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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car | 0:00:04 | 0:00:07 | |
and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
Going, going, gone! | 0:00:10 | 0:00:12 | |
Yes! | 0:00:12 | 0:00:13 | |
How do I look? | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:17 | |
Yes! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
I'm going to become a bin man. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
I like it when you're chasing me. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:36 | |
Jostling for pole position on the second leg of this week's road trip | 0:00:39 | 0:00:42 | |
are intrepid master antiquarians Mark Stacey | 0:00:42 | 0:00:46 | |
and Will Axon. | 0:00:46 | 0:00:48 | |
I had a horrible nightmare last night. | 0:00:48 | 0:00:49 | |
-Oh, what? -I dreamt that we went to an auction | 0:00:49 | 0:00:52 | |
with lots of treasure | 0:00:52 | 0:00:53 | |
and we bombed. | 0:00:53 | 0:00:55 | |
We were robbed and came home with nothing. | 0:00:55 | 0:00:57 | |
That wasn't a nightmare, Will. It happened. | 0:00:57 | 0:00:59 | |
I was afraid you were going to say that! | 0:00:59 | 0:01:01 | |
With over 25 years' experience in the antiques trade | 0:01:03 | 0:01:06 | |
and a veteran of the trip, | 0:01:06 | 0:01:08 | |
Mark Stacey still hasn't quite got the hang of the show. | 0:01:08 | 0:01:11 | |
I've seen a fridge freezer I quite like. | 0:01:11 | 0:01:13 | |
While Newmarket-born auctioneer Will Axon | 0:01:13 | 0:01:16 | |
does not want to suffer a repeat of the first auction debacle, | 0:01:16 | 0:01:21 | |
so has arranged some extra protection. | 0:01:21 | 0:01:23 | |
How do I look? | 0:01:23 | 0:01:25 | |
Both Mark and Will started the week on £200 | 0:01:27 | 0:01:29 | |
and bombed at the first auction. | 0:01:29 | 0:01:31 | |
Mark lost £82.50, | 0:01:31 | 0:01:33 | |
so starts today's trolley dash for treasure | 0:01:33 | 0:01:35 | |
with £117.50. | 0:01:35 | 0:01:38 | |
Will's losses amounted to a budget-slashing £101.60, | 0:01:40 | 0:01:44 | |
so he starts today's antique adventure | 0:01:44 | 0:01:47 | |
with only £98.40. | 0:01:47 | 0:01:49 | |
Mark and Will are kings of the road in this little white pearl - | 0:01:50 | 0:01:54 | |
it's a 1963 Triumph TR4, | 0:01:54 | 0:01:56 | |
but last time it was a little less than reliable. | 0:01:56 | 0:01:59 | |
Hang on, hang on - I'm going to try and coast it into this space. | 0:01:59 | 0:02:03 | |
Let's hope she behaves herself today. | 0:02:03 | 0:02:06 | |
Come on, please make it. | 0:02:06 | 0:02:07 | |
Go on! | 0:02:07 | 0:02:08 | |
Otherwise you'll have to get out and push, Will. | 0:02:08 | 0:02:11 | |
Our travelling antiquarians | 0:02:11 | 0:02:12 | |
are cruising through no less than five counties. | 0:02:12 | 0:02:16 | |
They started the week in East Sussex | 0:02:16 | 0:02:17 | |
and will visit Kent, Essex, Suffolk | 0:02:17 | 0:02:20 | |
and Hertfordshire, | 0:02:20 | 0:02:22 | |
before ending up at an auction in the London suburb of Ruislip. | 0:02:22 | 0:02:25 | |
On this leg, they'll start in Bilsington | 0:02:25 | 0:02:28 | |
and end up at an auction not far away in Sandwich, | 0:02:28 | 0:02:31 | |
but clocking up some 80-odd miles in between. | 0:02:31 | 0:02:35 | |
I'm going to change my tactics, I think. | 0:02:35 | 0:02:37 | |
I've been a bit soft. | 0:02:37 | 0:02:39 | |
-Have you? -On the dealers, I think. | 0:02:39 | 0:02:41 | |
I thought it was just you didn't buy very nice things. | 0:02:41 | 0:02:43 | |
They are deep in the countryside in Kent, | 0:02:45 | 0:02:48 | |
near a little village called Bilsington | 0:02:48 | 0:02:50 | |
and Mark's dropping Will off at the first shop. | 0:02:50 | 0:02:53 | |
It's time for Will to put his new tough-guy tactic into play, | 0:02:53 | 0:02:58 | |
as he kicks off his bargain blitz at the Barn at Bilsington. | 0:02:58 | 0:03:02 | |
Watch out, Gabrielle - he means business. | 0:03:03 | 0:03:05 | |
I'm going to get straight to the point | 0:03:07 | 0:03:09 | |
and say my budget is even more limited | 0:03:09 | 0:03:11 | |
-than it was in the first instance. -Right. | 0:03:11 | 0:03:13 | |
Well, give me an idea as to what your budget is. | 0:03:13 | 0:03:16 | |
Maybe I'll point you in a direction. | 0:03:16 | 0:03:19 | |
I was looking to maybe buy a couple of items for £50. | 0:03:19 | 0:03:23 | |
Crikey! That went down like a lead balloon. | 0:03:23 | 0:03:26 | |
Gabrielle specialises in French country furniture, | 0:03:26 | 0:03:29 | |
though you could be mistaken for thinking | 0:03:29 | 0:03:32 | |
you were in her lavishly decorated home, | 0:03:32 | 0:03:34 | |
complete with a fire in the hearth to get you warmed up | 0:03:34 | 0:03:37 | |
and in the buying mood. | 0:03:37 | 0:03:39 | |
But anyway, there's business to be done. Let's have a rummage. | 0:03:39 | 0:03:42 | |
See? It works a treat. | 0:03:42 | 0:03:44 | |
That's quite nice, isn't it? | 0:03:50 | 0:03:52 | |
Bone rather than ivory. | 0:03:53 | 0:03:55 | |
And you've got this sort of penwork. | 0:03:55 | 0:03:57 | |
It's almost got a sort of... | 0:03:57 | 0:04:00 | |
Indian feel about it. | 0:04:00 | 0:04:02 | |
Gabrielle's glasses in there, and a little nail file. | 0:04:05 | 0:04:08 | |
That's what they're used for - handy little box for knick-knacks. | 0:04:09 | 0:04:12 | |
No price ticket on it. | 0:04:14 | 0:04:16 | |
That might be one to mention. | 0:04:17 | 0:04:19 | |
These decorative little boxes are just the kind of thing | 0:04:19 | 0:04:22 | |
that could fly at auction. | 0:04:22 | 0:04:24 | |
Hmm. | 0:04:29 | 0:04:31 | |
Nice Chinese blue and white vase. | 0:04:33 | 0:04:35 | |
Got a mark underneath. | 0:04:37 | 0:04:39 | |
Always be slightly suspicious of the Chinese marks. | 0:04:39 | 0:04:43 | |
I believe that's the Kangxi mark. | 0:04:43 | 0:04:46 | |
This pretty blue and white painted vase | 0:04:46 | 0:04:49 | |
is 19th century Kangxi. | 0:04:49 | 0:04:51 | |
The production of Kangxi ended in 1722, | 0:04:51 | 0:04:55 | |
but the style was copied into the 1800s. | 0:04:55 | 0:04:58 | |
It's got what I would call a sort of star crack | 0:04:58 | 0:05:02 | |
to the body, | 0:05:02 | 0:05:04 | |
and that has spread | 0:05:04 | 0:05:06 | |
somewhat. | 0:05:06 | 0:05:07 | |
Well, it's no Ming dynasty, | 0:05:07 | 0:05:10 | |
so can Will stick to his new macho technique | 0:05:10 | 0:05:13 | |
and get it within budget? | 0:05:13 | 0:05:15 | |
-I found this upstairs. -Yes. | 0:05:16 | 0:05:18 | |
-Which is interesting. -Mm-hm. | 0:05:18 | 0:05:21 | |
But quite badly damaged. | 0:05:21 | 0:05:23 | |
Can you see that nasty crack? | 0:05:26 | 0:05:28 | |
-It's got age to it. -It has. | 0:05:28 | 0:05:30 | |
Um... | 0:05:30 | 0:05:32 | |
Going to have met with some problems in its life. | 0:05:32 | 0:05:35 | |
Haven't we all, dear? | 0:05:35 | 0:05:37 | |
Can we say £40? | 0:05:37 | 0:05:40 | |
And 5. | 0:05:41 | 0:05:43 | |
Well, if I find something else and round it up to 50? | 0:05:43 | 0:05:46 | |
