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It's the nation's favourite antique experts, | 0:00:02 | 0:00:04 | |
with £200 each, a classic car... | 0:00:04 | 0:00:06 | |
-We're goin' roond! -..and a goal - to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
I want to spend lots of money. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Oh, no! | 0:00:17 | 0:00:18 | |
-There'll be worthy winners... -Yes! -We've done it. -..and valiant losers. | 0:00:18 | 0:00:23 | |
You are kidding me on. | 0:00:23 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
-What am I doing? -You've got a deal. -This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today, we're back on the road with a couple of rays of sunshine, | 0:00:37 | 0:00:40 | |
Thomas Plant and Anita Manning. | 0:00:40 | 0:00:42 | |
Thomas, the beginning of our second leg. It's an unearthly hour. | 0:00:44 | 0:00:50 | |
The skies are grey, but there's sunshine in our hearts. | 0:00:50 | 0:00:55 | |
-I'm all a-bristle with the frisson of excitement. -Sitting next to me? | 0:00:55 | 0:00:59 | |
-Yes. -SHE LAUGHS | 0:00:59 | 0:01:01 | |
-Tingling in every part of me. -Ooh, steady on, old boy. | 0:01:01 | 0:01:05 | |
Dapper, debonair and full of boyish charm is Thomas Plant. | 0:01:05 | 0:01:09 | |
His passion for antiques buying is boundless. | 0:01:09 | 0:01:12 | |
-Together with dressing up. -Sod this, I'm going to the Alps. | 0:01:12 | 0:01:16 | |
Looking distinctly Doctor Who-ish | 0:01:17 | 0:01:20 | |
is his Road Trip partner, Anita Manning. | 0:01:20 | 0:01:22 | |
She's an experienced auctioneer who just can't resist a compliment. | 0:01:22 | 0:01:25 | |
Even if it's doubled-edged. | 0:01:25 | 0:01:27 | |
Must have been a really lovely little lassie when you were younger. | 0:01:27 | 0:01:30 | |
-Well, you're lovely now. -Well, I'm a lovely wee lassie now that I'm old. | 0:01:30 | 0:01:33 | |
-THEY LAUGH -Charming(!) | 0:01:33 | 0:01:35 | |
They both started the trip with £200, | 0:01:35 | 0:01:37 | |
but after the last auction, | 0:01:37 | 0:01:39 | |
Thomas sits on the miserly sum of only £162.66, | 0:01:39 | 0:01:43 | |
whilst Anita has seen her money dwindle | 0:01:43 | 0:01:46 | |
to a miserable £149.44, poor girl. | 0:01:46 | 0:01:50 | |
We'll get less than what we started with. | 0:01:50 | 0:01:53 | |
Are we going to have to be a wee bit canny today? | 0:01:53 | 0:01:56 | |
So they really need to brighten up | 0:01:58 | 0:02:00 | |
and bag some bargains in this sunshine-yellow 1968 Lotus Elan. | 0:02:00 | 0:02:05 | |
-I'm not used to grey skies cos I come from Scotland. -Well... | 0:02:07 | 0:02:11 | |
And it's always Mediterranean climate in Scotland. | 0:02:11 | 0:02:14 | |
Thomas and Anita will travel over 550 miles | 0:02:19 | 0:02:21 | |
from the village of Redbourn in Hertfordshire, | 0:02:21 | 0:02:24 | |
all the way to the town of Maidstone in Kent. | 0:02:24 | 0:02:28 | |
Today, they'll start in the Cotswolds town of Tetbury | 0:02:28 | 0:02:31 | |
before finishing at auction nearly 100 miles away | 0:02:31 | 0:02:33 | |
in Chiswick in West London. | 0:02:33 | 0:02:35 | |
-I'm heading to Bristol. My city. -A Bristolian at heart. -Yes. | 0:02:37 | 0:02:44 | |
-Body and soul. -Body and soul. | 0:02:44 | 0:02:46 | |
And I'm thinking...if I have time | 0:02:46 | 0:02:49 | |
to squeeze a little bit of lunch in with my mummy. | 0:02:49 | 0:02:52 | |
-Oh, you're going to visit your mum? -Yeah. | 0:02:52 | 0:02:55 | |
-Thomas, keep your mind on the job! -Aye! | 0:02:55 | 0:02:59 | |
But before Thomas sees Mummy Dearest, | 0:02:59 | 0:03:01 | |
it's time to offload Anita | 0:03:01 | 0:03:03 | |
onto the mean streets of the Cotswolds town of Tetbury. | 0:03:03 | 0:03:07 | |
Nearby is Highgrove, home to His Royal Highness, Prince Charles, | 0:03:07 | 0:03:11 | |
but how will the Queen of Antiques get on here? | 0:03:11 | 0:03:13 | |
-But it's raining. -I know. I've got my hat on. -OK. | 0:03:13 | 0:03:17 | |
If I drive fast enough, I won't get wet. | 0:03:17 | 0:03:20 | |
-Go easy, darling. -Enjoy Tetbury. -Bye-bye. -Bye-bye. | 0:03:22 | 0:03:25 | |
It's the first shop of the day for Anita at the curiously named | 0:03:25 | 0:03:29 | |
Top Banana Antiques Mall. But will she make more than peanuts in here? | 0:03:29 | 0:03:35 | |
Time to meet owner Julian. | 0:03:35 | 0:03:38 | |
-Ah, Anita. Hi. -Hi, I'm Anita. -Lovely to see you. | 0:03:38 | 0:03:41 | |
-This is a huge place with a labyrinth of rooms and corridors. -Aye. | 0:03:41 | 0:03:48 | |
Anita is having a good nosey, but what's on her mind? | 0:03:48 | 0:03:50 | |
I want to spend lots of money. | 0:03:52 | 0:03:54 | |
But I know that I have to be really, really careful at this bit, | 0:03:54 | 0:03:57 | |
or I could go down really quite low and I don't want that to happen. | 0:03:57 | 0:04:03 | |
I want to make profit this time. | 0:04:03 | 0:04:05 | |
-On everything. -On everything? | 0:04:05 | 0:04:08 | |
Well, an admirable ambition, but first, I think | 0:04:08 | 0:04:10 | |
-you ought to try and buy something. -I'm quite interested in this dragon. | 0:04:10 | 0:04:16 | |
I can't see it properly. | 0:04:17 | 0:04:18 | |
I'm going to get Julian to get it out and let me have a proper look. | 0:04:18 | 0:04:22 | |
Julian! | 0:04:22 | 0:04:24 | |
-Hi. -Oh! SHE LAUGHS | 0:04:24 | 0:04:28 | |
This dragon winked at me as I approached the cabinet, | 0:04:28 | 0:04:32 | |
and I wondered if I could have a closer look. | 0:04:32 | 0:04:35 | |
Do you know, Julian, I feel like a kid in a sweetie shop in here. | 0:04:35 | 0:04:40 | |
-Brilliant. -It's absolutely wonderful. -Let me get it out for you. | 0:04:40 | 0:04:43 | |
-Watch the old tail. -All right. | 0:04:43 | 0:04:45 | |
-If we're selling this by weight, we're going to be fine. -Oh, right. | 0:04:45 | 0:04:48 | |
-Is it 18 carat gold? -Definitely. -THEY LAUGH | 0:04:48 | 0:04:51 | |
-18 carat brass, maybe! -Ah, right. I thought he was quite splendid. | 0:04:51 | 0:04:57 | |
Sort of ferocious-looking. | 0:04:57 | 0:04:59 | |
-I think it's probably for fruit or something, I could expect. -Yeah. | 0:04:59 | 0:05:02 | |
-First part of the 20th century. -Yes, I would think probably 1920s, '30s. | 0:05:02 | 0:05:07 | |
Maybe even 1900. | 0:05:07 | 0:05:08 | |
This fiery fellow probably once held incense | 0:05:08 | 0:05:12 | |
and would have been used in Buddhistic religious ceremonies. | 0:05:12 | 0:05:16 | |
He has a price of £30. | 0:05:16 | 0:05:19 | |
-I actually think we would be happy to take £20 for it. -£20? -Yeah. | 0:05:19 | 0:05:25 | |
