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The nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
-All right, viewers? -..with £200 each, | 0:00:04 | 0:00:06 | |
a classic car, and a goal - to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
I'm on fire. Yes! | 0:00:10 | 0:00:11 | |
Sold! Going, going, gone! | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
50p! | 0:00:17 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
Be a good profit. | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
Yes! | 0:00:28 | 0:00:30 | |
This is the... | 0:00:30 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:36 | |
It's the fourth leg of the Road Trip for James Braxton | 0:00:36 | 0:00:39 | |
and fledgling Roadtripper Helen Hall. Nice hair. | 0:00:39 | 0:00:44 | |
-Lovely, sunny day. -It is glorious, isn't it? | 0:00:44 | 0:00:46 | |
There's not been a single day where we've had to have the roof up, | 0:00:46 | 0:00:49 | |
-actually, has there? -It's been so good. | 0:00:49 | 0:00:52 | |
Rock 'n' roll memorabilia expert Helen | 0:00:53 | 0:00:56 | |
has been making quite a noise on this trip. | 0:00:56 | 0:00:58 | |
Nice. | 0:01:00 | 0:01:02 | |
And James has been trying to spend as little as possible. | 0:01:02 | 0:01:05 | |
You said about 20 on that... | 0:01:05 | 0:01:07 | |
-I thought I said 30, actually. -Did you say 30? -I did. | 0:01:07 | 0:01:11 | |
They're cruising the countryside in the 1974 E-Type Jaguar. | 0:01:11 | 0:01:15 | |
So are you going to change anything about your approach this time? | 0:01:15 | 0:01:18 | |
I mean, I didn't make a healthy profit last time, | 0:01:18 | 0:01:21 | |
but I didn't make a loss, so... | 0:01:21 | 0:01:23 | |
Oh, yeah, come on, remind me of that big profit. | 0:01:23 | 0:01:26 | |
-£1.30, wahoo! -Wahey! | 0:01:26 | 0:01:28 | |
That is a triumph. | 0:01:28 | 0:01:31 | |
It is. | 0:01:31 | 0:01:32 | |
In fact, Helen's been triumphant on two of the last three auctions. | 0:01:32 | 0:01:37 | |
All done at £50. | 0:01:37 | 0:01:39 | |
Well done. | 0:01:39 | 0:01:41 | |
But, thanks to the few shrewd buys, James is marginally ahead. | 0:01:41 | 0:01:46 | |
At home for £90. | 0:01:46 | 0:01:49 | |
You see, you can't keep a good man down, Helen. | 0:01:49 | 0:01:51 | |
James started the trip with £200 | 0:01:51 | 0:01:55 | |
and, after the three auctions, | 0:01:55 | 0:01:56 | |
has seen his money wilt to just £194.68. | 0:01:56 | 0:02:01 | |
Helen started her Road Trip with the same amount, | 0:02:01 | 0:02:04 | |
but she too has watched her cash shrivel to £185.30, | 0:02:04 | 0:02:09 | |
meaning there's just £9.38 between them. | 0:02:09 | 0:02:12 | |
I'm just going to stick with what I'm doing. | 0:02:12 | 0:02:15 | |
I don't know what that is, but I'm going to stick with it. | 0:02:15 | 0:02:18 | |
You tell him, Helen. | 0:02:18 | 0:02:21 | |
Our friendly rivals are on a journey of over 500 miles | 0:02:21 | 0:02:24 | |
from Oswestry in Shropshire, through Wales and southern England, | 0:02:24 | 0:02:28 | |
before ending their Road Trip | 0:02:28 | 0:02:29 | |
in the county town of Lewes in East Sussex. | 0:02:29 | 0:02:32 | |
On this fourth leg of the Road Trip, | 0:02:34 | 0:02:37 | |
they begin in Wallingford in Oxfordshire, | 0:02:37 | 0:02:39 | |
before heading to auction in Wokingham in Berkshire. | 0:02:39 | 0:02:42 | |
There used to be a castle here that was built by William the Conqueror, | 0:02:46 | 0:02:50 | |
and was used as a royal residence | 0:02:50 | 0:02:52 | |
until it was destroyed following the Civil War. | 0:02:52 | 0:02:55 | |
Whilst the castle may be gone, | 0:02:55 | 0:02:57 | |
our duo will hope that the bargains are not. | 0:02:57 | 0:03:00 | |
-Here we are. -Looks very good, doesn't it? | 0:03:00 | 0:03:02 | |
That's lovely - lovely building. | 0:03:02 | 0:03:04 | |
They're starting the new day shopping in the same place, | 0:03:04 | 0:03:07 | |
the Lamb Arcade Antiques Centre. | 0:03:07 | 0:03:09 | |
This looks very good, doesn't it? | 0:03:09 | 0:03:11 | |
-Yeah, I think we can find some things in here. -Silver. | 0:03:11 | 0:03:14 | |
You stay down here, I'm going to go upstairs. | 0:03:14 | 0:03:16 | |
The place has goods from over 40 dealers for our pair to choose from. | 0:03:17 | 0:03:21 | |
So they should be spoiled for choice. | 0:03:22 | 0:03:25 | |
So, I made a £1.30 profit last time. | 0:03:25 | 0:03:29 | |
Megabucks. Mega! | 0:03:29 | 0:03:32 | |
Look, a modest profit, but a profit no less. | 0:03:32 | 0:03:35 | |
But James is determined to stay in front. | 0:03:35 | 0:03:37 | |
Sorry, you find me in sunglasses because I've been weepy. | 0:03:37 | 0:03:40 | |
Helen is really closing the gap | 0:03:40 | 0:03:42 | |
and if I don't pull something out of the bag, she's definitely going | 0:03:42 | 0:03:45 | |
to leapfrog me and Mrs Rock And Pop is going to take the day. | 0:03:45 | 0:03:50 | |
Sounds like he's feeling the pressure. | 0:03:50 | 0:03:52 | |
I wonder if he can find anything in this section, run by dealer David. | 0:03:52 | 0:03:57 | |
Can I have a rootle through here? | 0:03:57 | 0:03:59 | |
I think most of those are ladies', though. | 0:03:59 | 0:04:01 | |
There's no such thing these days, David, we're all metrosexual. | 0:04:01 | 0:04:04 | |
Oh, yeah, all right then. I'll take your word for it. | 0:04:04 | 0:04:07 | |
What are you going on about, James? | 0:04:07 | 0:04:10 | |
You've got some nice things in here. | 0:04:10 | 0:04:12 | |
It's a pencil, so it would have been held possibly on a fob, | 0:04:12 | 0:04:17 | |
a racing pencil, it might have been held on a chain here. | 0:04:17 | 0:04:20 | |
Sterling silver, "925," so 925 parts silver. | 0:04:20 | 0:04:24 | |
"M & Co." Now "M" might stand for Mordan & Company. | 0:04:24 | 0:04:32 | |
So the silversmith - Sampson Mordan. | 0:04:32 | 0:04:35 | |
It doesn't look much like a pencil, | 0:04:35 | 0:04:37 | |
because the part used for writing is missing. | 0:04:37 | 0:04:40 | |
The real value is in the silver. And the maker. | 0:04:40 | 0:04:43 | |
It's just an interesting thing, and produced in enormous quantity. | 0:04:43 | 0:04:46 | |
Luxury goods makers, late Victorian period, Edwardian period. | 0:04:46 | 0:04:49 | |
Lots of money around, | 0:04:49 | 0:04:51 | |
lots of luxury goods makers providing the wealthy with presents. | 0:04:51 | 0:04:55 | |
And it survived, you know, that's over 100 years old. | 0:04:55 | 0:04:59 | |
It's been bashed around, used again. | 0:04:59 | 0:05:01 | |
Essentially, the action's there. It just needs a clever fellow | 0:05:01 | 0:05:04 | |
just to reintroduce the pencil, and it'll be back in service. | 0:05:04 | 0:05:08 | |
Sounds like he quite likes that. | 0:05:08 | 0:05:11 | |
18, you chancer, eh? | 0:05:11 | 0:05:13 | |
See, smiling, you know it. | 0:05:13 | 0:05:15 | |
Could you do something like 10 or 12 on that? | 0:05:15 | 0:05:19 | |
-I think I could do 10 on it. -10? -Yeah. | 0:05:19 | 0:05:22 | |
-10, you've got yourself a deal, mate. -Thank you. | 0:05:22 | 0:05:24 | |
Thank you very much indeed, David. | 0:05:24 | 0:05:26 | |
