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-It's the nation's favourite antiques experts. -All right, viewers? | 0:00:02 | 0:00:05 | |
With £200 each, a classic car and a goal - | 0:00:05 | 0:00:08 | |
to scour Britain for antiques. | 0:00:08 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold! Going, going, gone! | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
-but it's no mean feat. -Ow! | 0:00:16 | 0:00:18 | |
-50p! -There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
Tricep dips... | 0:00:22 | 0:00:24 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
-Ooh! Oh! -Ah, it's going to be a good one! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:36 | |
This week's seen our two cheerful chaps | 0:00:38 | 0:00:40 | |
hit the road on the quest for antique glory. | 0:00:40 | 0:00:43 | |
But like all good things, this too must come to an end. | 0:00:43 | 0:00:46 | |
Do you know, it's all extremely sad. | 0:00:47 | 0:00:50 | |
I won't be able to learn off the Grand Master. | 0:00:50 | 0:00:52 | |
PAUL LAUGHS | 0:00:52 | 0:00:55 | |
Sensei, Sensei Laidlaw. PAUL CHORTLES | 0:00:55 | 0:00:58 | |
Yes, Sensei. You have been a worthwhile student... | 0:00:58 | 0:01:01 | |
Mr Plant. | 0:01:01 | 0:01:03 | |
-A delicate flower. -A delicate flower! | 0:01:03 | 0:01:05 | |
You have been a worthy, a worthy student. | 0:01:05 | 0:01:07 | |
Good, good! You think? THEY LAUGH | 0:01:07 | 0:01:10 | |
Yes. | 0:01:10 | 0:01:11 | |
Paul Laidlaw is indeed a master auctioneer | 0:01:11 | 0:01:14 | |
and as a self-confessed antiques geek since childhood | 0:01:14 | 0:01:18 | |
it's no wonder he's topping the leaderboard. | 0:01:18 | 0:01:20 | |
Don't occupy me, I'm busy. Can't you see I'm working? | 0:01:20 | 0:01:24 | |
-Have that, Laidlaw. -What are you doing? | 0:01:24 | 0:01:26 | |
Hot on his heels is auctioneer and valuer Thomas Plant. | 0:01:26 | 0:01:30 | |
He has a bit of a penchant for jewellery in silver | 0:01:30 | 0:01:33 | |
and also dressing up. | 0:01:33 | 0:01:35 | |
Man about town, Tomato Plant. | 0:01:35 | 0:01:38 | |
Are you at all worried, Laidlaw? You know, I've got half your money. | 0:01:41 | 0:01:45 | |
I could sink half your money into something amazing. | 0:01:45 | 0:01:48 | |
It's as easy as that? It ain't over! | 0:01:48 | 0:01:51 | |
It certainly is not but Thomas has some serious catching up to do. | 0:01:51 | 0:01:55 | |
After four trips to auction, he's turned an initial budget | 0:01:56 | 0:02:00 | |
of £200 into a very respectable £423.66. | 0:02:00 | 0:02:06 | |
But Paul has leapt ahead, | 0:02:06 | 0:02:09 | |
turning his £200 into a rather enormous budget | 0:02:09 | 0:02:13 | |
of £955.46. | 0:02:13 | 0:02:16 | |
-We've had a laugh, though. -We have had a laugh, yeah, absolutely. | 0:02:16 | 0:02:20 | |
And we've seen the country, my God, if you think about it. | 0:02:20 | 0:02:23 | |
Oh, yes. | 0:02:23 | 0:02:25 | |
They've certainly been clocking up the miles in the Sunbeam Alpine. | 0:02:25 | 0:02:28 | |
Kicking off in Morecambe, Lancashire, | 0:02:28 | 0:02:30 | |
this trip has taken them over 600 miles | 0:02:30 | 0:02:32 | |
towards the county town of Bedford. | 0:02:32 | 0:02:34 | |
On this last leg, they're starting | 0:02:34 | 0:02:36 | |
in Wendover, Buckinghamshire, | 0:02:36 | 0:02:38 | |
and will make their way to their final destination | 0:02:38 | 0:02:40 | |
at auction in Bedford. | 0:02:40 | 0:02:42 | |
Nestled in the Chiltern Hills, Wendover has held a Royal Charter | 0:02:42 | 0:02:46 | |
since 1464, which gives it its official market town status. | 0:02:46 | 0:02:52 | |
Oh, good old market town, really, isn't it? | 0:02:52 | 0:02:54 | |
I just said that... | 0:02:54 | 0:02:56 | |
Pretty place, you could come and spend an afternoon here. | 0:02:56 | 0:02:58 | |
Well, I hope a morning in Antiques of Wendover | 0:02:58 | 0:03:01 | |
will suffice, actually, Thomas. | 0:03:01 | 0:03:03 | |
-Have a good 'un! -And you! Bye-bye! | 0:03:03 | 0:03:05 | |
-Hello, I'm Thomas. -Hi. Len. -Len, nice to meet you. -Nice to meet you. | 0:03:08 | 0:03:12 | |
-So this is a big centre? -Yes. -Lots of individual dealers. | 0:03:12 | 0:03:15 | |
-Yep, 32 of us. -All right, well, I'll have a good look around. -OK. | 0:03:15 | 0:03:18 | |
-Thank you very much. -If you need any help. -Thank you. | 0:03:18 | 0:03:23 | |
He's already found a distraction. | 0:03:27 | 0:03:30 | |
Magnum PI. | 0:03:30 | 0:03:33 | |
Oh, look. There's some dressing up. | 0:03:33 | 0:03:36 | |
-Lordy. -No, I don't really want to go in drag today. | 0:03:36 | 0:03:39 | |
Not in a drag mood. | 0:03:39 | 0:03:40 | |
No dressing up, eh? Pressure to find profitable purchases | 0:03:40 | 0:03:43 | |
finally getting to you, Thomas? | 0:03:43 | 0:03:46 | |
Laidlaw's on the tremendous amount. | 0:03:46 | 0:03:49 | |
You know, he's got, sort of, another £400 above me. | 0:03:49 | 0:03:52 | |
Unless I find that real gem, it's a tall order. | 0:03:53 | 0:03:57 | |
It's just a case of looking and looking and looking. | 0:03:57 | 0:04:01 | |
And not buying with this, your heart, but buying with this. | 0:04:01 | 0:04:05 | |
While Thomas hunts to his heart's content in Wendover, | 0:04:06 | 0:04:10 | |
rival Paul's search is also beginning, | 0:04:10 | 0:04:12 | |
as he heads towards Waddesdon in the Vale of Aylesbury. | 0:04:12 | 0:04:15 | |
A small village with a history of silk and lace | 0:04:18 | 0:04:21 | |
and Paul's first opportunity to part with some of that £955 he's holding. | 0:04:21 | 0:04:27 | |
-Hello there! -Good morning! -I'm Paul. -Good morning, I'm Roger. | 0:04:27 | 0:04:30 | |
-Good to see you, Roger. -And you. -This is yours? -It is, yes. | 0:04:30 | 0:04:33 | |
-Great stuff. -Yes. -Have you anything military kicking about? | 0:04:33 | 0:04:35 | |
No, unfortunately. I did have quite a lot of stuff in for you on Friday, | 0:04:35 | 0:04:39 | |
and then I had a good weekend, so, uh... | 0:04:39 | 0:04:41 | |
THEY LAUGH | 0:04:41 | 0:04:42 | |
That's good news for Roger, but with some great stuff gone | 0:04:42 | 0:04:46 | |
is Paul going to struggle here? | 0:04:46 | 0:04:48 | |
It seems all that money isn't helping him in the shop. | 0:04:56 | 0:05:00 | |
-It's been a pleasure. -It's been nice to see you. -I wish you well. | 0:05:00 | 0:05:03 | |
-Good to see you. -Yeah, we'll catch you next time. Bye. -Bye. | 0:05:03 | 0:05:06 | |
Mm, he's being very careful with his cash today. | 0:05:06 | 0:05:09 | |
But back in Wendover it looks like Thomas is having more success. | 0:05:11 | 0:05:15 | |
