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|---|---|---|---|
It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car... | 0:00:04 | 0:00:06 | |
We're going roond! | 0:00:06 | 0:00:08 | |
..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
I want to spend lots of money. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:17 | |
-Oh, no! -There'll be worthy winners... | 0:00:17 | 0:00:20 | |
-Yes! -We've done it! | 0:00:20 | 0:00:21 | |
-..and valiant losers. -You are kidding me on! | 0:00:21 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
-What am I doing? -You've got a deal. | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip! | 0:00:31 | 0:00:33 | |
It's the final leg of the road trip for Thomas Plant and | 0:00:38 | 0:00:41 | |
Anita Manning and it's a beautiful day in the South Downs of Sussex. | 0:00:41 | 0:00:45 | |
Anita, our last day on the road together. | 0:00:47 | 0:00:49 | |
-I'm going to miss you, Thomas. -I'm going to miss you, too. | 0:00:49 | 0:00:52 | |
-It's been a real rollercoaster. You've done really very well. -I know. | 0:00:52 | 0:00:56 | |
-You're like the... -The outsider? -The outsider, coming round. | 0:00:56 | 0:01:00 | |
A mature old nag! | 0:01:00 | 0:01:02 | |
Oh, no! I think you're a thoroughbred, Anita. | 0:01:02 | 0:01:06 | |
Thomas Plant is an antiques expert who knows | 0:01:06 | 0:01:10 | |
that beauty is in the eye of the beholder. | 0:01:10 | 0:01:12 | |
Mainly himself. | 0:01:12 | 0:01:14 | |
An experienced auctioneer, Anita Manning certainly knows | 0:01:14 | 0:01:17 | |
how to compliment a dealer's collection. | 0:01:17 | 0:01:20 | |
I had a little luck with some broken pottery before. | 0:01:20 | 0:01:24 | |
-It's like every day is an adventure with you, Thomas. -Is it? | 0:01:26 | 0:01:31 | |
Oh, I like the sound of that! An adventure! An antiques adventure! | 0:01:31 | 0:01:36 | |
Both Thomas and Anita started the trip with £200. | 0:01:38 | 0:01:41 | |
Thomas started off the trip well but is now trailing with only £261.84. | 0:01:41 | 0:01:47 | |
After four auctions it's Anita who is in the lead with £401.94. | 0:01:49 | 0:01:55 | |
-This car has been lovely. -Yes, I've enjoyed this car. | 0:01:55 | 0:02:00 | |
I enjoyed these wonderful country lanes down in the south of England. | 0:02:00 | 0:02:04 | |
Oh, it's been just... | 0:02:04 | 0:02:06 | |
-It's God's own country. -Quite! | 0:02:06 | 0:02:09 | |
Driving for the last time in the 1968 Lotus Elan, | 0:02:09 | 0:02:13 | |
let's find out where they're off to. | 0:02:13 | 0:02:15 | |
On this Road Trip Thomas and Anita will have travelled 550 miles | 0:02:17 | 0:02:21 | |
from the village of Redbourn in Hertfordshire | 0:02:21 | 0:02:24 | |
all the way to Maidstone in Kent. | 0:02:24 | 0:02:26 | |
Today's final leg is starting in Brighton | 0:02:26 | 0:02:29 | |
before finishing at auction in Maidstone. | 0:02:29 | 0:02:31 | |
Anita! Have a fabulous time buying! | 0:02:34 | 0:02:39 | |
Yes, darling, I will. | 0:02:39 | 0:02:42 | |
Barter well but remember, if all else fails, flatter your eyelashes. | 0:02:43 | 0:02:48 | |
I'll do my best. | 0:02:48 | 0:02:50 | |
Flattery will get you everywhere, you know. | 0:02:53 | 0:02:55 | |
While Thomas heads off along the coast, | 0:02:58 | 0:03:00 | |
our Anita is on the hunt in Brighton, | 0:03:00 | 0:03:03 | |
Georgian England's most famous seaside resort. | 0:03:03 | 0:03:06 | |
She's starting her day in Oasis Antiques | 0:03:06 | 0:03:09 | |
and I hope she's got the right glasses on today. | 0:03:09 | 0:03:11 | |
Hello. I'm Anita. | 0:03:12 | 0:03:14 | |
I think a human might be more helpful. | 0:03:14 | 0:03:16 | |
-SHE LAUGHS -Hello, I'm Anne. | 0:03:16 | 0:03:18 | |
and this is Martha. | 0:03:18 | 0:03:21 | |
-Are these girls your assistants? -Yes. | 0:03:21 | 0:03:23 | |
This is Amanda, this is Heather | 0:03:23 | 0:03:26 | |
and over there's Elizabeth and Tracey. | 0:03:26 | 0:03:30 | |
But it's not long until Anita's well-trained eye spots something. | 0:03:32 | 0:03:36 | |
-This little item here is an 18th century lady. -Yeah. | 0:03:36 | 0:03:42 | |
She's rather pretty. | 0:03:42 | 0:03:44 | |
The piece isn't 18th-century, | 0:03:44 | 0:03:46 | |
it's a more modern tourist piece, I would say. | 0:03:46 | 0:03:49 | |
-Maybe 20th century anyway. -Yes. | 0:03:49 | 0:03:52 | |
It's the sort of thing maybe in the '50s... | 0:03:52 | 0:03:55 | |
It's looking back to sort of Regency times | 0:03:55 | 0:03:58 | |
with that extravagant hairdo. | 0:03:58 | 0:04:01 | |
Gorgeous courtesans. | 0:04:01 | 0:04:03 | |
Yes! Yes, yeah. | 0:04:03 | 0:04:06 | |
What do you think it would...? | 0:04:06 | 0:04:09 | |
Well, I'm thinking sort of... | 0:04:09 | 0:04:11 | |
£15 to £18. | 0:04:11 | 0:04:14 | |
Well, we've got 30 on it. | 0:04:14 | 0:04:16 | |
-Could it be bought for... -20? | 0:04:16 | 0:04:20 | |
Still a wee bit dear. Could you do it for 15? | 0:04:20 | 0:04:23 | |
Erm... | 0:04:23 | 0:04:24 | |
-OK, I'll do it for 15. -Excellent. | 0:04:26 | 0:04:29 | |
First deal of the day down and 50% off the ticket price. | 0:04:29 | 0:04:32 | |
Great start, Anita. What else can she find? | 0:04:32 | 0:04:35 | |
What about these big fish? What have you got these in at? | 0:04:35 | 0:04:39 | |
-We'll do 60 for two if it's any... -Are they in good condition? -Yes. | 0:04:39 | 0:04:43 | |
I actually like... | 0:04:43 | 0:04:45 | |
I mean, in my bathroom I have a sort of fishy theme | 0:04:45 | 0:04:48 | |
and I have these glass fish and I think they're good fun. | 0:04:48 | 0:04:51 | |
-Again, they are from, what, the '60s? -Yes. | 0:04:51 | 0:04:55 | |
In stylish Brighton, the cool kids would like them, | 0:04:55 | 0:05:00 | |
but in a rural auction I'm not sure if people like them in the same way, | 0:05:00 | 0:05:05 | |
you know, because different areas have different markets. | 0:05:05 | 0:05:08 | |
The final auction is in Maidstone - | 0:05:08 | 0:05:11 | |
not quite the country but maybe not as bohemian as Brighton. | 0:05:11 | 0:05:14 | |
But cool and groovy Anita is still interested. | 0:05:14 | 0:05:18 | |
These fish are a type of Italian class known as Murano, | 0:05:18 | 0:05:20 | |
named after the Venetian town where they were made. | 0:05:20 | 0:05:24 | |
What about a price for them, though? | 0:05:24 | 0:05:26 | |
75 for three. | 0:05:26 | 0:05:27 | |
75's too dear to... | 0:05:27 | 0:05:30 | |
you know, to put them into auction and hope to... | 0:05:30 | 0:05:34 | |
I think I'd like to be paying £40 for them. | 0:05:35 | 0:05:39 | |
Oh, 40, it's... | 0:05:39 | 0:05:41 | |
Yeah, no. I'll do the three for 50. | 0:05:42 | 0:05:45 | |
-Let's go for it. -All right. -Let's go for it, yes. | 0:05:46 | 0:05:50 | |
Caught. Hook, line and sinker. | 0:05:51 | 0:05:54 | |
£50 for the three fish and £15 for the miniature. | 0:05:54 | 0:05:58 | |
