. | 0:16:49 | 0:16:51 | |
But James is going to his first shop. | 0:16:51 | 0:16:54 | |
-Have fun! -Bye-bye, darling! -Bye-bye. | 0:16:55 | 0:16:57 | |
He's marching off towards the Antiques Storehouse, | 0:17:00 | 0:17:03 | |
which is located right in the heart of Portsmouth's historic docks. | 0:17:03 | 0:17:07 | |
James has been here before, so already knows dealer Andrew. | 0:17:07 | 0:17:11 | |
-Hi, Andrew. How are you? -Hi, James. Good to see you. | 0:17:11 | 0:17:14 | |
I've got to find something that's got a chance of making a profit. | 0:17:20 | 0:17:24 | |
Yep, that's the general idea. | 0:17:24 | 0:17:26 | |
But he's just found something with real historic interest. | 0:17:26 | 0:17:30 | |
One thing that almost everybody finds | 0:17:30 | 0:17:33 | |
when they're doing a house clearance, | 0:17:33 | 0:17:35 | |
stuck at the back of the bureau, | 0:17:35 | 0:17:37 | |
is Granny's death certificate, or Grandad's death certificate. | 0:17:37 | 0:17:40 | |
But... | 0:17:40 | 0:17:42 | |
..this one is slightly different. | 0:17:43 | 0:17:45 | |
Winston Leonard Spencer-Churchill. | 0:17:47 | 0:17:49 | |
I mean, that... | 0:17:49 | 0:17:52 | |
is an incredible thing to see. | 0:17:52 | 0:17:54 | |
Churchill's death certificate. | 0:17:54 | 0:17:57 | |
There would be more than one. | 0:17:59 | 0:18:00 | |
You would have to prove to the tax office, to the Inland Revenue, | 0:18:00 | 0:18:04 | |
but also, you would have copies made | 0:18:04 | 0:18:06 | |
for the family as well, for the family records. | 0:18:06 | 0:18:09 | |
Yeah, there could be lots of copies knocking about. | 0:18:09 | 0:18:11 | |
It's priced at £1,100. Huh! | 0:18:11 | 0:18:14 | |
So James isn't sure he could make a profit on it. | 0:18:14 | 0:18:17 | |
But he's visited this shop on a previous road trip, | 0:18:20 | 0:18:22 | |
and he's remembered some stock of Andrew's he'd like to revisit. | 0:18:22 | 0:18:26 | |
One of the things you pointed out very kindly | 0:18:26 | 0:18:29 | |
were two very thick boxes, blue boxes of William Wyllie sketches. | 0:18:29 | 0:18:34 | |
-I haven't moved them since! -Haven't you?! | 0:18:34 | 0:18:37 | |
Andrew has two boxes crammed full of works | 0:18:37 | 0:18:40 | |
that came from the studio of popular artist William Lionel Wyllie, | 0:18:40 | 0:18:45 | |
who painted in the late 19th and early 20th centuries. | 0:18:45 | 0:18:48 | |
There you go. | 0:18:51 | 0:18:52 | |
Ah, brilliant! Where shall we go with these? | 0:18:52 | 0:18:55 | |
James did rather well from the last Wyllie sketch he bought here. | 0:18:55 | 0:18:59 | |
Can he repeat the trick? | 0:18:59 | 0:19:01 | |
Here we have a whole mass of prints and watercolours | 0:19:01 | 0:19:05 | |
and sketches by William Wyllie. | 0:19:05 | 0:19:08 | |
William Wyllie was really known for his etchings | 0:19:08 | 0:19:11 | |
of yachts and ships, | 0:19:11 | 0:19:14 | |
and there's the man himself. | 0:19:14 | 0:19:16 | |
There he is. That's William Wyllie, | 0:19:16 | 0:19:18 | |
painting a large-scale oil. | 0:19:18 | 0:19:20 | |
James has found one unusual sketch that he really likes. | 0:19:20 | 0:19:23 | |
I think that's quite smart. | 0:19:23 | 0:19:25 | |
And there's a bird sitting on a cat's head, | 0:19:25 | 0:19:28 | |
sharing a bowl of milk with mice. | 0:19:28 | 0:19:32 | |
"United Happy Family" he's called it. | 0:19:32 | 0:19:34 | |
That's bonkers! | 0:19:34 | 0:19:37 | |
Love it. | 0:19:37 | 0:19:39 | |
He's going to speak to Andrew about that one. | 0:19:39 | 0:19:41 | |
-Could that be 10? -Yeah, that's fine. | 0:19:41 | 0:19:44 | |
And he's also selected another piece. | 0:19:44 | 0:19:47 | |
There's a yacht, which I thought would be more his sort of thing, | 0:19:47 | 0:19:51 | |
so, I mean, what would you want for that? | 0:19:51 | 0:19:53 | |
That's going to be getting...certainly £50 for that. | 0:19:53 | 0:19:56 | |
50. OK. | 0:19:56 | 0:19:58 | |
-Take 50 the two? -I'll do them for 60. | 0:19:58 | 0:20:00 | |
That was 50 and that was 10 anyway! | 0:20:00 | 0:20:03 | |
Was it? I thought I said 20. OK, 50's fine. | 0:20:03 | 0:20:05 | |
-You've got a deal. -That is really nice, actually. | 0:20:05 | 0:20:08 | |
