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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car... | 0:00:04 | 0:00:06 | |
We're going round. | 0:00:06 | 0:00:08 | |
..and a goal to scour Britain for antiques... | 0:00:08 | 0:00:11 | |
I want to spend lots of money. | 0:00:11 | 0:00:13 | |
..then to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
Oh, no! | 0:00:17 | 0:00:18 | |
-They'll be worthy winners... -Yes! -We've done it! | 0:00:18 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:23 | |
You are kidding me, oh! | 0:00:23 | 0:00:25 | |
So, will it be the high road to glory | 0:00:25 | 0:00:27 | |
or were the slow road to disaster? | 0:00:27 | 0:00:29 | |
-What am I doing? -Got a deal. | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip. | 0:00:31 | 0:00:34 | |
Yeah! | 0:00:34 | 0:00:35 | |
This week's crusade sees two authorities in auctioneering | 0:00:35 | 0:00:40 | |
wrangling for Road Trip supremacy. | 0:00:40 | 0:00:43 | |
We're on the homeward run now of our road trip. | 0:00:43 | 0:00:45 | |
-I'm going to miss your company. -Oh, Philip! | 0:00:45 | 0:00:47 | |
-Isn't that emotional? -Yeah. No, no. | 0:00:47 | 0:00:49 | |
I too you. | 0:00:49 | 0:00:51 | |
Former geography teacher, now seasoned salesman, | 0:00:52 | 0:00:55 | |
Philip Serrell has discovered the sympathy-card tactic. | 0:00:55 | 0:00:58 | |
I'm £100 behind at the minute. | 0:00:58 | 0:01:00 | |
Ah! | 0:01:00 | 0:01:02 | |
James Braxton's an expert in tracking down treasure, | 0:01:02 | 0:01:05 | |
-but that doesn't stop him scouting for bargains. -50p? | 0:01:05 | 0:01:09 | |
It's a king's ransom, isn't it? | 0:01:09 | 0:01:10 | |
Our two connoisseurs of all things curio started with £200. | 0:01:12 | 0:01:16 | |
On the fourth stretch, there's still over £100 separating them, | 0:01:16 | 0:01:20 | |
but the tables have turned. | 0:01:20 | 0:01:22 | |
Over the course of the last three auctions, | 0:01:22 | 0:01:24 | |
James now has £335.50 to spend. | 0:01:24 | 0:01:29 | |
But Philip's still in the lead, and has £463.30 to put to use today. | 0:01:29 | 0:01:35 | |
This being opportune moment just to say that I'm slightly ahead of you? | 0:01:35 | 0:01:38 | |
-I think that might verge on gloating. -I wouldn't do that. | 0:01:38 | 0:01:41 | |
Both the chaps me to step it up a gear | 0:01:41 | 0:01:44 | |
as they manoeuvre this magnificent 1955 Austin-Healey | 0:01:44 | 0:01:47 | |
towards their fourth auction. | 0:01:47 | 0:01:49 | |
So, what's your plan, James? Are you going to go all in? | 0:01:49 | 0:01:52 | |
I think, the old, old adage, "the better you buy, | 0:01:52 | 0:01:55 | |
"the better you sell." | 0:01:55 | 0:01:56 | |
You got to be tough. | 0:01:56 | 0:01:57 | |
You can't...you can't be all smiles in this game. | 0:01:57 | 0:02:01 | |
You know, grannies, small children, clear a path. | 0:02:01 | 0:02:04 | |
Brutal, Mr Braxton. | 0:02:04 | 0:02:06 | |
The fellas walloping 920-mile quest sees them | 0:02:06 | 0:02:09 | |
careering from central Scotland through the borders | 0:02:09 | 0:02:12 | |
to the lakes, Lancashire, Cheshire, Merseyside | 0:02:12 | 0:02:15 | |
and culminates in Newport, Shropshire. | 0:02:15 | 0:02:18 | |
The fourth push is a tour of the Northwest, | 0:02:20 | 0:02:23 | |
starting in Frodsham, Cheshire, and ending in Liverpool. | 0:02:23 | 0:02:26 | |
-Do you like this car? -I love this car! | 0:02:26 | 0:02:28 | |
I think it's a bit racy, isn't it? I like the louvered bonnet. | 0:02:28 | 0:02:31 | |
Yeah, and a leather belt. It's a fabulous car! | 0:02:31 | 0:02:34 | |
For centuries, Frodsham has been a part of the Cheshire salt district, | 0:02:34 | 0:02:38 | |
using the river Weaver to export the salt, | 0:02:38 | 0:02:41 | |
but Frodsham's most famous export | 0:02:41 | 0:02:43 | |
is Take That's singer-songwriter, Gary Barlow. | 0:02:43 | 0:02:46 | |
We've got the weather of the southeast in the northwest. | 0:02:50 | 0:02:53 | |
-Absolutely! -And that's what we do for the place, you know? | 0:02:53 | 0:02:56 | |
On our road trip, we bring out the sunshine. | 0:02:56 | 0:03:00 | |
First stop is the 15,000-square-foot Lady Heyes' Crafts | 0:03:00 | 0:03:05 | |
And Antiques Centre. | 0:03:05 | 0:03:07 | |
That's if James can get out of the car. Ooh! | 0:03:07 | 0:03:10 | |
THEY LAUGH | 0:03:12 | 0:03:14 | |
Anyway. All right. Seamlessly done. I think this... | 0:03:14 | 0:03:17 | |
HE LAUGHS | 0:03:17 | 0:03:20 | |
Oh, dear! | 0:03:20 | 0:03:22 | |
Graceful certainly doesn't spring to mind. | 0:03:22 | 0:03:25 | |
James's first port of call is the Antiques Emporium. | 0:03:25 | 0:03:28 | |
Based in the Edwardian room, there's a huge collection of antiques | 0:03:28 | 0:03:32 | |
and collectibles, vintage toys and jewellery. | 0:03:32 | 0:03:34 | |
Always look up in these places. Look up and look down. | 0:03:34 | 0:03:38 | |
Now, there's a powerful image. | 0:03:38 | 0:03:41 | |
Barrie A F Clark. A fabulous Spitfire. | 0:03:41 | 0:03:46 | |
It seems like looking up has paid off. | 0:03:46 | 0:03:49 | |
On a bit of ply. | 0:03:49 | 0:03:50 | |
It's obviously a print, but what a... | 0:03:50 | 0:03:53 | |
What a strong piece of work. | 0:03:53 | 0:03:56 | |
And the nice thing about this particular print | 0:03:56 | 0:03:59 | |
is it's framed as one. So, it's a total package | 0:03:59 | 0:04:01 | |
and it's nice and big. | 0:04:01 | 0:04:03 | |
That would look stunning in a contemporary flat. | 0:04:03 | 0:04:06 | |
I can see it's had a couple of bashes. What's he got on it? | 0:04:06 | 0:04:09 | |
45. | 0:04:10 | 0:04:12 | |
I might take it down and see if there's any more damage. | 0:04:12 | 0:04:15 | |
One, two, three. | 0:04:15 | 0:04:17 | |
Careful. | 0:04:17 | 0:04:18 | |
No. I'm going to need something... | 0:04:19 | 0:04:21 | |
Are you quite sure? | 0:04:23 | 0:04:25 | |
Don't do this at home, but it's all right. | 0:04:25 | 0:04:29 | |
I do yoga, so I've got a good balance. | 0:04:29 | 0:04:32 | |
Famous last words. | 0:04:32 | 0:04:34 | |
Yoga or Yogi? | 0:04:34 | 0:04:36 | |
-HE GRUNTS -It's resistant. | 0:04:37 | 0:04:40 | |
It's not as bad as I originally thought there. | 0:04:40 | 0:04:44 | |
It's a nice bit, that. | 0:04:44 | 0:04:45 | |
And at least it's not Arts and Crafts | 0:04:45 | 0:04:48 | |
like he's bought for the last two auctions. | 0:04:48 | 0:04:50 | |
Now, James just need to get a good price | 0:04:50 | 0:04:52 | |
from one of the shop's dealers, Anthony Goodband, known as Larry. | 0:04:52 | 0:04:55 | |
-It's a good-looking item, isn't it? -It is. | 0:04:55 | 0:04:58 | |
In a modern interior, it's going to be a nice feature piece, isn't it? | 0:04:58 | 0:05:01 | |
Yeah. The boys are going to love it. | 0:05:01 | 0:05:04 | |
The girls are probably not going to see that as the great addition | 0:05:04 | 0:05:09 | |
that you and I might think into the interior. | 0:05:09 | 0:05:11 | |
That's right. It depends on how big the garage the boy has to put it in. | 0:05:11 | 0:05:15 | |
Could you do something like 28 on it? | 0:05:15 | 0:05:16 | |
-We could come down to that, yes, yeah. -28? -Yeah, yeah. | 0:05:16 | 0:05:19 | |
Larry, you've gone and got yourself a deal. That's fabulous! | 0:05:19 | 0:05:24 | |
And James's first item for auction is done and dusted. | 0:05:24 | 0:05:28 | |
Here you are. 28. Lovely. Thank you. Bye now. | 0:05:28 | 0:05:32 | |
And James has even managed to charm antiques restorer Patrick Young | 0:05:32 | 0:05:36 | |