Put your hand there, sir. That's wonderful! | 0:05:25 | 0:05:29 | |
A third off straightaway, eh? | 0:05:29 | 0:05:31 | |
-That's a great bargain without even a haggle. -Great, yeah. I like it. | 0:05:31 | 0:05:34 | |
Roar! SHE LAUGHS | 0:05:34 | 0:05:37 | |
-Let's hope it will roar into profit. -Yep, we'll see. | 0:05:37 | 0:05:42 | |
-Now, anything else catch your fancy? -I know what this is. | 0:05:43 | 0:05:47 | |
This is a SylvaC dog. | 0:05:47 | 0:05:48 | |
And SylvaC is a factory famed for ceramics from the 1930s, | 0:05:48 | 0:05:53 | |
particularly of animals. | 0:05:53 | 0:05:54 | |
These SylvaC dogs and little SylvaC rabbits and other animals | 0:05:54 | 0:05:58 | |
were made in the 1930s and they were very, very popular. | 0:05:58 | 0:06:03 | |
But I haven't seen a teapot and this is a teapot. | 0:06:03 | 0:06:10 | |
So it's quite an unusual piece. | 0:06:10 | 0:06:13 | |
And if you wanted a cup of tea, you would pour it out of, | 0:06:13 | 0:06:17 | |
erm...this dog's nose. And I think that that's a lot of fun. | 0:06:17 | 0:06:23 | |
Now, they have gone down in price in auction, but because it's a teapot | 0:06:23 | 0:06:28 | |
and because it's a wee bit unusual, I think I might have a wee blast on it. | 0:06:28 | 0:06:33 | |
What do you think? | 0:06:34 | 0:06:36 | |
Sausages! | 0:06:36 | 0:06:37 | |
He thinks I should have a nice cup of tea as well. Julian! | 0:06:37 | 0:06:41 | |
There's no ticket price, so what can Anita get it for? | 0:06:41 | 0:06:44 | |
-What would be the very, very, very, very... -We're getting... -..very... | 0:06:44 | 0:06:51 | |
-There's a lot of "verys" there. -Yeah. -A lot of "verys." | 0:06:51 | 0:06:54 | |
-Let's have a look. -It's just because they're not popular anymore. -£20. | 0:06:54 | 0:07:00 | |
-Och, let's go for it. -Fantastic. -Another bargain, eh? | 0:07:00 | 0:07:03 | |
I think Anita's charm has paid off here. | 0:07:03 | 0:07:05 | |
Now that I've bought the teapot, can you make me a nice cup of tea? | 0:07:05 | 0:07:08 | |
-Definitely, I shall. -Let's go. -Off immediately. Cheers. | 0:07:08 | 0:07:12 | |
So, Anita's haul in her first shop | 0:07:12 | 0:07:15 | |
has been the SylvaC teapot for £20... | 0:07:15 | 0:07:18 | |
Look at that. It even pours. And cheers, Anita. Fantastic. | 0:07:18 | 0:07:21 | |
-It's been a great pleasure. -..and the old dragon, also for £20. | 0:07:21 | 0:07:26 | |
Now, back to Thomas. | 0:07:30 | 0:07:31 | |
He's making his way 23 miles south to the village of Frenchay | 0:07:31 | 0:07:35 | |
on the outskirts of his hometown, Bristol. | 0:07:35 | 0:07:38 | |
Frenchay was notable for the large number of Quakers | 0:07:38 | 0:07:41 | |
who settled there in the 17th century. | 0:07:41 | 0:07:44 | |
The Quakers were a non-conformist religious sect | 0:07:44 | 0:07:47 | |
who split from the established Church of England. | 0:07:47 | 0:07:51 | |
Thomas has come to the tiny Frenchay museum | 0:07:51 | 0:07:53 | |
to discover how one entrepreneurial Quaker family | 0:07:53 | 0:07:57 | |
went from small-time chemists | 0:07:57 | 0:07:59 | |
to kick-starting a billion pound industry. | 0:07:59 | 0:08:01 | |
His guide is local man, Alan Freke. | 0:08:01 | 0:08:04 | |
-So, Alan. -Yes. -I'm a local boy. I'm a Bristol boy. | 0:08:04 | 0:08:10 | |
And here we are in Frenchay. | 0:08:10 | 0:08:13 | |
Tell me, if I was being correct in Bristol, | 0:08:13 | 0:08:15 | |
what are you going to learn me about today? | 0:08:15 | 0:08:17 | |
-The Fry family, who were famous for making chocolate. -Really? | 0:08:17 | 0:08:21 | |
-Let's go and have a look. -OK. | 0:08:21 | 0:08:22 | |
The Fry family first tasted success in the 18th century | 0:08:25 | 0:08:29 | |
when their drinking chocolate was sold as an alternative to alcohol. | 0:08:29 | 0:08:33 | |
But it was in 1847 when Frenchay man Joseph Fry hit upon the idea | 0:08:33 | 0:08:38 | |
of a solid chocolate bar to eat. | 0:08:38 | 0:08:40 | |
There had been attempts to make chocolate bars | 0:08:40 | 0:08:43 | |
but they were all dry and crumbly. | 0:08:43 | 0:08:44 | |
His trick was to use the cocoa butter | 0:08:44 | 0:08:47 | |
extracted from the beans to mix with the chocolate | 0:08:47 | 0:08:50 | |
so you got something that, when you put it in your mouth, | 0:08:50 | 0:08:53 | |
melted in your mouth. Perfect. | 0:08:53 | 0:08:56 | |
But nobody bought it. | 0:08:56 | 0:08:58 | |
-Nobody bought it? -Well, chocolate's a drink. | 0:08:58 | 0:09:02 | |
If you went in the supermarket tomorrow | 0:09:02 | 0:09:03 | |
and saw on the shelf a bar of tea, would you buy it? | 0:09:03 | 0:09:06 | |
-Hmm...no. -Well, that's it. | 0:09:07 | 0:09:09 | |
People went in, they saw a bar of chocolate and thought, | 0:09:09 | 0:09:11 | |
"What's that?" | 0:09:11 | 0:09:13 | |
But then, at the Great Exhibition of 1851, Fry's took a stand, | 0:09:13 | 0:09:18 | |
displayed their chocolate, were giving away samples, | 0:09:18 | 0:09:21 | |
and the rest is history. | 0:09:21 | 0:09:24 | |
It was a marketing masterstroke | 0:09:24 | 0:09:26 | |
that made life sweet for the Quaker business. | 0:09:26 | 0:09:28 | |
Here in Frenchay is one of those original 1851 bars. | 0:09:28 | 0:09:33 | |
-And those are the ones they gave away? -Well, no. | 0:09:34 | 0:09:36 | |
-I imagine they would give small samples. -Little, small samples. | 0:09:36 | 0:09:39 | |
But that would have been part of a display of bars. | 0:09:39 | 0:09:42 | |
God, the thing about chocolate, it doesn't go off, does it? | 0:09:42 | 0:09:45 | |
Well, that still smells like chocolate. | 0:09:45 | 0:09:48 | |
We haven't tried tasting it, obviously. But it's... | 0:09:48 | 0:09:51 | |
-And it's got a bloom on it, which chocolate tends to get. -Yeah. | 0:09:51 | 0:09:54 | |
But it's still fine. | 0:09:54 | 0:09:56 | |
Other Quaker families making chocolate, | 0:09:56 | 0:09:58 | |
like Cadbury's and Rowntree's, followed suit | 0:09:58 | 0:10:01 | |
and the melt-in-the-mouth chocolate bar | 0:10:01 | 0:10:03 | |
became a British, and then global, best seller. | 0:10:03 | 0:10:06 | |
So you're really telling me that the chocolatiers from Frenchay | 0:10:06 | 0:10:11 | |
were the first people to make a chocolate bar? | 0:10:11 | 0:10:14 | |
Never been done before? | 0:10:14 | 0:10:16 | |
That's right. | 0:10:16 | 0:10:17 | |
And like the other Quaker firms, | 0:10:17 | 0:10:19 | |
the Frys' religious convictions meant their workforce enjoyed | 0:10:19 | 0:10:23 | |
high levels of care, which were advanced even by today's standards. | 0:10:23 | 0:10:27 | |
By the middle of the 19th century, staff had pensions, | 0:10:27 | 0:10:31 | |