It is. James gets his wily way with his Wyllie pictures for £50. | 0:20:08 | 0:20:13 | |
And he's sailing onwards. Hopefully upwards. | 0:20:13 | 0:20:16 | |
Now, Anita's driven on to the town of Fareham, Hampshire, | 0:20:17 | 0:20:22 | |
where she's visiting Antiques of Fareham. | 0:20:22 | 0:20:24 | |
Proprietor Nick has his stock in a rather unusual setting. | 0:20:26 | 0:20:30 | |
-Hello. -Hello! I'm Anita Manning. | 0:20:30 | 0:20:33 | |
Hi. I'm Nick. | 0:20:33 | 0:20:34 | |
-I'm looking to buy some antiques. Am I in the right place? -Yes, you are. | 0:20:34 | 0:20:39 | |
Tell you what, if you just stand over there, | 0:20:39 | 0:20:41 | |
I'll open up the door and reveal all to you. | 0:20:41 | 0:20:44 | |
Sounds interesting. | 0:20:44 | 0:20:45 | |
It does! | 0:20:45 | 0:20:47 | |
What are you up to, Anita? | 0:20:50 | 0:20:52 | |
-Hello again! -Hello! | 0:20:55 | 0:20:57 | |
Nick and his wife used to have a shop in town, | 0:20:57 | 0:21:00 | |
but now mainly deal online and at antique fairs, | 0:21:00 | 0:21:03 | |
so they've generously allowed Anita into their garage, | 0:21:03 | 0:21:06 | |
where they keep their stock. | 0:21:06 | 0:21:08 | |
Best behaviour, now, Anita. | 0:21:08 | 0:21:10 | |
Ah, terrific! | 0:21:10 | 0:21:13 | |
-Can I have a wee look around? -You can. | 0:21:13 | 0:21:15 | |
And she's soon unearthed something that she likes the look of. | 0:21:19 | 0:21:22 | |
I rather like this little purse. | 0:21:22 | 0:21:25 | |
Late 19th, early 20th century. | 0:21:25 | 0:21:29 | |
If you open it up, it's in absolutely perfect condition. | 0:21:29 | 0:21:34 | |
But it has a faintly Art Deco look about it. | 0:21:34 | 0:21:39 | |
As if it was blowing a kiss to the Art Deco period. | 0:21:39 | 0:21:43 | |
Hmm. You do have a way with words, Anita. | 0:21:43 | 0:21:46 | |
Ticket price is £35. | 0:21:46 | 0:21:48 | |
The purse is made of ivory, | 0:21:50 | 0:21:52 | |
but of course it's illegal to trade in ivory items made after 1947. | 0:21:52 | 0:21:56 | |
But this little purse here was made well before that time. | 0:21:57 | 0:22:02 | |
And there's something else from a similar period | 0:22:02 | 0:22:04 | |
that's also caught her fancy. | 0:22:04 | 0:22:05 | |
I like this. I find it very appealing. | 0:22:05 | 0:22:09 | |
It's a little evening purse. | 0:22:09 | 0:22:11 | |
Now, the body of the purse is made of the finest kid leather. | 0:22:11 | 0:22:16 | |
It's very soft, so there's a sort of slight Art Deco look about that. | 0:22:16 | 0:22:22 | |
This is probably the type of purse | 0:22:22 | 0:22:25 | |
that a fine stylish lady would have carried on a night out | 0:22:25 | 0:22:30 | |
at the turn of the century in Shanghai. | 0:22:30 | 0:22:33 | |
Ooh! Ticket price on the leather purse is £18. | 0:22:33 | 0:22:37 | |
She's going to ask Nick about both her Art Deco-influenced items. | 0:22:37 | 0:22:41 | |
What they've both got is probably more style | 0:22:41 | 0:22:46 | |
-than quality. Would you agree with me on that? -Yes, absolutely. | 0:22:46 | 0:22:50 | |
They were made at the turn of the century when style was at its height. | 0:22:50 | 0:22:53 | |
What will Anita offer on the ivory purse? | 0:22:53 | 0:22:57 | |
I would be thinking of that probably in the region of... | 0:22:57 | 0:23:01 | |
£12 to £15. | 0:23:01 | 0:23:04 | |
And what about the leather one? | 0:23:04 | 0:23:05 | |
I'd be maybe in the region of £8, round about that. | 0:23:05 | 0:23:11 | |
-Hmm. -Am I anywhere near where it may be possible to buy these? | 0:23:11 | 0:23:16 | |
I think we might be able to do something. | 0:23:16 | 0:23:19 | |
I don't know if I can do it quite as low as that, | 0:23:19 | 0:23:22 | |
but for me to cover my costs and just make a little bit, | 0:23:22 | 0:23:25 | |
I think what I'd be looking at would be about 25, 27 for the pair. | 0:23:25 | 0:23:29 | |
Is there any possibility of coming near 20 on it? | 0:23:29 | 0:23:32 | |
Um... | 0:23:32 | 0:23:33 | |
I think just to make a little bit in it for me, | 0:23:33 | 0:23:38 | |
if I said 22? | 0:23:38 | 0:23:39 | |
That's absolutely fine with me. | 0:23:39 | 0:23:42 | |
I'm happy with that. | 0:23:42 | 0:23:43 | |
So Anita's got her stylish buys and she's off. | 0:23:43 | 0:23:46 | |
