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-NARRATOR: -It's the nation's favourite antique experts... -All right, viewers? | 0:00:02 | 0:00:05 | |
..with £200 each, a classic car | 0:00:05 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
Sold. Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim? To make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:18 | |
50p! | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:21 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Ooh! Ooh! | 0:00:27 | 0:00:28 | |
Ow! | 0:00:28 | 0:00:30 | |
This is the Antique Road Trip! | 0:00:30 | 0:00:32 | |
Yeah. | 0:00:34 | 0:00:35 | |
This week we're on the road with the dashing duo. | 0:00:38 | 0:00:40 | |
PHILIP SERRELL: Charlie, it's a lovely day and I'm in the lead. | 0:00:42 | 0:00:44 | |
HE LAUGHS | 0:00:44 | 0:00:45 | |
-CHARLES HANSON: -How's it feel? | 0:00:45 | 0:00:47 | |
Well, it just feels like the natural order's been resumed really, Charlie. | 0:00:47 | 0:00:50 | |
I've got it in me to come back. | 0:00:50 | 0:00:52 | |
That's worrying, that is. | 0:00:52 | 0:00:54 | |
Hyperactive auctioneer Charles Hanson | 0:00:54 | 0:00:57 | |
lost his lead at the last auction. | 0:00:57 | 0:00:59 | |
Well done. | 0:00:59 | 0:01:00 | |
So now he's falling over himself to claw it back. | 0:01:00 | 0:01:03 | |
That's exciting. | 0:01:03 | 0:01:04 | |
I'm the older one who buys this sort of stuff, stupid things. | 0:01:04 | 0:01:08 | |
His rival auctioneer, Philip Serrell... | 0:01:08 | 0:01:10 | |
..who's trying hard not to let success cloud his judgment. | 0:01:12 | 0:01:16 | |
What the hell have I done? | 0:01:16 | 0:01:17 | |
They've been together now in a small car for three days | 0:01:18 | 0:01:22 | |
and Charles's little quirks... | 0:01:22 | 0:01:23 | |
Woof! Woof! | 0:01:23 | 0:01:25 | |
HE HOWLS | 0:01:25 | 0:01:26 | |
-Good morning! -Absolutely bonkers. | 0:01:26 | 0:01:28 | |
CHARLES LAUGHS | 0:01:28 | 0:01:29 | |
..are starting to light Phil's very short fuse. | 0:01:29 | 0:01:33 | |
-Do you sleep in pyjamas? -Oh, for God's sake, Charlie! | 0:01:33 | 0:01:36 | |
How many more days have we got of this? | 0:01:36 | 0:01:39 | |
Well, Phil, you're over halfway through the trip. | 0:01:39 | 0:01:42 | |
And after three outings at auction, | 0:01:43 | 0:01:45 | |
Charles has turned a starting budget of £200 into £284.54. | 0:01:45 | 0:01:50 | |
Phil, though, has pulled ahead, turning £200 into £327.56. | 0:01:51 | 0:01:57 | |
-Phil, although I'm losing... -What was that? -I'm losing... | 0:01:57 | 0:02:00 | |
-What was that, sorry? -I am losing. | 0:02:00 | 0:02:02 | |
These squabbling gents are cavorting round the country | 0:02:02 | 0:02:06 | |
in a 1969 Triumph GT6 convertible | 0:02:06 | 0:02:10 | |
and they're covering some distance. | 0:02:10 | 0:02:12 | |
Beginning in Southport in Merseyside, | 0:02:13 | 0:02:16 | |
they're clocking up over 800 miles, | 0:02:16 | 0:02:18 | |
weaving towards their final destination in Cirencester | 0:02:18 | 0:02:21 | |
in the Cotswolds. | 0:02:21 | 0:02:22 | |
On this leg, they're starting in the county town of Cambridge | 0:02:24 | 0:02:27 | |
before ambling towards auction in Glemsford, Suffolk. | 0:02:27 | 0:02:31 | |
Sitting on the River Cam with some exquisite architecture, | 0:02:33 | 0:02:37 | |
Cambridge is celebrated for its 780-year-old university. | 0:02:37 | 0:02:42 | |
Phil, don't you feel like Harry Potter? | 0:02:42 | 0:02:44 | |
-What? -Of that magical presence of academia. | 0:02:45 | 0:02:48 | |
Don't you feel high intellectual when you walk right down here? | 0:02:48 | 0:02:52 | |
Actually, I've never felt high intellectual in my life. | 0:02:52 | 0:02:55 | |
Enough of your nonsense, Hanson. It's time to get serious. | 0:02:56 | 0:02:59 | |
This morning you've got two shops side by side to get you started. | 0:02:59 | 0:03:03 | |
-Snap. -Which one do you want, Charlie? | 0:03:03 | 0:03:06 | |
That one or that one? | 0:03:06 | 0:03:07 | |
Hanson's on a mission here. He's off. | 0:03:09 | 0:03:11 | |
-Phil, I'm quite happy to go in this one first of all. -In there? | 0:03:11 | 0:03:13 | |
You know, I'm playing catch-up now. | 0:03:13 | 0:03:15 | |
Well, don't try and steal the march on me, will you? I mean, don't... | 0:03:15 | 0:03:18 | |
What's going on? | 0:03:20 | 0:03:21 | |
You just got left behind, Phil. | 0:03:21 | 0:03:23 | |
Charles has buzzed off into the hive. | 0:03:24 | 0:03:27 | |
I'm thinking about Suffolk and what I'm doing in Suffolk | 0:03:30 | 0:03:34 | |
and the fact Suffolk is just...well... | 0:03:34 | 0:03:37 | |
..it's quite oaky and, also, it's not far from Holland. | 0:03:38 | 0:03:42 | |
There are about 200 miles and the North Sea separating them, Charles. | 0:03:42 | 0:03:47 | |
He's on another planet sometimes, that boy. | 0:03:47 | 0:03:50 | |
Shake, rattle and roll, Phil. I'm coming to get you, OK? | 0:03:50 | 0:03:53 | |
Lordy. Bang any harder and Phil will hear you next door. | 0:03:54 | 0:03:58 | |
-> MAN: -Morning, Mr Serrell. | 0:04:00 | 0:04:01 | |
-So how are you? All right? -I'm well, thank you. What about you? | 0:04:01 | 0:04:03 | |
Yeah, really, really good. | 0:04:03 | 0:04:05 | |
What have you got for me? | 0:04:05 | 0:04:06 | |
Oh, I've got some bits and bobs out in the car | 0:04:06 | 0:04:08 | |
that I haven't brought in yet today, so... | 0:04:08 | 0:04:10 | |
Oh, well, you go and get those bits and bobs | 0:04:10 | 0:04:12 | |
and let me have a look around. | 0:04:12 | 0:04:14 | |
-Bits and bobs. -Oh, this is what we like. | 0:04:18 | 0:04:20 | |
Might find something of interest. Haven't unloaded them today yet. | 0:04:20 | 0:04:23 | |
Ah, new box filled with old treasures. | 0:04:23 | 0:04:27 | |
Bits and bobs, bits and bobs. | 0:04:27 | 0:04:28 | |
Will something in here tempt Phil to part with his £327? | 0:04:28 | 0:04:33 | |
Well, that's nice, isn't it? | 0:04:33 | 0:04:35 | |
I like that. | 0:04:35 | 0:04:36 | |
That's got Charlie's name written all over it. It's masons. | 0:04:36 | 0:04:41 | |
-And how old is that? -I don't know. | 0:04:41 | 0:04:43 | |
I can't even read the mark on the back. Can you see it? | 0:04:43 | 0:04:46 | |
How much is that? | 0:04:48 | 0:04:49 | |
That's got to be £35, best. | 0:04:49 | 0:04:52 | |
This is Sunderland Lustre | 0:04:52 | 0:04:54 | |
and it's called Sunderland Lustre cos it was made up there. | 0:04:54 | 0:04:57 | |
And the lustre is this sort of pink, almost like luminescent, colour here. | 0:04:57 | 0:05:02 | |
He's after this masonic plaque. Owner Stephen wants £35 for it. | 0:05:02 | 0:05:06 | |
-I think that I might have a go at that for you. -OK. | 0:05:07 | 0:05:10 | |
-But I was going to offer you 15 quid. -£20 and we'll deal. | 0:05:10 | 0:05:15 | |
-I think it probably is old, isn't it? -£30. -Although it might be new. | 0:05:15 | 0:05:21 | |
No, I'll give you 20 quid for it. | 0:05:23 | 0:05:26 | |
And I think, genuinely, I think it's got a chance of being an old one. | 0:05:26 | 0:05:30 | |
He may not know its age, but he's taking a punt on the plate | 0:05:30 | 0:05:34 | |
and now the world's his oyster. | 0:05:34 | 0:05:36 | |
