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It's the nation's favourite antiques experts... | 0:00:03 | 0:00:05 | |
All right, viewers? | 0:00:05 | 0:00:07 | |
..with ?200 each, a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
On fire! Yes! | 0:00:11 | 0:00:13 | |
Sold, going, going, gone! | 0:00:13 | 0:00:15 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:15 | 0:00:18 | |
50p! | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
Are they papier-mache buttocks? | 0:00:23 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:28 | |
Oh..oh! | 0:00:28 | 0:00:30 | |
Here we go. | 0:00:30 | 0:00:31 | |
This is the Antiques Road Trip! | 0:00:31 | 0:00:33 | |
Yeah! | 0:00:35 | 0:00:37 | |
It's the final day of our Highland fling, featuring Charlie Ross | 0:00:38 | 0:00:42 | |
and Margie Cooper. | 0:00:42 | 0:00:44 | |
With the result still very much up in the air. | 0:00:44 | 0:00:47 | |
Well, where are we going now? Round the bend. | 0:00:47 | 0:00:50 | |
Dealer Margie wasn't always an antiques doyenne, though. | 0:00:50 | 0:00:53 | |
I remember as a secretary in the old days getting my fingers like this. | 0:00:53 | 0:00:58 | |
Before that, she sold ices at the local theatre. | 0:00:58 | 0:01:01 | |
Freddy "Parrot-face" Davies. | 0:01:01 | 0:01:04 | |
That's showbiz! | 0:01:04 | 0:01:05 | |
Whilst auctioneer Charlie's first ever job was flogging chickens | 0:01:05 | 0:01:08 | |
down at the market. | 0:01:08 | 0:01:10 | |
Now, Miss Cooper. | 0:01:10 | 0:01:12 | |
And he's not looked back since. | 0:01:12 | 0:01:14 | |
I've almost The Last Post. | 0:01:16 | 0:01:18 | |
In fact, he's a natural performer. | 0:01:18 | 0:01:21 | |
You've got a loud voice. | 0:01:21 | 0:01:23 | |
I know. Amateur dramatics! | 0:01:23 | 0:01:25 | |
# What's your best on this? | 0:01:25 | 0:01:27 | |
# How much is it? | 0:01:27 | 0:01:28 | |
# That's too much! # | 0:01:28 | 0:01:31 | |
SHE LAUGHS | 0:01:31 | 0:01:32 | |
Charlie began with ?200 and after four trips to auction, | 0:01:32 | 0:01:36 | |
he's managed to increase that to ?305.84. | 0:01:36 | 0:01:41 | |
Whilst Margie, who also started out with ?200, has made | 0:01:42 | 0:01:45 | |
over ?100 more with ?429.32. | 0:01:45 | 0:01:50 | |
So, will she play safe? | 0:01:50 | 0:01:53 | |
I'll bet you ten quid that you don't buy something for ?100. | 0:01:53 | 0:01:57 | |
I won't do it! | 0:01:57 | 0:01:59 | |
I'm not playing, I just want to beat you, Roscoe. | 0:01:59 | 0:02:01 | |
Charlie and Margie set out in their Sunbeam Rapier from Jedburgh | 0:02:01 | 0:02:06 | |
in the Borders before travelling the high roads and the low roads of | 0:02:06 | 0:02:10 | |
bonnie Scotland to reach journey's end at Hamilton, South Lanarkshire. | 0:02:10 | 0:02:15 | |
Today, they begin in Nairnshire, at Auldearn | 0:02:15 | 0:02:18 | |
and then head back south again for that climactic auction in Hamilton. | 0:02:18 | 0:02:23 | |
The village was once the site of a battle | 0:02:25 | 0:02:28 | |
back in 1645 but in more recent Road Trip history, the key date is 2011. | 0:02:28 | 0:02:35 | |
Do you ever remember...you probably don't know anything about it, | 0:02:35 | 0:02:38 | |
there's an old story... | 0:02:38 | 0:02:40 | |
Yes, Margie's first shop of the day is the very same one that Charlie | 0:02:40 | 0:02:45 | |
bought his famous Staffordshire elephant in, for just ?8. | 0:02:45 | 0:02:50 | |
It later sold at auction for ?2,700. | 0:02:50 | 0:02:52 | |
Still a Road Trip record. | 0:02:52 | 0:02:55 | |
If you go in there, you will find an elephant. | 0:02:55 | 0:02:59 | |
Go forth and multiply! | 0:02:59 | 0:03:01 | |
See you. Buy something for eight quid and sell it for three grand! | 0:03:01 | 0:03:05 | |
I'm not sure what the chances are of lightning striking twice. | 0:03:08 | 0:03:12 | |
About on a par with pigs flying, probably, | 0:03:12 | 0:03:15 | |
but she seems to have this very nice place to herself. | 0:03:15 | 0:03:18 | |
Oh, that's a nice thing, isn't it? | 0:03:18 | 0:03:21 | |
Victorian...it's tin, | 0:03:21 | 0:03:23 | |
which is called Toleware, T-O-L-E, Toleware. | 0:03:23 | 0:03:26 | |
That's been for logs, a nice bit of decoration, brass bound. | 0:03:26 | 0:03:31 | |
Probably 1870s, 1880s, | 0:03:31 | 0:03:33 | |
it's been kicking around for about that length of time. | 0:03:33 | 0:03:36 | |
But it's ?140! | 0:03:36 | 0:03:38 | |
Not eight, then? | 0:03:38 | 0:03:40 | |
No, I don't want to be foolhardy... | 0:03:40 | 0:03:42 | |
but I really like that. | 0:03:42 | 0:03:44 | |
Good find, Margie. Now, coat off and get your head around it. | 0:03:44 | 0:03:48 | |
They're interesting, aren't they? | 0:03:48 | 0:03:50 | |
I like these... this is a hat sizer. | 0:03:50 | 0:03:53 | |
Oh, look at that! | 0:03:53 | 0:03:55 | |
I wouldn't imagine that that was much of a rare find, though. | 0:03:55 | 0:03:58 | |
Rank is but the guinea's stamp, the man's...the gowd... for a' that. | 0:03:58 | 0:04:03 | |
Oh, dear, it's quite hard to understand. | 0:04:03 | 0:04:06 | |
Really brings it to life, doesn't she(?) | 0:04:06 | 0:04:09 | |
Anything a bit more prosaic? | 0:04:09 | 0:04:11 | |
Looks like a lady's desk. | 0:04:11 | 0:04:13 | |
Isn't that pretty? | 0:04:13 | 0:04:15 | |
So, you pull that out to shield you from the sun or the fire | 0:04:16 | 0:04:23 | |
and then the screen drops into the bottom. | 0:04:23 | 0:04:27 | |
Isn't that interesting? | 0:04:27 | 0:04:29 | |
Mahogany, probably Edwardian, 1910. | 0:04:29 | 0:04:32 | |
A lovely little drop handle, ?110. | 0:04:32 | 0:04:35 | |
Yeah, it's looking good here, looking good. | 0:04:35 | 0:04:38 | |
Margie's definitely about to loosen the purse strings, | 0:04:38 | 0:04:41 | |
but what of her travelling companion? | 0:04:41 | 0:04:43 | |
Motoring over to the Moray Firth at Nairn. | 0:04:43 | 0:04:47 | |
This former fishing port has, since Victorian times, | 0:04:47 | 0:04:51 | |
been a seaside holiday destination, | 0:04:51 | 0:04:53 | |
famed for its many hours of sunshine. | 0:04:53 | 0:04:56 | |
Nairn was very popular with the great Charlie Chaplin, | 0:04:56 | 0:04:59 | |
who holidayed here on several occasions. | 0:04:59 | 0:05:02 | |
I wonder how it'll go down with our Charlie? | 0:05:02 | 0:05:04 | |
Good morning! Good morning, Mr Ross. Oh, how very formal. Call me Charlie. | 0:05:08 | 0:05:12 | |
And you are? Steve. Steve, lovely to see you. | 0:05:12 | 0:05:15 | |
Instant antiques will quickly make Charlie forget the shop up the road. | 0:05:15 | 0:05:19 | |
Especially with Midland man Steve at his side, | 0:05:19 | 0:05:23 | |
keen to offer up a good catch. | 0:05:23 | 0:05:25 | |
What about a silver fish? | 0:05:25 | 0:05:27 | |
I thought it might appeal to a fisherman. | 0:05:27 | 0:05:30 | |
