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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
All right, viewers? | 0:00:04 | 0:00:05 | |
..with £200 each, a classic car, | 0:00:05 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold! Going, going, gone. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
50p! | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Oh! Oh! | 0:00:27 | 0:00:29 | |
Ow! | 0:00:29 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:36 | |
It's the final leg of our tussle in a Triumph GT6... | 0:00:36 | 0:00:40 | |
..with Charles Hanson and Philip Serrell. | 0:00:42 | 0:00:45 | |
Auctioneers and best chums. | 0:00:46 | 0:00:48 | |
-I'm a bit wet sometimes, aren't I? -No, you're not. | 0:00:48 | 0:00:51 | |
-You're lovely, Charlie. -Thanks, mate. | 0:00:51 | 0:00:54 | |
Phil's a Worcester man... | 0:00:54 | 0:00:55 | |
..and some say he has an affinity with dumb creatures. | 0:00:57 | 0:01:00 | |
You see, that's really nice... | 0:01:01 | 0:01:03 | |
..but it's a little dear. | 0:01:04 | 0:01:05 | |
HE LAUGHS | 0:01:05 | 0:01:07 | |
Our Charles from Derbyshire is equally intuitive. | 0:01:07 | 0:01:10 | |
They say he can actually talk to antiques. | 0:01:12 | 0:01:15 | |
How much are you? | 0:01:15 | 0:01:16 | |
Are you really? | 0:01:16 | 0:01:17 | |
Where were you made? | 0:01:17 | 0:01:19 | |
Were you really? | 0:01:19 | 0:01:21 | |
Charles certainly acquired a fan club last time. | 0:01:22 | 0:01:26 | |
£240. | 0:01:26 | 0:01:29 | |
I think I'm just going to pack my car and go, Charlie. | 0:01:29 | 0:01:32 | |
I'll see you later. | 0:01:32 | 0:01:33 | |
He bought 30 fans | 0:01:33 | 0:01:34 | |
and made over £900 profit at the auction. | 0:01:34 | 0:01:37 | |
They're selling at £480 for the fans. | 0:01:37 | 0:01:42 | |
F-A-N-S, what does it spell? | 0:01:42 | 0:01:44 | |
Ah, it's like a recurring nightmare, Charlie. | 0:01:44 | 0:01:46 | |
Phil began with £200 and, after four trips to auction, | 0:01:48 | 0:01:51 | |
he's managed to increase it to a respectable £357.50. | 0:01:51 | 0:01:56 | |
But he's overshadowed by rival Charles, | 0:01:59 | 0:02:02 | |
who's turned his starting £200 | 0:02:02 | 0:02:04 | |
into a mighty £1191.44. | 0:02:04 | 0:02:09 | |
Shall I lend you a fiver? | 0:02:11 | 0:02:12 | |
-Oh, shut up! -No, shall I? | 0:02:12 | 0:02:14 | |
Our boys set out from Southport in the north west of England | 0:02:18 | 0:02:21 | |
and have covered over 800 miles as they weave their way towards | 0:02:21 | 0:02:24 | |
Cirencester in the county of Gloucestershire. | 0:02:24 | 0:02:27 | |
Today, they begin in Bucks at Old Wolverton | 0:02:31 | 0:02:34 | |
and then take a trip round the Midlands before heading | 0:02:34 | 0:02:37 | |
southwest for the deciding auction at Cirencester. | 0:02:37 | 0:02:40 | |
Now part of Milton Keynes, Old Wolverton dates back to | 0:02:44 | 0:02:48 | |
medieval times. | 0:02:48 | 0:02:49 | |
Sounds like Wolverhampton! | 0:02:49 | 0:02:51 | |
That was earlier in the trip, Charles. | 0:02:51 | 0:02:53 | |
The town's quite a transport hub too. | 0:02:53 | 0:02:56 | |
Once boasting a repair shop for the London to Birmingham railway | 0:02:56 | 0:03:00 | |
and then there's the Grand Union Canal which also passes through. | 0:03:00 | 0:03:04 | |
-And there is my shop. -Take care. | 0:03:06 | 0:03:08 | |
I'm going to get him! Hold up! | 0:03:11 | 0:03:13 | |
Steady on, Phil. | 0:03:13 | 0:03:14 | |
With Charles safely inside, | 0:03:19 | 0:03:20 | |
it seems that Grandad's Collectibles features vintage, retro | 0:03:20 | 0:03:24 | |
and reproduction with the occasional antique just waiting to be spotted. | 0:03:24 | 0:03:29 | |
If that is rococo, it's worth maybe £300 or £400. It's priced at 65. | 0:03:29 | 0:03:35 | |
I have a feeling it's probably a reproduction. | 0:03:35 | 0:03:39 | |
And I've a feeling you might be right, | 0:03:39 | 0:03:41 | |
but there's enough of a mix here to get him excited. | 0:03:41 | 0:03:44 | |
METAL CLATTERS Sorry about that! | 0:03:44 | 0:03:45 | |
I suggest you move to another part of the shop, Charles, smartish! | 0:03:45 | 0:03:49 | |
That's nice. This is good. | 0:03:50 | 0:03:52 | |
Hidden in the corner... | 0:03:52 | 0:03:54 | |
Oh, that's nice. That's pretty. Look at that. Oops. Up she goes. | 0:03:55 | 0:04:00 | |
Art Nouveau, with these nice bronzed coopered mounts, | 0:04:01 | 0:04:05 | |
it ought to be a log bin or a coal box. | 0:04:05 | 0:04:07 | |
Circa 1890, a splendid Arts and Crafts oak-lined copper box | 0:04:07 | 0:04:13 | |
and it is really nice | 0:04:13 | 0:04:15 | |
and it's priced at £98. It's lovely. | 0:04:15 | 0:04:18 | |
I'm quite tempted with this, so I'll give it some thought. | 0:04:18 | 0:04:21 | |
So, while Charles ponders still further... | 0:04:21 | 0:04:24 | |
Phil's heading west. Quite appropriate, really! | 0:04:24 | 0:04:27 | |
Making his way from Old Wolverton to Sulgrave, | 0:04:28 | 0:04:32 | |
and the ancestral home of George Washington. | 0:04:32 | 0:04:35 | |
-Simon, Philip, how are you? -Philip, welcome to Sulgrave Manor. | 0:04:35 | 0:04:38 | |
Yeah, it's lovely. This is a house and a half, isn't it? | 0:04:38 | 0:04:41 | |
It's a lovely house. | 0:04:41 | 0:04:42 | |
The manor was built on the site of an old | 0:04:44 | 0:04:46 | |
priory in the mid-16th century by Lawrence Washington, | 0:04:46 | 0:04:49 | |
a wealthy farmer and wool trader | 0:04:49 | 0:04:51 | |
who was the great-great-great- great-great-grandfather | 0:04:51 | 0:04:55 | |
of the first president of the USA. | 0:04:55 | 0:04:57 | |
So, this is 1550 and George Washington is when? | 0:04:57 | 0:05:00 | |
Eh, 1732 he was born, so we're talking 200-odd years before... | 0:05:00 | 0:05:06 | |
Well, there's all sorts going on here, isn't it? | 0:05:06 | 0:05:08 | |
-I mean, the first thing, we've got our flag... -Yes. | 0:05:08 | 0:05:10 | |
-..and then we've got the stars and stripes. -Yes. -But you've got...? | 0:05:10 | 0:05:13 | |
-Yes, you've got the... -Three stars and two stripes! | 0:05:13 | 0:05:16 | |
-Indeed, yes, on the front of the house. -Yeah. | 0:05:16 | 0:05:19 | |
This is the Washington family coat of arms and it was awarded | 0:05:19 | 0:05:22 | |
to the family at the Battle of Crecy in 1346. | 0:05:22 | 0:05:25 | |
Is that where the stars and stripes comes from? | 0:05:25 | 0:05:28 | |
-Well...many people say it is. -Yeah. | 0:05:28 | 0:05:30 | |
When George Washington became president of this new country, | 0:05:30 | 0:05:34 | |
a lady called Betsy Ross was given the task of designing and making | 0:05:34 | 0:05:38 | |
a flag for this new country, | 0:05:38 | 0:05:40 | |
and apparently it was Martha Washington, George's wife, | 0:05:40 | 0:05:42 | |
had a little word in Betsy's shell-like and said, | 0:05:42 | 0:05:45 | |
"My husband's first president, | 0:05:45 | 0:05:46 | |
-you should base the flag on his coat of arms." -Oh, really? | 0:05:46 | 0:05:50 | |
I'm not sure what the Americans will make of the idea | 0:05:50 | 0:05:53 | |
that their flag is based upon English spurs | 0:05:53 | 0:05:55 | |
and rivers of French blood, but as the ancestral home of | 0:05:55 | 0:05:59 | |
the first president, it really is a must-see. | 0:05:59 | 0:06:02 | |
Not only do they have several portraits | 0:06:02 | 0:06:04 | |
and even items of clothing once belonging to George Washington, | 0:06:04 | 0:06:08 | |
