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-It's the nation's favourite antiques experts. -All right, viewers? | 0:00:02 | 0:00:05 | |
With £200 each, a classic car and a goal - | 0:00:05 | 0:00:08 | |
to scour Britain for antiques. | 0:00:08 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold. Going, going, gone. | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
-but it's no mean feat. -Oh! | 0:00:16 | 0:00:18 | |
-50p! -There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
Come on, now. | 0:00:22 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
-Ooh! -Come on, I've got to go to another shop. | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:34 | |
Yeah! | 0:00:34 | 0:00:36 | |
On this road trip, we've been hitching a ride with a right couple of charmers, | 0:00:38 | 0:00:42 | |
antiques experts Mark Stacey and Catherine Southon, | 0:00:42 | 0:00:45 | |
as they travel round bonnie Scotland. | 0:00:45 | 0:00:48 | |
At the moment, I like this temperature, and Glasgow is lovely, isn't it? | 0:00:48 | 0:00:51 | |
I tell you, Glasgow is fabulous in the summer. | 0:00:51 | 0:00:55 | |
-And everyone's so happy. -I know. | 0:00:55 | 0:00:57 | |
With over 25 years' experience in the antiques trade, | 0:00:59 | 0:01:02 | |
Mark Stacey's had a very long and successful career | 0:01:02 | 0:01:06 | |
-in the antiques business. -It just goes on forever, doesn't it? | 0:01:06 | 0:01:09 | |
Catherine Southon has also been at the top of the antiques game | 0:01:11 | 0:01:15 | |
for many years, and has lost none of her enthusiasm. | 0:01:15 | 0:01:18 | |
I'm on fire! Yes! Woo-hoo! | 0:01:18 | 0:01:21 | |
Our pair began their journey with £200 each, | 0:01:22 | 0:01:26 | |
but Mark has already surged into the lead | 0:01:26 | 0:01:28 | |
as we head into the second leg. | 0:01:28 | 0:01:30 | |
Catherine scraped a profit and no more at the first auction, | 0:01:30 | 0:01:33 | |
giving her just £205 to spend today. | 0:01:33 | 0:01:37 | |
Mark, on the other hand, has made a strong start | 0:01:37 | 0:01:39 | |
so he has a luscious £273.50 to play with. | 0:01:39 | 0:01:43 | |
Mark and Catherine are taking to the road | 0:01:45 | 0:01:47 | |
in this lean, green driving machine, a 1968 MG Midget, | 0:01:47 | 0:01:51 | |
which so far has been less than reliable. | 0:01:51 | 0:01:54 | |
-Can you do me a favour? -Yeah. | 0:01:54 | 0:01:56 | |
-Can you try and spend a bit more money this time? -No. | 0:01:56 | 0:02:00 | |
I shall buy the things that I think there's a profit in. | 0:02:00 | 0:02:02 | |
Has anybody noticed that smoke coming out of the back? Oh, dear. | 0:02:02 | 0:02:06 | |
Our travelling antiquarians are cruising the length of Scotland. | 0:02:07 | 0:02:11 | |
They started in the Borders, visiting Glasgow, Dundee | 0:02:11 | 0:02:14 | |
Aberdeen and Elgin, before ending up at an auction | 0:02:14 | 0:02:17 | |
in the beautiful capital of Edinburgh. | 0:02:17 | 0:02:20 | |
On this leg, they'll start in dear old Glasgow town | 0:02:23 | 0:02:26 | |
and end their voyage of discovery at auction in Dundee, | 0:02:26 | 0:02:29 | |
clocking up nearly 100 miles along the way. | 0:02:29 | 0:02:31 | |
Ever the competitor, Catherine's decided to set a challenge | 0:02:34 | 0:02:37 | |
with Mark for the rest of the road trip. | 0:02:37 | 0:02:39 | |
-We have to buy, in every leg, a dog. A dog! -A dog? | 0:02:39 | 0:02:44 | |
A dog of some description. | 0:02:44 | 0:02:46 | |
But when you mean dog, you mean something of the canine variety? | 0:02:46 | 0:02:49 | |
-I do. -Not something that's just very bad? -No. | 0:02:49 | 0:02:53 | |
Glasgow is the largest city in Scotland, | 0:02:56 | 0:02:58 | |
and was once known as the second city of the British Empire. | 0:02:58 | 0:03:02 | |
Standing on the mighty River Clyde, Glasgow was famous | 0:03:02 | 0:03:05 | |
for its illustrious shipbuilding past, and nowadays is recognised | 0:03:05 | 0:03:09 | |
as one of the most popular shopping destinations in the country, | 0:03:09 | 0:03:12 | |
which sounds like good news for our pair of antiques shoppers. | 0:03:12 | 0:03:16 | |
Catherine's dropping Mark off in the city's West End, | 0:03:16 | 0:03:18 | |
to find out some more about a place | 0:03:18 | 0:03:20 | |
which captures the spirit of Scotland. | 0:03:20 | 0:03:23 | |
-See you later. Have fun! -Thank you. I'm going to. | 0:03:25 | 0:03:28 | |
-Pipe a few notes for me. -I'm going to pipe for Scotland. | 0:03:28 | 0:03:32 | |
I'm going to be brave. | 0:03:32 | 0:03:33 | |
-PUTS ON SCOTTISH ACCENT: -Scotland, the brave! | 0:03:33 | 0:03:35 | |
-Oh... -Whoops, try again, Catherine. -SHE LAUGHS | 0:03:35 | 0:03:38 | |
We'll catch up with Mark later, but first Catherine's heading out of town, | 0:03:45 | 0:03:49 | |
a few miles west to the Renfrewshire village of Kilbarchan, | 0:03:49 | 0:03:53 | |
to visit Gardner's Antiques. | 0:03:53 | 0:03:55 | |
This is lovely. We've got a lovely copper bowl, | 0:04:08 | 0:04:11 | |
and these nice pierced handles with a sort of Celtic design on them. | 0:04:11 | 0:04:16 | |
This two-handled drinking cup is known in Scotland as a "quaich", | 0:04:16 | 0:04:20 | |
and is most commonly made from silver or pewter. | 0:04:20 | 0:04:23 | |
This brass design has a ticket price of £140, | 0:04:23 | 0:04:26 | |
which has given Catherine a bit of a dilemma. | 0:04:26 | 0:04:29 | |
I would be foolish to put all my eggs in one basket, wouldn't I? | 0:04:29 | 0:04:32 | |
MUSIC: "Auld Lang Syne" | 0:04:32 | 0:04:36 | |
Hmm. | 0:04:42 | 0:04:43 | |
Right. | 0:04:45 | 0:04:47 | |
Mark said I was a ditherer and I'm really living up to that today. | 0:04:53 | 0:04:58 | |
I am dithering with a capital D. | 0:04:58 | 0:05:00 | |
So Catherine's decided to move on empty-handed, | 0:05:01 | 0:05:05 | |
but she's making a call to Steve, at the auction house in Dundee, | 0:05:05 | 0:05:08 | |
to find out exactly what sort of things sell well. | 0:05:08 | 0:05:11 | |
Clever girl. | 0:05:11 | 0:05:12 | |
Right, so - small, manageable, decorative, pretty. Right. | 0:05:12 | 0:05:18 | |
Meanwhile, back in Glasgow, Mark's visiting the College of Piping. | 0:05:19 | 0:05:23 | |
Established in 1944, | 0:05:30 | 0:05:32 | |
it is the international centre of world piping, | 0:05:32 | 0:05:35 | |
with more than 65 years' experience | 0:05:35 | 0:05:38 | |
in teaching Scotland's national instrument. | 0:05:38 | 0:05:40 | |
There's an old saying that it takes seven years to make a piper, | 0:05:40 | 0:05:43 | |
