
Browse content similar to Episode 17. Check below for episodes and series from the same categories and more!
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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
-a classic car... -We're going roond! | 0:00:05 | 0:00:08 | |
..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
I want to spend lots of money! | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:17 | |
-Oh, no! -There will be worthy winners... -Yes! -We've done it! | 0:00:17 | 0:00:21 | |
-..and valiant losers. -You are kidding me on. | 0:00:21 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
-What am I doing? -You've got a deal. | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip. | 0:00:31 | 0:00:33 | |
This week's jaunt brings together two auctioneers | 0:00:36 | 0:00:40 | |
competing for Road Trip glory in not so sunny Scotland. | 0:00:40 | 0:00:44 | |
-It's a right dreish day. -What's a...a what? -A dreish. | 0:00:46 | 0:00:50 | |
-I think you'll find it's dreich. -I didn't know you spoke Scottish. | 0:00:51 | 0:00:56 | |
I know, it's amazing. It's just being here, it just comes back. | 0:00:56 | 0:01:00 | |
With over 25 years' experience, | 0:01:02 | 0:01:05 | |
James Braxton is a sucker for new finds. | 0:01:05 | 0:01:07 | |
As soon as you mention fresh goods, | 0:01:07 | 0:01:09 | |
sort of the hairs on the back of my neck start tingling. | 0:01:09 | 0:01:14 | |
And as a prolific collector, Philip Serrell tends to follow | 0:01:16 | 0:01:19 | |
the old adage, one man's trash is another man's treasure. | 0:01:19 | 0:01:23 | |
What am I doing? | 0:01:23 | 0:01:25 | |
But sometimes it's just rubbish. | 0:01:25 | 0:01:28 | |
Our two experts started with £200 each | 0:01:28 | 0:01:31 | |
and on today's second leg, there's just under £39 between them. | 0:01:31 | 0:01:36 | |
Philip's random selection managed to scrape a small profit at the first | 0:01:37 | 0:01:41 | |
auction, meaning he's got £213.58 to spend today, bless him. | 0:01:41 | 0:01:45 | |
James, meanwhile, doubled his dough | 0:01:47 | 0:01:50 | |
with his stilton scoop and carved ship's hull, | 0:01:50 | 0:01:53 | |
giving him the lead with £252.56 to use as they hit the road again. | 0:01:53 | 0:01:58 | |
Look out, old girl. | 0:01:58 | 0:02:00 | |
-You are one of life's smilers, aren't you? -Yeah, I know. | 0:02:00 | 0:02:03 | |
I've never been a great smiler. | 0:02:03 | 0:02:05 | |
Your face looks slightly odd when you smile. | 0:02:05 | 0:02:08 | |
Your face sits slightly better with the curmudgeonly look. | 0:02:08 | 0:02:12 | |
It seems to help him get good deals, though. | 0:02:12 | 0:02:15 | |
The chaps are back in the awesome 1955 Austin-Healey. | 0:02:15 | 0:02:18 | |
It's a snug fit for the fellas, so they should try and play nicely. | 0:02:18 | 0:02:23 | |
I've got every reason to feel curmudgeonly in a minute | 0:02:23 | 0:02:26 | |
cos I thought I was robbed yesterday. Absolutely robbed. | 0:02:26 | 0:02:29 | |
-You weren't. Must have been an embarrassment. -How dare you! | 0:02:29 | 0:02:33 | |
Well, the profits speak for themselves, Philip. | 0:02:33 | 0:02:35 | |
Our experts' epic 920-mile expedition takes them | 0:02:37 | 0:02:40 | |
from central Scotland, through the Borders to the Lakes, | 0:02:40 | 0:02:43 | |
Lancashire, Cheshire, Merseyside and winds up in Newport in Shropshire. | 0:02:43 | 0:02:48 | |
The second stint is a stunning venture from Biggar | 0:02:49 | 0:02:53 | |
in the Borders down to auction in Kendal. | 0:02:53 | 0:02:55 | |
-The Scottish Borders are beautiful, aren't they? -Yeah. | 0:02:59 | 0:03:03 | |
