Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts, | 0:00:02 | 0:00:05 | |
with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
Going, going, gone. | 0:00:10 | 0:00:12 | |
-BOTH: Yes! -It's a bit like fishing. | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
-There'll be worthy winners and valiant losers. -What have I done?! | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
I'd better look out! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:33 | |
Yeah... | 0:00:34 | 0:00:35 | |
It's the final leg of the road trip | 0:00:37 | 0:00:39 | |
for treasure hunters Anita Manning and James Braxton. | 0:00:39 | 0:00:42 | |
Glasgow auctioneer Anita has a passion for the strangest things... | 0:00:45 | 0:00:48 | |
You're coming home with Mummy. | 0:00:49 | 0:00:51 | |
..whilst James isn't afraid to take a punt in the hope to win big. | 0:00:53 | 0:00:58 | |
I think I'll have it. | 0:00:58 | 0:00:59 | |
I'm a gambling man. | 0:00:59 | 0:01:01 | |
So far on this road trip, Anita has seen her profits take off. | 0:01:01 | 0:01:05 | |
Last chance then, please, at £130. | 0:01:05 | 0:01:09 | |
Yes! | 0:01:09 | 0:01:11 | |
But a certain mahogany case made over £100 profit at auction, | 0:01:11 | 0:01:15 | |
putting James out in the lead. | 0:01:15 | 0:01:17 | |
At £190... | 0:01:17 | 0:01:19 | |
-Well done. -Are you pleased? -Yep, pleased. | 0:01:20 | 0:01:23 | |
Both our esteemed experts started this road trip with £200. | 0:01:24 | 0:01:28 | |
Anita got off to a gallop, more than doubling her money to £452.86. | 0:01:28 | 0:01:34 | |
Smiler. | 0:01:34 | 0:01:35 | |
However, James quickly raced ahead and now has £525.44. | 0:01:38 | 0:01:43 | |
That means there's just £72.58 between them, | 0:01:43 | 0:01:47 | |
so a single shrewd buy on this road trip | 0:01:47 | 0:01:50 | |
could decide the overall winner. | 0:01:50 | 0:01:52 | |
Ha! | 0:01:52 | 0:01:53 | |
They're cruising through Suffolk in a lovely Parisian princess. | 0:01:57 | 0:02:01 | |
The 1986 Citroen 2CV6 Special, yeah. | 0:02:01 | 0:02:07 | |
How's the car today? | 0:02:07 | 0:02:08 | |
The car's lovely, she's behaving absolutely beautifully, as usual. | 0:02:08 | 0:02:14 | |
-She has served us very well. -I've loved this wee car. | 0:02:14 | 0:02:17 | |
I've nicknamed her Tintin. | 0:02:17 | 0:02:19 | |
-CHUCKLING: -Tintin or Tin Can? | 0:02:19 | 0:02:22 | |
I'll let you decide. | 0:02:22 | 0:02:24 | |
James and Anita started this 700-mile road trip | 0:02:26 | 0:02:29 | |
in Stamford in East Midlands, snaking their way through | 0:02:29 | 0:02:33 | |
the glorious heartlands of East Anglia and Essex, | 0:02:33 | 0:02:36 | |
en route to London's maritime borough of Greenwich. | 0:02:36 | 0:02:39 | |
On today's final leg, they begin in the town of Needham Market | 0:02:41 | 0:02:45 | |
in Suffolk, ending with a crowning auction in Greenwich. | 0:02:45 | 0:02:49 | |
James currently has a narrow lead, but Anita isn't too far behind. | 0:02:51 | 0:02:56 | |
-It's been stressful. -SHE CHUCKLES | 0:02:56 | 0:02:58 | |
Hasn't been easy, you've been there. You've been there, miffing away. | 0:02:58 | 0:03:01 | |
Whether I can hold you back, I don't know. | 0:03:01 | 0:03:04 | |
The lovely town of Needham Market | 0:03:07 | 0:03:09 | |
is set in the Gipping Valley of Suffolk. | 0:03:09 | 0:03:12 | |
The town grew around the wool-combing industry, | 0:03:12 | 0:03:15 | |
which was a method of preparing wool for the weavers. | 0:03:15 | 0:03:18 | |
Our dyed-in-the-wool experts are just about ready | 0:03:20 | 0:03:23 | |
to start "combing" the area - ha! - | 0:03:23 | 0:03:25 | |
to seek out a bargain. | 0:03:25 | 0:03:27 | |
-James? -Yeah. -Very last leg. | 0:03:27 | 0:03:30 | |
Are you going to spend a lot of money? | 0:03:30 | 0:03:32 | |
You've been urging me to buy big all this time. | 0:03:32 | 0:03:34 | |
-And you haven't paid a blind bit of notice! -Bye-bye. -Bye. | 0:03:34 | 0:03:38 | |
Nice kiss. | 0:03:38 | 0:03:39 | |
Whilst James thinks about whether to buy big for the bigger finish, | 0:03:39 | 0:03:43 | |
Anita is off to her first shop, | 0:03:43 | 0:03:46 | |
Bygones of Needham Market, where she's meeting owner Paul. | 0:03:46 | 0:03:49 | |
-Hello, Anita. How are you? -Hello, I'm Anita. -Nice to see you. | 0:03:49 | 0:03:53 | |
Gosh, he's a bit forward! | 0:03:53 | 0:03:55 | |
And looking rather dapper too. | 0:03:55 | 0:03:57 | |
-What a colourful and fascinating shop. -Jolly good. -Yeah. | 0:03:57 | 0:04:02 | |
I love this. | 0:04:02 | 0:04:04 | |
I hope that peck on the cheek | 0:04:04 | 0:04:05 | |
means he's going to give you a discount | 0:04:05 | 0:04:07 | |
rather than a tongue sandwich. | 0:04:07 | 0:04:09 | |
This could be James when I make my next big profit! | 0:04:09 | 0:04:13 | |
It's a big of an Aladdin's Cave of antiques | 0:04:14 | 0:04:17 | |
and Anita's starting in the basement. | 0:04:17 | 0:04:19 | |
That silk gown seems rather nice. | 0:04:20 | 0:04:23 | |
It might be just your size, Anita. | 0:04:23 | 0:04:25 | |
It's labelled as 1930s, but it could even be pre-First World War. | 0:04:25 | 0:04:29 | |
It looks a bit moth-eaten but it's still in reasonable condition. | 0:04:29 | 0:04:33 | |
It's got a ticket price of £55. Go on, try it on. | 0:04:33 | 0:04:36 | |
I quite like that. | 0:04:38 | 0:04:39 | |
Might have a go at it, but I'm going to keep on looking. | 0:04:39 | 0:04:42 | |
Please do, and straightaway she's distracted by a big, cuddly deer. | 0:04:43 | 0:04:48 | |
-Looks expensive. -It's been hanging around this corner for far too long. | 0:04:48 | 0:04:53 | |
Somebody needs to buy it. | 0:04:53 | 0:04:55 | |
Oh, crikey, she's surely not thinking about buying that! | 0:04:55 | 0:04:59 | |
Let's look at the price. | 0:04:59 | 0:05:01 | |
£38. | 0:05:01 | 0:05:02 | |
-That's too "deer". -That's my line. You're not kidding. | 0:05:02 | 0:05:05 | |
Looks like the moths have been at it too. | 0:05:05 | 0:05:07 | |
Poor little deer. | 0:05:07 | 0:05:09 | |
Nevertheless, Anita has her eye on it, | 0:05:09 | 0:05:11 | |
along with that vintage gown with a ticket price of £55. | 0:05:11 | 0:05:16 | |
I'm looking at two things that are not in great condition. | 0:05:16 | 0:05:19 | |
But they amuse me. That poor wee Bambi over there needs a new home. | 0:05:19 | 0:05:24 | |
It needs to get away from that big fox there | 0:05:24 | 0:05:27 | |