Thomas, meanwhile, has made the journey 24 miles east to Eastbourne. | 0:05:58 | 0:06:03 | |
The younger East Sussex seaside sibling to Brighton, | 0:06:04 | 0:06:08 | |
Eastbourne is the quintessential Victorian resort. | 0:06:08 | 0:06:12 | |
Originally laid out in 1859 as a new town for gentlemen by gentlemen, | 0:06:12 | 0:06:17 | |
such terrible chauvinism would never be tolerated | 0:06:17 | 0:06:20 | |
by our Thomas, oh, no. | 0:06:20 | 0:06:22 | |
He's off to Old Bank Antiques. | 0:06:22 | 0:06:24 | |
Here to help is a very charming lady called Dorrit. | 0:06:24 | 0:06:27 | |
-Hello, I'm Thomas. -Hi. | 0:06:27 | 0:06:29 | |
This is our last game to play and these are the last die I will throw. | 0:06:37 | 0:06:42 | |
Anita has got £150 more than me. | 0:06:42 | 0:06:46 | |
She's been really canny with her buying. So canny! | 0:06:47 | 0:06:51 | |
Tom, now you've seen the rest, you might as well see the best. | 0:06:52 | 0:06:56 | |
-The best? This means this is yours? -How did you guess? | 0:06:56 | 0:07:00 | |
Because you said it was the best! | 0:07:00 | 0:07:02 | |
Cheeky, but I like it. | 0:07:02 | 0:07:04 | |
That's a lovely scent bottle, isn't it? | 0:07:04 | 0:07:06 | |
And with a stopper, even. | 0:07:06 | 0:07:08 | |
Now when anybody comes in, I shall say you have touched it | 0:07:08 | 0:07:12 | |
so I can put another fiver on it! | 0:07:12 | 0:07:14 | |
Oh! | 0:07:14 | 0:07:15 | |
Watch the stopper. | 0:07:15 | 0:07:17 | |
-Touch everything else so I can say, "Look!" -Of course. | 0:07:17 | 0:07:20 | |
CUPBOARD RATTLES Oh! | 0:07:20 | 0:07:22 | |
Careful! | 0:07:22 | 0:07:23 | |
-That's OK. Did I break anything? -I don't think so. | 0:07:23 | 0:07:26 | |
It's fine, Dorrit. | 0:07:26 | 0:07:27 | |
It's normally Thomas who breaks the stuff. | 0:07:27 | 0:07:30 | |
I've got to spend a little to try and beat Anita. | 0:07:30 | 0:07:35 | |
So, with Dorrit there to advise, Tom looks for an Anita beater. | 0:07:37 | 0:07:41 | |
-Well, this is a funny thing, isn't it? -Yeah. | 0:07:41 | 0:07:44 | |
You've got these Indian coins inlaid in this sort of | 0:07:44 | 0:07:47 | |
-quite pretty oval tray, isn't it? -Lot of work went into it. | 0:07:47 | 0:07:51 | |
A lot of work, a lot of work. Quite sort of colonial in its look. | 0:07:51 | 0:07:54 | |
It's a condiment set, | 0:07:56 | 0:07:58 | |
all ingeniously made from old Indian silver alloy coins. | 0:07:58 | 0:08:03 | |
I don't think it's worth a huge amount. | 0:08:03 | 0:08:05 | |
I have a figure in mind I'd like to offer you. | 0:08:05 | 0:08:07 | |
-Now you want to insult me. Go on. -I don't WANT to insult you. | 0:08:07 | 0:08:11 | |
-I don't WANT to insult you at all. -But you will. | 0:08:11 | 0:08:14 | |
Oh, here we go! | 0:08:14 | 0:08:16 | |
The thing is, Anita has been buying things very cheaply | 0:08:16 | 0:08:21 | |
and she's basically thrashed me. She's bought everything under £30. | 0:08:21 | 0:08:25 | |
Hang on, I have to take a handkerchief to wipe my tears. | 0:08:25 | 0:08:28 | |
Yeah, you wipe your tears. | 0:08:28 | 0:08:30 | |
I know, I know. It's hard work. | 0:08:30 | 0:08:32 | |
Oh, get on with it, Tom. | 0:08:32 | 0:08:34 | |
Anyway, she's been buying things for under £30. | 0:08:34 | 0:08:37 | |
-Everything of hers has been under 30. -29? | 0:08:37 | 0:08:40 | |
Oh! | 0:08:40 | 0:08:41 | |
I like the lady's style! | 0:08:41 | 0:08:43 | |
Can we keep figures round? I'm simple. | 0:08:44 | 0:08:46 | |
-25. Ah! -Are you sure? | 0:08:46 | 0:08:48 | |
-Can you see how painful it is? -It is painful. | 0:08:48 | 0:08:52 | |
Thank you very much. | 0:08:52 | 0:08:53 | |
Thank you. | 0:08:53 | 0:08:55 | |
First deal of the day done for Mr Plant. | 0:08:55 | 0:08:58 | |
£25 for the Indian condiment tray. | 0:08:58 | 0:09:00 | |
Anita, meanwhile, has travelled 36 miles | 0:09:03 | 0:09:05 | |
along the south coast to Hastings, | 0:09:05 | 0:09:08 | |
once the area's epicentre for smuggling. | 0:09:08 | 0:09:10 | |
And she's come to the Smugglers Adventure at St Clements Caves | 0:09:12 | 0:09:16 | |
to find out the reality behind the romance. | 0:09:16 | 0:09:19 | |
Here to meet her is curator Catherine Harvey. | 0:09:19 | 0:09:22 | |
-Smugglers Caves. -I hope you're not scared of the dark. | 0:09:22 | 0:09:25 | |
I am scared of the dark and I'm scared of enclosed spaces, | 0:09:25 | 0:09:28 | |
-but I'm so excited. -Perfect for you! Come on. -Let's go. | 0:09:28 | 0:09:31 | |
Catherine's taking Anita down into the caves | 0:09:32 | 0:09:35 | |
where they think smugglers operated 200 years ago. | 0:09:35 | 0:09:38 | |
-This is a labyrinth of caves. -You do have to mind your head. | 0:09:41 | 0:09:45 | |
Smuggling of goods like wine and wool had existed for centuries | 0:09:45 | 0:09:49 | |
but it was after the Napoleonic wars in 1815 that it really took off. | 0:09:49 | 0:09:54 | |
Britain was broke and introduced sky-high import duties, | 0:09:54 | 0:09:58 | |
like 129% tax on tea to pay off its debts. | 0:09:58 | 0:10:02 | |
Families were desperate for money, too | 0:10:02 | 0:10:04 | |
and pretty soon you had about 4,000 people in Sussex alone | 0:10:04 | 0:10:07 | |
involved in what became part of everyday life. | 0:10:07 | 0:10:11 | |
People didn't set out to become a smuggler. | 0:10:11 | 0:10:14 | |
They would have other jobs, as well, but they were looking | 0:10:14 | 0:10:17 | |
to get extra money because they had very meagre incomes. | 0:10:17 | 0:10:21 | |
And you could earn as much in one night helping a smuggling operation | 0:10:21 | 0:10:25 | |
as you would for a whole week as an agricultural labourer. | 0:10:25 | 0:10:28 | |
So, for people who were really on the margins, | 0:10:28 | 0:10:31 | |
they needed to get as much money as they could. | 0:10:31 | 0:10:33 | |
So everybody in a community could be involved in smuggling of an area? | 0:10:33 | 0:10:38 | |
Yes, and there's evidence that women and children were also involved, | 0:10:38 | 0:10:42 | |
and that women might hide barrels within piles of washing | 0:10:42 | 0:10:46 | |
and that kind of thing. But it wasn't a romantic trade. | 0:10:46 | 0:10:50 | |
It sounds romantic. | 0:10:50 | 0:10:52 | |
We have a perception of it, smugglers, pirates of bygone ages, | 0:10:52 | 0:10:58 | |
of being a sort of romantic thing. You're saying it wasn't like that? | 0:10:58 | 0:11:02 | |
I don't think they were romantic figures in the way | 0:11:02 | 0:11:04 | |
that we think of them through films and literature. | 0:11:04 | 0:11:07 | |
It may not have been romantic but it was ingenious, | 0:11:08 | 0:11:10 | |
as this little contraption illustrates. | 0:11:10 | 0:11:13 | |
We've got something like this, which, from the outside, | 0:11:13 | 0:11:16 | |
to all intents and purposes, looks like a common cork float | 0:11:16 | 0:11:19 | |
that you would have on your fishing net. | 0:11:19 | 0:11:21 | |