How old do you think this globe is, Stephen? | 0:05:36 | 0:05:38 | |
I think it's got the old Russian states on it, hasn't it? | 0:05:38 | 0:05:41 | |
-It's the USSR, isn't it? -USSR, yeah. | 0:05:41 | 0:05:44 | |
It also boasts a double axis with a ticket price of £39. | 0:05:44 | 0:05:49 | |
-I can go a bit lower, Phil. -Could you do 20 quid for me? | 0:05:49 | 0:05:53 | |
Uh... Yeah, of course I can. | 0:05:53 | 0:05:55 | |
-Can I ask you to do me a favour? Can you keep it by for me? -OK. | 0:05:55 | 0:05:58 | |
-Until about four o'clock this afternoon? -Yep. | 0:05:58 | 0:06:01 | |
-Could you do that? -By all means. | 0:06:01 | 0:06:02 | |
Phil's almost bought two items, but Charles is still empty handed. | 0:06:02 | 0:06:07 | |
I'm going next door now. | 0:06:07 | 0:06:09 | |
Phil, you're still here. Isn't it changeover time now? | 0:06:09 | 0:06:14 | |
-It's a good shop, Charlie. -I know it is, I know it is. | 0:06:14 | 0:06:16 | |
-You mean you're throwing me out? -I might do, yes. | 0:06:16 | 0:06:19 | |
-If that's OK with you. -Oh, you. | 0:06:19 | 0:06:21 | |
Phil, the going is getting tough, OK? | 0:06:21 | 0:06:23 | |
And when the going gets tough... | 0:06:23 | 0:06:25 | |
-The tough gets going. -See you, Charlie. -See you, Phil. Good luck. | 0:06:25 | 0:06:28 | |
Get cracking, Charles. | 0:06:29 | 0:06:31 | |
You've got the shop to yourself and over £280 to spend. | 0:06:31 | 0:06:34 | |
I want to acquire objects which impress me, | 0:06:36 | 0:06:39 | |
which I take to auction, like my yellow and red chairs, | 0:06:39 | 0:06:41 | |
which just give me a heartbeat. | 0:06:41 | 0:06:44 | |
And, Philip, that's one thing which you must get away from - | 0:06:44 | 0:06:48 | |
don't buy knobbly knick-knacks - buy to impress, buy real antiques, Phil. | 0:06:48 | 0:06:52 | |
That's the way forward. | 0:06:52 | 0:06:53 | |
Actually, Charles, Phil's not doing too badly. | 0:06:53 | 0:06:57 | |
That's quite nice, the little compass. That's silver, isn't it? | 0:06:59 | 0:07:04 | |
-Oh, it is. It's got a hallmark. -1898. That's quite sweet. | 0:07:04 | 0:07:07 | |
Could this late-Victorian silver compass | 0:07:07 | 0:07:10 | |
help Charles get back on track? | 0:07:10 | 0:07:12 | |
What would the Suffolk line compass have to be? | 0:07:12 | 0:07:17 | |
Between two English lions. | 0:07:17 | 0:07:19 | |
-You were the bigger roar. -Welsh. | 0:07:19 | 0:07:22 | |
Oh, I'm sorry, you're Welsh. I'm sorry. | 0:07:22 | 0:07:24 | |
He sure knows how to turn on the charm, eh? | 0:07:24 | 0:07:26 | |
-Tenner. -Tenner? That's not... -You've got to buy it for a tenner. -Yeah. | 0:07:26 | 0:07:30 | |
-That's quite nice, isn't it? -It's nice, yes. | 0:07:30 | 0:07:32 | |
-That came in with the same lot this morning. -Really? -Yeah. | 0:07:32 | 0:07:34 | |
I think what gives it a certain attraction is the fact that this man | 0:07:34 | 0:07:38 | |
appears to be dressed in military costume, | 0:07:38 | 0:07:41 | |
so I can almost put that unknown, unidentified sitter, | 0:07:41 | 0:07:46 | |
who probably fought for the great cause 1914-18, | 0:07:46 | 0:07:51 | |
put it with the compass | 0:07:51 | 0:07:53 | |
to almost give a life to the compass about where it's travelled. | 0:07:53 | 0:07:57 | |
If I bought the two together, what's your best price? | 0:07:57 | 0:08:00 | |
£20. Best price. No arguments. You've got a bargain. | 0:08:00 | 0:08:04 | |
You know you've got a bargain. Show me the money. | 0:08:04 | 0:08:07 | |
-Meet me halfway at £15. -Oh, please. | 0:08:08 | 0:08:11 | |
My final offer - and this is so I do get a profit - is £16. | 0:08:11 | 0:08:18 | |
For 1,600 pence, I'll say 'sold'. Do you do change? | 0:08:18 | 0:08:23 | |
-Uh... We can change it into a fiver for you. -Thank you very much. | 0:08:23 | 0:08:27 | |
-There you go. -Oh, really?! -Thank you very much. -That's great. | 0:08:27 | 0:08:30 | |
-So into a fiver. -Yeah. -That means it's £15. | 0:08:30 | 0:08:34 | |
Stephen's a very generous chap. | 0:08:34 | 0:08:35 | |
-Are you sure? -Well... -Are you sure? -Yes. -But you said £16 to me. | 0:08:35 | 0:08:38 | |
You've got such a sad look on your face sometimes, Charles, | 0:08:38 | 0:08:41 | |
how can I possibly not? | 0:08:41 | 0:08:42 | |
Those boyish good looks land him another £1 discount. | 0:08:42 | 0:08:46 | |
One thing I perhaps ought to have picked up - I've left behind | 0:08:46 | 0:08:49 | |
and sometimes you think they ought to belong together - | 0:08:49 | 0:08:53 | |
is the actual fob watch chain. | 0:08:53 | 0:08:55 | |
-I forgot about it. -You want to put them together? -I forgot. | 0:08:55 | 0:08:58 | |
-This is hallmarked. -Yeah, it is solid silver. -Final offer... -Yes. | 0:08:58 | 0:09:02 | |
-OK? -Yeah. -£15. | 0:09:02 | 0:09:04 | |
£15 plus £15 means this would owe me £30 pounds at auction, | 0:09:04 | 0:09:11 | |
which means I would owe you an extra £15 now. | 0:09:11 | 0:09:13 | |
-You're good at sums, aren't you? -Thanks. | 0:09:13 | 0:09:15 | |
Indeed, there's no end to his talents. | 0:09:15 | 0:09:18 | |
That's quite a haul for £30. | 0:09:18 | 0:09:19 | |
I wonder if Philip's having as much success next door. | 0:09:19 | 0:09:23 | |
How much is the death plaque? | 0:09:23 | 0:09:25 | |
What's he spotted? | 0:09:25 | 0:09:27 | |
So, basically, this is a plaque, isn't it, that's, um... | 0:09:27 | 0:09:29 | |
-It's known as a death penny, isn't it? -Yeah. | 0:09:29 | 0:09:31 | |
Given to the family of each soldier that passed in World War I. | 0:09:31 | 0:09:36 | |
Commonly known as 'dead man's penny' | 0:09:38 | 0:09:41 | |
because it looks similar to the coin. | 0:09:41 | 0:09:43 | |
They were issued to the families of fallen British soldiers. | 0:09:44 | 0:09:48 | |
This one has a price tag of £85 on it. | 0:09:48 | 0:09:51 | |
Not much for a life. | 0:09:52 | 0:09:54 | |
-See, I think...I think it IS going to make £40 to £60. -Yeah. | 0:09:56 | 0:09:59 | |
-I've got to try and buy it off you for £30. -Yeah. | 0:09:59 | 0:10:01 | |
That's the bottom line for me. | 0:10:01 | 0:10:03 | |
If you can go £35, I'll have it. | 0:10:03 | 0:10:05 | |
-Since it's you, yeah. -All right. You're a gentleman. | 0:10:05 | 0:10:07 | |
-Thank you very, very much, indeed. -No problem. | 0:10:07 | 0:10:09 | |
Another item and a generous discount of £50. | 0:10:09 | 0:10:13 | |
Ooh! This shopping lark does look exhausting. | 0:10:15 | 0:10:18 | |
Charlie, what are you doing? | 0:10:18 | 0:10:20 | |
-Sorry. It's the heat. It's lovely. Sorry. -The heat? -The heat. | 0:10:20 | 0:10:24 | |
You see, mental exhaustion... | 0:10:24 | 0:10:26 | |
-We're in England in September, Charlie. -I know. It's wonderful. | 0:10:26 | 0:10:29 | |
-Go in the car. What have you bought? -Um... | 0:10:29 | 0:10:31 | |
Easy, Phil, that's Charles's little secret. | 0:10:31 | 0:10:33 | |
Now play nice in the car, boys. | 0:10:33 | 0:10:36 | |
-Phil, if you saw me now on a bike... -I wouldn't love you. | 0:10:36 | 0:10:39 | |
..would you think I was a Cambridge student? | 0:10:39 | 0:10:42 | |
No. Cos most of them have got hair. | 0:10:42 | 0:10:45 | |
A bit harsh, Phil. But fear not, Charles. | 0:10:45 | 0:10:47 | |
You may not fit in at King's College, but whilst Phil's shopping, | 0:10:47 | 0:10:51 | |
