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-It's the nation's favourite antiques experts. -All right, viewers? | 0:00:02 | 0:00:05 | |
With £200 each, a classic car | 0:00:05 | 0:00:07 | |
and a goal - to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire! Yes! | 0:00:10 | 0:00:12 | |
-Sold, going, going, gone. -The aim? To make the biggest profit at auction, | 0:00:12 | 0:00:16 | |
-but it's no mean feat. -Oh! -50p! | 0:00:16 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
Are they papier-mache buttocks? | 0:00:22 | 0:00:24 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
-Ooh! Oh! -There we go. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:36 | |
Welcome to the start of a brand-new road trip, featuring Margie Cooper, | 0:00:38 | 0:00:41 | |
Charlie Ross and several reasons to be cheerful. | 0:00:41 | 0:00:44 | |
-Driving along in my mother country... -One of us is! -..of Scotland, | 0:00:46 | 0:00:50 | |
with a young girl, a sexy car. I think all my dreams have come true. | 0:00:50 | 0:00:55 | |
SHE LAUGHS | 0:00:55 | 0:00:56 | |
Charming Charlie from Oxfordshire is an auctioneering legend, | 0:00:56 | 0:01:00 | |
with a fondness for all things Georgian and the misguided belief | 0:01:00 | 0:01:04 | |
that he can get a tune out of any musical instrument. | 0:01:04 | 0:01:07 | |
TUNELESS PARP | 0:01:07 | 0:01:09 | |
Good sound! | 0:01:09 | 0:01:10 | |
Really? Margie is a Lancashire lass with antiques in her blood. | 0:01:10 | 0:01:13 | |
Her granny was a dealer, too, before her | 0:01:13 | 0:01:16 | |
and she brings a no-nonsense approach to the competition. | 0:01:16 | 0:01:19 | |
That would be handy for somebody, wouldn't it? | 0:01:19 | 0:01:21 | |
Give Charlie Ross one of these across his bottom. | 0:01:21 | 0:01:23 | |
Prepare for whacks, Charlie. But not just yet, | 0:01:23 | 0:01:27 | |
because with £200 each and a gorgeous 1961 Sunbeam Rapier, | 0:01:27 | 0:01:31 | |
it looks like these two are in for quite a week. | 0:01:31 | 0:01:34 | |
-Now it's a pretty special day, today. -Yes. -Do you know why? -Go on. | 0:01:34 | 0:01:37 | |
-It's my birthday. -Oh, my... If we weren't travelling, I'd give you a kiss. | 0:01:37 | 0:01:42 | |
Oh! I think, actually, if I slow down... | 0:01:42 | 0:01:44 | |
-Aw. -Ah, who said romance is dead? | 0:01:44 | 0:01:46 | |
Charlie and Margie set out from Jedburgh, in the Borders, | 0:01:50 | 0:01:53 | |
before travelling the length and breadth of Scotland | 0:01:53 | 0:01:56 | |
to reach journey's end at Hamilton, South Lanarkshire. | 0:01:56 | 0:01:59 | |
Today, they start in Jedburgh, head out towards the North Sea coastline | 0:01:59 | 0:02:03 | |
and then conclude at an auction in Edinburgh. | 0:02:03 | 0:02:06 | |
This pretty market town | 0:02:11 | 0:02:12 | |
is just ten miles from England | 0:02:12 | 0:02:14 | |
and that's had quite a bearing | 0:02:14 | 0:02:15 | |
on Jedburgh's history. | 0:02:15 | 0:02:17 | |
One notable former resident | 0:02:17 | 0:02:19 | |
was Mary, Queen of Scots. | 0:02:19 | 0:02:21 | |
The town's motto is, "Earnestly and Successfully", | 0:02:21 | 0:02:23 | |
so there's no excuse for our two not to strive for bargains here. | 0:02:23 | 0:02:28 | |
-Do not come in my shop! -I'm not coming in your shop, goodbye! | 0:02:28 | 0:02:32 | |
-May you buy well. -See you later. | 0:02:32 | 0:02:34 | |
But not too well! | 0:02:34 | 0:02:36 | |
Right, is anybody here? | 0:02:39 | 0:02:41 | |
Hello? I'm just going to have a look around, is that all right? | 0:02:41 | 0:02:46 | |
Oak Tree Antiques is a mixture of genuine antiques, | 0:02:46 | 0:02:48 | |
reproductions and the odd vintage item. | 0:02:48 | 0:02:53 | |
Oh, my goodness me! | 0:02:53 | 0:02:55 | |
Are they papier-mache buttocks? | 0:02:55 | 0:02:58 | |
Cheeky! But one little complication is that shop-owner Michelle | 0:02:58 | 0:03:02 | |
is a bit shy, so Margie will have to talk to her daughter Amy. | 0:03:02 | 0:03:07 | |
Oh, that's gorgeous. Look at that. Isn't that absolutely lovely? | 0:03:07 | 0:03:10 | |
Gorgeous snuff box. | 0:03:10 | 0:03:11 | |
Well, It's £250 and I've only got £200. | 0:03:11 | 0:03:14 | |
I couldn't possibly buy that on the first day of my buying trip. | 0:03:14 | 0:03:20 | |
That's right up my street, but it's too much money for me. | 0:03:20 | 0:03:24 | |
Are you allowed to drop the price? | 0:03:24 | 0:03:27 | |
-Does your mother allow you to... -Yeah... -..do me a deal? What sort of deals do you do? | 0:03:27 | 0:03:30 | |
-MARGIE LAUGHS -I haven't a clue. I'm no good at this, I'm sorry. | 0:03:32 | 0:03:35 | |
Oh, I'll tell you! It's £250. How about £50? | 0:03:35 | 0:03:38 | |
-Behave, Margie! -I'm only pulling your leg. | 0:03:38 | 0:03:43 | |
These two can get to know each other better, | 0:03:43 | 0:03:46 | |
whilst we see where Charlie's got to. | 0:03:46 | 0:03:48 | |
-Hello. -Hello, there. -Good morning, I'm Charlie. | 0:03:48 | 0:03:51 | |
-My name's Merry. -Merry! Merry by nature? | 0:03:51 | 0:03:54 | |
-Ha-ha. Sometimes. -I hope so. | 0:03:54 | 0:03:56 | |
I'll bet she's never heard that one before. | 0:03:56 | 0:03:59 | |
And, anyway, Charlie's merry enough for three. | 0:03:59 | 0:04:02 | |
£6 for a farthing, that's inflation. | 0:04:02 | 0:04:05 | |
There's plenty to ponder at Bygones, | 0:04:05 | 0:04:06 | |
including some very nice paintings, | 0:04:06 | 0:04:08 | |
although those may be a little too pricey. | 0:04:08 | 0:04:11 | |
Ooh, that's rather...that's splendidly Scottish, isn't it? | 0:04:11 | 0:04:14 | |
Which is that, oh, the brooch? | 0:04:14 | 0:04:16 | |
-No. I think it's a pickle fork, isn't it? -Oh, right. | 0:04:16 | 0:04:19 | |
Yes, it's lovely. There we are. | 0:04:19 | 0:04:21 | |
Well, that couldn't be more Scottish, could it, with the thistle? | 0:04:21 | 0:04:24 | |
Oh, it is silver, yeah. Birmingham. Isn't that a splendid...object? | 0:04:24 | 0:04:29 | |
Marvellous. Does that say £30? | 0:04:31 | 0:04:34 | |
Get your jar of pickles and... | 0:04:34 | 0:04:37 | |
-eat your pickles. Do you like pickles? -Yes, I do. -So do I! | 0:04:37 | 0:04:40 | |
-You haven't got any, have you? -No. | 0:04:40 | 0:04:43 | |
Oh, I could have had a free pickle with every fork. | 0:04:43 | 0:04:45 | |
Nice thing. Well, I'll ask the question, | 0:04:45 | 0:04:47 | |
you can only say yes or no. | 0:04:47 | 0:04:49 | |
Could you take £20 for it? | 0:04:49 | 0:04:51 | |
-Umm...yes. -If you... -Yes, I could take £20 for it. | 0:04:51 | 0:04:54 | |
What an amazingly pliable girl. | 0:04:54 | 0:04:57 | |
-I can't think of any reason why I shouldn't buy it. -OK. | 0:04:57 | 0:05:00 | |
-May I buy it for £20? -You certainly can. -That's the quickest buy I've ever made. | 0:05:00 | 0:05:04 | |
I've walked through the door, met you, seen it, loved it, bought it. | 0:05:04 | 0:05:08 | |
That's the way all buying should be. | 0:05:08 | 0:05:10 | |
I bet old Margie's looking at something, | 0:05:10 | 0:05:12 | |
thinking, oh, I don't know whether I should. Should I buy it? Should I not? Oh. | 0:05:12 | 0:05:16 | |