before it's nibbled completely away! | 0:05:27 | 0:05:30 | |
I think we may be a tad too late to rescue this particular animal, | 0:05:32 | 0:05:36 | |
but Anita still hopes to save him. | 0:05:36 | 0:05:38 | |
But is it really worth £38? | 0:05:38 | 0:05:41 | |
I'd like to be buying him in the region of £12-15. | 0:05:42 | 0:05:48 | |
-Mmm-hmm. -If he was in good condition, | 0:05:48 | 0:05:51 | |
I would have no problem at all and I would pay a lot more than that, | 0:05:51 | 0:05:55 | |
-so could he be bought within, say... -15? | 0:05:55 | 0:05:59 | |
-Is 15..? -Yeah. | 0:05:59 | 0:06:00 | |
-Is that..? -Would buy him. | 0:06:00 | 0:06:01 | |
-Would buy him? -Yeah. | 0:06:01 | 0:06:03 | |
It's a deal. | 0:06:03 | 0:06:05 | |
I think Paul might have been glad just to get rid of it, frankly. | 0:06:05 | 0:06:08 | |
£15 for an old deer fawn? | 0:06:08 | 0:06:10 | |
Let's hope at auction it proves to have been a good i-"deer". | 0:06:10 | 0:06:15 | |
You're coming home with Mummy. | 0:06:15 | 0:06:17 | |
Anita's back at that gown | 0:06:19 | 0:06:21 | |
and is hoping that by pointing out the flaws, | 0:06:21 | 0:06:24 | |
she can negotiate a good deal. | 0:06:24 | 0:06:25 | |
-Cunning minx. -We've got some little holes here. -Yep. | 0:06:25 | 0:06:30 | |
We've got some staining on the front, | 0:06:30 | 0:06:32 | |
but all these folds are in good condition. | 0:06:32 | 0:06:35 | |
Anita really needs a reduction on the £55 ticket price. | 0:06:35 | 0:06:38 | |
Is there movement to the 20s on that? | 0:06:40 | 0:06:43 | |
25? | 0:06:43 | 0:06:44 | |
-25? -Yeah. -Will we go with that? | 0:06:44 | 0:06:46 | |
I'd take 25. | 0:06:46 | 0:06:47 | |
-How much is the mannequin to go with it? -45. | 0:06:47 | 0:06:51 | |
And if I bought this as an ensemble... | 0:06:51 | 0:06:55 | |
I tell you what, if you buy the whole lot, what would you say? | 0:06:55 | 0:06:58 | |
Er... | 0:06:59 | 0:07:00 | |
-50 quid? -50 quid and I'll give you this. | 0:07:02 | 0:07:04 | |
40, 60... | 0:07:04 | 0:07:06 | |
That's a good little lot for just £50. | 0:07:06 | 0:07:09 | |
65 if you include our fluffy four-legged friend. | 0:07:09 | 0:07:12 | |
Now, steady, Anita. You've certainly got your hands full here. | 0:07:12 | 0:07:16 | |
Meanwhile, James is across town at Station Yard Emporium. | 0:07:16 | 0:07:21 | |
It has a range of antiques from a number of different dealers. | 0:07:21 | 0:07:24 | |
-Hello, James. -Hello, James, glad to meet you. | 0:07:27 | 0:07:30 | |
-Hello, and your name is? -John. | 0:07:30 | 0:07:32 | |
Today, he's only looking for fresh goods. | 0:07:32 | 0:07:35 | |
Come on, John, show me your fresh meat. | 0:07:35 | 0:07:38 | |
That's fresh. | 0:07:38 | 0:07:39 | |
-That's fresh, is it? -Just this week, yesterday. -Just this week? | 0:07:39 | 0:07:43 | |
A nice piece of silverware in the form of a jewellery box | 0:07:43 | 0:07:46 | |
from around the turn of the century. | 0:07:46 | 0:07:47 | |
Anything that age could be expected to have a bit of damage, | 0:07:47 | 0:07:51 | |
but this seems to have aged rather well. Ha! | 0:07:51 | 0:07:54 | |
It's ticketed at £95. | 0:07:54 | 0:07:57 | |
-Was it bought well, John? -Indeed. -It was bought well. | 0:07:57 | 0:08:00 | |
Could this be a special price? | 0:08:00 | 0:08:03 | |
-It's possible. -It's possible? | 0:08:03 | 0:08:05 | |
I'd have to talk to the dealer who owns it. | 0:08:05 | 0:08:07 | |
Let me keep looking, but I like that. | 0:08:07 | 0:08:09 | |
It really is a dog's life | 0:08:10 | 0:08:11 | |
when you're trying to sniff out a bargain. | 0:08:11 | 0:08:14 | |
Let's hope John has some good news. | 0:08:14 | 0:08:16 | |
-What did they say, John? -Well, at this stage, they're saying 85. | 0:08:17 | 0:08:20 | |
85? | 0:08:20 | 0:08:21 | |
£85... | 0:08:21 | 0:08:23 | |
-It's jolly nice, isn't it? -It is. | 0:08:23 | 0:08:25 | |
-I'll give them £85. It's very nice. -Very kind. | 0:08:25 | 0:08:28 | |
Cor, he's off to a flying start with a confident purchase | 0:08:28 | 0:08:31 | |
that could put him straight into the fast lane | 0:08:31 | 0:08:33 | |
and ahead of Anita if it does well. | 0:08:33 | 0:08:36 | |
James is eyeing up this medal, | 0:08:36 | 0:08:38 | |
but with a ticket price of £5, is that too low? | 0:08:38 | 0:08:42 | |
I think it'd be silly for me | 0:08:42 | 0:08:43 | |
to fiddle around with £5-10 goods at this stage. | 0:08:43 | 0:08:46 | |
I think I need to buy bigger chunks. | 0:08:46 | 0:08:49 | |
It's not cat food, James! | 0:08:49 | 0:08:51 | |
But we like what you're saying. | 0:08:51 | 0:08:52 | |
Beautifully polished, but it's got quite a dusty bottom. | 0:08:52 | 0:08:55 | |
Who hasn't? | 0:08:55 | 0:08:56 | |
We've had a few dusty bottoms on this show already. | 0:08:56 | 0:08:59 | |
Here's something that will blow the cobwebs away. | 0:08:59 | 0:09:02 | |
It's a gold-plated, silken, mother-of-pearl fan. | 0:09:02 | 0:09:05 | |
Nice, but it's got a big ticket price. | 0:09:05 | 0:09:09 | |
135? The chancers! It's quite a nice one. | 0:09:09 | 0:09:13 | |
You do get bigger ones and very often you see them now in cases, | 0:09:13 | 0:09:18 | |
these nice-shaped cases, | 0:09:18 | 0:09:20 | |
but saying all that, it's in quite good condition, this. | 0:09:20 | 0:09:24 | |
It looks 19th-century, | 0:09:24 | 0:09:26 | |
but, actually, it could be earlier. | 0:09:26 | 0:09:28 | |
The condition will stand it in good stead, | 0:09:28 | 0:09:30 | |
but can John take a few pounds off the asking price? | 0:09:30 | 0:09:34 | |
If it were 60-65, I'd buy it. | 0:09:34 | 0:09:37 | |
-Oh-ho-ho! -It depends how well people buy these things. | 0:09:37 | 0:09:41 | |
Mmm, at least if it doesn't sell, | 0:09:41 | 0:09:43 | |
it could help cool you down after the heat of the auction, James. | 0:09:43 | 0:09:46 | |
Here comes John with news from the dealer. | 0:09:46 | 0:09:49 | |
Stand by. | 0:09:49 | 0:09:50 | |
-Christine can't possibly take 65. -OK. | 0:09:50 | 0:09:53 | |
If you twist her arm, and her leg, | 0:09:53 | 0:09:56 | |
she'll do it for 85. | 0:09:56 | 0:09:58 | |
-Her very best, John, is it? -Very best, 85. | 0:09:58 | 0:10:02 | |
85? I think I'll have it. | 0:10:02 | 0:10:04 | |
I'm a gambling man. | 0:10:04 | 0:10:06 | |
A decisive James has confidently staked £170 | 0:10:06 | 0:10:10 | |
on his first two items. | 0:10:10 | 0:10:12 | |
Let's hope it pays off. | 0:10:12 | 0:10:13 | |