It's a confident opening buy for James. | 0:05:26 | 0:05:29 | |
I wonder if Helen's ready to buy something downstairs? | 0:05:29 | 0:05:32 | |
Look at this. What a great colour! | 0:05:32 | 0:05:36 | |
Very in vogue, this season, yellow, isn't it? | 0:05:36 | 0:05:39 | |
And they're asparagus plates. | 0:05:39 | 0:05:42 | |
So I guess the jug is for the butter. | 0:05:42 | 0:05:46 | |
Well, that's what I have with... Or hollandaise maybe? | 0:05:46 | 0:05:48 | |
So there's your asparagus plate, | 0:05:48 | 0:05:51 | |
put the sauce into the little dish there. They're lovely, I like those. | 0:05:51 | 0:05:55 | |
Age-wise, they're probably '50s or '60s, probably '50s. | 0:05:55 | 0:06:00 | |
Something like that. But I like those a lot. Only cos I like asparagus. | 0:06:00 | 0:06:04 | |
There are eight pieces in this Sarreguemines asparagus set, | 0:06:04 | 0:06:08 | |
but is it worth the £58 ticket price? | 0:06:08 | 0:06:11 | |
How many asparagus eaters will we have at auction? I don't know. | 0:06:11 | 0:06:14 | |
That sounds like quite a...niche market, Helen. | 0:06:14 | 0:06:16 | |
Are you sure about this? | 0:06:16 | 0:06:18 | |
I'll have a think about that one. | 0:06:18 | 0:06:20 | |
One to consider, maybe. | 0:06:20 | 0:06:21 | |
It seems Helen also has her eye on a piece of silver | 0:06:21 | 0:06:24 | |
in one of the cabinets. | 0:06:24 | 0:06:26 | |
Little silver matchbook holder and, you know, | 0:06:26 | 0:06:29 | |
the style of it is very Art Deco, | 0:06:29 | 0:06:31 | |
and I like that style, so that's why it appealed to me. | 0:06:31 | 0:06:35 | |
It looks like Continental silver and is priced at £58, | 0:06:36 | 0:06:39 | |
but with just a few pounds between her and James, | 0:06:39 | 0:06:42 | |
Helen will want a even better price from dealer Siobhan. | 0:06:42 | 0:06:46 | |
I mean, I'd like to start at an offer of 25. | 0:06:46 | 0:06:49 | |
-No. That's too low. Can't do that. Can't do that at all. I wish. -OK. | 0:06:49 | 0:06:57 | |
-30? -I can do 35. | 0:06:57 | 0:07:00 | |
35... | 0:07:00 | 0:07:02 | |
How about 32? | 0:07:02 | 0:07:04 | |
-I'll do 33. -33. | 0:07:07 | 0:07:09 | |
OK, I'll think about that one then at 33. | 0:07:09 | 0:07:12 | |
I guess a pound could make all the difference at auction. | 0:07:12 | 0:07:15 | |
There was something else in your shop, though, that I really liked. | 0:07:15 | 0:07:18 | |
-The asparagus set. -Oh, it's lovely. | 0:07:18 | 0:07:21 | |
I'd like to go in at what I went in on that, as well, at 25! | 0:07:21 | 0:07:24 | |
-But... -Yeah. -Let's start at 25. | 0:07:24 | 0:07:28 | |
I'll tell you what we'll do, I can do the same as the piece of silver. | 0:07:28 | 0:07:34 | |
-OK, at 33. -Yeah. -OK, all right. | 0:07:34 | 0:07:36 | |
-66. -66, altogether. All right. | 0:07:36 | 0:07:40 | |
-Let's do it. 66 for the two. -Brilliant. -Brilliant. | 0:07:40 | 0:07:43 | |
-Thank you very much. -Thank you. | 0:07:43 | 0:07:45 | |
With Helen making her first purchase of the day, | 0:07:47 | 0:07:50 | |
has James found anything else upstairs he likes? | 0:07:50 | 0:07:53 | |
That's a nice bin, isn't it? Looks sort of '50s, isn't it? | 0:07:53 | 0:07:57 | |
How much have you got on there? | 0:07:57 | 0:07:58 | |
42. Somebody doing up a kitchen, would be quite a fun, retro look. | 0:07:58 | 0:08:03 | |
Depends how... Nice flour bin or something. For a baker. | 0:08:03 | 0:08:08 | |
Is something like that at auction going to make a tenner? | 0:08:08 | 0:08:11 | |
I don't know, any more. | 0:08:11 | 0:08:13 | |
I'm going through this sort of buying crisis. | 0:08:13 | 0:08:17 | |
Come on! Pull yourself together, James. | 0:08:17 | 0:08:19 | |
If David offered that for 15 or 20 quid, would it only make 15 or 20? | 0:08:19 | 0:08:24 | |
It's quite unusual, cos it's a large size. | 0:08:24 | 0:08:27 | |
David, what could be your best/worst on this? Best for you, worst for me. | 0:08:27 | 0:08:31 | |
I think the best I can do on that is 20... | 0:08:33 | 0:08:38 | |
-20? -20, yeah. | 0:08:38 | 0:08:40 | |
Let the man finish, eh?! | 0:08:40 | 0:08:42 | |
That's less than half price, but James isn't finished there. | 0:08:42 | 0:08:45 | |
Look at that tin! | 0:08:45 | 0:08:47 | |
"Leading confectioners," that's a great tin, isn't it? | 0:08:47 | 0:08:50 | |
That is straight out of Chitty Chitty Bang Bang. | 0:08:50 | 0:08:54 | |
"Batger and Co Ltd, 44 South Side, Clapham Common, London." | 0:08:54 | 0:08:59 | |
-It's worth buying for the address, isn't it? -Oh, yeah. | 0:08:59 | 0:09:02 | |
-What a beautiful tin that is. -Brings back memories, that does. | 0:09:02 | 0:09:06 | |
-The old sweet shops. -Jersey toffee, seven pounds of them. | 0:09:06 | 0:09:11 | |
-Yeah. -God, that's half a stone. | 0:09:11 | 0:09:13 | |
-Even better, I can probably put that in with that. -You wouldn't? | 0:09:13 | 0:09:17 | |
-Yeah. -What, for the same price? -For the same price. | 0:09:17 | 0:09:20 | |
You are a lovely man, David. | 0:09:20 | 0:09:21 | |
-Then you've got to be able to do something... -Come on, I'll buy that. | 0:09:21 | 0:09:24 | |
I don't know what to buy any more, | 0:09:24 | 0:09:25 | |
so I'm just clutching at straws, anyway. | 0:09:25 | 0:09:28 | |
That is lovely, David, look at that. | 0:09:28 | 0:09:30 | |
That's just a visual treat, really, isn't it? | 0:09:30 | 0:09:33 | |
I think it's what you call a BOGOF, buy one, get one free, | 0:09:33 | 0:09:37 | |
spending £30 in total here on the two tins and the silver pencil. | 0:09:37 | 0:09:41 | |
And whilst James appears to be quite sure about what he's buying, | 0:09:44 | 0:09:47 | |
Helen seems a lot more confident. | 0:09:47 | 0:09:49 | |
The thing that's grabbing me is the lovely onyx and pearl brooch in here. | 0:09:49 | 0:09:54 | |
15 carat, onyx and pearl. | 0:09:55 | 0:09:58 | |
OK. I think it's really pretty. | 0:09:58 | 0:10:01 | |
-It looks like a mourning brooch. -A mourning brooch. | 0:10:01 | 0:10:04 | |
Probably late Victorian, yes. | 0:10:04 | 0:10:07 | |
It certainly looks Victorian or Edwardian, at least, doesn't it? | 0:10:07 | 0:10:09 | |
I think it's lovely. | 0:10:09 | 0:10:11 | |
After the death of Prince Albert in 1861, | 0:10:12 | 0:10:16 | |
Queen Victoria wore black for the rest of her life. | 0:10:16 | 0:10:19 | |
It set in motion a trend whereby people marked the death | 0:10:19 | 0:10:22 | |
of a loved one by wearing a black piece of jewellery. | 0:10:22 | 0:10:26 | |
It reminds me a little bit of the jewellery designer Kenneth Jay Lane | 0:10:26 | 0:10:30 | |
-who does a lot of costume jewellery. -Oh, right. -And I like it. | 0:10:30 | 0:10:33 | |
And I have a cuff of his that would go rather nicely with this. | 0:10:33 | 0:10:37 | |
Are you shopping for yourself or auction? | 0:10:37 | 0:10:40 | |
-Now, the dealer's not here today. -No, she never is. -OK. | 0:10:40 | 0:10:43 | |
So you can do deals. | 0:10:43 | 0:10:45 | |
I mean, I'd like to make an offer of 30, and see where we get to. | 0:10:45 | 0:10:50 | |
-I don't think she'd even consider... -Yeah, that was lowball. | 0:10:50 | 0:10:53 | |
