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-It's the nation's favourite antiques experts... -All right, viewers? | 0:00:02 | 0:00:05 | |
With £200 each, a classic car and a goal - | 0:00:05 | 0:00:08 | |
to scour Britain for antiques. | 0:00:08 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold! Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:18 | |
-50p! -There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
Be a good profit. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Oh! Oooh! | 0:00:27 | 0:00:28 | |
Yes! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
All his week we've been hitching a ride with antique experts | 0:00:36 | 0:00:40 | |
James Braxton and Helen Hall. | 0:00:40 | 0:00:42 | |
-Final leg. -Yeah. I feel a bit sad. | 0:00:42 | 0:00:45 | |
-I'm going to miss you, James. -Me too, Helen. | 0:00:45 | 0:00:49 | |
Ahhhh, isn't that sweet? | 0:00:49 | 0:00:51 | |
James has over 20 years of experience as an auctioneer | 0:00:53 | 0:00:56 | |
and he knows a quality item when he sees it. | 0:00:56 | 0:00:58 | |
You know, essential, a bit of a hinge. | 0:00:58 | 0:01:02 | |
That's a bracket. | 0:01:02 | 0:01:03 | |
Helen's expertise is music memorabilia and she's been searching | 0:01:04 | 0:01:08 | |
everywhere for something that will help her soar into the lead. | 0:01:08 | 0:01:12 | |
Neeeeeooooowwww! | 0:01:12 | 0:01:14 | |
Yes... | 0:01:14 | 0:01:16 | |
Right, they've been jollying through the country in a trusty | 0:01:16 | 0:01:19 | |
1974 EType Jag. | 0:01:19 | 0:01:21 | |
You did so well at that last auction. That was amazing. | 0:01:21 | 0:01:24 | |
-You were doubling or tripling your money on each piece. -I know! | 0:01:24 | 0:01:28 | |
I can't stop smiling! How rude! | 0:01:28 | 0:01:31 | |
And he's got a lot to smile about. | 0:01:31 | 0:01:34 | |
James made over £100 profit at the last auction. | 0:01:34 | 0:01:37 | |
No further interest? | 0:01:37 | 0:01:39 | |
-What is going on? -How very vulgar of me! | 0:01:39 | 0:01:43 | |
But with two auction wins each, it's all to play for in the final leg. | 0:01:44 | 0:01:49 | |
-You've doubled your money! Bought for nothing. -Yeah. | 0:01:49 | 0:01:53 | |
James started the trip with £200 and, after the four auctions, | 0:01:53 | 0:01:57 | |
has inflated his cash to £300.26. | 0:01:57 | 0:02:01 | |
Helen started her road trip with the same amount and saw her money | 0:02:02 | 0:02:06 | |
shrivel to just £153.18, | 0:02:06 | 0:02:09 | |
leaving James almost £150 in front. | 0:02:09 | 0:02:13 | |
Don't cry! | 0:02:13 | 0:02:15 | |
Our chums have travelled 500 miles, from Oswestry, in Shropshire, | 0:02:18 | 0:02:22 | |
through Wales, back into England | 0:02:22 | 0:02:24 | |
and en route to ending their road trip in Lewes, East Sussex. | 0:02:24 | 0:02:27 | |
Wow. | 0:02:27 | 0:02:28 | |
On this final leg of the trip, they begin in Hampstead, | 0:02:30 | 0:02:34 | |
in North London, before heading to the last auction in Lewes. | 0:02:34 | 0:02:37 | |
In the late 17th century, | 0:02:40 | 0:02:42 | |
Hampstead became home to the wealthy looking to live near London's | 0:02:42 | 0:02:45 | |
amenities, but far enough away from the noise and dirt. | 0:02:45 | 0:02:49 | |
Today it's said to be home to more millionaires | 0:02:49 | 0:02:51 | |
than any other part of Britain. | 0:02:51 | 0:02:53 | |
But will the shops have prices to match? | 0:02:53 | 0:02:55 | |
-Here we are. -Here we are, glorious Hampstead. -Isn't it pretty? | 0:02:56 | 0:03:00 | |
-It so gorgeous. -And quiet. | 0:03:00 | 0:03:02 | |
-These doors don't get any easier, do they? -No, they don't. | 0:03:02 | 0:03:06 | |
First stop for James is to Hampstead Antique And Craft Emporium. | 0:03:08 | 0:03:13 | |
This place opened its doors over 40 years ago | 0:03:13 | 0:03:15 | |
and is home to more than 30 traders. | 0:03:15 | 0:03:17 | |
So, tonnes to choose from. | 0:03:17 | 0:03:20 | |
I'm ahead in the competition sort of £100. I'm just over £300. | 0:03:20 | 0:03:25 | |
I've always bought things that I would have in my own home. | 0:03:25 | 0:03:28 | |
It's got to be good quality materials, good design, and | 0:03:28 | 0:03:32 | |
hopefully if I like it, there may be somebody else mad enough to buy it. | 0:03:32 | 0:03:37 | |
Good materials, good design, that's all you need. | 0:03:37 | 0:03:39 | |
He makes it sound so easy, doesn't he? | 0:03:39 | 0:03:42 | |
Sometimes there are bargains to be found on your knees. | 0:03:42 | 0:03:45 | |
There's nothing wrong with a bit of hard work, James. | 0:03:45 | 0:03:48 | |
-Hello. -Hello! | 0:03:48 | 0:03:49 | |
-James. -Good to meet you. -Nice to meet you. -Thank you so much. | 0:03:49 | 0:03:53 | |
Nice to have you here in our centre. | 0:03:53 | 0:03:57 | |
That's a warm welcome from dealer Jean. | 0:03:57 | 0:03:59 | |
Might James find something interesting | 0:03:59 | 0:04:02 | |
amongst her array of goodies? I hope so. | 0:04:02 | 0:04:04 | |
I quite like this. It's quite a showy item, isn't it? | 0:04:04 | 0:04:07 | |
Yes, I think it is. | 0:04:07 | 0:04:09 | |
It's suffered a bash, unfortunately, | 0:04:09 | 0:04:11 | |
-but it's the sheer weight of it, isn't it? -Yes. | 0:04:11 | 0:04:16 | |
It's difficult for the hinge. | 0:04:16 | 0:04:18 | |
It's slightly skew-whiff, but not too bad. | 0:04:18 | 0:04:20 | |
-I don't think it would bother one much if they liked it, would it? -No. | 0:04:20 | 0:04:25 | |
-I can see that in a rather glam bathroom, can't you? -Yes, so can I. | 0:04:25 | 0:04:28 | |
-With lots of pinched hotel soaps! -Lovely, yes! | 0:04:28 | 0:04:32 | |
Hey! Not that we condone such actions, James. | 0:04:32 | 0:04:36 | |
It's made from onyx, which is a mineral | 0:04:36 | 0:04:38 | |
from the Atlas Mountains of north-west Africa. | 0:04:38 | 0:04:41 | |
-It's very, very '30s, '40s bathroom, isn't it? -Yes. | 0:04:41 | 0:04:46 | |
It says '50s here. | 0:04:46 | 0:04:49 | |
-Could be. -I'd rather say '50s than '40s if I'm not sure, because... | 0:04:49 | 0:04:53 | |
-It's got a sort of Hollywood glam about it. -Yes, it has. | 0:04:53 | 0:04:57 | |
Very Hollywood. What...What could...? | 0:04:57 | 0:05:01 | |
-This is fresh in, yes? -Yes, I got it on Sunday, as a matter of fact. | 0:05:01 | 0:05:05 | |
It's priced at £48 and James seems quite keen on it. | 0:05:05 | 0:05:10 | |
-What could that be, Jean? -Well, I can certainly take eight off. | 0:05:10 | 0:05:14 | |
-That brings it to 40. -Yes. Maybe I could make it 38. | 0:05:14 | 0:05:20 | |
There's a lot of work gone into that, | 0:05:20 | 0:05:22 | |
to fashion that in the shell shape and then mounting it. | 0:05:22 | 0:05:27 | |
-If you think what that would cost now to... -Oh, don't! -..to do that. | 0:05:27 | 0:05:32 | |
-Would you go to 35, Jean? -Perhaps I will, for you. | 0:05:32 | 0:05:35 | |
Jean, thank you, that's very kind. I do like it. | 0:05:35 | 0:05:40 | |
And with that, James has chalked up his first buy of the day. | 0:05:42 | 0:05:45 | |
-That's very sweet. -It's a pleasure. -Very kind. -Thank you so much. | 0:05:45 | 0:05:49 | |