Now, James has driven on to the Southsea area of Portsmouth. | 0:23:51 | 0:23:54 | |
He's going to spend the afternoon | 0:23:54 | 0:23:56 | |
visiting the area's Royal Marines Museum, | 0:23:56 | 0:23:59 | |
where he's going to learn the dashing, eccentric | 0:23:59 | 0:24:02 | |
and terribly British story | 0:24:02 | 0:24:03 | |
of one Royal Marine who served in World War II | 0:24:03 | 0:24:06 | |
and put his artistic skills to use as a spy. | 0:24:06 | 0:24:09 | |
He's meeting the museum's curator, Ian Main. | 0:24:09 | 0:24:13 | |
-Ian. -Welcome to the Royal Marines Museum. -Thank you very much. | 0:24:13 | 0:24:17 | |
What a spot! | 0:24:17 | 0:24:18 | |
-I'd love to see more. Shall we go in and have a look? -After you. | 0:24:18 | 0:24:21 | |
Ian's taking James into the museum's medal room, | 0:24:21 | 0:24:24 | |
which houses their vast collection of decorations | 0:24:24 | 0:24:27 | |
awarded to Royal Marines. | 0:24:27 | 0:24:29 | |
The stories of over 2,500 brave servicemen are celebrated here, | 0:24:29 | 0:24:33 | |
but James has come to learn about | 0:24:33 | 0:24:35 | |
one particular charismatic Marines officer. | 0:24:35 | 0:24:38 | |
So, a huge number of stories represented in the museum, | 0:24:38 | 0:24:41 | |
a lot of them quite unexpected. | 0:24:41 | 0:24:43 | |
This chap here is Major Guy Griffiths | 0:24:43 | 0:24:47 | |
and he was actually a Royal Marines pilot, | 0:24:47 | 0:24:50 | |
just before the Second World War. | 0:24:50 | 0:24:52 | |
Guy Griffiths served in the Fleet Air Arm of the Royal Marines - | 0:24:52 | 0:24:55 | |
a flying unit deployed at sea. | 0:24:55 | 0:24:58 | |
Guy Griffiths was actually on board | 0:24:58 | 0:25:00 | |
the aircraft carrier HMS Ark Royal in 1939. | 0:25:00 | 0:25:02 | |
He was one of the very first Fleet Air Arm pilots | 0:25:04 | 0:25:08 | |
to attempt to sink a submarine. | 0:25:08 | 0:25:12 | |
In September 1939, | 0:25:12 | 0:25:14 | |
Griffiths, along with his observer colleague, | 0:25:14 | 0:25:18 | |
took off from the Ark Royal on a mission to bomb a German U-boat. | 0:25:18 | 0:25:21 | |
He caught sight of the U-boat | 0:25:21 | 0:25:25 | |
and he released his bombs onto the U-boat. | 0:25:25 | 0:25:28 | |
Unfortunately, he was actually too close, | 0:25:28 | 0:25:30 | |
and as the bombs went off, | 0:25:30 | 0:25:33 | |
they actually blew the tailplane off his aircraft. | 0:25:33 | 0:25:35 | |
He ditched in the sea. | 0:25:35 | 0:25:37 | |
His observer had been killed. | 0:25:37 | 0:25:39 | |
And he had the rather embarrassing prospect | 0:25:39 | 0:25:42 | |
of actually being rescued by the people he tried to sink. | 0:25:42 | 0:25:46 | |
He was actually one of the first people to become a POW | 0:25:46 | 0:25:49 | |
during the Second World War. | 0:25:49 | 0:25:51 | |
As this amazing cine footage shows, | 0:25:51 | 0:25:54 | |
the early days in POW camps | 0:25:54 | 0:25:55 | |
could actually be quite civilised for the officer class. | 0:25:55 | 0:25:59 | |
But of course, he ended up in one of the more well-known camps, | 0:25:59 | 0:26:05 | |
-which was Stalag Luft III. -Oh, blimey. | 0:26:05 | 0:26:07 | |
Which was, of course, the one that was made famous | 0:26:07 | 0:26:10 | |
in the film The Great Escape. | 0:26:10 | 0:26:13 | |
And the real-life story | 0:26:13 | 0:26:14 | |
also inspired a specific character in the famous film. | 0:26:14 | 0:26:18 | |
Griffiths was actually a very keen artist and illustrator | 0:26:18 | 0:26:21 | |
and so what Griffiths actually did during his time in captivity | 0:26:21 | 0:26:25 | |
was he did a lot of drawing and painting. | 0:26:25 | 0:26:28 | |
But he was also involved in the forging team, | 0:26:28 | 0:26:31 | |
-so the character that's played by Donald Pleasence is... -Yes! | 0:26:31 | 0:26:35 | |
-Faking the passports and things and then the travel documents. -Yes. | 0:26:35 | 0:26:39 | |
As well as forging documents and creating cartoons | 0:26:39 | 0:26:42 | |
with which to amuse his fellow internees, | 0:26:42 | 0:26:44 | |
the dashing Griffiths also put his artistic skills to good use | 0:26:44 | 0:26:48 | |
in a rather more cunning way. | 0:26:48 | 0:26:50 | |
He actually started drawing types of aircraft | 0:26:50 | 0:26:53 | |