You've got to try. | 0:10:53 | 0:10:54 | |
It's got a ticket price of £68. | 0:10:54 | 0:10:56 | |
I guess if you don't ask, you don't get. | 0:10:56 | 0:10:58 | |
She's wondering what your very best price would be? 55? | 0:10:58 | 0:11:03 | |
Would you do 50? | 0:11:05 | 0:11:07 | |
She can't do any better than 55. | 0:11:07 | 0:11:10 | |
OK, thanks, Pat. Bye. | 0:11:10 | 0:11:12 | |
That's £13 off. That's not a bad discount. | 0:11:12 | 0:11:17 | |
OK, I'll do it. I'll do it, I'll do it. | 0:11:17 | 0:11:19 | |
-55 it is, all right. -OK, thank you very much. | 0:11:20 | 0:11:23 | |
Helen's on fire today, spending £121 in her first shop | 0:11:26 | 0:11:30 | |
on the asparagus set, the silver matchbox holder and the gold brooch. | 0:11:30 | 0:11:35 | |
Here's Johnny. Or is it James? Ha, naughty. | 0:11:35 | 0:11:40 | |
-Oh, it's Jack Nicholson. -It is. | 0:11:40 | 0:11:42 | |
AKA James Braxton. | 0:11:42 | 0:11:44 | |
I'm just bringing out that scary Joker look. | 0:11:44 | 0:11:46 | |
Yeah, you need to be a bit more crazy with the hair. | 0:11:46 | 0:11:48 | |
I've whipped back from the Mediterranean especially to | 0:11:48 | 0:11:50 | |
do this shopping today, leaving the lovelies on the Riviera. | 0:11:50 | 0:11:55 | |
-I've brought you this. -Oh, wow. | 0:11:55 | 0:11:58 | |
-They are super. -Reputedly worn by Annie Lennox. | 0:11:58 | 0:12:03 | |
Oh, Lordy. | 0:12:03 | 0:12:05 | |
-Oh, wow. Yeah, I like those. -They're very cool. | 0:12:05 | 0:12:08 | |
Do you think I'll look good in the Jag in these? | 0:12:08 | 0:12:10 | |
-Very good. I'll be the Jack. -I'll be Annie. OK. | 0:12:10 | 0:12:13 | |
-Where are you off to? -Off to Henley. -Bizarrely, so am I. | 0:12:13 | 0:12:16 | |
Let's go together. Glasses on, James, come on. | 0:12:16 | 0:12:19 | |
-Glasses on. OK, off we hop. -Right, let's go. | 0:12:19 | 0:12:21 | |
MUSIC: "Sweet Dreams" by Eurythmics | 0:12:21 | 0:12:24 | |
Our famous, or should I say infamous, duo's next stop | 0:12:24 | 0:12:28 | |
is Henley-on-Thames in Oxfordshire. | 0:12:28 | 0:12:30 | |
Henley-on-Thames is a world-renowned centre for rowing. | 0:12:33 | 0:12:36 | |
Like many towns built by a river, Henley's early prosperity | 0:12:36 | 0:12:40 | |
came from its ability to trade with London and further afield by river. | 0:12:40 | 0:12:45 | |
Whilst James heads into town to do some shopping, | 0:12:45 | 0:12:47 | |
Helen is at the River and Rowing Museum, | 0:12:47 | 0:12:50 | |
which tells the remarkable story of British rowing | 0:12:50 | 0:12:53 | |
from its very humble beginnings to Olympic gold medal success. | 0:12:53 | 0:12:56 | |
She's meeting Paul Manner from the museum to find out more. | 0:12:56 | 0:13:00 | |
-Hello, you must be Paul. -Welcome to the River and Rowing Museum. | 0:13:00 | 0:13:03 | |
I'm Helen. Thank you for having us. | 0:13:03 | 0:13:05 | |
Henley is well-known as home to the regatta | 0:13:07 | 0:13:09 | |
and the Oxford versus Cambridge boat race, | 0:13:09 | 0:13:12 | |
but it's also home to the world's oldest boat race - | 0:13:12 | 0:13:16 | |
the Doggett's Coat and Badge. | 0:13:16 | 0:13:18 | |
Aha, what's this? | 0:13:18 | 0:13:20 | |
Well, this is a great story that goes right the way | 0:13:20 | 0:13:23 | |
back to the origins of rowing. | 0:13:23 | 0:13:25 | |
This is what's called the Doggett's Coat and Badge. | 0:13:25 | 0:13:27 | |
It's the oldest continually competed for race in the world. | 0:13:27 | 0:13:31 | |
-Starting in 1715, still rowed for today. -Wow. | 0:13:31 | 0:13:36 | |
London Bridge to Chelsea. It goes back to the time of a Mr Doggett. | 0:13:36 | 0:13:40 | |
Mr Doggett was an actor. | 0:13:40 | 0:13:42 | |
Late at night, dispute, couldn't get someone to take him upriver. | 0:13:42 | 0:13:46 | |
Eventually somebody did. | 0:13:46 | 0:13:48 | |
They got talking and he put down the money for a wager that's | 0:13:48 | 0:13:52 | |
competed for still by half a dozen scullers on the Thames. | 0:13:52 | 0:13:56 | |
The Doggett is traditionally raced by apprentice watermen. | 0:13:56 | 0:14:00 | |
These were the people who transferred passengers across | 0:14:00 | 0:14:03 | |
and along the river. | 0:14:03 | 0:14:05 | |
The aim was to attract more trade for the newly qualified | 0:14:05 | 0:14:08 | |
watermen, in addition to winning the coveted waterman's red coat | 0:14:08 | 0:14:12 | |
with silver badge. | 0:14:12 | 0:14:13 | |
The oldest competitive sporting event in the world. | 0:14:14 | 0:14:17 | |
Continuously competed for. | 0:14:17 | 0:14:19 | |
Olympics took a break for a couple of thousand years. | 0:14:19 | 0:14:21 | |
This one hasn't. | 0:14:21 | 0:14:23 | |
After the Doggett, many other races followed, but none were more | 0:14:23 | 0:14:27 | |
famous than the illustrious Oxford versus Cambridge Boat Race. | 0:14:27 | 0:14:31 | |
Here is the boat from the very first boat race that was held | 0:14:33 | 0:14:36 | |
here in Henley in 1829. | 0:14:36 | 0:14:39 | |
-Oh, the first Oxford-Cambridge boat race. -Absolutely. | 0:14:39 | 0:14:42 | |
-This is the Oxford boat that won the race. -Wow. That is a big old boat. | 0:14:42 | 0:14:46 | |
-Yeah. Well, you think of the effort to pull that along. -Wow. | 0:14:46 | 0:14:50 | |
The first boat. That's great. | 0:14:50 | 0:14:51 | |
-What a great thing for the museum to have. It's lovely. -Absolutely. | 0:14:51 | 0:14:55 | |
I can see a hole in it, though. Am I allowed... | 0:14:55 | 0:14:57 | |
THEY LAUGH | 0:14:57 | 0:14:58 | |
There's a hole, little light coming through. | 0:14:58 | 0:15:00 | |
Oh, Helen. I don't think it's been on the water for quite a while. | 0:15:00 | 0:15:04 | |
It wasn't just at the boat race where British rowers were | 0:15:04 | 0:15:07 | |
making an impact, as Olympic success beckoned. | 0:15:07 | 0:15:11 | |
This is the Sydney four, | 0:15:11 | 0:15:14 | |
which Sir Steve won his fifth gold medal in Sydney. | 0:15:14 | 0:15:19 | |
Wow. That gives me goose bumps, actually. | 0:15:19 | 0:15:22 | |
Look at the difference between this boat | 0:15:22 | 0:15:24 | |
and that massive Oxford-Cambridge boat over there. | 0:15:24 | 0:15:27 | |
-Absolutely. -Technology. | 0:15:27 | 0:15:29 | |
Two or three really big contrasts, the most obvious is that that | 0:15:29 | 0:15:32 | |
was a wooden boat and this is a modern boat using modern materials. | 0:15:32 | 0:15:36 | |
The River and Rowing Museum traces the story | 0:15:37 | 0:15:40 | |
of Olympic gold medal success back to a simple boat race, | 0:15:40 | 0:15:43 | |
which started 300 years ago. | 0:15:43 | 0:15:45 | |
It's a story which Helen seems quite inspired by, | 0:15:45 | 0:15:48 | |
perhaps a little too inspired. | 0:15:48 | 0:15:51 | |
Go, girl. | 0:15:51 | 0:15:52 | |
Helen takes gold. | 0:15:54 | 0:15:57 | |
I suspect it's a bit harder than that, Helen. | 0:15:57 | 0:15:59 | |
James has set sail for another shop. | 0:16:01 | 0:16:04 | |
He's over at Tudor House Antiques, and I'm sure he's been here before. | 0:16:04 | 0:16:09 | |
-Hello. -Hey, how are you? I haven't seen you for ages. | 0:16:09 | 0:16:12 | |