Whilst he heads off in search of more treasures, | 0:05:49 | 0:05:52 | |
Helen has found her way over to the wonderful Freud Museum. | 0:05:52 | 0:05:56 | |
It was home to Austrian psychoanalyst Sigmund Freud. | 0:05:56 | 0:06:02 | |
Freud created an entirely new understanding of the human | 0:06:02 | 0:06:05 | |
personality by drawing direct links between deep childhood memories | 0:06:05 | 0:06:09 | |
and the problems faced in later adult life, and is regarded | 0:06:09 | 0:06:13 | |
as one of the most influential minds of the 20th century. | 0:06:13 | 0:06:16 | |
-Hi, I'm Helen. -I'm Lisa Appignanesi. | 0:06:16 | 0:06:18 | |
-Welcome to the Freud Museum. -Thank you. | 0:06:18 | 0:06:21 | |
-It's amazing. The house is beautiful. -It is a gorgeous house. | 0:06:21 | 0:06:24 | |
Freud loved it, too. | 0:06:24 | 0:06:26 | |
-He said it was his last and most wonderful home on the planet. -Oh, wow! | 0:06:26 | 0:06:30 | |
Freud lived most of his life in Vienna, | 0:06:32 | 0:06:34 | |
where he developed his ground-breaking theories on the human psyche. | 0:06:34 | 0:06:37 | |
His high profile caught the attention of the Nazis | 0:06:37 | 0:06:40 | |
who, in 1933, publicly burnt his books, | 0:06:40 | 0:06:43 | |
claiming they were the product of Jewish science. | 0:06:43 | 0:06:46 | |
This is the extraordinary study, | 0:06:48 | 0:06:50 | |
which was left this way at his death by his daughter. | 0:06:50 | 0:06:55 | |
When the Nazis annexed Austria in 1938, Freud was urged by friends | 0:06:55 | 0:07:01 | |
to flee, as the occupiers were rounding up Jewish citizens. | 0:07:01 | 0:07:05 | |
He departed for England with his wife and daughter. | 0:07:05 | 0:07:08 | |
Most of his belongings eventually made it over after him | 0:07:08 | 0:07:12 | |
along with his now famous couch. | 0:07:12 | 0:07:14 | |
That is amazing. | 0:07:14 | 0:07:16 | |
He started using it in the 1890s, when he began to invent, | 0:07:16 | 0:07:22 | |
if you like, psychoanalysis, the talking therapy. | 0:07:22 | 0:07:26 | |
It combines, if you like, the doctor's clinical couch, | 0:07:26 | 0:07:30 | |
which we lie on or have surgery on, and this wonderful sofa, | 0:07:30 | 0:07:34 | |
covered with dreamlike Persian carpets. | 0:07:34 | 0:07:37 | |
Possibly the most famous couch in the world, isn't it? | 0:07:37 | 0:07:40 | |
It is the most famous couch in the world | 0:07:40 | 0:07:42 | |
and people come from all over the world to see it. | 0:07:42 | 0:07:45 | |
Freud found lying down encouraged instinctive conversations. | 0:07:45 | 0:07:50 | |
It was considered quite a daring idea at the time, | 0:07:50 | 0:07:52 | |
yet the couch is now an iconic part of psychoanalysis. | 0:07:52 | 0:07:57 | |
To get his patients talking, | 0:07:57 | 0:07:59 | |
Freud filled his study with a plethora of antiquities. | 0:07:59 | 0:08:03 | |
Yes, the objects were of great importance to him. | 0:08:03 | 0:08:06 | |
He began to collect in the late 19th century, | 0:08:06 | 0:08:09 | |
like a good Victorian gentleman, | 0:08:09 | 0:08:12 | |
at the time when archaeology was really coming into its own. | 0:08:12 | 0:08:15 | |
What was his favourite out of these? Did he have a favourite? | 0:08:15 | 0:08:18 | |
Well, he did. Athena, this tiny, beautiful bronze statuette. | 0:08:18 | 0:08:23 | |
Athena, of course, is the great goddess of wisdom, | 0:08:23 | 0:08:26 | |
-who sprang fully formed from Zeus's mind. -And of courage as well. | 0:08:26 | 0:08:30 | |
-And of courage. -Protector of Athens and... -Absolutely. | 0:08:30 | 0:08:34 | |
And also, spears, for Freud, like for all of us, represented war. | 0:08:34 | 0:08:38 | |
She was also the goddess of war, | 0:08:38 | 0:08:40 | |
and he was very distressed | 0:08:40 | 0:08:42 | |
and shaped by the events of the First World War. | 0:08:42 | 0:08:45 | |
And he told a patient, the famous poet, HD, | 0:08:45 | 0:08:49 | |
who'd come to see him in Vienna, "Look at her. | 0:08:49 | 0:08:51 | |
"She's perfect except she has lost her spear." | 0:08:51 | 0:08:55 | |
And it's not clear | 0:08:55 | 0:08:57 | |
whether this meant that she had lost her masculine side | 0:08:57 | 0:09:00 | |
or whether it was really a good thing because she had lost war. | 0:09:00 | 0:09:04 | |
And we didn't want any more of those! | 0:09:04 | 0:09:07 | |
Freud had always dreamed of living in England, | 0:09:09 | 0:09:12 | |
which he saw as a beacon of liberty and freedom. | 0:09:12 | 0:09:15 | |
But it wasn't until he was 82, and with the support of a few | 0:09:15 | 0:09:18 | |
famous friends, that he finally made the journey. | 0:09:18 | 0:09:21 | |
HG Wells was a visitor. | 0:09:21 | 0:09:23 | |
HG Wells wanted him to become a British citizen | 0:09:23 | 0:09:27 | |
and did all he could to do that. And Freud wrote to him... | 0:09:27 | 0:09:31 | |
actually thanking him for this. | 0:09:31 | 0:09:34 | |
He says, "I first came to England as a boy of 18 years. | 0:09:34 | 0:09:38 | |
"It became an intense wish fantasy of mine to settle in this country | 0:09:38 | 0:09:42 | |
-"and become an Englishman." -Gosh. | 0:09:42 | 0:09:45 | |
Freud finally realised his dream to live in England | 0:09:45 | 0:09:48 | |
but, at the age of 82, his health was now failing. | 0:09:48 | 0:09:50 | |
Just one year later he died, in September 1939. | 0:09:50 | 0:09:54 | |
And it's wonderful that he was able to escape the Nazis | 0:09:54 | 0:09:58 | |
and come and have one full long year of his life here and then die, | 0:09:58 | 0:10:03 | |
sadly, in this very room, overlooking the garden | 0:10:03 | 0:10:07 | |
he had never had in Austria and that he loved. | 0:10:07 | 0:10:11 | |
Freud's work came to dominate psychotherapy in the 20th century | 0:10:11 | 0:10:15 | |
and his ideas have become interwoven into our culture. | 0:10:15 | 0:10:19 | |
Helen seems inspired by Freud's work. | 0:10:19 | 0:10:22 | |
So much so that she is pondering the workings of James's mind. | 0:10:22 | 0:10:26 | |
And whilst she does, he's off shopping at Hampstead's Flask Walk, | 0:10:28 | 0:10:33 | |
looking for more goodies. | 0:10:33 | 0:10:35 | |
-Hello, hello. James Braxton. -Gordon Honey. -Gordon Honey. | 0:10:35 | 0:10:39 | |
-Gordon Honey. -Honey, yes. | 0:10:39 | 0:10:42 | |
-With the... How do we stress the Honey? -Hhhhoney. | 0:10:42 | 0:10:46 | |
He's awfully polite, isn't he? | 0:10:46 | 0:10:48 | |
-This looks a nice fellow. -It is. -What you feel about this? | 0:10:48 | 0:10:52 | |
Well, I've had that about ten years in a drawer. | 0:10:52 | 0:10:56 | |
I come up here to help Keith Fawkes, who runs the book shop... | 0:10:56 | 0:11:00 | |
An unusual name, Fawkes. It is, and he is a descendant of Guy Fawkes. | 0:11:00 | 0:11:04 | |
-Is he? -He is! | 0:11:04 | 0:11:06 | |
How fascinating. | 0:11:06 | 0:11:07 | |
I hope you don't get your fingers burned, though, James. | 0:11:07 | 0:11:10 | |
It's interesting. It's Indian. Obviously a touristy piece. | 0:11:10 | 0:11:15 | |
It's got some funny marks behind here. | 0:11:15 | 0:11:18 | |