But if you open it up you can see it's been hollowed out | 0:11:21 | 0:11:26 | |
to take a small amount of very precious cargo. | 0:11:26 | 0:11:30 | |
And I think you can see how valuable | 0:11:30 | 0:11:32 | |
something like tobacco or tea would be, | 0:11:32 | 0:11:35 | |
that it was worth bringing it in in such small amounts. | 0:11:35 | 0:11:39 | |
As the illegal trade increased, | 0:11:39 | 0:11:41 | |
the government turned from stopping the goods to stopping the smugglers. | 0:11:41 | 0:11:45 | |
They recruited violent ex-Navy men to arrest the crews | 0:11:45 | 0:11:49 | |
who, in turn, began to carry weapons. | 0:11:49 | 0:11:51 | |
They would also have things like this. This is a cosh. | 0:11:51 | 0:11:55 | |
If you feel it, it's actually quite a weight. | 0:11:55 | 0:11:58 | |
You would certainly know | 0:11:58 | 0:12:00 | |
if you were hit round the head with that, I can tell you. | 0:12:00 | 0:12:03 | |
-And they could carry it in their pocket. -Absolutely. | 0:12:03 | 0:12:05 | |
The increasing violence and tensions on both sides | 0:12:06 | 0:12:09 | |
reached a head in 1828 in the nearby Battle of Sidley Green, | 0:12:09 | 0:12:13 | |
where around 200 smugglers moving contraband over open ground | 0:12:13 | 0:12:17 | |
met more than 200 customs men determined to stop them. | 0:12:17 | 0:12:21 | |
There was a fatality on each side, | 0:12:21 | 0:12:23 | |
so a revenue man was killed, as was a smuggler. | 0:12:23 | 0:12:26 | |
There were rewards out for information. | 0:12:26 | 0:12:29 | |
For example, they would offer quite a large reward - | 0:12:29 | 0:12:32 | |
£50, at that time, would be the equivalent of around £2,500 today. | 0:12:32 | 0:12:37 | |
So that is a lot of money in an area where traditional industries | 0:12:37 | 0:12:42 | |
are in decline and people are quite desperate. | 0:12:42 | 0:12:45 | |
Incidents like this led to the formation of the coastguard in 1831, | 0:12:45 | 0:12:48 | |
which, along with the hugely effective measure | 0:12:48 | 0:12:51 | |
of reducing duties, caused a massive reduction in smuggling | 0:12:51 | 0:12:54 | |
by the end of the 19th century. | 0:12:54 | 0:12:56 | |
The heyday of the smuggler was over. | 0:12:56 | 0:12:59 | |
Thomas has now hit the road from Eastbourne | 0:13:03 | 0:13:06 | |
and is driving 16 miles | 0:13:06 | 0:13:08 | |
along the coast into Hastings. | 0:13:08 | 0:13:10 | |
He's at Kings Road Antiques, run by Charles. | 0:13:10 | 0:13:13 | |
That's not him. | 0:13:13 | 0:13:14 | |
That is. | 0:13:16 | 0:13:17 | |
Now, what has Thomas found? | 0:13:19 | 0:13:21 | |
I just think this is just weird. | 0:13:22 | 0:13:24 | |
It's just strange. Laboratory pressure gauge. | 0:13:24 | 0:13:29 | |
But it's a lot of work in there, you know, mahogany base and, you know... | 0:13:29 | 0:13:32 | |
It could be a really cool lamp. | 0:13:34 | 0:13:37 | |
I wonder if I blow on this here... | 0:13:37 | 0:13:39 | |
Maybe if I open the tap! | 0:13:41 | 0:13:43 | |
It's opened up. | 0:13:44 | 0:13:46 | |
Don't try this at home, please. | 0:13:46 | 0:13:49 | |
-HE COUGHS -In fact, don't try it at all. | 0:13:49 | 0:13:52 | |
I'm dying, here. I think that's really fun. | 0:13:52 | 0:13:55 | |
It was made by Philip Harris in Birmingham, | 0:13:55 | 0:13:57 | |
who's been making educational scientific equipment since 1817. | 0:13:57 | 0:14:02 | |
This gauge probably dates from the 1960s. | 0:14:02 | 0:14:06 | |
What you do is, I think, you'd get the old cable, | 0:14:06 | 0:14:09 | |
the electric cable, and you try and fill it in here. | 0:14:09 | 0:14:12 | |
And you'd actually...you'd make this a fluorescent tube. | 0:14:12 | 0:14:17 | |
It would be just a fun thing, just mad. But you could do it. | 0:14:17 | 0:14:21 | |
It's a bit of fun, really. | 0:14:21 | 0:14:23 | |
Yeah. Well, OK then, Thomas. | 0:14:23 | 0:14:25 | |
But first you need to buy the thing. | 0:14:25 | 0:14:28 | |
Let's see if Charles can gauge its value. | 0:14:28 | 0:14:30 | |
It has a ticket price of £40. | 0:14:30 | 0:14:32 | |
It could be off the scale. | 0:14:32 | 0:14:34 | |
I might be able to go down to 30 for you. | 0:14:35 | 0:14:38 | |
I was wanting to give you a £20 note for it, to be honest with you. | 0:14:38 | 0:14:41 | |
-(He's hard.) -I'm not that hard, it's just got to go to auction. | 0:14:41 | 0:14:45 | |
I don't know what it's worth. I don't think anybody knows what it's worth. | 0:14:45 | 0:14:48 | |
But the decision isn't up to Charles. | 0:14:48 | 0:14:50 | |
The gauge belongs to a figure only known as the dealer, | 0:14:50 | 0:14:54 | |
or Nigel, who's about to be given a quick call. | 0:14:54 | 0:14:56 | |
He's looking at really only about 29. | 0:14:56 | 0:15:00 | |
Can he do me a favour, | 0:15:00 | 0:15:02 | |
keep the figures round, and 25? | 0:15:02 | 0:15:06 | |
He's saying that basically at 25 he's going to be making a loss | 0:15:06 | 0:15:10 | |
so he needs a cup of coffee, which will make it 27. | 0:15:10 | 0:15:12 | |
He has a deal. Thank you very much. | 0:15:12 | 0:15:14 | |
-Thanks a lot, Nigel. -Thank Nigel. Thank you! | 0:15:14 | 0:15:17 | |
Yes! Thanks, Nigel. Now, what else is there? | 0:15:17 | 0:15:21 | |
What I've seen is a circular deco mirror. | 0:15:21 | 0:15:24 | |
Art Deco in shape, and you know how I like style? | 0:15:24 | 0:15:27 | |
And it's got a bevelled edge. | 0:15:27 | 0:15:30 | |
I like the oak and the red design. | 0:15:30 | 0:15:33 | |
It's quite cool. | 0:15:33 | 0:15:34 | |
Charles has brought the stepladder, look. | 0:15:36 | 0:15:39 | |
Charles, you all right up there? | 0:15:39 | 0:15:41 | |
-Just about surviving. -Surviving. -Oh, there we go. | 0:15:41 | 0:15:44 | |
Oh! Oh! We've lost the price. It's free. | 0:15:44 | 0:15:47 | |
The price tag said £20. | 0:15:47 | 0:15:49 | |
It's got a look, hasn't it? | 0:15:49 | 0:15:50 | |
The owner is Ralph. | 0:15:50 | 0:15:52 | |
Thomas asks Charles to phone him with a cheeky £13 offer. | 0:15:52 | 0:15:56 | |
All right. See you later, mate. | 0:15:56 | 0:15:59 | |
What did Ralph say? Is he a toughie? | 0:15:59 | 0:16:03 | |
He is, but he's a pussycat if you know how to handle him. | 0:16:03 | 0:16:07 | |
-He can't do the 13. Certainly can't do that. -No, OK. | 0:16:07 | 0:16:10 | |
15? | 0:16:10 | 0:16:11 | |
HE SUCKS HIS TEETH | 0:16:11 | 0:16:12 | |
Could you make it 16? I like even numbers. | 0:16:12 | 0:16:15 | |
Oh, for God's sake! | 0:16:15 | 0:16:17 | |
-Yes! Yes! -Excellent! | 0:16:17 | 0:16:20 | |
16 and 27... | 0:16:20 | 0:16:23 | |
-Is... -Sh! | 0:16:23 | 0:16:25 | |
12... 12... | 0:16:25 | 0:16:27 | |
32... | 0:16:27 | 0:16:28 | |
42. | 0:16:28 | 0:16:29 | |
You sure about that? | 0:16:29 | 0:16:30 | |
-Just double check. 43. -43. | 0:16:30 | 0:16:33 | |
-Nice try! -43! Sorry! | 0:16:33 | 0:16:35 | |
-No, 43. -43. | 0:16:35 | 0:16:37 | |
Yeah, good try, Thomas! | 0:16:38 | 0:16:40 | |