so it's good to start early like these young apprentices. | 0:05:43 | 0:05:47 | |
Though the Great Highlands bagpipe is recognised | 0:05:49 | 0:05:52 | |
internationally as belonging to the Scots, | 0:05:52 | 0:05:55 | |
shepherds up to 3,000 years ago found their goatskin water-carriers | 0:05:55 | 0:05:59 | |
could provide an air flow into reed pipes | 0:05:59 | 0:06:02 | |
to create that distinctive bellow. | 0:06:02 | 0:06:05 | |
Former principal Dugald MacNeill is on hand to tell us more. | 0:06:05 | 0:06:09 | |
Well, these are quite early ones. That's just been a goat, | 0:06:09 | 0:06:14 | |
and they've killed the goat, scraped the hair off | 0:06:14 | 0:06:18 | |
and that's a fixed drone. | 0:06:18 | 0:06:21 | |
Now, the drone doesn't change with the music. | 0:06:21 | 0:06:25 | |
The chanter, the music that has different notes. | 0:06:25 | 0:06:29 | |
Essentially, this is tuned to be in tune | 0:06:29 | 0:06:33 | |
with the main theme of the chanter. | 0:06:33 | 0:06:36 | |
-And this bit is a...? -This is an air reservoir. | 0:06:36 | 0:06:39 | |
And so he blows it up, fills it and then gets it going. | 0:06:39 | 0:06:43 | |
-Without the bag, you can't make a very loud instrument. -Right. | 0:06:43 | 0:06:48 | |
-Because you're... -You're trying to use your own lung capacity. | 0:06:48 | 0:06:51 | |
That's right. | 0:06:51 | 0:06:52 | |
The Highlanders did not invent the bagpipe, | 0:06:55 | 0:06:58 | |
but they did develop it in three specific ways. | 0:06:58 | 0:07:02 | |
Making it more powerful, more presentable | 0:07:02 | 0:07:04 | |
and, most significantly, adjusted it to suit their fondness for Pibroch, | 0:07:04 | 0:07:10 | |
a music genre associated with the Great Highland bagpipe. | 0:07:10 | 0:07:14 | |
So they were really the first professional musicians | 0:07:16 | 0:07:21 | |
playing a bagpipe. | 0:07:21 | 0:07:22 | |
And they developed both the bagpipe and the music they played, | 0:07:22 | 0:07:27 | |
and very effectively, and made it really a wonderful instrument, | 0:07:27 | 0:07:30 | |
such that now it's virtually the only bagpipe | 0:07:30 | 0:07:33 | |
-that's played all through the world. -Yes. | 0:07:33 | 0:07:36 | |
-Dugald, can I set you a bit of a challenge? -Yes. | 0:07:36 | 0:07:39 | |
Do you think you could possibly teach me how to get a note out of a bagpipe? | 0:07:39 | 0:07:43 | |
-I'm sure I can. -Really? -Yes, let's go. -Have a try, shall we? | 0:07:43 | 0:07:47 | |
Oh, no. Is this really a good idea? | 0:07:47 | 0:07:49 | |
Think of the neighbours! | 0:07:49 | 0:07:51 | |
-What's the first step that I do? -Well, the first step | 0:07:51 | 0:07:53 | |
-is to learn how to finger the chanter. -Right. | 0:07:53 | 0:07:56 | |
-For this, we use a practice chanter. -This is a practice chanter? | 0:07:56 | 0:07:59 | |
-Yes. So there's no bag or anything. -I'm holding it the right way? | 0:07:59 | 0:08:02 | |
And there's a reed in here, and if you blow it you'll hear... | 0:08:02 | 0:08:05 | |
-So I just blow? -Just blow. | 0:08:05 | 0:08:08 | |
Excellent, lift the pinkie. | 0:08:08 | 0:08:12 | |
Next one. | 0:08:12 | 0:08:14 | |
Now put the pinkie down when you lift that other one. | 0:08:14 | 0:08:16 | |
-Oh, wow. -Play this. | 0:08:16 | 0:08:18 | |
Gosh, you need a lot of puff, don't you? | 0:08:18 | 0:08:20 | |
Oh, that's not much puff. Wait till you try the bagpipe. | 0:08:21 | 0:08:25 | |
Oh, come on, Mark. You're always so full of hot air. | 0:08:25 | 0:08:28 | |
Don't talk, just blow. | 0:08:28 | 0:08:30 | |
Keep...no, keep the pressure on. Don't take it off. | 0:08:33 | 0:08:37 | |
Blow your arm out. | 0:08:37 | 0:08:39 | |
Gosh. | 0:08:42 | 0:08:43 | |
Now increase the pressure of it. | 0:08:45 | 0:08:48 | |
Bit more. | 0:08:49 | 0:08:50 | |
That's not at all bad. You're not getting the chanter to go though. | 0:08:56 | 0:09:00 | |
-Now, well, give me a chance! -It's a bit harder to get. | 0:09:00 | 0:09:03 | |
Oh, I'm sorry, Dugald, I'm out of puff. | 0:09:09 | 0:09:11 | |
-Thank you for a wonderful visit. -Not at all. | 0:09:11 | 0:09:13 | |
-I'm going to hang onto this now, I think I need more practice. -OK. | 0:09:13 | 0:09:17 | |
So while Mark tries to find his puff, | 0:09:17 | 0:09:19 | |
Catherine's made her way back to Glasgow. | 0:09:19 | 0:09:22 | |
Having talked to the auction house, | 0:09:24 | 0:09:26 | |
she now has a good understanding of what should sell well at auction. | 0:09:26 | 0:09:30 | |
Next stop is the Ruthven Mews Arcade, | 0:09:30 | 0:09:33 | |
home to a host of antiques shops where Derek's on hand to help. | 0:09:33 | 0:09:38 | |
-Can I go have a look? -Of course, you may. -I'm going to find some goodies, | 0:09:38 | 0:09:41 | |
-aren't I? -I hope you do. Have a good look around. | 0:09:41 | 0:09:43 | |
-I want to find lots here today. -OK. | 0:09:43 | 0:09:44 | |
Well, that is the aim, after all, Catherine. | 0:09:44 | 0:09:47 | |
Remember, it's small and manageable pieces you're after. | 0:09:47 | 0:09:51 | |
-Oh, isn't that lovely? -See, you press that down. | 0:09:58 | 0:10:01 | |
It's Arts and Crafts, is it? And you pick that up and then... | 0:10:01 | 0:10:04 | |
And then it picks up the cigarette. | 0:10:04 | 0:10:06 | |
-I love that. -It's good, it's quite quirky, isn't it? -Isn't that lovely? | 0:10:06 | 0:10:10 | |
Catherine's found a pewter cigarette dispenser | 0:10:10 | 0:10:12 | |
featuring a Ruskin-style roundel. | 0:10:12 | 0:10:15 | |
This turn-of-the-century piece was popular when smoking was the height | 0:10:15 | 0:10:18 | |
of fashion, but these days it's valued more | 0:10:18 | 0:10:21 | |
for its decorative qualities. | 0:10:21 | 0:10:23 | |
Priced at £95, Catherine needs to make a call to its owner, Brian... | 0:10:23 | 0:10:27 | |
Well, I would say to you that I would go around the £40 mark. | 0:10:27 | 0:10:33 | |
..but Brian's a tough cookie and isn't going to let this go cheaply. | 0:10:33 | 0:10:37 | |
Could we come down to 50? | 0:10:37 | 0:10:40 | |
£70 and we'll have a deal? | 0:10:40 | 0:10:43 | |
-OK. All right. Thank you very much. -Oh, Catherine, £70. | 0:10:46 | 0:10:51 | |
First item bought but not at the price you were hoping for. | 0:10:51 | 0:10:55 | |
Meanwhile, Mark's arrived at his first shop | 0:10:55 | 0:10:57 | |
and, not to be outdone, he's also phoning the auction house | 0:10:57 | 0:11:00 | |
to find out what he should be setting his sights on. | 0:11:00 | 0:11:03 | |
Oh, well, it's always nice to have Scottish and provincial silver, isn't it? | 0:11:03 | 0:11:07 | |