there is a health scheme, there are beds in Bristol General Hospital | 0:10:31 | 0:10:35 | |
paid for by Fry's for employees who were ill to be put in, and so on. | 0:10:35 | 0:10:39 | |
The family's success saw them employing thousands of people in Bristol, | 0:10:40 | 0:10:44 | |
and along with their fellow Quakers, | 0:10:44 | 0:10:46 | |
they pioneered a golden age for British chocolate | 0:10:46 | 0:10:49 | |
and an industry which is now worth nearly £40 billion worldwide. | 0:10:49 | 0:10:54 | |
Thank you very much, Alan. It's been... It's been so enriching. | 0:10:54 | 0:10:58 | |
And I'm going to go and eat some chocolate. | 0:10:58 | 0:11:00 | |
Thank you very much. Hope you enjoyed your visit. | 0:11:00 | 0:11:03 | |
So, while Thomas goes off and searches for chocolate, | 0:11:03 | 0:11:06 | |
Anita has also made the journey south from Tetbury to Bristol. | 0:11:06 | 0:11:11 | |
She's going to Michael's Antiques, run by no other | 0:11:11 | 0:11:14 | |
than the silver-haired and silver-tongued Michael. | 0:11:14 | 0:11:16 | |
I had to come to your shop because I believe that you are a legend... | 0:11:18 | 0:11:22 | |
-A legend? -..in Bristol. | 0:11:22 | 0:11:24 | |
And you're more prettier off-camera than you are on. | 0:11:24 | 0:11:27 | |
-Oh, you're the type of man that I like. -Oh, no. -THEY LAUGH | 0:11:27 | 0:11:30 | |
Enough of the flirting. Let's get down to business. | 0:11:31 | 0:11:34 | |
-Michael? -Yes. -Does my bum look big in this? | 0:11:36 | 0:11:40 | |
No. But your head looks small, Anita. | 0:11:40 | 0:11:43 | |
Uh-oh, Michael's going to have a go. | 0:11:44 | 0:11:47 | |
-I feel like Fred Astaire. -That's very good, that's very good. | 0:11:47 | 0:11:51 | |
There you are. | 0:11:51 | 0:11:52 | |
One, two, three. | 0:11:55 | 0:11:57 | |
# Pop your no... By the wall... # | 0:11:57 | 0:12:01 | |
Oh, it's all going a bit Strictly here. | 0:12:01 | 0:12:03 | |
# We're a couple of swells | 0:12:03 | 0:12:07 | |
# We live in the best hotels... # | 0:12:07 | 0:12:11 | |
-What comes next? -I don't know. -TIM LAUGHS | 0:12:11 | 0:12:14 | |
Not so much Fred and Ginger as Laurel and Hardy, perhaps. | 0:12:14 | 0:12:17 | |
How much is that? | 0:12:17 | 0:12:18 | |
Well, these I usually sell for £35. | 0:12:21 | 0:12:24 | |
But there's a rather battered box that goes with it, and it's £35 too. | 0:12:24 | 0:12:28 | |
I would really be wanting to pay roundabout £30 for the two of them. | 0:12:29 | 0:12:35 | |
-IRISH ACCENT: -£30?! But... But bejesus, £30? | 0:12:35 | 0:12:40 | |
-She's from Scotland, not Ireland, Michael. -THEY LAUGH | 0:12:42 | 0:12:45 | |
-Oh, no. -Oh, no. -Throw me out the shop. | 0:12:45 | 0:12:49 | |
I'll tell you what I'll do for the two. | 0:12:49 | 0:12:51 | |
-£40. -OK. Leave them and we'll think about that. | 0:12:51 | 0:12:56 | |
So, what else can Anita find? | 0:12:56 | 0:12:58 | |
She's always been partial to a nice bit of glass, | 0:12:58 | 0:13:01 | |
and it's not long before she's got Michael hunting high and low. | 0:13:01 | 0:13:04 | |
-Could I see that one there? -I'll not break anything. | 0:13:05 | 0:13:08 | |
-I want you to be careful. -With the price or getting them down? -Both. | 0:13:08 | 0:13:13 | |
-Both! This is quite a nice one. -OK. I think it's probably Italian glass. | 0:13:13 | 0:13:18 | |
Well, it's like Murano. It's Italian, isn't it? | 0:13:18 | 0:13:21 | |
Yep, Murano glass comes from the Venetian island of Murano. | 0:13:21 | 0:13:25 | |
The workers there have been making wonderfully coloured | 0:13:25 | 0:13:27 | |
and crafted glass since the 7th century. | 0:13:27 | 0:13:30 | |
Look, put him down, Anita. | 0:13:30 | 0:13:32 | |
-Ah, now this is a nice... -Uh-huh. -That is very nice. | 0:13:33 | 0:13:37 | |
With the white lips. | 0:13:37 | 0:13:39 | |
Is it within the realms of reason for me to buy these for £30? | 0:13:39 | 0:13:46 | |
I knew you were going to say that. | 0:13:46 | 0:13:47 | |
-Did you? -No. -THEY LAUGH | 0:13:47 | 0:13:51 | |
I'd do you them both, right, seriously, for £75. | 0:13:51 | 0:13:56 | |
That hat's worth £75. | 0:13:57 | 0:13:59 | |
-That's the hat, the hatbox and two of those. -£75? Could you come to 70? | 0:14:00 | 0:14:06 | |
It was just an idea that flashed through my head. | 0:14:06 | 0:14:09 | |
-What, the money? -The two lots for 70? | 0:14:09 | 0:14:13 | |
-Yes. -Aw, thank you very much. You're a darling. -Oh, you old smoothie. | 0:14:16 | 0:14:20 | |
-Listen, I'm pleased. -You're happy with that? -I love these. | 0:14:20 | 0:14:24 | |
-I know. And the hat's funny. -I had great fun with the hat. | 0:14:24 | 0:14:27 | |
-Are you sure you're married? -Anita! | 0:14:27 | 0:14:29 | |
-Yes. -TIM CHUCKLES | 0:14:31 | 0:14:33 | |
So, after all the mutual flirting, a deal has been struck. | 0:14:33 | 0:14:37 | |
£35 for a hat with an antique hatbox | 0:14:37 | 0:14:40 | |
and £35 for the two pieces of Murano glass. | 0:14:40 | 0:14:42 | |
That's £70 that she's got off the asking prices. | 0:14:42 | 0:14:46 | |
Meanwhile, what is Tomboy Plant up to? | 0:14:47 | 0:14:51 | |
Well, I'm here in Bristol, my home city, the city I was born in, | 0:14:51 | 0:14:54 | |
and I've rang my mum and it would be rude not to pop in and see her. | 0:14:54 | 0:14:59 | |
So I'm going in for a fleeting visit, a spot of brunch. | 0:14:59 | 0:15:02 | |
I feel I need a bit of energy, a bit of home loving. | 0:15:02 | 0:15:05 | |
Just before I start shopping. | 0:15:05 | 0:15:07 | |
I mean, there's only your mother can say you're wonderful | 0:15:07 | 0:15:09 | |
and you'll always believe it. | 0:15:09 | 0:15:11 | |
HE CHUCKLES | 0:15:11 | 0:15:13 | |
-You're just in time for lunch, Tom. -Oh, wonderful. A bit of lunch. | 0:15:20 | 0:15:24 | |
Hello. Look at this, Tom's mum, or should I say Alex? | 0:15:24 | 0:15:27 | |
And hello, Tom's step-dad. | 0:15:27 | 0:15:28 | |
It's dairy-free | 0:15:28 | 0:15:30 | |
for my poor, pathetic little boy | 0:15:30 | 0:15:32 | |
who can't eat any dairy. | 0:15:32 | 0:15:34 | |
-Oh, that's tough love for you. -Oh, wonderful, Mum. | 0:15:34 | 0:15:38 | |
Alex has decided to raid the family album, | 0:15:38 | 0:15:40 | |
so we can see young Thomas as a kid. | 0:15:40 | 0:15:43 | |
He was a lovely little boy. He was very kind to his sisters. | 0:15:43 | 0:15:46 | |
Um, and he was a delight. | 0:15:46 | 0:15:49 | |
He wasn't one of those clingy children | 0:15:49 | 0:15:52 | |
who would hang round your leg like a limpet. | 0:15:52 | 0:15:54 | |
He was always, "Right, bye, Mum! Thank you, off we go." | 0:15:54 | 0:15:58 | |