-Five years ago. -Five years ago. -With Mr Stacey and my MG. | 0:16:12 | 0:16:16 | |
That's right. That's right, yes. | 0:16:16 | 0:16:19 | |
I must have made a profit, did I? | 0:16:19 | 0:16:21 | |
-I don't think so. -Lost. Lost a fortune. | 0:16:21 | 0:16:24 | |
And you've been losing some of your fortune this time too. | 0:16:24 | 0:16:27 | |
Dealer Dave's shop is jam-packed with all manner of treasures. | 0:16:29 | 0:16:32 | |
Is James going to spend big to keep his lead over Helen? | 0:16:32 | 0:16:35 | |
Well, they say if you want to get ahead, get a hat. | 0:16:35 | 0:16:38 | |
-I see, one size fits all, does it, Dave? -I reckon. -Rather fun. | 0:16:40 | 0:16:46 | |
Maybe not. | 0:16:46 | 0:16:47 | |
Let's just stick to finding antiques, shall we? | 0:16:47 | 0:16:50 | |
This dear shop is the accumulation of lots of goodies, isn't it? | 0:16:50 | 0:16:56 | |
Everything in vast quantities. | 0:16:56 | 0:16:59 | |
We've got fireplaces, we've got architectural terracotta. | 0:16:59 | 0:17:03 | |
It's great stock. | 0:17:03 | 0:17:05 | |
I love these. This is real Victorian architectural terracotta. | 0:17:05 | 0:17:11 | |
What do we associate terracotta with? Terracotta flowerpots. | 0:17:13 | 0:17:17 | |
It's of that sort of clay, but it's incredibly strong. | 0:17:17 | 0:17:22 | |
This would have been a ridge tile, your roof ridge there. | 0:17:22 | 0:17:26 | |
And your roofs would go off either side. | 0:17:26 | 0:17:28 | |
You'd have probably had one at the end and one at the back. | 0:17:28 | 0:17:31 | |
What size is your house then, James? | 0:17:31 | 0:17:34 | |
It's a very splendid cultural item. Little snail. | 0:17:34 | 0:17:37 | |
Had we been in France, | 0:17:37 | 0:17:39 | |
that would have gone in the pot with a little dash of garlic and butter. | 0:17:39 | 0:17:42 | |
Everybody would have been very happy. | 0:17:42 | 0:17:44 | |
Yeah. Everyone except the snail. | 0:17:44 | 0:17:47 | |
I'd love to buy it for 30. | 0:17:47 | 0:17:48 | |
I bet you he's going to ask for 40-50, isn't he? | 0:17:48 | 0:17:51 | |
We might chance his arm at 100. | 0:17:51 | 0:17:53 | |
There's only one way to find out. | 0:17:53 | 0:17:56 | |
Dave, what are the prices of your...? | 0:17:56 | 0:17:59 | |
-They're sort of ridge tiles. -Yes, they are. | 0:17:59 | 0:18:01 | |
But they're not just ridge tiles, they're fantastic. | 0:18:01 | 0:18:04 | |
They're beautiful ridge tiles, aren't they? | 0:18:04 | 0:18:07 | |
-I would like to get £50 each for those. -Including the big one. | 0:18:07 | 0:18:11 | |
-Yeah. -What about 30 quid for that one? | 0:18:11 | 0:18:13 | |
If looks could kill, eh? | 0:18:14 | 0:18:15 | |
What about 35? 35. It's spectacular. | 0:18:17 | 0:18:22 | |
-It is impressive, isn't it? -Yeah. | 0:18:22 | 0:18:25 | |
I know, Dave, you got that for free. | 0:18:25 | 0:18:28 | |
DAVE LAUGHS | 0:18:28 | 0:18:30 | |
I had to climb 50 foot up a wall and take it off of a ridged roof. | 0:18:32 | 0:18:37 | |
Look at the man. Can you believe it, viewer? | 0:18:37 | 0:18:40 | |
Can you believe it? | 0:18:40 | 0:18:41 | |
I hope he got permission first. | 0:18:41 | 0:18:43 | |
You can't go wrong at 35 quid for that. Dave, £30 for that. | 0:18:43 | 0:18:48 | |
Come on, we all want to go home. | 0:18:48 | 0:18:50 | |
-It's all getting hot. The barbecue calls. -Actually, you're right. | 0:18:50 | 0:18:54 | |
-It's nearly pub o'clock, isn't it? -It is pub o'clock. | 0:18:54 | 0:18:57 | |
-All right, £30 for that. -Thank you, Dave. You make life very easy. | 0:18:57 | 0:19:01 | |
-You're going to spend another £150 today, aren't you? -Course I am. | 0:19:01 | 0:19:05 | |
-But not with you, Dave. -Cheeky. Lucky he did the deal first. | 0:19:05 | 0:19:09 | |
£30 on the terracotta ridge tile. | 0:19:09 | 0:19:12 | |
Thank you, Dave. | 0:19:12 | 0:19:13 | |
As the shops close, it's time to sleep. | 0:19:13 | 0:19:16 | |
Perchance to dream, maybe of profits. | 0:19:17 | 0:19:20 | |
It's day two of the Road Trip in a noteworthy part of Surrey. | 0:19:23 | 0:19:27 | |
Very famous estate round here, isn't there? St George's Hill. | 0:19:27 | 0:19:31 | |
St George's Hill. Home of former Beatle John Lennon, | 0:19:31 | 0:19:34 | |
and Ringo Starr had a house on there as well at one point too. | 0:19:34 | 0:19:37 | |
How did you get on yesterday? | 0:19:37 | 0:19:39 | |
-Fine. I've got three items. -OK. | 0:19:39 | 0:19:42 | |
-I've spent about 110 quid, actually. -Really? | 0:19:42 | 0:19:46 | |
Actually, Helen spent an impressive £121 yesterday | 0:19:49 | 0:19:54 | |
on the silver matchbox holder, asparagus bowl and gold brooch, | 0:19:54 | 0:19:58 | |
leaving her £64.30 to spend today. | 0:19:58 | 0:20:01 | |
Megabucks. Mega. | 0:20:01 | 0:20:04 | |
James spent just £60 on the flour and toffee tins, silver pencil | 0:20:04 | 0:20:08 | |
and the terracotta tile, leaving him a juicy £134.60 today. | 0:20:08 | 0:20:14 | |
All right, Jack? | 0:20:14 | 0:20:16 | |
Thank you, Dave. | 0:20:16 | 0:20:17 | |
Helen's at the wheel as they head for Weybridge in Surrey. | 0:20:17 | 0:20:21 | |
But before the shopping begins, | 0:20:26 | 0:20:27 | |
Helen is dropping James off at Brooklands Museum. | 0:20:27 | 0:20:30 | |
It's home to a rather special aeroplane. | 0:20:30 | 0:20:34 | |
-Here you go, James. I'm so jealous. -Look at that. -That's not even funny. | 0:20:34 | 0:20:39 | |
It's like being on the set of some '70s Bond movie | 0:20:39 | 0:20:41 | |
arriving at this Concorde, James. | 0:20:41 | 0:20:43 | |
-This Bond is off. Bye, have a good day. -Have a great day. Bye. | 0:20:43 | 0:20:47 | |
For over 30 years, | 0:20:52 | 0:20:53 | |
Concorde has represented the pinnacle of luxurious transport, | 0:20:53 | 0:20:57 | |
flying from London to New York in just three hours 20 minutes. | 0:20:57 | 0:21:01 | |
But in 2003, the aeroplanes flew for the last time. | 0:21:01 | 0:21:05 | |
James is meeting Mike Bannister, | 0:21:05 | 0:21:07 | |
a pilot who flew Concorde on her final day of service. | 0:21:07 | 0:21:11 | |
Captain Mike Bannister. | 0:21:11 | 0:21:12 | |
Morning, James. Welcome to the Brooklands Concorde. | 0:21:12 | 0:21:15 | |
Thank you. | 0:21:15 | 0:21:17 | |
Why is Concorde here in Brooklands? | 0:21:17 | 0:21:19 | |
Actually, every Concorde's been here in Brooklands, | 0:21:19 | 0:21:21 | |
because a third of every Concorde every built | 0:21:21 | 0:21:23 | |
were made here at Brooklands. | 0:21:23 | 0:21:25 | |
Even the ones that carried the French logo on the tail. | 0:21:25 | 0:21:28 | |
By the mid-20th century, jet-engine aeroplanes had overtaken | 0:21:28 | 0:21:32 | |
ocean liners as the fastest way to cross the Atlantic. | 0:21:32 | 0:21:37 | |
In the late '50s, Britain | 0:21:37 | 0:21:38 | |
and France decided to work together on a new form of supersonic travel. | 0:21:38 | 0:21:43 | |
It led to the birth of Concorde, | 0:21:43 | 0:21:45 | |
which dramatically reduced the crossing time. | 0:21:45 | 0:21:48 | |
The Americans and the Russians tried to build a supersonic air liner | 0:21:49 | 0:21:52 | |
