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It's the nation's favourite antiques experts with £200 each, a classic car... | 0:00:02 | 0:00:06 | |
We're going round. | 0:00:06 | 0:00:08 | |
..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
I want to spend lots of money. | 0:00:11 | 0:00:14 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
Oh, no. | 0:00:17 | 0:00:19 | |
There'll be worthy winners... | 0:00:19 | 0:00:20 | |
-Yes. -We've done it. | 0:00:20 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:23 | |
You are kidding me. | 0:00:23 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
-What am I doing? -You've got a deal. -This is the Antiques Road Trip. | 0:00:29 | 0:00:33 | |
Yeah. | 0:00:33 | 0:00:35 | |
This week's venture pairs two auctioneers vying for Road Trip victory. | 0:00:37 | 0:00:41 | |
Oh! | 0:00:41 | 0:00:44 | |
With over 25 years' experience under his belt, | 0:00:47 | 0:00:49 | |
James Braxton knows how to play tactically. | 0:00:49 | 0:00:52 | |
Yeah, Philip will be weeping when he sees that. | 0:00:52 | 0:00:55 | |
Philip Serrell has developed a rather unique taste for collectables | 0:00:56 | 0:01:00 | |
during his 30 years in the antiques business. | 0:01:00 | 0:01:03 | |
Oh, I love that. | 0:01:03 | 0:01:05 | |
See what I mean? | 0:01:05 | 0:01:06 | |
Our two professionals began with £200 each. | 0:01:06 | 0:01:10 | |
On today's third stint, the gap is widening, | 0:01:10 | 0:01:13 | |
with over £100 separating them. | 0:01:13 | 0:01:16 | |
Philip's eclectic assortment of goodies has bagged him £255.88 so far. | 0:01:16 | 0:01:22 | |
Cheer up. | 0:01:22 | 0:01:24 | |
James managed to double his money on two items for the second time running, | 0:01:24 | 0:01:28 | |
retaining his advantage with £356.04 in his wallet, | 0:01:28 | 0:01:33 | |
as the chaps belt up for the latest leg. | 0:01:33 | 0:01:36 | |
-Do you know what? I think I've got to change my plan. -Why, Philip? | 0:01:38 | 0:01:42 | |
Well, because we've had two auctions now | 0:01:42 | 0:01:44 | |
and I've been out there at the cutting edge | 0:01:44 | 0:01:46 | |
and it's turned around and bit me on my not insubstantial bum, really. | 0:01:46 | 0:01:50 | |
Yeah. | 0:01:50 | 0:01:51 | |
You're always pushing the seams of the definition of an antique. | 0:01:51 | 0:01:55 | |
But it can all change in the shake of a tail feather. | 0:01:56 | 0:01:59 | |
The fellas are putting pedal to the metal again | 0:01:59 | 0:02:02 | |
in this splendid 1955 Austin-Healey. | 0:02:02 | 0:02:05 | |
I'm just going to follow you, I think. | 0:02:05 | 0:02:07 | |
I'm going to just watch what you buy and try and buy the same things. | 0:02:07 | 0:02:10 | |
"Watch and learn," I think is the phrase. | 0:02:10 | 0:02:13 | |
I wouldn't get too comfy up there on your pedestal, James. | 0:02:13 | 0:02:16 | |
The chaps' colossal 920-mile crusade takes them | 0:02:18 | 0:02:22 | |
from central Scotland through the Borders to the Lakes, | 0:02:22 | 0:02:24 | |
Lancashire, Cheshire, into Wales, before concluding in Newport, Shropshire. | 0:02:24 | 0:02:29 | |
The third stretch sets off in Southport and wiggles up and down | 0:02:31 | 0:02:35 | |
towards Knutsford in Cheshire. | 0:02:35 | 0:02:37 | |
This is lovely, isn't it? Have you been to Southport before? | 0:02:40 | 0:02:44 | |
Never been to Southport. | 0:02:44 | 0:02:46 | |
Southport doesn't just have the world's only lawnmower museum, | 0:02:46 | 0:02:50 | |
it was also home to Albert Pierrepoint, | 0:02:50 | 0:02:53 | |
Britain's last official chief hangman. | 0:02:53 | 0:02:56 | |
He sent some of our most famous murderers to meet their maker, | 0:02:56 | 0:03:00 | |
but today, it will be James' and Philip's reputations hanging in the balance. | 0:03:00 | 0:03:03 | |
There's a lot of very good housing stock in Knutsford. | 0:03:03 | 0:03:06 | |
Maybe I'll buy sort of architectural fittings, door plates. | 0:03:06 | 0:03:10 | |
Really? I think I've got to go and buy Royal Doulton and bits of silver. | 0:03:10 | 0:03:15 | |
That's the way forward for me. | 0:03:15 | 0:03:16 | |
Well, they'd better get started. | 0:03:16 | 0:03:18 | |
First stop is in the heart of the town centre. | 0:03:18 | 0:03:20 | |
-Whoa, whoa, whoa. There we are, look. -There we are. | 0:03:20 | 0:03:23 | |
The Royal Arcade contains 35,000 square feet of antiques | 0:03:23 | 0:03:27 | |
so there should be plenty of choice. | 0:03:27 | 0:03:29 | |
So are you feeling lucky? | 0:03:29 | 0:03:32 | |
Well, I'm just Doulton and silver, Doulton and silver. | 0:03:32 | 0:03:35 | |
Off you go, chaps. | 0:03:35 | 0:03:37 | |
Oh, look at this. I've got the distinct feeling like I'm giving my age away here. | 0:03:41 | 0:03:45 | |
Hank Marvin. Do you remember Hank Marvin? | 0:03:45 | 0:03:48 | |
HE HUMS | 0:03:48 | 0:03:49 | |
-Oh. -Careful. | 0:03:49 | 0:03:51 | |
Meanwhile, James is covering as much ground as possible | 0:03:53 | 0:03:55 | |
-to try and dig out a juicy find. -There's a lot here. | 0:03:55 | 0:03:59 | |
Hey, there's a bit of arts and crafts. | 0:03:59 | 0:04:02 | |
James did well with his arts and crafts pieces at auction in Kendal, | 0:04:04 | 0:04:07 | |
the home of arts and crafts. | 0:04:07 | 0:04:09 | |
But this time, the auction is in Knutsford. | 0:04:09 | 0:04:12 | |
I should buy that. I need to get ahead. | 0:04:14 | 0:04:16 | |
Ha-ha-ha. | 0:04:16 | 0:04:18 | |
But Philip's also deviating from his plan. | 0:04:18 | 0:04:21 | |
He's given up on Doulton and silver and true to form, he's heading off piste. | 0:04:21 | 0:04:24 | |
The chaps had dinner in a local restaurant last night | 0:04:24 | 0:04:27 | |
rammed with shooting and fishing gear | 0:04:27 | 0:04:29 | |
that Philip would love to get his hands on, | 0:04:29 | 0:04:32 | |
leaving James the shop to himself. | 0:04:32 | 0:04:35 | |
Let's see how my day is going to roll. | 0:04:37 | 0:04:40 | |
Not the best sign. | 0:04:41 | 0:04:43 | |
But James has already spotted an old favourite of his. | 0:04:43 | 0:04:46 | |
This is an interesting fellow. This is a flower brick. | 0:04:49 | 0:04:52 | |
They're made of delft, which is a tin-glazed earthenware. | 0:04:52 | 0:04:55 | |
This one's a ceramic one. What is it? Blue and white. | 0:04:55 | 0:04:58 | |
Three pounds, and then it's got 50p here. | 0:04:58 | 0:05:01 | |
It's a nice sort of 18th-century design. | 0:05:03 | 0:05:06 | |
Original 18th-century tin-glazed flower bricks can make upwards of £500 at auction. | 0:05:06 | 0:05:11 | |
This is a reproduction but they're still fairly unusual to see. | 0:05:11 | 0:05:15 | |
So you pour the water in that and then you put individual things | 0:05:15 | 0:05:19 | |
so at 50p, this represents incredible value for money. | 0:05:19 | 0:05:24 | |
Meanwhile, a few minutes down the road, | 0:05:26 | 0:05:28 | |
Philip's off on one of his jaunts again. | 0:05:28 | 0:05:32 | |
