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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car, | 0:00:04 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:09 | |
Going, going... | 0:00:09 | 0:00:10 | |
BANG Gone. | 0:00:10 | 0:00:12 | |
-Yes! -It's a bit like fishing. | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:17 | |
Goodness' sake! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
What have I done?! | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
They better look out! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
On this road trip, a canny Caledonian | 0:00:38 | 0:00:40 | |
vies with a smart Southerner for antiquarian glory. | 0:00:40 | 0:00:44 | |
Antiques maven Anita Manning is a Glaswegian auctioneer | 0:00:44 | 0:00:47 | |
who's always ruled by her personal sense of style. | 0:00:47 | 0:00:51 | |
Wee jaunty angle? | 0:00:51 | 0:00:54 | |
While jolly bargain hound James Braxton | 0:00:54 | 0:00:57 | |
prefers to rely on his supernatural nose for quality. | 0:00:57 | 0:01:01 | |
It's rather like Lovejoy is channelled through me. | 0:01:01 | 0:01:05 | |
So far on this road trip, James has seen his profits soar. | 0:01:05 | 0:01:08 | |
230, 240... | 0:01:08 | 0:01:10 | |
James! | 0:01:10 | 0:01:11 | |
Yes! | 0:01:11 | 0:01:12 | |
But also bought some ill-fated books of vintage stamps which | 0:01:12 | 0:01:16 | |
failed to sell in his last auction, so he carries those on to this leg. | 0:01:16 | 0:01:20 | |
Anyone want them, £5? No, pass. | 0:01:20 | 0:01:23 | |
HE LAUGHS | 0:01:23 | 0:01:24 | |
Both our esteemed auction experts started this road trip with £200. | 0:01:26 | 0:01:30 | |
Anita has gone forth and multiplied that | 0:01:30 | 0:01:34 | |
into her current cash pot of £369.54 - well done. | 0:01:34 | 0:01:38 | |
While James has grown his seed money to a blooming marvellous £442.40. | 0:01:40 | 0:01:47 | |
We're in an interesting position, James. | 0:01:48 | 0:01:51 | |
I've made up a wee bit. | 0:01:51 | 0:01:53 | |
-Just slightly! -Yeah. -You did very well. | 0:01:53 | 0:01:56 | |
You could say that I'm snapping at your heels. | 0:01:56 | 0:02:00 | |
I think you are. | 0:02:00 | 0:02:01 | |
Today they're driving a saucy little French starlet, | 0:02:04 | 0:02:07 | |
the 1986 Citroen 2CV6 special. | 0:02:07 | 0:02:11 | |
Monsieur, monsieur, monsieur, monsieur. | 0:02:11 | 0:02:13 | |
Ha-ha! Mais oui! | 0:02:14 | 0:02:15 | |
On this whole road trip, James and Anita traverse | 0:02:17 | 0:02:20 | |
the ancient byways of eastern England | 0:02:20 | 0:02:22 | |
from Stamford in Lincolnshire to end up | 0:02:22 | 0:02:24 | |
at their final showdown in London's Maritime Borough of Greenwich. | 0:02:24 | 0:02:28 | |
On today's leg they begin in the city of Cambridge, | 0:02:30 | 0:02:33 | |
aiming towards auction in Rayleigh, Essex. | 0:02:33 | 0:02:36 | |
On the last leg, James was careful with his cash, and it cost him. | 0:02:38 | 0:02:42 | |
Five anybody? No. | 0:02:42 | 0:02:44 | |
He's vowed to spend big on this leg | 0:02:44 | 0:02:47 | |
and to let his inner wild man run free. | 0:02:47 | 0:02:50 | |
-You could be putting yourself in big danger. -I don't care. | 0:02:50 | 0:02:54 | |
-You don't care? -No. | 0:02:54 | 0:02:56 | |
-A devil-may-care Braxton. -Devil-may-care. | 0:02:56 | 0:02:58 | |
That's fighting talk, Brackers. | 0:02:58 | 0:03:00 | |
The beautiful city of Cambridge is, of course, | 0:03:08 | 0:03:11 | |
dominated by its ancient and illustrious university. | 0:03:11 | 0:03:14 | |
Let's hope some of the city's famous smarts rub off | 0:03:14 | 0:03:18 | |
on Anita and James as they head for their first shops. | 0:03:18 | 0:03:22 | |
A different sort of traffic. | 0:03:22 | 0:03:24 | |
Here we are. Perfect. | 0:03:24 | 0:03:27 | |
Goodness, it is a different world, this Cambridge, isn't it? | 0:03:27 | 0:03:31 | |
Marvellous, marvellous. | 0:03:31 | 0:03:33 | |
Well, good luck. | 0:03:33 | 0:03:34 | |
It's very hard to emerge elegantly out of this. | 0:03:36 | 0:03:39 | |
-Isn't it glorious? -It's wonderful, wonderful. | 0:03:39 | 0:03:41 | |
It really is. | 0:03:41 | 0:03:43 | |
Come on, you two, you're not here to sightsee. | 0:03:43 | 0:03:45 | |
Let's go shopping. | 0:03:45 | 0:03:46 | |
BICYCLE BELL | 0:03:46 | 0:03:48 | |
And watch out for the cyclists. Oh! Lordy. | 0:03:48 | 0:03:51 | |
Anita's heading off towards Cambs Antiques, | 0:03:51 | 0:03:54 | |
where she's meeting dealer Stephen. | 0:03:54 | 0:03:56 | |
-Hello, I'm Anita, nice to see you. -How do you do, Anita? | 0:03:56 | 0:03:59 | |
Lovely to see you. | 0:03:59 | 0:04:00 | |
-I've got some new stock... -New stock! | 0:04:00 | 0:04:02 | |
..that I haven't even priced up yet. | 0:04:02 | 0:04:04 | |
Oh, that's music to Anita's ears. | 0:04:04 | 0:04:06 | |
Oh, Stephen! | 0:04:06 | 0:04:08 | |
This is great fun. | 0:04:08 | 0:04:10 | |
So I'm getting first shout at this new stock? | 0:04:10 | 0:04:12 | |
Yes, I just got it out of my car this morning. | 0:04:12 | 0:04:14 | |
-Is this a silver one, Stephen? -It is. | 0:04:14 | 0:04:17 | |
Which I think is rather pretty. | 0:04:17 | 0:04:19 | |
Hand hammered. | 0:04:19 | 0:04:21 | |
I like this, Stephen. | 0:04:21 | 0:04:23 | |
Yup, it is a silver sauce boat, | 0:04:23 | 0:04:25 | |
hallmarked Birmingham in the style known as Arts and Crafts, | 0:04:25 | 0:04:29 | |
hence it has that hammered - or planished - finish, | 0:04:29 | 0:04:31 | |
and it dates from 1922. | 0:04:31 | 0:04:33 | |
I like that. | 0:04:35 | 0:04:36 | |
-I shouldn't be telling you that I like it so much. -Why not? | 0:04:37 | 0:04:41 | |
What I was thinking about when I looked at it was roundabout the 50. | 0:04:42 | 0:04:47 | |
Let me think about it. | 0:04:47 | 0:04:48 | |
-I'll just get my book out. -OK. | 0:04:48 | 0:04:50 | |
-I've just checked the jug. -Uh-huh. | 0:04:53 | 0:04:55 | |
I can tuck just under the £50 for you. 45. | 0:04:55 | 0:04:59 | |
-Yes? -45 is wonderful, wonderful. -Good. -I'm very happy. | 0:04:59 | 0:05:03 | |
-We've got to give you the best chance. -Yes! | 0:05:03 | 0:05:06 | |
-Good. -45. Yes! | 0:05:06 | 0:05:08 | |
So, Anita's got a great deal on her coveted silver sauce boat, | 0:05:10 | 0:05:15 | |
and she's browsing on. | 0:05:15 | 0:05:16 | |
Manning for Mackays, that's good. | 0:05:17 | 0:05:20 | |
A wee jaunty angle? | 0:05:22 | 0:05:24 | |
You blend in like a local, girl. | 0:05:24 | 0:05:27 | |
But now some more silver's caught her magpie eye. | 0:05:27 | 0:05:30 | |
Stephen, I had a wee look at some bridge pencils down here | 0:05:30 | 0:05:34 | |
