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It's the nation's favourite antiques experts. | 0:00:01 | 0:00:04 | |
All right, viewers? | 0:00:04 | 0:00:05 | |
With £200 each, a classic car and a goal - | 0:00:05 | 0:00:08 | |
to scour Britain for antiques. | 0:00:08 | 0:00:10 | |
I'm on fire. Yes! | 0:00:10 | 0:00:12 | |
Sold. Going, going, gone. | 0:00:12 | 0:00:14 | |
The aim? | 0:00:14 | 0:00:15 | |
-To make the biggest profit at auction, but it's no mean feat. -50p! | 0:00:15 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Come on, then. | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
Oh, come on, I've got to get to another shop. | 0:00:28 | 0:00:31 | |
This is the Antiques Road Trip. | 0:00:31 | 0:00:33 | |
It's a brand spanking new road trip with our antiques experts, | 0:00:39 | 0:00:42 | |
Mark Stacey and Catherine Southon. | 0:00:42 | 0:00:45 | |
These old friends are all set for a joyous journey together | 0:00:45 | 0:00:48 | |
through Scotland. | 0:00:48 | 0:00:49 | |
Do you know, we're about 20 miles from Gretna Green? | 0:00:50 | 0:00:54 | |
Shall we? | 0:00:54 | 0:00:56 | |
We could go, we could elope and get married. | 0:00:56 | 0:00:58 | |
Should we just drive there now? And cause chaos? | 0:00:58 | 0:01:01 | |
Lordy! First things first, | 0:01:01 | 0:01:03 | |
you'll have plenty of chaos to cause on this road trip. | 0:01:03 | 0:01:06 | |
Catherine is an experienced auctioneer specialising | 0:01:08 | 0:01:11 | |
in all things scientific and maritime. | 0:01:11 | 0:01:13 | |
She isn't afraid to blow her own trumpet. | 0:01:13 | 0:01:16 | |
FAINT HUM | 0:01:16 | 0:01:18 | |
Well, sort of. | 0:01:20 | 0:01:21 | |
Seasoned antiques expert Mark Stacey is always striving | 0:01:21 | 0:01:25 | |
to stay at the pinnacle of his profession. | 0:01:25 | 0:01:28 | |
I'm nearly there, believe it or not. Oh! | 0:01:28 | 0:01:30 | |
Mark is taking the wheel today as our pair set off with £200 each | 0:01:32 | 0:01:35 | |
to spend and a little racing green 1968 MG Midget to saunter around in. | 0:01:35 | 0:01:41 | |
-We're not going to be competitive, are we? -We're never competitive. | 0:01:41 | 0:01:46 | |
Catherine, no competition. | 0:01:46 | 0:01:49 | |
It doesn't matter as long as I win. | 0:01:50 | 0:01:54 | |
It will be fine, if you remember that, we'll get on | 0:01:54 | 0:01:56 | |
-and have a lovely week. -We will. | 0:01:56 | 0:01:59 | |
Well, one of you will anyway. | 0:01:59 | 0:02:02 | |
Our trip takes them up and down the length of Scotland, | 0:02:02 | 0:02:05 | |
starting in New Abbey in Dumfries and Galloway, | 0:02:05 | 0:02:08 | |
travelling through Glasgow, Dundee, Aberdeen and Inverness before | 0:02:08 | 0:02:11 | |
ending up back in the capital city of Edinburgh for the final auction. | 0:02:11 | 0:02:15 | |
This leg takes us from Dumfries and Galloway, | 0:02:17 | 0:02:20 | |
meandering through Ayrshire and into Renfrewshire. | 0:02:20 | 0:02:24 | |
We'll be starting in the village of New Abbey | 0:02:24 | 0:02:26 | |
and finishing at an auction in Paisley. | 0:02:26 | 0:02:29 | |
New Abbey in Kirkwood is home to the romantic Sweetheart Abbey. | 0:02:30 | 0:02:35 | |
It was named in honour of Dervorgilla, | 0:02:35 | 0:02:39 | |
who built the monastery in memory of her husband, John de Balliol, | 0:02:39 | 0:02:43 | |
and was later buried beside his embalmed heart. Charming! | 0:02:43 | 0:02:48 | |
First stop for both our sweethearts is Admirable Antiques. | 0:02:48 | 0:02:52 | |
-I feel a bit better now. -Do you feel better? -I do. | 0:02:52 | 0:02:55 | |
-How do I get out of this? -I have no idea. | 0:02:55 | 0:02:57 | |
While you're faffing, I will take the chance of getting in. | 0:02:57 | 0:03:00 | |
Don't help me, will you? | 0:03:00 | 0:03:02 | |
As long as you're all right, Mark. | 0:03:02 | 0:03:04 | |
Gosh. | 0:03:04 | 0:03:05 | |
Hello, how are you? | 0:03:05 | 0:03:06 | |
-Inside, they are greeted by owner, Ian. -Hello, I'm Catherine. -I'm Mark. | 0:03:06 | 0:03:13 | |
-Nice to meet you, I love your shirt. -Thank you. | 0:03:13 | 0:03:16 | |
Yes, he's trying to get one up on you already. Or one up on me. | 0:03:16 | 0:03:20 | |
-I'm going this way, is that all right? -Yes, that's fine. | 0:03:20 | 0:03:23 | |
Thank you very much indeed. | 0:03:23 | 0:03:25 | |
Mark's charm offensive might just pay off, you know, Catherine. | 0:03:25 | 0:03:28 | |
He's already found a smelter figurine. | 0:03:28 | 0:03:31 | |
A large, painted white dog. | 0:03:31 | 0:03:33 | |
It's a West Highland terrier, isn't it? | 0:03:33 | 0:03:37 | |
-Isn't it West Highland terrier? -Yes, Mark, it is. | 0:03:37 | 0:03:42 | |
But it's got quite a cute face actually, I think. | 0:03:42 | 0:03:44 | |
Doggie subjects are quite nice. | 0:03:46 | 0:03:48 | |
I'm sure it's come off either the top of a clock | 0:03:48 | 0:03:52 | |
or a pair of bookends or something. | 0:03:52 | 0:03:55 | |
24.99. | 0:03:55 | 0:03:58 | |
While Mark ponders about his pooch, | 0:03:58 | 0:04:00 | |
Catherine is struggling to find anything to ponder over at all. | 0:04:00 | 0:04:04 | |
I don't think I'm going to find anything in here. | 0:04:06 | 0:04:10 | |
I think it's time to move on. | 0:04:10 | 0:04:14 | |
Meanwhile, Mark is looking to do a deal on the old dog. | 0:04:14 | 0:04:17 | |
-You know what I'm going to offer, don't you? -Indeed. | 0:04:17 | 0:04:20 | |
A very sneaky £10. | 0:04:20 | 0:04:22 | |
-I think we could do 15. -I knew he would say that. | 0:04:22 | 0:04:26 | |
They always come back with that. Look at him. Look at the eyes. | 0:04:26 | 0:04:31 | |
-Look at the eyes, Ian. Are you saying £10? -I'm back in the room. | 0:04:31 | 0:04:37 | |
-Back in the room and what did the dog tell you? -15, back in the room. | 0:04:37 | 0:04:40 | |
-I have to be in even numbers, can we say 12? -13. -12, come on. | 0:04:42 | 0:04:48 | |
-Go on. -OK. | 0:04:48 | 0:04:49 | |
Are you sure? Are you happy with that? | 0:04:49 | 0:04:51 | |
I'm glad it's going to a good home. | 0:04:51 | 0:04:53 | |
The first item in the bag. Well done, Mark. | 0:04:53 | 0:04:57 | |
Come on! | 0:04:57 | 0:04:58 | |
There you are, what are you doing out here, you're supposed to be shopping? | 0:04:58 | 0:05:02 | |
I have been waiting here for ages. | 0:05:02 | 0:05:04 | |
-Sorry, did you not find anything? -No, I didn't. -Why is that, Catherine? | 0:05:04 | 0:05:08 | |
How long did you take? I hope you bought something after all that. | 0:05:08 | 0:05:11 | |
Oh, Lordy, these two are at it already. | 0:05:13 | 0:05:17 | |
Our experts are heading just over 20 miles north to Thornhill | 0:05:17 | 0:05:20 | |
where Mark's dropping Catherine off at her next shop. | 0:05:20 | 0:05:24 | |
She's come to Rosebank Antiques, hoping to be a bit more decisive. | 0:05:26 | 0:05:30 | |
-Hello, I'm Catherine. -I'm Pauline. | 0:05:30 | 0:05:32 | |
Hello, Pauline, thanks for having me here. | 0:05:32 | 0:05:34 | |
