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It's the nation's favourite antiques experts. All right, viewers? | 0:00:01 | 0:00:05 | |
With £200 each, a classic car and a goal - | 0:00:05 | 0:00:08 | |
to scour Britain for antiques. | 0:00:08 | 0:00:10 | |
On fire! Yes! | 0:00:10 | 0:00:12 | |
Sold. Going, going, gone. | 0:00:12 | 0:00:14 | |
The aim? | 0:00:14 | 0:00:15 | |
To make the biggest profit at auction but it's no mean feat. | 0:00:15 | 0:00:18 | |
50p! | 0:00:18 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Tricep dips! | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh! | 0:00:28 | 0:00:30 | |
It should be a good one! | 0:00:30 | 0:00:31 | |
This is the Antiques Road Trip! | 0:00:31 | 0:00:35 | |
This week, we start a brand-new chapter with our illustrious road trippers, | 0:00:38 | 0:00:42 | |
Paul Laidlaw and Thomas Plant. | 0:00:42 | 0:00:44 | |
There is no such thing as bad weather, is there? | 0:00:44 | 0:00:47 | |
Back to the alley, back to the alley. You're drifting again. | 0:00:47 | 0:00:52 | |
This is auctioneer Paul Laidlaw. He's very intuitive, you know? | 0:00:53 | 0:00:57 | |
I spotted it because of my antique sixth sense. | 0:00:57 | 0:01:00 | |
And he's all man when it comes to choosing antiques. | 0:01:00 | 0:01:03 | |
Let me show you some tea and dinnerware. | 0:01:03 | 0:01:06 | |
Thomas Plant is also an auctioneer but sometimes, away with the fairies. | 0:01:08 | 0:01:12 | |
I love a seahorse. Do you like a seahorse? | 0:01:12 | 0:01:14 | |
Seahorses, I think, are the most magical creatures. | 0:01:15 | 0:01:19 | |
He knows a good antique when he sees one. | 0:01:19 | 0:01:22 | |
-I particularly like this diamond bunny rabbit with the bowtie. -Cheeky! | 0:01:22 | 0:01:26 | |
Our gents about town begin their adventure with a bulging wallet of £200 each | 0:01:28 | 0:01:32 | |
and this isn't the first time they've had a good old joust in our antiques tournament. | 0:01:32 | 0:01:38 | |
As I recall, back then in the heady days of 2000 and whenever it was. | 0:01:38 | 0:01:44 | |
-2000 and then. -Whenever! | 0:01:44 | 0:01:46 | |
It was a fabulous result. You thrashed me! | 0:01:46 | 0:01:49 | |
Their nifty little motor is the 1963 Sunbeam Alpine. | 0:01:52 | 0:01:55 | |
-We have no roof. -There is no roof! | 0:01:55 | 0:01:58 | |
-What are we going to do when it rains? -Get wet. | 0:01:58 | 0:02:01 | |
Paul and Thomas will, come rain or shine, travel over 600 miles | 0:02:03 | 0:02:07 | |
from Morecambe in Lancashire to the county town of Bedford. | 0:02:07 | 0:02:11 | |
But this is hopefully the beginning of a thrilling antiques adventure | 0:02:11 | 0:02:14 | |
and we kick off in the popular seaside town of Morecambe. | 0:02:14 | 0:02:17 | |
Bring me back a stick of rock, fellas! | 0:02:17 | 0:02:20 | |
They will auction later in Clitheroe, also in Lancashire. | 0:02:20 | 0:02:23 | |
So, we're off to the not so sunny Morecambe. | 0:02:26 | 0:02:28 | |
A young Eric Bartholomew grew up here, even taking his stage name from the town, | 0:02:28 | 0:02:34 | |
becoming the showstopping Eric Morecambe. | 0:02:34 | 0:02:37 | |
The sun may be well and truly hiding but a bit of cloud | 0:02:38 | 0:02:41 | |
and drizzle won't dampen our boys' spirits. | 0:02:41 | 0:02:44 | |
-Well driven, Laidlow, well driven. -Watch me just demolish this sea wall! | 0:02:44 | 0:02:50 | |
Thelma and Louise moment at Morecambe! | 0:02:51 | 0:02:54 | |
Can you get out from these straps? They're quite easy access, really. | 0:02:54 | 0:02:58 | |
I'm just worried about how my right cheek is going to react. | 0:02:58 | 0:03:01 | |
Too much information, boys! | 0:03:01 | 0:03:03 | |
They're both quite big, strapping lads for the delicate little Sunbeam, though. | 0:03:03 | 0:03:07 | |
Let's not hang about. | 0:03:07 | 0:03:08 | |
You're sharing your first shop of the day in Northern Relics. | 0:03:08 | 0:03:12 | |
Waiting to greet them are a big pair of giraffes, a pair of lions. | 0:03:15 | 0:03:20 | |
I wonder is Noah is about. | 0:03:20 | 0:03:21 | |
# The animals went in two by two, hurrah, hurrah... # | 0:03:21 | 0:03:26 | |
One thing's for sure, they're a right pair of cheeky monkeys! | 0:03:26 | 0:03:30 | |
Let's stick with tough talking Laidlaw. He's full of determination. | 0:03:30 | 0:03:33 | |
I want to find amazing things. And blow good money on them. | 0:03:33 | 0:03:38 | |
-He who dares wins and all that. -Blimey! | 0:03:38 | 0:03:42 | |
Don't mess with him, Thomas. Fighting talk indeed. | 0:03:42 | 0:03:46 | |
Look at the startling originality of the design | 0:03:46 | 0:03:51 | |
and then observe the quality of workmanship. | 0:03:51 | 0:03:54 | |
We've got a bizarre fire screen. | 0:03:55 | 0:04:01 | |
It's in wrought iron and copper. | 0:04:01 | 0:04:06 | |
A touch of the ecclesiastical about it. That is seriously good work. | 0:04:06 | 0:04:13 | |
I envy the talent. | 0:04:13 | 0:04:17 | |
Period? Period? | 0:04:18 | 0:04:21 | |
Arts and crafts. Yeah, makes sense. | 0:04:23 | 0:04:27 | |
So, late 19, let's say the 1920s. | 0:04:27 | 0:04:31 | |
I love it, I absolutely love it. | 0:04:33 | 0:04:37 | |
It's got that factor that you may not like me, | 0:04:37 | 0:04:41 | |
but I defy you to ignore me. | 0:04:41 | 0:04:44 | |
Yeah? | 0:04:44 | 0:04:45 | |
Are we talking about the antique? | 0:04:45 | 0:04:48 | |
There's no price tag on it. | 0:04:48 | 0:04:50 | |
Well, he's certainly in love with this little number. | 0:04:50 | 0:04:54 | |
I wonder if he's unearthed a wonderful treasure. | 0:04:54 | 0:04:58 | |
Paul tracks down Chris, the owner, to talk money. | 0:04:58 | 0:05:00 | |
-Chris, can I borrow you? -Of course you can. | 0:05:00 | 0:05:04 | |
The last thing I thought I would ask about, but the fire screen there. | 0:05:05 | 0:05:09 | |
-There's nothing on it at all. -That is 50. | 0:05:09 | 0:05:13 | |
I would buy this screen, don't get me wrong, I'm not just mucking about. | 0:05:16 | 0:05:20 | |
But we're a country mile off. | 0:05:20 | 0:05:24 | |
It works for me if it's cheap, not if it's got a big price tag. | 0:05:24 | 0:05:29 | |
-What can it be? -What are you offering? -I'm offering a tenner. -No. | 0:05:29 | 0:05:34 | |