The Lansdowne Bistro is an award-winning seafood restaurant, | 0:05:32 | 0:05:35 | |
not necessarily the first place you'd think of going shopping. | 0:05:35 | 0:05:38 | |
But from dining there last night, | 0:05:40 | 0:05:41 | |
Philip knows owner Mark Temple has a huge collection of shooting and fishing items | 0:05:41 | 0:05:46 | |
adorning the restaurant's walls | 0:05:46 | 0:05:48 | |
and may have some going spare. | 0:05:48 | 0:05:50 | |
-Hi, Mark. How are you? -Philip. | 0:05:52 | 0:05:53 | |
Last time I was here, you said as well as all of this, you might have a bit more | 0:05:53 | 0:05:57 | |
that was surplus and you might want to sell it. | 0:05:57 | 0:05:59 | |
Absolutely. | 0:05:59 | 0:06:01 | |
Philip is known for his passion for sport | 0:06:01 | 0:06:03 | |
but it's more usually rugby and fast cars. | 0:06:03 | 0:06:07 | |
It's called a leg of mutton because it looks... | 0:06:07 | 0:06:09 | |
Let me guess. | 0:06:09 | 0:06:10 | |
..just like a leg of mutton. | 0:06:10 | 0:06:12 | |
-But hasn't that got a lovely colour? -Yeah. Yeah. Nice patternation. -Yeah. | 0:06:12 | 0:06:16 | |
Hey, you've got all the terminology, haven't you? | 0:06:16 | 0:06:18 | |
Bit of leather work required but that's not major. | 0:06:18 | 0:06:20 | |
-You would put the barrels down there. -That's right. | 0:06:20 | 0:06:23 | |
And the stock would go down there | 0:06:23 | 0:06:25 | |
and there's some pegs here where there's been a divider. | 0:06:25 | 0:06:28 | |
-Oh! -Early shooting stick. | 0:06:29 | 0:06:32 | |
Early shooting stick for the gentleman perhaps who wanted to just take a rest in the field. | 0:06:32 | 0:06:36 | |
There you are, isn't it? It's peaceful, isn't it? | 0:06:38 | 0:06:40 | |
No time for sitting, Philip. | 0:06:40 | 0:06:42 | |
It's lovely that. | 0:06:42 | 0:06:44 | |
And you've got this little bit here. | 0:06:44 | 0:06:46 | |
Yeah, that unscrews, screws on the bottom. | 0:06:46 | 0:06:48 | |
Stops it sinking into the mud. | 0:06:48 | 0:06:50 | |
It stops you burying yourself in the field. | 0:06:50 | 0:06:53 | |
Continental cartridge. | 0:06:53 | 0:06:54 | |
I love that. That's really, really nice. | 0:06:54 | 0:06:57 | |
Looks like Philip's cunning plan is working out nicely. | 0:06:57 | 0:07:00 | |
Then got a little measure that could go with that. | 0:07:00 | 0:07:04 | |
And that's actually for measuring the powder | 0:07:05 | 0:07:07 | |
-that would go into a cartridge, isn't it? -Yeah. | 0:07:07 | 0:07:10 | |
Philip's managed to pull together a rather nice little shooting lot for auction | 0:07:10 | 0:07:15 | |
but as it's a seafood restaurant, | 0:07:15 | 0:07:17 | |
Mark has also got a rather large stash of fishing memorabilia. | 0:07:17 | 0:07:21 | |
A little reel there, a little Hardy Princess. | 0:07:21 | 0:07:24 | |
-That's a Hardy reel? -Yeah, that's the name people want. | 0:07:24 | 0:07:27 | |
That's lovely. | 0:07:27 | 0:07:29 | |
Antique fishing tackle is hugely popular, | 0:07:29 | 0:07:32 | |
with Hardys being one of the most collectable brands. | 0:07:32 | 0:07:36 | |
-Isn't that just beautiful, look? -Three little flies in there. | 0:07:36 | 0:07:39 | |
-Three little flies on there. -The name again. -Hardy. | 0:07:39 | 0:07:42 | |
Oh, that's fantastic, that is. And what's that? | 0:07:42 | 0:07:45 | |
That's a little... | 0:07:45 | 0:07:47 | |
Again, a Hardy Devon. | 0:07:47 | 0:07:48 | |
-That's Hardy, it's on the fins. -That's fantastic. | 0:07:48 | 0:07:51 | |
Philip could have two separate lots on his hands here, | 0:07:51 | 0:07:55 | |
that's if he can persuade restaurant owner Mark to part with them. | 0:07:55 | 0:07:58 | |
-What do you want for it all? -Make me an offer. | 0:07:58 | 0:08:01 | |
I'd like to give you 80 quid for it all, really. Then I'd have two lots. | 0:08:02 | 0:08:07 | |
That's what I'd like to do. | 0:08:07 | 0:08:08 | |
-This is what we call a pregnant pause in the trade. -Mm. | 0:08:12 | 0:08:15 | |
-I'm feeling very nervous. -£80? -Really? Really? -You've got it. | 0:08:15 | 0:08:20 | |
Oh, you're a star. | 0:08:20 | 0:08:22 | |
Philip may have strayed from the norm | 0:08:22 | 0:08:23 | |
but his gamble could pay off | 0:08:23 | 0:08:25 | |
as he's bagged himself a five-part shooting lot for £50, | 0:08:25 | 0:08:29 | |
and three-part fishing lot for £30. | 0:08:29 | 0:08:32 | |
I think Mark knows more about that than I do | 0:08:33 | 0:08:35 | |
but I think he's sold me a really good deal. | 0:08:35 | 0:08:37 | |
I'm just hopeful that I can catch up with James. | 0:08:37 | 0:08:41 | |
Meanwhile, back down the road, still in Southport, | 0:08:43 | 0:08:46 | |
James is sticking with his 50p flower brick, | 0:08:46 | 0:08:49 | |
not exactly manager Caroline's deal of the century. | 0:08:49 | 0:08:53 | |
I managed to find about the cheapest item I think is in the place, isn't it? | 0:08:54 | 0:08:57 | |
-Yes, you're quite right there. 50p. -50p. | 0:08:57 | 0:09:01 | |
-It's a king's ransom, isn't it? -There you go. | 0:09:01 | 0:09:03 | |
I'm not even going to haggle over 50p. I think it would be rather rude. | 0:09:03 | 0:09:08 | |
-You want change? You want some change? -I'd love some change. Thank you. | 0:09:08 | 0:09:12 | |
So James is off the mark | 0:09:13 | 0:09:14 | |
after spending just 50p on his first item, | 0:09:14 | 0:09:17 | |
a ceramic flower brick. | 0:09:17 | 0:09:19 | |
Meanwhile, Philip is pootling south of Southport to Liverpool, | 0:09:22 | 0:09:26 | |
the home of The Beatles, the world's first supergroup. | 0:09:26 | 0:09:30 | |
# Baby, you can drive my car... # | 0:09:30 | 0:09:33 | |
The Beatles, they just... | 0:09:33 | 0:09:35 | |
Well, revolutionary, they really, really were. | 0:09:35 | 0:09:38 | |
They changed the face of music for my generation. | 0:09:38 | 0:09:41 | |
Most of us think The Beatles | 0:09:42 | 0:09:44 | |
were formed at Liverpool's Cavern Club | 0:09:44 | 0:09:47 | |
or the nightclubs of Hamburg, | 0:09:47 | 0:09:49 | |
but it was actually in a small family-run coffee bar | 0:09:49 | 0:09:52 | |
on this unassuming suburban street | 0:09:52 | 0:09:54 | |
that the Fab Four really began, as Paul McCartney fondly remembers. | 0:09:54 | 0:09:59 | |
I think it's a good idea to let people know about the Casbah | 0:09:59 | 0:10:02 | |
because they know about the Cavern. | 0:10:02 | 0:10:05 | |
They know about some of those things but the Casbah was like the place where all that started. | 0:10:05 | 0:10:10 | |
It was actually before the Cavern | 0:10:10 | 0:10:13 | |
and we had a more intimate relationship with it. | 0:10:13 | 0:10:15 | |
It was almost our club because, you know, we'd help paint it and stuff. | 0:10:15 | 0:10:20 | |
Philip's here to meet Roag Best, | 0:10:20 | 0:10:23 | |
whose family were at the very heart | 0:10:23 | 0:10:25 | |
of the early Beatles story way back in 1959. | 0:10:25 | 0:10:30 | |
-Hi. How are you? -Hi, Phil. Nice to meet you. -You too. | 0:10:30 | 0:10:33 | |