Oh, fantastic. | 0:11:09 | 0:11:10 | |
That's really helpful, Steven, actually. Thank you very much. | 0:11:10 | 0:11:13 | |
It's given me food for thought. | 0:11:13 | 0:11:16 | |
-But before he's in the door, he might have hit a problem. -Oh, no. | 0:11:16 | 0:11:20 | |
I might be out of luck with my challenge. | 0:11:21 | 0:11:23 | |
Fear not, Mark's no sooner inside the shop | 0:11:23 | 0:11:26 | |
than he's found a rather kitsch Italian poodle. | 0:11:26 | 0:11:29 | |
-Oh, crikey. Really? -I mean, how horribly revolting is that? | 0:11:29 | 0:11:33 | |
You said it. | 0:11:33 | 0:11:34 | |
HE LAUGHS | 0:11:34 | 0:11:36 | |
But I think, you see, with a challenge like this, | 0:11:37 | 0:11:40 | |
you've got to really go with the flow, haven't you? | 0:11:40 | 0:11:42 | |
You know, you can't always take it seriously. | 0:11:42 | 0:11:44 | |
I mean, have you ever seen such a... | 0:11:44 | 0:11:46 | |
wonderfully outrageous piece of pottery? | 0:11:46 | 0:11:50 | |
Made in Italy. Well, it would have to be, wouldn't it? | 0:11:50 | 0:11:54 | |
I just love that. I mean, look at the face. | 0:11:54 | 0:11:57 | |
But before he gets overexcited, | 0:11:59 | 0:12:01 | |
Mark's having a look at what else is on offer. | 0:12:01 | 0:12:04 | |
I love this sort of work. | 0:12:04 | 0:12:06 | |
This was made, probably, around about 1890-1910, that sort of period. | 0:12:06 | 0:12:11 | |
You see all these little dents in the back there? That's pokerwork. | 0:12:12 | 0:12:16 | |
They use a hot poker to make that pattern. | 0:12:16 | 0:12:19 | |
You've got a doe and a fawn. Aren't they wonderfully moving? | 0:12:19 | 0:12:24 | |
I mean, look at the eye. They're really quite sentimentally done. | 0:12:24 | 0:12:28 | |
Priced at £30, Mark's summoned John to do a deal at £20. | 0:12:28 | 0:12:34 | |
Seeing as you're not everybody. | 0:12:34 | 0:12:37 | |
-That's a yes? -Yes. -Oh, John, you're a star. Thank you so much. | 0:12:37 | 0:12:40 | |
-Can you put that on the table? -I certainly will. | 0:12:40 | 0:12:42 | |
And I'll carry on looking. | 0:12:42 | 0:12:44 | |
A-ha. Mark's got that glint in his eye again, | 0:12:49 | 0:12:52 | |
for a pair of late 19th-century duck egg glaze vases, priced at £100. | 0:12:52 | 0:12:58 | |
If I was putting those into auction, | 0:12:58 | 0:13:02 | |
I'd certainly put 100, 150 on them. | 0:13:02 | 0:13:05 | |
On a good day, with the wind behind it, | 0:13:05 | 0:13:07 | |
they might make a bit more. | 0:13:07 | 0:13:09 | |
Now we're going to a saleroom that's telling me to buy mid-20th century modern, | 0:13:09 | 0:13:13 | |
collectables and provincial silver. | 0:13:13 | 0:13:19 | |
That fits perfectly into none of those categories. | 0:13:19 | 0:13:23 | |
But I still like them. I still like them a lot, actually. | 0:13:25 | 0:13:28 | |
True to form, he's throwing caution to the wind, | 0:13:28 | 0:13:31 | |
by following his instinct rather than the auctioneer's suggestions. | 0:13:31 | 0:13:34 | |
-He's a brave soul. -I want to go with things that appeal to me. | 0:13:34 | 0:13:39 | |
Whatever the auctioneer says, I want to go with things - I'm really happy with these. | 0:13:39 | 0:13:43 | |
I'll tell you what I'll do. Rather than get my violin out, | 0:13:46 | 0:13:49 | |
-I'll give you them for £80. -£80? -Yes. | 0:13:49 | 0:13:51 | |
I'm going to throw caution to the wind. | 0:13:51 | 0:13:54 | |
If you will let me have the two vases, the plaque | 0:13:54 | 0:13:59 | |
and that charming, rare, | 0:13:59 | 0:14:01 | |
high-quality poodle-cum-stray for 100 quid, I'll take them. | 0:14:01 | 0:14:07 | |
-Certainly will do, yes. -Are you sure? -Positive. | 0:14:07 | 0:14:09 | |
-John, you're a star. -Pleasure. -Thank you so much, it's been a pleasure meeting you. | 0:14:09 | 0:14:13 | |
So quick as a flash, Mark has bought three items. | 0:14:13 | 0:14:17 | |
An Edwardian pokerwork shield for £20, the vases for £75 | 0:14:17 | 0:14:21 | |
and the campest pottery poodle you ever laid eyes on for £5. | 0:14:21 | 0:14:26 | |
What can you say, eh? | 0:14:26 | 0:14:28 | |
Oh, dear, oh, dear, oh, dear, Miss Southon. | 0:14:29 | 0:14:31 | |
Three items in my first shop. The pressure's off for me. I hope it is for you too. Honest. | 0:14:31 | 0:14:36 | |
Well, not quite. Catherine's still pondering away. | 0:14:38 | 0:14:43 | |
This time, over a glass hatpin jar with ivory top, priced at £30. | 0:14:43 | 0:14:48 | |
-It's a rather nice top on that. -That's a lovely top on that. | 0:14:55 | 0:14:59 | |
There are lots of the glass about like this | 0:14:59 | 0:15:01 | |
-but they usually lose their top, or they get broken. -They do. | 0:15:01 | 0:15:04 | |
-That's a really nice top, actually, on that. -That's quite a nice top. | 0:15:04 | 0:15:07 | |
Ivory is not to everyone's taste, but this can still be traded | 0:15:07 | 0:15:10 | |
because it was made before 1947. | 0:15:10 | 0:15:13 | |
But once again, the item's owner is not in the shop, | 0:15:13 | 0:15:16 | |
so Catherine gives Bob a call to discuss a deal. | 0:15:16 | 0:15:19 | |
Thanks, Bob. Bye. | 0:15:19 | 0:15:21 | |
Aw, he's so nice. | 0:15:21 | 0:15:23 | |
She's managed to get it for half-price at £15. | 0:15:23 | 0:15:27 | |
-Lovely. -That's fine, so it's 15, isn't it? -Yep. -That's fine. OK? | 0:15:27 | 0:15:30 | |
Catherine's finally getting into the swing of this buying lark. | 0:15:30 | 0:15:34 | |
So while she's on a roll, she heads along the lane to Relics, | 0:15:34 | 0:15:38 | |
where she's showing interest in Stephen's thermometer, | 0:15:38 | 0:15:40 | |
priced at £50. | 0:15:40 | 0:15:42 | |
I quite like your Black Forest bear. Is it Black Forest? | 0:15:42 | 0:15:46 | |
-It looks like it... -It looks like it, yes | 0:15:46 | 0:15:48 | |
It's quite nice to have the thermometer on that. | 0:15:50 | 0:15:53 | |
A little bit different. | 0:15:53 | 0:15:54 | |
Black Forest is a term used to describe the elaborate wood-carvings | 0:15:54 | 0:15:58 | |
that were traditionally made in the Black Forest region of Bavaria in Germany. | 0:15:58 | 0:16:02 | |
However, research since has proved that the carvings were actually | 0:16:02 | 0:16:06 | |
done in Switzerland. Well, some of them. | 0:16:06 | 0:16:09 | |
-What do you think? -35? | 0:16:09 | 0:16:11 | |
I'd give you 30. | 0:16:13 | 0:16:15 | |
-Just because it's you, I'll do it. -Aw, is it just because...? -It is. | 0:16:15 | 0:16:18 | |
-Aw, you're nice. -Yes, I am. -That is lovely. | 0:16:18 | 0:16:21 | |
Wow, what a busy day of shopping that's been. | 0:16:23 | 0:16:26 | |
