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It's the nation's favourite antiques experts, | 0:00:02 | 0:00:04 | |
with £200 each, a classic car... | 0:00:04 | 0:00:06 | |
We're going round! | 0:00:06 | 0:00:08 | |
..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
I want to spend lots of money. | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Oh, no! | 0:00:17 | 0:00:19 | |
-There'll be worthy winners... -Yes! -We've done it. | 0:00:19 | 0:00:22 | |
-..And valiant losers. -You are kidding me on. | 0:00:22 | 0:00:25 | |
So, will it be the high road to glory | 0:00:25 | 0:00:27 | |
or the slow road to disaster? | 0:00:27 | 0:00:29 | |
-What am I doing? -You've got a deal? | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip! | 0:00:31 | 0:00:33 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today we're driving through the Arthurian West Country | 0:00:38 | 0:00:41 | |
with Anita Manning and local boy Thomas Plant. | 0:00:41 | 0:00:44 | |
-Wasn't this where King Arthur and Guinevere...? -Yeah. | 0:00:46 | 0:00:51 | |
The thought is that Glastonbury is where he based his Camelot. | 0:00:51 | 0:00:55 | |
And this was God's Own Country. | 0:00:55 | 0:00:57 | |
And look, there is Glastonbury Tor. Now, that is a view. | 0:00:57 | 0:01:01 | |
-Oh, wow. -That is Camelot, look at that! | 0:01:01 | 0:01:05 | |
Oh, I'm going to search for a round table today. | 0:01:05 | 0:01:08 | |
The round table, the Holy Grail. | 0:01:08 | 0:01:10 | |
Well, there's nothing like setting the bar high, eh? | 0:01:10 | 0:01:13 | |
Our Knight of the Round Table, Thomas Plant, | 0:01:16 | 0:01:19 | |
is an antiques expert who has no problems blowing his own trumpet. | 0:01:19 | 0:01:22 | |
HONKS | 0:01:22 | 0:01:24 | |
Lady Anita Manning is an experienced auctioneer | 0:01:26 | 0:01:29 | |
and a bit of an old romantic. | 0:01:29 | 0:01:31 | |
It reminds me a bit of one of my old boyfriends. | 0:01:31 | 0:01:34 | |
Oh, Thomas, do you think I might find my own wee Sir Galahad? | 0:01:36 | 0:01:39 | |
-He'd be in a suit of armour... -Yeah? -..on a white stallion... | 0:01:39 | 0:01:43 | |
Yes! That's my type of guy! | 0:01:43 | 0:01:45 | |
Crikey! | 0:01:45 | 0:01:46 | |
Both Thomas and Anita started the trip with £200 | 0:01:47 | 0:01:51 | |
but, after a couple of auctions, | 0:01:51 | 0:01:53 | |
Thomas is still in the lead with £211. | 0:01:53 | 0:01:55 | |
Whilst poor Anita has seen her pot dwindle to £180.96. | 0:01:56 | 0:02:02 | |
And what about the Holy Grail? | 0:02:03 | 0:02:05 | |
The ancient cup of the Antiques Road Trip. | 0:02:05 | 0:02:08 | |
The ancient cup of profit! | 0:02:08 | 0:02:10 | |
Which has so far eluded us. | 0:02:10 | 0:02:12 | |
It has eluded us, it has. | 0:02:12 | 0:02:14 | |
Our duo are headed out on their quest for profit | 0:02:15 | 0:02:18 | |
in a yellow 1968 Lotus Elan. | 0:02:18 | 0:02:20 | |
Thomas and Anita are travelling over 550 miles | 0:02:22 | 0:02:24 | |
from the village of Redbourn in Hertfordshire | 0:02:24 | 0:02:28 | |
all the way to the town of Maidstone in Kent. | 0:02:28 | 0:02:31 | |
Today they start in Somerton, in Somerset, | 0:02:31 | 0:02:33 | |
before finishing at auction nearly 50 miles away in Wimborne in Dorset. | 0:02:33 | 0:02:38 | |
Ah, here we are! Look at the reception committee. | 0:02:40 | 0:02:44 | |
Oh, look, it's wee pals for our yellow Lotus. | 0:02:44 | 0:02:47 | |
Are these rival road trippers? No, it's a vintage car meet. | 0:02:47 | 0:02:50 | |
But, sadly, the pressures of shopping mean that there's no time | 0:02:50 | 0:02:53 | |
to check these charming charabancs out. | 0:02:53 | 0:02:57 | |
-Bye-bye. -Bye-bye. | 0:02:57 | 0:02:58 | |
Thomas is off on his first shop of the day, | 0:03:00 | 0:03:02 | |
Market Cross Antiques, run by Andy and Pete. | 0:03:02 | 0:03:05 | |
Hello. | 0:03:07 | 0:03:08 | |
-Thomas, nice to meet you. -Hi. -I'm Andrew. -Andrew. | 0:03:08 | 0:03:10 | |
Welcome to Market Cross Antiques. | 0:03:10 | 0:03:12 | |
-Thank you very much. -This is Peter. -Hello, Peter. -Nice to meet you. | 0:03:12 | 0:03:15 | |
-Nice to meet you, Peter. -Nice to meet you. | 0:03:15 | 0:03:17 | |
It looks good in that. | 0:03:18 | 0:03:19 | |
Is that Teddy huge or is Thomas just tiny? | 0:03:24 | 0:03:26 | |
The quest, like the Knights of the Round Table, | 0:03:28 | 0:03:32 | |
is to find that something special, that elusive profit. | 0:03:32 | 0:03:37 | |
That could be a rather battered Holy Grail. | 0:03:37 | 0:03:39 | |
This is a British jardiniere, in copper. | 0:03:41 | 0:03:44 | |
TINGING | 0:03:44 | 0:03:45 | |
But it's by a maker, so it's got the maker's mark just there. | 0:03:45 | 0:03:49 | |
And I think that's for Benson, WAS Benson. | 0:03:50 | 0:03:54 | |
WAS Benson was a leading light in the Arts and Crafts movement, | 0:03:54 | 0:03:59 | |
who incorporated mechanical production and hand craftsmanship. | 0:03:59 | 0:04:05 | |
This is British Art Nouveau, | 0:04:05 | 0:04:07 | |
1900s, 1910. | 0:04:07 | 0:04:09 | |
It's... | 0:04:09 | 0:04:11 | |
I like the fact that it's beaten up, I like the fact it's been uncleaned. | 0:04:11 | 0:04:15 | |
There's discovery there. | 0:04:15 | 0:04:17 | |
Cos this could look like this if it was cleaned. | 0:04:17 | 0:04:21 | |
But I kind of like the fact that it's not been cleaned. | 0:04:22 | 0:04:26 | |
Um, so I think it's quite a cool, stylish thing. | 0:04:26 | 0:04:28 | |
And then I see this - | 0:04:28 | 0:04:30 | |
Art Nouveau continental candlestick. | 0:04:30 | 0:04:35 | |
Quite stylish. I can't really figure the age out. | 0:04:35 | 0:04:37 | |
It's in pewter, this one. | 0:04:37 | 0:04:39 | |
£12. | 0:04:40 | 0:04:42 | |
Hang on. | 0:04:44 | 0:04:46 | |
£38. | 0:04:46 | 0:04:47 | |
-50 quid for the two. -Not bad. | 0:04:48 | 0:04:50 | |
-It's quite good. -I mean, quite good. | 0:04:52 | 0:04:54 | |
Let's see how he gets on. | 0:04:56 | 0:04:58 | |
Do you think we could do a super, super, super deal? | 0:04:58 | 0:05:01 | |
I should think we could do a super, super deal. | 0:05:01 | 0:05:03 | |
About 40, how does that sound? | 0:05:03 | 0:05:05 | |
30 quid for the two? | 0:05:05 | 0:05:07 | |
We could do this one for 30, and then 35 if you want that one. | 0:05:07 | 0:05:12 | |
-Are you sure you can't do 30 for the two? -No, I'm absolutely positive. | 0:05:12 | 0:05:15 | |
-Absolutely positive? -Yeah. -That's fine, that's fine. -Yep. -OK. | 0:05:15 | 0:05:18 | |
-Going to go for that? -Going to go for it. Thank you very much. | 0:05:18 | 0:05:20 | |
Thank you, Thomas. | 0:05:20 | 0:05:21 | |
Ah, cabinets full of curiosities. | 0:05:24 | 0:05:26 | |
Any idea of a strategy here, Thomas? | 0:05:26 | 0:05:28 | |
