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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:04 | 0:00:09 | |
-Going, going...gone. -Yes! -How do I look? | 0:00:09 | 0:00:13 | |
-The aim - to make the biggest profit at auction, but it's no mean feat. -Yes! | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
-I'm going to become a bin man. -So will it be the high road to glory or the slow road to disaster? | 0:00:21 | 0:00:27 | |
I like it when you're chasing me. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's the beginning of a fresh and fun-packed week on Road Trip | 0:00:37 | 0:00:42 | |
with another pair of antiquarian wheeler-dealers, Mark Stacey and Will Axon. | 0:00:42 | 0:00:47 | |
Keep buying the wrong things, making less money than me, and we'll have a lovely week. | 0:00:47 | 0:00:52 | |
Listen, Mark, I don't mind being your stooge. I'm quite happy. | 0:00:52 | 0:00:57 | |
New kid on the block Will Axon is an experienced valuer and master of the gavel. | 0:00:57 | 0:01:02 | |
-You may remember him from the last series. -Who else is in? | 0:01:02 | 0:01:05 | |
28. At 28. Shake it the other way, madam. | 0:01:05 | 0:01:08 | |
Surely, you can't value them for £2. 28 in the corner... | 0:01:08 | 0:01:12 | |
-Now he's switched to join our happy gang. -It all seems a lot easier when you're watching it on the telly. | 0:01:12 | 0:01:18 | |
He won't get an easy ride against Mark Stacey. | 0:01:18 | 0:01:22 | |
Oh, no. One of the antique trade's big hitters. | 0:01:22 | 0:01:25 | |
A bit clumsy, but he knows exactly who to speak to to get the best deal. | 0:01:25 | 0:01:29 | |
Will you show me where the bargains are? | 0:01:29 | 0:01:32 | |
Mark and Will are sashaying around the country in this little British beauty - a 1963 Triumph TR4, | 0:01:32 | 0:01:38 | |
and Will is first in the hot seat. | 0:01:38 | 0:01:41 | |
-As long as I can reach the pedals. -We'll get you a cushion. | 0:01:41 | 0:01:45 | |
Is he old enough to drive? | 0:01:45 | 0:01:47 | |
Our duelling duo's trip takes them through five counties, no less, | 0:01:48 | 0:01:53 | |
starting in East Sussex, travelling through Kent, Essex, | 0:01:53 | 0:01:56 | |
Suffolk and Hertfordshire and ending up at an auction in the London suburb of Ruislip. | 0:01:56 | 0:02:02 | |
This leg stays firmly in East Sussex, travelling along the south-east coast of England. | 0:02:02 | 0:02:08 | |
They're starting in Hastings, finishing at an auction in Lewes, | 0:02:08 | 0:02:12 | |
but the first shopping stop is Bexhill. | 0:02:12 | 0:02:15 | |
So what's the strategy then? | 0:02:15 | 0:02:17 | |
-What I don't want to do is, you know, faff around. I want to go for it. -Absolutely. | 0:02:17 | 0:02:23 | |
As it's the start of the week, they both begin with a bountiful £200, | 0:02:23 | 0:02:28 | |
but things aren't going quite to plan. | 0:02:28 | 0:02:31 | |
-What have you done to the car and the weather? -I've broken both of them. | 0:02:31 | 0:02:36 | |
-It won't be like this all week, I hope. -As long as it's downhill, we're all right. | 0:02:36 | 0:02:41 | |
Certainly it's going downhill at the moment, as far as I'm concerned. | 0:02:41 | 0:02:45 | |
It could be the weather or human error. I couldn't possibly comment! | 0:02:45 | 0:02:49 | |
-JUDDERING SOUND -No, it's gone. -Hang on. I'm going to try and coast it into this space. | 0:02:49 | 0:02:54 | |
The first and maybe the last stop for this pair is the pretty little seaside town of Bexhill, | 0:02:54 | 0:03:00 | |
but the chaps have to ditch the car and take to Shanks's pony. | 0:03:00 | 0:03:04 | |
This looks all right. | 0:03:04 | 0:03:06 | |
It's time for the spending spectacular to commence and they're off! | 0:03:06 | 0:03:11 | |
No pushing, chaps. Keep it clean. | 0:03:14 | 0:03:16 | |
Will, Will, look at this. | 0:03:16 | 0:03:19 | |
-Hello. I'm Mark. -Pleased to meet you. -Nice to meet you. -Hi. Will. -Hello, Will. Andy. | 0:03:19 | 0:03:25 | |
-Nice to meet you, Andy. Lots and lots of stuff and not the right budget. -An eclectic mix though. | 0:03:25 | 0:03:30 | |
I know you are, Will, but what about the stock(?) | 0:03:30 | 0:03:34 | |
Joking over, men. Time to split up and get down to the business of buying. | 0:03:34 | 0:03:39 | |
Lickety-split, Will's spotted something! | 0:03:47 | 0:03:50 | |
He's reaching for the bottle already, a vintage Scotch whisky display bottle with a price of £65. | 0:03:50 | 0:03:56 | |
This is quite fun, isn't it? | 0:03:56 | 0:03:58 | |
I suppose... | 0:03:58 | 0:04:00 | |
Yeah, shop display. | 0:04:00 | 0:04:02 | |
Scotch whisky. | 0:04:03 | 0:04:05 | |
What I like about it is the way the glass has been coloured just to give it the impression of being full. | 0:04:05 | 0:04:11 | |
If only! | 0:04:11 | 0:04:14 | |
A bit of damage to the label. That's a shame. | 0:04:14 | 0:04:18 | |
Where's Mark working? | 0:04:19 | 0:04:21 | |
It looks like Will. | 0:04:23 | 0:04:25 | |
Who does that make you then? Big Ears? | 0:04:25 | 0:04:29 | |
-Where's Mark disappeared to? -Mark's in the back room going through a box of smalls. He's locked the door. | 0:04:29 | 0:04:34 | |
-Has he? -He has, yeah. | 0:04:34 | 0:04:37 | |
I was hoping he would take pity on me, being the new boy, and maybe give me a few tips. | 0:04:37 | 0:04:42 | |
-I think he's doing the opposite. -He is, isn't he? -Hmm. | 0:04:42 | 0:04:45 | |
You'll get no quarter from that old pro. He's ruthless. | 0:04:45 | 0:04:48 | |
There could be something hidden in the bottom of this box | 0:04:48 | 0:04:53 | |
that's going to wipe the smile off that little Will Axon's face. | 0:04:53 | 0:04:58 | |
I don't mean that. He's rather sweet, isn't he? | 0:04:58 | 0:05:01 | |
I told you so, Will. You'll need to watch him. | 0:05:01 | 0:05:05 | |
Shall we see if it works? | 0:05:05 | 0:05:07 | |
CLICKS SWITCH | 0:05:07 | 0:05:09 | |
No, I've broken that as well. | 0:05:10 | 0:05:12 | |
The car first and now this. It's not your day. | 0:05:12 | 0:05:17 | |
Now, I did spot this when we first came in the door. | 0:05:21 | 0:05:26 | |
He's gone booze-daft. | 0:05:26 | 0:05:28 | |
It's a 19th century, etched glass spirit barrel with a brass tap and it's not cheap. | 0:05:28 | 0:05:34 | |
It has a whopping ticket price of £120. | 0:05:34 | 0:05:37 | |