Am I looking forward to this. | 0:10:33 | 0:10:34 | |
Roag's mother, Mona, was an extraordinary woman. | 0:10:34 | 0:10:37 | |
Before starting the Casbah Coffee Club, | 0:10:37 | 0:10:39 | |
she was a wall of death rider in India | 0:10:39 | 0:10:42 | |
performing death-defying circus stunts like this. | 0:10:42 | 0:10:46 | |
Mona was growing tired of her son's friends hanging around in the house upstairs | 0:10:46 | 0:10:50 | |
so she offered them the basement to use. | 0:10:50 | 0:10:53 | |
-Wow. What's all this? -That was our mother's work. | 0:10:55 | 0:10:59 | |
With growing up in India, she was huge on Eastern philosophy | 0:10:59 | 0:11:02 | |
and her belief was that an Eastern dragon | 0:11:02 | 0:11:05 | |
painted in the entranceway to your home, your business, | 0:11:05 | 0:11:09 | |
your club would ward away evil spirits and bring good fortune. | 0:11:09 | 0:11:12 | |
It's a good luck charm. | 0:11:12 | 0:11:14 | |
The Beatles giving her a little rub on the way out, | 0:11:14 | 0:11:17 | |
little rub on the way in. | 0:11:17 | 0:11:18 | |
The Beatles touched this and it brought them good luck. | 0:11:18 | 0:11:20 | |
I think it brought them a lot of luck, Phil. | 0:11:20 | 0:11:23 | |
Hope springs eternal, Phil. | 0:11:24 | 0:11:27 | |
Roag's mother Mona was far from conventional, | 0:11:27 | 0:11:30 | |
shown by the incredible story behind the house. | 0:11:30 | 0:11:33 | |
My brother Rory saw the house, told Mo about it. | 0:11:33 | 0:11:37 | |
She loved it but didn't have the funds to buy it | 0:11:37 | 0:11:41 | |
so she went and gathered all her jewellery together, went to a pawn shop, | 0:11:41 | 0:11:45 | |
pawned her jewellery. | 0:11:45 | 0:11:46 | |
The money from the jewellery, she went and bet everything on a horse in the 1954 Derby. | 0:11:46 | 0:11:51 | |
The horse won. | 0:11:51 | 0:11:53 | |
-What were his odds? -33 to 1. | 0:11:53 | 0:11:55 | |
So she just basically hocked the lot... | 0:11:57 | 0:11:59 | |
Oh, yeah. | 0:11:59 | 0:12:01 | |
..took a real punt and stuffed it on a horse at 33 to 1? | 0:12:01 | 0:12:05 | |
Pretty much. | 0:12:05 | 0:12:06 | |
Downstairs, the Casbah Club soon became the place to hang out for local music. | 0:12:06 | 0:12:12 | |
As part of the deal to use the space, | 0:12:12 | 0:12:14 | |
the budding musicians had to help decorate the basement. | 0:12:14 | 0:12:17 | |
A certain young art student, John Lennon, was happy to help out | 0:12:17 | 0:12:21 | |
and certainly left his mark. | 0:12:21 | 0:12:24 | |
-Oh, wow. Just there. -Yeah, carved his name into the wall. -John. | 0:12:24 | 0:12:29 | |
Mo wasn't happy. She called John at the tail end of doing that. | 0:12:29 | 0:12:34 | |
He got a crack around the head. | 0:12:34 | 0:12:36 | |
John's trying to explain it away that he's an art student, | 0:12:36 | 0:12:39 | |
this is his artwork, he's signing his name. | 0:12:39 | 0:12:42 | |
Mo's looking at it as he's vandalising her club. | 0:12:42 | 0:12:46 | |
Roag's brother Pete Best, | 0:12:46 | 0:12:48 | |
along with Paul, John, George and Stuart Sutcliffe, | 0:12:48 | 0:12:51 | |
officially became The Beatles in 1960. | 0:12:51 | 0:12:55 | |
After a famed tour of Hamburg, | 0:12:55 | 0:12:57 | |
the band returned triumphant here to the Casbah Club. | 0:12:57 | 0:13:01 | |
The first time they played in this country, | 0:13:01 | 0:13:03 | |
the first time they played in Liverpool | 0:13:03 | 0:13:05 | |
was on this stage on the 17th December 1960. | 0:13:05 | 0:13:10 | |
So basically, you've got a group that were the biggest thing of their generation | 0:13:10 | 0:13:14 | |
and they're playing in a cellar the size of a postage stamp. | 0:13:14 | 0:13:17 | |
Where did everybody go? | 0:13:17 | 0:13:19 | |
They kept jamming into the club and jamming into the club. | 0:13:19 | 0:13:22 | |
At the club's height, | 0:13:22 | 0:13:23 | |
The Beatles were bringing between 1,200 and 1,500 people to the club, | 0:13:23 | 0:13:28 | |
of which 1,300 would stand in the garden just listening to them. | 0:13:28 | 0:13:34 | |
That's insane. | 0:13:36 | 0:13:37 | |
The band went on to conquer the world | 0:13:38 | 0:13:40 | |
but they left behind more than artwork and memories. | 0:13:40 | 0:13:44 | |
First of all, Phil... | 0:13:44 | 0:13:46 | |
One of the original microphones here at the Casbah, | 0:13:46 | 0:13:49 | |
one of Paul's earliest mics. | 0:13:49 | 0:13:52 | |
-That's history, isn't it? -Yeah. | 0:13:52 | 0:13:54 | |
Absolute history. I'm not going to try and sing. | 0:13:54 | 0:13:58 | |
And another lovely little item I've got for you. | 0:13:59 | 0:14:02 | |
This is John Lennon's penknife. | 0:14:03 | 0:14:06 | |
He hadn't forgotten about being told off and getting a smack from Mo. | 0:14:06 | 0:14:09 | |
John being John, takes the opportunity to grab the moment | 0:14:09 | 0:14:14 | |
and carve into the ceiling "John I'm back." | 0:14:14 | 0:14:17 | |
No, it's over there, Phil. | 0:14:17 | 0:14:18 | |
Over there. That's just fantastic, isn't it? This has been really magical for me. | 0:14:18 | 0:14:23 | |
I think I'm probably the right age to come here. You've been a star. | 0:14:23 | 0:14:27 | |
-Thank you. -Phil, it's been a pleasure. | 0:14:27 | 0:14:28 | |
I've got to return you that before I put it in an auction. You take care. | 0:14:28 | 0:14:31 | |
-Lovely meeting you. -Thank you very much. | 0:14:31 | 0:14:33 | |
Sadly, Roag's mother Mona died in 1988 | 0:14:33 | 0:14:36 | |
but her memory lives on in the perfectly preserved Casbah. | 0:14:36 | 0:14:40 | |
While Philip finishes reminiscing, | 0:14:46 | 0:14:48 | |
James is heading north-east to Chorley in Lancashire. | 0:14:48 | 0:14:52 | |
Home to successful sugar magnate | 0:14:52 | 0:14:55 | |
and original benefactor of the eponymous Tate Museum, | 0:14:55 | 0:14:58 | |
Sir Henry Tate was born in Chorley in 1819. | 0:14:58 | 0:15:03 | |
James is hoping for a little sweet success of his own | 0:15:03 | 0:15:06 | |
in the delightful market town set at the foot of the West Pennine Moors. | 0:15:06 | 0:15:11 | |
His next port of call is Heskin Hall, | 0:15:11 | 0:15:14 | |
the 16th-century grade I listed historic house. | 0:15:14 | 0:15:17 | |
It was once used for tax collecting but for the last 18 years, | 0:15:17 | 0:15:21 | |
it's been home to an antique centre run by Dennis and Lynne Harrison. | 0:15:21 | 0:15:25 | |
-Hello. -Hello. -James. | 0:15:27 | 0:15:29 | |
-Lovely to meet you. -Nice to meet you. | 0:15:29 | 0:15:31 | |
-Everything's a bargain, is it? -Definitely. | 0:15:31 | 0:15:34 | |
Not a problem for James, though, with over £350 in his pocket. | 0:15:36 | 0:15:42 | |
-Arts and crafts this is. -Not again, James. | 0:15:44 | 0:15:48 | |
It's a nice copper fellow. | 0:15:48 | 0:15:50 | |
Arts and crafts mortise, and integrity of design again. | 0:15:50 | 0:15:53 | |
It's pegged here, which is rather nice, | 0:15:53 | 0:15:57 | |