and both of them failed, so the British and the French got it right | 0:21:52 | 0:21:54 | |
by working in close collaboration and pulling on the best | 0:21:54 | 0:21:57 | |
of both sets of scientists, technologists and designs. | 0:21:57 | 0:22:00 | |
This was all with the backdrop of the space race, presumably. | 0:22:00 | 0:22:04 | |
That was all going on. | 0:22:04 | 0:22:05 | |
In fact, I was lucky enough to spend some time with Neil Armstrong. | 0:22:05 | 0:22:08 | |
One of the things he said over dinner was, | 0:22:08 | 0:22:10 | |
"You really should realise that the technology behind the Concorde | 0:22:10 | 0:22:14 | |
programme is just the same | 0:22:14 | 0:22:15 | |
level as the technology behind the Apollo programme." | 0:22:15 | 0:22:18 | |
It was as difficult to put a man on the moon as it was to get 100 | 0:22:18 | 0:22:20 | |
passengers flying at twice the speed of sound across the Atlantic. | 0:22:20 | 0:22:23 | |
Concorde had room for just 100 passengers, | 0:22:25 | 0:22:28 | |
and was considered the height of opulent travel. | 0:22:28 | 0:22:32 | |
The plane travelled so fast, it actually stretches between six | 0:22:32 | 0:22:35 | |
and ten inches due to the heat during flight. | 0:22:35 | 0:22:38 | |
Mike, had I been coming in here while the flight was in service, | 0:22:40 | 0:22:45 | |
-when would I have got my glass of champagne? -As soon as you sat down. | 0:22:45 | 0:22:49 | |
-Really? -Whenever you wanted. | 0:22:49 | 0:22:51 | |
At over £6,000 a ticket, Concorde was mainly used by politicians, | 0:22:52 | 0:22:58 | |
celebrities and leaders of business, such as Richard Branson. | 0:22:58 | 0:23:01 | |
Its most frequent flier was an oil executive, | 0:23:02 | 0:23:05 | |
who clocked up almost 70 round trips a year. | 0:23:05 | 0:23:08 | |
You could do in two days what would otherwise take three or four, | 0:23:10 | 0:23:12 | |
and you could do in three days what would otherwise take five | 0:23:12 | 0:23:15 | |
because you're travelling so quickly. | 0:23:15 | 0:23:17 | |
It's difficult to comprehend 1,350mph, | 0:23:17 | 0:23:19 | |
but it's twice the speed of sound, it's faster than the Earth rotates. | 0:23:19 | 0:23:23 | |
You take off and London at 11am and arrive in New York at 9.20, | 0:23:23 | 0:23:26 | |
and it felt like it. It felt like 9.20 in the morning. | 0:23:26 | 0:23:29 | |
You're on the edge of space where the sky got dark, | 0:23:29 | 0:23:31 | |
you could see the curvature of the Earth. | 0:23:31 | 0:23:33 | |
The designers really got it right. | 0:23:33 | 0:23:35 | |
It's an aeroplane that's full of superlatives. | 0:23:35 | 0:23:39 | |
The customers appreciated that. | 0:23:39 | 0:23:41 | |
James is in for a real treat, | 0:23:41 | 0:23:43 | |
because it's time to go up front and visit the flight deck. | 0:23:43 | 0:23:46 | |
Look at all those buttons. | 0:23:46 | 0:23:47 | |
Oh. | 0:23:48 | 0:23:49 | |
It's a bit of a struggle to get in, but once in, it's rather nice. | 0:23:49 | 0:23:53 | |
It's very comfy once you're in here. | 0:23:53 | 0:23:55 | |
The other thing that's unusual about the flight deck was that it's | 0:23:58 | 0:24:01 | |
all knobs and dials still. | 0:24:01 | 0:24:02 | |
Modern aeroplanes and modern cars, there's a lot of TV screens. | 0:24:02 | 0:24:06 | |
Yeah, you'd expect that to be electronic, wouldn't you? | 0:24:06 | 0:24:09 | |
The reason for that is that was the technology | 0:24:11 | 0:24:14 | |
available at the time of design in the '50s and '60s. | 0:24:14 | 0:24:16 | |
When we came into service, it worked. | 0:24:16 | 0:24:19 | |
If it ain't broke, don't fix it. | 0:24:19 | 0:24:21 | |
At the turn of the millennium, | 0:24:21 | 0:24:22 | |
passenger demand for Concorde began to fall, rising maintenance costs | 0:24:22 | 0:24:26 | |
made it uneconomical to run, and in 2003, she flew for the last time. | 0:24:26 | 0:24:32 | |
Absolutely fabulous. Mike, thank you. It's been an absolute delight. | 0:24:32 | 0:24:36 | |
Well, it's a great pleasure. | 0:24:36 | 0:24:37 | |
We here at Brooklands love showing off our toys. | 0:24:37 | 0:24:40 | |
It's been a fantastic visit for James, | 0:24:40 | 0:24:42 | |
and there's one more treat in store. | 0:24:42 | 0:24:45 | |
I bet you never thought you'd be hanging out of a Concorde | 0:24:46 | 0:24:49 | |
-drinking champagne. -I didn't. | 0:24:49 | 0:24:51 | |
-I didn't. -The only way to fly. | 0:24:51 | 0:24:53 | |
THEY LAUGH | 0:24:53 | 0:24:54 | |
Hold on tight, James. | 0:24:54 | 0:24:56 | |
Helen, meanwhile, is making a flying visit to a little shop called | 0:24:58 | 0:25:01 | |
Antiquado, to hopefully find her first bargain of the day. | 0:25:01 | 0:25:05 | |
-Hi, I'm Jason. -Hiya. Nice to meet you, how are you? | 0:25:05 | 0:25:08 | |
-Cool, thanks. -Nice shop you've got here. | 0:25:08 | 0:25:10 | |
This place has only been open a few months, | 0:25:12 | 0:25:14 | |
so there could be some hidden gems to be uncovered. | 0:25:14 | 0:25:18 | |
But they'll need to be at the right price to interest our Helen. | 0:25:18 | 0:25:22 | |
I actually spent quite a bit yesterday. Oops. | 0:25:22 | 0:25:24 | |
I've only got about £75 left. | 0:25:24 | 0:25:27 | |
No pressure, no pressure. | 0:25:27 | 0:25:28 | |
Do try and keep up, Helen. You've actually got £64.30. | 0:25:30 | 0:25:34 | |
Gramophone. This is actually a Morning Glory Horn. | 0:25:34 | 0:25:39 | |
This is the only thing I know about gramophones - | 0:25:39 | 0:25:41 | |
this is called a Morning Glory Horn | 0:25:41 | 0:25:44 | |
because of the shape of the horn, like the Morning Glory flower. | 0:25:44 | 0:25:48 | |
That's why. | 0:25:48 | 0:25:50 | |
Interesting item, but it seems like Helen's moved on to something else. | 0:25:50 | 0:25:54 | |
This Royal Doulton dish has caught my eye a little bit. | 0:25:55 | 0:25:59 | |
Royal Doulton is collectable, it's a decent name. | 0:25:59 | 0:26:02 | |
There's a lot of collectors out there for Doulton. | 0:26:02 | 0:26:05 | |
This is a slightly later piece, perhaps. | 0:26:05 | 0:26:08 | |
Perhaps not as skilled in the decoration as you | 0:26:08 | 0:26:11 | |
see in a lot of the Royal Doulton, but it's pretty. | 0:26:11 | 0:26:14 | |
He's got 40 quid on it. | 0:26:14 | 0:26:15 | |
I would want to pay a lot less than that of it, really. | 0:26:15 | 0:26:18 | |
If I was buying this at auction, I think | 0:26:18 | 0:26:20 | |
I would pay 10-20 quid for it, something like that. | 0:26:20 | 0:26:22 | |
OK, fair enough. | 0:26:22 | 0:26:24 | |
That means I need to buy it for no more than ten quid. | 0:26:24 | 0:26:27 | |
-Really? -Yeah. | 0:26:27 | 0:26:29 | |
-11? -11. -Yeah. | 0:26:30 | 0:26:32 | |
-Go on, then. -That's a nice number, isn't it? -All right. 11 quid. Yeah. | 0:26:34 | 0:26:37 | |
All right, brilliant. 11 quid, there you go. | 0:26:37 | 0:26:39 | |
That was easy, wasn't it? | 0:26:39 | 0:26:41 | |
That's a stroke of luck - he must be in a good mood. | 0:26:41 | 0:26:44 | |
Quick, before he changes his mind. | 0:26:44 | 0:26:46 | |
James, meanwhile, has made his way down to Walton-on-Thames. | 0:26:47 | 0:26:51 | |