Little bit of a magpie. | 0:05:30 | 0:05:31 | |
Little bit of a lot builder. | 0:05:31 | 0:05:33 | |
There's a few bits of silver I find quite attractive in here. | 0:05:33 | 0:05:37 | |
That's a nice little scent... | 0:05:37 | 0:05:38 | |
Oh, dear, the top's broken, but still. | 0:05:38 | 0:05:41 | |
These are Georgian sugar tongs. | 0:05:41 | 0:05:44 | |
And this is what we call bright cut design. | 0:05:44 | 0:05:46 | |
Little miniature silver... | 0:05:47 | 0:05:49 | |
pepper. | 0:05:49 | 0:05:50 | |
Quite like that. This is fun, look at this. | 0:05:52 | 0:05:54 | |
So, this is your average tobacco box, right? | 0:05:54 | 0:05:57 | |
How do you open this up? | 0:05:57 | 0:05:59 | |
You don't... There's no lip, there's no hinge. Watch. | 0:05:59 | 0:06:03 | |
-BOX CLATTERS ON FLOOR -Then I break it, I drop it. | 0:06:04 | 0:06:08 | |
Whoops! That was spotted, | 0:06:08 | 0:06:10 | |
and that's a dent. | 0:06:10 | 0:06:12 | |
Let's try again, shall we? | 0:06:13 | 0:06:15 | |
There you are. It's brilliant, that, isn't it? | 0:06:15 | 0:06:19 | |
It's quite cool. Really cool. | 0:06:19 | 0:06:21 | |
Time to find Andy, with armloads of silver bits. | 0:06:21 | 0:06:25 | |
Please don't drop anything else, Tom. | 0:06:25 | 0:06:27 | |
So, I-I've got to buy that off you, cos I dropped it. | 0:06:28 | 0:06:31 | |
PETER LAUGHS | 0:06:31 | 0:06:33 | |
That's my morals, I've got to. | 0:06:33 | 0:06:34 | |
I'm sorry about dropping it, but I've got to. | 0:06:34 | 0:06:36 | |
-And I really like this one here. -That's really sweet. | 0:06:36 | 0:06:39 | |
This sweet thing is a Bristol Blue Glass scent bottle. | 0:06:40 | 0:06:43 | |
But I also like these tongs, which are lovely. | 0:06:43 | 0:06:45 | |
-They're nice, and... -They're clean. | 0:06:45 | 0:06:47 | |
And they're a good price. | 0:06:47 | 0:06:49 | |
-So let's see, how much are those, could you do those for? -Right. | 0:06:49 | 0:06:53 | |
Instead of... | 0:06:53 | 0:06:54 | |
So I'll leave, I'll park all of those on the other side. | 0:06:54 | 0:06:57 | |
Right, 115 for those, Tom. | 0:06:57 | 0:06:58 | |
-Right, now, this is really cheeky. -It's going to be very cheeky. | 0:07:00 | 0:07:03 | |
It IS going to be cheeky. | 0:07:03 | 0:07:05 | |
-115 is very kind. -Yeah. | 0:07:05 | 0:07:07 | |
-Do I need to sit down? -No, no, you don't need to sit down. | 0:07:07 | 0:07:10 | |
But, um... | 0:07:10 | 0:07:11 | |
could we look at two figures, rather than three? | 0:07:11 | 0:07:14 | |
And don't say 99. | 0:07:14 | 0:07:16 | |
Er... | 0:07:16 | 0:07:17 | |
We can look at three figures, 100. | 0:07:17 | 0:07:20 | |
THOMAS SIGHS That is my very... | 0:07:21 | 0:07:23 | |
-Is that your very best? -That is my very best, yeah. | 0:07:23 | 0:07:25 | |
Because I did... | 0:07:25 | 0:07:27 | |
-I know, I know. -Yeah. | 0:07:27 | 0:07:28 | |
(100 quid.) | 0:07:28 | 0:07:30 | |
You can have that one there, as well. For 100. | 0:07:30 | 0:07:33 | |
That's the silver pepper or sugar shaker he's added. | 0:07:34 | 0:07:37 | |
-£100 for all of that? -£100. -All right, £100. -Thank you, Thomas. | 0:07:39 | 0:07:44 | |
-You're very, very kind, thank you very much. -You're welcome. | 0:07:44 | 0:07:47 | |
Giddy-up, Silver. | 0:07:47 | 0:07:48 | |
He's made the deal, a ticket price of £303, | 0:07:48 | 0:07:51 | |
but Thomas paid £100 for a great little lot of antique silver. | 0:07:51 | 0:07:56 | |
Something else in the shop is sending out a signal to Tom, too. | 0:07:57 | 0:08:01 | |
Quite like these flags. | 0:08:01 | 0:08:03 | |
Signalling flags. | 0:08:03 | 0:08:05 | |
I come from this from a point of view of, | 0:08:05 | 0:08:08 | |
in jewellery sometimes you get flags on enamel bracelets | 0:08:08 | 0:08:13 | |
and they spell out a word. | 0:08:13 | 0:08:15 | |
You know, like they spell out, you know, "I love you". | 0:08:15 | 0:08:18 | |
But these are World War II ones. | 0:08:18 | 0:08:20 | |
Flags are quite popular. | 0:08:20 | 0:08:22 | |
These flags would fly on ships to communicate messages | 0:08:23 | 0:08:26 | |
to nearby vessels. | 0:08:26 | 0:08:27 | |
The red diamond in the white flag, for example, | 0:08:27 | 0:08:30 | |
can mean the letter F or that the ship is disabled. | 0:08:30 | 0:08:35 | |
They're quite fun, actually. | 0:08:37 | 0:08:39 | |
I'll definitely speak about those, | 0:08:39 | 0:08:40 | |
cos they're really decorative, aren't they? | 0:08:40 | 0:08:43 | |
They've got a real look to them. | 0:08:43 | 0:08:45 | |
Ah, they're great, the World War II flags, aren't they? | 0:08:45 | 0:08:48 | |
-Yeah, they're really interesting. -Really nice. Yeah. | 0:08:48 | 0:08:51 | |
Really interesting. They're good, fun things. | 0:08:51 | 0:08:53 | |
I can do you a good deal on those. | 0:08:53 | 0:08:54 | |
-Can you? -Yep, I've got them at sort of 15 to 20 quid apiece | 0:08:54 | 0:08:57 | |
-but if you wanted to take the lot, and a nice little job lot... -I do. | 0:08:57 | 0:09:01 | |
Well, I mean, I could do you the five for 40 quid? | 0:09:01 | 0:09:05 | |
-Perfect. -All right? | 0:09:05 | 0:09:06 | |
-I can't say fairer than that, really. -Fantastic. | 0:09:06 | 0:09:08 | |
That's a brilliant deal. Thank you very much. | 0:09:08 | 0:09:10 | |
-Thank you very much. -Thank you. -You'll do well with those, I think. | 0:09:10 | 0:09:13 | |
-I think they're really good. -Yeah. | 0:09:13 | 0:09:15 | |
That was nearly all Thomas's cash gone in the first shop. | 0:09:15 | 0:09:19 | |
£40 for the flags, £100 for the silver, | 0:09:19 | 0:09:22 | |
and £35 for the Art Nouveau lot makes £175 in total. | 0:09:22 | 0:09:27 | |
And, thankfully, he didn't drop anything else. | 0:09:27 | 0:09:30 | |
Anita, meanwhile, has headed nine miles north | 0:09:32 | 0:09:34 | |
to the mystical heart of the West Country, Glastonbury. | 0:09:34 | 0:09:37 | |
She's come to Glastonbury Reclamation. | 0:09:41 | 0:09:44 | |
Helping Anita today is Simon. | 0:09:44 | 0:09:46 | |
-Hello. -Hi, hi. | 0:09:46 | 0:09:48 | |
-I'm Anita. -Hi, Anita, pleased to meet you, I'm Simon. | 0:09:48 | 0:09:51 | |
There's a lot of great items here, | 0:09:51 | 0:09:53 | |
cleared from sold or demolished old buildings. | 0:09:53 | 0:09:55 | |
After a bit of walking about, | 0:10:02 | 0:10:04 | |
at last Anita finds something of interest. | 0:10:04 | 0:10:06 | |
I keep being drawn to things which are associated with shoes! | 0:10:08 | 0:10:13 | |
And what we have here is a nice little set of... | 0:10:13 | 0:10:17 | |
I suppose these would be moulds that were used by shoemakers. | 0:10:17 | 0:10:22 | |
There moulds are called "lasts", and date from the late 19th century. | 0:10:22 | 0:10:27 | |