You get a thumping great river rushing through it. | 0:03:03 | 0:03:06 | |
The Scottish Borders cover about 1,800 square miles. | 0:03:07 | 0:03:10 | |
For around 300 years, this land was home to the Reivers. | 0:03:10 | 0:03:15 | |
These lawless gangs survived by plundering livestock, | 0:03:15 | 0:03:18 | |
kidnapping and racketeering. | 0:03:18 | 0:03:21 | |
The historic market town of Biggar didn't escape these troubles, | 0:03:21 | 0:03:24 | |
but it's probably better known for a 13th-century battle where | 0:03:24 | 0:03:28 | |
William Wallace is said to have helped defeat the English. | 0:03:28 | 0:03:32 | |
Today, it plays host to a new battle, Braxton vs Serrell. | 0:03:32 | 0:03:36 | |
So, what's the plan? | 0:03:37 | 0:03:39 | |
Generally, the person who owns the shop knows their stuff | 0:03:39 | 0:03:41 | |
-a lot better than I do. -So you ask them? I ask them. | 0:03:41 | 0:03:44 | |
Quite clever, isn't it? Don't you do that? | 0:03:44 | 0:03:47 | |
My plan was five legs, try and make sort of 50 or 80 quid a leg. | 0:03:47 | 0:03:51 | |
-I've fallen at the first hurdle. -That's the beauty of this business. | 0:03:51 | 0:03:54 | |
It can all change in a day. | 0:03:54 | 0:03:56 | |
So it's time for Philip to get back in the game. | 0:03:56 | 0:03:59 | |
-James, this looks like heaven for me. -It does. | 0:04:00 | 0:04:03 | |
-See you later. Have a good day. -Bye. | 0:04:03 | 0:04:05 | |
Just outside Biggar is an antiques and French polishing specialist firm | 0:04:05 | 0:04:09 | |
-run by Mark Atwood. -I wonder if there's a pot of gold over there. | 0:04:09 | 0:04:13 | |
-Hi. -Good morning, Philip. -Good to see you. How are you? -Very well. | 0:04:13 | 0:04:17 | |
Blimey. You've got some good things in here, haven't you? | 0:04:17 | 0:04:20 | |
Mark has been running his shop for over 19 years, | 0:04:20 | 0:04:23 | |
so the showroom is like an Aladdin's cave, crammed full of goodies. | 0:04:23 | 0:04:26 | |
Music to Philip's ears. | 0:04:26 | 0:04:28 | |
-I think I've got a touch of the Elgar about me. -More like the elbow! | 0:04:28 | 0:04:32 | |
Antique conductors' batons can fetch hundreds of pounds, | 0:04:32 | 0:04:35 | |
depending on the materials, but as Philip still only has | 0:04:35 | 0:04:38 | |
just over £200, he needs to tap into some bargains. | 0:04:38 | 0:04:42 | |
-This chair is interesting, isn't it? -It is a beautiful chair. | 0:04:42 | 0:04:45 | |
-It's a dentist's chair. -Is it? -Yep. I think it's really fun. | 0:04:45 | 0:04:49 | |
How do you know it's a dentist's chair? Because it could have been... | 0:04:49 | 0:04:52 | |
-I was thinking it could have been a barber's chair. -Very much so. | 0:04:52 | 0:04:55 | |
But on the back it's stamped up from a dentists' suppliers | 0:04:55 | 0:04:57 | |
-so it's actually got a dentist mark on it. -And how old is that? 1920s? | 0:04:57 | 0:05:01 | |
-I would say...yeah, 1920s. -And what's the ticket price on that? | 0:05:01 | 0:05:05 | |
-It's 160. -I quite like that. | 0:05:05 | 0:05:08 | |
But I'm not sure Philip could be persuaded to spend more than | 0:05:08 | 0:05:11 | |
-half of his budget on one item. -You must be joking! | 0:05:11 | 0:05:14 | |
On the other hand, maybe Mark knows getting Philip to pay up | 0:05:14 | 0:05:18 | |
is like pulling teeth! | 0:05:18 | 0:05:20 | |
-What's that there? Is that a chaff cutter? -It's a corn grinder. | 0:05:21 | 0:05:26 | |
This turn-of-the-century hand-turned corn grinder | 0:05:26 | 0:05:29 | |
was manufactured by a company called R Hunt & Co. | 0:05:29 | 0:05:33 | |