And does "Mam" have any tips for the grown-up Thomas? | 0:15:58 | 0:16:01 | |
I think your trip with Anita... You just be... | 0:16:01 | 0:16:04 | |
You just listen to what she says because she's an older woman - | 0:16:04 | 0:16:09 | |
not an elderly woman but an older woman like myself - | 0:16:09 | 0:16:12 | |
and I think you should just listen to what she's got to say, | 0:16:12 | 0:16:15 | |
-maybe get a few tips from her. -THOMAS LAUGHS | 0:16:15 | 0:16:18 | |
I certainly will, Ma. Thank you for that advice. | 0:16:19 | 0:16:22 | |
Right, off to Hanham. | 0:16:24 | 0:16:26 | |
Now he's been suitably refreshed, Tom's off across Bristol | 0:16:26 | 0:16:29 | |
for a spot of antique buying at the aptly-named Odds And Todds. | 0:16:29 | 0:16:34 | |
-Hi, I'm Thomas. -Jay is here to serve him. | 0:16:37 | 0:16:39 | |
I don't know whether he's Odd or Todd. | 0:16:39 | 0:16:42 | |
Crikey. There's lashings and lashings of stuff here. | 0:16:51 | 0:16:54 | |
Oh, my gosh! There's a downstairs as well. | 0:16:54 | 0:16:57 | |
How does he cope with all of this? | 0:16:58 | 0:17:00 | |
Acres of furniture. Coffee tables, cane furniture, bridge tables... | 0:17:00 | 0:17:06 | |
It's just immense. | 0:17:06 | 0:17:10 | |
I've found a cabinet full of stuff! I love this. | 0:17:10 | 0:17:14 | |
-There's plenty of those. -What is that? | 0:17:14 | 0:17:16 | |
It's a sort of... You screw it off and you've got something... | 0:17:17 | 0:17:20 | |
Is it for your talcum powder? It's for your dressing table. | 0:17:20 | 0:17:23 | |
Shaped as a flower. | 0:17:23 | 0:17:25 | |
-Well, could be. -Yeah. | 0:17:25 | 0:17:27 | |
And then you unscrew it and you've got a little mesh bit there | 0:17:27 | 0:17:30 | |
which you obviously fill up with something. Let's give it a sniff. | 0:17:30 | 0:17:33 | |
No. Nothing in there. | 0:17:35 | 0:17:38 | |
I had to see what it smelt of, | 0:17:38 | 0:17:40 | |
if it smelt of a scent of some description. | 0:17:40 | 0:17:42 | |
But what a strange-looking object. | 0:17:42 | 0:17:44 | |
-Do you mind if I just pull a few things out, Jay? -No, no. | 0:17:44 | 0:17:47 | |
Interesting. But what's this? | 0:17:47 | 0:17:49 | |
-A little christening set. It's quite sweet, isn't it? -Yeah. | 0:17:51 | 0:17:54 | |
-You've got this maker's name, Bernard Instone, here. -Yeah. | 0:17:54 | 0:17:58 | |
Silver manufacturer. | 0:17:58 | 0:17:59 | |
Known for doing this lovely handmade silver with a bit of enamel on. | 0:17:59 | 0:18:03 | |
-It's quite sweet, really, isn't it? -Yeah, it's a nice little piece. | 0:18:03 | 0:18:06 | |
Little christening set. | 0:18:06 | 0:18:07 | |
Hmm, very nice. But what else have you got? | 0:18:09 | 0:18:12 | |
-Um... I've got a maritime theme. -Yeah. -With a little fob compass. | 0:18:12 | 0:18:16 | |
What do you think these are? Do you think these are...? | 0:18:16 | 0:18:19 | |
-I thought they were egg cups. -I think they're egg cups as well. | 0:18:19 | 0:18:21 | |
Cunard Steam-Ship Company Limited. | 0:18:22 | 0:18:25 | |
Art Deco. | 0:18:26 | 0:18:27 | |
-Aren't they? -Yeah. | 0:18:28 | 0:18:30 | |
And then we've got the Stirling Castle, the marine vessel. | 0:18:30 | 0:18:35 | |
This is an ashtray. This is in chrome. | 0:18:35 | 0:18:38 | |
HE DINGS THE ASHTRAY | 0:18:38 | 0:18:40 | |
It's a bit ropey but it sort of works together | 0:18:40 | 0:18:43 | |
-as a nautical theme, doesn't it? -Yeah. | 0:18:43 | 0:18:45 | |
-It can go together, can't it? -It can go together, can't it? | 0:18:47 | 0:18:49 | |
And this is just mad, but it's proper, isn't it? | 0:18:49 | 0:18:52 | |
A nice bit of Deco for some reason. | 0:18:52 | 0:18:55 | |
And for his next trick, | 0:18:55 | 0:18:57 | |
Thomas is going to add up all the ticket prices on all the items. | 0:18:57 | 0:19:01 | |
-So, uh, five, eight, nine, ten... -Yep. | 0:19:01 | 0:19:05 | |
-22... 32... 40. Gosh, my maths is good today. -That is good. | 0:19:05 | 0:19:12 | |
But what would be very, very, very good, | 0:19:12 | 0:19:15 | |
-is some kind of discount from Jay, eh? -Um... | 0:19:15 | 0:19:19 | |
-I know it's not the big bucks. -No, it's the nice little bits. | 0:19:19 | 0:19:23 | |
-35 quid, how's that? It'll be done. -That's lovely. Thank you very much. | 0:19:23 | 0:19:28 | |
-No problem. -Thank you. That's really kind of you. | 0:19:28 | 0:19:31 | |
-I can't argue with that. -No. | 0:19:31 | 0:19:32 | |
No, I definitely wouldn't argue with that, Thomas. | 0:19:32 | 0:19:36 | |
Now, for those of you keeping a tally, | 0:19:36 | 0:19:38 | |
that divvies up into £7 for the powder shaker, | 0:19:38 | 0:19:40 | |
£20 for the christening set | 0:19:40 | 0:19:42 | |
and £8 for the maritime lot. | 0:19:42 | 0:19:44 | |
So well done. | 0:19:44 | 0:19:46 | |
It's finally the end of a hard day's buying for Anita | 0:19:48 | 0:19:51 | |
and the end of a bit of a skive for Thomas. | 0:19:51 | 0:19:54 | |
Will the tables get turned tomorrow? | 0:19:54 | 0:19:56 | |
You'll find out very shortly, so night-night, you two. | 0:19:56 | 0:19:59 | |
It's the start of a rather wet day, | 0:20:03 | 0:20:05 | |
and Anita and Thomas are heading to Bath. | 0:20:05 | 0:20:08 | |
But Thomas' thoughts are of home and dear Mama. | 0:20:08 | 0:20:12 | |
Yesterday, I popped in to see my mother. | 0:20:12 | 0:20:14 | |
I thought you were supposed to be working, Thomas? | 0:20:14 | 0:20:17 | |
I know, I know, but I couldn't resist it. | 0:20:17 | 0:20:19 | |
-Popping in to see your mammy. -I know, to see my mammy... | 0:20:19 | 0:20:22 | |
-And, um, she gave me a decent bit of advice. -Really? -Yes. -Oh, tell me. | 0:20:22 | 0:20:27 | |
-Will you share it with me? -Yeah, I will share it with you. | 0:20:27 | 0:20:30 | |
-She said, "Listen to Anita." -Aw! THEY LAUGH | 0:20:30 | 0:20:34 | |
Well, my advice to you is to spend as much money as you possibly can. | 0:20:34 | 0:20:41 | |
-Really? As much money? Oh, no. -Sage advice, Anita. | 0:20:41 | 0:20:47 | |
Let's just remind ourselves how they got on yesterday. | 0:20:47 | 0:20:50 | |
As Thomas spent most of the day talking chocolate | 0:20:51 | 0:20:54 | |
and eating lamb, he only spent £35 on three items. | 0:20:54 | 0:20:58 | |
The christening set, the maritime lot and the powder shaker, | 0:20:58 | 0:21:02 | |
leaving him with £127.66 for the day ahead. | 0:21:02 | 0:21:06 | |
Anita's appetite, however, was for shopping, | 0:21:08 | 0:21:11 | |
and she spent a further £110 of her budget on four items. | 0:21:11 | 0:21:16 | |
The dragon incense burner, the teapot, the top hat and box | 0:21:16 | 0:21:20 | |
and the Murano vases, | 0:21:20 | 0:21:23 | |