If you look at the tap or spigot, I think they're sometimes called, we've got a nice stamp, London, | 0:05:37 | 0:05:43 | |
which is a sign of quality, | 0:05:43 | 0:05:46 | |
and then on the other side, either the maker or the retailer perhaps - Loftus. | 0:05:46 | 0:05:51 | |
I'm thinking that it would go rather nicely with my alcohol theme. | 0:05:52 | 0:05:58 | |
We've got the advertising whisky bottle and this | 0:05:58 | 0:06:03 | |
which I think would be catalogued as a Scotch dispenser, Scotch barrel. | 0:06:03 | 0:06:07 | |
The total ticket price of the whisky bottle and the spirit barrel is £185. | 0:06:07 | 0:06:13 | |
Will's offered £120 for the two. That's more than half his budget. | 0:06:13 | 0:06:18 | |
Go on then, Will, as we're your first call on your first show... | 0:06:18 | 0:06:22 | |
-What do we do? 120 for the two? -Oh, lordy! -I'll do 120 for the two. | 0:06:22 | 0:06:26 | |
-Nice one, Andy. I hope I've done the right thing. -I'm sure you have. -May your luck be with me. | 0:06:26 | 0:06:32 | |
You might need a bit of luck all right! He's taken a big gamble on those items. | 0:06:32 | 0:06:37 | |
Mark is still empty-handed. | 0:06:37 | 0:06:39 | |
You're looking rather smug. | 0:06:39 | 0:06:41 | |
Well, I must admit... | 0:06:41 | 0:06:44 | |
-Yes? -I have parted with cash. | 0:06:44 | 0:06:47 | |
No? A lot of cash? | 0:06:47 | 0:06:49 | |
-Actually, a fair amount. -Really? -Yeah. -Are you going for it? | 0:06:49 | 0:06:54 | |
-I thought I'd get that first buy out of the way. -Will you tell me what you bought? -No. | 0:06:54 | 0:06:59 | |
-Why not? -I'm not supposed to tell you. You're trying to get the new boy into trouble. | 0:06:59 | 0:07:04 | |
You're just jealous cos I've popped my Road Trip cherry. | 0:07:04 | 0:07:08 | |
I'm not going to think about that for too long. | 0:07:08 | 0:07:11 | |
Time for one last look and it seems great minds think alike. | 0:07:11 | 0:07:16 | |
Sorry, Mark, but the new boy's beaten you to that. | 0:07:16 | 0:07:20 | |
I saw that when I first came in, I forgot about it and he's whipped it. | 0:07:20 | 0:07:25 | |
Thanks very much, Andy. Thank you very much(!) | 0:07:25 | 0:07:28 | |
First shop in and Will's splurged £120 on two boozy lots, | 0:07:28 | 0:07:32 | |
leaving him only £80 to spend on this leg. It could be a risky tactic. | 0:07:32 | 0:07:38 | |
Meanwhile, Mark is heading 12 miles west to Eastbourne | 0:07:38 | 0:07:43 | |
and the Triumph seems to be behaving itself this time too. | 0:07:43 | 0:07:47 | |
I fail to understand the problem this morning. She's perfectly fine, running like a dream. | 0:07:47 | 0:07:53 | |
I can only assume that it must be Will's short legs, | 0:07:53 | 0:07:57 | |
driver error on his part, because she seems to be responding to my gentle touch. | 0:07:57 | 0:08:02 | |
-LOUD CRACK -Ouch! | 0:08:02 | 0:08:05 | |
You can see why Eastbourne has the title of Sunniest Town in Britain. | 0:08:05 | 0:08:09 | |
The maritime climate has people flocking here to the beautiful pebbly beaches | 0:08:09 | 0:08:14 | |
and a stroll down the famous pier for a bit of kiss-me-quick. | 0:08:14 | 0:08:18 | |
Mark is off to a rather special shop, but his sterling won't buy diddly-squat here. | 0:08:18 | 0:08:24 | |
He's visiting a wonderfully eccentric couple, Graham and Jan Upton, | 0:08:24 | 0:08:29 | |
who have brought over 100,000 items of vintage packaging, products, signage, clothes | 0:08:29 | 0:08:36 | |
and ephemera collected together over 50 years into one multi-storey, jam-packed shop - | 0:08:36 | 0:08:42 | |
the Museum of Shops. | 0:08:42 | 0:08:45 | |
This must be one of the more sort of uniquely bizarre places I've ever visited in a very positive way. | 0:08:45 | 0:08:52 | |
People used to visit our house and apart from the fact they thought we were bonkers, | 0:08:52 | 0:08:57 | |
they used to say, "Your house is more like a museum." It gave us the idea. | 0:08:57 | 0:09:01 | |
Their life-long passion for collecting can be seen crammed into four floors of themed shop displays | 0:09:01 | 0:09:08 | |
and domestic room settings. | 0:09:08 | 0:09:10 | |
This is fascinating. It's like walking into an old Victorian arcade, isn't it? | 0:09:12 | 0:09:17 | |
Among the displays is Mr Barton's grocer's shop. | 0:09:17 | 0:09:20 | |
The shelves are packed with nostalgic items such as Oxo, Rinso, | 0:09:20 | 0:09:25 | |
Smith's Crisps and many more. | 0:09:25 | 0:09:28 | |
Anyone remember the Bisto Kids? | 0:09:28 | 0:09:31 | |
Upstairs, there's more densely packed shops with painstaking attention to detail, | 0:09:31 | 0:09:36 | |
right down to the very last and most intimate of items. | 0:09:36 | 0:09:40 | |
Would you like me to show you my pre-war condoms, Mark? | 0:09:42 | 0:09:46 | |
I beg your pardon? | 0:09:46 | 0:09:48 | |
-Oh, good Lord! -Looking a bit worse for the wear now, | 0:09:50 | 0:09:54 | |
but in a little box that was supposed to look like a chocolate box, complete with the doilies. | 0:09:54 | 0:09:59 | |
I love this. "The only really hygienic preventative. | 0:09:59 | 0:10:03 | |
"Hygiene should be first and foremost." | 0:10:03 | 0:10:07 | |
But you're right. They do look like a sort of luxury box of chocolates, don't they? | 0:10:07 | 0:10:13 | |
-They certainly weren't on show in the chemist's shop. They would have been hidden under the counter. -Good Lord! | 0:10:13 | 0:10:19 | |
-A little something for the weekend, sir? -I wasn't expecting to be talking about these. | 0:10:19 | 0:10:24 | |
Good Lord! Me neither. In the basement are the domestic rooms | 0:10:24 | 0:10:28 | |
and there's a wonderful World War Two kitchen | 0:10:28 | 0:10:31 | |
that Jan and Graham have re-created in minute detail. | 0:10:31 | 0:10:35 | |
Oh, look at this! | 0:10:35 | 0:10:37 | |
Do you know, that is so much like my grandmother's house. | 0:10:37 | 0:10:41 | |
-It is a bit like you've stepped back in time. -Yeah, I hope so. I hope that's how it feels. | 0:10:41 | 0:10:46 | |
To be honest, I thought the Blitz as soon as you see the costumes. | 0:10:46 | 0:10:50 | |
-Yeah. -You know, I mean, this is so 1940s, isn't it? | 0:10:50 | 0:10:55 | |
If you look through the kitchen window, you can see the bombs beyond. | 0:10:55 | 0:11:00 | |
SOUND OF EXPLOSIONS | 0:11:00 | 0:11:02 | |
And the other striking thing is you've got it down to the fact that probably everybody smoked. | 0:11:05 | 0:11:12 | |