They exported their agricultural machinery all over the world | 0:05:33 | 0:05:36 | |
from their Essex-based ironworks. | 0:05:36 | 0:05:38 | |
You put your ears of corn in there and what does it do? Chomp it all up? | 0:05:38 | 0:05:42 | |
-Chop it up. -How much is that? -That one is 85. -OK. | 0:05:42 | 0:05:47 | |
James Braxton reckons I'm always going and buying agricultural tut. | 0:05:47 | 0:05:51 | |
Tut? What do you mean? | 0:05:51 | 0:05:53 | |
In a way, I'm tempted to buy just to sort of prove him wrong, really. | 0:05:53 | 0:05:56 | |
I would come down to 60 but whether that's enough for you... | 0:05:56 | 0:06:00 | |
Well, we can have a look round, can't we? | 0:06:00 | 0:06:04 | |
I like your style, Phil. | 0:06:04 | 0:06:06 | |
Not committing until you're satisfied you seen everything. | 0:06:06 | 0:06:09 | |
Meanwhile, James is kicking off his shopping in style, | 0:06:09 | 0:06:12 | |
taking the scenic route. | 0:06:12 | 0:06:15 | |
It really is glorious scenery. | 0:06:15 | 0:06:17 | |
Just really nice countryside. | 0:06:17 | 0:06:20 | |
-Morning. -Morning. | 0:06:20 | 0:06:22 | |
25 miles east of Biggar is the small town of Innerleithen in Tweeddale, | 0:06:23 | 0:06:28 | |
so-called due to its proximity to the River Tweed. | 0:06:28 | 0:06:32 | |
The town is said to have been founded by a pilgrim monk | 0:06:32 | 0:06:35 | |
called St Ronan in 737 AD, a story later used | 0:06:35 | 0:06:40 | |
by Sir Walter Scott in his novel, Saint Ronan's Well. | 0:06:40 | 0:06:43 | |
James is here to do a little finding of his own | 0:06:45 | 0:06:47 | |
and he's hoping shop owner of 20 years Margaret Maxwell can help. | 0:06:47 | 0:06:52 | |
-Hello. -Hello. -James. -Pleased to meet you. | 0:06:52 | 0:06:55 | |
James isn't taking his own advice | 0:06:55 | 0:06:57 | |
and rather than asking Margaret for hers, he's diving straight in. | 0:06:57 | 0:07:02 | |
That's quite unusual. San Francisco. | 0:07:03 | 0:07:06 | |
Nice, British Overseas Airways Corporation. | 0:07:06 | 0:07:09 | |
This is glamorous. | 0:07:09 | 0:07:11 | |
It has a real '60s feel about the whole thing. | 0:07:11 | 0:07:14 | |
Would something like £20 be a fair price for that? | 0:07:14 | 0:07:16 | |
-I think that might be tricky for that one. -Really? Oh, sorry! | 0:07:16 | 0:07:20 | |
-I didn't have my glasses on! -THEY LAUGH | 0:07:20 | 0:07:24 | |
It's 365! | 0:07:24 | 0:07:26 | |
Perhaps you should look at the price tag properly next time, old bean. | 0:07:26 | 0:07:29 | |
But Margaret has dug out something else to try and tickle your fancy. | 0:07:29 | 0:07:33 | |
-What's this? This looks quite nice. -Well, I was thinking... | 0:07:33 | 0:07:35 | |
Is it from Kendal? Because Kendal, the Lake District... | 0:07:35 | 0:07:38 | |
-I'm afraid it's not. -..is known for its copper, isn't it? | 0:07:38 | 0:07:40 | |
Yes, it is. That's what I was thinking. | 0:07:40 | 0:07:42 | |
I like this band going around it. | 0:07:42 | 0:07:45 | |
-And it seems to be double skinned, doesn't it? -It does. | 0:07:45 | 0:07:49 | |
Rather interesting. And how much have you got on that one? | 0:07:49 | 0:07:52 | |
-Let's say 35. -35. | 0:07:52 | 0:07:54 | |
Double skinned means two layers of copper | 0:07:54 | 0:07:57 | |
where one side can be embossed without the pattern going through | 0:07:57 | 0:08:01 | |
or both sides could have different patterns. | 0:08:01 | 0:08:03 | |
As Cumbria is known for its copper industry, | 0:08:03 | 0:08:06 | |
a copper bowl has the potential to do nicely at auction in Kendal. | 0:08:06 | 0:08:11 | |
There's something lovely about copper, isn't there? | 0:08:11 | 0:08:14 | |