Anita, on the other hand, | 0:10:23 | 0:10:25 | |
has headed through the glorious heartlands of Essex | 0:10:25 | 0:10:28 | |
to Coggeshall, near Colchester, to find out about local cloth making. | 0:10:28 | 0:10:34 | |
It's where we find the rather splendid Paycocke's House. | 0:10:34 | 0:10:38 | |
Watch her go. | 0:10:38 | 0:10:40 | |
Today she's meeting Ros Gurling from the National Trust. | 0:10:40 | 0:10:44 | |
-Hello! I'm Anita. -I'm Ros. Welcome to Paycocke's. | 0:10:44 | 0:10:50 | |
Come and see our lovely house. | 0:10:50 | 0:10:52 | |
The exterior of this building is absolutely amazing. | 0:10:52 | 0:10:57 | |
-It is. -Amazing! | 0:10:57 | 0:10:58 | |
And we've got some even better things to show you inside the house. | 0:10:58 | 0:11:02 | |
Paycocke's House was built around 1500 | 0:11:05 | 0:11:08 | |
for wealthy cloth tradesman Thomas Paycocke. | 0:11:08 | 0:11:11 | |
It was his main business premises, | 0:11:12 | 0:11:14 | |
where he could showcase the many fine examples of his cloth making. | 0:11:14 | 0:11:18 | |
He only had an old-fashioned, open medieval hall | 0:11:20 | 0:11:24 | |
and he wanted to build this brand-new range | 0:11:24 | 0:11:26 | |
to impress people. He wanted the best to come here, | 0:11:26 | 0:11:31 | |
buy his good-quality cloth, | 0:11:31 | 0:11:33 | |
and so he threw everything he knew and the architects knew | 0:11:33 | 0:11:36 | |
into this European-design house. | 0:11:36 | 0:11:39 | |
The house was completely different | 0:11:42 | 0:11:44 | |
to anything the locals had seen before | 0:11:44 | 0:11:46 | |
and was designed to impress his clients | 0:11:46 | 0:11:48 | |
and make Paycocke stand out from his competitors. | 0:11:48 | 0:11:51 | |
What would this room have been used for, Ros? | 0:11:55 | 0:11:58 | |
Following on from the fact that it was a showroom, | 0:11:58 | 0:12:01 | |
his clients would have come in here | 0:12:01 | 0:12:03 | |
and that was the first impression they would have had. | 0:12:03 | 0:12:06 | |
There would have been samples here, | 0:12:06 | 0:12:08 | |
there would have been a pretend painted fireplace on the wall | 0:12:08 | 0:12:12 | |
and then, of course, these amazing beams. | 0:12:12 | 0:12:15 | |
The unusually intricate linenfold panelling and wood carving | 0:12:18 | 0:12:22 | |
reveals the wealth generated locally by the wool trade. | 0:12:22 | 0:12:25 | |
You can see the initials of Thomas and wife, Margaret, | 0:12:29 | 0:12:32 | |
within the intricate design. | 0:12:32 | 0:12:35 | |
There is another little secret that's very hard to find | 0:12:35 | 0:12:38 | |
in the ceiling again. | 0:12:38 | 0:12:39 | |
Carpenters often left a unique symbol or mark | 0:12:39 | 0:12:42 | |
to identify their work. | 0:12:42 | 0:12:43 | |
In this instance, a smiling face looking down on all who look up. Ha! | 0:12:45 | 0:12:49 | |
-Can you see it? -I can see it. It's like a little mask. -It is. | 0:12:51 | 0:12:55 | |
After Paycocke died, | 0:12:57 | 0:12:58 | |
the house was converted into a terrace of three separate cottages. | 0:12:58 | 0:13:02 | |
Coggeshall continued its thriving cloth-making industry | 0:13:03 | 0:13:06 | |
and, over time, | 0:13:06 | 0:13:08 | |
it developed a reputation for producing exquisite lace. | 0:13:08 | 0:13:11 | |
We have an example here of some Tambour lace. | 0:13:14 | 0:13:17 | |
Local lace-makers would use a lace-maker's lamp like this one | 0:13:19 | 0:13:23 | |
to shine a light on their intricate designs. | 0:13:23 | 0:13:26 | |
What would have happened would have been each of these flasks | 0:13:26 | 0:13:29 | |
would have been taken out, | 0:13:29 | 0:13:31 | |
filled with water, and then inserted. | 0:13:31 | 0:13:34 | |
A good-quality candle at the centre would have been lit | 0:13:34 | 0:13:37 | |
and, therefore, you've got magnification of your light | 0:13:37 | 0:13:40 | |
-and people could sit round. -So would the women sit round? -Yes. | 0:13:40 | 0:13:44 | |
And, of course, it would enable people, women, | 0:13:44 | 0:13:47 | |
to work and get more money. | 0:13:47 | 0:13:48 | |
For over 500 years, Paycocke's House has stood as a constant reminder | 0:13:51 | 0:13:56 | |
of the wealth created in Coggeshall | 0:13:56 | 0:13:59 | |
by the 15th-century textile industries. | 0:13:59 | 0:14:02 | |
After many years of restoration, | 0:14:02 | 0:14:03 | |
it shines once more in its former glory. | 0:14:03 | 0:14:07 | |
Ros, thank you so much for telling me all about it. | 0:14:10 | 0:14:14 | |
I have really enjoyed this visit, so... | 0:14:14 | 0:14:16 | |
It's been lovely to have you and I'm glad you've enjoyed, | 0:14:16 | 0:14:18 | |
and do come back again. | 0:14:18 | 0:14:20 | |
Thank you again. BOTH: Bye-bye! | 0:14:20 | 0:14:22 | |
James hasn't the time to engage in such indulgences, however. | 0:14:24 | 0:14:29 | |
He's off to the coastal town of Woodbridge | 0:14:29 | 0:14:31 | |
to do some bold buying. | 0:14:31 | 0:14:33 | |
Woodbridge is an ancient market town which has been | 0:14:35 | 0:14:38 | |
a centre for boat building since the Middle Ages. | 0:14:38 | 0:14:40 | |
Our James has set sail for Woodbridge Antique Centre | 0:14:42 | 0:14:45 | |
to see if owner Natalie has any bargains for him. | 0:14:45 | 0:14:49 | |
Hello, Natalie. | 0:14:49 | 0:14:50 | |
-Hi, James. -Nice to meet you. | 0:14:50 | 0:14:53 | |
There are loads of antiques here, but with so much choice, | 0:14:53 | 0:14:56 | |
will James find something to complement | 0:14:56 | 0:14:58 | |
his jewellery box and fan? | 0:14:58 | 0:15:00 | |
Thank you. | 0:15:00 | 0:15:01 | |
He may be on his knees, but he's not down on his luck quite yet. | 0:15:03 | 0:15:07 | |
Quickly spotting round... This mirror. | 0:15:09 | 0:15:11 | |
And it looks like he may have browsed upon something interesting. | 0:15:11 | 0:15:14 | |
It's a gilded convex wall mirror, | 0:15:14 | 0:15:17 | |
possibly early 1900s, | 0:15:17 | 0:15:19 | |
but tricky to date. | 0:15:19 | 0:15:20 | |
Natalie, what price could that be? Could that be 40-45? | 0:15:20 | 0:15:24 | |
Unfortunately, I wouldn't be able to do that on that particular piece. | 0:15:24 | 0:15:27 | |
I'd have to speak to the person it belongs to. | 0:15:27 | 0:15:30 | |
If I carry on looking round, do you want to try and propose that? | 0:15:30 | 0:15:33 | |
Yeah, I can give them a call. | 0:15:33 | 0:15:34 | |
I don't want to be too cheeky, but I quite like that. | 0:15:34 | 0:15:37 | |
