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-It's the nation's favourite antiques experts... -All right, viewers? | 0:00:02 | 0:00:04 | |
..with £200 each, a classic car and a goal - | 0:00:04 | 0:00:07 | |
to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold! Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it is no mean feat. | 0:00:13 | 0:00:17 | |
50p! | 0:00:17 | 0:00:18 | |
There will be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
Tricep dips. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
-Oh! -Ah, it's going to be a good one. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
This week's venture through antiquity is turning | 0:00:37 | 0:00:40 | |
into a clash of the titans, as our two auctioneers go head-to-head. | 0:00:40 | 0:00:44 | |
-Here we go. -Yes, this is the start of a new leg. | 0:00:44 | 0:00:47 | |
Halfway through their trip and Thomas Plant is trailing | 0:00:47 | 0:00:51 | |
in second place, but he is keeping his eye peeled | 0:00:51 | 0:00:55 | |
for a bargain, his nose to the grindstone | 0:00:55 | 0:00:57 | |
and isn't giving up the fight. | 0:00:57 | 0:00:59 | |
I'll be back! | 0:00:59 | 0:01:01 | |
Where are you hiding? | 0:01:01 | 0:01:02 | |
But the current leader of this path is Paul Laidlaw. | 0:01:03 | 0:01:07 | |
With a passion for militaria, | 0:01:07 | 0:01:09 | |
he is bringing all he knows to this battle. | 0:01:09 | 0:01:11 | |
And it is getting emotional. | 0:01:11 | 0:01:13 | |
I'm in love. | 0:01:13 | 0:01:15 | |
-So, how much have you got now, Rockefeller? -Big bucks. Just over... | 0:01:17 | 0:01:21 | |
I think a pound over 500 quid. | 0:01:21 | 0:01:24 | |
-Get in there! -You're back in black, though. | 0:01:24 | 0:01:27 | |
-Yes, yes, yes, I've moved back up. -Trending the right way. | 0:01:27 | 0:01:30 | |
Trending the right way. A small blip last time. | 0:01:30 | 0:01:33 | |
But I think I have done quite well to sort of add on an extra 40 quid. | 0:01:33 | 0:01:36 | |
He has indeed. | 0:01:38 | 0:01:39 | |
Thomas started with £200 and, after two trips to auction, | 0:01:39 | 0:01:42 | |
he has made a small profit, giving him £227.74 to spend today. | 0:01:42 | 0:01:48 | |
Also beginning with £200, rival Paul has pulled ahead. | 0:01:49 | 0:01:53 | |
With the help of a Susie Cooper coffee set, | 0:01:53 | 0:01:56 | |
he now has an impressive £501.64. | 0:01:56 | 0:02:01 | |
Do you know, I could find a Susie Cooper tea set like you. | 0:02:01 | 0:02:04 | |
I could find my nirvana in it, | 0:02:04 | 0:02:08 | |
my piece de resistance this leg, like you did. | 0:02:08 | 0:02:12 | |
I didn't peak there, big man! | 0:02:12 | 0:02:15 | |
These two confident warriors started this antique voyage | 0:02:15 | 0:02:20 | |
in the Lancaster town of Morecambe. | 0:02:20 | 0:02:22 | |
And clocking up around 600 miles, | 0:02:22 | 0:02:24 | |
they will end the week in the county town of Bedford. | 0:02:24 | 0:02:27 | |
Today, their mission is based in the Midlands, starting in Birmingham | 0:02:27 | 0:02:30 | |
and heading west toward the auction in Stamford, Lincolnshire. | 0:02:30 | 0:02:34 | |
# We're going the wrong way We're going the wrong way | 0:02:36 | 0:02:40 | |
# We are going the wrong way on the ring road. # | 0:02:40 | 0:02:43 | |
Not off to a great start in their Sunbeam Alpine, | 0:02:43 | 0:02:45 | |
but with the treasures of Birmingham spread at their feet, | 0:02:45 | 0:02:48 | |
they will soon be back on track. | 0:02:48 | 0:02:51 | |
I'm always excited about the first buy day. | 0:02:51 | 0:02:54 | |
I'm always disappointed at the end of the first buy day, | 0:02:54 | 0:02:57 | |
when you think, "Why did I buy that?" | 0:02:57 | 0:02:59 | |
But actually, it's concentration, concentration, concentration. | 0:02:59 | 0:03:02 | |
-It turns on a penny, doesn't it? -It does turn on a penny. | 0:03:02 | 0:03:05 | |
So, what pennies can Birmingham throw up today? | 0:03:05 | 0:03:08 | |
It has been described as the first manufacturing town in the world, | 0:03:08 | 0:03:12 | |
but can our experts reap the benefits of its rich history? | 0:03:12 | 0:03:16 | |
There are striking out on their own to find their fortunes, | 0:03:17 | 0:03:20 | |
and Paul's first punt is in Mosby Emporium | 0:03:20 | 0:03:24 | |
with the help of owner Maurice. | 0:03:24 | 0:03:26 | |
-If you see anything, give me a shout and I'll bring it up to date. -Great! | 0:03:26 | 0:03:30 | |
But I'll tell you what, if it was Professor Plum | 0:03:33 | 0:03:37 | |
in the library, these would do the trick. | 0:03:37 | 0:03:40 | |
He's got his mind set on making a killing. Ha! | 0:03:40 | 0:03:44 | |
Cat got your tongue, Paul? | 0:03:50 | 0:03:51 | |
I'm not really fond of cats. | 0:03:54 | 0:03:56 | |
HE LAUGHS | 0:03:56 | 0:04:00 | |
OK, so, that's what, a third of the nation alienated there? | 0:04:00 | 0:04:02 | |
Um... | 0:04:02 | 0:04:04 | |
But I quite like that one. | 0:04:04 | 0:04:06 | |
Well, it might not be purr-fect, | 0:04:06 | 0:04:09 | |
but this Art Deco style cat is quick to jump out at him. | 0:04:09 | 0:04:13 | |
The cat. I tend not to buy too many. | 0:04:13 | 0:04:16 | |
-Poole Pottery. -It is Poole. -Yeah. | 0:04:16 | 0:04:18 | |
-I like him. -Yeah. 65. | 0:04:18 | 0:04:22 | |
I'm not a cat lover, but the rest of the world is, apparently. | 0:04:22 | 0:04:26 | |
So that is, I think... It's got wider appeal. | 0:04:26 | 0:04:28 | |
If I'm pitching and saying "I want that for 30 quid," | 0:04:28 | 0:04:31 | |
you're going to say, "No." | 0:04:31 | 0:04:33 | |
Of course, that's fine, but what are you going to bounce back at? | 0:04:33 | 0:04:35 | |
40 quid. | 0:04:35 | 0:04:37 | |
-Well, you know what I'm going to say now, don't you? -35. | 0:04:37 | 0:04:40 | |
That's a start. And I'm going to buy more than that here, yeah? | 0:04:41 | 0:04:44 | |
Good man. | 0:04:44 | 0:04:45 | |
He has picked up the Poole Pottery cat for £35. | 0:04:45 | 0:04:48 | |
And in the depths of the cellar, | 0:04:48 | 0:04:50 | |
has found something to bury his rival in. | 0:04:50 | 0:04:53 | |
Or just cut him down to size. | 0:04:53 | 0:04:56 | |
That is a seriously good push mower. | 0:04:56 | 0:04:58 | |
They would look amazing if you had | 0:05:02 | 0:05:06 | |
a big, Victorian-tiled bathroom. | 0:05:06 | 0:05:10 | |
Clearly, I weigh something. | 0:05:10 | 0:05:12 | |
I weigh more than eight stone, but I am delighted to say, | 0:05:14 | 0:05:17 | |
less than 16 stone. | 0:05:17 | 0:05:20 | |
It's all there. | 0:05:20 | 0:05:22 | |
Interesting. | 0:05:22 | 0:05:23 | |
He is tempted, but the future of these early 20th-century | 0:05:23 | 0:05:26 | |
platform scales Haynes in the balance. | 0:05:26 | 0:05:28 | |
Over to Maurice. | 0:05:28 | 0:05:30 | |