Smoking in the UK increased during both world wars, | 0:11:12 | 0:11:15 | |
but it wasn't until the Second World War that it became really popular with the ladies. | 0:11:15 | 0:11:21 | |
-I think you're quite mad, Graham. -Do you? -I do, I do. | 0:11:21 | 0:11:25 | |
-In a very nice way. -That's fine. -A nice madness. -That's good. I'm pleased to hear that. | 0:11:25 | 0:11:31 | |
LAUGHTER | 0:11:31 | 0:11:33 | |
No street would be complete without a local pub | 0:11:33 | 0:11:36 | |
and Jan and Graham have re-created one of those too, called The Admiral Lord Nelson Inn no less. | 0:11:36 | 0:11:43 | |
-Graham, do you not think you're creating your own little world here? -I suppose so. | 0:11:43 | 0:11:48 | |
-Do you think it's an escape from realism? -Is it an escape? You tell me. -I think so, really. | 0:11:48 | 0:11:54 | |
-We enjoy it. -Do you? | 0:11:54 | 0:11:56 | |
Graham, I find this really fascinating. You're an absolute joy to talk to. | 0:11:56 | 0:12:01 | |
If I could fill the glass, I'd happily toast a long, successful opening of your museum. | 0:12:01 | 0:12:07 | |
That's very kind and we're pleased to meet you after all these years. | 0:12:07 | 0:12:11 | |
With that heady hit of nostalgia over, Mark's voyage of discovery is finished for the day. | 0:12:11 | 0:12:18 | |
Meanwhile, Will has made his own way 17 miles inland to the quaint little hamlet of Golden Cross. | 0:12:18 | 0:12:24 | |
The population here is under 1,000, but it does have a lovely little antiques place | 0:12:24 | 0:12:30 | |
and shopkeeper Rhoda is open for business. | 0:12:30 | 0:12:33 | |
My buying head on, buying head on. Maybe smalls. | 0:12:35 | 0:12:39 | |
Yeah... Cigar-cutter. | 0:12:43 | 0:12:46 | |
Cigar-cutter - I'm thinking down the drinking and smoking route. What a terrible role model I am! | 0:12:46 | 0:12:53 | |
First booze, now fags, and it's only day one of the trip. | 0:12:53 | 0:12:57 | |
He's got his beady eye on a 20th century, silver-plated cigar-cutter. | 0:12:57 | 0:13:01 | |
Items like these can be very collectable to the right buyer. It has a ticket price of £35. | 0:13:01 | 0:13:07 | |
-The cigar-cutter's a good, clean example. A shame that's not solid silver. -No. I know. | 0:13:07 | 0:13:13 | |
I'm thinking I might be able to work with this somehow | 0:13:13 | 0:13:17 | |
if perhaps I could find something else to go with it. | 0:13:17 | 0:13:22 | |
Oh, hang on a minute. What's this poking out from over here? | 0:13:22 | 0:13:26 | |
Now, this is... | 0:13:28 | 0:13:30 | |
This is following on from my theme a bit, isn't it? | 0:13:30 | 0:13:34 | |
An old oak, sort of smoker's box. | 0:13:35 | 0:13:39 | |
A little bit of damage there, but this is nice, look - | 0:13:40 | 0:13:45 | |
little strikers here for your vestas. | 0:13:45 | 0:13:48 | |
This late 19th century, oak smoker's box would have been all the rage back when smoking was fashionable | 0:13:48 | 0:13:54 | |
and everyone was lighting up, but what price is Rhoda looking for? | 0:13:54 | 0:13:58 | |
We have got... | 0:13:58 | 0:14:00 | |
We've got 85. I could probably do you about 60. | 0:14:00 | 0:14:04 | |
What could we do with the little cigar-cutter? | 0:14:05 | 0:14:08 | |
80 for the two. | 0:14:08 | 0:14:10 | |
Could we say...65? | 0:14:11 | 0:14:15 | |
No. I could go down to 75. | 0:14:15 | 0:14:18 | |
Could we do 70 on the two? | 0:14:18 | 0:14:20 | |
And that... I'm being honest with you. That leaves me with £10 for tomorrow. | 0:14:22 | 0:14:28 | |
Hmm... | 0:14:28 | 0:14:29 | |
As it's your first day, yes. | 0:14:30 | 0:14:33 | |
You're very kind. Rhoda, I appreciate your help. | 0:14:33 | 0:14:37 | |
I think I'm going to need it cos Mark's an old hand at this. | 0:14:37 | 0:14:40 | |
Will's almost spent out with only £10 left at the end of day one. | 0:14:40 | 0:14:45 | |
He's sticking to a theme, but these are all separate lots, so it's a bit of a risk. We shall see. | 0:14:45 | 0:14:52 | |
One day down, one to go on the first leg of the Road Trip. | 0:14:52 | 0:14:58 | |
Time for a well-earned rest all round, I'd say. Night-night, chaps. | 0:14:58 | 0:15:02 | |
It's a bold, new day for our intrepid pair. | 0:15:04 | 0:15:08 | |
Will has taken steps to increase his in-car reach, shall we say? | 0:15:08 | 0:15:12 | |
-You know I killed the car yesterday? -I did notice, yes. | 0:15:12 | 0:15:16 | |
-Apparently, it was driver error. -Was it your little tootsies? | 0:15:16 | 0:15:20 | |
I think so. I've got my cushion, so now I'm going to reach the pedals and we're away. | 0:15:20 | 0:15:25 | |
-What's that under your arm? -I won't be upstaged by you and a cheap cushion. | 0:15:25 | 0:15:29 | |
I'm rather cold in this, so I've got a car rug to keep my tootsies warm, as I can reach the pedals. | 0:15:29 | 0:15:36 | |
-We're a right couple of Dorises. -And I've put a flask in the back. | 0:15:36 | 0:15:41 | |
-ENGINE STARTS -Well done, Will. -Whoo! | 0:15:41 | 0:15:44 | |
Big spender Will poured £190 of his £200 budget into four booze and fag-themed items, | 0:15:44 | 0:15:51 | |
including a display whisky bottle, a glass spirit barrel, | 0:15:51 | 0:15:55 | |
an oak smoker's box and a cigar-cutter, | 0:15:55 | 0:15:58 | |
so he only has £10 to spend today. | 0:15:58 | 0:16:01 | |
On the other hand, Mark is lagging dangerously behind. | 0:16:01 | 0:16:04 | |
He has nothing in his goody bag, so it's time he pulled his finger out. | 0:16:04 | 0:16:09 | |
I think I'm still a little bit green. I'm perhaps being a little bit too nice and kind. | 0:16:09 | 0:16:14 | |
-I feel like I've got to buy something from every shop. -Really? | 0:16:14 | 0:16:18 | |
I'm feeling a little green this morning. I think it's your driving. | 0:16:18 | 0:16:22 | |
-After yesterday, it can only go one way and that's... -Down. -Up. -Up, OK. | 0:16:22 | 0:16:28 | |
The chaps, having stayed just outside Eastbourne, | 0:16:28 | 0:16:31 | |
are heading back to the sunny seaside town for a spot more shopping. | 0:16:31 | 0:16:36 | |
Mark's buying hasn't even begun, so the pressure is on to get in the game. His first stop is Jasper Wood. | 0:16:36 | 0:16:42 | |
Lots of curious pieces here, but... | 0:16:42 | 0:16:45 | |
Oh, no, that's... Ah! | 0:16:46 | 0:16:48 | |
Now, this is something that Will would be jealous about. | 0:16:50 | 0:16:55 | |