Let me kick off with a cheapy at 15 and I promise I'll buy more stuff. | 0:05:34 | 0:05:38 | |
-All right. -Cheers, buddy. | 0:05:38 | 0:05:40 | |
The steely but charming Laidlaw haggle has given Paul a great start to the day. | 0:05:40 | 0:05:45 | |
Now, where is that young Tom? | 0:05:45 | 0:05:47 | |
Is he parting with his pennies as quickly as Paul? | 0:05:47 | 0:05:50 | |
Come on, Thomas, snap out of it! You've got antiques to buy, you know. | 0:05:50 | 0:05:54 | |
This is like a jerkin. | 0:06:00 | 0:06:03 | |
A military jerkin. A really nice one. | 0:06:03 | 0:06:09 | |
Of course I'm going to try it on, of course I'm going to try this on. | 0:06:09 | 0:06:13 | |
As you can see, our Thomas is a real fan of dressing up. | 0:06:13 | 0:06:16 | |
-I look like the dapper. -If you say so yourself, Thomas. | 0:06:18 | 0:06:22 | |
It looks like he could be tempted. Now, focus, Tom. | 0:06:22 | 0:06:26 | |
-There's a leather jerkin. -The coal man's. | 0:06:26 | 0:06:32 | |
-Is it a coal man's thing? -Yeah. | 0:06:32 | 0:06:33 | |
-Is that what it is? -Yeah. -Oh, right. It's quite nice actually. | 0:06:33 | 0:06:38 | |
Different, isn't it? It's clean for what it was. | 0:06:38 | 0:06:41 | |
We're selling it on behalf of a rescue charity. | 0:06:41 | 0:06:44 | |
That's just a donation to the charity, £20 donation to the charity. | 0:06:44 | 0:06:48 | |
Is that all it is? I think I've got to have it. | 0:06:48 | 0:06:52 | |
Remember, it's not for you, Thomas. | 0:06:53 | 0:06:55 | |
A nice piece of social history, though. | 0:06:55 | 0:06:57 | |
The faithful coal man was once an integral | 0:06:57 | 0:07:00 | |
and important part of every British household. | 0:07:00 | 0:07:04 | |
What has caught his eye now? | 0:07:04 | 0:07:05 | |
A lovely leather case, super. | 0:07:08 | 0:07:11 | |
John Taylor, opticians and jewellers. | 0:07:11 | 0:07:13 | |
I found them on the bargain shelf. | 0:07:13 | 0:07:15 | |
I don't know how much of a bargain they're going to be. | 0:07:15 | 0:07:17 | |
It's like they're really well cased. A lovely thing really. | 0:07:17 | 0:07:22 | |
Yeah, I think I'm going to ask. Do you think those could be a £20 note? | 0:07:23 | 0:07:27 | |
-Yeah, that'll do. -That's brilliant, thank you. | 0:07:27 | 0:07:30 | |
I'm going to have a coal man's jacket, | 0:07:30 | 0:07:33 | |
just because I tried it on and it fits! The spectacle case, we like. | 0:07:33 | 0:07:38 | |
It's just a lovely thing. So, £40 I owe you. | 0:07:39 | 0:07:44 | |
Well, that was easy peasy, Thomas. Back to Paul. | 0:07:44 | 0:07:46 | |
He's definitely on a mission. | 0:07:46 | 0:07:49 | |
Come into my office. | 0:07:49 | 0:07:50 | |
He's never going to sell this. | 0:07:53 | 0:07:55 | |
He's not trying to sell it, there's no price on it. | 0:07:55 | 0:07:59 | |
It was against a pillar. I spotted it because of my antique sixth sense. | 0:07:59 | 0:08:04 | |
It's a stick barometer. 19th-century affair. | 0:08:04 | 0:08:08 | |
Rosewood veneer, one of my favourite veneers. | 0:08:08 | 0:08:11 | |
We've got a central glass column, which was once filled with mercury. | 0:08:11 | 0:08:16 | |
I don't think there's much, if any, in there now. | 0:08:16 | 0:08:20 | |
The stick barometer was first made as a scientific instrument, | 0:08:20 | 0:08:22 | |
but as the popularity grew, so did their decoration. | 0:08:22 | 0:08:26 | |
They were often considered prize pieces of furniture. | 0:08:26 | 0:08:29 | |
I just have a bit of a hunch that I will be able to buy that. | 0:08:29 | 0:08:32 | |
Before he does, the Laidlaw radar has detected something else. | 0:08:33 | 0:08:37 | |
-Let me show you, let me show you some tea and dinnerware. -Oh, yes, please, Paul. | 0:08:37 | 0:08:43 | |
Behold, for my money, and extremely elegant, | 0:08:43 | 0:08:48 | |
porcelain tea and dinner service. | 0:08:48 | 0:08:51 | |
You've got to bear with me here because it's not wearing its quality | 0:08:53 | 0:08:57 | |
on its sleeve, it's not shouting out, "look at me, I'm fabulous." | 0:08:57 | 0:09:01 | |
Let me show you a muffin dish first. | 0:09:01 | 0:09:03 | |
Look at that! Good form, tasteful decoration. | 0:09:03 | 0:09:10 | |
Oh, and what do we have here? Made in France by Havilland and Company. | 0:09:11 | 0:09:19 | |
In 1842, David Havilland crossed the Atlantic to set up a porcelain | 0:09:19 | 0:09:24 | |
company and ever since has been renowned for quality | 0:09:24 | 0:09:28 | |
and prestige across the world. | 0:09:28 | 0:09:31 | |
By this, you've got antique French porcelain dinnerware, | 0:09:31 | 0:09:36 | |
extremely elegant and at the very least, | 0:09:36 | 0:09:38 | |
we can get a good and extensive tea service out of this. | 0:09:38 | 0:09:42 | |
What do reckon, a couple of hundred quid? | 0:09:44 | 0:09:47 | |
Maybe, wait until I get my specs on, Paul. | 0:09:47 | 0:09:51 | |
What, £35. | 0:09:51 | 0:09:52 | |
That's the value that's to be had buying antiques. Astonishing! | 0:09:52 | 0:09:59 | |
-Stick barometer, this, and Chris. I'll be two ticks. -Rightio. | 0:09:59 | 0:10:05 | |
Blimey, there's no messing about with this one. | 0:10:05 | 0:10:09 | |
I'm going to try and spend some proper money with you now. | 0:10:09 | 0:10:12 | |
Does that ring a bell? | 0:10:12 | 0:10:14 | |
It was buried against a pillar, but between the pillar and the cabinet. | 0:10:14 | 0:10:19 | |
-Has it been forgotten about? -No. | 0:10:19 | 0:10:22 | |
-I've got 150 quid on it. -No, I can't. | 0:10:22 | 0:10:26 | |
Here's one for you, this could seal the deal. | 0:10:26 | 0:10:29 | |
Of all the things to look at, I'm looking at your tea and dinner service. | 0:10:29 | 0:10:34 | |
I'm not interested in the dinnerware at all. | 0:10:34 | 0:10:40 | |
I'm interested in a good half of it. | 0:10:40 | 0:10:43 | |
I'll give you 120 quid but I want that. | 0:10:44 | 0:10:49 | |
130 and you've got a deal. | 0:10:49 | 0:10:51 | |
120 and that's how we divide it up. | 0:10:51 | 0:10:54 | |
-We've bought the screen as well. -Go on, then. -Good man, thanks. | 0:10:54 | 0:11:00 | |
Well, Paul is definitely showing his rugged determination. | 0:11:00 | 0:11:03 | |
That's £15 for the fire screen, £100 for the barometer | 0:11:03 | 0:11:06 | |
and £20 for the part tea set. | 0:11:06 | 0:11:09 | |