God, that's a stylish set of chess, isn't it? | 0:05:15 | 0:05:17 | |
They've got lead weights on them. | 0:05:17 | 0:05:19 | |
I can't tell you what a joy it is to handle a weighted chess piece. | 0:05:19 | 0:05:24 | |
It really does have a real joy to it. | 0:05:24 | 0:05:26 | |
These modernist chess pieces are speaking to his heart. | 0:05:26 | 0:05:30 | |
So with a ticket price of £40, what's his heart saying? | 0:05:30 | 0:05:33 | |
Mm, a good box. What's the best on those? | 0:05:33 | 0:05:36 | |
For you, Thomas, 25. | 0:05:36 | 0:05:38 | |
Oh, that's not bad. That's not bad. Let's think about it. | 0:05:40 | 0:05:43 | |
You should make a profit. | 0:05:43 | 0:05:44 | |
And now Len's offering up a silver card case. What a helpful chap! | 0:05:44 | 0:05:49 | |
-It's a pretty little aide-memoire. -Aide-memoire. | 0:05:49 | 0:05:54 | |
Silver hallmarks. | 0:05:54 | 0:05:56 | |
So you open it up, | 0:05:56 | 0:05:58 | |
you've got a silk interior | 0:05:58 | 0:06:00 | |
and you put your calling card case, | 0:06:00 | 0:06:04 | |
aide-memoire, in there. | 0:06:04 | 0:06:05 | |
It's quite sweet, really. I quite like the ribbed action to it. | 0:06:06 | 0:06:10 | |
-That's quite good, isn't it? -Yeah. -Quite nice to be...ribbed. | 0:06:10 | 0:06:15 | |
Another item tickles his fancy, | 0:06:16 | 0:06:18 | |
but this Victorian aide-memoire | 0:06:18 | 0:06:22 | |
costs £135. | 0:06:22 | 0:06:24 | |
Oh, God. Let's not talk about that figure. | 0:06:24 | 0:06:28 | |
-If you're interested, 60. -OK. | 0:06:28 | 0:06:32 | |
£15 off the chess set and a £75 reduction on the aide-memoire, | 0:06:32 | 0:06:36 | |
this is looking good, Thomas! | 0:06:36 | 0:06:38 | |
I see it at auction at £40-60. | 0:06:38 | 0:06:42 | |
So if I let you have that for 40, and that for 20... | 0:06:43 | 0:06:46 | |
-Yep, I'd be... -That would help you? -That would help me dramatically. | 0:06:46 | 0:06:50 | |
-OK, we'll do that. -Will you do that? | 0:06:50 | 0:06:52 | |
-Yep. -60 quid, we've got a deal? -Deal. | 0:06:52 | 0:06:55 | |
That's an absolute dream. Thank you very much. | 0:06:55 | 0:06:57 | |
I really like the chess set. That's a bit, you know, | 0:06:57 | 0:07:00 | |
I'm thinking with my head. I've thought with my heart on this. | 0:07:00 | 0:07:05 | |
So, Thomas leaves with a happy heart and head. | 0:07:05 | 0:07:08 | |
Not to mention, two items with a discount of £115. | 0:07:08 | 0:07:12 | |
Such a great start that he is now intent on taking it easy... | 0:07:12 | 0:07:15 | |
..and is heading to the village of Quainton to let off some steam. | 0:07:17 | 0:07:21 | |
He's come to the Buckinghamshire Railway Centre to experience | 0:07:23 | 0:07:26 | |
the heyday of steam travel. | 0:07:26 | 0:07:28 | |
During the late 19th and early 20th century, train travel, | 0:07:30 | 0:07:33 | |
for most of us, would involve crowds and cramped seating | 0:07:33 | 0:07:36 | |
reminiscent of modern Russia. | 0:07:36 | 0:07:39 | |
But for the more privileged folk, | 0:07:39 | 0:07:41 | |
carriages were the standard of five-star hotels | 0:07:41 | 0:07:45 | |
displaying incredible craftsmanship. | 0:07:45 | 0:07:48 | |
One even became a preferred meeting room | 0:07:48 | 0:07:51 | |
for two great Second World War commanders. | 0:07:51 | 0:07:53 | |
And here to give Thomas a taste for the high life is Tony Lister. | 0:07:53 | 0:07:57 | |
-Hi, I'm Thomas. -Good morning and thank you. | 0:07:57 | 0:07:59 | |
Welcome to the Buckinghamshire Railway Centre. | 0:07:59 | 0:08:02 | |
Run by the Quainton Railway Society, a group of railway enthusiasts, | 0:08:02 | 0:08:07 | |
who have gathered together one of the largest collections | 0:08:07 | 0:08:10 | |
of its kind in the UK. | 0:08:10 | 0:08:12 | |
Even this station, dating from 1890, was painstakingly dismantled | 0:08:13 | 0:08:17 | |
from its home in Oxford and recreated on this site, | 0:08:17 | 0:08:22 | |
evoking a time when rail travel, for some, | 0:08:22 | 0:08:24 | |
included dining in opulent carriages. | 0:08:24 | 0:08:28 | |
This is amazing, it's made to the standard | 0:08:28 | 0:08:30 | |
-of a sort of gentlemen's club. -Oh, indeed. | 0:08:30 | 0:08:33 | |
I mean, it is, but that was the standard in 1901. | 0:08:33 | 0:08:37 | |
That was how they built carriages before the first war, | 0:08:37 | 0:08:40 | |
when labour was relatively cheap. | 0:08:40 | 0:08:43 | |
But, you know, no expense is spared. You've got all the inlay work, | 0:08:43 | 0:08:46 | |
the carvings, the mouldings. | 0:08:46 | 0:08:50 | |
Love these bottle coasters. And very sensible | 0:08:50 | 0:08:52 | |
because the tables are quite small, | 0:08:52 | 0:08:54 | |
obviously - we're in a railway carriage, | 0:08:54 | 0:08:56 | |
so the bottles are out the way, one for wine or water. | 0:08:56 | 0:08:59 | |
-The little menu holder's sweet, isn't it? -Yes. | 0:08:59 | 0:09:02 | |
And all the extra trimmings. I mean, they lived and ate brilliantly. | 0:09:02 | 0:09:06 | |
Although this carriage was built for first-class dining, | 0:09:06 | 0:09:09 | |
it was also used by servants as part of the Royal Train. | 0:09:09 | 0:09:13 | |
And if this is the servants' quarters, | 0:09:13 | 0:09:15 | |
I can't imagine where the Queen takes her tea! | 0:09:15 | 0:09:19 | |
It's amazing that the servants would be eating in this sumptuous, | 0:09:19 | 0:09:24 | |
I suppose, you know, surroundings. | 0:09:24 | 0:09:26 | |
And the Royals would have exactly the same. | 0:09:26 | 0:09:28 | |
Almost identical, if better, or...? | 0:09:28 | 0:09:30 | |
They did to start with. It was two identical vehicles | 0:09:30 | 0:09:33 | |
which went in the Royal Train. Another one just the same as this. | 0:09:33 | 0:09:36 | |
So that was modernised in 1941, internally. | 0:09:36 | 0:09:39 | |
Oh, really? And this was always there? | 0:09:39 | 0:09:41 | |
This is the original 1901 survivor. | 0:09:41 | 0:09:44 | |
It was only used by the servants, so we didn't need to modernise it. | 0:09:44 | 0:09:47 | |
Another proud part of the centre's collection | 0:09:47 | 0:09:50 | |
is this special saloon from the 1940s. | 0:09:50 | 0:09:53 | |
It was built for use by the Royals and VIPs, | 0:09:54 | 0:09:57 | |
but carriages like this became important mobile offices | 0:09:57 | 0:10:01 | |
during the war and this one has a very special claim to fame. | 0:10:01 | 0:10:06 | |
Initially, it was used during the war for meetings with Churchill, | 0:10:06 | 0:10:11 | |
and between Churchill and Eisenhower, | 0:10:11 | 0:10:13 | |
planning, who knows, the invasion of Europe? | 0:10:13 | 0:10:16 | |