A bit of jewellery? Looks a bit like a salmon. | 0:05:30 | 0:05:32 | |
Oh, isn't that beautifully modelled? | 0:05:32 | 0:05:34 | |
I'll tell you what, I'd be really taking a gamble. | 0:05:34 | 0:05:36 | |
Margie, my oppo, is a jewellery lady. | 0:05:36 | 0:05:39 | |
Is she? | 0:05:39 | 0:05:40 | |
So, it would be quite fun to buy a bit of jewellery and she'd say, | 0:05:40 | 0:05:43 | |
"What have you bought that for!?" | 0:05:43 | 0:05:44 | |
It's sort of like a tiepin or... | 0:05:44 | 0:05:46 | |
Oh, isn't that glorious, it's got a little Cabochon in there. | 0:05:46 | 0:05:49 | |
What is that? | 0:05:49 | 0:05:50 | |
Is it a little sapphire? Yes, I think so. | 0:05:50 | 0:05:52 | |
It's showing a little bit of blue, isn't it? | 0:05:52 | 0:05:54 | |
What a pretty thing! | 0:05:54 | 0:05:56 | |
Look at that! We might be able to put a little parcel together. Yes! | 0:05:56 | 0:05:59 | |
I love a parcel. | 0:05:59 | 0:06:01 | |
Parcel, eh? | 0:06:01 | 0:06:02 | |
I get the impression | 0:06:02 | 0:06:03 | |
those two will have themselves a deal in an instant. | 0:06:03 | 0:06:06 | |
You've got a Monet up there! | 0:06:06 | 0:06:07 | |
Yes. Original, no doubt? Oh, yes, a genuine one, genuine fake. | 0:06:07 | 0:06:11 | |
A genuine fake! | 0:06:11 | 0:06:12 | |
HE LAUGHS | 0:06:12 | 0:06:14 | |
But nearby, there's a much more original, | 0:06:14 | 0:06:16 | |
if slightly tattier, work of art. | 0:06:16 | 0:06:18 | |
Is that a William Langley? | 0:06:18 | 0:06:20 | |
I think it's William Langley. | 0:06:20 | 0:06:22 | |
Prolific painter of coastal scenes, | 0:06:22 | 0:06:24 | |
William Langley was very fond of the Highlands too, | 0:06:24 | 0:06:26 | |
so perhaps that canvas is of somewhere on the Moray Firth. | 0:06:26 | 0:06:31 | |
There's a bit of a drawback, though. | 0:06:31 | 0:06:33 | |
I think that painting came from someone who was a darts player. | 0:06:33 | 0:06:36 | |
HE LAUGHS | 0:06:36 | 0:06:38 | |
And the dart board was next to it | 0:06:38 | 0:06:41 | |
and unfortunately went through here. | 0:06:41 | 0:06:44 | |
Oh, yes, it's gone straight through. | 0:06:44 | 0:06:47 | |
Oh, dear, yeah. So, this is the price...?20. | 0:06:47 | 0:06:51 | |
No, before negotiation. | 0:06:51 | 0:06:53 | |
Before negotiations. | 0:06:53 | 0:06:55 | |
But while he ponders that oil, | 0:06:55 | 0:06:56 | |
there's something in ink to consider. | 0:06:56 | 0:06:59 | |
Steve, there's a glass inkwell and it has a very deco, | 0:06:59 | 0:07:05 | |
angular top to it. | 0:07:05 | 0:07:07 | |
Stylish thing! | 0:07:07 | 0:07:09 | |
Do you know what I like about inkwells like that? | 0:07:09 | 0:07:12 | |
I like putting ink in them | 0:07:12 | 0:07:15 | |
and just seeing the colour, the blue colour come through. | 0:07:15 | 0:07:18 | |
Yes. | 0:07:18 | 0:07:19 | |
That's absolutely beautiful....what date is that? It is Victorian! | 0:07:19 | 0:07:24 | |
The price, however, is ?240. | 0:07:24 | 0:07:26 | |
I don't know whether you're able to | 0:07:26 | 0:07:30 | |
take a derisory offer from an old Englishman. | 0:07:30 | 0:07:34 | |
If I could buy it for ?100, it would be fab! | 0:07:34 | 0:07:36 | |
We'll check on it and see what we can do and if we bought it well, | 0:07:36 | 0:07:40 | |
we may be able to do a very good price for you. | 0:07:40 | 0:07:42 | |
I'll stay here with my fingers crossed. OK, leave me a minute. | 0:07:42 | 0:07:45 | |
Thank you. Cue anxious wait, while he consults his ledger. | 0:07:45 | 0:07:49 | |
What's the answer, Steve? It's probably cost a fortune, has it? | 0:07:49 | 0:07:52 | |
Erm, well, what is your offer, Charlie? | 0:07:52 | 0:07:55 | |
If you would sell me that inkwell for ?100, I would say you're | 0:07:55 | 0:07:58 | |
the most generous man that ever came from Leicestershire to Scotland. | 0:07:58 | 0:08:02 | |
I'm very generous. Are you happy with that? Yes, I am, that's good. | 0:08:02 | 0:08:05 | |
That's a great inkwell! | 0:08:05 | 0:08:08 | |
First deal to Charlie and I think that more could soon follow. | 0:08:08 | 0:08:12 | |
Back in Auldearn, Margie, having collared proprietor Roger, | 0:08:12 | 0:08:16 | |
seems to be leading him up the garden path. | 0:08:16 | 0:08:18 | |
Right, I've seen a couple of things in here. | 0:08:18 | 0:08:22 | |
First port of call is the practical toleware. | 0:08:22 | 0:08:26 | |
That's a log bucket, isn't it? Yes, exactly. | 0:08:26 | 0:08:28 | |
Sort of, what, 1880s? Yes, exactly. | 0:08:28 | 0:08:30 | |
I think even perhaps slightly earlier. | 0:08:30 | 0:08:33 | |
Yeah, I like this sort of stuff. Yeah. | 0:08:33 | 0:08:35 | |
I'm just wondering... | 0:08:35 | 0:08:37 | |
Well, it's all a worry, isn't it? | 0:08:37 | 0:08:40 | |
It's all a worry! | 0:08:40 | 0:08:41 | |
I think that's fast becoming Margie's catchphrase. | 0:08:41 | 0:08:45 | |
How about a look at the screen? | 0:08:45 | 0:08:47 | |
Original embroidery. | 0:08:47 | 0:08:50 | |
I think I could help you slightly on that. | 0:08:50 | 0:08:52 | |
Probably to 90. | 0:08:52 | 0:08:53 | |
Yeah. | 0:08:53 | 0:08:55 | |
I just thought it was cute, but it's got to fetch a little... Mm-hmm. | 0:08:55 | 0:08:58 | |
How about 80? | 0:08:59 | 0:09:00 | |
Then you've got a little bit more... Yeah, I like it. | 0:09:00 | 0:09:03 | |
With Roger keen to help, it's time to get back to the coal hod. | 0:09:03 | 0:09:07 | |
I could take it under ?100 to 90. | 0:09:07 | 0:09:09 | |
There's got to be money in it. | 0:09:09 | 0:09:11 | |
Could we do a deal for the two at 150? | 0:09:11 | 0:09:14 | |
160 to try and help you along your way. | 0:09:14 | 0:09:17 | |
Well, I think... I think I've got to make a profit. | 0:09:17 | 0:09:20 | |
Well, both interesting pieces. They are. | 0:09:20 | 0:09:22 | |
This is it - interesting, quirky. Yep. | 0:09:22 | 0:09:25 | |
OK. Thank you so much. Thank YOU very much. | 0:09:26 | 0:09:28 | |
A good price, but still big bucks. | 0:09:29 | 0:09:32 | |
Maybe she's keeping her word to Charlie. | 0:09:32 | 0:09:34 | |
Meanwhile, in Nairn, Charlie's as keen on spending as ever, | 0:09:37 | 0:09:40 | |
with some glass in his sights. | 0:09:40 | 0:09:42 | |
Is that ever so cheap? | 0:09:42 | 0:09:44 | |
What have we got on it? Let's have a look. 50-odd quid. | 0:09:44 | 0:09:47 | |
It's not massively expensive but you can always make me an offer. | 0:09:47 | 0:09:51 | |
That's going to make 35 quid at auction. | 0:09:51 | 0:09:53 | |
Again, it's a similar sort of thing. So your offer? | 0:09:53 | 0:09:56 | |
You probably don't want to take 20 quid. How about 25? | 0:09:56 | 0:10:00 | |
I thought 25, you could do... You can't go wrong with it, can you? | 0:10:00 | 0:10:03 | |
I mean, there is no doubt... 25 quid. 25. | 0:10:03 | 0:10:07 | |
Running total, ?125. | 0:10:07 | 0:10:09 | |