He seems to be looking for divine intervention in his efforts | 0:26:52 | 0:26:56 | |
to beat Helen at the next auction, | 0:26:56 | 0:26:58 | |
so he's popped into Antique Church Furnishings. | 0:26:58 | 0:27:01 | |
When does the next service start? | 0:27:02 | 0:27:04 | |
Hello. James Braxton. | 0:27:05 | 0:27:06 | |
Nice to meet you. Lawrence Skilling. | 0:27:06 | 0:27:08 | |
What a fascinating place you have here. | 0:27:08 | 0:27:10 | |
This place has all manner of interesting objects | 0:27:12 | 0:27:15 | |
salvaged from church clearances - | 0:27:15 | 0:27:18 | |
some from vicars who are looking to downsize or renovate their church. | 0:27:18 | 0:27:22 | |
Look at this. What is this interesting thing here? | 0:27:23 | 0:27:26 | |
I was afraid you might ask that. | 0:27:26 | 0:27:28 | |
The best I could come up with is that it's | 0:27:28 | 0:27:30 | |
an early 19th-century wafer box for holy wafers. | 0:27:30 | 0:27:34 | |
That's quite sweet, isn't it? | 0:27:34 | 0:27:36 | |
Interesting little box, really. | 0:27:36 | 0:27:39 | |
It's inscribed St George the Martyr, Southwark, 1834. | 0:27:39 | 0:27:43 | |
It also shows some signs of damage. | 0:27:43 | 0:27:46 | |
Anyway, that's £30. Polish up a treat, I'm sure. | 0:27:46 | 0:27:50 | |
What a shame - somebody's really scratched that. | 0:27:50 | 0:27:54 | |
It's a nice thing and it's got a good story. That's interesting. | 0:27:54 | 0:27:59 | |
Quite, James. It sounds like he's keen on that despite the damage. | 0:27:59 | 0:28:02 | |
Anything else take your fancy, boy? | 0:28:02 | 0:28:04 | |
A memorial plaque. | 0:28:06 | 0:28:07 | |
I've sold lots of these over the years where they've fetched | 0:28:07 | 0:28:10 | |
very little. £10-15. | 0:28:10 | 0:28:12 | |
These were awarded to people from the Great War, who | 0:28:12 | 0:28:15 | |
fell in the Great War. | 0:28:15 | 0:28:17 | |
Along with your medals that you posthumously received, | 0:28:17 | 0:28:20 | |
this was your death plaque. | 0:28:20 | 0:28:22 | |
How much could that be, Lawrence? | 0:28:22 | 0:28:24 | |
Well, it has to be more than £10 or £15. | 0:28:24 | 0:28:28 | |
-The plaque itself represents a lot of care and attention. -30 quid? | 0:28:28 | 0:28:33 | |
I'd take 40. | 0:28:33 | 0:28:35 | |
-We've got this, you said about 20 on that. -I thought I said 30, actually. | 0:28:35 | 0:28:39 | |
-Did you say 30? -I did, yeah. | 0:28:39 | 0:28:41 | |
He did, James. Pay attention, now. | 0:28:41 | 0:28:44 | |
-That's far too much for that. -Look at it. Look how old it is. | 0:28:44 | 0:28:47 | |
It's nearly 200 years old. It needs a bit of a polish. | 0:28:47 | 0:28:50 | |
40, 30. | 0:28:50 | 0:28:52 | |
-What about 55 for the two? Yeah, 55. -All right, bish bosh. | 0:28:52 | 0:28:58 | |
Thank you very much indeed, Lawrence. That's really kind. | 0:28:59 | 0:29:03 | |
Might these two be the blessed miracle James needs | 0:29:03 | 0:29:05 | |
to catch up with Helen? | 0:29:05 | 0:29:07 | |
£55 spent on the wafer box and bronze plaque. | 0:29:07 | 0:29:11 | |
Helen, meanwhile, is still in Addlestone | 0:29:11 | 0:29:13 | |
and has popped along to Dane Court Antiques. | 0:29:13 | 0:29:16 | |
-Hello. -Hello. | 0:29:16 | 0:29:18 | |
-Are you Maureen? -I am. -Hi, Maureen. I'm Helen. How are you? | 0:29:18 | 0:29:21 | |
Nice to meet you. | 0:29:21 | 0:29:22 | |
I'm Tim. With four items purchased already, | 0:29:22 | 0:29:25 | |
might Helen find something else to complete her haul? | 0:29:25 | 0:29:28 | |
A joke arm. | 0:29:32 | 0:29:33 | |
We could put that at the back of the Jag, couldn't we? | 0:29:33 | 0:29:37 | |
It probably costs an arms and a leg. | 0:29:37 | 0:29:40 | |
Perhaps something else will wet your whistle. | 0:29:40 | 0:29:43 | |
What have we got in here? | 0:29:43 | 0:29:45 | |
These are fun. These are old air raid whistles. | 0:29:45 | 0:29:49 | |
So in London, where they had all the air raids | 0:29:49 | 0:29:52 | |
and all the sirens would go off, | 0:29:52 | 0:29:53 | |
you'd have wardens for the air raids who would go round with bells | 0:29:53 | 0:29:59 | |
and these really loud rattles and whistles just to get everyone down | 0:29:59 | 0:30:04 | |
into the tubes and everywhere else when there's an air raid going on. | 0:30:04 | 0:30:08 | |
They've got ARP written on them, which was Air Raid... What was it? | 0:30:08 | 0:30:12 | |
-Precautions. -Air Raid Precautions. | 0:30:12 | 0:30:15 | |
Do you mind if I have a look at the whistles? | 0:30:15 | 0:30:16 | |
-Would you be able to open up the cabinet? -Yeah, sure. | 0:30:16 | 0:30:19 | |
Is that all right? OK, brilliant. Thank you. | 0:30:19 | 0:30:21 | |
Mm, she seems to quite like those. | 0:30:21 | 0:30:23 | |
Yeah, so I'm... Mm, do I buy one or two? As a pair or not? | 0:30:23 | 0:30:27 | |
That's the question. | 0:30:27 | 0:30:28 | |
It's a very good question. | 0:30:28 | 0:30:30 | |
-I've got to take these to auction, Maureen. -Right. | 0:30:30 | 0:30:33 | |
-So I've got to try and make a profit on them. -Yes. | 0:30:33 | 0:30:36 | |
-Between us girls... -I've got to earn a living. | 0:30:36 | 0:30:40 | |
Yeah, there is that as well. | 0:30:40 | 0:30:42 | |
Would you take eight quid for one? | 0:30:45 | 0:30:48 | |
I'd take ten. | 0:30:48 | 0:30:50 | |
You'd take ten. | 0:30:50 | 0:30:51 | |
Right, I haven't got much money left, you see, I overspent already, | 0:30:51 | 0:30:54 | |
so I've got to be a bit careful. | 0:30:54 | 0:30:56 | |
Careful?! You've got £53 left. | 0:30:56 | 0:30:58 | |
-That's what they always say when they come in. -I know, I know. | 0:30:59 | 0:31:03 | |
Maureen's standing her ground, all right. | 0:31:03 | 0:31:06 | |
I'll take one. I'll take that one with the string at ten, then. | 0:31:06 | 0:31:10 | |
-All right. -OK? I think it's a really fun thing. | 0:31:10 | 0:31:12 | |
I don't see them very often. | 0:31:12 | 0:31:14 | |
Brilliant. Thank you. Deal. | 0:31:14 | 0:31:16 | |
As the whistle blows at the end of another day's shopping, | 0:31:16 | 0:31:20 | |
it's time to reveal all. | 0:31:20 | 0:31:23 | |
-I'm ready for that drink, James. Nice cool drink. -I know, it's lovely. | 0:31:24 | 0:31:27 | |
Again by the river. Isn't it fun? | 0:31:27 | 0:31:29 | |
I'm glad you've made an effort, but can we begin? | 0:31:29 | 0:31:32 | |
OK, I'm building it up, actually. | 0:31:32 | 0:31:34 | |
Look at this. Blimey, a glory. | 0:31:34 | 0:31:39 | |
This, Royal Doulton dish. I kind of like it. | 0:31:39 | 0:31:43 | |
Again, Art Deco, '30s design. | 0:31:43 | 0:31:46 | |
Almost looks like one of those shaving bowls, doesn't it? | 0:31:46 | 0:31:49 | |
It doest a bit, doesn't it? 11 quid for that. | 0:31:49 | 0:31:51 | |
-Royal Doulton. -That's jolly good, isn't it? | 0:31:51 | 0:31:55 | |
This is my Air Raid whistle. | 0:31:55 | 0:31:59 | |
Isn't that lovely? A lovely braided thing. | 0:31:59 | 0:32:02 | |
-ARP. -ARP - Air Raid Precautions. | 0:32:02 | 0:32:06 | |
So in London you have the air raid wardens with their bells | 0:32:06 | 0:32:08 | |
and their rattles and their whistles. | 0:32:08 | 0:32:13 | |