Well, funny you should say that, Charlie... | 0:05:16 | 0:05:19 | |
Well, it's not going well, is it? | 0:05:19 | 0:05:22 | |
I think my bottom lip's going to have to come out now. | 0:05:22 | 0:05:25 | |
Sounds like the "talk to Amy as she talks to her mum" plan | 0:05:25 | 0:05:29 | |
isn't proving a great success. | 0:05:29 | 0:05:31 | |
I think I'd much rather talk to the person. | 0:05:31 | 0:05:34 | |
She has spotted this brass standard lamp, though, | 0:05:34 | 0:05:37 | |
and also a little Edwardian duplicating set. | 0:05:37 | 0:05:39 | |
-So, come along, Margie. -Now what you know about this... | 0:05:39 | 0:05:42 | |
-old duplicating machine? -I have not got a clue. I don't know anything. | 0:05:43 | 0:05:47 | |
It looks very complete. 80-90 years old. | 0:05:47 | 0:05:50 | |
Yeah, probably. | 0:05:50 | 0:05:51 | |
And, oh, look, Gestetner. I remember Gestetners. | 0:05:51 | 0:05:55 | |
I remember, as a secretary, the Gestetners where you... | 0:05:55 | 0:05:58 | |
it was like a drum. And you typed on this sort of plasticky stuff | 0:05:58 | 0:06:02 | |
-and it came out. -And you got fingers like that there. | 0:06:02 | 0:06:05 | |
Brings it all back, eh? | 0:06:05 | 0:06:06 | |
The Hungarian inventor of the duplicating machine | 0:06:08 | 0:06:11 | |
established the Gestetner Cyclograph Company | 0:06:11 | 0:06:14 | |
in North London, at the start of the 20th century. | 0:06:14 | 0:06:16 | |
His patents transformed the modern office | 0:06:16 | 0:06:19 | |
by reproducing copies of documents, quickly and inexpensively. | 0:06:19 | 0:06:22 | |
-Well, how much is that then? £10? -£15. | 0:06:22 | 0:06:26 | |
I think Amy's getting the hang of this. | 0:06:26 | 0:06:29 | |
-I quite like that. What did you say, £15? -Yeah. | 0:06:29 | 0:06:32 | |
Well, maybe if I find something else and we do a little parcel, or something. | 0:06:32 | 0:06:36 | |
Why not add the lamp, then? Ticket price, £95. | 0:06:36 | 0:06:39 | |
Yeah...hmm... | 0:06:41 | 0:06:43 | |
Yeah, it's a nice item. | 0:06:43 | 0:06:46 | |
Loaded at the...extend...ooh! | 0:06:46 | 0:06:49 | |
it has that extending baton, which is nice. | 0:06:49 | 0:06:52 | |
Uh, converted to electricity. Ha-ha. | 0:06:52 | 0:06:54 | |
Converted to electricity! | 0:06:54 | 0:06:56 | |
Great expert! Oil went in there. | 0:06:56 | 0:07:00 | |
It must have been terribly smelly, can you imagine? | 0:07:00 | 0:07:03 | |
OK, Margie. I think Amy's ready. | 0:07:03 | 0:07:05 | |
Well, I'm buying the old duplicating set. | 0:07:05 | 0:07:08 | |
So can we do the two together? A bit cheap? Can we do £50 for the two? | 0:07:08 | 0:07:12 | |
Go on, £50. | 0:07:12 | 0:07:13 | |
-Ah, you see, Amy's coming round. So we've got the two for £50. -Yes. | 0:07:13 | 0:07:18 | |
-Fine, thank you very much, Amy. -Thank you. -A deal. | 0:07:18 | 0:07:21 | |
Well, I think they both did awfully well. | 0:07:21 | 0:07:23 | |
Meanwhile, elsewhere in Jedburgh, Charlie's back in that cabinet. | 0:07:24 | 0:07:28 | |
Nice little things in here. | 0:07:28 | 0:07:30 | |
-You've got a gold chain there but I don't know... -Mm-hmm. | 0:07:30 | 0:07:33 | |
-I don't suppose you know what it weighs? -It weighs about 8g. | 0:07:33 | 0:07:38 | |
8g, fantastic value, isn't it? To be able to get a gold chain for £50. | 0:07:38 | 0:07:43 | |
You wouldn't buy that in Bond Street for 50 quid, would you? | 0:07:43 | 0:07:47 | |
It does sound like a good deal. | 0:07:47 | 0:07:49 | |
Maybe later because Merry's also got a good little snuffbox. Price, £30. | 0:07:49 | 0:07:54 | |
-There we are. -Thank you. 19th-century papier-mache. | 0:07:54 | 0:08:00 | |
-Yes. -And quite collectable. | 0:08:00 | 0:08:02 | |
-The first half of the 19th century, I think, isn't it? -I don't know. | 0:08:02 | 0:08:05 | |
Yeah, I would think that's 1830-1840, probably. | 0:08:05 | 0:08:10 | |
I'm sure that is tortoiseshell under there, isn't it? It's so difficult, | 0:08:10 | 0:08:16 | |
running a thumb over it, whether it's actually tortoiseshell | 0:08:16 | 0:08:20 | |
that's inset in there, or whether it's a piece of simulated, | 0:08:20 | 0:08:23 | |
a bit like some sort of early plastic. | 0:08:23 | 0:08:25 | |
It's what they called faux-tortoiseshell. | 0:08:25 | 0:08:28 | |
But it's like Bakelite. | 0:08:28 | 0:08:29 | |
If it is real tortoiseshell, it's legal to trade | 0:08:29 | 0:08:33 | |
under the CITES Agreement, as it was made before 1947. | 0:08:33 | 0:08:36 | |
If I could buy something like that, it would have to be, sort of, 15 quid. | 0:08:36 | 0:08:40 | |
I think it would make £20-£24 at auction. | 0:08:40 | 0:08:43 | |
-Well... -What do you think? -..I think, as it's you. | 0:08:43 | 0:08:46 | |
-Oh, as it's me! -Uh, yes, I'll say yes. | 0:08:46 | 0:08:50 | |
-Does it show you a profit? -It will do, yes. -Are you sure? -Yes. | 0:08:50 | 0:08:53 | |
If it shows you a profit, then I'm happy. | 0:08:53 | 0:08:56 | |
Well, that means I've bought two objects and spent only £35. | 0:08:56 | 0:09:00 | |
-Well done. -Well, it's better than nothing, isn't it? | 0:09:00 | 0:09:03 | |
But as he takes his leave, he's thinking more about the item he didn't buy, it seems. | 0:09:03 | 0:09:08 | |
What about that gold chain? Did she say it was nearly 8g? | 0:09:08 | 0:09:12 | |
I think it is actually £11 or £12 a gram, at the moment. | 0:09:13 | 0:09:18 | |
Eight elevens are £88. Less the commission, £70 | 0:09:18 | 0:09:24 | |
and she wants £50. | 0:09:24 | 0:09:26 | |
Hold on, I'll ask her. | 0:09:26 | 0:09:27 | |
I may have made a boo-boo here. | 0:09:29 | 0:09:33 | |
-Merry? -Oh! Hello! -I didn't get far outside. | 0:09:33 | 0:09:36 | |
Did you say you'd weighed that gold chain? | 0:09:36 | 0:09:39 | |
-I had, yes. -Where are the scales? -There we are. | 0:09:39 | 0:09:44 | |
7.9...is that grams? | 0:09:44 | 0:09:48 | |
Yep. It's a take it or leave it price, isn't it? | 0:09:48 | 0:09:51 | |
It would be too cheeky to ask if there was trade price, wouldn't it? | 0:09:51 | 0:09:54 | |
I think so. | 0:09:54 | 0:09:56 | |
-I'm going to have it, please. -OK. | 0:09:58 | 0:10:01 | |
HE SINGS A good job I didn't go down the street too far. | 0:10:01 | 0:10:05 | |
When have I ever gone into a shop and paid the asking price? | 0:10:05 | 0:10:08 | |
Now. | 0:10:08 | 0:10:10 | |
At £50, Charlie may have well have got a bargain. | 0:10:10 | 0:10:13 | |
And I think he really is off...this time. | 0:10:13 | 0:10:15 | |
Now Margie's moved on too, | 0:10:17 | 0:10:19 | |
making her way from Jedburgh across the border to the town of Powburn. | 0:10:19 | 0:10:23 | |
It's a large antique centre so there's sure to be plenty of choice. | 0:10:25 | 0:10:29 | |
This is a sweet little child's rocker. Isn't that cute? | 0:10:31 | 0:10:34 | |
But could there be a little too much choice? | 0:10:34 | 0:10:37 | |
Luckily, Beryl is on hand to help. | 0:10:37 | 0:10:39 | |
Which is your bit? | 0:10:39 | 0:10:41 | |
Well, I've got little bits all over the place. | 0:10:41 | 0:10:44 | |
Oh yeah?! I think those Prattware mugs are Beryl's, £110 the pair. | 0:10:44 | 0:10:49 | |