And he's still hankering after that little silver salmon | 0:10:09 | 0:10:12 | |
he threw back earlier. | 0:10:12 | 0:10:14 | |
If 20 quid would buy me the little fish, | 0:10:14 | 0:10:16 | |
I would buy it and I would make myself... ?20 is fine with me. Is it? | 0:10:16 | 0:10:20 | |
Do you ever turn down an offer? You're a most wonderful man! | 0:10:20 | 0:10:23 | |
Oh, yes, I do turn down offers. | 0:10:23 | 0:10:24 | |
Can I give you 30 quid for the rest of your shop? | 0:10:24 | 0:10:27 | |
Worth a try, I suppose. | 0:10:27 | 0:10:29 | |
But remember that daub with the dart holes? Is it by a known artist? | 0:10:29 | 0:10:33 | |
I'm absolutely certain that's William Langley's signature. | 0:10:33 | 0:10:36 | |
The more I look at it - see the "l"? Yes. | 0:10:36 | 0:10:40 | |
And the "y" that comes sweeping across. Mhm. | 0:10:40 | 0:10:43 | |
The thing that's particularly unusual about it is the hole in the middle. Yes. | 0:10:43 | 0:10:48 | |
There might have been a flying saucer over there! | 0:10:48 | 0:10:50 | |
Well, it's a fiver's worth, really. Go on, have it for a fiver. | 0:10:53 | 0:10:57 | |
I can't say no. I just don't know what will happen with this. No. | 0:10:57 | 0:11:00 | |
It's my gamble. Yes. Loving that for a fiver. | 0:11:00 | 0:11:03 | |
This is turning into quite a day. | 0:11:03 | 0:11:05 | |
Four items for Charlie and Margie's not far behind. | 0:11:05 | 0:11:09 | |
But she's now moved on from Auldearn, | 0:11:11 | 0:11:14 | |
making her way south and west to the tiny hamlet of Daviot, where the | 0:11:14 | 0:11:18 | |
main attraction is Torguish House - bed, breakfast and antiques. | 0:11:18 | 0:11:22 | |
Wow! | 0:11:25 | 0:11:27 | |
This is rather smart, isn't it? | 0:11:27 | 0:11:29 | |
Royal Enfield Bullet. This is a Phillip Serrell call. | 0:11:29 | 0:11:33 | |
He would love it here. | 0:11:33 | 0:11:35 | |
He certainly would but I'm sure there's a little something with Margie appeal, too. | 0:11:35 | 0:11:40 | |
Here, quick! Put the fire out! | 0:11:44 | 0:11:47 | |
I think this is for racing pigeons. | 0:11:47 | 0:11:50 | |
A clock. ?25. | 0:11:50 | 0:11:53 | |
Cor, it weighs a tonne. | 0:11:53 | 0:11:55 | |
There's obviously a big mechanism in there. | 0:11:55 | 0:11:57 | |
Nobody is going to want a pigeon clock, are they? | 0:11:57 | 0:11:59 | |
Who's going to want a pigeon clock? | 0:11:59 | 0:12:01 | |
Well, there are a lot of pigeon fanciers out there | 0:12:01 | 0:12:03 | |
for a kick-off, Margie. | 0:12:03 | 0:12:05 | |
Although these devices, | 0:12:05 | 0:12:06 | |
which record when a ring from the returning pigeon's leg is inserted, | 0:12:06 | 0:12:09 | |
are fast becoming replaced by a simpler electronic timer | 0:12:09 | 0:12:14 | |
but then, this is an antiques shop, I suppose. | 0:12:14 | 0:12:17 | |
Meet the proprietor, Mike. | 0:12:17 | 0:12:19 | |
Hi. My word, there's some stuff here. Yeah, yeah. | 0:12:19 | 0:12:22 | |
Lifetime's collecting. | 0:12:22 | 0:12:23 | |
I'm just trying to figure out what's going to make me a small profit. | 0:12:23 | 0:12:27 | |
Well, I'll try and help you. | 0:12:27 | 0:12:28 | |
I'm sure Mike and Margie will be on the same wavelength. | 0:12:28 | 0:12:32 | |
Are you a whatsit man? A what? Are you good at dropping the price? No! | 0:12:32 | 0:12:38 | |
I'm a Yorkshireman in Scotland. | 0:12:38 | 0:12:39 | |
You can't get tighter than that, can you? Blimey! | 0:12:39 | 0:12:43 | |
And Margie's a Lancashire lass, too. Stand by. | 0:12:43 | 0:12:46 | |
A little bit of carved bone. What is it? I don't know what it is. | 0:12:46 | 0:12:50 | |
By the shape of it, it looks like a tusk. Yeah. From a wild boar, or... | 0:12:50 | 0:12:54 | |
Yeah, it could be something like that, couldn't it? Yeah. Yeah. Exactly, yeah. | 0:12:54 | 0:12:57 | |
Price - ?35. | 0:12:57 | 0:12:59 | |
Quite naively carved. It is naive. Yeah. Interesting, though, isn't it? | 0:12:59 | 0:13:04 | |
Yeah. How much is that? I'll take your ?15. This is getting better. | 0:13:04 | 0:13:09 | |
Yeah. Mike, it's getting better. | 0:13:09 | 0:13:10 | |
Right, well, look, can I just think about that? Yeah, course you can. | 0:13:10 | 0:13:13 | |
These two are getting on fine. Time to talk clocks. | 0:13:13 | 0:13:17 | |
I'd be off my trolley to buy that, wouldn't I? Well, I did. | 0:13:17 | 0:13:22 | |
Fancy thinking of buying something that you don't know anything about and that you don't understand. | 0:13:22 | 0:13:27 | |
I love buying stuff like that. I love buying stuff like that! | 0:13:27 | 0:13:30 | |
But the question is, is there a market for pigeon clocks? | 0:13:30 | 0:13:34 | |
There is, surely, at ?15! | 0:13:34 | 0:13:38 | |
Last of the big spenders! Quite. | 0:13:38 | 0:13:41 | |
But they've grabbed the clock for a showdown by the crocodile. | 0:13:41 | 0:13:44 | |
I like that very much. Yes? Yeah. And that's 15? ?15, yeah. Yeah. | 0:13:44 | 0:13:50 | |
Same as the clock. Yeah. So, two together? A bit cheeky to... Oh! | 0:13:50 | 0:13:57 | |
I can add 15 to 15 and I get 30. | 0:13:57 | 0:14:00 | |
You don't get 28? No. It's ?30. | 0:14:00 | 0:14:03 | |
OK, Mike. Thank you very much. Cheers. | 0:14:03 | 0:14:05 | |
He is from Yorkshire, Margie. And now they've both bought four items. | 0:14:05 | 0:14:10 | |
Meanwhile, Charlie is taking a well-earned break | 0:14:12 | 0:14:15 | |
guiding the trusty Rapier to the outskirts of Inverness | 0:14:15 | 0:14:19 | |
to see where aviation history was made. | 0:14:19 | 0:14:22 | |
Richard, is it? Yes. Hello, Charlie. How very nice to meet you. Richard Fresson. | 0:14:22 | 0:14:26 | |
Opened in 2005, the Highland Aviation Museum is tucked away | 0:14:26 | 0:14:30 | |
within the grounds of Inverness Airport. | 0:14:30 | 0:14:33 | |
Staffed by volunteers, it boasts assorted aircraft | 0:14:33 | 0:14:37 | |
and displays of Scotland's famous RAF stations | 0:14:37 | 0:14:41 | |
and a section dedicated to captain EE Fresson, a real local hero. | 0:14:41 | 0:14:46 | |
Now, your father was hugely significant in this area. | 0:14:46 | 0:14:49 | |
Yes, because he started the Highland Airways | 0:14:49 | 0:14:52 | |
and they ran from Inverness to Kirkwall and that air route is | 0:14:52 | 0:14:55 | |
the longest continuous running air route in the world, | 0:14:55 | 0:14:58 | |
because it ran during World War II, every day. What? | 0:14:58 | 0:15:02 | |
Where most airlines during the war, they just shut down. | 0:15:02 | 0:15:05 | |
Well, I should think they did! Kirkwall - where is that? | 0:15:05 | 0:15:08 | |
In the Orkney Islands. | 0:15:08 | 0:15:10 | |
Ernest Edmund Fresson joined the Royal Flying Corps | 0:15:10 | 0:15:13 | |
during World War I and in the '20s offered aeroplane | 0:15:13 | 0:15:17 | |