In the basement, you've set your Avery scales. | 0:05:30 | 0:05:34 | |
-They are not priced up, are they? -No. | 0:05:34 | 0:05:36 | |
I think there was about 45 there. | 0:05:36 | 0:05:38 | |
30 quid, you could buy them. That would be the best. | 0:05:38 | 0:05:42 | |
If 20 quid is any use, I will take them away, | 0:05:42 | 0:05:45 | |
but if it's not, that's fine, I respect that and I'm happy. | 0:05:45 | 0:05:49 | |
-You can actually take them away for that. -Well, that's a deal. Good man. | 0:05:49 | 0:05:54 | |
-Two things. Sweet. Thanks very much for that. -OK, you're welcome. | 0:05:54 | 0:05:57 | |
I'll give you some money. | 0:05:57 | 0:05:59 | |
Two items for a grand total of £55. | 0:05:59 | 0:06:02 | |
-Happy lady. -See you. -All the best. -Bye. | 0:06:02 | 0:06:06 | |
Paul is happy with his wares from Birmingham's Antiques. | 0:06:08 | 0:06:11 | |
Time now for Thomas to delve deeper into the city's past. | 0:06:11 | 0:06:16 | |
And he is about to be acquainted with one of Birmingham's most | 0:06:16 | 0:06:19 | |
inspirational forefathers - Matthew Boulton. | 0:06:19 | 0:06:22 | |
Now, he may not be a household name, | 0:06:22 | 0:06:25 | |
yet his life's work influenced many aspects of our modern lives. | 0:06:25 | 0:06:29 | |
In the 18th century, | 0:06:31 | 0:06:33 | |
Boulton was at the very heart of the Industrial Revolution. | 0:06:33 | 0:06:36 | |
He struck up a partnership with Scottish engineer James Watt. | 0:06:36 | 0:06:40 | |
Together, they developed and patented a steam engine | 0:06:41 | 0:06:45 | |
so efficient that it went on to power industry around the world. | 0:06:45 | 0:06:49 | |
His business was so groundbreaking that his impressive Georgian | 0:06:51 | 0:06:54 | |
home, Soho House, | 0:06:54 | 0:06:57 | |
became an essential stop for visiting dignitaries, | 0:06:57 | 0:07:00 | |
including Horatio Nelson and US President Benjamin Franklin. | 0:07:00 | 0:07:04 | |
Today, the house is owned by Birmingham Museums and will be | 0:07:06 | 0:07:09 | |
graced by yet another gentleman of note - Mr Thomas Plant. | 0:07:09 | 0:07:14 | |
-Hello. -Hello. -Thomas. -Hello, I'm Oliver Buckley. | 0:07:14 | 0:07:18 | |
Welcome to Soho House. | 0:07:18 | 0:07:20 | |
-I noticed there is a portrait, is that of the man himself? -Yes, indeed. | 0:07:20 | 0:07:24 | |
-This is a portrait of Matthew Boulton. -And what was he famous for? | 0:07:24 | 0:07:29 | |
Well, he is famous as an industrial entrepreneur. | 0:07:29 | 0:07:32 | |
And his big achievement was to come out here to what were then | 0:07:32 | 0:07:36 | |
the green fields of Soho and build his amazing manufactory, | 0:07:36 | 0:07:40 | |
a huge industrial wonder of the age that could employ | 0:07:40 | 0:07:43 | |
up to 1,000 workers | 0:07:43 | 0:07:45 | |
in a time when factories were really just craftsmen's workshops. | 0:07:45 | 0:07:48 | |
His Soho manufactory produced a wide range of beautiful | 0:07:48 | 0:07:52 | |
and ornate objects, | 0:07:52 | 0:07:53 | |
but it was Boulton's passion in perfecting the latest mechanical | 0:07:53 | 0:07:57 | |
processes that have become his biggest contribution to history. | 0:07:57 | 0:08:02 | |
His proudest achievement was using these cutting-edge techniques | 0:08:02 | 0:08:06 | |
to transform the minting of coins in one of the first | 0:08:06 | 0:08:09 | |
examples of mass production. | 0:08:09 | 0:08:10 | |
He developed a production line of machines allowing him to strike | 0:08:12 | 0:08:15 | |
millions of pieces accurately, that won him | 0:08:15 | 0:08:19 | |
the first official contract to supply the Royal Mint. | 0:08:19 | 0:08:22 | |
These are the cartwheel pennies, so-called | 0:08:22 | 0:08:25 | |
because they have this thick rim around the outside. | 0:08:25 | 0:08:29 | |
So, what was revolutionary about the way these were minted here? | 0:08:29 | 0:08:32 | |
He boasted that the smallest size, it would | 0:08:32 | 0:08:35 | |
-go right down to little tiny coins. -Farthings. | 0:08:35 | 0:08:37 | |
Yes. He could make 920 per minute. | 0:08:37 | 0:08:42 | |
Once he got the contract to, you know, make the coins, | 0:08:42 | 0:08:45 | |
it was a sign of real assurance of the quality of the things | 0:08:45 | 0:08:49 | |
he was able to make here. | 0:08:49 | 0:08:51 | |
But Boulton did not just oversee a production line. | 0:08:51 | 0:08:54 | |
In all his business projects, | 0:08:54 | 0:08:55 | |
he applied his own knowledge to make each | 0:08:55 | 0:08:58 | |
venture as successful as the last. | 0:08:58 | 0:09:00 | |
How involved do you think he got in items? | 0:09:00 | 0:09:05 | |
Well, I think he was pretty hands-on, actually. | 0:09:05 | 0:09:08 | |
There's actually 250,000 drawings of steam engine parts | 0:09:08 | 0:09:11 | |
in our archives. | 0:09:11 | 0:09:13 | |
And many of those have his individual handwriting on them. | 0:09:13 | 0:09:16 | |
-So we know he was pretty hands-on. -Really? Gosh! | 0:09:16 | 0:09:18 | |
He was involved in the inventing process. | 0:09:18 | 0:09:21 | |
And to celebrate this groundbreaking entrepreneur, | 0:09:21 | 0:09:24 | |
the Bank of England have put Boulton and Watt on their most | 0:09:24 | 0:09:28 | |
prestigious note, giving him the recognition he so richly deserves. | 0:09:28 | 0:09:32 | |
I've got a new appreciation of Matthew Boulton | 0:09:33 | 0:09:37 | |
and his total skill, his qualities. | 0:09:37 | 0:09:42 | |
If an ounce of it rubs off on me, I will be very happy. | 0:09:42 | 0:09:47 | |
-But it has been a real pleasure. Thank you. -Thank you. | 0:09:47 | 0:09:50 | |
Whilst Thomas is hoping to achieve a few notes up | 0:09:51 | 0:09:55 | |
and down the country, Paul has been putting the pedal to the metal. | 0:09:55 | 0:10:00 | |
He has been driving towards Litchfield, in Staffordshire, | 0:10:00 | 0:10:04 | |
a cathedral city famed for its beautifully preserved | 0:10:04 | 0:10:08 | |
historical centre. | 0:10:08 | 0:10:10 | |
And Paul is paying a visit to the aptly named | 0:10:10 | 0:10:13 | |
Lichfield Antiques Centre. | 0:10:13 | 0:10:15 | |
There are over 60 different vendors here, | 0:10:15 | 0:10:18 | |
including Paul and owner Madeleine. | 0:10:18 | 0:10:20 | |
So, can they tempt our expert to part with more cash? | 0:10:20 | 0:10:23 | |
Oh, that is impressive, Paul. | 0:10:27 | 0:10:28 | |
Makassar ebony veneer. | 0:10:28 | 0:10:31 | |
Profusely and exquisitely inlaid in | 0:10:31 | 0:10:35 | |
brass, gilt metal, | 0:10:35 | 0:10:37 | |
mother-of-pearl, abalone. | 0:10:37 | 0:10:40 | |
-That is...that is divine, isn't it? -It is lovely. | 0:10:40 | 0:10:43 | |
It's sumptuous. | 0:10:43 | 0:10:45 | |
This Victorian writing box certainly catches the eye, | 0:10:45 | 0:10:47 | |