-Yeah, it's nice. -That one's damaged, but that one's good. | 0:10:49 | 0:10:52 | |
So you've just bought this? | 0:10:52 | 0:10:54 | |
Well, I haven't bought them, I've just brought it down here | 0:10:54 | 0:10:57 | |
because it was a nice piece. | 0:10:57 | 0:10:58 | |
-It's a nice thing, isn't it? -Lovely condition. | 0:10:58 | 0:11:01 | |
Don't often do porcelain but I must say, I quite like that. | 0:11:01 | 0:11:04 | |
And this is how badly cracked? | 0:11:04 | 0:11:06 | |
Just got a crack down the... | 0:11:08 | 0:11:10 | |
-Just there, it's quite bad though. -Yes. | 0:11:10 | 0:11:13 | |
Probably what...middle 19th century? | 0:11:13 | 0:11:16 | |
Lovely decoration on the front. | 0:11:16 | 0:11:18 | |
Prattware is...popular and collectable. | 0:11:18 | 0:11:22 | |
How much would the two be? | 0:11:22 | 0:11:23 | |
If you wanted to buy the one, I could throw the other one in for you. | 0:11:26 | 0:11:29 | |
You'd throw that in? Right, OK. | 0:11:29 | 0:11:32 | |
I'd do them both for 80. I think it's a good buy. | 0:11:32 | 0:11:35 | |
-But it's a big chunk of my money. -Is it? | 0:11:35 | 0:11:38 | |
How much would the broken one be? You don't want to be stuck... | 0:11:38 | 0:11:41 | |
I was going to give it you with the other one. | 0:11:41 | 0:11:44 | |
What about 60 for the two? | 0:11:44 | 0:11:45 | |
-I don't think you can... -Go wrong. | 0:11:47 | 0:11:49 | |
..go wrong there. Bargain of the day. | 0:11:49 | 0:11:52 | |
I'll put them in the office. | 0:11:52 | 0:11:54 | |
Bit of a gem, our Beryl. | 0:11:54 | 0:11:56 | |
You put them on your desk and I'll spend a little bit longer. | 0:11:56 | 0:11:58 | |
-Yes. -And that's very kind of you. | 0:11:58 | 0:12:01 | |
Meanwhile, Charlie seems to have found his way to Margie's old stomping ground. | 0:12:01 | 0:12:05 | |
-Hello. -Is it Amy? -Yeah. | 0:12:06 | 0:12:08 | |
-Have you had Margie with you? -Yes, I have. | 0:12:08 | 0:12:10 | |
-May I have a quick look round? -Yeah, no problem. -Thank you. | 0:12:10 | 0:12:13 | |
I'm sure he'll find that Margie has left him plenty to ponder. | 0:12:13 | 0:12:17 | |
Beware though, Charlie, | 0:12:17 | 0:12:19 | |
because Amy's starting to get the hang of this dealing lark. | 0:12:19 | 0:12:22 | |
-Look at that! Do you know how old that is? Have a guess. -I don't know. | 0:12:22 | 0:12:26 | |
-You don't know? -No. | 0:12:26 | 0:12:28 | |
Well, I can tell you it's about 1820. | 0:12:28 | 0:12:32 | |
That's even older than I am. It's mahogany... | 0:12:33 | 0:12:37 | |
-Brass handles with wonderful... can you see those lion masks? -Yeah. | 0:12:37 | 0:12:41 | |
Aren't they fab? Absolutely brilliant. | 0:12:41 | 0:12:43 | |
And I think they're probably original handles. | 0:12:43 | 0:12:48 | |
In fact, I'm certain they're original handles. | 0:12:48 | 0:12:50 | |
And the linings of the drawers... | 0:12:50 | 0:12:52 | |
..are cedar, I think. | 0:12:54 | 0:12:55 | |
I don't think they're oak. No, I think it's cedar lining, | 0:12:55 | 0:12:58 | |
which is rather lovely. | 0:12:58 | 0:13:00 | |
How much is it? 110...Hmm. | 0:13:00 | 0:13:02 | |
-Nice label. -I would buy that chest of drawers at a price. | 0:13:02 | 0:13:05 | |
Well, go on then, buy it, Charlie. | 0:13:07 | 0:13:09 | |
Are you here to negotiate? Have you got permission to negotiate here? | 0:13:09 | 0:13:13 | |
-Yes. -Who owns the shop? -My mum. -Your mum? -Yes. | 0:13:13 | 0:13:17 | |
What would you do, run off to mum with a price, if I offer you one? | 0:13:17 | 0:13:20 | |
-It would be very cheeky. -What would you offer? | 0:13:20 | 0:13:23 | |
May I try and offer a cheeky price? | 0:13:23 | 0:13:25 | |
You can show me the door and you can ask mum to come and chase me | 0:13:25 | 0:13:28 | |
with a frying pan if she doesn't think it's fair. | 0:13:28 | 0:13:30 | |
-50 quid. -I'll do 60. | 0:13:30 | 0:13:33 | |
Quick work, Amy. | 0:13:33 | 0:13:34 | |
What?! Without speaking to Mum? | 0:13:34 | 0:13:37 | |
He wasn't expecting that. | 0:13:37 | 0:13:38 | |
Blimey, that's knocked me backwards a bit. | 0:13:38 | 0:13:41 | |
What would Mum say if we met halfway at 55... | 0:13:41 | 0:13:44 | |
I'll ask her. | 0:13:44 | 0:13:45 | |
-Could you ask her? -Yeah. | 0:13:45 | 0:13:47 | |
Tell her I'm not being rude, | 0:13:48 | 0:13:50 | |
I'm just trying to buy it to sell it at auction. | 0:13:50 | 0:13:52 | |
-If it's no good, it's no good. -That's fine, 55. -What?! -55. | 0:13:52 | 0:13:56 | |
Have you got Mum...she's sort of... oh, she's lurking in the background. | 0:13:56 | 0:14:01 | |
-Thank you, Mum. Are you happy with 55? -Yes. | 0:14:01 | 0:14:06 | |
That's fab, that's half price. | 0:14:06 | 0:14:08 | |
Amy's certainly learned a thing or two today | 0:14:08 | 0:14:10 | |
and Charlie now has four lots for a total of £140. | 0:14:10 | 0:14:14 | |
Margie's got her mugs reserved, | 0:14:14 | 0:14:16 | |
but now she's been tempted by another of Beryl's goodies...a footstool. | 0:14:16 | 0:14:21 | |
That is nice. Late Victorian, it's very nice. | 0:14:21 | 0:14:25 | |
And that's in good nick. | 0:14:25 | 0:14:27 | |
-Yeah. What have I got on it? -You've got... | 0:14:27 | 0:14:29 | |
-55. The embroidery's nice on it. -Yeah. | 0:14:31 | 0:14:33 | |
If you wanted to spend some money, I could do that one for 30. | 0:14:35 | 0:14:39 | |
Almost half price. | 0:14:39 | 0:14:41 | |
It is, it's very nice, that. I like that very much. | 0:14:41 | 0:14:44 | |
You haven't got a pair anywhere? | 0:14:44 | 0:14:47 | |
I'll go and whittle you one up. | 0:14:47 | 0:14:48 | |
-Pairs of footstools do really well. -Yeah. | 0:14:48 | 0:14:51 | |
Time for a dither. | 0:14:51 | 0:14:52 | |
-So I buy the two Prattware mugs that were what? -60. | 0:14:52 | 0:14:56 | |
And I'll buy that for? | 0:14:56 | 0:14:58 | |
30. | 0:14:58 | 0:14:59 | |
That's the absolute end of this conversation. | 0:14:59 | 0:15:02 | |
LAUGHTER | 0:15:02 | 0:15:04 | |
Oh God, do you want blood? | 0:15:04 | 0:15:06 | |
-Yeah. -Yeah, I know. | 0:15:06 | 0:15:08 | |
But if you could ease it a bit, we'll shake hands. | 0:15:10 | 0:15:12 | |
What if I say 80? I couldn't go any more. | 0:15:12 | 0:15:15 | |
You're having that for free. | 0:15:15 | 0:15:17 | |
Right, thank you very much. | 0:15:17 | 0:15:19 | |
Thank you. | 0:15:19 | 0:15:20 | |
But while Margie's been bargaining with Beryl... | 0:15:20 | 0:15:23 | |
Charlie's grabbed the Rapier and moved on. | 0:15:24 | 0:15:28 | |
All right, viewers? Steady on. | 0:15:28 | 0:15:30 | |
Travelling from Jedburgh via Powburn to Alnwick. | 0:15:30 | 0:15:34 | |
In a very good mood too... | 0:15:35 | 0:15:37 | |
Even by his standards. | 0:15:37 | 0:15:39 | |
I would like to put it on record now, | 0:15:39 | 0:15:41 | |
just how much I'm in love with Margie. | 0:15:41 | 0:15:44 | |
She is attractive. | 0:15:45 | 0:15:48 | |
She's fun. | 0:15:48 | 0:15:50 | |
She must be hugely intelligent because she laughs at my jokes. | 0:15:50 | 0:15:53 | |
Charlie's come to Alnwick, just around the corner | 0:15:54 | 0:15:57 | |