Both boys are working their socks off. | 0:11:09 | 0:11:11 | |
But, the call of the road trip beckons | 0:11:13 | 0:11:15 | |
and our fellas must buckle up and move on. | 0:11:15 | 0:11:18 | |
The boys are snaking six miles northwards to the small town of Carnforth. | 0:11:18 | 0:11:23 | |
Ever the gent, Paul is dropping off young Thomas at his second shop of the day. | 0:11:23 | 0:11:27 | |
Any shop, any shop that I'm denied | 0:11:27 | 0:11:30 | |
could be the one with The Holy Grail in it. | 0:11:30 | 0:11:32 | |
I want to get in there. | 0:11:32 | 0:11:34 | |
You never know, I might find it. | 0:11:34 | 0:11:37 | |
We'll catch up with Tom later but for now, let's follow Mr Laidlaw. | 0:11:37 | 0:11:41 | |
He doesn't have a care in the world, he's got a bag of antiques already | 0:11:41 | 0:11:44 | |
and he's travelling just up the road | 0:11:44 | 0:11:46 | |
to inspect a rather special furniture dynasty. | 0:11:46 | 0:11:49 | |
Leighton Hall is a grand residence with a history spanning over 750 years. | 0:11:51 | 0:11:58 | |
Paul is excited by his invitation because for two centuries, | 0:11:58 | 0:12:01 | |
it has been home to the famous Gillow family, renowned for their exquisite furniture business, | 0:12:01 | 0:12:07 | |
Gillow and Co of Lancaster. | 0:12:07 | 0:12:09 | |
It was founded in 1730 by Robert Gillow. | 0:12:09 | 0:12:12 | |
Susan and Richard Gillow Reynolds are the current owners of the hall | 0:12:12 | 0:12:16 | |
and passionate guardians of some very rare Gillow pieces. | 0:12:16 | 0:12:20 | |
Paul is meeting with Susan to find out more. | 0:12:20 | 0:12:22 | |
-Hello, Paul, welcome. -A pleasure to meet you. -Very nice to see you. | 0:12:23 | 0:12:28 | |
What a pleasure to be here at Leighton Hall. | 0:12:28 | 0:12:31 | |
It is the Gillow family home | 0:12:31 | 0:12:33 | |
and we do have a lot of lovely pieces that people come to see. | 0:12:33 | 0:12:37 | |
So, Robert, was he a cabinetmaker or joiner when he settled in Lancaster? | 0:12:38 | 0:12:44 | |
No, he wasn't. | 0:12:44 | 0:12:45 | |
The Gillows were farmers | 0:12:45 | 0:12:47 | |
and Robert should have gone into that farming tradition | 0:12:47 | 0:12:52 | |
but he came to Lancaster to be near his father | 0:12:52 | 0:12:55 | |
and to support himself. | 0:12:55 | 0:12:58 | |
The story is, he started, really, with a joinery business, | 0:12:58 | 0:13:01 | |
quite a modest business. | 0:13:01 | 0:13:03 | |
It just gradually built up and furniture commissions came in. | 0:13:03 | 0:13:08 | |
Then that side of the business began to take over. | 0:13:08 | 0:13:11 | |
The business really took off with Robert's son, Richard. | 0:13:11 | 0:13:14 | |
He was a craftsman and inventor and his designs included billiard and telescopic tables. | 0:13:14 | 0:13:21 | |
I recognise this dining table as | 0:13:23 | 0:13:26 | |
-Gillow's patented extending table, isn't it? -You do. | 0:13:26 | 0:13:32 | |
They invented this so-called telescoping mechanism that works this table. | 0:13:32 | 0:13:39 | |
The important thing to know about it is that it is a telescoping table, | 0:13:39 | 0:13:42 | |
it's not one of these that you wind out, | 0:13:42 | 0:13:44 | |
you pull it out as you would a telescope. | 0:13:44 | 0:13:48 | |
You stretch it right out, bring the extra leaves in | 0:13:48 | 0:13:50 | |
and pop them all in and then you seat all these people. | 0:13:50 | 0:13:54 | |
In the mid-1800s, the company worked on the interiors of the Palace of Westminster, | 0:13:54 | 0:13:58 | |
later diversifying into fitting out passenger liners | 0:13:58 | 0:14:01 | |
such as the Lusitania, at the time, the world's biggest ship. | 0:14:01 | 0:14:04 | |
Before Paul leaves, Susan wants to show him | 0:14:06 | 0:14:09 | |
a rare piece of furniture within the collection. | 0:14:09 | 0:14:12 | |
This little piece is very much a family piece. | 0:14:12 | 0:14:15 | |
It's something that was made for Elizabeth Gillow. | 0:14:15 | 0:14:20 | |
This is probably the youngest piece of Gillow that we have. | 0:14:20 | 0:14:24 | |
You can see tremendous change in style and design, | 0:14:24 | 0:14:29 | |
running into the early 19th century. | 0:14:29 | 0:14:32 | |
This was made in 1810, 1815. It was made especially for her. | 0:14:32 | 0:14:37 | |
She was a very religious lady, so first of all, her favourite Bible | 0:14:37 | 0:14:42 | |
stories are carved into these ebony panels, set in all around. | 0:14:42 | 0:14:46 | |
The figures, the ivory figures, were hers. | 0:14:46 | 0:14:50 | |
She asked that they be cut down and set in the alcoves at the top. | 0:14:50 | 0:14:54 | |
You can see they have just been chopped in half and put in it. | 0:14:54 | 0:14:58 | |
Christ and the Virgin Mary there? | 0:14:58 | 0:15:02 | |
Absolutely and then lots of space for storing her bits and pieces. | 0:15:02 | 0:15:07 | |
When you open it, you've got a nice deep drawer at the top. | 0:15:07 | 0:15:11 | |
Then, in the middle, we've got a little cupboard in here | 0:15:12 | 0:15:16 | |
and in the cupboard, she probably stored her household books, | 0:15:16 | 0:15:21 | |
her diaries and things like that. | 0:15:21 | 0:15:23 | |
Oh, and apparently, a skipping rope. I don't think so! | 0:15:23 | 0:15:27 | |
-This lady was the mother of 16 children. -Oh, my word! | 0:15:27 | 0:15:31 | |
So maybe this belonged to one of the children. | 0:15:31 | 0:15:34 | |
Underneath, in the smaller drawer, I will just take the key here. | 0:15:34 | 0:15:39 | |
It's very neat this. It's all fitted out as a tiny writing compartment. | 0:15:39 | 0:15:45 | |
You've got a leather top piece to press on to write your letters. | 0:15:45 | 0:15:49 | |
What an exquisite and ingenuous piece of furniture | 0:15:49 | 0:15:53 | |
but all the more special because it's a family commission. | 0:15:53 | 0:15:56 | |
I hope that wherever you go in the world, you'll never find another one like it! | 0:15:56 | 0:16:01 | |
If you do, don't come and say, all right? | 0:16:01 | 0:16:04 | |
What a treat for Paul, you lucky old thing. | 0:16:04 | 0:16:07 | |
If you want to experience it too, | 0:16:07 | 0:16:09 | |
this exquisite collection is open to the public. | 0:16:09 | 0:16:13 | |