that didn't exist, | 0:26:53 | 0:26:54 | |
and then sending them in letters, | 0:26:54 | 0:26:56 | |
which of course he knew would be opened, | 0:26:56 | 0:26:58 | |
and describing the latest, you know, new-fangled invention, | 0:26:58 | 0:27:02 | |
which of course didn't exist, | 0:27:02 | 0:27:04 | |
but it got the German intelligence machine working overtime. | 0:27:04 | 0:27:08 | |
He acted as a spy for British military intelligence | 0:27:08 | 0:27:10 | |
whilst inside the camp. | 0:27:10 | 0:27:12 | |
So through the simple expedient of a few drawings and watercolours, | 0:27:12 | 0:27:15 | |
he started to create confusion and havoc. | 0:27:15 | 0:27:20 | |
How fantastic! | 0:27:20 | 0:27:22 | |
What Griffiths did was a very, very clever use of his talent. | 0:27:22 | 0:27:26 | |
Near the end of the war, Griffiths led his fellow POWs | 0:27:26 | 0:27:30 | |
out of the camp to freedom. | 0:27:30 | 0:27:32 | |
He went on to be a test pilot, | 0:27:32 | 0:27:34 | |
the first Marine ever to fly a helicopter | 0:27:34 | 0:27:36 | |
and served in the Korean War. | 0:27:36 | 0:27:38 | |
I think my favourite piece, | 0:27:38 | 0:27:40 | |
which goes back to my own childhood, | 0:27:40 | 0:27:43 | |
is that he ends up running a tea shop in Chichester. | 0:27:43 | 0:27:45 | |
And I just love the idea of going into a tea shop in Chichester | 0:27:45 | 0:27:49 | |
in the sort of 1970s | 0:27:49 | 0:27:51 | |
and, you now, you're there | 0:27:51 | 0:27:52 | |
with this guy who's done all this remarkable stuff. | 0:27:52 | 0:27:55 | |
Cor, that is an incredible story! | 0:27:55 | 0:27:57 | |
And only one of thousands that could be told in this room. | 0:27:57 | 0:28:01 | |
But it's time for James to fly. | 0:28:01 | 0:28:03 | |
Anita's also made her way to Southsea, | 0:28:09 | 0:28:11 | |
where she's heading into Parmiters Antiques | 0:28:11 | 0:28:14 | |
to meet sharply dressed dealer Ian. | 0:28:14 | 0:28:16 | |
-Hello. -Hello. I'm Anita. -Hello, Anita. Welcome to Southsea. | 0:28:16 | 0:28:20 | |
Oh, nice jacket, sir! | 0:28:20 | 0:28:22 | |
Ian's shop is stuffed to the gunwales | 0:28:22 | 0:28:24 | |
with eye-catching and eccentric items, | 0:28:24 | 0:28:27 | |
which plays right into Anita's wheelhouse. | 0:28:27 | 0:28:30 | |
This is so visually exciting! | 0:28:30 | 0:28:32 | |
It all seems so...mad and unusual. | 0:28:32 | 0:28:38 | |
-It's probably a bit like me. -Is it? | 0:28:38 | 0:28:40 | |
You two should get along swimmingly, then. | 0:28:40 | 0:28:42 | |
Time for a browse, Anita. | 0:28:42 | 0:28:44 | |
Shortly she's fallen for something | 0:28:49 | 0:28:51 | |
redolent of the great British seaside. | 0:28:51 | 0:28:53 | |
Isn't he adorable? | 0:28:53 | 0:28:55 | |
Not another one! | 0:28:55 | 0:28:57 | |
This is Puck the magic dragon. | 0:28:57 | 0:28:59 | |
Ah, Puff's brother, is he? | 0:28:59 | 0:29:01 | |
I think that this is a fairground animal. | 0:29:01 | 0:29:06 | |
I think this is off one of the rides of maybe the 1940s | 0:29:06 | 0:29:11 | |
or 1950s. | 0:29:11 | 0:29:13 | |
And it appeals to me because it is so colourful. | 0:29:13 | 0:29:16 | |
I wonder how much it is? | 0:29:16 | 0:29:18 | |
Best ask Ian. | 0:29:18 | 0:29:19 | |
Ian. | 0:29:19 | 0:29:21 | |
Yes, Anita? | 0:29:21 | 0:29:22 | |
I've fallen in love with Puck the magic dragon. | 0:29:24 | 0:29:27 | |
I suppose you want to know how much it is? | 0:29:27 | 0:29:29 | |
She sure does. | 0:29:29 | 0:29:30 | |
I'm asking 150, but I'm open to an offer. | 0:29:30 | 0:29:33 | |
-We can do a wee bit of bargaining. -Yeah. | 0:29:33 | 0:29:35 | |
-Without falling out. -I won't fall out with you, Anita. | 0:29:35 | 0:29:39 | |
-Cos you're nice. -That's good! | 0:29:39 | 0:29:40 | |
Say I come in at... | 0:29:40 | 0:29:43 | |
£80? | 0:29:43 | 0:29:44 | |
-How does that sound? -120. | 0:29:44 | 0:29:47 | |
100. | 0:29:49 | 0:29:50 | |
-Go on, then. -Thank you very much! | 0:29:51 | 0:29:53 | |
Cor, she's splashing her cash today. | 0:29:53 | 0:29:56 | |
But she'll have to be bold | 0:29:56 | 0:29:57 | |
if she's going to stand any chance against James. Hello! | 0:29:57 | 0:30:00 | |
Not my type. | 0:30:00 | 0:30:02 | |
