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It's the nation's favourite antiques experts with £200 each, | 0:00:01 | 0:00:05 | |
-a classic car... -We're going round! | 0:00:05 | 0:00:08 | |
..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
I want to spend lots of money. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction - but it's no mean feat. | 0:00:13 | 0:00:18 | |
-Oh, no! -There'll be worthy winners... -Yes! -We've done it. | 0:00:18 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:23 | |
You are kidding me. | 0:00:23 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
-What am I doing? -You've got a deal. -This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:36 | |
It's another day out on the road trip for Thomas Plant | 0:00:38 | 0:00:40 | |
and Anita Manning, | 0:00:40 | 0:00:42 | |
and this time they're cruising around England's sunny south coast. | 0:00:42 | 0:00:46 | |
Thomas, here we are in Bournemouth. | 0:00:46 | 0:00:49 | |
The sea is over there, the sun is shining. | 0:00:49 | 0:00:51 | |
-Maybe we could get some buckets. -Buckets and spades. | 0:00:51 | 0:00:55 | |
-Buckets and spades. A kiss-me-quick hat. -Oh! | 0:00:55 | 0:00:59 | |
Don't tempt me, Thomas. | 0:00:59 | 0:01:01 | |
It is a real sort of holiday feeling, isn't it? | 0:01:01 | 0:01:05 | |
It certainly is. | 0:01:05 | 0:01:06 | |
Thomas Plant is an antiques expert who never neglects | 0:01:08 | 0:01:11 | |
the body beautiful. | 0:01:11 | 0:01:12 | |
And experienced auctioneer Anita Manning is never | 0:01:17 | 0:01:19 | |
surprised by something old. | 0:01:19 | 0:01:22 | |
IT GROWLS | 0:01:22 | 0:01:23 | |
Both Thomas and Anita started the trip with £200, | 0:01:25 | 0:01:28 | |
but after taking an early lead, Thomas's big spending has | 0:01:28 | 0:01:32 | |
caused big losses, and he is starting today with only £154.98. | 0:01:32 | 0:01:38 | |
Thrifty Anita has now taken the lead with £255.94. | 0:01:39 | 0:01:45 | |
-Summertime and the living is easy. -The living is easy. | 0:01:46 | 0:01:49 | |
Well, the living isn't easy for me because I'm so poor, but you're so rich! | 0:01:49 | 0:01:53 | |
I know. I must say, Thomas, I've surged ahead here. | 0:01:53 | 0:01:57 | |
I was going to say I crept ahead, | 0:01:57 | 0:01:59 | |
but in actual fact I've surged ahead! | 0:01:59 | 0:02:02 | |
Surged ahead, and I've sort of surged backwards. | 0:02:02 | 0:02:05 | |
We're on our fourth leg | 0:02:05 | 0:02:06 | |
and I don't know if you've got a leg to stand on. | 0:02:06 | 0:02:09 | |
That's fighting talk, Anita. | 0:02:10 | 0:02:12 | |
So with a full tank in their 1968 Lotus Elan, | 0:02:12 | 0:02:15 | |
let's see where our happy pair are off to. | 0:02:15 | 0:02:17 | |
On this road trip, Thomas and Anita will travel over 550 | 0:02:20 | 0:02:24 | |
miles from the village of Redbourn, in Hertfordshire, | 0:02:24 | 0:02:27 | |
all the way to the town of Maidstone, in Kent. | 0:02:27 | 0:02:29 | |
But today they start in beautiful Bournemouth | 0:02:29 | 0:02:32 | |
before driving across southern England to end up at an auction, | 0:02:32 | 0:02:35 | |
100 miles away in Dorking. | 0:02:35 | 0:02:38 | |
You were a wee bit casual in the way you spent your money the last time. | 0:02:38 | 0:02:42 | |
I was. You were very careful - that was the right approach. | 0:02:42 | 0:02:47 | |
My plan is to follow you again and to spend little. | 0:02:47 | 0:02:50 | |
So, now, Thomas has a plan. | 0:02:55 | 0:02:57 | |
He's off to Robin's Antiques, run by, | 0:02:57 | 0:02:59 | |
no prizes for guessing, Robin. | 0:02:59 | 0:03:01 | |
What we do need to know before you do start is have you got a licence? | 0:03:03 | 0:03:07 | |
-A licence for what? -Begging. -No, I haven't got a begging licence. | 0:03:07 | 0:03:11 | |
I won't be begging. | 0:03:11 | 0:03:12 | |
And keeping up the family tradition is his grandson, Dan. | 0:03:12 | 0:03:16 | |
This place is a feast for the eyes | 0:03:17 | 0:03:19 | |
and there's quite a few items catching Thomas's eye. | 0:03:19 | 0:03:22 | |
-Very arts and crafts, isn't it? -It is, isn't it? | 0:03:29 | 0:03:32 | |
-Gothic-like. -Gothic coat hook. | 0:03:32 | 0:03:35 | |
Still, it's made out of silver-plated brass, | 0:03:37 | 0:03:40 | |
with a planished, | 0:03:40 | 0:03:41 | |
as in a hammer-beating effect. Planished hand-beating. | 0:03:41 | 0:03:45 | |
I think it was a coat hook and it would have had a couple | 0:03:45 | 0:03:47 | |
-of brushes hanging from it... -Certainly could have had that, yeah. | 0:03:47 | 0:03:50 | |
-..for brushing off your coat and what have you. -What a fun thing. | 0:03:50 | 0:03:54 | |
-Can I think about that? How much is that? -It is £35. -Is it? -Yes. | 0:03:54 | 0:03:59 | |
That one is a definitely maybe for Thomas. | 0:03:59 | 0:04:04 | |
Now, what has he found out the back? | 0:04:04 | 0:04:06 | |
-It's a complete smoker's compendium. -It is lovely. | 0:04:07 | 0:04:11 | |
Smoker's compendium. So you've got your table lights... | 0:04:11 | 0:04:14 | |
-Your table lights. -..your vesta. -That's right. -An ashtray... -Yeah. | 0:04:14 | 0:04:18 | |
..or a tobacco pot, or ashtray in there. | 0:04:18 | 0:04:21 | |
I would say that was for a drink, have a whiskey, | 0:04:21 | 0:04:26 | |
but it's nice being complete. | 0:04:26 | 0:04:28 | |
The style of it, there is no damage, and the whole thing is £80. | 0:04:28 | 0:04:33 | |
I find it so cool. I love this Jugendstil style, | 0:04:33 | 0:04:37 | |
the cleanness of lime. | 0:04:37 | 0:04:39 | |
Jugendstil, or "young style", was the German version of Art Nouveau | 0:04:41 | 0:04:45 | |
from the turn-of-the-century. | 0:04:45 | 0:04:47 | |
This was made by the Wurttembergische Metallwarenfabrik | 0:04:47 | 0:04:51 | |
or, more simplify, WMF. | 0:04:51 | 0:04:52 | |
Could Robin simplify the ticket price a bit, perhaps? | 0:04:52 | 0:04:56 | |
The smoker's compendium... | 0:04:58 | 0:05:01 | |
£65. | 0:05:01 | 0:05:02 | |
So, Robin is asking for £100 for the two items. | 0:05:03 | 0:05:07 | |
Any movement on that? | 0:05:07 | 0:05:09 | |
I wanted to come in here and spend 50 quid on a couple | 0:05:09 | 0:05:14 | |
of lots, and then 50 quid on another couple of lot somewhere else. | 0:05:14 | 0:05:18 | |
Don't look like that! Don't look like that. | 0:05:18 | 0:05:21 | |
He looks as if he is going to throw you out the shop. | 0:05:21 | 0:05:25 | |
Listen, I will let you have both bits. | 0:05:25 | 0:05:28 | |
That is the smoker's compendium and the coat hook for 70 quid. | 0:05:28 | 0:05:33 | |