Pauline is ably assisted by the handsome Charlie. | 0:05:34 | 0:05:38 | |
Ah, has something caught her eye at last? | 0:05:46 | 0:05:49 | |
We've got a little mother-of-pearl inlay on the top. | 0:05:49 | 0:05:52 | |
Then we've got lots of different marquetry | 0:05:52 | 0:05:55 | |
and parquetry strips all the way around. | 0:05:55 | 0:05:57 | |
Nice hinges on the back. | 0:05:57 | 0:05:59 | |
The front of it is missing, | 0:06:01 | 0:06:03 | |
there would have been a bit of mother-of-pearl there. | 0:06:03 | 0:06:06 | |
Let me look for the escutcheon. It's a bit tired. | 0:06:08 | 0:06:12 | |
I actually quite like the look of it. | 0:06:12 | 0:06:14 | |
A bit tired and a price tag of £25. | 0:06:14 | 0:06:17 | |
This could be a tough sale. | 0:06:17 | 0:06:19 | |
Pauline and Charlie are no pushovers, don't you know? | 0:06:19 | 0:06:22 | |
-What's the very, very best on that? -20. | 0:06:22 | 0:06:24 | |
If you could do it for 15, I'll have it. | 0:06:25 | 0:06:28 | |
-I cant. -No? Could you meet me in the middle with that at 18? Please? | 0:06:29 | 0:06:37 | |
So, after some "paws" for thought... | 0:06:39 | 0:06:41 | |
I haven't bought anything, I need to buy something. | 0:06:41 | 0:06:45 | |
..Catherine has gone for the old sympathy vote | 0:06:45 | 0:06:48 | |
-So have we got a deal at £18 on your box? -Yes, I suppose so. | 0:06:48 | 0:06:52 | |
Have we? I'll take the box, thank you very much indeed. | 0:06:52 | 0:06:55 | |
So, Catherine has finally sewn up her first purchase of the trip. | 0:06:55 | 0:06:59 | |
Thanks, Charlie. | 0:06:59 | 0:07:01 | |
Oh, Charlie! | 0:07:01 | 0:07:03 | |
Meanwhile, Mark has made his way 10 minutes up the road | 0:07:03 | 0:07:06 | |
to visit Drumlanrig Castle, the ancient Douglas stronghold | 0:07:06 | 0:07:10 | |
and Dumfriesshire home | 0:07:10 | 0:07:12 | |
of the Duke and Duchess of Buccleuch and Queensbury. | 0:07:12 | 0:07:15 | |
Before he gets a guided tour, ever the opportunist, Mark's nipped in | 0:07:15 | 0:07:20 | |
for a look at Admirable Antiques' sister shop in the castle courtyard. | 0:07:20 | 0:07:25 | |
Something pewter has got his eye. | 0:07:25 | 0:07:26 | |
Standing by to assist is shop owner, Dougie. | 0:07:26 | 0:07:30 | |
-What is this? -That is Art Nouveau and it is pewter. | 0:07:30 | 0:07:36 | |
I am not sure whether it's an ice bucket or a jardiniere. | 0:07:37 | 0:07:41 | |
You could use it for a nice bottle of champers, couldn't you? | 0:07:41 | 0:07:44 | |
You could do, I never thought of that. | 0:07:44 | 0:07:47 | |
-Oh, it's got a mark on the bottom. -Kayserzinn. | 0:07:47 | 0:07:49 | |
Kayserzinn was at the forefront of the German Art Nouveau pewterware | 0:07:49 | 0:07:53 | |
industry in the early 20th century. | 0:07:53 | 0:07:55 | |
Unfortunately they're not as in vogue as they used to be | 0:07:55 | 0:07:58 | |
so can Mark bring himself to name a price low enough | 0:07:58 | 0:08:01 | |
for it to do well enough at auction? | 0:08:01 | 0:08:03 | |
-Come on. -£30? -35. | 0:08:05 | 0:08:07 | |
-Oh, we're so close. -Very close, 35. | 0:08:07 | 0:08:11 | |
OK, 35, thank you. | 0:08:13 | 0:08:15 | |
I like that. You're an angel. | 0:08:15 | 0:08:18 | |
An angel indeed as Dougie's even thrown in a pewter tray for it to sit on. | 0:08:18 | 0:08:23 | |
Now, getting back to why Mark was here in the first place, | 0:08:24 | 0:08:27 | |
Stuart St John has been waiting patiently to show him | 0:08:27 | 0:08:30 | |
round this magnificent castle, | 0:08:30 | 0:08:32 | |
to look at the Duke of Buccleuch's art collection, | 0:08:32 | 0:08:35 | |
gathered over 300 years and amongst the finest in private hands. | 0:08:35 | 0:08:39 | |
I will show you in this room, this is the inner hall | 0:08:39 | 0:08:42 | |
and you will maybe interested in this picture here. | 0:08:42 | 0:08:46 | |
-Wow. -You like the monkey? -I love the monkey. | 0:08:46 | 0:08:49 | |
Well, it's more like an ape, isn't it? | 0:08:49 | 0:08:52 | |
-This is the fourth Duke of Buccleuch. -The one here? | 0:08:52 | 0:08:56 | |
The one in the red is Charles and his younger brother, Henry. | 0:08:56 | 0:09:00 | |
-The uniform is there in the case. -Oh, yes. | 0:09:00 | 0:09:03 | |
-The gun is there as well. -When was this painted? | 0:09:03 | 0:09:07 | |
In the late 1700s by an artist called Cadral. | 0:09:07 | 0:09:11 | |
The monkey is called Jacko but it was a lot smaller. | 0:09:11 | 0:09:15 | |
The artist could well have refused to paint the monkey so he said, | 0:09:15 | 0:09:19 | |
once he painted a blank sky there, he packed his bags and went home. | 0:09:19 | 0:09:23 | |
Then the mother got somebody else to paint the monkey in. | 0:09:23 | 0:09:25 | |
I will tell you what, | 0:09:25 | 0:09:27 | |
both the monkey and the little terrier are looking rather ferocious. | 0:09:27 | 0:09:31 | |
Yes, but you wouldn't stand like that with a monkey hanging over your head, would you? | 0:09:31 | 0:09:34 | |
I don't know, I've never tried it! I've only ever seen them in zoos. | 0:09:34 | 0:09:39 | |
The internationally renowned Buccleuch art collection | 0:09:39 | 0:09:43 | |
features works by Rembrandt, da Vinci, | 0:09:43 | 0:09:46 | |
van Dyck and Gainsborough, as well as many other objets d'art, | 0:09:46 | 0:09:50 | |
including this fabulous cabinet, a present to Louis XIV, King of France. | 0:09:50 | 0:09:56 | |
We have a pair of bronze and gilt figures here. | 0:09:57 | 0:10:01 | |
Hippolyte, the Amazon Goddess, and Hercules. Holding up the cask. | 0:10:01 | 0:10:07 | |
It is just amazing, isn't it? | 0:10:07 | 0:10:09 | |
Active in the early 18th century, Andre Charles Boules, | 0:10:09 | 0:10:13 | |
famous for his marquetry, | 0:10:13 | 0:10:15 | |
and the most remarkable of all French cabinetmakers, | 0:10:15 | 0:10:17 | |
made a pair of these fine cabinets. | 0:10:17 | 0:10:19 | |
The other being held in the Paul Getty Museum in Malibu. | 0:10:19 | 0:10:23 | |
But how has this got here from Versailles in France? | 0:10:23 | 0:10:26 | |
When the chap looking like Captain Hook, Charles II, marries Catherine of Portugal, | 0:10:28 | 0:10:33 | |
his cousin, Louis XIV, gave him this as a wedding present. | 0:10:33 | 0:10:37 | |
And of course, when his son, the Duke of Monmouth, | 0:10:37 | 0:10:41 | |
the first Duke of Buccleuch, married, they were passed on to him, | 0:10:41 | 0:10:45 | |
so that is why we still have them. | 0:10:45 | 0:10:46 | |
Besides these as a wedding present, he got Bombay and Tangiers. | 0:10:46 | 0:10:51 | |
Oh, gosh, I think I'd rather have the cabinet. | 0:10:51 | 0:10:54 | |
-The others are difficult to house! -I suppose you're right. | 0:10:54 | 0:10:57 | |
This is an incredible room. | 0:10:57 | 0:10:59 | |
The family seem so successful that there must be some downsides? | 0:10:59 | 0:11:03 | |
Yes, there is. Come with me and I'll show you. | 0:11:03 | 0:11:05 | |