They're a nice decorative thing, | 0:10:27 | 0:10:30 | |
a little conversation piece to have in your house. | 0:10:30 | 0:10:33 | |
You could even use them as a paperweight. | 0:10:33 | 0:10:36 | |
To me, they're aesthetically pleasing. | 0:10:36 | 0:10:39 | |
-Simon! -Yeah? | 0:10:40 | 0:10:41 | |
-Something has caught my eye here. -OK. | 0:10:43 | 0:10:46 | |
SHE CHUCKLES | 0:10:46 | 0:10:47 | |
-I'm crazy about shoes. -OK. | 0:10:47 | 0:10:49 | |
These are shoe lasts from Clarks shoes, | 0:10:49 | 0:10:52 | |
who are in the next town over. | 0:10:52 | 0:10:55 | |
That's where their headquarters are. | 0:10:55 | 0:10:57 | |
So these are old shoe lasts, made of beech I think, all handmade. | 0:10:57 | 0:11:02 | |
Would it be for specific customers? | 0:11:02 | 0:11:05 | |
These would be a more general, factory-made shoe, | 0:11:05 | 0:11:08 | |
but they did do specific ones for... | 0:11:08 | 0:11:10 | |
I think they did Princess Diana's shoes for her wedding. | 0:11:10 | 0:11:14 | |
So somewhere there's a shoe last for Diana. | 0:11:14 | 0:11:17 | |
-Could be that be Princess Diana's? -Possibly. | 0:11:17 | 0:11:19 | |
15 quid, maybe not. | 0:11:19 | 0:11:21 | |
Now, I wasn't sure if it was 15 for the lot. | 0:11:21 | 0:11:25 | |
No, it's not, they're £15 each. | 0:11:25 | 0:11:28 | |
But I can maybe do a little bit of a deal for you. | 0:11:28 | 0:11:30 | |
-A wee bit of a deal? -Yeah. | 0:11:30 | 0:11:32 | |
Can you give me the lot for 15? | 0:11:32 | 0:11:35 | |
No. No, I can't, no. | 0:11:35 | 0:11:37 | |
SHE LAUGHS | 0:11:37 | 0:11:39 | |
-I was thinking I'd do them at a tenner each, maybe. -A tenner each? | 0:11:39 | 0:11:44 | |
-I'd lose money. -OK, what shall we do then? | 0:11:44 | 0:11:46 | |
Could you go to 20? | 0:11:48 | 0:11:49 | |
Go on, then. We'll shake on 20. | 0:11:52 | 0:11:54 | |
OK, thanks very much, Simon, that's absolutely great. | 0:11:54 | 0:11:58 | |
With four shoe lasts bought for £20, Anita steps outside. | 0:11:58 | 0:12:03 | |
I think this type of thing's quite good fun. | 0:12:03 | 0:12:06 | |
It's not old, er... | 0:12:06 | 0:12:09 | |
recently made, | 0:12:09 | 0:12:10 | |
but I quite like the detail on these things, | 0:12:10 | 0:12:14 | |
and I think that it reminds me a bit of one of my old boyfriends. | 0:12:14 | 0:12:18 | |
He's only £15, that's not dear, I'm going to have a go at that. | 0:12:19 | 0:12:23 | |
Is there any movement on the price of it? | 0:12:24 | 0:12:26 | |
We can do a little bit on that one.. | 0:12:26 | 0:12:27 | |
It's just whatever you think, Simon. | 0:12:27 | 0:12:29 | |
I'm going to go for him, and I'm going to call him wee Jimmy. | 0:12:29 | 0:12:33 | |
Wee Jimmy! OK, you can have wee Jimmy for a tenner. | 0:12:33 | 0:12:36 | |
-OK, that's lovely, thank you very much, Simon. -That's OK. | 0:12:36 | 0:12:39 | |
That was a bit quicker than the last sale, the LASTS sale. | 0:12:39 | 0:12:42 | |
Anyway, that's Anita's first shop done. | 0:12:42 | 0:12:45 | |
She's picked up the shoe lasts for £20 and wee Jimmy for a tenner. | 0:12:45 | 0:12:49 | |
Thomas meanwhile, has made the trip | 0:12:51 | 0:12:54 | |
16 miles north to the beautiful little village of Blackford. | 0:12:54 | 0:12:58 | |
He's only got £36 left, so what will he spend | 0:12:58 | 0:13:02 | |
in the lovely old building that houses Lemon Tree Antiques? | 0:13:02 | 0:13:05 | |
If he can ever get in, that is. | 0:13:10 | 0:13:11 | |
Ah. | 0:13:11 | 0:13:13 | |
-Ah, hello! -Ah, Thomas! | 0:13:16 | 0:13:18 | |
Ha! And to help him is an old friend - Les. | 0:13:18 | 0:13:22 | |
Gosh, you look longer, as well. | 0:13:22 | 0:13:23 | |
Les, you know that's not true - I look fatter. | 0:13:23 | 0:13:26 | |
I was trying to be complimentary, Thomas. | 0:13:27 | 0:13:29 | |
THEY LAUGH | 0:13:31 | 0:13:32 | |
That's how you get in. | 0:13:32 | 0:13:34 | |
Now, he's finally in - what treasures can Thomas find? | 0:13:34 | 0:13:37 | |
-ECHOING: -Hello, hello? | 0:13:39 | 0:13:41 | |
Hello, hello, yourself. | 0:13:41 | 0:13:43 | |
-It's a glass sword. -It's Excalibur! | 0:13:45 | 0:13:49 | |
Very difficult to restore, these, VERY difficult to restore. | 0:13:49 | 0:13:52 | |
Well, maybe not then. | 0:13:52 | 0:13:53 | |
-Whoops. -Don't drop it. | 0:13:53 | 0:13:55 | |
You've got some lovely things. | 0:13:55 | 0:13:57 | |
-Thank you, Thomas. -I'm going to be honest, | 0:13:57 | 0:13:59 | |
I have £36 left. | 0:13:59 | 0:14:01 | |
I'd like to spend it all with you. | 0:14:02 | 0:14:04 | |
Your parents blessed you with too much generosity, young man. | 0:14:04 | 0:14:07 | |
Having commandeered Thomas's hat, | 0:14:11 | 0:14:13 | |
Les knows what he might want to spend the last of his money on. | 0:14:13 | 0:14:17 | |
This is a good piece, Thomas, very, very desirable. | 0:14:17 | 0:14:21 | |
I think I need something a bit more country. How about this? | 0:14:21 | 0:14:24 | |
Nice, sort of...more country stool. | 0:14:26 | 0:14:29 | |
It's Arts and Crafts! | 0:14:29 | 0:14:31 | |
Well, it is a bit, I quite like the revealed design to it, etc. | 0:14:31 | 0:14:35 | |
Why would you want to give for a thing like that, Thomas? | 0:14:35 | 0:14:38 | |
Well, how much have you got on it? | 0:14:38 | 0:14:39 | |
-Oh, I don't know, about 40 quid. -THOMAS SIGHS | 0:14:39 | 0:14:42 | |
-Cheap, isn't it? -Cheap? I was thinking about 20. | 0:14:42 | 0:14:44 | |
God, do you know, his generosity is surpassed only by his beauty. | 0:14:46 | 0:14:51 | |
Oh, you are so kind. | 0:14:51 | 0:14:53 | |
I think I better escort you around. | 0:14:53 | 0:14:55 | |
Come with me, I'll look after that little wallet of yours. | 0:14:55 | 0:14:58 | |
That little empty wallet. | 0:14:58 | 0:14:59 | |
I bet he will! What else has he got in store for Tom? | 0:14:59 | 0:15:03 | |
-Quite a nice pill box. -How much is on that? -Porcelain. | 0:15:04 | 0:15:08 | |
This lovely little 19th century porcelain pill box | 0:15:09 | 0:15:12 | |
has a ticket price of £23, but what can Thomas get it for? | 0:15:12 | 0:15:15 | |
Do you think I could relieve you | 0:15:17 | 0:15:19 | |
of this and the stool for all my spondoolies? | 0:15:19 | 0:15:24 | |
-36 quid the two. -36 quid the two. | 0:15:24 | 0:15:28 | |
Well, that all seemed a bit too easy. | 0:15:28 | 0:15:31 | |
-I'm nicking your hat. -You're not. -I am, that's it, deal's done. | 0:15:31 | 0:15:34 | |
-That hat's a fortune! -Tough, deal's done. | 0:15:34 | 0:15:37 | |
You can't nick my hat! | 0:15:37 | 0:15:38 | |
I'm sure he's joking. | 0:15:38 | 0:15:40 | |
He is, surely, isn't he? | 0:15:40 | 0:15:42 | |
Without the hat in the deal, Thomas got the stool for £25 | 0:15:42 | 0:15:45 | |