No, but there's someone outside who does take her fancy. | 0:30:04 | 0:30:07 | |
This is one of the things that I noticed | 0:30:12 | 0:30:14 | |
when I came in at the beginning. | 0:30:14 | 0:30:16 | |
A footballer. | 0:30:16 | 0:30:17 | |
It's a piece of a fairground attraction. Ticket price is £120. | 0:30:17 | 0:30:22 | |
I'm not the biggest of fans of football, | 0:30:23 | 0:30:27 | |
but I'm a great fan of the fairground. | 0:30:27 | 0:30:29 | |
I'm still feeling very, very playful! | 0:30:29 | 0:30:33 | |
I'm going to have a go at that. I think that's great. | 0:30:33 | 0:30:36 | |
And he's got fabulous thighs. | 0:30:36 | 0:30:39 | |
Yeah, footballer's! | 0:30:39 | 0:30:41 | |
-I want to ask you about something else. -OK. | 0:30:41 | 0:30:43 | |
What can you give him to me for? | 0:30:43 | 0:30:45 | |
Well, again...,what am I asking? 120. | 0:30:45 | 0:30:48 | |
120. Could I come in at 60? | 0:30:48 | 0:30:51 | |
Um...go on, give me 60 for him. | 0:30:51 | 0:30:53 | |
Oh, 60 quid - that's wonderful! | 0:30:53 | 0:30:55 | |
Absolutely wonderful. | 0:30:55 | 0:30:57 | |
-He can be my new boyfriend. -Yeah! | 0:30:57 | 0:31:00 | |
Yes! You've scored, Anita. | 0:31:00 | 0:31:02 | |
She's got both her final items, and now everyone's all bought up. | 0:31:02 | 0:31:06 | |
So it's time for both our auction aces | 0:31:08 | 0:31:10 | |
to unveil their purchases. | 0:31:10 | 0:31:12 | |
I'm quite excited to see what you've got. | 0:31:12 | 0:31:15 | |
OK, let's have a look. | 0:31:15 | 0:31:17 | |
Right. | 0:31:17 | 0:31:19 | |
James, an interesting lot, but when I look at these drawings here... | 0:31:19 | 0:31:23 | |
I'm drawn to them! | 0:31:23 | 0:31:25 | |
Well, have a look. | 0:31:25 | 0:31:27 | |
They look wonderful. | 0:31:27 | 0:31:29 | |
-A Wyllie watercolour? -Yeah. | 0:31:29 | 0:31:31 | |
They came from Wyllie's sketchbook. | 0:31:31 | 0:31:32 | |
Wow! | 0:31:32 | 0:31:34 | |
You must have paid a lot of money for those, James. | 0:31:34 | 0:31:36 | |
-I got them for a very reasonable price. -How much? | 0:31:36 | 0:31:39 | |
-£50 the two. -£50?! | 0:31:39 | 0:31:41 | |
-James! -For the two. | 0:31:41 | 0:31:43 | |
For a Wyllie watercolour? | 0:31:43 | 0:31:45 | |
She's impressed. | 0:31:45 | 0:31:46 | |
That, I loved. | 0:31:48 | 0:31:49 | |
-Because it's so early. -How much? | 0:31:49 | 0:31:51 | |
What would you put on that? | 0:31:51 | 0:31:53 | |
-80 quid? -Yeah. 80, 120, I thought. | 0:31:53 | 0:31:55 | |
-Uh-huh? -Nine. | 0:31:55 | 0:31:57 | |
You must have put on your very, very best smile. | 0:31:58 | 0:32:02 | |
It was a really cheap lot. | 0:32:02 | 0:32:03 | |
Anita's turn now. | 0:32:03 | 0:32:05 | |
I'm dying to show you my stuff! | 0:32:05 | 0:32:07 | |
You know, James, we're on this wonderful south coast. | 0:32:07 | 0:32:11 | |
I've got this marvellous holiday, frivolous feeling! | 0:32:11 | 0:32:15 | |
Oh, my goodness! | 0:32:15 | 0:32:17 | |
But wait! | 0:32:17 | 0:32:19 | |
And it continues. | 0:32:20 | 0:32:22 | |
No way! | 0:32:22 | 0:32:23 | |
Oh, my goodness! | 0:32:23 | 0:32:26 | |
Colourful, James! | 0:32:26 | 0:32:28 | |
Holiday feeling! | 0:32:28 | 0:32:30 | |
You've lost it completely! | 0:32:32 | 0:32:34 | |
I think she has, you know. | 0:32:34 | 0:32:35 | |
How much? | 0:32:35 | 0:32:36 | |
28 for the wee horsey. | 0:32:36 | 0:32:39 | |
-That's cheap. -That's not bad. | 0:32:39 | 0:32:40 | |
-60 for the footballer. -Yeah. | 0:32:40 | 0:32:42 | |
-I paid 100 for him. -Did you? | 0:32:42 | 0:32:44 | |
But I couldn't resist him! | 0:32:44 | 0:32:46 | |
Anita, that's brave. | 0:32:46 | 0:32:48 | |
Or foolhardy. | 0:32:48 | 0:32:50 | |
James, it has been the most wonderful, | 0:32:50 | 0:32:52 | |
wonderful, wonderful, wonderful fun! | 0:32:52 | 0:32:55 | |
I've enjoyed every minute. I really have. | 0:32:55 | 0:32:57 | |
Come on. Let's stroll into the sunset. | 0:32:57 | 0:32:59 | |
You two are so sweet when you're face-to-face. | 0:32:59 | 0:33:03 | |
Wyllie is just absolutely marvellous | 0:33:03 | 0:33:06 | |
on that type of marine drawing or watercolour or etching. | 0:33:06 | 0:33:10 | |
So I think he'll do well on that. | 0:33:10 | 0:33:13 | |
No great surprises, no great thrills, | 0:33:13 | 0:33:16 | |