into giving the Spitfire print's scuffed corner | 0:05:36 | 0:05:39 | |
a little spit and polish. | 0:05:39 | 0:05:41 | |
Well, a bit of teak wood stain, actually. | 0:05:41 | 0:05:44 | |
Well, Patrick's done a fabulous job with that. | 0:05:44 | 0:05:46 | |
Great start for James, then. | 0:05:48 | 0:05:49 | |
Meanwhile, Philip is heading southeast, staying in Cheshire, | 0:05:49 | 0:05:52 | |
but bound for the small town of Sanbach. | 0:05:52 | 0:05:55 | |
The historic market town is known for its Saxon crosses at its heart. | 0:05:57 | 0:06:01 | |
These likely ninth-century sandstones | 0:06:01 | 0:06:06 | |
are elaborately carved with animals and biblical scenes, | 0:06:06 | 0:06:08 | |
forming one of the finest Saxon monuments in Britain. | 0:06:08 | 0:06:13 | |
This is just a really, really pretty place, isn't it? | 0:06:13 | 0:06:16 | |
Facing the crosses, is the appropriately named | 0:06:16 | 0:06:18 | |
Saxon Cross Antiques, run by John Jones. | 0:06:18 | 0:06:22 | |
-Hi. Philip. -Hi. John. -John, good to see you. | 0:06:22 | 0:06:25 | |
John's been in the business for 25 years, | 0:06:27 | 0:06:30 | |
following in the footsteps of both his parents and grandparents. | 0:06:30 | 0:06:34 | |
So, he should know a good thing or two about antiques. | 0:06:34 | 0:06:37 | |
We're going to go to a sale room in Liverpool. | 0:06:37 | 0:06:39 | |
And so, I'm thinking | 0:06:39 | 0:06:42 | |
Liverpool - maritime. | 0:06:42 | 0:06:44 | |
I've got exactly what you're looking for. | 0:06:44 | 0:06:47 | |
John's got a fine collection of model boats. | 0:06:48 | 0:06:51 | |
How old is that? | 0:06:51 | 0:06:53 | |
I would put it at the turn of the century, 1900, 1910. | 0:06:53 | 0:06:56 | |
-It is scratch-built. -And what's your ticket price? | 0:06:56 | 0:06:58 | |
Ticket price on that is 50, but I can do you a good deal on that. | 0:06:58 | 0:07:02 | |
How much is a good deal? | 0:07:02 | 0:07:04 | |
20 quid. All the bits are there, but it's had cat damage. | 0:07:06 | 0:07:10 | |
-But if you look inside... -So, it really is scratch-built. | 0:07:10 | 0:07:13 | |
Scratch building is making a scale model from raw materials | 0:07:13 | 0:07:17 | |
rather than from a kit. | 0:07:17 | 0:07:19 | |
But Philip's not committing to it just yet. | 0:07:19 | 0:07:22 | |
I quite like this, actually. Look at that. | 0:07:22 | 0:07:25 | |
That one's the old Pony Express. | 0:07:25 | 0:07:27 | |
And I think it's MOBO. | 0:07:29 | 0:07:32 | |
And how much is that? | 0:07:32 | 0:07:33 | |
Erm, I've got 75 on that. | 0:07:33 | 0:07:36 | |
It's nice that it's not been painted or restored. | 0:07:36 | 0:07:39 | |
-When was that made, John? -Early '50s. | 0:07:39 | 0:07:41 | |
We think this one was just called The Pony Express, | 0:07:41 | 0:07:44 | |
which you've got there with the traditional guns. | 0:07:44 | 0:07:46 | |
MOBO, standing for mobile toys, | 0:07:48 | 0:07:51 | |
were made by British toy manufacturer | 0:07:51 | 0:07:53 | |
D Sebel & Co between 1947 and 1972. | 0:07:53 | 0:07:57 | |
They specialised in sturdy, steel ride-on toys. | 0:07:57 | 0:08:01 | |
So, could you do...could you do 40 for the boat and The Pony Express? | 0:08:01 | 0:08:05 | |
I will to 50, | 0:08:06 | 0:08:08 | |
and you've got me right down. | 0:08:08 | 0:08:09 | |
-Give me five minutes while I just have a think to myself. -Yeah, sure. | 0:08:11 | 0:08:14 | |
Philip has over £450 to spend. | 0:08:14 | 0:08:17 | |
John's already given him a £75 reduction, | 0:08:17 | 0:08:20 | |
but Philip's playing hard to get. | 0:08:20 | 0:08:22 | |
I think £50 is too much money for the two. I really do. | 0:08:22 | 0:08:25 | |
Would 40... I mean, let me just do this. Look. Let me just... | 0:08:25 | 0:08:29 | |
I put that there and I put that there. | 0:08:29 | 0:08:31 | |
I think that might act as an encouraging enticement, wouldn't it? | 0:08:31 | 0:08:35 | |
40 couldn't do. | 0:08:35 | 0:08:37 | |
Can you help me out at 45 for the two? | 0:08:37 | 0:08:39 | |
-You're a gentleman. Thank you very much. -45. | 0:08:40 | 0:08:42 | |
Thank you very, very much, indeed. | 0:08:42 | 0:08:43 | |
Better get some more money out, hadn't I? | 0:08:43 | 0:08:45 | |
So, that's 30 for MOBO ride-on horse and 15 for the model ship, | 0:08:45 | 0:08:49 | |
and Philip's got his first two items for auction. | 0:08:49 | 0:08:52 | |
Meanwhile, back at The Antique Centre, | 0:08:54 | 0:08:56 | |
James is still making his way around the units. | 0:08:56 | 0:08:58 | |
-Hello. James. -Rose. -Hello, Rose. Very nice to meet you. | 0:09:00 | 0:09:04 | |
Along with her business partner, Rose Bryant has been running | 0:09:04 | 0:09:08 | |
the attic here for six years looking after three different rooms. | 0:09:08 | 0:09:12 | |
What do you have in here, then, Rose? | 0:09:12 | 0:09:14 | |
I'm going to Liverpool, so that's on the Mersey, isn't it? | 0:09:14 | 0:09:18 | |
Famous for its shipping, its connection with New York | 0:09:18 | 0:09:21 | |
and all that. | 0:09:21 | 0:09:24 | |
Oh! Hold on. Erm... | 0:09:24 | 0:09:26 | |
-Some boxes here. -Boxes? | 0:09:27 | 0:09:29 | |
-That might be interesting, that one. -That's a very unusual box, isn't it? | 0:09:29 | 0:09:33 | |
Captain. Captain Corbet. What does that say? RN, is it? | 0:09:33 | 0:09:37 | |
Or RI? | 0:09:37 | 0:09:38 | |
What's...? | 0:09:38 | 0:09:40 | |
-RN, Royal Navy. -Oh, right. | 0:09:40 | 0:09:42 | |
That's quite nice, isn't it? Nice bit of oak. | 0:09:42 | 0:09:45 | |
Unusual shape, isn't it? So... | 0:09:45 | 0:09:49 | |
Navy, oblong, erm, charts, isn't it? Do think it's a chart box? | 0:09:49 | 0:09:53 | |
It could be. I thought telescopes, but probably, yeah. | 0:09:53 | 0:09:56 | |
I think, Rose, you might have the day. | 0:09:56 | 0:09:58 | |
I think it could be a telescope. | 0:09:58 | 0:10:00 | |
What could you do on this, Rose? I'm going to be hard on this one. | 0:10:00 | 0:10:03 | |
-Oh, dear. -It's a sort of take... It's a take it or leave it. | 0:10:03 | 0:10:08 | |
-65. -That's what you originally thought. -Yeah. | 0:10:08 | 0:10:11 | |
-What are you offering? -What I... | 0:10:11 | 0:10:13 | |
I'd love to buy it for 28. | 0:10:13 | 0:10:15 | |
He seems to have a thing for £28. | 0:10:15 | 0:10:17 | |
I do like it, yeah. | 0:10:17 | 0:10:19 | |
-38. -38? -Yeah, that's it. | 0:10:19 | 0:10:23 | |
What about we meet in the middle? 32, Rose. | 0:10:23 | 0:10:26 | |
-Go on, then. -32! -Go on, then. | 0:10:26 | 0:10:28 | |
That's really kind. | 0:10:28 | 0:10:31 | |
James did say he was going to be ruthless today, | 0:10:31 | 0:10:33 | |
and he's got himself his second item, a 19th-century oak box | 0:10:33 | 0:10:36 | |
with an engraved brass plaque, for £32. | 0:10:36 | 0:10:40 | |
That's the three, Rose. There's the ten and there's the 20. | 0:10:41 | 0:10:45 | |
-Lovely. -Thank you very much, indeed. | 0:10:45 | 0:10:47 | |
I think he's miscounted and overpaid. | 0:10:47 | 0:10:50 | |
We'll call it £33 then, James. Hmph! | 0:10:50 | 0:10:53 | |
Meanwhile, Philip's been heading north to Altrincham | 0:10:53 | 0:10:56 | |
to visit Dunham Massey Hall, | 0:10:56 | 0:10:58 | |
a Grade 1 listed Georgian house that belonged to the Grey family, | 0:10:58 | 0:11:02 | |
also known as the Earls of Stamford since 1736. | 0:11:02 | 0:11:07 | |
Philip's here to learn about a very unique period | 0:11:07 | 0:11:10 | |
in this stately home's history. | 0:11:10 | 0:11:12 | |
Really is just glorious! | 0:11:12 | 0:11:15 | |
In 1914, Britain was in the throes | 0:11:17 | 0:11:19 | |