and then a typical sort of stylised poppy decoration. | 0:15:57 | 0:16:00 | |
If I could get it at about £20, it would be worth buying | 0:16:00 | 0:16:05 | |
but if they say to me, "That's £40," it's not worth the punt. | 0:16:05 | 0:16:08 | |
This late 19th-century embossed fire curb | 0:16:10 | 0:16:13 | |
is the epitome of arts and crafts. | 0:16:13 | 0:16:16 | |
It uses the natural material of copper | 0:16:16 | 0:16:19 | |
crafted in a simple form with its workmanship exposed | 0:16:19 | 0:16:22 | |
and pattern inspired by the British countryside, | 0:16:22 | 0:16:26 | |
a common motif in the movement. | 0:16:26 | 0:16:28 | |
It comes from the yellow room upstairs | 0:16:29 | 0:16:32 | |
and doesn't have a price tag on it. | 0:16:32 | 0:16:35 | |
-Right. -15, 20? | 0:16:35 | 0:16:37 | |
-Is that the date? -No. | 0:16:39 | 0:16:42 | |
I think James might have a live one on his hands here. | 0:16:42 | 0:16:45 | |
1520? | 0:16:45 | 0:16:47 | |
-Quarter of the value. -I know. | 0:16:47 | 0:16:50 | |
-Quarter of the value? -£30 it's yours. | 0:16:51 | 0:16:54 | |
-You see, that makes it a marginal purchase for me. -£25. | 0:16:55 | 0:17:01 | |
-I tell you what, meet you in the middle. £22. -Oh, no, you don't. | 0:17:01 | 0:17:05 | |
-£25. -£25. I will give you £25. | 0:17:05 | 0:17:09 | |
-Very kind. Thank you very much. -Hooray. | 0:17:09 | 0:17:11 | |
Thank you, Lynne. | 0:17:11 | 0:17:12 | |
It's not often James can't charm his way to the price he wants. | 0:17:12 | 0:17:16 | |
Not a bad day's work. | 0:17:16 | 0:17:18 | |
But there'll be no rest for the chaps tomorrow | 0:17:20 | 0:17:23 | |
so they'd best get in some beauty sleep. | 0:17:23 | 0:17:25 | |
Nighty-night. | 0:17:25 | 0:17:27 | |
Rise and shine, fellas. | 0:17:30 | 0:17:31 | |
Our experts are once more taking the open-topped Austin-Healey for a spin. | 0:17:31 | 0:17:36 | |
Have you always been a cravat man, James? | 0:17:36 | 0:17:38 | |
No, not really but I just like to look after myself | 0:17:38 | 0:17:42 | |
and the old army saying is "Any fool can be uncomfortable." | 0:17:42 | 0:17:46 | |
And I come prepared. I've got my little rug round my knees. | 0:17:46 | 0:17:50 | |
-I'm all snuggly buggly. -It's like going out with Bertie Wooster. | 0:17:50 | 0:17:55 | |
Doesn't that make you Jeeves, then, Philip? | 0:17:56 | 0:17:59 | |
Philip did pretty well yesterday, | 0:17:59 | 0:18:01 | |
collecting a five-part shooting lot and a three-part fishing lot for £80, | 0:18:01 | 0:18:05 | |
leaving him just over £175 to splash today. | 0:18:05 | 0:18:10 | |
James has a whopping £330.50 still to spend | 0:18:10 | 0:18:14 | |
after picking up a copper fire curb and a flower brick for a song. | 0:18:14 | 0:18:18 | |
It might be an early start but the boys are in high spirits this morning. | 0:18:19 | 0:18:23 | |
# Lanky, lanky, lanky, lanky, Lancashire | 0:18:24 | 0:18:28 | |
# Whoa, lanky, lanky. # | 0:18:28 | 0:18:32 | |
Our dashing duo began their outing in Southport | 0:18:32 | 0:18:35 | |
and after a little zigzag, they're still in Lancashire, | 0:18:35 | 0:18:38 | |
heading south towards Wigan. | 0:18:38 | 0:18:40 | |
It's commonly known as birthplace of George Formby | 0:18:45 | 0:18:48 | |
but another of Wigan's most famous citizens was Margery Booth. | 0:18:48 | 0:18:53 | |
An opera singer living in Berlin during the Second World War, | 0:18:53 | 0:18:57 | |
Margery smuggled information out of a prisoner of war camp. | 0:18:57 | 0:19:01 | |
She even sang for Adolf Hitler | 0:19:01 | 0:19:02 | |
while concealing secret documents in her underwear. | 0:19:02 | 0:19:06 | |
From one hero to, well, James, | 0:19:09 | 0:19:11 | |
who's at JW Antiques just outside Wigan, run by owner William Kenny. | 0:19:11 | 0:19:16 | |
-Hello. James. -William. -Hi, nice to meet you, William. | 0:19:16 | 0:19:19 | |
Very fine place you have here. | 0:19:19 | 0:19:21 | |
This 4,500 square foot former Methodist church | 0:19:23 | 0:19:26 | |
has eight or nine separate rooms full of antiques, | 0:19:26 | 0:19:29 | |
furniture and collectables. | 0:19:29 | 0:19:31 | |
I don't know. I can't find anything. | 0:19:34 | 0:19:36 | |
James is usually on the ball when it comes to finding exactly what he wants | 0:19:38 | 0:19:42 | |
but today, he seems to be, well, dithering. | 0:19:42 | 0:19:45 | |
Anything else I should be looking at? Have you got anything tucked away? | 0:19:46 | 0:19:49 | |
Finally, James has found himself reverting to type. | 0:19:50 | 0:19:54 | |
Such good-quality thing, a nice wrought iron frame. | 0:19:55 | 0:19:59 | |
Again, sort of very arts and crafts feel to it. | 0:19:59 | 0:20:02 | |
Beautiful work here, and then a nice copper bowl. | 0:20:02 | 0:20:07 | |
A coal bucket, so a fireside position. | 0:20:07 | 0:20:10 | |
Good swing handle to it. Quite practical. | 0:20:10 | 0:20:13 | |
After all that, James has gone for arts and crafts again. | 0:20:14 | 0:20:18 | |
-And what about your walnut table here? -It's £55, that. | 0:20:18 | 0:20:23 | |
-That's a good look, isn't it? -Yes. Only come in last week, that. | 0:20:23 | 0:20:26 | |
Like a pig in muck, | 0:20:26 | 0:20:27 | |
James loves nothing more than a whiff of fresh stock. | 0:20:27 | 0:20:31 | |
We've got a nice art deco, so 1920s piece of furniture. | 0:20:31 | 0:20:35 | |
When you look at a piece of furniture like this, it's made of walnut, | 0:20:35 | 0:20:38 | |
figured walnut, bookmatched top. | 0:20:38 | 0:20:40 | |
You don't see these so often. | 0:20:40 | 0:20:42 | |
It's got strong lines and that could do quite well. | 0:20:42 | 0:20:46 | |
-And how much on the jug there? -£20. -£20. | 0:20:46 | 0:20:49 | |
Well, that looks good. So Glyn Colledge. Maker for Denby. | 0:20:54 | 0:20:57 | |
It's a good shape, isn't it? Nice pot. £20. | 0:20:57 | 0:21:00 | |
Somebody wants a sort of '60s interior, that's the fellow for them. It's a nice item. | 0:21:02 | 0:21:06 | |
-Lovely. Unlike... -HE ROARS | 0:21:06 | 0:21:09 | |
Urgh. | 0:21:09 | 0:21:10 | |
James has finally picked out three items. | 0:21:10 | 0:21:12 | |
Now he just needs to make it worth his while. | 0:21:12 | 0:21:15 | |
-And how much have you got on this fellow? -£45. -£45. | 0:21:16 | 0:21:20 | |
My only hesitation with this is it's a replacement bowl. | 0:21:21 | 0:21:25 | |
It's a good-quality replacement bowl but it's still a replacement bowl. | 0:21:26 | 0:21:29 | |
-Could that be a bit cheaper, William? -£40. -£40. | 0:21:32 | 0:21:35 | |
-What was the art deco table? -Did we say £55 on that? | 0:21:35 | 0:21:38 | |
And then £20 on the pot on top of it. | 0:21:38 | 0:21:42 | |
-You can have the three - one, two, three - £100. -£100. | 0:21:42 | 0:21:46 | |
Goodness. I'm not going to argue with that. Thanks a lot, William. | 0:21:48 | 0:21:52 | |
-Really kind. -That's a £20 discount. | 0:21:52 | 0:21:55 | |
And with those three items added to his other two lots, | 0:21:55 | 0:21:58 | |
James's shopping is done. | 0:21:58 | 0:22:00 | |