Mirror, mirror, on the wall, who is the cheekiest of them all? | 0:15:39 | 0:15:43 | |
Surely not our James? | 0:15:43 | 0:15:44 | |
Thank you, that's great. Bye-bye. | 0:15:44 | 0:15:46 | |
He's kindly said he'll go down to 45. | 0:15:46 | 0:15:49 | |
45? Natalie, I'll take it. | 0:15:49 | 0:15:52 | |
-Lovely. -I'll take that, 45. -That's great. | 0:15:52 | 0:15:54 | |
Now I'm going to keep looking. | 0:15:54 | 0:15:56 | |
His cheeky low offer seems to have worked a treat. | 0:15:56 | 0:15:59 | |
Pleased with my mirror. The gilding's very nice and bright on it | 0:15:59 | 0:16:03 | |
and everyone needs a mirror. | 0:16:03 | 0:16:05 | |
Mirrors are very popular at auction. | 0:16:05 | 0:16:07 | |
That should do all right. £45, it's a good price. | 0:16:07 | 0:16:10 | |
Leaves me the opportunity of profit, there. | 0:16:10 | 0:16:13 | |
I certainly hope so, if you want to stay in the lead, that is. | 0:16:13 | 0:16:17 | |
Three good items. I need another two. | 0:16:17 | 0:16:21 | |
I wouldn't mind, I could probably settle at four. | 0:16:21 | 0:16:24 | |
This is just as well, as he seems to be struggling to find anything else. | 0:16:24 | 0:16:28 | |
All is not lost. It's only day one and there are more shops ahead. | 0:16:31 | 0:16:35 | |
Lovely. | 0:16:35 | 0:16:37 | |
It's been a busy day for treasure hunting, | 0:16:39 | 0:16:41 | |
but as the shops close, it's now time to retire. | 0:16:41 | 0:16:45 | |
Night-night, you two. | 0:16:45 | 0:16:46 | |
It's the final day of James and Anita's road trip | 0:16:56 | 0:16:59 | |
and our dynamic duo are up with the larks in the old 2CV. | 0:16:59 | 0:17:04 | |
-Yesterday, I'm not sure how sensible I was. -Did you buy... | 0:17:04 | 0:17:09 | |
I think I had a mad half-hour. | 0:17:09 | 0:17:12 | |
You bought humorous items. | 0:17:12 | 0:17:15 | |
Oh, they made me laugh at the time. | 0:17:15 | 0:17:17 | |
Whether they will make me laugh in the auction is another thing. | 0:17:17 | 0:17:21 | |
So far, Anita has spent £65 on a one-eyed deer, | 0:17:23 | 0:17:26 | |
and a Victorian silk gown with boa and a mannequin, as you do. | 0:17:26 | 0:17:31 | |
Look at that mighty beastie. | 0:17:33 | 0:17:35 | |
James, on the other hand, decided to think big, | 0:17:35 | 0:17:37 | |
splashing out £215 on three lots - | 0:17:37 | 0:17:40 | |
a silver jewellery box, | 0:17:40 | 0:17:42 | |
a silk fan, | 0:17:42 | 0:17:43 | |
and the convex wall mirror. | 0:17:43 | 0:17:45 | |
They're looking forward to a busy day of shopping, | 0:17:47 | 0:17:49 | |
but Anita isn't coping too well with the Essex traffic. | 0:17:49 | 0:17:53 | |
Oh, James, I'm not sure if I'm very good at traffic jams. | 0:17:54 | 0:17:58 | |
We don't have traffic jams in Glasgow. | 0:17:58 | 0:18:01 | |
-You do. -We don't have traffic jams in Glasgow. -You do, I have... | 0:18:01 | 0:18:04 | |
No traffic jams. | 0:18:04 | 0:18:05 | |
What is she talking about? | 0:18:05 | 0:18:07 | |
Of course there are traffic jams in Glasgow! | 0:18:07 | 0:18:09 | |
But after battling through all those traffic jams, | 0:18:12 | 0:18:15 | |
they finally made it to their first destination, | 0:18:15 | 0:18:18 | |
Camden Passage in Islington. | 0:18:18 | 0:18:20 | |
Most incredible of all, | 0:18:21 | 0:18:22 | |
they've managed to find a car parking space in London. | 0:18:22 | 0:18:25 | |
This could be a sign of good things to come. | 0:18:25 | 0:18:28 | |
-That was a bit nerve-racking, James. -It was very hairy, wasn't it? | 0:18:28 | 0:18:32 | |
-Last blast, James? -Oh, let's go and spend some money! | 0:18:32 | 0:18:36 | |
Come on! Come on, girl. | 0:18:36 | 0:18:38 | |
Come on. | 0:18:38 | 0:18:39 | |
-Come on. -Hang on, are they holding hands? | 0:18:39 | 0:18:41 | |
-One, two, three... -Don't tell his wife. | 0:18:41 | 0:18:44 | |
Camden Passage is a backstreet of curiosity shops and market stalls. | 0:18:51 | 0:18:55 | |
That's a terrific big bit of bling. | 0:18:55 | 0:18:58 | |
They've been selling antiques here for over 40 years, | 0:18:58 | 0:19:01 | |
so surely the perfect place to pick up something unique. | 0:19:01 | 0:19:04 | |
Anita hasn't found anything in the stalls, | 0:19:10 | 0:19:12 | |
but she has found a little shop she likes the look of. | 0:19:12 | 0:19:16 | |
ORIENTAL MUSIC | 0:19:16 | 0:19:19 | |
Hello, I'm Anita. Is it all right to have a look around? | 0:19:19 | 0:19:22 | |
-It looks lovely. -Thank you. | 0:19:22 | 0:19:24 | |
This place has a lot of Oriental-inspired goods, | 0:19:27 | 0:19:30 | |
but Anita has spotted another animal figure | 0:19:30 | 0:19:33 | |
that could join her deer from yesterday. | 0:19:33 | 0:19:35 | |
It's a figure of a Black Forest-carved cockatoo. | 0:19:35 | 0:19:40 | |
It could easily have come from the end of an umbrella or a cane | 0:19:40 | 0:19:43 | |
and has a ticket price of £35, | 0:19:43 | 0:19:45 | |
but our Anita will be wanting something off from dealer Suki. | 0:19:45 | 0:19:49 | |
I quite like that. | 0:19:50 | 0:19:52 | |
It's a wee bit dear for me, but I'll ask the trader | 0:19:52 | 0:19:56 | |
if we can come down a wee bit on that. | 0:19:56 | 0:19:58 | |
Would it be possible to buy that for in the region of round about £20? | 0:19:58 | 0:20:04 | |
No? No? OK. | 0:20:04 | 0:20:07 | |
What is the very, very best that you can do on it? | 0:20:07 | 0:20:10 | |
Well, I'd like to say 30, | 0:20:10 | 0:20:12 | |
but I'll come down to 28. | 0:20:12 | 0:20:15 | |
To 28? 28... | 0:20:15 | 0:20:18 | |
I like it. It's nice. It's smiling at me. | 0:20:19 | 0:20:23 | |
Yeah, but will he smile on your profits? | 0:20:23 | 0:20:27 | |
Could you come to 25? | 0:20:27 | 0:20:29 | |
TRADER LAUGHS No, definitely not? | 0:20:29 | 0:20:31 | |
-28. -28? Yeah, uh-huh? OK. | 0:20:31 | 0:20:34 | |
We'll go for that. Thank you very, very much. | 0:20:34 | 0:20:37 | |
It's lovely. I'll call it Polly. | 0:20:37 | 0:20:39 | |
THEY LAUGH | 0:20:39 | 0:20:40 | |
Oh, yeah? So, joining Bambi now is Polly. | 0:20:40 | 0:20:43 | |
Ha! Anita is building a Noah's Ark of treasures. | 0:20:43 | 0:20:47 | |
Bye-bye! | 0:20:47 | 0:20:48 | |
James, however, isn't bothering with the shops. | 0:20:50 | 0:20:52 | |
He's nearby and he's going straight to the market stalls | 0:20:52 | 0:20:55 | |
to hunt out a bargain. | 0:20:55 | 0:20:56 | |
That is a mighty fellow, isn't it? | 0:20:56 | 0:20:59 | |