but, in the great hall, they even have it in writing. | 0:06:08 | 0:06:11 | |
Our first known Washington, | 0:06:14 | 0:06:15 | |
a gentleman called William de Hertburn, | 0:06:15 | 0:06:18 | |
he was Lord of the Manor of Hertburn in northeast England, | 0:06:18 | 0:06:21 | |
had his manor confiscated from him, | 0:06:21 | 0:06:23 | |
really, by the Bishop of Durham, | 0:06:23 | 0:06:25 | |
but the bishop rather kindly gave him another one called | 0:06:25 | 0:06:27 | |
the Manor of Wessyngton, so he had to move with his family | 0:06:27 | 0:06:30 | |
-to Wessyngton... -Wessyngton, Washington, | 0:06:30 | 0:06:32 | |
-Wessyngton, Washington... -That's what it evolved into, exactly, yeah, | 0:06:32 | 0:06:36 | |
and, if that hadn't happened, | 0:06:36 | 0:06:38 | |
the president of the United States would now be living in Hertburn DC. | 0:06:38 | 0:06:41 | |
George's most influential forebear was his great-grandfather, | 0:06:41 | 0:06:45 | |
John, who emigrated to Virginia in 1657, becoming a tobacco planter | 0:06:45 | 0:06:50 | |
and subsequently, a captain of the local armed militia. | 0:06:50 | 0:06:54 | |
George followed in his footsteps and when the War of Independence | 0:06:54 | 0:06:57 | |
began in 1775, Washington was appointed commander in chief. | 0:06:57 | 0:07:02 | |
-Gilbert Stuart painted this... -Yeah. | 0:07:04 | 0:07:06 | |
This is an original Gilbert Stuart, but it's not THE original. | 0:07:06 | 0:07:10 | |
Washington only sat for Stuart once and from that one sitting, Stuart | 0:07:10 | 0:07:14 | |
produced a very famous portrait called the Athenaeum portrait. | 0:07:14 | 0:07:18 | |
-Right. -And the story goes that someone was visiting Stuart's studio | 0:07:18 | 0:07:22 | |
one day, saw the Athenaeum portrait and said to Stuart, | 0:07:22 | 0:07:25 | |
"I rather like that. Will you do one for me?" | 0:07:25 | 0:07:28 | |
And Stuart said, "Give me 100 and I'll do it." | 0:07:28 | 0:07:31 | |
-And, reportedly, Stuart did this about 130 times. -Lord above! | 0:07:31 | 0:07:36 | |
He effectively made his living out of painting the same portrait | 0:07:36 | 0:07:40 | |
again and again and again. | 0:07:40 | 0:07:41 | |
A production line. | 0:07:41 | 0:07:43 | |
The Athenaeum original remained unfinished, | 0:07:43 | 0:07:46 | |
but Stuart's famous image of the first president's face was to | 0:07:46 | 0:07:50 | |
be reproduced about a squillion more times and counting. | 0:07:50 | 0:07:54 | |
-It's on the dollar bill. -Is it? | 0:07:54 | 0:07:56 | |
And this is supposedly one of the great mistakes of history. | 0:07:56 | 0:07:59 | |
Back then, when you printed something, it was reversed | 0:07:59 | 0:08:02 | |
and the printers had to re-reverse it to get it the right way round. | 0:08:02 | 0:08:06 | |
Well, apparently, they forgot to re-reverse | 0:08:06 | 0:08:08 | |
the portrait of George Washington. | 0:08:08 | 0:08:12 | |
So, the dollar bill has the same face on it as you see here, but... | 0:08:12 | 0:08:16 | |
-The other way round. -..it's the other way around. | 0:08:16 | 0:08:19 | |
-And he's still there now. -And he's still there now to this very day. | 0:08:19 | 0:08:23 | |
-Tell me, does your canteen accept these? -Uh, we will from you, Phil. | 0:08:23 | 0:08:26 | |
Come on, let's go for a cup of tea. | 0:08:26 | 0:08:27 | |
This has been fantastic. I really enjoyed it... | 0:08:27 | 0:08:30 | |
Now, talking of hard cash, any news on Charles' first shop? | 0:08:30 | 0:08:35 | |
How did you get on this morning, Charlie? Did you spend some money? | 0:08:35 | 0:08:38 | |
It was a really nice shop, it was a new... | 0:08:38 | 0:08:39 | |
-CHARLIE YAWNS -..place. | 0:08:39 | 0:08:41 | |
-Tired! -Am I boring you? -Sorry, Phil! -Am I boring you? | 0:08:41 | 0:08:43 | |
Actually, Phil, he didn't part with as much as a penny, | 0:08:43 | 0:08:47 | |
which should add a little spice to your trip to Brackley. | 0:08:47 | 0:08:50 | |
Just down the road from Silverstone, Brackley, is the home of the | 0:08:52 | 0:08:55 | |
Mercedes Formula 1 Grand Prix team and some fine Georgian architecture. | 0:08:55 | 0:09:01 | |
The Antique Cellar is huge. | 0:09:01 | 0:09:03 | |
Plenty of room and enough choice to, hopefully, | 0:09:03 | 0:09:05 | |
get our two revved up and off the grid. | 0:09:05 | 0:09:08 | |
These are nice... No, not really! | 0:09:09 | 0:09:11 | |
Lordy! It's turning into one of those days, but, | 0:09:11 | 0:09:14 | |
with his comfortable lead, Charles can dilly-dally as much as he likes. | 0:09:14 | 0:09:18 | |
The pressure is very much on Phil. | 0:09:18 | 0:09:20 | |
(I am not going to catch him up by spending) | 0:09:22 | 0:09:24 | |
(30 quid here and 40 quid there.) | 0:09:24 | 0:09:27 | |
(I've got to spend every last penny I've got.) | 0:09:27 | 0:09:29 | |
And speaking of Penny... | 0:09:29 | 0:09:30 | |
-Hi, Penny, you've got the key. Brilliant. -Yeah, | 0:09:30 | 0:09:32 | |
-what would you like to look at? -Penny, I'm going to look at | 0:09:32 | 0:09:35 | |
-that man in armour. -Ooh! -I like a knight in shining armour. | 0:09:35 | 0:09:37 | |
-There's nothing like a man in armour. -Exactly. | 0:09:37 | 0:09:39 | |
Well, Phil's around somewhere, you know. Phil's around on the prowl. | 0:09:39 | 0:09:42 | |
-Now, what age is that? -I can't imagine there's a great age to it. | 0:09:42 | 0:09:47 | |
A novelty cigar lighter, priced £25. | 0:09:47 | 0:09:50 | |
-That's quite nice, isn't it? -That's rather nice, isn't it? | 0:09:50 | 0:09:53 | |
Yeah, it's just missing something, isn't it? What's it missing? | 0:09:53 | 0:09:56 | |
A sword. | 0:09:56 | 0:09:57 | |
Yeah. It is quite novel. | 0:09:57 | 0:09:59 | |
-It's quirky, isn't it? -It is quirky. | 0:10:00 | 0:10:02 | |
Is there much room for manoeuvre in that price? What's your best? | 0:10:02 | 0:10:05 | |
-Not an awful lot, I'm afraid. -Penny, whisper to me. Penny, whisper to me. | 0:10:05 | 0:10:09 | |
-£22.50. -Say it again. -£22.50. -£22.50, yeah. | 0:10:09 | 0:10:13 | |
-The protocol in your big emporium is 10%, isn't it? -Yes, it is, yeah. | 0:10:13 | 0:10:16 | |
And that's good. You know where you are, there's no hidden sort of... | 0:10:16 | 0:10:19 | |
£15? No, no. Take 15? No. | 0:10:19 | 0:10:24 | |
Because it's all about 10% in here, so you've got to be fair. | 0:10:24 | 0:10:27 | |
Close, but no cigar, Charles. | 0:10:27 | 0:10:30 | |
-Now, what's Phil got his eye on? -Those are quite fun, aren't they? | 0:10:32 | 0:10:35 | |
I think they're quite nice, I mean, you know, they're... | 0:10:35 | 0:10:38 | |
no great age, probably 1920s. | 0:10:38 | 0:10:41 | |
But they're quite decorative things, | 0:10:41 | 0:10:42 | |
just made a little bit out of the ordinary by all this lot here. | 0:10:42 | 0:10:45 | |
This is mahogany, his is probably stained beech or something. | 0:10:45 | 0:10:49 | |
Well, he did buy a rudder on an earlier leg. | 0:10:49 | 0:10:51 | |
And as I'm so far behind, | 0:10:51 | 0:10:53 | |
Charlie, I do appear to be up the creek without a paddle. | 0:10:53 | 0:10:56 | |
This might do the job, mightn't they? Look at that. | 0:10:56 | 0:10:59 | |
We could perhaps have a go at those. | 0:10:59 | 0:11:01 | |
Nice, but at a £30 ticket price, | 0:11:01 | 0:11:03 | |
they're hardly the make or break gamble he had in mind. | 0:11:03 | 0:11:06 | |
Time to have a word with Penny. | 0:11:06 | 0:11:09 | |