Three items each. Well done, chaps. | 0:16:26 | 0:16:29 | |
Off you go. | 0:16:29 | 0:16:30 | |
It's time to get your heads down. | 0:16:30 | 0:16:32 | |
Nighty-night. | 0:16:32 | 0:16:34 | |
Morning, sunshine. We're on the road again | 0:16:38 | 0:16:41 | |
and all is sweetness and light. | 0:16:41 | 0:16:44 | |
Well, sort of. | 0:16:44 | 0:16:46 | |
-Oh, you are such an old moan-bag. -I'm not a moan-bag! -You are! | 0:16:46 | 0:16:50 | |
Oh, dear. They're at it again. | 0:16:50 | 0:16:54 | |
So far, Catherine has visited four shops and spent £115 on three pieces. | 0:16:54 | 0:16:59 | |
An Edwardian glass hatpin jar, | 0:16:59 | 0:17:01 | |
a Black Forest bear thermometer and a cigarette dispenser. | 0:17:01 | 0:17:06 | |
She has £90 still to part with. | 0:17:06 | 0:17:08 | |
Mark has also splashed the cash on his three pieces of bounty. | 0:17:10 | 0:17:14 | |
He bought an Edwardian pokerwork shield, | 0:17:14 | 0:17:17 | |
a pair of late 19th-century vases and a kitsch 1950s poodle for £100. | 0:17:17 | 0:17:22 | |
So he still has £173.50 to spend accordingly. | 0:17:22 | 0:17:26 | |
Mark and Catherine are leaving city life behind for a while, | 0:17:29 | 0:17:32 | |
and are heading north into Stirlingshire | 0:17:32 | 0:17:35 | |
to the town of Falkirk. | 0:17:35 | 0:17:36 | |
-Well, this is very big. -Very grand. Very me. I will be so at home here. | 0:17:42 | 0:17:46 | |
-Really? -It's wonderful. | 0:17:46 | 0:17:48 | |
-Just like your place, isn't it? -Very much like my house. | 0:17:48 | 0:17:52 | |
It's lovely. Gosh, I'm rather envious of you. | 0:17:52 | 0:17:54 | |
Good, so you should be. | 0:17:54 | 0:17:56 | |
Mark's dropping Catherine off at Callendar House so she can learn | 0:17:56 | 0:17:59 | |
how to cook up a treat, Georgian style. | 0:17:59 | 0:18:02 | |
-Have a good day. -Bye-bye, darling. | 0:18:02 | 0:18:05 | |
-Have fun. -See ya! -Bye. | 0:18:05 | 0:18:07 | |
Callendar House dates from the 14th century. | 0:18:10 | 0:18:13 | |
Though its present form, in the style of a French Renaissance | 0:18:13 | 0:18:17 | |
chateau, has only existed since the 19th century. | 0:18:17 | 0:18:20 | |
It houses what is believed to be one of the oldest working kitchens | 0:18:20 | 0:18:24 | |
in Scotland, dating back to 1825, | 0:18:24 | 0:18:27 | |
and is the centrepiece of a visit here. | 0:18:27 | 0:18:30 | |
Isabel is on hand to show Catherine round the magnificent | 0:18:30 | 0:18:34 | |
-Georgian cookhouse. -Wow, the heat just... -It just hits you, yeah. | 0:18:34 | 0:18:38 | |
This is beautiful. | 0:18:40 | 0:18:42 | |
The fire, at that time, was used purely for spit-roasting. | 0:18:43 | 0:18:48 | |
-It served no other purpose. -So is this is the original...? This is the original fireplace? | 0:18:48 | 0:18:52 | |
Part of it has been restored but the bits above, that's original. | 0:18:52 | 0:18:57 | |
-Oh, is it? -The canopy, the spit, the doors are original. Above, there. | 0:18:57 | 0:19:02 | |
So what was behind the doors? | 0:19:02 | 0:19:04 | |
Now it's a mechanical device called a smokejack that actually | 0:19:04 | 0:19:09 | |
turns the spit. | 0:19:09 | 0:19:11 | |
And that's positioned behind the black doors, at the top there. | 0:19:11 | 0:19:15 | |
Dating back to the 17th century, a smokejack is a fan | 0:19:15 | 0:19:19 | |
positioned in the narrowest point of the chimney, which would start | 0:19:19 | 0:19:22 | |
the spit turning as all the heat and smoke rushed up from the huge fire. | 0:19:22 | 0:19:26 | |
Like many homes of this size, | 0:19:29 | 0:19:31 | |
the kitchen would have been at the heart of it all, | 0:19:31 | 0:19:34 | |
with scullery maids as young as 13 providing lavish meals for the rich | 0:19:34 | 0:19:39 | |
copper merchant, William Forbes, | 0:19:39 | 0:19:41 | |
and his descendants who lived here for over 200 years. | 0:19:41 | 0:19:46 | |
I'm very intrigued to know what this is, because that's | 0:19:46 | 0:19:48 | |
-a beautiful shape, isn't it? -Yep. -That implement. | 0:19:48 | 0:19:50 | |
OK, this is called a bannocks spurtle. | 0:19:50 | 0:19:54 | |
-Bannocks... -Spurtle. -Spurtle. -Best Scottish accent! | 0:19:54 | 0:19:59 | |
Bannocks spurtle. What's a bannocks spurtle? | 0:19:59 | 0:20:02 | |
-Basically, it's like a fish slice. -Ah, OK. | 0:20:02 | 0:20:05 | |
It was used to turn bannocks and oatcakes. | 0:20:05 | 0:20:09 | |
Bannock - what's bannocks? | 0:20:09 | 0:20:10 | |
-A bannock's very much like an oatcake. It's made with oats. -Oh. | 0:20:10 | 0:20:13 | |
And who would want their bannocks to burn? | 0:20:13 | 0:20:17 | |
Ha-ha. | 0:20:17 | 0:20:18 | |
And then, of course, we have our old recipe book here. | 0:20:18 | 0:20:21 | |
-Can I have a look? -Yup. -This is fabulous. So is this a recipe book | 0:20:21 | 0:20:25 | |
-from - is this a local one? -It's local, yes. -Isn't that lovely? | 0:20:25 | 0:20:30 | |
-Calves' feet jelly. -Yeah. | 0:20:30 | 0:20:32 | |
-That sounds nice. -That was a very popular recipe. -I bet it was. | 0:20:32 | 0:20:36 | |
How wonderful. A jugged hare. | 0:20:36 | 0:20:39 | |
Lovely. Oh gosh, some of them. | 0:20:40 | 0:20:43 | |
But it's just - it's wonderful, great | 0:20:43 | 0:20:45 | |
-to have these authentic recipes, isn't it? -It is, indeed. | 0:20:45 | 0:20:49 | |
To pot a cow's head. | 0:20:49 | 0:20:51 | |
Gosh, it makes your stomach go over, doesn't it? Just looking at these. | 0:20:53 | 0:20:57 | |
It's put me right off lunch. | 0:20:57 | 0:20:58 | |
SHE CHUCKLES | 0:20:58 | 0:21:01 | |
An interesting selection of recipes indeed, | 0:21:01 | 0:21:03 | |
and another of the delicacies eaten at that time was ice cream. | 0:21:03 | 0:21:07 | |
Catherine will be learning how to make a rather interesting version. | 0:21:07 | 0:21:11 | |
Ice cream was invented in China over 2,000 years ago, | 0:21:12 | 0:21:15 | |
but this rare luxury was first served in Britain in 1672 | 0:21:15 | 0:21:20 | |
to King Charles II at Windsor Castle. | 0:21:20 | 0:21:23 | |
Thanks to stately homes like Callendar House, | 0:21:23 | 0:21:25 | |
where entertaining was the order of the day, | 0:21:25 | 0:21:28 | |
new ways of cooking spread quickly across the country. | 0:21:28 | 0:21:31 | |
-So what have we got here? -Right, OK. First of all, we've got cream. | 0:21:32 | 0:21:37 | |
Very, very expensive. We've got a jug of cream | 0:21:37 | 0:21:41 | |
-and we have sugar. -Right. | 0:21:41 | 0:21:44 | |
-Which, perhaps, you want to add to the cream. Lemon juice. -Lovely. | 0:21:44 | 0:21:51 | |