So, that's two more items in the old bag - | 0:16:40 | 0:16:42 | |
the pressure gauge for £27 and the mirror for 16. | 0:16:42 | 0:16:45 | |
So, with Thomas's third item under his belt, | 0:16:48 | 0:16:51 | |
that brings us to the end of day one. | 0:16:51 | 0:16:53 | |
Nighty night. | 0:16:53 | 0:16:55 | |
It's the start of another gorgeous day on the final leg | 0:16:59 | 0:17:02 | |
of Thomas and Anita's Road Trip. | 0:17:02 | 0:17:04 | |
Anita, this is a lovely day. | 0:17:04 | 0:17:07 | |
# The sun has got its hat on | 0:17:07 | 0:17:09 | |
# Hip-hip-hip hooray! # | 0:17:09 | 0:17:12 | |
It's good, isn't it? | 0:17:12 | 0:17:14 | |
-Our final day shopping and the sun's come out! -I know. | 0:17:14 | 0:17:18 | |
You know, you can't beat a bit of old-fashioned British sunshine. | 0:17:19 | 0:17:23 | |
Yesterday, Thomas only spent £68 on three items - | 0:17:23 | 0:17:26 | |
the condiment set, | 0:17:26 | 0:17:28 | |
the pressure gauge | 0:17:28 | 0:17:30 | |
and the mirror, | 0:17:30 | 0:17:31 | |
leaving him with £193.84 for the day ahead. | 0:17:31 | 0:17:35 | |
Anita was a bit more carefree than usual | 0:17:35 | 0:17:39 | |
and spent £65 on only two items - | 0:17:39 | 0:17:42 | |
the portrait miniature and the Murano fish. | 0:17:42 | 0:17:44 | |
That leaves her with a generous £336.94. | 0:17:44 | 0:17:48 | |
You've got plenty of dosh, Thomas. | 0:17:49 | 0:17:53 | |
-I was very careful, Anita. -Good. That's my boy, that's my boy. | 0:17:53 | 0:17:57 | |
I was very careful. | 0:17:57 | 0:17:58 | |
I had, in the back of my head, "Don't spend over £30 on an item. | 0:17:58 | 0:18:03 | |
"Do an Anita. Do an Anita." | 0:18:03 | 0:18:06 | |
Our pair are now in Kent | 0:18:07 | 0:18:09 | |
and heading for the beautiful old village of Brasted. | 0:18:09 | 0:18:12 | |
Just to spice things up a bit, our competitive duo are starting | 0:18:15 | 0:18:19 | |
their day in the same place, Courtyard Antiques. | 0:18:19 | 0:18:22 | |
Stand by. | 0:18:22 | 0:18:24 | |
Shopping with Anita. | 0:18:24 | 0:18:26 | |
Shopping with Anita! Oh, I'm so excited! | 0:18:26 | 0:18:30 | |
-What snippets can you teach me? -Oh, stop gushing, Thomas! | 0:18:30 | 0:18:35 | |
Thomas is going to start shopping at one end of the courtyard | 0:18:36 | 0:18:39 | |
while Anita starts at the other. | 0:18:39 | 0:18:42 | |
Running things at this end is Jackie. | 0:18:42 | 0:18:44 | |
-Hello, I'm Anita. -Hello, Anita. Nice to meet you. | 0:18:44 | 0:18:47 | |
It's lovely to be here. | 0:18:47 | 0:18:49 | |
Now she's on her final day, | 0:18:49 | 0:18:52 | |
our Anita is going to throw caution to the wind. | 0:18:52 | 0:18:55 | |
I would kind of like to spend a lot of money. | 0:18:55 | 0:18:58 | |
But I'm not going to be pulled in. It's happened before. | 0:18:59 | 0:19:02 | |
Anita has always been a sucker for the shiny stuff in a cabinet, | 0:19:02 | 0:19:06 | |
and today is no different. | 0:19:06 | 0:19:08 | |
I mean, it's just a wee thing but it's quite... | 0:19:09 | 0:19:11 | |
-It's pretty, isn't it? -It's quite sweet. | 0:19:11 | 0:19:14 | |
-You could put Smarties on it. -You could. | 0:19:15 | 0:19:18 | |
THEY CHUCKLE | 0:19:18 | 0:19:19 | |
This tray is of sterling silver and it looks to be of sterling quality. | 0:19:21 | 0:19:27 | |
It's got 28 on it. | 0:19:28 | 0:19:30 | |
What I would like to pay on it, though, Jackie, | 0:19:30 | 0:19:33 | |
is about £16. Is that possible? | 0:19:33 | 0:19:36 | |
I'll just have a look. | 0:19:38 | 0:19:40 | |
Erm...OK. | 0:19:43 | 0:19:46 | |
-You think we're OK at that? -Yes, OK. | 0:19:46 | 0:19:49 | |
First blood to Anita and more than a tenner off. | 0:19:49 | 0:19:52 | |
But wait, she's not finished yet. | 0:19:52 | 0:19:54 | |
-Oriental sauce pot. -Yes, it's lovely. | 0:19:56 | 0:19:58 | |
-I really love that. -Yeah. | 0:19:58 | 0:20:00 | |
-Damage. -Yeah, I'm afraid. | 0:20:03 | 0:20:05 | |
Well, those little bits of damage | 0:20:06 | 0:20:08 | |
should help cut the ticket price of £24. | 0:20:08 | 0:20:11 | |
And Anita did very well last time with some damaged pottery. | 0:20:11 | 0:20:15 | |
-Sold at 110. -Kiss me there! | 0:20:15 | 0:20:17 | |
This porcelain sauce boat is 19th century | 0:20:20 | 0:20:24 | |
and would have been part of a larger service. | 0:20:24 | 0:20:26 | |
That would be 16? | 0:20:26 | 0:20:28 | |
I don't think he'd do it for 16. | 0:20:29 | 0:20:31 | |
-18. -You think 18 is the most he would go on that? | 0:20:32 | 0:20:36 | |
OK. I had a little luck with some broken pottery before, | 0:20:39 | 0:20:44 | |
-so I'm hoping that it won't make any difference. -It might happen again. | 0:20:44 | 0:20:48 | |
-OK, that's a double deal. -Lovely. -Thank you very much. Thank you. | 0:20:48 | 0:20:52 | |
Well, that was a brisk bit of business. | 0:20:52 | 0:20:54 | |
The tray for £16 and the sauce boat for 18. | 0:20:54 | 0:20:57 | |
I wonder how Thomas is getting on. | 0:20:57 | 0:20:59 | |
Elaine, nice to meet you. | 0:21:00 | 0:21:02 | |
Well, he's met Elaine, who runs the other end of the business, | 0:21:02 | 0:21:05 | |
and he's also seen something in a cabinet. | 0:21:05 | 0:21:07 | |
Amber is fossilised tree sap. | 0:21:07 | 0:21:11 | |
And the most wonderful thing about amber is sometimes you get insects, | 0:21:11 | 0:21:15 | |
leaves, spiders. | 0:21:15 | 0:21:17 | |
This looks like Baltic amber cos it's quite translucent. | 0:21:17 | 0:21:22 | |
How do people tell if amber is amber? | 0:21:22 | 0:21:24 | |
Well.. | 0:21:24 | 0:21:26 | |
I think you can put a hot needle in it or something. | 0:21:26 | 0:21:28 | |
You can, but it's not yours, is it? | 0:21:28 | 0:21:31 | |
-A hot needle and you smell that tree sap. -That's right. | 0:21:31 | 0:21:33 | |
Can I give you another tip? | 0:21:33 | 0:21:35 | |
It floats in cola. | 0:21:35 | 0:21:38 | |
And plastic will sink in cola. | 0:21:38 | 0:21:41 | |
-Plastic will sink, amber will float. -Clarified. | 0:21:41 | 0:21:45 | |
Yeah. It's brilliant, isn't it? | 0:21:45 | 0:21:48 | |
OK, we know you like it, Thomas, | 0:21:48 | 0:21:50 | |
so let's get down to prices, shall we? | 0:21:50 | 0:21:52 | |
-What's your very best price? You have £65. -Yes. | 0:21:52 | 0:21:55 | |
Have you got a suggestion of the price in mind? | 0:21:55 | 0:21:58 | |
-Well, I don't want to be sort of too rude to you... -No. | 0:21:58 | 0:22:01 | |
..but, erm... | 0:22:01 | 0:22:03 | |
I suppose anything with a four in front would be too.. | 0:22:03 | 0:22:06 | |
-too difficult for you? -A five would be... | 0:22:06 | 0:22:08 | |
A five would be better, would it? | 0:22:08 | 0:22:11 | |
OK. So, 50? | 0:22:14 | 0:22:17 | |
Thank you very much. I'd better give you some money. | 0:22:17 | 0:22:20 | |
-Oh, lovely. Thank you. -Is that all right? -Perfect. | 0:22:20 | 0:22:22 | |
Hmm, I thought Thomas was going to be careful. | 0:22:22 | 0:22:25 | |