which are rather pretty. | 0:05:34 | 0:05:36 | |
It is a set of four propelling pencils. | 0:05:36 | 0:05:39 | |
Made to use while playing the card game bridge, | 0:05:39 | 0:05:42 | |
they're probably of modern manufacture, | 0:05:42 | 0:05:45 | |
but are fashioned out of sterling silver. | 0:05:45 | 0:05:47 | |
-Sterling. -There're just so sweet, aren't they? | 0:05:47 | 0:05:49 | |
These belong to one of the other dealers, they're not mine. | 0:05:49 | 0:05:52 | |
Fortunately, she's here this morning, so we can ask her. | 0:05:52 | 0:05:56 | |
Janet, what's the very best price on your bridge pencils? | 0:05:56 | 0:05:59 | |
You've got 85 on them. | 0:05:59 | 0:06:01 | |
Janet, I really think these are quite sweet. | 0:06:01 | 0:06:03 | |
50 would be bottom line. | 0:06:03 | 0:06:05 | |
-50's the very bottom? -It is, yeah. | 0:06:05 | 0:06:07 | |
I'm wondering if I can make a profit. | 0:06:09 | 0:06:11 | |
She is thinking on it. | 0:06:11 | 0:06:13 | |
I really fancy these little things. | 0:06:13 | 0:06:16 | |
I wonder if Janet would come another little bit. | 0:06:16 | 0:06:20 | |
Could these be bought for 40? | 0:06:20 | 0:06:23 | |
Er... | 0:06:23 | 0:06:25 | |
It's got to be 45. | 0:06:25 | 0:06:26 | |
-45? -Yeah. | 0:06:26 | 0:06:28 | |
-So I'm earning just a little on them. -Mm-hmm. | 0:06:29 | 0:06:32 | |
Let's go. 45, then. Thank you very much, Janet, that's great. | 0:06:32 | 0:06:35 | |
So, deal done. Anita's got the sauce boat | 0:06:37 | 0:06:40 | |
and the set of pencils for £90 total. | 0:06:40 | 0:06:43 | |
James, meanwhile, is right next door in antiques centre The Hive, | 0:06:43 | 0:06:48 | |
where dealer Bill is assisting. | 0:06:48 | 0:06:50 | |
-Hello. James. -Bill, pleased to meet you. | 0:06:50 | 0:06:53 | |
-Hello, very nice to meet you, Bill. -Come on in. | 0:06:53 | 0:06:56 | |
Now, Bill, what have you got? | 0:06:56 | 0:06:57 | |
I want something cheap that's going to make me lots of money. | 0:06:57 | 0:07:01 | |
And James just might be in luck today, as Bill's a specialist | 0:07:01 | 0:07:05 | |
dealing in items that could see James flying high. | 0:07:05 | 0:07:08 | |
-This is me, the Persian rugs. -The Persian rugs. | 0:07:10 | 0:07:13 | |
And I've just bought a collection this morning. | 0:07:13 | 0:07:16 | |
-Really? -If you want something cheap. | 0:07:16 | 0:07:18 | |
-Oh, come on, Bill! -Back outside. | 0:07:18 | 0:07:20 | |
-I don't miss any of your programmes. -Thank you, sir. | 0:07:21 | 0:07:24 | |
Always nice to meet a fan. | 0:07:24 | 0:07:26 | |
I've just bought this small collection this morning. | 0:07:26 | 0:07:29 | |
This sort of thing if you want something to make a profit. | 0:07:29 | 0:07:32 | |
Nice little bag face. | 0:07:32 | 0:07:33 | |
Hey! Who are you calling a bag face? | 0:07:33 | 0:07:36 | |
It's a piece of Kurdish weaving from the early 20th century. | 0:07:37 | 0:07:40 | |
In its homeland it would have been the decorative front of a bag | 0:07:40 | 0:07:44 | |
slung over the shoulders of a camel or a donkey, | 0:07:44 | 0:07:47 | |
but these pieces were often converted into cushions | 0:07:47 | 0:07:49 | |
or small rugs in the West. | 0:07:49 | 0:07:52 | |
About 1930s, something like that would normally retail at about £80. | 0:07:52 | 0:07:57 | |
-Yeah. -£30 today. | 0:07:57 | 0:07:59 | |
James is tempted, | 0:07:59 | 0:08:01 | |
but might Bill be willing to come down even further on the price? | 0:08:01 | 0:08:05 | |
I feel I'd do you that for...£20. | 0:08:06 | 0:08:09 | |
-£20? -Yeah. | 0:08:09 | 0:08:10 | |
I think it's a very... I think that's a lovely, | 0:08:11 | 0:08:14 | |
lovely item there. | 0:08:14 | 0:08:16 | |
I love that, Bill. | 0:08:16 | 0:08:18 | |
Bill, I'm going to buy that, it's a very nice item for 20. | 0:08:18 | 0:08:22 | |
Thank you, really lovely. | 0:08:22 | 0:08:24 | |
So, that buy's all stitched up at £20. | 0:08:24 | 0:08:27 | |
But he's still looking. | 0:08:27 | 0:08:29 | |
What else is going to turn me some money? | 0:08:29 | 0:08:32 | |
A really nice Chinese piece. | 0:08:32 | 0:08:34 | |
-Oh, you spoil me! -He does! | 0:08:34 | 0:08:37 | |
This is a little lacquer box, | 0:08:37 | 0:08:39 | |
but it's full of the most beautiful mother-of-pearl counters. | 0:08:39 | 0:08:43 | |
He's right there. | 0:08:43 | 0:08:44 | |
A Cantonese lacquered box dating from the 19th century | 0:08:44 | 0:08:48 | |
and containing four smaller boxes, each filled with gaming counters | 0:08:48 | 0:08:52 | |
made of cut mother-of-pearl and used for playing card games | 0:08:52 | 0:08:55 | |
and all that kind of jazz. | 0:08:55 | 0:08:57 | |
Look at the top of that. | 0:08:57 | 0:08:59 | |
Yeah, really sweet. | 0:08:59 | 0:09:01 | |
And there are 93 counters. | 0:09:01 | 0:09:05 | |
And these sell individually, on their own, | 0:09:05 | 0:09:08 | |
-normally, for about £3 each. -Really? | 0:09:08 | 0:09:11 | |
Look at those little fish. | 0:09:11 | 0:09:12 | |
-And they're all engraved, aren't they? -Yes. | 0:09:12 | 0:09:15 | |
-Yeah, it's really fun. -It's very, very nice. | 0:09:15 | 0:09:17 | |
Oh, what a lovely lock! Ying and yang! | 0:09:17 | 0:09:20 | |
-Yeah, yeah. -How much has this got to be, Bill? | 0:09:20 | 0:09:23 | |
This has got 98 on it. | 0:09:23 | 0:09:26 | |
With being new stock, erm... | 0:09:26 | 0:09:29 | |
-£90. -£90. | 0:09:29 | 0:09:32 | |
For the lock alone, Bill, that's fabulous, I'll buy that, £90. | 0:09:32 | 0:09:35 | |
That's really kind, thank you. | 0:09:35 | 0:09:37 | |
In a bold move, James gambles some serious dosh | 0:09:38 | 0:09:42 | |
on the lovely box and gaming counters, | 0:09:42 | 0:09:44 | |
so he's got that and the Kurdish bag face for £110 total. | 0:09:44 | 0:09:48 | |
Ah, look who it is. | 0:09:51 | 0:09:53 | |
-Ahhhh. -James, darling. | 0:09:53 | 0:09:56 | |
-Anita, how are you? -Have you spent lots of money? | 0:09:56 | 0:09:59 | |
-I have. -Oh, excellent, excellent! | 0:09:59 | 0:10:01 | |
-Can I go in there? -Course you can, he's a very nice chap, Bill. | 0:10:01 | 0:10:04 | |
Indeed he is, and a good thing, too, | 0:10:04 | 0:10:07 | |
as it's Anita's turn for a browse in his shop. | 0:10:07 | 0:10:10 | |
"The Rudiments Of Gentle Behaviour." | 0:10:12 | 0:10:14 | |
I'm sure you don't need any help there, Anita! | 0:10:15 | 0:10:18 | |
Bill, could I have a wee look at this screen? | 0:10:23 | 0:10:25 | |
-That's intriguing. -It's really decorative, isn't it? | 0:10:28 | 0:10:31 | |
That's wonderful. | 0:10:31 | 0:10:33 | |