Just like yourself, James. | 0:20:59 | 0:21:00 | |
But he has found a needle wallet and combo tape measure. | 0:21:02 | 0:21:06 | |
It looks like it's from the 1890s and has a ticket price of £25. | 0:21:06 | 0:21:10 | |
I quite like that. | 0:21:11 | 0:21:12 | |
And so you should, but what about this jazzy pinwheel cushion, | 0:21:12 | 0:21:15 | |
ticketed at £25? | 0:21:15 | 0:21:17 | |
It you want it, | 0:21:17 | 0:21:18 | |
you might need a better price than that from dealer Howard. | 0:21:18 | 0:21:22 | |
Hello, Howard. | 0:21:22 | 0:21:24 | |
-Would you do the two at 40? -Yes, I can do. -Shake on that. -OK. | 0:21:24 | 0:21:28 | |
-OK, thank you. -Bye! | 0:21:28 | 0:21:30 | |
Hey, I thought you were going to try | 0:21:30 | 0:21:32 | |
and buy big on this last leg of the trip. | 0:21:32 | 0:21:34 | |
Both go in the same lot | 0:21:34 | 0:21:35 | |
and they'll make a nice little lot in an auction room. | 0:21:35 | 0:21:38 | |
I should bag 10-20 quid with those. | 0:21:38 | 0:21:40 | |
With only £72.58 between them, | 0:21:40 | 0:21:43 | |
and the clock ticking, James might want to buy something weighty | 0:21:43 | 0:21:48 | |
that will help him maintain his lead. | 0:21:48 | 0:21:50 | |
-What's that, then? -That's a nice Arts and Crafts thing. | 0:21:50 | 0:21:54 | |
Yeah, not quite what I had in mind. | 0:21:54 | 0:21:55 | |
It's a kettle stand with engraved copper skin. | 0:21:55 | 0:21:58 | |
There isn't a price attached so, potentially, | 0:21:58 | 0:22:00 | |
room to haggle with dealer Danny. | 0:22:00 | 0:22:02 | |
Hello. | 0:22:03 | 0:22:04 | |
-It's very inexpensive. -What, a fiver? | 0:22:04 | 0:22:07 | |
It is a fiver, exactly, spot-on. | 0:22:07 | 0:22:09 | |
I like that. | 0:22:09 | 0:22:10 | |
-Yeah, I'll buy that, fiver. -Oh! -Come on, put it there, man. | 0:22:10 | 0:22:13 | |
-Thanks a lot, you've been really good. -See you again. | 0:22:13 | 0:22:17 | |
If it sells well, he could make a decent profit on that fiver. | 0:22:17 | 0:22:20 | |
-There you go, young man. -Would you like some change? | 0:22:20 | 0:22:23 | |
I'd love some change. | 0:22:23 | 0:22:24 | |
It's a good little thing. | 0:22:24 | 0:22:25 | |
The sort of thing Anita loves. | 0:22:25 | 0:22:27 | |
She'll love it even more if you make a loss on it, ha-ha! | 0:22:27 | 0:22:30 | |
As James brings his shopping to a close, | 0:22:36 | 0:22:39 | |
he's left a fashionable market for a place in Highgate | 0:22:39 | 0:22:42 | |
that became fashionable in the mid-19th century | 0:22:42 | 0:22:44 | |
for a completely different reason. | 0:22:44 | 0:22:46 | |
Highgate Cemetery became the final resting place | 0:22:49 | 0:22:52 | |
for many of London's important figures. | 0:22:52 | 0:22:55 | |
James is meeting Ian Dungavell from the Friends Of Highgate Cemetery. | 0:22:55 | 0:22:59 | |
Let's hope he doesn't "corpse." | 0:22:59 | 0:23:02 | |
-Hello. -Hello, James, I'm Ian. | 0:23:02 | 0:23:04 | |
-Very good, nice to meet you. -Welcome to Highgate Cemetery. | 0:23:04 | 0:23:07 | |
In the mid-19th century, Parliament passed a series of statutes | 0:23:11 | 0:23:15 | |
creating new private cemeteries around London. | 0:23:15 | 0:23:18 | |
Their aim was to ease the chronic lack of burial sites in the capital | 0:23:18 | 0:23:22 | |
and to offer a safe resting place away from grave robbers. | 0:23:22 | 0:23:26 | |
With its stunning architecture and impressive landscape, | 0:23:29 | 0:23:32 | |
Highgate quickly became the final resting place | 0:23:32 | 0:23:36 | |
of many famous scientists, politicians and entertainers. | 0:23:36 | 0:23:40 | |
Over here we've got the tomb of George Wombwell | 0:23:40 | 0:23:43 | |
who was a menagerist, | 0:23:43 | 0:23:45 | |
and he's got his very docile Lion, Nero, sitting on top of his tomb. | 0:23:45 | 0:23:49 | |
The lion was so tame that children could come up and stroke him. | 0:23:49 | 0:23:53 | |
-It's a beautiful memorial. -That is fabulous. | 0:23:53 | 0:23:55 | |
A "menagerist". | 0:23:55 | 0:23:57 | |
Yeah, or "wild animal proprietor". | 0:23:57 | 0:23:59 | |
There are over 50,000 graves at Highgate, | 0:24:00 | 0:24:04 | |
including that of chemist Michael Faraday, | 0:24:04 | 0:24:07 | |
author Douglas Adams and painter Lucian Freud. | 0:24:07 | 0:24:11 | |
Over 70 different monuments and structures pepper the cemetery, | 0:24:13 | 0:24:17 | |
such as the Terrace Catacombs, | 0:24:17 | 0:24:19 | |
an impressive Gothic structure with room for 825 people, | 0:24:19 | 0:24:24 | |
safe from pilferers, body snatchers and anatomists. | 0:24:24 | 0:24:28 | |
Here you are in a massive, vaulted, top-lit space. | 0:24:28 | 0:24:31 | |
This would have all been lime-washed, | 0:24:31 | 0:24:33 | |
so it's quite light and bright. | 0:24:33 | 0:24:34 | |
You could see more than you can nowadays. | 0:24:34 | 0:24:36 | |
-These are glass-topped skylights. -Very forward-thinking. | 0:24:36 | 0:24:39 | |
And then you would come in and visit the vault of your loved ones. | 0:24:39 | 0:24:43 | |
Like all aspects of the Victorian funeral, | 0:24:43 | 0:24:46 | |
they could be very expensive. | 0:24:46 | 0:24:47 | |
Inside, the coffin itself would be lined in lead | 0:24:48 | 0:24:52 | |
and then the outer coffin would be wood | 0:24:52 | 0:24:54 | |
and often covered with a fabric with upholstery nails, | 0:24:54 | 0:24:58 | |
very heavily decorated. | 0:24:58 | 0:25:00 | |
The coffins were placed into one of these vaults | 0:25:02 | 0:25:05 | |
where they've lain undisturbed for over 150 years. | 0:25:05 | 0:25:09 | |
In the 1850s, the cemetery expanded eastward on a more modest scale. | 0:25:16 | 0:25:21 | |
Nevertheless it's still attracted the attention of the noteworthy. | 0:25:21 | 0:25:25 | |
This is the monument in Highgate Cemetery | 0:25:27 | 0:25:29 | |
that everyone comes to see, that we're famous for internationally, | 0:25:29 | 0:25:33 | |
which is the monument to Karl Marx, was put up here in the 1950s | 0:25:33 | 0:25:37 | |
although he died in 1881. | 0:25:37 | 0:25:40 | |
This monument was paid for by the Communist Party | 0:25:40 | 0:25:43 | |
and this wonderful bust by Laurence Bradshaw | 0:25:43 | 0:25:48 | |
with Marx brooding down at us | 0:25:48 | 0:25:50 | |
is a real focal point of the cemetery. | 0:25:50 | 0:25:53 | |
Highgate is also the final resting place | 0:25:53 | 0:25:56 | |
of punk impresario Malcolm McLaren. | 0:25:56 | 0:25:59 | |