That big-ticket item could be a bit of a gamble. | 0:22:25 | 0:22:28 | |
Right, let's go and pester Anita. | 0:22:30 | 0:22:32 | |
-Anita! -Oh, Thomas! | 0:22:36 | 0:22:38 | |
-Sneaking up behind me here. -THEY LAUGH | 0:22:38 | 0:22:40 | |
-How are you doing, darling? -Good. Have you bought? | 0:22:40 | 0:22:43 | |
-Yes, I've bought two items. -That was quick! | 0:22:43 | 0:22:46 | |
-That was quick. I'm fast. -You are. Furious and fast. | 0:22:46 | 0:22:51 | |
-Can I ask some advice? -Of course, darling. | 0:22:51 | 0:22:53 | |
What should I buy? | 0:22:53 | 0:22:54 | |
No, you have to make up your own lovely mind. | 0:22:54 | 0:22:57 | |
-I will. -You'll have to make up your own mind. | 0:22:57 | 0:22:59 | |
-So, we're not telling one another much here. -We will do, in a min. | 0:22:59 | 0:23:03 | |
-In a min? -I'll just have to blurt it all out. | 0:23:03 | 0:23:06 | |
-You can't keep a secret, can you? -No! | 0:23:06 | 0:23:09 | |
Oh! There's some gamesmanship going on between these two. | 0:23:10 | 0:23:13 | |
But the hunt is back on for Thomas | 0:23:13 | 0:23:15 | |
and it's not long before he finds something a little bit different | 0:23:15 | 0:23:18 | |
and dealer Hugh is on hand to help him get a closer look. | 0:23:18 | 0:23:22 | |
I think this is a piece of folk art, 19th century jointed figure. | 0:23:22 | 0:23:27 | |
But it's of Pinocchio, | 0:23:27 | 0:23:29 | |
with the extra long nose. | 0:23:29 | 0:23:31 | |
Pinocchio was, of course, the little wooden puppet | 0:23:32 | 0:23:35 | |
that became a real-life boy, | 0:23:35 | 0:23:37 | |
Created by the Italian writer Carlo Collodi in 1886. | 0:23:37 | 0:23:41 | |
this little chap is based on an early illustration from the book. | 0:23:41 | 0:23:45 | |
This probably would have been made | 0:23:45 | 0:23:47 | |
by your toymaker in a village in Italy or in Europe. | 0:23:47 | 0:23:52 | |
I think it's a European figure. What can he be? | 0:23:52 | 0:23:55 | |
Right, here's the label. | 0:23:55 | 0:23:57 | |
Now, no telling tall tales here, Hugh. | 0:23:57 | 0:23:59 | |
£28 is the ticket price. | 0:23:59 | 0:24:02 | |
-But what's your price for him? -24. | 0:24:02 | 0:24:04 | |
Oh, that's very fair. That's extremely fair. Thank you very much. | 0:24:04 | 0:24:09 | |
I think we'll have them for £24. | 0:24:09 | 0:24:11 | |
-I think he's a bit of fun. -Yeah, thank you. -He's great. | 0:24:11 | 0:24:15 | |
Not much negotiating there, then. | 0:24:15 | 0:24:17 | |
So, Thomas has got the Pinocchio toy for £24 to go with his earlier | 0:24:17 | 0:24:21 | |
purchase of the necklace for £50. | 0:24:21 | 0:24:23 | |
Meanwhile, Anita's off to her next shop | 0:24:25 | 0:24:29 | |
26 miles away in Rochester in Kent - the Garden of England. | 0:24:29 | 0:24:33 | |
Anita is visiting Cottage Style Antiques. | 0:24:34 | 0:24:37 | |
She still has nearly £300 burning a hole in her purse. | 0:24:37 | 0:24:41 | |
Could she be going for a big buy this time? | 0:24:41 | 0:24:44 | |
Owner Bill had better watch out. | 0:24:44 | 0:24:46 | |
And, sure enough, in this packed shop | 0:24:52 | 0:24:54 | |
Anita is heading for something rather special. | 0:24:54 | 0:24:57 | |
These cloisonne plates, I do like them. | 0:24:57 | 0:25:00 | |
I think cloisonne is lovely. | 0:25:00 | 0:25:02 | |
Cloisonne is a technique for enamelling metalwork | 0:25:02 | 0:25:05 | |
that includes enamel and wires. | 0:25:05 | 0:25:08 | |
These plaques are probably early 20th century | 0:25:08 | 0:25:11 | |
but they have a whopping ticket price of £220. | 0:25:11 | 0:25:14 | |
I see they're covered in dust. | 0:25:15 | 0:25:17 | |
-Have you had them a long time? -No, just come in. | 0:25:17 | 0:25:19 | |
-Oh! -About three years. | 0:25:19 | 0:25:21 | |
-SHE LAUGHS -Three years! | 0:25:21 | 0:25:23 | |
Is there movement? | 0:25:23 | 0:25:25 | |
There'll be some movement, yes. | 0:25:25 | 0:25:26 | |
-Is there huge movement? -Not huge. | 0:25:26 | 0:25:29 | |
Not huge. Maybe I shouldn't even ask you | 0:25:29 | 0:25:32 | |
how much movement there is on it. | 0:25:32 | 0:25:34 | |
Should I? | 0:25:34 | 0:25:36 | |
You're normally cheeky. You just say something. | 0:25:36 | 0:25:38 | |
What I'd like to be paying for them would be 100 to £130. | 0:25:40 | 0:25:46 | |
I'll tell you what, if you wanted them I could do them for 100. | 0:25:46 | 0:25:49 | |
-You could do them for 100? -Yeah. | 0:25:49 | 0:25:51 | |
100?! You're suppose to say £130, Bill. | 0:25:51 | 0:25:54 | |
Not 90. | 0:25:54 | 0:25:56 | |
You are about to be kissed 1,000 times. | 0:25:56 | 0:26:01 | |
Put your hand there before you change your mind. | 0:26:01 | 0:26:04 | |
Thank you very much. | 0:26:04 | 0:26:05 | |
At £100 - less than half price - | 0:26:07 | 0:26:09 | |
I reckon Anita has surpassed herself here. | 0:26:09 | 0:26:12 | |
Well done, girl! | 0:26:12 | 0:26:13 | |
Tom, meanwhile, has travelled 30 miles across Kent | 0:26:16 | 0:26:18 | |
from Brasted to Gillingham. | 0:26:18 | 0:26:20 | |
He's come to the Royal Engineers Museum | 0:26:22 | 0:26:24 | |
to hear about a Victorian celebrity beloved by the Queen herself, | 0:26:24 | 0:26:29 | |
the legendary but controversial General Gordon. | 0:26:29 | 0:26:32 | |
Showing him round is Amy. | 0:26:32 | 0:26:34 | |
-Hello. -Hello. -I'm Thomas. -Hi, I'm Amy. | 0:26:35 | 0:26:37 | |
-Hi, Amy, nice to meet you. -Nice to meet you, too. | 0:26:37 | 0:26:40 | |
-So, the Royal Engineers, massive historic regiment. -Yes. | 0:26:40 | 0:26:44 | |
-Huge. -Yes. -What are you going to show me today? | 0:26:44 | 0:26:46 | |
Today I'm going to show you a lot of Gordon memorabilia, | 0:26:46 | 0:26:49 | |
all to do with General Gordon. | 0:26:49 | 0:26:51 | |
-Show me more. -OK. | 0:26:51 | 0:26:53 | |
Charles George Gordon first came to public attention | 0:26:53 | 0:26:57 | |
with his reckless bravery during the Crimean War. | 0:26:57 | 0:26:59 | |
But it was his service in China during the brutal | 0:26:59 | 0:27:02 | |
Taiping Rebellion that earned him his first nickname Chinese Gordon. | 0:27:02 | 0:27:07 | |
He paid scant regard for his own safety | 0:27:07 | 0:27:10 | |
and would often lead his men into battle unarmed | 0:27:10 | 0:27:13 | |
except for one unusual item. | 0:27:13 | 0:27:15 | |
He would go into battle armed only with a stick, | 0:27:15 | 0:27:18 | |
which was named his Wand of Victory. | 0:27:18 | 0:27:20 | |
-A stick? -Yes! -That was it? -Yes. | 0:27:20 | 0:27:22 | |
We've got this one here in the cabinet. | 0:27:22 | 0:27:25 | |
-It does look like a sort of wizard's wand. -Yes. It does, yes. | 0:27:25 | 0:27:28 | |
It's extraordinary that you have all these people coming at you | 0:27:28 | 0:27:32 | |
-with swords, knives, guns... -Yep. | 0:27:32 | 0:27:35 | |
God, that's a brave man. | 0:27:35 | 0:27:36 | |
-Yes. -A braver man than me, I think. | 0:27:36 | 0:27:39 | |