-Really? Very good man. -There we are. -You are a very good man. | 0:05:33 | 0:05:40 | |
Well, that was a good bit of business, Tom. | 0:05:40 | 0:05:42 | |
£50 for the smoker's set and £20 for the coat hook. | 0:05:42 | 0:05:45 | |
Anita has travelled nine miles east from Bournemouth to | 0:05:48 | 0:05:51 | |
New Milton and crossed the county line from Dorset into Hampshire. | 0:05:51 | 0:05:55 | |
She's here to shop in Serendipity One. | 0:05:57 | 0:06:01 | |
IT GROWLS | 0:06:04 | 0:06:05 | |
-TOM LAUGHS -Must be a "do-you-think-he-saurus." | 0:06:05 | 0:06:09 | |
And he certainly did, Anita. Here to help us is Nick. | 0:06:09 | 0:06:13 | |
-Nice to meet you. -I love your reception committee. | 0:06:13 | 0:06:16 | |
Well, yes, he is there to let me know someone is in the door. | 0:06:16 | 0:06:20 | |
-He is not a watchdog or anything? -Not really. | 0:06:20 | 0:06:22 | |
-Did he tell you to spend all your money? -I'm not telling you. | 0:06:22 | 0:06:26 | |
We will get some out of you. | 0:06:26 | 0:06:28 | |
There is a bit of everything in here, | 0:06:31 | 0:06:33 | |
and it is just the sort of wonderful shop where you would never | 0:06:33 | 0:06:37 | |
-know what you're going to buy. -Indeed. | 0:06:37 | 0:06:41 | |
Now, how about this little fella? | 0:06:41 | 0:06:44 | |
This type of thing I find fascinating. | 0:06:44 | 0:06:47 | |
I find the simplicity of the carving very, very attractive. | 0:06:47 | 0:06:52 | |
And at the turn-of-the-century it was this type of carving | 0:06:52 | 0:06:56 | |
and African tribal masks that inspired artists like Picasso. | 0:06:56 | 0:07:02 | |
It's carved in some sort of hardwood | 0:07:02 | 0:07:05 | |
and there are little mother of pearl insets here. | 0:07:05 | 0:07:10 | |
(There is no price on it, so I wonder how much it is.) | 0:07:10 | 0:07:14 | |
If I can get that really quite cheaply... | 0:07:14 | 0:07:18 | |
..I'm going to have a go at him. | 0:07:19 | 0:07:20 | |
But first, what else can she sniff out? | 0:07:23 | 0:07:26 | |
A sign like this is like a red rag to a bull in this game. | 0:07:26 | 0:07:29 | |
-Nick. -Yes, Anita? | 0:07:30 | 0:07:32 | |
-Staff only. -We don't let everybody out here, | 0:07:34 | 0:07:37 | |
but only because it is you. | 0:07:37 | 0:07:39 | |
-Thank you. -Carry on. -So these are all boxes that you brought in... | 0:07:39 | 0:07:43 | |
Bags and boxes, China, bits and pieces. | 0:07:43 | 0:07:47 | |
Oh, I can't wait to have a rummage. | 0:07:47 | 0:07:50 | |
Get in there and have a good old rummage. | 0:07:50 | 0:07:52 | |
This is like access all areas. | 0:07:56 | 0:07:59 | |
This is like backstage, and this is where sometimes you can find | 0:07:59 | 0:08:04 | |
the really nice bits and pieces. | 0:08:04 | 0:08:08 | |
Ah! Now, I love this stuff. | 0:08:08 | 0:08:11 | |
This is a piece of Poole Pottery made in the '60s/'70s. | 0:08:11 | 0:08:17 | |
It is from the Aegean and Delphis range. | 0:08:17 | 0:08:21 | |
It was the time of psychedelic colours. | 0:08:21 | 0:08:23 | |
It was a time of Carnaby Street. | 0:08:23 | 0:08:26 | |
It was a time of hippies. | 0:08:26 | 0:08:27 | |
It was absolutely... It was colourful | 0:08:27 | 0:08:30 | |
and Poole reflected the mood of the times in the designs for this range. | 0:08:30 | 0:08:36 | |
Yes, Poole Pottery comes from nearby Poole and is collectable, | 0:08:38 | 0:08:42 | |
but what can Anita get it for? | 0:08:42 | 0:08:44 | |
It would be lovely to get it for under 20. | 0:08:44 | 0:08:46 | |
-It reflected the age. -Yes. -And this sort of... -Nice and local as well. | 0:08:51 | 0:08:57 | |
Well, that's what I was thinking. That's what I was thinking. | 0:08:57 | 0:09:00 | |
So hopefully, if you're selling locally, it could be a good thing. | 0:09:00 | 0:09:03 | |
Yeah. It's the type of thing that I would have in my house. | 0:09:03 | 0:09:06 | |
And, of course, you don't know how much it is. | 0:09:06 | 0:09:09 | |
-No, well, that's the rub. -It's cheap. -Is it? -It's cheap. | 0:09:09 | 0:09:14 | |
-£10 to you. -£10? | 0:09:14 | 0:09:16 | |
£10, that's a bargain. One off. | 0:09:16 | 0:09:18 | |
-No more to be said on that. -No more to be said. -OK, one deal done. | 0:09:20 | 0:09:24 | |
But what about our little friend? | 0:09:24 | 0:09:27 | |
-It's nearly as tall as you. -It nearly is. He can be my wee pal. | 0:09:27 | 0:09:34 | |
He was £75, but we want you to win and, as you say, | 0:09:35 | 0:09:40 | |
he is a bit damaged. | 0:09:40 | 0:09:41 | |
-What about if we did 40 for you? -40. Still a wee bit dear at 40. | 0:09:41 | 0:09:46 | |
-Could we go 30? -Shall we do that? -Shall we shake our hands at 30? | 0:09:46 | 0:09:50 | |
30's fine. Thank you very much, Nick. | 0:09:50 | 0:09:53 | |
There you go, Anita. | 0:09:53 | 0:09:55 | |
Another low-spending shopping trip. £10 for the pottery | 0:09:55 | 0:09:58 | |
and £30 for the sculpture means plenty of cash left. | 0:09:58 | 0:10:02 | |
Watch out for the door dinosaur! | 0:10:02 | 0:10:04 | |
Thomas, meanwhile, has also gone west, to Hampshire, | 0:10:07 | 0:10:10 | |
travelling nearly 42 miles from Bournemouth to Wickham | 0:10:10 | 0:10:13 | |
for his next spot of shopping. | 0:10:13 | 0:10:15 | |
This historic conservation village has been a settlement | 0:10:15 | 0:10:18 | |
since Roman times. | 0:10:18 | 0:10:20 | |
Thomas is off to Warwick Lane Shopping Centre to meet Steve. | 0:10:20 | 0:10:24 | |
-Hi, I'm Thomas. -Hi, Thomas. | 0:10:26 | 0:10:27 | |
-Steve, I'm the manager at Warwick Lane in Wickham. -Hello, Steve. | 0:10:27 | 0:10:32 | |
Warwick Lane has about 40 dealers and is packed with goodies. | 0:10:32 | 0:10:35 | |
I found some vintage skipping-ropes for my new-found fitness. | 0:10:40 | 0:10:44 | |
Now, what's that saying about a bull in a china shop? | 0:10:44 | 0:10:47 | |
-What's your age, Thomas? -Three. -And barely that, some might say. | 0:10:51 | 0:10:55 | |
A pair of glass salt dishes. | 0:10:58 | 0:10:59 | |
Handle with care, for goodness' sake. | 0:10:59 | 0:11:01 | |
They're cut glass with cut glass rims in the boat shape. | 0:11:03 | 0:11:06 | |
Got a tiny bit of wear to them round there. | 0:11:09 | 0:11:13 | |
Just got to work out how old they are. | 0:11:13 | 0:11:15 | |
I think they're early 19th century. | 0:11:15 | 0:11:17 | |
£6 each. £6 each for a pair of early 19th-century salts. | 0:11:17 | 0:11:22 | |
Phew! | 0:11:24 | 0:11:25 | |
£6 for an item that would have sat on the dining table | 0:11:25 | 0:11:28 | |