Meanwhile, Philip is making his way to his next pit stop | 0:22:02 | 0:22:05 | |
in the small village of Bretherton in Lancashire. | 0:22:05 | 0:22:09 | |
This pretty little village once had a thriving corn trade | 0:22:09 | 0:22:13 | |
but now the old corn mill has another use. | 0:22:13 | 0:22:15 | |
This family-run business is headed up by Aiden Finn. | 0:22:15 | 0:22:19 | |
It's an old favourite of Philip's so he's hoping to pick up a good deal. | 0:22:19 | 0:22:23 | |
Old Phil, it's lovely to see you back again. | 0:22:23 | 0:22:25 | |
-Good to see you. -Are you looking for some more bargains? | 0:22:25 | 0:22:27 | |
Well, I'm looking for something different. | 0:22:27 | 0:22:30 | |
-Have you got anything put by for me? -I always have something for you. | 0:22:30 | 0:22:33 | |
Oh, what's he got out the back, then? | 0:22:33 | 0:22:35 | |
-Have you ever seen these? -They're laminated, aren't they? | 0:22:37 | 0:22:41 | |
You can see here where you've got the different layers of timber. | 0:22:41 | 0:22:45 | |
-For strength. -Yeah. | 0:22:45 | 0:22:47 | |
Well, they're government stamped. | 0:22:47 | 0:22:49 | |
They've got all the stampings of the aviation stuff. | 0:22:49 | 0:22:52 | |
They're likely to be auxiliary propellers | 0:22:53 | 0:22:56 | |
from a wooden aircraft pre-Second World War | 0:22:56 | 0:22:59 | |
made by British aircraft manufacturers Vickers or Handley Page. | 0:22:59 | 0:23:04 | |
Like Philip's shooting and fishing lots, | 0:23:04 | 0:23:06 | |
aviation is another area which can be highly collectable | 0:23:06 | 0:23:10 | |
so he may be onto something here. | 0:23:10 | 0:23:12 | |
-They're nice things. -They're interesting. -How much are they? | 0:23:12 | 0:23:15 | |
Well, we've got, like, two and a quarter on them | 0:23:15 | 0:23:17 | |
but I know you want a bargain. | 0:23:17 | 0:23:19 | |
That's £225 to you and me. | 0:23:19 | 0:23:21 | |
-Have I gobsmacked you? -Yeah. | 0:23:23 | 0:23:24 | |
-They're decorators' pieces. -Yeah, yeah, yeah. | 0:23:24 | 0:23:27 | |
But they're not going to make £200, I don't think. | 0:23:27 | 0:23:29 | |
The most I can give you for these is 70 quid. | 0:23:31 | 0:23:33 | |
That's me finished out of it. | 0:23:33 | 0:23:35 | |
-I can give you 70 quid. -Is that each? -I wish it was. | 0:23:35 | 0:23:39 | |
Well, because it's you and it's worth it for the fun | 0:23:39 | 0:23:42 | |
and I hope you do well on them... | 0:23:42 | 0:23:43 | |
Well, you're a gentleman. | 0:23:43 | 0:23:45 | |
-I hope you do well. -Thank you very, very much indeed. Thank you. | 0:23:45 | 0:23:48 | |
I'd better give you some money quickly. | 0:23:48 | 0:23:50 | |
I would if I were you. | 0:23:50 | 0:23:51 | |
£70 for two antique propellers sounds like an incredible deal to me. | 0:23:51 | 0:23:55 | |
-You've done me proud again. See you soon. -See you later on. Cheers. | 0:23:55 | 0:23:59 | |
Meanwhile, James is propelling north towards Preston. | 0:24:03 | 0:24:07 | |
Like green flags for parks and blue flags for beaches, | 0:24:09 | 0:24:12 | |
Preston is one of only 42 places across the UK | 0:24:12 | 0:24:16 | |
that's been awarded a purple flag | 0:24:16 | 0:24:18 | |
signalling a safe and enjoyable night on the town. | 0:24:18 | 0:24:22 | |
Sadly for James, he's only here for the day. | 0:24:25 | 0:24:29 | |
He's heading just outside the city to Waddecar, | 0:24:29 | 0:24:31 | |
one of the UK's 361 Scout centres and camps. | 0:24:31 | 0:24:36 | |
It's also home to the country's first Scouting museum | 0:24:36 | 0:24:39 | |
dedicated to the history of this phenomenal worldwide movement | 0:24:39 | 0:24:43 | |
and its 30 million members. | 0:24:43 | 0:24:45 | |
The museum was set up and founded by Michael Looms, | 0:24:45 | 0:24:48 | |
a Scout since he was nine years old. | 0:24:48 | 0:24:51 | |
Hello, James. And welcome to Be Prepared - The Story of Scouting and Guiding | 0:24:51 | 0:24:55 | |
here at Waddecar. | 0:24:55 | 0:24:57 | |
Thank you. Looks fabulous. Let's go in. | 0:24:57 | 0:25:00 | |
In 1899, Robert Baden-Powell, a colonel in the British Army, | 0:25:00 | 0:25:05 | |
wrote a military handbook teaching his soldiers | 0:25:05 | 0:25:07 | |
how to gather information about an area or an enemy, called Aids To Scouting. | 0:25:07 | 0:25:12 | |
It was also going to soldiers and to NCOs | 0:25:12 | 0:25:15 | |
so his idea that even at the lowest range, you should be trained. | 0:25:15 | 0:25:20 | |
A chapter here - Quickness Of Eye. Eye and ear. | 0:25:20 | 0:25:23 | |
It's using your senses, isn't it? Dodging the enemy. Tracking. | 0:25:23 | 0:25:27 | |
And it was the size, as we see, like a pack of cards to fit in their tunic pockets. | 0:25:27 | 0:25:32 | |
And if they did well enough, they could get a badge, | 0:25:32 | 0:25:34 | |
which was the first proficiency badge in the Army, | 0:25:34 | 0:25:38 | |
in this case for Scouting. | 0:25:38 | 0:25:39 | |
Baden-Powell was posted to defend the South African township of Mafeking against the Boers. | 0:25:39 | 0:25:45 | |
During the siege, he was inspired by initiative | 0:25:45 | 0:25:49 | |
shown by young lads who had acted as lookouts and helped guard prisoners. | 0:25:49 | 0:25:54 | |
Baden-Powell realised the previously untapped potential of young people. | 0:25:54 | 0:25:59 | |
So the roots or the conception of the whole thing, | 0:25:59 | 0:26:02 | |
did it come from this period in South Africa? | 0:26:02 | 0:26:05 | |
He was so impressed with the way these youngsters behaved, | 0:26:05 | 0:26:08 | |
under 16 they were, doing all sorts of duties, | 0:26:08 | 0:26:12 | |
and how well they responded, | 0:26:12 | 0:26:14 | |
that he often said they were the first Boy Scouts. | 0:26:14 | 0:26:17 | |
After returning from South Africa, | 0:26:19 | 0:26:20 | |
Baden-Powell wanted to see if youngsters in Britain could benefit | 0:26:20 | 0:26:24 | |
from learning similar techniques in a non-military setting | 0:26:24 | 0:26:27 | |
so he held a camp at Brownsea Island in Dorset. | 0:26:27 | 0:26:30 | |
He took 21 boys there, half of them from the Boys' Brigade, | 0:26:32 | 0:26:35 | |
half of them from his office of friends and his young nephew, | 0:26:35 | 0:26:39 | |
and they had this wonderful time and afterwards, | 0:26:39 | 0:26:41 | |
-the little red book that he wrote for the soldiers came out as Scouting For Boys. -I see. | 0:26:41 | 0:26:47 | |
Using his experience from the camp, | 0:26:47 | 0:26:49 | |
he adapted his military book Aids To Scouting into Scouting For Boys. | 0:26:49 | 0:26:54 | |
It began in six separate pamphlets | 0:26:54 | 0:26:57 | |
but was soon published as a complete book. | 0:26:57 | 0:26:59 | |
The Scout movement was born | 0:26:59 | 0:27:01 | |
with groups popping up all over the globe. | 0:27:01 | 0:27:03 | |
The book has since reportedly sold over 100 million copies worldwide | 0:27:03 | 0:27:07 | |