joyrides before convincing the Inverness authorities to build | 0:15:17 | 0:15:21 | |
a runway across a golf course so that Highland Airways could | 0:15:21 | 0:15:25 | |
run scheduled services to the Northern Isles. | 0:15:25 | 0:15:28 | |
He had the airmail contract | 0:15:28 | 0:15:30 | |
and, in 1934, he got the postal contract | 0:15:30 | 0:15:33 | |
and those two contracts in themselves absorbed the overheads, | 0:15:33 | 0:15:37 | |
as it were, so that the airfares were not too exorbitant. | 0:15:37 | 0:15:42 | |
Did he fly it? Oh, he flew...yes, very much. | 0:15:42 | 0:15:44 | |
He was managing director and chief pilot. | 0:15:44 | 0:15:46 | |
Inverness Airport was known as RAF Dalcross during World War II | 0:15:46 | 0:15:50 | |
and the planes in the museum's slightly eccentric collection | 0:15:50 | 0:15:54 | |
reflect a lot about what's happened since. | 0:15:54 | 0:15:57 | |
Hello. Hello, Charlie. John, is it? Yes. And this is your baby? | 0:15:58 | 0:16:01 | |
Yes, I'm the secretary of the museum. You are? | 0:16:01 | 0:16:03 | |
One of the treasures of the museum is the Lightning, | 0:16:03 | 0:16:06 | |
a supersonic jet fighter from the Cold War era which pilots | 0:16:06 | 0:16:10 | |
described as like being saddled to a skyrocket. | 0:16:10 | 0:16:14 | |
Now is it true that they were quite a dangerous aircraft? | 0:16:14 | 0:16:17 | |
Fuel leaks? There was a very high loss rate. Was there? | 0:16:17 | 0:16:20 | |
It was a flying fuel leak. Flying fuel leak! | 0:16:20 | 0:16:23 | |
And when it landed and it was put in a hangar, | 0:16:23 | 0:16:26 | |
they always had to put dustbins underneath to catch fuel, | 0:16:26 | 0:16:29 | |
because if the aircraft cooled down, it contracted | 0:16:29 | 0:16:32 | |
and it had leaks all over the place. John, may I get in? Yes, certainly. | 0:16:32 | 0:16:35 | |
It's a bit of a tight fit, so good luck to you. You might lose your dignity getting in here. | 0:16:35 | 0:16:40 | |
I'm not sure I ever had any dignity. You've got to be a small person to fly one of these. | 0:16:40 | 0:16:44 | |
Very small. They didn't call them jockeys for nothing. | 0:16:44 | 0:16:47 | |
The Lightning, which could travel at 1,200 mph or a mile every three seconds - | 0:16:47 | 0:16:51 | |
just imagine how brave you'd have to be to do that - was | 0:16:51 | 0:16:54 | |
used by the RAF to intercept enemy aircraft. | 0:16:54 | 0:16:58 | |
And this is the old joystick. That's the joystick. | 0:16:58 | 0:17:01 | |
Different switches on there for trimming the aircraft | 0:17:01 | 0:17:04 | |
and for firing the cannon or the missiles, so you've got them there. | 0:17:04 | 0:17:08 | |
Just firing the cannon. Yes. I've got him! Yes. | 0:17:08 | 0:17:11 | |
Another gem is the front 54 feet of the Nimrod MR2, | 0:17:13 | 0:17:18 | |
a maritime patrol aircraft designed to operate for long durations | 0:17:18 | 0:17:22 | |
on the lookout for ships and submarines. | 0:17:22 | 0:17:25 | |
This is the most complicated thing I've ever seen in my life. | 0:17:25 | 0:17:29 | |
The Nimrods flew for over 40 years and were only retired in 2011, | 0:17:29 | 0:17:34 | |
although this one feels a bit like something out of Dr Strangelove. | 0:17:34 | 0:17:38 | |
These two little buttons here, C and N - | 0:17:38 | 0:17:42 | |
pilots will tell you that stands for "coffee, no sugar"! | 0:17:42 | 0:17:45 | |
But in actual fact, it stands for Conventional and Nuclear weapons. | 0:17:45 | 0:17:50 | |
That's in red. I'm not surprised, really. Yes. | 0:17:50 | 0:17:52 | |
Ready, captain? OK, so let's start the engines. Vroom! Vroom! Vroom! | 0:17:52 | 0:17:56 | |
And now as we accelerate - broom! Dagga-dagga-dagga-dagga! | 0:17:56 | 0:18:00 | |
Nah, I can't keep a straight face doing that! | 0:18:01 | 0:18:05 | |
I know the feeling, John. Well, night-night, then. | 0:18:05 | 0:18:08 | |
Next morning, Charlie attempts his very own spying mission. | 0:18:12 | 0:18:16 | |
Stone? No. | 0:18:16 | 0:18:18 | |
Metal? No. | 0:18:18 | 0:18:21 | |
You'll have to wait and see, won't you? Terracotta? | 0:18:21 | 0:18:25 | |
Well, there's plenty for them both to keep quiet about after | 0:18:25 | 0:18:29 | |
what can best be described as an orgy of spending on day one. | 0:18:29 | 0:18:32 | |
Can I give you 30 quid for the rest of your shop? | 0:18:32 | 0:18:35 | |
Charlie splashed out ?150 on four auction lots, | 0:18:35 | 0:18:38 | |
leaving him with just over ?155 in his poche. | 0:18:38 | 0:18:41 | |
Whilst Margie spent even more, | 0:18:44 | 0:18:47 | |
forking out ?190, also on four lots... | 0:18:47 | 0:18:50 | |
I'd be off my trolley to buy that, wouldn't I? | 0:18:50 | 0:18:52 | |
..leaving her with almost ?240 to spend today. | 0:18:52 | 0:18:55 | |
Thank you so much. Thank you very much. | 0:18:55 | 0:18:57 | |
Later, they'll be making for the final auction in Hamilton, | 0:18:57 | 0:19:01 | |
but their next stop is in Aberdeenshire at Inverurie. | 0:19:01 | 0:19:05 | |
This market town once had a serious postage problem, | 0:19:07 | 0:19:10 | |
with letters being mistakenly delivered to Inveraray in Argyll. | 0:19:10 | 0:19:15 | |
They solved it in 1866 by putting an "ie" on the end instead of a "y". | 0:19:15 | 0:19:20 | |
Got it? Rich pickings! | 0:19:20 | 0:19:21 | |
Charlie is here for the car-boot sale. Goodbye, my darling! | 0:19:23 | 0:19:27 | |
Parting is such sweet sorrow. | 0:19:27 | 0:19:30 | |
Can't wait to get out, frankly! | 0:19:30 | 0:19:33 | |
On closer inspection, it seems just as well | 0:19:33 | 0:19:35 | |
that Charlie did plenty of shopping yesterday. | 0:19:35 | 0:19:38 | |
Cuddly toys. Records. | 0:19:38 | 0:19:42 | |
Bars of soap. Ladies' underwear. | 0:19:42 | 0:19:45 | |
There's nothing here for me to buy. | 0:19:45 | 0:19:49 | |
Now, now, Charlie. | 0:19:49 | 0:19:50 | |
There must be something here that will appeal | 0:19:50 | 0:19:52 | |
to the auction goers of Hamilton. | 0:19:52 | 0:19:54 | |
Mr and Mrs Dactyl and their son Terry. | 0:19:54 | 0:19:58 | |
No. Some early Doulton figures, for example - or some glass. | 0:19:58 | 0:20:02 | |
That's a nice piece of... Vasart. Yes, that is Scottish glass. | 0:20:02 | 0:20:05 | |
A good Scottish glass. | 0:20:05 | 0:20:07 | |
A good Scottish glass in a really nice pink. | 0:20:07 | 0:20:09 | |
How much is your vase? ?100. | 0:20:09 | 0:20:11 | |
Come and go, as they say. | 0:20:11 | 0:20:13 | |
Come and go means if you're really good at haggling, | 0:20:13 | 0:20:15 | |
you might get it a little bit cheaper. | 0:20:15 | 0:20:17 | |
If you're not good, then it will be 90. | 0:20:17 | 0:20:20 | |
I'm such a good haggler, I'm rude. | 0:20:20 | 0:20:23 | |
I'm actually ruder myself, I'll let you have it for 90. | 0:20:23 | 0:20:27 | |