and the pill box for £11. | 0:15:45 | 0:15:47 | |
Meaning he's spent the lot and it's only day one. | 0:15:47 | 0:15:50 | |
At least he's got his hat back. | 0:15:53 | 0:15:55 | |
But where's he going? A cash machine, perhaps. | 0:15:55 | 0:15:58 | |
Anita has made her way 18.5 miles | 0:15:59 | 0:16:02 | |
northwest from Glastonbury to the stunning Cheddar Gorge | 0:16:02 | 0:16:05 | |
to find out more about the people who used to live here | 0:16:05 | 0:16:08 | |
and one of the country's most amazing archaeological finds. | 0:16:08 | 0:16:12 | |
Here to meet here is a rather wet John. | 0:16:14 | 0:16:17 | |
-John. -Anita, hi. -Hi. | 0:16:17 | 0:16:19 | |
Welcome to Cheddar Gorge. | 0:16:19 | 0:16:21 | |
-Well, it's lovely to be here. -Sorry about the weather. | 0:16:21 | 0:16:25 | |
I have just driven through | 0:16:25 | 0:16:27 | |
some of the most spectacular rock formations | 0:16:27 | 0:16:29 | |
-that I've ever seen in my life. -It's fantastic, isn't it? | 0:16:29 | 0:16:32 | |
The Gorge was formed during the ice age, | 0:16:32 | 0:16:35 | |
when underground rivers in the caves froze. | 0:16:35 | 0:16:38 | |
When the ice melted, | 0:16:38 | 0:16:39 | |
the sheer volume of water coming through the valley split | 0:16:39 | 0:16:42 | |
the limestone and formed more caves and the Gorge itself. | 0:16:42 | 0:16:46 | |
As the ice retreated about 30,000 years ago, | 0:16:46 | 0:16:49 | |
people began to live in the caves. | 0:16:49 | 0:16:51 | |
The caves were inhabited until Victorian times | 0:16:51 | 0:16:54 | |
when local entrepreneur Richard Gough decided | 0:16:54 | 0:16:57 | |
to put Cheddar on the burgeoning tourist trail. | 0:16:57 | 0:17:00 | |
In 1890, he opened the spectacular Gough's Cave. | 0:17:00 | 0:17:04 | |
You know, John, this is pretty vast. | 0:17:04 | 0:17:08 | |
I imagined it to be, I suppose, a wee cave. | 0:17:08 | 0:17:12 | |
There's no squeezes in here, it's all wide open. | 0:17:12 | 0:17:15 | |
This is Gough's Cave and this is Richard Gough. | 0:17:15 | 0:17:18 | |
Tell me a bit about him and why it's his cave. | 0:17:18 | 0:17:21 | |
Purportedly, he was a retired sea captain from Bristol. | 0:17:21 | 0:17:24 | |
He had family in Cheddar so he moved to the area | 0:17:24 | 0:17:26 | |
and he saw that caves were a viable business proposition. | 0:17:26 | 0:17:30 | |
It was blocked by mud, boulders, debris, | 0:17:30 | 0:17:33 | |
so he and his six sons began excavating that | 0:17:33 | 0:17:36 | |
to see what was beyond. | 0:17:36 | 0:17:37 | |
I'd like to say for the benefit of science and good and mankind | 0:17:37 | 0:17:40 | |
but I'd be a liar if I said that. | 0:17:40 | 0:17:42 | |
He saw it as a tourist attraction, a money-making scheme. | 0:17:42 | 0:17:47 | |
He did, he did, very much so. | 0:17:47 | 0:17:49 | |
Oh, this is amazing, these rock formations are just astonishing. | 0:17:49 | 0:17:55 | |
It's amazing what nature can do left to its own devices. | 0:17:55 | 0:17:58 | |
The unique rock formations drew the crowds in | 0:17:58 | 0:18:02 | |
and, by 1903, Gough, ever the businessman, | 0:18:02 | 0:18:05 | |
decided to drain part of the cave to fit more tourists in. | 0:18:05 | 0:18:08 | |
It was a decision motivated by money but it resulted | 0:18:08 | 0:18:11 | |
in one of Britain's greatest ever discoveries - the Cheddar Man. | 0:18:11 | 0:18:15 | |
-OK, I've got something to show you just in here. -Ah! | 0:18:15 | 0:18:19 | |
-Don't worry, it's not real. -Is it real? -It's a replica. | 0:18:20 | 0:18:24 | |
But it's laid out as it was discovered in 1903. | 0:18:24 | 0:18:28 | |
-Is that the exact position that it was in? -It is, yeah. | 0:18:28 | 0:18:32 | |
This is Cheddar Man, the oldest complete skeleton | 0:18:32 | 0:18:34 | |
found in this country. | 0:18:34 | 0:18:36 | |
It's over 9,000 years old. | 0:18:36 | 0:18:38 | |
-9,000 years old? -Yeah. | 0:18:38 | 0:18:41 | |
And it was in its entirety? | 0:18:41 | 0:18:43 | |
The only one found in its entirety, yeah. | 0:18:43 | 0:18:46 | |
-Where is the real one? -The real one's now in the Natural History Museum. | 0:18:46 | 0:18:50 | |
Far too valuable an artefact to leave lying around in a damp cave. | 0:18:50 | 0:18:54 | |
-Really priceless. -Yep. | 0:18:54 | 0:18:56 | |
How did these bones get here? | 0:18:56 | 0:18:58 | |
We don't know. It's all guesswork. | 0:18:58 | 0:19:00 | |
But we do know what killed him. | 0:19:00 | 0:19:02 | |
He received a nasty blow to the head at some point | 0:19:02 | 0:19:04 | |
but it didn't kill him, we can see it recalcified. | 0:19:04 | 0:19:07 | |
But a tiny fraction of the bone got caught in his sinuses, | 0:19:07 | 0:19:10 | |
caused a massive infection and, ultimately, his demise. | 0:19:10 | 0:19:13 | |
Whether that blow to the head changed his behaviour, | 0:19:13 | 0:19:16 | |
made him act strangely and they thought | 0:19:16 | 0:19:17 | |
maybe he was possessed by evil spirits | 0:19:17 | 0:19:19 | |
or something, so when he died they put him away in a cave | 0:19:19 | 0:19:22 | |
maybe to try and stop him coming back and haunting them... | 0:19:22 | 0:19:26 | |
Who knows? We can only guess. | 0:19:26 | 0:19:27 | |
Archaeologists also found some other rather macabre human remains | 0:19:27 | 0:19:32 | |
mixed up in an ancient rubbish tip. | 0:19:32 | 0:19:34 | |
There was a lot of conjecture for a long time | 0:19:34 | 0:19:36 | |
but they seem fairly certain now these human bones were treated | 0:19:36 | 0:19:41 | |
exactly the same way as the animal bones. | 0:19:41 | 0:19:43 | |
The soft tissue was taken out, there are cut marks where the tongue | 0:19:43 | 0:19:47 | |
and the eyes were removed, they were smashed to remove the marrow. | 0:19:47 | 0:19:50 | |
There was cannibalism going on. | 0:19:50 | 0:19:52 | |
This was at a different time period. | 0:19:54 | 0:19:56 | |
Cheddar Man is 9,000 years old, | 0:19:56 | 0:19:58 | |
these bones were from about 14,700 years ago. | 0:19:58 | 0:20:01 | |
One man's desire to get money out of Victorian tourists | 0:20:01 | 0:20:06 | |
had inadvertently left us with not only Britain's oldest skeleton | 0:20:06 | 0:20:10 | |
but a fascinating insight | 0:20:10 | 0:20:12 | |
into the darker side of our prehistoric ancestors. | 0:20:12 | 0:20:15 | |
Thank you so much for that. | 0:20:15 | 0:20:17 | |
But, looking up at this at the moment, | 0:20:17 | 0:20:20 | |
it's giving me a wee bit of vertigo, upside down, | 0:20:20 | 0:20:25 | |
so I think what I might do is thank you very much | 0:20:25 | 0:20:29 | |
and make my way out now. | 0:20:29 | 0:20:31 | |
-Thank you. -Thank you again, John. | 0:20:31 | 0:20:33 | |