from its famous castle to see a unique garden. | 0:15:57 | 0:16:01 | |
Capability Brown built the first garden on this site | 0:16:01 | 0:16:03 | |
for the Duke of Northumberland, back in 1750. | 0:16:03 | 0:16:07 | |
But it fell into disrepair until just a few years ago, | 0:16:07 | 0:16:10 | |
a new one was planned. | 0:16:10 | 0:16:12 | |
Regular viewers may feel they've been here before, | 0:16:13 | 0:16:17 | |
but Charlie's come to learn about the lethal side of horticulture. | 0:16:17 | 0:16:20 | |
-Trevor. Charlie. -Welcome to the Poison Garden. | 0:16:22 | 0:16:25 | |
I'm a bit worried when you say that. | 0:16:25 | 0:16:27 | |
Especially when you see the coffin. | 0:16:27 | 0:16:29 | |
Has anybody ever ended up in the coffin? | 0:16:29 | 0:16:31 | |
Not that I'm aware of, but you never know, there's always a first time. | 0:16:31 | 0:16:34 | |
Is everything in here poisonous? | 0:16:34 | 0:16:36 | |
Everything in this part of the garden is very poisonous, | 0:16:36 | 0:16:38 | |
so watch you don't touch anything or stand too close to anything, because you never know. | 0:16:38 | 0:16:42 | |
-Are you being serious? -He most certainly is. | 0:16:42 | 0:16:44 | |
Everyone who works here wears gloves and not surprisingly, | 0:16:44 | 0:16:47 | |
children love the place. | 0:16:47 | 0:16:50 | |
The gardens were started by the Duchess of Northumberland? | 0:16:50 | 0:16:52 | |
She wanted to create a quirky, modern, contemporary garden. | 0:16:52 | 0:16:56 | |
And so she had a fascination with poisonous plants and death. | 0:16:56 | 0:17:00 | |
Goodness. | 0:17:00 | 0:17:02 | |
Well, it takes all sorts and it's certainly educational to | 0:17:02 | 0:17:05 | |
discover just how many common plants can be very, very deadly. | 0:17:05 | 0:17:09 | |
I can remember foxgloves. I think there were some in my mother's garden. | 0:17:09 | 0:17:12 | |
That's right, very, very common cottage garden plants, really. | 0:17:12 | 0:17:15 | |
But the whole plant is deadly poisonous. | 0:17:15 | 0:17:18 | |
It does have a good side because the large | 0:17:18 | 0:17:20 | |
leaves are used for treating people that have had heart attacks. | 0:17:20 | 0:17:24 | |
They make a drug from it, but if you take too much, you can | 0:17:24 | 0:17:27 | |
-kill people very, very easily. Even things like Rosemary... -Rosemary?! | 0:17:27 | 0:17:31 | |
I eat it. | 0:17:31 | 0:17:33 | |
Rosemary and lamb go very well together and yet in mediaeval times | 0:17:33 | 0:17:36 | |
-especially, pregnant women used to eat lots of rosemary to abort... -Really?! | 0:17:36 | 0:17:41 | |
Even today, pregnant women are warned not to eat a lot of rosemary. | 0:17:41 | 0:17:45 | |
Other plants in the garden are less likely to be confused with anything | 0:17:45 | 0:17:49 | |
remotely tasty or healthy like nux vomica, or strychnine. | 0:17:49 | 0:17:56 | |
And Ricinus communis with its bright red flowers, | 0:17:56 | 0:17:59 | |
which only requires a dose the size of a few grains of salt | 0:17:59 | 0:18:02 | |
to kill an adult human. | 0:18:02 | 0:18:03 | |
Is there any antidote to it? | 0:18:03 | 0:18:04 | |
-There's not that I'm aware of. -That's it? -That it, yes. | 0:18:04 | 0:18:07 | |
-How frightening. -But a very attractive plant. -Lovely. | 0:18:07 | 0:18:10 | |
Often called the castor oil plant. | 0:18:10 | 0:18:12 | |
But castor oil doesn't come from it? | 0:18:12 | 0:18:13 | |
No way. | 0:18:13 | 0:18:15 | |
It was ricin in the tip of an umbrella that killed | 0:18:15 | 0:18:19 | |
Bulgarian dissident, Georgi Markov, on Waterloo Bridge. | 0:18:19 | 0:18:23 | |
And elsewhere at Alnwick, they have aconitum, | 0:18:23 | 0:18:26 | |
a.k.a. wolfsbane, monkshood and the queen of poisons. | 0:18:26 | 0:18:31 | |
A notorious killer since the days of the ancient Greeks. | 0:18:31 | 0:18:34 | |
Recently, about three years ago, there was a case where | 0:18:34 | 0:18:37 | |
a young lady decided she wanted to get rid of her ex-lover | 0:18:37 | 0:18:41 | |
so she broke into his house and took the seeds of this | 0:18:41 | 0:18:44 | |
and dropped the seeds into his curry, which was in the fridge. | 0:18:44 | 0:18:48 | |
When he and his new girlfriend came home, they sat down to eat dinner | 0:18:48 | 0:18:51 | |
and unfortunately he didn't survive. | 0:18:51 | 0:18:53 | |
Can you buy a plant like that in a garden centre? | 0:18:53 | 0:18:55 | |
You can go along to any garden centre this time of the year and buy this plant, yes. | 0:18:55 | 0:18:59 | |
-Do they sell them with a health warning? -No. | 0:18:59 | 0:19:01 | |
-Do they not?! -No. | 0:19:01 | 0:19:03 | |
But not everything growing in this section of the garden is | 0:19:07 | 0:19:10 | |
likely to cause such gruesome results. | 0:19:10 | 0:19:13 | |
They take a keen interest in the mood-altering side of plants also. | 0:19:13 | 0:19:17 | |
And that pagoda-looking cage, is that cannabis? | 0:19:17 | 0:19:22 | |
That is cannabis, yes. | 0:19:22 | 0:19:23 | |
-We have a licence from the Home Office to grow cannabis. -Do you? | 0:19:23 | 0:19:26 | |
But we use it as an educational tool, obviously! | 0:19:26 | 0:19:28 | |
I'm sure you do, I'm sure you do, Trevor. | 0:19:28 | 0:19:31 | |
We have a more interesting plant here. | 0:19:31 | 0:19:33 | |
This is datura, often called the angel's trumpet because these pods | 0:19:33 | 0:19:38 | |
will open up into great big white trumpet-shaped flowers. | 0:19:38 | 0:19:42 | |
And these were very popular in Victorian times where | 0:19:42 | 0:19:45 | |
Victorian ladies would have them growing on their tea tables, | 0:19:45 | 0:19:48 | |
invite their Victorian lady friends to come round for tea | 0:19:48 | 0:19:51 | |
and just tap a little bit of pollen into the teapot and serve tea. | 0:19:51 | 0:19:54 | |
And those ladies then used to loosen up slightly | 0:19:54 | 0:19:57 | |
and tell more intimate secrets about their life. | 0:19:57 | 0:19:59 | |
LAUGHTER | 0:19:59 | 0:20:01 | |
-And it's called what? -Datura. -Datura. | 0:20:01 | 0:20:03 | |
Could you spell that for me? | 0:20:03 | 0:20:05 | |
So, anyone receiving an invitation to tea at Charlie's house | 0:20:05 | 0:20:08 | |
in future, had better look out for unusual flower arrangements. | 0:20:08 | 0:20:12 | |
Come on, Charlie, stop messing about. | 0:20:12 | 0:20:15 | |
Charlie? | 0:20:15 | 0:20:16 | |
I'm sure he'll make a full recovery. | 0:20:19 | 0:20:21 | |
Yay! All clear, matron. | 0:20:23 | 0:20:25 | |
Night-night. | 0:20:25 | 0:20:27 | |
Next morning, surprise surprise, Charlie's flirting again. | 0:20:32 | 0:20:36 | |
I don't care what happens at the auction. | 0:20:36 | 0:20:38 | |
I just want you to drive me around Scotland for the rest of my life. | 0:20:38 | 0:20:41 | |
GEARS CRUNCH | 0:20:41 | 0:20:42 | |
Good lord - that's reverse, by the way. | 0:20:42 | 0:20:44 | |
Oh, Lordy. | 0:20:44 | 0:20:46 | |
Margie set off in overdrive yesterday, | 0:20:46 | 0:20:48 | |
splashing out £130 on a standard lamp, a duplicating set, | 0:20:48 | 0:20:52 | |
some Prattware mugs and a footstool, as you do. | 0:20:52 | 0:20:55 | |