What sort of date would this come from? | 0:10:33 | 0:10:35 | |
I think it's around 1920s, could be 1930s. | 0:10:35 | 0:10:38 | |
-Probably Continental. -Uh-huh. | 0:10:38 | 0:10:40 | |
But it's a wonderful scene on it, isn't it? | 0:10:40 | 0:10:42 | |
It's a four-panelled screen, | 0:10:43 | 0:10:45 | |
covered in an early form of imitation leather | 0:10:45 | 0:10:49 | |
and depicting a fantastical naval scene. | 0:10:49 | 0:10:52 | |
Ticket price is £80. Ahoy! | 0:10:52 | 0:10:55 | |
So we've got these fabulous galleons. | 0:10:55 | 0:10:58 | |
And you've got the dove, there's an angel with a bugle - | 0:10:59 | 0:11:03 | |
there's a bit of everything going on in it. | 0:11:03 | 0:11:06 | |
-It's like a scene from The Pirates Of The Caribbean. -Almost! | 0:11:06 | 0:11:11 | |
I like that. | 0:11:11 | 0:11:13 | |
How about 65? | 0:11:13 | 0:11:15 | |
Could you go to 50 on that? | 0:11:15 | 0:11:19 | |
Would 50... Would 50 buy it? | 0:11:19 | 0:11:23 | |
Well, James wouldn't have bought it for 50, but you can. | 0:11:23 | 0:11:26 | |
-Oh, thank you. -There we are. | 0:11:26 | 0:11:28 | |
-50 and a kiss. Thank you very much. -Thank you. | 0:11:28 | 0:11:32 | |
I say, with a bit of twinkle-eyed charm from Anita, | 0:11:32 | 0:11:35 | |
she has the screen. | 0:11:35 | 0:11:37 | |
-Thank you so much. -Thank you. -Bye-bye. -Bye-bye. | 0:11:39 | 0:11:42 | |
And it's the next shop ahead. | 0:11:42 | 0:11:45 | |
James, meanwhile, has motored the ten or so miles | 0:11:46 | 0:11:49 | |
south to the environs of Duxford, Cambridgeshire. | 0:11:49 | 0:11:53 | |
Here he's heading towards the Imperial War Museum's | 0:11:53 | 0:11:55 | |
massive complex celebrating the history of aviation. | 0:11:55 | 0:11:58 | |
Stand by for takeoff. | 0:12:00 | 0:12:01 | |
That is, if he can get past security. | 0:12:01 | 0:12:04 | |
Give them a wave. | 0:12:05 | 0:12:07 | |
Oh, well, there we are. | 0:12:07 | 0:12:08 | |
James is meeting research and information manager Carl Warner. | 0:12:13 | 0:12:17 | |
Hello. | 0:12:17 | 0:12:18 | |
-Hello. James. -I'm Carl. -Hello, very nice to meet you, Carl. | 0:12:18 | 0:12:21 | |
That's nice. | 0:12:21 | 0:12:23 | |
The hangar in which James and Carl are standing | 0:12:23 | 0:12:26 | |
was built during World War I, when Duxford aerodrome | 0:12:26 | 0:12:29 | |
was constructed as a training base for British airmen. | 0:12:29 | 0:12:32 | |
However, it was during the Second World War | 0:12:32 | 0:12:34 | |
that the base really rose to fame. | 0:12:34 | 0:12:36 | |
You're standing, effectively, | 0:12:38 | 0:12:40 | |
in part of a Battle of Britain fighter station. | 0:12:40 | 0:12:42 | |
So Duxford was fighter station during that period. | 0:12:42 | 0:12:44 | |
In June, 1940, Continental Europe from Norway to Sicily | 0:12:47 | 0:12:50 | |
was dominated by Nazi Germany and her allies. | 0:12:50 | 0:12:54 | |
Britain stood alone against the enemy, | 0:12:54 | 0:12:57 | |
and Hitler planned to conquer us next. | 0:12:57 | 0:12:59 | |
In the summer and autumn that followed, | 0:12:59 | 0:13:01 | |
the Battle of Britain was waged in the skies over southern England. | 0:13:01 | 0:13:05 | |
It was a battle for national survival | 0:13:05 | 0:13:08 | |
and for European freedom from Nazi tyranny. | 0:13:08 | 0:13:10 | |
As this Imperial War Museum footage shows, | 0:13:10 | 0:13:14 | |
the brave servicemen and women at RAF Duxford | 0:13:14 | 0:13:18 | |
were hugely important in this most crucial of fights. | 0:13:18 | 0:13:22 | |
Duxford was basically responsible for defending | 0:13:25 | 0:13:29 | |
the industrial Midlands, | 0:13:29 | 0:13:30 | |
but also helping out with the defence of London. | 0:13:30 | 0:13:32 | |
It's in that role that it sort of became very famous. | 0:13:32 | 0:13:35 | |
Up to 50 or 60 aircraft in a huge sort of group | 0:13:35 | 0:13:39 | |
went down and supported and helped out with the defence | 0:13:39 | 0:13:42 | |
of London's northern flank during that battle. | 0:13:42 | 0:13:44 | |
Carl is taking James on to another area of the centre, | 0:13:46 | 0:13:50 | |
a new exhibition called Historic Duxford. | 0:13:50 | 0:13:54 | |
Amongst other things, it houses a number of objects | 0:13:54 | 0:13:56 | |
connected to the war records of Duxford's most celebrated airmen. | 0:13:56 | 0:14:01 | |
We have a uniform that belonged to Douglas Bader, | 0:14:01 | 0:14:04 | |
who was very, very famous, | 0:14:04 | 0:14:06 | |
probably one of the most famous pilots in the Battle of Britain. | 0:14:06 | 0:14:09 | |
Bader was an RAF fighter pilot who lost both of his legs | 0:14:10 | 0:14:13 | |
to amputation after an air crash in 1931. | 0:14:13 | 0:14:17 | |
Denied active service as a pilot after his injury, | 0:14:17 | 0:14:20 | |
Bader fought determinedly and bravely | 0:14:20 | 0:14:23 | |
to prove that he could still fly missions. | 0:14:23 | 0:14:26 | |
He fought really hard to get back into the RAF | 0:14:28 | 0:14:30 | |
and to be allowed to fly. | 0:14:30 | 0:14:31 | |
He wasn't really interested in being in the Royal Air Force | 0:14:31 | 0:14:34 | |
if he couldn't fly - he made that very clear. | 0:14:34 | 0:14:37 | |
But he was convinced, and he convinced a lot of people, | 0:14:37 | 0:14:40 | |
and indeed he showed that he was a very able fighter pilot. | 0:14:40 | 0:14:43 | |
Having no legs really didn't... It wasn't a barrier to him. | 0:14:43 | 0:14:46 | |
Amazing. | 0:14:47 | 0:14:48 | |
Bader won his battle, and in February, 1940, | 0:14:48 | 0:14:51 | |
joined 19 Squadron here at Duxford as a fighter pilot once more. | 0:14:51 | 0:14:55 | |
He went on to fight over Dunkirk | 0:14:57 | 0:14:59 | |
and to both fly and command a squadron in the Battle of Britain. | 0:14:59 | 0:15:03 | |
He personally destroyed 20 enemy aircraft - an incredible number. | 0:15:03 | 0:15:07 | |
The medals he won, you can see straightaway, | 0:15:10 | 0:15:13 | |
Distinguished Service Order, | 0:15:13 | 0:15:14 | |
Distinguished Flying Cross, the DFC there, | 0:15:14 | 0:15:16 | |
the little rosette on it obviously indicates that he won more than one. | 0:15:16 | 0:15:20 | |
And then you have his various campaign medals. | 0:15:20 | 0:15:23 | |
Bader might be Duxford's most famous flyer | 0:15:23 | 0:15:26 | |
but countless others also served bravely here | 0:15:26 | 0:15:28 | |
and the collection honours them also. | 0:15:28 | 0:15:31 | |
What is this fine fellow here? | 0:15:31 | 0:15:33 | |
This is a flying suit belonging to Gordon Sinclair. | 0:15:33 | 0:15:37 | |
Sinclair was also a heavily decorated fighter pilot who flew | 0:15:37 | 0:15:42 | |