It's a big hammer or a gavel. | 0:16:56 | 0:16:58 | |
It is indeed a gavel. | 0:16:58 | 0:17:00 | |
It's an early 20th century, large fruitwood gavel and it's not as expensive as you'd think, Mark. | 0:17:00 | 0:17:07 | |
The ticket price is £25. | 0:17:07 | 0:17:09 | |
It's got a bit of age to it because it's walloped a few things in its time. | 0:17:09 | 0:17:14 | |
It's probably sold a Picasso or two now and again. You never know, do you? | 0:17:14 | 0:17:19 | |
That's a definite possibility, actually. | 0:17:19 | 0:17:22 | |
Will may be jealous. Auctioneers love collecting gavels. Talk about taking your work home with you! | 0:17:22 | 0:17:28 | |
Even though Mark's behind in the buying, he still finds time for his fan club. | 0:17:28 | 0:17:33 | |
Have you bought anything yet? What have you found? | 0:17:33 | 0:17:37 | |
Shall I tell you? I'm having such a struggle. | 0:17:37 | 0:17:39 | |
I had one shop yesterday. I couldn't find a thing. | 0:17:39 | 0:17:43 | |
This is my first shop today and I think I've found something. | 0:17:43 | 0:17:47 | |
-You know what it all depends on. -Yes. -The price. -Of course it does. | 0:17:47 | 0:17:51 | |
I watch you negotiating and I think you're cheeky. | 0:17:51 | 0:17:55 | |
You must be mixing me up with someone else, madam. Cheeky? It's unheard of. | 0:17:55 | 0:18:00 | |
Ha-ha! And on that note, it's time to see just how cheeky he can be. | 0:18:00 | 0:18:04 | |
The gavel had a ticket price of £25, but how low can he go? | 0:18:04 | 0:18:09 | |
Are you sitting down? | 0:18:09 | 0:18:11 | |
I'm going to start off very low because I know you'll hammer me up. | 0:18:11 | 0:18:15 | |
-Hammer... -Hammer! -Every one a winner. | 0:18:15 | 0:18:19 | |
Oi, I do the jokes round here! | 0:18:19 | 0:18:21 | |
I'm going to start with an offer of £10. | 0:18:21 | 0:18:24 | |
I did say I'm starting low, but it's not where we start, it's where we finish. | 0:18:27 | 0:18:32 | |
That's a good start, but nowhere near... | 0:18:32 | 0:18:35 | |
-He's cheeky all right! -What are you going to sell it to me for? | 0:18:35 | 0:18:39 | |
-15. -15. Gosh! I wasn't expecting you to say that. | 0:18:39 | 0:18:43 | |
I was expecting you to say something else. | 0:18:43 | 0:18:46 | |
Do you know, I can't argue with that. £15 is a very good price. Thank you. | 0:18:47 | 0:18:52 | |
What a bumper deal, eh? It all seemed a little too easy. | 0:18:52 | 0:18:56 | |
Thank you very much and I suppose I should say, "Going, going...gone." | 0:18:56 | 0:19:01 | |
It's time you were gone too before he changes his mind. | 0:19:01 | 0:19:06 | |
So, with that cheeky first purchase, Mark has finally bagged a lot for £15 of his £200 budget, | 0:19:06 | 0:19:13 | |
but he needs to get cracking and score some more. | 0:19:13 | 0:19:16 | |
It's Will's turn now to shop till he drops. | 0:19:16 | 0:19:19 | |
He's popped into Old Bank Antiques where he hopes to make a withdrawal. | 0:19:19 | 0:19:23 | |
Oh, wow, look at this! | 0:19:23 | 0:19:25 | |
This must be the old bank vault, look. | 0:19:26 | 0:19:29 | |
-LOUD METALLIC SOUND -Oh! | 0:19:30 | 0:19:33 | |
Let's look in here. This might be where he keeps the treasure. | 0:19:33 | 0:19:36 | |
And what kind of treasure do you seek today? Har-har! | 0:19:36 | 0:19:40 | |
I'm thinking about my theme, of course. Do I continue it today? | 0:19:40 | 0:19:44 | |
I think I have to, really, don't I? | 0:19:44 | 0:19:47 | |
More booze and fags then. He's roped in shopkeeper Ray to give him some help. | 0:19:47 | 0:19:52 | |
He's confessed that he only has a tenner to spend. | 0:19:52 | 0:19:55 | |
This is the sort of thing, you see, a little snuff box. | 0:19:55 | 0:19:59 | |
-Yes. -Again, look, remnants of the old snuff. | 0:19:59 | 0:20:03 | |
-28. -I expect we can do something with that. -Do you reckon that might be doable? | 0:20:04 | 0:20:10 | |
That sounds promising, so Ray is off to phone the dealer. | 0:20:10 | 0:20:14 | |
This papier-mache, pewter-inlaid snuff box is 19th century. | 0:20:14 | 0:20:18 | |
-OK, bye-bye. -It's the moment of truth. | 0:20:18 | 0:20:21 | |
-Right, Will, well, I've made the call. -Tell me it's good news. | 0:20:21 | 0:20:25 | |
-And it is good news. -Really? -You're a lucky man. | 0:20:25 | 0:20:28 | |
-Because it's you... -Yeah? -£10. | 0:20:28 | 0:20:31 | |
-That's a result. -Absolutely. I think it is. | 0:20:31 | 0:20:34 | |
-Well done. I can't lose much on that. -I don't think so. -Surely not. | 0:20:34 | 0:20:38 | |
That's a deal not to be sniffed at. Will is winning plenty of favour from the dealers for being a new boy | 0:20:38 | 0:20:44 | |
and with that, he has spent his entire budget. | 0:20:44 | 0:20:48 | |
Meanwhile, Mark has popped into the local antiques centre, but it's time he got a move on. | 0:20:48 | 0:20:53 | |
-Hello. -Hello. -How are you? -I'm good. Yourself? | 0:20:53 | 0:20:56 | |
-Who's this chappy? -That's Chase. -Chase. Hello, Chase. -The cleverest dealer in here! | 0:20:56 | 0:21:01 | |
Oh, get on with it! Rope in the help of Paul, the antiques centre owner. Get him to show you some goodies. | 0:21:09 | 0:21:16 | |
It is quite crudely made, the lock there, but it is quite nicely... | 0:21:16 | 0:21:20 | |
-Reasonably nicely carved. -Reasonably nicely carved. | 0:21:20 | 0:21:24 | |
This 19th century, Anglo-Indian box and key have a ticket price of £40, | 0:21:24 | 0:21:30 | |
so it's not too pricey. | 0:21:30 | 0:21:32 | |
This is carved hardwood. | 0:21:32 | 0:21:34 | |
But auctions are terribly realistic for these sort of things. | 0:21:35 | 0:21:40 | |
If they're really good quality, they fly through the roof. You can't touch them. Any other goodies? | 0:21:40 | 0:21:47 | |
You didn't look at that one. That's got quite nice inscriptions on the back. | 0:21:47 | 0:21:52 | |
The painting is 19th century oil on board, | 0:21:52 | 0:21:54 | |
possibly portraying Mont Blanc, with an inscription on the back. | 0:21:54 | 0:21:58 | |
I like the colours, actually. | 0:21:58 | 0:22:00 | |
It's a bit of a dull scene, actually, | 0:22:01 | 0:22:04 | |
but I do love the colours. I love the thickness of the... | 0:22:04 | 0:22:08 | |
It's the sort of pictures I like. I like that on the back. | 0:22:08 | 0:22:12 | |
-It's dated here somewhere. -Yeah, 1865. Gosh! | 0:22:12 | 0:22:15 | |