around the time of Napoleon's defeat at Waterloo? Incredible! | 0:11:28 | 0:11:33 | |
Now, back to something sweet. It's a sugar bowl. | 0:11:33 | 0:11:36 | |
This is rather stylish, got a lovely shape to it, | 0:11:36 | 0:11:39 | |
and I love the finial. | 0:11:39 | 0:11:41 | |
It's Art Deco, around about 1920s, with a planished interior, | 0:11:41 | 0:11:45 | |
hammer-beaten planished effect. | 0:11:45 | 0:11:47 | |
Been made by hand. This finial, this handle here, that is polished ivory. | 0:11:47 | 0:11:52 | |
Well, it's a controversial material. | 0:11:53 | 0:11:55 | |
But, if formed before 1947, it's legal to buy and sell. | 0:11:55 | 0:12:00 | |
Quite a nice thing. So that's something I'm going to think about. | 0:12:00 | 0:12:03 | |
I shall go and ask Steve about these, the two things I've picked up. | 0:12:03 | 0:12:06 | |
So yes, what can be done on those, if anything at all, please? | 0:12:08 | 0:12:12 | |
Well, I'll ring up the sellers and we'll find out. | 0:12:12 | 0:12:15 | |
The pair of glass salts is priced at £12. | 0:12:15 | 0:12:18 | |
Steve checks with dealer, Mandy, for the best price. | 0:12:18 | 0:12:22 | |
-Would you accept £8? -Yes, perfect. Done. | 0:12:22 | 0:12:26 | |
-And what about that one there? -The sugar bowl is priced at £15. | 0:12:26 | 0:12:30 | |
Steve checks with dealer, Sue. | 0:12:30 | 0:12:32 | |
-Would £9 be more acceptable? -Perfect. Thank you very much. | 0:12:33 | 0:12:36 | |
-Why didn't I come here fist? -THEY LAUGH | 0:12:36 | 0:12:38 | |
-Brilliant. -This is brilliant. Thank you. | 0:12:38 | 0:12:41 | |
So, that's the glass salts for £8, | 0:12:42 | 0:12:44 | |
the sugar bowl for £9, and nothing broken. | 0:12:44 | 0:12:48 | |
Very bullish of you, Thomas. | 0:12:48 | 0:12:49 | |
Anita has now made her way 45 miles east to Gosport, | 0:12:51 | 0:12:55 | |
a town with a proud Naval history, | 0:12:55 | 0:12:57 | |
and home to the Royal Navy Submarine Museum. | 0:12:57 | 0:13:01 | |
Submarines are now huge hi tech craft, | 0:13:01 | 0:13:04 | |
vital for the defence of our island nation, | 0:13:04 | 0:13:07 | |
but it didn't start out that way. | 0:13:07 | 0:13:09 | |
And Anita's here to find out about the sacrifices | 0:13:09 | 0:13:12 | |
made to develop this deadly technology. | 0:13:12 | 0:13:14 | |
Here to meet her is archivist George Malcolmson. | 0:13:14 | 0:13:18 | |
You know, from Glasgow, I've always had a fascination for the sea | 0:13:19 | 0:13:25 | |
and for ships, but submarines are something really quite different. | 0:13:25 | 0:13:31 | |
This looks like a strange creature from the deep. | 0:13:31 | 0:13:36 | |
Can you tell me a bit about it? | 0:13:36 | 0:13:38 | |
Well, we're looking at the Holland 1, | 0:13:38 | 0:13:40 | |
or to give it its proper name, | 0:13:40 | 0:13:42 | |
His Majesty's Submarine Torpedo Boat Number 1. | 0:13:42 | 0:13:46 | |
It was launched in October 1901. | 0:13:46 | 0:13:49 | |
The Holland 1 was the Royal Navy's first ever submarine, | 0:13:49 | 0:13:53 | |
named after John Philip Holland, an Irish-American engineer. | 0:13:53 | 0:13:58 | |
Previous attempts at building subs date back to 1620, | 0:13:58 | 0:14:02 | |
but Holland's design, made for the US Navy in 1900, | 0:14:02 | 0:14:06 | |
is regarded as the mother of modern submarines. | 0:14:06 | 0:14:09 | |
Countries, including Britain, all began to build subs | 0:14:09 | 0:14:12 | |
after the Americans allowed the design to be sold. | 0:14:12 | 0:14:15 | |
-Can we go inside? -Yes, we can go in. Have a look through. | 0:14:16 | 0:14:20 | |
Just mind your head. | 0:14:20 | 0:14:22 | |
Are submariners usually wee? | 0:14:22 | 0:14:23 | |
-Strangely enough, no. I know many who are over six foot. -SHE LAUGHS | 0:14:25 | 0:14:29 | |
The Holland would have had a crew of eight men, | 0:14:31 | 0:14:33 | |
squeezed into this small space, with no contact with the outside world. | 0:14:33 | 0:14:38 | |
It was hot, uncomfortable, dangerous work for the crews, | 0:14:38 | 0:14:41 | |
not to mention the smell. | 0:14:41 | 0:14:42 | |
The smell of the petrol engine, | 0:14:44 | 0:14:47 | |
the fumes coming up from the batteries... | 0:14:47 | 0:14:51 | |
There would have been a very distinct odour in these submarines. | 0:14:51 | 0:14:55 | |
And they always said, you could smell a submariner | 0:14:55 | 0:14:58 | |
before you saw him. | 0:14:58 | 0:15:00 | |
It's difficult to imagine eight or nine men working in here, | 0:15:01 | 0:15:05 | |
but I believe you have something even smaller to show me. | 0:15:05 | 0:15:09 | |
By the start of World War I, the Royal Navy had more subs | 0:15:09 | 0:15:12 | |
than any other nation, and by the Second World War, | 0:15:12 | 0:15:15 | |
its engineers were getting ever more inventive. | 0:15:15 | 0:15:18 | |
The X Class midget submarines were even smaller than the Holland | 0:15:18 | 0:15:21 | |
and were involved in some of the war's most daring raids | 0:15:21 | 0:15:25 | |
as they could sneak in, undetected, to enemy harbours to lay mines. | 0:15:25 | 0:15:29 | |
These were very hazardous missions. | 0:15:29 | 0:15:33 | |
This one is the great survivor because she went on two operations | 0:15:33 | 0:15:37 | |
to Norway, attacking the U Boat facilities in Bergen, and came back. | 0:15:37 | 0:15:42 | |
One of the few that came back. | 0:15:44 | 0:15:45 | |
Success came at a price, though. | 0:15:47 | 0:15:48 | |
In the raids on Bergen | 0:15:48 | 0:15:50 | |
and in the mission to sink the battleship Tirpitz, | 0:15:50 | 0:15:53 | |
eight midget submarines were used - | 0:15:53 | 0:15:55 | |
-only three completed the mission. -How many men would be in here? | 0:15:55 | 0:16:00 | |
Three crew and a diver. | 0:16:00 | 0:16:02 | |
Of the 12 X Class subs that saw service during World War II, | 0:16:02 | 0:16:06 | |
only five survived and nearly half of the crewmen were killed. | 0:16:06 | 0:16:10 | |
George, I imagine that this tiny submarine | 0:16:10 | 0:16:15 | |
must have been even more dangerous than the big submarines. | 0:16:15 | 0:16:22 | |
Were submariners a special type of man? | 0:16:22 | 0:16:27 | |
Well, the volunteers for this type of hazardous service | 0:16:27 | 0:16:31 | |
were called from the Navy and people volunteered, | 0:16:31 | 0:16:35 | |
and they had to go through fairly rigorous training. | 0:16:35 | 0:16:38 | |
The very nature of being in a submarine... | 0:16:38 | 0:16:42 | |
It just means that you're relying on other members of the crew | 0:16:44 | 0:16:47 | |
for your safety. | 0:16:47 | 0:16:48 | |