but good solid work. | 0:33:16 | 0:33:18 | |
I think Anita's suffering from too much sun. | 0:33:18 | 0:33:21 | |
What a mad lot! | 0:33:21 | 0:33:23 | |
The little night-rider horse - see them all the time. | 0:33:23 | 0:33:26 | |
The little dragon... | 0:33:26 | 0:33:28 | |
£100? | 0:33:28 | 0:33:29 | |
No. | 0:33:31 | 0:33:32 | |
Don't mince your words, eh? | 0:33:32 | 0:33:33 | |
On this final leg of the road trip, | 0:33:33 | 0:33:35 | |
Anita and James began in Dorchester, Dorset, | 0:33:35 | 0:33:39 | |
and they're now aiming for auction in grand old London town. | 0:33:39 | 0:33:42 | |
Today's auction is in Wandsworth, | 0:33:42 | 0:33:45 | |
on the banks of old Father Thames, | 0:33:45 | 0:33:47 | |
and not too far from the iconic edifice of Battersea Power Station, | 0:33:47 | 0:33:51 | |
which they passed earlier on this trip. | 0:33:51 | 0:33:55 | |
They're driving to Criterion Auctions. | 0:33:55 | 0:33:58 | |
Hang on! Something's different. | 0:33:59 | 0:34:01 | |
Have you changed your hair, Anita? | 0:34:02 | 0:34:04 | |
Oh, no! Silly me. | 0:34:07 | 0:34:09 | |
Unfortunately, James has been taken ill | 0:34:09 | 0:34:11 | |
and won't be able to attend this auction. | 0:34:11 | 0:34:13 | |
But fortunately, I've got a stand-in! | 0:34:13 | 0:34:16 | |
He's a cracking guy! He looks a bit like James as well. | 0:34:16 | 0:34:20 | |
He does a bit, actually. | 0:34:20 | 0:34:22 | |
Our new friend is a bull mastiff by the name of Nelson. | 0:34:22 | 0:34:25 | |
But today, he'll be playing the part of James Lewis. | 0:34:25 | 0:34:29 | |
At least Anita won't be lonely. | 0:34:29 | 0:34:31 | |
You never know what's going to happen | 0:34:31 | 0:34:34 | |
until the hammer falls. | 0:34:34 | 0:34:36 | |
That's never been truer than today, Anita. | 0:34:36 | 0:34:39 | |
They're arriving at the auction house. Look at that. | 0:34:39 | 0:34:42 | |
Here we are, darling. Here we are. | 0:34:42 | 0:34:44 | |
OK, Jamesy, we've got stuff to sell. | 0:34:46 | 0:34:49 | |
Here we go, kid. Here we go. | 0:34:49 | 0:34:51 | |
Careful! | 0:34:52 | 0:34:54 | |
C'mon, darling! | 0:34:54 | 0:34:55 | |
There we are. Hold on a sec. Hold on a sec. | 0:34:55 | 0:34:58 | |
Wait a minute! | 0:34:58 | 0:35:00 | |
He's keener than you are today, Anita! | 0:35:01 | 0:35:04 | |
Today's auctioneer is Daniel Webster. | 0:35:07 | 0:35:09 | |
Before this highly irregular sale kicks off, | 0:35:11 | 0:35:13 | |
what does he make of Anita and James's buys? | 0:35:13 | 0:35:16 | |
Good boy! | 0:35:16 | 0:35:18 | |
A few sort of fun pieces in there, with Puck the magic dragon | 0:35:18 | 0:35:21 | |
and the footballer, | 0:35:21 | 0:35:23 | |
so that should provide a bit of entertainment. | 0:35:23 | 0:35:26 | |
We've got a Wyllie painting in. | 0:35:26 | 0:35:28 | |
Wyllie sketch, rather. | 0:35:28 | 0:35:30 | |
Wyllie's always popular, so hopefully that should do OK. | 0:35:30 | 0:35:34 | |
Anita started this leg with £466.32. | 0:35:34 | 0:35:37 | |
She spent £260 exactly, | 0:35:37 | 0:35:40 | |
and has five lots in today's sale. | 0:35:40 | 0:35:42 | |
While James began with £1,204.54. | 0:35:44 | 0:35:48 | |
He spent £149 and also has five lots. | 0:35:48 | 0:35:52 | |
The saleroom's looking a little sparse today, | 0:35:54 | 0:35:57 | |
but will be accepting bids over the telephone and online. | 0:35:57 | 0:36:00 | |
The sale's about to begin. | 0:36:00 | 0:36:02 | |
Sit! | 0:36:03 | 0:36:05 | |
There's a good girl. | 0:36:05 | 0:36:06 | |
First up is James's 18th-century shot flask. | 0:36:08 | 0:36:11 | |
Will it go off with a bang? | 0:36:11 | 0:36:12 | |
At £30. The money's with me at 30. | 0:36:12 | 0:36:15 | |
Surely worth more. At 30, and 5 now. | 0:36:15 | 0:36:18 | |
At £35, are we all sure, then? | 0:36:18 | 0:36:20 | |
At 35... | 0:36:20 | 0:36:22 | |
-BANGS GAVEL -Yes! | 0:36:22 | 0:36:25 | |
A tidy profit for James. | 0:36:25 | 0:36:27 | |
Who's a clever boy, then? | 0:36:27 | 0:36:29 | |
Well done, darling! Well done. | 0:36:29 | 0:36:31 | |
Next, Anita's job lot | 0:36:31 | 0:36:33 | |
of ivory purse and early 20th-century leather bag. | 0:36:33 | 0:36:36 | |
At £30, are we sure? | 0:36:36 | 0:36:38 | |