daring and courageous missions in World War II. | 0:15:42 | 0:15:45 | |
One of the things I like about this is Gordon Sinclair was very self-deprecating, | 0:15:45 | 0:15:50 | |
he wasn't the sort of person who would brag about this | 0:15:50 | 0:15:52 | |
sort of thing, certainly not in the dealings we had with him | 0:15:52 | 0:15:56 | |
and we discovered that he actually used to garden in this. | 0:15:56 | 0:15:59 | |
-He just treated it as if it was a nice overall. -Yeah, yeah. | 0:15:59 | 0:16:02 | |
-Practical. -Practical, yes. He used to do his gardening in it. | 0:16:02 | 0:16:07 | |
We look at it and we think, my goodness, | 0:16:07 | 0:16:09 | |
-what a fantastic piece of history this is. -It is, yeah. | 0:16:09 | 0:16:13 | |
And treated very cavalierly by the man who wore it | 0:16:13 | 0:16:16 | |
and won gallantry awards for flying and fighting. | 0:16:16 | 0:16:19 | |
And that is the courageous spirit that Duxford so rightly celebrates. | 0:16:19 | 0:16:24 | |
Chocks away. | 0:16:25 | 0:16:28 | |
Inspired by all he's seen, James needs to be off. | 0:16:28 | 0:16:32 | |
Carl, thank you, I really have been transported back to Duxford. | 0:16:32 | 0:16:35 | |
Duxford at its peak. | 0:16:35 | 0:16:37 | |
If he is going to have any chance of besting Anita, he needs to fly. | 0:16:38 | 0:16:43 | |
Er, in the car, James. | 0:16:44 | 0:16:47 | |
And speaking of Anita, she has travelled around 20 miles | 0:16:51 | 0:16:54 | |
onto the delightfully named village of Steeple Bumpstead. | 0:16:54 | 0:16:59 | |
Picturesque Steeple Bumpstead, cor, I love saying that, | 0:16:59 | 0:17:03 | |
retains its delightful 15th century coaching inn | 0:17:03 | 0:17:06 | |
so let's hope Anita can lay her hands on something half so | 0:17:06 | 0:17:10 | |
venerable in her next shop, Bumpstead Antiques and Interiors... | 0:17:10 | 0:17:15 | |
Watch her go! | 0:17:15 | 0:17:17 | |
..where dealer Graham awaits. | 0:17:19 | 0:17:22 | |
-Hello, good afternoon. -Hello, I'm Anita. Lovely to be here. | 0:17:22 | 0:17:26 | |
-Welcome. -Everything looks absolutely wonderful. | 0:17:26 | 0:17:30 | |
Is there anything that you have had for a long, | 0:17:34 | 0:17:39 | |
long time and you want to get out of the door? | 0:17:39 | 0:17:42 | |
Well, you've been here quite a while. | 0:17:42 | 0:17:45 | |
THEY LAUGH | 0:17:45 | 0:17:46 | |
I like you, Graham. | 0:17:46 | 0:17:48 | |
But, look, she's found something. | 0:17:50 | 0:17:53 | |
Quite a nice little decorative dish. | 0:17:54 | 0:17:57 | |
It's white metal, it's probably on copper | 0:17:57 | 0:18:02 | |
and you can see the copper shining through here. | 0:18:02 | 0:18:06 | |
It has these wonderful embossed birds. | 0:18:06 | 0:18:09 | |
I think these are herons but I'm not great on birds. | 0:18:09 | 0:18:14 | |
Oh, I don't know. | 0:18:14 | 0:18:16 | |
Ticket price is £21. | 0:18:16 | 0:18:18 | |
I would like to buy it for ten. | 0:18:18 | 0:18:20 | |
But I don't think he will sell it to me for that. | 0:18:20 | 0:18:23 | |
-Graham, hi. -Yes, Anita, hi. | 0:18:24 | 0:18:26 | |
I was looking at this wee, little dish here. | 0:18:26 | 0:18:31 | |
White metal, over copper probably. | 0:18:31 | 0:18:35 | |
I'm not sure of the age, doesn't matter, | 0:18:35 | 0:18:37 | |
it's just quite a pretty thing. | 0:18:37 | 0:18:38 | |
Is there a possibility of buying this round about the £10 mark? | 0:18:38 | 0:18:44 | |
If you can go to 15, I am happy to do it at 15. | 0:18:44 | 0:18:47 | |
Is there a possibility of bringing this to about 12? | 0:18:47 | 0:18:50 | |
Er, I will do another pound, 14. | 0:18:52 | 0:18:54 | |
Let's go for that, then. Thank you very much. | 0:18:54 | 0:18:57 | |
Well haggled. | 0:18:57 | 0:18:58 | |
-Thank you. -Thank you very much. -Bye-bye. | 0:18:58 | 0:19:02 | |
So, Anita has got all of her buys for today. | 0:19:02 | 0:19:07 | |
And with that, they are reunited back in the car | 0:19:07 | 0:19:10 | |
and heading off to sleep, perchance to dream of bargains. | 0:19:10 | 0:19:15 | |
Night, night. | 0:19:16 | 0:19:18 | |
But nothing can keep our pair off the bargain trail for long, | 0:19:20 | 0:19:24 | |
and a rather damp morning finds them back in the 2CV and jolly as ever. | 0:19:24 | 0:19:29 | |
-There's a bit of a change in the weather today. -There certainly is. | 0:19:29 | 0:19:34 | |
It is a bit steamy in here but that might just be me and you! | 0:19:35 | 0:19:39 | |
THEY LAUGH | 0:19:39 | 0:19:41 | |
You are incorrigible, Anita! | 0:19:41 | 0:19:43 | |
Anyway, so far, Anita has spent £154 on four lots. | 0:19:45 | 0:19:49 | |
The silver sauce boat, | 0:19:49 | 0:19:51 | |
the set of four bridge pencils, | 0:19:51 | 0:19:54 | |
the faux leather screen | 0:19:54 | 0:19:57 | |
and the embossed white metal tray. | 0:19:57 | 0:19:59 | |
While James has forked out £110 on only two lots, | 0:19:59 | 0:20:03 | |
the Kurdish bag face | 0:20:03 | 0:20:06 | |
and the box of mother-of-pearl gaming counters. | 0:20:06 | 0:20:10 | |
They're in Essex today | 0:20:11 | 0:20:12 | |
and James seems to be adapting to his surroundings. | 0:20:12 | 0:20:15 | |
Hello, love, where are you going? | 0:20:15 | 0:20:17 | |
-HE BEEPS THE HORN -Where are you going? | 0:20:17 | 0:20:21 | |
-Battlesbridge. -Have you been there before? -Never. No. | 0:20:21 | 0:20:24 | |
This is all a revelation to me. | 0:20:24 | 0:20:27 | |
Glad to hear it. | 0:20:27 | 0:20:28 | |
They are indeed beginning the day in Battlesbridge. | 0:20:28 | 0:20:31 | |
Through which flows the tidal River Crouch. | 0:20:34 | 0:20:37 | |
If a little mistily this morning. | 0:20:37 | 0:20:40 | |
Morning. | 0:20:41 | 0:20:43 | |
They're actually pulling up into this sprawling glory | 0:20:43 | 0:20:46 | |
of Battlesbridge Antiques Centre, which houses over 80 dealers | 0:20:46 | 0:20:50 | |
in a variety of buildings, sometimes called sheds. | 0:20:50 | 0:20:53 | |
They're splitting up to hunt like lone wolves. | 0:20:55 | 0:20:58 | |
-Perfect, James, perfect. -Right, we're here, Battlesbridge. | 0:20:58 | 0:21:02 | |
Let's get out. | 0:21:02 | 0:21:04 | |
Oh! | 0:21:04 | 0:21:06 | |
Well done, James. Isn't this beautiful? | 0:21:06 | 0:21:09 | |
-Isn't this lovely? -OK. Let the battle commence. | 0:21:09 | 0:21:13 | |
"Ring the bell for assistance." | 0:21:17 | 0:21:19 | |
She's heading into an area presided over by dealer Denise. | 0:21:20 | 0:21:24 | |
Hello, Denise. | 0:21:24 | 0:21:26 | |
Or is it? | 0:21:29 | 0:21:31 | |
It's hockey. | 0:21:32 | 0:21:33 | |