and been translated into over 80 languages. | 0:27:07 | 0:27:10 | |
21 years after it all began, | 0:27:10 | 0:27:13 | |
Scouts from around the world gathered to celebrate their leader. | 0:27:13 | 0:27:17 | |
We've got a rather nice little cooker there. | 0:27:17 | 0:27:19 | |
Yes, the Scouts of the world all gave a penny | 0:27:19 | 0:27:22 | |
or the equivalent in their money to buy him a present | 0:27:22 | 0:27:25 | |
and all he said he needed was a new pair of braces. | 0:27:25 | 0:27:28 | |
Well, they had a lot of money so they bought him the Rolls-Royce car, | 0:27:28 | 0:27:32 | |
a caravan and this is his stove that he used. | 0:27:32 | 0:27:36 | |
That's jolly nice. It shows you the power of masses, doesn't it? | 0:27:36 | 0:27:39 | |
And why should James miss out on all the fun? | 0:27:39 | 0:27:43 | |
Transformed. In fact, wearing this uniform, I feel like a boy again. | 0:27:43 | 0:27:47 | |
The essence of Scouting is learning skills for life | 0:27:49 | 0:27:52 | |
so Michael is showing James how to get knotted. | 0:27:52 | 0:27:55 | |
These are the knots that a Scout would have to learn. | 0:27:55 | 0:27:58 | |
There's so much fun you can have with a piece of rope, isn't there? | 0:27:58 | 0:28:01 | |
-You can. They've got some superb books on knotting. -I love a bit of knotting. | 0:28:01 | 0:28:05 | |
Who doesn't? | 0:28:05 | 0:28:06 | |
One of the trickiest knots is the bowline. | 0:28:06 | 0:28:08 | |
So, we do the loop like so. | 0:28:08 | 0:28:11 | |
-You want the long line. -Long line off that, yeah. -You come up. | 0:28:11 | 0:28:16 | |
-This is the sort of rabbit, isn't it? Round the back. -And back down again. | 0:28:16 | 0:28:19 | |
-We pull these three. -These three against that one. | 0:28:19 | 0:28:23 | |
And that makes your bowline. | 0:28:23 | 0:28:25 | |
That is a thing of beauty, Michael, isn't it? It really is. | 0:28:25 | 0:28:29 | |
So, Michael, would I pass a proficiency test? | 0:28:29 | 0:28:31 | |
-You're definitely a natural at knotting. -That's very kind of you. | 0:28:31 | 0:28:35 | |
Michael, thank you very much indeed. That's a great honour. | 0:28:35 | 0:28:37 | |
-I really enjoyed myself. -It's been a pleasure having you. | 0:28:37 | 0:28:40 | |
Whilst James gets changed, Philip is trying to scout out | 0:28:45 | 0:28:49 | |
his last lot for auction so he's heading east to Darwen. | 0:28:49 | 0:28:54 | |
This picturesque market town was a hub for textile production | 0:28:54 | 0:28:58 | |
during the Industrial Revolution | 0:28:58 | 0:29:00 | |
shown by the cotton balls on Darwen's coat of arms. | 0:29:00 | 0:29:04 | |
The 86-foot Darwen Tower overlooks the town | 0:29:04 | 0:29:07 | |
built at the end of the 1800s to celebrate Queen Victoria's Diamond Jubilee. | 0:29:07 | 0:29:11 | |
They say you've got to speculate to accumulate. | 0:29:13 | 0:29:15 | |
Well, I've got £185.88 left | 0:29:15 | 0:29:18 | |
and if I'm going to catch Braxton up, the lot is going to go. | 0:29:18 | 0:29:21 | |
Looks like it could be antiques shop owner Steven Hughes's lucky day. | 0:29:23 | 0:29:27 | |
He buys and sells anything old and interesting | 0:29:27 | 0:29:30 | |
so this could be the perfect place for Phil. | 0:29:30 | 0:29:32 | |
-Steven, how are you? -I'm very well. How are you? | 0:29:33 | 0:29:35 | |
I tell you what, I love a man with belt and braces. | 0:29:35 | 0:29:38 | |
We've got the same taste, have we? This is fantastic, this is. | 0:29:38 | 0:29:42 | |
I've now lost at two auctions so I've got to try and catch him up. | 0:29:42 | 0:29:44 | |
-We'll do our best to help you out. -I'd like a big lump. | 0:29:44 | 0:29:48 | |
-I specialise in lumps. -Fits in with me, that. -There's the biggest one. | 0:29:48 | 0:29:53 | |
Hey, I wasn't going to say anything | 0:29:53 | 0:29:55 | |
and Philip's already spotted two big lumps. | 0:29:55 | 0:29:57 | |
Those are off a fireplace and they've been painted, haven't they? | 0:29:57 | 0:30:00 | |
-Yeah. -And how much would those two be? -£60. | 0:30:00 | 0:30:05 | |
Do you know, I'm warming to you. | 0:30:05 | 0:30:06 | |
-I am. -I don't particularly want to lift them. | 0:30:08 | 0:30:10 | |
Obviously Philip picks something buried at the bottom | 0:30:10 | 0:30:13 | |
of a pile of stonework. | 0:30:13 | 0:30:15 | |
Gordon Bennett! | 0:30:15 | 0:30:16 | |
-I think they've got some potential. 60 quid the two. -Yeah. | 0:30:17 | 0:30:23 | |
Provided I don't have to pick them up. | 0:30:23 | 0:30:25 | |
And I don't blame you | 0:30:26 | 0:30:27 | |
but there's still plenty more to see inside Steven's huge warehouse. | 0:30:27 | 0:30:31 | |
Hold on a minute. Hold on a minute. Hold on. That's n...nice. | 0:30:33 | 0:30:36 | |
That's out of a library. | 0:30:36 | 0:30:38 | |
The problem with that is that it's really, really lovely | 0:30:38 | 0:30:41 | |
and it's a thing that everybody wants at the minute | 0:30:41 | 0:30:45 | |
but because there's no drawer sides, it's useless. | 0:30:45 | 0:30:50 | |
-How much is that, please? -I'd like £150 for it. -You'd like. | 0:30:50 | 0:30:55 | |
-I'd like £150 for it. -OK. | 0:30:55 | 0:30:58 | |
He's got expensive taste and as it's Philip's last shop, | 0:30:58 | 0:31:04 | |
his kitty is limited. | 0:31:04 | 0:31:05 | |
I've got £105 and 88 pence on the table | 0:31:05 | 0:31:09 | |
for that bank of card index drawers | 0:31:09 | 0:31:12 | |
and those two pillars outside. | 0:31:12 | 0:31:14 | |
Now, I know straightaway from what you're asking. | 0:31:14 | 0:31:18 | |
We're asking what? £150 and £75. | 0:31:18 | 0:31:21 | |
-£225. -£225,and you're offering me £105. | 0:31:21 | 0:31:24 | |
-That's like 50-odd percent off. -Yeah. -Ooh. | 0:31:24 | 0:31:28 | |
-But you're well behind on the...? -I'm £100 behind at the minute. | 0:31:30 | 0:31:34 | |
Phil will have the violins out in a minute. | 0:31:34 | 0:31:36 | |
I'll do the deal as long as I don't have to pick the stones up. | 0:31:36 | 0:31:39 | |
Steven, you're a star. Thank you ever so much. | 0:31:39 | 0:31:42 | |
Jammy so-and-so. 50% discount is a massive drop. | 0:31:42 | 0:31:46 | |
With the pillars costing £50 and the library drawers for £55, | 0:31:46 | 0:31:50 | |
not forgetting the 88 pence, Philip's now completely spent up. | 0:31:50 | 0:31:56 | |
With the shopping complete, let's remind ourselves what they've got. | 0:31:56 | 0:31:59 | |
Along with the last two items, Philip has the propellers | 0:31:59 | 0:32:01 | |
and the shooting and fishing collections, | 0:32:01 | 0:32:03 | |
making five lots all ready for auction. | 0:32:03 | 0:32:06 | |
James also has five lots - | 0:32:06 | 0:32:07 | |
his Denby jug, flower brick, fire curb, | 0:32:07 | 0:32:11 | |
coal bucket and walnut table, | 0:32:11 | 0:32:13 | |
but unlike Philip, James has only spent £125.50, | 0:32:13 | 0:32:16 | |
barely a third of his budget. | 0:32:16 | 0:32:19 | |
But what do they make of each other's wares? | 0:32:20 | 0:32:23 | |