-You just need a boat now. -Absolutely. | 0:11:09 | 0:11:11 | |
A boat? Please don't tempt him. | 0:11:11 | 0:11:12 | |
They're nice! | 0:11:12 | 0:11:14 | |
-Yeah, well, they're a bit of fun, aren't they? -Yeah. | 0:11:14 | 0:11:16 | |
I think they're probably painted, aren't they? | 0:11:16 | 0:11:19 | |
Rather than actually inlaid. | 0:11:19 | 0:11:21 | |
Looks like they're painted. | 0:11:21 | 0:11:23 | |
Ah, I think he's after a bit more than 10% by the sound of it. | 0:11:23 | 0:11:26 | |
(Can we do those for 20 quid?) | 0:11:26 | 0:11:28 | |
-What's on them? -30. -OK. | 0:11:28 | 0:11:31 | |
Phew! First buy at the very end of the day. | 0:11:31 | 0:11:34 | |
Now, how's he going to keep those hidden? | 0:11:34 | 0:11:37 | |
Better get an early night, chaps, | 0:11:37 | 0:11:38 | |
there's an awful lot of shopping to do tomorrow. | 0:11:38 | 0:11:41 | |
-Shall we pick some blackberries? -I am not going blackberrying... -Why not? | 0:11:41 | 0:11:45 | |
-..with you. -Why not? -People will talk. There's cars behind us. | 0:11:45 | 0:11:48 | |
Good grief, eh? Nighty-night. | 0:11:48 | 0:11:50 | |
-Next day, things are a trifle soggy. -Charlie, why are we up the hedge? | 0:11:55 | 0:12:00 | |
Sorry, I can't see a thing out the window. | 0:12:00 | 0:12:02 | |
Well, I hope they can find their way to the next shop... | 0:12:02 | 0:12:05 | |
because the £20 that Phil lavished on a pair of paddles was, for | 0:12:05 | 0:12:09 | |
whatever reason, the sum total of their purchasing efforts yesterday. | 0:12:09 | 0:12:14 | |
I charge like a wounded rhino in here. | 0:12:14 | 0:12:17 | |
So, he's got to play a blinder today | 0:12:17 | 0:12:19 | |
and hope that Charles takes his eye off the ball, | 0:12:19 | 0:12:22 | |
because, with time running out, Phil's still over £800 behind. | 0:12:22 | 0:12:26 | |
Later, they'll be making for that | 0:12:28 | 0:12:29 | |
Cotswolds climax in Cirencester, | 0:12:29 | 0:12:33 | |
but the next stop is in | 0:12:33 | 0:12:34 | |
Northamptonshire at Weedon Bec... | 0:12:34 | 0:12:37 | |
birthplace of Leo G Carroll... | 0:12:37 | 0:12:40 | |
..Mr Waverley in TV's The Man From UNCLE. | 0:12:42 | 0:12:44 | |
-What are you doing? -I'm trying to help you out. | 0:12:44 | 0:12:47 | |
With a friend like you, I don't need any help... Argh! | 0:12:47 | 0:12:49 | |
Charlie! Charlie! Charlie! | 0:12:49 | 0:12:51 | |
Now, pull yourself up! What's up? | 0:12:51 | 0:12:53 | |
THEY LAUGH Sorry! Sorry, Phil! | 0:12:53 | 0:12:56 | |
I'm sorry! LAUGHTER CONTINUES | 0:12:56 | 0:12:58 | |
So much for our agents being undercover. | 0:12:58 | 0:13:01 | |
Right, you go in that way and I'll go this way. | 0:13:01 | 0:13:03 | |
Um, why don't we think about it? Why don't I go that way? | 0:13:03 | 0:13:06 | |
No, no, because I want to go this way. | 0:13:06 | 0:13:07 | |
-OK, I'll see you. -Bye-bye, Charlie. | 0:13:07 | 0:13:09 | |
TIM LAUGHS | 0:13:09 | 0:13:10 | |
Let's hope for Phil's sake, he's off in the right direction, | 0:13:10 | 0:13:13 | |
but there's plenty to choose from here at Shires Antique Centre. | 0:13:13 | 0:13:17 | |
Let the games commence, eh? | 0:13:17 | 0:13:20 | |
-There we go. -That's the one. -Just like that. | 0:13:20 | 0:13:22 | |
Charles, of course, has still got an awful lot of cash | 0:13:22 | 0:13:25 | |
burning a hole in his pocket. | 0:13:25 | 0:13:26 | |
Any really, really interesting bits of big silver that might | 0:13:26 | 0:13:30 | |
cost me £400? I can afford it! | 0:13:30 | 0:13:33 | |
Blimey, Charles! | 0:13:33 | 0:13:34 | |
Now, we know you're very fond of those. | 0:13:34 | 0:13:36 | |
-What's the best price? -That can be... | 0:13:37 | 0:13:40 | |
-..today, 2,000. -Could it, really? | 0:13:41 | 0:13:44 | |
-Look at that. You see... -< Charge him more! | 0:13:44 | 0:13:46 | |
He's got plenty! Add some on! | 0:13:46 | 0:13:48 | |
Helpful, Phil(!) | 0:13:49 | 0:13:51 | |
Don't take it off! He's got thousands. | 0:13:51 | 0:13:53 | |
Get out of here! | 0:13:53 | 0:13:55 | |
If you don't ask the question, you never know. It's a wonderful thing. | 0:13:55 | 0:13:58 | |
I can't quite afford it. If it could go maybe a bit less, I could do. | 0:13:58 | 0:14:02 | |
A serious, serious work of art. I love it. | 0:14:02 | 0:14:05 | |
OK, let's forget the suit of armour. Even Moneybags here can't buy that. | 0:14:05 | 0:14:10 | |
Now, from top dollar to bargain basement. | 0:14:10 | 0:14:13 | |
It's a pine, probably late 18th century, pine box. | 0:14:13 | 0:14:17 | |
Quite sweet, you can use it for your shoes or for | 0:14:17 | 0:14:19 | |
whatever purpose you may find and then you've just got | 0:14:19 | 0:14:22 | |
some quite attractive Hornby bits and pieces in here, which is quite nice. | 0:14:22 | 0:14:28 | |
That's one way of describing them. | 0:14:28 | 0:14:30 | |
The market is pretty buoyant for such tin plate toys from the 1940s, '50s. | 0:14:30 | 0:14:36 | |
Here, you've got a Portland, plus circle, cement mixer | 0:14:37 | 0:14:40 | |
and this would be probably date again to the early '50s. | 0:14:40 | 0:14:44 | |
Yeah, I just feel... What's the best price on this? | 0:14:44 | 0:14:46 | |
Erm, we've got 10 on that. We could do that at 5. | 0:14:46 | 0:14:48 | |
Yeah, OK, I'll have that. Thanks very much. That's my first buy. | 0:14:48 | 0:14:52 | |
I'm a rocket today. I've got to get going. So, a fiver... | 0:14:52 | 0:14:54 | |
-Thanks very much, I'll take it. -No problem. -Lovely. | 0:14:54 | 0:14:57 | |
Right, I'll keep on going. | 0:14:57 | 0:14:58 | |
Thanks to John, Charles has finally got started. | 0:14:58 | 0:15:01 | |
His travelling companion's got his eye on a box too. | 0:15:01 | 0:15:05 | |
In the late 18th century, 19th century, before you went to bed, | 0:15:05 | 0:15:08 | |
you got a candle to put in your chamber stick | 0:15:08 | 0:15:10 | |
and went up the stairs and off you went, and the candles were | 0:15:10 | 0:15:13 | |
kept in a box at the bottom of the stairs and that's it. | 0:15:13 | 0:15:17 | |
It's called a candle box and that's just a really sweet thing. | 0:15:17 | 0:15:20 | |
It's going to make at auction £80 to £120, but... | 0:15:20 | 0:15:24 | |
(I think the dealer's missed a trick here,) | 0:15:24 | 0:15:26 | |
(because he said this is Victorian oak.) | 0:15:26 | 0:15:28 | |
(I actually think that's probably elm. | 0:15:28 | 0:15:30 | |
(Elm's a little bit more sought-after.) | 0:15:30 | 0:15:32 | |
'OK, I'm going to ask what the best they can do is, | 0:15:32 | 0:15:34 | |
'and perhaps see if we can put it by.' | 0:15:34 | 0:15:36 | |
I wonder what Alison can do on it? | 0:15:36 | 0:15:38 | |
The ticket price is £149. Wow. | 0:15:38 | 0:15:41 | |
-That belongs to our restorer. We're selling it for him. -Right. | 0:15:42 | 0:15:46 | |
Um, the best on that is 120 on it, so... | 0:15:46 | 0:15:48 | |
-OK, can you hang onto that for me? -Yeah, all right. | 0:15:48 | 0:15:52 | |
I think he'll be back. Charles, meanwhile, | 0:15:52 | 0:15:54 | |
has tracked down a cabinet with some very nice silver. | 0:15:54 | 0:15:57 | |
This is a lovely, what you call a George III silver helmet-shaped cream jug. | 0:15:59 | 0:16:03 | |
This is 1769, nine years after that madman came on the throne, | 0:16:03 | 0:16:07 | |
-who was...? -1769... -Which king was that? | 0:16:07 | 0:16:11 | |
-In France or in England? George the II. -George the III. | 0:16:11 | 0:16:14 | |