I think you've got a hole in one there, girl. | 0:21:33 | 0:21:35 | |
Why are you looking at me like that? | 0:21:38 | 0:21:40 | |
Can you play it? | 0:21:40 | 0:21:41 | |
-I mean, I might turn out to be Patsy Cline, here. -You could do. | 0:21:41 | 0:21:45 | |
You could do. | 0:21:45 | 0:21:46 | |
PATSY CLINE: # I'm crazy... # | 0:21:46 | 0:21:48 | |
Rock 'n' roll, man. | 0:21:48 | 0:21:50 | |
But you, you could be good. | 0:21:53 | 0:21:55 | |
Yeah... I wouldn't give up the day job. | 0:21:56 | 0:21:59 | |
And, speaking of which, back to the antiques. | 0:22:00 | 0:22:03 | |
But her musical interlude looks to be continuing. | 0:22:04 | 0:22:07 | |
I think that this is so sweet. | 0:22:07 | 0:22:09 | |
-It is beautiful. -It's lovely. | 0:22:09 | 0:22:11 | |
Is it in working order? | 0:22:13 | 0:22:15 | |
-Don't know. Not tried it. -Oh, right. Uh-huh. | 0:22:15 | 0:22:18 | |
So it's the type of thing that would appeal to a radio buff. | 0:22:18 | 0:22:25 | |
It's an American Bakelite radio, | 0:22:25 | 0:22:27 | |
manufactured in the 1930s or 1940s by Detrola. | 0:22:27 | 0:22:31 | |
This model's known as the PeeWee. Ha! | 0:22:34 | 0:22:37 | |
Ticket price is a substantial £85 but Anita's hoping she can haggle. | 0:22:38 | 0:22:42 | |
Let's see if she and Denise are on the same...WAVELENGTH. Ha. | 0:22:42 | 0:22:47 | |
Has that been lying here for a long time? | 0:22:47 | 0:22:49 | |
Yeah, it has. Being truthful, it has. | 0:22:51 | 0:22:54 | |
-Do you think we could make a deal on it? -Mm... | 0:22:54 | 0:22:57 | |
ANITA LAUGHS | 0:22:57 | 0:22:58 | |
Are you all right? There's somebody over there saying yes. | 0:22:58 | 0:23:01 | |
-That's my husband. -Is that your man? -Yes. | 0:23:01 | 0:23:03 | |
Come on over and tell us a wee bit about this radio. | 0:23:03 | 0:23:06 | |
It's a cool radio. | 0:23:06 | 0:23:08 | |
The only thing is, I know what I want to pay for it. | 0:23:08 | 0:23:11 | |
Right. Hit me with it, then. | 0:23:11 | 0:23:14 | |
"Hit me with your rhythm stick"? | 0:23:14 | 0:23:16 | |
# Hit me, hit me... # | 0:23:16 | 0:23:18 | |
Will you sell it to me for 20 quid? | 0:23:18 | 0:23:20 | |
-ANITA LAUGHS -Ooh.... | 0:23:20 | 0:23:22 | |
HE COUGHS | 0:23:22 | 0:23:24 | |
It's been lying there, it's taking up a lot of room on this table. | 0:23:26 | 0:23:31 | |
Er... | 0:23:31 | 0:23:32 | |
-30 quid. -30 quid? -Yeah, then it's yours. -Then it's yours. | 0:23:32 | 0:23:37 | |
Yes! | 0:23:37 | 0:23:38 | |
-Thank you very much. -Thank you. | 0:23:38 | 0:23:40 | |
She gets a fabulous deal on the Bakelite radio | 0:23:40 | 0:23:43 | |
and she is rocking and rolling onwards. | 0:23:43 | 0:23:46 | |
# Hit me with your rhythm stick | 0:23:46 | 0:23:48 | |
# Hit me slowly, hit me quick | 0:23:48 | 0:23:50 | |
# Hit me, hit me | 0:23:50 | 0:23:53 | |
# HIT...ME! # | 0:23:53 | 0:23:55 | |
James is elsewhere in this village-sized antiques centre | 0:23:57 | 0:24:01 | |
and, in contrast to Anita's focused buying this morning, | 0:24:01 | 0:24:04 | |
he seems to be feeling a little lost. | 0:24:04 | 0:24:07 | |
It's like a sort of antiques Disney World, isn't it? | 0:24:09 | 0:24:13 | |
Anyway, I'd better get down and get dirty. | 0:24:15 | 0:24:18 | |
Yes, old chap, you'd better way had. | 0:24:18 | 0:24:21 | |
Let's keep going. What have we got in there? More stalls. | 0:24:26 | 0:24:30 | |
Never seen so much stuff! | 0:24:30 | 0:24:32 | |
And, to make matters worse, | 0:24:35 | 0:24:37 | |
James's shapely pins are giving him some gyp. | 0:24:37 | 0:24:40 | |
I've done something to my tendons and I just can hardly move. | 0:24:40 | 0:24:44 | |
I haven't done any exercise since I left school | 0:24:44 | 0:24:47 | |
and, suddenly, my wife decided to get me a personal trainer. | 0:24:47 | 0:24:50 | |
I think it's a way of women getting rid of husbands, isn't it? | 0:24:50 | 0:24:54 | |
That's worrying. | 0:24:54 | 0:24:55 | |
As my doctor friend said in his speech, he said, | 0:24:55 | 0:24:57 | |
"I know many colleagues who've rushed around all their life | 0:24:57 | 0:25:00 | |
"and now are having hip operations. | 0:25:00 | 0:25:03 | |
"The best advice I can do for you is sit down as much as possible | 0:25:03 | 0:25:07 | |
"because I've never heard | 0:25:07 | 0:25:08 | |
"of somebody having a replacement bottom." | 0:25:08 | 0:25:11 | |
HE CHUCKLES | 0:25:11 | 0:25:13 | |
This health advice is not endorsed by Antiques Road Trip. Ha! | 0:25:13 | 0:25:18 | |
But aching gams or not, | 0:25:18 | 0:25:19 | |
James has soon unearthed something that looks like real treasure. | 0:25:19 | 0:25:23 | |
Hey! | 0:25:23 | 0:25:24 | |
Look at this. | 0:25:24 | 0:25:26 | |
Now, something like this... | 0:25:26 | 0:25:28 | |
Something like this is generally quite a lot of money. Specimen case. | 0:25:28 | 0:25:33 | |
Now, the case is mahogany. | 0:25:33 | 0:25:34 | |
And, just to give you an idea, it's very nicely made. | 0:25:34 | 0:25:38 | |
It's got incredible weight. You won't be able to feel that. | 0:25:38 | 0:25:41 | |
Yeah, funnily enough, James, no! This is TV, see? | 0:25:41 | 0:25:44 | |
It's a 19th-century specimen case | 0:25:44 | 0:25:46 | |
containing a wide array of mineral samples, | 0:25:46 | 0:25:49 | |
as well as some fossil teeth | 0:25:49 | 0:25:50 | |
of prehistoric super shark the Megalodon. | 0:25:50 | 0:25:54 | |
And, look, very tooth-like fellow down here. | 0:25:54 | 0:25:58 | |
We've got some amethyst crystals there. | 0:25:58 | 0:26:01 | |
And some ores - iron ore... | 0:26:01 | 0:26:04 | |
This has "Victorian collector" stamped all over it. | 0:26:04 | 0:26:09 | |
Exactly! Ticket price is £78. That's so cheap. | 0:26:09 | 0:26:12 | |
I would buy it at 78, but I'm hoping to get it for less. | 0:26:12 | 0:26:16 | |
Ooh, this has got me all excited! It's rather like... | 0:26:16 | 0:26:19 | |
Lovejoy is channelled through me. | 0:26:19 | 0:26:21 | |
-GHOSTLY HOWL -Oh, spooky! | 0:26:21 | 0:26:23 | |
The person who owns it isn't around at the moment | 0:26:25 | 0:26:28 | |
but young dealer Tara can assist. | 0:26:28 | 0:26:30 | |
I hope you're standing on a step here, James. | 0:26:30 | 0:26:32 | |
Do you know the owner? | 0:26:32 | 0:26:34 | |
I do know the owner and the best we can do on that is 10%. | 0:26:34 | 0:26:37 | |
10%? So what does that make it? 70? | 0:26:37 | 0:26:40 | |
Give or take 20p. | 0:26:40 | 0:26:42 | |
-So we can bring it down to 70 for you. -70? | 0:26:42 | 0:26:45 | |
-HE CLAPS -Go on, you have a deal. | 0:26:45 | 0:26:47 | |
Thank you very much indeed. | 0:26:47 | 0:26:49 | |