This must have really built up his mysticism, his absolute celebrity? | 0:27:39 | 0:27:43 | |
Yes. | 0:27:43 | 0:27:44 | |
While his maverick streak made him unpopular with the military brass, | 0:27:44 | 0:27:49 | |
thanks to the press back home | 0:27:49 | 0:27:51 | |
Gordon was hailed as an imperial hero even by Queen Victoria herself. | 0:27:51 | 0:27:55 | |
He spent the next 20 years after Taiping putting down rebellions | 0:27:55 | 0:28:00 | |
and napping the British Empire. | 0:28:00 | 0:28:02 | |
Amy, would you mind informing me, | 0:28:02 | 0:28:04 | |
we've spoken about Chinese Gordon, but why do I see lots | 0:28:04 | 0:28:08 | |
of commemorative plates with Gordon of Khartoum? | 0:28:08 | 0:28:11 | |
He was sent there to evacuate the Egyptian garrisons | 0:28:11 | 0:28:14 | |
due to the revolt that was being led by the Mahdi. | 0:28:14 | 0:28:18 | |
As the rebels of the Mahdi Army moved in, Gordon managed to evacuate | 0:28:18 | 0:28:22 | |
2,500 women and children from the garrisons in Khartoum, Egypt | 0:28:22 | 0:28:27 | |
but refused to evacuate the troops. | 0:28:27 | 0:28:29 | |
The government planned on abandoning him | 0:28:29 | 0:28:31 | |
but reports of his exploits back home meant the government | 0:28:31 | 0:28:34 | |
and even Queen Victoria herself demanded his safety. | 0:28:34 | 0:28:37 | |
Eventually, due to public pressure, they did send a relief force | 0:28:37 | 0:28:41 | |
and it was led by Lord Wolseley but, unfortunately, | 0:28:41 | 0:28:44 | |
due to the amount of time it took for them to get there | 0:28:44 | 0:28:47 | |
they arrived two days after the fall of Khartoum and Gordon's death. | 0:28:47 | 0:28:50 | |
And we've actually got the last letter that was sent from Gordon | 0:28:50 | 0:28:53 | |
-out of Khartoum. -Oh, really? -Yes. | 0:28:53 | 0:28:55 | |
-Is this it here? -Yes. | 0:28:55 | 0:28:57 | |
"Khartoum, 14th of the 12th, 1884. | 0:28:57 | 0:29:02 | |
"My dear Watson, I think the game is up." | 0:29:02 | 0:29:05 | |
God. Oh! | 0:29:05 | 0:29:07 | |
"Expect a catastrophe after ten days". | 0:29:07 | 0:29:10 | |
He was predicting a catastrophic end in ten day's time. | 0:29:10 | 0:29:14 | |
-Yeah. -That's very sanguine that it's going to end, | 0:29:14 | 0:29:17 | |
-"I'm going to die, this is bye." -Yes. | 0:29:17 | 0:29:20 | |
-But he probably put up a good fight. -I imagine he probably did, yes. | 0:29:20 | 0:29:23 | |
The accounts of his death differ and his body was never recovered | 0:29:23 | 0:29:27 | |
but to Victorian England his death was the cause for national mourning. | 0:29:27 | 0:29:31 | |
What have we got here on the table? | 0:29:31 | 0:29:32 | |
This is supposedly a piece of stone that Gordon was standing on. | 0:29:32 | 0:29:35 | |
It's part of his step of his palace that he standing on | 0:29:35 | 0:29:37 | |
when he was killed, and it was kept by Queen Victoria | 0:29:37 | 0:29:40 | |
and it was supposedly kept by her bedside for many years. | 0:29:40 | 0:29:43 | |
-Really, she was that much of a fan of his? -Yes. | 0:29:43 | 0:29:46 | |
I wonder why, cos he was brave, he was eccentric, he's a good man. | 0:29:46 | 0:29:49 | |
-Victorian hero. -Absolutely. | 0:29:49 | 0:29:52 | |
-I bet you Queen Victoria was livid. -Yes, I can imagine she probably was. | 0:29:52 | 0:29:56 | |
The sun may never have set on the British Empire | 0:29:59 | 0:30:02 | |
but it's rapidly setting today, so let's have a little reminder | 0:30:02 | 0:30:05 | |
of what Thomas and Anita bought for auction. | 0:30:05 | 0:30:08 | |
Thomas bought a condiment set, | 0:30:08 | 0:30:11 | |
a pressure gauge, | 0:30:11 | 0:30:12 | |
a mirror, | 0:30:12 | 0:30:13 | |
an amber necklace | 0:30:13 | 0:30:15 | |
and a Pinocchio doll. | 0:30:15 | 0:30:17 | |
This lot of loot cost him £142. | 0:30:17 | 0:30:20 | |
Anita spent her money on a portrait miniature, | 0:30:20 | 0:30:23 | |
the Murano fish, | 0:30:23 | 0:30:25 | |
the silver tray, | 0:30:25 | 0:30:26 | |
the sauceboat | 0:30:26 | 0:30:28 | |
and the cloisonne plaques, | 0:30:28 | 0:30:29 | |
costing a grand total of £199. | 0:30:29 | 0:30:32 | |
So, let's hear what they think of each other's treasures | 0:30:32 | 0:30:36 | |
and who they think might win at the final auction. | 0:30:36 | 0:30:39 | |
Thomas's items in general are quite delightful in different ways. | 0:30:39 | 0:30:44 | |
But he hasn't found that big ticket item | 0:30:44 | 0:30:48 | |
that will push him forward, I don't think. | 0:30:48 | 0:30:51 | |
Anita's gone all-out and spent £100 on one item. | 0:30:51 | 0:30:55 | |
Thrashing me by my spending power by over £50. | 0:30:55 | 0:30:59 | |
That has got to be a help. | 0:30:59 | 0:31:02 | |
You can never be too confident in an auction situation. | 0:31:02 | 0:31:07 | |
It's an unknown, so we're both stepping into the unknown. | 0:31:07 | 0:31:12 | |
And I never count my chickens before they're hatched. | 0:31:12 | 0:31:16 | |
Well, unless something really great happens to me, | 0:31:16 | 0:31:19 | |
Anita's going to creep it. | 0:31:19 | 0:31:21 | |
But if her plates bomb I've got a real good chance. | 0:31:21 | 0:31:24 | |
So now it's onwards into the Garden of England | 0:31:24 | 0:31:27 | |
for the final auction in Maidstone, the county town of Kent. | 0:31:27 | 0:31:31 | |
So, Anita, this is it! | 0:31:31 | 0:31:33 | |
This is it! This is our swansong. | 0:31:34 | 0:31:37 | |
Our swansong! | 0:31:38 | 0:31:39 | |
This is the last time we're going to be driving to an auction together, | 0:31:39 | 0:31:44 | |
having this blether, as you like to call it. | 0:31:44 | 0:31:47 | |
And I've loved being in the car with you. | 0:31:47 | 0:31:50 | |
The car's been quite a good little girl. | 0:31:50 | 0:31:53 | |
She's been wonderful! | 0:31:53 | 0:31:54 | |
She certainly has. | 0:31:54 | 0:31:56 | |
The auction today is taking place at Frederick Andrews Auctions, | 0:31:56 | 0:31:59 | |
who founded their first shop in nearby Sheerness in 2004. | 0:31:59 | 0:32:03 | |
Well, you never know, anything can happen. | 0:32:05 | 0:32:08 | |
-Auctions are full of surprises. -They are, aren't they? | 0:32:08 | 0:32:11 | |
The man at the rostrum today is Michael Walkling. | 0:32:12 | 0:32:16 | |
I like the cloisonne plates, they should do rather well today, I hope. | 0:32:16 | 0:32:19 | |
And there's a few bits there they might struggle with. | 0:32:19 | 0:32:22 | |
I think the little wooden puppet may be a difficulty to get away. | 0:32:22 | 0:32:25 | |
Obviously the little silver pin dish is quite nice, | 0:32:25 | 0:32:29 | |
but only of very limited value with us. | 0:32:29 | 0:32:31 | |
This isn't quite our usual auction house - | 0:32:31 | 0:32:33 | |
for a start, it's huge, | 0:32:33 | 0:32:35 | |
and there's another auction going on at the same time over there. | 0:32:35 | 0:32:38 | |
What kind of auction is this, Anita? | 0:32:38 | 0:32:40 | |