there's another Cambridge tradition you'd be perfect for. | 0:10:51 | 0:10:55 | |
Look out. | 0:10:55 | 0:10:56 | |
You must be Philip. | 0:10:56 | 0:10:57 | |
-I am Phil. -Charles Hanson. -Charles, very good to meet you. -Good to see you. | 0:10:57 | 0:11:00 | |
-My father is a Philip. -He is? -He was at Cambridge. -Yep. | 0:11:00 | 0:11:03 | |
And he always told me how enjoyable it was to go punting. | 0:11:03 | 0:11:06 | |
I'm very glad you've come. | 0:11:06 | 0:11:07 | |
And I can't believe I'm following in his footsteps. It's wonderful. | 0:11:07 | 0:11:10 | |
Dreams CAN come true, Charles. | 0:11:11 | 0:11:13 | |
As a way of navigating these shallow waterways, | 0:11:15 | 0:11:17 | |
punting's been around for centuries. | 0:11:17 | 0:11:20 | |
But in 1903, | 0:11:23 | 0:11:24 | |
local man and boat maker Jack Scudamore helped transform | 0:11:24 | 0:11:29 | |
punting from the practical to the pleasure pastime we know today. | 0:11:29 | 0:11:33 | |
Clearly it took off under Scudamore, | 0:11:35 | 0:11:37 | |
this art and passion for punting in Cambridge. | 0:11:37 | 0:11:41 | |
Was he a marketeer or was he just... | 0:11:41 | 0:11:43 | |
Steady there, Charles! | 0:11:44 | 0:11:45 | |
-Almost went then. Was it something that just took off? -I think it did. | 0:11:45 | 0:11:51 | |
He started off with rowing boats and things | 0:11:51 | 0:11:53 | |
and realised that the punt was a very peculiar mode of transport that | 0:11:53 | 0:11:58 | |
was particular to this part of the world, | 0:11:58 | 0:12:00 | |
so he sort of made it an image which is always associated with Cambridge. | 0:12:00 | 0:12:04 | |
Yes. | 0:12:04 | 0:12:05 | |
Like strawberries and Wimbledon, punting's become synonymous with | 0:12:05 | 0:12:09 | |
Cambridge, although it's definitely more dangerous. | 0:12:09 | 0:12:12 | |
-Now duck, do we? -We should probably duck here. Adjust very quickly. -OK. | 0:12:12 | 0:12:15 | |
You get used to this with all the bridges. | 0:12:15 | 0:12:18 | |
-I feel like Indiana Jones. It's good, isn't it? -Yeah. | 0:12:18 | 0:12:21 | |
Indiana Jones? More Frank Spencer, I'd say. | 0:12:21 | 0:12:24 | |
Sorry. Right, yes. | 0:12:24 | 0:12:26 | |
Oh, Charles... | 0:12:26 | 0:12:27 | |
Oh, I think late 19th century. | 0:12:27 | 0:12:29 | |
..you and water were made to go together. | 0:12:29 | 0:12:33 | |
Yeah, Phil, I think the landscape now suggests I ought to have a go. | 0:12:33 | 0:12:37 | |
-Are you feeling ready? -Yeah, I think so. I'm a fairly strong guy. -OK. | 0:12:37 | 0:12:40 | |
-Let's go for it then. -Yeah, I've got big arms, so... -All right. -Yeah, OK. | 0:12:40 | 0:12:43 | |
-Should we swap places? -Sure thing. So here's the pole. -OK. | 0:12:43 | 0:12:47 | |
I don't think I'd like to be on board much. | 0:12:47 | 0:12:49 | |
-So, Phil, all I do, I hold it like that. -Yep. -In the ground it goes. | 0:12:51 | 0:12:55 | |
Drop it through your hands, let it slide through your hands. | 0:12:55 | 0:12:58 | |
-And push straight back. -I've got you. | 0:12:58 | 0:13:00 | |
And this is the tricky part now - leave it in the water behind you... | 0:13:00 | 0:13:03 | |
-Yeah? -..and if you want to turn right slightly, | 0:13:03 | 0:13:06 | |
drag the pole towards the right bank. | 0:13:06 | 0:13:08 | |
There you go - perfect. | 0:13:09 | 0:13:10 | |
Now. Oh, dear. | 0:13:10 | 0:13:12 | |
To the left a bit. | 0:13:12 | 0:13:13 | |
Would you travel with Charles Hanson in a punt? | 0:13:13 | 0:13:16 | |
I feel almost... | 0:13:16 | 0:13:18 | |
Phil, if I sort of do that and then almost hold on to it | 0:13:18 | 0:13:22 | |
and hold on to it, I'm a pole-vaulter. | 0:13:22 | 0:13:24 | |
Charles! Get a grip! | 0:13:24 | 0:13:27 | |
I think you've got the basic principles. | 0:13:27 | 0:13:30 | |
Sorry. | 0:13:30 | 0:13:31 | |
Look out! Oh, my God! You've hit somebody, Charles! | 0:13:31 | 0:13:35 | |
Sorry, sir. | 0:13:35 | 0:13:37 | |
Oh, no, he's hit the bank. | 0:13:37 | 0:13:39 | |
Oh, Charles. | 0:13:39 | 0:13:40 | |
HE LAUGHS | 0:13:40 | 0:13:42 | |
What a shambles. | 0:13:42 | 0:13:43 | |
HE MOCK-LAUGHS | 0:13:43 | 0:13:45 | |
-Over to you. Thank you. -Thank you. Congratulations. | 0:13:45 | 0:13:48 | |
It's been immense. And do you know what? | 0:13:48 | 0:13:50 | |
Philip Serrell, if you were here - I wish you were here...but not really, | 0:13:50 | 0:13:55 | |
because this, Phil, is the life. | 0:13:55 | 0:13:58 | |
Ah, the sun has just come out. | 0:13:58 | 0:13:59 | |
It's a miracle you're still dry, Charles. | 0:14:01 | 0:14:03 | |
Time for a little lie-down, old fruit. I think you've earned it. | 0:14:03 | 0:14:06 | |
How's rival Phil getting on? | 0:14:06 | 0:14:08 | |
He's off taking his next punt on a purchase. | 0:14:08 | 0:14:12 | |
-Hi. You must be Warren. < MAN: -Yeah. | 0:14:12 | 0:14:13 | |
-Warren, I'm Philip. How are you? -Welcome, Philip. | 0:14:13 | 0:14:15 | |
-You've got a bit of everything in here. -Yeah. | 0:14:15 | 0:14:17 | |
I don't want to be picky at all, but I think your choice of model actually | 0:14:17 | 0:14:20 | |
doesn't sell that too much, really. | 0:14:20 | 0:14:22 | |
It's sure as hell not Drew Barrymore, is it? | 0:14:22 | 0:14:24 | |
Right, let's go have a look at something. | 0:14:24 | 0:14:26 | |
That's enough flattery, Phil. | 0:14:26 | 0:14:28 | |
What about checking out some antiques, eh? | 0:14:28 | 0:14:30 | |
I do like that one. What's that? It looks like half a drainpipe. | 0:14:30 | 0:14:33 | |
Came from a local garage. It took four of us to lift it in here. | 0:14:33 | 0:14:38 | |
I can sort of feel myself warming to the task, yeah. | 0:14:38 | 0:14:41 | |
Mmm - a large yard of antiques and Phil's attracted to this great lump. | 0:14:41 | 0:14:45 | |
Oh, I love that. | 0:14:45 | 0:14:47 | |
It appears to be a water feature | 0:14:47 | 0:14:49 | |
but may have had some kind of commercial or industrial use. | 0:14:49 | 0:14:52 | |
Warren wants £250 for it. | 0:14:52 | 0:14:54 | |
So it's probably 1960s, isn't it? | 0:14:55 | 0:14:57 | |
It's made of reconstituted concrete but it looks a bit like granite. | 0:14:57 | 0:15:00 | |
I think it will make a fun garden feature. | 0:15:00 | 0:15:02 | |
What do I think that's going to make at auction? | 0:15:02 | 0:15:05 | |
I think that's likely to make 120-180 quid, that's what I think. | 0:15:05 | 0:15:09 | |
-I think that's optimistic. -What's the best you could do it for? -£150? | 0:15:09 | 0:15:13 | |
Tell you what, just hold your hand out, Warren, | 0:15:13 | 0:15:16 | |
let's just see if this makes it feel better. | 0:15:16 | 0:15:19 | |
-There's 20. There's 40... -Got some mind tricks on the go here, Philip? | 0:15:19 | 0:15:25 | |
There's 80. | 0:15:25 | 0:15:26 | |
There's 100 and there's 20 quid and I've got my train fare home. | 0:15:28 | 0:15:33 | |
What about another 10? | 0:15:37 | 0:15:39 | |
I'm gonna give you that cos I just think it's a fun, fun thing. | 0:15:39 | 0:15:43 | |
What the hell have I done? | 0:15:43 | 0:15:45 | |
You've paid £130 for half a ton of concrete | 0:15:45 | 0:15:48 | |
and some plants, as far as I can tell. | 0:15:48 | 0:15:51 | |
And he's not done yet. | 0:15:53 | 0:15:55 | |