Ripping stuff! | 0:26:49 | 0:26:50 | |
James gets a box of goodies and he's hobbling bravely onwards. | 0:26:50 | 0:26:54 | |
Anita, on the other hand, now has all her lots for auction. | 0:26:57 | 0:27:01 | |
So she's motored the 10 or 12 miles onwards to Southend-on-Sea. | 0:27:01 | 0:27:05 | |
Sitting on the Thames Estuary, | 0:27:07 | 0:27:09 | |
"Saafend" is a quintessential southern English seaside town. | 0:27:09 | 0:27:13 | |
This afternoon, Anita's heading for Southend Pier | 0:27:14 | 0:27:17 | |
and its shoreside museum. | 0:27:17 | 0:27:19 | |
She is meeting voluntary manager Peggy Dowie. | 0:27:19 | 0:27:23 | |
-Hello, Peggy. -Hello, Anita. | 0:27:23 | 0:27:25 | |
-I am so excited to be in Southend! -Are you? | 0:27:25 | 0:27:28 | |
I'm very pleased to meet you. | 0:27:28 | 0:27:30 | |
And at the longest pier in the world. | 0:27:30 | 0:27:34 | |
The longest PLEASURE pier in the world. | 0:27:34 | 0:27:36 | |
MUSIC: "I Do Like To Be Beside The Seaside" | 0:27:36 | 0:27:37 | |
At a mile and a third in length, | 0:27:37 | 0:27:39 | |
Southend is indeed the longest pleasure pier on Earth! Ha! | 0:27:39 | 0:27:44 | |
A wooden pier was constructed in 1830, | 0:27:44 | 0:27:47 | |
while the current iron structure was completed in 1889. | 0:27:47 | 0:27:51 | |
For the first time, the pier allowed large pleasure boats | 0:27:51 | 0:27:55 | |
to dock at Southend-on-Sea at all tides, | 0:27:55 | 0:27:58 | |
bringing a steady stream of holidaymakers | 0:27:58 | 0:28:01 | |
and establishing Southend-on-Sea | 0:28:01 | 0:28:03 | |
as a bustling place of fun and leisure and pleasure. | 0:28:03 | 0:28:07 | |
-Of course, the whole town began to grow... -And flourish. | 0:28:07 | 0:28:10 | |
..in the early 1800s, late 1800s. And flourished, yes. | 0:28:10 | 0:28:15 | |
-Because of this pier. -Yes. | 0:28:15 | 0:28:16 | |
The pier also has survived its fair share of hard times. | 0:28:18 | 0:28:22 | |
It's suffered four major fires since the late 1950s. | 0:28:22 | 0:28:26 | |
-And I think we have some photographs here of... -Of the fire. | 0:28:26 | 0:28:30 | |
-You have the photographs of the pier here, yes. -Oh, dear. | 0:28:30 | 0:28:35 | |
But it just shows you the spirit of the old gal, you know? | 0:28:35 | 0:28:39 | |
That she's had her disasters but she comes back strong. | 0:28:39 | 0:28:42 | |
You are so right. I think she's a fighter. | 0:28:42 | 0:28:45 | |
Cos each time we have these disasters, she fights back. | 0:28:45 | 0:28:48 | |
Indeed she does! | 0:28:48 | 0:28:50 | |
Now Peggy's taking Anita to see a naughty little attraction | 0:28:50 | 0:28:54 | |
that was once all the rage on the boardwalk. | 0:28:54 | 0:28:57 | |
Let me show you this. | 0:28:57 | 0:28:59 | |
-Oh! -You put an old coin in here... -Uh-huh. | 0:28:59 | 0:29:02 | |
..and now, if you turn the handle... | 0:29:02 | 0:29:04 | |
-This is a Mutoscope, real moving pictures. -Is this naughty? | 0:29:06 | 0:29:09 | |
-This is a naughty lady, yes. -Is it? ANITA LAUGHS | 0:29:09 | 0:29:13 | |
Hey! Ding-dong. | 0:29:13 | 0:29:14 | |
It's maybe more artistic than naughty. | 0:29:14 | 0:29:17 | |
If you say so, Anita! | 0:29:17 | 0:29:18 | |
And there's one more thing that makes this pier so special. | 0:29:23 | 0:29:27 | |
A tiny tram has transported visitors along her mile or so's length | 0:29:27 | 0:29:32 | |
since just after she was built. | 0:29:32 | 0:29:34 | |
-So, tell me, when did they have the earliest trains? -On this pier, 1890. | 0:29:34 | 0:29:39 | |
They were revolutionary. People had not seen anything like it on a pier. | 0:29:39 | 0:29:45 | |
Let alone the fact... | 0:29:45 | 0:29:46 | |
-So this was the first pier to have trams or these trains? -Yes. | 0:29:46 | 0:29:50 | |
Anita's going to take a driver's-eye view. | 0:29:50 | 0:29:53 | |
Stand by. | 0:29:53 | 0:29:54 | |
You see, this is good practice | 0:29:54 | 0:29:56 | |
for getting in and out of those classic cars. | 0:29:56 | 0:29:59 | |
-This is all you did to drive it? -Yes. | 0:30:00 | 0:30:03 | |
-I can feel the wind blowing in my hair. -Yes. | 0:30:03 | 0:30:07 | |
-What is that? -That's the bell. | 0:30:07 | 0:30:09 | |
-BELL RINGS -That's it, you're away. | 0:30:09 | 0:30:13 | |
And the tram's still running today. | 0:30:13 | 0:30:15 | |
Anita's going to leave Peggy shoreside | 0:30:15 | 0:30:17 | |
and take the modern tram along to the pier head. | 0:30:17 | 0:30:20 | |
Oh, here's the train. | 0:30:20 | 0:30:22 | |
Oh, it was absolutely wonderful. I really, really enjoyed it. | 0:30:24 | 0:30:28 | |
Bye-bye. Bye-bye. | 0:30:29 | 0:30:32 | |
The pier truly is a British icon | 0:30:32 | 0:30:34 | |
and the beating heart of this town since the 19th century. | 0:30:34 | 0:30:38 | |
As the poet Sir John Betjeman said, | 0:30:38 | 0:30:41 | |
"The pier is Southend. | 0:30:41 | 0:30:42 | |
"Southend is the pier." | 0:30:42 | 0:30:45 | |
It's certainly made an impression on our Anita. | 0:30:45 | 0:30:48 | |
Standing at the end of the pier, a mile into the Thames Estuary, | 0:30:48 | 0:30:53 | |
and after my marvellous visit to the museum, | 0:30:53 | 0:30:56 | |
I can just imagine what it was like in Victorian times. | 0:30:56 | 0:31:00 | |
Quite so. | 0:31:00 | 0:31:02 | |
But it's time for you to get back to dry land, girl. | 0:31:02 | 0:31:05 | |
Now James is still back at the super-sized antiques centre | 0:31:10 | 0:31:14 | |
in Battlesbridge. | 0:31:14 | 0:31:15 | |
After some more aimless and rather painful wandering, | 0:31:15 | 0:31:19 | |
he's remembered that he still has the books of stamps | 0:31:19 | 0:31:23 | |
that he failed to offload... | 0:31:23 | 0:31:25 | |
-HE COUGHS -..I mean SELL at the last auction. | 0:31:25 | 0:31:27 | |
Anybody want £5? | 0:31:27 | 0:31:29 | |
No, pass. | 0:31:29 | 0:31:31 | |
He's decided to see if he can find | 0:31:31 | 0:31:33 | |
a stamp holder they might be paired with | 0:31:33 | 0:31:35 | |
in the hope that this will make them more saleable. | 0:31:35 | 0:31:38 | |
He's headed into an area of the centre | 0:31:38 | 0:31:41 | |
that specialises in militaria and is meeting dealer James. | 0:31:41 | 0:31:45 | |
Hello, James. | 0:31:45 | 0:31:46 | |
-Hello, James. -Hello, how are you? -Very well. How are you? | 0:31:46 | 0:31:50 | |
-Not so bad, thanks. -Brilliant. | 0:31:50 | 0:31:52 | |
Now, what I'm after, Jim, is I've bought a mistake. | 0:31:52 | 0:31:56 | |
I've bought some stamps and I want anything sort of stamp-related. | 0:31:56 | 0:32:00 | |
-That is actually a stamp folder. -Is it? | 0:32:00 | 0:32:03 | |