So, Tony, what do you think the advantages were | 0:10:16 | 0:10:19 | |
by using trains and carriages as this in wartime? | 0:10:19 | 0:10:22 | |
It's a self-contained vehicle. It's harder to hit, to bomb, | 0:10:22 | 0:10:26 | |
strafe, whatever, a moving train | 0:10:26 | 0:10:28 | |
than it is to hit a stationary building. | 0:10:28 | 0:10:30 | |
It's absolute opulence. | 0:10:30 | 0:10:32 | |
There's space, | 0:10:32 | 0:10:35 | |
there's a boardroom, there's a sitting room, | 0:10:35 | 0:10:38 | |
your own private compartment, etc. | 0:10:38 | 0:10:41 | |
Well, Thomas, you do seem very much at home | 0:10:42 | 0:10:44 | |
amongst Churchill's soft furnishings, | 0:10:44 | 0:10:47 | |
but Tony has one more thing to show you | 0:10:47 | 0:10:49 | |
and it looks a little less comfortable. | 0:10:49 | 0:10:51 | |
-Who would have used this? -The single seater was for the inspector | 0:10:52 | 0:10:55 | |
to go out and see how his men were getting on down the line. | 0:10:55 | 0:10:58 | |
So he, poor chap, didn't have to walk all the way. | 0:10:58 | 0:11:02 | |
Known as a velocipede tricycle, | 0:11:02 | 0:11:04 | |
this was made in America, around 1889. | 0:11:04 | 0:11:08 | |
And, incredibly, 120 years later, it still works. | 0:11:08 | 0:11:11 | |
So with a tendency to give everything a go, | 0:11:11 | 0:11:14 | |
I can only guess what's coming next. | 0:11:14 | 0:11:16 | |
Just as I suspected. | 0:11:19 | 0:11:23 | |
-Let me give you a push. -Right, so... | 0:11:23 | 0:11:26 | |
-That'll set you off. -Here I go. | 0:11:26 | 0:11:28 | |
Oh! I'll tell you what, it's hard work, this. | 0:11:31 | 0:11:35 | |
But, Laidlaw, I've got it. And I'm coming for you. | 0:11:37 | 0:11:41 | |
Ha-ha-ha, that's fighting talk, Thomas. | 0:11:41 | 0:11:44 | |
But on the open road, rival Paul is unaware of this impending doom | 0:11:44 | 0:11:48 | |
and is powering towards the once-Roman settlement | 0:11:48 | 0:11:52 | |
of Fenny Stratford. | 0:11:52 | 0:11:53 | |
A busy market town until the 17th century, Fenny Stratford | 0:11:54 | 0:11:58 | |
has now been part of Milton Keynes for almost 40 years. | 0:11:58 | 0:12:03 | |
And without a lot to his name, Paul's got high hopes | 0:12:03 | 0:12:06 | |
for his second shopping adventure in Fenny Antiques Centre, | 0:12:06 | 0:12:10 | |
under the watchful eyes of Mags. | 0:12:10 | 0:12:13 | |
I've bought nothing thus far, today. | 0:12:13 | 0:12:16 | |
And here's me with it all to do. | 0:12:16 | 0:12:19 | |
So don't occupy me, I'm busy. Can't you see I'm working? | 0:12:19 | 0:12:23 | |
Oh, my. All that money's gone to his head. | 0:12:23 | 0:12:26 | |
That's some pair of shears, is it not? | 0:12:26 | 0:12:29 | |
These Victorian, Baroque-style scissors have Paul's attention | 0:12:29 | 0:12:32 | |
and a ticket price of £32. | 0:12:32 | 0:12:36 | |
What are you telling us? Cased ceremonial scissors. | 0:12:36 | 0:12:38 | |
I dare say if you were going to... | 0:12:38 | 0:12:40 | |
-POSH VOICE: -I open this supermarket... | 0:12:40 | 0:12:43 | |
..they would fit the bill. | 0:12:43 | 0:12:46 | |
How interesting. Good stuff. Great. | 0:12:46 | 0:12:49 | |
If you know what you're looking for, | 0:12:49 | 0:12:51 | |
it's no surprise that there's a Stanhope | 0:12:51 | 0:12:54 | |
at the heart of this little card. | 0:12:54 | 0:12:56 | |
Bone...or composition cross, that remains to be seen. | 0:12:56 | 0:13:01 | |
But what draws me is the fact that the label tells me | 0:13:01 | 0:13:06 | |
that this Stanhope has images of the 1418 War in it. | 0:13:06 | 0:13:10 | |
That's what I am interested in. There you go. | 0:13:11 | 0:13:15 | |
A Stanhope is a system for viewing pictures in miniature, | 0:13:15 | 0:13:18 | |
and with a connection to the First World War, | 0:13:18 | 0:13:20 | |
military-mad Paul's taken with this little piece. | 0:13:20 | 0:13:23 | |
I like the subject matter. Not bad. | 0:13:23 | 0:13:26 | |
This is...I'm certainly in the zone. | 0:13:26 | 0:13:29 | |
We've by no means broken the back of this exercise, | 0:13:29 | 0:13:32 | |
I doubt we're a third of the way through it. | 0:13:32 | 0:13:35 | |
And look at the cracking, interesting little objects we're finding. | 0:13:35 | 0:13:39 | |
Between you and me, very viable and the prices are all right. | 0:13:39 | 0:13:43 | |
This place is getting him all fired up. | 0:13:45 | 0:13:47 | |
That is a little bit of early Cold War decadence. | 0:13:48 | 0:13:55 | |
I think it taps into this '40s chic. | 0:13:55 | 0:13:57 | |
On the front, a map. It's a map of Germany, | 0:13:57 | 0:14:00 | |
but it's a divided Germany. | 0:14:00 | 0:14:04 | |
The third object of his affections is this 1940s | 0:14:04 | 0:14:07 | |
nickel-plated cigarette case and lighter. | 0:14:07 | 0:14:10 | |
There's another military connection and a pretty small price tag of £10. | 0:14:10 | 0:14:15 | |
And the items keep coming. | 0:14:16 | 0:14:19 | |
A lovely, lovely pot. | 0:14:19 | 0:14:21 | |
The world's full of good Doulton stoneware pots, | 0:14:23 | 0:14:27 | |
which is a problem but that, I think, is utterly divine. | 0:14:27 | 0:14:31 | |
And yours for £35. | 0:14:31 | 0:14:34 | |
I am spoiled for choice, Mags. | 0:14:37 | 0:14:41 | |
He's like the cat that's got the cream. | 0:14:41 | 0:14:43 | |
Have a look at this black cat. | 0:14:43 | 0:14:45 | |
Crazy, terrified look about him, | 0:14:45 | 0:14:48 | |
which I find really charming. | 0:14:48 | 0:14:50 | |
What I find more charming is the little stud in the ear. | 0:14:50 | 0:14:54 | |
And you don't have to tell me | 0:14:54 | 0:14:56 | |
which prestigious firm manufacturing bears, | 0:14:56 | 0:15:01 | |
uses as its trademark device, a little stud in the ear. | 0:15:01 | 0:15:06 | |
It is, of course, Stieff. | 0:15:06 | 0:15:07 | |
This German company started trading in 1880 | 0:15:08 | 0:15:11 | |
with many products now highly prized. | 0:15:11 | 0:15:14 | |
So with a price of only £45, this one is worth considering. Meow. | 0:15:14 | 0:15:18 | |
For something of age, and that's now, what, 60 years old? | 0:15:19 | 0:15:24 | |
I suspect uncommon because I've not encountered one before. | 0:15:24 | 0:15:28 | |
Stieff cat, not a bear, a cat. | 0:15:28 | 0:15:31 | |
I think we're ticking a lot of strong boxes here | 0:15:32 | 0:15:35 | |
and I'm liking that. Right... | 0:15:35 | 0:15:37 | |
It seems you're liking quite a lot here, Paul. | 0:15:37 | 0:15:40 | |
The Victorian scissors, the First World War period rosary Stanhope, | 0:15:40 | 0:15:45 | |
the 1940s cigarette case and lighter, | 0:15:45 | 0:15:47 | |
the early-20th-century Royal Doulton vase | 0:15:47 | 0:15:51 | |