but quality like this will cost you. | 0:10:47 | 0:10:50 | |
So, it is a writing slope at... Holy Moses, it is priced up at £500. | 0:10:50 | 0:10:55 | |
Which I could just about afford, is the truth of the matter. | 0:10:55 | 0:10:59 | |
I'm giving too much away, perhaps. But what a joy of a box, yeah? | 0:10:59 | 0:11:05 | |
-Lovely. -You just... | 0:11:05 | 0:11:06 | |
I mean, seriously, you're going to go a long way to trump that. | 0:11:06 | 0:11:10 | |
This is more...more appropriate. | 0:11:10 | 0:11:14 | |
Fatally flawed, I suspect, but nevertheless, | 0:11:14 | 0:11:18 | |
if you forgive it that, a little charmer. | 0:11:18 | 0:11:22 | |
From the £35 Edwardian novelty purse, sporting a bit of damage, | 0:11:22 | 0:11:26 | |
to the £495 box, | 0:11:26 | 0:11:29 | |
both objects are owned by an absentee owner, | 0:11:29 | 0:11:32 | |
so this negotiation has to happen on the phone. | 0:11:32 | 0:11:34 | |
First up, the purse. | 0:11:34 | 0:11:36 | |
He is saying somewhat south of 20. | 0:11:37 | 0:11:40 | |
It's decadent, it's fun, | 0:11:40 | 0:11:44 | |
it's utterly charming... | 0:11:44 | 0:11:46 | |
It's broken. Uh-uh. | 0:11:46 | 0:11:49 | |
This is my problem, which is why I want a knockdown price. | 0:11:49 | 0:11:52 | |
There's a part two to this as well. | 0:11:52 | 0:11:55 | |
Which is the large box that you have down there for 495. | 0:11:57 | 0:12:02 | |
-The writing slope. -The box... | 0:12:02 | 0:12:04 | |
That's where I want to be. | 0:12:04 | 0:12:07 | |
That... It's just fantastic! | 0:12:07 | 0:12:10 | |
He has fallen for the box, but will Paul come back bearing good news? | 0:12:10 | 0:12:15 | |
-Hi. -How are we doing? -We're good, I think. He is a very generous man. | 0:12:16 | 0:12:21 | |
-He will give you that for 18. -Oh, he is a good man. | 0:12:21 | 0:12:24 | |
And he is willing to go to 350. | 0:12:24 | 0:12:27 | |
It's not going to be for me. I can't go there, that's going to be daft. | 0:12:29 | 0:12:33 | |
What a good thing, though. I think I have to buy that, but... | 0:12:33 | 0:12:38 | |
..I want to buy more. | 0:12:39 | 0:12:41 | |
A punt on the purse, but at £350, | 0:12:41 | 0:12:44 | |
the box is left on the shelf. | 0:12:44 | 0:12:46 | |
We have a mid-20th century enamelled silver gilt prize medallion | 0:12:47 | 0:12:51 | |
presented by the Pharmaceutical Society of Great Britain. | 0:12:51 | 0:12:55 | |
I reckon I could squeeze a little bit off the asking price | 0:12:55 | 0:12:58 | |
and make a little profit. | 0:12:58 | 0:13:00 | |
And you know what? It's easy and it's dull. | 0:13:00 | 0:13:04 | |
Who cares? | 0:13:04 | 0:13:06 | |
The box, on the other hand, would be a meaty purchase, | 0:13:06 | 0:13:10 | |
and I may lose my lead on the back of it, | 0:13:10 | 0:13:13 | |
because of arithmetic in the market. So, am I a gambler? | 0:13:13 | 0:13:18 | |
See, I would disappoint myself buying this. | 0:13:18 | 0:13:23 | |
My head says, "Crazy fool, buy it! | 0:13:23 | 0:13:28 | |
"Take the money and run!" | 0:13:28 | 0:13:30 | |
My heart's saying, | 0:13:30 | 0:13:33 | |
"No, too easy, buy that just... | 0:13:33 | 0:13:37 | |
"wow, flamboyant object." | 0:13:37 | 0:13:40 | |
So, will he follow his heart and take a risk on the lead? | 0:13:40 | 0:13:44 | |
Please don't mind me doing this, | 0:13:44 | 0:13:45 | |
but I am going to come back at you on the box. | 0:13:45 | 0:13:48 | |
There's 200 quid on the table. | 0:13:48 | 0:13:50 | |
-I don't mind you saying, "Look, it's too big an ask." -I'll try. | 0:13:50 | 0:13:55 | |
-But it is a big ask. -It is a huge ask. | 0:13:55 | 0:13:58 | |
As long as he doesn't take offence to it. I'm going to keep looking. | 0:13:58 | 0:14:02 | |
Cheers. | 0:14:02 | 0:14:03 | |
He's going for the gamble, so it's round two on the writing box. | 0:14:03 | 0:14:07 | |
And box number two as well, by the look of things. | 0:14:07 | 0:14:11 | |
Yes. | 0:14:11 | 0:14:12 | |
Oh, they don't turn up like that, do they? | 0:14:12 | 0:14:16 | |
That's very smart. | 0:14:16 | 0:14:18 | |
This one is a Victorian tea caddy | 0:14:18 | 0:14:20 | |
with the lower ticket price of £175. | 0:14:20 | 0:14:24 | |
And as luck would have it, | 0:14:24 | 0:14:25 | |
it belongs to the same vendor as the writing box. | 0:14:25 | 0:14:28 | |
Um... | 0:14:28 | 0:14:31 | |
Oh, now there is an offer! Ah! | 0:14:31 | 0:14:33 | |
Would you be interested in both of them? | 0:14:33 | 0:14:36 | |
395 for both. | 0:14:36 | 0:14:39 | |
320, the two. | 0:14:40 | 0:14:43 | |
330? | 0:14:44 | 0:14:46 | |
-We have a deal. -Thanks very much. | 0:14:48 | 0:14:50 | |
What have I done? Thank you very much. | 0:14:52 | 0:14:55 | |
I've waded in deep, | 0:14:55 | 0:14:56 | |
but I am delighted to have bought things that really fire me up. | 0:14:56 | 0:15:01 | |
That's a whopping £340 discount for the two boxes. | 0:15:01 | 0:15:05 | |
How exciting to see him take such a big risk! | 0:15:05 | 0:15:09 | |
I hope he doesn't regret it when it comes to auction. | 0:15:09 | 0:15:11 | |
Thanks very much. | 0:15:11 | 0:15:13 | |
And eager to take advantage of any mistake Paul might have made | 0:15:13 | 0:15:16 | |
is rival Thomas, who has travelled to the market town of Coleshill. | 0:15:16 | 0:15:21 | |
Sitting on the river Cole, in the Warwickshire countryside, | 0:15:21 | 0:15:24 | |
this market town boasts an impressive 13th-century church, | 0:15:24 | 0:15:28 | |
complete with its own 52-metre steeple. | 0:15:28 | 0:15:31 | |
Thomas has come for a snoop around Kim's establishment. | 0:15:33 | 0:15:37 | |
Hello, Thomas, pleased to meet you. I'm Kim. | 0:15:37 | 0:15:39 | |
Half sewing, half antiques | 0:15:39 | 0:15:41 | |
and packed full of promise for our underdog. | 0:15:41 | 0:15:43 | |
Paul has raced away, | 0:15:47 | 0:15:50 | |
tremendously raced away, | 0:15:50 | 0:15:53 | |
And I need to claw that back, | 0:15:53 | 0:15:55 | |
definitely claw that back. | 0:15:55 | 0:15:57 | |
But I'm going to have a good look around here and see what I can buy. | 0:15:57 | 0:16:02 | |
Yeah, a good rummage around can throw up all sorts of surprises. | 0:16:02 | 0:16:06 | |
Boom, boom! That's what he said, didn't he? Boom, boom. | 0:16:06 | 0:16:10 | |
Paul has taken a serious gamble, but Thomas is still larking around. | 0:16:10 | 0:16:14 | |
I do like that necessaire there. | 0:16:14 | 0:16:16 | |
The little box with the mother-of-pearl... | 0:16:16 | 0:16:20 | |
It's not matching, though, that's the problem. I might have a look at it. | 0:16:20 | 0:16:23 | |
Oh, I like that Stanhope as well. | 0:16:23 | 0:16:25 | |
Well, that is a bit more like it - a lady's sewing box for £86, | 0:16:26 | 0:16:30 | |
very fitting for this place - | 0:16:30 | 0:16:32 | |