And the more difficult the conditions, | 0:16:48 | 0:16:51 | |
it seems to bind the people together much more strongly. | 0:16:51 | 0:16:56 | |
The submariners life has always been difficult, | 0:16:56 | 0:16:58 | |
and over 5,000 of them have died serving their country. | 0:16:58 | 0:17:02 | |
But the submarine's qualities of stealth and surprise, | 0:17:02 | 0:17:05 | |
so vital in the past, | 0:17:05 | 0:17:06 | |
are what keeps it at the forefront of defending Britain today. | 0:17:06 | 0:17:11 | |
That sombre note brings us to the end of day one. Night-night. | 0:17:11 | 0:17:16 | |
It's the start of another sunny day on the Road Trip. | 0:17:18 | 0:17:21 | |
Well, not quite, but our duo are in Southsea and are in good spirits. | 0:17:21 | 0:17:26 | |
Thomas, how do you feel being in Southsea, | 0:17:26 | 0:17:29 | |
sitting beside a beautiful woman, in a lovely yellow sports car? | 0:17:29 | 0:17:35 | |
Well, do you know? I have to say, I enjoy the British seaside. | 0:17:35 | 0:17:39 | |
And I love things like these gorgeous huts. | 0:17:39 | 0:17:42 | |
Yeah, they're great, aren't they? With their lovely pastel colours. | 0:17:42 | 0:17:45 | |
It's sweet, isn't it? | 0:17:45 | 0:17:47 | |
There is something magical about the British seaside. | 0:17:47 | 0:17:50 | |
-And people all muffled up against the wind. -Yeah, yeah. | 0:17:50 | 0:17:54 | |
-There's no such thing as bad weather. -No. -It's poor clothing. | 0:17:54 | 0:17:57 | |
That's right. | 0:17:57 | 0:17:58 | |
A very British attitude. Now, Thomas had a trying day yesterday. | 0:17:58 | 0:18:03 | |
He tried not to spend too much, | 0:18:03 | 0:18:05 | |
but still managed to pay out £87 on four items. | 0:18:05 | 0:18:08 | |
The smoking set, the coat hook, | 0:18:09 | 0:18:11 | |
the glass salts and the Art Deco bowl. | 0:18:11 | 0:18:13 | |
That leaves him with £67.98 for the day ahead. | 0:18:13 | 0:18:17 | |
Low-spending Anita played it sensible and canny again, | 0:18:17 | 0:18:21 | |
spending only £40 on two items. | 0:18:21 | 0:18:24 | |
A tribal sculpture and a Poole Pottery plate, | 0:18:24 | 0:18:26 | |
giving her £215.94 to spend today. | 0:18:26 | 0:18:30 | |
Anita is starting her day in Southsea, | 0:18:31 | 0:18:34 | |
with a trip to Parmiters Antiques, run by the very charming Ian. | 0:18:34 | 0:18:38 | |
-Stand by. -Can I leave my bonnet here? -Of course you can. | 0:18:38 | 0:18:42 | |
I'll put it on the dog. | 0:18:42 | 0:18:44 | |
-Don't sell it. -Ha! | 0:18:44 | 0:18:46 | |
So, with her hat off and her buying head on, | 0:18:46 | 0:18:48 | |
Anita has a bit of a rummage. | 0:18:48 | 0:18:51 | |
These are boots that certainly weren't made for walking. | 0:18:51 | 0:18:55 | |
These boots were made for showing off. | 0:18:56 | 0:18:59 | |
-They don't fit me. -They don't fit you? | 0:18:59 | 0:19:01 | |
-I don't think they'd fit me either. -She's given the boots the boot. | 0:19:01 | 0:19:05 | |
But time is marching on. What's going to be worth a punt? | 0:19:05 | 0:19:08 | |
Little wall plaque with a photograph in the middle | 0:19:11 | 0:19:14 | |
commemorating HMS Vengeance. | 0:19:14 | 0:19:17 | |
-Ian! -Yeah? -This little HMS Vengeance. | 0:19:19 | 0:19:26 | |
-It's sweet, isn't it? -It is. | 0:19:26 | 0:19:27 | |
You know, it's very, I suppose, evocative. | 0:19:27 | 0:19:32 | |
And it's typical of what you might find in a town like this | 0:19:32 | 0:19:37 | |
that was based on ships and the Navy and so on. | 0:19:37 | 0:19:40 | |
And you've got these two serious little children | 0:19:40 | 0:19:43 | |
who have all been scrunched into their best clothes. | 0:19:43 | 0:19:47 | |
-They had to sit there for five minutes. -Sit there for five minutes. | 0:19:47 | 0:19:50 | |
-Do we know anything about the HMS Vengeance? -No. | 0:19:50 | 0:19:53 | |
I haven't even looked it up, but I'm guessing 1900... | 0:19:53 | 0:19:56 | |
Maybe a dreadnought. One of the old dreadnoughts. | 0:19:56 | 0:20:00 | |
Ian is very nearly right. | 0:20:00 | 0:20:02 | |
HMS Vengeance was built in 1899 | 0:20:02 | 0:20:04 | |
and was one of the last of the battleships made | 0:20:04 | 0:20:06 | |
prior to the massive dreadnoughts. | 0:20:06 | 0:20:08 | |
-What sort of price is a bargain? -Bargain to you - 20 quid. -20 quid? | 0:20:08 | 0:20:14 | |
-That's an absolute bargain. -I like that for 20. I think I'll take that. | 0:20:14 | 0:20:19 | |
-That's one down. Now, what else has Ian got? -I've got one for you. | 0:20:20 | 0:20:25 | |
-See all this 18th century pottery? -Uh-huh. | 0:20:25 | 0:20:28 | |
-All that, 25 quid the lot. -25 quid for the lot? | 0:20:29 | 0:20:33 | |
It's all damaged - guaranteed. | 0:20:33 | 0:20:36 | |
There's a lot of stuff there, and it might well sell, but it's a gamble, | 0:20:36 | 0:20:40 | |
-particularly if it's damaged. -How many bits have we got? One, two... | 0:20:40 | 0:20:44 | |
..three, four, five, six, seven. Eight. | 0:20:45 | 0:20:48 | |
Nine, ten, 11 bits. | 0:20:48 | 0:20:50 | |
-No rush, Anita. You just take your time. -Of 18th century ceramic? -Yeah. | 0:20:53 | 0:21:00 | |
18th and early 19th. | 0:21:00 | 0:21:01 | |
You can't go wrong, can you? | 0:21:01 | 0:21:03 | |
She's thinking about it. How about a double deal, Ian? | 0:21:03 | 0:21:07 | |
£40 for that and the frame. | 0:21:07 | 0:21:09 | |
-Let's go for it. -All right. -Let's go for it. 40 quid. | 0:21:13 | 0:21:16 | |
-If you don't make money, I'll give you a tenner. -Oh. SHE LAUGHS | 0:21:16 | 0:21:19 | |
Another brace of budget buys for Anita. | 0:21:21 | 0:21:24 | |
A varied lot of pottery for £20 | 0:21:24 | 0:21:27 | |
and the HMS Vengeance life saver portrait, also for £20. | 0:21:27 | 0:21:31 | |
Tom's starting his day in Southsea | 0:21:34 | 0:21:36 | |
with a trip to hear the story of D-Day, | 0:21:36 | 0:21:39 | |
the invasion of France, told from a local perspective, | 0:21:39 | 0:21:42 | |
-and showing him round is Andrew. -Hello, I'm Andrew. | 0:21:42 | 0:21:45 | |
-It's so windy here, isn't it? -It is, yes. | 0:21:45 | 0:21:46 | |
Was it windy when we went to France on D-Day? | 0:21:46 | 0:21:49 | |
The weather wasn't very good anywhere. | 0:21:49 | 0:21:51 | |
I think it was worse than today, though. | 0:21:51 | 0:21:53 | |
So much has been talked about and concentrated on the actual events | 0:21:53 | 0:21:56 | |
in Normandy, D-Day itself, | 0:21:56 | 0:22:00 | |
but what happened in Portsmouth and to the people of Portsmouth, | 0:22:00 | 0:22:03 | |
the civilian population, how did they survive? | 0:22:03 | 0:22:05 | |