and the 1950s black cat. | 0:15:51 | 0:15:54 | |
So with five items now on his short list | 0:15:55 | 0:15:58 | |
and a total value of £160, | 0:15:58 | 0:16:00 | |
it's time to talk money with Mags. | 0:16:00 | 0:16:03 | |
I...am... | 0:16:03 | 0:16:06 | |
going to offer you... | 0:16:06 | 0:16:08 | |
-..£100 the lot. -110. | 0:16:09 | 0:16:12 | |
-No, I'm digging my heels in. -Oh, come on! -HE LAUGHS | 0:16:12 | 0:16:16 | |
-So am I! -You're good. -110. | 0:16:16 | 0:16:19 | |
-Are we shaking hands at 105? -OK. | 0:16:22 | 0:16:25 | |
-Wonderful, Mags. -No problem. | 0:16:25 | 0:16:26 | |
You sold me five things! Oh, what am I going to do now? | 0:16:26 | 0:16:30 | |
Wonderful, that's a great little haul. | 0:16:30 | 0:16:32 | |
So that's five items for £105. | 0:16:32 | 0:16:35 | |
Great for Paul but Thomas needs his rival to take more of a risk | 0:16:35 | 0:16:38 | |
with his money, if he stands a chance of catching up with him. | 0:16:38 | 0:16:42 | |
Maybe tomorrow Paul won't play it so safe. Sleep well, chaps. | 0:16:42 | 0:16:46 | |
It's a new day on the road | 0:16:48 | 0:16:50 | |
and our boys are battling through the morning fog. | 0:16:50 | 0:16:52 | |
We're pretty cool, driving around in a car, | 0:16:54 | 0:16:57 | |
open top, in the fog. | 0:16:57 | 0:17:00 | |
We have not seen a drop of rain. | 0:17:00 | 0:17:02 | |
-Oh, come on! -We have no roof. We require no roof. | 0:17:03 | 0:17:07 | |
Blessed, this is another facet to our idyllic lives. | 0:17:07 | 0:17:10 | |
-Well, act naturally. -We don't see rain. -We don't see - we're too cool! | 0:17:10 | 0:17:14 | |
-They're drenched. Us? -We're too cool for rain! THEY LAUGH | 0:17:14 | 0:17:17 | |
Not exactly how I'd describe you, chaps... | 0:17:17 | 0:17:20 | |
but at least they're still making each other laugh. | 0:17:20 | 0:17:25 | |
And they do have quite a bit to show for their exploits on this trip | 0:17:25 | 0:17:28 | |
as yesterday Paul picked up five items | 0:17:28 | 0:17:31 | |
in that last shop for only £105. | 0:17:31 | 0:17:34 | |
He still has a grand total of £850.46 to spend today, | 0:17:34 | 0:17:39 | |
if he can be persuaded to part with it. | 0:17:39 | 0:17:42 | |
But with it all to do, | 0:17:42 | 0:17:44 | |
Thomas spent £60 on the modernist chess set | 0:17:44 | 0:17:48 | |
and Victorian aide-memoire. | 0:17:48 | 0:17:50 | |
So he's got £363.66 to challenge his rival's lead. | 0:17:50 | 0:17:55 | |
This morning, they're starting in Bletchley, which like | 0:17:55 | 0:18:00 | |
Fenny Stratford, is now part of Milton Keynes. | 0:18:00 | 0:18:02 | |
The town grew with the arrival of the railways in the 19th century. | 0:18:04 | 0:18:08 | |
It's now synonymous with code-breaking | 0:18:08 | 0:18:10 | |
during the Second World War at Bletchley Park. | 0:18:10 | 0:18:13 | |
It's also recognised as the place where some of the earliest computers | 0:18:15 | 0:18:19 | |
were used to break encrypted messages of the Hitler regime. | 0:18:19 | 0:18:23 | |
These revolutionary devices have now grown to dominate | 0:18:25 | 0:18:29 | |
almost every aspect of our modern lives. | 0:18:29 | 0:18:31 | |
They've changed the way we communicate, move around the planet | 0:18:31 | 0:18:34 | |
and played a major role in globalisation. | 0:18:34 | 0:18:37 | |
In fact, life without them is almost unimaginable. | 0:18:37 | 0:18:41 | |
But back in Bletchley, in the 1940s, they only did one thing. | 0:18:43 | 0:18:47 | |
Paul's come to the National Museum of Computing to find out | 0:18:47 | 0:18:51 | |
how these machines went from top-secret code-breakers | 0:18:51 | 0:18:55 | |
to one of the world's most used objects, | 0:18:55 | 0:18:58 | |
with the help of museum curator Kevin Murrell. | 0:18:58 | 0:19:01 | |
-Hello! Is it Kevin? -Hello, Paul. | 0:19:01 | 0:19:04 | |
-Good to see you. -How are you doing? | 0:19:04 | 0:19:06 | |
-That's a toy. -It is. This is the Colossus computer. | 0:19:06 | 0:19:09 | |
This is the machine that was developed in the middle | 0:19:09 | 0:19:11 | |
of the Second World War to decrypt the most secure transmissions | 0:19:11 | 0:19:17 | |
from the, sort of, Berlin headquarters | 0:19:17 | 0:19:20 | |
-of the Nazi regime. -Right. | 0:19:20 | 0:19:22 | |
Previously, people had been able to decrypt messages slowly by hand, | 0:19:22 | 0:19:25 | |
but this level of messages required automation. | 0:19:25 | 0:19:29 | |
So this is the first electronic computer | 0:19:29 | 0:19:32 | |
that was built to solve that problem. | 0:19:32 | 0:19:34 | |
Colossus was designed by telephone engineer Tommy Flowers | 0:19:36 | 0:19:39 | |
who had the idea of using electronics | 0:19:39 | 0:19:42 | |
to power an automated machine. | 0:19:42 | 0:19:44 | |
This allowed workers at Bletchley Park | 0:19:44 | 0:19:46 | |
to decode each message in about six hours. | 0:19:46 | 0:19:49 | |
Something that had previously taken six weeks. | 0:19:49 | 0:19:52 | |
We're doing this here at Bletchley, during the war | 0:19:54 | 0:19:59 | |
and it's top-secret. | 0:19:59 | 0:20:01 | |
Is there anything comparable going on, albeit in isolation, elsewhere? | 0:20:01 | 0:20:06 | |
Not quite to the same degree. The Americans were here as well. | 0:20:06 | 0:20:10 | |
There was quite a team of Americans working here. | 0:20:10 | 0:20:13 | |
No-one could take one of these with them. | 0:20:13 | 0:20:15 | |
No-one could take the circuit diagrams. | 0:20:15 | 0:20:17 | |
But everyone left with the knowledge of the fact that | 0:20:17 | 0:20:20 | |
-you could build a machine on this scale to do that job. -Yeah. | 0:20:20 | 0:20:23 | |
Although cutting edge for its time, | 0:20:23 | 0:20:25 | |
Colossus was designed to perform one task. | 0:20:25 | 0:20:28 | |
But a major breakthrough came a few years later | 0:20:28 | 0:20:30 | |
when engineers at the Harwell Atomic Energy Research Establishment, | 0:20:30 | 0:20:35 | |
in nearby Oxfordshire, designed a machine | 0:20:35 | 0:20:37 | |
that could be programmed for multiple uses. | 0:20:37 | 0:20:40 | |
And this 2.5 tonne Harwell Dekatron computer was the result. | 0:20:40 | 0:20:46 | |
This is a general purpose computer, | 0:20:46 | 0:20:48 | |
-so, in principle, it can do anything we want. -Yeah. | 0:20:48 | 0:20:51 | |
-Unlike Colossus, which is very much tailored to that one job. -I see. | 0:20:51 | 0:20:55 | |
Originally designed to do mathematical calculations, | 0:20:55 | 0:20:59 | |
programs punched into paper tape could be loaded | 0:20:59 | 0:21:02 | |
into the machine's memory to tell the computer what to do. | 0:21:02 | 0:21:05 | |