and a £38, 19th-century Stanhope letter opener. | 0:16:32 | 0:16:36 | |
So, what you've got is you've got a letter opener. | 0:16:38 | 0:16:42 | |
For opening your letter. | 0:16:42 | 0:16:44 | |
And then you need to reply to the letter you have opened, | 0:16:44 | 0:16:48 | |
so you unscrew this bit here and you have an ink pen, | 0:16:48 | 0:16:51 | |
a little dip pen. | 0:16:51 | 0:16:53 | |
In it goes dip, dip, dip. In here is a little lens. | 0:16:53 | 0:16:57 | |
On the little lens... | 0:16:57 | 0:16:58 | |
..is a little picture. | 0:17:00 | 0:17:02 | |
And that picture will tell you where it is. | 0:17:03 | 0:17:06 | |
Named after the Stanhope lens, this technique for viewing pictures | 0:17:06 | 0:17:10 | |
in miniature was developed in the mid-19th century. | 0:17:10 | 0:17:13 | |
It is a clever bit of kit...if it works. | 0:17:13 | 0:17:15 | |
I think it's either Yarmouth or Blackpool, I'm not 100%. | 0:17:16 | 0:17:20 | |
But I can't seem to get it focused when I look at it myself. | 0:17:20 | 0:17:24 | |
-What is the best on that? -30. | 0:17:24 | 0:17:26 | |
-I'll think about that one, thank you very much. -That's fine. | 0:17:27 | 0:17:30 | |
-It's just the difficulty in reading that. -Yes. | 0:17:30 | 0:17:34 | |
He is dithering somewhat. | 0:17:34 | 0:17:36 | |
It is a late 19th-century lady's sewing and dressing table | 0:17:36 | 0:17:41 | |
accoutrement, which would travel with her. | 0:17:41 | 0:17:44 | |
This is for cleaning your ear. | 0:17:44 | 0:17:46 | |
And then... | 0:17:46 | 0:17:49 | |
tweezers for your...eyebrows. | 0:17:49 | 0:17:52 | |
Ah, but can it pluck out some profits for you, Thomas? | 0:17:52 | 0:17:56 | |
What is the best on this one? | 0:17:56 | 0:17:58 | |
70. | 0:17:58 | 0:18:00 | |
-If that helps you. -Thank you. | 0:18:01 | 0:18:03 | |
70, I just can't see it making me a profit. | 0:18:03 | 0:18:07 | |
-At all. But it is a lovely thing. -What were you thinking? | 0:18:10 | 0:18:14 | |
Well, you know, it's quite offensive, really. | 0:18:14 | 0:18:16 | |
-I personally rate the box at £40. -OK. | 0:18:16 | 0:18:20 | |
And I rate that Stanhope at 15. | 0:18:20 | 0:18:23 | |
-So, we're looking at 55. -55. -Yes, I think... | 0:18:23 | 0:18:26 | |
-You going to be all right? -I'll be all right with that. | 0:18:26 | 0:18:28 | |
-You don't mind? -No, no. | 0:18:28 | 0:18:29 | |
-No, I'll be happy with that. -My dear, thank you very much. | 0:18:29 | 0:18:32 | |
-You're very welcome. -That's very good. I better give you some money. | 0:18:32 | 0:18:35 | |
Both items for less than half price, | 0:18:35 | 0:18:38 | |
and much more shopping ahead of him tomorrow. | 0:18:38 | 0:18:40 | |
But for now, it is time to bid farewell to day one on the road. | 0:18:40 | 0:18:44 | |
Sleep well, you chaps. | 0:18:44 | 0:18:47 | |
Morning has arrived, and with it... | 0:18:48 | 0:18:50 | |
-MOTOR STUTTERS -..comes... | 0:18:50 | 0:18:52 | |
-MOTOR STALLS -..a spot of car trouble. | 0:18:52 | 0:18:55 | |
MOTOR STUTTERS AND STARTS | 0:18:55 | 0:18:57 | |
Oh, that's good. | 0:18:59 | 0:19:00 | |
And the reliable Alpine gets them on the road once again. | 0:19:00 | 0:19:04 | |
-Thomas, I have good news for you. -Have you? | 0:19:04 | 0:19:07 | |
HE LAUGHS | 0:19:07 | 0:19:09 | |
-Boy, have I got good news for you. -What? | 0:19:09 | 0:19:11 | |
-Well, you know how I could have played it safe? -Yes. | 0:19:11 | 0:19:14 | |
I went the other way. | 0:19:14 | 0:19:16 | |
Yeah, but if you spend big, then of course the risks are bigger. | 0:19:16 | 0:19:20 | |
-Yeah, of course. -I've blown the money. | 0:19:20 | 0:19:22 | |
Not quite, Paul, | 0:19:22 | 0:19:23 | |
but yesterday he did blow £403 on the Art Deco pottery cat, | 0:19:23 | 0:19:28 | |
the large scales, the novelty purse, the Victorian tea caddy | 0:19:28 | 0:19:33 | |
and the risky writing box... | 0:19:33 | 0:19:35 | |
It's just fantastic! | 0:19:35 | 0:19:38 | |
..leaving him with £98.64. | 0:19:38 | 0:19:41 | |
Thomas parted with a more conservative £55, | 0:19:42 | 0:19:45 | |
picking up a Stanhope letter opener | 0:19:45 | 0:19:48 | |
and the lady's sewing box, | 0:19:48 | 0:19:50 | |
so he has £172.74 to spend today. | 0:19:50 | 0:19:53 | |
Here's a braw day. | 0:19:55 | 0:19:56 | |
This morning, they are starting in Shenton, in Leicestershire. | 0:19:58 | 0:20:02 | |
Shenton is part of a conservation area and our experts' first | 0:20:02 | 0:20:06 | |
stop can fittingly be found in a Grade 2 listed farmhouse. | 0:20:06 | 0:20:10 | |
How lovely. | 0:20:10 | 0:20:12 | |
-Here we are! -Oh, this is gorgeous. | 0:20:12 | 0:20:15 | |
Yeah, look at that. Right. | 0:20:15 | 0:20:18 | |
I'll see you in about an hour. | 0:20:18 | 0:20:20 | |
Cartwheel penny. | 0:20:27 | 0:20:29 | |
Hopefully, a lucky penny, Thomas. | 0:20:29 | 0:20:32 | |
A mole does a pretty blind run... And then get snapped. Ow! | 0:20:36 | 0:20:40 | |
I'm dressing up again. I fancy being a fireman today. | 0:20:42 | 0:20:45 | |
On the last leg, he was a soldier. Today, a fireman. | 0:20:45 | 0:20:48 | |
A man about town. | 0:20:48 | 0:20:49 | |
Maybe tomorrow he will come as an antiques expert. | 0:20:49 | 0:20:52 | |
Stop mucking about, Thomas. | 0:20:52 | 0:20:55 | |
It seems both experts have their minds elsewhere. | 0:20:55 | 0:20:58 | |
Last night, at the hotel, because I've no life and I can't | 0:20:58 | 0:21:01 | |
switch off from this, I did some research about the Poole cat. | 0:21:01 | 0:21:05 | |
Nothing. The thing doesn't exist. | 0:21:05 | 0:21:09 | |
Now, I don't think I'm getting carried away. | 0:21:09 | 0:21:12 | |
This suggests to me, I've got the only one, a one of a tiny number. | 0:21:12 | 0:21:18 | |
And if that's the case, | 0:21:18 | 0:21:20 | |
I may have something more exciting than the coffee set. | 0:21:20 | 0:21:24 | |
Luck seems to be with Laidlaw on this trip, | 0:21:24 | 0:21:26 | |
but Thomas still has some hard graft to do. | 0:21:26 | 0:21:30 | |
I'm trying to find things to beat the Laidlaw with. | 0:21:33 | 0:21:37 | |
They haven't got it, that is what's annoyed me. | 0:21:37 | 0:21:40 | |
-They just haven't got it. -Totally chilled. Totally chilled. | 0:21:40 | 0:21:44 | |
Come on, Thomas, with five objects in the bag, your rival is done with | 0:21:44 | 0:21:47 | |
shopping, so there is an opportunity to find a hidden treasure in here. | 0:21:47 | 0:21:51 | |
Go for it! | 0:21:51 | 0:21:52 | |
-Instead of binoculars, it's just the one. -For a one-horse race. | 0:21:52 | 0:21:55 | |
For a one-horse race, Margaret. How much is it? Let's see. | 0:21:55 | 0:22:00 | |
Dah-dah-dah! | 0:22:00 | 0:22:01 | |
£22, look at that. | 0:22:01 | 0:22:03 | |
Things are looking up with this Barr and Stroud monocular. | 0:22:03 | 0:22:06 | |