-Can I squeeze you a bit? Would you do it for 30? -OK. -30. | 0:08:14 | 0:08:18 | |
I'll take it, Margaret. That's very kind. Thank you. Right. | 0:08:18 | 0:08:21 | |
I think my work is done here. | 0:08:21 | 0:08:23 | |
And James is first off the blocks with his Arts and Crafts bowl. | 0:08:23 | 0:08:27 | |
Back in Biggar, Philip's shopping trip is about | 0:08:28 | 0:08:31 | |
-to go down the old proverbial. -Oh, I love that! -You would! | 0:08:31 | 0:08:36 | |
-Most people would see a lavatory seat, wouldn't they? -Erm, yes! | 0:08:36 | 0:08:40 | |
But all I can see is a portrait frame. | 0:08:40 | 0:08:45 | |
I could just see Braxton's head in that, hung on the wall. Fantastic. | 0:08:45 | 0:08:50 | |
Charming! I wouldn't spend a penny on that. Well, not Braxton's face. | 0:08:50 | 0:08:55 | |
But Philip seems taken with this Edwardian lavatory seat, | 0:08:55 | 0:08:58 | |
as well as the dentist's chair. | 0:08:58 | 0:09:01 | |
I think an auctioneer would estimate this at sort of £50-80, £60-90, | 0:09:01 | 0:09:05 | |
and the grinder, I think that's £30-50, £40-£60 worth. | 0:09:05 | 0:09:10 | |
-I'll buy the three bits for £120. -Blimey, Philip! | 0:09:10 | 0:09:12 | |
That's pushing it out for you. | 0:09:12 | 0:09:14 | |
But he's keen to stick to his plan of making £50-80 profit a leg | 0:09:14 | 0:09:18 | |
-and he needs to make up for yesterday's shortfall. -OK. £120. | 0:09:18 | 0:09:23 | |
You're an absolute gentleman. | 0:09:23 | 0:09:25 | |
And just like that, Philip's off to a super start, | 0:09:25 | 0:09:27 | |
snagging the dentist's chair for £65, | 0:09:27 | 0:09:30 | |
the corn grinder for £40 and the loo seat for £15. | 0:09:30 | 0:09:33 | |
Good work, sir. | 0:09:33 | 0:09:35 | |
Back in Innerleithen, and James is heading just south of the town | 0:09:41 | 0:09:44 | |
centre and across the River Tweed to Traquair House. | 0:09:44 | 0:09:48 | |
Dating back to 1107, Traquair is Scotland's oldest inhabited house. | 0:09:52 | 0:09:57 | |
It was originally a hunting lodge for the Kings and Queens | 0:09:57 | 0:10:00 | |
of Scotland until the late 15th century, | 0:10:00 | 0:10:02 | |
when the 1st Laird of Traquair took up permanent residence. | 0:10:02 | 0:10:07 | |
James is here to meet the current occupant, | 0:10:07 | 0:10:09 | |
Catherine Maxwell Stuart, the 21st Lady of Traquair. | 0:10:09 | 0:10:14 | |
-Hello. James Braxton. -Hello, hi. -So, what's it like, living in a castle? | 0:10:14 | 0:10:18 | |
Well, fantastic, really. | 0:10:18 | 0:10:20 | |
I feel really privileged to have been born and brought up here. | 0:10:20 | 0:10:23 | |
My children are doing the same. | 0:10:23 | 0:10:25 | |
Catherine's family roots are steeped in Catholicism, | 0:10:25 | 0:10:29 | |
which often put her ancestors at odds with society. | 0:10:29 | 0:10:33 | |
The Jacobite rebellions of the 17th and 18th century | 0:10:33 | 0:10:36 | |
were a particularly difficult time for an openly Catholic family, | 0:10:36 | 0:10:39 | |
as Catholics attempted to overthrow | 0:10:39 | 0:10:41 | |
the Protestant monarchy of Great Britain. | 0:10:41 | 0:10:43 | |
It's amazing how they managed to keep the house | 0:10:43 | 0:10:46 | |
because they were very strong Jacobites, supporters, really, | 0:10:46 | 0:10:49 | |
of the Stuart kings when it was not the right time to do so. | 0:10:49 | 0:10:53 | |
And also Catholics which, again, put them on the wrong side. | 0:10:53 | 0:10:56 | |
But you managed to survive, there's great tenacity through your family. | 0:10:56 | 0:10:59 | |