In this case, it's the two times table. | 0:21:05 | 0:21:08 | |
Whoa, what a noise! | 0:21:08 | 0:21:11 | |
You know what that noise is? That's Robbie the Robot thinking, isn't it? | 0:21:11 | 0:21:14 | |
Well, it hasn't even begun... to the thinking stage yet. | 0:21:14 | 0:21:17 | |
What it's doing, it's reading that program into these, | 0:21:17 | 0:21:20 | |
into the memory of the computer, | 0:21:20 | 0:21:23 | |
and this is the memory of the computer. | 0:21:23 | 0:21:25 | |
This is the oldest original, working electronic-stored program computer in the world. | 0:21:25 | 0:21:31 | |
It only has the memory to store the equivalent of a few lines | 0:21:31 | 0:21:35 | |
of e-mail, but its significance cannot be underestimated. | 0:21:35 | 0:21:39 | |
It's functionally - it's identical to every modern computer. | 0:21:39 | 0:21:43 | |
-Just a bit bigger. -Just a lot bigger. | 0:21:43 | 0:21:45 | |
And you should see the size of the batteries! | 0:21:45 | 0:21:47 | |
I've loved this. I'm never going to forget these beasts or you. | 0:21:49 | 0:21:53 | |
-Thank you very much for coming. -Thank you very much. -Cheers. -All the best. | 0:21:53 | 0:21:57 | |
It's incredible to think that work by engineers and mathematicians | 0:21:57 | 0:22:01 | |
only 70 years ago has led to these devices | 0:22:01 | 0:22:04 | |
becoming part of our everyday lives. | 0:22:04 | 0:22:07 | |
And back in the Sunbeam, | 0:22:07 | 0:22:08 | |
Thomas is calculating his own life-changing victory. | 0:22:08 | 0:22:12 | |
So this is it, it's the last day. My final chance, | 0:22:12 | 0:22:18 | |
in two shops, to find the grail | 0:22:18 | 0:22:22 | |
to beat the Laidlaw which will change our trip | 0:22:22 | 0:22:27 | |
and maybe the course of history. | 0:22:27 | 0:22:29 | |
Eh! Steady on there, Thomas! | 0:22:29 | 0:22:31 | |
So, apparently, great things await | 0:22:31 | 0:22:33 | |
in the next destination of Ampthill. | 0:22:33 | 0:22:35 | |
This popular historic town has held a weekly market for over 750 years. | 0:22:37 | 0:22:42 | |
But Thomas has come for a snoop around Ampthill Antiques Centre, | 0:22:43 | 0:22:47 | |
with the help of Libby. | 0:22:47 | 0:22:49 | |
-Libby. So are you the...in charge? -I'm the manager. | 0:22:49 | 0:22:52 | |
-You're the aficionado? -Yes. | 0:22:52 | 0:22:54 | |
-Do you keep them all under control? -Well, I'm supposed to. | 0:22:54 | 0:22:57 | |
-How many dealers have you got? -56. -56? -Yeah. | 0:22:57 | 0:23:01 | |
You must have a long stick to poke them with sometimes? | 0:23:01 | 0:23:04 | |
Well, yeah, you have to lose your cool now and again. | 0:23:04 | 0:23:07 | |
Oh, I wouldn't get on the wrong side of her, mate. | 0:23:07 | 0:23:10 | |
This is what it's like to have long legs. It's extraordinary. | 0:23:10 | 0:23:12 | |
Very fetching. | 0:23:12 | 0:23:14 | |
The last and final day | 0:23:16 | 0:23:18 | |
of this leg of the road trip and it's been fabulous. | 0:23:18 | 0:23:22 | |
I've loved it. | 0:23:22 | 0:23:24 | |
I've enjoyed it so much I'm going to put another helmet on. | 0:23:26 | 0:23:29 | |
I'm getting armed up and ready to fight the Laidlaw. | 0:23:33 | 0:23:37 | |
Last day or not, he'll never pass up an opportunity to try things on. | 0:23:37 | 0:23:42 | |
What am I doing? I'm meant to be shopping for antiques, | 0:23:42 | 0:23:45 | |
not for shirts for myself. Do you know, that's my size. | 0:23:45 | 0:23:48 | |
Ooh-rah! | 0:23:48 | 0:23:49 | |
Come on, Thomas! Oh, what's he found now? | 0:23:49 | 0:23:52 | |
Kingfisher. Kingfisher waders. | 0:23:52 | 0:23:56 | |
Are you going fishing for antiques? | 0:23:56 | 0:23:57 | |
What do you think? If I turned up to the reveal with waders, | 0:24:00 | 0:24:05 | |
do you think Paul would notice? | 0:24:05 | 0:24:07 | |
Man about town, Tomato Plant. | 0:24:07 | 0:24:10 | |
To stand a chance of winning, Thomas, you'd better get shopping. | 0:24:13 | 0:24:16 | |
That's a bit more like it. | 0:24:19 | 0:24:21 | |
There's this very cool lighter. | 0:24:21 | 0:24:24 | |
It's in Perspex, inset with shells, here, | 0:24:24 | 0:24:28 | |
and looking like an aquarium or the sea bed. | 0:24:28 | 0:24:30 | |
Copying, you know, the Dunhill ones. | 0:24:30 | 0:24:32 | |
-That's right. -But, you know, certainly, in that Sputnik form. | 0:24:32 | 0:24:36 | |
And there are collectors for lighters out there. | 0:24:36 | 0:24:38 | |
-He's got 40... -44 on the ticket. -..44 on it. Yeah. | 0:24:38 | 0:24:41 | |
OK, well that's something one can think about. | 0:24:41 | 0:24:45 | |
Ah, what a bright spark, eh? | 0:24:45 | 0:24:46 | |
He's found a 1960s aquarium-style table lighter | 0:24:46 | 0:24:50 | |
with a price tag of £44. | 0:24:50 | 0:24:52 | |
And I think there's a theme developing here. | 0:24:52 | 0:24:54 | |
Cigar stationery set. | 0:24:57 | 0:24:59 | |
-So, all intents and purposes, this is your cigar. -Mm-hmm. | 0:24:59 | 0:25:02 | |
Then you pull it off at the end, | 0:25:02 | 0:25:05 | |
and you've got a bookmark, | 0:25:05 | 0:25:08 | |
bone handle pencil, dip pen and paper knife. | 0:25:08 | 0:25:12 | |
-And are they nibs? -Nibs. Oh, yeah, nibs. | 0:25:14 | 0:25:17 | |
Well, that's quite fun, isn't it? | 0:25:17 | 0:25:19 | |
So that's at 55 and that's at 44. | 0:25:19 | 0:25:22 | |
-That makes, sort of, 90. -Yeah. | 0:25:22 | 0:25:24 | |
At the moment, 10% - £5 and £4, but I can ring Alex... | 0:25:24 | 0:25:29 | |
-Could you ring Alex? -..and see if he'd be prepared to do a better deal. | 0:25:29 | 0:25:32 | |
That would be really helpful. | 0:25:32 | 0:25:34 | |
Two objects from one cabinet, but will owner Alex cut him | 0:25:34 | 0:25:37 | |
a good deal over the phone? | 0:25:37 | 0:25:40 | |
One is 55 and one is 44. | 0:25:40 | 0:25:43 | |
If you clump them together, maybe we can get a good price. | 0:25:44 | 0:25:48 | |
I think the cigar's great fun. With all the little bits in there. | 0:25:48 | 0:25:52 | |
It's a sort of unusual object and the unusual sells. | 0:25:53 | 0:25:58 | |
OK, thank you, Alex. Bye-bye. | 0:25:58 | 0:26:01 | |
So has she whipped that price into shape? | 0:26:01 | 0:26:04 | |
-Well, Thomas, we've got them for £70 for the two. -70 for the two? -Yeah. | 0:26:04 | 0:26:09 | |
That's awesome. That's very good of him, isn't it? | 0:26:09 | 0:26:12 | |
-Yes, that is very kind. -That is very, very kind. | 0:26:12 | 0:26:15 | |
-Yeah, we'll have those for £70 for the two. -OK, thank you. | 0:26:15 | 0:26:18 | |
Well, thank you very much. That's an absolute dream, you know. Awesome. | 0:26:18 | 0:26:22 | |