How did they cope? | 0:22:05 | 0:22:07 | |
Yeah, I think the preparations for D-Day that took place in Portsmouth | 0:22:07 | 0:22:10 | |
and also all along the south coast, are often forgotten about, | 0:22:10 | 0:22:14 | |
but they were just as important to the success of D-Day. | 0:22:14 | 0:22:17 | |
June the 6th, 1944, or D-Day as we now know it, | 0:22:17 | 0:22:21 | |
was the start of the Allied invasion of Normandy | 0:22:21 | 0:22:24 | |
and the beginning of the liberation of Europe from Hitler's Nazis. | 0:22:24 | 0:22:28 | |
But it was a long time in the planning | 0:22:28 | 0:22:30 | |
and, as the Allies prepared to go to France, | 0:22:30 | 0:22:33 | |
changes began to appear around Portsmouth | 0:22:33 | 0:22:35 | |
and the south coast in early 1944. | 0:22:35 | 0:22:38 | |
As D-Day approached, there would be more | 0:22:38 | 0:22:40 | |
and more troops building up and gathering into the area. | 0:22:40 | 0:22:43 | |
There were restrictions. | 0:22:43 | 0:22:44 | |
There was a ten-mile-deep band running along the south coast | 0:22:44 | 0:22:49 | |
where you had to have a special pass to get into it in the lead up to D-Day, | 0:22:49 | 0:22:52 | |
so there were special security restrictions. | 0:22:52 | 0:22:55 | |
You had camps, troop camps, probably a few miles inland, | 0:22:55 | 0:23:00 | |
often hidden away in a wood. | 0:23:00 | 0:23:02 | |
In a wood so that if there were enemy aircraft flying overhead | 0:23:03 | 0:23:06 | |
or spies around, it was a lot harder to see them. | 0:23:06 | 0:23:09 | |
Troops had been waiting in there for a couple of weeks, | 0:23:09 | 0:23:12 | |
maybe a month or so before D-Day and about a week or so before D-Day, | 0:23:12 | 0:23:17 | |
the camps were sealed, which meant no-one could go in or out. | 0:23:17 | 0:23:21 | |
By the end of May, over a million troops from the Wash to Land's End | 0:23:21 | 0:23:24 | |
waited expectantly, | 0:23:24 | 0:23:26 | |
but none of them knew the top secret time and date of D-Day. | 0:23:26 | 0:23:29 | |
Surely the Germans had an inkling that we were coming? | 0:23:29 | 0:23:32 | |
Well, that's definitely true. | 0:23:33 | 0:23:35 | |
It wasn't a secret that D-Day, | 0:23:35 | 0:23:37 | |
or an Allied landing somewhere on the coast of Europe was coming soon. | 0:23:37 | 0:23:42 | |
The Allies had made no secret of that. | 0:23:42 | 0:23:44 | |
But the two key bits of information that the Germans | 0:23:44 | 0:23:47 | |
really needed to find out, but fortunately didn't, | 0:23:47 | 0:23:50 | |
were where and when it would be happening. | 0:23:50 | 0:23:52 | |
Just as well the Germans never got their hands on one of these, then. | 0:23:52 | 0:23:57 | |
It's a step-by-step guide on how to invade occupied France. | 0:23:57 | 0:24:00 | |
So when were they given these? | 0:24:00 | 0:24:03 | |
They'd have been given them maybe a week or more before D-Day, | 0:24:03 | 0:24:07 | |
but until the last minute, they were sealed up. | 0:24:07 | 0:24:09 | |
So in a sealed envelope, which they weren't allowed to open. | 0:24:09 | 0:24:13 | |
And then, just days before D-Day, the order went out, | 0:24:13 | 0:24:15 | |
they could open their orders | 0:24:15 | 0:24:17 | |
and actually find out where they were going. | 0:24:17 | 0:24:19 | |
Didn't people open them immediately and think, "Oh, what's going on?" | 0:24:19 | 0:24:22 | |
People knew that it was really important to preserve secrecy | 0:24:22 | 0:24:25 | |
and to make sure that the enemy didn't get wind of what was coming. | 0:24:25 | 0:24:29 | |
On the 4th of June, | 0:24:31 | 0:24:32 | |
the troops due to invade Normandy began to move into place | 0:24:32 | 0:24:36 | |
to embark from Portsmouth docks, | 0:24:36 | 0:24:38 | |
filling the streets with trucks and troops. | 0:24:38 | 0:24:40 | |
How did the civilian population of Portsmouth react | 0:24:42 | 0:24:46 | |
-to this huge influx of military personnel? -There were, as you say, | 0:24:46 | 0:24:52 | |
huge numbers of troops in the area in the lead up to D-Day. | 0:24:52 | 0:24:55 | |
Troops would have been just sleeping in or under their vehicles, | 0:24:55 | 0:24:58 | |
so local people often did things like invite them | 0:24:58 | 0:25:01 | |
into their house for a bath or to share some food. | 0:25:01 | 0:25:04 | |
And, obviously, food was rationed so that was quite a big thing. | 0:25:04 | 0:25:07 | |
So quite often, | 0:25:07 | 0:25:09 | |
you had friendships struck up just in a day or two between people, | 0:25:09 | 0:25:14 | |
civilians living along the south coast, and these troops. | 0:25:14 | 0:25:18 | |
But as the troops from various countries waited at the docks | 0:25:18 | 0:25:21 | |
to board their landing craft, | 0:25:21 | 0:25:22 | |
one local five-year-old girl called Betty White and some of her chums | 0:25:22 | 0:25:27 | |
saw the opportunity for a spot of memento collecting. | 0:25:27 | 0:25:30 | |
They asked the troops to give them badges from their uniforms | 0:25:30 | 0:25:33 | |
and that's where all these badges come from, | 0:25:33 | 0:25:35 | |
and her mother later sewed them | 0:25:35 | 0:25:37 | |
onto this coat to hold the whole collection together. | 0:25:37 | 0:25:41 | |
But those badges, it's a cross section of different units | 0:25:41 | 0:25:44 | |
and different nationalities, | 0:25:44 | 0:25:46 | |
so it's a great summary of many of those troops who went from Gosport. | 0:25:46 | 0:25:51 | |
-No doubt the troops weren't meant to do this. -No. | 0:25:51 | 0:25:54 | |
But this coat really is a good example, | 0:25:54 | 0:25:56 | |
isn't it, of how the troops and the local people did get talking, | 0:25:56 | 0:26:02 | |
did exchange gifts and things like that | 0:26:02 | 0:26:04 | |
-despite the official regulations. -Yeah. | 0:26:04 | 0:26:06 | |
Overnight on the 5th of June, the thousands of troops | 0:26:06 | 0:26:09 | |
and boats disappeared, leaving an eerie calm. | 0:26:09 | 0:26:13 | |
The story of what happened next has been well told, | 0:26:13 | 0:26:17 | |
but the towns of the south coast can be proud of their vital role. | 0:26:17 | 0:26:21 | |
And our Anita has hit the road again, | 0:26:25 | 0:26:27 | |
this time eight miles east to Chichester. | 0:26:27 | 0:26:30 | |
Now, Chichester is the county town of West Sussex. | 0:26:30 | 0:26:33 | |
Its cathedral is almost 1,000 years old, | 0:26:33 | 0:26:36 | |
and is the final resting place of the composer Gustav Holst. | 0:26:36 | 0:26:40 | |
But Anita is hoping there'll be something | 0:26:40 | 0:26:42 | |