-III? -That's OK. Thanks for coming! It was George III and... | 0:16:14 | 0:16:17 | |
-I'm very much up on my French history! -Yeah, good man, good man. | 0:16:17 | 0:16:21 | |
Not so hot on his British monarchs, | 0:16:21 | 0:16:24 | |
but Allan does have some good things. | 0:16:24 | 0:16:27 | |
Um, I like that. | 0:16:27 | 0:16:29 | |
-Just because... -It's cheap as well. -This...well. -It is for what it is. | 0:16:29 | 0:16:33 | |
It's a pretty silver, neoclassical style sifter. | 0:16:33 | 0:16:37 | |
-What is it, Allan? -It's a salter, I would imagine. | 0:16:37 | 0:16:40 | |
It is a salter, because you'll see here, when it's been cleaned | 0:16:40 | 0:16:43 | |
-on this cover, the holes have been filled in... -With the cleaner. | 0:16:43 | 0:16:45 | |
-..by the cleaner... -That wasn't me. | 0:16:45 | 0:16:47 | |
No, so, actually, now, if you were to use it, you wouldn't have any salt | 0:16:47 | 0:16:51 | |
come out, because the cleaning agent has, obviously, filled in the holes. | 0:16:51 | 0:16:55 | |
The ticket price on the sifter is £65, but the jug's a hefty £260. | 0:16:55 | 0:17:00 | |
What's the absolute best on that? To give me a life! | 0:17:00 | 0:17:04 | |
-I need to eat as well. -Of course you do, absolutely. | 0:17:04 | 0:17:07 | |
(50 quid for that.) | 0:17:07 | 0:17:09 | |
It's pretty. £30? | 0:17:10 | 0:17:12 | |
-Make it 35 and we'll do it. -Yeah, go on, I'll do it. Good man. | 0:17:12 | 0:17:16 | |
Thanks, Allan. And now, if I said to you... | 0:17:16 | 0:17:19 | |
what's the best on that? | 0:17:19 | 0:17:21 | |
85. | 0:17:21 | 0:17:23 | |
£80 to you. | 0:17:23 | 0:17:25 | |
Blimey, that's a big discount. | 0:17:25 | 0:17:26 | |
-It's 18th century. How often can you buy a bit of 18th century silver? -Yeah, exactly. | 0:17:26 | 0:17:31 | |
-And what other piece of 18th century have you found...? -Take 60, take 60! | 0:17:31 | 0:17:34 | |
-I'll do 65. -Oh, don't say that! | 0:17:34 | 0:17:36 | |
I'll tell you what, call it 100 for the two. | 0:17:36 | 0:17:39 | |
-So, that will be 40 and that will be 60. -Yeah. | 0:17:39 | 0:17:42 | |
-I'll take it. Thanks, mate. -There you go, then. -That's two down. | 0:17:42 | 0:17:45 | |
-OK, look, when the going gets tough... -You've got to do it. | 0:17:45 | 0:17:47 | |
Well done. I think he's mad about that bargain bit of Georgian. | 0:17:47 | 0:17:51 | |
This is George III... | 0:17:51 | 0:17:53 | |
-1769, isn't it? -Yes, cos it's hallmarked. -Who was king of England? | 0:17:53 | 0:17:59 | |
-George the II. -No, it was George the III! | 0:17:59 | 0:18:01 | |
Go on. Let's take you through it. Who was king of England? | 0:18:01 | 0:18:04 | |
-George III. -Good lad. Put it there. That's a deal. | 0:18:04 | 0:18:07 | |
And they said HE was a bit eccentric! | 0:18:07 | 0:18:10 | |
Ah! Phil's got his eye on some of his beloved Worcester. | 0:18:11 | 0:18:15 | |
That was painted probably about 80 yards from my office, | 0:18:15 | 0:18:18 | |
and it's called "Painted Fruit" and people who painted fruit... | 0:18:18 | 0:18:22 | |
The greatest fruit painter there ever was, was a man called | 0:18:22 | 0:18:25 | |
Richard Sebright, and that plate was painted by Richard Sebright. | 0:18:25 | 0:18:29 | |
The ticket price is £190. | 0:18:29 | 0:18:32 | |
I just want to check there's no damage to it, and what's interesting | 0:18:32 | 0:18:35 | |
here...look, this is made in Worcester | 0:18:35 | 0:18:37 | |
and you can date it by counting up these... | 0:18:37 | 0:18:39 | |
That star there, I don't know if you can see that star, | 0:18:39 | 0:18:41 | |
they started putting that on in 1916 and then, each year after, | 0:18:41 | 0:18:45 | |
they added a dot. | 0:18:45 | 0:18:46 | |
So, you've got 1917, 1918, 1919, 1920, | 0:18:46 | 0:18:50 | |
1921, 1922, 1923, 1924, 1925. | 0:18:50 | 0:18:54 | |
So, is that what the ticket says? | 0:18:54 | 0:18:56 | |
-1925. -I should have read that in the first place. | 0:18:56 | 0:18:59 | |
Not so much fun though. | 0:18:59 | 0:19:00 | |
And then we want to look for restoration and the problem | 0:19:00 | 0:19:03 | |
with it is, you can see here, look, there's cut marks there, there... | 0:19:03 | 0:19:06 | |
..there and there. Now, that was to be 120 to 180 quid. | 0:19:07 | 0:19:12 | |
How are we fixed on that one? | 0:19:12 | 0:19:14 | |
Um, I can do... | 0:19:15 | 0:19:17 | |
-£150 on that plate. -It's getting there. | 0:19:17 | 0:19:20 | |
If I bought the two, do you think you could do me a deal? | 0:19:20 | 0:19:22 | |
This and the candle box. | 0:19:22 | 0:19:24 | |
Could you really help me out? | 0:19:24 | 0:19:26 | |
£240 would be the best on the two. | 0:19:26 | 0:19:28 | |
When you only have £337.50, that is quite a sum, | 0:19:29 | 0:19:33 | |
albeit for a nice couple of things. | 0:19:33 | 0:19:36 | |
Can I give you £200 for the two? | 0:19:36 | 0:19:39 | |
I can't, unfortunately. | 0:19:39 | 0:19:40 | |
Can we split the two down the middle? Can we go 220 for the two? | 0:19:40 | 0:19:43 | |
And then I'll definitely have them both. | 0:19:43 | 0:19:45 | |
What am I doing here? What am I doing? | 0:19:45 | 0:19:47 | |
Gambling, Phil. You'll need to, if you want to catch him. | 0:19:47 | 0:19:50 | |
I really can't, I'm sorry. | 0:19:50 | 0:19:51 | |
-Put them by for me, I'll be back in a minute. -OK. | 0:19:51 | 0:19:54 | |
Time for Alison to call the dealer. | 0:19:55 | 0:19:56 | |
Now, what's Charles getting excited about? | 0:19:56 | 0:19:59 | |
First, Worcester and now Derby. I think they're both feeling | 0:19:59 | 0:20:02 | |
a bit homesick. | 0:20:02 | 0:20:04 | |
It's a very sweet dog. Isn't that nice? | 0:20:04 | 0:20:06 | |
What's the best price on that? Could it be like...? | 0:20:06 | 0:20:08 | |
Could it be like £15, do you think? | 0:20:08 | 0:20:10 | |
I don't think we could do that far, but I think this dealer would | 0:20:10 | 0:20:13 | |
-probably go to 25 on that, at the best. -OK. | 0:20:13 | 0:20:15 | |
Why I like this, it's obviously from my home town, | 0:20:15 | 0:20:18 | |
a nice Royal Crown Derby paperweight, | 0:20:18 | 0:20:20 | |
has its gold stopper, it's called The Spaniel. | 0:20:20 | 0:20:23 | |
Um, and it's just quite a nice object. | 0:20:23 | 0:20:26 | |
There are lots of dog lovers out there, it's posy... | 0:20:26 | 0:20:29 | |
Do you think she'd go 20 for it? | 0:20:30 | 0:20:31 | |
-Em... -Is it worth a call? -I think she'd do 20 on that. -You sure? | 0:20:33 | 0:20:36 | |
-For you. -It's a modern day collectible. | 0:20:36 | 0:20:39 | |
Put it there and say sold for £20. I like it. | 0:20:39 | 0:20:43 | |
Woof! Woof! | 0:20:43 | 0:20:44 | |
Yet another buy for Charles, | 0:20:44 | 0:20:46 | |
but how about Phil's double deal for the candle box and the plate? | 0:20:46 | 0:20:50 | |
All right, can we do it, my love? | 0:20:50 | 0:20:52 | |
-Yes... -Oh, you're an angel! -..deal's done. | 0:20:52 | 0:20:54 | |
He appreciates that's going to affect the value of it. | 0:20:54 | 0:20:57 | |
Yeah, yeah, yeah. That's lovely. Thank you very much indeed. | 0:20:57 | 0:21:00 | |
Phil, having bagged that brace for £220, is off to pastures new. | 0:21:00 | 0:21:05 | |
But Charles just can't stop buying this morning. | 0:21:06 | 0:21:10 | |
-John, is this your squeeze-box? -Yeah. | 0:21:10 | 0:21:12 | |
I just...the market at the moment is quite bullish for instruments, | 0:21:12 | 0:21:18 | |