-Do you want blood? -Yeah. -Yeah. | 0:20:55 | 0:20:57 | |
Leaving her with £70 to spend today while Charlie went even further | 0:20:57 | 0:21:02 | |
and faster, weighing in with £140 for the gold chain... | 0:21:02 | 0:21:05 | |
Da-da-da-da-da-da-da... | 0:21:05 | 0:21:07 | |
..a snuffbox, | 0:21:07 | 0:21:09 | |
a thistle pickle fork and a Georgian chest of drawers. | 0:21:09 | 0:21:12 | |
Thank you, Mum! | 0:21:12 | 0:21:14 | |
Leaving just £60 in his wallet. | 0:21:14 | 0:21:17 | |
Later they'll be making for the auction in Edinburgh, | 0:21:17 | 0:21:19 | |
but our first stop is still in England. | 0:21:19 | 0:21:22 | |
The village of Ford. | 0:21:22 | 0:21:24 | |
Bubbly, anyone? | 0:21:27 | 0:21:28 | |
Champagne bar, it says. | 0:21:28 | 0:21:29 | |
-Hey! -See you later. | 0:21:29 | 0:21:33 | |
And you drive carefully. | 0:21:33 | 0:21:36 | |
Bye! | 0:21:36 | 0:21:37 | |
I'll be drunk when you see me. | 0:21:37 | 0:21:39 | |
How exactly is she going to tell the difference, Charlie? | 0:21:41 | 0:21:45 | |
-Morning. -Good morning, Charlie. | 0:21:47 | 0:21:49 | |
-Is it Keith? -It is, Keith. | 0:21:49 | 0:21:51 | |
Thank you very much for having us along today. | 0:21:51 | 0:21:53 | |
-What a wonderful part of the world. -Isn't it? | 0:21:53 | 0:21:56 | |
We've got the most amazing views here as well, and there they are. | 0:21:56 | 0:21:58 | |
-That's looking out onto the Cheviots. -Splendid. | 0:21:58 | 0:22:01 | |
Well, I'm going to have a look round, if I may? | 0:22:01 | 0:22:03 | |
And I'll give you a call if there's something I can't resist. | 0:22:03 | 0:22:06 | |
I think Charlie's really going to like the old dairy. | 0:22:06 | 0:22:08 | |
But will it warm to him? | 0:22:10 | 0:22:12 | |
Because let's face it, with only £60 left in his pocket, | 0:22:12 | 0:22:15 | |
he's hardly a rich man. | 0:22:15 | 0:22:16 | |
How Art Nouveau is that? | 0:22:19 | 0:22:21 | |
Aneroid barometer, in an oak case. | 0:22:21 | 0:22:25 | |
I thought it said 195. | 0:22:28 | 0:22:31 | |
It says 795. | 0:22:31 | 0:22:33 | |
That's a fabulous thing. | 0:22:33 | 0:22:35 | |
But it's not in my price range. | 0:22:36 | 0:22:38 | |
Euphemistically put. | 0:22:38 | 0:22:40 | |
But I'm sure he can come up with something that will get | 0:22:40 | 0:22:42 | |
noticed that the auction. | 0:22:42 | 0:22:45 | |
IN A SCOTTISH ACCENT: Berwick Rangers, 4. Rest of the World, 0. | 0:22:45 | 0:22:50 | |
Noticed, Charlie, not thumped. | 0:22:50 | 0:22:52 | |
Arts And Crafts candlesticks. | 0:22:52 | 0:22:54 | |
I thought they were brand-new, but they've got some age. | 0:22:54 | 0:22:57 | |
And aren't they stylish? | 0:22:57 | 0:22:59 | |
And with a ticket price of £38, they are certainly affordable. | 0:22:59 | 0:23:04 | |
Are they from 1910, 1920? | 0:23:04 | 0:23:07 | |
Don't think they're earlier than that. | 0:23:07 | 0:23:10 | |
Made of mahogany, but they've got this wonderful twisted stem | 0:23:10 | 0:23:13 | |
to them which I think is delightful. | 0:23:13 | 0:23:16 | |
And they're practical things. | 0:23:16 | 0:23:18 | |
The great thing about something like this is somebody can | 0:23:18 | 0:23:20 | |
look at them, love them, but use them. | 0:23:20 | 0:23:22 | |
They'd be great on a mahogany dining table with candles in them. | 0:23:22 | 0:23:25 | |
Little candlelit supper. | 0:23:25 | 0:23:27 | |
Me and Margie and a pair of Art Nouveau candlesticks. | 0:23:27 | 0:23:31 | |
Luurv. I feel lurrv coming on. | 0:23:31 | 0:23:34 | |
Let's not get carried away, shall we, Charlie? | 0:23:34 | 0:23:37 | |
Better have a word with Keith first. | 0:23:37 | 0:23:39 | |
Those I would buy at a price... | 0:23:39 | 0:23:41 | |
Well, we usually say 10%. But go on, make me an offer, | 0:23:41 | 0:23:47 | |
see what we can do. | 0:23:47 | 0:23:48 | |
-I'd like to pay £25 for them. -Hmm. | 0:23:48 | 0:23:51 | |
Probably a bit mean, | 0:23:51 | 0:23:52 | |
but I think they'll probably make between 30 and 40 quid at auction. | 0:23:52 | 0:23:56 | |
-Yeah. -And that would give me a chance. | 0:23:56 | 0:23:59 | |
Could I tweak you up a little bit? | 0:23:59 | 0:24:01 | |
Could I get you up another couple of pounds, say 28, | 0:24:01 | 0:24:05 | |
so we are taking £10 off for you? | 0:24:05 | 0:24:08 | |
I think that's extremely fair. | 0:24:08 | 0:24:10 | |
£28 I think... what can you buy at £28 these days? | 0:24:10 | 0:24:15 | |
-A wonderful pair of candlesticks. I'm going to have those. -Good. | 0:24:15 | 0:24:19 | |
And thank you, very much indeed. | 0:24:19 | 0:24:21 | |
That was all very convivial, wasn't it? | 0:24:21 | 0:24:23 | |
And straightaway, Charlie's spotted something else. | 0:24:23 | 0:24:26 | |
I think that is so stylish. | 0:24:26 | 0:24:28 | |
Art Nouveau, it's such a stylish Art Nouveau jug. | 0:24:28 | 0:24:31 | |
I think it's really charming. But it's got no price on it. | 0:24:31 | 0:24:35 | |
If it was ever so cheap, I would buy it. | 0:24:35 | 0:24:37 | |
Time for the dealer to be consulted. | 0:24:37 | 0:24:40 | |
I'd be intrigued to find out is who JS&S are. | 0:24:40 | 0:24:43 | |
Well, Joseph Sankey and Sons of Bilston in the Black Country...actually. | 0:24:43 | 0:24:48 | |
For the purposes of auction, I've got five lots. | 0:24:48 | 0:24:52 | |
I would have to put them with the candlesticks. | 0:24:52 | 0:24:54 | |
I don't think that's too bad, they both have an Art Nouveau influence. | 0:24:54 | 0:24:57 | |
This is pure Art Nouveau. Those are more Arts And Crafts movement. | 0:24:57 | 0:25:01 | |
How does £10 sound? | 0:25:01 | 0:25:04 | |
I couldn't really resist that, could I? | 0:25:04 | 0:25:08 | |
There's not a lot of downside, is there? Tenner! | 0:25:08 | 0:25:10 | |
Right. | 0:25:10 | 0:25:12 | |
Deal. | 0:25:13 | 0:25:15 | |
But while Charlie's been completing his collection, | 0:25:15 | 0:25:17 | |
Margie's made for the North Sea coast. | 0:25:17 | 0:25:20 | |
Motoring over from Ford to Bamburgh. | 0:25:21 | 0:25:25 | |
This is the birthplace of Grace Darling, the lighthouse | 0:25:25 | 0:25:28 | |
keeper's daughter whose remarkable act of bravery saved nine lives. | 0:25:28 | 0:25:32 | |
In the Bamburgh churchyard there's an elaborate cenotaph | 0:25:34 | 0:25:37 | |
carved from Northumberland stone, | 0:25:37 | 0:25:40 | |
which was built to honour their Victorian heroine. | 0:25:40 | 0:25:42 | |
It all happened in the early hours of 7th September 1838, | 0:25:45 | 0:25:48 | |
when Grace and her father William | 0:25:48 | 0:25:50 | |
set out from the Longstone lighthouse in a violent storm | 0:25:50 | 0:25:55 | |
to rescue survivors of the SS Forfarshire from the rocks it had foundered upon. | 0:25:55 | 0:26:01 | |
100 years later, a museum was opened in Bamburgh | 0:26:04 | 0:26:07 | |
to commemorate the events of that incredible night. | 0:26:07 | 0:26:10 | |
And Margie's here to learn more about Grace's story. | 0:26:10 | 0:26:13 | |
-Good morning, Virginia. -Good morning. | 0:26:13 | 0:26:16 | |
I've been really looking forward to this visit. | 0:26:16 | 0:26:18 | |