Now the special ingredient that we have...Parmesan. | 0:21:53 | 0:21:57 | |
Oh, do you know what, I did smell something funny. | 0:21:57 | 0:22:01 | |
Parmesan? Oh, no. You can't do that. | 0:22:01 | 0:22:04 | |
-So add that to the mixture. -Why would you put Parmesan in? | 0:22:04 | 0:22:07 | |
It's just a flavour that they had. | 0:22:07 | 0:22:09 | |
They had very diverse flavours of ice cream at that time. | 0:22:09 | 0:22:12 | |
Blimey, sounds very Heston Blumenthal. | 0:22:12 | 0:22:15 | |
So now we have to add the ice to the ice cream maker | 0:22:15 | 0:22:19 | |
-and then put the mixture into the middle of the canister. -Right. | 0:22:19 | 0:22:24 | |
So here we've got our bowl of ice and we put salt in with the ice. | 0:22:24 | 0:22:29 | |
-Salt in it? -Before the invention of the freezer, | 0:22:29 | 0:22:32 | |
ice cream had to be made by mixing ice and salt, | 0:22:32 | 0:22:35 | |
which reacted to drop the temperature of the container's contents. | 0:22:35 | 0:22:40 | |
At this time, ice from frozen winter lakes would have been | 0:22:40 | 0:22:43 | |
stored in buildings or underground chambers, | 0:22:43 | 0:22:46 | |
and would remain frozen for many months by being packed in straw. | 0:22:46 | 0:22:49 | |
The ice cream needs to be churned for several hours, | 0:22:52 | 0:22:54 | |
so Isabel has left Catherine to get on with it. | 0:22:54 | 0:22:58 | |
Et voila! | 0:22:58 | 0:23:00 | |
I was hoping we'd have a nice vanilla | 0:23:00 | 0:23:02 | |
or a nice chocolate or something. | 0:23:02 | 0:23:04 | |
Parmesan ice cream. I'm not even going to smell it. | 0:23:04 | 0:23:07 | |
-The texture... -I'm just going to go in... | 0:23:07 | 0:23:10 | |
Oh! | 0:23:10 | 0:23:11 | |
Oh, crikey. I think it's safe to say Catherine won't be asking for a copy of that recipe. | 0:23:11 | 0:23:16 | |
It's been fascinating. | 0:23:16 | 0:23:18 | |
-It's been a pleasure. -I've really, really enjoyed myself. | 0:23:18 | 0:23:22 | |
-Good. -It's been brilliant. | 0:23:22 | 0:23:24 | |
So as Catherine recovers from that cheesy visit to Callendar House, | 0:23:24 | 0:23:28 | |
Mark has made his way 29 miles north | 0:23:28 | 0:23:31 | |
to the small town of Callander, | 0:23:31 | 0:23:33 | |
often referred to as the gateway to the Highlands. | 0:23:33 | 0:23:37 | |
It achieved prominence as the setting of the fictional | 0:23:37 | 0:23:40 | |
town of Tannochbrae, in the original TV series, Doctor Finlay's Casebook. | 0:23:40 | 0:23:46 | |
Do you remember that one? | 0:23:46 | 0:23:48 | |
Ooh, nice shorts, Mark. | 0:23:48 | 0:23:50 | |
You'll give old George Thomson at Lady Kentmore's Antiques | 0:23:50 | 0:23:53 | |
a run for his money in the style stakes. | 0:23:53 | 0:23:55 | |
-Hello. -Hi, Mark. -George. -How are you doing? -I'm very well. | 0:23:55 | 0:23:58 | |
-You're looking rather dapper. -You look very summery. | 0:23:58 | 0:24:00 | |
And with the compliments out of the way, Mark gets down to | 0:24:00 | 0:24:03 | |
the serious business of finding his next lot. | 0:24:03 | 0:24:05 | |
There's a little bargain. | 0:24:07 | 0:24:11 | |
Pure Scottish silver brooch, £19. | 0:24:13 | 0:24:16 | |
-It's quite fun, isn't it, it's a little brooch. -Silver. -Yes. | 0:24:16 | 0:24:19 | |
Mm, sounds like a perfect piece for the auction, Mark. Or is it? | 0:24:19 | 0:24:23 | |
It's a shame it's not hallmarked in Scotland. It just says silver. | 0:24:25 | 0:24:31 | |
But it's got that lovely Celtic design, hasn't it? | 0:24:31 | 0:24:36 | |
It's a bargain at half the price. | 0:24:36 | 0:24:38 | |
Well, it would be a bargain at half the price, yes. | 0:24:38 | 0:24:41 | |
We haven't started yet, John. | 0:24:42 | 0:24:45 | |
With just £19 on the ticket, it sounds like Mark | 0:24:45 | 0:24:47 | |
really is after a bargain. | 0:24:47 | 0:24:49 | |
But he's still looking for one more lot. | 0:24:49 | 0:24:51 | |
And he may have found it with these early 20th-century vases marked at £49. | 0:24:53 | 0:24:59 | |
-George, I'd like to talk to you about these. -Yup. | 0:24:59 | 0:25:01 | |
I mean, you call them single-stemmed vases and they are Eastern, | 0:25:02 | 0:25:07 | |
certainly, white metal. | 0:25:07 | 0:25:09 | |
It's quite nice to get a little pair. | 0:25:09 | 0:25:10 | |
Do you think they're Indian or Burmese or somewhere? | 0:25:10 | 0:25:13 | |
-Yeah, they come from... -That part of the world. | 0:25:13 | 0:25:16 | |
Yeah, obviously, because they've got the Buddha figures around the top. | 0:25:16 | 0:25:19 | |
-They're just fun little bits. -No, they are. | 0:25:19 | 0:25:21 | |
You see, I think they're quite nice. | 0:25:21 | 0:25:23 | |
Well, Mark, what price does your silver-tongue | 0:25:23 | 0:25:26 | |
suggest for the brooch and vases? | 0:25:26 | 0:25:28 | |
I, really, for a profit, I need to get them for about 30. | 0:25:28 | 0:25:32 | |
-I tell you what... -Oh, no, don't. | 0:25:32 | 0:25:34 | |
..I'm thinking 35. Let's toss a coin. 30 or 35. | 0:25:34 | 0:25:37 | |
-Don't make my life any more... -Be a gambling man. -I can't. | 0:25:37 | 0:25:40 | |
-I hate gambling. Tails. -Tails? -Must be tails, please be tails. | 0:25:40 | 0:25:46 | |
-Heads. I told you, I never win. -See? 35, deal done. | 0:25:46 | 0:25:51 | |
-I need to go home. -Now smile. | 0:25:51 | 0:25:52 | |
That's how you do it, you know, Mark. | 0:25:52 | 0:25:55 | |
Yeah. I bet it was two heads on that. | 0:25:55 | 0:25:57 | |
Sour grapes then, Mark, eh? So having lost the toss, he's paid £25 | 0:25:57 | 0:26:01 | |
for the vases and a tenner for the brooch, but considering he finished | 0:26:01 | 0:26:05 | |
shopping with over half his budget still warming his pockets, | 0:26:05 | 0:26:09 | |
I'd say he's not had a bad deal. | 0:26:09 | 0:26:11 | |
Meanwhile, having got over her ice cream nightmare, | 0:26:11 | 0:26:14 | |
Catherine's made the trip 22 miles north to Doune. | 0:26:14 | 0:26:18 | |
The town of Doune is dominated by the late 14th-century castle, | 0:26:18 | 0:26:22 | |
and was one of the settings for the 1975 film, | 0:26:22 | 0:26:24 | |
Monty Python And The Holy Grail. | 0:26:24 | 0:26:27 | |
Do you remember that one? | 0:26:27 | 0:26:29 | |
Searching for her Holy Grail of profit-making collectables, | 0:26:29 | 0:26:33 | |
Catherine is wasting no time | 0:26:33 | 0:26:35 | |
searching the cabinets of the Scottish Antiques and Art Centre. | 0:26:35 | 0:26:38 | |
Informed of her dog challenge, manager Anne | 0:26:38 | 0:26:41 | |
has kindly offered her a suggestion. | 0:26:41 | 0:26:43 | |