be it violins, be it concertinas, which this one is and, | 0:21:18 | 0:21:21 | |
of course, this one's made by quite a good maker in Lachenal, London | 0:21:21 | 0:21:25 | |
marked, and if you have an auction which is vibrantly online, | 0:21:25 | 0:21:29 | |
these can do quite well, and, importantly, | 0:21:29 | 0:21:32 | |
what's really important to collectors, obviously, | 0:21:32 | 0:21:35 | |
when it comes to restoration, there's no holes in the actual squeeze-box. | 0:21:35 | 0:21:39 | |
There's a restored, I think, maybe hole on the corner here. | 0:21:39 | 0:21:43 | |
There's a couple of tears in the hexagonal | 0:21:43 | 0:21:47 | |
corners of the squeeze-box, but it's just a great thing and I can't | 0:21:47 | 0:21:52 | |
play them, but, you know, I wish I could do, because it's just folk art. | 0:21:52 | 0:21:56 | |
What's the best price on this? It's not priced, I don't think, is it? | 0:21:56 | 0:21:59 | |
We've got 120 on it. We could do that for 90 for you. | 0:21:59 | 0:22:02 | |
You wouldn't go a bit less, would you, at all? | 0:22:02 | 0:22:04 | |
-I was going to offer maybe £60 cash for it. -I couldn't do 60 on it. | 0:22:04 | 0:22:10 | |
We could go to 80, but that would be the death on it. | 0:22:10 | 0:22:14 | |
But I think we're really close... | 0:22:14 | 0:22:17 | |
-..but I'll leave it for the time being. -OK. -I'll leave it. | 0:22:19 | 0:22:22 | |
Fair enough! He's already spent an awful lot, after all. | 0:22:22 | 0:22:26 | |
Time to settle up. | 0:22:26 | 0:22:27 | |
That's cost me 125. | 0:22:27 | 0:22:29 | |
I could almost make it up to a round £200...which would mean I'd | 0:22:29 | 0:22:35 | |
pay you £75 for the squeeze-box. | 0:22:35 | 0:22:38 | |
The man's nodding over there. That's a done deal then. | 0:22:38 | 0:22:41 | |
Well, if the boss accords! | 0:22:41 | 0:22:43 | |
-Thank you. Sure? -Absolutely. | 0:22:43 | 0:22:45 | |
Guys, thanks ever so much. | 0:22:45 | 0:22:47 | |
Phew! That was some shop, with those two splashing out | 0:22:47 | 0:22:51 | |
over £400 between them and now Phil's after more... | 0:22:51 | 0:22:55 | |
..stepping a little further into the centre of Weedon Bec to visit | 0:22:56 | 0:23:00 | |
Helios & Co. | 0:23:00 | 0:23:02 | |
-Good morning, how are you? -Not too bad. -Philip. | 0:23:02 | 0:23:06 | |
-Hello, I'm Barry. -This looks a shop and a half! | 0:23:06 | 0:23:08 | |
Yeah, impressive, isn't it? | 0:23:10 | 0:23:12 | |
Phil probably wishes he had a bit more than just over £100... | 0:23:12 | 0:23:16 | |
..but, with Barry's help, I'm sure a little something can be rustled up. | 0:23:18 | 0:23:22 | |
I mean, that's quite a nice piece. It's interesting. | 0:23:23 | 0:23:26 | |
I mean, it's well-made. Probably make a half-decent sort of... | 0:23:26 | 0:23:30 | |
-you know, wastepaper basket or something. -A very good one. | 0:23:30 | 0:23:33 | |
Or you could describe it as a coopered jardiniere. | 0:23:33 | 0:23:35 | |
-And what would be the best you could do on that? -70, is that good? | 0:23:36 | 0:23:40 | |
I quite like that. | 0:23:40 | 0:23:41 | |
I quite like that. | 0:23:42 | 0:23:44 | |
Yeah, this could go down well in Cirencester, Phil. | 0:23:45 | 0:23:48 | |
Now, what's he got there? | 0:23:49 | 0:23:50 | |
This is great. I love this. This is a lazy Suzy. | 0:23:51 | 0:23:55 | |
I'm not quite sure where it gets the nickname from. | 0:23:55 | 0:23:58 | |
But it's called a lazy Suzy, cos you would | 0:23:58 | 0:24:02 | |
sit at the dining table... | 0:24:02 | 0:24:03 | |
..and if you wanted your neighbour to have that... | 0:24:05 | 0:24:07 | |
..you spun it round to him like that. | 0:24:10 | 0:24:12 | |
The origins of the lazy Susan are hazy, | 0:24:13 | 0:24:17 | |
but they were said to be popular with car pioneer Henry Ford. | 0:24:17 | 0:24:21 | |
Some claim it's a German innovation, | 0:24:21 | 0:24:23 | |
but modern versions are often found at Chinese buffets. | 0:24:23 | 0:24:27 | |
I like that. It's very simplistic. | 0:24:29 | 0:24:32 | |
The price is £145, but Barry's come up with a third object to ponder. | 0:24:32 | 0:24:38 | |
Does that not interest you? That's rather fun, you know. | 0:24:38 | 0:24:41 | |
-A nice bit of 19th century... -A little spinning wheel. | 0:24:41 | 0:24:44 | |
Yes, a spinning wheel. I'm not sure what for, | 0:24:44 | 0:24:46 | |
-cos it's not wool, is it? It's too small. -No. | 0:24:46 | 0:24:49 | |
So, you'd put your foot on there, wouldn't you? | 0:24:49 | 0:24:52 | |
And then there should be a piece of twine | 0:24:52 | 0:24:55 | |
-that goes around there... -Yeah. | 0:24:55 | 0:24:57 | |
..and then, as you treadle this... | 0:24:57 | 0:24:58 | |
But how could somebody work it with their foot, unless it was a child? | 0:24:58 | 0:25:01 | |
I think it's a child's spinning wheel. | 0:25:01 | 0:25:04 | |
It's a piece of decoration in its own right, | 0:25:04 | 0:25:06 | |
-so it would sit on a sideboard. -On a sideboard, chest of drawers... | 0:25:06 | 0:25:09 | |
-Yeah, it would dress it. -And it's a very interesting thing. | 0:25:09 | 0:25:13 | |
Quite, Barry. Now, there's really no messing about with these chaps. | 0:25:13 | 0:25:17 | |
All three items side by side and let the bargaining commence! | 0:25:17 | 0:25:20 | |
-I've got £117 and 50p to spend, that's my budget. -Right. | 0:25:21 | 0:25:26 | |
He took that well, I thought. | 0:25:26 | 0:25:28 | |
The ticket price on that was 145. | 0:25:28 | 0:25:31 | |
The ticket price on that is 85 and the ticket price on that is 98. | 0:25:31 | 0:25:35 | |
You tell me what the best price is on each. | 0:25:35 | 0:25:37 | |
-Well, I mean, that one is going to be £90. -OK. | 0:25:37 | 0:25:40 | |
-Those, I would do you 100 for the two, if it helps. -100 for the two? | 0:25:42 | 0:25:46 | |
For the two, but that is the absolute bottom on them. | 0:25:46 | 0:25:49 | |
-I'm going to just shake you by the hand. -Oh, all right then! | 0:25:49 | 0:25:52 | |
Yeah, that's wizard. I love those two. | 0:25:52 | 0:25:55 | |
So, with the spinning wheel and the wooden bucket, Phil's done. | 0:25:55 | 0:25:59 | |
-That's lovely. -Brilliant. -Thank you very much indeed. | 0:25:59 | 0:26:02 | |
Now, then, let's see what Charles has been up to. | 0:26:02 | 0:26:05 | |
He's triumphantly tootling in the Triumph | 0:26:05 | 0:26:08 | |
from Weedon Bec to Coventry in the West Midlands | 0:26:08 | 0:26:11 | |
to hear the naked truth about one of its famous ancestors. | 0:26:11 | 0:26:14 | |
-Hi, Abby. -Oh, I thought you were Lady Godiva! -No, no, afraid not, | 0:26:15 | 0:26:19 | |
-but I can tell you about her. -And I'm Charles Hanson, good to see you. | 0:26:19 | 0:26:22 | |
-Nice to see you. Let's go. -Fantastic. | 0:26:22 | 0:26:24 | |
Holy Trinity Parish Church in the very heart of Coventry city centre | 0:26:24 | 0:26:28 | |
has been part of the city's story since the 12th century | 0:26:28 | 0:26:32 | |
when it once stood beside the priory, established by Leofric, | 0:26:32 | 0:26:37 | |
Earl of Mercia, and his famous wife, Godiva. | 0:26:37 | 0:26:40 | |
I think, somehow, the spin on Lady Godiva has just become | 0:26:41 | 0:26:44 | |
-known as this sort of topless lady... -Absolutely. | 0:26:44 | 0:26:46 | |
..who floats many a male boat. | 0:26:46 | 0:26:49 | |
Well, she was a really committed Christian woman | 0:26:49 | 0:26:52 | |
and believed that God wanted justice for the meek. | 0:26:52 | 0:26:56 | |