Eh, Anita. | 0:20:35 | 0:20:37 | |
Anita, it's this way. | 0:20:39 | 0:20:41 | |
This way! | 0:20:41 | 0:20:43 | |
So, Anita said she wanted rescuing by a knight on white stallion. | 0:20:45 | 0:20:50 | |
Instead, she got Thomas in a yellow sports car. Ah, well. | 0:20:50 | 0:20:54 | |
That brings us to the end of day one. | 0:20:54 | 0:20:56 | |
The quest for the Holy Grail continues tomorrow. | 0:20:56 | 0:20:58 | |
Nighty night, you two. | 0:20:58 | 0:21:00 | |
It's back on the road again for Anita and Thomas | 0:21:03 | 0:21:06 | |
but what is he wearing? | 0:21:06 | 0:21:08 | |
-Thomas, what's the straw bunnet all about? -And the tie? | 0:21:09 | 0:21:15 | |
This is a trip down memory lane, I am regressing! | 0:21:15 | 0:21:20 | |
We've just touched in to the county of Devon | 0:21:20 | 0:21:23 | |
and I spent five informative years here at school. | 0:21:23 | 0:21:28 | |
-And that is the daft bunnet you wore? -The daft bunnet we wore. | 0:21:28 | 0:21:32 | |
Did your mammy and daddy no' want you? | 0:21:32 | 0:21:35 | |
THEY LAUGH | 0:21:35 | 0:21:36 | |
Let's just see how they both did yesterday, shall we? | 0:21:36 | 0:21:39 | |
Thomas had a hectic day. | 0:21:39 | 0:21:41 | |
He spent his entire £211 on five lots - | 0:21:41 | 0:21:45 | |
the assorted silver set, | 0:21:45 | 0:21:48 | |
the maritime flags, | 0:21:48 | 0:21:50 | |
the Art Nouveau lot, | 0:21:50 | 0:21:51 | |
the pillbox and the stool. | 0:21:51 | 0:21:54 | |
Anita paced herself and only spent £30 on the shoe lasts | 0:21:54 | 0:21:59 | |
and the garden ornament. | 0:21:59 | 0:22:00 | |
That leaves her with £150.96 for the day ahead. | 0:22:00 | 0:22:04 | |
But, before we do any shopping, our duo are taking a little trip | 0:22:05 | 0:22:09 | |
down memory lane for Thomas in Tiverton in Devon. | 0:22:09 | 0:22:12 | |
-It's home to his old school, Blundell's. -Here we are, Anita. | 0:22:13 | 0:22:17 | |
You can see the school, Blundell's, it's beautiful, isn't it? | 0:22:17 | 0:22:21 | |
The clocktower. | 0:22:21 | 0:22:22 | |
And because I was a school monitor, I could walk across the grass. | 0:22:22 | 0:22:26 | |
-Oh, look, you're rubbing your hands in glee. -I am. | 0:22:26 | 0:22:28 | |
-You want to go back to school, don't you? -No, never. | 0:22:28 | 0:22:31 | |
You want to go back to school. | 0:22:31 | 0:22:33 | |
-I'd like you to be my school-ma'am. -Oh! | 0:22:33 | 0:22:36 | |
Moving swiftly on from that detour, our intrepid duo double back | 0:22:37 | 0:22:42 | |
20 miles east to Taunton in the heart of cider country. | 0:22:42 | 0:22:47 | |
Thomas is off on a stroll around the town in his boater | 0:22:47 | 0:22:49 | |
to reflect on whether he was rash to blow all his cash. | 0:22:49 | 0:22:53 | |
However, next stop for Anita is Cider Press Antiques. | 0:22:53 | 0:22:57 | |
Here to help her out is Norman. | 0:22:57 | 0:22:58 | |
That's him in front of the bear there. | 0:22:58 | 0:23:00 | |
-Hello, I'm Anita. -Hello, Anita, Norman Clarke. | 0:23:00 | 0:23:04 | |
It's lovely to be in Taunton. | 0:23:04 | 0:23:06 | |
I always find jewellery cabinets irresistible. | 0:23:17 | 0:23:21 | |
And Norman can't resist a customer. | 0:23:24 | 0:23:27 | |
I was looking at this little pendant here, | 0:23:27 | 0:23:32 | |
the little citrine one. | 0:23:32 | 0:23:34 | |
Citrine is a yellow-coloured gemstone | 0:23:34 | 0:23:36 | |
that takes its name from citron, | 0:23:36 | 0:23:39 | |
the French word for a car - I mean, lemon. | 0:23:39 | 0:23:41 | |
For me, it has the look. | 0:23:41 | 0:23:44 | |
Now, do you have a chain that would suit that? | 0:23:44 | 0:23:48 | |
I'll see if we've got one in the corner here. | 0:23:48 | 0:23:51 | |
For the pendant and chain, the ticket price is £22. | 0:23:53 | 0:23:58 | |
-See that? It has a lovely, simple look about it. -Yes. | 0:23:58 | 0:24:02 | |
It's not gold but...well. | 0:24:02 | 0:24:04 | |
What's the best that you could do on that for me? | 0:24:07 | 0:24:10 | |
Well, you're really coming today | 0:24:10 | 0:24:12 | |
when we're starting our sale today so you can have a half-price... | 0:24:12 | 0:24:16 | |
-Start of the sale? -Yes. -Excellent! | 0:24:16 | 0:24:18 | |
Well, that's terrific. | 0:24:18 | 0:24:20 | |
So, for you, that would be £11 but we'll call it around £10. | 0:24:20 | 0:24:25 | |
It's a deal. It's a wonderful deal. | 0:24:25 | 0:24:28 | |
She's on a roll now | 0:24:28 | 0:24:30 | |
and eagle-eyed Anita spots something lurking in the background. | 0:24:30 | 0:24:34 | |
I've seen a little panel here which I really do like. | 0:24:34 | 0:24:38 | |
It's a lacquer panel with gilt figures. | 0:24:38 | 0:24:44 | |
It's an oriental panel. | 0:24:44 | 0:24:47 | |
I think it has been the panel for a cabinet at one point | 0:24:48 | 0:24:53 | |
which has been dissembled and I think it's quite a nice thing. | 0:24:53 | 0:24:56 | |
There's only one thing that's worrying me about this. | 0:24:58 | 0:25:01 | |
I think there's a wee bit of damage here which has been filled. | 0:25:01 | 0:25:06 | |
And...that potentially might...put the buyers off. | 0:25:06 | 0:25:12 | |
So, with a bit of damage and a half-price sale, | 0:25:12 | 0:25:16 | |
what can Anita get it for? | 0:25:16 | 0:25:18 | |
Well, I know it was originally up for £55 | 0:25:18 | 0:25:20 | |
so that was the original price. | 0:25:20 | 0:25:22 | |
So, well, £27.50, that's a pretty good price. | 0:25:22 | 0:25:26 | |
And if I said to you £20, just as it's you? | 0:25:26 | 0:25:31 | |
Can't knock it back for £20. Can't knock it back, it's a nice thing. | 0:25:31 | 0:25:35 | |
So, that's a deal on the screen for £20 and the chain | 0:25:36 | 0:25:39 | |
and citrine pendant for £10. | 0:25:39 | 0:25:41 | |
Not a bad bit of business for low-spending Anita. | 0:25:41 | 0:25:44 | |
He was at his school earlier | 0:25:45 | 0:25:47 | |
but now it's time for some further education for Thomas. | 0:25:47 | 0:25:50 | |
He's travelling 32 miles southeast to the Meteorological | 0:25:50 | 0:25:54 | |
or Met Office in Exeter and, thankfully, it's sunny. | 0:25:54 | 0:25:57 | |
He's meeting Helen Chivers to hear the remarkable story | 0:26:01 | 0:26:04 | |
of an unsung Victorian hero who saved millions of lives | 0:26:04 | 0:26:08 | |
worldwide by starting the weather forecast. | 0:26:08 | 0:26:11 | |
-What a lovely day. -I know, isn't it? | 0:26:11 | 0:26:13 | |
-We turned the sunshine on just for you. -Do you do that here? | 0:26:13 | 0:26:17 | |
Well, you know, most people like to think that we can but the Met Office | 0:26:17 | 0:26:20 | |
can do many things - controlling the weather is not one of them. | 0:26:20 | 0:26:22 | |