I would call it a sort of a general auction. | 0:32:40 | 0:32:43 | |
Lots of variety but we've got bundles of sheets | 0:32:43 | 0:32:46 | |
along with soft cuddly toys along with... | 0:32:46 | 0:32:49 | |
-It's a household sale, isn't it? -Yeah. -House clearances. | 0:32:49 | 0:32:53 | |
They've done house clearances and they've put them into lots, | 0:32:53 | 0:32:56 | |
trays, boxes, stamps, vinyl... | 0:32:56 | 0:32:59 | |
I think, you know, there's a chance to find a bargain. | 0:32:59 | 0:33:02 | |
The phone and internet bidders are all ready | 0:33:03 | 0:33:05 | |
so let's get the final auction of the trip under way. | 0:33:05 | 0:33:08 | |
The first item is Anita's sauceboat. | 0:33:09 | 0:33:11 | |
Will it make a profit? | 0:33:11 | 0:33:13 | |
Everybody needs a sauceboat. | 0:33:13 | 0:33:15 | |
Antique Oriental sauceboat showing now. | 0:33:15 | 0:33:18 | |
£20 for that. | 0:33:18 | 0:33:19 | |
Ten then. At ten now. | 0:33:19 | 0:33:21 | |
Who wants that one for a tenner? | 0:33:21 | 0:33:24 | |
Start me at £8. | 0:33:24 | 0:33:26 | |
-£5 is all I'm bid. Six anywhere? -Six now. | 0:33:28 | 0:33:31 | |
£5 I have. Six anywhere now? | 0:33:31 | 0:33:34 | |
There at the back at five... | 0:33:34 | 0:33:37 | |
£5. | 0:33:37 | 0:33:38 | |
There you are. Well done. | 0:33:38 | 0:33:41 | |
I think I'm going to burst out greetin'! | 0:33:41 | 0:33:43 | |
Oh, dear, that sank and it means a big loss for Anita. | 0:33:44 | 0:33:48 | |
It's so big, this auditorium. | 0:33:50 | 0:33:52 | |
I can hardly hear the auctioneer! | 0:33:52 | 0:33:54 | |
Now, can Pinocchio bring some profit for Thomas? | 0:33:57 | 0:34:00 | |
Pinocchio. Will it tell a tall tale today? | 0:34:00 | 0:34:03 | |
What do we say for that? Quite a nice one there. £10 for that. | 0:34:05 | 0:34:08 | |
-Ten I have. -Ten! | 0:34:08 | 0:34:10 | |
12 anywhere now? | 0:34:10 | 0:34:12 | |
Why are you celebrating my ten? | 0:34:12 | 0:34:14 | |
Well, it's better than five, isn't it? | 0:34:14 | 0:34:16 | |
18. | 0:34:16 | 0:34:18 | |
18 in the house. | 0:34:18 | 0:34:19 | |
-18 in the house. -Fabulous! | 0:34:19 | 0:34:21 | |
18 then... | 0:34:21 | 0:34:23 | |
I know, but to me that's a triumph. | 0:34:24 | 0:34:26 | |
The little fellow failed to come to life for the punters. | 0:34:28 | 0:34:31 | |
It's Anita's miniature now. | 0:34:33 | 0:34:35 | |
Let's hope it can bring a profit. | 0:34:35 | 0:34:37 | |
-There we are. -It's lovely. | 0:34:37 | 0:34:39 | |
-Yes. Fine quality. -Beautiful, beautiful. | 0:34:39 | 0:34:41 | |
£10 for that somewhere. | 0:34:41 | 0:34:42 | |
Give me £5 start. | 0:34:42 | 0:34:44 | |
£5 bid. Six anywhere now? | 0:34:44 | 0:34:46 | |
Five I have. Six bid. Eight. Ten. | 0:34:46 | 0:34:49 | |
12. 14. 16... | 0:34:49 | 0:34:51 | |
Oh, yes! | 0:34:51 | 0:34:52 | |
16 with the lady. 18 anywhere? | 0:34:52 | 0:34:54 | |
16 with the lady. | 0:34:54 | 0:34:56 | |
18 anywhere now? | 0:34:56 | 0:34:57 | |
There at £16. | 0:34:57 | 0:34:58 | |
You all done at 16? | 0:34:58 | 0:35:00 | |
-Oh, Anita. -Things are looking up. | 0:35:00 | 0:35:03 | |
They are, aren't they? | 0:35:03 | 0:35:05 | |
Success! The miniature's brought a profit. | 0:35:05 | 0:35:07 | |
One whole £1. | 0:35:07 | 0:35:09 | |
We're going to crack open the champagne with that. | 0:35:09 | 0:35:11 | |
Now it's Anita's big ticket buy. | 0:35:14 | 0:35:16 | |
Auctioneer Michael thought these might do well, too. | 0:35:16 | 0:35:19 | |
Nice pair, those. What shall we say, £80 somewhere? | 0:35:19 | 0:35:23 | |
50 then somewhere. | 0:35:23 | 0:35:25 | |
30 I've got. 35 anywhere now? | 0:35:25 | 0:35:27 | |
£30 bid. 35 there. | 0:35:27 | 0:35:29 | |
35. It'll creep up, don't worry. | 0:35:29 | 0:35:31 | |
50 with me. Five now? | 0:35:31 | 0:35:32 | |
50 right here, five where? | 0:35:32 | 0:35:34 | |
55 right in the room. | 0:35:34 | 0:35:36 | |
55, it's creeping. | 0:35:36 | 0:35:38 | |
55 in the room. 60 where? | 0:35:38 | 0:35:40 | |
There at 55. | 0:35:40 | 0:35:41 | |
You all done? | 0:35:41 | 0:35:43 | |
55. | 0:35:43 | 0:35:44 | |
Bad luck, Anita. | 0:35:45 | 0:35:46 | |
I thought they'd go on. I thought they'd go on. | 0:35:48 | 0:35:51 | |
Anita spent big, but she's lost big. | 0:35:51 | 0:35:54 | |
With a ticket price of £225, that's a real bargain for the buyer. | 0:35:54 | 0:35:58 | |
If I'm going to make losses I want to make spectacular losses. | 0:35:58 | 0:36:03 | |
Things are not boding well for Thomas's makeshift lamp. | 0:36:03 | 0:36:07 | |
Very rare thing, this. Very rare. | 0:36:07 | 0:36:10 | |
20 anywhere? Give me a tenner. | 0:36:10 | 0:36:12 | |
-Tenner? -Five I'm bid now. | 0:36:12 | 0:36:15 | |
Ten I have. 12 anywhere? | 0:36:15 | 0:36:17 | |
£10 bid. 12 anywhere now? | 0:36:17 | 0:36:20 | |
Only at a tenner. Are you all done at ten? | 0:36:20 | 0:36:22 | |
That's beautiful. There we are, we love that. | 0:36:22 | 0:36:24 | |
Yes! | 0:36:24 | 0:36:25 | |
Thomas, that's probably all it's worth. | 0:36:27 | 0:36:30 | |
It's another loss. Have our duo misjudged the market? | 0:36:33 | 0:36:36 | |
Gloss over that. We're on to the fish. | 0:36:36 | 0:36:39 | |
Anita's Murano glass fish next. | 0:36:40 | 0:36:42 | |
Let's hope they bring some profit. | 0:36:42 | 0:36:45 | |
£20 for the three somewhere. | 0:36:45 | 0:36:46 | |
£20 for those somewhere. | 0:36:46 | 0:36:49 | |
20. Ten. | 0:36:49 | 0:36:50 | |
Ten bid. 12 where? | 0:36:51 | 0:36:53 | |
Lady at ten. 12 anywhere now? | 0:36:53 | 0:36:55 | |
Push! Push! Push it up. | 0:36:55 | 0:36:57 | |
15. 15 bid. 18 where? | 0:36:57 | 0:36:59 | |
-18 bid. -18 now. | 0:36:59 | 0:37:01 | |
18 there. 20 anywhere? | 0:37:01 | 0:37:03 | |
Cheap lot there. At 18, then. | 0:37:03 | 0:37:06 | |
£18. | 0:37:06 | 0:37:07 | |
It's a loss for Anita, but another great buy for a punter. | 0:37:08 | 0:37:12 | |
-It could have been worse. -It sold. You could have been taking them home. | 0:37:12 | 0:37:16 | |
Cos I know you would have liked them at home. | 0:37:16 | 0:37:18 | |
I've got fish like that in my bathroom. | 0:37:18 | 0:37:21 | |
Have you? Well, they're very sweet. | 0:37:21 | 0:37:23 | |
Now it's Thomas's classic Art Deco mirror. | 0:37:25 | 0:37:28 | |
Surely that will make a profit. | 0:37:28 | 0:37:30 | |
Time for some audience participation. | 0:37:30 | 0:37:32 | |
Here we are. Come on. | 0:37:32 | 0:37:34 | |
We want to see you bid on this lot. | 0:37:34 | 0:37:36 | |
-It's a very fine mirror. -Lovely Art Deco mirror. | 0:37:36 | 0:37:39 | |
Glam, eh? | 0:37:39 | 0:37:40 | |
Who wants that one there for a tenner? | 0:37:40 | 0:37:42 | |
-£5. -This is it! | 0:37:42 | 0:37:44 | |
Put your hands up! | 0:37:44 | 0:37:46 | |
Stick your hands up! | 0:37:46 | 0:37:48 | |
Oh, look, there's somebody! | 0:37:48 | 0:37:49 | |
Six bid. Eight now. | 0:37:49 | 0:37:51 | |
Eight's bid. Ten I have. | 0:37:51 | 0:37:53 | |