-You've got quite a sweet little box next door. -Yes. | 0:05:46 | 0:05:50 | |
That's more. That's got to be 25. | 0:05:50 | 0:05:52 | |
So, £45 for the vase | 0:05:52 | 0:05:55 | |
and £25 for the box is £70. | 0:05:55 | 0:05:58 | |
But how much does Will dare to offer? | 0:05:58 | 0:06:01 | |
Could I have both for 60? | 0:06:01 | 0:06:03 | |
That seems fair. | 0:06:05 | 0:06:06 | |
To who? To you or to me? | 0:06:06 | 0:06:08 | |
-To both of us! -Fair enough. | 0:06:08 | 0:06:10 | |
-Can we do that? -Yes. | 0:06:10 | 0:06:12 | |
I'm thrilled. Thanks very much. | 0:06:12 | 0:06:14 | |
Good. A pleasure. | 0:06:14 | 0:06:16 | |
Ding-ding! Round one to Will. | 0:06:16 | 0:06:18 | |
He's struck a good bargain, but £60 is over half his starting budget, | 0:06:18 | 0:06:22 | |
so he only has £38.40 | 0:06:22 | 0:06:24 | |
for the rest of this leg. Pretty risky, this. | 0:06:24 | 0:06:26 | |
Meanwhile, Mark's put his pedal to the metal | 0:06:26 | 0:06:30 | |
and gone nearly eight miles southeast | 0:06:30 | 0:06:32 | |
to a place called Appledore. | 0:06:32 | 0:06:34 | |
Not in Devon. | 0:06:34 | 0:06:36 | |
It's a village known to generations of children | 0:06:36 | 0:06:38 | |
as the setting for AA Milne's famous poem | 0:06:38 | 0:06:41 | |
The Knight Whose Armour Didn't Squeak. | 0:06:41 | 0:06:44 | |
DOOR SQUEAKS | 0:06:44 | 0:06:46 | |
Mark's festival of fun is about to commence at the Old Forge, | 0:06:46 | 0:06:49 | |
where he's already forging an alliance with storekeeper Jenny. | 0:06:49 | 0:06:52 | |
Look out, Jenny! | 0:06:52 | 0:06:54 | |
Jenny, I've a good feeling we're going to do some business today. | 0:06:54 | 0:06:57 | |
You have, and I've got you a cup of tea, | 0:06:57 | 0:06:59 | |
because you must be frozen. | 0:06:59 | 0:07:00 | |
I'm frozen. I know we're going to get on. | 0:07:00 | 0:07:03 | |
You old charmer, you. | 0:07:03 | 0:07:04 | |
-Thank you, Jenny. -It's a pleasure. | 0:07:04 | 0:07:07 | |
This is the sort of thing I think might sell quite well. | 0:07:09 | 0:07:12 | |
I'll lift it up. It's quite heavy, I should imagine. | 0:07:12 | 0:07:15 | |
Yes, it is. | 0:07:15 | 0:07:17 | |
I mean, how would you describe that? | 0:07:19 | 0:07:21 | |
Cheap? Concrete? Doorstep? | 0:07:21 | 0:07:24 | |
I could go on. | 0:07:24 | 0:07:25 | |
I think these are quite cheeky. | 0:07:25 | 0:07:27 | |
Painted in a nicer colour, I think that could be quite a fun item. | 0:07:29 | 0:07:33 | |
It's a bit much at the moment - £22. | 0:07:34 | 0:07:36 | |
And it just says "Doggy"! | 0:07:36 | 0:07:38 | |
But I think she's rather sweet. | 0:07:40 | 0:07:42 | |
Look, there's a little bow. You can see a little bow. | 0:07:42 | 0:07:45 | |
I think you're barking up the wrong tree here. | 0:07:45 | 0:07:47 | |
It's rough, rough, rough! | 0:07:47 | 0:07:49 | |
Like a moth to a flame, | 0:07:51 | 0:07:52 | |
Mark's alighted on an outrageous vintage 1970s lamp | 0:07:52 | 0:07:56 | |
that is, frankly, camper than knickers. | 0:07:56 | 0:07:59 | |
I think it's green and brown onyx. | 0:07:59 | 0:08:01 | |
I suppose it is, yes. | 0:08:01 | 0:08:03 | |
With these sort of gilt metal or brass mounts, | 0:08:03 | 0:08:06 | |
with sort of caryatids on the base there. | 0:08:06 | 0:08:10 | |
And this outrageous shade! | 0:08:10 | 0:08:12 | |
Everybody comments on it, I have to say. | 0:08:13 | 0:08:16 | |
You could almost get away with it at Ascot, at Ladies Day. | 0:08:16 | 0:08:19 | |
But I think, to me, | 0:08:19 | 0:08:22 | |
it sort of screams the 1970s. I don't know about you. | 0:08:22 | 0:08:25 | |
-I think it probably is. -Abigail's Party and all that. | 0:08:25 | 0:08:28 | |
There's no ticket price on the lamp, | 0:08:28 | 0:08:30 | |
so let the tussle begin. | 0:08:30 | 0:08:32 | |
What would be your bargain price? Because you've got to get rid of it. | 0:08:32 | 0:08:36 | |
It doesn't fit in with your theme at all here. | 0:08:36 | 0:08:38 | |
What - retro chic? | 0:08:38 | 0:08:40 | |
-Um...35. -MARK GASPS | 0:08:40 | 0:08:42 | |
Oh, lordy! | 0:08:42 | 0:08:44 | |
What were you thinking? | 0:08:44 | 0:08:46 | |
I might have to have a sit-down. | 0:08:47 | 0:08:49 | |
Um... | 0:08:49 | 0:08:50 | |
Oh, dear! | 0:08:50 | 0:08:52 | |
The old ticker's going now - palpitations. | 0:08:52 | 0:08:54 | |
Am-dram, eat your heart out! | 0:08:54 | 0:08:56 | |
But if I could get that | 0:08:56 | 0:08:59 | |
for somewhere near £20, or in between 20 and 30... | 0:08:59 | 0:09:03 | |
What about 25? | 0:09:03 | 0:09:05 | |
Oh, Jenny, I've got to have it for £25. | 0:09:06 | 0:09:08 | |
At the end of the day, the shade's worth that. | 0:09:08 | 0:09:11 | |
Yeah. | 0:09:11 | 0:09:12 | |
So, first deal of the day in the bag. | 0:09:12 | 0:09:14 | |
But what about that concrete terrier? | 0:09:14 | 0:09:16 | |
MUSIC: # How much is that doggy in the window? # | 0:09:16 | 0:09:20 | |
Graham, the little doggy's owner, has arrived. | 0:09:20 | 0:09:23 | |
So now they can have a pet talk. | 0:09:23 | 0:09:25 | |
What could you do it for? It's marked as 22. | 0:09:25 | 0:09:27 | |
-Well, we would really like you to win. -Oh! | 0:09:27 | 0:09:31 | |
So let's say... | 0:09:31 | 0:09:34 | |
um... | 0:09:34 | 0:09:36 | |
-15. How's that, Mark? -MARK GASPS | 0:09:36 | 0:09:39 | |
Ideally, I'd like to get it for a tenner or so. | 0:09:39 | 0:09:41 | |
Cheaper, Mark? You don't say. | 0:09:41 | 0:09:43 | |
-If it's not possible... -Go 12. | 0:09:43 | 0:09:45 | |
Go 12 and we've got... we're there then. | 0:09:45 | 0:09:48 | |
We'd like you to come back. | 0:09:48 | 0:09:50 | |
And maybe spend a little more money! | 0:09:50 | 0:09:53 | |
I would like to come back as well. I would like to spend more | 0:09:53 | 0:09:56 | |
and I would like to win, which is why I need it for ten. | 0:09:56 | 0:09:58 | |
I'll let you have it for ten if it'll help. | 0:09:58 | 0:10:01 | |
Thank you so much, Graham. You are a star. | 0:10:01 | 0:10:03 | |
You're very welcome. | 0:10:03 | 0:10:05 | |
Mark's pleased at himself for scoring | 0:10:05 | 0:10:08 | |
a couple of tasty treasures | 0:10:08 | 0:10:10 | |
and is now scooting over to Hythe, around 17 miles eastwards. | 0:10:10 | 0:10:14 | |
He's visiting St Leonard's church. | 0:10:18 | 0:10:20 | |
At first glance, St Leonard's is like any other church, | 0:10:25 | 0:10:28 | |
but below, there's a crypt with a rather gruesome secret. | 0:10:28 | 0:10:32 | |
This kind of history is really not for the faint-hearted | 0:10:32 | 0:10:35 | |
and some viewers may be shocked | 0:10:35 | 0:10:37 | |
by what you're about to see. | 0:10:37 | 0:10:39 | |
Mike Pearson is the man in the know. | 0:10:39 | 0:10:40 | |
So this is the entrance to the crypt, | 0:10:42 | 0:10:43 | |
which is underneath the chancel, the main chancel of the church. | 0:10:43 | 0:10:47 | |
I'm not sure I'm ready for this! | 0:10:49 | 0:10:50 | |
Well, it is quite frightening when you first open it. | 0:10:50 | 0:10:54 | |
-It gives you the heebie-jeebies, Mike, doesn't it? -It does. | 0:11:06 | 0:11:09 | |