Yes. I think they were canny Scots. | 0:10:59 | 0:11:03 | |
Which could be said of Lady Winifred, | 0:11:03 | 0:11:05 | |
the 4th Earl of Traquair's sister-in-law. | 0:11:05 | 0:11:08 | |
She was married to ardent Jacobite William Nithsdale, | 0:11:08 | 0:11:11 | |
who was captured taking part in the rebellion. | 0:11:11 | 0:11:14 | |
Found guilty of treason, | 0:11:14 | 0:11:16 | |
he was sent to the Tower of London to await execution. | 0:11:16 | 0:11:19 | |
William, who was the 5th Earl of Nithsdale, | 0:11:19 | 0:11:22 | |
was captured during the 1715 first Jacobite uprising, | 0:11:22 | 0:11:26 | |
imprisoned in the Tower and he was going to be executed. | 0:11:26 | 0:11:30 | |
In fact, he had got to point of writing out his execution speech. | 0:11:30 | 0:11:34 | |
It was a tradition, before you are executed, | 0:11:34 | 0:11:37 | |
to really thank everybody in your life. | 0:11:37 | 0:11:39 | |
So there was a formality to it. It was a well trodden path, wasn't it? | 0:11:39 | 0:11:43 | |
I think so, yes. | 0:11:43 | 0:11:45 | |
The date was set but Lady Winifred couldn't accept her husband's fate. | 0:11:46 | 0:11:50 | |
She travelled almost 400 miles to beg the king for a pardon. | 0:11:50 | 0:11:53 | |
When she was refused, | 0:11:53 | 0:11:55 | |
she took matters into her own hands, with the help of her servants. | 0:11:55 | 0:11:59 | |
They started visiting William on a regular basis | 0:12:00 | 0:12:04 | |
and so on one occasion she went in with her maid servant. | 0:12:04 | 0:12:08 | |
The husband swapped clothes with the servant, who was wearing this cloak. | 0:12:09 | 0:12:15 | |
They managed to get out and she had so managed to confuse the guards | 0:12:15 | 0:12:19 | |
that she came in three hours later | 0:12:19 | 0:12:22 | |
and managed to rescue the maid servant as well. | 0:12:22 | 0:12:25 | |
-THEY LAUGH -People always ask. | 0:12:25 | 0:12:27 | |
She probably gave them some good flasks of claret on the way in, | 0:12:27 | 0:12:30 | |
-didn't she? -Exactly. -Isn't that amazing?! | 0:12:30 | 0:12:33 | |
It's a humble cloak, isn't it? | 0:12:33 | 0:12:35 | |
Well, it would have been the maid servant's cloak. | 0:12:35 | 0:12:38 | |
The three escaped to France. They were never able to return. | 0:12:38 | 0:12:42 | |
But it became such a story in London that this style of cloak | 0:12:42 | 0:12:46 | |
-was known as the Nithsdale. -It's a fabulous story. | 0:12:46 | 0:12:49 | |
But it's not the only one. | 0:12:49 | 0:12:51 | |
As the Jacobite rebellion gathered momentum, | 0:12:51 | 0:12:53 | |
Bonnie Prince Charlie was determined to claim back the British throne | 0:12:53 | 0:12:56 | |
for the Catholic Stuarts after Charlie's grandfather, | 0:12:56 | 0:12:59 | |
King James II, had been overthrown | 0:12:59 | 0:13:02 | |
and succeeded by his Protestant son-in-law. | 0:13:02 | 0:13:04 | |
Charlie stayed at Traquair while assembling his army | 0:13:04 | 0:13:08 | |
-before going into battle. -Tell me about these splendid gates. | 0:13:08 | 0:13:12 | |
Well, these are the famous Bear Gates | 0:13:12 | 0:13:14 | |
that were only built in 1739 but then closed in 1745, | 0:13:14 | 0:13:19 | |
when Bonnie Prince Charlie came to Traquair and was recruiting support | 0:13:19 | 0:13:22 | |
and things were going very well then. | 0:13:22 | 0:13:25 | |
The Earl of Traquair, who was a great Jacobite, | 0:13:25 | 0:13:28 | |
fondly gave Charles his support and as he left, as a grand gesture, | 0:13:28 | 0:13:32 | |
he closed the gates, promising they wouldn't open them again | 0:13:32 | 0:13:35 | |
until a Stuart king returned to the throne. | 0:13:35 | 0:13:38 | |