You've never seen anything like this in a cemetery. | 0:25:59 | 0:26:02 | |
He holds his own in the cemetery. | 0:26:02 | 0:26:04 | |
It's a catalogue memorial, it's not the same old, same old | 0:26:04 | 0:26:08 | |
sort of way of commemorating him, | 0:26:08 | 0:26:09 | |
it's something personal and individual, | 0:26:09 | 0:26:11 | |
and for that reason I think it's a fantastic addition | 0:26:11 | 0:26:14 | |
to our historic cemetery. | 0:26:14 | 0:26:16 | |
Yeah, it is, the new with the old. | 0:26:16 | 0:26:19 | |
Today Highgate is managed by the Friends Of Highgate Cemetery | 0:26:21 | 0:26:24 | |
who've been restoring and conserving the site for future generations. | 0:26:24 | 0:26:29 | |
Ian, thank you very much indeed, it's been absolutely fascinating. | 0:26:32 | 0:26:36 | |
Amongst the living dead, really. | 0:26:36 | 0:26:39 | |
-Yes. Come back again. There's lots more to see. -I will. | 0:26:39 | 0:26:42 | |
Meanwhile, Anita has left Islington | 0:26:47 | 0:26:50 | |
and made her way up to Watford. | 0:26:50 | 0:26:52 | |
She's visiting Croxley Antiques | 0:26:55 | 0:26:57 | |
and is hoping to find something that will give her the edge over James. | 0:26:57 | 0:27:01 | |
-Hello. -Good afternoon, madam. | 0:27:04 | 0:27:06 | |
-I'm Anita, and it's lovely to be here. -Thank you. | 0:27:06 | 0:27:10 | |
You've got a bit of everything in here. | 0:27:10 | 0:27:13 | |
-You can have anything from £2 to £2,000. -Oh, right. | 0:27:13 | 0:27:16 | |
What would you like to spend? | 0:27:16 | 0:27:18 | |
What's selling well just now? | 0:27:18 | 0:27:21 | |
Silver. Top-end ceramics. | 0:27:21 | 0:27:23 | |
Yeah, a bit of local knowledge from dealer David | 0:27:23 | 0:27:26 | |
could really make a difference in buying right for the auction. | 0:27:26 | 0:27:29 | |
I'd like to buy a bit of silver | 0:27:31 | 0:27:34 | |
and hope that will do well down in Green-ich. | 0:27:34 | 0:27:37 | |
Green-ich! | 0:27:37 | 0:27:39 | |
That sounds like a medical condition. | 0:27:39 | 0:27:41 | |
I think you mean Greenwich - | 0:27:41 | 0:27:42 | |
or get some cream. | 0:27:42 | 0:27:44 | |
Anita is looking for something impressive | 0:27:47 | 0:27:49 | |
and it looks like she may have found it. | 0:27:49 | 0:27:52 | |
It is a rather interesting set of silver condiments dated 1889. | 0:27:52 | 0:27:56 | |
Now, silver can be a good buy, but it does depend on the price. | 0:27:56 | 0:28:00 | |
What I'd like to be paying in that | 0:28:01 | 0:28:05 | |
is probably around about 100. | 0:28:05 | 0:28:08 | |
That's too low. Can't do it. | 0:28:10 | 0:28:12 | |
-Is it too low? -Yeah, can't do it. | 0:28:12 | 0:28:14 | |
Bottom price, it's got to be 125. | 0:28:14 | 0:28:18 | |
-I can't do it any cheaper than that. -Could you bring that to 110? | 0:28:18 | 0:28:22 | |
I'll tell you what, cos it's you, I'll knock another fiver off. | 0:28:22 | 0:28:24 | |
But that's maximum. 120. | 0:28:24 | 0:28:27 | |
It can't be any lower. | 0:28:27 | 0:28:29 | |
It's make-your-mind-up time, Anita. | 0:28:29 | 0:28:32 | |
Let's go. | 0:28:32 | 0:28:34 | |
-That's lovely, thank you very much. -Pleasure. | 0:28:34 | 0:28:37 | |
That's a nice set of condiments | 0:28:37 | 0:28:39 | |
that could shine the light on Anita's profits. | 0:28:39 | 0:28:42 | |
But she isn't stopping there. | 0:28:42 | 0:28:43 | |
Oh, yeah, that's lovely. | 0:28:45 | 0:28:47 | |
I like this little jug. | 0:28:47 | 0:28:49 | |
I'm not even going to look at the price. | 0:28:49 | 0:28:52 | |
Don't tell me. Can I buy that for 20 quid? | 0:28:54 | 0:28:57 | |
No, you certainly can't. | 0:28:57 | 0:28:58 | |
Nice try. It's ticketed at £90. | 0:29:00 | 0:29:03 | |
So, you better look for something else, girl. | 0:29:03 | 0:29:05 | |
You do have considerably more than £20 left you know - | 0:29:07 | 0:29:11 | |
£359.86 to be precise. | 0:29:11 | 0:29:15 | |
But you might not want to spend all of that. | 0:29:15 | 0:29:18 | |
These look quite interesting - at the right figure! | 0:29:18 | 0:29:21 | |
Cos we've got a pair and because they're sweet, | 0:29:21 | 0:29:24 | |
I think I'll have a go at them. | 0:29:24 | 0:29:26 | |
These lovely rustic fellows | 0:29:27 | 0:29:29 | |
are being sold together at £55. | 0:29:29 | 0:29:31 | |
However, they've been badly restored and that will affect their value. | 0:29:31 | 0:29:35 | |
David, I had a look at these figures and I think they're quite sweet. | 0:29:38 | 0:29:42 | |
Could I buy them for £20? | 0:29:42 | 0:29:45 | |
There she goes with those £20 again. | 0:29:45 | 0:29:47 | |
In a word, no. | 0:29:47 | 0:29:49 | |
But considering the damage on both of them. | 0:29:49 | 0:29:51 | |
£30. | 0:29:51 | 0:29:54 | |
Could you take it to £25? | 0:29:56 | 0:29:58 | |
Meet me in the middle. | 0:29:59 | 0:30:01 | |
They're damaged, so I'll do it for 25. | 0:30:01 | 0:30:04 | |
-Thank you very much. -It's my pleasure. | 0:30:04 | 0:30:08 | |
What a guy, eh? | 0:30:08 | 0:30:10 | |
£30 off, could they be the item that put Anita in front? | 0:30:10 | 0:30:13 | |
As the shops close and our road trip nears the end, | 0:30:16 | 0:30:20 | |
it's time for Anita to hightail it and meet James, | 0:30:20 | 0:30:23 | |
as we reveal who bought what. | 0:30:23 | 0:30:25 | |
Oh, looks like two coffins. | 0:30:25 | 0:30:26 | |
This is my favourite bit and I cannot wait to see what you've bought. | 0:30:28 | 0:30:33 | |
-You go first this time. -This is my final batch. | 0:30:33 | 0:30:37 | |
-I love that! -Do you like that box? -I love it! | 0:30:40 | 0:30:43 | |
-Pick it up, go on. -It's just my type of thing. | 0:30:43 | 0:30:47 | |
-I hate you. -Eh, steady on! | 0:30:49 | 0:30:52 | |
-How much was it? -85. -I'm going home. | 0:30:52 | 0:30:57 | |
That's the sort of endorsement I like from you. | 0:30:57 | 0:31:00 | |
Is someone regretting the purchase of a cuddly deer? | 0:31:00 | 0:31:03 | |
I'd like you to meet a couple of pals of mine. | 0:31:03 | 0:31:07 | |
This is wee Bambi. | 0:31:07 | 0:31:10 | |
Wee? There's nothing wee about that. | 0:31:10 | 0:31:12 | |
I had to rescue Bambi, who's only got one eye. | 0:31:12 | 0:31:16 | |
-And much did you have to pay for that? -£15. | 0:31:16 | 0:31:19 | |
I think that's a winner. | 0:31:19 | 0:31:21 | |
I don't think I could live with it, but I'm sure somebody else can. | 0:31:21 | 0:31:24 | |
The only problem is it's got mange. | 0:31:24 | 0:31:26 | |