12. 12 bid. | 0:37:53 | 0:37:55 | |
12, we need more. Go on. | 0:37:55 | 0:37:56 | |
Here at 12. | 0:37:56 | 0:37:59 | |
-£12. -Oh! | 0:37:59 | 0:38:01 | |
Did you try? | 0:38:01 | 0:38:02 | |
-Yeah, I helped you a bit. -Thank you. -That's all right. -Thank you. | 0:38:02 | 0:38:06 | |
It was a good try, but still a loss. | 0:38:06 | 0:38:08 | |
Our duo seem to be taking this remarkably well, though. | 0:38:08 | 0:38:11 | |
-It's only a loss of four. -Oh, that's all right. | 0:38:11 | 0:38:14 | |
I helped you. | 0:38:14 | 0:38:15 | |
We'll survive. | 0:38:15 | 0:38:17 | |
You're the experts, then? | 0:38:17 | 0:38:19 | |
-LAUGHTER -We're the experts! | 0:38:19 | 0:38:21 | |
Absolutely. | 0:38:21 | 0:38:22 | |
It's the amber necklace now. | 0:38:25 | 0:38:28 | |
£8 start me. | 0:38:28 | 0:38:30 | |
Who wants that for £8? | 0:38:30 | 0:38:31 | |
Thanks. £6. | 0:38:31 | 0:38:33 | |
£6 amber necklace. | 0:38:33 | 0:38:36 | |
A whole £5 note. | 0:38:36 | 0:38:37 | |
£5 somewhere for it. Who wants that for a fiver? | 0:38:37 | 0:38:40 | |
Five. Six. | 0:38:40 | 0:38:41 | |
-Well done. Well done, Thomas. -Yeah. | 0:38:41 | 0:38:44 | |
Six there. Seven now. Eight now. Eight's bid in the centre. | 0:38:44 | 0:38:47 | |
Nine where? Eight there. Nine with the lady. | 0:38:47 | 0:38:50 | |
Ten now. Ten bid. 12 now. | 0:38:50 | 0:38:51 | |
Ten there. 12 I have. | 0:38:51 | 0:38:53 | |
14. 14 bid. | 0:38:53 | 0:38:54 | |
A long way to go to 50, right enough. | 0:38:54 | 0:38:56 | |
Got a long way, Anita. | 0:38:56 | 0:38:58 | |
18 there. 20 now. | 0:38:58 | 0:39:00 | |
-18! -20 now. 20 I've got. | 0:39:00 | 0:39:02 | |
Two now. 22 bid. | 0:39:02 | 0:39:03 | |
-She's creeping up. -22 there. | 0:39:03 | 0:39:05 | |
Four now. 22... | 0:39:05 | 0:39:07 | |
£22. | 0:39:07 | 0:39:09 | |
-Are you happy with that? -I'm ecstatic. | 0:39:09 | 0:39:12 | |
The amber has gone into the red and so have Thomas's profits. | 0:39:13 | 0:39:17 | |
We've got two lots. One lot each. | 0:39:17 | 0:39:20 | |
Both silver lots and these, Thomas, could soar! | 0:39:20 | 0:39:24 | |
They could certainly soar. | 0:39:24 | 0:39:27 | |
I think it's becoming a question now of who can lose the least? | 0:39:27 | 0:39:31 | |
It's Anita's silver tray next. | 0:39:31 | 0:39:33 | |
Who wants that one for £10? | 0:39:33 | 0:39:34 | |
I'll take eight. | 0:39:34 | 0:39:36 | |
£8 somewhere. Real silver. | 0:39:36 | 0:39:37 | |
Five bid. Six bid. | 0:39:37 | 0:39:39 | |
Seven bid. Eight. | 0:39:39 | 0:39:40 | |
Eight bid. Nine. Ten... | 0:39:40 | 0:39:43 | |
-Come on! -Silver. | 0:39:43 | 0:39:46 | |
There at nine. Ten now where? | 0:39:46 | 0:39:48 | |
At £9. Ten now? | 0:39:48 | 0:39:49 | |
Ten I have. 12 now. | 0:39:49 | 0:39:51 | |
-We're getting there, Thomas. -12, like my mirror. | 0:39:51 | 0:39:54 | |
There are 12. | 0:39:54 | 0:39:55 | |
Oh! Another loss for Anita. | 0:39:57 | 0:39:59 | |
But she's still smiling, bless her. That's the spirit. | 0:39:59 | 0:40:02 | |
Thomas has yet to make a single profit on any item. | 0:40:02 | 0:40:05 | |
But his losses haven't been quite as big as Anita's. | 0:40:05 | 0:40:09 | |
His last item is the condiment set. | 0:40:09 | 0:40:11 | |
This might be the lot which captures the imagination of this crowd. | 0:40:11 | 0:40:16 | |
Might be. | 0:40:16 | 0:40:18 | |
But I think you could be wrong. | 0:40:18 | 0:40:20 | |
£20 for that somewhere. | 0:40:23 | 0:40:24 | |
£10 start me. | 0:40:24 | 0:40:26 | |
Ten bid. 12 there. 15. 18. | 0:40:26 | 0:40:29 | |
20. 22. 25. | 0:40:29 | 0:40:31 | |
28. 30. | 0:40:31 | 0:40:33 | |
28 bid. 30 where? | 0:40:33 | 0:40:35 | |
-Profit! -Thomas, this is wonderful. -I don't believe it! | 0:40:35 | 0:40:38 | |
-There at 28... -Yes! | 0:40:38 | 0:40:40 | |
Get in there! | 0:40:40 | 0:40:42 | |
Thomas, you are my hero! | 0:40:42 | 0:40:45 | |
That is wonderful. | 0:40:45 | 0:40:47 | |
It's a profit for Planter. | 0:40:47 | 0:40:50 | |
Only £3, but they all count. | 0:40:50 | 0:40:52 | |
Are you sad? | 0:40:53 | 0:40:55 | |
I've had such a great time today. | 0:40:55 | 0:40:56 | |
Same here. Let me take you down. Oh! There we go. | 0:40:56 | 0:41:00 | |
Sadly, they may not have made much money in their last auction | 0:41:00 | 0:41:03 | |
but it was a lot of fun. | 0:41:03 | 0:41:05 | |
What are the scores on the doors at the end of the week? | 0:41:05 | 0:41:08 | |
Despite making a loss of £68.20 today after paying auction costs, | 0:41:08 | 0:41:12 | |
it's less of a loss than Anita. | 0:41:12 | 0:41:15 | |
Thomas has won the final leg of the trip | 0:41:15 | 0:41:17 | |
and finishes after five days of trading with £193.64. | 0:41:17 | 0:41:21 | |
Anita made a staggering loss of £112.08 today | 0:41:23 | 0:41:27 | |
but in the overall standings she's ended the week with... | 0:41:27 | 0:41:31 | |
£289.86, making her the champion for this Road Trip. | 0:41:31 | 0:41:36 | |
Congratulations, Anita. | 0:41:36 | 0:41:38 | |
And remember, all profits go to Children In Need. | 0:41:38 | 0:41:41 | |
Well, Thomas, that's it. That's the last one. | 0:41:41 | 0:41:44 | |
I'm gutted. | 0:41:44 | 0:41:45 | |
I'm so sad to be leaving you. | 0:41:45 | 0:41:47 | |
It's been so fabulous. | 0:41:47 | 0:41:50 | |
It's been sweet, it's been lovely. | 0:41:50 | 0:41:52 | |
How have you found it? | 0:41:52 | 0:41:54 | |
Well, it's been a bit of a rollercoaster ride | 0:41:54 | 0:41:56 | |
but that's what made it so exciting. | 0:41:56 | 0:41:59 | |
Let me put you in the car. | 0:41:59 | 0:42:01 | |
Let me drive off the winner. | 0:42:01 | 0:42:03 | |
It's been a wonderful week of surprises for our duo... | 0:42:18 | 0:42:21 | |
Do you know, it's the first time I've ever been with a woman? | 0:42:21 | 0:42:25 | |
Oh, Thomas! | 0:42:25 | 0:42:26 | |
-On the trip! -Oh! | 0:42:26 | 0:42:28 | |
There have been trips down memory lane... | 0:42:28 | 0:42:31 | |
..but Mum soon brought him back to earth. | 0:42:33 | 0:42:35 | |
It's dairy free for my poor, | 0:42:35 | 0:42:37 | |
pathetic little boy who can't eat any dairy. | 0:42:37 | 0:42:40 | |
For Anita, it's been a week of romance... | 0:42:40 | 0:42:43 | |
Oh, thank you very much. | 0:42:43 | 0:42:45 | |
..memories... | 0:42:45 | 0:42:46 | |
It reminds me a bit of one of my old boyfriends. | 0:42:46 | 0:42:49 | |
..and music... | 0:42:49 | 0:42:51 | |
# Doing the Lambeth Walk | 0:42:51 | 0:42:53 | |
# Oi! # | 0:42:53 | 0:42:55 | |
But for both of them it's been a lot of laughs. | 0:42:55 | 0:42:58 | |
Next week, two old Road Trip hands get behind the wheel. | 0:43:03 | 0:43:07 | |
That's a bit racy, isn't it? | 0:43:07 | 0:43:08 | |
James Braxton is hoping to spot a bargain. | 0:43:08 | 0:43:11 | |
Hello. Is anybody out there? | 0:43:11 | 0:43:14 | |
And, true to form, Philip Serrell goes off piste. | 0:43:14 | 0:43:17 | |
Oh, I love that. | 0:43:17 | 0:43:18 |