Even after all that mucking about, he's on fire | 0:26:22 | 0:26:25 | |
with these two unusual pieces for £70. | 0:26:25 | 0:26:28 | |
And back on the road with Paul, they head to the market town | 0:26:29 | 0:26:32 | |
of Olney in the borough of Milton Keynes. | 0:26:32 | 0:26:35 | |
The town's fame, in part, coming from the annual pancake race, | 0:26:36 | 0:26:40 | |
held here since the 15th century. | 0:26:40 | 0:26:42 | |
Annual race! I want to get in there. | 0:26:43 | 0:26:47 | |
This is our last chance to dazzle. | 0:26:47 | 0:26:50 | |
Your last hurrah. | 0:26:50 | 0:26:52 | |
The last shop of the trip is a whopper, where manager Nick | 0:26:52 | 0:26:56 | |
and some 50 dealers-worth of antiques await. | 0:26:56 | 0:26:59 | |
Going to get hot. Oh, look at this. | 0:27:00 | 0:27:03 | |
-Here he goes again. -I feel like Shaft. It's cool. | 0:27:09 | 0:27:12 | |
I can't express how much stuff there is. | 0:27:14 | 0:27:18 | |
So, really, it's a good idea to have a good look round then focus in. | 0:27:18 | 0:27:23 | |
-And get fit at the same time. -Oh, my... | 0:27:25 | 0:27:27 | |
How much have I got left? £800-and-odd left. | 0:27:29 | 0:27:33 | |
And five purchases in hand. Yeah. How badly wrong can it go? | 0:27:33 | 0:27:38 | |
Touch wood, though. If Thomas finds that diamond solitaire for a fiver... | 0:27:38 | 0:27:43 | |
-Plant, come here. -Laidlaw, what are you doing? -Come here. | 0:27:43 | 0:27:46 | |
Described as brass for a fiver. | 0:27:46 | 0:27:48 | |
HE LAUGHS | 0:27:48 | 0:27:49 | |
That's your wedding band. | 0:27:49 | 0:27:52 | |
-Right. -It looks like Paul's not risking any more of his cash, | 0:27:52 | 0:27:55 | |
so the pressure's on Thomas to find that last lot | 0:27:55 | 0:27:58 | |
that can challenge his rival's lead. | 0:27:58 | 0:28:01 | |
Rare octagonal, silver-plated, decorated Masonic snuffbox | 0:28:01 | 0:28:05 | |
with a verse stating the oak came from the 600-year Glasgow Cathedral in 1870. | 0:28:05 | 0:28:10 | |
Looks, it says here: "I am an outcast from the house of God | 0:28:10 | 0:28:14 | |
"and I have become a casing stock in the hands of a man. | 0:28:14 | 0:28:17 | |
"And part of my remains made this snuffbox." | 0:28:17 | 0:28:21 | |
Ah, there we are, look, there's snuff in there. Look at that. | 0:28:22 | 0:28:26 | |
A bit of snuff. | 0:28:27 | 0:28:29 | |
What a fabulous thing. | 0:28:30 | 0:28:32 | |
There's snuff in there! | 0:28:32 | 0:28:35 | |
-Isn't that exciting? -Wow. | 0:28:35 | 0:28:36 | |
His heart's fallen for the £155 snuffbox, | 0:28:38 | 0:28:42 | |
so Nick gets on the phone to the dealer. | 0:28:42 | 0:28:44 | |
This could really help me against Paul | 0:28:44 | 0:28:47 | |
in the quest of thrashing him | 0:28:47 | 0:28:51 | |
and nip it at the last with the help, with the help of the Masons. | 0:28:51 | 0:28:55 | |
-It was 155. -Yes. -Trade of 15 makes 140. -Yeah, yeah. | 0:28:56 | 0:29:00 | |
-And she says she can go down to 120. -120. She couldn't do 100? | 0:29:00 | 0:29:04 | |
-No. -A neat £100? -She can't. Unfortunately. | 0:29:04 | 0:29:08 | |
-10? -All right, 110. | 0:29:08 | 0:29:10 | |
-Why not 100 now? -I can't! I can't! I really, really, really can't. | 0:29:10 | 0:29:15 | |
-110? -110. | 0:29:15 | 0:29:17 | |
-We've got a deal, that's it. -Fantastic. | 0:29:17 | 0:29:19 | |
For the first time on the trip, Thomas spends big | 0:29:19 | 0:29:23 | |
and Paul's bought small, but how will they fancy each other's lots? | 0:29:23 | 0:29:27 | |
It's time to gather for the big reveal. | 0:29:27 | 0:29:29 | |
I want to see, I want to see. | 0:29:29 | 0:29:33 | |
-Laidlaw. Well, what have you been buying? -Don't you be surprised! | 0:29:33 | 0:29:38 | |
What have you been buying? Laidlaw, this is so un-you. | 0:29:38 | 0:29:41 | |
You've bought a black cat for good luck. HE LAUGHS | 0:29:41 | 0:29:44 | |
-You madman. -I won't need it. -A rosary. -Yep. -Because you need... | 0:29:44 | 0:29:48 | |
And I won't need that either. | 0:29:48 | 0:29:51 | |
-If I touch it, my skin will burn. -Right. A Stanhope. Great War. | 0:29:51 | 0:29:57 | |
The ruins of Albert, 1916. | 0:29:57 | 0:30:00 | |
-Yeah, OK, OK. My fingers are slightly singed. -So double your quote. | 0:30:01 | 0:30:07 | |
-£20. -That's amazing. | 0:30:07 | 0:30:09 | |
-But I really love that... -I like that. It's a good thing. | 0:30:09 | 0:30:13 | |
-Lighters are popular at the moment. -Yep. I think it gets me... | 0:30:13 | 0:30:17 | |
-What do you mean, it gets you? -Over a grand. | 0:30:17 | 0:30:20 | |
You think this will get you over a grand? Is that what you've done? | 0:30:20 | 0:30:23 | |
You've not risked it because you want to get over a grand. | 0:30:24 | 0:30:29 | |
What about this? | 0:30:29 | 0:30:31 | |
-Should I be worried? -Can I just do one or two things? | 0:30:31 | 0:30:36 | |
Yeah, OK, reveal. | 0:30:36 | 0:30:38 | |
-What? -Come on. -A fiver. -15 quid. | 0:30:40 | 0:30:43 | |
-Shut up. What did you pay for them? -20 quid. | 0:30:43 | 0:30:45 | |
-Behave yourself! -No, no, I did! -That was an aberration, Thomas. | 0:30:45 | 0:30:48 | |
-No, it wasn't. -The rest I'm intrigued by. | 0:30:48 | 0:30:50 | |
-This Sputnik... -Yes. -Your fruits of the seas... -Yes. | 0:30:50 | 0:30:55 | |
-'50s, kitsch... -'60s, yeah. -..love it to bits. | 0:30:55 | 0:30:58 | |
Penguin lighter. | 0:30:58 | 0:31:00 | |
-I'm going to handle this. -Go on. | 0:31:00 | 0:31:01 | |
-Oh, that's nicely done. How much did you pay for it? -110. | 0:31:03 | 0:31:06 | |
I think it's a shrewd, speculative purchase. | 0:31:07 | 0:31:11 | |
-I can't believe you've done that... -What? -Just to make over that grand, | 0:31:11 | 0:31:15 | |
-that's so... -No, I didn't! They were the best things I could buy! | 0:31:15 | 0:31:18 | |
Stieff and Stanhopes and victory! | 0:31:18 | 0:31:23 | |
-Come on. -Come on. | 0:31:23 | 0:31:24 | |
Can Paul nudge it over £1,000? | 0:31:25 | 0:31:28 | |
And will Thomas' big-spending prove profitable? | 0:31:28 | 0:31:32 | |
Give us the lowdown then, chaps. | 0:31:32 | 0:31:33 | |
He thinks I'm being strategic in my buying. | 0:31:33 | 0:31:36 | |
I'm really gutted because I genuinely did not. | 0:31:36 | 0:31:39 | |
I went out to buy the best things I could | 0:31:39 | 0:31:42 | |
with the most likelihood of making some profit. | 0:31:42 | 0:31:46 | |
Laidlaw has only spent £105 on mediocre items. | 0:31:46 | 0:31:51 | |
Does Tom think he could win this auction? | 0:31:51 | 0:31:54 | |
Nah! | 0:31:54 | 0:31:55 | |
I hope he does it, but I hope my Masonic piece sails! | 0:31:57 | 0:32:01 | |
So, they've returned to the comforts of the Sunbeam | 0:32:01 | 0:32:03 | |