going for a song in Hancock Antiques, run by Peter. | 0:26:42 | 0:26:45 | |
Lovely to meet you. | 0:26:45 | 0:26:46 | |
More crockery, Anita? | 0:26:53 | 0:26:54 | |
And loads of it too. | 0:26:59 | 0:27:01 | |
SHE LAUGHS | 0:27:01 | 0:27:04 | |
There's a lot of pottery here and most of it | 0:27:04 | 0:27:06 | |
isn't in good condition, so it's probably no use to me. Oh! | 0:27:06 | 0:27:10 | |
Heard a wee clink there. I have to be careful. | 0:27:11 | 0:27:14 | |
You might feel more at home with Peter's jewellery. | 0:27:15 | 0:27:18 | |
I love rummaging through all this. | 0:27:20 | 0:27:22 | |
Lovely wee bits and pieces of jewellery. | 0:27:22 | 0:27:25 | |
That's a rather pretty piece of agate, Peter. | 0:27:27 | 0:27:29 | |
Agate is a popular stone with beautiful striping. | 0:27:31 | 0:27:35 | |
This brooch has a ticket price of £40. | 0:27:35 | 0:27:38 | |
Can that one be bought for 20? | 0:27:39 | 0:27:41 | |
It's not gold. The stone's in good condition | 0:27:44 | 0:27:47 | |
and it's the type of thing that a private lady might fancy at auction. | 0:27:47 | 0:27:54 | |
-I can do it for 20. -You can do it for 20? | 0:27:54 | 0:27:56 | |
Let's do it for 20 then. That's lovely. Thank you very much, Peter. | 0:27:58 | 0:28:01 | |
That's great. | 0:28:01 | 0:28:02 | |
So Anita has rounded off her shopping | 0:28:04 | 0:28:06 | |
with an attractive agate brooch for £20. | 0:28:06 | 0:28:09 | |
But no more porcelain. | 0:28:11 | 0:28:13 | |
Meanwhile, Thomas has made the journey ten miles east to Emsworth. | 0:28:13 | 0:28:17 | |
He's heading to Emsworth Antiques and the very obliging Hillary. | 0:28:17 | 0:28:22 | |
-Hello. -Hello. -I'm Thomas. -Oh, I'm Hillary. Pleased to meet you. | 0:28:22 | 0:28:26 | |
And he's already after the sympathy vote. | 0:28:26 | 0:28:29 | |
-You've run out of money? -Not necessarily. | 0:28:29 | 0:28:31 | |
I'd be lying if I said I'd run out of money, | 0:28:31 | 0:28:34 | |
but I'm desperate to claw back the money I lost last auction. | 0:28:34 | 0:28:38 | |
So one is being, as one says in Somerset, careful. | 0:28:38 | 0:28:43 | |
-Right. -Less of the sob story and more shopping, please, Thomas. | 0:28:43 | 0:28:47 | |
-He's looking. -Come on, Plant. Where is it? | 0:28:53 | 0:28:56 | |
And still looking. | 0:28:58 | 0:29:00 | |
Sometime today might be nice, Thomas. | 0:29:00 | 0:29:02 | |
-You're struggling, aren't you? -No. No, I'm not struggling. | 0:29:02 | 0:29:05 | |
No, I'm just picking myself up to sort of... Er, find something. | 0:29:05 | 0:29:10 | |
I beg your pardon? | 0:29:10 | 0:29:11 | |
More small shiny things? | 0:29:14 | 0:29:16 | |
How about something large and not shiny for a change, Thomas? | 0:29:17 | 0:29:20 | |
Something like... | 0:29:20 | 0:29:21 | |
..them. | 0:29:23 | 0:29:24 | |
Two garden ornaments. | 0:29:25 | 0:29:27 | |
One in terracotta of a Grecian girl, and another in composite, | 0:29:27 | 0:29:34 | |
or like a concrete, which has been weathered. | 0:29:34 | 0:29:37 | |
They're both quite nice, really, aren't they? | 0:29:37 | 0:29:39 | |
The frost has been at this, being a terracotta. | 0:29:39 | 0:29:42 | |
-But that shows that she's been places, doesn't it? -It does. | 0:29:42 | 0:29:45 | |
-It does. How much for these two? -How do you feel about 80? | 0:29:45 | 0:29:47 | |
Oh, I haven't got £80. | 0:29:47 | 0:29:49 | |
-You didn't tell me that! -I haven't got £80. -What do you have? | 0:29:49 | 0:29:53 | |
-Oh, not very much at all. -Well, make me a suggestion. | 0:29:53 | 0:29:56 | |
Oh, I don't think they're worth a huge amount. | 0:29:56 | 0:29:59 | |
35 on those. | 0:30:00 | 0:30:01 | |
Mm-hm. That's the death, is it? | 0:30:05 | 0:30:08 | |
Well, they look as though they've died already. | 0:30:08 | 0:30:10 | |
-They've been decapitated, yeah. -What could you go to? | 0:30:10 | 0:30:13 | |
I think they're great fun. | 0:30:13 | 0:30:15 | |
30 and we've got a deal. Or is that not going to happen? | 0:30:16 | 0:30:18 | |
-Go on, then. 30. -£30, brilliant. -We've got a deal. | 0:30:19 | 0:30:22 | |
(That was hard work!) | 0:30:22 | 0:30:24 | |
-I can't shake your hand because I'm busy. Have a head. -THEY LAUGH | 0:30:24 | 0:30:29 | |
£80 to £30 - now that's a great discount. | 0:30:29 | 0:30:32 | |
The deal is done, with a great discount | 0:30:32 | 0:30:35 | |
and neither of them lost their heads. | 0:30:35 | 0:30:37 | |
So, Thomas is finished for the day. | 0:30:37 | 0:30:39 | |
Let's just have a little reminder of what he's bought for auction. | 0:30:39 | 0:30:43 | |
Thomas spent just £117 on five lots - | 0:30:43 | 0:30:46 | |
the smoking set, the coat hook, | 0:30:46 | 0:30:48 | |
the glass salts, an Art Deco bowl, | 0:30:48 | 0:30:51 | |
and a pair of stone heads... | 0:30:51 | 0:30:53 | |
as you do. | 0:30:53 | 0:30:54 | |
Anita had another great day of shopping carefully. | 0:30:56 | 0:31:00 | |
She also bought five lots - | 0:31:00 | 0:31:02 | |
the tribal sculpture, the Poole Pottery, | 0:31:02 | 0:31:04 | |
the ceramic mix, the naval photo frame, | 0:31:04 | 0:31:07 | |
and the agate brooch, | 0:31:07 | 0:31:09 | |
costing her a reasonable £100. | 0:31:09 | 0:31:11 | |
So, let's hear what they think about each other's treasures. | 0:31:14 | 0:31:17 | |
My favourite item of Thomas' is that wonderful Art Nouveau coat hook. | 0:31:17 | 0:31:24 | |
And if I was going to swap that, I think | 0:31:24 | 0:31:26 | |
I would swap it with my tribal figure. | 0:31:26 | 0:31:28 | |
Not because I don't love it, | 0:31:28 | 0:31:30 | |
but because I think I might have paid a little bit too much for it. | 0:31:30 | 0:31:35 | |
Well, of Anita's, | 0:31:35 | 0:31:36 | |
my favourite has to be the mixed lot of broken ceramics. | 0:31:36 | 0:31:40 | |
I think she's got real potential there | 0:31:40 | 0:31:42 | |
because some restorer could do a real job, but it only cost her £20. | 0:31:42 | 0:31:45 | |
Our dealing duo are ready for auction, | 0:31:47 | 0:31:49 | |
so off to Dorking, 40 miles north. | 0:31:49 | 0:31:51 | |
Avanti! | 0:31:51 | 0:31:53 | |
Thomas, we're heading for our fourth auction and, darling, | 0:31:53 | 0:31:58 | |
I hate to say it but I'm a wee bit ahead of you. | 0:31:58 | 0:32:01 | |
You are a wee bit ahead. Just a wee, a wee hundred pounds! | 0:32:01 | 0:32:06 | |
A wee hundred pounds indeed. | 0:32:07 | 0:32:09 | |
Today's auction house is Crow's Auction Gallery. | 0:32:09 | 0:32:12 | |
It's been here in Dorking for over 100 years, | 0:32:12 | 0:32:15 | |