It's very frightening to start off with, | 0:11:09 | 0:11:11 | |
but then, you can see what's here | 0:11:11 | 0:11:14 | |
and how impressive it is, | 0:11:14 | 0:11:17 | |
with the skulls and the bones, particularly in this main stack. | 0:11:17 | 0:11:21 | |
The remains of about 2,000 bodies are collected here, | 0:11:28 | 0:11:31 | |
but no-one knows exactly why. | 0:11:31 | 0:11:33 | |
Past historians argued bones were placed in the crypt | 0:11:33 | 0:11:38 | |
after removal from the graveyard | 0:11:38 | 0:11:40 | |
when the church chancel was extended in the 13th century. | 0:11:40 | 0:11:43 | |
And, as other cemeteries nearby became full, | 0:11:43 | 0:11:47 | |
remains were dug up and placed here | 0:11:47 | 0:11:49 | |
to make way for new graves. | 0:11:49 | 0:11:51 | |
This practice in itself was not unusual in England, | 0:11:51 | 0:11:54 | |
but the bones were usually dispersed, | 0:11:54 | 0:11:56 | |
making this a rare collection. | 0:11:56 | 0:11:58 | |
It's quite staggering. It looks... I don't know. It's weird, | 0:11:58 | 0:12:02 | |
-seeing all these human beings piled up like this. -Yes. | 0:12:02 | 0:12:07 | |
The bones were stacked this way in the early 20th century | 0:12:07 | 0:12:10 | |
to preserve them. | 0:12:10 | 0:12:11 | |
Do you think they all died peacefully? | 0:12:11 | 0:12:14 | |
Um, well, the original theories were they were warriors slain in battle. | 0:12:14 | 0:12:20 | |
But because researchers recently have studied the skulls, | 0:12:20 | 0:12:27 | |
they found that there were slightly more females than males. | 0:12:27 | 0:12:30 | |
And there was an absence of wounds generally, | 0:12:30 | 0:12:34 | |
so they're not warriors at all. | 0:12:34 | 0:12:36 | |
Although the skulls and bones belong to people long since passed away, | 0:12:36 | 0:12:40 | |
they still tell a story of the lifestyle that they lived. | 0:12:40 | 0:12:43 | |
They did have a hard life. | 0:12:44 | 0:12:46 | |
For example, in terms of the teeth, | 0:12:46 | 0:12:50 | |
here's an example of teeth where the teeth are very worn. | 0:12:50 | 0:12:56 | |
That's because of the coarse diet. | 0:12:56 | 0:12:59 | |
But they do not have holes, | 0:12:59 | 0:13:02 | |
so that shows that there was an absence of sugar, | 0:13:02 | 0:13:06 | |
but it does explain | 0:13:06 | 0:13:08 | |
how hard... Although it's a hard life, | 0:13:08 | 0:13:12 | |
the teeth were preserved, compared with modern-day teeth. | 0:13:12 | 0:13:16 | |
Researchers have been studying and cataloguing the remains | 0:13:16 | 0:13:20 | |
and, alas, not everyone died peacefully of natural causes. | 0:13:20 | 0:13:24 | |
That's called sharp-force trauma. | 0:13:26 | 0:13:29 | |
-That looks pretty bad. -Yes. | 0:13:29 | 0:13:30 | |
So, in actual fact, a sharp implement | 0:13:30 | 0:13:33 | |
has been driven through the skull. | 0:13:33 | 0:13:35 | |
Whether that was in warfare or just a fight, we don't know. | 0:13:35 | 0:13:39 | |
And this probably would have killed... | 0:13:39 | 0:13:41 | |
This probably would have killed. | 0:13:41 | 0:13:42 | |
Although the way that has healed, | 0:13:42 | 0:13:45 | |
means that he lived for a little bit afterwards, | 0:13:45 | 0:13:49 | |
which must have been horrendous. | 0:13:49 | 0:13:51 | |
-It must have been so painful. -Very painful. -Gosh! | 0:13:51 | 0:13:54 | |
-It's very macabre, isn't it? -Yes. | 0:13:56 | 0:13:58 | |
Cause of death? Diet and disease | 0:13:58 | 0:14:00 | |
are some of the many things | 0:14:00 | 0:14:02 | |
that have been discovered from recent research, | 0:14:02 | 0:14:05 | |
but the question of why they were all collected here | 0:14:05 | 0:14:08 | |
is still an open case. | 0:14:08 | 0:14:09 | |
-It's so strange, Mike. It's very uncomfortable. -Yes. | 0:14:09 | 0:14:12 | |
Holding a skull from a dead person. | 0:14:12 | 0:14:15 | |
It is when you first do it. | 0:14:15 | 0:14:17 | |
-I think you do get used to it. -I'm sure you do. | 0:14:17 | 0:14:19 | |
I can well understand how you feel. | 0:14:19 | 0:14:23 | |
-It was a person. -Yes, it is. | 0:14:23 | 0:14:24 | |
-They lived a life. -And we have to recognise | 0:14:24 | 0:14:27 | |
-everyone in this room was a person. -Exactly. | 0:14:27 | 0:14:30 | |
-But it's fascinating. It tells us so much... -Yes. | 0:14:30 | 0:14:33 | |
-..about the past, doesn't it? -It does. | 0:14:33 | 0:14:35 | |
So that we can have glimpses of how they lived | 0:14:35 | 0:14:39 | |
and what they suffered from. | 0:14:39 | 0:14:41 | |
Thank you, Mike. I wasn't expecting to be holding a skull today, | 0:14:42 | 0:14:45 | |
but it's been absolutely fascinating. Thank you so much. | 0:14:45 | 0:14:48 | |
It's a pleasure. Thank you very much. | 0:14:48 | 0:14:50 | |
Gosh! Keeping his mind firmly on the competition is Will, | 0:14:52 | 0:14:56 | |
who's made his own way ten miles northeast | 0:14:56 | 0:14:59 | |
from the Barn in Bilsington | 0:14:59 | 0:15:02 | |
to another barn in Bethersden. | 0:15:02 | 0:15:04 | |
His crusade for curiosities continues. | 0:15:06 | 0:15:08 | |
-Hello there! -Hello there. | 0:15:08 | 0:15:10 | |
-You must be Tony. -That's me. | 0:15:10 | 0:15:12 | |
-Nice to meet you. I'm Will. -And you. | 0:15:12 | 0:15:14 | |
Will's spotted a couple of decorative vases | 0:15:17 | 0:15:20 | |
he wants to take a closer look at. | 0:15:20 | 0:15:22 | |
I like those, in a way. | 0:15:22 | 0:15:23 | |
And being damaged doesn't put me off that much, | 0:15:25 | 0:15:27 | |
because I've already bought a damaged item today, | 0:15:27 | 0:15:30 | |
so that might be my theme! | 0:15:30 | 0:15:31 | |
Oh, lordy! Not another theme. | 0:15:33 | 0:15:35 | |
They've got a Whitefriars look about them, haven't they? | 0:15:35 | 0:15:38 | |
Textured sort of bark finish, I would say. | 0:15:38 | 0:15:40 | |
No marks. Ground pontil. | 0:15:40 | 0:15:43 | |
Whitefriars were Britain's longest running | 0:15:43 | 0:15:45 | |
and most productive glass house. | 0:15:45 | 0:15:47 | |
Their glass always reflected the fashion of the day, | 0:15:47 | 0:15:50 | |
but these are looky-likies. | 0:15:50 | 0:15:52 | |
How much have you got on the ticket there? | 0:15:52 | 0:15:54 | |
Nine. £9 for two vases. | 0:15:54 | 0:15:57 | |
That's well within my budget. | 0:15:57 | 0:15:58 | |
I tell you what... | 0:15:58 | 0:16:00 | |
Can I put those to one side for the moment? | 0:16:01 | 0:16:03 | |
He's interested, but he's browsing on. | 0:16:03 | 0:16:06 | |
And he's drawn to another set of vases just along the way. | 0:16:06 | 0:16:09 | |
That's quite interesting. | 0:16:09 | 0:16:11 | |
Old shell cases. | 0:16:11 | 0:16:13 | |
First or Second World War. | 0:16:13 | 0:16:16 | |
They've been tooled or worked | 0:16:16 | 0:16:19 | |
into a pair of vases. | 0:16:19 | 0:16:21 | |
Generally called trench art. | 0:16:24 | 0:16:26 | |
For obvious reasons. | 0:16:26 | 0:16:27 | |
What interests me is that there's no price ticket on them. | 0:16:29 | 0:16:32 | |
I shall go and ask Tony. | 0:16:34 | 0:16:36 | |