of the biggest military conflict in its history. | 0:11:19 | 0:11:23 | |
The First World War saw millions of British servicemen | 0:11:23 | 0:11:26 | |
return home from battle injured. | 0:11:26 | 0:11:28 | |
By 1915, there was a real shortage of hospitals | 0:11:28 | 0:11:31 | |
to care for the wounded. | 0:11:31 | 0:11:33 | |
The solution was to convert over 3,000 houses across the country | 0:11:33 | 0:11:37 | |
into private military hospitals including Dunham Massey. | 0:11:37 | 0:11:41 | |
Today, the Hall is owned by the National Trust | 0:11:41 | 0:11:44 | |
and housing collections manager | 0:11:44 | 0:11:45 | |
Katie Taylor looks after its contents. | 0:11:45 | 0:11:48 | |
-Nice to meet you. -What a fantastic property, isn't it? | 0:11:48 | 0:11:51 | |
Yeah, it's beautiful. | 0:11:51 | 0:11:53 | |
This auxiliary hospital, named the Stamford Hospital, | 0:11:53 | 0:11:57 | |
was part funded by the Red Cross and part by the Grey family. | 0:11:57 | 0:12:01 | |
This private contribution was a common commitment | 0:12:01 | 0:12:04 | |
made by wealthy families for their part in the war effort. | 0:12:04 | 0:12:07 | |
At the outbreak of the First World War, | 0:12:07 | 0:12:09 | |
there were only 7,000 hospital beds in the country, | 0:12:09 | 0:12:11 | |
so there was a massive shortage. | 0:12:11 | 0:12:14 | |
The hospital was in operation from April, 1917, to January, 1919, | 0:12:14 | 0:12:19 | |
taking 282 patients overall. | 0:12:19 | 0:12:22 | |
Each room was given a separate role, | 0:12:22 | 0:12:25 | |
some of which have been recreated as part of an exhibition | 0:12:25 | 0:12:28 | |
to mark the centenary of the war. | 0:12:28 | 0:12:31 | |
This room became the recreation room. | 0:12:31 | 0:12:33 | |
And this is where the soldiers, | 0:12:33 | 0:12:34 | |
those who could get out of bed, would come and eat their meals. | 0:12:34 | 0:12:37 | |
-They would play games... -They would've eaten there? -Yep. | 0:12:37 | 0:12:39 | |
That's quite humbling, isn't it? | 0:12:39 | 0:12:41 | |
Men were brought from France and Belgium for treatment | 0:12:41 | 0:12:44 | |
in the makeshift ward here. | 0:12:44 | 0:12:45 | |
The Stamford Hospital was for the lowest ranking soldiers, | 0:12:45 | 0:12:49 | |
known as Tommies, a generic term for a common British private. | 0:12:49 | 0:12:53 | |
And these come from a home where there's no running water, | 0:12:53 | 0:12:56 | |
no electricity, outside lavatory, no bath... | 0:12:56 | 0:13:00 | |
And then you've got all this around you. | 0:13:00 | 0:13:03 | |
-An 18th-century mansion house. -Yeah. | 0:13:03 | 0:13:05 | |
This place must have been a real change for them, a real surprise. | 0:13:05 | 0:13:09 | |
There would have been 25 patients in the former drawing room. | 0:13:09 | 0:13:12 | |
Now, each of these beds tells the story of a soldier that came here | 0:13:12 | 0:13:16 | |
for common, wartime illnesses or injuries. | 0:13:16 | 0:13:18 | |
Despite horrific circumstances, | 0:13:18 | 0:13:21 | |
war forces medical advancement, like the Thomas splint, | 0:13:21 | 0:13:25 | |
introduced in 1916 by orthopaedic surgeon Hugh Owen Thomas. | 0:13:25 | 0:13:29 | |
Says here, "Leg was in a Thomas splint on admission, | 0:13:29 | 0:13:32 | |
"wound very septic and penetrating." | 0:13:32 | 0:13:34 | |
Well, he had a compound fracture, so the wound was open. | 0:13:34 | 0:13:37 | |
80% of people who had a compound fracture | 0:13:37 | 0:13:40 | |
before this Thomas splint was invented | 0:13:40 | 0:13:42 | |
died from shock, which is fluid loss, blood loss basically. | 0:13:42 | 0:13:45 | |
This reduced the mortality rate to just to 7%. | 0:13:45 | 0:13:48 | |
Blimey! | 0:13:48 | 0:13:49 | |
So, in a way, the war gave us the Thomas splint, | 0:13:49 | 0:13:53 | |
-which saved people's lives. -Every war produces different weapons. | 0:13:53 | 0:13:57 | |
It produced different injuries... | 0:13:57 | 0:13:59 | |
Means that medical science is always evolving because of conflicts. | 0:13:59 | 0:14:02 | |
One of the most seriously injured soldiers treated at this hospital | 0:14:02 | 0:14:06 | |
was Private William Johnston. | 0:14:06 | 0:14:09 | |
He arrived with two pieces of shrapnel in his brain, | 0:14:09 | 0:14:12 | |
so they needed somewhere the doctors could operate, | 0:14:12 | 0:14:14 | |
which has been recreated again today. | 0:14:14 | 0:14:17 | |
So, this is a stairwell that's become an operating theatre. | 0:14:17 | 0:14:21 | |
Yeah, it was primarily because there was a sink | 0:14:21 | 0:14:24 | |
as part of a loo just outside there, | 0:14:24 | 0:14:26 | |
which would have been a great spot for people to rinse out bandages. | 0:14:26 | 0:14:30 | |
Not only did the family give up their home, | 0:14:30 | 0:14:32 | |
but Lady Jane Grey, the sister of the Earl at the time, | 0:14:32 | 0:14:36 | |
also trained as a voluntary nurse. | 0:14:36 | 0:14:38 | |
She assisted during Private Johnston's operation, | 0:14:38 | 0:14:41 | |
holding a torch for the doctor whilst he extracted the shrapnel. | 0:14:41 | 0:14:45 | |
The world of nursing was a far cry from the society life | 0:14:45 | 0:14:49 | |
she would have led if there hadn't been a war. | 0:14:49 | 0:14:52 | |
She remembered being very frustrated because she didn't realise | 0:14:52 | 0:14:55 | |
when she was boiling a pan of milk that it would boil over. | 0:14:55 | 0:14:58 | |
There were so many life-skills she had to learn | 0:14:58 | 0:15:00 | |
in order to the fulfil this role | 0:15:00 | 0:15:02 | |
that lower class girls would have just...would have just known. | 0:15:02 | 0:15:05 | |
So, as much it was a different world for the Tommies, | 0:15:05 | 0:15:08 | |
it was an entirely different world for women like Jane. | 0:15:08 | 0:15:11 | |
The hospital closed in January, 1919, | 0:15:11 | 0:15:15 | |
and the Hall was once more a family home. | 0:15:15 | 0:15:18 | |
This has been a really, really memorable trip for me. | 0:15:19 | 0:15:22 | |
-And it's a special place. Thanks very much. Thank you. -Thank you. | 0:15:22 | 0:15:26 | |
While Philip finishes soaking up the house's impressive stories, | 0:15:28 | 0:15:33 | |
James is still in shopping mode, edging his way east to Romiley. | 0:15:33 | 0:15:37 | |
Set within the borough of Stockport, | 0:15:37 | 0:15:39 | |
the village of Romiley borders the Peak District. | 0:15:39 | 0:15:42 | |
It's named comes from an Anglo-Saxon word | 0:15:42 | 0:15:45 | |
meaning spacious woodland clearing, | 0:15:45 | 0:15:48 | |
as up until the 19th century, it was predominantly an agricultural area. | 0:15:48 | 0:15:53 | |
James is here to meet Peter Green, who's owned Romiley Antiques | 0:15:53 | 0:15:57 | |
and Jewellery for 30 years. | 0:15:57 | 0:15:59 | |
-Hello! -Hi. -James. | 0:16:00 | 0:16:03 | |
-Peter. How are you? -Peter, very nice to meet you. | 0:16:03 | 0:16:05 | |
The pressure's mounting on James now that he's over £100 down, | 0:16:05 | 0:16:09 | |
after being £100 ahead. | 0:16:09 | 0:16:11 | |
So, Peter's giving James some potential pointers. | 0:16:11 | 0:16:14 | |
-There's a pram here. -No, not for me. | 0:16:14 | 0:16:17 | |
-Picnic basket. -Not for me. -No? | 0:16:17 | 0:16:20 | |
Erm... This barometer... It's quite nice. | 0:16:20 | 0:16:22 | |
It's not for me that fellow. Nope. | 0:16:22 | 0:16:25 | |
But finally, James's found something himself. | 0:16:25 | 0:16:28 | |
Peter, I think this...this is more me. | 0:16:28 | 0:16:31 | |