-so it's like an old antique itself. -There it is, Anita. | 0:32:15 | 0:32:18 | |
Oh, here we are, Thomas. Are you excited? | 0:32:18 | 0:32:20 | |
-I am because I fancy crawling back. -Whacking me today? -Not whacking you. | 0:32:20 | 0:32:26 | |
I never want to whack you, Anita! | 0:32:26 | 0:32:29 | |
Our auctioneer is Tom Lofts. Has anything caught his eye? | 0:32:30 | 0:32:35 | |
The African figure will be a challenging lot. | 0:32:35 | 0:32:38 | |
I'm lost for words, but we'll give it a go. | 0:32:38 | 0:32:42 | |
The collection of pottery and porcelain... | 0:32:42 | 0:32:45 | |
I hope that somewhere somebody has found a piece | 0:32:45 | 0:32:48 | |
that they can get out of jail with, but it could be a struggle. | 0:32:48 | 0:32:52 | |
It's not a packed room, | 0:32:52 | 0:32:53 | |
but there's a lot of interest on the telephone and over the internet. | 0:32:53 | 0:32:57 | |
Let the auction begin! | 0:32:57 | 0:32:58 | |
First off, is the psychedelic Poole Pottery dish. | 0:33:00 | 0:33:03 | |
-£10. Should double my money. Yes, yes. -Who'll start me here, please? | 0:33:04 | 0:33:09 | |
-20, straight in? I've got it. -20 straight. | 0:33:09 | 0:33:12 | |
And two and five and eight and 30 and two and five and eight and 40. | 0:33:12 | 0:33:16 | |
-Yeah! -At 45. £45. 48 bid. Come on. 50 the bid. 50 bid. | 0:33:16 | 0:33:20 | |
-Oh, he's pushing them on. -At £50 now. All out online as well. | 0:33:20 | 0:33:24 | |
-In the room has it at £50. -£50! | 0:33:24 | 0:33:26 | |
-For the Poole. I like this. -£40 profit. -I sell away. | 0:33:26 | 0:33:30 | |
-All done then, at £50. -Yes! | 0:33:30 | 0:33:33 | |
Brilliant. | 0:33:33 | 0:33:35 | |
Yeah, baby. That's £40 of profit. | 0:33:37 | 0:33:39 | |
I knew that I had a good one there. The rest of it has still to come. | 0:33:40 | 0:33:46 | |
Next up it's Thomas' smoking set. | 0:33:47 | 0:33:50 | |
-Will it set the auction alight, though? -We like this a lot. -Yes. | 0:33:50 | 0:33:54 | |
What do we say now? 40? 30? 20? Bid. | 0:33:54 | 0:33:57 | |
-30, bid. 40 bid. Quickly coming in at 42. -Yep, yep, yep. -45. At £45. | 0:33:57 | 0:34:02 | |
-48 bid. 50 bid. 55, 60 bid. -Yes. Yes, yes. | 0:34:02 | 0:34:05 | |
60 I'm bid. Selling at 60. All out online? At 60. | 0:34:05 | 0:34:08 | |
-Thought we'd make a lot more on this. At £60. -Well. -I'm trading. | 0:34:08 | 0:34:12 | |
All done then at £60. | 0:34:12 | 0:34:14 | |
-£60. -Well. -You profit, Thomas. Profit. -Got out of it. -Yeah. | 0:34:14 | 0:34:20 | |
Oh, just. But a profit is a profit. | 0:34:20 | 0:34:22 | |
It's Anita's next item - the tribal sculpture. | 0:34:24 | 0:34:27 | |
He didn't look that tall in the shop. | 0:34:27 | 0:34:30 | |
-This is where I might fall down, Thomas. -20. 30, 40 bid. £40. | 0:34:30 | 0:34:35 | |
There you are. You're into profit. | 0:34:35 | 0:34:38 | |
At £40, being sold. At 40, I do not believe this. | 0:34:38 | 0:34:40 | |
-At £40. -You can't believe it, can you? | 0:34:40 | 0:34:43 | |
-45 and 50 and five and 60. -There you are! Doubling your money! | 0:34:43 | 0:34:47 | |
60 in the room. Selling at 60. Selling at 60. Where are we now? | 0:34:47 | 0:34:50 | |
-At £60, being sold. At 60. At 60. The line's all out. -This is it. | 0:34:50 | 0:34:53 | |
-I'm selling it at £60, all done. At £60. -Well done. | 0:34:53 | 0:34:58 | |
£60. My objet trouve! | 0:35:00 | 0:35:06 | |
Doubled her money. Another excellent buy from Anita. | 0:35:06 | 0:35:10 | |
Do you want a hanky for that wee tear? | 0:35:10 | 0:35:12 | |
SHE LAUGHS | 0:35:12 | 0:35:16 | |
Come on, Thomas. You need the coat hook to get you off the hook. | 0:35:16 | 0:35:19 | |
Telephone interest, I believe, here. And commissions with me. | 0:35:20 | 0:35:23 | |
-Right, so here we start at 40. -Yes! -Five, 60, five, 70. | 0:35:23 | 0:35:30 | |
Can I say 70 bid on the telephone? Now telephone bid 70. | 0:35:30 | 0:35:33 | |
And five. At £75. 80. | 0:35:33 | 0:35:35 | |
85 bid. £85. £85. With me, then. | 0:35:35 | 0:35:38 | |
-Sold. All done. Sold at £85. -Yes! -Yes! | 0:35:38 | 0:35:42 | |
-Made up. Made up. -That's great. | 0:35:45 | 0:35:48 | |
Outstanding. That's got him right back in the running. | 0:35:48 | 0:35:51 | |
-You're snapping at my heels. -No, I'm not! | 0:35:52 | 0:35:56 | |
Not when you buy African figures which double their money. | 0:35:56 | 0:35:59 | |
Now, will Anita's lifebelt portrait sink or swim? | 0:36:01 | 0:36:05 | |
And we've got commissions, I'm pleased to say, | 0:36:05 | 0:36:07 | |
-but a very low start at 20. -Oh, all right. -22. 25. Don't get too excited! | 0:36:07 | 0:36:12 | |
28 bid. At £28. 30 bid. 32. 35. £35, liking this. | 0:36:12 | 0:36:16 | |
There you are, you see? | 0:36:16 | 0:36:17 | |
At £35, liking this a lot. At £35, out online. | 0:36:17 | 0:36:20 | |
-I thought there'd be more interest away. -I thought there would be. | 0:36:20 | 0:36:23 | |
Eight bid. 40 with me. 40 I have. Selling at 40. | 0:36:23 | 0:36:26 | |
Still like this a lot. At £40 to be sold. Selling at 40. | 0:36:26 | 0:36:28 | |
-Doubled your money... -Interesting piece. -..again! | 0:36:28 | 0:36:31 | |
-Sold at 40. All done? At £40. -Yes! | 0:36:31 | 0:36:36 | |
That profit has got Anita's head above the water. | 0:36:37 | 0:36:41 | |
-I'm a happy girl today. -I bet you are! Look at you. | 0:36:41 | 0:36:44 | |
-"I'm a happy girl today..." -It's just luck. It's just luck. | 0:36:44 | 0:36:48 | |
-"I'm a happy girl, a happy girl today." -You behave yourself! THEY LAUGH | 0:36:48 | 0:36:52 | |
Thomas' glass salts next - small but perfectly formed - how will they do? | 0:36:53 | 0:36:59 | |
Away we go with me at 15. 18. 20. Two. £22. The salts. At £22. At 22. | 0:36:59 | 0:37:07 | |
-25 bid. -Good, good, good, come on. | 0:37:07 | 0:37:09 | |
At £28, the salts. At £28. All out online. 30 I've got. 30 I'm bid. | 0:37:10 | 0:37:14 | |
£30. | 0:37:14 | 0:37:16 | |
-32. 35. -Yes! -38 bid. 40. Now getting excited down the front. | 0:37:16 | 0:37:21 | |
-Proper antiques. Proper antiques selling! -£40, make no mistake. | 0:37:21 | 0:37:25 | |
-Selling at £40, the salts. All done. Sold at £40. -Yes! | 0:37:25 | 0:37:30 | |
-Proper antiques. -Oh, that's great. | 0:37:30 | 0:37:32 | |
Another profit for the Planter. That puts him in the lead. | 0:37:32 | 0:37:36 | |
-You are a good boy. -Oh. I like to be a good boy. -THEY LAUGH | 0:37:36 | 0:37:42 | |
You're a clever boy. | 0:37:42 | 0:37:44 | |
Is Anita's agate brooch going to push her ahead of Thomas? | 0:37:46 | 0:37:50 | |