Phil's bought some really good items. I love his propellers. | 0:32:25 | 0:32:28 | |
They'll do well, | 0:32:28 | 0:32:29 | |
but I think his winner are those oak card index things | 0:32:29 | 0:32:32 | |
so I think Philip's really raised his game | 0:32:32 | 0:32:35 | |
and I think he could take me on this one. | 0:32:35 | 0:32:38 | |
I mean, that fender at £25, that's sort of OK | 0:32:38 | 0:32:42 | |
but 50 pence for a three-week-old flower brick? What's going on? | 0:32:42 | 0:32:47 | |
I think he's playing it really, really safe | 0:32:47 | 0:32:49 | |
but he can afford to, he's £100 more in front of me. | 0:32:49 | 0:32:52 | |
Me, I've had to spend every penny. | 0:32:52 | 0:32:55 | |
I could be really in the doo-doos here. | 0:32:55 | 0:32:57 | |
The fellas have reached the last stop of this leg | 0:32:58 | 0:33:01 | |
after travelling 170 miles from Southport, | 0:33:01 | 0:33:04 | |
ending up at auction in Knutsford, Cheshire. | 0:33:04 | 0:33:07 | |
How much were you ahead of me before we started? | 0:33:11 | 0:33:14 | |
-Philip, let's just leave it at over £100. -Over £100. | 0:33:14 | 0:33:18 | |
Yeah, over £100. | 0:33:18 | 0:33:20 | |
Shall I just say it again? Over £100. | 0:33:20 | 0:33:23 | |
I wouldn't get too cocky, James. | 0:33:23 | 0:33:25 | |
You never can tell what will happen at the auction. | 0:33:25 | 0:33:28 | |
The picture postcard streets of Knutsford, | 0:33:28 | 0:33:30 | |
one of Britain's most expensive towns, | 0:33:30 | 0:33:32 | |
have attracted a wealth of celebrities, especially footballers | 0:33:32 | 0:33:35 | |
who can commute to the nearby cities of Manchester and Liverpool. | 0:33:35 | 0:33:39 | |
It is wealthy around here. You can smell it, can't you? | 0:33:40 | 0:33:43 | |
I'm just thinking, | 0:33:43 | 0:33:44 | |
what I really want is a footballer who's got a penchant for propellers. | 0:33:44 | 0:33:48 | |
That's what I'm looking for. | 0:33:48 | 0:33:50 | |
Frank Marshall are local surveyors, estate agents and auctioneers. | 0:33:50 | 0:33:54 | |
-That'll do nicely, Jim. -That's perfect, isn't it? -Absolutely right. | 0:33:56 | 0:33:59 | |
Well done. | 0:33:59 | 0:34:01 | |
What where you saying? | 0:34:01 | 0:34:02 | |
-I think we're here, Philip. -Safe and sound. | 0:34:02 | 0:34:04 | |
Safe and sound. Never in any doubt. | 0:34:04 | 0:34:07 | |
Today, Rachel Houston-Holland is going to be at the podium for them | 0:34:07 | 0:34:11 | |
and she's already eyed up the fellas' wares. | 0:34:11 | 0:34:14 | |
The library drawers, really popular at the moment. | 0:34:14 | 0:34:17 | |
The propellers are rather interesting. | 0:34:17 | 0:34:19 | |
The fender's rather nice and you've got an arts and crafts coal bucket as well. | 0:34:19 | 0:34:23 | |
Really popular area at the moment | 0:34:23 | 0:34:25 | |
so they should hopefully do really well on the day. | 0:34:25 | 0:34:28 | |
The boys' fate is in the hands of the good folk of Knutsford. | 0:34:28 | 0:34:32 | |
-I think I might be a bit doomed here, mate. -Why? -From talking to 'em. | 0:34:32 | 0:34:35 | |
-No telephone booths, no online bidding. -Excellent. | 0:34:35 | 0:34:39 | |
It's too late now, fellas. On with the auction. | 0:34:41 | 0:34:44 | |
First up is James's Denby jug. | 0:34:46 | 0:34:47 | |
Who's going to start me at £20? £20. | 0:34:47 | 0:34:51 | |
Surely it's worth £20. £15, then, if it helps. | 0:34:51 | 0:34:53 | |
This is just music to my ears. I mean, sorry, this is really sad. | 0:34:53 | 0:34:56 | |
£10. Thank you sir. £10 on the front row. | 0:34:56 | 0:34:59 | |
Come on. And £12. | 0:34:59 | 0:35:01 | |
Hammer down, girl. | 0:35:01 | 0:35:02 | |
-Oh, no. -At £15, are we all finished and done at £15? | 0:35:02 | 0:35:07 | |
I think you'll find that's brought it back to 96 quid. | 0:35:08 | 0:35:11 | |
I think Philip may be enjoying this. | 0:35:13 | 0:35:15 | |
Not a great start for James with a £5 loss. | 0:35:15 | 0:35:18 | |
-That was a weak lot. -Things are looking up, aren't they? | 0:35:18 | 0:35:21 | |
Don't speak too soon, Philip. Next it's James's pricy flower brick. | 0:35:21 | 0:35:27 | |
How much did this cost you? | 0:35:27 | 0:35:29 | |
50p. | 0:35:29 | 0:35:30 | |
Nice decorative item at £5 now. £5. Surely. Come on. | 0:35:31 | 0:35:35 | |
£5, someone. Thank you, madam. Right at the back. | 0:35:35 | 0:35:38 | |
She's deluded. Utterly deluded. | 0:35:38 | 0:35:41 | |
It's with the lady at £5. | 0:35:41 | 0:35:44 | |
That's all right. Very happy with that. | 0:35:46 | 0:35:48 | |
It would be, it's a remarkable 900% profit. | 0:35:48 | 0:35:51 | |
Sadly, that only means £4.50 in the kitty. | 0:35:51 | 0:35:55 | |
-Have I got any chance of profit? -Well, you've sold two lots as well. | 0:35:55 | 0:35:59 | |
That's the best thing for me. You've only got three to come. | 0:35:59 | 0:36:02 | |
I've still got five to go. Mind you, that could be five disasters, couldn't it? | 0:36:02 | 0:36:06 | |
Time to find out if anyone is going | 0:36:06 | 0:36:09 | |
to take the bait for Philip's fishing lot. | 0:36:09 | 0:36:11 | |
Start me at £30. | 0:36:11 | 0:36:13 | |
£30 I have. £30. | 0:36:13 | 0:36:14 | |
£35. £40. £45. £50. | 0:36:14 | 0:36:17 | |
£55. £60. £65. £70. £75. | 0:36:17 | 0:36:20 | |
£80. £85. £90. | 0:36:20 | 0:36:23 | |
£95. £100. £110. | 0:36:23 | 0:36:26 | |
No, he shakes his head. It's at £100. | 0:36:26 | 0:36:28 | |
Are we all finished and done at £100? On my left at £100. | 0:36:28 | 0:36:32 | |
Oh, that's jolly good. Well done, you. | 0:36:34 | 0:36:35 | |
Well done indeed. Philip's first lot has tripled his money | 0:36:35 | 0:36:38 | |
but he did buy it from a restaurant. | 0:36:38 | 0:36:40 | |
I'm having a celebration sweetie, Jim. | 0:36:40 | 0:36:43 | |
Doesn't say much, does he? | 0:36:46 | 0:36:47 | |
Yes, James has gone remarkably quiet now the tables have turned. | 0:36:49 | 0:36:53 | |
Next up is his fire curb. | 0:36:53 | 0:36:54 | |
Start me at £20 with the fender. | 0:36:55 | 0:36:58 | |
Any interest at £20? | 0:36:58 | 0:36:59 | |
£20. £10, then. £10. £10 on my left. | 0:36:59 | 0:37:03 | |
£12. £15. £18. The gentleman now at £18. | 0:37:03 | 0:37:08 | |
Whoops! That's a second loss for James. | 0:37:10 | 0:37:12 | |
Do you remember, James, when we were in Kendal, you said to me, | 0:37:12 | 0:37:15 | |
"It's all about buying what the sale room wants,"? | 0:37:15 | 0:37:19 | |
-Do you remember? -Yeah, I know. | 0:37:19 | 0:37:22 | |
Now, now, Philip, play nicely. | 0:37:22 | 0:37:24 | |
Let's see if James's coal bucket can fire things back up for him. | 0:37:24 | 0:37:27 | |
Nice coal bucket. £20. Come on. £20 I have. £20. £22 with you. | 0:37:27 | 0:37:32 | |
I'll come back to you. £25. £28. | 0:37:32 | 0:37:34 | |
£30. £32. | 0:37:34 | 0:37:36 | |
£35. £38. | 0:37:36 | 0:37:39 | |
No. £38, sir? No, it's a £35. | 0:37:39 | 0:37:42 | |
-At £35. -That's cheaper than that, James. | 0:37:42 | 0:37:46 | |