Shall I blow it? | 0:32:13 | 0:32:14 | |
We're in a pub, everyone's going to have a heart attack. | 0:32:14 | 0:32:17 | |
I won't blow it. | 0:32:17 | 0:32:18 | |
-It is very loud. -Save it for later. | 0:32:18 | 0:32:20 | |
We might draw attention to ourselves. It is fun. | 0:32:20 | 0:32:22 | |
How much did that cost you, Helen? | 0:32:22 | 0:32:24 | |
Tenner. | 0:32:24 | 0:32:25 | |
I think that's very nice. | 0:32:25 | 0:32:27 | |
He seems impressed. But what will Helen think of James's items? | 0:32:27 | 0:32:31 | |
I've bought funny things. Things that I wouldn't normally buy. | 0:32:31 | 0:32:36 | |
My nice memorial plaque. Death plaque. | 0:32:36 | 0:32:40 | |
This is Great War, but rather nice. | 0:32:41 | 0:32:43 | |
They've given it this fabulous frame, | 0:32:43 | 0:32:46 | |
this poor fellow Frederick Walter. | 0:32:46 | 0:32:49 | |
King's Own Yorkshire Light Infantry. | 0:32:49 | 0:32:52 | |
Well remembered. Well done. | 0:32:52 | 0:32:53 | |
Blimey. They didn't make it easy for them, did they? | 0:32:53 | 0:32:57 | |
That should make a good profit. That's not a bad price, 35. | 0:32:57 | 0:33:00 | |
I went to an ecclesiastical reclamation yard. It's a wafer box. | 0:33:00 | 0:33:05 | |
Oh, nice. | 0:33:05 | 0:33:07 | |
I quite like it because it's St George the Martyr, Southwark. | 0:33:07 | 0:33:10 | |
1834. It's beautifully engraved, except for some vandal scratched it. | 0:33:12 | 0:33:17 | |
That is nice. Very nice. Mm. | 0:33:17 | 0:33:19 | |
We've both enjoyed our time on the river. | 0:33:19 | 0:33:21 | |
I know you're going to take up the oar, | 0:33:21 | 0:33:24 | |
so fruit juice for us both only, now. | 0:33:24 | 0:33:26 | |
-Athletes. -Cheers. | 0:33:26 | 0:33:28 | |
Before you start training for the next Olympics, | 0:33:28 | 0:33:31 | |
tell us what you really think. | 0:33:31 | 0:33:33 | |
I think he's not quite got over the shock of the last auction, you see. | 0:33:33 | 0:33:37 | |
He's just... He's clutching at straws. | 0:33:37 | 0:33:40 | |
After being summarily thrashed at the auction, | 0:33:40 | 0:33:45 | |
I seem to have lost my way in the wilderness of the antique world, | 0:33:45 | 0:33:49 | |
and I didn't know what to buy. | 0:33:49 | 0:33:51 | |
I'm feeling good. Feeling good about my things. Yeah, I'm quite happy. | 0:33:51 | 0:33:54 | |
Quite happy with my purchases. | 0:33:54 | 0:33:57 | |
Good, because it's time to head to the | 0:33:57 | 0:33:59 | |
town of Wokingham in Berkshire for today's auction. | 0:33:59 | 0:34:02 | |
In the 16th century, | 0:34:05 | 0:34:06 | |
Wokingham was well-known as a producer of quality silk. | 0:34:06 | 0:34:09 | |
Demand for labour was so high that a local bylaw stated that anyone | 0:34:09 | 0:34:14 | |
unemployed must take up work in the silk trade or face imprisonment. | 0:34:14 | 0:34:19 | |
Our silky-smooth operators have just arrived at the auction house. | 0:34:19 | 0:34:23 | |
-Get ready, James. I'm going to catch you. -No, you're not. | 0:34:23 | 0:34:27 | |
I'm going to fend you off, Helen. | 0:34:27 | 0:34:30 | |
Look at that spring, eh? | 0:34:30 | 0:34:31 | |
Martin & Pole have been conducting auctions in Wokingham | 0:34:33 | 0:34:36 | |
for over 150 years. | 0:34:36 | 0:34:38 | |
Today's master of ceremonies is auctioneer Pascal McNamara. | 0:34:38 | 0:34:42 | |
What does he think of our experts' purchases? | 0:34:42 | 0:34:44 | |
What we like in auctions is to have something for everybody. | 0:34:46 | 0:34:50 | |
I think we certainly have that today. | 0:34:50 | 0:34:51 | |
The wafer box is very interesting. | 0:34:51 | 0:34:53 | |
We do have a price range on that of 30-50. | 0:34:53 | 0:34:57 | |
I think it make more 50 than 30. | 0:34:57 | 0:35:00 | |
The mourning brooch is very nice also. | 0:35:00 | 0:35:02 | |
It's very pretty, it's very sombre, of course. | 0:35:02 | 0:35:06 | |
Lovely craftsmanship on that. I think it will go quite well, also. | 0:35:06 | 0:35:10 | |
It should make the price on that. | 0:35:10 | 0:35:12 | |
It's the luck of the draw, really. So let's see. | 0:35:13 | 0:35:15 | |
James began this fourth leg of the Road Trip with £194.68, | 0:35:17 | 0:35:22 | |
and has gone on to spend £115 on five auction lots. | 0:35:22 | 0:35:27 | |
Go on, I'll buy that. | 0:35:27 | 0:35:29 | |
Helen started with £185.30, | 0:35:30 | 0:35:33 | |
and has parted with £142, | 0:35:33 | 0:35:36 | |
also for five lots. | 0:35:36 | 0:35:37 | |
Quick, before he changes his mind. | 0:35:39 | 0:35:40 | |
With less than a tenner between them, | 0:35:40 | 0:35:42 | |
it's time for the penultimate auction to begin. | 0:35:42 | 0:35:46 | |
Get ready, James. | 0:35:46 | 0:35:49 | |
First under the hammer is James's terracotta ridge tile. | 0:35:49 | 0:35:52 | |
£50 I'm bid. I'll take 55. | 0:35:52 | 0:35:54 | |
Lady's bid on my left. | 0:35:54 | 0:35:57 | |
OK. | 0:35:57 | 0:35:58 | |
60. 65. 70. | 0:35:58 | 0:36:01 | |
-(Oh, my God.) -65, lady's bid on my left. | 0:36:01 | 0:36:04 | |
This doesn't happen to me. | 0:36:04 | 0:36:05 | |
What's going on? | 0:36:05 | 0:36:07 | |
£65, highest bid. | 0:36:07 | 0:36:09 | |
-GAVEL SOUNDS -That's all right, isn't it? | 0:36:09 | 0:36:12 | |
Well done. | 0:36:12 | 0:36:13 | |
Well done, indeed. That's over 100% profit on James's first item. | 0:36:13 | 0:36:17 | |
It's rather nice to double your money. | 0:36:18 | 0:36:20 | |
All right, don't boast, James. | 0:36:20 | 0:36:22 | |
Can Helen do as well with her eight-piece asparagus set? | 0:36:24 | 0:36:28 | |
Start me at £20. | 0:36:28 | 0:36:29 | |
-Straight in there. -15? | 0:36:29 | 0:36:31 | |
Don't give me a big, fat loss. | 0:36:31 | 0:36:33 | |
£15 I'm bid. I'll take 17. | 0:36:33 | 0:36:34 | |
17 in the centre. | 0:36:35 | 0:36:37 | |
20? 22. 25. | 0:36:37 | 0:36:40 | |
25, gentleman's bid on my right. | 0:36:40 | 0:36:42 | |
No further interest? | 0:36:43 | 0:36:45 | |
GAVEL SOUNDS | 0:36:45 | 0:36:46 | |
I paid too much for them, James. | 0:36:46 | 0:36:48 | |
Oh, that's a stinker of an opening loss for Helen. | 0:36:49 | 0:36:52 | |
-That is a bargain. -That is a bargain. | 0:36:53 | 0:36:55 | |
Next, will James's opening luck continue with his wafer box? | 0:36:55 | 0:37:00 | |
50, I'll take 55. | 0:37:00 | 0:37:01 | |
£50 with me. | 0:37:02 | 0:37:04 | |
55 in the centre. | 0:37:04 | 0:37:05 | |
-Could be happening. -Oh, my goodness, James. | 0:37:07 | 0:37:09 | |
£60 with me. | 0:37:09 | 0:37:11 | |
No further interest? | 0:37:11 | 0:37:12 | |
GAVEL SOUNDS | 0:37:13 | 0:37:14 | |
-60 quid. Tripled your money on that one. -Tripled. -Oh, you are on a roll. | 0:37:14 | 0:37:18 | |
It had to happen, Helen. | 0:37:18 | 0:37:20 | |
The wafer-thin gap between them has widened with that result. | 0:37:21 | 0:37:25 | |
Just been lulling me into a false sense of security. | 0:37:25 | 0:37:27 | |
No, I haven't. I haven't. | 0:37:27 | 0:37:28 | |
Trying desperately hard, but it just hasn't worked. | 0:37:28 | 0:37:32 | |
Will Helen catch up with her Royal Doulton serving dish? | 0:37:32 | 0:37:35 | |
£15, I'll take 17. | 0:37:35 | 0:37:37 | |
15. 17. | 0:37:37 | 0:37:39 | |