Commissions with me. A low start again at ten. 12. 15. 18. 20. 22. | 0:37:50 | 0:37:56 | |
Yes, you're there. You going to double it again? | 0:37:56 | 0:37:58 | |
Like all your other things? Triple? | 0:37:58 | 0:38:00 | |
At 25, 25. 28. The lines are out. At £28. The brooch at £28. £30 bid. | 0:38:00 | 0:38:06 | |
£30. £30 to be sold. Selling at 32. | 0:38:06 | 0:38:08 | |
35. 35 bid. £35. £35. £35 the brooch. | 0:38:08 | 0:38:11 | |
-At £35. -There you are. -38 bid. 38. 40, I've got. 40. Selling at 40. | 0:38:11 | 0:38:16 | |
All right, stop now. | 0:38:16 | 0:38:18 | |
-£40, being sold. -He likes you. Double your money. | 0:38:18 | 0:38:23 | |
Well done, sir. | 0:38:23 | 0:38:24 | |
Another healthy profit, but she still needs more. | 0:38:25 | 0:38:28 | |
Next for Thomas, it's the stone heads. | 0:38:30 | 0:38:33 | |
-We'll start this with me at 20. I have... -20. Yeah. -At £20. | 0:38:33 | 0:38:38 | |
-This is value at £20. 22. -There's a lady. -She feels sorry for you. | 0:38:38 | 0:38:42 | |
-At £22. -Go on! -25, bid. Come on, you can do it, madam. | 0:38:42 | 0:38:46 | |
-28 bid. -There's another one. -At £28 in the room. 28 in room. At £28. | 0:38:46 | 0:38:51 | |
-The lines all out. -Come on! -One more. -Make no mistake. £28. | 0:38:51 | 0:38:55 | |
-The telephone's on as well, 30 on the telephone. -Yes! -At 32 bid. | 0:38:55 | 0:38:59 | |
32, 32. 35 bid, telephone bid. 38 can I say? | 0:38:59 | 0:39:02 | |
Come again, you can do it. | 0:39:02 | 0:39:03 | |
-You can do it. -There's another one, matches! | 0:39:03 | 0:39:05 | |
-£35. £35. Yes or no? One more! -One more. -Yes. -Go on. Yes! | 0:39:05 | 0:39:10 | |
At £38. 38 I've got. £38 in the room. Selling at 38. 38 to the room. | 0:39:10 | 0:39:15 | |
-I sell then at £38. -Yes, well done, Thomas. -Profit! | 0:39:15 | 0:39:21 | |
A profit, just. Will that put him in the lead? | 0:39:23 | 0:39:27 | |
Another big profit could put Thomas onto Easy Street here. | 0:39:27 | 0:39:31 | |
My starter with me is a low start of 20. | 0:39:31 | 0:39:34 | |
22. 25, 28, 30. | 0:39:34 | 0:39:37 | |
32, 35, 38. This is a nice piece. 40. At £40 only. | 0:39:37 | 0:39:41 | |
At 40. Still room to move here. At 40. Bid 42. | 0:39:41 | 0:39:45 | |
-45. 45 bid. 48. 48 now. Can I say 50? -Go on. | 0:39:45 | 0:39:48 | |
50 I'm bid. 50 on the telephone. | 0:39:48 | 0:39:49 | |
50 telephone bid. 50 telephone bid. 50 telephone bid. Still liking this. | 0:39:49 | 0:39:53 | |
Disappointing but the lines have gone quiet. £50 on the telephone. | 0:39:53 | 0:39:57 | |
50 on the telephone. Selling at 50. | 0:39:57 | 0:39:59 | |
-I'm selling. All done. Trading then, at £50. -Well done. That's a beauty. | 0:39:59 | 0:40:04 | |
It's good. | 0:40:04 | 0:40:05 | |
Brilliant stuff. That could be the lot that wins it for him. | 0:40:05 | 0:40:08 | |
A lack of hands means we can only see two of the 11 items | 0:40:09 | 0:40:13 | |
being held up. No-one had high hopes for this, even Anita. | 0:40:13 | 0:40:18 | |
She needs a whopping profit here to beat Thomas. | 0:40:18 | 0:40:20 | |
-And would you believe, commissions with me. -See? | 0:40:20 | 0:40:23 | |
-Telephone interest as well. -See? | 0:40:23 | 0:40:25 | |
-Now, what can I say. Away we go. -150. -Five. Eight. Ten. | 0:40:25 | 0:40:30 | |
12. 15. 18. | 0:40:30 | 0:40:32 | |
20. Two and five and eight. 30 in the room. 30 on the line. | 0:40:32 | 0:40:35 | |
30 online now. 30 online. 30 bid. 35 I've got. 35. 40 can I say? | 0:40:35 | 0:40:40 | |
-Look at that! -35 bid. £35, you're out. 40, can I say? | 0:40:40 | 0:40:43 | |
40 can I say. Come again, the telephone. 40 I'm bid. | 0:40:43 | 0:40:46 | |
-Doubled your money. -40, telephone bid. -Double your money. -42. | 0:40:46 | 0:40:50 | |
Double your... | 0:40:50 | 0:40:52 | |
-Come on, Tina. 45 bid. -Go on, Tina! -At 45 bid. £45. -Good work, Tina. | 0:40:52 | 0:40:57 | |
-Come on, Tina! £48. 50 can I say? 50 bid. -50, Tina! | 0:40:57 | 0:41:01 | |
-50 on the telephone. 50 telephone bid. 55. -55! -Come on. | 0:41:01 | 0:41:05 | |
Triple your money, Anita! | 0:41:05 | 0:41:07 | |
60 on the telephone bid. 65. £65. | 0:41:07 | 0:41:10 | |
-Right, you can stop. -70 bid. | 0:41:10 | 0:41:13 | |
At £70 bid. £70. £70. £70. At £70. 75 bid. | 0:41:13 | 0:41:16 | |
-I feel I'm at the races here. -80 the bid. | 0:41:16 | 0:41:18 | |
-£80 bid. £80 bid. Telephone bid. 80 on the telephone. 85. -What?! | 0:41:18 | 0:41:24 | |
-85. -Anita! -That is a good lot. THEY LAUGH | 0:41:24 | 0:41:27 | |
-90 on the telephone. At 95. Come on! At 95, 95. -Anita... | 0:41:27 | 0:41:33 | |
-Come on, Tina! -Please. Say please. All done? 95 on line one. -Please! | 0:41:33 | 0:41:37 | |
-100 bid. -£100! | 0:41:37 | 0:41:40 | |
£100. £100 bid. 110. At 110. 110. 110. | 0:41:40 | 0:41:44 | |
At 110, line one. | 0:41:44 | 0:41:47 | |
-I'll do 15. -TINA: No, no. -Come on, say please nicely. | 0:41:47 | 0:41:50 | |
-Say please nicely. -She's done well enough. It's fine. | 0:41:50 | 0:41:53 | |
Put the hammer down. | 0:41:53 | 0:41:54 | |
On line one. Selling at 110. At 110. Selling at 110 to line one. | 0:41:54 | 0:41:57 | |
-Sold at 110. -Oh, Anita! -110! -Anita! | 0:41:57 | 0:42:02 | |
Kiss me there. | 0:42:02 | 0:42:03 | |
Amazing. A perfect profit of £90 on the imperfect pottery. | 0:42:06 | 0:42:11 | |
That means every item has made a profit today. | 0:42:11 | 0:42:14 | |
Well done to our duo. | 0:42:14 | 0:42:16 | |
But who has won the day and taken the lead? | 0:42:16 | 0:42:18 | |
After paying auction costs, Thomas is finally back in the black, | 0:42:18 | 0:42:22 | |
with a profit of £106.86, | 0:42:22 | 0:42:25 | |
leaving him with a total of £261.84. | 0:42:25 | 0:42:29 | |
But Anita has not only won the day again with a great profit | 0:42:30 | 0:42:33 | |
of £146, but she's kept her nose in front in the overall lead, | 0:42:33 | 0:42:39 | |
with a total of £401.94. | 0:42:39 | 0:42:42 | |
Well, Thomas, we both did well, but I'm still ahead of you. | 0:42:42 | 0:42:46 | |
-You're ahead about £150 now. -But you're still snapping at my heels. | 0:42:46 | 0:42:51 | |
Well, Anita, we started poorly. Surging ahead now. | 0:42:51 | 0:42:55 | |
There's only one more chance now for Thomas to take the lead. | 0:42:55 | 0:42:58 | |
Oh, the tension! | 0:42:58 | 0:43:00 | |
Next time on Antiques Road Trip, | 0:43:05 | 0:43:06 | |
Thomas reflects on past glories, | 0:43:08 | 0:43:11 | |
and Anita knows how to compliment a dealer's collection. | 0:43:11 | 0:43:15 | |
I had a little luck with some broken pottery before. | 0:43:15 | 0:43:18 |