This is the broken heart mirror. | 0:11:08 | 0:11:11 | |
You can see the heart is split and the wings are drooping. | 0:11:11 | 0:11:14 | |
In 1754, the first son of the third Duke and Duchess of Queensbury | 0:11:14 | 0:11:20 | |
tragically died and two years later, they lost their second son. | 0:11:20 | 0:11:25 | |
With no heirs to their title, the Duchess decided to remember her sons | 0:11:25 | 0:11:28 | |
with this especially commissioned mirror. | 0:11:28 | 0:11:31 | |
The boys are supposedly represented by the two swans in life | 0:11:31 | 0:11:35 | |
and the two urns in death. | 0:11:35 | 0:11:37 | |
From such a sad thing that we've got a beautiful reminder of the past? | 0:11:39 | 0:11:42 | |
-Yes. -A wonderful antique mirror. | 0:11:42 | 0:11:46 | |
I have so enjoyed my visit here, thank you so much for having us. | 0:11:46 | 0:11:49 | |
That's OK, you're welcome. Shall we go for a cup of tea? | 0:11:49 | 0:11:52 | |
Oh, come on, that would be lovely. | 0:11:52 | 0:11:55 | |
So, while Mark enjoys his tea break, Catherine is hot on his heels | 0:11:55 | 0:11:58 | |
to check out the shops in the castle's courtyard. | 0:11:58 | 0:12:01 | |
Starting with owner, Stephen, in Restitch and Restore. | 0:12:01 | 0:12:05 | |
-Hello. -Hello, how are you? I love your hair. | 0:12:05 | 0:12:09 | |
-Thank you. -It's wonderful. | 0:12:09 | 0:12:11 | |
-I found it on eBay! -It's fabulous. | 0:12:11 | 0:12:15 | |
I see the charm approach is on full blast again. | 0:12:15 | 0:12:17 | |
I love this, this is beautiful. | 0:12:17 | 0:12:20 | |
German wagon, still use them. | 0:12:20 | 0:12:22 | |
Easter in the villages, they will fill them with sweeties | 0:12:22 | 0:12:25 | |
and tempt all the kids to go and visit the dentist. | 0:12:25 | 0:12:28 | |
On Father's Day, the fathers do the same, fill it with beer | 0:12:28 | 0:12:32 | |
and the last man standing puts all the rest of the husbands back in | 0:12:32 | 0:12:35 | |
and maybe drops them off at the right house. | 0:12:35 | 0:12:37 | |
-But I love it. How much is this? -We have a price tag of 350 on that. | 0:12:38 | 0:12:43 | |
Ouch! | 0:12:43 | 0:12:44 | |
You might love it but it will take a lot more charm to afford it. | 0:12:44 | 0:12:47 | |
-Think about it. -OK. | 0:12:47 | 0:12:49 | |
Think about how low you can go, but it would have to be very low. | 0:12:49 | 0:12:53 | |
-Give me an idea. -I wouldn't want to say any more than £80. | 0:12:53 | 0:12:59 | |
Maybe 120? | 0:12:59 | 0:13:01 | |
No, I've got to take it to auction and make some money on it. | 0:13:01 | 0:13:05 | |
It flat packs, it's easy to take to auction. | 0:13:05 | 0:13:07 | |
Stephen, whilst I'm walking around outside and around about, | 0:13:07 | 0:13:12 | |
can you have a think and really think what you could possibly let me | 0:13:12 | 0:13:16 | |
-have it for? As a friend, a new friend. -Yes. | 0:13:16 | 0:13:22 | |
She doesn't half make friends quick, does she? | 0:13:22 | 0:13:25 | |
While Stephen is left to mull over | 0:13:25 | 0:13:27 | |
how much he really wants to sell his cart for, | 0:13:27 | 0:13:30 | |
Catherine is popping next door to see our Dougie. | 0:13:30 | 0:13:33 | |
-What is the...? -Swagger stick? -Oh, is it a swagger stick? -Yes. | 0:13:40 | 0:13:45 | |
Oh, that's quite nice. Oh, that's quite nice, isn't it? | 0:13:45 | 0:13:49 | |
Nice bone handle. Looks expensive! | 0:13:49 | 0:13:53 | |
-How much is that? -That is on at 85. | 0:13:53 | 0:13:57 | |
How much is that with a nudge, nudge, wink, wink? | 0:13:57 | 0:14:00 | |
I could you do that for 60. | 0:14:01 | 0:14:05 | |
That's a possibility then. Right, what else have we got? | 0:14:06 | 0:14:09 | |
-There's something nice and quirky for you. -Yeah, I saw that. | 0:14:09 | 0:14:13 | |
Is it a letter opener? That's nice, isn't it? | 0:14:14 | 0:14:17 | |
A little, probably a dachshund or something with this long tail, | 0:14:18 | 0:14:22 | |
it's a letter opener. | 0:14:22 | 0:14:24 | |
It is brass with these little green glass eyes. | 0:14:24 | 0:14:28 | |
Woof! | 0:14:28 | 0:14:29 | |
Our experts seem to be pinning their hopes | 0:14:29 | 0:14:31 | |
on canine collectables today, don't they? Now, what about a deal? | 0:14:31 | 0:14:35 | |
Right, so I like that. | 0:14:35 | 0:14:37 | |
-45 would really help me out, Dougie. -Come on, then. | 0:14:37 | 0:14:41 | |
Thank you very much indeed. That's wonderful. | 0:14:41 | 0:14:44 | |
Your little doggie, I don't think it's terribly old but it's just fun. | 0:14:44 | 0:14:49 | |
-I like it. What could you do that for? -I could do that for 10 for you. | 0:14:49 | 0:14:55 | |
OK, I'm going to go for him as well for £10. | 0:14:55 | 0:14:59 | |
So that's £55 in total for the walking stick, and a letter-opener, | 0:14:59 | 0:15:03 | |
but what has Stephen decided about his cart? | 0:15:03 | 0:15:06 | |
I am on fire! This is it now. | 0:15:07 | 0:15:11 | |
What can you do? Come on. | 0:15:11 | 0:15:15 | |
70? | 0:15:16 | 0:15:17 | |
You're nervous. Don't be nervous. | 0:15:19 | 0:15:21 | |
I can feel you shaking. | 0:15:21 | 0:15:23 | |
No wonder! | 0:15:23 | 0:15:25 | |
Shall we say 60? | 0:15:25 | 0:15:27 | |
OK, 60. | 0:15:27 | 0:15:29 | |
-Maybe I could've got it for even less! -No, no, no. | 0:15:29 | 0:15:31 | |
It's cold. | 0:15:31 | 0:15:32 | |
Thank you very much. | 0:15:32 | 0:15:34 | |
-You've got lipstick on you now. -I know. | 0:15:34 | 0:15:36 | |
And we all know in the trade, a kiss on the cheek means | 0:15:36 | 0:15:39 | |
a deal has been sealed. | 0:15:39 | 0:15:41 | |
From the ticket price of £350 down to £60, | 0:15:41 | 0:15:44 | |
that is a fantastic bargain, Catherine. | 0:15:44 | 0:15:47 | |
It's been a productive day for our antiquarians. | 0:15:48 | 0:15:51 | |
Now, both could do with a well-earned bit of shut-eye. | 0:15:51 | 0:15:54 | |
Nighty-night. | 0:15:54 | 0:15:56 | |
Ha! The glorious British summertime has greeted our esteemed experts, | 0:16:00 | 0:16:04 | |
but at least they can still appreciate their surroundings. | 0:16:04 | 0:16:07 | |
I do love Ayrshire in the summer, don't you? | 0:16:07 | 0:16:10 | |
It's lovely. | 0:16:10 | 0:16:11 | |
Ayrshire is absolutely beautiful, but where is the sun? | 0:16:14 | 0:16:17 | |
Well, looking on the bright side, | 0:16:17 | 0:16:19 | |
you've both got some good deals so far. | 0:16:19 | 0:16:21 | |
Mark has been rather prudent with his cash. | 0:16:21 | 0:16:24 | |
He's spent a modest £47 on a Spelter terrier figure | 0:16:24 | 0:16:27 | |
and a pewter Art Nouveau ice bucket and tray. | 0:16:27 | 0:16:30 | |
That leaves him with a whopping £153 to splash about. | 0:16:30 | 0:16:34 | |
Catherine, meanwhile, has pushed the boat out, | 0:16:36 | 0:16:39 | |
spending a mighty £133 on a wooden marquetry workbox, | 0:16:39 | 0:16:43 | |
a dachshund letter opener, | 0:16:43 | 0:16:45 | |
a walking stick, | 0:16:45 | 0:16:47 | |