and for this last journey to auction the rain appears | 0:32:03 | 0:32:07 | |
and the roof goes on for the first time. | 0:32:07 | 0:32:10 | |
How are you going to cope without me? | 0:32:10 | 0:32:13 | |
Are you going to wake up in the morning and go, "Oh, no! | 0:32:13 | 0:32:16 | |
"I miss him so much!" PAUL LAUGHS | 0:32:16 | 0:32:19 | |
Their final destination of this trip is Bedford, | 0:32:20 | 0:32:22 | |
the county town of Bedfordshire. | 0:32:22 | 0:32:24 | |
With the River Great Ouse running through its centre, | 0:32:26 | 0:32:30 | |
the town was once a centre of the lace industry, | 0:32:30 | 0:32:33 | |
something that's reflected in this abstract statue erected in 2009. | 0:32:33 | 0:32:38 | |
But we're here for some antiques action, | 0:32:38 | 0:32:41 | |
at W&H Peacock Auctioneers and Valuers, | 0:32:41 | 0:32:44 | |
who've been in Bedford for over 100 years. | 0:32:44 | 0:32:47 | |
No, no, no, no! Laidlaw! Watch your head. | 0:32:49 | 0:32:54 | |
So, who's got the upper hand in this final showdown? | 0:32:54 | 0:32:56 | |
We asked auctioneer Lindsay Vintiner for her thoughts. | 0:32:56 | 0:33:01 | |
My favourite is the aquarium lighter. It's not a Dunhill. | 0:33:01 | 0:33:05 | |
If it was, we'd be talking thousands of pounds. | 0:33:05 | 0:33:08 | |
That sort of 1970s legs, | 0:33:08 | 0:33:10 | |
that'll appeal to the younger buyers amongst us. | 0:33:10 | 0:33:13 | |
I think the Masonic snuffbox will make the most money, | 0:33:13 | 0:33:17 | |
if the buyers are here today. | 0:33:17 | 0:33:19 | |
She's got her eyes on two of Thomas' lots, | 0:33:19 | 0:33:22 | |
which, together with the other three, cost him a total of £240. | 0:33:22 | 0:33:27 | |
Despite his massive budget, Paul only parted with £105 | 0:33:27 | 0:33:31 | |
and is also presenting five lots. | 0:33:31 | 0:33:33 | |
And so with the end in sight, | 0:33:33 | 0:33:35 | |
the auction begins. | 0:33:35 | 0:33:37 | |
Oh, man, it's going to be hard. I know, is it getting to you too? | 0:33:37 | 0:33:41 | |
Yeah, hugely. | 0:33:41 | 0:33:43 | |
And Paul's praying he can edge it | 0:33:43 | 0:33:45 | |
over the £1,000 mark | 0:33:45 | 0:33:46 | |
with his offerings. | 0:33:46 | 0:33:47 | |
OK, Lot 60 now then, is the Stanhope viewer. £20, starting me, surely? | 0:33:49 | 0:33:54 | |
I've got £10 only bid now, 10, £10 now. 12 anywhere else? 12? 14? | 0:33:54 | 0:34:00 | |
At £14 now, the bid's on commission this time. | 0:34:00 | 0:34:02 | |
She's going to sell it for £14! | 0:34:02 | 0:34:04 | |
-16, lady's bid now, 16. 18. -This is hard work, is it not? | 0:34:04 | 0:34:09 | |
Another bid's on £18 only. 20, at 20 now. 22. £22 now. | 0:34:09 | 0:34:15 | |
-It's washed its face. -On commission, £22. | 0:34:15 | 0:34:19 | |
I'm afraid, after costs are deducted, | 0:34:19 | 0:34:21 | |
this first lot's fallen from grace. | 0:34:21 | 0:34:23 | |
-Ah, 22 quid. -Paul, that was a roller coaster. | 0:34:23 | 0:34:26 | |
Now for the chess set that confused Paul but captured Thomas' heart. | 0:34:27 | 0:34:32 | |
Here we go. I'm loving this. | 0:34:32 | 0:34:34 | |
Commission bids, start me at £20 for the set now. | 0:34:34 | 0:34:38 | |
20, at £20 now. | 0:34:38 | 0:34:39 | |
The bid's on commission at £20. I need two in the room. | 0:34:39 | 0:34:42 | |
You're all out. On commission, at just £20 only. | 0:34:42 | 0:34:44 | |
One lonely bid - stalemate. | 0:34:46 | 0:34:49 | |
-That's a total result. What's the face for? -I paid 20 for it. | 0:34:49 | 0:34:52 | |
-18 quid more than it should've been! -Shut up! | 0:34:52 | 0:34:55 | |
Ooh-err! Tensions are rising. | 0:34:55 | 0:34:57 | |
Can Paul's lighter and cigarette case | 0:34:57 | 0:34:59 | |
do any better than his last lot? | 0:34:59 | 0:35:02 | |
-£50 for it. -Oh, I like her style. I like her optimism. -Deary me. | 0:35:02 | 0:35:07 | |
-£20, thank you, sir. -Oh, 20! -At £20 now. That's a start, I suppose. | 0:35:07 | 0:35:10 | |
£20 now, bids here. 22, 22, 24, 24, | 0:35:10 | 0:35:14 | |
26, 28, at 28. 30, 32, £32 now. | 0:35:14 | 0:35:20 | |
The bid's to my left at £32. | 0:35:20 | 0:35:21 | |
Things are picking up with that respectable profit. | 0:35:23 | 0:35:26 | |
What did that make? 24 quid, 26 quid? | 0:35:26 | 0:35:30 | |
-No, 34! -It did! It didn't, did it? -Yes. | 0:35:30 | 0:35:33 | |
-Oh, I'll take that. -Maybe 34, 32, maybe. | 0:35:33 | 0:35:37 | |
You won't be so cheeky now your silver case | 0:35:37 | 0:35:39 | |
is going under the hammer, Thomas. | 0:35:39 | 0:35:42 | |
It's going to make £100. Less charges, 80. | 0:35:42 | 0:35:44 | |
-You're going to make 40 quid profit here. -£50, start me. | 0:35:44 | 0:35:47 | |
Must be 50, nice silver lot, this. 30 to get going. | 0:35:47 | 0:35:51 | |
-Get started. -Two ladies bidding now, 32. 34. | 0:35:51 | 0:35:55 | |
Lady's bid. Private interest would do you. | 0:35:55 | 0:35:58 | |
40, Madame. 40. At 40, 45. 45, 50. | 0:35:58 | 0:36:03 | |
50, 55. 60, 65. At 60. | 0:36:03 | 0:36:06 | |
-Oh, look at this. -That's it. I told you. -No. | 0:36:06 | 0:36:10 | |
A new bidder here now, 70. Gentleman here at £70. | 0:36:10 | 0:36:14 | |
That's a decent profit | 0:36:14 | 0:36:15 | |
but he's still got a mountain to climb to reach Paul's heady heights. | 0:36:15 | 0:36:19 | |
-That was a bargain. -Well, it's a profit. -30, call it a 30 quid profit. | 0:36:19 | 0:36:23 | |
Paul's got high hopes for his next lot, but can the Stieff cat deliver? | 0:36:24 | 0:36:29 | |
I love its pose. It looks like me in the morning. There we go. | 0:36:30 | 0:36:34 | |
£20, start me for it. 20. Must be a tenner, surely, then? | 0:36:34 | 0:36:38 | |
10, lady's bid, thank you now. 12 online now. At 14, 14. | 0:36:38 | 0:36:42 | |
-I am going down in flames today. -At £14 now. 16 behind now, 16. 18. | 0:36:42 | 0:36:48 | |
At £18 now. It's the lady in the front. 20. At 20. At 20 now. | 0:36:48 | 0:36:52 | |
It's behind now. It's a lady's bid, at £20. | 0:36:52 | 0:36:55 | |
They just don't see it for what it is. It's another loss. | 0:36:57 | 0:37:01 | |
Aw. I'm not having a good day. | 0:37:01 | 0:37:03 | |
Now Thomas needs some big profits from his lighter. | 0:37:03 | 0:37:07 | |
Interesting lot, this. Had a fair bit of interest, this. | 0:37:07 | 0:37:10 | |
I have got loads of bids here. | 0:37:10 | 0:37:12 | |
-Start this at £1,100. -How much?! | 0:37:12 | 0:37:17 | |
-She's joking. -1,100. I'm just joking, actually. | 0:37:17 | 0:37:22 | |
I'm just joking, I'm sorry. | 0:37:22 | 0:37:24 | |
Just trying to wind you all up. | 0:37:24 | 0:37:26 | |