And if you really, really push me, it'll be 80. | 0:20:27 | 0:20:30 | |
That dropped quickly. I think Charlie's on to something here. | 0:20:30 | 0:20:34 | |
I like the way you're coming down at such speed. | 0:20:34 | 0:20:36 | |
If I go and have a bacon butty, it might be about 30 quid. | 0:20:36 | 0:20:40 | |
Oh, no, it won't be 30 quid. How about 60? Can you make 60? | 0:20:40 | 0:20:44 | |
No, it will make 45 quid at auction, wouldn't it? 50 quid. | 0:20:44 | 0:20:49 | |
There he goes again. | 0:20:49 | 0:20:51 | |
Hello, madam. How much is that worth? | 0:20:51 | 0:20:53 | |
Is it worth ?45? To buy? Yeah. | 0:20:53 | 0:20:57 | |
Then sell on? Yes. No. | 0:20:57 | 0:20:59 | |
I only paid her five quid to turn up and say that. | 0:20:59 | 0:21:03 | |
Lordy, Phil doesn't stand a chance. | 0:21:03 | 0:21:06 | |
Look me in the eye. Did it cost more than 30 quid? | 0:21:06 | 0:21:09 | |
Did it cost? No, it didn't. | 0:21:09 | 0:21:11 | |
What did you pay for it? | 0:21:11 | 0:21:13 | |
I think I bought it for ?6. | 0:21:13 | 0:21:15 | |
Not sure that was wise either, Phil. | 0:21:15 | 0:21:17 | |
Please take 30 quid from an old man. It would be lovely. | 0:21:17 | 0:21:20 | |
Cos I think I will make a profit on it. 40 quid. | 0:21:20 | 0:21:23 | |
I'm going to say, thank you very much, sir. OK. | 0:21:23 | 0:21:26 | |
We got within the tenner of each other, that was pretty good. | 0:21:26 | 0:21:29 | |
It was pretty cool work. | 0:21:29 | 0:21:32 | |
What about 35? Just ?5 adrift now. | 0:21:32 | 0:21:35 | |
If I buy it for 30 quid, I think | 0:21:35 | 0:21:37 | |
it will make ?45, I'm going to make four quid profit on that. | 0:21:37 | 0:21:42 | |
Go on, then, ?30. Phew. Finally. | 0:21:42 | 0:21:47 | |
For you...a dirty 30. | 0:21:47 | 0:21:51 | |
Now, after that tortuous tussle, let's see what Margie's been up to. | 0:21:51 | 0:22:00 | |
Located in a fine old steading - that's Scottish for barn - | 0:22:01 | 0:22:04 | |
Glass Antiques has plenty of choice. | 0:22:04 | 0:22:07 | |
Ah! | 0:22:07 | 0:22:09 | |
My word. Hi! Hello. This looks nice. | 0:22:09 | 0:22:13 | |
But leader Margie is tending towards the cautious. | 0:22:13 | 0:22:16 | |
I've got four pieces, haven't I? | 0:22:16 | 0:22:18 | |
I needn't actually buy anything else now. | 0:22:18 | 0:22:21 | |
I'm a bit worried that he might have bought something a bit special. | 0:22:21 | 0:22:25 | |
He's looking a bit smug. | 0:22:25 | 0:22:26 | |
Now, don't get wound up, Margie, get even. | 0:22:26 | 0:22:29 | |
That's Charlie Ross. He's gone to a boot sale, I reckon. | 0:22:29 | 0:22:32 | |
I reckon that that's what he's up to at the moment. | 0:22:32 | 0:22:35 | |
There we go. Bye, Charlie. | 0:22:35 | 0:22:38 | |
Waving his stick. He's so much like him. | 0:22:39 | 0:22:42 | |
Meanwhile back at the car-boot sale, | 0:22:44 | 0:22:46 | |
real Charlie's got his eye on a nautical item. | 0:22:46 | 0:22:49 | |
It's a pond yacht. A yacht, in other words, for sailing on a pond. | 0:22:49 | 0:22:53 | |
Sadly, it's got a broken rudder bow. | 0:22:53 | 0:22:56 | |
Oh, that's a shame. | 0:22:56 | 0:22:58 | |
That's 30 quid. I'm open to offers. | 0:22:58 | 0:23:00 | |
Watch out, Michael, our Charlie's a hard bargainer today. | 0:23:00 | 0:23:03 | |
You're open to offers? Yeah. Is that because she's run aground? | 0:23:03 | 0:23:06 | |
No. She hit an iceberg, I think, hasn't she? | 0:23:06 | 0:23:09 | |
She's no' the Titanic, but she's got a broken rudder. | 0:23:09 | 0:23:11 | |
Nothing a bit of glue won't put right. | 0:23:11 | 0:23:15 | |
I don't suppose you'd be tempted by a fiver, would you? No. | 0:23:15 | 0:23:18 | |
I'll take 15. | 0:23:18 | 0:23:20 | |
I'd go up to ten. | 0:23:20 | 0:23:22 | |
11. | 0:23:22 | 0:23:23 | |
It's got to be ten. | 0:23:23 | 0:23:25 | |
At 11, I think I'll walk down the street. | 0:23:25 | 0:23:28 | |
At ten, I'll get on me pond. Oh, you're breaking my heart. | 0:23:28 | 0:23:32 | |
Being a Scotsman, a tenner, it's a deal. | 0:23:32 | 0:23:34 | |
I've broken a Scotsman's heart. That's very kind of you, sir. | 0:23:34 | 0:23:37 | |
Thank you very much indeed. Thank you. | 0:23:37 | 0:23:39 | |
Oh, I'm going to call her Marjorie. | 0:23:39 | 0:23:42 | |
HMS Marjorie, and we'll sail away. | 0:23:42 | 0:23:45 | |
While Charlie weighs anchor, for his somewhat indecisive opponent, | 0:23:45 | 0:23:49 | |
the end is in sight - well, two ends actually. | 0:23:49 | 0:23:52 | |
These are quite nice. Bookends. Very nice. | 0:23:52 | 0:23:55 | |
Nice having that on the bottom. | 0:23:55 | 0:23:58 | |
They're ?40. | 0:23:58 | 0:24:00 | |
I could do those for 30. | 0:24:00 | 0:24:03 | |
Art Deco, it's very in, isn't it? | 0:24:03 | 0:24:06 | |
They're not damaged at all, are they? No. | 0:24:06 | 0:24:08 | |
They'd look good in a Deco house. | 0:24:10 | 0:24:12 | |
I just thought those were rather nice. | 0:24:12 | 0:24:14 | |
Small, but nice. | 0:24:14 | 0:24:17 | |
30's the best on that. You couldn't drop them at all? No. You like them. | 0:24:17 | 0:24:22 | |
25 wouldn't buy them? No, they are literally just in stock as well. | 0:24:22 | 0:24:28 | |
Lynne's firmly holding her ground. | 0:24:28 | 0:24:30 | |
I would like to buy them, but I don't think I can stretch to 30. | 0:24:30 | 0:24:33 | |
Unfortunately. Can we not part friends and go half between? 28? | 0:24:33 | 0:24:39 | |
Yeah. OK. | 0:24:39 | 0:24:41 | |
Oh, we've done it. I don't want to be a bully, but I also want to win. | 0:24:41 | 0:24:45 | |
I don't blame you. | 0:24:45 | 0:24:47 | |
And as a parting gift, a little Charlie. | 0:24:47 | 0:24:51 | |
Hey! That's perfect. | 0:24:51 | 0:24:53 | |
Oh, what a nice thing. That's very kind. | 0:24:53 | 0:24:56 | |
Hey, he's round his car boot and he'll be looking for me | 0:24:56 | 0:25:00 | |
turning up with the car. | 0:25:00 | 0:25:01 | |
"Margie, I'm here." | 0:25:01 | 0:25:03 | |
But titter ye not, Margie, | 0:25:04 | 0:25:06 | |
because just outside Inverurie, in his spare time | 0:25:06 | 0:25:10 | |
the only toy quick shopper Charlie resembles is Action Man. | 0:25:10 | 0:25:14 | |
I'm going to have such fun. | 0:25:14 | 0:25:16 | |
MUSIC: "Slow Ride" by Foghat | 0:25:16 | 0:25:19 | |
Brake on the left. I won't need the brake. | 0:25:30 | 0:25:32 | |
Yeah! Ho! | 0:25:42 | 0:25:44 | |
Oh! | 0:25:44 | 0:25:45 | |
I've got the hang of this! | 0:25:45 | 0:25:47 | |
About time. | 0:25:47 | 0:25:50 | |
But while Charlie's been establishing his very own | 0:25:50 | 0:25:53 | |
league of obscure sports, Margie's motored south from Huntly | 0:25:53 | 0:25:57 | |
to the foothills of the Grampians to explore a fairy-tale castle. | 0:25:57 | 0:26:01 | |
Look at that. | 0:26:01 | 0:26:03 | |
Hello. Bill. Hiya, how do you do? Margie Cooper. | 0:26:05 | 0:26:08 | |