To be honest, I think they'll be out of my budget, | 0:16:36 | 0:16:39 | |
but let's ask him anyway. | 0:16:39 | 0:16:40 | |
Yeah, let's! And remember, you're a lean, mean negotiating machine. | 0:16:40 | 0:16:45 | |
Can they be... | 0:16:47 | 0:16:49 | |
very affordable? | 0:16:49 | 0:16:50 | |
-I'll try my best. Deborah, they're yours. -As I flutter my eyelids. | 0:16:50 | 0:16:54 | |
Are they? Oh, Deborah, face-to-face. | 0:16:54 | 0:16:57 | |
Ah, the boyish charm offensive. | 0:16:57 | 0:17:00 | |
You can tell me where to stick 'em... | 0:17:00 | 0:17:02 | |
-Go for it. -..but would I be able to buy those for a tenner? | 0:17:02 | 0:17:05 | |
That would really help me out. | 0:17:06 | 0:17:08 | |
-OK. -Yeah? | 0:17:09 | 0:17:11 | |
It's working, it's working! | 0:17:12 | 0:17:14 | |
Blimey! It is, too! | 0:17:14 | 0:17:16 | |
I'm going to have those | 0:17:16 | 0:17:17 | |
and I think I'm going to go for those two glass vases | 0:17:17 | 0:17:20 | |
-at nine quid. -Fine. | 0:17:20 | 0:17:21 | |
And I'm not even going to knock you down on the nine quid. How's that? | 0:17:21 | 0:17:24 | |
Wonderful. | 0:17:24 | 0:17:26 | |
How very kind of you, Will. | 0:17:26 | 0:17:27 | |
And with that, Will's bagged himself a veritable feast of vases | 0:17:27 | 0:17:31 | |
and it's time to pack up and ship out. | 0:17:31 | 0:17:34 | |
Another dazzling day of dealing is at an end. | 0:17:39 | 0:17:42 | |
Time to rest up for the night. | 0:17:42 | 0:17:44 | |
Sleep well. | 0:17:44 | 0:17:46 | |
What-ho, men! A brave new dawn on this leg of the trip. | 0:17:51 | 0:17:55 | |
Time to get up and at 'em. | 0:17:55 | 0:17:57 | |
I'm admiring you. You're taking this... | 0:17:58 | 0:18:02 | |
with determination and British spirit. | 0:18:02 | 0:18:05 | |
Exactly. Stiff upper lip in the face of adversity. | 0:18:05 | 0:18:09 | |
Well, we are in adversity at the moment. | 0:18:09 | 0:18:11 | |
Well, actually, we're in Kent. | 0:18:11 | 0:18:13 | |
THEY LAUGH | 0:18:13 | 0:18:15 | |
So far on this leg, happy shopper Will has spent £79 | 0:18:18 | 0:18:22 | |
on not one, not two, or three, but FIVE vases. | 0:18:22 | 0:18:26 | |
Oh, and a bone box. | 0:18:26 | 0:18:28 | |
He only has £19.40 left to splurge. | 0:18:28 | 0:18:31 | |
Whereas Mark collected only two items of treasure - | 0:18:33 | 0:18:36 | |
a camp-tastic lamp and a concrete terrier, | 0:18:36 | 0:18:40 | |
totalling £35, | 0:18:40 | 0:18:41 | |
and so he has £82.50 to squander appropriately. | 0:18:41 | 0:18:46 | |
The chaps are heading from Kent back into East Sussex. | 0:18:46 | 0:18:50 | |
They're on their way back to historic Hastings. | 0:18:50 | 0:18:52 | |
There was a battle here once, dontcha know? | 0:18:52 | 0:18:55 | |
1066 was another battle. | 0:18:55 | 0:18:58 | |
-It's not as big as our battle, though. -Not quite as epic. | 0:19:00 | 0:19:03 | |
No. | 0:19:03 | 0:19:04 | |
Hastings is one of the Confederations of Cinque Ports, | 0:19:04 | 0:19:08 | |
a historic series of coastal towns in Kent and Sussex, | 0:19:08 | 0:19:11 | |
originally formed for the purposes | 0:19:11 | 0:19:14 | |
of the military and trade. | 0:19:14 | 0:19:16 | |
They're in King's Road, where Mark's continuing his treasure hunt. | 0:19:16 | 0:19:21 | |
-Good luck. -See you later. | 0:19:21 | 0:19:23 | |
-Take it easy - don't spend it all! -I will. | 0:19:23 | 0:19:25 | |
Good work, Mark, good work. | 0:19:25 | 0:19:27 | |
-Hi. -Hi. I'm Mark. | 0:19:31 | 0:19:32 | |
-I'm Charles. -Charles, nice to meet you. | 0:19:32 | 0:19:35 | |
Oh, stop horsing around and get on with it, Mark! | 0:19:43 | 0:19:45 | |
This is a little Chinese export ware bowl and cover. | 0:19:49 | 0:19:53 | |
Decorated with these little Chinese mons. You've got a dragon, | 0:19:53 | 0:19:56 | |
an eagle, and these little peonies and flowers. | 0:19:56 | 0:19:59 | |
Painted in what's generally referred to as Imari colours - | 0:19:59 | 0:20:03 | |
these iron reds, golds and blues. | 0:20:03 | 0:20:06 | |
This early 20th century Imari bowl and cover | 0:20:08 | 0:20:10 | |
have a ticket price of £25. | 0:20:10 | 0:20:13 | |
Having had a thorough look round, | 0:20:13 | 0:20:15 | |
he's hatched a new plan. | 0:20:15 | 0:20:17 | |
I've made an executive decision. | 0:20:17 | 0:20:19 | |
I'm going to go off-piste. | 0:20:19 | 0:20:21 | |
Quelle surprise! | 0:20:21 | 0:20:23 | |
Mark's off to explore the rest of King's Road | 0:20:23 | 0:20:25 | |
and is leaving the Chinese bowl with Charles for safekeeping. | 0:20:25 | 0:20:29 | |
If you can have a little think about the very best price, | 0:20:29 | 0:20:32 | |
and I don't want to in any way influence you, | 0:20:32 | 0:20:36 | |
but about ten would be lovely. | 0:20:36 | 0:20:38 | |
-And I'll be back later to have a word with you. -Excellent. | 0:20:38 | 0:20:41 | |
Subtle as a brick. | 0:20:41 | 0:20:43 | |
A couple of doors down, | 0:20:47 | 0:20:48 | |
and Mark's already drawn to a cheeky turquoise vase. | 0:20:48 | 0:20:51 | |
I really like this. The dealer's got it out of the cabinet for me. | 0:20:51 | 0:20:54 | |
It's Chinese. | 0:20:54 | 0:20:56 | |
I love the colour - that bright turquoise glaze. | 0:20:56 | 0:20:59 | |
But I mean, this immortal sitting on this water bottle or wine bottle | 0:20:59 | 0:21:04 | |
or sake bottle. | 0:21:04 | 0:21:07 | |
He looks as if he's actually drunk the contents! | 0:21:08 | 0:21:11 | |
I think you may be right there. | 0:21:11 | 0:21:12 | |
Sake is Japanese, not Chinese, Mark. | 0:21:12 | 0:21:15 | |
He has a rather lovely expression on his face. | 0:21:15 | 0:21:18 | |
There's no ticket on this jug, but Andy the dealer | 0:21:19 | 0:21:22 | |
is offering it for a knockdown price of £15, | 0:21:22 | 0:21:25 | |
which Mark cannot refuse. | 0:21:25 | 0:21:26 | |
I think I'm going to have it for 15. | 0:21:26 | 0:21:29 | |
Thanks very much, Andy. | 0:21:29 | 0:21:30 | |
I love it. I think it's great. | 0:21:30 | 0:21:32 | |
It's making me smile. | 0:21:32 | 0:21:34 | |
And with that natty little purchase, | 0:21:34 | 0:21:36 | |
it's time to hot-foot it back to King's Road Antiques, | 0:21:36 | 0:21:39 | |
where Charles is waiting expectantly to complete the deal. | 0:21:39 | 0:21:42 | |
-Charles, hello. -Hi. | 0:21:42 | 0:21:44 | |
I'm back again. | 0:21:44 | 0:21:45 | |
Like a bad penny. | 0:21:45 | 0:21:46 | |
The Chinese bowl had a ticket price of £25, | 0:21:46 | 0:21:49 | |
but Mark wants it for a tenner, | 0:21:49 | 0:21:50 | |
and he's not ready to settle. | 0:21:50 | 0:21:52 | |
-You're going to squeeze me, aren't you? -I am. I'm sorry. | 0:21:52 | 0:21:55 | |
I've got to, because I'm so short of cash. | 0:21:55 | 0:21:57 | |
I'll do anything...within reason. | 0:21:57 | 0:21:59 | |
Well, a good squeeze sounds about right. | 0:21:59 | 0:22:01 | |
-Could you? -I think we could do a tenner. -Are you happy with that? | 0:22:01 | 0:22:05 | |
-I'm not squeezing you too much? -No. | 0:22:05 | 0:22:07 | |
-Gentle enough. -Shake my hand then. Thanks very much, Charles. | 0:22:07 | 0:22:10 | |