The Scottish company were pioneers of modern optics | 0:22:06 | 0:22:09 | |
and were a key supplier to the Armed Forces in the 20th century. | 0:22:09 | 0:22:13 | |
It has got pedigree, but can he spy a profit? | 0:22:13 | 0:22:17 | |
-Can we do a deal on these? -What were you thinking? | 0:22:17 | 0:22:20 | |
You always say, "Go on, you tell me, you tell me." | 0:22:20 | 0:22:22 | |
What do you think I was going to say? | 0:22:22 | 0:22:25 | |
-A fiver. -Well, that is quite harsh. | 0:22:25 | 0:22:27 | |
I wouldn't say a fiver, I'm not that much of a bad man, am I? | 0:22:27 | 0:22:32 | |
You'll never went with that strategy, Thomas. | 0:22:32 | 0:22:35 | |
-OK, £15. -15. | 0:22:35 | 0:22:37 | |
-£15 and I will take them off your hands. -All right, OK. | 0:22:37 | 0:22:41 | |
-Is that all right? -Yes, yes. -Let me give you some money. | 0:22:41 | 0:22:43 | |
Success at last with the monocular for £15. | 0:22:43 | 0:22:47 | |
And back in the Sunbeam, the chaps travel through the beautiful | 0:22:47 | 0:22:50 | |
Leicestershire countryside. | 0:22:50 | 0:22:52 | |
But it hasn't always been so peaceful in these parts. | 0:22:55 | 0:22:57 | |
And our experts are en route to the site of a major battle, | 0:22:57 | 0:23:00 | |
one that changed the course of British history. | 0:23:00 | 0:23:03 | |
-Ah, ah, ah, ah! -This is adventure. | 0:23:04 | 0:23:07 | |
-Thomas Plant! -If I were the sort, I would bang it against my chest. | 0:23:07 | 0:23:12 | |
In the 15th century, a vicious civil war raged for decades. | 0:23:14 | 0:23:19 | |
The War of the Roses was one of Britain's bloodiest | 0:23:19 | 0:23:22 | |
and thousands were killed in the fight for the English throne. | 0:23:22 | 0:23:25 | |
Then, in 1485, came the Battle of Bosworth. | 0:23:26 | 0:23:30 | |
The reigning king, Richard III, lost his life on the field | 0:23:30 | 0:23:33 | |
and his crown to challenger Henry VII, giving rise | 0:23:33 | 0:23:37 | |
to the Tudor dynasty, who ruled England for over a century. | 0:23:37 | 0:23:41 | |
This decisive battle is of such significance that historians | 0:23:43 | 0:23:46 | |
and experts have fought for centuries over what exactly | 0:23:46 | 0:23:49 | |
happened and where. | 0:23:49 | 0:23:51 | |
But over the last few years, the facts surrounding | 0:23:51 | 0:23:54 | |
one of Britain's lost battlefields are being discovered. | 0:23:54 | 0:23:57 | |
And military mad Paul is keen to find out what | 0:23:57 | 0:24:00 | |
they have unearthed, so he has come | 0:24:00 | 0:24:03 | |
to Bosworth Battlefield Heritage Centre | 0:24:03 | 0:24:05 | |
to meet Heritage officer Richard Mackinder. | 0:24:05 | 0:24:08 | |
-Richard. Paul. -Welcome, hi. -Good to see you. | 0:24:08 | 0:24:12 | |
-Well, here we are at... Bosworth Field? -Yes, that's correct. | 0:24:12 | 0:24:16 | |
Well, that rings like Hastings and Culloden in British history, | 0:24:16 | 0:24:19 | |
doesn't it? | 0:24:19 | 0:24:20 | |
When and what's the significance of Bosworth? | 0:24:20 | 0:24:23 | |
Well, Bosworth is one of those major turning points in British history. | 0:24:23 | 0:24:26 | |
It was the end of the medieval period, | 0:24:26 | 0:24:28 | |
with Richard Plantagenet, Richard III, | 0:24:28 | 0:24:31 | |
the last British king to go into battle alive, | 0:24:31 | 0:24:34 | |
and unfortunately get killed on British soil. | 0:24:34 | 0:24:36 | |
At the time of the battle, | 0:24:36 | 0:24:38 | |
King Richard III had been on the throne for just two years, | 0:24:38 | 0:24:41 | |
yet he was immortalized by Shakespeare and, more recently, | 0:24:41 | 0:24:45 | |
made headlines when his remains | 0:24:45 | 0:24:47 | |
were discovered under a Leicester car park. | 0:24:47 | 0:24:50 | |
The facts of Richard's death are slowly coming to light, | 0:24:50 | 0:24:53 | |
as are the mysteries surrounding this incredible battle site. | 0:24:53 | 0:24:58 | |
Since 2005, a team of archaeologists and some experts have been | 0:24:58 | 0:25:02 | |
painstakingly scouring the area for evidence. | 0:25:02 | 0:25:05 | |
Answers have appeared with each new object they've found, | 0:25:05 | 0:25:09 | |
much of which can now be seen in the centre's museum. | 0:25:09 | 0:25:13 | |
But it wasn't until they discovered clusters of lead and stone round | 0:25:13 | 0:25:17 | |
shot fired from small cannons that they knew they had a break through. | 0:25:17 | 0:25:21 | |
So, we have got a number of different lead spheres, | 0:25:21 | 0:25:26 | |
round shot, and they are fired round shot. | 0:25:26 | 0:25:29 | |
And they are found within this scatter, | 0:25:29 | 0:25:32 | |
and that's what makes it a battle site. | 0:25:32 | 0:25:34 | |
Individual items on their own are not enough. | 0:25:34 | 0:25:37 | |
It is only when you put the whole story together that you start | 0:25:37 | 0:25:40 | |
to then say actually, yes, we can now say that at least | 0:25:40 | 0:25:44 | |
part of the major part of the fighting was here. | 0:25:44 | 0:25:48 | |
Five years into the project, they were able to piece together a large | 0:25:48 | 0:25:52 | |
amount of what happened in 1485, but this is just the beginning. | 0:25:52 | 0:25:57 | |
We've got a battle site, what next? | 0:25:57 | 0:26:00 | |
It would be lovely to try and find the full extent of the battle site. | 0:26:00 | 0:26:03 | |
We haven't actually found | 0:26:03 | 0:26:07 | |
big enough areas of no battle litter to say we are now outside it. | 0:26:07 | 0:26:11 | |
And of course, on top of that, what this project has given us | 0:26:11 | 0:26:15 | |
is the ability to try and understand a huge area of landscape, | 0:26:15 | 0:26:19 | |
not just the two and half hours of 1485, | 0:26:19 | 0:26:22 | |
but the landscape | 0:26:22 | 0:26:24 | |
and the history of man in that landscape from the very early | 0:26:24 | 0:26:27 | |
stage, from stone access right way through up to the modern history. | 0:26:27 | 0:26:31 | |
Well, you've whet my appetite, good luck to you. | 0:26:31 | 0:26:33 | |
-Many thanks, Richard. -My pleasure. An absolute pleasure. | 0:26:33 | 0:26:36 | |
It has taken over 500 years to get this far, but with | 0:26:36 | 0:26:39 | |
so much left to find, the fight for knowledge rages on in Bosworth. | 0:26:39 | 0:26:45 | |
Our experts, however, are engaged in a power struggle of their own, | 0:26:46 | 0:26:50 | |
and Thomas is threatening all-out war. | 0:26:50 | 0:26:53 | |
I'd love to buy something that would project me | 0:26:53 | 0:26:58 | |
to the level of the Laidlaw. We can have a real battle, then. | 0:26:58 | 0:27:02 | |
This brave warrior is heading to the city of Leicester, | 0:27:02 | 0:27:06 | |
in East Midlands, and is hedging his bets of hidden treasures. | 0:27:06 | 0:27:09 | |