And it's to whoever it is from where she painted it, but I couldn't make out where it is. | 0:22:15 | 0:22:20 | |
-Maybe she was at a hotel. -Very possibly. -And she was painting the vista. | 0:22:20 | 0:22:24 | |
I mean, it's very decorative. | 0:22:24 | 0:22:27 | |
Is it very cheap though? | 0:22:27 | 0:22:29 | |
-60 quid. -Oh! | 0:22:29 | 0:22:31 | |
-It's an antique. -I know. | 0:22:31 | 0:22:34 | |
-If I'm here much longer, I'll be an antique. -Too late! | 0:22:34 | 0:22:37 | |
How close to 40 can we go? | 0:22:37 | 0:22:40 | |
-We can't cos I gave 50 for it. -Oh. -Uh-huh. | 0:22:40 | 0:22:44 | |
-So 60's your best? -55. I'll take £5 off. | 0:22:44 | 0:22:47 | |
-I'll take it. -Go on. | 0:22:47 | 0:22:49 | |
-I'll throw the box in for 25. -Oh, my God! -I won't go any lower than that. | 0:22:49 | 0:22:55 | |
No, no, I understand. | 0:22:55 | 0:22:57 | |
So that would be 55, 60, 70. | 0:22:58 | 0:23:00 | |
-No, 80. -Oh, is it? | 0:23:00 | 0:23:02 | |
55 and 25 is still 80. | 0:23:02 | 0:23:04 | |
Sorry. I've never been good at maths. | 0:23:04 | 0:23:07 | |
-Not that old chestnut! -You could have said 90 as well. | 0:23:07 | 0:23:11 | |
-Yeah. I don't think I'm that bad at maths. -Exactly. | 0:23:11 | 0:23:15 | |
So that's 80. Go on. Let's do that, let's do that. | 0:23:15 | 0:23:18 | |
Another humdinger of a deal done and Mark's finally filling up his goody bag, | 0:23:18 | 0:23:23 | |
but still has £105 to spend. Onwards and upwards! | 0:23:23 | 0:23:26 | |
While Mark has been haggling, Will has taken the Triumph 17 miles west to Newhaven Harbour. | 0:23:26 | 0:23:33 | |
The port was of particular importance during World War One and World War Two | 0:23:33 | 0:23:38 | |
as Allied troops set sail from here for France. | 0:23:38 | 0:23:42 | |
Will is visiting Newhaven Fort where he's meeting up with Ed for the guided tour. | 0:23:42 | 0:23:47 | |
I'm not great with heights. I might tell you that now! | 0:23:47 | 0:23:50 | |
The strategically positioned fort, built out of the threat of invasion, | 0:23:50 | 0:23:55 | |
sits high above the harbour at Newhaven, looking out across the English Channel. | 0:23:55 | 0:24:00 | |
Newhaven offers the shortest overland route to London from the south-east coast, | 0:24:00 | 0:24:05 | |
so it's no wonder it has a defensive history that reaches back over 400 years. | 0:24:05 | 0:24:10 | |
After the French raided nearby Seaford in 1548, Newhaven received its first gun. | 0:24:10 | 0:24:15 | |
As the threat of invasion increased, so did the military technology. | 0:24:15 | 0:24:19 | |
The first gun battery was built in 1760 and that was armed with five guns. | 0:24:19 | 0:24:25 | |
Only a few months after the guns had been installed, they saw their first action. | 0:24:25 | 0:24:30 | |
-Against? -A privateer or pirates. | 0:24:30 | 0:24:33 | |
-Really? -A smuggling ship was sighted sailing from the west to the east towards Seaford, | 0:24:33 | 0:24:38 | |
making its way probably past Seaford Head. | 0:24:38 | 0:24:41 | |
The master gunner of that battery ordered these men into action. Three shots were fired... | 0:24:41 | 0:24:46 | |
SOUND OF GUNSHOTS | 0:24:46 | 0:24:48 | |
..all of which missed. | 0:24:52 | 0:24:54 | |
-Lucky pirate! -Yeah. | 0:24:54 | 0:24:56 | |
Not an auspicious start for our defence, but they were there and they were in action pretty quickly. | 0:24:56 | 0:25:02 | |
The current fort was built in 1860 by 22-year-old John Charles Ardagh | 0:25:04 | 0:25:10 | |
who used a very novel approach, blending his design with the nooks and crannies of the land. | 0:25:10 | 0:25:16 | |
So we're climbing up higher and higher and this is where one of the big guns was positioned. | 0:25:16 | 0:25:21 | |
Yeah, you're standing right in front of it. This is one of the fort's big hitters from the turn of the century. | 0:25:21 | 0:25:27 | |
A six-inch naval gun with a range of seven miles. | 0:25:27 | 0:25:31 | |
Yeah. And I can't help noticing that we're surrounded, ironically, by French schoolchildren. | 0:25:31 | 0:25:37 | |
What do you think they feel about seeing all these guns pointed towards the homeland? | 0:25:37 | 0:25:43 | |
If you visit Cherbourg, there are forts of similar shapes and sizes built to defend the French from us, | 0:25:43 | 0:25:49 | |
so even though there's centuries of antagonism, I think we're all all right now. | 0:25:49 | 0:25:55 | |
-It's all water under the bridge. -Water in the Channel! -Right. | 0:25:55 | 0:25:59 | |
With the new guns came new range-finding technology and Ed's got an example of a range-finder, | 0:25:59 | 0:26:05 | |
but it's proving a little tricky to open. | 0:26:05 | 0:26:08 | |
Of course, old technology... | 0:26:08 | 0:26:10 | |
Get it open, it will... | 0:26:11 | 0:26:13 | |
Go on then, give it some. | 0:26:13 | 0:26:15 | |
Let me give you a hand. | 0:26:17 | 0:26:19 | |
There you go. It just needed a gentle touch. | 0:26:19 | 0:26:23 | |
He must have loosened it. | 0:26:23 | 0:26:25 | |
As you look through the eyepiece, | 0:26:25 | 0:26:28 | |
one eyepiece gives you the vision that you're looking at, | 0:26:28 | 0:26:32 | |
like through a pair of binoculars, and a line of horizon. The other side is giving you the range in yards. | 0:26:32 | 0:26:38 | |
If you'd like to have a look... | 0:26:38 | 0:26:40 | |
-Oh, yes, look. So I've got the horizon line there. -Yeah. | 0:26:40 | 0:26:45 | |
Then that tells me what yardage. | 0:26:45 | 0:26:47 | |
What would that then tell you? What elevation to set the gun at? | 0:26:47 | 0:26:51 | |
Once the range and speed were calculated, the soldier would phone the gunners | 0:26:51 | 0:26:56 | |
-and order the guns raised to the relevant degrees and then... -Enemy fishing boat... -What's the range? | 0:26:56 | 0:27:03 | |
I reckon about 530 yards, Ed. I tell you what, Ed. Phone the gunner. Let him have it! | 0:27:03 | 0:27:08 | |
I wouldn't like to. Otherwise, the chip shop will be out of business. | 0:27:09 | 0:27:13 | |
That's true. He's only a poor, innocent little fisherman. You carry on with your business. | 0:27:13 | 0:27:19 | |
I think that's a spy ship. | 0:27:19 | 0:27:21 | |
So with the gun show over, it's time for Will to get motoring again. | 0:27:21 | 0:27:26 | |
Mark's final shopping stop takes him from Eastbourne around 15 miles west through Newhaven to Peacehaven. | 0:27:28 | 0:27:35 | |