Are you going to show me around? Yes, I'll show you around the castle. | 0:26:08 | 0:26:11 | |
Craigievar is one of Scotland's best preserved tower houses, | 0:26:11 | 0:26:15 | |
a magnificent seven-storey structure that | 0:26:15 | 0:26:18 | |
was completed in 1626 and has changed very little since. | 0:26:18 | 0:26:22 | |
They haven't gone that way, have they? Well, they haven't. | 0:26:22 | 0:26:25 | |
They've just gone that way. Yes. | 0:26:25 | 0:26:27 | |
It's one of the very few and I think that's why it's so prized | 0:26:27 | 0:26:31 | |
because they never added bits on to the side, but they went up the way. | 0:26:31 | 0:26:36 | |
The castle was built by one William Forbes, | 0:26:36 | 0:26:39 | |
an Aberdonian merchant who, after acquiring | 0:26:39 | 0:26:42 | |
a fortune in the Baltic, returned to create this confection | 0:26:42 | 0:26:46 | |
on top of an older medieval tower. | 0:26:46 | 0:26:49 | |
Craigievar then remained in the Forbes family | 0:26:49 | 0:26:52 | |
until the Scottish National Trust took it over in 1963. | 0:26:52 | 0:26:55 | |
We've had it 50 years. | 0:26:55 | 0:26:58 | |
But when we got it, we basically got it as is, | 0:26:58 | 0:27:01 | |
so nothing was taken up, nothing was put in. | 0:27:01 | 0:27:04 | |
They just walked out? Yes. | 0:27:04 | 0:27:06 | |
There's still much in the great hall that | 0:27:06 | 0:27:08 | |
dates from the early 17th century, | 0:27:08 | 0:27:10 | |
including this magnificent oak table and the fine plaster work ceilings. | 0:27:10 | 0:27:14 | |
In the ladies' withdrawing room, | 0:27:15 | 0:27:17 | |
there's yet another beautiful ceiling | 0:27:17 | 0:27:19 | |
as well as a trademark piece of furniture, the Craigievar table. | 0:27:19 | 0:27:23 | |
Baroque, curvaceous gaming table with folding legs. | 0:27:24 | 0:27:30 | |
The reason we've got this is | 0:27:30 | 0:27:32 | |
when the laird was sitting out, he may have had a bit of a gut going on. | 0:27:32 | 0:27:37 | |
So there's a utility to the design. | 0:27:38 | 0:27:41 | |
The castle was becoming recognised as an architectural gem | 0:27:41 | 0:27:44 | |
by the early 19th century, | 0:27:44 | 0:27:46 | |
with prestigious visitors like Sir Walter Scott | 0:27:46 | 0:27:49 | |
and even Queen Victoria herself beating a path to Craigievar. | 0:27:49 | 0:27:53 | |
William, the 8th Baronet, with his bonnet | 0:27:53 | 0:27:55 | |
and badger sporran, certainly helped to put the old place | 0:27:55 | 0:27:58 | |
on the tourist trail, | 0:27:58 | 0:28:00 | |
but an earlier laird had already acquired a fair bit of notoriety. | 0:28:00 | 0:28:04 | |
This is Red Sir John, he's the second baronet. | 0:28:04 | 0:28:08 | |
He looks a bit...dodgy. | 0:28:08 | 0:28:10 | |
He will follow you around the room. His eyes are following me. | 0:28:10 | 0:28:13 | |
Sometimes in the morning when you open the blinds, | 0:28:13 | 0:28:15 | |
and he's watching you, you know? | 0:28:15 | 0:28:18 | |
You rush about this room a bit and get back out. | 0:28:18 | 0:28:21 | |
Up on the fourth floor is the Blue Room, which is reckoned to be | 0:28:21 | 0:28:24 | |
haunted by the fearsome ghost of Red Sir John. | 0:28:24 | 0:28:27 | |
But anyone looking for an encounter with ghosts would be | 0:28:27 | 0:28:31 | |
better off visiting the nursery just around the corner. | 0:28:31 | 0:28:34 | |
One of our guides, someone's tugging away at his sleeve, | 0:28:34 | 0:28:38 | |
and he turns... Watch your sleeves. | 0:28:38 | 0:28:39 | |
And he turns and there's no-one there. | 0:28:39 | 0:28:42 | |
But one of the people on the tour actually seen the sleeve | 0:28:43 | 0:28:47 | |
getting tugged as well. Oh, my goodness. | 0:28:47 | 0:28:49 | |
So, one of our new guides, they were in here and he had | 0:28:49 | 0:28:52 | |
six in the party, took four upstairs, came back, they had lagged behind. | 0:28:52 | 0:28:56 | |
But when he asked them at the end of the tour, they said, "We heard | 0:28:56 | 0:28:59 | |
"a noise in the nursery," and they seen a child running across the floor. | 0:28:59 | 0:29:03 | |
And they were pale and shaken. | 0:29:03 | 0:29:05 | |
I'm sure the chill at the top of the house probably doesn't help. | 0:29:09 | 0:29:12 | |
Craigievar has never had electric light. | 0:29:12 | 0:29:15 | |
And what heating there is looks after the building | 0:29:15 | 0:29:17 | |
instead of humans. | 0:29:17 | 0:29:18 | |
Still, all that climbing must keep you hale and hearty. | 0:29:18 | 0:29:21 | |
We're actually up here now. That's the Long Gallery there. | 0:29:21 | 0:29:25 | |
So that just goes right along the length of the building. Fabulous. | 0:29:25 | 0:29:29 | |
Has that been used for films or anything? | 0:29:29 | 0:29:31 | |
Allegedly, Walt Disney based his motif on Craigievar. | 0:29:31 | 0:29:35 | |
The Disney castle. | 0:29:35 | 0:29:37 | |
This one's far better, I've got to say. | 0:29:37 | 0:29:40 | |
Now, let's have a look at what they've bought. | 0:29:40 | 0:29:43 | |
Fantasia or Mickey Mouse? | 0:29:43 | 0:29:45 | |
Have you had a good time...? Oh, my goodness! An early reveal! | 0:29:45 | 0:29:48 | |
Oh. | 0:29:48 | 0:29:50 | |
Well, that's gorgeous. Isn't it? I love it. | 0:29:50 | 0:29:53 | |
That is absolutely wonderful, and rather early. | 0:29:53 | 0:29:56 | |
That was 80 quid. | 0:29:56 | 0:29:58 | |
It was 104. I just really like toleware. Yeah, I love that. | 0:29:58 | 0:30:02 | |
Very nice thing. Distressed, but I can live with that. | 0:30:02 | 0:30:05 | |
Well, it is an antique, Charlie. | 0:30:05 | 0:30:07 | |
I don't know what the heck this is. | 0:30:07 | 0:30:09 | |
What is this? It's a pigeon clock. | 0:30:09 | 0:30:12 | |
Oh, a pigeon clock! | 0:30:12 | 0:30:14 | |
How exciting. | 0:30:14 | 0:30:15 | |
What an earth is a pigeon clock worth? | 0:30:15 | 0:30:17 | |
Well, that's it. 35 quid. 15. | 0:30:17 | 0:30:20 | |
?15? Yes. Do you get a free pigeon? | 0:30:20 | 0:30:22 | |
I just thought it was a bit of fun. | 0:30:22 | 0:30:24 | |
Easy-peasy. Art Deco bookends. | 0:30:24 | 0:30:27 | |
Why is one taller than the other? | 0:30:27 | 0:30:29 | |
I didn't notice that. | 0:30:29 | 0:30:32 | |
No, no, don't panic. I can tell you. No, stop! | 0:30:32 | 0:30:34 | |
Because one's on its side! | 0:30:34 | 0:30:36 | |
Well done! | 0:30:36 | 0:30:37 | |
Marvellous. Look. | 0:30:37 | 0:30:39 | |
That's rather nice. That talks to me. | 0:30:39 | 0:30:40 | |
We needn't do it now, but we pull the sides out, down it goes. | 0:30:40 | 0:30:44 | |
Only thing about that, I love it, is anybody going to buy it | 0:30:44 | 0:30:48 | |
because it's useless? Steady on. | 0:30:48 | 0:30:50 | |
What did you pay for it? ?80. | 0:30:50 | 0:30:52 | |
I think that's borderline. | 0:30:52 | 0:30:54 | |