Maybe this was possibly a table top or something like that. | 0:11:18 | 0:11:23 | |
But no relation to what is going on in the front. | 0:11:23 | 0:11:26 | |
No, it isn't, and that's just as well | 0:11:26 | 0:11:28 | |
-because you should never look behind a work of art. -No. | 0:11:28 | 0:11:32 | |
It's what's at the front that matters. | 0:11:32 | 0:11:35 | |
Well said, Gordon! | 0:11:35 | 0:11:36 | |
It's just nice work. | 0:11:36 | 0:11:37 | |
It's an attractive scene - lady feeding sort of...sheep/goats. | 0:11:37 | 0:11:41 | |
-It's just a rather nice scene. It's rosewood. -Anyway... | 0:11:43 | 0:11:46 | |
-How much do you want for this? -I was going to ask 12 | 0:11:46 | 0:11:49 | |
-but you can have it for ten. -Ten. | 0:11:49 | 0:11:51 | |
That's a pound for every year Gordon's had it. | 0:11:51 | 0:11:54 | |
-It's on a lovely rosewood base here. -Absolutely. | 0:11:54 | 0:11:56 | |
And then you've got lighter woods, like box or sycamore or something. | 0:11:56 | 0:11:59 | |
-You just put the price up another £40! -Rubbish, Gordon! | 0:11:59 | 0:12:04 | |
-Sorry about that. -There's a lot of work there. -It's Indian. | 0:12:04 | 0:12:08 | |
-It's rather fun, isn't it? -It's beautiful. -It's a nice panel. | 0:12:08 | 0:12:11 | |
-I'll give you a tenner for it, Gordon. -Oooh! -Oh, sorry! | 0:12:11 | 0:12:15 | |
Careful, James. | 0:12:15 | 0:12:16 | |
-Put your thing on. That was a little too... -That's better. | 0:12:16 | 0:12:20 | |
-Is that better? -That's better. | 0:12:20 | 0:12:22 | |
All breakages must be paid for, including fingers! | 0:12:22 | 0:12:24 | |
Second item on the Road Trip in the bag. | 0:12:24 | 0:12:27 | |
But I don't think James is quite finished yet. | 0:12:27 | 0:12:29 | |
Here's something of age. A pair of figures here. | 0:12:29 | 0:12:32 | |
I think it's the cobbler and his wife. There's the cobbler. | 0:12:32 | 0:12:37 | |
Here's his wife. | 0:12:37 | 0:12:39 | |
And it's deteriorated all along here and flaked off. | 0:12:39 | 0:12:42 | |
So probably circa 1820, 1830. | 0:12:42 | 0:12:46 | |
I like the doggies. That's very much a doggie. That might be a cat. | 0:12:46 | 0:12:52 | |
Depends how much, because it's not the most attractive, | 0:12:52 | 0:12:55 | |
but very attractive for the incidental dogs. | 0:12:55 | 0:12:58 | |
Novelty always prized in antiques. I'll have to see how much they are. | 0:12:58 | 0:13:02 | |
Yes, can I help you? | 0:13:02 | 0:13:04 | |
Oh, look who's back! | 0:13:04 | 0:13:06 | |
Very fine sunglasses you're sporting. | 0:13:06 | 0:13:09 | |
-They are nice. -They are very smart. | 0:13:09 | 0:13:11 | |
These two Staffordshire figures, they've got a nice bit of age, | 0:13:11 | 0:13:14 | |
bit damaged, though. What price could these be? | 0:13:14 | 0:13:17 | |
-They were 30 and that was a bargain. -30? -Yes. | 0:13:17 | 0:13:20 | |
-A lady and gent, well matched. -The cobbler and his wife. -Yes. | 0:13:20 | 0:13:24 | |
Well, it's a load of cobblers. | 0:13:24 | 0:13:26 | |
But the price is not a load of cobblers. | 0:13:26 | 0:13:29 | |
Yes, but does James agree? | 0:13:29 | 0:13:31 | |
-Gordon, I'll give you £30 for those. I like those. -Very well, yes. | 0:13:31 | 0:13:35 | |
I'm not on commission, I'm just doing it for love. | 0:13:35 | 0:13:38 | |
-Really pleased with those. Thank you, Gordon. -Thank you very much. | 0:13:38 | 0:13:42 | |
Thank you. God bless you, and I'm going very gingerly now. | 0:13:42 | 0:13:45 | |
Yeah, watch that finger. | 0:13:45 | 0:13:46 | |
-Call again, sir. -I will. -Flask Walk for bargains! | 0:13:46 | 0:13:52 | |
There's no denying that, as James seems quite happy with those, | 0:13:52 | 0:13:56 | |
spending £40 with Gordon on the rosewood panel | 0:13:56 | 0:13:58 | |
and the charming pottery figures. | 0:13:58 | 0:14:00 | |
Helen, meanwhile, has headed to the Antique Emporium in the hope | 0:14:02 | 0:14:06 | |
that James hasn't bought all the bargains. | 0:14:06 | 0:14:09 | |
Feeling the pressure of it. | 0:14:09 | 0:14:11 | |
James is on fire as of last week, and I am seriously dragging behind. | 0:14:11 | 0:14:16 | |
Well, your luck might just be about to change, as this shop, | 0:14:16 | 0:14:19 | |
run by dealer Christopher, is having a big sale. | 0:14:19 | 0:14:22 | |
-Wow! What a collection. -Thank you. -Look at it! | 0:14:22 | 0:14:26 | |
-The very finest Art Deco glass from the 1930s. -My kind of shop. | 0:14:26 | 0:14:32 | |
What's this, are you retiring? | 0:14:32 | 0:14:34 | |
What gives you that idea, Helen? | 0:14:34 | 0:14:36 | |
We are, indeed. So, as a consequence, | 0:14:36 | 0:14:38 | |
there are some very good deals to be had. | 0:14:38 | 0:14:41 | |
50% off! 50% off. | 0:14:41 | 0:14:43 | |
I'm rather spoilt for choice. | 0:14:43 | 0:14:46 | |
You certainly are! Maybe dealer Christopher can help you out. | 0:14:46 | 0:14:50 | |
Very, very unique and, one has to say, | 0:14:50 | 0:14:53 | |
rare vase, the Odeon with the top block. | 0:14:53 | 0:14:59 | |
The top block just sits on the top to help | 0:14:59 | 0:15:02 | |
with an arrangement of flowers. | 0:15:02 | 0:15:05 | |
Something like asparagus fern will give you a nice height. | 0:15:05 | 0:15:10 | |
The indented sides are ideal for flower arranging. | 0:15:10 | 0:15:14 | |
And the satin finish frosted glass. | 0:15:14 | 0:15:16 | |
Between the first and second world wars, | 0:15:18 | 0:15:21 | |
Bagley became a world leader of inexpensive pressed glassware. | 0:15:21 | 0:15:24 | |
These Grafton vases by Bagley are often called Odeon vases | 0:15:24 | 0:15:29 | |
as they resemble the decor of the early cinema. | 0:15:29 | 0:15:31 | |
This one is priced at £125 but, with a retirement discount, | 0:15:31 | 0:15:36 | |
maybe Helen can get an even better price. | 0:15:36 | 0:15:39 | |
Because we are offering a 50% discount, | 0:15:39 | 0:15:43 | |
this is 62. I'd go right down to 50 on it. | 0:15:43 | 0:15:47 | |
That's quite a considerable discount! | 0:15:47 | 0:15:49 | |
-50 quid? -Yes, it's an excellent choice. -Deal. | 0:15:49 | 0:15:52 | |
Thank you so much, thank you. | 0:15:52 | 0:15:54 | |
With a massive £75 off, maybe this could get Helen back into the game. | 0:15:54 | 0:15:59 | |
-Good luck with your retirement. -Yes, we're looking forward to it. | 0:15:59 | 0:16:02 | |
And with that, it's time for our duo to call it a day. | 0:16:02 | 0:16:05 | |
Nighty-night, you two. | 0:16:05 | 0:16:08 | |
It's the final day of James and Helen's road trip | 0:16:12 | 0:16:15 | |
and thoughts turn to yesterday's buying. | 0:16:15 | 0:16:18 | |
I basically bought something I know I can't make a profit on. | 0:16:18 | 0:16:21 | |
-Excellent, Helen! -Yeah. -So your work is done now. -Yeah! | 0:16:21 | 0:16:26 | |
Actually, Helen, your work has barely started, because | 0:16:26 | 0:16:30 | |
yesterday you spend £50 on just one item, the Bagley Odeon vase. | 0:16:30 | 0:16:35 | |
Leaving her a respectable £103.18. | 0:16:35 | 0:16:39 | |
Thank you so much. Bye-bye. | 0:16:39 | 0:16:41 | |
James spent £25 on the onyx box, rosewood panel | 0:16:42 | 0:16:46 | |