leaving her with only £39.44 for the rest of the day. | 0:21:23 | 0:21:28 | |
Now our intrepid pair have finished their 13 mile trip south east | 0:21:30 | 0:21:34 | |
and have arrived in the beautiful spa town of Bath. | 0:21:34 | 0:21:38 | |
Mind that curb, Anita! | 0:21:38 | 0:21:40 | |
There we are, Thomas. SHE LAUGHS | 0:21:42 | 0:21:45 | |
-Bye-bye, darling. -Spend big! -Bye. -Bye-bye. | 0:21:45 | 0:21:48 | |
Yesterday, my mother said, "Take Anita's advice." | 0:21:57 | 0:22:02 | |
Anita's advice this morning was to spend big. | 0:22:02 | 0:22:06 | |
I never follow advice! | 0:22:08 | 0:22:10 | |
First stop is Bath is Old Bank Antiques, | 0:22:10 | 0:22:13 | |
run by an old friend of the Trip, Alex. | 0:22:13 | 0:22:16 | |
-You were busy. -Yes, well. Doing the dusting. | 0:22:16 | 0:22:18 | |
You can't get the staff these days, you know. | 0:22:18 | 0:22:20 | |
Thomas has been here before, so it means no messing about. | 0:22:20 | 0:22:24 | |
Aha! It looks like he might have found something. | 0:22:24 | 0:22:28 | |
A wooden fire screen. | 0:22:28 | 0:22:30 | |
I found this hardwood Oriental screen. It's quite decorative. | 0:22:30 | 0:22:35 | |
You've got dragons chasing the pearl of eternal life, a pagoda... | 0:22:35 | 0:22:39 | |
..Balinese figures, an Egyptian face, | 0:22:41 | 0:22:44 | |
another...more sort of Oriental things, | 0:22:44 | 0:22:48 | |
and then at the top here, you've got two...looks like crowns. | 0:22:48 | 0:22:52 | |
And then here, you've got the lion and the unicorn of our coat of arms. | 0:22:52 | 0:22:56 | |
So you've got British coat of arms. | 0:22:56 | 0:22:58 | |
So it leads me to believe that this is sort of Empire-ish, isn't it? | 0:22:58 | 0:23:03 | |
Very much so. The product of an Empire upon which the sun never set. | 0:23:03 | 0:23:07 | |
It's got a few cobwebs on it. | 0:23:07 | 0:23:10 | |
-Well, we keep those to make people think that it's authentic. -Do you? | 0:23:10 | 0:23:14 | |
Yeah. You know, people like to get things home and dust them themselves | 0:23:14 | 0:23:18 | |
and then it's theirs. | 0:23:18 | 0:23:20 | |
With a ticket price of £85, it's time for a cheeky Thomas offer. | 0:23:20 | 0:23:23 | |
I personally think that this is fun, | 0:23:25 | 0:23:27 | |
but I don't think it's worth any more at auction - and understand me | 0:23:27 | 0:23:31 | |
that I'm not trying to be offensive - any more than 30 quid. | 0:23:31 | 0:23:34 | |
How about 45? | 0:23:34 | 0:23:36 | |
Well, £40, you've got a deal. | 0:23:37 | 0:23:39 | |
OK. | 0:23:39 | 0:23:42 | |
That's a really kind, kind deal. | 0:23:42 | 0:23:44 | |
£40 it is then, done and soon to be dusted. | 0:23:44 | 0:23:49 | |
Anita, meanwhile, has travelled three miles outside Bath | 0:23:49 | 0:23:52 | |
to the very posh Claverton Manor, that houses the American Museum. | 0:23:52 | 0:23:56 | |
It's home to some of the world's oldest maps | 0:23:56 | 0:23:59 | |
so what could be more fitting for a Road Trip | 0:23:59 | 0:24:01 | |
than looking at some of them? Here to meet Anita is curator Laura Beresford. | 0:24:01 | 0:24:06 | |
-Hello, my love. -Oh, hello, Laura. It's so exciting to be to be here. | 0:24:06 | 0:24:10 | |
Well, thank you so much for coming. | 0:24:10 | 0:24:12 | |
The American Museum, perhaps unsurprisingly, | 0:24:12 | 0:24:15 | |
was founded by two Americans. | 0:24:15 | 0:24:17 | |
The antiques dealer John Judkyn, seen here on the right, | 0:24:17 | 0:24:20 | |
and his life-partner, the American oil heir and philanthropist, Dallas Pratt. | 0:24:20 | 0:24:25 | |
The museum contains all kinds of artefacts | 0:24:25 | 0:24:27 | |
related to American history, | 0:24:27 | 0:24:29 | |
but it's Pratt's personal collection of over 200 Renaissance maps | 0:24:29 | 0:24:33 | |
that is its crowning glory. | 0:24:33 | 0:24:35 | |
Well, of the two of them, Dallas had the chequebook. John had the eye. | 0:24:35 | 0:24:39 | |
But Dallas was very good at choosing star items himself | 0:24:39 | 0:24:43 | |
and his great passion was maps, particularly maps showing America | 0:24:43 | 0:24:49 | |
that were printed before the year 1600. | 0:24:49 | 0:24:52 | |
So we're talking about the first great age of discovery, exploration. | 0:24:52 | 0:24:56 | |
And so you've got America changing shape. | 0:24:56 | 0:24:59 | |
So his passion and his collecting bug had to do with maps? | 0:24:59 | 0:25:04 | |
He talked about having the map bug. | 0:25:04 | 0:25:07 | |
But the bug first bit him, not in America, but in Paris. | 0:25:07 | 0:25:11 | |
He was 18 and he was walking along the Seine | 0:25:11 | 0:25:13 | |
and he chanced upon one particular bookseller that had three maps | 0:25:13 | 0:25:16 | |
on display and one of the maps is this one here. | 0:25:16 | 0:25:20 | |
And it was such a shock for him to see his country represented | 0:25:20 | 0:25:25 | |
so vividly. | 0:25:25 | 0:25:27 | |
Pratt's aim was to rediscover America through antique maps. | 0:25:27 | 0:25:31 | |
To him, they were a valuable snapshot | 0:25:31 | 0:25:33 | |
of the geographical knowledge, history and beliefs of the time. | 0:25:33 | 0:25:37 | |
He was particularly fascinated with Columbus' expeditions | 0:25:37 | 0:25:41 | |
and his mistaken belief he'd found the Indies, | 0:25:41 | 0:25:44 | |
rather than the Americas. | 0:25:44 | 0:25:46 | |
-This map here is more recognisable. -Yeah. -The world is round. | 0:25:46 | 0:25:51 | |
And in the top left, we have Christopher Columbus, | 0:25:51 | 0:25:55 | |
looking very young, dapper and handsome, | 0:25:55 | 0:25:57 | |
perhaps never what he looked like in life, but still... | 0:25:57 | 0:26:00 | |
But an adventurer should be young, glamorous and handsome. | 0:26:00 | 0:26:03 | |
But what's this...? Where did the word "America" come from? | 0:26:03 | 0:26:06 | |
Oh, that's wonderful. | 0:26:06 | 0:26:07 | |
Because that all came about because of a fantastic muddle. | 0:26:07 | 0:26:11 | |
Columbus wouldn't admit he'd found an entirely new continent | 0:26:11 | 0:26:14 | |
rather than the Indies, so when Amerigo Vespucci, | 0:26:14 | 0:26:17 | |
a rival with a nose for PR, started to make the claim it was a continent, | 0:26:17 | 0:26:21 | |
he received the credit rather than Columbus. | 0:26:21 | 0:26:25 | |
The name "America" comes from Amerigo Vespucci | 0:26:25 | 0:26:28 | |
because he was so good at telling tales promoting himself. | 0:26:28 | 0:26:33 | |
A very prominent mapmaker of the period, Martin Waldseemuller, | 0:26:33 | 0:26:36 | |
he produces a map in 1507, | 0:26:36 | 0:26:38 | |
a big world map with this new discovery | 0:26:38 | 0:26:41 | |