Mission accomplished. Two more items for auction | 0:22:10 | 0:22:13 | |
for the princely sum of £25. Is there no stopping this man? | 0:22:13 | 0:22:17 | |
This is Will's final opportunity to load up on swag, | 0:22:22 | 0:22:25 | |
so he's snuck into Hastings Antiques Centre, | 0:22:25 | 0:22:28 | |
where he's about to regale Rob with his tale of woe. | 0:22:28 | 0:22:32 | |
As the viewers at home know, I got wiped out at the first auction. | 0:22:32 | 0:22:35 | |
-I'm on, like, half my money. -Right. -Bought a few things yesterday. | 0:22:35 | 0:22:38 | |
I'm going to tell you straight out | 0:22:38 | 0:22:41 | |
-that I've got just under 20 quid in my pocket. -Is that all you've got? | 0:22:41 | 0:22:45 | |
That is all I've got. That is all the money I've got. | 0:22:45 | 0:22:47 | |
-That's not good news. -It isn't good news. | 0:22:47 | 0:22:49 | |
He's taken that well. Not. | 0:22:49 | 0:22:52 | |
I've bought a couple of glass vases that I think are Whitefriars type. | 0:22:53 | 0:22:56 | |
I'm thinking maybe another bit of coloured glass | 0:22:56 | 0:22:59 | |
or art glass. | 0:22:59 | 0:23:00 | |
I've got some Whitefriars if you want some more Whitefriars. | 0:23:00 | 0:23:03 | |
For that sort of money? | 0:23:03 | 0:23:05 | |
Not likely! | 0:23:05 | 0:23:06 | |
There's a couple of Whitefriars pieces here. | 0:23:06 | 0:23:09 | |
Look at this - we're straight into business. | 0:23:11 | 0:23:14 | |
And this is nice, because it's got the original label on it. | 0:23:14 | 0:23:17 | |
That is nice. | 0:23:17 | 0:23:18 | |
That's a nice thing. | 0:23:18 | 0:23:20 | |
Very nice! | 0:23:20 | 0:23:21 | |
They would be nice for 30. | 0:23:21 | 0:23:23 | |
And you'd get a profit. | 0:23:23 | 0:23:25 | |
He's only got £19.40, Rob. | 0:23:25 | 0:23:27 | |
-I'm appealing to your good nature, Rob. -I know. | 0:23:27 | 0:23:30 | |
-What do you reckon? -You know, | 0:23:30 | 0:23:32 | |
I'm going to let you have them for £19.40. | 0:23:32 | 0:23:35 | |
-Both of them? -Yeah. | 0:23:35 | 0:23:36 | |
Oh, man! | 0:23:36 | 0:23:38 | |
Today is just getting better and better! | 0:23:38 | 0:23:40 | |
-Rob, you're a star, man! -That's all right. | 0:23:40 | 0:23:42 | |
What a jammy so-and-so. | 0:23:42 | 0:23:44 | |
Another handsome deal struck, and he's all spent out. | 0:23:44 | 0:23:47 | |
While Will's been blowing his budget, | 0:23:48 | 0:23:50 | |
Mark's popped off on his own to Rye, | 0:23:50 | 0:23:53 | |
also one of the Confederations of Cinque Ports, | 0:23:53 | 0:23:56 | |
12 miles northeast. | 0:23:56 | 0:23:58 | |
It's his final push for plunder, | 0:23:58 | 0:24:01 | |
as he drops into Wish Barn Antiques, | 0:24:01 | 0:24:03 | |
where all your dreams come true. | 0:24:03 | 0:24:06 | |
Well, maybe. | 0:24:06 | 0:24:07 | |
Hello. I'm Mark. | 0:24:07 | 0:24:09 | |
Mark, I'm Robert. How do you do? Nice to meet you. | 0:24:09 | 0:24:12 | |
Very small on the outside, but it goes back forever. | 0:24:12 | 0:24:15 | |
-It's like the TARDIS. -It is. | 0:24:15 | 0:24:17 | |
Perhaps you'll find something to EXTERMINATE your competition! | 0:24:17 | 0:24:21 | |
Will keeps saying he's going to spend all his money, | 0:24:21 | 0:24:24 | |
so I feel obligated to try and match him. | 0:24:24 | 0:24:27 | |
Because if I don't, it looks like I'm game-playing. | 0:24:27 | 0:24:30 | |
And I don't like game-playing. | 0:24:30 | 0:24:32 | |
I'm just an ordinary boy from the Valleys, really. | 0:24:32 | 0:24:34 | |
Oh, here he goes! | 0:24:34 | 0:24:36 | |
Mark's homed in on a pair | 0:24:38 | 0:24:39 | |
of Victorian papier-mache folding shelves with a ticket price of £28. | 0:24:39 | 0:24:44 | |
They're hand-painted | 0:24:44 | 0:24:45 | |
with these sort of ship scenes, | 0:24:45 | 0:24:47 | |
and this is little shell, | 0:24:47 | 0:24:51 | |
sort of shell motifs. | 0:24:51 | 0:24:53 | |
And then they hang on the wall like that. | 0:24:53 | 0:24:55 | |
I think those are rather fine, actually. | 0:24:56 | 0:24:58 | |
But I like them because they're that marine subject. | 0:24:58 | 0:25:02 | |
And I keep thinking | 0:25:02 | 0:25:04 | |
that the saleroom is on the coast. | 0:25:04 | 0:25:07 | |
Mark's putting the shelves aside with Robert | 0:25:07 | 0:25:10 | |
while he takes his time finding something else to float his boat. | 0:25:10 | 0:25:13 | |
Mark's so drawn to highly decorative little pieces | 0:25:16 | 0:25:19 | |
and today is no different. | 0:25:19 | 0:25:21 | |
Isn't this charming? It's a little chamber stick. | 0:25:21 | 0:25:24 | |
This is something you'd have used in Georgian and Victorian times. | 0:25:24 | 0:25:28 | |
And you would have had a little candle in here, | 0:25:28 | 0:25:30 | |
so it would have sat on your bedside cabinet. | 0:25:30 | 0:25:33 | |
And obviously, the drips would have fallen into the little leaf design. | 0:25:33 | 0:25:38 | |
It's Staffordshire porcelain | 0:25:38 | 0:25:40 | |
and priced at £16. | 0:25:40 | 0:25:42 | |
The ticket says circa 1900, | 0:25:42 | 0:25:44 | |
but I think it's a little bit earlier, | 0:25:44 | 0:25:46 | |
so this could be a bargain worth keeping an eye on. | 0:25:46 | 0:25:48 | |
They've even moulded some little berries there | 0:25:48 | 0:25:51 | |
and hand-painted them again in the reds and the greens. | 0:25:51 | 0:25:54 | |
He's hooked, so it's time to do some business. | 0:25:54 | 0:25:58 | |
The papier-mache shelves and chamber stick | 0:25:58 | 0:26:00 | |
have a combined ticket price of £44. | 0:26:00 | 0:26:02 | |
Is Robert in the mood for a deal? | 0:26:02 | 0:26:04 | |
He's being ably assisted by his daughter, Frances. | 0:26:04 | 0:26:08 | |
What if I said £35 for the two? | 0:26:08 | 0:26:10 | |
That's not bad, is it? | 0:26:11 | 0:26:13 | |
It's a substantial reduction, I would say, yes. | 0:26:13 | 0:26:16 | |
Substantial. Well... | 0:26:16 | 0:26:18 | |
-We are in a very tight economy here, Robert. -We are. | 0:26:20 | 0:26:23 | |
I'm sure you'll see a substantial return on your investment. | 0:26:23 | 0:26:26 | |
I want that in writing! | 0:26:28 | 0:26:30 | |
I think I'm going to have to go with that, Robert. | 0:26:30 | 0:26:32 | |
-Thank you so much. -Thank you. | 0:26:32 | 0:26:34 | |
Ker-ching! | 0:26:34 | 0:26:35 | |
A pretty hefty discount, I think we can all agree. | 0:26:35 | 0:26:38 | |
Job's a good 'un, Mark. | 0:26:38 | 0:26:40 | |
That concludes his splash of cash for this leg. | 0:26:40 | 0:26:43 | |
Will too has made it to Rye to visit a remarkable old building. | 0:26:46 | 0:26:50 | |
Ypres Tower, | 0:26:53 | 0:26:55 | |
or Wipers Tower, as it's known locally, | 0:26:55 | 0:26:57 | |
was originally built for defence | 0:26:57 | 0:26:59 | |
against invasion from the French, | 0:26:59 | 0:27:01 | |
who burnt Rye to the ground on several occasions. | 0:27:01 | 0:27:04 | |
The tower was one of the few buildings left standing, | 0:27:04 | 0:27:08 | |
and its history spans over 750 years. | 0:27:08 | 0:27:11 | |
Will's dropping in for a chat with Jo, | 0:27:11 | 0:27:13 | |