My second lot is Miss Havisham. | 0:31:28 | 0:31:31 | |
Anita sure has some Great Expectations for this one. | 0:31:31 | 0:31:35 | |
It's a beautiful Victorian frock. | 0:31:35 | 0:31:37 | |
-She's not really filling that yet, is she? -I hadn't noticed. | 0:31:37 | 0:31:41 | |
My next lot, quite a traditional piece, | 0:31:41 | 0:31:45 | |
-condiment set, silver. -How much did you pay for that? -120. | 0:31:45 | 0:31:50 | |
-That's not bad. You've got a lot of kit with that. -I know. | 0:31:50 | 0:31:54 | |
So, James, he very last reveal. | 0:31:54 | 0:31:56 | |
I think we deserve a wee treat, are you paying? | 0:31:56 | 0:31:59 | |
Um, no, you're paying. No, I'll pay. | 0:31:59 | 0:32:02 | |
Always haggling, you two, | 0:32:03 | 0:32:05 | |
but before you head off for some light refreshments, | 0:32:05 | 0:32:08 | |
it's time to take the gloves off | 0:32:08 | 0:32:10 | |
and tell us what you really think of each others items. | 0:32:10 | 0:32:13 | |
Go on, be honest. | 0:32:13 | 0:32:14 | |
How did James Braxton do it again? | 0:32:16 | 0:32:20 | |
That box was to die for. | 0:32:20 | 0:32:23 | |
It should have been waiting there for me, | 0:32:23 | 0:32:26 | |
it was so beautiful and just the type of thing that I love. | 0:32:26 | 0:32:30 | |
But not only did he buy it, he bought it for £85. | 0:32:30 | 0:32:34 | |
That's a bargain and that thing is going to sail. | 0:32:34 | 0:32:38 | |
Anita - some fun lots, the fawn, the fawn with mange. | 0:32:38 | 0:32:43 | |
That will do well, so will the dress. | 0:32:43 | 0:32:46 | |
Her case lot, now that is a grand silver cruet | 0:32:46 | 0:32:49 | |
has many items, all the original spoons, it's all there. | 0:32:49 | 0:32:53 | |
It's been an eventful concluding leg for our two excitable experts. | 0:32:55 | 0:32:59 | |
After a mammoth journey, | 0:33:01 | 0:33:03 | |
they're making a B-line for the Meridian Line of Greenwich | 0:33:03 | 0:33:07 | |
and a deciding auction showdown. | 0:33:07 | 0:33:09 | |
Greenwich has played a key role in the story of Britain's sea power | 0:33:15 | 0:33:19 | |
for over 400 years. | 0:33:19 | 0:33:21 | |
The royal borough is home to the Cutty Sark, | 0:33:21 | 0:33:23 | |
the National Maritime Museum and, famously, time as we know it. | 0:33:23 | 0:33:28 | |
The final one. | 0:33:29 | 0:33:31 | |
Getting out of this car doesn't get any easier, does it? | 0:33:32 | 0:33:35 | |
Come on, slow coach. | 0:33:35 | 0:33:37 | |
Greenwich Auctions, one of the largest in the southeast, | 0:33:39 | 0:33:42 | |
and it's the place our winner will be anointed. | 0:33:42 | 0:33:45 | |
Auctioneer Robert Dodd will be on the podium today. | 0:33:47 | 0:33:50 | |
Last time at £18. | 0:33:50 | 0:33:53 | |
But what does he make of James and Anita's choices? | 0:33:53 | 0:33:56 | |
Probably the items that will create the most interest | 0:33:59 | 0:34:03 | |
will be the silver. | 0:34:03 | 0:34:04 | |
The Art Nouveau box, the jewellery box is lovely. | 0:34:04 | 0:34:07 | |
The fawn...now that's interesting. | 0:34:07 | 0:34:10 | |
Really, really interesting. | 0:34:10 | 0:34:12 | |
I hope they didn't pay any money for it | 0:34:12 | 0:34:15 | |
and I hope whoever bought it...got that thrown in with something else. | 0:34:15 | 0:34:20 | |
Maybe buy-one-get-one-free. | 0:34:20 | 0:34:22 | |
Hey, he doesn't mince his words. | 0:34:22 | 0:34:24 | |
Anita started this leg with a respectable £452.86 | 0:34:28 | 0:34:33 | |
and has gone on to spend £238 on five auction lots. | 0:34:33 | 0:34:38 | |
-There it is. -Thank you. | 0:34:38 | 0:34:40 | |
James meanwhile kicked off with an impressive £525.44 | 0:34:40 | 0:34:44 | |
and has parted with £260, | 0:34:44 | 0:34:46 | |
also for five auction lots. | 0:34:46 | 0:34:49 | |
There's just £72.58 between them. | 0:34:49 | 0:34:52 | |
So, without further ado, let the final auction begin. | 0:34:52 | 0:34:56 | |
First out of the trap is James' gilt convex wall mirror. | 0:34:59 | 0:35:03 | |
Bid remains on this at £22. | 0:35:03 | 0:35:05 | |
Good start. | 0:35:05 | 0:35:08 | |
£30. Two with me. Five. I'm out. | 0:35:08 | 0:35:10 | |
Yeah. | 0:35:10 | 0:35:12 | |
45. 42 with you, sir. Last time. At £42. | 0:35:12 | 0:35:18 | |
After costs, it works out as a loss for James. | 0:35:20 | 0:35:22 | |
Let's hope it doesn't reflect too badly on the other items. | 0:35:22 | 0:35:26 | |
That was my charity buy. | 0:35:26 | 0:35:29 | |
They say charity begins at home, | 0:35:30 | 0:35:32 | |
so can we find a home for Anita's carved Black Forest cane handle. | 0:35:32 | 0:35:37 | |
The bid's with me at £22 on that. | 0:35:38 | 0:35:40 | |
25. It's worth more than that. | 0:35:40 | 0:35:42 | |
25. 28. 30. 32. 35. I'm out. | 0:35:42 | 0:35:45 | |
35. Looking for 38. | 0:35:45 | 0:35:47 | |
38 on the telephone. | 0:35:47 | 0:35:49 | |
£40. Looking for 42. | 0:35:49 | 0:35:50 | |
42 I've got on the phone. 45. Looking for 48. | 0:35:50 | 0:35:54 | |
48. Looking for 50. £50. I'll take 52. | 0:35:54 | 0:35:57 | |
52 on the telephone. 55 in the room. 58 I've got. 60 I'll take. | 0:35:57 | 0:36:02 | |
Are we all done? Last time. £58. | 0:36:02 | 0:36:05 | |
Yes, she did well there. | 0:36:05 | 0:36:07 | |
More than doubling her money and narrowing James' lead. | 0:36:07 | 0:36:11 | |
-58 quid. Ah! -Double bubble. | 0:36:11 | 0:36:14 | |
-Happy with that. -I would be. | 0:36:14 | 0:36:17 | |
Things are hotting up. Let's see what James makes on the silk fan. | 0:36:18 | 0:36:23 | |
Start with 55. 60. 65. 70. 75. 85. | 0:36:23 | 0:36:28 | |
90. Looking for 95 anywhere. | 0:36:28 | 0:36:31 | |
95. 100. And five I'll take. 105. 110. | 0:36:31 | 0:36:35 | |
115. 120. 125. | 0:36:35 | 0:36:37 | |
130. 135. 140. Last time at 140. | 0:36:37 | 0:36:44 | |
James gets right back in front with an impressive £55 profit. | 0:36:44 | 0:36:49 | |
-You happy with that? -Steady work. | 0:36:49 | 0:36:52 | |
Good profit. | 0:36:52 | 0:36:54 | |
Next up, could the damage spell disaster for Anita's ornaments? | 0:36:54 | 0:36:59 | |
£18 on these. 22. Five. | 0:36:59 | 0:37:03 | |
£30, I'm out. Looking for 32 on these. | 0:37:03 | 0:37:05 | |
They're worth that. £30 on these figures. | 0:37:05 | 0:37:09 | |
After costs, she's just about broken even. | 0:37:09 | 0:37:12 | |
James started with a lead over Anita of just £72.58. | 0:37:12 | 0:37:17 | |
She's got to do better if she wants to win. | 0:37:17 | 0:37:20 | |