Located above the chalk cliffs and nearby famous Beachy Head, | 0:27:36 | 0:27:40 | |
Peacehaven town was formed for retiring World War One veterans to recover from the effects of the war. | 0:27:40 | 0:27:46 | |
Mark's popping into Collectors Haven to meet Steve. | 0:27:46 | 0:27:50 | |
This is the last stop for shopping, so he needs to knuckle down and buy, buy, buy. | 0:27:50 | 0:27:56 | |
How odd is that? | 0:27:56 | 0:27:58 | |
A hand-made bottle in the form of a pig? | 0:27:59 | 0:28:02 | |
It's a perfume bottle. | 0:28:02 | 0:28:05 | |
-Why on earth would you have a perfume bottle in the form of a pig? -I've got no idea. | 0:28:05 | 0:28:11 | |
Pigs are not renowned for their sweet smells, are they? | 0:28:11 | 0:28:14 | |
-Happy as a pig in... -COUGHS | 0:28:14 | 0:28:17 | |
Mark's picked out a pretty, cloisonne enamel box. | 0:28:17 | 0:28:20 | |
Not old, circa 1960, with a ticket price of £100. | 0:28:20 | 0:28:24 | |
All this blue and the green is little glass...powdered glass, little glass crystals, | 0:28:27 | 0:28:32 | |
which they put on and then fire. | 0:28:32 | 0:28:35 | |
As it fires, it melts and forms the pattern here. It's put in within wires. | 0:28:35 | 0:28:40 | |
But it's a pretty little thing. It's a nice little work of art. | 0:28:40 | 0:28:44 | |
-It is. -It's got a nice, decorative appeal to it. | 0:28:44 | 0:28:48 | |
Piggy Toby. | 0:28:55 | 0:28:57 | |
Don't you think he's rather fun? | 0:28:57 | 0:28:59 | |
It's a little jug in the form of a pig, | 0:28:59 | 0:29:02 | |
holding a pint of beer in his best suit. | 0:29:02 | 0:29:06 | |
He's fixated by pigs today | 0:29:08 | 0:29:10 | |
and this little piggy is a novelty majolica jug, circa 1900. | 0:29:10 | 0:29:14 | |
I love his little trousers. | 0:29:15 | 0:29:18 | |
I think he's great. I think he's lovely, actually. | 0:29:18 | 0:29:21 | |
Crazy, but lovely. I'm going to put it... | 0:29:21 | 0:29:25 | |
Sound like anyone you know, Mark? The ticket price on this jolly fellow is £40. | 0:29:25 | 0:29:30 | |
But what will Steve be willing to let him go for? | 0:29:30 | 0:29:34 | |
I'd go to 30, but that would be it. | 0:29:34 | 0:29:36 | |
What about the unknown quantity? | 0:29:37 | 0:29:40 | |
65? | 0:29:40 | 0:29:42 | |
I think 60 sounds better. | 0:29:43 | 0:29:45 | |
-£60. -Let's shake on it. -You've got a deal. | 0:29:45 | 0:29:49 | |
-I've got to give you 90 quid? -Yeah. -Perfect. I'm very happy with that. | 0:29:49 | 0:29:53 | |
Sweet-talking devil! And with that, Mark's maxed out on lots | 0:29:53 | 0:29:57 | |
and the spending spectacle is at an end. | 0:29:57 | 0:30:01 | |
It's time for this double act to have a gander at each other's goodies. This could be revealing. | 0:30:01 | 0:30:07 | |
-Ready? I hope I don't knock anything over. -Me too. | 0:30:07 | 0:30:11 | |
-Yes... -Here he goes. -This is lovely. | 0:30:13 | 0:30:17 | |
I was tempted myself with that, but somebody actually went first... | 0:30:17 | 0:30:22 | |
-And beat you to it. -What's this? | 0:30:22 | 0:30:25 | |
Can you see the theme that I've gone for here? | 0:30:25 | 0:30:27 | |
Yeah, cheap. | 0:30:27 | 0:30:30 | |
-So this is an advertising bottle? -Yeah, I just thought it was... -I think it's great. | 0:30:30 | 0:30:35 | |
-It's just a bit different. -Yeah, a bit different. And a silver-plated cigar-cutter? -Cigar-cutter. | 0:30:35 | 0:30:41 | |
-Just to keep in with my smoking and drinking theme... -Vice, really. | 0:30:41 | 0:30:45 | |
-I'm going for women and song next time. -Are you? | 0:30:45 | 0:30:48 | |
-A little snuff box... -Yes, OK, another vice. | 0:30:48 | 0:30:51 | |
It's nice and clean. No damage. And a little smoker's cabinet. | 0:30:51 | 0:30:56 | |
And these are fashionable, do you think? | 0:30:56 | 0:30:58 | |
-Don't sit on the fence, Mark(!) -They are somewhere. | 0:30:58 | 0:31:02 | |
-Hmm. So how much have you spent in total? -I'm spent out. | 0:31:02 | 0:31:06 | |
-That's 200 quid's worth. -Really? -Yeah, you're happy about that. -And you don't even get the table! -No. | 0:31:06 | 0:31:12 | |
-Are you ready to see mine? -Yeah, I'm excited to see yours. | 0:31:12 | 0:31:16 | |
I bet it's all small, shiny and valuable. | 0:31:16 | 0:31:19 | |
Look at this! | 0:31:21 | 0:31:24 | |
I like... I'm immediately, of course, drawn to the gavel. | 0:31:24 | 0:31:27 | |
-I knew you would be. -Yeah. | 0:31:27 | 0:31:29 | |
Auctioneers, eh? They're so predictable. | 0:31:29 | 0:31:32 | |
-A carved Indian box. Do you think it's Indian? -Anglo-Indian, I think. | 0:31:32 | 0:31:36 | |
It's not the greatest in the world. | 0:31:36 | 0:31:39 | |
I fell in love with this because it's a really nice, honest antique painting. | 0:31:39 | 0:31:43 | |
-A sort of alpine lake scene? -It is. I think this is Mont Blanc in the background, possibly? | 0:31:43 | 0:31:49 | |
-It could be. -That's a mountain in France. -I know what it is. -I just thought I'd point it out to you. | 0:31:49 | 0:31:55 | |
-What is that? -This is my favourite bit. I mean, look at him. | 0:31:55 | 0:32:00 | |
-With his monocle. -Are you sure someone hasn't just drawn on him? | 0:32:00 | 0:32:04 | |
-I just adore him. -Pigs is a good subject. | 0:32:04 | 0:32:07 | |
I hope it's not a pig in a poke. But it was only 30 quid. | 0:32:07 | 0:32:11 | |
-I'm excited now to see how they do. -I think you've done really well. I'm so looking forward to the auction. | 0:32:11 | 0:32:17 | |
They're no shrinking violets, but with their backs turned, have they anything else to add? | 0:32:17 | 0:32:22 | |
I think I might just have the edge. | 0:32:22 | 0:32:25 | |
I've got the gavel that cost very little, the pig, the enamel box, the painting. | 0:32:25 | 0:32:30 | |
I think he was quite impressed with my items. | 0:32:30 | 0:32:33 | |
The little Anglo-Indian box, sweet enough, but of no great quality. | 0:32:33 | 0:32:38 | |
And the pig? Bit of a punt on that, really. | 0:32:38 | 0:32:41 | |
Will impressed? Not much! | 0:32:41 | 0:32:43 | |
It's time to trundle off in the Triumph to the auction house. | 0:32:43 | 0:32:47 | |
Let's hope a lot of good people... Oh, God, it's gone dead on me again! | 0:32:47 | 0:32:51 | |
-Go into second. There you go. -ENGINE REVS | 0:32:51 | 0:32:54 | |
-Sorry. -Are we late? -LAUGHTER | 0:32:54 | 0:32:57 | |
I'm just eager to get to the auction. | 0:32:58 | 0:33:02 | |