Lady Godiva said she would do what she did to protest against her | 0:26:56 | 0:26:59 | |
husband's taxes, and the way we know she protested, | 0:26:59 | 0:27:02 | |
the myth is that she rode naked on the back of a horse | 0:27:02 | 0:27:05 | |
through the city, um, | 0:27:05 | 0:27:07 | |
but she asked the people of Coventry to look away out of respect. | 0:27:07 | 0:27:10 | |
Close their shutters. | 0:27:10 | 0:27:12 | |
Exactly, and, of course, the story goes that this man called Tom | 0:27:12 | 0:27:16 | |
found a way of looking, um, and got caught. | 0:27:16 | 0:27:18 | |
And so the legend of the Peeping Tom was born. | 0:27:19 | 0:27:23 | |
The people of Coventry did get their tax cut and there's even | 0:27:23 | 0:27:26 | |
a window in Holy Trinity honouring the famous protestor. | 0:27:26 | 0:27:31 | |
Do you ever recreate the Lady Godiva scene? Is it a tradition once a year? | 0:27:31 | 0:27:35 | |
-We have a Coventry Lady Godiva. -Do you really? | 0:27:35 | 0:27:37 | |
-There's a lady who, kind of, is Lady Godiva. -Yes, is she here today? | 0:27:37 | 0:27:40 | |
Not here today, I'm afraid, no. | 0:27:40 | 0:27:42 | |
The Benedictine Priory was destroyed by Henry VIII, | 0:27:45 | 0:27:49 | |
but Holy Trinity survived and was restored in the 17th century. | 0:27:49 | 0:27:53 | |
The Puritans, however, took exception to a significant work of | 0:27:53 | 0:27:57 | |
medieval art, the Coventry Doom, and whitewashed it over. | 0:27:57 | 0:28:02 | |
Thankfully, this too has now been restored. | 0:28:02 | 0:28:05 | |
What is so doomful about that? | 0:28:06 | 0:28:08 | |
It's about the Last Judgment, so when Jesus comes back to earth | 0:28:08 | 0:28:11 | |
and judges people on the choices they've made in their life. | 0:28:11 | 0:28:15 | |
-Yes! -Absolutely. | 0:28:15 | 0:28:17 | |
And so the boat-like things are actually coffins, so their souls | 0:28:17 | 0:28:21 | |
are coming, rising up from their coffins, and to be judged by Jesus. | 0:28:21 | 0:28:25 | |
The Victorians rediscovered the painting, but coated it | 0:28:27 | 0:28:30 | |
in a varnish which became so dark, it was almost hidden again. | 0:28:30 | 0:28:34 | |
Coventry was to overcome much worse hardships in the subsequent century. | 0:28:35 | 0:28:40 | |
-Has someone spilt a pot of ink down there? -Afraid not, no. | 0:28:40 | 0:28:43 | |
It's actually marks from the Blitz from incendiaries that | 0:28:43 | 0:28:46 | |
fell through into the building during the Blitz. | 0:28:46 | 0:28:49 | |
The whole of the city centre was hit. | 0:28:49 | 0:28:50 | |
Obviously, we're right in the middle of the city centre, | 0:28:50 | 0:28:53 | |
right next to the cathedral, | 0:28:53 | 0:28:54 | |
which, sort of, so famously was completely destroyed. | 0:28:54 | 0:28:58 | |
When the Second World War began, | 0:28:58 | 0:29:00 | |
car manufacturing Coventry was considered a prime target | 0:29:00 | 0:29:03 | |
for Luftwaffe bombing | 0:29:03 | 0:29:05 | |
and there had already been several raids before the terrible night of | 0:29:05 | 0:29:09 | |
14th of November 1940, when the nearby cathedral was destroyed, | 0:29:09 | 0:29:14 | |
along with much of the city's ancient centre. | 0:29:14 | 0:29:16 | |
We have a picture of the morning after that night. | 0:29:16 | 0:29:19 | |
So, you know, from what would have been a maze of | 0:29:19 | 0:29:22 | |
little medieval streets and buildings all around the church, | 0:29:22 | 0:29:25 | |
all that's left is the church. | 0:29:25 | 0:29:28 | |
But the apparently miraculous survival of Holy Trinity did | 0:29:28 | 0:29:31 | |
have quite a lot of human help. | 0:29:31 | 0:29:34 | |
The vicar, the Reverend Graham Clitheroe, he and his team | 0:29:34 | 0:29:37 | |
kept vigil, basically, night after night, in case of attack. | 0:29:37 | 0:29:40 | |
On the night itself, they did amazing things like kicking | 0:29:40 | 0:29:43 | |
incendiaries off the roof so they didn't take hold. | 0:29:43 | 0:29:45 | |
They were so determined that this building would not be destroyed | 0:29:45 | 0:29:48 | |
and it wasn't. | 0:29:48 | 0:29:50 | |
Time now in the grounds of this beautiful and historic church | 0:29:51 | 0:29:55 | |
for our boys to finally reveal their wares. | 0:29:55 | 0:29:58 | |
Which is your favourite bit, Charlie? | 0:29:58 | 0:30:00 | |
-I love the box. -Yeah. -That appears to be...what, elm? -Yes. | 0:30:00 | 0:30:03 | |
-Late 18th century. Is it a candle box, Phil? -A candle box, yeah. | 0:30:03 | 0:30:06 | |
Gorgeous, gorgeous box, which, I think, will do really, really well. | 0:30:06 | 0:30:09 | |
If that came into my saleroom tomorrow, | 0:30:09 | 0:30:11 | |
I'd say I love your elm candle box. | 0:30:11 | 0:30:13 | |
I love your patination, Phil, as well. Gorgeous patination! | 0:30:13 | 0:30:16 | |
-I think somebody's put a lot of polish into that. -They have. | 0:30:16 | 0:30:18 | |
That's over many, many years. I think, Phil, that would fetch | 0:30:18 | 0:30:21 | |
probably at auction between 150 and 250. What did it cost you? | 0:30:21 | 0:30:24 | |
-That cost £100. -Yeah, that's a really, really good buy. | 0:30:24 | 0:30:27 | |
My second favourite lot is probably... | 0:30:27 | 0:30:29 | |
-what's the plate down here, Phil? -Worcester, Richard Sebright... | 0:30:29 | 0:30:32 | |
..just about the best fruit painter there was. | 0:30:32 | 0:30:34 | |
You are the authority when it comes to Royal Worcester. | 0:30:34 | 0:30:36 | |
-I don't know about that, Charlie. -No, you are! -1925. | 0:30:36 | 0:30:39 | |
-That cost me £120. -It's got a puce mark as well. Gorgeous. -Yeah. | 0:30:39 | 0:30:44 | |
-See, that could make 300 quid. -It could. | 0:30:44 | 0:30:46 | |
-You've got some big margins here, potentially, Phil. -Oh, I don't know. | 0:30:46 | 0:30:49 | |
You have. | 0:30:49 | 0:30:50 | |
Yeah, but those could go either way, Charles. Now your turn. | 0:30:50 | 0:30:54 | |
This is my collection. | 0:30:54 | 0:30:56 | |
-Oh, that squeeze-box looks good, Charlie. -What do you think? | 0:30:56 | 0:30:59 | |
-Well, these things make money, don't they? -Yeah. -I mean, they do. | 0:30:59 | 0:31:02 | |
-Um, and is that like 100, 150 quid's worth? -I hope so. It's a Lachenal. | 0:31:02 | 0:31:06 | |
It's a good name. | 0:31:06 | 0:31:07 | |
It has got a few condition issues which will effect value, | 0:31:07 | 0:31:10 | |
but it comes with its box. Uh, it's got a few holes in the squeezer. | 0:31:10 | 0:31:13 | |
Oh, just details, Charlie, details. | 0:31:13 | 0:31:15 | |
-Exactly. -How much was that? -It was £75. | 0:31:15 | 0:31:17 | |
Yeah, so, £100, well, it gets you your money back, doesn't it? | 0:31:18 | 0:31:21 | |
-Well, exactly. -Yeah. -Exactly, but, Phil, I've bought some history. | 0:31:21 | 0:31:25 | |
-You know I love history... -Charlie... -Yeah? -What on earth is that? | 0:31:25 | 0:31:28 | |
Oh, Phil, after our road trip, I'm going back to Derby, you know? | 0:31:28 | 0:31:31 | |
I'm going back to where it all began for me, Derby, | 0:31:31 | 0:31:33 | |
and this is Royal Crown Derby from the year 1997. | 0:31:33 | 0:31:36 | |
What's really rare is Imari was | 0:31:36 | 0:31:38 | |
always the design used on paperweights, | 0:31:38 | 0:31:41 | |
very rarely did they use a posy. | 0:31:41 | 0:31:43 | |
That's a posy dog | 0:31:43 | 0:31:44 | |
and the dealer wasn't quite aware of its potential, I don't think. | 0:31:44 | 0:31:46 | |