-No loss. -That's the game. | 0:37:20 | 0:37:22 | |
Next under the hammer are James' two Victorian gems. | 0:37:24 | 0:37:27 | |
£32. And that is cheap! Looking for 35 on these. | 0:37:27 | 0:37:31 | |
35. 38. 40. | 0:37:31 | 0:37:34 | |
You were getting there. | 0:37:34 | 0:37:36 | |
-42. 45 I want. 45. 48 I need. That's it. -Go on. | 0:37:36 | 0:37:40 | |
You've got another chance. | 0:37:40 | 0:37:42 | |
55 I've got. 58 I want. You sure? At £55. | 0:37:42 | 0:37:47 | |
£55 makes a small profit for James. He's still ahead. | 0:37:47 | 0:37:51 | |
-I got away with that. -Good. -Well done. | 0:37:53 | 0:37:55 | |
We're on to Anita's Victorian silk gown with mannequin and boa. | 0:37:57 | 0:38:01 | |
Let's see how popular it is with Greenwich's fashionistas. | 0:38:01 | 0:38:06 | |
£50 on this. Looking for 55. | 0:38:06 | 0:38:09 | |
Hello, is there anyone out there? | 0:38:09 | 0:38:11 | |
55. 60. 65. 70. 75 I need. 75. 80 with me. | 0:38:11 | 0:38:18 | |
Looking for 85. Are we all done? £80. | 0:38:18 | 0:38:22 | |
That's a good result for Anita. | 0:38:22 | 0:38:24 | |
It was a bit of a gamble, but it paid off. | 0:38:24 | 0:38:26 | |
-Yes. -Well done. 80. | 0:38:27 | 0:38:32 | |
Can James make a similar impact with his kettle stand? | 0:38:33 | 0:38:37 | |
Bid is straight in at £10. | 0:38:37 | 0:38:39 | |
Looking for 12. | 0:38:39 | 0:38:41 | |
12. 15. 18. I'm out. £20 I want. | 0:38:41 | 0:38:44 | |
It's worth that. £20 there, I'll be back. | 0:38:44 | 0:38:47 | |
22. Five I need. | 0:38:47 | 0:38:48 | |
Oh! | 0:38:48 | 0:38:50 | |
£30. Are we all done? | 0:38:50 | 0:38:52 | |
A spur-of-the-moment decision to spend a fiver | 0:38:52 | 0:38:55 | |
has paid off handsomely for James. | 0:38:55 | 0:38:57 | |
-Well done. -There you are. | 0:38:59 | 0:39:01 | |
-Steady work, isn't it? -Yeah. | 0:39:01 | 0:39:04 | |
Speaking of handsome, here comes Anita's cyclopic cuddly dear. | 0:39:05 | 0:39:10 | |
They say beauty is in the eye of the beholder, I know what I see, | 0:39:10 | 0:39:13 | |
but what do they buyers see? | 0:39:13 | 0:39:16 | |
Bid with me at £10 only on that. | 0:39:16 | 0:39:18 | |
Looking for 12. | 0:39:18 | 0:39:20 | |
12. 15. 18 I need anywhere. 18. | 0:39:20 | 0:39:24 | |
20 there. Looking for 22. | 0:39:26 | 0:39:28 | |
22. 25. 28. | 0:39:29 | 0:39:31 | |
-It's racing up. -If you don't like it, sir, you can make it into a pig. | 0:39:31 | 0:39:35 | |
Looking for 32. | 0:39:37 | 0:39:39 | |
35 in the back of the room. | 0:39:39 | 0:39:41 | |
38 there. 40 I've got in the back of the room. Looking for 42. | 0:39:41 | 0:39:44 | |
42. Take 45. Are we all done? Last time. | 0:39:44 | 0:39:48 | |
At £42 on a fawn... | 0:39:48 | 0:39:52 | |
..with one eye. | 0:39:53 | 0:39:55 | |
A remarkable result for Anita. | 0:39:57 | 0:39:59 | |
She was confident it would sell and she was right. | 0:39:59 | 0:40:03 | |
Had it had two eyes it would have been a tenner. | 0:40:03 | 0:40:07 | |
Anita is definitely just closing in on James | 0:40:07 | 0:40:09 | |
and it all comes down to a battle of the silverware. | 0:40:09 | 0:40:13 | |
Looking for 90. 90. Five. | 0:40:13 | 0:40:15 | |
100 I need. 105. | 0:40:15 | 0:40:18 | |
110. 115. | 0:40:18 | 0:40:20 | |
120. 125. 130. I'm out. 140 there. | 0:40:20 | 0:40:25 | |
Looking for 150. 150. 160. | 0:40:25 | 0:40:29 | |
165. 170. | 0:40:29 | 0:40:30 | |
175 I've got. Looking for 180. | 0:40:30 | 0:40:33 | |
180. 185 on the phone. 190 in the room. | 0:40:33 | 0:40:37 | |
Take 195. | 0:40:37 | 0:40:39 | |
At £190... | 0:40:39 | 0:40:41 | |
Over £100 profit. James is stretching out in front. | 0:40:41 | 0:40:46 | |
-Yes, well done. -Well done. | 0:40:46 | 0:40:49 | |
Anita needs to make a big profit on the silver condiments to win. | 0:40:49 | 0:40:53 | |
£100 on that. 110. | 0:40:53 | 0:40:57 | |
120. 130. | 0:40:57 | 0:40:59 | |
140. 150. 155 there. | 0:40:59 | 0:41:02 | |
160 I've got. | 0:41:02 | 0:41:05 | |
165. 170. | 0:41:05 | 0:41:08 | |
175. 180. | 0:41:08 | 0:41:10 | |
At £175. | 0:41:10 | 0:41:13 | |
£55 profit is a good result, but is it good enough? | 0:41:13 | 0:41:17 | |
Will we get a cup of tea and do the sums? | 0:41:17 | 0:41:19 | |
Cup of tea, sums, and it's all over. | 0:41:19 | 0:41:23 | |
Anita started this leg with £452.86. | 0:41:26 | 0:41:31 | |
After auction costs she made a profit of £77.70, | 0:41:31 | 0:41:36 | |
ending the week with an outstanding total of £530.56. | 0:41:36 | 0:41:41 | |
I think she's happy. | 0:41:41 | 0:41:43 | |
James started with £525.44, | 0:41:45 | 0:41:48 | |
but after costs made a profit of £113.10, | 0:41:48 | 0:41:53 | |
winning today's auction with a meritorious £638.54 | 0:41:53 | 0:41:58 | |
and also winning this week's road trip. | 0:41:58 | 0:42:01 | |
Well done, Jimmy! | 0:42:01 | 0:42:03 | |
Remember, all these profits go to Children In Need. | 0:42:03 | 0:42:06 | |
James, congratulations. You were wonderful. | 0:42:06 | 0:42:09 | |
-Thank you. -But I want you to take me for a typical London lunch. | 0:42:09 | 0:42:13 | |
Is that these jellied things... | 0:42:13 | 0:42:16 | |
Eels, love. Whelks and eels. Come on, get in there, love. | 0:42:16 | 0:42:21 | |
Ah, they deserve a celebratory lunch - | 0:42:22 | 0:42:25 | |
after all, it's been an eventful week for our talented duo. | 0:42:25 | 0:42:28 | |
It started out rather heavy-going. | 0:42:30 | 0:42:32 | |
And for James things got even harder. | 0:42:34 | 0:42:37 | |
I'm concentrating and trying not to stick my tongue out | 0:42:37 | 0:42:40 | |
which I normally do when concentrating. | 0:42:40 | 0:42:43 | |
They picked up bargains, going for a song. | 0:42:43 | 0:42:45 | |
Rock'n'roll, man. | 0:42:45 | 0:42:46 | |
And empires rose and fell at the drop of a gavel. | 0:42:48 | 0:42:51 | |
I'm awful tempted with Napoleon. | 0:42:51 | 0:42:54 | |
I think a lot of women were. | 0:42:54 | 0:42:55 | |
But most of all they had some unforgettable memories. | 0:42:55 | 0:42:59 | |
-Oh. -Oh, mind your head. -Getting attacked. | 0:43:01 | 0:43:03 | |
-You're coming home with Mummy. -Aw. | 0:43:03 | 0:43:06 | |
Next on Antiques Road Trip... | 0:43:08 | 0:43:10 | |
GEARBOX SQUEALS | 0:43:10 | 0:43:11 | |
Oh, good lord. That's reverse by the way. | 0:43:11 | 0:43:13 | |
Charlie Ross and Margie Cooper, | 0:43:13 | 0:43:16 | |
a Highland caper... in a Sunbeam Rapier. | 0:43:16 | 0:43:20 |