-Well, it's lovely to see you and this is Grace. -This is Grace. | 0:26:18 | 0:26:21 | |
Grace Darling, what a fabulous name. | 0:26:21 | 0:26:23 | |
After the rescue, it seemed that everyone | 0:26:23 | 0:26:25 | |
wanted to know about Grace and artists clamoured to paint | 0:26:25 | 0:26:29 | |
her picture while poets and playwrights extolled her heroism. | 0:26:29 | 0:26:33 | |
-She was a pop star? -Very much. | 0:26:33 | 0:26:35 | |
She was the pinup of her day. | 0:26:35 | 0:26:37 | |
She had offers of marriage from people who had never met her. | 0:26:37 | 0:26:41 | |
And she really did become the darling of everybody's heart. | 0:26:41 | 0:26:46 | |
Shy Grace shrank from all that attention, much of which was | 0:26:46 | 0:26:50 | |
due to her father's even more heroic actions that night. | 0:26:50 | 0:26:54 | |
Her celebrity still became an industry, | 0:26:54 | 0:26:56 | |
with the family coble boat a key exhibit. | 0:26:56 | 0:27:00 | |
# Grace Darling... | 0:27:00 | 0:27:02 | |
# All the way. # | 0:27:02 | 0:27:04 | |
And here we have Grace's coble. | 0:27:04 | 0:27:06 | |
The coble. | 0:27:06 | 0:27:07 | |
Just a phenomenal boat. | 0:27:07 | 0:27:09 | |
You can see how large it is for one girl. | 0:27:09 | 0:27:12 | |
I imagined it to be smaller. How could she row that? | 0:27:12 | 0:27:15 | |
Well, she would have had a lot of strength | 0:27:15 | 0:27:17 | |
-and an awful lot of adrenaline going through. -5'2"? | 0:27:17 | 0:27:19 | |
5'2", yes. Not much to her. | 0:27:19 | 0:27:22 | |
-Are those the original oars, Virginia? -Yes, they are. | 0:27:22 | 0:27:24 | |
And we would also have the mast, but that has disappeared somewhere. | 0:27:24 | 0:27:29 | |
One of Grace's relatives started selling off pieces of oar, | 0:27:29 | 0:27:33 | |
so we don't have all the original oars. | 0:27:33 | 0:27:35 | |
But also we think the mast went the same sort of way. | 0:27:35 | 0:27:38 | |
People would collect just about anything Grace had owned or | 0:27:38 | 0:27:42 | |
touched, as a keepsake to treasure. | 0:27:42 | 0:27:44 | |
Grace was asked by just about anybody | 0:27:44 | 0:27:47 | |
and everybody for little bits of her, literally. | 0:27:47 | 0:27:50 | |
So a scrap of hair, a piece of the dress she wore, | 0:27:50 | 0:27:53 | |
so we've got two examples here. | 0:27:53 | 0:27:55 | |
Of course, when people received these, and Grace almost never said no, | 0:27:55 | 0:27:58 | |
people would have framed them up, put them proudly on display | 0:27:58 | 0:28:02 | |
and say, "I have a bit of Grace Darling". This is fabulous. | 0:28:02 | 0:28:05 | |
The Duke of Northumberland became Grace's patron and he gave | 0:28:05 | 0:28:10 | |
her a variety of different gifts, including this book. | 0:28:10 | 0:28:12 | |
The Notes In The Study of Holy Scriptures. | 0:28:12 | 0:28:16 | |
Grace was brought up very much as a Christian girl. | 0:28:16 | 0:28:19 | |
-She would have been really interested in this. -She'd never have owned that, would she? | 0:28:19 | 0:28:23 | |
She would never have owned that without the rescue, no. | 0:28:23 | 0:28:25 | |
-And finally... -Look at that. -..Grace Darling chocolates. | 0:28:25 | 0:28:28 | |
I love this object because it tells us | 0:28:28 | 0:28:30 | |
-so much about the way Grace is seen today. -Look at that lovely picture. | 0:28:30 | 0:28:34 | |
Don't you think it's lovely? Have you noticed the colour of her hair? | 0:28:34 | 0:28:38 | |
-And the colour of her eyes? -Yes. | 0:28:38 | 0:28:40 | |
Well, she's suddenly gone blonde and white. | 0:28:40 | 0:28:42 | |
-Making her into a bit of a glamour girl. -Well, quite. | 0:28:42 | 0:28:45 | |
Sadly, Grace was to die from TB just four years later, at the age of 26. | 0:28:47 | 0:28:53 | |
But she was the first woman to be awarded a silver medal | 0:28:54 | 0:28:57 | |
by the fledgling RNLI. | 0:28:57 | 0:29:00 | |
And the museum provides a link between what Grace | 0:29:00 | 0:29:03 | |
and her father achieved and the bravery of volunteers today. | 0:29:03 | 0:29:07 | |
We've got so many volunteer crew doing so many wonderful things, | 0:29:07 | 0:29:10 | |
day in, day out, and modern-day Graces. | 0:29:10 | 0:29:13 | |
-I bet you didn't know 8% of our crews are girls these days. -Really? | 0:29:13 | 0:29:16 | |
# Grace Darling all the way. # | 0:29:16 | 0:29:20 | |
Now, remember how Charlie completed his shopping a little earlier? | 0:29:22 | 0:29:26 | |
So, whilst his co-driver has been exploring Bamburgh, | 0:29:26 | 0:29:30 | |
he's headed for the coast, | 0:29:30 | 0:29:32 | |
journeying from Ford | 0:29:32 | 0:29:34 | |
back into Scotland and Coldingham. | 0:29:34 | 0:29:36 | |
There's a very fine ruined monastery just outside the village, | 0:29:40 | 0:29:44 | |
bits of which the date from 660. | 0:29:44 | 0:29:47 | |
That Charlie has another bit of Coldingham in mind. The beach. | 0:29:47 | 0:29:51 | |
Oh, Lord, here goes. | 0:29:51 | 0:29:52 | |
Margie, I've finished my shopping. Do you fancy joining a hunk for a dip? | 0:29:56 | 0:30:02 | |
Unfortunately for Charlie, | 0:30:06 | 0:30:07 | |
the surf most definitely isn't up today. | 0:30:07 | 0:30:11 | |
At least he won't be troubling the Coast Guard. Go on, up you go! | 0:30:11 | 0:30:14 | |
Oh, dear. Elsewhere in the village, Margie still has a bit of shopping. | 0:30:16 | 0:30:21 | |
-Hello, I'm Jane. -Margie. -If you need any help, just ask. | 0:30:23 | 0:30:26 | |
Thank you very much indeed. | 0:30:26 | 0:30:27 | |
That's sounded full of promise, didn't it? | 0:30:27 | 0:30:30 | |
-Well, things haven't exactly turned out that way. -Nice silvery bits. | 0:30:30 | 0:30:34 | |
-Well, they are silver plate. We never have real silver. -Right. | 0:30:34 | 0:30:39 | |
-And there's a couple of bureaus there. -Bureaus? | 0:30:39 | 0:30:42 | |
Yes, I'm a bit off furniture at the moment. | 0:30:42 | 0:30:47 | |
-This is a nice jug. But it's got a crack in it, hasn't it? -Lordy. | 0:30:47 | 0:30:51 | |
And there's also that ship sign which is rather nice, | 0:30:51 | 0:30:54 | |
-but whether that's antique or not, I don't know. -No, it's not. | 0:30:54 | 0:30:57 | |
It came off a pub. | 0:30:57 | 0:30:59 | |
I tell you what, Jane, you get 10 out of 10 for effort. | 0:30:59 | 0:31:02 | |
-Patience, too, I'd say. -Nowhere near for me. Am I being fussy, or what? | 0:31:03 | 0:31:09 | |
Just buy something, Margie. | 0:31:09 | 0:31:11 | |
You've got lots of jugs and things, haven't you? | 0:31:11 | 0:31:14 | |
A real porcelain person, aren't you? | 0:31:14 | 0:31:16 | |
-What about this Highlander? -Oh, yes. | 0:31:16 | 0:31:19 | |
-Again, he might be a reproduction. -Yes, I think he probably is. | 0:31:19 | 0:31:23 | |
The price is £20. | 0:31:23 | 0:31:25 | |
It's quite a nice thing cos the colour's good on it. | 0:31:25 | 0:31:28 | |
Well, Charlie bagged something with a Scottish theme yesterday. | 0:31:28 | 0:31:31 | |
He's got a big chunk off his hat. Oh, dear, his feather's come off! | 0:31:31 | 0:31:34 | |
-It has, yes. -Could that be an absolute knockdown? | 0:31:34 | 0:31:38 | |