It's got a bit of colour and we got a bit of sea. | 0:16:31 | 0:16:33 | |
The interesting thing with this charger is... Unfortunately, | 0:16:33 | 0:16:38 | |
you know, it's old, | 0:16:38 | 0:16:39 | |
it's suffered, you know, temperature changes and it's crazed, | 0:16:39 | 0:16:43 | |
but it's quite well done and, from afar, that looks quite good. | 0:16:43 | 0:16:47 | |
We got marine interest. | 0:16:47 | 0:16:49 | |
We're going to Liverpool. It's famous for its maritime history. | 0:16:49 | 0:16:54 | |
It's actually a Dutch wall plaque, as referenced on the reverse. | 0:16:54 | 0:16:58 | |
It's of Texel Island, off Northern Holland. | 0:16:58 | 0:17:01 | |
It has a ticket price of £30. | 0:17:01 | 0:17:03 | |
-What can we do it for? Can that be cheap? -I don't know. | 0:17:03 | 0:17:06 | |
-What would you like to pay for it? -I'd like to pay 15 for it. | 0:17:06 | 0:17:09 | |
Can we do it at 15? | 0:17:10 | 0:17:11 | |
You can have it for £15. | 0:17:11 | 0:17:13 | |
-Peter, I'll take it for £15. -That's a deal. -Thank you very much, indeed. | 0:17:13 | 0:17:17 | |
And that's James's third item for auction. | 0:17:17 | 0:17:19 | |
-Thank you very much, indeed, Peter. I'm pleased with that. -Very good. | 0:17:19 | 0:17:23 | |
Now our gents are done for the day. So, sweet dreams, fellas. | 0:17:23 | 0:17:27 | |
Wakey, wakey, then. | 0:17:30 | 0:17:31 | |
The sun doesn't have his hat on this morning, | 0:17:31 | 0:17:34 | |
so the roof's certainly up on the Austin-Healey, | 0:17:34 | 0:17:36 | |
as are two antiques professionals step on the gas again. | 0:17:36 | 0:17:40 | |
I'm beginning to f...know exactly how sardines feel. | 0:17:40 | 0:17:43 | |
Yeah. I hear... A little bird told me | 0:17:43 | 0:17:47 | |
that you got in and then they put the roof over you. | 0:17:47 | 0:17:50 | |
I couldn't possibly comment on that. | 0:17:50 | 0:17:52 | |
Good luck getting out then, fellas. | 0:17:52 | 0:17:55 | |
But they've got a lot to do today. | 0:17:55 | 0:17:56 | |
Philip has spent just 45 of his £463.30 | 0:17:56 | 0:18:01 | |
on a ride-on horse and model ship. | 0:18:01 | 0:18:04 | |
James has over £250 still to spend | 0:18:04 | 0:18:07 | |
after picking up a Spitfire print, Dutch wall plaque | 0:18:07 | 0:18:10 | |
and an oak box for £76. | 0:18:10 | 0:18:12 | |
So, they've got a busy shopping day ahead. | 0:18:12 | 0:18:14 | |
Nice that they've got the weather for it, though. | 0:18:14 | 0:18:17 | |
Talk me through your leaks there. | 0:18:17 | 0:18:19 | |
-Well, I think I've got one here... -Yeah. | 0:18:19 | 0:18:21 | |
-..that's dribbling down on my right thigh. -Excellent. | 0:18:21 | 0:18:24 | |
-I've got one here that's dribbling on my left knee. -Good. | 0:18:24 | 0:18:28 | |
And the one in the middle... | 0:18:28 | 0:18:29 | |
-I don't want to tell you where that's going. -No. | 0:18:29 | 0:18:31 | |
Yeah, please, don't. | 0:18:31 | 0:18:33 | |
Our soggy sardines began their jaunt in Frodsham | 0:18:33 | 0:18:36 | |
and are looping round the northwest. | 0:18:36 | 0:18:38 | |
Next stop is Sale, in Greater Manchester. | 0:18:38 | 0:18:41 | |
The commuter town of Sale has been dated to prehistoric times | 0:18:43 | 0:18:47 | |
after a flint arrowhead was discovered by the Victorians. | 0:18:47 | 0:18:51 | |
Philip's here to target Manchester Antiques Centre... Ha! | 0:18:51 | 0:18:55 | |
..for some auction spoils. But you can lead a horse to water... | 0:18:55 | 0:18:58 | |
Hello, horsey. How are you? | 0:18:58 | 0:19:01 | |
..with Philip you never know. | 0:19:01 | 0:19:03 | |
-John, good morning. -Good morning to you, sir. -How are you? All right? | 0:19:03 | 0:19:06 | |
-Exited? -Looking forward to this. -Oh, no! | 0:19:06 | 0:19:07 | |
John Long, the second John of the trip so far, | 0:19:07 | 0:19:10 | |
specialises in antique furniture. | 0:19:10 | 0:19:11 | |
Blimey! You've got some stockers, haven't you? | 0:19:11 | 0:19:14 | |
It's quite a nice thing, isn't it, | 0:19:18 | 0:19:20 | |
but it's got a bit of a tectonic shift in plates | 0:19:20 | 0:19:22 | |
right around the top of South Africa... South America. | 0:19:22 | 0:19:26 | |
South Africa? I used to teach geography! | 0:19:26 | 0:19:28 | |
Thankfully, you did give up your day job, then. | 0:19:28 | 0:19:31 | |
That's a bit of a fun one, isn't it? | 0:19:34 | 0:19:36 | |
It's probably an old Blackthorn stick. | 0:19:36 | 0:19:37 | |
They've got a really sweet, little duck or a goose's head on it. | 0:19:37 | 0:19:41 | |
Quack, quack. | 0:19:41 | 0:19:43 | |
Uh-oh! I think he's gone quackers. | 0:19:43 | 0:19:46 | |
And there's no price on it. I'm going to take that down | 0:19:46 | 0:19:49 | |
and just ask John... | 0:19:49 | 0:19:51 | |
how much that is. | 0:19:51 | 0:19:53 | |
-That's lovely, isn't it? -Collectors' item. -It is. How much is that? | 0:19:53 | 0:19:56 | |
£270. | 0:19:56 | 0:19:58 | |
-Look at the eyes. -Oh, yeah! | 0:19:58 | 0:19:59 | |
They've got tears running down them now, John. I think they've got tears. | 0:19:59 | 0:20:02 | |
I think I made a mistake. | 0:20:02 | 0:20:04 | |
I think I should have asked you what the cheapest thing in the place. | 0:20:04 | 0:20:07 | |
-One Bechstein piano. -How much is this? -Make an offer. | 0:20:07 | 0:20:10 | |
Under £10. | 0:20:10 | 0:20:12 | |
Make an offer. | 0:20:12 | 0:20:13 | |
-I'll give you a fiver for it. -You can have it. | 0:20:13 | 0:20:15 | |
The German company Bechstein is one of the top piano makers | 0:20:15 | 0:20:19 | |
and brand-new, upright pianos can cost several thousand pounds. | 0:20:19 | 0:20:24 | |
Second-hand ones, though, are a different market. | 0:20:24 | 0:20:27 | |
I can't sell them anymore. | 0:20:27 | 0:20:29 | |
-You'll sell that for a fiver? -I will. | 0:20:29 | 0:20:32 | |
I'm warming to you. | 0:20:32 | 0:20:33 | |
The two best makers in the world | 0:20:33 | 0:20:35 | |
surely are Bechstein and Steinway, are they? | 0:20:35 | 0:20:37 | |
-Correct. You can sell a Steinway. -Really? | 0:20:37 | 0:20:40 | |
-Very easy. -I'm hoping you can sell a Bechstein. | 0:20:40 | 0:20:42 | |
Well, it's yours now. | 0:20:42 | 0:20:44 | |
Ha-ha! Methinks John could be having the last laugh here. | 0:20:44 | 0:20:47 | |
Come on, Phil, I've got something more in your price range. | 0:20:47 | 0:20:50 | |
-So, how old's that one do you think? -I'm guessing from the '30s. | 0:20:50 | 0:20:54 | |
And has it got any history or...? | 0:20:55 | 0:20:57 | |
Well, actually, it's funny you should ask that. | 0:20:57 | 0:21:00 | |
-That came out of my mother's garden. -Really? | 0:21:00 | 0:21:02 | |
-So, I know where it's been for the past 50 years. -Do you know what? | 0:21:02 | 0:21:06 | |
-That in good order... -Yes. | 0:21:06 | 0:21:07 | |
..would have been hundreds of pounds, wouldn't it? | 0:21:07 | 0:21:10 | |
It would. Yeah, I agree. £280. | 0:21:10 | 0:21:12 | |
It's glazed stoneware, so that might be a little steep for Philip. | 0:21:12 | 0:21:17 | |
-No. No, I can't do that. -Well, where are you on this, then? | 0:21:17 | 0:21:20 | |
I've got to try to buy that for somewhere between 40 and 50 quid. | 0:21:20 | 0:21:25 | |
What do you reckon? Would 40, 50 quid buy it, do you think? | 0:21:25 | 0:21:27 | |
-Not really, no. -OK. | 0:21:27 | 0:21:29 | |
Come on, Phil! It was his mother's birdbath. | 0:21:29 | 0:21:33 | |
Right. £90. Under 100. You can't fail. You can't. | 0:21:33 | 0:21:36 | |
No. I can! I can fail. I'll give you my best. | 0:21:36 | 0:21:39 | |
-60 quid, and that's me finished. -Very difficult. | 0:21:39 | 0:21:42 | |