who has all the info. | 0:27:13 | 0:27:14 | |
The tower looks much as it would have when it was built, | 0:27:14 | 0:27:17 | |
and has served the town as a fort, private dwelling, | 0:27:17 | 0:27:20 | |
court hall, mortuary and prison. Wow! | 0:27:20 | 0:27:22 | |
1249, it was built as a castle. | 0:27:22 | 0:27:25 | |
By 1262, we know it was actually being used as a prison, | 0:27:25 | 0:27:29 | |
because we had two couples here charged with murder, | 0:27:29 | 0:27:32 | |
in the King's Prison at Rye, | 0:27:32 | 0:27:34 | |
-which I think is really quite nice. -Yes. | 0:27:34 | 0:27:37 | |
Ooh, lovely! | 0:27:37 | 0:27:39 | |
The castle became a private house in 1430, | 0:27:39 | 0:27:42 | |
when a man called John de Ypres bought it - hence the name. | 0:27:42 | 0:27:45 | |
Around 60 years later, | 0:27:45 | 0:27:47 | |
it once again became a prison, | 0:27:47 | 0:27:49 | |
and remained so until 1892. | 0:27:49 | 0:27:51 | |
Among the prisoners who languished in Wipers Tower, | 0:27:53 | 0:27:55 | |
awaiting punishment, were smugglers. | 0:27:55 | 0:27:58 | |
Smuggling in the area began in the 13th century, | 0:27:58 | 0:28:00 | |
when Edward I introduced a tax on wool exports. | 0:28:00 | 0:28:04 | |
This was a huge wool-producing area, | 0:28:04 | 0:28:07 | |
so he would tax wool and the money was used to raise his armies. | 0:28:07 | 0:28:10 | |
So, as soon as you put a tax on something, | 0:28:10 | 0:28:13 | |
somebody wants to avoid it, so they started to smuggle wool out. | 0:28:13 | 0:28:16 | |
In 1661, the export of wool was forbidden | 0:28:16 | 0:28:20 | |
and smuggling became rampant. | 0:28:20 | 0:28:22 | |
Wool would go out and luxuries would come in. | 0:28:22 | 0:28:24 | |
Smugglers became large, highly organised groups. | 0:28:24 | 0:28:28 | |
-What's this fascinating object? -Well, that's very rare. | 0:28:30 | 0:28:33 | |
It's a smuggler's lantern, | 0:28:33 | 0:28:35 | |
and if you can imagine you had an oil lamp in that end | 0:28:35 | 0:28:38 | |
and this would be pointing out to sea, | 0:28:38 | 0:28:41 | |
and the only light could come out of here | 0:28:41 | 0:28:43 | |
to your ship that was coming across from France. | 0:28:43 | 0:28:45 | |
So if any Nosy Parker was down the shore from you... | 0:28:45 | 0:28:48 | |
They couldn't see anything at all. | 0:28:48 | 0:28:49 | |
If captured, smugglers could find themselves in Wipers Tower | 0:28:49 | 0:28:53 | |
awaiting trial or punishment by burning. | 0:28:53 | 0:28:56 | |
Men, women and children were imprisoned together. | 0:28:56 | 0:28:59 | |
So this is one of the cells? | 0:29:01 | 0:29:03 | |
Yes. It wouldn't have been very pleasant. | 0:29:03 | 0:29:05 | |
I'm sure there were quite a lot of creatures in the straw. | 0:29:05 | 0:29:07 | |
-Oh, don't! -And several people, and also of course...one pot. | 0:29:07 | 0:29:12 | |
-Oh, for doing the business? -Yes. | 0:29:12 | 0:29:14 | |
And how many people would have been in a cell like this? | 0:29:14 | 0:29:17 | |
-I would think probably maximum six or seven. -Six or seven?! | 0:29:17 | 0:29:20 | |
Of course, no prison is complete | 0:29:20 | 0:29:22 | |
without its own infamous inmate story. | 0:29:22 | 0:29:25 | |
John Breads, he was a butcher, | 0:29:25 | 0:29:27 | |
and he'd been accused by the townsfolk | 0:29:27 | 0:29:30 | |
-of giving short measure in his meat. -Oh! | 0:29:30 | 0:29:33 | |
So he went to court and was fined by the mayor. | 0:29:33 | 0:29:36 | |
He bore a grudge | 0:29:36 | 0:29:37 | |
and eventually decided he would get his own back. | 0:29:37 | 0:29:41 | |
He stabbed who he thought was the mayor, | 0:29:41 | 0:29:43 | |
-but it turned out to be the deputy mayor instead. -Oh, no! | 0:29:43 | 0:29:46 | |
So he killed the wrong man. | 0:29:46 | 0:29:48 | |
He was arrested and brought in here. | 0:29:48 | 0:29:51 | |
He was tried, and who should be chairman of the bench | 0:29:51 | 0:29:54 | |
but the man who was the intended victim, James Lamb. | 0:29:54 | 0:29:58 | |
I think the cards were stacked against him somewhat. | 0:29:58 | 0:30:00 | |
So he was convicted and sentenced to death. | 0:30:00 | 0:30:03 | |
Once dead, his body was placed in a cage | 0:30:03 | 0:30:07 | |
and swung above the marshes for 70 years. | 0:30:07 | 0:30:10 | |
Women of Rye stole his bones, boiled them | 0:30:10 | 0:30:14 | |
and drank the infusion to aid rheumatism. | 0:30:14 | 0:30:17 | |
Yuck! | 0:30:17 | 0:30:18 | |
What's left of his skull still resides in Rye. | 0:30:18 | 0:30:22 | |
And with that happy tale told, | 0:30:22 | 0:30:24 | |
it's time for Will to take his leave. | 0:30:24 | 0:30:26 | |
The spending extravaganza is completed | 0:30:26 | 0:30:28 | |
and it's time for the grand unveiling. | 0:30:28 | 0:30:30 | |
-Ready? -Yes. -You're going to like these. -Am I? | 0:30:30 | 0:30:33 | |
Oh! | 0:30:34 | 0:30:36 | |
Wait for it, wait for it! | 0:30:36 | 0:30:37 | |
Well, William! | 0:30:40 | 0:30:41 | |
Is that the first time you've been speechless? | 0:30:41 | 0:30:43 | |
I'm not speechless. I've got plenty to say. | 0:30:43 | 0:30:45 | |
Well, talk me through it. | 0:30:45 | 0:30:48 | |
Two Whitefriars vases - one with original paper label. | 0:30:48 | 0:30:51 | |
Yes, which is nice. Nice shape. | 0:30:51 | 0:30:54 | |
-They're good, aren't they? -Very good. | 0:30:54 | 0:30:56 | |
And very nice. | 0:30:56 | 0:30:58 | |
They were £19.40. | 0:30:58 | 0:31:00 | |
-So you spent everything? -I spent out again. | 0:31:00 | 0:31:02 | |
And the shells, I'm not terribly keen on. | 0:31:02 | 0:31:06 | |
-Bit of trench art. -Well, they say trench art, but there we are. | 0:31:06 | 0:31:09 | |
And...? | 0:31:09 | 0:31:11 | |
-Two Whitefriars-type vases. -Type? | 0:31:11 | 0:31:14 | |
Yes, I'm glad you added the word "type". | 0:31:14 | 0:31:16 | |
Lovely textured bark finish. | 0:31:16 | 0:31:19 | |
-Well, if you say so. -How much do you think they were? -No idea. | 0:31:19 | 0:31:21 | |
-£9. -For the pair? -Yes. | 0:31:21 | 0:31:24 | |
-Well, do you know, I think your best buy is this. -Do you? | 0:31:24 | 0:31:27 | |
I think that's absolutely wonderful. | 0:31:27 | 0:31:30 | |
Not all doom and gloom, then. | 0:31:30 | 0:31:32 | |
-Now, do you want to see mine? -Yes, I do. | 0:31:32 | 0:31:34 | |
I'm dying to see what you've bought. | 0:31:34 | 0:31:36 | |
-Look... -I'm loving the dog. | 0:31:36 | 0:31:38 | |
Hey, look, you've done all right! And a bit of oriental as well. | 0:31:40 | 0:31:43 | |
Well, because I fell in love with it and I thought... | 0:31:43 | 0:31:46 | |
He's actually really nicely modelled. | 0:31:46 | 0:31:49 | |
-I think it's quite nice. And people love dogs. -Yeah. | 0:31:49 | 0:31:52 | |
And the garden's coming up. | 0:31:52 | 0:31:53 | |
-So I thought that was OK. -I like him. | 0:31:53 | 0:31:56 | |
-This is very you. -It's lovely, isn't it? | 0:31:56 | 0:31:59 | |
Well, the dealer...got it wrong, I think, | 0:31:59 | 0:32:02 | |
because he said it was circa 1900, | 0:32:02 | 0:32:05 | |