Now, we'd better check up on that other cheeky scamp, Thomas. | 0:16:13 | 0:16:18 | |
He's having a good old nosy in Vicary Antiques, | 0:16:18 | 0:16:21 | |
owned by the rather lovely Michael. | 0:16:21 | 0:16:24 | |
Wonderfully sort of cramped, which is fabulous! | 0:16:24 | 0:16:28 | |
-Can I have a good look? -You may. As long as you don't get lost! | 0:16:28 | 0:16:33 | |
-Is there a risk of that? -Yes, people go in the backroom. | 0:16:33 | 0:16:36 | |
And never come out? | 0:16:36 | 0:16:37 | |
-Yes, absolutely. -Better watch yourself, Thomas. | 0:16:37 | 0:16:40 | |
There's certainly plenty to choose from. | 0:16:43 | 0:16:45 | |
This is a Japanese fan box, or a glove box. | 0:16:45 | 0:16:48 | |
Made from inlaid pieces of wood. | 0:16:49 | 0:16:52 | |
These stylised metal handles | 0:16:52 | 0:16:56 | |
in the form of chrysanthemums, | 0:16:56 | 0:16:59 | |
almost like a Japanese mon. | 0:16:59 | 0:17:02 | |
With a lacquered interior. | 0:17:03 | 0:17:06 | |
Just exquisitely done. | 0:17:06 | 0:17:09 | |
This box would have been rather important in keeping the fans' delicate silks dirt free. | 0:17:11 | 0:17:17 | |
Priced at £50, it's a possibility. | 0:17:17 | 0:17:19 | |
What has he unearthed now? | 0:17:23 | 0:17:26 | |
Very attractive Carlton Ware. | 0:17:26 | 0:17:29 | |
Early, early Carlton. Persian pattern as you can see. | 0:17:29 | 0:17:33 | |
The Persians here, against the royal blue. | 0:17:33 | 0:17:36 | |
Early Carlton Ware, Persian Ware, the early mark with the bird. | 0:17:39 | 0:17:44 | |
It does have a hairline crack in it. | 0:17:44 | 0:17:46 | |
With a mountain of antiques to get through, | 0:17:46 | 0:17:48 | |
Thomas comes across something else he likes the look of. | 0:17:48 | 0:17:51 | |
This looks like an onyx ink stand, or desk stand. | 0:17:51 | 0:17:57 | |
Probably in the Art Deco... Well, it is Art Deco. | 0:17:59 | 0:18:03 | |
You have lovely hinges here in gilt metal. | 0:18:03 | 0:18:10 | |
A real gift for somebody, isn't it? | 0:18:10 | 0:18:12 | |
It looks like he's going in for a deal. | 0:18:12 | 0:18:14 | |
So, the Japanese box and the ink stand, | 0:18:14 | 0:18:18 | |
and the Carlton Ware at £100 for now. | 0:18:18 | 0:18:22 | |
So, to clarify, ladies and gents, £20 for the vase, | 0:18:22 | 0:18:26 | |
£35 for the Japanese box and £45 for the ink stand. Got it? | 0:18:26 | 0:18:31 | |
Thank you very much, Michael. | 0:18:31 | 0:18:34 | |
With a total of five items in the bag, | 0:18:34 | 0:18:36 | |
Thomas has certainly been a very busy boy. | 0:18:36 | 0:18:38 | |
It's now time for the chaps to rest | 0:18:38 | 0:18:41 | |
because our adventure continues tomorrow. | 0:18:41 | 0:18:43 | |
Night-night. | 0:18:43 | 0:18:45 | |
It's the start of a brand-new day | 0:18:49 | 0:18:51 | |
and it is Thomas's turn to get behind the wheel of the Sunbeam. | 0:18:51 | 0:18:55 | |
-Do you like the car? -I do, | 0:18:55 | 0:18:59 | |
but she's wanting to go. | 0:18:59 | 0:19:01 | |
She doesn't like idling, does she? | 0:19:01 | 0:19:04 | |
You're right about the posture. | 0:19:05 | 0:19:09 | |
It's very upright and very narrow. | 0:19:09 | 0:19:12 | |
So far, Paul has spent £135 on three items. | 0:19:13 | 0:19:17 | |
The fire screen, the part tea set and the rosewood barometer. | 0:19:17 | 0:19:21 | |
Paul has £65 left to splurge. | 0:19:21 | 0:19:25 | |
Thomas has been a very industrious bee, he spent £140 on five items. | 0:19:25 | 0:19:30 | |
The coal man's waistcoat, the dainty little spectacles, | 0:19:30 | 0:19:34 | |
the Japanese fan box, the Carlton vase and the Art Deco ink set. | 0:19:34 | 0:19:39 | |
Thomas has £60 for the day ahead. | 0:19:39 | 0:19:43 | |
We're off for a spot of shopping in the town of Chorley. | 0:19:43 | 0:19:46 | |
Hopefully they'll get there. | 0:19:46 | 0:19:48 | |
Young Thomas doesn't quite seem to have mastered the old driving yet. | 0:19:48 | 0:19:52 | |
Sorry, I'm in the wrong gear. | 0:19:52 | 0:19:55 | |
-And on the wrong side of the road. -Oh! | 0:19:55 | 0:19:58 | |
She's quite difficult to drive! | 0:20:00 | 0:20:03 | |
Maybe you should get behind the wheel, Paul. | 0:20:03 | 0:20:06 | |
Well, here we are. | 0:20:06 | 0:20:08 | |
-Thank you, driver. -Well, that's all right. | 0:20:08 | 0:20:10 | |
-That's all right, sir. -I'd say well driven but... -Really? | 0:20:10 | 0:20:14 | |
Come on, Paul! | 0:20:14 | 0:20:16 | |
Hang on, hang on! I just want to get it just there. There we are. | 0:20:16 | 0:20:18 | |
-I want out. -I don't blame you, Paul. | 0:20:18 | 0:20:21 | |
Next stop is the sumptuous Heskin Hall Antiques | 0:20:22 | 0:20:26 | |
where numerous traders sell their wares. | 0:20:26 | 0:20:29 | |
Young Thomas is rather relaxed | 0:20:31 | 0:20:33 | |
cos he's already got a treasure trove of antiques. | 0:20:33 | 0:20:37 | |
Paul has lots of ground to cover but after searching the place | 0:20:37 | 0:20:40 | |
high and low, he's finally found something. | 0:20:40 | 0:20:43 | |
-I've got a present for Tom. -Cheeky! | 0:20:44 | 0:20:48 | |
This is as close as I've got. Shall I tell you about it? | 0:20:54 | 0:20:57 | |
There is one deck here, actually, I think it is a nice little cabinet. | 0:20:57 | 0:21:03 | |
It's the pocket adding machine. | 0:21:03 | 0:21:05 | |
Calculating machines are hot and getting hotter. | 0:21:05 | 0:21:08 | |
That's an early little pocket calculating machine. | 0:21:08 | 0:21:12 | |
Blaise Pascal invented the mechanical calculator | 0:21:12 | 0:21:15 | |
in the mid-17th century but this little number | 0:21:15 | 0:21:18 | |
was a handy pocket size for the thrifty Victorians. | 0:21:18 | 0:21:22 | |
Find an interesting thing at the right price and I will be impressed. | 0:21:22 | 0:21:27 | |
£16. | 0:21:27 | 0:21:29 | |
Not bad. Sounds like a good contender. | 0:21:29 | 0:21:32 | |
Right. I think I've seen everything I need to see. | 0:21:32 | 0:21:37 | |
By that I mean everything. | 0:21:37 | 0:21:40 | |
I think it's time to ask about that cabinet. | 0:21:40 | 0:21:42 | |
Paul fetches Lynne, the lady in charge, | 0:21:42 | 0:21:45 | |
-to begin negotiations on the little adding machine. -Hi, Lynne. -Hello! | 0:21:45 | 0:21:48 | |
I've seen some things in a cabinet in that room there. | 0:21:48 | 0:21:52 | |