-That'd be OK. -You done? -Done. | 0:21:42 | 0:21:44 | |
That's a staggering £220 off the asking price. | 0:21:44 | 0:21:48 | |
And a piano for a fiver. £65 for the two. | 0:21:48 | 0:21:51 | |
Philip's been even cleverer, | 0:21:51 | 0:21:54 | |
removing the broken part of the pedestal, | 0:21:54 | 0:21:56 | |
in the hope that it makes it more saleable. | 0:21:56 | 0:21:58 | |
So, I bought a piano. I bought a water feature. | 0:21:58 | 0:22:01 | |
What do you think of that? Not much, eh? | 0:22:01 | 0:22:04 | |
Neigh! | 0:22:04 | 0:22:05 | |
Did someone mention hay? | 0:22:07 | 0:22:09 | |
Meanwhile, James is navigating his | 0:22:09 | 0:22:11 | |
way north to the city of Salford. | 0:22:11 | 0:22:13 | |
Since the closure of the Manchester Docks in 1982, | 0:22:13 | 0:22:16 | |
there's been a huge regeneration of Salford Quays. | 0:22:16 | 0:22:19 | |
Manchester's unique waterfront is now an arts and culture hub. | 0:22:19 | 0:22:24 | |
The award-winning Imperial War Museum North | 0:22:24 | 0:22:26 | |
was designed by internationally acclaimed architect | 0:22:26 | 0:22:30 | |
Daniel Libeskind, who's also responsible for the master plan | 0:22:30 | 0:22:35 | |
for the Ground Zero site in New York. | 0:22:35 | 0:22:37 | |
Today, James is meeting the museum director, Graham Boxer. | 0:22:37 | 0:22:41 | |
-Good morning, James. Nice to meet you. -Good morning. | 0:22:41 | 0:22:43 | |
-What a very impressive building. -Oh, it's an amazing building. | 0:22:43 | 0:22:46 | |
It's sort of three parts that you can see. | 0:22:46 | 0:22:48 | |
It's the earth shard, which slopes away here, | 0:22:48 | 0:22:51 | |
the air shard, which rises up into the sky, | 0:22:51 | 0:22:54 | |
and also on the other side of the building, near the canal, | 0:22:54 | 0:22:56 | |
the water shard. Three shards of the globe fractured by war and conflict. | 0:22:56 | 0:23:01 | |
The museum specialises in showing how war shapes lives | 0:23:02 | 0:23:06 | |
by telling personal stories, | 0:23:06 | 0:23:08 | |
no more harrowing than those of the millions of people | 0:23:08 | 0:23:11 | |
sent to prisoner of work camps around the world | 0:23:11 | 0:23:14 | |
during the Second World War. | 0:23:14 | 0:23:16 | |
Young Army Captain Ronnie Horner was posted to Singapore | 0:23:16 | 0:23:20 | |
in January, 1942, to defend the British colony against the Japanese. | 0:23:20 | 0:23:25 | |
Within a few weeks, the British Army were defeated | 0:23:25 | 0:23:28 | |
and Ronnie was captured. | 0:23:28 | 0:23:29 | |
So, Graham what have we got here? | 0:23:29 | 0:23:32 | |
This is the suitcase that belonged to Ronnie Horner, | 0:23:32 | 0:23:35 | |
and we can see his initials on here - RMH. | 0:23:35 | 0:23:38 | |
And this would have contained all the items | 0:23:38 | 0:23:41 | |
that he took out to Singapore with him. And he kept it with him | 0:23:41 | 0:23:44 | |
when he was in the prison of war camp. | 0:23:44 | 0:23:46 | |
In May, 1943, when he was moved from the prison of war camp in Changi | 0:23:46 | 0:23:51 | |
to work on the Thailand-Burma railway line, | 0:23:51 | 0:23:55 | |
he took this with him. | 0:23:55 | 0:23:57 | |
The infamous Burma Railway is also known as the Death Railway | 0:23:57 | 0:24:00 | |
and made famous by the film Bridge Over The River Kwai. | 0:24:00 | 0:24:04 | |
Around 100,000 died during its creation. | 0:24:04 | 0:24:08 | |
It wasn't just the heat and humidity, | 0:24:08 | 0:24:10 | |
or the backbreaking labour, | 0:24:10 | 0:24:12 | |
but also the poor living conditions and lack of food. | 0:24:12 | 0:24:15 | |
Two of Ronnie's belts. | 0:24:15 | 0:24:16 | |
-This is the one that he was wearing when he went to Changi. -Yeah. | 0:24:16 | 0:24:23 | |
And you can see the width, the circumference of his waist. | 0:24:23 | 0:24:26 | |
And this one here is what he was like | 0:24:26 | 0:24:28 | |
when he came out six months later. | 0:24:28 | 0:24:30 | |
God... It's a child's, isn't it? | 0:24:30 | 0:24:32 | |
You wonder how they survived | 0:24:32 | 0:24:33 | |
and how they actually were able to do any work at all. | 0:24:33 | 0:24:35 | |
Despite the huge risk, Ronnie kept a diary for three years, | 0:24:37 | 0:24:41 | |
hidden behind a panel in his suitcase, | 0:24:41 | 0:24:43 | |
to remember his experiences during the camp. | 0:24:43 | 0:24:46 | |
"I find that as the day goes by, thoughts crop up, | 0:24:46 | 0:24:51 | |
"memories are revived | 0:24:51 | 0:24:53 | |
"and instances occur that quite obviously will be forgotten | 0:24:53 | 0:24:58 | |
"if not noted down." | 0:24:58 | 0:25:00 | |
Ronnie survived the appalling conditions at Changi Camp | 0:25:00 | 0:25:03 | |
and sailed back to Britain | 0:25:03 | 0:25:04 | |
after Japan surrendered in August, 1945. | 0:25:04 | 0:25:07 | |
But some prisoners didn't wait for the end of the war to escape. | 0:25:07 | 0:25:11 | |
Germany's infamous prisoner of war camp Stalag Luft III | 0:25:11 | 0:25:15 | |
had not one, but two escapes. | 0:25:15 | 0:25:17 | |
The Great Escape film tells the story of one, but just before that, | 0:25:17 | 0:25:21 | |
three different prisoners successfully fled the camp | 0:25:21 | 0:25:25 | |
using entertainment as a decoy. | 0:25:25 | 0:25:27 | |
So, these items, Graham, what's their link? | 0:25:27 | 0:25:30 | |
Well, these items belong to Oliver Philpot. | 0:25:30 | 0:25:33 | |
He was an RAF pilot that was shot down. | 0:25:33 | 0:25:35 | |
Philpot was sent to the high-security camp. | 0:25:37 | 0:25:40 | |
Along with two other prisoners, he planned his escape meticulously. | 0:25:40 | 0:25:44 | |
Philpot knew that if he actually managed to get out, | 0:25:44 | 0:25:47 | |
he would need a cover story to help him reach neutral territory. | 0:25:47 | 0:25:50 | |
He decided that he would take on the role of a travelling salesman, | 0:25:50 | 0:25:54 | |
so he needed to look the part. | 0:25:54 | 0:25:56 | |
He took his military service tie, which is what we see here, | 0:25:58 | 0:26:02 | |
and he made it look less military, as you can tell, | 0:26:02 | 0:26:06 | |
by putting this sort of white stitching | 0:26:06 | 0:26:09 | |
into the tie all the way along. | 0:26:09 | 0:26:11 | |
It's very cleverly done. | 0:26:11 | 0:26:13 | |
He asked a friend of his, a fellow prisoner of war in the camp, | 0:26:13 | 0:26:18 | |
to actually make this compass for him. | 0:26:18 | 0:26:21 | |
And the person who made it took parts of a gramophone player | 0:26:21 | 0:26:27 | |
and converted them into the compass. | 0:26:27 | 0:26:29 | |
The key to the escape was a strategically placed wooden box. | 0:26:29 | 0:26:33 | |
Philpot and his co-conspirators dug a tunnel | 0:26:33 | 0:26:36 | |
whilst hiding in the bottomless box near to the barbed wire. | 0:26:36 | 0:26:41 | |
After 114 days of digging, on the 29th of October, 1943, | 0:26:41 | 0:26:45 | |
the three men escaped. | 0:26:45 | 0:26:47 | |
He eventually managed to smuggle himself onto a vessel | 0:26:47 | 0:26:51 | |
bound for Sweden, then it was easy for him to get back to England. | 0:26:51 | 0:26:54 | |
What a great story. So, two objects that aided his flight. | 0:26:54 | 0:26:58 | |
-Absolutely. -Thank you, Graham. -Thank you for coming. Fully enjoyed it. | 0:26:58 | 0:27:02 | |
After returning home, Oliver Philpot went on to have two sons | 0:27:02 | 0:27:06 | |
and three daughters, and died aged 80, in 1993. | 0:27:06 | 0:27:11 | |
They're just two of the many incredible stories | 0:27:11 | 0:27:13 | |