and I think it's nearer 1840. | 0:32:05 | 0:32:07 | |
I think it's a bit earlier. | 0:32:07 | 0:32:09 | |
That's right. Staffordshire, hand-painted. | 0:32:09 | 0:32:12 | |
-Perfect condition. -£10. | 0:32:12 | 0:32:14 | |
-Good work. -It's all right. | 0:32:14 | 0:32:16 | |
These I like, because I thought, we're going near the coast. | 0:32:16 | 0:32:19 | |
Nicely painted. | 0:32:19 | 0:32:20 | |
With a little candle on those, they'd burn rather nicely. | 0:32:20 | 0:32:23 | |
Perfect. Good decorator's lot. | 0:32:23 | 0:32:25 | |
That's my other lot. | 0:32:25 | 0:32:26 | |
-The lamp in...? -Yes. | 0:32:26 | 0:32:28 | |
I spotted that as we came in - I thought it was part of the decor! | 0:32:28 | 0:32:32 | |
Ah! Well, I'm tricky, you see. This is my fifth lot. | 0:32:32 | 0:32:35 | |
Because I thought it was so OTT. | 0:32:35 | 0:32:38 | |
-And it's nice quality. -Well, I thought, you know, | 0:32:39 | 0:32:42 | |
this sort of stuff is coming back, this retro stuff. | 0:32:42 | 0:32:44 | |
-How much? -25 quid. -That's nothing. | 0:32:44 | 0:32:46 | |
-It's not, is it? -It's nothing. | 0:32:46 | 0:32:48 | |
No, it is something - it's £25! | 0:32:48 | 0:32:51 | |
I don't know what's going to happen, Will. | 0:32:51 | 0:32:53 | |
We're at the mercy of the auction again. | 0:32:53 | 0:32:55 | |
I can't go worse than last time, can I? | 0:32:55 | 0:32:57 | |
Well, the only thing I'm bringing to the auction with me | 0:32:57 | 0:33:00 | |
is a packet of tissues. | 0:33:00 | 0:33:02 | |
It could all end in tears, but whose? | 0:33:03 | 0:33:06 | |
Well, this is all very civilised, | 0:33:06 | 0:33:07 | |
but now it's time to spill the beans. | 0:33:07 | 0:33:10 | |
I am a little worried, actually, | 0:33:10 | 0:33:11 | |
because when you look at my little selection, | 0:33:11 | 0:33:14 | |
it's all a bit tame, isn't it? | 0:33:14 | 0:33:15 | |
He's gone for it, you know. | 0:33:15 | 0:33:17 | |
He's gone out and bought things he likes. | 0:33:17 | 0:33:19 | |
He did go a bit quiet, didn't he, when I revealed my lots, | 0:33:19 | 0:33:22 | |
which might be a good thing. | 0:33:22 | 0:33:24 | |
Maybe got him running scared a bit. | 0:33:24 | 0:33:26 | |
I think my dog might surprise us. | 0:33:26 | 0:33:28 | |
The dog... I mean, that's a bit of a garden centre lot, really. | 0:33:28 | 0:33:32 | |
But did you see his face when he saw my lamp? | 0:33:32 | 0:33:35 | |
Surprised him with that! | 0:33:35 | 0:33:37 | |
The chaps are hungry for a fight, | 0:33:37 | 0:33:39 | |
and they're going to just the right place - | 0:33:39 | 0:33:42 | |
the auction is in Sandwich. | 0:33:42 | 0:33:44 | |
On the second leg of their road trip, | 0:33:45 | 0:33:47 | |
these two daredevils have done a round trip from Kent, | 0:33:47 | 0:33:50 | |
popping into East Sussex, then back to Kent, | 0:33:50 | 0:33:52 | |
starting in Bilsington, ending in Sandwich for the auction. | 0:33:52 | 0:33:55 | |
What a cat's cradle! | 0:33:55 | 0:33:56 | |
Sandwich, with its many medieval buildings, | 0:33:57 | 0:34:00 | |
landed the first captive elephant in 1255, | 0:34:00 | 0:34:03 | |
which was taken on foot to London Tower Zoo | 0:34:03 | 0:34:05 | |
as a gift from the French king to Henry VI. | 0:34:05 | 0:34:09 | |
-How's that, Will? -Perfect, Mark. | 0:34:11 | 0:34:13 | |
Here we are - sunny Sandwich. | 0:34:13 | 0:34:16 | |
Sunny sandwich. Are you hungry? | 0:34:16 | 0:34:17 | |
I am a bit peckish, actually. | 0:34:17 | 0:34:19 | |
Oh, come on, chaps! | 0:34:19 | 0:34:21 | |
You're making a meal of that joke. | 0:34:21 | 0:34:23 | |
Pettmans Sandwich Auction has been established for over 50 years. | 0:34:23 | 0:34:28 | |
Originally selling cattle and furniture, | 0:34:28 | 0:34:31 | |
it now specialises in fine art, antiques and collector's items. | 0:34:31 | 0:34:35 | |
The man at the helm of today's auction is the lovely Kevin Hall. | 0:34:35 | 0:34:40 | |
Will seems to have done really well. | 0:34:40 | 0:34:42 | |
He's bought an Indian bone pen box, | 0:34:42 | 0:34:44 | |
which looks really nice, so that should do well. | 0:34:44 | 0:34:47 | |
Then we've got the gilt and onyx standard lamp, | 0:34:47 | 0:34:51 | |
and it's the sort of thing that'll either do really badly | 0:34:51 | 0:34:54 | |
or just take off. | 0:34:54 | 0:34:56 | |
Mark Stacey set out on this leg | 0:34:57 | 0:35:00 | |
with £117.50 | 0:35:00 | 0:35:02 | |
and forked out £95 | 0:35:02 | 0:35:04 | |
on six items for his five lots. | 0:35:04 | 0:35:07 | |
Our William Axon began this leg with a lowly £98.40, | 0:35:08 | 0:35:12 | |
but made every penny count on eight items | 0:35:12 | 0:35:15 | |
that comprise five lots. | 0:35:15 | 0:35:18 | |
Time for the gladiators of antiquity to enter the ring. | 0:35:19 | 0:35:23 | |
-It's a good crowd here. -Yes, it is. | 0:35:23 | 0:35:25 | |
I like a general sale with plenty of people. | 0:35:25 | 0:35:28 | |
Absolutely. | 0:35:28 | 0:35:30 | |
Can Mark's folding shelves with marine scenes | 0:35:30 | 0:35:33 | |
make waves with today's crowd? | 0:35:33 | 0:35:35 | |
£10 I have. Any advance on 10? Looking for 12. | 0:35:35 | 0:35:38 | |
12. 14. 16. 18. | 0:35:38 | 0:35:41 | |
20. 22. 24. 26. | 0:35:41 | 0:35:44 | |
28. 30. 32. | 0:35:44 | 0:35:46 | |
32 with you. | 0:35:46 | 0:35:48 | |
Any advance on £32? | 0:35:48 | 0:35:49 | |
-It needs to be a bit more. -Fresh bidder. | 0:35:49 | 0:35:52 | |
34 with you. Any advance on £34? | 0:35:52 | 0:35:55 | |
Selling for £34. | 0:35:55 | 0:35:57 | |
Oh, well, there's a profit, but not much. | 0:35:57 | 0:36:00 | |
Profit nonetheless. | 0:36:00 | 0:36:02 | |
But this is how their first auction started, so let's hope it picks up. | 0:36:02 | 0:36:06 | |
Now Mark with a couple of crackers. | 0:36:08 | 0:36:10 | |
His turquoise jug and the Imari bowl, | 0:36:10 | 0:36:13 | |
which he's combined as one lot. | 0:36:13 | 0:36:15 | |
-£10 I have. Any advance on 10? -Oh, come on! | 0:36:15 | 0:36:17 | |
12. 14. 16. 18. | 0:36:17 | 0:36:21 | |
20. 22. 24. | 0:36:21 | 0:36:23 | |
26. 28. 30. | 0:36:23 | 0:36:26 | |
32. 34. 36. | 0:36:26 | 0:36:28 | |
38? 36 with you. | 0:36:28 | 0:36:30 | |
Any advance on £36, now? | 0:36:30 | 0:36:33 | |
Selling for £36. | 0:36:33 | 0:36:35 | |
Not the perfect pairing, but not a loss. | 0:36:35 | 0:36:39 | |
MARK SIGHS | 0:36:40 | 0:36:42 | |
Oh, well. | 0:36:42 | 0:36:43 | |
-I tried. -I'm feeling for you, Mark. | 0:36:43 | 0:36:45 | |
Will's first lot. Hopefully, someone will shell out plenty | 0:36:47 | 0:36:49 | |
for this pair of trench art vases. | 0:36:49 | 0:36:52 | |
£10 I have. Any advance on 10? | 0:36:52 | 0:36:54 | |
Looking for 12. 14. | 0:36:54 | 0:36:56 | |
There's profit. | 0:36:56 | 0:36:58 | |
20? 18 at the back. | 0:36:58 | 0:37:00 | |
Any advance on 18? 20. | 0:37:00 | 0:37:02 | |
22. 24. 26. | 0:37:02 | 0:37:04 | |
28. 30. | 0:37:04 | 0:37:07 | |
28 with you. | 0:37:07 | 0:37:08 | |
-I would like to get 30. -It's a profit, though. | 0:37:08 | 0:37:11 | |
Selling for £28. | 0:37:11 | 0:37:13 | |