Auctioneers aren't normally known for playing tricks, | 0:37:26 | 0:37:29 | |
just as well Thomas is such a good sport. | 0:37:29 | 0:37:31 | |
-I have got just a fiver start here now. -Ah, that's more realistic. | 0:37:32 | 0:37:38 | |
-At 5, 6, 8. -What a cheeky soul! | 0:37:38 | 0:37:43 | |
Now 8. At £8 now. I've got a commission bid. 10, 12, at £12 now. | 0:37:43 | 0:37:50 | |
-14. -Did you ask her to do that? -Yeah. -Good man. That was hilarious. | 0:37:50 | 0:37:54 | |
Online at £22. | 0:37:54 | 0:37:58 | |
What fun. It's not £1,100, it's not even a profit. | 0:37:58 | 0:38:02 | |
For that fleeting moment, you thought you'd turned it there. | 0:38:04 | 0:38:07 | |
I thought to myself, "Poor Paul." | 0:38:07 | 0:38:09 | |
-That's what went into my mind, was poor Paul. -And now I feel terrible. | 0:38:09 | 0:38:12 | |
Will dirty trickster Paul's fortunes turn around now? | 0:38:12 | 0:38:16 | |
Every home should have a pair of these. £20 for the scissors. | 0:38:16 | 0:38:20 | |
Tenner then, surely, for these? | 0:38:20 | 0:38:22 | |
Ten, lady's bid, thank you. | 0:38:22 | 0:38:25 | |
12, online now. At 12, 14. At 14, 16. | 0:38:25 | 0:38:29 | |
18. At £18. | 0:38:29 | 0:38:31 | |
You know, I don't think Paul's experienced loss like this before. | 0:38:33 | 0:38:38 | |
This is not a good sale for you, is it? Oh, Laidlaw. | 0:38:38 | 0:38:41 | |
Well, Thomas, you're winning this auction so can you widen your lead? | 0:38:41 | 0:38:45 | |
£20 for it, surely? | 0:38:45 | 0:38:48 | |
Tenner then, anyone? Cigar? | 0:38:48 | 0:38:50 | |
-Come on, it's worth... -Come on. | 0:38:50 | 0:38:51 | |
10, thank you, online now. 10. 12. At £12 now. | 0:38:51 | 0:38:55 | |
14. At £14 now, | 0:38:55 | 0:38:57 | |
16, 18, 18 now, 20, at £20 now. | 0:38:57 | 0:39:01 | |
In the room here. | 0:39:01 | 0:39:02 | |
22, 22, at 22, 24. | 0:39:02 | 0:39:07 | |
Two people online now. | 0:39:07 | 0:39:08 | |
24, bid's online. 26. Room bid now, 28. | 0:39:08 | 0:39:12 | |
30. 32, 34, 36. | 0:39:12 | 0:39:15 | |
At £36 now. | 0:39:15 | 0:39:17 | |
Ooh, yes. I can't believe it. | 0:39:17 | 0:39:19 | |
£38 now, online. | 0:39:19 | 0:39:20 | |
40, £40, 45 online at £45. | 0:39:20 | 0:39:25 | |
It's profit but not enough to worry rival Paul. | 0:39:28 | 0:39:32 | |
-I thought the aquarium lighter was going to do really well. -Yeah. | 0:39:32 | 0:39:34 | |
And then that, that horror thing, the thing I say is terrible makes 45. | 0:39:34 | 0:39:39 | |
Basically, it shows us up for the complete fools that we are. | 0:39:39 | 0:39:43 | |
-Paul's last lot is his 20th-century vase. -Here we go. | 0:39:44 | 0:39:48 | |
Lots of internet interest and I'm forced to start the bidding at... | 0:39:48 | 0:39:51 | |
-£10 for this only now. -Wishful thinking, perhaps. | 0:39:51 | 0:39:54 | |
12, 14, 16, 18, | 0:39:54 | 0:39:58 | |
20, 22, | 0:39:58 | 0:39:59 | |
24. It's a gentleman's bid. | 0:39:59 | 0:40:02 | |
Just £24. | 0:40:02 | 0:40:04 | |
He didn't gamble with his cash and what he did part with he's lost. | 0:40:05 | 0:40:10 | |
The last lot is Thomas' big hope. | 0:40:10 | 0:40:12 | |
He needs this snuffbox to make over £633 to win this road trip. | 0:40:12 | 0:40:17 | |
-It is a big ask. -It's going to bomb. -Good luck. | 0:40:17 | 0:40:21 | |
£50 starting now. 50. | 0:40:21 | 0:40:24 | |
£50 now is that all you've got? | 0:40:24 | 0:40:26 | |
55, 60, at 60, | 0:40:26 | 0:40:28 | |
70, 75 online now, 75. | 0:40:28 | 0:40:31 | |
80, 85, 90 on commission now. | 0:40:31 | 0:40:35 | |
The snuffbox now, 95, | 0:40:35 | 0:40:39 | |
£100 now, 110, 120, 130, 130, 140. | 0:40:39 | 0:40:44 | |
-It's looking good, Thomas. -Yes! | 0:40:44 | 0:40:47 | |
150, 150. There's two bidders online now. | 0:40:47 | 0:40:49 | |
150, 160. 170, 180, | 0:40:49 | 0:40:52 | |
-190, 200, 210. -Hats off, man. It's still going, 220! | 0:40:52 | 0:40:56 | |
At 210 now, 220, it's online at £220. | 0:40:56 | 0:41:01 | |
Well, he's doubled his money | 0:41:03 | 0:41:05 | |
and that profit means Thomas is today's auction champion. | 0:41:05 | 0:41:08 | |
-Yes! -Thomas, hats off, man. -Yes! -Well done! | 0:41:08 | 0:41:13 | |
Thomas is taking victory on this last leg, starting with £423.66, | 0:41:13 | 0:41:18 | |
he's made profits of £69.14 after auction house costs, | 0:41:18 | 0:41:23 | |
so ends the trip with £492.80. | 0:41:23 | 0:41:27 | |
Paul began with £955.46. Despite a loss of £9.88 | 0:41:28 | 0:41:33 | |
and not quite reaching the thousand pound mark, | 0:41:33 | 0:41:36 | |
Paul has won this road trip with a total of £945.58. | 0:41:36 | 0:41:42 | |
All profits are donated to Children In Need. | 0:41:42 | 0:41:45 | |
So good work, chaps. | 0:41:45 | 0:41:48 | |
You stole it there, man! | 0:41:48 | 0:41:50 | |
What a way to go out. | 0:41:50 | 0:41:52 | |
That joke you played! That was fabulous. | 0:41:52 | 0:41:56 | |
I took it - hook, line and sinker. | 0:41:56 | 0:41:58 | |
-I would say sorry but I'm not! -No, don't be. | 0:41:58 | 0:42:01 | |
-It was magic. Absolutely magic. -Way to go, taking the last one. | 0:42:01 | 0:42:06 | |
-Aw, it was fun. -Good result, man. -Yeah, good result. | 0:42:06 | 0:42:09 | |
-Are you driving? -Yeah, I want to drive! I'm feeling good. | 0:42:09 | 0:42:13 | |
And so you should because what a week it's been. | 0:42:13 | 0:42:17 | |
From Morecambe to Bedford, | 0:42:17 | 0:42:19 | |
we've been witness to a boisterous battle for antiques glory. | 0:42:19 | 0:42:23 | |
-Have that, Laidlaw! -Ah, I'm in the void! | 0:42:23 | 0:42:26 | |
While one expert hasn't taken his eye off the ball. | 0:42:26 | 0:42:29 | |
Spotted because of my antiques sixth sense. | 0:42:29 | 0:42:32 | |
Of course I'm going to put it on. | 0:42:32 | 0:42:33 | |
The other has tried on everything he can find. | 0:42:33 | 0:42:37 | |
I fancy being a fireman today. | 0:42:37 | 0:42:39 | |
I'll be back. | 0:42:39 | 0:42:41 | |
Ooh-rah! | 0:42:41 | 0:42:42 | |
-There's been some big risks. -It's just fantastic. | 0:42:42 | 0:42:46 | |
-And even bigger rewards. -Man, what a sale! | 0:42:46 | 0:42:50 | |
But through it all, they've remained the best of friends. | 0:42:50 | 0:42:54 | |
-You are magic. -Don't hug me, don't hug me. | 0:42:54 | 0:42:56 | |
You are magic. | 0:42:56 | 0:42:57 | |
Next time on the Antiques Road Trip, old friends are reunited. | 0:43:05 | 0:43:08 | |
The cool, calm and collected Mark Stacey. | 0:43:08 | 0:43:12 | |
-We're going to have fun. -Yes. | 0:43:12 | 0:43:14 | |
-And the hot, hot, hot Catherine Southon. -Ooh! | 0:43:14 | 0:43:18 | |
I'm on fire! Yes! | 0:43:18 | 0:43:20 |