Hmm... | 0:31:48 | 0:31:49 | |
But what did they really think? | 0:31:50 | 0:31:52 | |
I've looked really hard in Charlie's lots and, for the life of me, | 0:31:52 | 0:31:55 | |
I can't see £1,000 in there this time. | 0:31:55 | 0:31:57 | |
I don't quite understand that Derby paperweight, | 0:31:57 | 0:32:00 | |
but, you know, Charlie's a Derby expert and if he says | 0:32:00 | 0:32:02 | |
that's what it is, that's what it is. | 0:32:02 | 0:32:04 | |
I really think Phil has saved the best till last. | 0:32:04 | 0:32:06 | |
I love almost everything he's bought. | 0:32:06 | 0:32:09 | |
I think his star lot must be his elm candle box circa 1760. | 0:32:09 | 0:32:13 | |
It could do very, very well, so, who knows? | 0:32:13 | 0:32:16 | |
He could make a £300 or £400 profit. | 0:32:16 | 0:32:18 | |
Whilst I think I'm going to struggle to catch him up, | 0:32:18 | 0:32:21 | |
I'm hoping I might just win this leg. | 0:32:21 | 0:32:23 | |
He'll do very well, but he won't catch me. | 0:32:23 | 0:32:26 | |
After starting out in Old Wolverton, Bucks, | 0:32:26 | 0:32:29 | |
the final episode of our road trip will conclude at a deciding | 0:32:29 | 0:32:33 | |
auction in Cirencester, Gloucestershire. | 0:32:33 | 0:32:35 | |
# Antique road trip Antique road trip | 0:32:37 | 0:32:40 | |
# Make a profit Make a profit... # | 0:32:40 | 0:32:43 | |
-Were you annoying as a child? -Yes, very annoying. | 0:32:43 | 0:32:46 | |
As the second largest town in the Roman province of | 0:32:47 | 0:32:50 | |
Britannia, Cirencester, or Corinium, must have been quite something. | 0:32:50 | 0:32:56 | |
Several hundred years later, it's now much, | 0:32:56 | 0:32:58 | |
much smaller than Londinium, but, none the less, no worse for that. | 0:32:58 | 0:33:02 | |
-Do you know what? -Yes? -Do you know how the loser always drives? -Right. | 0:33:03 | 0:33:07 | |
I've been your chauffeur for a week! | 0:33:07 | 0:33:10 | |
Welcome to Moore Allen & Innocent, who've been doing this | 0:33:10 | 0:33:13 | |
sort of thing for so long they could have started out in an amphitheatre! | 0:33:13 | 0:33:17 | |
They didn't though. But what does auctioneer Philip Allwood | 0:33:17 | 0:33:20 | |
make of our two chaps' lots? | 0:33:20 | 0:33:22 | |
The Royal Worcester cabinet plate - pretty, well-painted, | 0:33:23 | 0:33:27 | |
lots of things going for it. | 0:33:27 | 0:33:28 | |
One downside, a little bit scratched, | 0:33:28 | 0:33:31 | |
so, 80 to 120, where, in good condition, it could be £200 or £300. | 0:33:31 | 0:33:35 | |
The concertina by one of the good makers, Louis Lachenal... | 0:33:35 | 0:33:39 | |
unfortunately, it's got a couple of little holes in the actual bag, | 0:33:39 | 0:33:43 | |
but still should be around the sort of £100, £150, around there. | 0:33:43 | 0:33:47 | |
Um, we shall see. | 0:33:47 | 0:33:50 | |
Charles began today's leg with £1,191.44 | 0:33:50 | 0:33:55 | |
and he's spent just £200 on five auction lots. | 0:33:55 | 0:34:00 | |
-Good man. -Whilst Phil started out with £357.50, | 0:34:00 | 0:34:05 | |
and he's parted with £340, also on five lots. | 0:34:05 | 0:34:09 | |
-Yes. -Oh, you're an angel, you're an angel. | 0:34:09 | 0:34:12 | |
Catching Charles is a long shot, but can Phil do it? | 0:34:12 | 0:34:15 | |
His paddles could get him started. | 0:34:15 | 0:34:17 | |
-£30. 30, I'm bid on that. -Good lad. -At £30... -That's a profit. -£30. | 0:34:17 | 0:34:20 | |
5 here. At £30 a bid. At £30. 5 anywhere? Oh, five! Thank you! | 0:34:20 | 0:34:25 | |
-Good lad! -35...in the room now at £40. -Well, I can't believe it. | 0:34:25 | 0:34:30 | |
That's £12 I've made. | 0:34:30 | 0:34:32 | |
You've doubled your money, you've doubled your money. | 0:34:32 | 0:34:34 | |
At £40, you all sure then at 40? | 0:34:34 | 0:34:37 | |
I'm absolutely...phew! | 0:34:39 | 0:34:42 | |
That little profit's just a drop in the ocean. | 0:34:42 | 0:34:44 | |
Next is Charles' George III jug. | 0:34:45 | 0:34:48 | |
Who'll start me? Is that 50 to get on? £50. | 0:34:48 | 0:34:51 | |
-Oh, no! -30 to get on then. £30. Got to be 30, hasn't it? | 0:34:51 | 0:34:54 | |
-1769. Oh, God! -At £20 a bid here, it's go to be cheap at £20 only. | 0:34:54 | 0:35:00 | |
-At £20, 5, 30. At 30... -It's cheap! -40, 5, 50, 5, | 0:35:00 | 0:35:07 | |
-60, 5, 70, 5. At 75 here... -Keep going! Come on! | 0:35:07 | 0:35:13 | |
At £75 in the room now. £75, you all sure? | 0:35:13 | 0:35:17 | |
75 it is, and that's number... | 0:35:18 | 0:35:20 | |
It could have been a lot worse. That could have been...£25. | 0:35:20 | 0:35:23 | |
Well, it looked like he was going to sell it for less than scrap. | 0:35:23 | 0:35:26 | |
Frightening, isn't it? | 0:35:26 | 0:35:28 | |
Or encouraging, Phil. A tiny profit after costs. | 0:35:28 | 0:35:32 | |
-It's a hard game, Phil. -So you want to swap? -..number 207. | 0:35:32 | 0:35:34 | |
-Lot number 19... -No, I'm OK. | 0:35:34 | 0:35:37 | |
Phil's jardiniere or wastepaper basket, | 0:35:38 | 0:35:40 | |
who cares, as long as Cirencester loves it. | 0:35:40 | 0:35:43 | |
£30. | 0:35:43 | 0:35:45 | |
20. | 0:35:45 | 0:35:47 | |
Got to be £20. A tenner then? | 0:35:47 | 0:35:50 | |
£10, a bid then at 10, at 12, 15, 18, 20, 5, 30, at £30, | 0:35:50 | 0:35:57 | |
-am I right here at £30? 35 anywhere now... -It's moving. | 0:35:57 | 0:36:00 | |
£30 is on my right. Selling here then on my right. | 0:36:00 | 0:36:02 | |
You all done then at 30? | 0:36:02 | 0:36:05 | |
How much did it make? £30? Oh, jeez. | 0:36:05 | 0:36:08 | |
It's looking like profits will be few and far between. | 0:36:08 | 0:36:11 | |
Hand on heart, I think it's worth nearly £100. | 0:36:11 | 0:36:14 | |
-Now for Charles' other bit of silver. -50. -Come on! | 0:36:14 | 0:36:17 | |
£30 to get on. | 0:36:17 | 0:36:18 | |
-Stylish little piece. £30. -It's heavy, it's heavy. -20 then... | 0:36:18 | 0:36:23 | |
-Oh, I don't believe it. -£20, a bid here at 20. | 0:36:23 | 0:36:26 | |
-£20, 5, 30, 5, 40, 5, 50. At £50... -Come on, one more! | 0:36:26 | 0:36:31 | |
-That's good, Charlie, that's good. -That's disappointing. | 0:36:31 | 0:36:34 | |
All done then at 50. | 0:36:34 | 0:36:36 | |
-CHARLES SIGHS -But you're nurdling a good little | 0:36:37 | 0:36:40 | |
profit, I mean, a little profit... | 0:36:40 | 0:36:41 | |
I'm pleased, Phil, you know what? Just to come here... | 0:36:41 | 0:36:44 | |
It's a tough auction house. | 0:36:44 | 0:36:46 | |
Yet another close one, but it's not over yet. | 0:36:46 | 0:36:49 | |
I'm nibbling along, Phil. I'm nibbling. | 0:36:49 | 0:36:51 | |
This is the big one. | 0:36:51 | 0:36:53 | |
If Phil's fruity Worcester does well, he could be back in it. | 0:36:53 | 0:36:57 | |
-£30 I've been bid here on the net, at £30, 5 anywhere now... -120. | 0:36:57 | 0:37:02 | |
At 30, 5, anyone in the house here? | 0:37:02 | 0:37:03 | |
At £30, 5, £35, 40 if you like now, at 45 it's in the room. | 0:37:03 | 0:37:07 | |
-The cheapest thing I've ever seen. -At £40...5, thank you, madam. | 0:37:07 | 0:37:10 | |
-At 45, 50 now... -It's moving, now it's moving. -At £50, 5 if you like. | 0:37:10 | 0:37:15 | |
-5, at 55... -Now it's moving, it's moving, it's moving... | 0:37:15 | 0:37:19 | |
At £55, 60, at 65, 70 now then. At 65...70 on the net. | 0:37:19 | 0:37:25 | |
-At £70 it's here. -We're moving. -At £70, you all sure? | 0:37:25 | 0:37:28 | |
Selling it on the net then at 70. | 0:37:28 | 0:37:30 | |