and a pine wagon, leaving her with just £67 to spend. | 0:16:47 | 0:16:50 | |
Mark and Catherine are heading 62 miles north-west | 0:16:52 | 0:16:55 | |
to the small town of Kilbirnie in North Ayrshire, | 0:16:55 | 0:16:59 | |
but things aren't going quite to plan. | 0:16:59 | 0:17:01 | |
ENGINE WON'T START | 0:17:01 | 0:17:03 | |
I just don't know. I really don't know. | 0:17:03 | 0:17:06 | |
Well, thank you very much, Catherine. | 0:17:06 | 0:17:07 | |
Oh, look. It's not my fault. | 0:17:07 | 0:17:11 | |
No, you're sabotaging me. | 0:17:11 | 0:17:12 | |
I have now got to struggle up to my shop. | 0:17:12 | 0:17:14 | |
Mark, it's 300 yards. It's not far. | 0:17:14 | 0:17:17 | |
Catherine, Catherine... This is just the beginning of the week. | 0:17:17 | 0:17:20 | |
I'm going to remember this. | 0:17:20 | 0:17:22 | |
So you're going to just leave me? Abandon me? | 0:17:22 | 0:17:24 | |
In the middle of nowhere, with this car? | 0:17:24 | 0:17:27 | |
Oh, crikey. With a full day of shopping ahead of him, | 0:17:27 | 0:17:30 | |
Mark is having to hot-foot it up to the working farm | 0:17:30 | 0:17:33 | |
which houses Stirrup Cup Antiques, | 0:17:33 | 0:17:35 | |
while poor Catherine is left to sort out the MG. | 0:17:35 | 0:17:38 | |
Oh, look. Mark has been lured into the mahogany chest | 0:17:43 | 0:17:46 | |
where he has spotted a shell design spoon with a hoof-decorated handle | 0:17:46 | 0:17:51 | |
and Greeta is on hand to help. | 0:17:51 | 0:17:52 | |
-I mean, looking at... -It's absolutely beautiful. | 0:17:52 | 0:17:55 | |
..the design. | 0:17:55 | 0:17:57 | |
-It's very nice quality. -Would you think it was continental? | 0:17:57 | 0:17:59 | |
I think it's continental. | 0:17:59 | 0:18:01 | |
It doesn't seem to have any English hallmarks on it. | 0:18:01 | 0:18:04 | |
And although we have a shell motif a lot in English silver, | 0:18:04 | 0:18:08 | |
we don't have this sort of stem in English. | 0:18:08 | 0:18:12 | |
With this little decoration, there. | 0:18:12 | 0:18:14 | |
At £30, it's reasonably priced, | 0:18:14 | 0:18:16 | |
but Mark wants to keep looking | 0:18:16 | 0:18:18 | |
in case there's more hidden treasure in Greeta's galleon. | 0:18:18 | 0:18:21 | |
I absolutely adore these chairs. | 0:18:21 | 0:18:24 | |
I love interesting words in antiques. | 0:18:24 | 0:18:27 | |
And one of my favourite words is "metamorphic". | 0:18:27 | 0:18:31 | |
Now, metamorphic means it changes into something. | 0:18:31 | 0:18:35 | |
So, if you undo... | 0:18:35 | 0:18:36 | |
There might be one on the other side... No. | 0:18:36 | 0:18:39 | |
If you undo the hook, | 0:18:39 | 0:18:41 | |
it goes from a rather sort of plain, ordinary-looking, | 0:18:41 | 0:18:44 | |
Gothic, uncomfortable chair - | 0:18:44 | 0:18:47 | |
and it will be uncomfortable - | 0:18:47 | 0:18:49 | |
and if you go like this... | 0:18:49 | 0:18:51 | |
..it turns into a lovely pair of library steps. | 0:18:53 | 0:18:58 | |
LOUD CREAK | 0:18:58 | 0:19:00 | |
Oh! Well, it would do, if I didn't break it! | 0:19:00 | 0:19:02 | |
-HE LAUGHS -Oops! Steady, Eddy. | 0:19:02 | 0:19:04 | |
With an asking price of £100, | 0:19:04 | 0:19:06 | |
best to do it deal quickly, before you actually do some damage, Mark. | 0:19:06 | 0:19:09 | |
I think that would be estimated, if I'm being honest, | 0:19:09 | 0:19:12 | |
at auction at sort of £50 to £80. | 0:19:12 | 0:19:14 | |
-That's where I see the estimate. -Mm-hm. | 0:19:14 | 0:19:16 | |
-But... -I disagree. | 0:19:16 | 0:19:19 | |
Do you know, honestly...! | 0:19:19 | 0:19:21 | |
They're very rare up here. | 0:19:21 | 0:19:22 | |
But, also, I'm interested in the spoon. | 0:19:22 | 0:19:24 | |
You are? So, we'll say £100 for the two items. | 0:19:24 | 0:19:28 | |
This Ayrshire lass is not falling for it, Mark. | 0:19:28 | 0:19:31 | |
What else have you got up your sleeve? | 0:19:31 | 0:19:34 | |
But it has got a little crack, did you notice that? | 0:19:34 | 0:19:37 | |
Yeah, but I wasn't telling you that. | 0:19:37 | 0:19:39 | |
SHE LAUGHS | 0:19:41 | 0:19:43 | |
You're very naughty! | 0:19:43 | 0:19:45 | |
SHE LAUGHS AGAIN | 0:19:45 | 0:19:46 | |
How about £90 for the two? | 0:19:46 | 0:19:49 | |
I knew you were going to say that. But I like round figures. | 0:19:49 | 0:19:52 | |
Yeah, well, 90's round, because I could have said 95. | 0:19:52 | 0:19:56 | |
-Oh, come on. -Come on, £90. -Well, I... -Come on, I've been very kind to you. | 0:19:57 | 0:20:02 | |
I'm going to have to split in the middle, 85. Come on. | 0:20:02 | 0:20:05 | |
-You like round figures. -I do like eight and five together. | 0:20:05 | 0:20:07 | |
-It has a certain ring. Thank you. Have we got a deal? -We've got a deal. | 0:20:07 | 0:20:11 | |
Can we have a hug as well? | 0:20:11 | 0:20:14 | |
-You're a bad man. -You're a bad woman and I love it! | 0:20:14 | 0:20:18 | |
My, that was some high-powered negotiating, there. | 0:20:18 | 0:20:21 | |
I think I need a cuppa after that. | 0:20:21 | 0:20:23 | |
But probably not as much as Catherine. | 0:20:24 | 0:20:27 | |
With the Green Goddess in the garage, | 0:20:27 | 0:20:29 | |
she's finally got a lift the eight miles south to Kilwinning. | 0:20:29 | 0:20:33 | |
Catherine's at Byre Antiques And Collectables | 0:20:33 | 0:20:36 | |
with just £67 left to spend and she's not hanging about. | 0:20:36 | 0:20:40 | |
Sort of 1850s. | 0:20:40 | 0:20:42 | |
Oh, this is a nice presentation mark on that. | 0:20:43 | 0:20:46 | |
"To Mr G Richmond from Charles Small of Glasgow. | 0:20:46 | 0:20:53 | |
"1844." So, yeah, mid-19th century. | 0:20:54 | 0:20:57 | |
Marked at £80, it's one to think about but owner Shane | 0:20:57 | 0:21:02 | |
has got another piece at the same price to turn her head. | 0:21:02 | 0:21:05 | |
-Mm. What is that? -Well, that's what makes it special. | 0:21:11 | 0:21:14 | |
-It's a pipe knocker. -Really? -It is a pipe knocker, yeah. | 0:21:14 | 0:21:19 | |
OK, so you knock pipe against here and then all the bits would | 0:21:19 | 0:21:22 | |
fall into here, the ash. | 0:21:22 | 0:21:24 | |
-Would you have ash? I don't even know. -Yeah, ash. -It's horrible. | 0:21:24 | 0:21:28 | |
-But how popular are they? Who wants a pipe knocker? -But it's Moorcroft. | 0:21:28 | 0:21:32 | |
And for a collector... How much is that, then? | 0:21:32 | 0:21:35 | |
-I've got 80 on it. -What could you do on that though, Shane? | 0:21:35 | 0:21:39 | |
It would have to be 60 and that is the absolute death on that. | 0:21:39 | 0:21:42 | |
-Cos you have to... OK. -It's cheap for a piece of Moorcroft. | 0:21:42 | 0:21:45 | |
But Catherine still hasn't forgotten about that telescope. | 0:21:45 | 0:21:48 | |
What would she like to pay for it? | 0:21:48 | 0:21:51 | |
I'd like to pay 40, Shane. That would be great. | 0:21:51 | 0:21:54 | |
And then I think we'd probably have a deal at 40. | 0:21:54 | 0:21:57 | |
But £40 plus £60 for the pipe knocker... That's £100, Catherine. | 0:21:57 | 0:22:02 | |