and the two pottery figures, | 0:16:46 | 0:16:49 | |
which means his pockets are bulging still, with £225.26 for today. | 0:16:49 | 0:16:54 | |
-It's a pleasure. -Thank you. | 0:16:54 | 0:16:57 | |
They are starting their final day of shopping in Brighton, | 0:16:57 | 0:17:00 | |
on the south coast. | 0:17:00 | 0:17:01 | |
With the arrival of the railways in the mid-1800s, Brighton transformed | 0:17:03 | 0:17:07 | |
itself from a sleepy fishing village to a famous seaside destination. | 0:17:07 | 0:17:11 | |
It's the first of the day for our duelling duo, | 0:17:14 | 0:17:17 | |
and let's hope they are not as competitive as these two. | 0:17:17 | 0:17:20 | |
Ouch! | 0:17:20 | 0:17:22 | |
-Ah, the sun's come out just for us, James. -Isn't it glorious? -Yeah. | 0:17:22 | 0:17:26 | |
-And the car is beautifully warmed up now. -It is. | 0:17:26 | 0:17:28 | |
So, Helen, as long as you buy four more items that are going to | 0:17:28 | 0:17:32 | |
make you absolutely no money. | 0:17:32 | 0:17:35 | |
I think that's a given, James, to be honest. | 0:17:35 | 0:17:38 | |
Helen had better do something, | 0:17:38 | 0:17:40 | |
as she's got a lot of catching up to do. | 0:17:40 | 0:17:43 | |
They are both heading to The Lanes, in Brighton's historic quarter, | 0:17:43 | 0:17:46 | |
an intricate maze of small independent shops. | 0:17:46 | 0:17:49 | |
Eager beaver James is first to begin shopping. | 0:17:49 | 0:17:53 | |
This is the antique hub of Brighton, and not so far away is Lewes, | 0:17:53 | 0:17:58 | |
only 15 minutes away, where we are ultimately | 0:17:58 | 0:18:01 | |
going to be selling these items. | 0:18:01 | 0:18:03 | |
So I've got to make doubly sure they haven't been bought from where | 0:18:03 | 0:18:06 | |
we're selling. | 0:18:06 | 0:18:08 | |
I'm sure the dealer will keep you right, James. | 0:18:08 | 0:18:11 | |
Brighton Lane Antiques is awash with glittering goodies | 0:18:11 | 0:18:14 | |
befitting your bulging budget. | 0:18:14 | 0:18:16 | |
The perfect place to splash the cash. | 0:18:16 | 0:18:20 | |
I'm going through a little box that's cluttering up a backroom. | 0:18:20 | 0:18:24 | |
It's all the bits and bobs they haven't labelled up yet. | 0:18:24 | 0:18:27 | |
£225 to spend and he's rummaging through this lot! | 0:18:27 | 0:18:31 | |
This is the good thing about this business - | 0:18:31 | 0:18:34 | |
there's always something to surprise you. | 0:18:34 | 0:18:36 | |
You know, essential, a bit of a hinge. | 0:18:36 | 0:18:39 | |
It's actually a bracket. | 0:18:39 | 0:18:41 | |
But this is where the fun is. The fun is in the hunt, isn't it? | 0:18:41 | 0:18:44 | |
Rootling around. | 0:18:44 | 0:18:47 | |
-Peter, have you got any more boxes? -More than likely. | 0:18:47 | 0:18:50 | |
It's your lucky day, James. | 0:18:50 | 0:18:53 | |
Oh, it's hot work, this. | 0:18:53 | 0:18:55 | |
Yes, standing looking through a box like that looks very tiring, James! | 0:18:55 | 0:18:59 | |
Meanwhile, Helen is over at Oasis Antiques. | 0:18:59 | 0:19:03 | |
-Hiya. I'm Helen. -Oh, hi, I'm Ann. -Hi, Ann, nice to meet you. | 0:19:03 | 0:19:08 | |
With only one item in the old bag, she really needs to get buying | 0:19:08 | 0:19:12 | |
if you wants to give herself a chance at the auction. | 0:19:12 | 0:19:14 | |
Oh, look, an old flying helmet. This is going to look great. | 0:19:14 | 0:19:18 | |
Are you sure about that? | 0:19:18 | 0:19:21 | |
What do you think? | 0:19:21 | 0:19:23 | |
Can you see me in my open top aeroplane? | 0:19:23 | 0:19:26 | |
Neeeooooowwww! | 0:19:26 | 0:19:28 | |
SHE LAUGHS | 0:19:28 | 0:19:29 | |
I can see you losing the auction, love, if you don't get a move on. | 0:19:29 | 0:19:33 | |
Right, focus, Helen, focus. | 0:19:33 | 0:19:35 | |
Yes, good idea. | 0:19:35 | 0:19:37 | |
This shop has lots of treasures waiting to be unearthed, | 0:19:37 | 0:19:40 | |
so it's time to get to work. | 0:19:40 | 0:19:41 | |
Oh, this is fun. | 0:19:41 | 0:19:43 | |
A nice bit of Wedgwood. | 0:19:43 | 0:19:46 | |
I mean, it's not an antique in the strict sense of the word. | 0:19:46 | 0:19:48 | |
It's from 1980, | 0:19:48 | 0:19:49 | |
but Olympic memorabilia is always sought-after by collectors. | 0:19:49 | 0:19:54 | |
And this was quite an interesting Games in Moscow. | 0:19:54 | 0:19:57 | |
It was in the then Soviet Union, | 0:19:57 | 0:20:00 | |
and I think the US and various other countries boycotted the Games. | 0:20:00 | 0:20:06 | |
And I know it's recent, | 0:20:06 | 0:20:07 | |
but I think things like this can only grow in value as time goes by. | 0:20:07 | 0:20:13 | |
It's priced at £30. | 0:20:13 | 0:20:15 | |
Could this give Helen an Olympic-sized lead over James? | 0:20:15 | 0:20:20 | |
Speaking of whom, it looks like he's found something shining | 0:20:22 | 0:20:25 | |
amongst all his bits and bobs! Coats off! | 0:20:25 | 0:20:28 | |
We've got a military award here. | 0:20:28 | 0:20:31 | |
Punniar...1843, | 0:20:31 | 0:20:36 | |
so early action. And then we've got some engraving on the back. | 0:20:36 | 0:20:40 | |
It says "Major McDonald, Eighth Regiment Light Cavalry," | 0:20:40 | 0:20:44 | |
So that's pre-tank, the people are still rushing around on horses. | 0:20:44 | 0:20:49 | |
Major RDH. | 0:20:49 | 0:20:51 | |
So he was a fine gentleman - three initials before his surname. | 0:20:52 | 0:20:58 | |
And he was the Eighth Regiment Light Cavalry, | 0:20:58 | 0:21:02 | |
and had obviously seen action in India somewhere. | 0:21:02 | 0:21:06 | |
Oh... | 0:21:08 | 0:21:09 | |
The medal was awarded by the East India Company to the soldiers of | 0:21:12 | 0:21:15 | |
the British Army, who fought at the Battle of Punniar in December 1843. | 0:21:15 | 0:21:21 | |
12,000 men took part to gain control of Gwalior, | 0:21:21 | 0:21:25 | |
in the north of modern-day India. | 0:21:25 | 0:21:28 | |
Peter wants £25 for this. | 0:21:28 | 0:21:29 | |
That's a lot of history for not a lot of money. | 0:21:29 | 0:21:33 | |
I'll have to look that up. My military history isn't very good. | 0:21:33 | 0:21:36 | |
When you've looked it up and found out it's worth a lot more, | 0:21:36 | 0:21:39 | |
you can come back and pay me a bit more. | 0:21:39 | 0:21:41 | |
Exactly, Peter! What comes around comes around, doesn't it, eh? | 0:21:41 | 0:21:45 | |
Even GOES around. And very philosophical. | 0:21:45 | 0:21:49 | |
But I don't think you'll get James with that one, Peter. | 0:21:49 | 0:21:51 | |
Nice try, though. | 0:21:51 | 0:21:53 | |
Helen, meanwhile, has picked up something she looks quite keen on. | 0:21:53 | 0:21:56 | |
Bakelite was the first plastic, really, | 0:21:56 | 0:21:59 | |
which was introduced in the '20s. | 0:21:59 | 0:22:01 | |
And they used it right up until late '50s I think, possibly into '60s. | 0:22:01 | 0:22:06 | |
It's an inkwell, actually, so you would've rested the pen here. | 0:22:06 | 0:22:10 | |
It's made with formaldehyde. It's in the process of manufacturing it. | 0:22:10 | 0:22:15 | |
So if you give it a little rub so it gives off a little bit of heat, | 0:22:15 | 0:22:18 | |