-So I don't leave with nothing. -Yes. | 0:31:38 | 0:31:41 | |
-Yes. -What are you looking for? | 0:31:41 | 0:31:44 | |
-It's got to be five quid. -OK. -OK. We've bought. -We'll do that. | 0:31:47 | 0:31:51 | |
-We've bought. -Phew! | 0:31:53 | 0:31:55 | |
With that struggle safely over, | 0:31:55 | 0:31:57 | |
it's now time to take a look at what they bought. | 0:31:57 | 0:31:59 | |
-Happy with your purchases? -Some and some. How was it for you? -Not bad. | 0:31:59 | 0:32:04 | |
-Let's start. -Oh, start, good grief! What have you got there? | 0:32:04 | 0:32:08 | |
You've got a brass standard lamp. | 0:32:08 | 0:32:10 | |
-With a nice big... -I like the bulb. -Right, seen it? -Yes, I have. | 0:32:10 | 0:32:15 | |
-Because the wind is going to blow it. -That's absolutely fine. | 0:32:15 | 0:32:19 | |
Come on, let's... Oh! | 0:32:19 | 0:32:22 | |
What about her mugs, Charlie? | 0:32:22 | 0:32:24 | |
You've been dealing in Prattware. | 0:32:24 | 0:32:26 | |
Do you know, this is something I'm often accused of. | 0:32:26 | 0:32:29 | |
-Yesterday's antiques. -They are. -Aren't they? | 0:32:29 | 0:32:33 | |
They're just unfashionable now, aren't they? | 0:32:33 | 0:32:35 | |
-That's fun and quirky. If that was cheap, it'll sell for £25-£30. -£15. | 0:32:35 | 0:32:40 | |
That's fine. | 0:32:40 | 0:32:42 | |
He could test Charlie's approbation. | 0:32:42 | 0:32:45 | |
-There's a story here. -There needs to be a story behind that. | 0:32:45 | 0:32:48 | |
It needs to be made of gold, really. | 0:32:48 | 0:32:50 | |
My last call was a little bit sort of, you know... | 0:32:50 | 0:32:52 | |
-Was that the best thing in the shop? -It was a bric-a-brac. | 0:32:52 | 0:32:55 | |
And she was so sweet, she was so persistent | 0:32:55 | 0:32:57 | |
and she just kept offering and offering. | 0:32:57 | 0:32:59 | |
I hope she gave you a discount on this £20 asking price. | 0:32:59 | 0:33:02 | |
I paid a fiver. I thought his plume was missing, | 0:33:02 | 0:33:05 | |
but when I came out, his head's been off. | 0:33:05 | 0:33:06 | |
-But are going to Scotland. -We are. | 0:33:06 | 0:33:08 | |
Right, Margie, let me show you my absolutely stunning purchases. | 0:33:08 | 0:33:13 | |
-Ah! Oh, my word. -What do you think? -Yes, those are lovely. | 0:33:13 | 0:33:17 | |
Those are fab, I really like those. | 0:33:17 | 0:33:20 | |
-What are they worth? -60 quid. | 0:33:20 | 0:33:23 | |
Yeah, cost £28. | 0:33:23 | 0:33:24 | |
-How good is that? -There's a profit. | 0:33:24 | 0:33:26 | |
-I -bought something because we're going to Scotland, a bit of silver. | 0:33:26 | 0:33:29 | |
This is a very light... | 0:33:29 | 0:33:31 | |
Yes, it is, I'm looking forward to being shot down in flames | 0:33:31 | 0:33:34 | |
-with this because this is your... -It's part of a necklace, really. | 0:33:34 | 0:33:38 | |
It's eight grams. So I thought it's worth 80 quid. | 0:33:38 | 0:33:43 | |
-It's not worth 80 quid. -Well, it cost 50 quid. -Oh, you'll make a few quid. | 0:33:43 | 0:33:47 | |
-It'll make something. -Between 15 and 20 quid. -Here's my coup de grace. | 0:33:47 | 0:33:51 | |
-And what a nice thing it is. -I shouldn't have bought it, should I? | 0:33:51 | 0:33:54 | |
Well, I wouldn't have touched it with a barge pole, personally. | 0:33:54 | 0:33:57 | |
-It's what they call brown furniture. -But it's small, it's compact. | 0:33:57 | 0:34:01 | |
It's got original handles. It's about 1820. | 0:34:01 | 0:34:04 | |
-It needs some TLC. -It does. | 0:34:04 | 0:34:07 | |
-How much did you pay? -55. | 0:34:07 | 0:34:09 | |
Oh, goodness gracious. 200-year-old Georgian. | 0:34:09 | 0:34:12 | |
-Unbelievably cheap. -Georgian furniture. | 0:34:12 | 0:34:15 | |
-Yeah, that's why I walked past it personally. -OK, honey, come on. | 0:34:15 | 0:34:19 | |
But what did they really think? | 0:34:19 | 0:34:22 | |
Not particularly worried about Charlie's purchases. | 0:34:22 | 0:34:26 | |
But neither am I very optimistic about my purchases either. | 0:34:26 | 0:34:31 | |
I love the Prattware mugs. | 0:34:31 | 0:34:33 | |
But one's got a crack and Prattware is a bit passe nowadays | 0:34:33 | 0:34:36 | |
and they cost £55. | 0:34:36 | 0:34:38 | |
I think they could be her Achilles heel. | 0:34:38 | 0:34:41 | |
His candlesticks are nice and they are cheap and very stylish. | 0:34:41 | 0:34:44 | |
She really liked my candlesticks, didn't she? | 0:34:44 | 0:34:48 | |
She's got more money left in her purse, but candlesticks to the fore! | 0:34:48 | 0:34:54 | |
After setting out at Jedburgh, | 0:34:54 | 0:34:55 | |
today's opening encounter will conclude in Scotland's capital city. | 0:34:55 | 0:34:59 | |
Well, not actually in the centre, but in Leith, | 0:35:01 | 0:35:04 | |
which serves as Edinburgh's port on the Firth of Forth. | 0:35:04 | 0:35:07 | |
Famous for shipbuilding, | 0:35:07 | 0:35:09 | |
they also wrote the rules of golf here back in 1744. | 0:35:09 | 0:35:12 | |
Plus, the sun is shining on Leith. | 0:35:12 | 0:35:15 | |
There's a song in that, you know. | 0:35:15 | 0:35:16 | |
# Sunshine on Leith... # | 0:35:16 | 0:35:20 | |
This is where you're going to make a fortune, young lady. | 0:35:20 | 0:35:24 | |
How to turn 200 quid into half a million. | 0:35:25 | 0:35:29 | |
Welcome to Ramsay Cornish, | 0:35:29 | 0:35:31 | |
where Leithers have gathered to inspect the wares while | 0:35:31 | 0:35:35 | |
auctioneer Martin Cornish seems to have a soft spot for the Sunbeam. | 0:35:35 | 0:35:40 | |
-You've got lovely leather seats and upholstery. -Who, Margie? | 0:35:40 | 0:35:43 | |
Charlie began with £200 and he's spent almost all of it, | 0:35:44 | 0:35:48 | |
a total of £178 on five auction lots. | 0:35:48 | 0:35:51 | |
-A tenner. -Right. | 0:35:51 | 0:35:53 | |
Whilst Margie, who also started out with £200, has spent a little less, | 0:35:53 | 0:35:58 | |
parting with £135, also on five auction lots. | 0:35:58 | 0:36:02 | |
The auction approaches | 0:36:02 | 0:36:04 | |
and there's something Charlie needs to get off his chest. | 0:36:04 | 0:36:07 | |
I ought to warn you, if I lose money on anything, I tend to cry. | 0:36:07 | 0:36:12 | |
Up first, Margie's duplicating set. | 0:36:13 | 0:36:16 | |
If I make a fiver, I'll be very happy. | 0:36:16 | 0:36:19 | |
What, profit? Or a fiver in total? | 0:36:19 | 0:36:22 | |
I think it might be a fiver in total. | 0:36:22 | 0:36:24 | |
£30, 20 for this. | 0:36:24 | 0:36:26 | |
20 for the duplicating set. 20 I'm bid. | 0:36:26 | 0:36:30 | |
20 I'm bid for it. At £20 I'm bid. 25, 30. | 0:36:30 | 0:36:35 | |
At £30. Last call at 30. | 0:36:35 | 0:36:37 | |
# Double your money And try to get rich... # | 0:36:39 | 0:36:42 | |
Good start, Margie. | 0:36:42 | 0:36:45 | |
I'm travelling with a genius. | 0:36:45 | 0:36:47 | |
Time for Charlie's very Scottish-looking pickle fork. | 0:36:48 | 0:36:51 | |
-I hope you don't get in a pickle with it. -Ha-ha-ha. | 0:36:51 | 0:36:56 | |
£10 to start it. | 0:36:56 | 0:36:57 | |
A little pickle fork. 10 I'm bid. 12, 14, 16. | 0:36:57 | 0:37:00 | |
18, 20. 22, 24, 26. | 0:37:00 | 0:37:04 | |