Ouch. It turns out arts and crafts aren't popular in Knutsford. | 0:37:46 | 0:37:50 | |
James may have broken even | 0:37:50 | 0:37:52 | |
but that's another loss after auction costs. | 0:37:52 | 0:37:54 | |
-Next it's Philip's shooting lot. -I like the cartridge bag. | 0:37:54 | 0:37:57 | |
I think it will make £85. | 0:37:57 | 0:38:00 | |
Could this little five-piece lot help Philip get ahead, | 0:38:00 | 0:38:04 | |
lock, stock and barrel? | 0:38:04 | 0:38:06 | |
-Start me at £30 to start. £30. -Ouch. | 0:38:06 | 0:38:08 | |
£30, I have at £30. | 0:38:08 | 0:38:11 | |
£32. £35. £38. | 0:38:11 | 0:38:14 | |
£40. £42. £45. £48. £50. £55. £60. £65. | 0:38:14 | 0:38:20 | |
Wow. That's firing away. | 0:38:20 | 0:38:22 | |
£80. £85. £90. £95. | 0:38:22 | 0:38:26 | |
£100. £110. £120. £130. | 0:38:26 | 0:38:29 | |
No, you're out? | 0:38:29 | 0:38:31 | |
-That sold really well. -£120. | 0:38:31 | 0:38:33 | |
It's at £120. | 0:38:33 | 0:38:37 | |
That's outrageous, Philip. Well done, you. | 0:38:38 | 0:38:40 | |
Now you're just going to ratify your position with your propellers. | 0:38:40 | 0:38:44 | |
It's just like being gently trampled into the ground, isn't it? | 0:38:44 | 0:38:48 | |
Cor, Philip has definitely got his own back | 0:38:48 | 0:38:50 | |
for the last two auctions, doubling his money again. | 0:38:50 | 0:38:53 | |
Maybe rubbing that dragon in the Casbah helped after all. | 0:38:53 | 0:38:55 | |
Will his luck hold with his propellers up next? | 0:38:57 | 0:39:00 | |
Lots of interest, as you can imagine. Rather interesting lot. | 0:39:00 | 0:39:03 | |
-Oh, dear. -And I must start the bidding with me at £60. | 0:39:03 | 0:39:07 | |
It's a commission bid now of £60. £65. £70. | 0:39:07 | 0:39:11 | |
£75. £80. £85. | 0:39:11 | 0:39:14 | |
Clears the commission bid. | 0:39:14 | 0:39:15 | |
£90. £95. | 0:39:15 | 0:39:17 | |
£100. £110. £120. £130. | 0:39:17 | 0:39:20 | |
£130 anywhere else? | 0:39:20 | 0:39:21 | |
It's at £120. | 0:39:21 | 0:39:23 | |
£120. £120. | 0:39:23 | 0:39:25 | |
At £120. | 0:39:25 | 0:39:28 | |
Phew, that could have been a lot worse. | 0:39:30 | 0:39:33 | |
It's still a £50 profit. | 0:39:33 | 0:39:36 | |
-I thought that was going to career away. -Did you? -Yeah. | 0:39:36 | 0:39:39 | |
Now it's over to James's final lot, his art deco walnut table. | 0:39:39 | 0:39:44 | |
Here we are. | 0:39:44 | 0:39:46 | |
It's my last chance. | 0:39:46 | 0:39:47 | |
I have some interest in this lot so I shall start the bidding | 0:39:47 | 0:39:51 | |
with a commission bid of £55. | 0:39:51 | 0:39:54 | |
-Is that a profit? -£55. £60, where? | 0:39:54 | 0:39:58 | |
Still with the commission bidder at £55. | 0:39:58 | 0:40:01 | |
Are we all finished and done at £55? | 0:40:01 | 0:40:04 | |
That's a £10 profit for James. | 0:40:06 | 0:40:08 | |
Staying with the wooden furniture theme, | 0:40:08 | 0:40:11 | |
it's now Philip's oak library drawers | 0:40:11 | 0:40:13 | |
that auctioneer Rachel has tipped for success. | 0:40:13 | 0:40:16 | |
-Library bookcase these are. -Right. | 0:40:16 | 0:40:18 | |
Sorry, sorry, I've lost all interest in this particular auction. | 0:40:18 | 0:40:23 | |
Me, me, me, me, me. No interest in his partner. | 0:40:23 | 0:40:26 | |
-Got lots of interest so I must start the bidding at £50. -Oh, dear. | 0:40:26 | 0:40:30 | |
£50. £55. £60. | 0:40:30 | 0:40:32 | |
£65. £70. £75. £80. | 0:40:32 | 0:40:35 | |
They just can't stop bidding with you. | 0:40:35 | 0:40:38 | |
£100. £110. | 0:40:38 | 0:40:40 | |
It's at £100 standing now. Fresh bidder. £110. £120. £130. £140. | 0:40:40 | 0:40:46 | |
-£140. -It's at £140 now. | 0:40:46 | 0:40:49 | |
Gentleman standing at £140. | 0:40:49 | 0:40:53 | |
£140. You're romping away. | 0:40:53 | 0:40:57 | |
Certainly looks like it as Philip has more than doubled his money again. | 0:40:57 | 0:41:02 | |
That's been your biggest earner so far. | 0:41:02 | 0:41:04 | |
It is but I've had some luck at where I've shopped. | 0:41:04 | 0:41:06 | |
That's the bottom line. You know, whatever steal... | 0:41:06 | 0:41:09 | |
No, I think... | 0:41:09 | 0:41:11 | |
The luck is to where you shop. | 0:41:11 | 0:41:12 | |
Yeah, but not everybody would have bought that in a shop. | 0:41:12 | 0:41:15 | |
And Philip's still got his final lot, the stone pillars. | 0:41:15 | 0:41:19 | |
I have interest on the book and I have to start the bidding with a bid of £40. | 0:41:19 | 0:41:24 | |
Commission bid now at £40. £45. | 0:41:24 | 0:41:27 | |
£50. £55. £60. £65. | 0:41:27 | 0:41:31 | |
This isn't the lot, is it? | 0:41:33 | 0:41:34 | |
Come on, James, get with it. | 0:41:34 | 0:41:36 | |
-Joking. -£85. | 0:41:36 | 0:41:38 | |
-The gentleman seated. -Sorry, Jim. | 0:41:38 | 0:41:41 | |
Didn't see that sort of rhythm on any of my lots, I must say. | 0:41:43 | 0:41:46 | |
-It's about a 50 quid profit there, Jim. -Well done. | 0:41:46 | 0:41:49 | |
-Just steady work, isn't it? -Yeah. -Very good. You've had a great day. | 0:41:49 | 0:41:52 | |
I've had a great day. I've had my best day. | 0:41:52 | 0:41:54 | |
A solid £35 profit after making a profit on every item, | 0:41:54 | 0:41:59 | |
unlike James. | 0:41:59 | 0:42:01 | |
I bear you no grudges and I must say, I feel very pleased for you, Philip. | 0:42:01 | 0:42:05 | |
Well done. Congratulations. | 0:42:05 | 0:42:07 | |
You know, for one minute, I thought you meant that. Get out of here. | 0:42:07 | 0:42:10 | |
I'm certainly not shaking your hand. | 0:42:10 | 0:42:12 | |
James began today with £356.04. | 0:42:12 | 0:42:16 | |
He spent less than half his money, and after auction costs, | 0:42:16 | 0:42:19 | |
he's down by £20.54, | 0:42:19 | 0:42:21 | |
giving him £335.50 to spend next time. | 0:42:21 | 0:42:25 | |
Philip has stolen the lead on the third leg, | 0:42:27 | 0:42:29 | |
with £255.88 to start with. | 0:42:29 | 0:42:32 | |
After auction costs, Philip has made a whopping £207.42, | 0:42:32 | 0:42:37 | |
giving him £463.30 to spend on the fourth leg. | 0:42:37 | 0:42:42 | |
What a difference a day makes, hey? | 0:42:42 | 0:42:45 | |
You ought to drive, Jim. | 0:42:45 | 0:42:46 | |
With all that money swirling around in my head, I won't be able to concentrate. | 0:42:46 | 0:42:50 | |
I must say, talk about a one-sided auction. | 0:42:50 | 0:42:52 | |
A bit of a suggestion to make for you. | 0:42:52 | 0:42:54 | |
I think the time has now come to steer clear of arts and crafts. | 0:42:54 | 0:42:57 | |
I think so. I think you're right. | 0:42:57 | 0:42:59 | |
I'm just going to sit here and bask in the sun and the profits. | 0:43:01 | 0:43:04 | |
Oh, my life. | 0:43:04 | 0:43:05 | |
Next time on Antiques Road Trip, the pressure mounts. | 0:43:09 | 0:43:12 | |
It doesn't get any easier, that. | 0:43:12 | 0:43:13 | |
-Philip's going quackers. -HE QUACKS | 0:43:13 | 0:43:17 | |
And James will do anything to get ahead. | 0:43:17 | 0:43:19 | |
It's all right. I do yoga so I've got a good balance. | 0:43:19 | 0:43:22 |