give it a sniff and you can smell the formaldehyde. | 0:22:18 | 0:22:22 | |
And that's how to tell proper Bakelite. | 0:22:22 | 0:22:25 | |
12 quid on that. | 0:22:25 | 0:22:27 | |
Let's put it back. See what else I can find in here. | 0:22:28 | 0:22:30 | |
That's two items put aside here so far, | 0:22:30 | 0:22:33 | |
and there's more she quite likes. | 0:22:33 | 0:22:35 | |
Little cigarette holder. | 0:22:35 | 0:22:36 | |
It's quite sweet. In its original box as well. | 0:22:36 | 0:22:39 | |
It's got a nice little unusual design on there, really. | 0:22:39 | 0:22:43 | |
I thought it was '30s, but it's probably slightly later, maybe '50s. | 0:22:43 | 0:22:47 | |
Let's put that to one side with my little Bakelite box. | 0:22:47 | 0:22:51 | |
You don't need to get everything from this cabinet you know, Helen. | 0:22:51 | 0:22:54 | |
Nice little mustard pot. It's quite sweet. | 0:22:54 | 0:22:57 | |
The nice thing about this is it's still got its blue glass liner, | 0:22:57 | 0:23:02 | |
often they get broken. | 0:23:02 | 0:23:04 | |
It looks like a tight fit, so presumably it's original. | 0:23:04 | 0:23:07 | |
This box is ticketed at £65. | 0:23:08 | 0:23:10 | |
It was made in Birmingham in 1902, | 0:23:10 | 0:23:12 | |
but it isn't in the best of condition. | 0:23:12 | 0:23:15 | |
But the fact it's silver does help its value. | 0:23:15 | 0:23:18 | |
Right, I'll add it to the list of possibles. | 0:23:18 | 0:23:21 | |
Put that there. OK, I'm building things up here, aren't I? | 0:23:21 | 0:23:24 | |
You certainly are, but can you afford all four? | 0:23:24 | 0:23:27 | |
One man who doesn't have that problem is James, | 0:23:29 | 0:23:32 | |
and he's found something else in his box of odds. | 0:23:32 | 0:23:34 | |
I love this ice pick. I think we've decided it's an ice pick. | 0:23:34 | 0:23:38 | |
-What a lot of fun. You know, an ice bucket and a pick. -Yeah. | 0:23:38 | 0:23:41 | |
This is man's work. Man's work. And a drink to put it in. | 0:23:41 | 0:23:46 | |
And a happy ending at the end of it. | 0:23:46 | 0:23:47 | |
So you bash up your ice here, chip it off, pop it in... | 0:23:47 | 0:23:50 | |
I would have thought something like that would've been quite | 0:23:50 | 0:23:53 | |
expensive when it was bought, purely cos it would've been | 0:23:53 | 0:23:55 | |
an accessory that not a lot of people would've had. | 0:23:55 | 0:23:58 | |
I think you're dead right, Peter, but I question that slightly. | 0:23:58 | 0:24:02 | |
You say accessory, I say necessity. A rich man would've felt he... | 0:24:02 | 0:24:07 | |
You use a lot of ice in your drink. | 0:24:07 | 0:24:09 | |
Yeah, you're right, you do, don't you? | 0:24:09 | 0:24:11 | |
A necessity in the hot weather perhaps. | 0:24:11 | 0:24:13 | |
Peter is looking for £50 for the ice pick, | 0:24:13 | 0:24:16 | |
and £25 for the military Punniar Star. | 0:24:16 | 0:24:19 | |
Time to do a deal, methinks. | 0:24:19 | 0:24:21 | |
I like that. I'll give you 25 for that, Peter. | 0:24:21 | 0:24:24 | |
Can you give me a little off that? | 0:24:24 | 0:24:25 | |
I thought I was being rather charitable by saying £50, but... | 0:24:25 | 0:24:29 | |
-Many would say you were, Peter, but I'm not in this instance. -£40. | 0:24:29 | 0:24:34 | |
£40, you're a lovely man. God bless you, Brighton. | 0:24:34 | 0:24:39 | |
And bless Peter's generosity. £65 on the silver medal and the ice pick. | 0:24:39 | 0:24:44 | |
-Thanks a lot! -And with that, James's shopping is complete. | 0:24:44 | 0:24:49 | |
Helen, on the other hand, has still only bought one item, | 0:24:49 | 0:24:52 | |
but at least she has options. | 0:24:52 | 0:24:54 | |
Lots of them. | 0:24:54 | 0:24:55 | |
So what I'd like to do is offer you a price for all four pieces. | 0:24:55 | 0:24:59 | |
In total, the Wedgewood plate, the '50s cigarette holder, | 0:25:00 | 0:25:03 | |
Bakelite inkwell and silver mustard pot all come to £122. | 0:25:03 | 0:25:07 | |
So get cracking, Helen. | 0:25:07 | 0:25:10 | |
-I want to go in at an offer of 75. -Ooh. -I know. | 0:25:10 | 0:25:14 | |
OK, 90. | 0:25:14 | 0:25:15 | |
-80 is definitely my -max. 85. -Oh, man. | 0:25:16 | 0:25:22 | |
What's it going to be then, Helen? It's time to make your mind up. | 0:25:22 | 0:25:25 | |
£82.50. We'll split the difference. | 0:25:25 | 0:25:27 | |
-£82.50. -All right? -Yes. -It's a deal. Thank you. | 0:25:27 | 0:25:34 | |
-WHISTLES -That took a while. | 0:25:34 | 0:25:35 | |
But they got there in the end. | 0:25:35 | 0:25:37 | |
That's an impressive haul of goodies, | 0:25:37 | 0:25:39 | |
and completes Helen's shopping. | 0:25:39 | 0:25:41 | |
You know, I do like to be beside the seaside, and so does James. | 0:25:43 | 0:25:47 | |
Having completed his shopping, | 0:25:47 | 0:25:49 | |
he's off for some good old-fashioned entertainment. | 0:25:49 | 0:25:51 | |
In fact, Brighton beach has been home to Punch and Judy | 0:25:51 | 0:25:54 | |
for over 200 years. James is meeting Glyn Edwards, | 0:25:54 | 0:25:58 | |
a puppeteer who's been performing shows here for over half a century. | 0:25:58 | 0:26:02 | |
And he likes an ice cream. | 0:26:03 | 0:26:05 | |
-What a glorious day. Hello, Glyn. -Hello. Do have an ice cream. | 0:26:06 | 0:26:10 | |
-There's no end to your generosity. -Absolutely. | 0:26:10 | 0:26:12 | |
-Well, you're on Brighton beach, why not? -This is superb, isn't it? | 0:26:12 | 0:26:15 | |
-What a lovely day to see it on. -It's smashing. | 0:26:15 | 0:26:18 | |
In 1787 the Prince Regent, later George IV, | 0:26:19 | 0:26:23 | |
built a Royal Pavilion in Brighton. | 0:26:23 | 0:26:25 | |
By this time the town was becoming fashionable amongst high society. | 0:26:25 | 0:26:29 | |
Holidays were still unavailable to ordinary working people, | 0:26:31 | 0:26:35 | |
but all that changed in the mid-1800s with the arrival | 0:26:35 | 0:26:38 | |
of the railway, making it possible for ordinary families to enjoy | 0:26:38 | 0:26:41 | |
a holiday by the sea for the first time. | 0:26:41 | 0:26:44 | |
Brighton had been a nice little fishing town. | 0:26:44 | 0:26:48 | |
It's now on its way to becoming a world-class holiday resort. | 0:26:48 | 0:26:53 | |
All those elements are kind of invented here on the beach. | 0:26:53 | 0:26:56 | |
This bit down here was the sort of working class beach, | 0:26:56 | 0:27:00 | |
where people would come off the train straight down onto this beach. | 0:27:00 | 0:27:04 | |
Rammed with people, there'd be entertainers, | 0:27:04 | 0:27:07 | |
the boats would be there for the fishing. | 0:27:07 | 0:27:09 | |
There'd be donkey rides, all kinds of stuff. | 0:27:09 | 0:27:12 | |
But there was one show that captivated seaside audiences | 0:27:12 | 0:27:15 | |
like no other. | 0:27:15 | 0:27:16 | |
I'm here to see Mr Punch and Mrs Judy. | 0:27:16 | 0:27:21 | |
We should take you inside to meet the king of puppets himself | 0:27:21 | 0:27:24 | |
and his wife, | 0:27:24 | 0:27:25 | |
because they have a key part to play in the making of the seaside. | 0:27:25 | 0:27:29 | |
Lead on, Glyn. | 0:27:29 | 0:27:30 | |