-I'm sure it will be invented one day. -It probably will. | 0:26:22 | 0:26:26 | |
The Met Office dates back to the 19th century | 0:26:26 | 0:26:29 | |
when understanding the weather at sea was vital to maintain | 0:26:29 | 0:26:32 | |
Britain's military and financial supremacy. | 0:26:32 | 0:26:35 | |
It's now housed in this magnificent purpose-built centre | 0:26:35 | 0:26:38 | |
but its beginnings start with this man - | 0:26:38 | 0:26:41 | |
Vice Admiral Robert FitzRoy who had already played a leading role | 0:26:41 | 0:26:45 | |
in one of the major scientific discoveries of the age. | 0:26:45 | 0:26:49 | |
FitzRoy had been a long-standing sea captain, | 0:26:49 | 0:26:52 | |
he had a really illustrious career. He'd been the captain on the Beagle. | 0:26:52 | 0:26:57 | |
-Oh, really? Darwin's ship? -Yes, Darwin's ship. | 0:26:57 | 0:27:00 | |
-So, he went to the Galapagos Islands? -Yes. | 0:27:00 | 0:27:02 | |
He went all around the world captaining that ship for Darwin | 0:27:02 | 0:27:05 | |
and the scientific experiments that they did. | 0:27:05 | 0:27:08 | |
Thanks to his experience of both science and seafaring, | 0:27:08 | 0:27:11 | |
FitzRoy was offered a job in 1854 as the chief of a new government | 0:27:11 | 0:27:16 | |
department to deal with the collection of weather data at sea. | 0:27:16 | 0:27:20 | |
It was the birth of what we now know as the Met Office. | 0:27:20 | 0:27:23 | |
-I suppose before that it was a lot of finger-in-the-wind. -Yes. | 0:27:23 | 0:27:27 | |
-Wing and a prayer. -Yeah, exactly. | 0:27:27 | 0:27:29 | |
It's amazing that people actually survived. | 0:27:29 | 0:27:32 | |
Well, in a lot of ways, it was cos you didn't know what was coming. | 0:27:32 | 0:27:35 | |
So, what he wanted to do was try and chart it, | 0:27:35 | 0:27:38 | |
he wanted to put down the observations on to a map | 0:27:38 | 0:27:40 | |
so you could actually see everything at the same time, | 0:27:40 | 0:27:44 | |
and from that start point you can then try | 0:27:44 | 0:27:47 | |
and work out what's going to happen in the future. | 0:27:47 | 0:27:51 | |
Using remote weather stations, ships at sea | 0:27:51 | 0:27:53 | |
and the nascent telegraph technology, | 0:27:53 | 0:27:56 | |
FitzRoy meticulously recorded | 0:27:56 | 0:27:58 | |
and studied the weather looking for patterns. | 0:27:58 | 0:28:01 | |
The thing that really drove him on into trying to develop proper | 0:28:01 | 0:28:05 | |
scientific forecasts was a big storm that hit in October, 1859 | 0:28:05 | 0:28:11 | |
and that saw the sinking of the ship The Royal Charter. | 0:28:11 | 0:28:15 | |
And it was that loss of life that really drove FitzRoy on | 0:28:15 | 0:28:19 | |
to think we've got to be able to forecast this | 0:28:19 | 0:28:21 | |
and we've got to be able to warn people about it. | 0:28:21 | 0:28:23 | |
He began to publish the world's first storm warnings | 0:28:23 | 0:28:27 | |
or forecasts in The Times in 1861. | 0:28:27 | 0:28:30 | |
They saved countless lives | 0:28:30 | 0:28:32 | |
but became deeply unpopular with his sceptical bosses and fishing | 0:28:32 | 0:28:36 | |
fleet owners who lost money when boats stayed in harbour. | 0:28:36 | 0:28:38 | |
People went, "Ah, you can't forecast the weather, | 0:28:38 | 0:28:41 | |
"you're always wrong," and the same thing happens today. | 0:28:41 | 0:28:46 | |
-We get those sorts of things all the time. -No! | 0:28:46 | 0:28:48 | |
I mean you're so correct now. | 0:28:48 | 0:28:50 | |
-What you say is going to happen. -Exactly. | 0:28:50 | 0:28:53 | |
If a storm's going to come in, we're all told and it does. | 0:28:53 | 0:28:57 | |
But the criticism really, really hurt him. | 0:28:57 | 0:28:59 | |
He invested most of his money | 0:28:59 | 0:29:01 | |
in trying to develop this forecasting service, | 0:29:01 | 0:29:04 | |
-and in the end he committed suicide. -No. | 0:29:04 | 0:29:07 | |
Yeah, and some people think that may well have been due to the | 0:29:07 | 0:29:09 | |
criticism that he got about the forecasts that he was developing. | 0:29:09 | 0:29:13 | |
And he invested all his time into... | 0:29:13 | 0:29:14 | |
-All his time and his passion and his life. -How disappointing. -Terrible. | 0:29:14 | 0:29:18 | |
-It's terribly tragic. -Yeah, it is. | 0:29:18 | 0:29:20 | |
FitzRoy died a broken man in 1865 at the age of 59. | 0:29:20 | 0:29:24 | |
His hard work and personal wealth had gone to waste. | 0:29:24 | 0:29:28 | |
His wife and daughter faced destitution | 0:29:28 | 0:29:30 | |
and the fleet owners managed to have his forecasts stopped. | 0:29:30 | 0:29:34 | |
But, after his death, | 0:29:34 | 0:29:35 | |
his family was saved thanks to help from Charles Darwin | 0:29:35 | 0:29:39 | |
and Queen Victoria, amongst others. | 0:29:39 | 0:29:41 | |
And, due to pressure from ordinary fishermen - | 0:29:41 | 0:29:43 | |
to whom he was a hero - | 0:29:43 | 0:29:44 | |
his storm warnings were reinstated in 1874, | 0:29:44 | 0:29:47 | |
which later became the Shipping Forecast. | 0:29:47 | 0:29:50 | |
In a final honour in 2002, the shipping area of Finisterre | 0:29:50 | 0:29:54 | |
was renamed FitzRoy after this remarkable Victorian hero. | 0:29:54 | 0:29:59 | |
From the very simple things that he did and his passion for weather | 0:29:59 | 0:30:03 | |
and seafaring, you know, comes a world-leading Met Office. | 0:30:03 | 0:30:08 | |
-Thank you. -It's a pleasure. | 0:30:08 | 0:30:10 | |
It's been lovely and I better go | 0:30:10 | 0:30:12 | |
and put my antiques into the auction now. | 0:30:12 | 0:30:15 | |
-Yeah, good luck. -Thank you, I need it. | 0:30:15 | 0:30:18 | |
Ah, yes, the auction. | 0:30:22 | 0:30:24 | |
Well, Anita's had some good weather of her own | 0:30:24 | 0:30:26 | |
and has travelled 19 miles south to Cullompton. | 0:30:26 | 0:30:31 | |
Unlike Thomas, she's been buying carefully | 0:30:31 | 0:30:33 | |
and Cullompton Antiques is her last shop of the day. | 0:30:33 | 0:30:36 | |
-Ready to part her from her cash is Richard. Hello, Richard. -Hi, Anita. | 0:30:36 | 0:30:41 | |
-Hello, I'm Anita. -Nice to meet you. -Oh, it's lovely to be here. | 0:30:41 | 0:30:44 | |
I was drawn again to this piece of pottery, this lovely bowl, | 0:30:57 | 0:31:01 | |
which looks so nice against the pine furniture. | 0:31:01 | 0:31:06 | |
Now, this is a commemorative plaque | 0:31:06 | 0:31:10 | |
and it's commemorating the Silver Jubilee of Elizabeth II. | 0:31:10 | 0:31:16 | |
This bowl, or charger to give its correct title, | 0:31:16 | 0:31:19 | |
doesn't carry a maker's name. | 0:31:19 | 0:31:21 | |
The ticket price is £50 but what will Richard let it go for? | 0:31:21 | 0:31:24 | |
Time to play the Thomas card. | 0:31:24 | 0:31:27 | |