He's decided to head back to Cam's Antiques to have another | 0:15:55 | 0:15:59 | |
-look at that globe. -Do you know, I used to teach geography... | 0:15:59 | 0:16:04 | |
-I think I did know that. -..albeit not very well. | 0:16:04 | 0:16:07 | |
Well, sir, does it look any better on a second viewing? | 0:16:07 | 0:16:10 | |
-I think I'm gonna have that off you. It's 20, wasn't it? -It was 20, yeah. | 0:16:10 | 0:16:13 | |
-That's what we agreed. -You're a gentleman. | 0:16:13 | 0:16:15 | |
-Thank you very much indeed. -Thank you very much, yeah. | 0:16:15 | 0:16:19 | |
-That's fun, isn't it? -Just like that, he's four items up and £205 down. | 0:16:19 | 0:16:25 | |
As day one draws to a close, | 0:16:25 | 0:16:27 | |
he rejoins Charles in the Triumph to relax for the night. | 0:16:27 | 0:16:31 | |
HE SINGS GRUFFLY # I want to be a part of it. # | 0:16:31 | 0:16:34 | |
If Charles ever calms down, that is. | 0:16:34 | 0:16:37 | |
It's a beautiful morning, perfect to enjoy with some good company. | 0:16:40 | 0:16:44 | |
-Let's play a game. I spy... -Charlie wants to play a game. | 0:16:45 | 0:16:48 | |
-..with my little eye, something beginning with G. -Gooseberries. | 0:16:48 | 0:16:53 | |
-Close. Not quite. -Give up. | 0:16:53 | 0:16:56 | |
-Green. -Charlie, you can't... | 0:16:56 | 0:16:58 | |
-I saw green. -What sort of idiot are you? | 0:16:58 | 0:17:01 | |
-It's green! -You can't say, "Oh, there's a green." | 0:17:01 | 0:17:04 | |
-"Oh, look. That's not the sky up there, it's a blue!" -It is blue. | 0:17:04 | 0:17:08 | |
-You worry me sometimes. -Why? -You do. You worry me. | 0:17:09 | 0:17:12 | |
Come on, Phil. Who doesn't like a classic game of I-spy? | 0:17:12 | 0:17:16 | |
When you were a youngster back in Worcestershire | 0:17:16 | 0:17:18 | |
did they have the old shire horses working the fields? | 0:17:18 | 0:17:21 | |
When I was young, they did not have shire horses. | 0:17:21 | 0:17:24 | |
But Worcestershire is a very traditional county. | 0:17:24 | 0:17:26 | |
-You kept the agricultural... -It's not backward, Charlie. -Poor Charles. | 0:17:26 | 0:17:30 | |
-Phil's fuse seems even shorter today. -You know what, Charlie? | 0:17:30 | 0:17:33 | |
It's 9.15 and you've worn me out already. | 0:17:33 | 0:17:35 | |
Well, he did have a good day yesterday, spending £205 | 0:17:37 | 0:17:41 | |
on the 19th-century masonic plaque, the First World War memorial plaque, | 0:17:41 | 0:17:46 | |
the large concrete water feature and the 20th-century double axis globe, | 0:17:46 | 0:17:50 | |
leaving him with £122.56 to spend today. | 0:17:50 | 0:17:54 | |
Charles parted with just £30, | 0:17:57 | 0:17:59 | |
picking up a Victorian fob and silver chain | 0:17:59 | 0:18:02 | |
and the photo frame with the image of a First World War soldier. | 0:18:02 | 0:18:05 | |
-He has £254.54 to play with today. -Bye. | 0:18:05 | 0:18:10 | |
On the horizon over there somewhere is the big one that will make us | 0:18:10 | 0:18:14 | |
-thousands of pounds. -Do you ever stop to draw breath? | 0:18:14 | 0:18:17 | |
-I want to dream, Phil. -Really? -I had a dream. -Really? | 0:18:17 | 0:18:20 | |
I had a dream that in this car you and I found the big one. | 0:18:20 | 0:18:23 | |
Will Charles's dreams come true? | 0:18:23 | 0:18:27 | |
They're starting in the small town | 0:18:27 | 0:18:29 | |
of Oundle in Northamptonshire. | 0:18:29 | 0:18:31 | |
With a history going back over 1,000 years, | 0:18:32 | 0:18:35 | |
this pretty market town boasts many ancient buildings. | 0:18:35 | 0:18:38 | |
So it's perhaps the perfect place to find your treasure, Charles. | 0:18:38 | 0:18:43 | |
-Today, Phil, I feel really fertile. -Pardon? -The sap is rising. | 0:18:43 | 0:18:47 | |
-I'm glad I'm getting out of the car. -The sap is rising, Phil. | 0:18:47 | 0:18:50 | |
What is he on about? | 0:18:50 | 0:18:52 | |
Because if I'm not fertile today and I don't bring back the goods, | 0:18:52 | 0:18:56 | |
I'm in trouble. | 0:18:56 | 0:18:58 | |
Let me tell you, if you're fertile and the sap's rising, | 0:18:58 | 0:19:00 | |
you go to the antique shop, | 0:19:00 | 0:19:01 | |
I'm going to have a wander around Oundle cos I think it's lovely here. | 0:19:01 | 0:19:05 | |
-OK. -That alright? -Yeah, fine. -Good luck, mate. See you later. | 0:19:05 | 0:19:08 | |
-See ya, Phil. -So as Phil soaks in the sights, Charles hits Harpers. | 0:19:08 | 0:19:13 | |
-Good morning. -Good morning, Charles. How are you? | 0:19:13 | 0:19:15 | |
A family business of antiques and jewellery run by jeweller Nigel. | 0:19:15 | 0:19:19 | |
I'm on a mission today. I'm behind in the Antique Road Trip stakes. | 0:19:19 | 0:19:23 | |
Philip's taken the lead and he's pretty confident today. | 0:19:23 | 0:19:27 | |
He's having a wander around town. | 0:19:27 | 0:19:28 | |
He said, "Hanson, you take the first shop. | 0:19:28 | 0:19:30 | |
"I'm quite content just wading around this great market town." | 0:19:30 | 0:19:34 | |
I'm looking for something that will be of memory at auction which might | 0:19:34 | 0:19:37 | |
be a wow factor for Phil to say, "Good man, Charles. | 0:19:37 | 0:19:40 | |
-"You've done quite well today." -OK. | 0:19:40 | 0:19:41 | |
-Let's hope we can find you something. -Brilliant. | 0:19:41 | 0:19:44 | |
-No pressure, then, Nigel. -Well, coming down in price is a good sign. | 0:19:44 | 0:19:47 | |
Sweet fan. | 0:19:57 | 0:19:59 | |
-I think this fan dates to about 1810. -Ah. | 0:20:00 | 0:20:04 | |
With an image of George III's coronation, | 0:20:04 | 0:20:06 | |
it may be even earlier than that. Priced at £50. | 0:20:06 | 0:20:10 | |
-It's an interesting lot, isn't it? -I've got lots. -Lots of? -Fans. | 0:20:10 | 0:20:15 | |
-Have you got any more out the back, then? -Yeah. | 0:20:15 | 0:20:17 | |
-Can I have a look at some? -Yeah. -I'll come look at them with you. Thanks. | 0:20:17 | 0:20:21 | |
Charles is sticking with traditional antique shops, | 0:20:21 | 0:20:24 | |
but not for the first time, Phil's taken an unconventional turn. | 0:20:24 | 0:20:28 | |
Are you after flowers or is it just the old crates? | 0:20:31 | 0:20:34 | |
-Hi there. How are you? I'm Phil. -I'm Phil. -I'm Phil. -Nice to meet you. | 0:20:34 | 0:20:38 | |
-That's a good omen, isn't it? -Yeah. | 0:20:38 | 0:20:40 | |
Well, it's not an unusual name, boys. | 0:20:40 | 0:20:42 | |
The other Phil owns the greengrocers | 0:20:42 | 0:20:43 | |
but what does our Phil want from the other Phil? | 0:20:43 | 0:20:46 | |
I saw those there, those fruit boxes. They're quite trendy, aren't they? | 0:20:46 | 0:20:49 | |
-Yeah. -And these are yours as well? -These are mine. | 0:20:49 | 0:20:52 | |
-Would you be interested in selling these? -Oh, yeah. -How old are these? | 0:20:52 | 0:20:56 | |
So these date back from the 1950s and 1960s. | 0:20:56 | 0:21:01 | |
Well, I suppose they do have some age to them. | 0:21:01 | 0:21:05 | |
If I gave you £20, would that be a deal, do you reckon? | 0:21:05 | 0:21:09 | |
-25 and we've got a deal. -Go on. Thank you very much. -No, thank you. | 0:21:09 | 0:21:16 | |
Seven vintage fruit crates for £25. | 0:21:16 | 0:21:20 | |
As ever, our Phil's gathering an eclectic mix of items, | 0:21:20 | 0:21:23 | |