On the first leg of their Road Trip, these jolly jousters have travelled | 0:33:02 | 0:33:06 | |
through East Sussex, 1066 country no less, from Hastings to Lewes. | 0:33:06 | 0:33:10 | |
Lewes is an ancient market town with wonderful architecture left behind by generations. | 0:33:10 | 0:33:17 | |
And this building is of great importance. | 0:33:17 | 0:33:20 | |
It's where they make their local brew. | 0:33:20 | 0:33:24 | |
Let's get it over with. I think we're going to be all right. | 0:33:24 | 0:33:27 | |
-Yeah. -We'll keep smiling. -We're a couple of happy chappies. -We are. | 0:33:27 | 0:33:32 | |
-What can go wrong? -Let's go. | 0:33:32 | 0:33:34 | |
Boasting almost a century's worth of experience, Gorringes Auction House know what they're about | 0:33:34 | 0:33:40 | |
and today's miscellaneous auction is also online. | 0:33:40 | 0:33:44 | |
With a firm grasp of the gavel is today's auctioneer Philip Taylor. | 0:33:44 | 0:33:48 | |
What does he think of this pair's lots? | 0:33:48 | 0:33:51 | |
One of the better pieces is the really nice piece of cloisonne enamel. | 0:33:51 | 0:33:55 | |
That's a little box made by the great Ando family. I hope it will certainly make over £50, £60. | 0:33:55 | 0:34:01 | |
Another one of my favourites possibly is the Edwardian oak, cigar and cigarette box. | 0:34:01 | 0:34:07 | |
Lovely quality, that, but not many people smoke these days, so who knows? | 0:34:07 | 0:34:12 | |
Mark and Will both began this leg with the Road Trip bulging budget of £200. | 0:34:12 | 0:34:17 | |
Will went hell for leather and managed to spend the whole lot on five lots. | 0:34:17 | 0:34:23 | |
Mark also amassed five lots, spending £185. | 0:34:23 | 0:34:26 | |
-The knights of antiquity are about to do battle. -This is it. | 0:34:28 | 0:34:32 | |
Lot 1, Mark's early 20th century, large fruitwood gavel. | 0:34:32 | 0:34:37 | |
Will it hammer home a solid profit? | 0:34:37 | 0:34:40 | |
A bit bigger than mine. £10? Any bids at 10? | 0:34:40 | 0:34:43 | |
-Now he's just bragging(!) -Surely £10 for the gavel? Any bids at 10? | 0:34:43 | 0:34:47 | |
Thank you, 10 I'm bid. 15 now. At 15. At 20. At £20. | 0:34:47 | 0:34:51 | |
The lady in the centre at 20... 25 at the back wall. | 0:34:51 | 0:34:54 | |
£30 bid. It is yours, madam, at 30. | 0:34:54 | 0:34:57 | |
Any further bids? Are you all done at £30...? | 0:34:57 | 0:35:00 | |
-35, just in time. -Oh, just in time. | 0:35:00 | 0:35:03 | |
Have another one, madam? Done then on 35. Your bid, sir, at 35... | 0:35:03 | 0:35:07 | |
-That's all right. £20 profit. -Good work, Mark. Good work. | 0:35:07 | 0:35:11 | |
I'm happy with that. | 0:35:11 | 0:35:13 | |
The gavel nailed it. Strike one to Mark! | 0:35:13 | 0:35:17 | |
Once the gavel's gone down, you can't get the gavel again. | 0:35:17 | 0:35:21 | |
Oh, he's like a Zen master! | 0:35:21 | 0:35:23 | |
Now it's boozy Will with the Scotch whisky display bottle. | 0:35:23 | 0:35:27 | |
Anyone fancy a wee nip? | 0:35:27 | 0:35:29 | |
Start at £10? Surely, someone, 10? | 0:35:29 | 0:35:32 | |
Thank you. 10 I'm bid. 15 bid. At £15. | 0:35:32 | 0:35:35 | |
A shop display lot at £15 only. | 0:35:35 | 0:35:37 | |
At £15 only. | 0:35:37 | 0:35:39 | |
-At £15... -It's all over now. That's cheap. | 0:35:39 | 0:35:42 | |
It's yours at the back there at 15. | 0:35:42 | 0:35:44 | |
Are you all done? All finished on 15? It's yours at the back, sir, at 15... | 0:35:44 | 0:35:49 | |
GAVEL BANGS £15 only... | 0:35:49 | 0:35:51 | |
Not a great start for Will's first Road Trip auction. | 0:35:51 | 0:35:55 | |
Mark's up next with his Mont Blanc painting. | 0:35:55 | 0:35:58 | |
Could this pretty little picture make him a pretty little penny? | 0:35:58 | 0:36:02 | |
Bid me £30 to get it started? Any bids at 30? | 0:36:02 | 0:36:06 | |
20 then? Any bids at 10? | 0:36:06 | 0:36:08 | |
-Oh, come on! -Start me at £10 on it? Any bids at £10? | 0:36:08 | 0:36:11 | |
A little view here of Mont Blanc. Any bids at £10? | 0:36:11 | 0:36:14 | |
No bids at all? Oh, dear me! We can't sell it if you can't bid. | 0:36:14 | 0:36:18 | |
£5. I've got it there at £5 only. The frame is worth more. At £5 only. | 0:36:18 | 0:36:22 | |
-Oh, this is silly. -Are you all done? I'll let it go at £5 only... | 0:36:22 | 0:36:26 | |
-GAVEL BANGS -That's ridiculous. | 0:36:26 | 0:36:29 | |
What a hefty loss! That's obliterated his earlier profit. | 0:36:29 | 0:36:33 | |
My 15 quid for my bottle's looking quite good now. | 0:36:33 | 0:36:37 | |
It is looking very good. That's very disappointing. | 0:36:37 | 0:36:40 | |
There's a chance for Will now with his 19th century glass barrel, | 0:36:40 | 0:36:44 | |
but he needs to make over £80 to clear a profit. | 0:36:44 | 0:36:49 | |
-A rather nice item. -Thank you very much. -It is nice. | 0:36:49 | 0:36:52 | |
-By Loftus of London. -Come on. -Quite a nice item. Surely, £50? | 0:36:52 | 0:36:56 | |
Get me started at 30, someone? Any bids at £30? | 0:36:56 | 0:36:59 | |
The spirit barrel at £30? Surely, £30? | 0:36:59 | 0:37:02 | |
10 from someone then? Get it going at £10? Any bids at £10? | 0:37:02 | 0:37:06 | |
Any bids... Thank you. 10 at the back. At only £10. | 0:37:06 | 0:37:10 | |
15 at the back. At 15. 20. | 0:37:10 | 0:37:12 | |
Come along, sir. At £20. 25. | 0:37:12 | 0:37:14 | |
At £25. It's no money at 25. I've got to sell it though at 25. | 0:37:14 | 0:37:18 | |
I'm letting it go at the very back wall at £25... | 0:37:18 | 0:37:22 | |
-GAVEL BANGS -I'm sorry, Will. | 0:37:22 | 0:37:24 | |
That is just... | 0:37:24 | 0:37:27 | |
I'm really sorry, Will. | 0:37:27 | 0:37:29 | |
What a disaster, eh? | 0:37:30 | 0:37:32 | |
No-one seems interested in the alcohol theme. | 0:37:32 | 0:37:35 | |
But will his smoking lots fare any better? | 0:37:35 | 0:37:38 | |
And here's one now - the 19th century, oak smoker's box. | 0:37:38 | 0:37:42 | |
Must be £30? £20 from someone? Who bids me £20? Thank you, £20. | 0:37:42 | 0:37:46 | |
Only bid at 20. 5 with you now? 25. | 0:37:46 | 0:37:48 | |
At 25. £30 bid now. | 0:37:48 | 0:37:51 | |
At 30. 35. And 40. | 0:37:51 | 0:37:53 | |
At £40. At 40. At £40. | 0:37:53 | 0:37:56 | |
-Bid again, sir? No? At 40. -Go on. | 0:37:56 | 0:37:59 | |
Have we all finished then? Done on £40, it sells... | 0:37:59 | 0:38:02 | |
GAVEL BANGS Bidder number 5,000. £40, thank you. | 0:38:02 | 0:38:05 | |