-35. -35, darling! | 0:36:38 | 0:36:41 | |
-40. -You're not interested in this one. | 0:36:41 | 0:36:44 | |
Of course he's not. It's more of a lady's lot, to be fair. | 0:36:44 | 0:36:47 | |
-£40, are we all sure? -For 40... | 0:36:47 | 0:36:49 | |
BANGS GAVEL | 0:36:49 | 0:36:51 | |
Anita's eye for vintage style sees her clear to a profit. | 0:36:51 | 0:36:55 | |
Now it's James's set of four Sheffield plated bottle coasters. | 0:36:55 | 0:36:59 | |
We have 40 and 5. | 0:36:59 | 0:37:01 | |
At 45, money's here. | 0:37:01 | 0:37:03 | |
At 45...are we done and sure at 45? | 0:37:03 | 0:37:07 | |
-BANGS GAVEL -Well, that was short and sweet. | 0:37:07 | 0:37:10 | |
Indeed it was. | 0:37:10 | 0:37:12 | |
Another £10 profit to James, | 0:37:12 | 0:37:14 | |
whose attention seems to be wandering. | 0:37:14 | 0:37:17 | |
James! James. | 0:37:17 | 0:37:19 | |
Hey, are you listening? You made a profit. | 0:37:19 | 0:37:22 | |
Now it's Anita's job lot of toy soldiers. | 0:37:22 | 0:37:25 | |
Will they prove victorious? | 0:37:25 | 0:37:27 | |
At £30, someone, surely? 30 is bid. | 0:37:27 | 0:37:30 | |
And 5. | 0:37:30 | 0:37:32 | |
40. | 0:37:32 | 0:37:33 | |
Come on, come on! | 0:37:33 | 0:37:34 | |
And 5. 50. | 0:37:34 | 0:37:36 | |
50! | 0:37:36 | 0:37:38 | |
5. 60. | 0:37:38 | 0:37:40 | |
5. 70. | 0:37:40 | 0:37:42 | |
75, back in. | 0:37:42 | 0:37:44 | |
80. | 0:37:44 | 0:37:45 | |
£80! | 0:37:45 | 0:37:47 | |
At 85. | 0:37:47 | 0:37:49 | |
Are you listening? | 0:37:49 | 0:37:51 | |
Going for 85... | 0:37:51 | 0:37:53 | |
-BANGS GAVEL -Did you hear that? | 0:37:53 | 0:37:56 | |
£85. | 0:37:56 | 0:37:57 | |
Ho ho ho! | 0:37:57 | 0:37:59 | |
I think he's jealous of your profit, Anita. | 0:37:59 | 0:38:02 | |
Now it's James's Royal Signal engineer's toolbox. | 0:38:02 | 0:38:05 | |
We have 35. 40 now. | 0:38:05 | 0:38:09 | |
At £40, the money's with me. And 5. We're in the room. | 0:38:09 | 0:38:12 | |
At £45 in the room. A neat thing at 45. Are we done? | 0:38:12 | 0:38:16 | |
At 45...I'll sell, then, at 45. | 0:38:16 | 0:38:19 | |
BANGS GAVEL | 0:38:19 | 0:38:21 | |
That manages to carve out a little profit for James. | 0:38:21 | 0:38:24 | |
See, you're getting all excited when it's your lots, | 0:38:24 | 0:38:28 | |
and when it's my lots, | 0:38:28 | 0:38:29 | |
you're lying down there and you don't give a damn! | 0:38:29 | 0:38:32 | |
I mean, what is this? Don't you love me? | 0:38:32 | 0:38:34 | |
I'm cheering on your lots. | 0:38:34 | 0:38:37 | |
Certainly are. | 0:38:37 | 0:38:38 | |
Next it's Anita's 1970s footballer. | 0:38:38 | 0:38:42 | |
With the thighs. | 0:38:42 | 0:38:44 | |
50, if you like, surely. 50 is bid. | 0:38:44 | 0:38:46 | |
-50 bid! -55, 60. | 0:38:46 | 0:38:49 | |
60 now. | 0:38:49 | 0:38:50 | |
At £60 we're away. | 0:38:50 | 0:38:52 | |
£60 and we're not away! | 0:38:52 | 0:38:55 | |
Fair warning at 60... | 0:38:55 | 0:38:58 | |
BANGS GAVEL | 0:38:58 | 0:39:00 | |
Aw, £60! £60. | 0:39:00 | 0:39:03 | |
It makes what she paid for it. | 0:39:03 | 0:39:05 | |
But that's a loss after auction costs are deducted, | 0:39:05 | 0:39:08 | |
so a bit of an own goal. | 0:39:08 | 0:39:10 | |
Let's hope Anita's next playful lot does better - | 0:39:10 | 0:39:14 | |
the tin plate rocking horse. | 0:39:14 | 0:39:16 | |
Waiting for the horse, surely? | 0:39:16 | 0:39:18 | |
Rock away for £20. | 0:39:18 | 0:39:21 | |
20 is bid. | 0:39:21 | 0:39:22 | |
You're the one that looks rocked, Anita. | 0:39:22 | 0:39:24 | |
At £20, no money. Are we done? | 0:39:24 | 0:39:27 | |
£20! | 0:39:27 | 0:39:29 | |
-Selling at 20. -BANGS GAVEL | 0:39:29 | 0:39:31 | |
It refuses at the first fence. | 0:39:31 | 0:39:34 | |
What a pity. | 0:39:34 | 0:39:35 | |
The bidders in this room today | 0:39:35 | 0:39:38 | |
are not in a playful mood. | 0:39:38 | 0:39:41 | |
Now it's James's vases, | 0:39:41 | 0:39:43 | |
commemorating an early Crufts championship. | 0:39:43 | 0:39:46 | |
£50 for them? At 50. 30, if you like. | 0:39:46 | 0:39:49 | |
At £30... | 0:39:49 | 0:39:51 | |
NOW you're interested! | 0:39:51 | 0:39:53 | |
Crufts! | 0:39:53 | 0:39:54 | |
At £20 now. | 0:39:54 | 0:39:56 | |
25, internet. | 0:39:56 | 0:39:57 | |
30, we're in the room. £35, internet's money, then. | 0:39:57 | 0:40:00 | |