Well, that's nice, isn't it? | 0:26:43 | 0:26:46 | |
A little brass candle box. | 0:26:46 | 0:26:49 | |
It's quite cute. It's probably Edwardian. | 0:26:49 | 0:26:53 | |
Importantly, it has a little dog on it. | 0:26:53 | 0:26:56 | |
-And I think it's a little Scottie, isn't it? -Yep. | 0:26:56 | 0:27:00 | |
Flanked by the thistles. | 0:27:00 | 0:27:02 | |
Just check that it has got some age to it. That it's not brand-new. | 0:27:05 | 0:27:09 | |
Smells like it has. | 0:27:11 | 0:27:13 | |
Huh! Catherine, always one to sniff out a bargain. | 0:27:13 | 0:27:15 | |
The ticket price is £24, but what would you like to pay for that? | 0:27:15 | 0:27:19 | |
You couldn't take that down to 20? That would be a nice round number. | 0:27:21 | 0:27:25 | |
-OK, I can do 20 on that one. -OK. -Yep. | 0:27:25 | 0:27:29 | |
Nice work on that, Catherine. That's your dog lot sorted. | 0:27:29 | 0:27:32 | |
Oh, God, this place goes on forever. | 0:27:32 | 0:27:35 | |
But with time running out, it looks like you'll be making do with four lots at auction. | 0:27:35 | 0:27:40 | |
I don't really like them but there's a pair of binoculars | 0:27:43 | 0:27:46 | |
there, in the original case, for 28 quid, which is very cheap. | 0:27:46 | 0:27:49 | |
But I think they'll make some money. That's the name of the game. | 0:27:49 | 0:27:52 | |
-Binoculars. -Yep. | 0:27:52 | 0:27:54 | |
Does anyone get the feeling this is an impulse buy? | 0:27:54 | 0:27:57 | |
So, can we do those at 25? | 0:27:57 | 0:28:00 | |
I'll do that 25, yeah. | 0:28:00 | 0:28:02 | |
Are they...not damaged? | 0:28:02 | 0:28:05 | |
They're French. | 0:28:09 | 0:28:11 | |
They're French and they're in quite a nice skin case. | 0:28:12 | 0:28:16 | |
They're a little bit damaged, a little bit dropped. | 0:28:16 | 0:28:19 | |
So that's £25 for the binoculars and £20 for the Edwardian candle box with a Scottie dog motif. | 0:28:19 | 0:28:26 | |
Finally, Catherine is all done with her shopping. | 0:28:26 | 0:28:29 | |
Time to rejoin Mark. | 0:28:29 | 0:28:31 | |
Our experts now have to reveal all to each other. | 0:28:31 | 0:28:33 | |
Well, almost all. | 0:28:33 | 0:28:35 | |
Don't get excited about this, Catherine, please. | 0:28:35 | 0:28:40 | |
-Isn't it wonderful? Isn't it absolutely wonderful? -I love that. | 0:28:40 | 0:28:45 | |
-Awww! -It's Italian, 1950s. | 0:28:45 | 0:28:47 | |
-It's beautiful. -I just thought, it is so hideously kitsch. | 0:28:47 | 0:28:52 | |
-Don't you think? -I really love that. | 0:28:52 | 0:28:55 | |
Well, the dog's a hit. | 0:28:55 | 0:28:57 | |
A plaque. I love the... And I was hoping it wasn't too dear. | 0:28:57 | 0:29:01 | |
Oh! | 0:29:01 | 0:29:03 | |
-What is it, exactly? -It's a plaque. | 0:29:03 | 0:29:05 | |
It's a pokerwork plaque for the wall. | 0:29:05 | 0:29:08 | |
-Oh, it's pokerwork. -Yes. -Oh, lovely. -I mean, but look at the lovely dear | 0:29:08 | 0:29:11 | |
-and the oak leaves. -That's quite nicely done, actually. | 0:29:11 | 0:29:14 | |
It's beautifully done, and I think it's Scottish Baronial. | 0:29:14 | 0:29:17 | |
Oh, are you? | 0:29:17 | 0:29:18 | |
-No, that's actually quite nice. How much did that cost you? -£20. | 0:29:18 | 0:29:22 | |
-That wasn't too dear. -The dog was quite expensive. -Oh, go on. Fiver? | 0:29:22 | 0:29:27 | |
Catherine, don't. How did you know? | 0:29:27 | 0:29:29 | |
And then I've got two lovely vases. Gilt metal-mounted. The dragons. | 0:29:31 | 0:29:35 | |
-They were quite a lot. -Were they? -Mm. | 0:29:35 | 0:29:38 | |
-How much? -75. -Oh, were they? | 0:29:38 | 0:29:41 | |
Mm. A pair of little colonial silver stem vases there. | 0:29:41 | 0:29:46 | |
Probably Burmese rather than Indian. | 0:29:46 | 0:29:49 | |
-25. -Really cheap. | 0:29:49 | 0:29:51 | |
OK, time now for Mark to pass judgment. | 0:29:51 | 0:29:55 | |
I'm not very happy with anything. | 0:29:55 | 0:29:57 | |
Oh, Catherine, why are you unhappy with these? I love this. | 0:29:57 | 0:30:00 | |
How clever of you. | 0:30:00 | 0:30:02 | |
-It's quite nice, isn't it? -I love it. | 0:30:03 | 0:30:05 | |
To get a Scottie dog and the thistles... | 0:30:05 | 0:30:08 | |
-Someone helped me with that. -Not about how crude it is, it is lovely. | 0:30:08 | 0:30:11 | |
It is quite crude, but we've got Burns's house on the front. | 0:30:11 | 0:30:14 | |
-I love that. -That's quite nice. -This is fabulous. | 0:30:14 | 0:30:16 | |
The Art Deco cigarette case. | 0:30:16 | 0:30:18 | |
-It's not Art Deco, it's Arts and Crafts. -Oh, is it? | 0:30:18 | 0:30:21 | |
-Do you not like it? -I do, but how much did you pay? 18 quid? -No... | 0:30:21 | 0:30:26 | |
I paid 70. That's a lot of money, isn't it? | 0:30:26 | 0:30:28 | |
It's a fair whack, you know. | 0:30:28 | 0:30:30 | |
And you went for the soppy Black Forrest... | 0:30:30 | 0:30:33 | |
Yeah, it's quite nice to have the thermometer, though. | 0:30:33 | 0:30:36 | |
This. £30. | 0:30:36 | 0:30:38 | |
-French racing binoculars. -How much did you pay? | 0:30:38 | 0:30:40 | |
-£25. -Hmmm. It's on the money, really, isn't it? -It is. | 0:30:40 | 0:30:45 | |
I don't think that's going to be first past the post. | 0:30:45 | 0:30:48 | |
Anyway... I think you have the edge. You're going to beat me. | 0:30:48 | 0:30:53 | |
-Well, I don't know. -I love your dog. It's great fun. | 0:30:53 | 0:30:56 | |
But, listen, come on... We've risen to the challenge, haven't we? | 0:30:56 | 0:31:01 | |
Come on. Come and buy me a gin and tonic. | 0:31:01 | 0:31:04 | |
They might well act all nicey-nicey, but what do they really think? | 0:31:05 | 0:31:09 | |
The cigarette box isn't quite there for me. | 0:31:09 | 0:31:11 | |
It's a mass produced Arts and Crafts piece | 0:31:11 | 0:31:14 | |
rather than a typical Glasgow School piece. | 0:31:14 | 0:31:16 | |
I think she's paid all the money, really. | 0:31:16 | 0:31:18 | |
My big downfall, my big, big sorry mistake, | 0:31:18 | 0:31:22 | |
is the dispenser. | 0:31:22 | 0:31:24 | |
I should've stuck to my guns. | 0:31:24 | 0:31:26 | |
I didn't want to pay any more than £50 and I paid 70. | 0:31:26 | 0:31:30 | |
That's my mistake and that's going to let me down. | 0:31:30 | 0:31:33 | |
He's going to win this one. | 0:31:33 | 0:31:35 | |
Oh, dear. Catherine's not looking forward to it. | 0:31:35 | 0:31:38 | |
But it's time to get back on the road and head to auction. | 0:31:38 | 0:31:41 | |
On the second leg of their road trip, | 0:31:44 | 0:31:46 | |
our duo have shot their way through Glasgow, Stirlingshire | 0:31:46 | 0:31:49 | |