And you've only got £67 left. | 0:22:02 | 0:22:04 | |
So, our clever expert has concocted a plan to trade in | 0:22:04 | 0:22:07 | |
a walking stick she bought from Dougie | 0:22:07 | 0:22:11 | |
as well as her cash in exchange for the two items. | 0:22:11 | 0:22:13 | |
-Are you all right with that? -I would be fine with that. | 0:22:13 | 0:22:17 | |
That's a bit of a strange one but I think we got there. | 0:22:17 | 0:22:21 | |
Yeah, strange indeed. | 0:22:21 | 0:22:23 | |
When you take into account the £45 Catherine spent on the cane, | 0:22:23 | 0:22:27 | |
Catherine has actually bought the telescope for £52 | 0:22:27 | 0:22:30 | |
and the pipe knocker for £60. | 0:22:30 | 0:22:32 | |
Confused? Not as much as me! | 0:22:32 | 0:22:35 | |
Thank goodness that's her all shopped out. | 0:22:35 | 0:22:37 | |
Now, with the car back on the road, | 0:22:37 | 0:22:39 | |
Mark's heading nine miles west to the pretty coastal town of Largs. | 0:22:39 | 0:22:42 | |
In 1263, the Battle of Largs brought an end | 0:22:42 | 0:22:46 | |
to Viking influence over Scotland. | 0:22:46 | 0:22:49 | |
But our antique warrior is an the warpath to uncover | 0:22:49 | 0:22:52 | |
the treasures within Narducci Antiques. | 0:22:52 | 0:22:55 | |
Nearly spent all my money and now I've come to an Aladdin's cave. | 0:22:55 | 0:22:59 | |
It's like all my Christmases come together. I mean, look at it. | 0:22:59 | 0:23:02 | |
There's stuff everywhere. It's wonderful. | 0:23:02 | 0:23:07 | |
Could Mark be regretting buying so much so soon? | 0:23:07 | 0:23:10 | |
He's certainly seduced by the choice on offer in here and with £68 | 0:23:10 | 0:23:13 | |
left to spend on his final item, is he going to buy big, I wonder? | 0:23:13 | 0:23:17 | |
That doesn't look very big to me. | 0:23:17 | 0:23:20 | |
Mark's found a cast metal statue of a gentleman in Regency dress | 0:23:20 | 0:23:23 | |
and at £35, it's well within his budget. | 0:23:23 | 0:23:26 | |
Franco is standing by. | 0:23:26 | 0:23:28 | |
How much is that? | 0:23:29 | 0:23:32 | |
-I think he's off something, isn't he? -I think he is. | 0:23:32 | 0:23:34 | |
Do you think he's off a plinth or clock or something? | 0:23:34 | 0:23:36 | |
I do honestly think he is off a plinth or something. | 0:23:36 | 0:23:39 | |
-It looks like it. -The base doesn't belong to it. -No. | 0:23:39 | 0:23:42 | |
He's very English, isn't he? | 0:23:42 | 0:23:44 | |
He's very English with the tricorn hat but I don't know... | 0:23:44 | 0:23:46 | |
Probably 19th century, I would have thought, wouldn't you? | 0:23:46 | 0:23:50 | |
Think I feel a deal brewing. | 0:23:50 | 0:23:52 | |
-Could I push you down a bit, do you think? -Try me. | 0:23:52 | 0:23:54 | |
-He's always trying. -What about £10? -No. | 0:23:56 | 0:24:00 | |
-Couldn't do it for £10, Mark, honestly. -What could you do it for? | 0:24:00 | 0:24:03 | |
-Honestly. £20. -£20. -£20. -I'm happy with that. | 0:24:03 | 0:24:07 | |
-Thank you. -Thank you very much. Now, I've got some cash... -Lovely. | 0:24:07 | 0:24:10 | |
-If you don't mind taking cash. -I'll take cash all day long. | 0:24:10 | 0:24:13 | |
There we are. £20. And again, thanks so much. | 0:24:13 | 0:24:16 | |
-Lovely to meet you, Franco. -Thanks very much. You too, Mark. | 0:24:16 | 0:24:19 | |
Mark's shopping's all done now. Nice and simple. | 0:24:19 | 0:24:23 | |
I know someone who could learn a thing or two from him. | 0:24:23 | 0:24:25 | |
Let's find out where Catherine's got to. | 0:24:25 | 0:24:28 | |
She's engaging herself in a bit of history and is travelling | 0:24:28 | 0:24:31 | |
the 19 miles east to the small Ayrshire town of Darvel. | 0:24:31 | 0:24:35 | |
Catherine's meeting up with | 0:24:37 | 0:24:40 | |
Max Flemmich MBE at the Darvel Telephone Museum. | 0:24:40 | 0:24:44 | |
After 44 years employment with BT, | 0:24:44 | 0:24:47 | |
it was only natural that Max would carry on his interest | 0:24:47 | 0:24:50 | |
with this collection of 100 years of the telephone. | 0:24:50 | 0:24:54 | |
TELEPHONES RING | 0:24:54 | 0:24:56 | |
-Goodness gracious me! Hi, there. -Hello. | 0:25:01 | 0:25:03 | |
-Hello. Hi. -Welcome to the Darvel Telephone Museum. -Hello, Max. | 0:25:03 | 0:25:07 | |
Lovely to meet you. Well... I've never seen so many... | 0:25:07 | 0:25:10 | |
Where do we start? | 0:25:10 | 0:25:12 | |
Of course, it was Scotsman Alexander Graham Bell who started it | 0:25:12 | 0:25:16 | |
all off, inventing the telephone in 1876. | 0:25:16 | 0:25:19 | |
Max's collection begins in 1900, | 0:25:19 | 0:25:22 | |
when there were just 3,000 telephones in the whole of the UK. | 0:25:22 | 0:25:26 | |
So, what is the very first one? | 0:25:28 | 0:25:30 | |
The earliest one I've got, 1900, is a wall type. | 0:25:30 | 0:25:33 | |
-With the...sorry. -With the wooden frame. | 0:25:33 | 0:25:38 | |
Most were wood on the wall, most were metal on the tables and desk. | 0:25:38 | 0:25:44 | |
And you turn the handle to get the operator. | 0:25:44 | 0:25:47 | |
In those days you had to have three batteries to power | 0:25:47 | 0:25:50 | |
the transmitter and everything was combined on a wee parcel shelf. | 0:25:50 | 0:25:55 | |
So, we've got this first stage at 1900. And where do we go from there? | 0:25:55 | 0:25:59 | |
One of the earliest recognisable table models was the candlestick. | 0:25:59 | 0:26:02 | |
-The candlestick. -As seen on Dr Finlay's Casebook. | 0:26:02 | 0:26:04 | |
-Love the candlestick. -Very heavy. Many varieties. | 0:26:04 | 0:26:08 | |
Many different styles. Once they discovered everybody's mouth | 0:26:08 | 0:26:11 | |
and ear was in the same place around the world, | 0:26:11 | 0:26:13 | |
they put a transmitter on one end of a piece of wood, | 0:26:13 | 0:26:16 | |
a receiver on the other, called it a handset, | 0:26:16 | 0:26:18 | |
-which is kind of obvious what to call it. -Yeah. | 0:26:18 | 0:26:21 | |
-And ever since, the handset has been... -Pretty much stayed like that. | 0:26:21 | 0:26:24 | |
So, what about the dials, Max? When did they first come in? | 0:26:24 | 0:26:29 | |
The dials in Great Britain first came in in 1912 | 0:26:29 | 0:26:32 | |
when the first automatic telephone exchange, | 0:26:32 | 0:26:35 | |
brought over from America, was fitted in Epsom in the south of England. | 0:26:35 | 0:26:39 | |
And it was in 1912 that the General Post Office took over | 0:26:39 | 0:26:42 | |
most of the private telephone companies that had sprung up | 0:26:42 | 0:26:46 | |
throughout the country and continued to own right until the 1960s. | 0:26:46 | 0:26:50 | |
Until that point, all calls made would have had to go | 0:26:50 | 0:26:53 | |
through an operator at the switchboard. | 0:26:53 | 0:26:56 | |
And Catherine is finding out just how complicated that process was. | 0:26:56 | 0:27:01 | |
Here we are. Number 12. Let's put him in here. | 0:27:02 | 0:27:05 | |