-At 26. On my right, last call. -That will do. -£20. | 0:37:04 | 0:37:09 | |
There'll be no tears yet, then. | 0:37:09 | 0:37:11 | |
It's not the sort of profits you're used to, but in my humble way... | 0:37:11 | 0:37:15 | |
-You've made six pounds. -Not after commission. | 0:37:15 | 0:37:18 | |
What about the chain he almost overlooked? | 0:37:18 | 0:37:21 | |
30 to start it. 20. | 0:37:21 | 0:37:24 | |
20 I'm bid. 25, 35, 40. £40. | 0:37:24 | 0:37:29 | |
-There's a phone bid coming in. 45. 50. -There you go. | 0:37:30 | 0:37:35 | |
-55, 60. -Getting there. Need a bit more. | 0:37:36 | 0:37:40 | |
At 60. | 0:37:40 | 0:37:42 | |
Standing at the back at £60. Last call at 60. | 0:37:42 | 0:37:46 | |
-It's away. -It's about right. -Oh! | 0:37:46 | 0:37:48 | |
A profit, but a little less than he hoped for. | 0:37:48 | 0:37:51 | |
Is it lilac or has it gone in with the...something red? | 0:37:51 | 0:37:55 | |
Steady on, Charlie. | 0:37:55 | 0:37:57 | |
Let's see how Margie's footstool fares. | 0:37:57 | 0:38:00 | |
I've got a bit of a feeling about your stool. | 0:38:00 | 0:38:03 | |
Have you really? Tell me. | 0:38:03 | 0:38:04 | |
It's mixed. I think it's either going to make 15 quid or 65 quid. | 0:38:04 | 0:38:10 | |
30 for this to start it quickly. | 0:38:10 | 0:38:12 | |
-He knows his values, doesn't he? -35, 40. | 0:38:12 | 0:38:14 | |
-45, 50, 55, 60. At £60. -60! | 0:38:14 | 0:38:19 | |
You have it in the back. | 0:38:19 | 0:38:21 | |
Do you know, I've met some rich women in my time, | 0:38:21 | 0:38:24 | |
but you are the richest. You're doubling up on everything. | 0:38:24 | 0:38:28 | |
Yes, perhaps she will need that hanky, Charlie. | 0:38:28 | 0:38:31 | |
-Are you getting a bit miffed on the quiet? -I'm British. | 0:38:31 | 0:38:35 | |
I'm not really happy unless I'm losing. | 0:38:35 | 0:38:38 | |
Chin up, Charlie, it's your snuffbox next. | 0:38:38 | 0:38:41 | |
-£10 to start it, little snuffbox. -Should fetch 30, shouldn't it? | 0:38:41 | 0:38:45 | |
10 I'm bid, 12. 14, 16, 18. | 0:38:45 | 0:38:49 | |
-20. -Good man. -22. -He's bidding. -You'll get it, keep going. 26. | 0:38:49 | 0:38:54 | |
26, 28. At 28. | 0:38:54 | 0:38:58 | |
-In the back at 28. -Well done. -Did you hear what he said? -What? | 0:38:58 | 0:39:03 | |
He said it'd better be worth it. | 0:39:03 | 0:39:05 | |
Almost double your money there, Charlie. | 0:39:05 | 0:39:07 | |
Although it will be less after auction costs. | 0:39:07 | 0:39:10 | |
What about Margie's old-fashioned mugs? | 0:39:10 | 0:39:13 | |
-Look, he's got the telephone ready. The telephone is ready. -Where? | 0:39:13 | 0:39:17 | |
-There. -50 to start them quickly. 50 I'm bid. | 0:39:17 | 0:39:20 | |
55, 60, five, 70, 75, 80. | 0:39:20 | 0:39:25 | |
85, 90, 95, 100. | 0:39:25 | 0:39:27 | |
At £100. On commission with me at £100 now. | 0:39:29 | 0:39:33 | |
Last call at 100. | 0:39:33 | 0:39:36 | |
-Oh, Margie. -There's a definite pattern forming here. | 0:39:36 | 0:39:40 | |
She's doubled again. | 0:39:40 | 0:39:42 | |
Terrific. | 0:39:42 | 0:39:43 | |
Now for Charlie's lovely bit of Georgian. His biggest buy. | 0:39:44 | 0:39:49 | |
-Do we have faith in English furniture? -Yes, it'll make 95 quid. | 0:39:49 | 0:39:53 | |
I need it to make a little bit more than £95. | 0:39:53 | 0:39:57 | |
50 to start it quickly? 50 I'm bid, 55, | 0:39:57 | 0:40:01 | |
60. 65, 70, 75, 80. 85, 90. | 0:40:01 | 0:40:06 | |
95, 100. 110. 110 in the back. | 0:40:06 | 0:40:10 | |
At £110 in the back. At 110. | 0:40:10 | 0:40:14 | |
-You have it, 110. -Well done, my friend. -Plant one. | 0:40:15 | 0:40:19 | |
Charlie's day is definitely perking up now. Yet another double. | 0:40:21 | 0:40:25 | |
-Steady, sir. -Do you think we could come here for our next sale? | 0:40:25 | 0:40:28 | |
Can Margie's great run extend to her lamp? | 0:40:28 | 0:40:32 | |
20 for that lot to start it quickly. 20 I'm bid, 25. | 0:40:32 | 0:40:36 | |
-There's a lady bidding already. -40, 45, 50, 55, 60. | 0:40:36 | 0:40:40 | |
-65, 70, 75, 80. -Oh, she's going for it. -85. | 0:40:40 | 0:40:45 | |
Lady's bid down at the front at 85. The last call at 85. | 0:40:45 | 0:40:51 | |
-Well done. -Hang on, I'm going to reciprocate. Put your cheek out. | 0:40:51 | 0:40:55 | |
I think Margie will almost certainly triumph today. | 0:40:57 | 0:41:00 | |
I'm enjoying myself. | 0:41:00 | 0:41:01 | |
-Are you enjoying yourself? -I'm not surprised you are, | 0:41:01 | 0:41:04 | |
-you've made so much money. -You've done all right. -I have. | 0:41:04 | 0:41:08 | |
How about a Scotsman minus his wee feather, of course? | 0:41:08 | 0:41:12 | |
# Oh, flower of Scotland | 0:41:12 | 0:41:15 | |
# When will we see your likes again? # | 0:41:15 | 0:41:19 | |
-His little kilt and socks. -Fantastic, look at him. | 0:41:19 | 0:41:21 | |
Nice 19th-century Staffordshire flatback figure. | 0:41:21 | 0:41:24 | |
30, 20 for him? 20 I'm bid. | 0:41:24 | 0:41:27 | |
-20 I'm bid for the Staffordshire. -It's all I can hope. -20 quid? -At £30. | 0:41:27 | 0:41:32 | |
Last call at £30. At 30. | 0:41:32 | 0:41:36 | |
You have it, 30. | 0:41:36 | 0:41:38 | |
Never mind double, she's several times better off with him. | 0:41:38 | 0:41:42 | |
Finally, Charlie's candlesticks and jug. | 0:41:42 | 0:41:45 | |
Here you go, here you go. | 0:41:45 | 0:41:47 | |
That's a nice little set, that. | 0:41:48 | 0:41:51 | |
50 to start them quickly. 50 I'm bid. | 0:41:51 | 0:41:53 | |
50 I'm bid for the set. At £50. | 0:41:53 | 0:41:55 | |
-55, 60, 65, 70. 75, 80. -No way! | 0:41:55 | 0:41:59 | |
-At £80. At £80. -Not bad, not bad. I'd like a little more. | 0:41:59 | 0:42:05 | |
At 80, you have it on commission, 80. | 0:42:05 | 0:42:07 | |
Another good result, | 0:42:07 | 0:42:08 | |
but Margie's consistent profits have put her on top. | 0:42:08 | 0:42:12 | |
Miss Cooper, Gladys to her friends, | 0:42:12 | 0:42:15 | |
I congratulate you, you've been brilliant. | 0:42:15 | 0:42:18 | |
-Thank you, and so have you. -We've had fun. -We've done well. -We made money. | 0:42:18 | 0:42:22 | |
-Gosh, I can't believe it. -Shall we go for a swim? | 0:42:22 | 0:42:25 | |
Charlie began with £200 and after paying auction costs, | 0:42:28 | 0:42:32 | |
he's made a profit of £71.28. | 0:42:32 | 0:42:35 | |
So he now has £271.28 to spend next time. | 0:42:35 | 0:42:40 | |
Margie also started off with £200, but her Prattware really paid off. | 0:42:41 | 0:42:46 | |
So that after paying auction costs, she made a profit of £115.10, | 0:42:46 | 0:42:51 | |
leaving her with £315.10 and all the bragging rights. | 0:42:51 | 0:42:57 | |
-I say, have I won the day? -You certainly have. | 0:42:57 | 0:43:00 | |
-I don't want to keep rubbing it in. -Just get in that car! | 0:43:00 | 0:43:03 | |
Onward and upward. | 0:43:04 | 0:43:06 | |
Next time on the Antiques Road Trip, Margie get a personal shopper. | 0:43:08 | 0:43:12 | |
-I do like that. -OK. -I haven't said yes yet. -You have. | 0:43:12 | 0:43:15 | |
-While Charlie could do with a Sherpa. -Can I have a clamber? | 0:43:16 | 0:43:20 |