and into Perthshire, starting in Glasgow | 0:31:49 | 0:31:52 | |
and ending the second leg of our road trip in Dundee for the auction. | 0:31:52 | 0:31:56 | |
Are you going to buy me a bit of cake later on? | 0:31:57 | 0:31:58 | |
-I knew you were going to say that! Dundee cake. -A bit of Dundee cake. | 0:31:58 | 0:32:02 | |
Dundee is the fourth largest city in Scotland. | 0:32:02 | 0:32:05 | |
It lies on the north bank of the Firth of Tay, | 0:32:05 | 0:32:09 | |
which feeds into the North Sea. | 0:32:09 | 0:32:11 | |
Oh, here we are. Now, don't tell me I don't bring you to the best places. | 0:32:12 | 0:32:16 | |
I'm even less confident than I was ten minutes ago. | 0:32:19 | 0:32:22 | |
The auction venue today is Curr and Dewar, | 0:32:22 | 0:32:24 | |
who have been in business since 1862, | 0:32:24 | 0:32:28 | |
so they know their market. | 0:32:28 | 0:32:29 | |
Let's find out what today's auctioneer, Steven Dewar, | 0:32:29 | 0:32:32 | |
thinks of our experts' items. | 0:32:32 | 0:32:35 | |
An interesting mix today. I do quite like the pair of vases. | 0:32:35 | 0:32:39 | |
I think they're a lovely colour, nice glazing on them, | 0:32:39 | 0:32:42 | |
so hopefully they should do quite well. | 0:32:42 | 0:32:45 | |
The cigarette dispenser - that's a quirky, unusual item. | 0:32:45 | 0:32:48 | |
I quite like the roundel on the front. | 0:32:48 | 0:32:50 | |
Hopefully, if it is Rusk, then it should do quite well, | 0:32:50 | 0:32:52 | |
but we'll find out on the day. | 0:32:52 | 0:32:54 | |
Mark Stacey set out on this leg with £273.50, | 0:32:56 | 0:33:00 | |
and forked out just £135 of that on his five lots. | 0:33:00 | 0:33:04 | |
Catherine Southon began this leg with a less impressive £205 and | 0:33:07 | 0:33:10 | |
was a little more conservative this time, spending £160 on five lots. | 0:33:10 | 0:33:15 | |
It seems our experts are going into battle as the best of friends. | 0:33:16 | 0:33:19 | |
-We rub along nicely, don't we? -We do. | 0:33:21 | 0:33:22 | |
Let's see if Mark's decorative Edwardian panel | 0:33:26 | 0:33:28 | |
rubs the buyers up the right way. | 0:33:28 | 0:33:31 | |
Good luck, Mark, cos this is a nice thing. | 0:33:31 | 0:33:33 | |
Come on. | 0:33:33 | 0:33:34 | |
Interesting lot. We'll say £20? £10 for it? | 0:33:34 | 0:33:37 | |
-Surely, folks? £5 only. -Oh, come on. | 0:33:38 | 0:33:41 | |
-£5 is the wave. At £5 it is, now. -This should do 40. | 0:33:41 | 0:33:46 | |
-£5. £8 anywhere? Surely now? -Oh, come on. -£8 it is. £8. | 0:33:46 | 0:33:51 | |
On commission at £8. Any advance? | 0:33:51 | 0:33:54 | |
-At £8, then, on commission here at -£8... What can I say, Catherine? | 0:33:54 | 0:33:58 | |
On commission, thank you. | 0:33:58 | 0:34:00 | |
Looks like Catherine's at a loss for words. | 0:34:01 | 0:34:04 | |
It's a loss to start with, Mark, and will be worse after auction costs. | 0:34:04 | 0:34:08 | |
That was one of my best lots. It's not looking hopeful, is it? | 0:34:09 | 0:34:12 | |
No. It's not. | 0:34:12 | 0:34:13 | |
Sticking with the Edwardian era, | 0:34:13 | 0:34:16 | |
it's Catherine's monogrammed glass hatpin jar up next. | 0:34:16 | 0:34:20 | |
We'll say £15. £10? Ivory top, remember. | 0:34:20 | 0:34:24 | |
-£5 only for the hatpin case? -What? -For £5... £5 is there. | 0:34:24 | 0:34:29 | |
At £5. Lady in the middle. £8 anywhere? At £5... | 0:34:29 | 0:34:34 | |
£8 is the wave. 10, 12... | 0:34:34 | 0:34:38 | |
15... £15. Right in the centre. | 0:34:38 | 0:34:41 | |
At £15. Any advance? At £15, folks... | 0:34:41 | 0:34:45 | |
Hmm, Dundee is not in love with Edwardian pieces today. | 0:34:48 | 0:34:51 | |
You may have broken even, Catherine, | 0:34:51 | 0:34:53 | |
but that's a loss after commission, darling. | 0:34:53 | 0:34:55 | |
It's time for Mark's big purchase now - | 0:34:58 | 0:35:00 | |
a pair of late 19th-century vases with gilt dragon mounts. | 0:35:00 | 0:35:04 | |
Interest starts me off on these at £25. | 0:35:04 | 0:35:07 | |
At 25, now, for the pair of vases. | 0:35:07 | 0:35:10 | |
At 28. 30, sir? | 0:35:10 | 0:35:12 | |
30. 32... | 0:35:12 | 0:35:13 | |
Sorry, sir? 35? 35. | 0:35:13 | 0:35:16 | |
38? | 0:35:16 | 0:35:18 | |
It's against you... 40? 40. | 0:35:18 | 0:35:21 | |
42. | 0:35:21 | 0:35:22 | |
42, lady's bid. At £42. | 0:35:22 | 0:35:25 | |
-45, new bidder. -Oh, new bidder. | 0:35:25 | 0:35:28 | |
It's against you, Mrs Gannon. 48, 50... | 0:35:28 | 0:35:31 | |
55, 60, 65, 70... | 0:35:31 | 0:35:35 | |
-There you go. -At £70 in the middle. | 0:35:35 | 0:35:37 | |
Lady's bid. At £70, we're all done? | 0:35:37 | 0:35:40 | |
Another loss. | 0:35:40 | 0:35:41 | |
Oops! Another loss to add to Mark's woes. | 0:35:43 | 0:35:46 | |
That's it. I've got no hope, cos those were my two best lots up first. | 0:35:48 | 0:35:52 | |
Will Catherine's 1950s French racing binoculars and case | 0:35:53 | 0:35:57 | |
give her a run for her money? | 0:35:57 | 0:35:58 | |
-And they're off! -20? | 0:35:59 | 0:36:01 | |
-£10, start me off? -£10? Oh, come on. | 0:36:01 | 0:36:05 | |
£10 is bid. At £10, any advance? | 0:36:05 | 0:36:08 | |
12... 15... 18... | 0:36:08 | 0:36:10 | |
£18... | 0:36:10 | 0:36:12 | |
20, the lady. £20 now. Any advance? | 0:36:12 | 0:36:16 | |
-I spy with my little eye... -Something beginning with L. | 0:36:17 | 0:36:21 | |
Loss. | 0:36:21 | 0:36:23 | |
Ouch! | 0:36:24 | 0:36:26 | |
Well, that was a non-runner, | 0:36:26 | 0:36:27 | |
and I'm afraid to say it's yet another loss. | 0:36:27 | 0:36:29 | |
Wow, this is heavy going, | 0:36:31 | 0:36:33 | |
but can Mark's silver stemmed vases lift the gloom? | 0:36:33 | 0:36:36 | |
They're small and silver, after all. | 0:36:36 | 0:36:38 | |
-Bonny pair of vases there... -Bonny? -£30? | 0:36:38 | 0:36:42 | |
Or £20... £10, start me off. | 0:36:42 | 0:36:45 | |
10 is bid. At £10 it is now. £10 seated. | 0:36:45 | 0:36:48 | |
Anybody else? At £10... 12 here. | 0:36:50 | 0:36:53 | |
15... 18... 18 on commission. | 0:36:53 | 0:36:56 | |
At £18 now. Any advance? | 0:36:56 | 0:36:58 | |
On the commission book at £18, are you bidding? | 0:36:58 | 0:37:02 | |
Oh, crikey! Nothing seems to be going right for our experts today. | 0:37:04 | 0:37:08 | |
Thing is, I know that they're small, but... | 0:37:09 | 0:37:12 | |
they were perfectly formed. | 0:37:12 | 0:37:13 | |
It's Catherine's brass candle box, | 0:37:16 | 0:37:18 | |
featuring Burns Cottage and a Scottie dog. | 0:37:18 | 0:37:21 | |
It's got plenty of Scottish appeal, so surely this will do well. | 0:37:21 | 0:37:24 | |