-Can I help you? -Yes. Could I have number 16, please? -Number 16. | 0:27:08 | 0:27:12 | |
You've done this before, haven't you? | 0:27:12 | 0:27:15 | |
Number 16. That's only one. | 0:27:15 | 0:27:17 | |
We'll put it in. I could get used to this. | 0:27:17 | 0:27:21 | |
PHONE RINGS Hello. Number 16. Robert speaking. | 0:27:21 | 0:27:26 | |
-Oh! -Hello, Joe, how are you getting on? That's all right. | 0:27:26 | 0:27:29 | |
Yes. I'll be in tonight. SHE LAUGHS | 0:27:29 | 0:27:33 | |
-Thank you very much. -Oh, Max! You're fabulous! | 0:27:33 | 0:27:38 | |
-You then take the plugs out again cos the calls are finished. -Right. | 0:27:38 | 0:27:42 | |
It's quite hard, actually, isn't it? | 0:27:44 | 0:27:46 | |
You have to really focus and really think about it. | 0:27:46 | 0:27:49 | |
-I bet you could hear a few stories, couldn't you? -You could. | 0:27:49 | 0:27:52 | |
But you sign the official secrets act then and you didn't declare | 0:27:52 | 0:27:55 | |
anything you'd heard as part of your job. | 0:27:55 | 0:27:58 | |
-# Kissing on the phone -Can I help you? | 0:27:58 | 0:28:01 | |
# Oh, kissing on the phone | 0:28:01 | 0:28:04 | |
# Oh, when we're all alone... # | 0:28:04 | 0:28:07 | |
Today we're all familiar with the telephone | 0:28:09 | 0:28:12 | |
as a means of communication. | 0:28:12 | 0:28:14 | |
Mobile phones come with us everywhere we go | 0:28:14 | 0:28:16 | |
but Max still craves for the bygone era of the old dial-up | 0:28:16 | 0:28:20 | |
house phones and payphones that kept Britain talking. | 0:28:20 | 0:28:24 | |
It's only when you see a museum like this that everything comes together, | 0:28:24 | 0:28:28 | |
just what your granny had, what her granny had | 0:28:28 | 0:28:31 | |
and what you can remember back in the past. | 0:28:31 | 0:28:33 | |
It is exactly that and it's wonderful to come here | 0:28:33 | 0:28:37 | |
and see that progression. | 0:28:37 | 0:28:39 | |
I salute you in preserving all of this | 0:28:39 | 0:28:41 | |
cos I think you've done an amazing job. And it's... | 0:28:41 | 0:28:43 | |
-Your passion really comes across. It's amazing. -Thank you. | 0:28:43 | 0:28:46 | |
-Max, it's been great meeting you. Thank you very much. -Thank you. | 0:28:46 | 0:28:49 | |
After that enlightening visit, | 0:28:49 | 0:28:52 | |
our two treasure seekers are meeting up for the grand unveiling. | 0:28:52 | 0:28:54 | |
-Shall I reveal first? -Get on and reveal. | 0:28:54 | 0:28:56 | |
I'm so excited to see what you think about my collection of items. Look. | 0:28:56 | 0:29:01 | |
-Right. Remember the dog. -You know... -I remember the dog from the shop. | 0:29:03 | 0:29:08 | |
You saw that. Metamorphic library chair. Gothic oak. | 0:29:08 | 0:29:11 | |
-So it turns into library steps. -Oh, lovely! -Which I love. | 0:29:11 | 0:29:14 | |
-I absolutely adore. -Because from here that looks very boring. | 0:29:14 | 0:29:17 | |
I know but it's metamorphic and it turns into library steps. | 0:29:17 | 0:29:20 | |
-That is wonderful. That's really interesting. -This is really sweet. | 0:29:20 | 0:29:23 | |
-You'll like this. Look at that lovely hoof. -Oh, I love that. | 0:29:23 | 0:29:27 | |
Continental silver. Probably German, 1890. | 0:29:27 | 0:29:30 | |
-I really love that. -£15. 1-5! -No! That's a steal! | 0:29:30 | 0:29:35 | |
Pewter Art Nouveau. 35 quid. | 0:29:35 | 0:29:39 | |
-Mm. Not so keen on that, are you? -This is an unusual piece. | 0:29:40 | 0:29:44 | |
I really, really like this. I think he's really well modelled. | 0:29:44 | 0:29:49 | |
-This 18th century tricorn hat, frock coat. 20 quid. -That's very cheap. | 0:29:50 | 0:29:55 | |
-I think that's speculative, actually. -Yeah. | 0:29:55 | 0:29:57 | |
Right. Your turn, Catherine. | 0:29:57 | 0:29:59 | |
-Are you ready? -I'm ready. | 0:29:59 | 0:30:01 | |
-Oh, you rotter! -Why? -You absolute rotter! -Why? -Because I saw that. | 0:30:05 | 0:30:10 | |
-Did you? -And I loved it. -It's really cute, isn't it? | 0:30:10 | 0:30:12 | |
-You absolute rotter. -Why? -Because I was going to go back and buy it. | 0:30:12 | 0:30:16 | |
-It's really cute, isn't it? -I love it. | 0:30:16 | 0:30:19 | |
It only cost me £10. You rotter! I think this is '50s. | 0:30:19 | 0:30:22 | |
-I adore that. -I said made 20th century. | 0:30:22 | 0:30:25 | |
That is an absolute steal. | 0:30:25 | 0:30:27 | |
-Do you know what that is? -Do you know, I think...Moorcroft. | 0:30:27 | 0:30:33 | |
I don't think Moorcroft ever made those. | 0:30:33 | 0:30:35 | |
-Well, it is a pipe knocker, apparently. -A what? -A pipe knocker. | 0:30:35 | 0:30:39 | |
You knock your pipe and that's where all your little ash would go in. | 0:30:39 | 0:30:42 | |
-Of course it is(!) -No, it is! | 0:30:42 | 0:30:44 | |
Oh, dear. Mark seems a bit suspicious of that pipe knocker. | 0:30:44 | 0:30:48 | |
-Do you like my telescope? -Do you know, Catherine, | 0:30:48 | 0:30:51 | |
every reveal is going to have something scientific from you. | 0:30:51 | 0:30:54 | |
-Not necessarily! -Carrying on the theme, | 0:30:54 | 0:30:56 | |
that looks as if it's been knocked around a bit! | 0:30:56 | 0:30:58 | |
It has been knocked around. Stop being so nasty! | 0:30:58 | 0:31:01 | |
Stop laughing about everything. This is quite nice. | 0:31:01 | 0:31:05 | |
-That cost me £18. -Well, that's... Yeah. | 0:31:05 | 0:31:08 | |
-You've only got four items? -Wait. | 0:31:08 | 0:31:10 | |
-Was it something he said? -HE SIGHS | 0:31:13 | 0:31:17 | |
CATHERINE LAUGHS Oh, my good Lord! | 0:31:19 | 0:31:23 | |
-I don't believe it. Look. -Ta-da! | 0:31:24 | 0:31:28 | |
-What do you think? -Oh, I love it(!) | 0:31:28 | 0:31:30 | |
I tell you what, Catherine, | 0:31:30 | 0:31:32 | |
that's a wonderful view of you pulling a cart behind you. | 0:31:32 | 0:31:36 | |
All you need to be singing now is "Alive Alive-o"! | 0:31:36 | 0:31:39 | |
THEY LAUGH | 0:31:39 | 0:31:41 | |
Don't you think this is absolutely fabulous? | 0:31:41 | 0:31:44 | |
-With all your plants and... -Yeah. And how much was it? | 0:31:44 | 0:31:49 | |
-60 quid. -Well, it's nothing for 60 quid. | 0:31:51 | 0:31:53 | |
It's certainly an interesting mix, isn't it? Don't you think? | 0:31:53 | 0:31:57 | |
Is that all you can say? After all my hard work, "An interesting mix." | 0:31:57 | 0:32:03 | |
I think you've... I think it's going to be fun at the auction. | 0:32:03 | 0:32:07 | |
I think that could be quite a sleeper, actually. | 0:32:07 | 0:32:10 | |
Give me a kiss. Well done. Come on. Time to go. | 0:32:10 | 0:32:15 | |
Well, this is all very civilised but now it's time to spill the beans. | 0:32:15 | 0:32:19 | |
What an interesting reveal. I mean, I love that letter opener. That dog. | 0:32:19 | 0:32:24 | |
It's fabulous. It's just up my street, a bit of vintage. | 0:32:24 | 0:32:27 | |
Shall I let you into a little secret? | 0:32:27 | 0:32:30 | |
I actually love all of Mark's items. | 0:32:30 | 0:32:33 | |