Well done. You made a... | 0:38:05 | 0:38:07 | |
-A small loss. -A small loss, which is good, actually. | 0:38:07 | 0:38:11 | |
Loss after loss after loss. | 0:38:11 | 0:38:13 | |
Poor Will. He took a risk with his theme. So far, it's not paying off. | 0:38:13 | 0:38:17 | |
And Mark's not doing much better. | 0:38:18 | 0:38:20 | |
Could this Anglo-Indian box have some eastern promise? | 0:38:20 | 0:38:24 | |
-Beautifully carved. -Oh, beautifully carved. | 0:38:24 | 0:38:27 | |
Get me started at 20? £20, someone? Surely at 20? Any bids then at 10? | 0:38:27 | 0:38:31 | |
-£10?! -10 I'm bid. 15, anyone? 15 bid. 20 against you, madam? | 0:38:31 | 0:38:35 | |
£20, surely? Is that a bid, madam? I can't see you. Will you bid me 20? | 0:38:35 | 0:38:40 | |
-He's trying. -At £15 only then. | 0:38:40 | 0:38:42 | |
At £15. At £15. It's got to be sold. It goes then on 15. Last time at 15. | 0:38:42 | 0:38:47 | |
It's had its time at 15. 15... GAVEL BANGS | 0:38:47 | 0:38:50 | |
A small loss, but a loss nonetheless and it's all stacking up. | 0:38:50 | 0:38:55 | |
-We've got our health, Mark. -Yeah. -We've got a nice car parked outside. | 0:38:55 | 0:38:59 | |
We have. The sun's still shining. | 0:38:59 | 0:39:01 | |
And only a few more lots to go, then we'll hit the bar. | 0:39:01 | 0:39:05 | |
I'm in for that! | 0:39:05 | 0:39:07 | |
Mark's up again with his novelty pig jug. | 0:39:07 | 0:39:10 | |
It'll have to be one miraculous piggy to stop this losing streak. | 0:39:10 | 0:39:14 | |
People collect pigs. How do you like this one? Start me around £40? | 0:39:14 | 0:39:19 | |
Any bids at 30 then? The pig at £30? | 0:39:19 | 0:39:21 | |
10 to get it started? Someone bid me £10 to get it started? | 0:39:21 | 0:39:25 | |
Any bids at £10 for it? Any bids at £10 for the pig? Oh, dear me. | 0:39:25 | 0:39:29 | |
Thank you, £10. I'm bid 10. 15 now against you. At 15. £20 I have. | 0:39:29 | 0:39:35 | |
It's yours in the centre, madam, at 20. Any further bidders? | 0:39:35 | 0:39:38 | |
I'm letting it go at 20. Finished on £20 only... | 0:39:38 | 0:39:42 | |
This little piggy did not get to market. | 0:39:42 | 0:39:45 | |
-There seems to be a theme emerging from today's sale. -Yeah. | 0:39:47 | 0:39:51 | |
If Will can make a profit on his final two items, | 0:39:51 | 0:39:54 | |
he could still be in with a chance. | 0:39:54 | 0:39:57 | |
Next up is his silver-plated cigar-cutter. | 0:39:57 | 0:39:59 | |
Somebody bid me? Any bids at all? | 0:39:59 | 0:40:02 | |
-Get it started at a fiver? £5. -The blade's solid... -A fiver, Will? | 0:40:02 | 0:40:05 | |
8 I'm bid. At 10. 10 I have. | 0:40:05 | 0:40:08 | |
At £10. At £10. Bid again, sir, at 10? | 0:40:08 | 0:40:11 | |
Right in the corner, will you bid me? At £10 only. | 0:40:11 | 0:40:14 | |
I'll let it go at 10. Finished with it at £10 only... | 0:40:14 | 0:40:19 | |
-Back there at 10... -Thank you very much. | 0:40:19 | 0:40:22 | |
Oh, lordy! Another crushing blow for Will. | 0:40:22 | 0:40:26 | |
Mark's Japanese cloisonne, circular box is the next lot. | 0:40:26 | 0:40:30 | |
Surely, this will do some business. | 0:40:30 | 0:40:32 | |
-Your pretty box. -Oh, my pretty box. | 0:40:32 | 0:40:35 | |
With me here at £20 only. £20. 25. 30. | 0:40:35 | 0:40:38 | |
5. 40. 5. 50 bid. | 0:40:38 | 0:40:41 | |
At £50. The desk at £50. | 0:40:41 | 0:40:43 | |
At £50. At 50. Any further bidders then, at 50? | 0:40:43 | 0:40:47 | |
All done, finished then on 50? | 0:40:47 | 0:40:49 | |
At £50, it goes... GAVEL BANGS | 0:40:49 | 0:40:51 | |
-It went a little bit more than I thought, but still a loss. -Yeah. | 0:40:51 | 0:40:55 | |
Another beastly outcome, eh? But there's not much between the pair, | 0:40:55 | 0:40:59 | |
so it could all change with Will's final lot. | 0:40:59 | 0:41:02 | |
It's his snuff box. | 0:41:02 | 0:41:05 | |
If this sparks the crowd's interest, he could still be in with a chance. | 0:41:05 | 0:41:09 | |
-Here we go. -£10 to get it started? | 0:41:09 | 0:41:13 | |
-Thank you. 10 I'm bid. 15 now. 15. 20. 5. -Come on. | 0:41:13 | 0:41:16 | |
At £25. At 25. Are you all done at 25? | 0:41:16 | 0:41:20 | |
Finished then... £30. At 30. | 0:41:20 | 0:41:23 | |
In the centre I've got it at 30. | 0:41:23 | 0:41:25 | |
-She can come again. -Last time then. It goes at 30... | 0:41:25 | 0:41:28 | |
-The highest profit of the day. -Get in! -Well done, 20 quid profit! | 0:41:28 | 0:41:32 | |
Thank you very much, sir. | 0:41:32 | 0:41:34 | |
Hurrah, profit at last! But too little, too late. | 0:41:34 | 0:41:37 | |
And despite desperate losses on both sides, | 0:41:37 | 0:41:40 | |
Mark beats Will by a nose. | 0:41:40 | 0:41:42 | |
-I've had enough of this. Let's go. -I've had enough of this. Come on. | 0:41:42 | 0:41:46 | |
Newbie Will Axon started with the princely sum of £200 and spent the lot. | 0:41:47 | 0:41:53 | |
After auction costs, he's lost £101.60, | 0:41:53 | 0:41:57 | |
leaving him £98.40 for the next leg. | 0:41:57 | 0:42:02 | |
Mark Stacey spent £185 of his starting budget of 200 | 0:42:02 | 0:42:06 | |
and after costs, made a loss of £82.50, | 0:42:06 | 0:42:09 | |
which means he has just £117.50 to play with next time. | 0:42:09 | 0:42:15 | |
-What a disaster! -I'm still a bit shell-shocked, to be honest. -Me too. | 0:42:18 | 0:42:22 | |
-We have a little money left. -We made small profits and big losses. | 0:42:22 | 0:42:26 | |
Small profit? One each, that's it. | 0:42:26 | 0:42:29 | |
-Oh, yeah. -And then big losses. -Big losses. | 0:42:29 | 0:42:32 | |
-Shall we see if we have enough petrol to get to the next stop? -Shall we check the gauge? | 0:42:32 | 0:42:36 | |
-But we did say we were going to stay cheery. -We are cheerful. | 0:42:36 | 0:42:40 | |
-It can only get better. -What else can happen? | 0:42:40 | 0:42:43 | |
Probably quite a lot. Drive on, chaps. A new leg awaits you. | 0:42:43 | 0:42:47 | |
Next time on the Antiques Road Trip... | 0:42:51 | 0:42:53 | |
Lovely day. Lovely day, lovely weather. I think we're going that way. | 0:42:53 | 0:42:58 | |
-Mark Stacey has to be reminded of the rules of the game. -I've seen a fridge-freezer I quite like! | 0:42:58 | 0:43:04 | |
-And new boy Will Axon takes a more hard-headed approach. -How do I look? | 0:43:04 | 0:43:10 | |
Subtitles by Red Bee Media Ltd | 0:43:29 | 0:43:32 |