of the brave men and women affected by war | 0:27:13 | 0:27:16 | |
that you can find at the museum. | 0:27:16 | 0:27:19 | |
With one or two items each still to buy, | 0:27:20 | 0:27:23 | |
James is joining Philip back on the road to Ramsbottom, Lancashire. | 0:27:23 | 0:27:27 | |
The skyline of this picturesque market town | 0:27:28 | 0:27:31 | |
is dominated by the Peel Tower commemorating Sir Robert Peel, | 0:27:31 | 0:27:35 | |
former Prime Minister and founder of the police force, who was born here. | 0:27:35 | 0:27:39 | |
So, where is Ramsbottom, James? | 0:27:41 | 0:27:43 | |
Erm, Ramsbottom is down there, lad. | 0:27:43 | 0:27:45 | |
-We're both in the same shop, are we? -There'll be lots of competition, | 0:27:45 | 0:27:49 | |
-running around. -Really? I don't think much about that. | 0:27:49 | 0:27:52 | |
I can't see them running for anything. | 0:27:54 | 0:27:56 | |
They've got to sort the car out first. | 0:27:56 | 0:27:58 | |
This is a bit floppy, mate. | 0:27:58 | 0:28:00 | |
-It goes sort of like that. -Let's just leave it be. -Go on. Go on. | 0:28:00 | 0:28:03 | |
Never mind. | 0:28:03 | 0:28:05 | |
Memories Antiques Centre has two floors of antiques, | 0:28:05 | 0:28:08 | |
collectibles and vintage items. | 0:28:08 | 0:28:09 | |
So, knock yourselves out, fellas! | 0:28:09 | 0:28:13 | |
For once, can I be the upstairs man and you be the downstairs man? | 0:28:13 | 0:28:17 | |
-JAMES LAUGHS -OK, go on. Go on. | 0:28:17 | 0:28:19 | |
-Don't be too lucky there. -I won't. I'll try hard. | 0:28:19 | 0:28:22 | |
James still has over £250 to spend | 0:28:22 | 0:28:25 | |
and he's hoping dealer Mavis Newton can help him spend it. | 0:28:25 | 0:28:29 | |
-Have you got any fresh goods? -Nice things over there in that cabinet. | 0:28:31 | 0:28:35 | |
-What? In this one? -Yeah, that one there. | 0:28:35 | 0:28:36 | |
The sticking-out-one, as I call it. | 0:28:36 | 0:28:38 | |
Meanwhile, upstairs, Philip is with his third John of the trip, | 0:28:39 | 0:28:43 | |
dealer John Roberts. | 0:28:43 | 0:28:45 | |
John, without getting it out, | 0:28:45 | 0:28:47 | |
what might that truncheon be? | 0:28:47 | 0:28:50 | |
Erm, 60. | 0:28:50 | 0:28:52 | |
Let's have a look, then. | 0:28:52 | 0:28:53 | |
Now, a lot of these were ceremonial, weren't they? | 0:28:56 | 0:28:58 | |
I think there is some writing on it somewhere. | 0:28:58 | 0:29:01 | |
Holborn, that's London? | 0:29:01 | 0:29:02 | |
-Yeah. Yeah, that's right. -It's a bit rubbed, isn't it? | 0:29:02 | 0:29:05 | |
It is a bit worn, well used. | 0:29:05 | 0:29:07 | |
See, see, that's a preparatory statement just to try | 0:29:07 | 0:29:10 | |
to get the price down a little bit more. It's... | 0:29:10 | 0:29:13 | |
So, you agree it's quite well used and rubbed? | 0:29:13 | 0:29:15 | |
It's... Well, it's 100 years old. | 0:29:15 | 0:29:18 | |
Not sure your plan's working, Philip. | 0:29:18 | 0:29:20 | |
Back with Mavis, will James carry out his plan to be tough | 0:29:20 | 0:29:23 | |
with everyone from kids to grannies? | 0:29:23 | 0:29:25 | |
-Can I look at this medal group here? -Yeah. | 0:29:26 | 0:29:29 | |
So, 3945, the Italy Star, the Africa Star, | 0:29:29 | 0:29:33 | |
the Atlantic Star and the 45. | 0:29:33 | 0:29:37 | |
It's a very nice group. | 0:29:37 | 0:29:39 | |
They're marked at 55. | 0:29:39 | 0:29:41 | |
-55. -Can I squeeze you, Mavis? | 0:29:41 | 0:29:44 | |
Could you do it for 30? | 0:29:44 | 0:29:46 | |
-That'll be fine, yes. -Would that be all right? -Yeah. -You got... | 0:29:46 | 0:29:49 | |
You've gone and got yourself a bargain. | 0:29:49 | 0:29:52 | |
Surely, it's the other way around. | 0:29:52 | 0:29:55 | |
Upstairs, Philip still rummaging through John's wares. | 0:29:55 | 0:29:58 | |
John, well, I'll just have a look at that book - | 0:29:58 | 0:30:01 | |
The Short History Of The Lancashire Fusiliers. | 0:30:01 | 0:30:03 | |
Oh, yeah, I just got that recently. Yeah, it's quite in. | 0:30:03 | 0:30:05 | |
-That's quite cheap. -Oh, I like it this. | 0:30:05 | 0:30:07 | |
-Can I have a look at it, please? -Yeah, sure. | 0:30:07 | 0:30:09 | |
It is a little book... Well, it is the shortest... | 0:30:09 | 0:30:11 | |
It does what it says on the tin. It's a short history | 0:30:11 | 0:30:13 | |
of the Lancashire fusiliers. | 0:30:13 | 0:30:15 | |
I just think that's quite a nice little thing. | 0:30:15 | 0:30:17 | |
And this is a record of their...just their various actions, isn't it? | 0:30:17 | 0:30:20 | |
-That's right, yeah. -Well, what I'm thinking is... | 0:30:20 | 0:30:24 | |
I'm wondering if I could do a package of that and the truncheon. | 0:30:24 | 0:30:28 | |
There's a good market for both military | 0:30:28 | 0:30:30 | |
and antique police memorabilia, | 0:30:30 | 0:30:32 | |
so if Philip gets them for a good price, he could do well at auction. | 0:30:32 | 0:30:36 | |
See, I think that's going to make, again, £50 to £80, | 0:30:37 | 0:30:40 | |
which means I've got to try to pitch it... | 0:30:40 | 0:30:42 | |
try and buy it at 40 quid, realistically. | 0:30:42 | 0:30:45 | |
Is that going to be any good? | 0:30:45 | 0:30:46 | |
-60 for the two. -I really don't think I could do it. | 0:30:46 | 0:30:50 | |
I'll tell you what, 50 for the two. | 0:30:50 | 0:30:53 | |
-That is the best. -And that's it finished? | 0:30:53 | 0:30:56 | |
-That's it finished. -OK, you're a gentleman. | 0:30:56 | 0:30:58 | |
-I'm going to have the pair of them. -Right. OK. | 0:30:58 | 0:31:00 | |
Thank you very much, indeed. | 0:31:00 | 0:31:02 | |
So, that's £50 for Philip's fifth and final lot, | 0:31:02 | 0:31:05 | |
and that's him finished for the day. | 0:31:05 | 0:31:07 | |
James, meanwhile, is still being ably assisted by Mavis. | 0:31:07 | 0:31:11 | |
Mavis, the only reason I've asked you to open this cabinet | 0:31:12 | 0:31:15 | |
is I like big, sculptural objects | 0:31:15 | 0:31:18 | |
and this rather cute doggie is quite big, | 0:31:18 | 0:31:21 | |
as pottery figures go, isn't he? | 0:31:21 | 0:31:23 | |
-He's gorgeous, actually. -Do you know who the maker is? -SylvaC. | 0:31:23 | 0:31:27 | |
Got a sort of cutey look, tongue hanging out, isn't he? | 0:31:27 | 0:31:31 | |
-Is it all right, Mavis? Is it damaged at all? -No, it's perfect. | 0:31:31 | 0:31:34 | |
Condition is key for SylaC figures as damage will devalue them. | 0:31:34 | 0:31:38 | |
They were produced from the late 1920s | 0:31:38 | 0:31:41 | |
by Staffordshire ceramics company Shaw and Copestake. | 0:31:41 | 0:31:45 | |
Larger figures are generally worth more. | 0:31:45 | 0:31:48 | |
That's nice because it's large and normally, they're only usually | 0:31:48 | 0:31:51 | |
about that big and they're not glazed. | 0:31:51 | 0:31:52 | |
-They're only small, aren't they? -Mm. That lovely. -Could this be cheap? | 0:31:52 | 0:31:55 | |
Gina, how much can the dog be? £65. | 0:31:55 | 0:31:59 | |
-£30. -Can you do it for 30? | 0:31:59 | 0:32:01 | |
-Yes. -I'll take it for 30. | 0:32:01 | 0:32:03 | |
That's 30 for the SylvaC dog, another 30 for the medals, | 0:32:03 | 0:32:07 | |
and James's shopping is done. | 0:32:07 | 0:32:09 | |
So, let's remind ourselves what they bought. | 0:32:09 | 0:32:12 | |
Along with his last two items, James has a Dutch wall plaque, | 0:32:12 | 0:32:15 | |
a Spitfire print, an oak box ready for auction | 0:32:15 | 0:32:20 | |
and he spent just £136 on his five items, | 0:32:20 | 0:32:24 | |
just over a third of his budget again. | 0:32:24 | 0:32:27 | |