Actually, there is an exception, the dog. It's OK. | 0:32:33 | 0:32:36 | |
It's neither here nor there. | 0:32:36 | 0:32:38 | |
And I've got one or two surprises there | 0:32:38 | 0:32:40 | |
so who knows? It's all down to the auction. | 0:32:40 | 0:32:43 | |
It's time to get back on the road and head to auction. | 0:32:45 | 0:32:48 | |
It's been a very busy first leg for our dynamic duo, | 0:32:49 | 0:32:53 | |
kicking off in Dumfries and Galloway, | 0:32:53 | 0:32:55 | |
meandering around the delightful Ayrshire countryside | 0:32:55 | 0:32:58 | |
and popping to Paisley for their first auction of the trip. | 0:32:58 | 0:33:01 | |
I can't wait to see you weeping. | 0:33:01 | 0:33:03 | |
Shame they haven't got my cart outside. | 0:33:03 | 0:33:05 | |
They burnt it already, Catherine. Oh! HORN SOUNDS | 0:33:05 | 0:33:08 | |
-HE SIGHS -You're so excited, aren't you? | 0:33:10 | 0:33:12 | |
-Do you know, I've peaked too soon. -I can't do this gracefully. | 0:33:12 | 0:33:16 | |
Gosh. Right. | 0:33:16 | 0:33:18 | |
-Come on, dear. Let's go. -Can you not call me dear? | 0:33:18 | 0:33:22 | |
-Why not? -Because I'm not 60. | 0:33:22 | 0:33:25 | |
-Without outfit, you look 60. -Oh! | 0:33:25 | 0:33:28 | |
The first battlefield for our bickering duo | 0:33:28 | 0:33:31 | |
is at Collins & Patterson, auctioneers since 1848. | 0:33:31 | 0:33:34 | |
The also offer live bidding on the internet. | 0:33:34 | 0:33:37 | |
Residing over our proceedings today is Steven Maxwell. | 0:33:37 | 0:33:40 | |
Let's see what he thinks of our experts' choices. | 0:33:40 | 0:33:44 | |
The oak library steps, metamorphic steps, | 0:33:44 | 0:33:46 | |
are always a good seller at auction. Always a very popular item. | 0:33:46 | 0:33:49 | |
Should do very well. With the wind behind it should get three figures. | 0:33:49 | 0:33:53 | |
We've put an estimate of 80 to 120. | 0:33:53 | 0:33:56 | |
The blue pipe knocker vase or possibly a dressing table accessory. | 0:33:56 | 0:34:00 | |
It is marked Moorcroft on the base. | 0:34:00 | 0:34:02 | |
Whether it is Moorcroft is up for some debate, | 0:34:02 | 0:34:05 | |
which could drastically affect what it might achieve at auction. | 0:34:05 | 0:34:09 | |
It might be a disappointing lot for the valuers, I'm afraid. | 0:34:09 | 0:34:12 | |
The antique trough wagon is an interesting lot. | 0:34:12 | 0:34:14 | |
I haven't sold one before. | 0:34:14 | 0:34:17 | |
There's been a lot of interest in this item so far | 0:34:17 | 0:34:19 | |
so we've put an auction estimate of £150-£200. | 0:34:19 | 0:34:22 | |
-It could do a fair bit better. -Sounds promising. | 0:34:22 | 0:34:25 | |
Mark and Catherine both began this leg with the Road Trip's | 0:34:26 | 0:34:29 | |
bulging budget of £200. | 0:34:29 | 0:34:31 | |
Mark Stacey spent a shrewd £152 of his budget on his five lots. | 0:34:31 | 0:34:36 | |
Catherine Southon also amassed five lots, though spent every last penny | 0:34:37 | 0:34:41 | |
and even had to trade in one of her items in the process. | 0:34:41 | 0:34:45 | |
Right, folks. Concentrate. The auction is about to begin. | 0:34:46 | 0:34:49 | |
First up is Catherine's brass letter opener. | 0:34:51 | 0:34:54 | |
-A nice wee quirky lot, this one. -Did he say quacky or quirky? | 0:34:54 | 0:34:58 | |
What can we say to get started? £10, surely. £10. Thank you, sir. | 0:34:58 | 0:35:02 | |
-£10 bid. The gentleman has it. -It should be more. | 0:35:02 | 0:35:04 | |
PHONE RINGS There's a phone bid coming in. | 0:35:04 | 0:35:06 | |
From the left, at 15. You're out. With the gentleman standing. | 0:35:06 | 0:35:10 | |
15 has it. Any advance at 15? Are we all done? | 0:35:10 | 0:35:12 | |
We're selling, then. Fair warning to you at £15. | 0:35:12 | 0:35:16 | |
GAVEL SOUNDS Oh, dear. That's disappointing. | 0:35:16 | 0:35:18 | |
A £5 profit for Catherine's dachshund letter opener. | 0:35:19 | 0:35:23 | |
Well, it's a start. | 0:35:23 | 0:35:25 | |
You've licked your face and a little bit more. | 0:35:25 | 0:35:27 | |
It's Mark's cast metal statue in Regency dress up next. | 0:35:30 | 0:35:35 | |
£20. Anyone at £20? | 0:35:35 | 0:35:37 | |
At £20. | 0:35:37 | 0:35:39 | |
-Nobody's bidding. -£15. I'm going the wrong way. | 0:35:39 | 0:35:43 | |
-Completely the wrong way. -£15 I have, to get started. | 0:35:43 | 0:35:47 | |
15. Do I have 18? | 0:35:47 | 0:35:49 | |
15, with the gentleman at 15. It's been very quiet all of a sudden. | 0:35:49 | 0:35:52 | |
It's with the gentleman. Selling to the room. Fair warning at 15. | 0:35:52 | 0:35:55 | |
Oh, well. That's the way it goes, isn't it? | 0:35:55 | 0:35:57 | |
-I'm surprised at that. -I thought that would make a bit of money. | 0:35:57 | 0:36:00 | |
Sadly not. It's a £5 loss, I'm afraid. | 0:36:00 | 0:36:03 | |
And that will be even more after the auction house | 0:36:03 | 0:36:06 | |
takes its well earned commission. Pity. | 0:36:06 | 0:36:09 | |
-You're leading at the moment. -Yes, I know. | 0:36:09 | 0:36:11 | |
-Sorry, what did you say? -HE COUGHS | 0:36:11 | 0:36:13 | |
Something stuck in your throat, Mark? | 0:36:13 | 0:36:16 | |
You're up again with the shell design spoon with hoof handle. | 0:36:16 | 0:36:20 | |
£20. | 0:36:20 | 0:36:22 | |
OK. £10. Anything. £10 to get started. | 0:36:24 | 0:36:27 | |
Take a spin at £10. Thank you, sir. | 0:36:27 | 0:36:29 | |
£10, I have. Do I have £12? With the gentleman at 10. | 0:36:29 | 0:36:33 | |
In the room. £12 bid. You're out, sir. | 0:36:33 | 0:36:35 | |
It's to my left now. 12 has it. | 0:36:35 | 0:36:37 | |
-Come on. -What? -15 bid. | 0:36:37 | 0:36:40 | |
18. 20. 22. 25. You're out. | 0:36:40 | 0:36:44 | |
-The bid's to my far left. -25. So I've made £10 on them, Catherine. | 0:36:44 | 0:36:49 | |
-£25. -Sounds a bit cheap. -Sounds cheap to me. | 0:36:49 | 0:36:51 | |
-I really, really liked that. -I've wiped my face with it. | 0:36:51 | 0:36:54 | |
You have indeed. Back in profit, Mark, but only just. | 0:36:54 | 0:36:58 | |
It's Catherine's next lot, the wooden marquetry box. | 0:36:59 | 0:37:03 | |
£10 for the work box. | 0:37:03 | 0:37:05 | |
-£8 for the work box. -Come on! | 0:37:05 | 0:37:08 | |
-We have 10 on the internet. -10 on the interweb. | 0:37:08 | 0:37:11 | |
-Good grief. -T'internet, is it? | 0:37:11 | 0:37:13 | |
We have £10 there on the net. Any advance on 10? | 0:37:13 | 0:37:16 | |
-Are we all done then? At £10. -GAVEL SOUNDS | 0:37:16 | 0:37:19 | |
Oh, dear. A loss of £8 before auction costs. | 0:37:19 | 0:37:23 | |
There goes that lead you had. | 0:37:23 | 0:37:25 | |
Will her luck change with her big purchase, | 0:37:26 | 0:37:29 | |
the pipe knocker vase? Possibly Moorcroft, possibly not. | 0:37:29 | 0:37:32 | |
It's marked on the base Moorcroft, made in England. | 0:37:32 | 0:37:35 | |
-Make up your own mind on that one, folks. -Oh, God! | 0:37:35 | 0:37:37 | |
Interesting piece nonetheless. What can I say? £20. | 0:37:37 | 0:37:40 | |