but back in Harpers, Charles is still playing catch-up | 0:21:23 | 0:21:26 | |
and he's very interested in Nigel's box of fans. | 0:21:26 | 0:21:31 | |
How much is the collection worth? | 0:21:31 | 0:21:33 | |
The collection for the boxful, I want £250 for. | 0:21:33 | 0:21:37 | |
Well, Charles, you HAVE still got £254. | 0:21:37 | 0:21:42 | |
The box contains many more, | 0:21:42 | 0:21:43 | |
possibly dating to the Victorian period or earlier. | 0:21:43 | 0:21:47 | |
Some are made from mother-of-pearl. | 0:21:47 | 0:21:49 | |
There's even a Chinese carved ivory fan. | 0:21:49 | 0:21:51 | |
Not everyone's choice of material but potentially valuable. | 0:21:51 | 0:21:55 | |
They're decorative. It's just what knocks them is their condition. | 0:21:55 | 0:21:59 | |
Absolutely. | 0:21:59 | 0:22:01 | |
-Oh, dear. What a shame. What's your best price on those fans? -200. | 0:22:01 | 0:22:07 | |
-You won't take £100? What's your best price, Nigel? Last price? -Last price. | 0:22:09 | 0:22:14 | |
-I can close my hand... -I know you're gonna do the deal with me. | 0:22:14 | 0:22:17 | |
-Go on, do it. -Including the fan you found over there. -Which fan? | 0:22:17 | 0:22:20 | |
-Oh, yes. -150 quid, the lot. | 0:22:20 | 0:22:23 | |
If you don't buy them for that, what can I say? | 0:22:24 | 0:22:27 | |
-Do you know, Nigel, I said 100. Would you meet me at 125? -Go on. -Sold. | 0:22:27 | 0:22:31 | |
I'll take them. Thanks, Nigel. Good man. | 0:22:31 | 0:22:34 | |
-Charles may well have struck gold with this find. -Thanks, Nigel. | 0:22:34 | 0:22:38 | |
-Many thanks. -It's a pleasure. | 0:22:38 | 0:22:40 | |
I'm really excited because it's a private collection. | 0:22:40 | 0:22:45 | |
They could make 50 at the wrong sale. | 0:22:45 | 0:22:48 | |
They could make 400 at the right sale. That's exciting. | 0:22:48 | 0:22:52 | |
This lot may give Phil something to really worry about, | 0:22:52 | 0:22:56 | |
but right now I don't think he's got a care in the world. | 0:22:56 | 0:22:58 | |
HE WHISTLES | 0:22:58 | 0:23:01 | |
He's steering the Triumph | 0:23:01 | 0:23:03 | |
towards Peterborough, | 0:23:03 | 0:23:04 | |
the largest city in Cambridgeshire. | 0:23:04 | 0:23:06 | |
It's so peaceful without that boy in the car, singing, talking, | 0:23:06 | 0:23:11 | |
asking questions all the time. | 0:23:11 | 0:23:14 | |
It's actually really quite nice. | 0:23:14 | 0:23:17 | |
With the car finally to himself, Phil's getting into holiday mode, | 0:23:18 | 0:23:22 | |
fitting as he's visiting the Thomas Cook archives | 0:23:22 | 0:23:25 | |
at the company's headquarters. | 0:23:25 | 0:23:26 | |
He's here to find out how the modern holiday evolved | 0:23:28 | 0:23:31 | |
with archivist Paul Smith as his guide. | 0:23:31 | 0:23:33 | |
Hi. Pleased to meet you. | 0:23:33 | 0:23:34 | |
Every year, we spend over £30 billion | 0:23:38 | 0:23:41 | |
taking around 65 million holidays. | 0:23:41 | 0:23:43 | |
But this is a modern luxury. | 0:23:45 | 0:23:47 | |
Even 160 years ago, you were unlikely to travel far, | 0:23:47 | 0:23:51 | |
let alone to another country, unless you belonged to the upper classes. | 0:23:51 | 0:23:55 | |
But one man changed that forever | 0:23:56 | 0:23:58 | |
-and his name is still synonymous with travel. -Is that the man? | 0:23:58 | 0:24:02 | |
-That's the man himself. That is Thomas Cook. -Thomas Cook. | 0:24:02 | 0:24:04 | |
-So when was he born? -Born in 1808. -What was his... | 0:24:04 | 0:24:08 | |
-How did he come to travel? -He wasn't a great traveller himself. | 0:24:08 | 0:24:13 | |
He became a temperance supporter | 0:24:13 | 0:24:15 | |
and that was what really changed his life. That was in the 1830s. | 0:24:15 | 0:24:19 | |
And for temperance supporters, alcohol was the root of all evil | 0:24:19 | 0:24:24 | |
and they believed that if people did more worthwhile things with | 0:24:24 | 0:24:28 | |
their time and money, other than drink, then society would improve. | 0:24:28 | 0:24:32 | |
And Thomas's idea was, | 0:24:32 | 0:24:35 | |
"Why don't we make use of these newfangled railways | 0:24:35 | 0:24:37 | |
"to somehow promote temperance?" | 0:24:37 | 0:24:41 | |
This selfless social enterprise soon became a commercial one. | 0:24:41 | 0:24:45 | |
Thomas became the world's first travel agent, | 0:24:45 | 0:24:48 | |
negotiating discounted tickets with different rail companies, | 0:24:48 | 0:24:51 | |
offering customers a package deal at a knocked down price. | 0:24:51 | 0:24:55 | |
He even published a handbook to their journey, | 0:24:55 | 0:24:58 | |
the precursor to the modern holiday brochure. | 0:24:58 | 0:25:01 | |
This is actually Thomas Cook's first travel-related publication | 0:25:01 | 0:25:05 | |
-and this was a handbook of his trip to Liverpool. -So what year's this? | 0:25:05 | 0:25:09 | |
-That's 1845. -1845. -That was Thomas Cook's first commercial venture. | 0:25:09 | 0:25:15 | |
It's almost quite visionary in a way, | 0:25:15 | 0:25:17 | |
-because was anyone else doing this in the 1840s and '50s? -No. | 0:25:17 | 0:25:20 | |
This actually involved three different railway companies. | 0:25:20 | 0:25:23 | |
Thomas had to go to them each individually | 0:25:23 | 0:25:25 | |
and negotiate a fare for that whole trip. | 0:25:25 | 0:25:29 | |
Thomas's business increasingly targeted the middle | 0:25:29 | 0:25:32 | |
and upper classes with trips firstly to Europe then further afield. | 0:25:32 | 0:25:37 | |
Striking deals with local companies, including hotels, | 0:25:37 | 0:25:40 | |
Thomas made international travel more accessible, | 0:25:40 | 0:25:43 | |
revolutionising the way we explore the globe. | 0:25:43 | 0:25:46 | |
But things really took off when Thomas's business-minded son John | 0:25:48 | 0:25:52 | |
joined the family firm. | 0:25:52 | 0:25:53 | |
He helped grow a business that dominated world travel | 0:25:53 | 0:25:56 | |
during the early 20th century. | 0:25:56 | 0:25:58 | |
When did it cease to be a family business? | 0:25:59 | 0:26:03 | |
The family business stops in 1928. | 0:26:03 | 0:26:06 | |
What you've got is Thomas, then John. John has three sons. | 0:26:06 | 0:26:10 | |
They go into the business, | 0:26:10 | 0:26:11 | |
-and the two surviving sons actually sell the business in 1928. -OK. | 0:26:11 | 0:26:16 | |
Really mercenary question here. How much did they sell it for? | 0:26:16 | 0:26:20 | |
They sold it for just over £3.5 million in 1928. | 0:26:20 | 0:26:25 | |
-In today's terms, that's... -The best part of 120 million. | 0:26:25 | 0:26:30 | |
Right. On that note, come let me plan a holiday. | 0:26:30 | 0:26:34 | |
I wouldn't put your feet up yet, Phil, | 0:26:34 | 0:26:35 | |
because Charles's collection of potentially valuable fans may well | 0:26:35 | 0:26:39 | |
end your time basking in the top spot. | 0:26:39 | 0:26:42 | |
Charles is hoping that by splitting them up, | 0:26:42 | 0:26:44 | |
he can really maximise his profits. | 0:26:44 | 0:26:46 | |
What I've done is I've split the collection into four lots. | 0:26:46 | 0:26:51 | |
The reason I've done that is | 0:26:51 | 0:26:52 | |
they'll be collectors of different periods, different styles. | 0:26:52 | 0:26:56 | |