Is it possible to have a wee look? It's up in there, if I may. | 0:21:52 | 0:21:56 | |
Would our friend here with an eye for the unusual like to haggle? | 0:21:59 | 0:22:06 | |
Lynne is unable to get hold of the dealer on the phone | 0:22:06 | 0:22:10 | |
-so she makes an offer on his behalf. -I reckon I could do... | 0:22:10 | 0:22:15 | |
-Would he kill me? That's the next question. -Run the risk! | 0:22:17 | 0:22:22 | |
-Run the risk! I know! -It'll be all right. He's lovely. -Oh, yeah. | 0:22:22 | 0:22:27 | |
-Yeah. I could do that for 12. -Could we round it down to 10? | 0:22:27 | 0:22:30 | |
I like tens and 15s and 20s but I'm not offering you 15! | 0:22:30 | 0:22:33 | |
SHE LAUGHS | 0:22:33 | 0:22:35 | |
-I can only do 12, I'm sorry. I shouldn't be... -That's all right. | 0:22:35 | 0:22:38 | |
-Without speaking to him... -No, no, not a problem. | 0:22:38 | 0:22:41 | |
-Let me give you some money. -That's a total of four antiques for Paul. | 0:22:41 | 0:22:44 | |
Hurrah! Meanwhile, young Thomas is leaving empty-handed. | 0:22:44 | 0:22:49 | |
He's off on a solo adventure, travelling south | 0:22:53 | 0:22:56 | |
to the village of Aspull near Wigan. | 0:22:56 | 0:22:58 | |
And it's with some trepidation that Thomas parks up | 0:23:00 | 0:23:03 | |
beside the rather scary sounding Snake Pit | 0:23:03 | 0:23:06 | |
but there's nothing to fear, Thomas. | 0:23:06 | 0:23:09 | |
Not quite yet. This is the home of catch wrestling. | 0:23:09 | 0:23:12 | |
For many centuries, Wigan was famous as a prime coal-mining district. | 0:23:15 | 0:23:20 | |
At its peak there were 1,000 pit shafts | 0:23:20 | 0:23:22 | |
within five miles of the town centre. | 0:23:22 | 0:23:25 | |
Most families in the area had a connection with mining | 0:23:25 | 0:23:28 | |
and it was from this tough, dark world | 0:23:28 | 0:23:30 | |
that the global phenomenon of catch wrestling evolved. | 0:23:30 | 0:23:34 | |
This was real fighting for real men. | 0:23:34 | 0:23:37 | |
Thomas is meeting with former catch wrestler and top coach, Roy Wood. | 0:23:38 | 0:23:43 | |
-Thomas. -Hello, Thomas. Pleased to meet you. -Pleased to meet you. | 0:23:43 | 0:23:46 | |
-What's your name? -Roy. -This is a particular type of wrestling. | 0:23:46 | 0:23:48 | |
It's catch-as-catch-can wrestling. | 0:23:48 | 0:23:50 | |
It's the old Wigan style, the old miner's type of wrestling. | 0:23:50 | 0:23:53 | |
I don't know anything about wrestling. | 0:23:53 | 0:23:55 | |
It's not even entered any part of my life, not even the modern stuff. | 0:23:55 | 0:23:59 | |
-Are you going to lead on and educate me? -Yes. | 0:23:59 | 0:24:01 | |
-I think you'll be a bit wiser when you leave. -Brilliant. | 0:24:01 | 0:24:05 | |
-What are the rules involved? -Well, the rules are very, very simple. | 0:24:06 | 0:24:12 | |
There's no time limit on it. | 0:24:12 | 0:24:14 | |
They just wrestle until one of them couldn't stand up or he submitted. | 0:24:14 | 0:24:17 | |
The idea is get your opponent on his back and then it's finished. | 0:24:17 | 0:24:21 | |
Or put a submission on and then as soon as he says, "right, that's it", | 0:24:21 | 0:24:24 | |
then the job is finished. | 0:24:24 | 0:24:26 | |
I think they call it catch-as-catch-can | 0:24:26 | 0:24:29 | |
because you could grab anywhere you wanted. | 0:24:29 | 0:24:31 | |
They'd give you their leg and you grab the leg and they counter it. | 0:24:31 | 0:24:34 | |
They'd give you their arm. | 0:24:34 | 0:24:36 | |
You'd try and move and counter to that move you were trying. | 0:24:36 | 0:24:39 | |
It was very, very technical, actually. | 0:24:39 | 0:24:42 | |
Roy learned the tricks of the trade from famous catch wrestler | 0:24:42 | 0:24:45 | |
and local man, Billy Riley. | 0:24:45 | 0:24:47 | |
In Billy's day, matches were highly illegal. | 0:24:47 | 0:24:51 | |
They would be set up in fields where people would | 0:24:51 | 0:24:53 | |
gamble on who would be the winner. | 0:24:53 | 0:24:55 | |
Billy became so good that he went on to claim a very important title. | 0:24:55 | 0:24:59 | |
He actually went... | 0:25:01 | 0:25:03 | |
to Johannesburg | 0:25:03 | 0:25:05 | |
and wrestled in Johannesburg. | 0:25:05 | 0:25:07 | |
He went by boat. I think it took him two or three months. | 0:25:07 | 0:25:11 | |
-And he wrestled for the British Empire Belt. -Really? | 0:25:11 | 0:25:15 | |
He wrestled a fellow called Johnson and I believe Billy | 0:25:15 | 0:25:18 | |
broke this fellow's arm and he came back the British Empire Champion. | 0:25:18 | 0:25:23 | |
-Did you ever meet him? -He was my coach. -Was he? -Yeah. | 0:25:23 | 0:25:26 | |
He was an old man when he coached me. | 0:25:26 | 0:25:28 | |
And with the help of Roy, Thomas is about to take on the past. | 0:25:29 | 0:25:33 | |
Don't worry, young Tom did escape the snake pit. | 0:26:28 | 0:26:32 | |
Meanwhile, Paul is still in a determined mood | 0:26:32 | 0:26:35 | |
to find one last antique. | 0:26:35 | 0:26:37 | |
He's travelled eastwards to the town of Darwen. | 0:26:37 | 0:26:40 | |
Owner Stephen has been running the business for many years | 0:26:40 | 0:26:43 | |
and has amassed everything you could possibly think of. | 0:26:43 | 0:26:47 | |
Good luck, Paul. You might be in here for some time. | 0:26:47 | 0:26:51 | |
-Hello. Hello. -Hello. -I'm Paul. -Hello, Paul. | 0:26:51 | 0:26:54 | |
-I'm Stephen. -Good to see you. -Nice to see you. | 0:26:54 | 0:26:56 | |
Here's an interesting place you've got, isn't it? | 0:26:56 | 0:26:59 | |
-I hope you find something. -Dare I say, it could be my kind of place. | 0:26:59 | 0:27:03 | |
-Just have a browse, is that all right? -Of course you can, yeah. | 0:27:03 | 0:27:06 | |
Let the Laidlaw thorough inspection begin. | 0:27:06 | 0:27:09 | |
Eventually he does uncover something that rather delights him. | 0:27:13 | 0:27:18 | |
It ain't me, don't get me wrong, but that is a stunner. | 0:27:18 | 0:27:22 | |
What is not to like? | 0:27:22 | 0:27:24 | |
Speakers...lateral speakers, stereophonic. | 0:27:25 | 0:27:29 | |
-Amazing knobs. Love it. -I think he likes it. | 0:27:31 | 0:27:35 | |
So after a good look round, he has a couple of options to play with | 0:27:35 | 0:27:39 | |
but which will he sink his teeth into? | 0:27:39 | 0:27:42 | |