and he gives all the credit to Vespucci on the map | 0:26:41 | 0:26:44 | |
for its discovery. | 0:26:44 | 0:26:45 | |
And he coined the phrase "America" and it was such a catchy word, | 0:26:45 | 0:26:49 | |
people latched on to it. | 0:26:49 | 0:26:50 | |
Waldseemuller later realised his error | 0:26:50 | 0:26:53 | |
as the notes on this map make clear. | 0:26:53 | 0:26:55 | |
It's Columbus, it's Columbus who discovered this new land. | 0:26:55 | 0:26:58 | |
But no-one's listening because America is such a great word. | 0:26:58 | 0:27:01 | |
Whether it was misnaming America | 0:27:01 | 0:27:03 | |
or thinking Asia was across the Atlantic, | 0:27:03 | 0:27:06 | |
many mistakenly held beliefs at the time made perfect sense, | 0:27:06 | 0:27:10 | |
including the charting of where "There be monsters" on maps | 0:27:10 | 0:27:13 | |
to warn fellow sailors. | 0:27:13 | 0:27:15 | |
We have these giant crabs squeezing poor sailors. | 0:27:15 | 0:27:21 | |
We have whales with huge tusks. | 0:27:21 | 0:27:24 | |
I mean, these are just the scariest, the scariest of things. | 0:27:24 | 0:27:28 | |
In the text, it talks about fish as large as mountains | 0:27:28 | 0:27:32 | |
seen off the coast of Iceland. | 0:27:32 | 0:27:33 | |
And can you imagine how freaky that would have been, | 0:27:33 | 0:27:36 | |
if you were out in a very small boat | 0:27:36 | 0:27:37 | |
and suddenly a whale breached beside you? | 0:27:37 | 0:27:39 | |
And it's all completely loopy, it's all completely bonkers, | 0:27:39 | 0:27:42 | |
but in the context of the time when so much was unknown, | 0:27:42 | 0:27:45 | |
it absolutely made sense that things like this could exist. | 0:27:45 | 0:27:48 | |
Dallas Pratt died in 1994, | 0:27:50 | 0:27:52 | |
but his passion for maps has left us with a visually stunning legacy | 0:27:52 | 0:27:56 | |
and unique insights into the beliefs of the 15th and 16th centuries. | 0:27:56 | 0:28:01 | |
The thing, I suppose, that strikes me about this collection, | 0:28:02 | 0:28:05 | |
is the sheer beauty and artistry... | 0:28:05 | 0:28:09 | |
-Absolutely. -..of the map makers. | 0:28:09 | 0:28:12 | |
And when I think of today... How do we find our way today? | 0:28:12 | 0:28:15 | |
By sat-nav, a little screen in front of our windscreen | 0:28:15 | 0:28:22 | |
and how poor that is, compared to these wonderful maps. | 0:28:22 | 0:28:28 | |
Laura, it's been absolutely wonderful for you to show me round. | 0:28:30 | 0:28:33 | |
-You're welcome. -I've had a great time. -Thank you so much for coming. | 0:28:33 | 0:28:36 | |
So, from a map of the world to one of the UK. | 0:28:38 | 0:28:41 | |
Thomas has now travelled a whopping 47 miles east | 0:28:42 | 0:28:46 | |
from Bath to Marlborough. | 0:28:46 | 0:28:47 | |
Legend has it | 0:28:49 | 0:28:50 | |
Marlborough was the final resting place of Merlin the magician, | 0:28:50 | 0:28:53 | |
so can Thomas cast a spell on Gary, | 0:28:53 | 0:28:55 | |
here in Marlborough Parade Antiques Centre? | 0:28:55 | 0:28:58 | |
-Hello, I'm Thomas. -Hello, Thomas. Pleased to meet you. | 0:29:00 | 0:29:03 | |
-Pleased to meet you as well. Who's the dog? -That's Eric. -Hello, Eric. | 0:29:03 | 0:29:06 | |
-You're lovely. -Eric's got his own shop down the road. -Does he? -Yeah. | 0:29:06 | 0:29:10 | |
Can Eric help Thomas sniff out a bargain? | 0:29:10 | 0:29:13 | |
After a couple of false starts, | 0:29:15 | 0:29:17 | |
it looks like Thomas might be on to something. | 0:29:17 | 0:29:20 | |
That is cool. Good ring tray, that, isn't it? Silver mount round there. | 0:29:20 | 0:29:24 | |
Solid silver. | 0:29:26 | 0:29:28 | |
CB and Sons. | 0:29:28 | 0:29:31 | |
Date letter for London, 1913. | 0:29:31 | 0:29:35 | |
It is, yeah. CB and Sons. | 0:29:37 | 0:29:39 | |
That's for Charles Boyton. | 0:29:40 | 0:29:42 | |
Charles Boyton was a well known London-based silversmith | 0:29:42 | 0:29:46 | |
from the turn of the century. | 0:29:46 | 0:29:48 | |
As well as the silver band, | 0:29:48 | 0:29:50 | |
this exquisite ring or pin tray is made of alabaster, | 0:29:50 | 0:29:53 | |
the white marble-type material, and lapis which forms the blue inlay. | 0:29:53 | 0:29:57 | |
-It's £35. -Only £35. -No, it's £35. That's still quite a lot. -Only. | 0:29:57 | 0:30:02 | |
Only. | 0:30:02 | 0:30:04 | |
Only £35? We'll see about that. | 0:30:04 | 0:30:06 | |
Thomas heads off to the counter | 0:30:06 | 0:30:08 | |
to see if he can squeeze a few more pounds off the price. | 0:30:08 | 0:30:11 | |
-I've got to make a living, son. -I know you've got to make a living. | 0:30:11 | 0:30:14 | |
And this dealer's got to make a living. | 0:30:14 | 0:30:16 | |
I know the dealer's... But it is slightly damaged. | 0:30:16 | 0:30:18 | |
It would have been twice, three times that amount | 0:30:18 | 0:30:20 | |
if it was undamaged, if it was unmarked. | 0:30:20 | 0:30:24 | |
I'm going to live with this, whether I like it or not. | 0:30:24 | 0:30:27 | |
£30. | 0:30:28 | 0:30:30 | |
-OK. -That one at £30. -That's all I can do. | 0:30:30 | 0:30:34 | |
So, £30 for the pin tray it is. That's Thomas' final item bought. | 0:30:34 | 0:30:39 | |
But will it turn out to be the best in show or a bit of a dog? | 0:30:39 | 0:30:42 | |
Anita has hit the road again. | 0:30:45 | 0:30:48 | |
She's travelled ten miles north-east to Corsham. | 0:30:48 | 0:30:51 | |
She's heading into the Curiosity Shop. | 0:30:52 | 0:30:54 | |
-Hello. -Hello. -I'm Anita. -Hello, Anita. -Nice to meet you. -Yes. | 0:30:57 | 0:31:01 | |
-Is this your lovely shop? -It isn't, actually. It's a friend's. | 0:31:01 | 0:31:05 | |
-Is it your shop, wee girl? -It's my mum's. -Oh, it's your mum's. | 0:31:05 | 0:31:09 | |
-And are you helping today? -Yeah. -Good, good, good. | 0:31:09 | 0:31:13 | |
The boss is Emily. Helping her, is Anne. | 0:31:13 | 0:31:17 | |
It doesn't take Anita long to find something. | 0:31:17 | 0:31:20 | |
I've got a herd. I've got three horses there. | 0:31:22 | 0:31:25 | |
Chestnuts. Would you say that was a chestnut? | 0:31:25 | 0:31:28 | |
Um, yeah, probably. | 0:31:28 | 0:31:30 | |
This one is called the Spirit Of The Wind. | 0:31:30 | 0:31:34 | |
That must mean that it's a thoroughbred. | 0:31:34 | 0:31:36 | |
And they can run very, very fast. | 0:31:36 | 0:31:40 | |
Anita is now going to see | 0:31:40 | 0:31:42 | |
if she can get a deal on the Spirit Of The Wind. | 0:31:42 | 0:31:44 | |
-The ticket price is £20. -I do like this horse. | 0:31:44 | 0:31:49 | |
It is Royal Doulton. That's a good factory. | 0:31:49 | 0:31:52 | |
But this is a fairly modern example. | 0:31:52 | 0:31:55 | |