Let's go oriental flavour firstly. This is Chinese/Cantonese, 1880s. | 0:26:56 | 0:26:59 | |
Beautifully carved. It's ivory | 0:26:59 | 0:27:01 | |
and of course we know that legislation, it's pre-'47. | 0:27:01 | 0:27:04 | |
We can sell it. I'm really excited about that one. | 0:27:04 | 0:27:07 | |
This is my regency collection here. Late 18th century, early 19th. | 0:27:07 | 0:27:11 | |
That's a great collection. | 0:27:11 | 0:27:13 | |
This is my great collection of Victoriana fans from the period 1850, | 0:27:13 | 0:27:19 | |
1890. They're pretty big and not overly valuable. | 0:27:19 | 0:27:23 | |
And then finally my fourth lot is the collection I've been able to box | 0:27:23 | 0:27:28 | |
together, and these are fans made by the leading London, Parisian | 0:27:28 | 0:27:33 | |
retailers and manufacturers. | 0:27:33 | 0:27:34 | |
Philip, I was behind but now with these fans | 0:27:34 | 0:27:39 | |
and these two lovebirds, I could be back in business. | 0:27:39 | 0:27:45 | |
With Charles's stroke of genius fan the flames of Phil's demise? | 0:27:45 | 0:27:49 | |
Brace yourselves, boys, for the big reveal. | 0:27:49 | 0:27:52 | |
Well, I seem to be quite nervous now. | 0:27:52 | 0:27:54 | |
Having fallen behind, | 0:27:54 | 0:27:55 | |
this is the first reveal where actually I've fallen behind. | 0:27:55 | 0:27:58 | |
-So I'm all set. -You're twitching, aren't you? | 0:27:58 | 0:28:00 | |
Yeah, I am, but it's to get myself hopefully pumped up for the auction | 0:28:00 | 0:28:03 | |
to come, and I hope you like my wares. | 0:28:03 | 0:28:05 | |
-You going to show me your wares? -Shall I go first? -Yeah, why not? | 0:28:05 | 0:28:07 | |
Hopefully fantastic. | 0:28:07 | 0:28:10 | |
-Get it? Fan-tastic in my opinion. -Getting excited, aren't you? | 0:28:10 | 0:28:15 | |
-I'm just wafting. Sorry. OK. -Do me a favour. -Yes. | 0:28:15 | 0:28:17 | |
-Put your hands in your pockets. -OK. -Right. Now leave 'em there. | 0:28:17 | 0:28:20 | |
Hands in pockets. I got really excited because a while ago, | 0:28:20 | 0:28:24 | |
I sold a collection of fans and...like scent bottles, | 0:28:24 | 0:28:27 | |
fans tell a great story about the history of France | 0:28:27 | 0:28:33 | |
and Paris in the 1740s. | 0:28:33 | 0:28:34 | |
-And also, Phil, my best fan is that one there. -Ah! | 0:28:34 | 0:28:37 | |
-HE LAUGHS -You got 'em out! -That's my best fan. | 0:28:37 | 0:28:40 | |
That's my best fan. I love it, Phil - because the craftsmanship. | 0:28:40 | 0:28:44 | |
And I think, Phil, at the moment, these are quite hot. Are you nervous? | 0:28:44 | 0:28:48 | |
-Yeah. -Do you feel that... Why are you nervous? | 0:28:48 | 0:28:51 | |
I'll tell you why I'm nervous, because I think that's a good thing. | 0:28:51 | 0:28:54 | |
If you pick up on the net, that could make... | 0:28:54 | 0:28:57 | |
-Why are you looking like that? -I'm waiting for your answer, Phil. -Right. | 0:28:57 | 0:29:01 | |
-Will you just mind...? -Sorry. -Give me my space. I think... | 0:29:01 | 0:29:05 | |
-You're doing it again. -OK, sorry. -That could be £200 to £300. | 0:29:05 | 0:29:08 | |
-Being serious? -Yeah, I do. -The whole lot cost me £225. | 0:29:08 | 0:29:11 | |
-For all the fans. -No, it didn't. -No, it didn't. £125. -That's all right. | 0:29:11 | 0:29:16 | |
-That's really, really good. Shall I show you mine now? -I can't wait. | 0:29:16 | 0:29:19 | |
-Confused, Charles? -What are they? They're crates, aren't they? | 0:29:22 | 0:29:26 | |
-Fruit and veg crates. -So what would you use them for? | 0:29:26 | 0:29:29 | |
-Bananas, apples, pears? -Yeah. The clue was when I said fruit and veg. | 0:29:29 | 0:29:35 | |
They're not my sort of thing. You know...they're dry, aren't they? | 0:29:35 | 0:29:38 | |
-So if someone didn't want them, they could...burn them. -Yeah. | 0:29:38 | 0:29:41 | |
-Absolutely right. -Watch yourself, Charles. -Right. | 0:29:41 | 0:29:46 | |
-This, Charlie, is my favourite thing. -Yeah. | 0:29:46 | 0:29:48 | |
I wasn't sure if it was a new one or an old one. | 0:29:48 | 0:29:50 | |
But having got it outside...it's an old one. By Dixon and Co. | 0:29:50 | 0:29:54 | |
Tell me it cost you three figures. | 0:29:54 | 0:29:56 | |
-HE SIGHS -20 quid. | 0:29:56 | 0:29:58 | |
-That's a really, really good buy, Phil. -That's how much it was. -£20? | 0:29:58 | 0:30:01 | |
Yeah. | 0:30:01 | 0:30:02 | |
That was the sensible purchase, but there's one more, Charles, | 0:30:02 | 0:30:06 | |
and it's so big he couldn't even get it in the door. | 0:30:06 | 0:30:08 | |
Is that a toilet seat there? | 0:30:08 | 0:30:09 | |
-HE LAUGHS -I didn't buy a toilet seat, Charlie. | 0:30:09 | 0:30:11 | |
It weighs about half a ton, and I would think that it was used | 0:30:11 | 0:30:15 | |
in a factory to...as almost like a degreaser, something like that. | 0:30:15 | 0:30:19 | |
-How much? -It was 130 quid. | 0:30:19 | 0:30:22 | |
Do you know, Phil, if there's a saving grace for me, | 0:30:22 | 0:30:24 | |
it's these are all fantastic, but that could be your Achilles heel. | 0:30:24 | 0:30:29 | |
Charles is sounding more and more confident. | 0:30:30 | 0:30:33 | |
I know Philip's really keen to win. | 0:30:33 | 0:30:34 | |
He's determined to outgun me, and I think his plaque will. | 0:30:34 | 0:30:39 | |
But his other objects, no way. | 0:30:39 | 0:30:41 | |
I think Charlie's done really, really well. | 0:30:41 | 0:30:43 | |
Those fans, they really are fan-tastic. | 0:30:43 | 0:30:46 | |
I think the ivory one, which is Cantonese, could do really, | 0:30:46 | 0:30:49 | |
really well for him. That's the winner. | 0:30:49 | 0:30:51 | |
Well, his one big hang-up that really might win the day for me | 0:30:51 | 0:30:54 | |
is that really big, robust concrete planter. | 0:30:54 | 0:30:58 | |
Don't quite understand the mentality of Phil buying that. | 0:30:58 | 0:31:01 | |
I think that £130 buy could suddenly turn into a huge loss. | 0:31:01 | 0:31:05 | |
I don't know what I was doing, really, but...£130? | 0:31:05 | 0:31:08 | |
You know, I could lose 70 quid on that. | 0:31:08 | 0:31:10 | |
This could be a really interesting little auction. | 0:31:12 | 0:31:15 | |
If I was a gambling man, who's my money on? Me. | 0:31:15 | 0:31:19 | |
Well, Phil, your lead is under threat, | 0:31:19 | 0:31:21 | |
and now you've got to get back in the car with Charles. | 0:31:21 | 0:31:25 | |
I think, and I suspect, knowing you, it's unwittingly... | 0:31:25 | 0:31:28 | |
-Charlie, what you doing? -Sorry. Go on. Yeah? | 0:31:28 | 0:31:30 | |
I think you've been quite clever, and I suspect that's unwittingly, knowing you, Charlie... | 0:31:30 | 0:31:34 | |
-Would you just concentrate while I'm talking to you? -Sorry. | 0:31:34 | 0:31:36 | |
-Go on. -I think you've been quite clever. -Yeah? | 0:31:36 | 0:31:39 | |
-Unwittingly, I think you've been quite clever. -What, about...? | 0:31:39 | 0:31:43 | |
Well, what you've done is you've managed to get a collection of fans, | 0:31:43 | 0:31:46 | |
right? So... | 0:31:46 | 0:31:48 | |
-Charlie, will you just concentrate while I'm talking to you?! -Sorry. Go on. | 0:31:48 | 0:31:51 | |