-That's a good profit, Will. -Thank you, Mark. | 0:37:13 | 0:37:16 | |
Well, those hit the spot! | 0:37:16 | 0:37:18 | |
And Will is off and running. | 0:37:18 | 0:37:19 | |
-I think that's good. -Thank you. | 0:37:19 | 0:37:22 | |
I'm really pleased for you(!) | 0:37:22 | 0:37:24 | |
WILL CHUCKLES | 0:37:24 | 0:37:26 | |
Sincere as always, Mark. | 0:37:26 | 0:37:29 | |
Can Will's luck hold out | 0:37:29 | 0:37:31 | |
with his Chinese vase? | 0:37:31 | 0:37:33 | |
£40 I have. | 0:37:33 | 0:37:34 | |
Oh, he's got 40. | 0:37:34 | 0:37:36 | |
42. 44. 46. | 0:37:36 | 0:37:39 | |
48. 50. 55. | 0:37:39 | 0:37:41 | |
60. £60 with you. | 0:37:41 | 0:37:44 | |
Any advance on £60 now? | 0:37:44 | 0:37:45 | |
Selling for £60. | 0:37:45 | 0:37:48 | |
-50% profit. -Yeah, good. Thank you. | 0:37:50 | 0:37:53 | |
Two lots each, and Will's in the lead. | 0:37:53 | 0:37:56 | |
Can Mark's '70s lamp | 0:37:57 | 0:38:00 | |
light up a profit for him? | 0:38:00 | 0:38:02 | |
£40 I have. | 0:38:02 | 0:38:03 | |
Oh, £40! | 0:38:03 | 0:38:05 | |
42. 44. | 0:38:05 | 0:38:07 | |
46. 48. 50. | 0:38:07 | 0:38:09 | |
Come on, Mark Stacey! | 0:38:09 | 0:38:11 | |
65. 70. | 0:38:11 | 0:38:13 | |
75? | 0:38:13 | 0:38:15 | |
70 with you. Any advance on £70? | 0:38:15 | 0:38:19 | |
Are you all done at £70? Selling at £70. | 0:38:19 | 0:38:22 | |
I can't believe it - £70! | 0:38:22 | 0:38:25 | |
He's cashing in on the kitsch. | 0:38:27 | 0:38:29 | |
Mark now takes the lead. | 0:38:29 | 0:38:30 | |
Oh! | 0:38:30 | 0:38:33 | |
I don't feel so bad now. | 0:38:33 | 0:38:35 | |
Let's hope that there are some fans of Whitefriars glass in the crowd. | 0:38:38 | 0:38:42 | |
First up are Will's genuine pair. | 0:38:42 | 0:38:45 | |
£10 I have. Any advance on 10? Looking for 12. | 0:38:45 | 0:38:48 | |
Are you all done at 10? 12. | 0:38:48 | 0:38:50 | |
14. 16? | 0:38:50 | 0:38:52 | |
£14 with you. | 0:38:52 | 0:38:54 | |
16. 18. 20. | 0:38:54 | 0:38:56 | |
22. 22? | 0:38:56 | 0:38:58 | |
20 with you. Any advance on £20 now? | 0:38:58 | 0:39:02 | |
Selling for £20. | 0:39:02 | 0:39:04 | |
60p?! It cost more in petrol to get them here. | 0:39:06 | 0:39:09 | |
Doesn't bode well for the other pair coming up later. | 0:39:09 | 0:39:12 | |
It's the reconstituted stone dog next. | 0:39:13 | 0:39:16 | |
Will it fetch Mark any cash? | 0:39:16 | 0:39:19 | |
£10 I have. Any advance on 10? Looking for 12. | 0:39:19 | 0:39:21 | |
-Are you all done at 10? -Oh, no! | 0:39:21 | 0:39:24 | |
£12 with you. Any advance on £12? | 0:39:24 | 0:39:26 | |
Are you all done at £12? | 0:39:26 | 0:39:29 | |
Selling for £12. | 0:39:29 | 0:39:32 | |
Oh, that's so disappointing! | 0:39:32 | 0:39:34 | |
At least he's gone to a good home. | 0:39:34 | 0:39:36 | |
I can't say I'm surprised. | 0:39:36 | 0:39:38 | |
Still, Mark remains ahead. | 0:39:38 | 0:39:39 | |
My poor little dog! If I'd have known | 0:39:39 | 0:39:41 | |
-he was only going to make that, I would have kept him. -Aw! | 0:39:41 | 0:39:44 | |
Will's Whitefriars-style vases are next. | 0:39:44 | 0:39:48 | |
Can they do better than the real McCoy? | 0:39:48 | 0:39:50 | |
-Bit of damage on one. -Oh, there's a bit of damage? -Shh! | 0:39:50 | 0:39:54 | |
£10 I have. Any advance on 10? Looking for 12. | 0:39:56 | 0:39:59 | |
12. 14. 16. 18. | 0:39:59 | 0:40:01 | |
20. 2. 24. | 0:40:01 | 0:40:03 | |
-24 with you. -Doing well. | 0:40:03 | 0:40:06 | |
26. 28? | 0:40:06 | 0:40:09 | |
26 with you. Any advance on £26 now? | 0:40:09 | 0:40:13 | |
Selling for £26. | 0:40:13 | 0:40:16 | |
-I mean, that's good, Will. -It's profit. | 0:40:16 | 0:40:18 | |
That's a big profit on £9. | 0:40:18 | 0:40:21 | |
Crikey! Even better than the real thing. | 0:40:21 | 0:40:24 | |
Will's catching up on Mark. | 0:40:24 | 0:40:26 | |
At this rate, by Friday, we might have all our money back. | 0:40:27 | 0:40:30 | |
This is his final lot - | 0:40:30 | 0:40:33 | |
the carved bone box. Can his good fortune continue? | 0:40:33 | 0:40:36 | |
£10 I have. Any advance on 10? Looking for 12. | 0:40:36 | 0:40:39 | |
12. 14. 16. 18. | 0:40:39 | 0:40:42 | |
20. 22. 24. 26. | 0:40:42 | 0:40:45 | |
28. 30. 32. | 0:40:45 | 0:40:47 | |
34. 36. 38. | 0:40:47 | 0:40:50 | |
38 with you. Any advance on £38 now? | 0:40:50 | 0:40:53 | |
Selling for... 40. | 0:40:53 | 0:40:56 | |
-42? -Don't lose it now, madam! | 0:40:56 | 0:40:58 | |
44? | 0:40:58 | 0:41:00 | |
Selling for £42. | 0:41:00 | 0:41:02 | |
That's carved him another tiny profit | 0:41:02 | 0:41:05 | |
and put him back in the lead. But there's not much in it. | 0:41:05 | 0:41:08 | |
-You should be pleased with that. -I'm very pleased today. | 0:41:08 | 0:41:11 | |
-You've more than doubled your money there. -Yeah. | 0:41:11 | 0:41:14 | |
Could there be light at the end of the tunnel for Mark | 0:41:14 | 0:41:17 | |
with his Victorian chamber stick? | 0:41:17 | 0:41:19 | |
-Here we go. -This is it. | 0:41:19 | 0:41:21 | |
-£50 I have. Any advance on 50? -Oh! | 0:41:21 | 0:41:24 | |
Looking for 55. | 0:41:24 | 0:41:26 | |
-£50 I have. -The master strikes again! | 0:41:26 | 0:41:29 | |
Selling for £50. | 0:41:29 | 0:41:31 | |
Oh, I'm happy with that, Will! | 0:41:31 | 0:41:33 | |
I tell you, Will, we're back up there. | 0:41:33 | 0:41:36 | |
I'm still chasing you! | 0:41:36 | 0:41:38 | |
I like that. I like it when you're chasing me. | 0:41:38 | 0:41:40 | |
BOTH CHORTLE | 0:41:40 | 0:41:42 | |
A tremendous tussle from the two titans of treasure | 0:41:42 | 0:41:46 | |
and another win for Mr Stacey. | 0:41:46 | 0:41:48 | |
-Thank you, Sandwich! -Come on, then. | 0:41:48 | 0:41:50 | |
Will Axon leapt forth on this leg with £98.40 and spent the lot. | 0:41:53 | 0:41:58 | |
After auction costs, he made £45.92 | 0:41:58 | 0:42:03 | |
and starts next time with £144.32. | 0:42:03 | 0:42:06 | |
Springing into shopping mode, | 0:42:08 | 0:42:10 | |
Mark spent £95 of his £117.50 starting budget, | 0:42:10 | 0:42:16 | |
and after costs, made £70.64, | 0:42:16 | 0:42:19 | |
giving him £188.14 to play with on the next leg. | 0:42:19 | 0:42:24 | |
Will, are you smiling? | 0:42:24 | 0:42:26 | |
Yeah, I think so, Mark, but you've done it again, mate. | 0:42:26 | 0:42:29 | |
That last lot of the day... | 0:42:29 | 0:42:31 | |
We crept up. I'm just under 200 now, Will. | 0:42:31 | 0:42:34 | |
I think I'm just under 150. | 0:42:34 | 0:42:35 | |
Listen, we're on a roll. | 0:42:35 | 0:42:37 | |
We can do this, you know. We can end the week where we started. | 0:42:37 | 0:42:40 | |
Come on! Brothers unite! | 0:42:40 | 0:42:42 | |
THEY LAUGH | 0:42:42 | 0:42:44 | |
Best foot forward, chaps. | 0:42:47 | 0:42:49 | |
Next time on the Antiques Road Trip... | 0:42:56 | 0:42:58 | |
new boy Will Axon has plenty to cheer... | 0:42:58 | 0:43:01 | |
I think we may have hit a minor jackpot here! | 0:43:01 | 0:43:04 | |
..Mark Stacey considers a new career... | 0:43:04 | 0:43:07 | |
I'm going to become a bin man. | 0:43:07 | 0:43:08 | |
Subtitles by Red Bee Media Ltd | 0:43:19 | 0:43:22 |