With the enamel badge of HMS Raleigh on the cover. | 0:32:03 | 0:32:07 | |
How unusual. Just a little chromium-plated fellow, isn't it? | 0:32:07 | 0:32:10 | |
The sort of thing that would've been bought on board ship. | 0:32:10 | 0:32:12 | |
Yeah, sort of badged up as a souvenir, isn't it? | 0:32:12 | 0:32:15 | |
Probably as a present for a girlfriend or a wife | 0:32:15 | 0:32:17 | |
-or something like that. -Yeah. | 0:32:17 | 0:32:19 | |
Probably dates from the 1950s. | 0:32:19 | 0:32:22 | |
It's a fun little thing, isn't it? | 0:32:22 | 0:32:25 | |
Just a little chromium-plated thing with the crest, the arms. | 0:32:25 | 0:32:28 | |
-It's the ship's badge. -The ship's badge? -Yeah. | 0:32:28 | 0:32:32 | |
-So HMS Raleigh. -I don't know what class of ship it was. | 0:32:32 | 0:32:35 | |
-Obviously, you could research that and find out. -Yeah. | 0:32:35 | 0:32:38 | |
Er, let me be of assistance here. | 0:32:38 | 0:32:40 | |
It's not, in fact, a ship at all. | 0:32:40 | 0:32:43 | |
Since 1940, HMS Raleigh has been the Royal Navy's | 0:32:43 | 0:32:47 | |
shore-based training facility at Torpoint in Cornwall. | 0:32:47 | 0:32:51 | |
There you go. | 0:32:51 | 0:32:52 | |
Is this very cheap, Jim? | 0:32:52 | 0:32:55 | |
Er, is a fiver very cheap? | 0:32:55 | 0:32:57 | |
No, it's too expensive for a chromium-plated fellow. | 0:32:57 | 0:33:00 | |
JAMES LAUGHS | 0:33:00 | 0:33:02 | |
£3, there you go. | 0:33:02 | 0:33:05 | |
That's... I'll do it for a pound, Jim. | 0:33:05 | 0:33:07 | |
-Oh, -go on, then. A pound? -Yeah. Deal. -Thank you. -Most kind. | 0:33:08 | 0:33:13 | |
-Anyway, thanks a lot. -You're welcome. Bye. | 0:33:13 | 0:33:15 | |
James needs to hightail it to Southend to meet Anita | 0:33:16 | 0:33:20 | |
for the grand unveiling of their buys. | 0:33:20 | 0:33:23 | |
Or, on the other hand... | 0:33:23 | 0:33:24 | |
Ha! ..they could just sit down to enjoy a plate of fish and chips. | 0:33:24 | 0:33:28 | |
Come on, you two! Some of us have a Road Trip to be getting along with. | 0:33:28 | 0:33:33 | |
OK, come on. | 0:33:33 | 0:33:34 | |
James is up first. | 0:33:34 | 0:33:36 | |
This is the Santa Claus moment. I love it. | 0:33:36 | 0:33:39 | |
Here we go. | 0:33:39 | 0:33:40 | |
Right... | 0:33:41 | 0:33:43 | |
-I like this. Lots of rocks. And we've got some fossils. -Fossils. | 0:33:43 | 0:33:47 | |
-Would that be a wee Victorian collection? -It is. | 0:33:47 | 0:33:49 | |
-How much did you pay for that? -£70. -Right. | 0:33:49 | 0:33:53 | |
Well, that seems to have spooked her. | 0:33:53 | 0:33:55 | |
But what have we got here? | 0:33:55 | 0:33:56 | |
This is a Cantonese little box with the gaming counters. | 0:33:56 | 0:34:01 | |
Mother-of-pearl counters? | 0:34:01 | 0:34:03 | |
These are doing very, very well... | 0:34:03 | 0:34:05 | |
-Are they? Really?! -Oh, no! | 0:34:05 | 0:34:08 | |
And another winner! | 0:34:08 | 0:34:09 | |
What about your little, er...? | 0:34:09 | 0:34:12 | |
Little bag cover, sort of 1930s, got some age, and £20. | 0:34:12 | 0:34:15 | |
All in all, then, a good haul for James. Now for Anita. | 0:34:17 | 0:34:20 | |
Hey! | 0:34:20 | 0:34:22 | |
-Look at this! -Uh-huh. | 0:34:22 | 0:34:25 | |
My word. You've got a vessel there, haven't you? | 0:34:25 | 0:34:28 | |
-How much did you pay for that? -45. | 0:34:28 | 0:34:30 | |
Phwoar! | 0:34:30 | 0:34:32 | |
Jealous, James? | 0:34:32 | 0:34:33 | |
My next thing, a little set of bridge markers. | 0:34:33 | 0:34:37 | |
-I paid 45 for those, as well. Got one more thing. -What's that? | 0:34:37 | 0:34:41 | |
A room divide? I think it's very stylish. | 0:34:42 | 0:34:47 | |
-Do you want to go back to your fish and chips? -Of course I do! | 0:34:47 | 0:34:50 | |
Come on, it's getting cold. | 0:34:50 | 0:34:51 | |
But now they're suitably fed and watered, | 0:34:51 | 0:34:53 | |
what do they make of each other's buys? | 0:34:53 | 0:34:56 | |
I really like Anita's silver Arts and Crafts sauce boat | 0:34:56 | 0:35:00 | |
but is it big enough to take on me minerals? | 0:35:00 | 0:35:03 | |
That bloomin' old Braxton might have done it again! | 0:35:03 | 0:35:08 | |
I loved his little Victorian collection of fossils and gemstones. | 0:35:08 | 0:35:13 | |
But the stamps! | 0:35:13 | 0:35:15 | |
Let's hope he gets a couple of quid for them | 0:35:15 | 0:35:17 | |
and they'll be out of our lives! | 0:35:17 | 0:35:19 | |
So they're ready for auction. | 0:35:20 | 0:35:23 | |
On this leg of their grand old Road Trip, | 0:35:23 | 0:35:25 | |
they've motored from Cambridge | 0:35:25 | 0:35:27 | |
to end up in their saleroom in Rayleigh, Essex. | 0:35:27 | 0:35:30 | |
Rayleigh is a venerable Essex town which can trace its origins | 0:35:32 | 0:35:36 | |
all the way back to the Domesday Book. | 0:35:36 | 0:35:37 | |
Stacey's Auctioneers And Valuers is a family business | 0:35:39 | 0:35:43 | |
that now operates under the third generation of the clan. | 0:35:43 | 0:35:47 | |
Brothers Paul and Mark P Stacey will be wielding the gavel today. | 0:35:47 | 0:35:52 | |
But, before that, what does Mark make of James and Anita's lots? | 0:35:52 | 0:35:56 | |
I really do like all the fossils. I think that's a superb lot. | 0:35:59 | 0:36:03 | |
The Victorian folding screen, I don't think that's very good. | 0:36:03 | 0:36:07 | |
It's not very fashionable any more | 0:36:07 | 0:36:09 | |
and I don't think there'll be many bids on that today. | 0:36:09 | 0:36:11 | |
Anita started this leg with £369.54. | 0:36:12 | 0:36:16 | |
She's spent £184 and has five lots in today's sale. | 0:36:16 | 0:36:21 | |
While James began with £442.40. | 0:36:24 | 0:36:28 | |
He's spent £181 but has only managed to amass four lots. | 0:36:28 | 0:36:33 | |
And we're ready for the off! | 0:36:34 | 0:36:36 | |
Doors to manual, chaps. | 0:36:36 | 0:36:37 | |
Here we are, James, here we are. £40. | 0:36:39 | 0:36:41 | |
First up, it is Anita's little Arts and Crafts silver sauce boat. | 0:36:41 | 0:36:45 | |
-Start the bidding at £60. -That's all right. | 0:36:45 | 0:36:48 | |
That's all right. In profit. | 0:36:48 | 0:36:50 | |
And 70's against you, sir. 75. | 0:36:50 | 0:36:52 | |
80 is bid. 85. 90. | 0:36:52 | 0:36:55 | |
110. 115 is a new bidder, where are you? | 0:36:59 | 0:37:02 | |
120 on the internet now. 120's the bid. 130. Are you all done? | 0:37:02 | 0:37:06 | |
The bid on the my left at 130. Fair warning. Last chance at £130. | 0:37:06 | 0:37:12 | |
-Yes! -Anita's palm is crossed with a sizeable pile of silver. | 0:37:12 | 0:37:16 | |
What a start! | 0:37:16 | 0:37:18 | |