-I'm trying to give you the benefit of my pearls, you're looking at the hedge. -Sorry, sorry! | 0:31:51 | 0:31:55 | |
He's being driven round the bend - ha - | 0:31:55 | 0:31:57 | |
en route to their final destination | 0:31:57 | 0:31:59 | |
in the village of Glemsford. | 0:31:59 | 0:32:01 | |
Surrounded by the beautiful Suffolk countryside, | 0:32:01 | 0:32:04 | |
Glemsford still shows signs of its medieval past, | 0:32:04 | 0:32:08 | |
with the picture-postcard Church of St Mary dating back to | 0:32:08 | 0:32:11 | |
the early 14th century. | 0:32:11 | 0:32:13 | |
But today, our chaps are only concerned with | 0:32:14 | 0:32:16 | |
activities at Mander Auctioneers. | 0:32:16 | 0:32:19 | |
-That's my pot. -It's not. -It is! | 0:32:19 | 0:32:22 | |
How cool is that? | 0:32:22 | 0:32:24 | |
I mean, that is fantastic, | 0:32:24 | 0:32:25 | |
Phil - it's almost like a fixture of the auction house. | 0:32:25 | 0:32:28 | |
-There we are, Charlie. Door-to-door service. -Oh, wonderful. | 0:32:28 | 0:32:31 | |
-Look at that. -Serrell's Taxis at your pleasure. -Wow. | 0:32:31 | 0:32:35 | |
Phil, remember - never have regrets, Phil, just dream. | 0:32:36 | 0:32:40 | |
Dream a thousand things, Phil. | 0:32:40 | 0:32:41 | |
Nightmare, not dreaming. | 0:32:43 | 0:32:45 | |
So, as Phil steals some quiet time, | 0:32:45 | 0:32:48 | |
we find out what auctioneer James Mander thinks of their lots. | 0:32:48 | 0:32:51 | |
I do actually rather like the Canton ivory fan, | 0:32:51 | 0:32:55 | |
which is one of the lots in the sale. | 0:32:55 | 0:32:56 | |
And...uh, the carving's really nice and the condition's good, | 0:32:56 | 0:32:59 | |
which is important with fans. | 0:32:59 | 0:33:01 | |
On the concrete, it was a bit of an effort for us to get it in. | 0:33:01 | 0:33:04 | |
Four of us had to try and lift it, and we failed, | 0:33:04 | 0:33:07 | |
and some people have asked us about delivery, | 0:33:07 | 0:33:08 | |
I think, after the auction, so, um...I'm not sure how we'll manage that, | 0:33:08 | 0:33:12 | |
but, uh...if you can move it, I guess it'll look really nice | 0:33:12 | 0:33:15 | |
in the garden, or a nice feature, so I'm sure it'll sell for that reason. | 0:33:15 | 0:33:18 | |
On this leg, Phil's hoping to stay in the lead with the help of five | 0:33:20 | 0:33:23 | |
lots that cost him £230. | 0:33:23 | 0:33:26 | |
Challenging for the top spot is Charles, | 0:33:26 | 0:33:29 | |
who's also offering up five lots at a total cost of £155. | 0:33:29 | 0:33:34 | |
So, with the auction in the room, on commission and online, | 0:33:34 | 0:33:38 | |
it's crunch time, boys. | 0:33:38 | 0:33:40 | |
-Try and sit there. Put your hands down. -£35. In the room. | 0:33:40 | 0:33:45 | |
-What were you like at school? -I used to fidget a lot. -Really? | 0:33:45 | 0:33:48 | |
-Pretty much nerves. -Just sit there. -It's like an exam. | 0:33:48 | 0:33:52 | |
It's like...the results will be spoken shortly by the auctioneer. | 0:33:52 | 0:33:55 | |
Right. Will you just sit...sit still? | 0:33:55 | 0:33:57 | |
Put your hands on your lap and just sit there just for a minute, all right? Try and behave. | 0:33:57 | 0:34:01 | |
You'd never guess Phil used to be a teacher, would you? | 0:34:01 | 0:34:04 | |
Right, first up are Phil's fruitcakes...I mean, crates. Ha. | 0:34:04 | 0:34:07 | |
-Maybe they can lighten his mood. -Boxes up. -Well spotted. | 0:34:07 | 0:34:11 | |
-You're sharp, aren't you? -Lot 101. | 0:34:11 | 0:34:14 | |
Collection of seven vintage wooden fruit crates. | 0:34:14 | 0:34:16 | |
Showing outside...well, they were this morning. | 0:34:16 | 0:34:19 | |
I hope they're still there. AND, uh...£40 is bid. | 0:34:19 | 0:34:21 | |
I'll take £2 anywhere. That's £42. £45. £48. £50. £55. £60. £65. £70. | 0:34:21 | 0:34:29 | |
£75. £80. £85. In the doorway, and selling at £85. | 0:34:29 | 0:34:35 | |
Pretty good start, Phil, eh? | 0:34:37 | 0:34:39 | |
-Especially for something you picked up in a grocery shop. -That's good. | 0:34:39 | 0:34:42 | |
I'm pleased with that. | 0:34:42 | 0:34:43 | |
Oh, my. He's actually happy. | 0:34:43 | 0:34:46 | |
But will Charles's first lot wipe that smile off his face? | 0:34:46 | 0:34:49 | |
There's interest here at £30. I'll take £2 anywhere. £32. | 0:34:49 | 0:34:54 | |
Back of the room. My bid's out. £35. £38. £40. £42. £45. £48. £48. | 0:34:54 | 0:35:02 | |
-It's the gentleman's bid. £50, a new place. -One more. -£55, a new place. | 0:35:02 | 0:35:07 | |
-No, it's £55. Gentleman's bid. Next door. And selling at £55. -Pounds. | 0:35:07 | 0:35:12 | |
It's a good start for Charles with that £25 profit. | 0:35:14 | 0:35:18 | |
-Give me high five. -No. -Don't push it, Charles. | 0:35:18 | 0:35:21 | |
-His globe's about to go under the hammer. -Terrestrial globe. | 0:35:21 | 0:35:25 | |
There it is, as described. And there's interest here. | 0:35:25 | 0:35:28 | |
-We start straight in with bids at £20. -Great. -I'll take £2 anywhere. | 0:35:28 | 0:35:32 | |
-Is that profit? -Not yet it isn't, no. -On commission, and selling for £20. | 0:35:32 | 0:35:36 | |
-Is that profit? -No. -£22. £25. -Now profit. -Yeah. -£28. £30. £30 is bid. | 0:35:36 | 0:35:43 | |
-And selling. -Well done. -Shut up. -HE LAUGHS | 0:35:43 | 0:35:45 | |
Charlie, I'm going to punch you. | 0:35:45 | 0:35:46 | |
Bit by bit, the money's mounting up here, Philip. | 0:35:46 | 0:35:50 | |
It's a small profit, isn't it? It's, like, um...it's like a fiver. | 0:35:50 | 0:35:54 | |
-It's like go round the world. -Oh, Charlie... -For £5 worth. | 0:35:54 | 0:35:58 | |
Pay attention, chaps. The first few fans are up now. | 0:36:00 | 0:36:03 | |
These are Regency and Coronation fans | 0:36:03 | 0:36:05 | |
around the end of the 18th and early part of the 19th century. | 0:36:05 | 0:36:08 | |
We have interest here at £20. | 0:36:08 | 0:36:10 | |
And I'll take £2. £22. £25. £28. £30. £32. £35. £38. £40. £42. £45. | 0:36:10 | 0:36:20 | |
-They're proving popular online. -It's going on its own on the internet. | 0:36:20 | 0:36:23 | |
£55. £60, I'm afraid. Still on the internet at £60. £65. £70. £75. | 0:36:23 | 0:36:30 | |
Your bid at the back. £80 on the internet. £85. £90. £95. £100. | 0:36:30 | 0:36:35 | |
-I think I'll pack my car, Charlie. -£120. £130. £140. | 0:36:35 | 0:36:38 | |
-On the internet here. -Keep going. -£140. | 0:36:38 | 0:36:41 | |
Crikey, Charles - with just one lot, you've taken the lead. | 0:36:43 | 0:36:46 | |
It's not bad, is it? | 0:36:46 | 0:36:47 | |
-It's really disappointing, as it's only 100-quid profit for you. -HE LAUGHS | 0:36:47 | 0:36:51 | |
Don't fret, Phil - your masonic plaque could turn things round. | 0:36:52 | 0:36:55 | |
There's bids here. So we have to open the bidding at £60. | 0:36:55 | 0:36:58 | |
I'll take £5. £60 is bid for the plaque. £65. £70. | 0:36:58 | 0:37:02 | |
-It's going to roll, Phil. -£75. £80. -Going well. -£85, £90. | 0:37:02 | 0:37:06 | |
-Another online hit. -£110. £120. We all done with the plaque? It's £120. | 0:37:06 | 0:37:13 | |
A cool £100 profit puts them neck-and-neck. | 0:37:16 | 0:37:19 | |
-That's a £100 profit. -Yeah, that's all right. | 0:37:19 | 0:37:23 | |
Phil's risky buy is up next. | 0:37:25 | 0:37:26 | |