Well, er... How about 14, Anita? | 0:31:55 | 0:32:00 | |
-Because that's dropping it quite a bit. -Yeah. 14. | 0:32:00 | 0:32:04 | |
Could you come a wee bit more, say, to ten? | 0:32:04 | 0:32:09 | |
-Would you like to ask your mummy? -Yeah. -Please. | 0:32:12 | 0:32:15 | |
If she agrees with that... | 0:32:16 | 0:32:17 | |
Emily needs to go and check the price with her mum, who's upstairs. | 0:32:18 | 0:32:23 | |
-Actually, she's very good. -She said 11's fine. -11. -11's fine? -Good. | 0:32:23 | 0:32:29 | |
11's fine? | 0:32:29 | 0:32:31 | |
-I think we've got a deal. -Well done. -Emily, I think we've got a deal. | 0:32:31 | 0:32:35 | |
Thank you very, very much. And thank you, Mum! | 0:32:35 | 0:32:38 | |
So Mum's word is the word. £11 it is. | 0:32:40 | 0:32:44 | |
With the change safely in her pocket, | 0:32:44 | 0:32:46 | |
Anita's shopping is all done. | 0:32:46 | 0:32:48 | |
Both she and Thomas now have bought their lots. | 0:32:48 | 0:32:52 | |
Let's remind ourselves what they've got. | 0:32:52 | 0:32:54 | |
Thomas has amassed five lots - the christening set, | 0:32:56 | 0:32:59 | |
the maritime set, | 0:32:59 | 0:33:01 | |
the powder shaker, | 0:33:01 | 0:33:03 | |
the mahogany screen | 0:33:03 | 0:33:05 | |
and the pin tray. | 0:33:05 | 0:33:06 | |
This gaggle of goodies cost a total of £105. | 0:33:06 | 0:33:10 | |
Anita also has five lots - the incense burner, | 0:33:11 | 0:33:15 | |
the teapot, | 0:33:15 | 0:33:17 | |
the top hat and case, | 0:33:17 | 0:33:19 | |
the Murano glass | 0:33:19 | 0:33:20 | |
and the horse figurine. | 0:33:20 | 0:33:22 | |
All in all, Anita's spent £121. | 0:33:22 | 0:33:25 | |
So let's hear what they think of each other's purchases. | 0:33:26 | 0:33:29 | |
He bought quite well. Bought a nice little maritime group. | 0:33:29 | 0:33:33 | |
Now, we've got Cunard stuff there and that's the magic word. | 0:33:33 | 0:33:38 | |
People want anything associated with the Cunard line. | 0:33:38 | 0:33:42 | |
Her Oriental item could do tremendously well. | 0:33:42 | 0:33:45 | |
And if that takes off, well, I'm in her dust. | 0:33:45 | 0:33:48 | |
I think I've maybe paid a wee bit too much on some things which are... | 0:33:48 | 0:33:55 | |
..maybe a bit ordinary. | 0:33:56 | 0:33:58 | |
It could be my lucky day. | 0:33:58 | 0:34:01 | |
Auctions are a funny thing. It's all to play for. | 0:34:01 | 0:34:03 | |
With five items each, then, it's off to auction in Chiswick, West London. | 0:34:06 | 0:34:10 | |
What do you think about our items | 0:34:10 | 0:34:12 | |
and how they will fit into a London auction? | 0:34:12 | 0:34:16 | |
-Well, the thing is, Anita, I was meant to follow your advice. -I know. | 0:34:16 | 0:34:21 | |
-SHE LAUGHS -My mother said to me, "Thomas, listen to Anita. | 0:34:21 | 0:34:25 | |
"She has good advice." | 0:34:25 | 0:34:27 | |
And I listened to you and I listened to my mother and I took none of it. | 0:34:28 | 0:34:32 | |
I know. Well, you were quite right too. | 0:34:32 | 0:34:33 | |
With the nerves jangling and their reputations on the line, | 0:34:35 | 0:34:38 | |
it's time for today's auction at Chiswick Auctions. | 0:34:38 | 0:34:40 | |
-Oh! -Well, here we are. Our auction excitement. -Come on. Let's go. | 0:34:42 | 0:34:49 | |
The man with the gavel is William Rouse so, | 0:34:49 | 0:34:52 | |
what about our duo's wares? | 0:34:52 | 0:34:54 | |
Thomas has got a more interesting, eclectic selection of items, | 0:34:55 | 0:34:59 | |
I think, than Anita. | 0:34:59 | 0:35:00 | |
Anita, my feeling is she's played it a bit safe. | 0:35:00 | 0:35:03 | |
I think some of her glassware perhaps is... | 0:35:03 | 0:35:05 | |
It's just a little bit pedestrian, if one's honest. | 0:35:07 | 0:35:10 | |
Tom's powder thing, I have to admit, when I was first handed it, | 0:35:10 | 0:35:13 | |
I really didn't know what it was. | 0:35:13 | 0:35:15 | |
I can't say I've ever seen anything like it before. | 0:35:15 | 0:35:17 | |
It's got a really good Art Deco feel to it. | 0:35:17 | 0:35:20 | |
The room is busy | 0:35:20 | 0:35:21 | |
and there are fingers poised on mice for our internet bidders. | 0:35:21 | 0:35:26 | |
Let's get this auction started. | 0:35:26 | 0:35:28 | |
Yes, first up, it's Thomas' lovely Art Deco powder shaker. | 0:35:28 | 0:35:31 | |
William thought you might do well with it. | 0:35:31 | 0:35:34 | |
Once we start this, £20 for this piece to go? | 0:35:34 | 0:35:36 | |
£20? £10? | 0:35:36 | 0:35:38 | |
£10, I'm bid. 12, 14, | 0:35:38 | 0:35:40 | |
16, 18, | 0:35:40 | 0:35:42 | |
-20, 22, 25. -(I've got the phone.) | 0:35:42 | 0:35:45 | |
-30. -This is it. -Is this it? -This is it. | 0:35:45 | 0:35:49 | |
38, 40, | 0:35:49 | 0:35:50 | |
42, 45, | 0:35:50 | 0:35:52 | |
48, 50. | 0:35:52 | 0:35:54 | |
-It's going. -£50 on the table here at 50. It's all right. £50. | 0:35:54 | 0:35:58 | |
You all done and finished at 50? | 0:35:58 | 0:36:00 | |
55 over there, new bidder. | 0:36:00 | 0:36:02 | |
-55?! -You want 60? | 0:36:02 | 0:36:04 | |
£55. Here at 55. | 0:36:04 | 0:36:09 | |
-Yes! -55. | 0:36:09 | 0:36:10 | |
Shake your money-maker, Thomas. That's a great opening profit. | 0:36:11 | 0:36:15 | |
You deserve a wee kiss for that. | 0:36:15 | 0:36:18 | |
Next, it's Anita's Spirit Of The Wind horse figurine. | 0:36:21 | 0:36:25 | |
Bid 20, 22, 25. | 0:36:25 | 0:36:27 | |
28. | 0:36:27 | 0:36:29 | |
£28 for that little horse. | 0:36:29 | 0:36:32 | |
-30 there. 32, 35. -(Yes!) | 0:36:32 | 0:36:35 | |
-40 in the room. At £40 in the room, anybody else? -(I'm happy.) -For £40. | 0:36:35 | 0:36:40 | |
The horse for 40. | 0:36:40 | 0:36:42 | |
-1268. -Yes! | 0:36:42 | 0:36:43 | |
-£40. I'm happy with that. -Bet you are. | 0:36:43 | 0:36:46 | |
I'm not just happy, I'm delighted. | 0:36:46 | 0:36:49 | |
I'm deliriously delighted. | 0:36:49 | 0:36:51 | |
The thoroughbred has galloped into profit | 0:36:53 | 0:36:55 | |
and given Anita a solid start too. | 0:36:55 | 0:36:57 | |
Now it's Thomas' maritime set. Will it sink or swim? | 0:37:00 | 0:37:04 | |
Start me £20 the lot, please, to go. | 0:37:04 | 0:37:06 | |
20. Straight in at 20. | 0:37:06 | 0:37:09 | |
28. £30. 32. | 0:37:09 | 0:37:12 | |
£32. 35. 38. | 0:37:12 | 0:37:16 | |
40. 42. | 0:37:16 | 0:37:18 | |
45. £45 here. £45 with Howard then. | 0:37:18 | 0:37:23 | |
Anybody else then? £45 here. | 0:37:23 | 0:37:26 | |
Excellent. | 0:37:26 | 0:37:28 | |
(Superb.) | 0:37:28 | 0:37:30 | |
Never listen to your mother. | 0:37:30 | 0:37:33 | |
Or your Auntie Anita. SHE LAUGHS | 0:37:33 | 0:37:35 | |
That's another inspired buy by Thomas. | 0:37:37 | 0:37:39 | |