-Mac, nice to meet you. This is your shop? -Yes, it is. Yeah. | 0:27:09 | 0:27:13 | |
-It is been open four weeks. -Four weeks?! -Four weeks. | 0:27:13 | 0:27:15 | |
So, I want to have a good goosy gander. | 0:27:15 | 0:27:17 | |
-Help yourself, yes, by all means. -It looks exciting. | 0:27:17 | 0:27:20 | |
The innards are gone, the innards are gone. | 0:27:22 | 0:27:25 | |
You can't say he doesn't take a close look, now can you? | 0:27:25 | 0:27:29 | |
All the clocks are ticking away, | 0:27:29 | 0:27:32 | |
reminding me of how little time I've got left to beat the Paul, | 0:27:32 | 0:27:36 | |
to beat the Laidlaw with. | 0:27:36 | 0:27:38 | |
But there is always time for dressing up with this chap. | 0:27:38 | 0:27:41 | |
I'll be back! | 0:27:41 | 0:27:43 | |
Oh, do focus, Thomas. | 0:27:43 | 0:27:45 | |
Time is pressing on and shopping under pressure is no picnic. | 0:27:46 | 0:27:50 | |
So, this is a Braxton picnic set with china plates, | 0:27:53 | 0:27:57 | |
stainless steel knives and forks. | 0:27:57 | 0:28:00 | |
It's all there, isn't it? | 0:28:00 | 0:28:02 | |
-People do like these things, don't they? -They do. -They are quite fun. | 0:28:02 | 0:28:05 | |
This 1960s picnic set is priced at £60 | 0:28:05 | 0:28:08 | |
and it would look great in the old Alpine on the way to auction. | 0:28:08 | 0:28:12 | |
-Mac, what is the best on this? -I could probably go to...45 on that. | 0:28:12 | 0:28:19 | |
Is that your best, what do you think? | 0:28:19 | 0:28:22 | |
-35. -OK, well, that's great. 35 for that. | 0:28:23 | 0:28:27 | |
That's definitely worth considering. | 0:28:27 | 0:28:28 | |
-It'd be nice if I try and find something else... -Yep. -..as well. | 0:28:28 | 0:28:32 | |
Thomas? | 0:28:36 | 0:28:38 | |
He's drifting off. | 0:28:38 | 0:28:39 | |
Maybe a man's best friend can help him out. | 0:28:39 | 0:28:42 | |
These are green onyx and spelter dogs, painted. | 0:28:42 | 0:28:47 | |
They are quite a sweet thing, really. Are they super cheap? | 0:28:47 | 0:28:50 | |
-They can be £8. -£8? -Yes. | 0:28:50 | 0:28:55 | |
That's my kind of money. It's £8, great. | 0:28:55 | 0:28:57 | |
Well, I think they are really good, then. | 0:28:57 | 0:28:59 | |
He sniffs out a bargain with these two Art Deco bookends. | 0:28:59 | 0:29:03 | |
You can't argue with £8, can you? | 0:29:03 | 0:29:05 | |
-Mac. -Yes? -Could I have this | 0:29:05 | 0:29:09 | |
and the dogs for 35? | 0:29:09 | 0:29:11 | |
That and the dogs for 35... | 0:29:11 | 0:29:15 | |
Would you do that for me? | 0:29:15 | 0:29:16 | |
-OK. -Thank you very much. -Thank you very much. | 0:29:16 | 0:29:19 | |
Let me give you some money. | 0:29:19 | 0:29:20 | |
Lordy, another two items for the modest price of £35. | 0:29:20 | 0:29:25 | |
So, with ten items between them, it is time to bear all at the | 0:29:25 | 0:29:29 | |
rather grand Bosworth Hall Hotel in nearby Market Bosworth. | 0:29:29 | 0:29:33 | |
So, Paul... Let's have a look. | 0:29:33 | 0:29:37 | |
-Two stages to this. -Right, OK, two stages. | 0:29:37 | 0:29:40 | |
That's numero uno. And... | 0:29:40 | 0:29:42 | |
-My! -Thomas... -My! -Thomas... | 0:29:42 | 0:29:46 | |
Size does count, and that is a real-man-sized scale. | 0:29:46 | 0:29:49 | |
HE LAUGHS | 0:29:49 | 0:29:53 | |
-What a beautiful thing. -I fell in love. | 0:29:53 | 0:29:56 | |
-Now, the pussycat. -Yeah. | 0:29:56 | 0:29:59 | |
The pussycat. | 0:29:59 | 0:30:00 | |
-Oh, it is a Poole piece. So, was that really expensive? -That was £35. | 0:30:00 | 0:30:05 | |
No! That's another Susie Cooper. | 0:30:05 | 0:30:08 | |
-I think it is. -That's so rare! -Go on, hit me with it. | 0:30:08 | 0:30:12 | |
Well, well... OK. | 0:30:15 | 0:30:17 | |
Um... | 0:30:17 | 0:30:18 | |
The bone paper knife, Stanhope in the terminal? | 0:30:18 | 0:30:23 | |
Stanhope, yeah, yeah. | 0:30:23 | 0:30:24 | |
-The view is of...? -I can't see it cos it's dirty. | 0:30:24 | 0:30:27 | |
It's erotic? | 0:30:27 | 0:30:30 | |
-No, I wish! -Oh, dirty in a nice way. OK, I get it. Fine. | 0:30:30 | 0:30:34 | |
Rate those, like those a lot. | 0:30:34 | 0:30:36 | |
How much do you think they were? | 0:30:36 | 0:30:38 | |
-120. -They were very expensive. -How much were they? | 0:30:38 | 0:30:41 | |
-They were £5. -What?! | 0:30:41 | 0:30:43 | |
-No, no. -What?! You... This is guaranteed nice little return. | 0:30:43 | 0:30:48 | |
Good ensemble. This is going to be another fun auction. | 0:30:48 | 0:30:51 | |
-Yeah. -Good work! -Good work. Come on. | 0:30:51 | 0:30:53 | |
They've gone for some high risks and potentially high rewards, | 0:30:55 | 0:30:58 | |
so who has got the edge this time round? | 0:30:58 | 0:31:00 | |
Laidlaw's inlaid box, the mother of pearl one, | 0:31:01 | 0:31:05 | |
is wonderful, such good quality. | 0:31:05 | 0:31:08 | |
Well done, him, for taking the plunge. | 0:31:08 | 0:31:10 | |
The dogs are the one to watch. | 0:31:10 | 0:31:12 | |
With dog lovers in the room, it could do really well. | 0:31:12 | 0:31:15 | |
Hopefully, these little nibbles, like little low punches, you know, | 0:31:15 | 0:31:19 | |
will just slowly eke, eke, eke back. | 0:31:19 | 0:31:22 | |
And then... The glory is all mine. | 0:31:22 | 0:31:24 | |
Another one gunning for glory. | 0:31:26 | 0:31:28 | |
So, onward they head to auction in Stamford. | 0:31:28 | 0:31:31 | |
With its beautifully preserved buildings, | 0:31:31 | 0:31:33 | |
this picturesque Lincolnshire town has been | 0:31:33 | 0:31:36 | |
immortalized in various silver screen outings, | 0:31:36 | 0:31:39 | |
including the 2005 adaptation of Pride And Prejudice. | 0:31:39 | 0:31:44 | |
-What a place! Isn't it beautiful? -Georgian splendour. | 0:31:44 | 0:31:47 | |
It is, isn't it? It's splendid. | 0:31:47 | 0:31:49 | |
It's glorious! | 0:31:49 | 0:31:51 | |
Does that mean our lots are going to be splendidly | 0:31:51 | 0:31:54 | |
wonderful at the auction? | 0:31:54 | 0:31:55 | |
Today, they are heading for auction | 0:31:55 | 0:31:57 | |
at Bateman's Auctioneers And Valuers. | 0:31:57 | 0:32:00 | |
-Very good. -Excited? | 0:32:02 | 0:32:04 | |
-Tinged with nerves? -Oh, don't be so ridiculous! | 0:32:04 | 0:32:07 | |
Hey, I've spent the money, man. | 0:32:07 | 0:32:09 | |
-I know you spent the money. -You can't lose. | 0:32:09 | 0:32:12 | |
And as our experts eagerly await their fate, | 0:32:12 | 0:32:15 | |
auctioneer David Palmer muses their offerings. | 0:32:15 | 0:32:18 | |
So, we have got the 20th-century bathroom scales, | 0:32:19 | 0:32:22 | |
which are as ugly as sin. | 0:32:22 | 0:32:24 | |
I mean, would you put those in your bathroom? | 0:32:24 | 0:32:26 | |
The little miniature travelling or sewing box, | 0:32:26 | 0:32:29 | |