-No! -Thank you, sir. | 0:37:40 | 0:37:42 | |
£20 I'm bid. £20 I have here, seated. | 0:37:42 | 0:37:45 | |
Do I have 22? 22 bid. 25. | 0:37:45 | 0:37:48 | |
28. 30. No. With the same gent at 30. Any advance? | 0:37:48 | 0:37:52 | |
-We're selling to the room. Fair warning. At £30. -Gosh. | 0:37:52 | 0:37:56 | |
I knew that was going to do it. | 0:37:56 | 0:37:59 | |
They knocked that out a bit cheap, didn't they? | 0:37:59 | 0:38:01 | |
I knew I shouldn't have bought that. | 0:38:01 | 0:38:03 | |
Ouch. Catherine really needed to make a profit there. | 0:38:03 | 0:38:06 | |
It was a bit of a pipe dream, that one. | 0:38:06 | 0:38:08 | |
Now, Mark's got a chance to take advantage of Catherine's bad luck. | 0:38:08 | 0:38:12 | |
It's his Art Nouveau ice bucket and pewter tray up next. | 0:38:12 | 0:38:16 | |
-Can we say £50? -Come along! | 0:38:16 | 0:38:19 | |
The Art Nouveau bucket. 40, then, to get started. | 0:38:19 | 0:38:21 | |
£40. Thank you, sir. £40 I have. 42 at the back. | 0:38:21 | 0:38:24 | |
45. 48. And 50. | 0:38:24 | 0:38:27 | |
You're out. The bid is to my right at £50. It's in the room at 50. | 0:38:27 | 0:38:31 | |
-Any advance? 55 is on the net. -What? -It's on the net. | 0:38:31 | 0:38:35 | |
-That's good if the net's on it. -It's against the net at 65. | 0:38:35 | 0:38:38 | |
-Come on, net, you should be coming back. -70, still, in the room. | 0:38:38 | 0:38:41 | |
-Against the net at £70. -It should be coming on on the net. | 0:38:41 | 0:38:44 | |
The net should pick it up. | 0:38:44 | 0:38:46 | |
The net should come in. Come on, net. | 0:38:46 | 0:38:48 | |
Come on, net. Come on, net. GAVEL SOUNDS | 0:38:48 | 0:38:51 | |
-£70. -I felt like Andy Murray then. | 0:38:51 | 0:38:54 | |
-"Come on, net! Come on!" -Crikey! | 0:38:54 | 0:38:56 | |
No wonder he's getting a little excited. | 0:38:57 | 0:39:01 | |
It's Mark's spelter terrier next. | 0:39:02 | 0:39:04 | |
-20. 10. We'll start with 10. -Oh, you meany! | 0:39:04 | 0:39:08 | |
£10 we have. At £10. Do we have £12 for the Scottie? | 0:39:08 | 0:39:12 | |
-It's with the gentleman at 10. £12 bid. -No! -You're out, sir. | 0:39:12 | 0:39:16 | |
It's with the gentleman at 15. It's now against the internet. | 0:39:16 | 0:39:19 | |
The bid's in the room at 15. Any advance on 15? | 0:39:19 | 0:39:21 | |
Are we all done then? We're selling then. | 0:39:21 | 0:39:23 | |
Come on, please. GAVEL SOUNDS | 0:39:23 | 0:39:25 | |
Another profit for Mark, | 0:39:25 | 0:39:28 | |
although the dog may not be Mark's best friend any more. | 0:39:28 | 0:39:31 | |
Rotten little thing. I never liked her anyway. | 0:39:32 | 0:39:37 | |
Now, can Catherine see a much-needed profit on the horizon | 0:39:37 | 0:39:44 | |
-with her telescope? -£50? | 0:39:44 | 0:39:46 | |
-Come on. -£40. | 0:39:48 | 0:39:50 | |
-What? -What's happening, Catherine? | 0:39:52 | 0:39:54 | |
-Thank you, £30 I'm bid. -I don't know. | 0:39:54 | 0:39:57 | |
Do I have 32? | 0:39:57 | 0:39:59 | |
-The optic's absolutely perfect. -It's creeping up. | 0:39:59 | 0:40:02 | |
Still at 35 to my left. Any advance on 35? 35. Are we all done? 35. | 0:40:02 | 0:40:06 | |
We're selling them. Fair warning to you. At £35. | 0:40:06 | 0:40:10 | |
-I spy with my little eye a little bit of a loss there. -Yes. | 0:40:10 | 0:40:15 | |
The right buyers just weren't there. | 0:40:15 | 0:40:18 | |
I think someone's got a bit of a bargain if you ask me. | 0:40:18 | 0:40:21 | |
But it's a loss all the same, Catherine. | 0:40:21 | 0:40:24 | |
Now, any takers for Mark's last lot of the day? | 0:40:24 | 0:40:27 | |
It's his oak metamorphic library steps. | 0:40:27 | 0:40:30 | |
I think I'm about to lose the only profit I made. | 0:40:30 | 0:40:33 | |
-Every time you say that you make a profit. -No, I don't. | 0:40:33 | 0:40:36 | |
A few conflicting commission bids here, folks. | 0:40:36 | 0:40:39 | |
-I will come straight in here at £95. -Well done! | 0:40:39 | 0:40:43 | |
..for the library steps. | 0:40:43 | 0:40:45 | |
£100 in the room. 110. 120. 130. | 0:40:45 | 0:40:48 | |
-You're out. -Well done. -Thank you. | 0:40:48 | 0:40:52 | |
-Thank you. -Well done. | 0:40:52 | 0:40:55 | |
150 on commission. Against the internet at 150. Come on, internet! | 0:40:55 | 0:40:59 | |
The net is now out. A commission bid. | 0:40:59 | 0:41:01 | |
We are selling, fair warning to you, at £150. | 0:41:01 | 0:41:04 | |
-GAVEL SOUNDS -You are a star. Very good. | 0:41:04 | 0:41:08 | |
I told you. Every time you're negative, it's positive. | 0:41:09 | 0:41:12 | |
Looks like you're going up in the world, Mark. | 0:41:12 | 0:41:15 | |
It's Catherine's last chance to catch up | 0:41:16 | 0:41:18 | |
but her continental pine wagon | 0:41:18 | 0:41:21 | |
will need to make over £170 profit for her to win today so good luck. | 0:41:21 | 0:41:26 | |
We have some conflicting commission bids. | 0:41:26 | 0:41:28 | |
I'm straight in, folks, and starting here at £120 | 0:41:28 | 0:41:32 | |
-to get the bidding started. -Is it? -At 120. | 0:41:32 | 0:41:36 | |
Do I have 130? It's with me at 120. | 0:41:36 | 0:41:39 | |
130, we have, now online. At 140 with me. At 150. At 160. | 0:41:39 | 0:41:45 | |
It's with me at 160, against the net now. | 0:41:45 | 0:41:48 | |
-160 I have here on commission. -Have you got your father bidding at home? | 0:41:48 | 0:41:51 | |
-No! -Are you sure? -It's very cheap. Very cheap. | 0:41:51 | 0:41:55 | |
-Sounds very expensive to me. -At £160. | 0:41:55 | 0:41:58 | |
GAVEL SOUNDS A ridiculous price! Gosh! | 0:41:58 | 0:42:01 | |
Well, a valiant effort. | 0:42:01 | 0:42:03 | |
The best sale of the day but not enough to catch Mark. | 0:42:03 | 0:42:06 | |
At least it means you've made a profit overall though, Catherine. | 0:42:06 | 0:42:10 | |
If this is the start of the week, | 0:42:10 | 0:42:12 | |
I think the end is going to be explosive. | 0:42:12 | 0:42:15 | |
-Do you think so? -Absolutely. Come on. | 0:42:15 | 0:42:17 | |
Let's go. | 0:42:17 | 0:42:19 | |
Both our experts started this leg with £200 and after paying | 0:42:22 | 0:42:26 | |
auction costs, Catherine has made a profit of just £5. | 0:42:26 | 0:42:31 | |
That leaves her with £205 to carry forward. | 0:42:31 | 0:42:35 | |
That scoundrel Stacey, on the other hand, has triumphed today. | 0:42:36 | 0:42:40 | |
He's made a bumper profit of £73.50, | 0:42:40 | 0:42:42 | |
which means he takes forward £273.50 to spend next time. | 0:42:42 | 0:42:47 | |
-Onward and downward, as they say. -Onward and upwards! | 0:42:48 | 0:42:52 | |
Yes, Catherine! The only way is up! Hopefully via a garage! | 0:42:52 | 0:42:57 | |
ENGINE SPLUTTERS | 0:42:57 | 0:42:59 | |
On the next leg of their Scottish adventure... | 0:42:59 | 0:43:02 | |
-..Mark starts to run out of puff... -That's not at all bad. | 0:43:03 | 0:43:08 | |
..while Catherine tries some local cuisine. | 0:43:08 | 0:43:11 | |
Oh! Oh, that's revolting! | 0:43:11 | 0:43:15 |