I thought you'd disappeared. HE LAUGHS | 0:27:42 | 0:27:44 | |
Man, it took some doing. Some place! | 0:27:46 | 0:27:49 | |
I don't know what your memory's like. I bet it's darned good. | 0:27:50 | 0:27:53 | |
I'll run a few things past you to hit me with some prices. | 0:27:53 | 0:27:56 | |
-Starting... Actually, starting up here. That. -The trunk. -Yeah. | 0:27:56 | 0:28:01 | |
-A gentle one. -All right. Well, 75. -That's pretty fair. Nah. | 0:28:02 | 0:28:07 | |
Downstairs a '70...late '60s, early '70s record player. | 0:28:08 | 0:28:15 | |
-A real funky looking thing. -It's quite an upmarket looking one. | 0:28:15 | 0:28:19 | |
-Not like the...better than the Dansette. -Absolutely. Really funky. | 0:28:19 | 0:28:23 | |
I'll do that for 25. | 0:28:23 | 0:28:25 | |
So, the trunk or the record player? | 0:28:25 | 0:28:28 | |
The decision is yours, Paul. | 0:28:28 | 0:28:31 | |
What's the death on the record player? | 0:28:31 | 0:28:33 | |
-The bottom line? Say 25, 20 quid. -20. -So it's 20 and 60. | 0:28:33 | 0:28:39 | |
-I'm buying the record player. -The record player. -Cheers. -Very good. | 0:28:42 | 0:28:47 | |
And that's the last deal of the day. | 0:28:47 | 0:28:49 | |
The boys are meeting up to give one another's treasures the once over. | 0:28:49 | 0:28:53 | |
# Dun-dun-duuun. # That random assortment of stuff. | 0:28:53 | 0:28:57 | |
Should that be lying down or is there a fixed reservoir under there? | 0:28:57 | 0:29:00 | |
-It's empty. There's very little mercury left. -Very little, OK. | 0:29:00 | 0:29:04 | |
-What is that? -This is uber cool. This is where it's at. | 0:29:04 | 0:29:09 | |
-The future of collecting. -If you say so, Paul. | 0:29:09 | 0:29:13 | |
I can't believe you bought that, Paul Laidlaw. It must have been a fiver. | 0:29:13 | 0:29:17 | |
-I paid £20 for that. -Did you? -How very dare you! -How very dare you! | 0:29:20 | 0:29:23 | |
-Diss my retro! -Ghastly! What is that? A pocket... | 0:29:23 | 0:29:28 | |
Little late Victorian/Edwardian pocket adding machine. | 0:29:28 | 0:29:31 | |
Little tin plate affair. | 0:29:31 | 0:29:33 | |
There's a little stylus and you move the digits and so on. | 0:29:33 | 0:29:35 | |
Now for the important bit. How much did they cost? | 0:29:35 | 0:29:39 | |
The barometer, stick rosewood barometer. | 0:29:39 | 0:29:43 | |
-I imagine that was £80 or something like that. -£100. -£100. | 0:29:43 | 0:29:46 | |
-It's a punchy, punchy thing. A fiver for a pocket calculator? -12. | 0:29:46 | 0:29:51 | |
-Right order of magnitude. -Yeah, yeah. | 0:29:51 | 0:29:53 | |
And 20 for that, you've told me. That's so lovely, that's profit, profit, profit. | 0:29:53 | 0:29:58 | |
Your turn now, Tom. Show Paul what you got. | 0:29:58 | 0:30:02 | |
-19th century spectacles. Silver framed or... -No! -Nickel? OK. | 0:30:02 | 0:30:07 | |
Nice little leather case. Sweet. | 0:30:07 | 0:30:10 | |
-Those were £20? -I did get those for £20. | 0:30:10 | 0:30:12 | |
-And you're going to do all right with those. -I think so. | 0:30:12 | 0:30:15 | |
-Now, I do like...Japanese glove box? -Glove or fan, whatever. | 0:30:15 | 0:30:21 | |
-But that, I thought, is the nicest... -Geometric parquetry all over? | 0:30:21 | 0:30:26 | |
-It's lovely. -I've got...I've got... | 0:30:26 | 0:30:28 | |
-Go on! Go on! Go on! -Am I going to be dazzled? -No, no, no. | 0:30:28 | 0:30:30 | |
-Just a box? -It's just a box. -Lacquered interior. | 0:30:30 | 0:30:33 | |
Yeah, fair enough. Erm... | 0:30:33 | 0:30:35 | |
I don't know. That's really nice. It's lovely, isn't it? | 0:30:35 | 0:30:37 | |
In a sea of bland such items, that's really nice. I like that. | 0:30:37 | 0:30:42 | |
I like that a lot. | 0:30:42 | 0:30:43 | |
And you might have got that cheap because it's a brown box. | 0:30:43 | 0:30:47 | |
-Not really. -30 or £40? -35. -Bang on! We're doing all right here. | 0:30:47 | 0:30:52 | |
-And is that Carlton Ware? -Carlton Ware. | 0:30:52 | 0:30:55 | |
-Did you have to wade in deep for that? -No, no. -Cheap? | 0:30:56 | 0:30:59 | |
-Well, I bought all of this for £100. -OK. So how are you dividing... | 0:30:59 | 0:31:03 | |
20, 45, 35. | 0:31:03 | 0:31:06 | |
My word! A nailbiter. | 0:31:06 | 0:31:09 | |
Thomas, well done, my man. I cannot wait. | 0:31:09 | 0:31:13 | |
So, let's hear what our chaps really think. | 0:31:13 | 0:31:16 | |
My poor record player! He was harsh! I thought he'd like it! | 0:31:16 | 0:31:20 | |
I'm surprised at Laidlaw. | 0:31:20 | 0:31:22 | |
I thought Laidlaw would have bought really good quality items, yeah. | 0:31:22 | 0:31:26 | |
The barometer's lovely but it's missing its mercury | 0:31:26 | 0:31:29 | |
and it's yesterday's news. | 0:31:29 | 0:31:31 | |
It's been a jolly jape of a first leg. | 0:31:33 | 0:31:36 | |
We began our journey in Morecambe, travelling via Carnforth, | 0:31:36 | 0:31:39 | |
Chorley, Aspull and Darwen, finally arriving in Clitheroe in Lancashire. | 0:31:39 | 0:31:44 | |
Nestled in the Ribble Valley, the town is home to Clitheroe Castle, | 0:31:46 | 0:31:49 | |
thought to be the smallest Norman keep in England. | 0:31:49 | 0:31:53 | |
But it's auction day as our boys arrive in town. | 0:31:53 | 0:31:56 | |
-I'm feeling very relaxed. -What happened to your trousers, Thomas? | 0:31:58 | 0:32:02 | |
We do have standards on this show, you know. | 0:32:02 | 0:32:05 | |
Silverwood is one of the North's leading antiques auction houses. | 0:32:05 | 0:32:10 | |
Wilf Mould is today's auctioneer and has a few thoughts | 0:32:10 | 0:32:13 | |
on Paul and Tom's lots. | 0:32:13 | 0:32:15 | |
The pine stereophonic projection system, | 0:32:15 | 0:32:18 | |
we do have various collectors for that sort of stuff | 0:32:18 | 0:32:20 | |
so I could imagine it could do quite well. | 0:32:20 | 0:32:22 | |
The Coleman's waistcoat... | 0:32:22 | 0:32:25 | |
Quirky thing. It's one of those daft things. | 0:32:28 | 0:32:30 | |
It could be a tenner or it could be 70 or £80. | 0:32:30 | 0:32:34 | |
Paul Laidlaw started the day with his full allowance of £200 | 0:32:34 | 0:32:38 | |
and spent £167 on five auction lots. | 0:32:38 | 0:32:42 | |
Thomas Plant took his £200 and exercised a little more caution | 0:32:43 | 0:32:47 | |