-Thomas is ahead of me at the moment. -Right. | 0:31:27 | 0:31:30 | |
I would like you to beat Thomas. | 0:31:30 | 0:31:31 | |
I know, I love Thomas, he's absolutely wonderful. | 0:31:31 | 0:31:34 | |
-And he's not that far ahead of me. -But Thomas isn't here. | 0:31:34 | 0:31:37 | |
But he isn't here. | 0:31:37 | 0:31:38 | |
ANITA LAUGHS | 0:31:38 | 0:31:40 | |
-Would £20 do it for you? -£20 would be absolutely wonderful. | 0:31:40 | 0:31:45 | |
Less than half price! Well done, Anita. | 0:31:45 | 0:31:48 | |
Slow and steady might just win the day or even put you in the lead. | 0:31:48 | 0:31:52 | |
Right, let's remind ourselves what they've both bought. | 0:31:52 | 0:31:56 | |
Thomas went on a sprint of spending yesterday buying five lots - | 0:31:57 | 0:32:01 | |
the naval signal flags, | 0:32:01 | 0:32:03 | |
the silver set, | 0:32:03 | 0:32:05 | |
the Art Nouveau lot, | 0:32:05 | 0:32:06 | |
the pillbox | 0:32:06 | 0:32:08 | |
and the milking stool. | 0:32:08 | 0:32:09 | |
Is he going to regret spending all his £211? | 0:32:09 | 0:32:13 | |
Anita has spent carefully on five lots - the shoe lasts, | 0:32:13 | 0:32:17 | |
the garden ornament, | 0:32:17 | 0:32:19 | |
the pendant and chain, | 0:32:19 | 0:32:20 | |
the lacquered panel | 0:32:20 | 0:32:21 | |
and the pottery charger. | 0:32:21 | 0:32:23 | |
That collection cost her a modest £80. | 0:32:23 | 0:32:26 | |
Let's hear what they think of one another's purchases. | 0:32:26 | 0:32:30 | |
My favourite lot of Anita's is the studio pottery charger | 0:32:30 | 0:32:34 | |
for the Silver Jubilee of Queen Elizabeth II. | 0:32:34 | 0:32:37 | |
And £20? Well done, Anita. | 0:32:37 | 0:32:39 | |
Although I love those wee vintage lasts, I think | 0:32:39 | 0:32:43 | |
I would swap them any day of the week for those fabulous flags. | 0:32:43 | 0:32:48 | |
And I would pay the extra £20 on them. | 0:32:48 | 0:32:51 | |
If there was a magic wand and I could wave it, | 0:32:51 | 0:32:54 | |
I'd wave away the Arts and Crafts stool. | 0:32:54 | 0:32:56 | |
He's been a bit sort of... | 0:32:56 | 0:32:59 | |
flibbertigibbet this time. | 0:32:59 | 0:33:02 | |
I might be able to get in front of him after the next auction. | 0:33:02 | 0:33:07 | |
It's the cavalier and complacent Thomas | 0:33:07 | 0:33:09 | |
versus the prudent and patient Anita. | 0:33:09 | 0:33:12 | |
So, off to auction in the lovely Dorset town of Wimborne. | 0:33:12 | 0:33:15 | |
Well done. How are you feeling? | 0:33:17 | 0:33:19 | |
Fine, it's a beautiful morning | 0:33:19 | 0:33:21 | |
and I'm sure this auction will be packed to the gunnels. | 0:33:21 | 0:33:25 | |
I'm, I have to say, Anita, extremely nervous. | 0:33:25 | 0:33:29 | |
I'm more nervous than I've ever been. | 0:33:29 | 0:33:32 | |
Our auction today is at Elliotts who have been serving the Dorset | 0:33:33 | 0:33:37 | |
area since 2005. Wielding the hammer is Richard Clarke. | 0:33:37 | 0:33:41 | |
What does he think of the duo's deals? | 0:33:41 | 0:33:44 | |
Well, I actually quite like the panel. | 0:33:45 | 0:33:47 | |
Lacquer work, chinoiserie is in the style of Chinese, | 0:33:47 | 0:33:50 | |
so could be quite a good piece. | 0:33:50 | 0:33:52 | |
It'll look good on the internet, it'll look good on the photo | 0:33:52 | 0:33:54 | |
on the screens so fingers crossed that should do quite well. | 0:33:54 | 0:33:57 | |
I think the stool will probably be the one we struggle with. | 0:33:57 | 0:34:00 | |
Obviously, with the extra livestock, I think people will see | 0:34:00 | 0:34:03 | |
the holes and just think I'm not putting that in my house. | 0:34:03 | 0:34:06 | |
The room is packed | 0:34:06 | 0:34:08 | |
and our internet bidders are poised by their keyboards. | 0:34:08 | 0:34:11 | |
Let's start this auction. | 0:34:11 | 0:34:13 | |
-Do you regret buying anything now? -Yeah, all of it. | 0:34:13 | 0:34:18 | |
First to go is Thomas's silver lot including that bashed tobacco box. | 0:34:19 | 0:34:24 | |
-Let's hope that it was a lucky drop. -Well, let's hope. | 0:34:24 | 0:34:29 | |
-Interesting with me, I'm straight in at 50. -50, well, half. -At £50. | 0:34:29 | 0:34:34 | |
Five on the internet, 55. 60 still with me. | 0:34:34 | 0:34:38 | |
At £60, five, 70. | 0:34:38 | 0:34:40 | |
-Good, we're getting there. -£70 here with me. At £70 here with me. | 0:34:40 | 0:34:44 | |
Oh, I thought it was going to be a lot worse. | 0:34:44 | 0:34:47 | |
Ouch! The silver hasn't bashed out a profit for Thomas. | 0:34:48 | 0:34:51 | |
-You've also dropped a profit into the bargain. -Drop, double drop. | 0:34:52 | 0:34:59 | |
-Next, it's another of Thomas' items - the porcelain pillbox. -£20. | 0:35:00 | 0:35:05 | |
Nice little pillbox. 10? | 0:35:05 | 0:35:07 | |
-Ten away there... -We're good. -14, 16, 18, 20. | 0:35:07 | 0:35:10 | |
22, 25, 28, 30. | 0:35:10 | 0:35:14 | |
32, 35, 38. | 0:35:14 | 0:35:18 | |
-38 in the middle. -38. | 0:35:18 | 0:35:20 | |
-40 right at the back. -£40? | 0:35:20 | 0:35:23 | |
-Get in there. -Are we all done at £40? | 0:35:23 | 0:35:26 | |
-42, she's back. -Go on! | 0:35:26 | 0:35:28 | |
THEY LAUGH | 0:35:28 | 0:35:30 | |
I need to make up a few losses from the last lot. | 0:35:30 | 0:35:33 | |
Can you do that on all the lots? At £42 there in the middle. | 0:35:34 | 0:35:38 | |
Just what the doctor ordered - a nice, healthy profit. | 0:35:40 | 0:35:43 | |
-Well, that made up for your first failure. -All right! | 0:35:43 | 0:35:49 | |
It's Anita's first item - the oriental lacquered panel. | 0:35:50 | 0:35:54 | |
Will you hold my hand, Thomas? | 0:35:54 | 0:35:56 | |
Nice chinoiserie panel there, what shall we say on that? 30? | 0:35:57 | 0:36:00 | |
Yes, somebody's got to say 30, it's Anita's. | 0:36:00 | 0:36:03 | |
LAUGHTER | 0:36:03 | 0:36:05 | |
-I want her to win. -Awww. -30 we've got on the internet. -Yes! | 0:36:05 | 0:36:10 | |
£30 on the internet. At 30. Two anywhere? Two at the back. | 0:36:10 | 0:36:14 | |
There we are, 32 at the back. | 0:36:14 | 0:36:16 | |
-That was short-lived. 35? -Oh, look, the lady's bidding here. | 0:36:16 | 0:36:21 | |
38 at the back. 40. 42. | 0:36:21 | 0:36:25 | |
42 at the back. 45? 48. | 0:36:26 | 0:36:29 | |
-Go on, make it 50. -50. 55. | 0:36:30 | 0:36:33 | |
-And there we are. That's cool waving. -60. £60? | 0:36:33 | 0:36:39 | |
He'll sign it for you, that will make it more valuable. | 0:36:39 | 0:36:41 | |
At £60 down here in front, on the internet at 60. 65, she's back. | 0:36:41 | 0:36:46 | |
-Oh, Anita! You can stop now. -70. | 0:36:46 | 0:36:50 | |
We're still on the internet, £70 now. At £70, all done at £70. | 0:36:50 | 0:36:56 | |