The Brighton Fishing Museum has a section dedicated to the story | 0:27:32 | 0:27:36 | |
of seaside entertainment, and in particular Punch and Judy. | 0:27:36 | 0:27:39 | |
Although the puppets seem quintessentially British, | 0:27:39 | 0:27:42 | |
their roots date back to Italy in the 16th century. | 0:27:42 | 0:27:45 | |
He came from Italy originally. | 0:27:46 | 0:27:48 | |
He's Pulcinella from the Commedia dell'arte. | 0:27:48 | 0:27:52 | |
At some point the character of Pulcinella, the actor, | 0:27:52 | 0:27:55 | |
became a puppet, a marionette, a puppet on strings. | 0:27:55 | 0:27:59 | |
One of those string puppet marionettes came to England | 0:27:59 | 0:28:03 | |
in 1662 and put on a show in Covent Garden in London. | 0:28:03 | 0:28:09 | |
It happened to be seen by Samuel Pepys, | 0:28:09 | 0:28:12 | |
-who wrote about it in his diary. -Great diary. | 0:28:12 | 0:28:14 | |
So the diary entry of May 9th 1662 we count as Mr Punch's birthday. | 0:28:14 | 0:28:20 | |
Pulcinella was eventually shortened to Punch, and his white outfit | 0:28:21 | 0:28:24 | |
associated with Italian clans changed to that of a jester. | 0:28:24 | 0:28:29 | |
Who are the main characters in this thing? So we've got Mr Punch... | 0:28:29 | 0:28:33 | |
We've got Judy. | 0:28:33 | 0:28:35 | |
These days you have to have the crocodile and the sausages. | 0:28:35 | 0:28:37 | |
People expect it. | 0:28:37 | 0:28:38 | |
The string of sausages entered the show with Joey the clown, | 0:28:38 | 0:28:42 | |
who was originally Joseph Grimaldi, the great British clown. | 0:28:42 | 0:28:45 | |
One of his trademark gag routines was pilfering food. | 0:28:45 | 0:28:49 | |
A string of sausages goes with clowns. | 0:28:49 | 0:28:51 | |
Very English in a very Carry On rudery kind of way. | 0:28:51 | 0:28:55 | |
Once the sausages and the crocodile are in place, | 0:28:55 | 0:28:58 | |
they seem to naturally go together and form a scene in which, | 0:28:58 | 0:29:03 | |
you know, there are some sausages, the crocodile is after them | 0:29:03 | 0:29:07 | |
and Punch wants to stop them. | 0:29:07 | 0:29:09 | |
And to keep the crocodile at bay, Punch had his trusty weapon on hand. | 0:29:09 | 0:29:14 | |
-What's this business of the stick? -Mr Punch's stick. It's a slap stick. | 0:29:14 | 0:29:19 | |
It's where we get the term slapstick comedy. | 0:29:19 | 0:29:21 | |
All the clowns once would have a slap stick. | 0:29:21 | 0:29:23 | |
I will demonstrate for you. Mr Punch has a puppet-sized one. | 0:29:23 | 0:29:27 | |
But effectively, it's two bits of wood, a handle, | 0:29:27 | 0:29:30 | |
and of course when you do the smacking... | 0:29:30 | 0:29:32 | |
SNAPS | 0:29:32 | 0:29:33 | |
It's effectively a noise-making prop. | 0:29:33 | 0:29:36 | |
Glyn, sorry, I'm probably not qualified to handle a slap stick, | 0:29:36 | 0:29:39 | |
-am I? -Well... Probably not unless you've got Mr Punch as well. | 0:29:39 | 0:29:42 | |
So maybe we should let you have a go and see if that works. | 0:29:42 | 0:29:47 | |
Oh, can I play the string of sausages, please? | 0:29:47 | 0:29:50 | |
A non-speaking role. Walk this way. | 0:29:50 | 0:29:53 | |
I've got the feeling it's not as easy as it seems, James, | 0:29:56 | 0:29:59 | |
but there's only one way to find out. Stand by. | 0:29:59 | 0:30:02 | |
-Oh, Glyn, how do you cope in here? -Well... | 0:30:02 | 0:30:05 | |
-Basically, there's not a great deal of room. -There isn't. | 0:30:06 | 0:30:10 | |
But what we do... You've dropped the sausages now, haven't you? Come on. | 0:30:10 | 0:30:14 | |
What we're going to do... Put 'em out there, that's it. | 0:30:14 | 0:30:17 | |
Yeah, get the sausages out there. | 0:30:17 | 0:30:18 | |
If the crocodile can do it, you can do it. | 0:30:18 | 0:30:20 | |
We're now going to go in here | 0:30:20 | 0:30:21 | |
and I'll show you how we can see out through this back cloth. Come on. | 0:30:21 | 0:30:26 | |
-Just this way, sir. -This is where the magic happens. -There we go. | 0:30:26 | 0:30:29 | |
PUNCH: Oh, it's the way to do it! | 0:30:29 | 0:30:31 | |
We can see through. | 0:30:31 | 0:30:33 | |
-It's very clear, isn't it? -It is indeed. -Fabulous. | 0:30:33 | 0:30:35 | |
Sausages! Hey-hey-hey-hey! Oi, where's the crocodile? | 0:30:37 | 0:30:42 | |
-What sort of voice does he make? -He snaps mainly. | 0:30:42 | 0:30:45 | |
But he can talk if he wants. Go for those sausages. That's it. | 0:30:45 | 0:30:48 | |
I'm going to stop you. | 0:30:48 | 0:30:50 | |
-Oi! Get off! Get off! -I tell you what, you can try and bite me now. | 0:30:50 | 0:30:53 | |
Go on, go for me. | 0:30:53 | 0:30:55 | |
Go on, James. That's the way to do it. | 0:30:56 | 0:30:58 | |
Ohh! Ohh! Ow! Ow! | 0:30:58 | 0:31:00 | |
-Do you think I'd make an assistant then? -I think you would indeed. | 0:31:00 | 0:31:04 | |
Really? Oh, what an accolade. | 0:31:04 | 0:31:07 | |
Good to know there's a second career available for you, James. | 0:31:07 | 0:31:10 | |
Helen's just arrived, which means it's time for the last big reveal. | 0:31:10 | 0:31:14 | |
-You know how the premise of the trip is to make a profit? -Yeah. | 0:31:14 | 0:31:18 | |
I think it's gone out the window. | 0:31:18 | 0:31:20 | |
Don't worry about that, Helen. | 0:31:21 | 0:31:23 | |
-I find you make profits when you least expect them. -Yeah, OK. | 0:31:23 | 0:31:27 | |
Go on, then. Show us what you've bought. | 0:31:27 | 0:31:29 | |
Show us the goods, Helen. Look at this! A smorgasbord of goodies. | 0:31:29 | 0:31:36 | |
They look a bit sort of sorry for themselves, don't they? There we go. | 0:31:36 | 0:31:39 | |
Your Wedgwood. What is that commemorating then? | 0:31:39 | 0:31:42 | |
-Olympics Moscow 1980. -1980. | 0:31:42 | 0:31:45 | |
It's not an antique, James, but it's Olympic memorabilia. | 0:31:45 | 0:31:49 | |
-This was about £17.50 or something when you break it down. -The Olympiad. | 0:31:49 | 0:31:53 | |
-Yeah... -I can't remember the Moscow with Olympiad. | 0:31:53 | 0:31:55 | |
-It was the one that the US boycotted and all the other countries... -Oh... | 0:31:55 | 0:31:59 | |
..and then the Soviet Union got their own back the next year | 0:31:59 | 0:32:02 | |
and boycotted the next one. | 0:32:02 | 0:32:03 | |
So that's kind of why I bought it, cos I thought that was interesting. | 0:32:03 | 0:32:06 | |
-Yeah, it is interesting, yeah. -Historical. | 0:32:06 | 0:32:09 | |
-Little mustard pot, Birmingham 1902. -And that's silver? -Yeah, silver. | 0:32:09 | 0:32:15 | |
Very nice. Got a little maker's mark on it. I paid 55 quid for that. | 0:32:15 | 0:32:20 | |
Yeah, yeah. | 0:32:20 | 0:32:22 | |
James isn't giving much away. But what will Helen think of his items? | 0:32:22 | 0:32:26 | |
-Right, here we go. -Come on then, James. -These are my goodies. -Ooh! | 0:32:26 | 0:32:30 | |
The unusual one is every home should have one - an ice pick. | 0:32:30 | 0:32:34 | |
I've never seen an ice pick before. | 0:32:34 | 0:32:36 | |
-Had to pay some money for that - £40. -That's all right. | 0:32:36 | 0:32:39 | |
But that's what I like most of all. | 0:32:39 | 0:32:41 | |