Time for Charlie's little car boot. | 0:30:54 | 0:30:56 | |
Prepare to be thrilled. | 0:30:56 | 0:30:58 | |
Oh, my goodness me. | 0:30:58 | 0:30:59 | |
What have you bought? | 0:30:59 | 0:31:01 | |
Just go around the front and feast your eyes to begin with. | 0:31:01 | 0:31:04 | |
Is there something else? My final purchase. | 0:31:04 | 0:31:07 | |
A pond yacht. Do you like it? I can't see it. | 0:31:07 | 0:31:10 | |
Do you like it? Oh, they do really well. | 0:31:10 | 0:31:12 | |
What's it worth? Oh, gosh. What's it worth? | 0:31:12 | 0:31:15 | |
60, 70 quid. What did it cost? 30 quid. A tenner. | 0:31:15 | 0:31:19 | |
Plus ?1.50 for the glue to repair it. | 0:31:19 | 0:31:22 | |
I got rather dumb with this. | 0:31:22 | 0:31:24 | |
How much was that? | 0:31:24 | 0:31:26 | |
Oh, what did you pay? He was asking 240 and I bought it for 100 quid. | 0:31:26 | 0:31:31 | |
You've gone a bit daft with that. I'm old. | 0:31:31 | 0:31:33 | |
Now, look at the signature on that. | 0:31:33 | 0:31:35 | |
William Langley. do you know William Langley? You obviously do. | 0:31:35 | 0:31:38 | |
I do, I've sold pictures by William Langley. | 0:31:38 | 0:31:40 | |
But I bought it purely because we're online at the saleroom | 0:31:40 | 0:31:43 | |
and someone might look up William Langley | 0:31:43 | 0:31:46 | |
and pay more than the fiver that I paid for it. | 0:31:46 | 0:31:49 | |
Well done. A fiver? Fiver. | 0:31:49 | 0:31:51 | |
And I like to think it's going down to the wire, | 0:31:51 | 0:31:53 | |
but I think you're going to do me. | 0:31:53 | 0:31:55 | |
Well done. Now, what did they really think? | 0:31:55 | 0:32:00 | |
Not that thrilled with the rest of it. But his painting, oh, dear. | 0:32:00 | 0:32:04 | |
It's been a fab trip. We've had huge fun. | 0:32:04 | 0:32:08 | |
No, he's a great guy and I had a great time. | 0:32:08 | 0:32:11 | |
Oh, dear. | 0:32:11 | 0:32:13 | |
Aw, what a lovely couple. | 0:32:13 | 0:32:15 | |
After starting out in the Highlands at Auldearn, | 0:32:15 | 0:32:18 | |
the final episode of our road trip will conclude at a deciding | 0:32:18 | 0:32:21 | |
auction in the Lowlands at Hamilton. | 0:32:21 | 0:32:24 | |
Couldn't we just keep going? | 0:32:24 | 0:32:26 | |
Couldn't we just pretend isn't not got to end? | 0:32:26 | 0:32:28 | |
It's over. I've had such a wonderful... | 0:32:28 | 0:32:30 | |
What do you mean it's over?! | 0:32:30 | 0:32:31 | |
It's been a long time since a girl said to me, | 0:32:31 | 0:32:34 | |
"I'm sorry, Charlie, it's over." | 0:32:34 | 0:32:37 | |
Welcome to Hamilton, where Harry Lauder used to sing in | 0:32:37 | 0:32:40 | |
the coal mines and the local football team are the only | 0:32:40 | 0:32:43 | |
professional British club to have originated from a school side. | 0:32:43 | 0:32:47 | |
Breathe in. | 0:32:47 | 0:32:48 | |
There we go. Gladys Cooper, this is your denouement. | 0:32:48 | 0:32:52 | |
Courtesy of the Smellie family, who established | 0:32:52 | 0:32:56 | |
the Hamilton Auction Market in 1874. | 0:32:56 | 0:32:59 | |
Don't you get smart with me, young girl. | 0:32:59 | 0:33:02 | |
You do look a bit like Queen Victoria. | 0:33:02 | 0:33:04 | |
Charlie began with ?305.84 and he spent ?191.50 on five auction lots. | 0:33:06 | 0:33:12 | |
Whilst Margie started out with ?429.32 | 0:33:15 | 0:33:18 | |
and she's parted with ?218, also on five lots. | 0:33:18 | 0:33:22 | |
Time for auctioneer Andrew Smellie. | 0:33:23 | 0:33:25 | |
And stand by. | 0:33:27 | 0:33:29 | |
I wonder what the last William Langley made here? | 0:33:29 | 0:33:31 | |
Three quid. | 0:33:32 | 0:33:34 | |
Charlie's artistic ex-dart board. | 0:33:34 | 0:33:37 | |
50 for this. 20 then. | 0:33:37 | 0:33:40 | |
Ten to get started. Ten about. Ten. 12. | 0:33:40 | 0:33:44 | |
14. 16. 18. 20. Two. | 0:33:44 | 0:33:48 | |
24. 26. 28. 30. | 0:33:48 | 0:33:52 | |
30. A bit more. | 0:33:52 | 0:33:54 | |
Five. 40. Five. William Langley. 50. Five. 60. | 0:33:54 | 0:34:01 | |
Five. | 0:34:01 | 0:34:02 | |
70. Five. 80. | 0:34:02 | 0:34:05 | |
Five. 90. Five. | 0:34:05 | 0:34:08 | |
95. 100. Five. 105. Are we all finished here? | 0:34:08 | 0:34:14 | |
105. Well done, my friend. | 0:34:14 | 0:34:18 | |
Put it there. | 0:34:18 | 0:34:20 | |
Carry on like that, Charlie, and you could win this. | 0:34:20 | 0:34:23 | |
You've caught me up already. | 0:34:23 | 0:34:25 | |
Margie's clock next, and it seems there are pigeon fanciers about. | 0:34:25 | 0:34:29 | |
Five minutes they've been here. | 0:34:29 | 0:34:31 | |
A pigeon club. | 0:34:31 | 0:34:32 | |
Eh, a pigeon club! | 0:34:32 | 0:34:34 | |
Nice lot there now. Don't let it go cheap-cheap. | 0:34:34 | 0:34:36 | |
50 for it. | 0:34:36 | 0:34:38 | |
30. | 0:34:38 | 0:34:40 | |
30, I'm bid. | 0:34:40 | 0:34:42 | |
30 quid straight in. | 0:34:42 | 0:34:44 | |
Five. 40. Five. 50. 50 quid! | 0:34:44 | 0:34:49 | |
Are we all finished? Five, on my right. 60. Five. | 0:34:49 | 0:34:55 | |
70, on my right. Are we all finished? ?70. | 0:34:55 | 0:35:00 | |
I fancy Margie's back in the lead again...just. | 0:35:00 | 0:35:03 | |
I'm glad it's the last day, I can't cope any more. | 0:35:03 | 0:35:06 | |
Not sure this lot will calm your nerves then, Margie. | 0:35:06 | 0:35:09 | |
100 for this. | 0:35:09 | 0:35:10 | |
50 for it. | 0:35:12 | 0:35:14 | |
30 then. 40 bid. Five. | 0:35:14 | 0:35:18 | |
50. It's an old-fashioned antique, that. | 0:35:18 | 0:35:23 | |
Five. 60. Five. 70. | 0:35:23 | 0:35:26 | |
Look at this. ?70. | 0:35:26 | 0:35:29 | |
I'll get my money back. | 0:35:29 | 0:35:31 | |
Two. 72, I'll take it. 74. | 0:35:31 | 0:35:34 | |
76. 78. He's doing his best for you. 80. | 0:35:34 | 0:35:38 | |
82. 82. ?82. | 0:35:38 | 0:35:42 | |
Got out of trouble. Yeah. | 0:35:42 | 0:35:44 | |
A loss after commission, though. | 0:35:44 | 0:35:47 | |
The toleware, Margie's other big buy. | 0:35:47 | 0:35:49 | |
50 for this. | 0:35:49 | 0:35:51 | |
30 to get started. | 0:35:51 | 0:35:53 | |
30 I'm bid. | 0:35:54 | 0:35:56 | |
30. Two. 34. 36. He's a worker. I can't look. | 0:35:56 | 0:36:03 | |
38. I can't look. How much? 38. | 0:36:03 | 0:36:09 | |
?38. Oh. A big hit. | 0:36:09 | 0:36:12 | |
So these two now are neck and neck. | 0:36:12 | 0:36:14 | |
Excuse me, that should have done better. | 0:36:14 | 0:36:17 | |
Of course it should. | 0:36:17 | 0:36:19 | |
Do you want me to ask the auctioneer to put it up again? | 0:36:19 | 0:36:22 | |
Enter Charlie's car boot craft. | 0:36:22 | 0:36:25 | |
Pond sailors ahoy. 50 for this. | 0:36:25 | 0:36:28 | |
30 for a start. ?30 for the yacht. | 0:36:28 | 0:36:32 | |
20 then. Two. 22 in front. 22. 24. | 0:36:32 | 0:36:38 | |
Six. 28. 30. Two. 34. 36. 38. | 0:36:38 | 0:36:43 | |