Philip also has five lots - | 0:32:27 | 0:32:28 | |
a birdbath, a ride-on pony, a piano, a model ship, | 0:32:28 | 0:32:32 | |
a truncheon and a military book. And he's only spent £160. | 0:32:32 | 0:32:37 | |
Just a third of his budget, too. | 0:32:37 | 0:32:40 | |
They may have been playing it safe, | 0:32:40 | 0:32:42 | |
but what do the chaps think of each other's objects? | 0:32:42 | 0:32:45 | |
Phil, the canny fox, has bought well again, hasn't he? | 0:32:45 | 0:32:49 | |
I do like his boat, which he's paid little money for. £15. | 0:32:49 | 0:32:55 | |
An upright piano...a fiver? Seems cheap to me. | 0:32:55 | 0:32:57 | |
I think I bought good items on this one. Let's hope this leg is mine. | 0:32:57 | 0:33:02 | |
I think James has been really, really clever with what he's bought. | 0:33:02 | 0:33:05 | |
We're going to Merseyside, the waterfront. | 0:33:05 | 0:33:07 | |
He's bought that really good Delft plaque with a shipping scene on it. | 0:33:07 | 0:33:13 | |
He's bought that lovely box with Captain whatever-his-name-was, | 0:33:13 | 0:33:15 | |
with RN, Royal Navy. | 0:33:15 | 0:33:18 | |
That's going to do well. But the real but is the dog. | 0:33:18 | 0:33:21 | |
I think the dog is a dog. | 0:33:21 | 0:33:24 | |
If you say so, Philip. | 0:33:24 | 0:33:25 | |
After a 136-mile loop of the Northwest, | 0:33:27 | 0:33:30 | |
our experts' fourth journey is drawing to a close | 0:33:30 | 0:33:33 | |
at auction in Liverpool. | 0:33:33 | 0:33:35 | |
I think it's fantastic here. Yeah, look at that! | 0:33:36 | 0:33:39 | |
That's the Liver bird, isn't it? | 0:33:39 | 0:33:41 | |
Has a great New York feel about it, doesn't it? | 0:33:41 | 0:33:43 | |
Liverpool's had strong links with America | 0:33:43 | 0:33:46 | |
since the growth of the cotton trade in the 19th century. | 0:33:46 | 0:33:49 | |
Now, the boys are on their way to do some trade of their own. | 0:33:49 | 0:33:52 | |
Now, is there anything of yours, James, | 0:33:52 | 0:33:54 | |
that you've got just that little bit of a wavering on? | 0:33:54 | 0:33:58 | |
Do you know, Philip, I'm feeling very smug here, but no. | 0:33:58 | 0:34:01 | |
That's great. That's made me feel really good. Thanks a bunch, mate. | 0:34:01 | 0:34:04 | |
-Bang on trend with prints and sentimental dogs. -Oh, yeah... | 0:34:04 | 0:34:08 | |
It's the way forward. | 0:34:08 | 0:34:10 | |
I'm not so sure, | 0:34:10 | 0:34:11 | |
but we'll soon see as the boys arrive at Cato Crane Auctioneers. | 0:34:11 | 0:34:15 | |
That's if they make it inside in time. | 0:34:17 | 0:34:19 | |
THEY LAUGH | 0:34:22 | 0:34:25 | |
Holy shmoly! Well, James, here we are. | 0:34:25 | 0:34:29 | |
Doesn't get any easier, that. | 0:34:29 | 0:34:30 | |
And it's over to the fourth and final John of the journey, | 0:34:30 | 0:34:33 | |
-auctioneer John Crane. -Ten pounds is... Sorry. Too slow. | 0:34:33 | 0:34:38 | |
# Big, bad John... # | 0:34:38 | 0:34:40 | |
With over 35 years' experience in the business, | 0:34:40 | 0:34:43 | |
John's cast an eye over Philip and James's picks. | 0:34:43 | 0:34:47 | |
One interesting item is the truncheon. | 0:34:47 | 0:34:49 | |
Depends on who's on the internet | 0:34:49 | 0:34:51 | |
and if we picked up a specialist buyer. | 0:34:51 | 0:34:53 | |
One item which might cause a bit of problems is the piano forte. | 0:34:53 | 0:34:57 | |
Problem with pianos - | 0:34:57 | 0:34:58 | |
restoration costs must be taken into consideration. | 0:34:58 | 0:35:02 | |
I'll be very surprised if we sell it. | 0:35:02 | 0:35:04 | |
So, it could be an interesting auction for Philip. | 0:35:04 | 0:35:07 | |
How's that piano of yours? | 0:35:07 | 0:35:08 | |
Well, rather fortuitously, the rubbish van has just arrived. | 0:35:08 | 0:35:12 | |
We'll have to wait and see for that one. | 0:35:12 | 0:35:14 | |
As first under the hammer is Philip's ride-on pony. | 0:35:15 | 0:35:18 | |
Sh! Concentrate because my horse is coming up. | 0:35:18 | 0:35:21 | |
-The Pony Express. -The Pony Express. -Yes. MOBO Pony Express. | 0:35:21 | 0:35:24 | |
£20 is bid straight in on the internet. | 0:35:24 | 0:35:26 | |
It is an internet sort of lot, isn't it, Phil? | 0:35:26 | 0:35:29 | |
25, the gent there. | 0:35:29 | 0:35:30 | |
30 on the internet. 35 is bid now in the room, standing. | 0:35:30 | 0:35:34 | |
All done at £35, your bid, sir. | 0:35:34 | 0:35:37 | |
Just breaking even. Washes its face, that one. | 0:35:38 | 0:35:41 | |
Just a fiver profit for Philip's first item. | 0:35:41 | 0:35:44 | |
Let's see if James's first lot, the Dutch wall plaque, | 0:35:44 | 0:35:47 | |
can do any better. | 0:35:47 | 0:35:49 | |
£20 to start me off. Commission bid of 20. £20 is bid. | 0:35:49 | 0:35:53 | |
-Commission bid, James. -20? Is that the best we can do? £20. | 0:35:53 | 0:35:55 | |
It's a nice thing. £20. Make it 22 somebody. | 0:35:55 | 0:35:58 | |
22? 22. 24? | 0:35:58 | 0:36:01 | |
£26 is bid. I'm going to sell. I'd like a little more, really. | 0:36:01 | 0:36:05 | |
-For £26... -So would I...if you put it that way. | 0:36:05 | 0:36:09 | |
There's no reserve. | 0:36:09 | 0:36:10 | |
Do you know what, that's a bit of a relief to me | 0:36:10 | 0:36:12 | |
cos I thought that was going to make £50 to £80. | 0:36:12 | 0:36:15 | |
Did you? | 0:36:15 | 0:36:16 | |
Shut him up, didn't it? | 0:36:18 | 0:36:19 | |
But £11 profit is a good start to closing in on Philip's lead. | 0:36:19 | 0:36:24 | |
Next, it's Philip's model ship. | 0:36:24 | 0:36:26 | |
-I'll take 25 to start you off. -What? -25 is bid. 30 over there. | 0:36:26 | 0:36:30 | |
The lady's bid over there at £30. I'm going to sell at £30 now. | 0:36:30 | 0:36:34 | |
All done at 30. It's your bid, madam. | 0:36:34 | 0:36:37 | |
£30. That's not bad, is it? | 0:36:37 | 0:36:39 | |
Take what you can get, fellas. | 0:36:39 | 0:36:41 | |
-We're not going to walk out of here with bulging pockets, are we? -No. | 0:36:41 | 0:36:45 | |
-Bulging what? -Pockets. -No. No. | 0:36:45 | 0:36:47 | |
But James's Second World War medals | 0:36:47 | 0:36:49 | |
could entice a specialist militaria buyer. | 0:36:49 | 0:36:53 | |
What do you think you might get? | 0:36:53 | 0:36:54 | |
I don't know. £50, £60. | 0:36:54 | 0:36:56 | |
£20 for these. | 0:36:56 | 0:36:58 | |
20 is bid over there. 20. | 0:36:58 | 0:37:00 | |
25. Thank you, I'll get internet in a second. 25. 30, sir. | 0:37:00 | 0:37:04 | |
35 with you, sir. 35. 40 at the back. | 0:37:04 | 0:37:07 | |
Internet now is £45. | 0:37:07 | 0:37:09 | |
45 on the internet. Any further bid in the room, now? | 0:37:09 | 0:37:12 | |
50 is bid in again. Thank you, sir. £50 is bid. | 0:37:12 | 0:37:14 | |
£50, your bid, sir. Make no mistake... | 0:37:14 | 0:37:16 | |
£50. £50. | 0:37:16 | 0:37:19 | |
James was right at £50, | 0:37:19 | 0:37:21 | |
and that's £20 profit to help inch closer to Philip. | 0:37:21 | 0:37:25 | |
Next, it's Philip's birdbath. | 0:37:26 | 0:37:28 | |
He's taken a gamble by removing the broken base. | 0:37:28 | 0:37:32 | |
I heard somebody over there talking, and they said, | 0:37:32 | 0:37:35 | |
"If that had had the base, | 0:37:35 | 0:37:36 | |
"then I would have been all over that like a rash." | 0:37:36 | 0:37:38 | |
You're really bitter this morning, aren't you? Very, very bitter. | 0:37:38 | 0:37:42 | |
I can start the bidding at 30, and 30 is bid. | 0:37:42 | 0:37:44 | |
£30 is bid. | 0:37:44 | 0:37:46 | |
-35 on the internet. -35 on the internet. -40 on the internet. | 0:37:46 | 0:37:49 | |