Enter the dragon. Will the brass bring gold? | 0:37:41 | 0:37:46 | |
£40 for the brass dish. £30 then, surely? | 0:37:46 | 0:37:50 | |
-Oh, dear. No interest? Nobody interested? -They don't like it. -£20. | 0:37:51 | 0:37:55 | |
20 is bid. | 0:37:55 | 0:37:56 | |
22 is bid. | 0:37:56 | 0:37:58 | |
25. 28. | 0:37:58 | 0:38:00 | |
30. 32. | 0:38:00 | 0:38:02 | |
35. 38. | 0:38:02 | 0:38:04 | |
40. 42. | 0:38:04 | 0:38:06 | |
45. 45 to my left. | 0:38:06 | 0:38:08 | |
(45. Come on, you've doubled your money.) | 0:38:08 | 0:38:10 | |
48, just in time. | 0:38:10 | 0:38:13 | |
50. | 0:38:13 | 0:38:14 | |
55. | 0:38:14 | 0:38:15 | |
60. | 0:38:15 | 0:38:16 | |
No? £60 then. Far left then at 60. | 0:38:16 | 0:38:19 | |
Here we go. £60. | 0:38:19 | 0:38:21 | |
-Yes! -Brilliant. | 0:38:21 | 0:38:23 | |
It stuttered at first, | 0:38:23 | 0:38:25 | |
but the incense burner took centre stage and a tidy profit. | 0:38:25 | 0:38:29 | |
-So far, so good. I shouldn't... -Ssh, ssh... | 0:38:29 | 0:38:31 | |
-Don't count your chickens before they hatch. -And don't tempt fate. | 0:38:31 | 0:38:35 | |
Can the christening set keep up this great run of profits? | 0:38:37 | 0:38:41 | |
£20, please, to go. 20 is bid. | 0:38:41 | 0:38:44 | |
22. 25. | 0:38:44 | 0:38:46 | |
28. £30. | 0:38:46 | 0:38:48 | |
£30 is bid there. At 30. | 0:38:48 | 0:38:50 | |
Anybody else then for the silver? | 0:38:50 | 0:38:52 | |
At £30. It goes for 30. | 0:38:52 | 0:38:54 | |
For £30, then. | 0:38:54 | 0:38:55 | |
-That's all right. -That's perfect. -That's all right. | 0:38:55 | 0:38:58 | |
Not quite as good as the previous lot, but still a profit. | 0:38:58 | 0:39:01 | |
Next, it's Anita's doggy teapot. Will it stray into profit? | 0:39:01 | 0:39:06 | |
Where shall we start this little jug there? £20 to go? | 0:39:06 | 0:39:09 | |
£10, then for the jug. £10, I'm bid. | 0:39:09 | 0:39:11 | |
£12. 14. | 0:39:11 | 0:39:13 | |
16. £16 it is now. | 0:39:13 | 0:39:15 | |
£16 for the jug. £16. | 0:39:15 | 0:39:18 | |
Oh, dear. That's a loss. | 0:39:21 | 0:39:22 | |
I think I'll just burst out greetin'. Do you know what that means? | 0:39:24 | 0:39:27 | |
-What does that mean? -SHE LAUGHS | 0:39:27 | 0:39:30 | |
-Dissolve in a flood of tears. -Oh, Anita. | 0:39:30 | 0:39:34 | |
Now it's the silver and alabaster pin tray. | 0:39:36 | 0:39:38 | |
Thomas has high hopes for this. | 0:39:38 | 0:39:41 | |
£20 for it. 20 is bid. | 0:39:41 | 0:39:43 | |
22. 25. | 0:39:43 | 0:39:44 | |
28. £30. | 0:39:44 | 0:39:46 | |
32. 35. | 0:39:46 | 0:39:47 | |
£35 here. At 35. | 0:39:47 | 0:39:50 | |
Nice little thing. At £35. You all done? | 0:39:50 | 0:39:53 | |
35, I'm selling it for. | 0:39:53 | 0:39:55 | |
-35. -Not too bad. | 0:39:55 | 0:39:56 | |
Sadly, not quite what he'd hoped. | 0:39:57 | 0:39:59 | |
Are the profits starting to slow down? | 0:39:59 | 0:40:02 | |
By my reckoning, Thomas is in front. | 0:40:03 | 0:40:05 | |
But a good profit here could put Anita ahead. | 0:40:05 | 0:40:08 | |
I can see loads of glass collectors here. | 0:40:08 | 0:40:12 | |
Probably some of the most famous glass collectors in the world. | 0:40:12 | 0:40:16 | |
-You're shooting me a line. -I am. -THEY LAUGH | 0:40:16 | 0:40:20 | |
Start me £20 for them. | 0:40:20 | 0:40:22 | |
20, I'm bid. 22. | 0:40:22 | 0:40:24 | |
25. £25 in the corner. At 25. | 0:40:24 | 0:40:28 | |
28, thank you. 30. | 0:40:28 | 0:40:31 | |
No, £30 then. At £30. Are you all done and finished then? For 30. | 0:40:31 | 0:40:35 | |
£30. | 0:40:36 | 0:40:38 | |
Ouch. That glass didn't shine for our punters. | 0:40:38 | 0:40:41 | |
We're in the home straight now. | 0:40:43 | 0:40:45 | |
Can Thomas' final item seal victory for him? | 0:40:45 | 0:40:48 | |
£10 for the screen. I'm bid ten. | 0:40:49 | 0:40:52 | |
12. 14. | 0:40:52 | 0:40:53 | |
16. £16 in the distance. | 0:40:53 | 0:40:57 | |
Do you want 18? No. | 0:40:57 | 0:40:58 | |
£16. 18, I'm bid. | 0:40:58 | 0:41:00 | |
20. 22. | 0:41:00 | 0:41:01 | |
£22 for the screen. | 0:41:01 | 0:41:03 | |
22, you all done? | 0:41:03 | 0:41:04 | |
-I thought that was a lovely wee screen as well. -So did I. -22. | 0:41:08 | 0:41:12 | |
Disappointment reigns supreme. | 0:41:12 | 0:41:15 | |
That's a bad loss for Thomas and it puts Anita right back in the game. | 0:41:15 | 0:41:20 | |
It's the roller coaster ride. | 0:41:20 | 0:41:22 | |
We feel wonderful and then, all of a sudden, we're down. | 0:41:23 | 0:41:26 | |
One more lot to go. | 0:41:28 | 0:41:30 | |
She needs some big numbers here from the hat to come out on top. | 0:41:34 | 0:41:37 | |
-Here we are. -Here we are. -What's it worth? Start me £20 for a top hat? | 0:41:38 | 0:41:43 | |
20, I'm bid, thank you. | 0:41:43 | 0:41:44 | |
22, I'll take. | 0:41:44 | 0:41:45 | |
£20 to the left. 22. | 0:41:45 | 0:41:47 | |
25. 28. | 0:41:47 | 0:41:49 | |
£30. 32. | 0:41:49 | 0:41:51 | |
35. 38. | 0:41:51 | 0:41:52 | |
-£40. -(40.) | 0:41:52 | 0:41:54 | |
My left then at 40. | 0:41:54 | 0:41:55 | |
Anybody else for the top hat and box at £40? | 0:41:56 | 0:42:00 | |
-Well. -Well, £5. | 0:42:00 | 0:42:02 | |
It's a profit, but is it enough? | 0:42:04 | 0:42:07 | |
Yeah, let's go and do the sums. | 0:42:07 | 0:42:09 | |
-And have a cup of tea. -Definitely. | 0:42:09 | 0:42:12 | |
So, where does that leave our pair? | 0:42:12 | 0:42:15 | |
After paying auction costs, Anita's haul has made her a modest profit | 0:42:15 | 0:42:18 | |
of £31.52, leaving her to start tomorrow | 0:42:18 | 0:42:23 | |
with an improved £180.96. | 0:42:23 | 0:42:27 | |
Thomas also made a profit today, of £48.34, | 0:42:27 | 0:42:31 | |
which makes him the day's winner and also keeps him in the overall lead | 0:42:31 | 0:42:35 | |
and ready to rise afresh tomorrow with £211 to spend. | 0:42:35 | 0:42:40 | |
Well, Thomas, I think we should not be too unhappy about the results. | 0:42:41 | 0:42:46 | |
Do you think it's time to crack open the champagne | 0:42:46 | 0:42:48 | |
and off to the races with all our money? | 0:42:48 | 0:42:50 | |
I think probably a wee cup of tea's more like the thing. | 0:42:50 | 0:42:54 | |
And they're off! | 0:42:55 | 0:42:56 | |
In your own time. | 0:42:58 | 0:42:59 | |
On the next Antiques Road Trip, | 0:43:02 | 0:43:04 | |
we're heading deeper into the West Country, | 0:43:04 | 0:43:06 | |
where Anita has a romantic moment... | 0:43:06 | 0:43:09 | |
It reminds me a bit of one of my old boyfriends. | 0:43:09 | 0:43:11 | |
-..and Thomas proves to be a safe pair of hands. -Watch. | 0:43:13 | 0:43:17 | |
And I break it. I drop it. | 0:43:18 | 0:43:20 |