40. Five. 50. Five. 60. Five. 70. | 0:36:43 | 0:36:48 | |
70 I'm bid. Oh, you're sneaking ahead. | 0:36:48 | 0:36:53 | |
?70. All finished? Telephone! | 0:36:53 | 0:36:56 | |
Five. On the phone. | 0:36:56 | 0:36:57 | |
75 on the phone. 80. 80 I'm at. ?80 I'm at. | 0:36:57 | 0:37:03 | |
Telephone bid for a pond yacht! | 0:37:03 | 0:37:06 | |
All finished? ?80. | 0:37:06 | 0:37:08 | |
Well done, my friend. I'm loving that auctioneer. | 0:37:08 | 0:37:12 | |
That profit's put Charlie out ahead, but here comes his riskiest buy. | 0:37:12 | 0:37:16 | |
James Henderson in charge. | 0:37:16 | 0:37:18 | |
Look at that. ?200. 150. ?100 inkwell. | 0:37:18 | 0:37:23 | |
100. | 0:37:23 | 0:37:25 | |
50, then. ?50. 50 for it, well worth that. 50 I'm bid, thank you. At 50. | 0:37:25 | 0:37:31 | |
Five. At 55. | 0:37:31 | 0:37:34 | |
60. And five. At 65. 70. At 75. At 80 now. | 0:37:34 | 0:37:40 | |
At 85. At 90. | 0:37:40 | 0:37:43 | |
At 90 I'm bid with the lady. At 90, bid five. | 0:37:43 | 0:37:46 | |
At 95. 100. At 105. At 110. At 120. At 130. | 0:37:46 | 0:37:53 | |
At 130 I'm bid. | 0:37:53 | 0:37:55 | |
At five if you like. At 135. At 135. | 0:37:55 | 0:37:58 | |
At 135. At 135 at five. All done? At ?135. | 0:37:58 | 0:38:05 | |
You've got out of jail with that. | 0:38:06 | 0:38:08 | |
Yes, he has. | 0:38:08 | 0:38:09 | |
It's looking good for Charlie now. | 0:38:09 | 0:38:11 | |
He could be further ahead with this little silver salmon. | 0:38:13 | 0:38:16 | |
?40 for this silver brooch. 40. 30 then. | 0:38:16 | 0:38:20 | |
?20, folks. | 0:38:20 | 0:38:22 | |
Surely ?20. Ten. Thank you. Ten I'm bid. At 12. | 0:38:22 | 0:38:26 | |
14. At 14. 16. 18. | 0:38:26 | 0:38:30 | |
On the rail at 18. Fresh bid at 20. Bid of two. At 22. Five. At 25. | 0:38:30 | 0:38:37 | |
At eight. At 28. At 30. At 32. | 0:38:37 | 0:38:41 | |
At 32 I'm bid. At 32. | 0:38:41 | 0:38:43 | |
Fresh bid. 35. At 38. At 40. | 0:38:43 | 0:38:49 | |
On my left here at 40. | 0:38:49 | 0:38:51 | |
It'll go for 40 quid. | 0:38:51 | 0:38:52 | |
Are we all done at ?40? | 0:38:52 | 0:38:54 | |
Doubled its money. | 0:38:54 | 0:38:56 | |
Now, will they snap up Margie's curious crocodile? | 0:38:56 | 0:38:59 | |
?30. 30 for it now. 20. He's obviously quite keen. | 0:39:00 | 0:39:06 | |
It's not going well. | 0:39:06 | 0:39:08 | |
Ten then. Ten I'm bid. At ten, I'm bid. | 0:39:09 | 0:39:13 | |
12. 14. 16. And 18. | 0:39:13 | 0:39:17 | |
At 18. It's a profit, isn't it? | 0:39:17 | 0:39:22 | |
At 22. You're making a profit on this bit of rubbish. | 0:39:23 | 0:39:26 | |
At 28. At ?28. | 0:39:26 | 0:39:30 | |
Crawled out of that one. | 0:39:30 | 0:39:33 | |
A good profit, but it hasn't got her much closer to Charlie. | 0:39:33 | 0:39:37 | |
We've only had one loss today, | 0:39:37 | 0:39:38 | |
the toleware was the only thing that's lost money. | 0:39:38 | 0:39:41 | |
Have you lost anything? No. Is that why you brought it up? | 0:39:41 | 0:39:45 | |
It wasn't, no. | 0:39:45 | 0:39:46 | |
Can her bookends hold their own? | 0:39:48 | 0:39:51 | |
What are they worth, folks? ?50. 50 for them. | 0:39:51 | 0:39:54 | |
He's started on 50. | 0:39:54 | 0:39:56 | |
?30. 20 then, the bookends. | 0:39:56 | 0:39:59 | |
Ten then, surely. Oh, no. | 0:39:59 | 0:40:02 | |
Come on. 14. 16. At 18 now. | 0:40:02 | 0:40:07 | |
We need more money. | 0:40:07 | 0:40:09 | |
At 18 for them. 18 bid. 20 now. At 20. On the railings here at 20. | 0:40:09 | 0:40:14 | |
Two. At 22. At five. He's doing what he's doing well. | 0:40:14 | 0:40:18 | |
At 28. 30 now. | 0:40:18 | 0:40:21 | |
At 30. This is more than you paid for them. | 0:40:21 | 0:40:23 | |
This is a result. | 0:40:23 | 0:40:24 | |
At 30 bid. They're going to go. | 0:40:24 | 0:40:26 | |
At ?30. | 0:40:26 | 0:40:28 | |
Oh, dear, Margie, it's now Charlie's to lose. | 0:40:28 | 0:40:31 | |
If my vases... | 0:40:31 | 0:40:32 | |
Do well. ..40, 50 quid, something like that, I think I'll have won. | 0:40:32 | 0:40:36 | |
If they bomb... They're not going to bomb. | 0:40:36 | 0:40:39 | |
Here we go. | 0:40:39 | 0:40:41 | |
After a great week, the result is riding on these last two | 0:40:41 | 0:40:44 | |
pieces of glass. | 0:40:44 | 0:40:46 | |
What shall we say for the two vases? What are they worth? | 0:40:46 | 0:40:48 | |
?100. He's asked for 100. | 0:40:48 | 0:40:51 | |
100 for them. And nobody is bidding. | 0:40:51 | 0:40:54 | |
At 50. ?50 for them. 30 then, surely. | 0:40:54 | 0:40:59 | |
?30 for the vases now. 30 I'm bid. Five. 40. Here it goes. | 0:40:59 | 0:41:05 | |
At five. At 45. | 0:41:05 | 0:41:07 | |
50. At 55. And 60. Five. 70. I think I'm all right. | 0:41:07 | 0:41:14 | |
At 75. 80. And five. 85. 90. | 0:41:14 | 0:41:18 | |
At 90 bid. And five. At 95 now. | 0:41:18 | 0:41:21 | |
At 95 for the vases. | 0:41:21 | 0:41:23 | |
Are we all done now? | 0:41:23 | 0:41:26 | |
At 95. I think that's done it. | 0:41:26 | 0:41:28 | |
All done. At ?95. | 0:41:29 | 0:41:32 | |
Yet another profit and Charlie wins on the final whistle. | 0:41:32 | 0:41:36 | |
I'm mentally and physically drained. | 0:41:36 | 0:41:39 | |
I'm so pleased for you. | 0:41:39 | 0:41:41 | |
With those heartfelt words ringing in his ears, | 0:41:42 | 0:41:45 | |
Charlie the victor takes his bow. | 0:41:45 | 0:41:48 | |
Margie started out with ?429.32 and after paying auction costs, | 0:41:48 | 0:41:54 | |
she made a loss of ?14.64, leaving her with a final total of ?414.68. | 0:41:54 | 0:42:01 | |
While Charlie began with ?305.84 and after paying auction costs, | 0:42:03 | 0:42:07 | |
he made a profit of ?181.60, | 0:42:07 | 0:42:11 | |
which means Charlie, with ?487.44, | 0:42:11 | 0:42:15 | |
is this week's winner. All profits go to Children In Need. | 0:42:15 | 0:42:19 | |
There have been two highlights for this trip. Yes. | 0:42:20 | 0:42:24 | |
One has been the scenery. Absolutely. And the other... | 0:42:24 | 0:42:28 | |
has been you. | 0:42:28 | 0:42:30 | |
Oh, my goodness me. | 0:42:34 | 0:42:36 | |
Oh! Wow! Oh! | 0:42:37 | 0:42:39 | |
Evening. | 0:42:39 | 0:42:41 | |
CAR HORN | 0:42:43 | 0:42:44 | |
All right, viewers. | 0:42:49 | 0:42:51 | |
Steady on. | 0:42:51 | 0:42:52 | |
CLUTCH SCREECHES Oh, good Lord! | 0:42:54 | 0:42:57 | |
Oh! Who said romance is dead? | 0:43:04 | 0:43:07 | |
Next time on Antiques Road Trip, Paul Laidlaw | 0:43:07 | 0:43:10 | |
and Thomas Plant embark on the trip of a lifetime. | 0:43:10 | 0:43:13 | |
I'm in love. | 0:43:13 | 0:43:14 | |
Oorah. And they've both got their eyes on a prize. | 0:43:14 | 0:43:17 | |
Don't occupy me, I'm busy. Can't you see I'm working? | 0:43:17 | 0:43:21 | |
Have that, Laidlaw. | 0:43:21 | 0:43:23 | |
THEY LAUGH Come on. | 0:43:23 | 0:43:25 | |
# I put a spell on you | 0:43:49 | 0:43:52 | |
# Cos you're mine | 0:43:55 | 0:43:59 |