Nice little box there. Burns Cottage and Scottie dogs. £10 only. | 0:37:25 | 0:37:28 | |
10 is bid. 12, the lady. 15... | 0:37:28 | 0:37:31 | |
Surely not? £15 in the middle here. | 0:37:31 | 0:37:34 | |
At £15, seated. £18, new bidder. | 0:37:34 | 0:37:38 | |
-£18 seated at the back. -Come on. -£20 in the middle. | 0:37:38 | 0:37:42 | |
-One more? 22. -Yes. -Oh, profit. -25. | 0:37:44 | 0:37:47 | |
Surely? 28, the hand. | 0:37:47 | 0:37:50 | |
-No... at 28, the hand there. -Almost a profit. -Any advance? | 0:37:50 | 0:37:55 | |
At 28, it's your very last chance. Lady's bid at 28. | 0:37:55 | 0:37:58 | |
Finally, a profit. And the marker is set for Mark in the doggy challenge. | 0:38:01 | 0:38:07 | |
-The first profit of the day. -I know. | 0:38:07 | 0:38:09 | |
-That's a pedigree profit, as well. -Oh. Oh! | 0:38:09 | 0:38:14 | |
The buyers liked the Scottie dog, | 0:38:14 | 0:38:16 | |
but what will they make of Mark's kitsch 1950s poodle? | 0:38:16 | 0:38:20 | |
Interest on commission this time, starts me off at £22. | 0:38:20 | 0:38:23 | |
Oh, well done. | 0:38:23 | 0:38:24 | |
At £22 for the poodle. 25, 28, 30... | 0:38:24 | 0:38:28 | |
I told you 30! | 0:38:28 | 0:38:30 | |
-35, 38... -Oh, this is silly. | 0:38:30 | 0:38:33 | |
45, 48. £48 on commission. | 0:38:33 | 0:38:36 | |
£48 now, any advance? | 0:38:36 | 0:38:38 | |
It's barking mad, Catherine, it's a hideous, little... | 0:38:38 | 0:38:43 | |
He's not hideous. | 0:38:43 | 0:38:44 | |
-It's barking mad. It's a kitsch, little... -£48?! -£43 profit! | 0:38:44 | 0:38:50 | |
You look stunned by that, Mark, but that profit's put you in the lead. | 0:38:50 | 0:38:55 | |
-Well done. -I'm quite amazed at that. | 0:38:55 | 0:38:58 | |
Well done. That is good. | 0:38:58 | 0:38:59 | |
He did look so cute with his little pink bow. | 0:38:59 | 0:39:03 | |
Now, there are obviously some dog lovers in the room, | 0:39:03 | 0:39:06 | |
but how will they react | 0:39:06 | 0:39:07 | |
to Catherine's Black Forest bear/thermometer combo? | 0:39:07 | 0:39:11 | |
For the bear, what will we say? £20? | 0:39:11 | 0:39:14 | |
10 only. 10 is bid, 12, sir, 15, 18, 20, | 0:39:14 | 0:39:19 | |
-£20 front and centre. -Come on, more than that. | 0:39:19 | 0:39:21 | |
At £20. Any advance on 20? | 0:39:21 | 0:39:23 | |
22, new bidder. | 0:39:23 | 0:39:25 | |
No, standing at 22. | 0:39:25 | 0:39:27 | |
-Standing at 22. Any advance? -Come on! | 0:39:27 | 0:39:30 | |
-Shall we just cry? -That was the bare necessity, though, wasn't it? | 0:39:33 | 0:39:36 | |
You're just cheese today, aren't you? | 0:39:38 | 0:39:41 | |
I think you're gloating, Mark, and it's not pretty. | 0:39:41 | 0:39:44 | |
Tough luck, though, Catherine, | 0:39:44 | 0:39:45 | |
another deficit puts you back in the red. | 0:39:45 | 0:39:48 | |
Now it's Mark's last lot of the day, | 0:39:48 | 0:39:50 | |
his silver brooch with Celtic motif. | 0:39:50 | 0:39:53 | |
Start me off, what? £20? 10? | 0:39:54 | 0:39:57 | |
Can't tempt anybody, then? 10 is the wave. | 0:39:58 | 0:40:01 | |
Straight ahead of me there at £10, | 0:40:01 | 0:40:03 | |
take 12. At £10, the only bid. | 0:40:03 | 0:40:06 | |
Take 12 anywhere? | 0:40:06 | 0:40:09 | |
At £10, your last chance, | 0:40:09 | 0:40:11 | |
12, sir, 15, 18, | 0:40:11 | 0:40:14 | |
£18 to my left. | 0:40:14 | 0:40:16 | |
You are so jammy. | 0:40:16 | 0:40:18 | |
18 now, all done. | 0:40:18 | 0:40:21 | |
That's "Jam" with a capital J. | 0:40:21 | 0:40:24 | |
A late flurry gives you a respectable profit there, Mark. | 0:40:24 | 0:40:27 | |
You're not going to be bitter, are you? | 0:40:28 | 0:40:31 | |
I'm never bitter. | 0:40:31 | 0:40:33 | |
You're often twisted, though. | 0:40:33 | 0:40:35 | |
Now, Catherine regretted it, Mark disliked it, | 0:40:37 | 0:40:41 | |
what will the bidders think of her big purchase, | 0:40:41 | 0:40:44 | |
the Arts and Crafts cigarette dispenser? | 0:40:44 | 0:40:47 | |
Only a really decent profit will save Catherine, | 0:40:47 | 0:40:49 | |
but the way things are going, | 0:40:49 | 0:40:51 | |
does she really stand a chance of winning? | 0:40:51 | 0:40:55 | |
£30? 30 is bid. | 0:40:55 | 0:40:58 | |
Interesting lot, bid at £30. | 0:40:58 | 0:41:01 | |
At £30. All done, for 30. | 0:41:01 | 0:41:04 | |
2. 5, 8, | 0:41:04 | 0:41:06 | |
40, 2, 5, 8, | 0:41:06 | 0:41:09 | |
50, 5, 60, | 0:41:09 | 0:41:12 | |
5, 70, 5, | 0:41:12 | 0:41:14 | |
80, 5, 90, 5, | 0:41:14 | 0:41:17 | |
100, 10, 120, | 0:41:17 | 0:41:20 | |
130, 140, 150, | 0:41:20 | 0:41:23 | |
160, 160 is bid. | 0:41:23 | 0:41:25 | |
160 on my right. | 0:41:25 | 0:41:27 | |
That told you, didn't it? | 0:41:27 | 0:41:29 | |
Are you all done? | 0:41:29 | 0:41:30 | |
£160, are you all done? | 0:41:30 | 0:41:32 | |
-Well done. -I actually can't believe that. -£160! | 0:41:34 | 0:41:38 | |
-I thought it was stopping at £30. -What did you...? | 0:41:38 | 0:41:42 | |
-What did you pay for it? -I can... I don't... | 0:41:42 | 0:41:46 | |
Well, I never. You won't regret paying £70 now. | 0:41:46 | 0:41:50 | |
You've just made a whopping profit of £90, so bravo. | 0:41:50 | 0:41:54 | |
Anyway, Catherine, I really think you've taken this auction. | 0:41:54 | 0:41:57 | |
-On that note, I'm leaving. -Come on! | 0:41:57 | 0:42:00 | |
Move! | 0:42:00 | 0:42:01 | |
Mark started this leg with £273.50, and after auction costs, | 0:42:03 | 0:42:08 | |
made a small loss of £2.16, leaving him with £271.34 to take forward. | 0:42:08 | 0:42:14 | |
Oh, do cheer up. | 0:42:14 | 0:42:16 | |
Catherine bounced back in style. | 0:42:18 | 0:42:20 | |
After kicking off this leg with just £205, | 0:42:20 | 0:42:23 | |
thanks to her cigarette dispenser, | 0:42:23 | 0:42:25 | |
she's made a very respectable £40.90 after auction costs, | 0:42:25 | 0:42:29 | |
and starts with a bumper £245.90, | 0:42:29 | 0:42:33 | |
making her today's winner. | 0:42:33 | 0:42:35 | |
Well, well, well. | 0:42:35 | 0:42:36 | |
That was such a surprise. | 0:42:38 | 0:42:39 | |
I suppose I ought to say, Catherine, and I mean it sincerely, | 0:42:39 | 0:42:42 | |
-congratulations. -Thank you, Mark. | 0:42:42 | 0:42:45 | |
My, my, we've got a real contest now. | 0:42:45 | 0:42:48 | |
Wahey! | 0:42:48 | 0:42:50 | |
Next time on the Antiques Road Trip... | 0:42:56 | 0:42:59 | |
Mark's got time on his hands. | 0:43:00 | 0:43:02 | |
Not. | 0:43:02 | 0:43:04 | |
While Catherine's spooked by some incy wincy spiders. | 0:43:06 | 0:43:10 | |
-Oh, David, look at those cobwebs. -I know. | 0:43:10 | 0:43:13 |