many of the parts there don't match. | 0:32:29 | 0:32:32 | |
But I love that, I think it is brilliant, particularly | 0:32:32 | 0:32:34 | |
the ear wax spoon with the tweezers at the end. | 0:32:34 | 0:32:38 | |
That is so cool. | 0:32:38 | 0:32:39 | |
Paul is staking his lead on five items that cost him | 0:32:39 | 0:32:44 | |
a significant £403. | 0:32:44 | 0:32:47 | |
And nipping at his heels is Thomas, | 0:32:47 | 0:32:49 | |
who is also offering up five items at a total cost of £105. | 0:32:49 | 0:32:54 | |
So, is it money well spent? | 0:32:55 | 0:32:58 | |
Luckily for Thomas, there's a dog lover in here. | 0:32:58 | 0:33:00 | |
But will Paul be as fortunate? | 0:33:00 | 0:33:02 | |
18. At 18. | 0:33:02 | 0:33:04 | |
The time of reckoning has arrived and David is | 0:33:04 | 0:33:06 | |
kicking off proceedings in the room, on the phone and online. | 0:33:06 | 0:33:11 | |
First up, Paul's platform scales. | 0:33:11 | 0:33:13 | |
The auctioneer doesn't like them, but will the buyers? | 0:33:13 | 0:33:16 | |
It's all in the balance. | 0:33:16 | 0:33:17 | |
-Look good in any bathroom, probably. -Yeah, as we said. | 0:33:17 | 0:33:20 | |
Um... I don't know, £20. Straight in at £20. | 0:33:20 | 0:33:23 | |
20 for these, the scales. 20. | 0:33:23 | 0:33:25 | |
Apparently not. | 0:33:25 | 0:33:27 | |
-No visible bidders. -Don't all talk at once. | 0:33:27 | 0:33:29 | |
Tenner, then. £10, the scales. Anyone 10? | 0:33:29 | 0:33:32 | |
£10 for the bathroom scales. | 0:33:32 | 0:33:35 | |
Fiver for the bathroom scales. | 0:33:35 | 0:33:38 | |
Five I'm bid down here. | 0:33:38 | 0:33:39 | |
-Oh, lovely. -Six on the net. Seven for you, sir? Seven. | 0:33:39 | 0:33:43 | |
At seven now. It goes at seven. Eight. Nine. | 0:33:43 | 0:33:47 | |
In the room at £9. I sell to the gent at 9. 10. 12. | 0:33:47 | 0:33:51 | |
Back down here 12. | 0:33:51 | 0:33:52 | |
I sell in the room at £12. Sell then at £12 in the room. | 0:33:52 | 0:33:57 | |
I guess nobody with a huge Victorian bathroom turned up today, Paul. | 0:33:57 | 0:34:00 | |
Not a great start, mate. | 0:34:00 | 0:34:02 | |
I've done my best with scales. | 0:34:02 | 0:34:03 | |
Scales are dead to me now. I've moved on. What scales? | 0:34:03 | 0:34:07 | |
Over to Thomas's first lot. Can it open up some profit? | 0:34:09 | 0:34:12 | |
Proper antique. | 0:34:12 | 0:34:14 | |
£20 for that. £20. | 0:34:14 | 0:34:16 | |
20. £20. On the phone at 20. | 0:34:16 | 0:34:19 | |
22 in the room. 22. | 0:34:19 | 0:34:20 | |
25 is actually the next bid. 25. Here at 25. 28. 28 there. 30. | 0:34:20 | 0:34:26 | |
It's gathering momentum. | 0:34:26 | 0:34:28 | |
30. At £30. 32. 35. Here at 35. | 0:34:28 | 0:34:31 | |
38. 40 now. Phone, go 40. Yes, 40. | 0:34:31 | 0:34:34 | |
-On the phone at 40. -It's going. -45 in the room. 50. He's at 50. | 0:34:34 | 0:34:37 | |
What is going on? | 0:34:37 | 0:34:39 | |
55. Go 55. 50 I sell on the phone, then. With the phone at 50... | 0:34:39 | 0:34:44 | |
Sell on the phone at £50... | 0:34:44 | 0:34:45 | |
He's more than trebled his money on that one. | 0:34:47 | 0:34:50 | |
Long may that continue, Thomas. | 0:34:50 | 0:34:52 | |
Back to Paul, hoping to rev up more interest in this offering. | 0:34:52 | 0:34:56 | |
Rather nice little piece, this. £30 for that. 30, 30 I'm bid. | 0:34:56 | 0:34:59 | |
30. Take 2 now. | 0:34:59 | 0:35:00 | |
On at 30, and 2, if you like. Is that it? At £30. 32. 35. 38. | 0:35:00 | 0:35:04 | |
-40. At 40. 45, sir, with you. -It's going to make 60. | 0:35:04 | 0:35:08 | |
Don't be cheap. 42. 45. | 0:35:08 | 0:35:10 | |
Against you at £45. No-one else, then? | 0:35:10 | 0:35:13 | |
No-one else at 45? | 0:35:13 | 0:35:15 | |
That's motored him back into the black. | 0:35:15 | 0:35:18 | |
I covered it. | 0:35:18 | 0:35:19 | |
-Take that. -Back in the game. | 0:35:19 | 0:35:21 | |
Thomas again and the first of three boxes these boys have bought. | 0:35:21 | 0:35:26 | |
Got a wonderful little ear wax pick with tweezers on it. | 0:35:26 | 0:35:30 | |
I mean, they are so seriously cool. | 0:35:30 | 0:35:33 | |
I've been using it all week, it's brilliant. | 0:35:33 | 0:35:36 | |
Start me at 50 quid. 50 I'm bid. | 0:35:36 | 0:35:38 | |
At 50. 55 now. | 0:35:38 | 0:35:39 | |
60. 65. 70. | 0:35:39 | 0:35:41 | |
75. 80. 85. | 0:35:41 | 0:35:44 | |
At 85. | 0:35:44 | 0:35:45 | |
At 85. Goes at 85. You bidding on the phone? | 0:35:45 | 0:35:48 | |
-90. The phone then at 90. -Oh, my God, that's great! | 0:35:49 | 0:35:51 | |
I sell on the phone at £90. | 0:35:51 | 0:35:53 | |
-Back in at 95. -What? | 0:35:53 | 0:35:56 | |
-What is going on? -100. | 0:35:56 | 0:35:58 | |
At £100. Back on the phone then at 100. You're out in the room? | 0:35:58 | 0:36:02 | |
-All done at £100. -I don't believe it. | 0:36:02 | 0:36:05 | |
-Have you got your mum on the phone? -Yeah. | 0:36:05 | 0:36:07 | |
Believe it or not, Thomas, | 0:36:07 | 0:36:08 | |
you're getting some seriously good returns today. | 0:36:08 | 0:36:11 | |
Everything is cream. | 0:36:11 | 0:36:13 | |
Everything now is cream. | 0:36:13 | 0:36:15 | |
The pressure's on Paul with this lot, the first of his big risks. | 0:36:15 | 0:36:20 | |
Really rather an interesting one. Let's start at £100. | 0:36:20 | 0:36:23 | |
Straight in at 100. | 0:36:23 | 0:36:24 | |
100 I'm bid at the back. 100, 110. 120. 130. | 0:36:24 | 0:36:27 | |
-140. 150. -There we are, profit. | 0:36:27 | 0:36:30 | |
-190. -There you are, Laidlaw just raced ahead now. -230. 240. | 0:36:30 | 0:36:34 | |
250. 260. | 0:36:34 | 0:36:36 | |
-270. 280. -There you are. | 0:36:36 | 0:36:37 | |
-Put it there, my man. -He's working it, it's all in the room. | 0:36:37 | 0:36:40 | |
It goes back at 290. Are you in at 300? | 0:36:40 | 0:36:43 | |
No? You're out? Definitely out? 290 at the back. | 0:36:43 | 0:36:47 | |
A cool £180 in the old bag without skipping a beat. | 0:36:47 | 0:36:51 | |
I just hope he can hang onto his profits when that other box pops up. | 0:36:51 | 0:36:55 | |
Put it there. Put it there. | 0:36:55 | 0:36:58 | |
Thomas has even more ground to make up now. | 0:36:58 | 0:37:00 | |
Can the monocular see him through? | 0:37:00 | 0:37:02 | |
Spy on your neighbours, see what they're doing. | 0:37:02 | 0:37:05 | |
At £10. 10 to start. | 0:37:05 | 0:37:07 | |
Anyone 10? £10 for it. | 0:37:07 | 0:37:09 | |
Sir, ten. | 0:37:09 | 0:37:10 | |
Tenner. With him at 10. See? I've got his measure. At 10. 12. | 0:37:10 | 0:37:14 | |
On the net at 12. 15? | 0:37:14 | 0:37:16 | |
At 12. Here on the net then at £12. | 0:37:16 | 0:37:19 | |
I sell to the net at £12. | 0:37:19 | 0:37:22 | |
Perhaps in a future sale, the other half of the binoculars will turn up. | 0:37:22 | 0:37:25 | |