and spent £140, also on five auction lots. | 0:32:47 | 0:32:52 | |
All eyes to the front. The auction is about to begin. | 0:32:52 | 0:32:55 | |
Here we go. | 0:32:56 | 0:32:58 | |
To start us off we have Paul's rather stylish record player. | 0:32:58 | 0:33:02 | |
Who will start me at what for this one? | 0:33:02 | 0:33:04 | |
£40 for it. 40 anywhere? 30, then. | 0:33:04 | 0:33:06 | |
30, quickly. I'll take 20 this time. 20's all over. 22. 25. | 0:33:06 | 0:33:12 | |
-There you are. -30. £30. 32. 35. 38. | 0:33:12 | 0:33:16 | |
-40. 42. -Ye of little faith! | 0:33:16 | 0:33:20 | |
-45. 48. -Ye of little faith! -48. | 0:33:20 | 0:33:22 | |
-50. 55. -Laidlaw! -55, new bidder. 55 and 60. | 0:33:22 | 0:33:26 | |
-New bidder! -65. 70, now. | 0:33:26 | 0:33:29 | |
70. And five, sir? 75. And 80? | 0:33:30 | 0:33:33 | |
-What? -£80. 85. -It is back in. | 0:33:33 | 0:33:37 | |
-85 if you like, sir? -Scorchio! -No? Anybody else? | 0:33:37 | 0:33:40 | |
All finished at £80 this time? It's going. | 0:33:40 | 0:33:43 | |
Music to your ears, Paul. A lovely profit from the get go. | 0:33:43 | 0:33:46 | |
-Long may it continue. -80 quid! | 0:33:46 | 0:33:49 | |
OK, I'll take that. I'll take that. | 0:33:50 | 0:33:52 | |
I think I might just hand in my hat and disappear. | 0:33:52 | 0:33:55 | |
Don't do that, Thomas. We're sticking with Paul. | 0:33:55 | 0:33:58 | |
It's the Arts and Crafts fire screen next. | 0:33:58 | 0:34:02 | |
Can he continue with yet another lovely profit? | 0:34:02 | 0:34:04 | |
At 45. 50. 55. 60 now, sir. | 0:34:04 | 0:34:07 | |
-£60. -It's in there. -At 60, are we bid? | 0:34:07 | 0:34:10 | |
Where's 65 for this one? At £60. | 0:34:10 | 0:34:12 | |
I tell you what, if this is cheaper than the record player | 0:34:12 | 0:34:15 | |
-it speaks volumes for the market. -At £60. | 0:34:15 | 0:34:19 | |
Looks like Laidlaw's on a roll today. | 0:34:19 | 0:34:22 | |
I tell you what, I can explain this heat because I'm on fire. | 0:34:22 | 0:34:28 | |
Don't let's get cocky, Paul, it's your rosewood barometer next. | 0:34:29 | 0:34:33 | |
Here's hoping we're not in for stormy weather. | 0:34:33 | 0:34:36 | |
I will start it at £60. | 0:34:36 | 0:34:39 | |
60, bid. 65 if you like. At £60. Five. 70. 75. 80. | 0:34:39 | 0:34:43 | |
-85. -It's got 100. -90. | 0:34:43 | 0:34:45 | |
95. 90 with me. Where's 95? New man. 95. 100. | 0:34:45 | 0:34:50 | |
-110. 110 in the room. -It's cheap. It wants to do 200. -At £110. | 0:34:50 | 0:34:57 | |
Where's 120 this time? Next to you. 120. | 0:34:57 | 0:35:00 | |
-130. 140. -It's going to do it. | 0:35:00 | 0:35:03 | |
I'll have 130 next to you. 140 if you like? All done at £130. | 0:35:03 | 0:35:10 | |
The sun is certainly shining for Paul. The profits are mounting up. | 0:35:10 | 0:35:15 | |
-How are you feeling? -All right. All right. -You've done really well. | 0:35:15 | 0:35:19 | |
I'll admit the shorts were a good idea. | 0:35:19 | 0:35:22 | |
Jacket's coming off. | 0:35:22 | 0:35:24 | |
SINGS "THE STRIPPER" | 0:35:24 | 0:35:28 | |
Moving swiftly on, it is Thomas's turn to shine | 0:35:28 | 0:35:31 | |
with the sturdy leather Coleman's waistcoat. | 0:35:31 | 0:35:34 | |
Never saw one of these before so it will test me as much as you. Right. | 0:35:34 | 0:35:37 | |
Start we at what for this one? £50, any of you, for this one? 50. | 0:35:37 | 0:35:42 | |
-30, then. £30. 20. 20 bid. 20 and 22 now. -Straight in. | 0:35:42 | 0:35:48 | |
-There's no harm in that. -22. Anybody else for the waistcoat? | 0:35:48 | 0:35:51 | |
-22. -They're off! -25. 28. | 0:35:51 | 0:35:54 | |
-30. -Fun thing. -40 quid coming. | 0:35:54 | 0:35:57 | |
At £30. And 32. At 32. At £30 and 32. | 0:35:57 | 0:36:01 | |
Anybody else? At £30 and 32 for the waistcoat. | 0:36:01 | 0:36:06 | |
All quite sure at £30? | 0:36:06 | 0:36:08 | |
Well, it's a start, Thomas, and it's still a profit | 0:36:08 | 0:36:11 | |
but you've got a bit of catching up to do. | 0:36:11 | 0:36:13 | |
-Can't argue with that. -Can't argue with that. -No harm in that. | 0:36:13 | 0:36:17 | |
Back to Paul and the rather elegant Haviland tea service. | 0:36:17 | 0:36:21 | |
£80 for the whole service. 80, any of you? £80. | 0:36:21 | 0:36:25 | |
50, then. 19 pieces of Limoges porcelain. | 0:36:25 | 0:36:29 | |
£50, quickly. I'll take 40. | 0:36:29 | 0:36:32 | |
30, if you like. Nobody wanting it? 20, surely. | 0:36:33 | 0:36:38 | |
-Hands everywhere. -22. | 0:36:38 | 0:36:40 | |
-25. At 22 bid. You can bid more than once. -25. 22 quid! | 0:36:40 | 0:36:44 | |
-It's got to do 40 plus. -At £28. | 0:36:44 | 0:36:47 | |
Looking for 30. £30. New man. £30. | 0:36:47 | 0:36:50 | |
-32. -Still profit, don't worry about it. | 0:36:50 | 0:36:52 | |
35, 38. 40, now. £40. 42. 45. | 0:36:52 | 0:36:56 | |
At £42 and it's going. This time at 42. | 0:36:56 | 0:37:01 | |
Yet another profit. He's pretty good at this, you know? | 0:37:01 | 0:37:05 | |
-So far so good. Relief. -Well done. | 0:37:05 | 0:37:09 | |
It's Paul again with the dinky Victorian adding machine. | 0:37:09 | 0:37:13 | |
-Can he make it five in a row? -£30 for it. 30. 20. | 0:37:13 | 0:37:18 | |
Good little fun item. Is there £20, any of you? | 0:37:18 | 0:37:21 | |
Comes complete with a stylus. Tenner, then. | 0:37:21 | 0:37:24 | |
Start at a tenner, just get it started. | 0:37:24 | 0:37:26 | |
Little adding machine. Five? Five here. Six. | 0:37:26 | 0:37:28 | |
It's got to make a profit. It has got to win pounds. Help me here. | 0:37:28 | 0:37:31 | |
10, 12, 15. 18. 15 is bid. | 0:37:31 | 0:37:35 | |
-They will be disappointed when they buy it, when they see it. -£15. | 0:37:35 | 0:37:40 | |
Are we all done? Have we all finished at £15? | 0:37:40 | 0:37:44 | |
That was your last lot of the day, Paul, | 0:37:44 | 0:37:46 | |
and it's been profit all the way. | 0:37:46 | 0:37:49 | |
The difference is you know about it. | 0:37:49 | 0:37:52 | |
You know about it. That's what's so good. | 0:37:52 | 0:37:55 | |
You know how it works and all of these things. They might not know. | 0:37:55 | 0:37:59 | |
If I looked at it I'd have thought, | 0:37:59 | 0:38:01 | |
"All right. I could spend 18 quid on that. What is it?" | 0:38:01 | 0:38:05 | |
Over to you, then, Thomas. | 0:38:05 | 0:38:07 | |