20, I'll take 22. | 0:37:40 | 0:37:41 | |
22, beats me. Gentleman's bid on my right. | 0:37:41 | 0:37:44 | |
No further interest at 22? | 0:37:44 | 0:37:46 | |
GAVEL SOUNDS | 0:37:46 | 0:37:48 | |
Very good. Well done. | 0:37:48 | 0:37:49 | |
The Doulton dish has served up a nice £11 profit for Helen. | 0:37:49 | 0:37:54 | |
You doubled your money. | 0:37:54 | 0:37:56 | |
Yeah, there you go. | 0:37:56 | 0:37:57 | |
Will James increase his lead with the flour and toffee tins? | 0:37:57 | 0:38:01 | |
Yum yum. | 0:38:01 | 0:38:02 | |
Starting myself at £15, I'll take 17. | 0:38:02 | 0:38:05 | |
£15 with me, 17 I have. | 0:38:05 | 0:38:07 | |
I'll take 20. Lady's bid at 20. | 0:38:08 | 0:38:11 | |
I'll take 22. | 0:38:11 | 0:38:12 | |
25. 27. | 0:38:12 | 0:38:15 | |
No further interest? | 0:38:15 | 0:38:16 | |
GAVEL SOUNDS | 0:38:17 | 0:38:18 | |
-27. -27. It's a profit, James. -A small profit. | 0:38:18 | 0:38:22 | |
A very sweet £7 profit, which will go down nicely. | 0:38:22 | 0:38:27 | |
Next up is Helen's matchbook holder. | 0:38:27 | 0:38:29 | |
Very attractive piece. | 0:38:29 | 0:38:31 | |
It's a very attractive piece. | 0:38:31 | 0:38:32 | |
Start me at £30. | 0:38:32 | 0:38:34 | |
20. | 0:38:35 | 0:38:37 | |
£15, surely. | 0:38:37 | 0:38:39 | |
I'll take 17. 17 in the centre. | 0:38:39 | 0:38:41 | |
-20. 22. -That's silver, eh? | 0:38:41 | 0:38:45 | |
27, 30. | 0:38:45 | 0:38:48 | |
£30. Gentleman's bid on my left. No further interest? | 0:38:48 | 0:38:52 | |
GAVEL SOUNDS What did it go for? | 0:38:52 | 0:38:54 | |
I missed that. What did it go for? | 0:38:54 | 0:38:57 | |
It's probably best you missed it, Helen, actually, | 0:38:57 | 0:38:59 | |
cos it made a £3 loss. | 0:38:59 | 0:39:00 | |
Helen, some blue water is developing, I'm afraid. | 0:39:01 | 0:39:04 | |
Will James turn that blue water into an ocean | 0:39:07 | 0:39:09 | |
with his silver racing pencil? | 0:39:09 | 0:39:11 | |
Start me £10. | 0:39:13 | 0:39:14 | |
-5. -Uh-oh. | 0:39:14 | 0:39:16 | |
Lots of fives. I've got 5 here. | 0:39:16 | 0:39:18 | |
-Oh, lots of fives. There you go. -7. | 0:39:18 | 0:39:20 | |
10, 12. | 0:39:20 | 0:39:22 | |
15. 17. 20. | 0:39:22 | 0:39:26 | |
James... | 0:39:26 | 0:39:28 | |
I'll take 22. | 0:39:28 | 0:39:29 | |
25, 27. | 0:39:32 | 0:39:33 | |
You are on fire today, James. On fire. | 0:39:33 | 0:39:35 | |
32. | 0:39:37 | 0:39:39 | |
No further interest? | 0:39:39 | 0:39:40 | |
-I shouldn't crow, but that's not bad, is it? -No, go on. Crow away. | 0:39:43 | 0:39:47 | |
So James is starting to stretch into the lead | 0:39:47 | 0:39:50 | |
with yet another impressive profit. Well done. | 0:39:50 | 0:39:53 | |
What is going on? | 0:39:53 | 0:39:55 | |
How very vulgar of me. | 0:39:55 | 0:39:56 | |
HELEN LAUGHS | 0:39:56 | 0:39:58 | |
What about the Second World War whistle? | 0:39:58 | 0:40:00 | |
Will it call time on James's extraordinary lead? | 0:40:00 | 0:40:03 | |
-Start me there at £15. -Lovely piece, isn't it? | 0:40:03 | 0:40:07 | |
-10. -I think they're going to go mad for it, aren't they? | 0:40:07 | 0:40:09 | |
£5, surely for the whistle. £5 I'm bid. | 0:40:09 | 0:40:12 | |
I'll take 7. | 0:40:12 | 0:40:13 | |
7 I have. 10. | 0:40:13 | 0:40:16 | |
12. 15. | 0:40:16 | 0:40:18 | |
-Profit. -17. | 0:40:18 | 0:40:20 | |
£17, lady's bid in the centre. | 0:40:20 | 0:40:22 | |
No further interest? | 0:40:22 | 0:40:24 | |
GAVEL SOUNDS | 0:40:24 | 0:40:25 | |
-There you go. It's a profit. -Well done. | 0:40:25 | 0:40:27 | |
Certainly all adds up, | 0:40:27 | 0:40:28 | |
but it's still possible for Helen to catch up. | 0:40:28 | 0:40:31 | |
I am... | 0:40:31 | 0:40:32 | |
Those numbers are just getting higher and higher, aren't they? | 0:40:32 | 0:40:35 | |
Welcome to the club, Helen. Welcome to the club. | 0:40:35 | 0:40:38 | |
James's last item is the bronze memorial plaque. | 0:40:38 | 0:40:41 | |
I've got 40, I'll take 42. | 0:40:42 | 0:40:45 | |
-42 over here. -Here we go again. James Braxton on a roll. | 0:40:45 | 0:40:48 | |
47. 50. 52. | 0:40:48 | 0:40:52 | |
55, go on. | 0:40:52 | 0:40:54 | |
I've got a new bidder here, 55. | 0:40:54 | 0:40:55 | |
60. 65. | 0:40:55 | 0:40:57 | |
70. | 0:40:57 | 0:41:00 | |
£70 Gentleman's bid on my right. | 0:41:00 | 0:41:02 | |
80, I'll take 85. | 0:41:03 | 0:41:06 | |
-James. -85 I have on my right, a gentleman's bid. | 0:41:06 | 0:41:09 | |
No further interest? | 0:41:09 | 0:41:10 | |
I think you should buy me cake after this for thrashing me so badly. | 0:41:11 | 0:41:15 | |
Well, well, that good fortune lasts to the end with | 0:41:15 | 0:41:18 | |
an impressive £50 profit on that. | 0:41:18 | 0:41:22 | |
I've got one lot left. | 0:41:22 | 0:41:23 | |
I don't think that it's going to take me | 0:41:23 | 0:41:25 | |
above the profit that you've made. | 0:41:25 | 0:41:28 | |
Unless there's people who are into mourning. | 0:41:28 | 0:41:32 | |
Well, you never know. | 0:41:32 | 0:41:33 | |
Helen's Victorian mourning brooch is next. Gloomy colour. | 0:41:33 | 0:41:37 | |
-Very attractive piece. -Very attractive. | 0:41:37 | 0:41:39 | |
A lot of interest in this. Who can start me at £40? | 0:41:39 | 0:41:42 | |
HELEN GROANS | 0:41:42 | 0:41:44 | |
£40 here. I'll take 42. | 0:41:44 | 0:41:46 | |
Go on, he'll take 42. Go on. | 0:41:47 | 0:41:49 | |
No further interest? | 0:41:49 | 0:41:51 | |
-Oh. Well, you know, I am the newbie. -I know. | 0:41:51 | 0:41:54 | |
I'm just the new girl on the block. | 0:41:54 | 0:41:56 | |
That's what you always say. | 0:41:56 | 0:41:58 | |
Anyway, the buyers weren't there, | 0:41:58 | 0:42:00 | |
ending a rather disastrous auction for Helen. | 0:42:00 | 0:42:03 | |
OK, that's it. | 0:42:03 | 0:42:04 | |
I think she knows what's coming as it's time to do the sums. | 0:42:08 | 0:42:12 | |
Helen started this leg of the trip with £185.30, | 0:42:12 | 0:42:15 | |
but after auction costs, made a loss of £32.12, | 0:42:15 | 0:42:20 | |
leaving her just £153.18. | 0:42:20 | 0:42:23 | |
Oh, dear. | 0:42:23 | 0:42:24 | |
James started with £194.68, and after costs, | 0:42:25 | 0:42:29 | |
has seen his fortunes skyrocket, | 0:42:29 | 0:42:32 | |
ringing up a hefty profit of £105.58, | 0:42:32 | 0:42:35 | |
thereby winning this leg with a barnstorming £300.26. | 0:42:35 | 0:42:40 | |
-Oh. -I feel a bit browbeaten. | 0:42:41 | 0:42:44 | |
-Well, the results are in. -They're not good, really. | 0:42:44 | 0:42:46 | |
Well, they're good for you. | 0:42:46 | 0:42:47 | |
-They're very good for me. -Yeah, on know. | 0:42:47 | 0:42:49 | |
I made a large, almost vulgar amount of money. | 0:42:49 | 0:42:52 | |
There we go. We're in. | 0:42:54 | 0:42:55 | |
With two wins each and one more trip to go, | 0:42:56 | 0:43:00 | |
the decider will be a final auction showdown. | 0:43:00 | 0:43:03 | |
How exciting. | 0:43:03 | 0:43:04 | |
Next time on the Antiques Road Trip, James puts on a show. | 0:43:05 | 0:43:09 | |
JAMES GROANS | 0:43:09 | 0:43:10 | |
CLUCKING | 0:43:10 | 0:43:12 | |
And Helen might be in luck. | 0:43:12 | 0:43:14 | |
(50% off!) | 0:43:14 | 0:43:16 |