Goes then at £12. All done at 12? | 0:37:25 | 0:37:27 | |
No-one else at 12? | 0:37:27 | 0:37:30 | |
Look out! | 0:37:30 | 0:37:31 | |
That's a disappointing loss. | 0:37:31 | 0:37:33 | |
-Tried. -Tried, tried. | 0:37:33 | 0:37:36 | |
Ah, the rare Poole Pottery cat. | 0:37:36 | 0:37:39 | |
Have the buyers done their research just like Paul? | 0:37:39 | 0:37:42 | |
50 I'm bid. 55. 60. 65. | 0:37:42 | 0:37:44 | |
I have 65 now. I'll take 70. | 0:37:44 | 0:37:46 | |
Done then at 65. | 0:37:46 | 0:37:48 | |
-Nobody else in the room? -70. 75. 80. | 0:37:48 | 0:37:50 | |
85. At 85 now. 90. Net at 90. 95. | 0:37:50 | 0:37:53 | |
-Get in there, well done. -100. Net at 100. | 0:37:53 | 0:37:56 | |
THEY WHISPER | 0:37:56 | 0:37:59 | |
At 110. Goes at 110. 120. | 0:37:59 | 0:38:02 | |
At 120. At £120. 130. | 0:38:02 | 0:38:05 | |
-It's creeping up on the net still, isn't it? -Yeah, yeah. | 0:38:05 | 0:38:08 | |
150. The phone at 150. This phone at 150. | 0:38:08 | 0:38:11 | |
At 150. 160. 170, phone. | 0:38:11 | 0:38:14 | |
170. At 170. 180. 190. | 0:38:16 | 0:38:20 | |
It's just one of those things, if you stop, | 0:38:20 | 0:38:23 | |
you might never get another chance. | 0:38:23 | 0:38:24 | |
-180. -So don't stop. Don't stop! -Goes with the net then at 180. | 0:38:24 | 0:38:27 | |
No, no, keep going. | 0:38:27 | 0:38:28 | |
-I want you to do more than this. -At £180. | 0:38:28 | 0:38:31 | |
Are you coming in at 185? | 0:38:31 | 0:38:33 | |
185 I've got. At 185. | 0:38:33 | 0:38:35 | |
Phone at 185. | 0:38:35 | 0:38:38 | |
190. I will take the five again. | 0:38:38 | 0:38:40 | |
195. Phone, 195. | 0:38:40 | 0:38:43 | |
Another fiver may be all-important. | 0:38:43 | 0:38:47 | |
-At 190. Sell then at 190... -Good spot. | 0:38:47 | 0:38:51 | |
It seems the cat's out of the bag and Paul's profits continue to rise. | 0:38:51 | 0:38:56 | |
-The cat that got the cream. -Yeah, the cat that got the cream. | 0:38:56 | 0:38:59 | |
Perhaps, Thomas' next offering will pack some much-needed profits. | 0:38:59 | 0:39:04 | |
£30 for it, 30 quid. The hamper. With £30. | 0:39:04 | 0:39:08 | |
£20. 30 here. On the phone at 30. | 0:39:08 | 0:39:12 | |
Sell on the phone at £30. | 0:39:12 | 0:39:13 | |
I sell at 30. | 0:39:13 | 0:39:15 | |
35. 40? 40. 45, sir? | 0:39:15 | 0:39:18 | |
At 40. Sell at 40. You're out in the room. Goes on the phone at 40. | 0:39:18 | 0:39:21 | |
It all counts, and that's another £10 in the bag. | 0:39:23 | 0:39:26 | |
-I think that's a good result. -That is a great result. | 0:39:26 | 0:39:29 | |
Up next, his bookends. I hope these get some tails wagging. | 0:39:29 | 0:39:34 | |
So, you've sat here from the start of the sale until now. | 0:39:34 | 0:39:37 | |
I'm not going to bid for that. | 0:39:37 | 0:39:39 | |
Let's start at, I don't know, 30 quid. 30 on bid. 30. 32. 35. 38. | 0:39:40 | 0:39:44 | |
40. 40 now. At 40. | 0:39:44 | 0:39:46 | |
Done then at 40? 45. 50. 55. 60. | 0:39:46 | 0:39:48 | |
At 60. She lied to me! | 0:39:48 | 0:39:50 | |
At 60. 65. 70. | 0:39:50 | 0:39:53 | |
75. 80. New money at 80. | 0:39:53 | 0:39:56 | |
85. 90. 95. | 0:39:56 | 0:39:58 | |
-100. -100. -I'll take a five. 105. | 0:39:58 | 0:40:01 | |
105. 110. 120. | 0:40:01 | 0:40:04 | |
130. At 130. | 0:40:04 | 0:40:06 | |
Goes at 130. And 5 again. | 0:40:06 | 0:40:08 | |
-Try 135. -Go on! | 0:40:08 | 0:40:10 | |
-135. -All right. -Down here at 135. | 0:40:10 | 0:40:13 | |
How can you be so cruel and bid against her? | 0:40:13 | 0:40:16 | |
135. I sell to the dog at 135. | 0:40:16 | 0:40:19 | |
Bunty is buying at 135. | 0:40:19 | 0:40:23 | |
All done at 135, nobody else? | 0:40:23 | 0:40:25 | |
Nothing new. Sell here at 135. | 0:40:25 | 0:40:27 | |
That is a huge mark-up. | 0:40:29 | 0:40:31 | |
With profits like that, Thomas is threatening Paul's | 0:40:31 | 0:40:33 | |
formidable lead. | 0:40:33 | 0:40:35 | |
-Man, what a sale! -What a sale! | 0:40:35 | 0:40:38 | |
So, it all comes down to Paul's biggest risk. | 0:40:38 | 0:40:41 | |
Such a huge gamble on this one item. | 0:40:41 | 0:40:44 | |
Couple of hundred, straight in, 200. | 0:40:44 | 0:40:46 | |
100. | 0:40:46 | 0:40:47 | |
At 100. | 0:40:47 | 0:40:49 | |
Selling at 100. 10 on the phone? 110 on the phone. 110. | 0:40:49 | 0:40:52 | |
120? 120. 130? 130. 140? 140. | 0:40:52 | 0:40:56 | |
-150. 160. -We're getting there. | 0:40:56 | 0:41:00 | |
170. 180. 190. 200. | 0:41:00 | 0:41:04 | |
220? 220. 240. 260. | 0:41:04 | 0:41:08 | |
-280? 280. 300. -You're fine. -We're at break even. | 0:41:08 | 0:41:11 | |
300. 320. 340. | 0:41:11 | 0:41:14 | |
-Straight back. -340. 360. 380? | 0:41:14 | 0:41:18 | |
-380. 400. -Well done. -420. | 0:41:18 | 0:41:21 | |
Well done. | 0:41:21 | 0:41:23 | |
What does he mean no? 400, I sell in the room. 420, phone. | 0:41:26 | 0:41:30 | |
Phone, go 420. 400 in the room, then. | 0:41:30 | 0:41:33 | |
-I sell to the lady in the room. Is he going? -410. -410. | 0:41:33 | 0:41:36 | |
-420 to you. 420. 430 now. -I'll take it. -Yeah. | 0:41:36 | 0:41:39 | |
430. 440? 440. 450? | 0:41:39 | 0:41:43 | |
-440. -That's good. -The lady at 440. -Well done. | 0:41:45 | 0:41:48 | |
That's £200 on top, give it there. | 0:41:48 | 0:41:51 | |
Nobody else? | 0:41:51 | 0:41:52 | |
He shoots, he scores, and he holds on to the lead with ease. | 0:41:53 | 0:41:58 | |
-It's in there. -Midas and my mate. Come on, we better go. | 0:41:58 | 0:42:02 | |
That fantastic auction has seen profits soar on both sides. | 0:42:03 | 0:42:08 | |
Starting with £227.74, | 0:42:08 | 0:42:10 | |
Thomas has made some massive margins, | 0:42:10 | 0:42:13 | |
clocking up profits of £171.34 after auction house costs, | 0:42:13 | 0:42:18 | |
giving him £399.08 to spend on the next leg. | 0:42:18 | 0:42:23 | |
But still in front as Paul Laidlaw, who started with £501.64. | 0:42:23 | 0:42:28 | |
His big gamble paid off, | 0:42:28 | 0:42:30 | |
giving him £398.14 profits | 0:42:30 | 0:42:34 | |
after costs. | 0:42:34 | 0:42:35 | |
This means he now has £899.78 | 0:42:35 | 0:42:39 | |
to spend on the next leg. | 0:42:39 | 0:42:41 | |
-Tom. -What? -You'll need to be driving yourself. -Why? | 0:42:41 | 0:42:44 | |
I've got a helicopter booked. | 0:42:44 | 0:42:46 | |
Rocking! I mean, rocking! | 0:42:46 | 0:42:49 | |
You've doubled your money again. | 0:42:49 | 0:42:52 | |
You, Margin Man! | 0:42:52 | 0:42:54 | |
Look at this! Mr Margin! | 0:42:54 | 0:42:57 | |
Yes, yes, yes! We're out of here. | 0:42:57 | 0:42:59 | |
Next time on Antiques Road Trip, | 0:43:01 | 0:43:04 | |
Thomas Plant is gunning for glory. | 0:43:04 | 0:43:06 | |
Have that, Laidlaw. | 0:43:06 | 0:43:08 | |
And Paul Laidlaw is taking it all very seriously. | 0:43:08 | 0:43:11 | |
I'm a disappointment to myself. | 0:43:11 | 0:43:14 |