Show us with what you're made of. It's the spectacles next. | 0:38:07 | 0:38:11 | |
Nice little lot here, complete with lenses. | 0:38:11 | 0:38:13 | |
Start me at what for those? | 0:38:13 | 0:38:15 | |
£30, including the case. £30. 20, then. | 0:38:15 | 0:38:18 | |
20, any of you? 10. | 0:38:18 | 0:38:22 | |
10 and 12, if you like. At £10 right in the middle. At £10. | 0:38:22 | 0:38:26 | |
I'm looking for 12 now. £12. 15. 18. | 0:38:26 | 0:38:29 | |
At £15 bid. At 15, only bidding 18. Anybody else? At £15. | 0:38:29 | 0:38:34 | |
-Where's 18 for the spectacles? -Oh, dear. | 0:38:34 | 0:38:36 | |
At £15. Where's 18 now? | 0:38:36 | 0:38:38 | |
-All done at £15? -Oh, dear. | 0:38:38 | 0:38:40 | |
Not what you were expecting but it's not over yet, Tom. | 0:38:40 | 0:38:44 | |
-Bother. No great pain taken. -No, no. -It's this vase. | 0:38:45 | 0:38:49 | |
This is the one, I'm telling you. | 0:38:49 | 0:38:52 | |
Perhaps the early Carlton Ware vase can come to the rescue. | 0:38:52 | 0:38:55 | |
Start me at what for this one? £60 and set me off. | 0:38:55 | 0:38:59 | |
60, any of you? 50, then. | 0:38:59 | 0:39:01 | |
50, anywhere? I'll take 30 for a start. £30. | 0:39:01 | 0:39:05 | |
Come on, you should be jumping up and down at that money. | 0:39:05 | 0:39:07 | |
30 bid. 32. At £30 and 32 where? | 0:39:07 | 0:39:11 | |
At £30. 32, sorry. 32. 35. | 0:39:11 | 0:39:15 | |
38. 40. And two. 45. | 0:39:15 | 0:39:18 | |
48. 50. | 0:39:18 | 0:39:20 | |
-It's looking good for you. -At £40. 50, if you want. -Go on! | 0:39:20 | 0:39:24 | |
-It's too much now. -It's going at 48. 50 this time, now? | 0:39:24 | 0:39:28 | |
No. All done at £48. Where's that? | 0:39:28 | 0:39:32 | |
-Sorry, I couldn't see you. £50. -No, over here! | 0:39:33 | 0:39:37 | |
-You did come again then! £50. -£50. "You did come again!" I love that! | 0:39:37 | 0:39:43 | |
52. All done and £50 in the room, then. | 0:39:43 | 0:39:46 | |
That's more like it. A nice tidy profit, Thomas. | 0:39:46 | 0:39:49 | |
-But still not enough to overtake Paul. -Well done. | 0:39:49 | 0:39:52 | |
-It's all right, isn't it? -That's a lovely result. | 0:39:52 | 0:39:56 | |
-That's a lovely result. -I say lovely, I mean nauseating. | 0:39:56 | 0:40:02 | |
-Why? -I'm happy for you. -Laidlaw, Laidlaw, Laidlaw. | 0:40:02 | 0:40:05 | |
I've been happy for all your great results. | 0:40:05 | 0:40:08 | |
You know, and I'm such a relaxed... | 0:40:08 | 0:40:11 | |
Yeah. You're a delicate flower and you're lovely through and through. | 0:40:11 | 0:40:15 | |
Naturally. | 0:40:15 | 0:40:17 | |
-It's Thomas again with a beautiful Japanese box. -£50 for it, | 0:40:17 | 0:40:21 | |
for the glove box. 50. 30, then. £30. Nice little piece. | 0:40:21 | 0:40:26 | |
-Even at a distance, that's a good looking thing. -Where is 20? | 0:40:26 | 0:40:30 | |
Did I see 20 from anywhere? Thank you. £20. 20. | 0:40:30 | 0:40:34 | |
-22, we're looking for. At £20. -No, that's a huge loss. | 0:40:34 | 0:40:37 | |
You've got more interest there. These guys know it. | 0:40:37 | 0:40:40 | |
28. 30. Either of you? | 0:40:40 | 0:40:43 | |
I've got the lady there, £30. | 0:40:43 | 0:40:45 | |
32. 35. 38. 40. | 0:40:45 | 0:40:48 | |
-And two. -Getting there. -40 bid. | 0:40:48 | 0:40:50 | |
Your turn now. 42, if you like. At £40. 42, anywhere else? | 0:40:50 | 0:40:53 | |
At £40 away on my left. | 0:40:53 | 0:40:55 | |
-It's very minor. I'll take it. I'll take it. -No shame in that. | 0:40:55 | 0:40:58 | |
-No shame. -That's the spirit, Thomas, | 0:40:58 | 0:41:02 | |
but you're still lagging way behind. | 0:41:02 | 0:41:04 | |
I'm worried about this onyx stand. It's going to bomb. | 0:41:04 | 0:41:08 | |
-You want to be worried. -I am worried. -We're setting this up. | 0:41:08 | 0:41:11 | |
We're setting this up beautifully. | 0:41:11 | 0:41:13 | |
You're worried about it, I'm sticking the boot in. | 0:41:13 | 0:41:16 | |
-It's going to make £100. -Lovely if it did but it ain't going to. | 0:41:16 | 0:41:20 | |
I can tell you, it's going to bomb. | 0:41:20 | 0:41:22 | |
It's great to have so much faith, Thomas. | 0:41:22 | 0:41:26 | |
Anyway, it's the last lot of the day with the Art Deco ink stand. | 0:41:26 | 0:41:29 | |
£30 for it. 25, then. | 0:41:29 | 0:41:34 | |
Who will start me at 20 for this one? | 0:41:34 | 0:41:36 | |
Tenner, straight off. 10 right at the front here. | 0:41:36 | 0:41:39 | |
10 and 12. At £10. Come on, help yourself. | 0:41:39 | 0:41:42 | |
12. 15 now, sir. At £12 bid and 15 where? | 0:41:42 | 0:41:46 | |
-At £12 bid and 15 this time. -It was a weak moment. Weak moment. Awful. | 0:41:46 | 0:41:51 | |
-Awful. -£12. It's going at 12. | 0:41:51 | 0:41:54 | |
Whoops! It bombed. | 0:41:54 | 0:41:56 | |
Your prediction sadly came true, Thomas. | 0:41:56 | 0:41:59 | |
-Ouch. Ouch. Ouch. -Delicate flower. | 0:41:59 | 0:42:03 | |
-Oh, it landed badly. -Landed really badly. -I feel quite sick. | 0:42:03 | 0:42:06 | |
-Medic! Medic! -THEY LAUGH | 0:42:06 | 0:42:09 | |
I need to go. | 0:42:09 | 0:42:11 | |
-What did that make? -I don't know. | 0:42:11 | 0:42:13 | |
-12? -12 quid! Come on. Let's go and cool down. | 0:42:15 | 0:42:18 | |
-It's so hot! -Come on. | 0:42:18 | 0:42:20 | |
Our chaps started today's show with £200 each. | 0:42:20 | 0:42:23 | |
Right, let's find out who has triumphed at today's auction. | 0:42:23 | 0:42:27 | |
After paying auction costs, Thomas made a small loss of £19.46. | 0:42:28 | 0:42:33 | |
Plant has £180.54 to carry forward. | 0:42:33 | 0:42:37 | |
Paul, meanwhile, is storming ahead with a mighty profit of £101.14. | 0:42:41 | 0:42:46 | |
Paul Laidlaw is today's winner and has £301.14 to start the next leg. | 0:42:46 | 0:42:51 | |
Well done. | 0:42:51 | 0:42:53 | |
Well then, Mr. HE LAUGHS | 0:42:55 | 0:42:57 | |
-Well done. -Cheers, buddy. Cheers, buddy. | 0:42:57 | 0:43:00 | |
Next time on the Antiques Road Trip, Paul Laidlaw talks tough | 0:43:05 | 0:43:08 | |
-to stay in the lead. -I'm not going to make you a reasonable offer. | 0:43:08 | 0:43:12 | |
I'm going to make you a bad offer. | 0:43:12 | 0:43:14 | |
And we'll see if there's more to Thomas Plant than just antiques. | 0:43:14 | 0:43:18 | |
HORN SOUNDS Yeah, that works. | 0:43:18 | 0:43:20 |