Is he going to regret spotting this large lump? | 0:37:26 | 0:37:29 | |
-£40 is bid. -Ouch. -I'll take £2 anywhere. £40 is bid. £42. £45. £48. | 0:37:29 | 0:37:36 | |
£50. It's my bid here. And selling on the sheets at £50. | 0:37:36 | 0:37:41 | |
I don't think that was a surprise to anyone, Phil, | 0:37:43 | 0:37:46 | |
and it's given Charles the upper hand. | 0:37:46 | 0:37:48 | |
-Have you ever heard the expression "bad loser"? -Yeah. -How do you do? | 0:37:48 | 0:37:51 | |
Lovely to see you. | 0:37:51 | 0:37:53 | |
This could be a long auction for Phil as the rest of Charles's fans | 0:37:55 | 0:37:58 | |
come up. This time, it's the 19th-century collection. | 0:37:58 | 0:38:02 | |
There's lots of interest here. | 0:38:02 | 0:38:03 | |
I have to open the bidding...straight in at £60. | 0:38:03 | 0:38:06 | |
And I'll take £5 anywhere. £60 is bid. £65. £70. £75. £80. £85. £90. | 0:38:06 | 0:38:14 | |
-£95. £100. -Well done, Charlie. -£110. £120. £130. -They're flying. | 0:38:14 | 0:38:20 | |
You're off to the races, mate. | 0:38:20 | 0:38:21 | |
-£150. £160. -Happy days, Phil. -Yeah. -£170. £180. | 0:38:21 | 0:38:25 | |
-Depends on your perspective, Charlie. -Happy days. -£190. £200. | 0:38:25 | 0:38:28 | |
-Rock'n'roll, baby. -And £10. £220. £230. £240. | 0:38:28 | 0:38:34 | |
-This is brilliant, Charles! -Done on the internet. | 0:38:34 | 0:38:36 | |
It's a commission bid now at £240. | 0:38:36 | 0:38:40 | |
Charles is away! A massive £210 profit. | 0:38:41 | 0:38:45 | |
I think I'm just going to pack my car and go, Charlie. | 0:38:45 | 0:38:47 | |
I'll see you later. | 0:38:47 | 0:38:49 | |
Do stay, Phil. You've got one more lot left. | 0:38:50 | 0:38:52 | |
We have the World War I bronze memorial plaque, | 0:38:52 | 0:38:56 | |
as described in your catalogue there, at £20 to start, please. | 0:38:56 | 0:38:59 | |
At £20... Nobody wants it. £20. Right in the back. £22. | 0:38:59 | 0:39:04 | |
-Going round now, Phil. -£25. £28. £30. £32. £32 in the corner. | 0:39:04 | 0:39:11 | |
-We all done at £32? -I'm absolutely flabbergasted by that - are you? | 0:39:11 | 0:39:14 | |
It's got a lot of sentimental value, but no profit for Phil. | 0:39:16 | 0:39:19 | |
Just two lots left, and they're both fans. | 0:39:21 | 0:39:23 | |
This next collection are particularly good quality, | 0:39:23 | 0:39:26 | |
and many are even boxed. | 0:39:26 | 0:39:28 | |
F-A-N-S. What does it spell? | 0:39:28 | 0:39:30 | |
Ah, it's like a recurring nightmare, Charles. | 0:39:30 | 0:39:32 | |
I'm afraid we have to open the bidding straight in at £180. | 0:39:32 | 0:39:37 | |
-Fantastic. -Ouch, Charlie. -£190 is bid. £200. | 0:39:37 | 0:39:39 | |
-Online bidders are out in force again. -£220. | 0:39:39 | 0:39:42 | |
-Charlie, you've had a hell of a day. -HE LAUGHS | 0:39:42 | 0:39:44 | |
-£230. £240. -Keep going. -£250. -Keep going. | 0:39:44 | 0:39:46 | |
£260. £270. £280. | 0:39:46 | 0:39:50 | |
-£290. £300. And £20. £340. £360. £380. -Come on, let's keep going. | 0:39:51 | 0:39:58 | |
-£400. -Let's go. -And £20. -Let's go. | 0:39:58 | 0:40:02 | |
-£440. £460. £480 now. -You've hit the jackpot here, Charles. | 0:40:02 | 0:40:06 | |
On the internet. We're selling at £480 for the fans. | 0:40:06 | 0:40:11 | |
His tactic of separating the fans has really paid off. | 0:40:12 | 0:40:16 | |
This is a profit to be proud of. | 0:40:16 | 0:40:18 | |
Start looking for other opportunities in television, I think. | 0:40:18 | 0:40:21 | |
THEY LAUGH | 0:40:21 | 0:40:22 | |
But last, not least, is the Chinese ivory fan. | 0:40:23 | 0:40:26 | |
-We have to open the bidding at £100. -Let's go. | 0:40:26 | 0:40:30 | |
And I'll take £110 anywhere. £100. £110. £120. £130. £140. £150. £160. | 0:40:30 | 0:40:37 | |
-£170. £180. £190. £200. And £10. -Good work, Charles. -£230. £240. | 0:40:37 | 0:40:45 | |
£250 now. On the internet and selling. We're at £250. £260. | 0:40:45 | 0:40:50 | |
-Hello, China. -£270. -Hello, China. Come on. One more for the road. | 0:40:50 | 0:40:53 | |
LAUGHTER Thank you. It's been a great day. | 0:40:53 | 0:40:56 | |
-HE LAUGHS -He seems all right, strangely. | 0:40:56 | 0:40:58 | |
-It's been a great day. -£280. -One more. | 0:40:58 | 0:41:00 | |
-£290. -£300. -£300. Great. Put it there. -Haven't finished yet, Charlie. | 0:41:00 | 0:41:04 | |
On the telephone at £320. It's £340 if you want to bid on the internet. | 0:41:04 | 0:41:07 | |
-£340. £360. -Yes. -I want him to bid. -Even Phil's excited. | 0:41:07 | 0:41:13 | |
Done on the telephone, we're done in the room at £380. | 0:41:13 | 0:41:15 | |
He wanted a comeback, and he got it! Yet another massive profit. | 0:41:17 | 0:41:22 | |
-Top job, Charlie. -Thank you, Phil. Been a wonderful, wonderful day. | 0:41:22 | 0:41:25 | |
This has been a wonderful road trip memory, Phil. | 0:41:25 | 0:41:27 | |
If it's profit or loss, it doesn't matter. It's just a fun time, Phil. | 0:41:27 | 0:41:30 | |
So you've made the thick end of £1,000 out of those. | 0:41:30 | 0:41:33 | |
-Get out of here. -You have. | 0:41:33 | 0:41:35 | |
What an amazing auction. | 0:41:35 | 0:41:37 | |
Phil started with £327.56, | 0:41:37 | 0:41:41 | |
and made profits of £29.94 after auction costs were deducted. | 0:41:41 | 0:41:46 | |
So, he's taking £357.50 on to the last leg. | 0:41:46 | 0:41:51 | |
But our new leader is the triumphant Charles Hanson, | 0:41:53 | 0:41:57 | |
who began with £284.54 | 0:41:57 | 0:42:00 | |
and made an incredible profit of £906.90 after costs, | 0:42:00 | 0:42:05 | |
and so takes forward a whopping £1,191.44. | 0:42:05 | 0:42:10 | |
Come on. | 0:42:10 | 0:42:12 | |
All this success has done wonders for this blusterous relationship. | 0:42:12 | 0:42:16 | |
So let me open the door for you, Charles. | 0:42:16 | 0:42:19 | |
HE LAUGHS | 0:42:19 | 0:42:20 | |
I can't believe it, Phil! I can't believe it. | 0:42:20 | 0:42:22 | |
-I'm trying hard not to, Charlie. -HE LAUGHS | 0:42:22 | 0:42:25 | |
Phil, I'm lost for words. | 0:42:25 | 0:42:26 | |
-Let me put the belt around you. -Thank you very much. | 0:42:26 | 0:42:28 | |
Don't get it too tight round your neck, Charlie, will you? | 0:42:28 | 0:42:31 | |
Don't even mention it. Not a word. | 0:42:31 | 0:42:33 | |
But one more time I will say it's been a fantastic day, hasn't it? | 0:42:33 | 0:42:36 | |
Yeah, I've really enjoyed it, Charlie. | 0:42:36 | 0:42:38 | |
Phil, it's never over, though, until the fat lady sings. | 0:42:38 | 0:42:40 | |
-I told you earlier. There's still one more auction to go. -Fantastic. | 0:42:40 | 0:42:44 | |
HE LAUGHS | 0:42:44 | 0:42:45 | |
Funny things can happen... Or fonny things, if you're from Derbyshire. | 0:42:45 | 0:42:49 | |
-Fonny? Funny? -Brace yourself, Phil. Here he goes again. | 0:42:49 | 0:42:52 | |
Are there any treasure songs we can sing together? | 0:42:52 | 0:42:54 | |
Next time on Antiques Road Trip - | 0:42:59 | 0:43:01 | |
high roller Charles is living the high life. | 0:43:01 | 0:43:04 | |
Any interesting bits that might cost me £400. I can afford it. | 0:43:04 | 0:43:07 | |
-So the gloves are off for Phil. -Charge him more. He's got plenty. | 0:43:07 | 0:43:11 | |
Add some on. | 0:43:11 | 0:43:13 | |
HE LAUGHS | 0:43:13 | 0:43:14 |