That was given to the East India Company to somebody who | 0:32:41 | 0:32:44 | |
-fought in a battle in Northern India. -Oh, right. OK. Nice. | 0:32:44 | 0:32:48 | |
-So how much did you pay for that? -£25. -That's all right, isn't it? | 0:32:48 | 0:32:52 | |
It's not bad. Not bad. | 0:32:52 | 0:32:54 | |
-Come on, fish and chips? -Yeah, let's go to the pier. | 0:32:54 | 0:32:57 | |
Hang on, chaps, first tell us what you really think. | 0:32:57 | 0:33:00 | |
I think I can essentially kiss goodbye to any profit. | 0:33:00 | 0:33:04 | |
You never know, do you? | 0:33:04 | 0:33:06 | |
You never know what's going to happen on the day. | 0:33:06 | 0:33:08 | |
Maybe there'll be two people at the auction who collect | 0:33:08 | 0:33:11 | |
Olympic memorabilia and I'll be quids in. | 0:33:11 | 0:33:14 | |
It ain't looking good for me, is it, really? | 0:33:14 | 0:33:16 | |
We'll see. | 0:33:16 | 0:33:17 | |
It's so difficult to predict auction. | 0:33:17 | 0:33:19 | |
How am I going to come out of it? How's Helen going to come out of it? | 0:33:19 | 0:33:22 | |
It's very difficult to predict, | 0:33:22 | 0:33:24 | |
but I think I probably have the upper hand on this one. | 0:33:24 | 0:33:27 | |
Confident talk, eh? | 0:33:27 | 0:33:28 | |
And it's time to find out, | 0:33:30 | 0:33:31 | |
as we head to the final auction of their road trip | 0:33:31 | 0:33:34 | |
in Lewes in East Sussex. | 0:33:34 | 0:33:36 | |
Palaeontologist Gideon Mantell was born here in 1790. | 0:33:37 | 0:33:42 | |
His research led to the discovery of the dinosaurs. | 0:33:42 | 0:33:45 | |
Our duo will be hoping their own ancient discoveries will deliver | 0:33:47 | 0:33:51 | |
a famous victory here today. | 0:33:51 | 0:33:53 | |
-Here we are. -We can do it, here we are. | 0:33:53 | 0:33:55 | |
You were nipping at me heels earlier on. | 0:33:55 | 0:33:57 | |
-I was, but those days are gone, aren't they? -Rubbish. Come on. | 0:33:57 | 0:34:01 | |
Come on, let's do it. | 0:34:01 | 0:34:03 | |
-Thank you very much. -Alley-up. | 0:34:04 | 0:34:06 | |
Gorringes Auction House is today's battlefield, | 0:34:06 | 0:34:09 | |
and where we'll crown this week's winner. | 0:34:09 | 0:34:11 | |
It's also where our James first entered the antiques business | 0:34:11 | 0:34:14 | |
many moons ago. But will that help him today? | 0:34:14 | 0:34:17 | |
Philip Taylor is doing the honours on the podium | 0:34:17 | 0:34:20 | |
and has some thoughts on our esteemed experts' choices. | 0:34:20 | 0:34:23 | |
I think today a few things are going to struggle | 0:34:25 | 0:34:27 | |
and some things might do very well. | 0:34:27 | 0:34:29 | |
Trouble with the Wedgwood plate is, there was an awful lot of them made, | 0:34:29 | 0:34:32 | |
many tens of thousands, so hardly a rarity. | 0:34:32 | 0:34:35 | |
It's going to be a struggle to get any sensible price at all. | 0:34:35 | 0:34:38 | |
The Punniar Star is probably going to be your star of the sale today. | 0:34:38 | 0:34:41 | |
Although not rare, I think it's going to do well. | 0:34:41 | 0:34:44 | |
I'm hoping it'll make £150-200. | 0:34:44 | 0:34:46 | |
It's had a few alterations to the suspension, | 0:34:46 | 0:34:49 | |
but quite an interesting item. | 0:34:49 | 0:34:51 | |
James began this final leg of the road trip with £300.26, | 0:34:54 | 0:34:58 | |
and has gone on to spend £140 on five auction lots. | 0:34:58 | 0:35:02 | |
God bless you, Brighton. | 0:35:03 | 0:35:04 | |
Helen started with £153.18 | 0:35:05 | 0:35:09 | |
and has parted with £132.50, also for five lots. | 0:35:09 | 0:35:13 | |
It's a deal. Thank you, Anne. | 0:35:14 | 0:35:16 | |
With two wins each under each of their belts, | 0:35:16 | 0:35:18 | |
it's all to play for as the final auction begins. | 0:35:18 | 0:35:22 | |
Are there any Olympic enthusiasts in? | 0:35:22 | 0:35:24 | |
I think there are athletes all around us. | 0:35:24 | 0:35:27 | |
We'll soon find out | 0:35:27 | 0:35:28 | |
as Helen's Wedgwood Olympic souvenir plate is first. | 0:35:28 | 0:35:31 | |
Good luck. | 0:35:32 | 0:35:34 | |
Any bids at £5? Any bids at 5, surely? 5, thank you. | 0:35:34 | 0:35:38 | |
£5 bid here at 5. Only bid at £5. | 0:35:38 | 0:35:41 | |
Go on. 8... | 0:35:41 | 0:35:43 | |
Only at £5 it goes... | 0:35:43 | 0:35:45 | |
Oh, dear. | 0:35:45 | 0:35:46 | |
-My first lot. -That's your first. | 0:35:46 | 0:35:50 | |
The auctioneer said that would struggle, and he was right. | 0:35:50 | 0:35:53 | |
-£5. They're just not very athletic in Lewes. -They're not. | 0:35:53 | 0:35:58 | |
Will James get off to a better start with his onyx box? | 0:35:58 | 0:36:02 | |
Two bids on this lot. Not very high bids, though. | 0:36:02 | 0:36:05 | |
£5 is the best-buying bid, at £5. | 0:36:05 | 0:36:07 | |
It's not sounding good for James, either. | 0:36:07 | 0:36:10 | |
£6, only 6. At £6... | 0:36:10 | 0:36:12 | |
It's careering away, isn't it? | 0:36:12 | 0:36:14 | |
I've got a bid at 6. Any further bid on this lot? | 0:36:14 | 0:36:17 | |
-8 at the back. -8? Oh, you lovely person. | 0:36:17 | 0:36:21 | |
All gone on 8. | 0:36:21 | 0:36:23 | |
£8. Dear, oh, dear. Look at that. | 0:36:23 | 0:36:26 | |
That's set James way back. | 0:36:26 | 0:36:28 | |
The bidders weren't impressed by that at all. | 0:36:28 | 0:36:31 | |
There's nothing like an auction to bring you up to speed, is there? | 0:36:31 | 0:36:35 | |
I've got a feeling this auction might be carnage. | 0:36:35 | 0:36:39 | |
Let's hope Helen can impress with her '50s cigarette holder. | 0:36:39 | 0:36:43 | |
5 or £10 for it. 5 for someone, surely. Get it started at £5. | 0:36:43 | 0:36:47 | |
-Any bids for the cigarette holder? -Got to be worth a fiver. | 0:36:47 | 0:36:49 | |
Got to be worth... Please, sell. | 0:36:49 | 0:36:51 | |
Any bids at £5? | 0:36:51 | 0:36:53 | |
-WOMAN: We've got £15. -Pardon? | 0:36:53 | 0:36:55 | |
-We've got £15. -£15. -Take it! Take it! | 0:36:55 | 0:36:58 | |
A profit, but can we get more? | 0:36:58 | 0:37:00 | |
15, can you make it 18, madam? £18. | 0:37:00 | 0:37:03 | |
I have it here at £18. At £18. | 0:37:03 | 0:37:06 | |
At £18. This is bid at 18. | 0:37:06 | 0:37:08 | |
This is yours, madam. Finished on 18. | 0:37:08 | 0:37:11 | |
That's more like it. That's our first profit of the auction. | 0:37:11 | 0:37:14 | |
Finally something to smile about! | 0:37:14 | 0:37:16 | |
Now, can James get off the mark with his pottery figures? | 0:37:17 | 0:37:20 | |
£20 bid. £25. | 0:37:20 | 0:37:22 | |
25 now. 30 bid. 35. 40 with you, sir. | 0:37:22 | 0:37:25 | |
They're pretty things and the bidders seem to like them. | 0:37:25 | 0:37:28 | |
40. They'll be sold at 40 only. Last time then, on £40. | 0:37:28 | 0:37:34 | |
I don't know how much I paid for those. Was it 40? | 0:37:34 | 0:37:38 | |
No, you paid £30, James, pay attention. | 0:37:38 | 0:37:40 | |
And it's your first profit of the auction. | 0:37:40 | 0:37:42 | |
Next up is Helen's silver mustard pot. | 0:37:43 | 0:37:46 | |
It's her most expensive item today, so it's got to make a profit. | 0:37:46 | 0:37:50 | |
15, 18, 20. At 20, 22. At £22. | 0:37:50 | 0:37:54 | |