-Yes. -Yes! | 0:36:56 | 0:36:58 | |
THEY CHUCKLE | 0:36:58 | 0:36:59 | |
It might have been a bit damaged but the profit is perfect for Anita. | 0:37:00 | 0:37:05 | |
-Can I borrow some money? -I could refuse you nothing, darling. | 0:37:05 | 0:37:08 | |
Now, it's Thomas's flags. Will this signal a change in his fortunes? | 0:37:11 | 0:37:16 | |
-Loads of them there. 20 somewhere, surely? -Go on. -Yes. | 0:37:16 | 0:37:20 | |
-Tenner? -Oh, no. -Ten with the hand, at ten. | 0:37:20 | 0:37:24 | |
We've got a bid, we've got a bid. | 0:37:24 | 0:37:26 | |
-16, 18... -It's away. | 0:37:26 | 0:37:29 | |
25, 25 up close now. | 0:37:29 | 0:37:32 | |
-At £25. -25. | 0:37:32 | 0:37:35 | |
At £25... | 0:37:35 | 0:37:37 | |
-There we are. -Well, it didn't flag up a profit. | 0:37:37 | 0:37:40 | |
-Didn't flag a profit, but still... -Awww, what a shame. | 0:37:40 | 0:37:43 | |
Oh! It's another loss for Thomas. | 0:37:45 | 0:37:47 | |
What's the sign for "my ship is sinking"? | 0:37:47 | 0:37:49 | |
It's Anita's Silver Jubilee commemorative pottery charger next. | 0:37:52 | 0:37:56 | |
On that one there - £20? | 0:37:56 | 0:37:58 | |
-(Come on!) -Tenner? £10 there. 12 anywhere now? | 0:37:58 | 0:38:02 | |
-At 10, 12 on the internet. -12, it's off, Anita. | 0:38:02 | 0:38:05 | |
14. | 0:38:05 | 0:38:07 | |
16. | 0:38:07 | 0:38:09 | |
18. | 0:38:09 | 0:38:11 | |
20. | 0:38:11 | 0:38:12 | |
22. 22 in the room. | 0:38:14 | 0:38:16 | |
25? 25. | 0:38:16 | 0:38:19 | |
At £25 now. On the internet at £25. | 0:38:19 | 0:38:24 | |
-Well, there you are. -It's licked its face. | 0:38:25 | 0:38:29 | |
That's still a profit, though, and they all count. | 0:38:29 | 0:38:33 | |
It's not going to take us to the Bahamas. | 0:38:33 | 0:38:35 | |
-No, it's not, might be an ice cream. -An ice cream, ah! | 0:38:35 | 0:38:39 | |
It's the Arts and Crafts oak stool. Let's see if it can milk a profit. | 0:38:40 | 0:38:45 | |
Tenner, let's get it moving. Ten away there, at ten, we've got. | 0:38:45 | 0:38:48 | |
-At ten. 12 anywhere now? -Come on, come on. -I'm selling it at a tenner. | 0:38:48 | 0:38:54 | |
-139. -Put your head on my shoulder, sweets. | 0:38:55 | 0:39:00 | |
That's another loss for Tom. | 0:39:01 | 0:39:03 | |
Next, it's Anita's citrine pendant with chain. | 0:39:05 | 0:39:08 | |
-Only a tenner to buy but what can it make? -Nice, little citrine... | 0:39:08 | 0:39:13 | |
-Yep, 20 away there. -20 away. | 0:39:13 | 0:39:17 | |
At 20 on the right, 22. 25. | 0:39:17 | 0:39:21 | |
28, 30. No? | 0:39:21 | 0:39:25 | |
At 30, 32 on the internet. | 0:39:25 | 0:39:27 | |
35. 38, | 0:39:27 | 0:39:29 | |
-40. 42. -(Yeah.) | 0:39:29 | 0:39:33 | |
All done at 42? | 0:39:33 | 0:39:36 | |
-Yes! -How did you do that? -Cos I'm brilliant. -You are! | 0:39:36 | 0:39:40 | |
And that profit, Anita, proves you are dead brilliant. | 0:39:43 | 0:39:47 | |
Thomas really needs a profit now on his Art Nouveau lot. | 0:39:49 | 0:39:53 | |
-40? -Come on. -Go on. | 0:39:53 | 0:39:56 | |
30? Away at 30. 32 anywhere now? | 0:39:56 | 0:39:58 | |
At £30 only on this. | 0:39:58 | 0:40:01 | |
32, 35, 38, 40, 42. | 0:40:01 | 0:40:04 | |
On the stairs. £42 now. | 0:40:04 | 0:40:07 | |
-On the steps. -All done at £42. -One more! | 0:40:07 | 0:40:10 | |
-Agh. -42. -Profit. | 0:40:12 | 0:40:15 | |
Profit, profit. Well done, darling, well done. | 0:40:15 | 0:40:19 | |
That's a bit better but is it too little, too late? | 0:40:19 | 0:40:22 | |
Calm down, Anita. | 0:40:23 | 0:40:25 | |
For the second-last lot, we have Anita's lot of shoe lasts. | 0:40:27 | 0:40:32 | |
-They're already getting some interest online. -I have two bids... | 0:40:32 | 0:40:35 | |
-No! -I don't believe it. | 0:40:35 | 0:40:37 | |
-..of £25. -Yes! | 0:40:37 | 0:40:40 | |
LAUGHTER | 0:40:40 | 0:40:41 | |
-There's no justice. -Yes! | 0:40:41 | 0:40:43 | |
-There is none. -There is no justice. | 0:40:43 | 0:40:45 | |
28 at the back. They're both gone. | 0:40:45 | 0:40:48 | |
At £28 now. Right at the back of the room at £28. | 0:40:48 | 0:40:52 | |
-30. -Oh, yes! | 0:40:53 | 0:40:55 | |
£30 on the left now. | 0:40:55 | 0:40:58 | |
At £30, all done at £30. | 0:40:58 | 0:41:01 | |
Yes! | 0:41:02 | 0:41:03 | |
THEY LAUGH | 0:41:03 | 0:41:05 | |
Superb. | 0:41:05 | 0:41:07 | |
The lot of lasts haven't made a lot | 0:41:07 | 0:41:10 | |
but they have kept Anita one step ahead of Thomas. | 0:41:10 | 0:41:13 | |
-Tell me how much that was again, Thomas. -£30. -Three-zero. | 0:41:13 | 0:41:17 | |
I'm definitely having an ice cream off you this time. | 0:41:17 | 0:41:21 | |
Finally, it's wee Jimmy, the garden gargoyle. | 0:41:21 | 0:41:24 | |
He's not the bonniest but he might still make a healthy profit. | 0:41:24 | 0:41:28 | |
Tenner start me. | 0:41:28 | 0:41:29 | |
-Ten. -12, 14, 16, 18... | 0:41:29 | 0:41:35 | |
There's no justice. | 0:41:35 | 0:41:38 | |
In the room now at 20, 22. | 0:41:38 | 0:41:39 | |
THEY LAUGH | 0:41:39 | 0:41:41 | |
No! | 0:41:41 | 0:41:43 | |
At 22. | 0:41:43 | 0:41:44 | |
-Right, that's it. -You see, looks do count. | 0:41:45 | 0:41:49 | |
Jimmy has made more than 100% profit. Well done, wee man. | 0:41:51 | 0:41:56 | |
-Well done, Anita. -Oh, thank you. -A thoroughly good thrashing. | 0:41:56 | 0:42:01 | |
-Right, let's go. Come on. -OK. -I want my ice cream. | 0:42:01 | 0:42:04 | |
Thomas has conceded defeat but let's just check, shall we? | 0:42:04 | 0:42:08 | |
After paying auction costs, Thomas racked up a loss of £56.02 | 0:42:08 | 0:42:13 | |
and starts next time with £154.98. | 0:42:13 | 0:42:18 | |
But, after starting the day well behind, | 0:42:18 | 0:42:20 | |
Anita has not only won the day with a fabulous profit of £74.98 | 0:42:20 | 0:42:25 | |
but has also stormed up | 0:42:25 | 0:42:27 | |
and into the overall lead with a running total of £255.94. | 0:42:27 | 0:42:32 | |
What happened, Anita? You've beaten me. You've given me a thrashing. | 0:42:34 | 0:42:39 | |
Ahh. A bit of a bloodbath but never mind. | 0:42:39 | 0:42:41 | |
I've got a wee consolation prize for you. | 0:42:41 | 0:42:44 | |
-Anita, we spoke about ice creams. -It's melting a little bit. | 0:42:44 | 0:42:48 | |
It is, it's slightly dripping, but thank you very much. | 0:42:48 | 0:42:51 | |
-You're welcome, darling. Let's go. -Are you going to give me both? | 0:42:51 | 0:42:54 | |
Anita! | 0:42:54 | 0:42:56 | |
Don't drip on the upholstery. | 0:42:56 | 0:42:58 | |
Next time on the Antiques Road Trip, | 0:43:03 | 0:43:05 | |
Thomas shows us how to be a bull in a china shop... | 0:43:05 | 0:43:08 | |
HE CHUCKLES | 0:43:10 | 0:43:12 | |
..and Anita gets a big surprise. | 0:43:12 | 0:43:15 | |
DINOSAUR ROARS | 0:43:15 | 0:43:17 |