-We've got two bidders on the internet now. -Two bidders. | 0:37:49 | 0:37:51 | |
That's useful. | 0:37:51 | 0:37:53 | |
-45 on the internet now. -Do they know it's not going to go in an envelope? | 0:37:53 | 0:37:57 | |
All done at £50. | 0:37:57 | 0:37:58 | |
That's enough I think, isn't it? | 0:37:58 | 0:38:01 | |
-Terrible, you are. -Sold at 50. | 0:38:01 | 0:38:04 | |
Oops! Philip's gamble hasn't paid off. | 0:38:04 | 0:38:07 | |
He's ended up with a ten pound loss. | 0:38:07 | 0:38:10 | |
-That's a relief, that is. -It could've been a lot worse. | 0:38:10 | 0:38:12 | |
James is up next with his SylvaC dog figurine. | 0:38:12 | 0:38:16 | |
Look at that. This is lovely. | 0:38:16 | 0:38:19 | |
Start me at ten pounds on the SylvaC terrier. | 0:38:19 | 0:38:21 | |
Ten is bid over there. Ten. 12, the gentleman here. 14. 16. | 0:38:21 | 0:38:26 | |
18. 20. 22, sir. | 0:38:26 | 0:38:28 | |
24. 26. 28. 30. | 0:38:28 | 0:38:31 | |
First bit of bidding I've seen in the room. | 0:38:31 | 0:38:33 | |
-34, sir. -36. Oh, profit, James. | 0:38:33 | 0:38:36 | |
38. 40. | 0:38:36 | 0:38:38 | |
40. This is remarkable! | 0:38:38 | 0:38:41 | |
-This is bidding in the room. -£44, right in front of me here. | 0:38:41 | 0:38:46 | |
I can feel you creeping up behind me. | 0:38:46 | 0:38:48 | |
And another profit for James. Watch out, Philip! | 0:38:48 | 0:38:52 | |
Next, it's auctioneer John's pick, | 0:38:52 | 0:38:55 | |
the antique truncheon and military book. | 0:38:55 | 0:38:58 | |
-When we say on it? £20 to start me out. -Oh, ouch! | 0:38:58 | 0:39:00 | |
20 is bid. 25. 30. | 0:39:00 | 0:39:03 | |
-35. Worth a bit more than that, I think, isn't it? -No. | 0:39:03 | 0:39:06 | |
40 on the internet now. | 0:39:06 | 0:39:08 | |
-40 on the internet. -42. 44 on the internet. | 0:39:08 | 0:39:12 | |
I'm getting worried now, Philip. Well done. Well done. | 0:39:12 | 0:39:15 | |
-46 is bid in the room. 48 on the internet. -Oh, dear. -48. | 0:39:15 | 0:39:19 | |
Do you want to round it up to 50, madam? 48 on the internet. | 0:39:19 | 0:39:22 | |
I'm selling now. | 0:39:22 | 0:39:24 | |
It could've been worse, couldn't it? | 0:39:24 | 0:39:26 | |
-That could have been like Armageddon. -Yeah. | 0:39:26 | 0:39:28 | |
Philip could be losing his grip. It's his second loss today. | 0:39:28 | 0:39:32 | |
Now, it's over to James's beloved Spitfire print. | 0:39:32 | 0:39:35 | |
God, I do love my Spitfire. What do you think? | 0:39:35 | 0:39:39 | |
-God, do you know? I'd buy that. -You did. | 0:39:41 | 0:39:43 | |
What's it worth, gents? | 0:39:43 | 0:39:45 | |
-A lot of money. -£20 to start me off, come on. Anybody? | 0:39:45 | 0:39:47 | |
20 it's a nice thing. £20 is bid. | 0:39:47 | 0:39:50 | |
Anybody else? 25, Mr Berry. | 0:39:50 | 0:39:52 | |
-26, sir. -Oh, you're off to the races. -27. | 0:39:52 | 0:39:54 | |
£28 with you. 29 now. | 0:39:54 | 0:39:58 | |
-30 with you. -30. -£30. 31 will do another one. £32. | 0:39:58 | 0:40:03 | |
Why waste the bids? Take it up in fives, chief. | 0:40:03 | 0:40:05 | |
You happy with that now, Mr Berry? £32 then. We're going, Berry. | 0:40:05 | 0:40:10 | |
And that's another profit for James. | 0:40:10 | 0:40:12 | |
He's now got one last chance to try and get the edge on Philip. | 0:40:12 | 0:40:16 | |
The maritime theme of his final item, the Royal Navy oak box, | 0:40:16 | 0:40:20 | |
could do well in the port of Liverpool. | 0:40:20 | 0:40:23 | |
-This is it. -You can give up. -If this makes 100 quid, I'm in trouble. | 0:40:23 | 0:40:28 | |
-It won't make £100. -What do we say? -£20. | 0:40:28 | 0:40:31 | |
What about, erm, £20 to start me off. | 0:40:31 | 0:40:34 | |
-I told you. -£20 is bid. 20. | 0:40:34 | 0:40:36 | |
25? 25. 30 with you, sir. 30? £30. | 0:40:36 | 0:40:41 | |
-All done at £30? -No, keep going at £30. | 0:40:41 | 0:40:44 | |
All done and finished, ladies and gentlemen. £30. | 0:40:44 | 0:40:47 | |
What a crying shame to sell something like that for £30. | 0:40:47 | 0:40:50 | |
-I got out of jail there, didn't I? -£30! I know! | 0:40:50 | 0:40:54 | |
No-one likes a poor loser, and that's James's first loss today, | 0:40:54 | 0:40:58 | |
but Philip's final item, the piano, is a potential winner. | 0:40:58 | 0:41:02 | |
Brand-new Bechstein pianos can cost thousands, | 0:41:02 | 0:41:05 | |
but as Philip's got his so cheaply, he could seal a win | 0:41:05 | 0:41:09 | |
if it makes good money. | 0:41:09 | 0:41:11 | |
If that Joanna makes 100 quid, I'm stuffed. | 0:41:11 | 0:41:14 | |
Who would have thought be able to buy a Bechstein at five pounds? | 0:41:14 | 0:41:16 | |
-That's bonkers. -It is bonkers. | 0:41:16 | 0:41:18 | |
And then be worried that you might not make a profit on it. | 0:41:18 | 0:41:21 | |
-Amazing. -That's the real bonkers bit, and I might not. | 0:41:21 | 0:41:23 | |
Who will give me £50 for it? It's worth it, ladies and gentlemen, | 0:41:23 | 0:41:27 | |
just a bit of money spent on it | 0:41:27 | 0:41:28 | |
and you'll have a very, very fine instrument. | 0:41:28 | 0:41:31 | |
Come on. £50. £20 if you like. | 0:41:31 | 0:41:33 | |
-I'll give you ten, Mr Crane. -How much? -Ten. | 0:41:33 | 0:41:36 | |
-Ten pounds your way. That's profit, chief. -Ten pounds is bid. | 0:41:36 | 0:41:39 | |
It's worth a lot more than that, I think. Ten. | 0:41:39 | 0:41:41 | |
-It needs a lot of restoration. -Can you give me 20 for it? | 0:41:41 | 0:41:45 | |
-15. -15... Is that your best bid? | 0:41:45 | 0:41:47 | |
And I'm doing you a favour. | 0:41:47 | 0:41:50 | |
-The man's clearly an expert, isn't he? -Is that the best you can do? | 0:41:50 | 0:41:53 | |
-Yeah. -Any further bid anywhere else? All done? | 0:41:53 | 0:41:57 | |
I think you're the proud owner of a Bechstein piano, sir. | 0:41:57 | 0:42:00 | |
That's not bad. At least you've a bit of profit there, chief. | 0:42:00 | 0:42:03 | |
Who would have thought it? An upright piano for a fiver | 0:42:03 | 0:42:06 | |
making a tenner profit? | 0:42:06 | 0:42:08 | |
I'm not complaining because I think that, you know, | 0:42:08 | 0:42:11 | |
-it was a real gamble taking it on, wasn't it? -Yeah. Yeah. | 0:42:11 | 0:42:15 | |
Philip's lost today's leg. | 0:42:16 | 0:42:18 | |
Setting off with £463.30, and after auction costs, | 0:42:18 | 0:42:23 | |
he's lost £14.04, | 0:42:23 | 0:42:25 | |
leaving him with £449.26 for next time. | 0:42:25 | 0:42:30 | |
James started today with 335.50, and after auction costs, | 0:42:30 | 0:42:35 | |
he's up by £13.24, | 0:42:35 | 0:42:38 | |
bumping his budget to £348.74. | 0:42:38 | 0:42:43 | |
But Philip's retained the lead. | 0:42:43 | 0:42:44 | |
So, it's all to play for in the final leg. | 0:42:44 | 0:42:47 | |
Dear me, James. | 0:42:47 | 0:42:49 | |
Start the car. Well, you've narrowed the gap. | 0:42:49 | 0:42:52 | |
I have narrowed the gap, but I expected to do more narrowing. | 0:42:52 | 0:42:55 | |
-Are you driving? -I'll drive. Go on, good man. | 0:42:55 | 0:42:58 | |
Cheerio till next time, fellas. | 0:43:01 | 0:43:03 | |
Next time, it's all getting very sentimental on the final leg. | 0:43:04 | 0:43:08 | |
-And you've been my little ray of sunshine. -I have. | 0:43:08 | 0:43:10 | |
Philip tries to squeeze a profit... | 0:43:10 | 0:43:12 | |
I think I'm going to put that down. | 0:43:12 | 0:43:13 | |
..while James finds himself in a tight spot. | 0:43:13 | 0:43:15 | |
Do you want a lift out? | 0:43:15 | 0:43:16 | |
Well, I haven't had any breakfast, | 0:43:16 | 0:43:18 | |
so I got no sort of core strength. | 0:43:18 | 0:43:20 |