The silver mustard pot at 22. | 0:37:54 | 0:37:55 | |
-WOMAN: 30. -£30. | 0:37:55 | 0:37:57 | |
-Well done. -35? -God bless the internet. | 0:37:57 | 0:38:01 | |
-At £35. -Come on, keep going. | 0:38:01 | 0:38:03 | |
35. | 0:38:03 | 0:38:04 | |
The auctioneer's doing his best, but it's not looking good. | 0:38:04 | 0:38:07 | |
15 bids over the internet. Selling that on £45. | 0:38:07 | 0:38:10 | |
Still a loss, but not a terrible loss. | 0:38:12 | 0:38:14 | |
The internet, it's playing its hand, isn't it? Well done, you. | 0:38:14 | 0:38:18 | |
But it's still another stinker for Helen. | 0:38:18 | 0:38:21 | |
She paid too much for it and it's made her a £10 loss. | 0:38:21 | 0:38:24 | |
45. I know it's a small loss, but it could've been a lot worse. | 0:38:24 | 0:38:28 | |
Next - will James's ice pick get a frosty or a warm reception | 0:38:29 | 0:38:32 | |
from today's bidders? | 0:38:32 | 0:38:34 | |
£10 to get it started, surely. | 0:38:34 | 0:38:36 | |
Thank you, ten at the back. | 0:38:36 | 0:38:38 | |
-Tenner... -12 with you now. | 0:38:38 | 0:38:39 | |
-Come on, internet. Come on, get in there. -It's a lovely thing. | 0:38:39 | 0:38:44 | |
Doesn't look like the internet wants it either. | 0:38:44 | 0:38:46 | |
18 at the back, you also bid at 18. At 20. £20. 22. | 0:38:46 | 0:38:50 | |
-It's going up, you're all right. -Come on, internet. Come on. | 0:38:50 | 0:38:54 | |
It's in the room, I think. Look. | 0:38:54 | 0:38:55 | |
At 32, 35. | 0:38:55 | 0:38:58 | |
-They don't want to let it go. -£35. | 0:38:58 | 0:39:00 | |
It could've been worse. | 0:39:01 | 0:39:03 | |
Both of our experts are struggling to break through. | 0:39:03 | 0:39:06 | |
Can Helen start to turn things around | 0:39:07 | 0:39:09 | |
with her Art Deco Bagley vase? | 0:39:09 | 0:39:11 | |
Look at it. It's splendid. | 0:39:13 | 0:39:15 | |
£15 to get it started. 10 for someone. | 0:39:15 | 0:39:17 | |
Thank you, 10 only bid. £10, 15 bid now. At £15... | 0:39:17 | 0:39:21 | |
Helen thought she got a bargain on this. | 0:39:21 | 0:39:23 | |
Doesn't look like it now though, does it? | 0:39:23 | 0:39:26 | |
-Any bids on the internet? -WOMAN: 25. | 0:39:26 | 0:39:27 | |
-25 it's gone to. 25. -25. | 0:39:27 | 0:39:30 | |
All finished at £25. | 0:39:30 | 0:39:33 | |
Oh, Helen... | 0:39:33 | 0:39:35 | |
Helen bought it at half price and sold it at half price. Oh, well. | 0:39:35 | 0:39:40 | |
A lot resting on your Bakelite inkwell now, isn't there? | 0:39:40 | 0:39:43 | |
James's Rosewood Panel's up next. | 0:39:45 | 0:39:48 | |
10 for someone? Thank you, 10 and bid. 12 bid now. | 0:39:48 | 0:39:50 | |
15 bid. At £15 only... | 0:39:50 | 0:39:52 | |
-Profit. -At £18 now. At £18. | 0:39:52 | 0:39:55 | |
At £18. I'll let it go then. The latest bid I have then. | 0:39:55 | 0:39:57 | |
All done on £18. | 0:39:57 | 0:39:59 | |
18. That's a small profit. | 0:39:59 | 0:40:02 | |
At last some profit. It's just a few pounds | 0:40:02 | 0:40:04 | |
but it will help to reduce some of the losses he's made so far. | 0:40:04 | 0:40:08 | |
-I need to make about 40 quid on my inkwell. -Yes. | 0:40:08 | 0:40:14 | |
Stranger things have happened on the road trip, Helen, | 0:40:14 | 0:40:16 | |
as the Bakelite inkwell is up next. | 0:40:16 | 0:40:19 | |
5 or £10 for this one again? Any bids at £5 for it? | 0:40:19 | 0:40:22 | |
The Bakelite inkwell? £5 on it, surely? Someone bid me £5 for it. | 0:40:22 | 0:40:25 | |
Any bids on it? Couple of pounds I'll take if I have to. | 0:40:25 | 0:40:28 | |
-Times are hard, I'll take a pound if you wish. I don't mind. -No... | 0:40:28 | 0:40:31 | |
Any bids at all? | 0:40:31 | 0:40:32 | |
I won't go below £1. £1 is there. 2 for you, madam. 2 I'm bid now. | 0:40:32 | 0:40:35 | |
At £2. The lady gets it at £2. | 0:40:35 | 0:40:38 | |
Very brave of you, madam. At £2. | 0:40:38 | 0:40:40 | |
At £2. All done at 2. | 0:40:40 | 0:40:41 | |
Do you think that's the cheapest thing, | 0:40:41 | 0:40:44 | |
the cheapest price that's ever been achieved on the road trip? | 0:40:44 | 0:40:47 | |
Well, it's certainly a contender, Helen. £2 for that. | 0:40:47 | 0:40:50 | |
The auctioneer had high hopes for the Punniar Star medal. | 0:40:52 | 0:40:56 | |
Will it shine brightly on James's fortunes? | 0:40:56 | 0:40:58 | |
-Here's the last, my last offering. -Interesting item, this is. | 0:40:58 | 0:41:02 | |
Will start this at £100 to get it started. £100 for someone? | 0:41:02 | 0:41:05 | |
£100 bid at 100. £100, 110. 120... | 0:41:05 | 0:41:09 | |
That's more like it. | 0:41:09 | 0:41:10 | |
120. 130. 140 bid. | 0:41:10 | 0:41:12 | |
At 140. At 140 then. 150 bid. 150. | 0:41:12 | 0:41:15 | |
-160. 170. 180. 190. -Oh, my God... | 0:41:15 | 0:41:18 | |
200. 220. 240... | 0:41:18 | 0:41:20 | |
The bidders have suddenly come alive! | 0:41:20 | 0:41:22 | |
£300. On the right-hand side is 300. | 0:41:22 | 0:41:26 | |
For £300 it sells. | 0:41:26 | 0:41:28 | |
300. | 0:41:28 | 0:41:29 | |
I saved the best till last. | 0:41:29 | 0:41:33 | |
What a way to finish the auction, with a tremendous | 0:41:33 | 0:41:35 | |
reversal of fortune for James, wiping out every loss he's made. | 0:41:35 | 0:41:40 | |
-Right, lunch is on you. That's it. -Definitely, lunch on me. | 0:41:40 | 0:41:43 | |
-Lobster and champagne. -Right, OK, you've said it. Right. | 0:41:43 | 0:41:47 | |
Let's go. | 0:41:47 | 0:41:48 | |
Yeah, but not before we total it all up. | 0:41:48 | 0:41:50 | |
New girl Helen started this final leg of the road trip | 0:41:50 | 0:41:53 | |
with £153.18, and it's been a baptism of fire, | 0:41:53 | 0:41:58 | |
because after auction costs, she made a loss of £54.60, | 0:41:58 | 0:42:03 | |
ending her trip with just £98.58. | 0:42:03 | 0:42:06 | |
Bad luck. | 0:42:06 | 0:42:08 | |
Whilst old hand James kicked off with £300.26, | 0:42:08 | 0:42:13 | |
and after costs has seen his money go through the roof making an | 0:42:13 | 0:42:16 | |
impressive profit of £188.82, making him not only today's winner | 0:42:16 | 0:42:22 | |
but also the winner of the week's road trip | 0:42:22 | 0:42:23 | |
with a thumping great £489.08. | 0:42:23 | 0:42:27 | |
The profits of which, of course, go to Children In Need. | 0:42:27 | 0:42:31 | |
-Shall we do a victory photo? -OK. -Yeah? Come on. | 0:42:31 | 0:42:34 | |
Whilst James celebrates victory, Helen is magnanimous in defeat. | 0:42:34 | 0:42:40 | |
-I'm going to miss you. -I'm going to miss you. | 0:42:40 | 0:42:42 | |
We've been on the road with two superstars. | 0:42:44 | 0:42:47 | |
Oh, it's Jack Nicholson! | 0:42:47 | 0:42:48 | |
It is, I've whipped back from the Mediterranean especially to do | 0:42:48 | 0:42:52 | |
the shopping today. | 0:42:52 | 0:42:53 | |
And what a week it's been. | 0:42:54 | 0:42:56 | |
The road trip's never easy, but it's certainly a lot of fun. | 0:42:59 | 0:43:03 | |
-What do you say?! -Oh! | 0:43:03 | 0:43:06 | |
That is a Wurzel hat, isn't it? | 0:43:06 | 0:43:08 | |
WHISTLES | 0:43:08 | 0:43:09 | |
HONKS Nice. | 0:43:09 | 0:43:10 | |
Safe journey home, you two. | 0:43:13 | 0:43:14 |