Give me a kiss. | 0:37:18 | 0:37:21 | |
-Well done. -That's enough canoodling. -Good start. | 0:37:21 | 0:37:23 | |
-It was a great start. -Snapping at your heels. | 0:37:23 | 0:37:26 | |
Next, it's more silver from Anita as her set of | 0:37:26 | 0:37:29 | |
modern bridge pencils are up. Is another profit on the cards? | 0:37:29 | 0:37:33 | |
-Two commission bids I have. I must commence the bidding at £55. -Yes. | 0:37:33 | 0:37:39 | |
Commissions are 55. 60 bid. 65. 70 now. 75. My commission's at 75. | 0:37:39 | 0:37:45 | |
Are we all done? | 0:37:45 | 0:37:47 | |
And once again she's played a winning hand. | 0:37:47 | 0:37:50 | |
-That's amazing. -Don't. Honestly. | 0:37:51 | 0:37:55 | |
-You're on a roll. Anything you touch turns to gold. -Or to silver, anyway. | 0:37:55 | 0:38:00 | |
One for James now as his 19th century box with | 0:38:02 | 0:38:04 | |
mother-of-pearl counters is up. | 0:38:04 | 0:38:06 | |
Will this gamble pay off? | 0:38:06 | 0:38:08 | |
Starting at £50. Bid's at 55 anywhere? At 50. 5. | 0:38:11 | 0:38:15 | |
60 on the internet. | 0:38:15 | 0:38:16 | |
Internet bid's at £60. The count as we sell at 60. | 0:38:16 | 0:38:19 | |
5 is my commission bid. | 0:38:19 | 0:38:21 | |
65 against you. 70 is bid. 70. 75 against you. 80 is bid. | 0:38:21 | 0:38:27 | |
£80 now. I sell at £80. | 0:38:27 | 0:38:31 | |
Sadly James' luck isn't in. | 0:38:32 | 0:38:36 | |
-You never know in this game, do you? -No. | 0:38:36 | 0:38:38 | |
Anita is up again with her American Bakelite radio. | 0:38:40 | 0:38:44 | |
But will the punters tune in? | 0:38:44 | 0:38:46 | |
I start the bidding at £30. Let's get going. £30 is bid straight in. | 0:38:46 | 0:38:49 | |
At 30. At 32 anywhere? 32 is on the internet. | 0:38:49 | 0:38:54 | |
At £32. 35. 38. It's on the internet at £38. On the internet, then. | 0:38:54 | 0:38:59 | |
It's not exactly a smash hit, but it does turn a profit. | 0:39:01 | 0:39:05 | |
Well, at least you're making money. | 0:39:05 | 0:39:08 | |
-I'm losing. -Quite so. | 0:39:08 | 0:39:10 | |
Another for Anita now as her copper and white metal tray is up. | 0:39:10 | 0:39:14 | |
Straight in at £20 is bid. 20 I have. At £20, commission bid. | 0:39:14 | 0:39:18 | |
Any advances? 22. 25. At 25 now. Against you at £25. At 28. | 0:39:18 | 0:39:23 | |
28 on the internet. Internet bid's at 28. | 0:39:23 | 0:39:27 | |
At £28. | 0:39:27 | 0:39:28 | |
And it cops a fair price. | 0:39:29 | 0:39:31 | |
It's not going to break the banks, but it's a wee profit. | 0:39:31 | 0:39:35 | |
Now it's James' woven Kurdish bag cover. | 0:39:35 | 0:39:39 | |
Does a profit loom? | 0:39:39 | 0:39:42 | |
Straight in at £20. 22 we've got straight in. 22 online. | 0:39:42 | 0:39:46 | |
Going again, 25 now. 28. All on the internet, then. | 0:39:46 | 0:39:51 | |
-30. 30's now bid. And 32. -What's happening? -All on the internet. | 0:39:51 | 0:39:56 | |
At £32, last opportunity now. We're all done and selling at £32. | 0:39:56 | 0:40:01 | |
So, a profit's in the bag. | 0:40:01 | 0:40:03 | |
-Oh, you lucky devil. -I'm lucky on that one. | 0:40:04 | 0:40:07 | |
Lastly for Anita now it's her screen in early imitation leather. | 0:40:08 | 0:40:13 | |
40 we have straight in. 42 on the internet now. Internet bid's at £42. | 0:40:13 | 0:40:18 | |
45 back in the room. Thank you. At 45 in the room. 48 is now bid. | 0:40:18 | 0:40:22 | |
At 48 now. Are we all done at 48? And 50 now. | 0:40:22 | 0:40:26 | |
At £50. Any advances at 50? And 5. At £55 the bid now. | 0:40:26 | 0:40:31 | |
We all done? At £55 and selling. | 0:40:31 | 0:40:35 | |
It just squeaks a profit, | 0:40:35 | 0:40:37 | |
but remember she'll have to deduct auction costs from that. | 0:40:37 | 0:40:41 | |
That's all right, £55. | 0:40:41 | 0:40:44 | |
That's all right. | 0:40:44 | 0:40:46 | |
James' lot of stamps and stamp holder now. | 0:40:48 | 0:40:51 | |
Will he finally be able to post these off? | 0:40:51 | 0:40:54 | |
£10 anywhere? Jumping straight on the internet, then. | 0:40:54 | 0:40:58 | |
16 is now bid. | 0:40:58 | 0:41:00 | |
Internet bid's at £16 and 18. | 0:41:00 | 0:41:02 | |
Still online at £18. | 0:41:02 | 0:41:04 | |
20 in the room. Thank you, sir. | 0:41:04 | 0:41:06 | |
Last opportunity now. Selling to you, sir, for £20. | 0:41:06 | 0:41:10 | |
-That's yours. -Success! | 0:41:10 | 0:41:12 | |
James is finally free of his vintage postage. | 0:41:12 | 0:41:16 | |
Come right, get in right. | 0:41:16 | 0:41:18 | |
To wrap up now it's James' Victorian box of minerals, fossils and ores. | 0:41:19 | 0:41:24 | |
Can it dig up a profit? | 0:41:24 | 0:41:26 | |
We'll start the bidding at £100. The bid's straight in at £100. | 0:41:26 | 0:41:31 | |
110. 120 now. 120. 130 bid against you. 140 back with me. | 0:41:31 | 0:41:35 | |
150 finish. | 0:41:35 | 0:41:37 | |
At 150. 160 against you, sir. | 0:41:37 | 0:41:39 | |
170. Bid on my right at £170. 180 now on the internet. | 0:41:39 | 0:41:44 | |
190. | 0:41:44 | 0:41:46 | |
All done. Last chance, please. | 0:41:46 | 0:41:48 | |
At £190. | 0:41:48 | 0:41:52 | |
All that glitters earns him a fortune | 0:41:52 | 0:41:54 | |
and it's a nail biting photo finish profit-wise. | 0:41:54 | 0:41:58 | |
Oh, that was exciting. | 0:41:58 | 0:42:00 | |
My heart was beating there. | 0:42:00 | 0:42:03 | |
So, they both have star lots, Anita just barely steals this leg | 0:42:03 | 0:42:07 | |
though James is still winning the war. | 0:42:07 | 0:42:10 | |
James started with £442.40. | 0:42:12 | 0:42:16 | |
After auction costs are deducted, | 0:42:16 | 0:42:18 | |
he made a profit of £83.04 giving him £525.44 to carry forward. | 0:42:18 | 0:42:25 | |
Gosh. | 0:42:25 | 0:42:26 | |
But Anita won this leg by a massive 28p. | 0:42:28 | 0:42:32 | |
She started with £369.54. | 0:42:32 | 0:42:36 | |
and after paying auction costs she made a profit of £83.32 | 0:42:36 | 0:42:41 | |
giving her a total of £452.86 to carry onwards. | 0:42:41 | 0:42:47 | |
And upwards, hopefully. | 0:42:47 | 0:42:49 | |
That was wonderful. | 0:42:52 | 0:42:55 | |
I do not believe this, Anita. | 0:42:55 | 0:42:58 | |
I won that auction. Onwards and upwards, James. | 0:42:58 | 0:43:01 | |
And away now to the next leg. | 0:43:03 | 0:43:07 | |
On the next Antiques Road Trip | 0:43:07 | 0:43:09 | |
Anita's on the hunt for a big cuddly toy. | 0:43:09 | 0:43:12 | |
You're coming home with Mummy. | 0:43:12 | 0:43:13 | |
And a confident James drives a really hard bargain. | 0:43:14 | 0:43:18 | |
I don't want to be too cheeky, but I quite like that. | 0:43:18 | 0:43:20 |