That's just 50 quid down the drain, Charlie! | 0:37:31 | 0:37:34 | |
Someone's got a really good thing for a really low price. | 0:37:35 | 0:37:39 | |
How do you feel? | 0:37:39 | 0:37:41 | |
Uh, like I've felt every other day on this road trip! | 0:37:41 | 0:37:44 | |
Look at me! I love you, mate! | 0:37:44 | 0:37:46 | |
Time for Charlie's floral pooch to have its day. | 0:37:46 | 0:37:50 | |
CHARLIE HOWLS | 0:37:50 | 0:37:52 | |
-It's howling, Charlie. -I know, it's howling for a profit. | 0:37:53 | 0:37:56 | |
-It's £20... -It's a rare thing. | 0:37:56 | 0:37:58 | |
-£20 here only. -It's cheap, isn't it, Charlie? -It's cheap. Keep going. | 0:37:58 | 0:38:02 | |
At 30, 5 now, still cheap at £30. 5 anywhere now? | 0:38:02 | 0:38:06 | |
-At 35, 40 if you like, sir. -Go on! -Go on, sir! It's a rare thing! | 0:38:06 | 0:38:10 | |
-It's a rare thing! One more for the road! -At £35 it's here...40. -Yes! | 0:38:10 | 0:38:15 | |
-5 to me now at £40. -Charlie, I love you. -One more! | 0:38:15 | 0:38:18 | |
At £40, a bid here, you all sure now at 40? | 0:38:18 | 0:38:22 | |
-Good lad, brilliant. -Well done, Charlie. -Thank you, sir. | 0:38:22 | 0:38:26 | |
He's doubled his money. | 0:38:26 | 0:38:27 | |
I can't complain, at least I haven't made a loss. | 0:38:28 | 0:38:30 | |
-Yeah, absolutely, and I have. -Exactly. | 0:38:30 | 0:38:34 | |
Thanks, Charlie. | 0:38:34 | 0:38:35 | |
Phil's candle box... will it set the auction alight, | 0:38:35 | 0:38:38 | |
-or finally snuff out his hopes? -£30? | 0:38:38 | 0:38:41 | |
20. At £20, a bid there, £20, 5, 30, | 0:38:42 | 0:38:45 | |
at £30 on my left now, £30, 5 anywhere now? | 0:38:45 | 0:38:48 | |
-5, 40 to me, madam, at 35 here... -Come on. -..at £35 it's on my left, | 0:38:48 | 0:38:52 | |
at £35 it's sitting on my left then at 35. | 0:38:52 | 0:38:56 | |
That's for nothing, isn't it? It really is for nothing. | 0:38:58 | 0:39:02 | |
Another big loss and another big bargain for someone. | 0:39:02 | 0:39:05 | |
-Phil, look at me. -Mm-hm...? | 0:39:05 | 0:39:08 | |
Thank you, madam... | 0:39:08 | 0:39:09 | |
-It's not quite the finale, is it, we wanted? -No. | 0:39:09 | 0:39:11 | |
Charles' toy box was so cheap it can't fail. | 0:39:12 | 0:39:15 | |
-£5, a bid there, 8, 10, 12... -Come on, internet! | 0:39:15 | 0:39:19 | |
At £12.50 if you like, now at 12 here, | 0:39:19 | 0:39:21 | |
15, at 15, 18 if you like, now at 15. 18. | 0:39:21 | 0:39:25 | |
At 18, 20 if you like now, at 18, 20, at £20, 5 now, at £20, | 0:39:25 | 0:39:30 | |
-it's selling on the net then... -Going. -Selling here at £20. | 0:39:30 | 0:39:33 | |
-Look over there, Phil. Look over there. -At 25, in the room now... | 0:39:33 | 0:39:36 | |
-Come on. -Come on, my son. -Go on! Keep going, keep going! | 0:39:36 | 0:39:39 | |
-At 25, 30 if you like now. -Keep going. | 0:39:39 | 0:39:41 | |
-At £5, they can't see you on the net, at £25... -I'm over here! Sorry! | 0:39:41 | 0:39:45 | |
-It's too late anyway. -Go on! -At 25. | 0:39:45 | 0:39:48 | |
-Well done. Very good, Phil. Put it there. -Well done, matey. | 0:39:49 | 0:39:52 | |
It's all going the way of the winner in waiting. | 0:39:52 | 0:39:56 | |
So, Phil just needs his spinning wheel to make over £1,000. | 0:39:56 | 0:40:00 | |
Start me, 50, £30, pretty little wheel there, £30... | 0:40:00 | 0:40:04 | |
-20... -I don't believe this. -20. A tenner? | 0:40:05 | 0:40:09 | |
A £10 a bid here at 10, 12 now if you like. At £10 a bid here... | 0:40:09 | 0:40:13 | |
-I just think that's funny. -It scares me, yeah. | 0:40:13 | 0:40:15 | |
-At £10 only, at £10, 12 if you like now, £10... -Thanks for coming here. | 0:40:15 | 0:40:20 | |
-Yeah, I've really enjoyed this. -Really? | 0:40:20 | 0:40:22 | |
-GAVEL FALLS -£10... | 0:40:24 | 0:40:25 | |
THEY LAUGH | 0:40:25 | 0:40:27 | |
Oh, my Lord! That cannot be worth £10! | 0:40:27 | 0:40:30 | |
Give me a hug! Give me a hug! | 0:40:30 | 0:40:31 | |
Charlie, how is that worth a tenner? | 0:40:31 | 0:40:34 | |
Oh, dear. At times like these, it's best to see the funny side. | 0:40:34 | 0:40:37 | |
I had a dream just then that that made £10. | 0:40:37 | 0:40:39 | |
I've had a nightmare! | 0:40:39 | 0:40:40 | |
What can Charles squeeze out of this one, I wonder? | 0:40:43 | 0:40:46 | |
-Start me at 100... -Come on! -100 to get on. | 0:40:46 | 0:40:49 | |
50 then. At £50 a bid there at 50, 5, 60, 5, 70, 5, 80, 5, 90... | 0:40:49 | 0:40:56 | |
-Go on. -100 and 5. 110. At 110... | 0:40:56 | 0:41:01 | |
-Come on! -120 now. -Internet, come on! -130, at 130, you all sure? | 0:41:01 | 0:41:08 | |
One more... | 0:41:08 | 0:41:09 | |
-GAVEL FALLS -130 it is. | 0:41:09 | 0:41:11 | |
Great! Delighted! | 0:41:11 | 0:41:12 | |
So you should be, Charles. | 0:41:12 | 0:41:14 | |
When you had theatre, drama and romance, | 0:41:14 | 0:41:16 | |
I had tragedy, tragedy and tragedy! | 0:41:16 | 0:41:18 | |
You had speculation, speculation... | 0:41:20 | 0:41:23 | |
-Another humiliation! -Another humiliation! | 0:41:23 | 0:41:25 | |
So, a week that was once very much neck and neck | 0:41:25 | 0:41:29 | |
has turned into a one-horse race. | 0:41:29 | 0:41:31 | |
Charles wins by a country mile. | 0:41:31 | 0:41:33 | |
Phil started out with £357.50 and after paying auction costs, | 0:41:33 | 0:41:38 | |
he made a loss of | 0:41:38 | 0:41:39 | |
£188.30, leaving him with a final total of £169.20. | 0:41:39 | 0:41:46 | |
Not your best outing. | 0:41:46 | 0:41:48 | |
While Charles began with £1,191.44, | 0:41:48 | 0:41:52 | |
and after paying auction costs, he made a profit of | 0:41:52 | 0:41:55 | |
£62.40, which means Charles, | 0:41:55 | 0:41:59 | |
with £1,253.84 is this week's runaway winner! | 0:41:59 | 0:42:05 | |
Well done, boy. | 0:42:05 | 0:42:06 | |
All profits, of course, go to Children In Need. | 0:42:08 | 0:42:10 | |
Charlie, let me shake you by the hand. | 0:42:10 | 0:42:13 | |
Phil...it's been a wonderful time! | 0:42:13 | 0:42:16 | |
-I've really enjoyed it. Thanks. -It's a week I will never forget. | 0:42:16 | 0:42:19 | |
-No, neither will I. -I mean it! | 0:42:19 | 0:42:20 | |
# I'm gettin' bugged driving up and down this same old strip | 0:42:20 | 0:42:24 | |
# I gotta finda new place where the kids are hip... # | 0:42:24 | 0:42:27 | |
Huh! | 0:42:27 | 0:42:28 | |
Grandad! Grandad! | 0:42:28 | 0:42:30 | |
# My buddies and me are getting real well known | 0:42:30 | 0:42:34 | |
# Yeah, the bad guys know us and they leave us alone | 0:42:34 | 0:42:37 | |
# I get around... # | 0:42:37 | 0:42:38 | |
-Give me a roar! -Growl! | 0:42:38 | 0:42:40 | |
-# From town to town -Get around round round I get around | 0:42:40 | 0:42:43 | |
-# I'm a real cool head -Get around round round I get... | 0:42:43 | 0:42:46 | |
# I'm making real good bread... # | 0:42:46 | 0:42:48 | |
That's exciting! | 0:42:48 | 0:42:50 | |
-# I get around, round -Get around round round oooo... # | 0:42:50 | 0:42:55 | |
THEY LAUGH | 0:42:55 | 0:42:56 | |
# Wah wa ooo | 0:42:56 | 0:42:59 | |
# Wah wa ooo... # | 0:42:59 | 0:43:01 | |
Next time on the Antiques Road Trip... | 0:43:05 | 0:43:07 | |
we're full of national pride as Anita Manning pipes up for Scotland. | 0:43:07 | 0:43:12 | |
TUNELESS NOTE | 0:43:12 | 0:43:13 | |
And James Braxton hopes for some right royal bargains. | 0:43:13 | 0:43:16 | |
-The Queen might be at the sale. -Unlikely, James, unlikely! | 0:43:16 | 0:43:20 |