-£35. -BANGS GAVEL | 0:40:00 | 0:40:03 | |
£35. That was a profit. That was a profit, darling. | 0:40:03 | 0:40:07 | |
That was a profit. | 0:40:07 | 0:40:09 | |
Well done. Do you want a biscuit? | 0:40:09 | 0:40:11 | |
You never offer me a biscuit. | 0:40:11 | 0:40:13 | |
Did you like that one? Did you get excited? | 0:40:13 | 0:40:15 | |
I don't think he's that fussed, actually. | 0:40:15 | 0:40:18 | |
Now, all Anita's hopes rest on her dragon. | 0:40:18 | 0:40:22 | |
It was a bold buy, in an attempt to chase James. | 0:40:22 | 0:40:26 | |
But will it pay off? | 0:40:26 | 0:40:27 | |
And £40? | 0:40:27 | 0:40:29 | |
20. | 0:40:29 | 0:40:31 | |
Oh, 20! Oh, no! | 0:40:31 | 0:40:33 | |
-10 is bid. -10! | 0:40:33 | 0:40:36 | |
10! | 0:40:36 | 0:40:37 | |
At £10 now. | 0:40:37 | 0:40:39 | |
Oh, lordy! | 0:40:39 | 0:40:42 | |
At £10, then. | 0:40:42 | 0:40:44 | |
BANGS GAVEL | 0:40:44 | 0:40:46 | |
10 quid! | 0:40:48 | 0:40:49 | |
Well, that went up in flames, didn't it? | 0:40:49 | 0:40:52 | |
That was tough to take. Tough to take. | 0:40:52 | 0:40:55 | |
Certainly on your own. Now, James's last lot of the day - | 0:40:55 | 0:40:58 | |
his two William Wyllie pictures. | 0:40:58 | 0:41:01 | |
100 is bid. | 0:41:01 | 0:41:02 | |
He's doubled the money already. | 0:41:02 | 0:41:05 | |
30. 40. | 0:41:05 | 0:41:07 | |
140. | 0:41:07 | 0:41:08 | |
50. | 0:41:08 | 0:41:10 | |
£150. | 0:41:10 | 0:41:12 | |
150, are we all done? | 0:41:12 | 0:41:15 | |
150. We'll sell, then, at 150. | 0:41:15 | 0:41:18 | |
-BANGS GAVEL -The hammer's down. £150. | 0:41:18 | 0:41:21 | |
£150, darling! | 0:41:21 | 0:41:23 | |
They sail away. | 0:41:23 | 0:41:25 | |
Well done, James. | 0:41:25 | 0:41:26 | |
Well done, darling. Well done. | 0:41:26 | 0:41:28 | |
So a terrible pity that the real James had to miss his last auction, | 0:41:29 | 0:41:33 | |
but he ends this road trip triumphant | 0:41:33 | 0:41:36 | |
and swimming in lashes of lolly nevertheless. | 0:41:36 | 0:41:38 | |
What a result, eh? | 0:41:38 | 0:41:40 | |
Anita began this final leg with £466.32 | 0:41:40 | 0:41:45 | |
and after auction costs, she made an unfortunate loss | 0:41:45 | 0:41:48 | |
of £83.70, | 0:41:48 | 0:41:50 | |
leaving her with a total of £382.62. | 0:41:50 | 0:41:54 | |
Just lay off the dragons in future, Anita. | 0:41:54 | 0:41:57 | |
But James has beaten all comers. | 0:41:58 | 0:42:00 | |
He began this leg with £1,204.54. | 0:42:00 | 0:42:03 | |
He made a smart profit of £105.20 | 0:42:03 | 0:42:07 | |
and ends the road trip high on the hog | 0:42:07 | 0:42:10 | |
with £1,309.74. | 0:42:10 | 0:42:14 | |
Well, I'm doggone! | 0:42:14 | 0:42:16 | |
Anita may be Cinderella | 0:42:17 | 0:42:19 | |
to James's Rockefeller, | 0:42:19 | 0:42:21 | |
but if there's one thing this trip's proven, | 0:42:21 | 0:42:24 | |
it's that there's a lot of affection betwixt these two. | 0:42:24 | 0:42:28 | |
Aww! | 0:42:28 | 0:42:29 | |
# You're the lady, you're the lady... # | 0:42:29 | 0:42:32 | |
Anita's shown she buys with her romantic heart. | 0:42:32 | 0:42:35 | |
Too exotic. | 0:42:35 | 0:42:37 | |
# You're the fella, you're the fella... # | 0:42:37 | 0:42:40 | |
While James has displayed his eagle eye for profit. | 0:42:42 | 0:42:46 | |
Give him a wee clap! | 0:42:46 | 0:42:47 | |
Yes! | 0:42:50 | 0:42:52 | |
# I love you | 0:42:52 | 0:42:53 | |
# I love you... # | 0:42:53 | 0:42:55 | |
But they've supported each other through all the highs and lows. | 0:42:55 | 0:42:59 | |
# I love you... # | 0:42:59 | 0:43:01 | |
Bon voyage, you two. | 0:43:04 | 0:43:06 | |
Don't forget to write, eh? | 0:43:06 | 0:43:07 | |
Next time on the Antiques Road Trip, | 0:43:10 | 0:43:12 | |
we have two new travelling treasure hunters - Mark Stacey and Will Axon. | 0:43:12 | 0:43:17 | |
You're a naughty man, Mr Stacey! A naughty man. | 0:43:17 | 0:43:21 | |
Mark will be unveiling his new look. | 0:43:21 | 0:43:23 | |
I don't think it's me, really, do you? | 0:43:23 | 0:43:25 | |
And Will makes his road trip debut. | 0:43:27 | 0:43:29 | |
It all seems a lot easier when you're watching it on the telly. | 0:43:29 | 0:43:32 | |
Subtitles by Red Bee Media Ltd | 0:43:40 | 0:43:42 |