The Jacobite cause didn't go to plan, | 0:13:38 | 0:13:40 | |
culminating in the Battle of Culloden | 0:13:40 | 0:13:42 | |
which took 1,000 lives and led to the end of the Jacobite rebellion. | 0:13:42 | 0:13:48 | |
Like William and Winifred, Charlie fled to France, | 0:13:48 | 0:13:51 | |
where a Catholic monarch still reigned. | 0:13:51 | 0:13:53 | |
To this day, these gates have never been reopened. | 0:13:53 | 0:13:56 | |
While James has been playing Lord of the Manor, Philip has | 0:13:58 | 0:14:01 | |
edged his way further into the heart of the Borders to Galashiels. | 0:14:01 | 0:14:05 | |
Before the Jacobite rebellions, this was territory for Border Reivers. | 0:14:05 | 0:14:10 | |
Today, an impressive statue on top of Galashiels' War Memorial | 0:14:10 | 0:14:14 | |
by local sculptor Thomas Clapperton immortalises the Border horsemen. | 0:14:14 | 0:14:19 | |
Philip has already parted ways with £120 but antiques and jewellery | 0:14:19 | 0:14:23 | |
shop owner, Kenny Philip, is ready to help him part with even more. | 0:14:23 | 0:14:28 | |
-Kenny, how are you? -Hello. Pleased to meet you, Philip. | 0:14:29 | 0:14:34 | |
Kenny is relatively new to the antiques business, | 0:14:34 | 0:14:37 | |
after leaving a career in the local textile industry. | 0:14:37 | 0:14:40 | |
He has only had the shop nine months but has already built up | 0:14:40 | 0:14:43 | |
a remarkable collection to tempt Philip. | 0:14:43 | 0:14:46 | |
-Tell me about that then, Kenny. -Royal Scots silk. | 0:14:46 | 0:14:49 | |
Obviously made somewhere between the Boer War and the First World War. | 0:14:49 | 0:14:54 | |
-It has been hand done silk work. -It's beautiful. | 0:14:54 | 0:14:57 | |
-The condition is incredible. -Hugely emotive as well, isn't it? | 0:14:57 | 0:15:01 | |
-You know, because war was a bit barbaric in those days. -Right. | 0:15:01 | 0:15:07 | |
-How much is that? -That, I'm looking for about £395. | 0:15:07 | 0:15:11 | |
It's lovely but it is way, way, way out of my price range. | 0:15:11 | 0:15:15 | |
And it's a bit too traditional for Philip, | 0:15:15 | 0:15:17 | |
who is usually more partial to the peculiar. | 0:15:17 | 0:15:20 | |
-Speaking of which... -Kenny, what's the ticket price on these, please? | 0:15:23 | 0:15:28 | |
-The pair? I'd be looking for about £130. -£130? | 0:15:28 | 0:15:33 | |
-Yeah, that's cheap. -You haven't got a chair, have you? | 0:15:33 | 0:15:35 | |
I just feel myself going all faint. | 0:15:35 | 0:15:38 | |
-What might be the best you could do for the one? -£30. -You could £30? | 0:15:38 | 0:15:42 | |
Wow! That's a huge drop! | 0:15:42 | 0:15:44 | |
I really like the extinguishers but one is damaged. | 0:15:44 | 0:15:46 | |
I think Kenny's been quite fair on the price but £30, | 0:15:46 | 0:15:49 | |
if it makes £30, I've got to pay commission and that's £4.50 off | 0:15:49 | 0:15:54 | |
so I'd really need to try and buy it for £25. | 0:15:54 | 0:15:56 | |
Antique copper and brass fire extinguishers are very collectable | 0:15:56 | 0:16:01 | |
and can be used to create unique lamp bases or coffee tables | 0:16:01 | 0:16:04 | |
-that are right up Phil's street. -How old do you think that is, Kenny? | 0:16:04 | 0:16:09 | |
It's got February 8th, 1898. | 0:16:09 | 0:16:13 | |
I'm just not convinced it's as old as you think it is. | 0:16:13 | 0:16:15 | |
I think that it's probably more like '30s. | 0:16:15 | 0:16:19 | |
Can I squeeze another fiver off you? | 0:16:19 | 0:16:21 | |
Well, I'll go against what they say about all Scotsmen, | 0:16:21 | 0:16:25 | |
that we're not all that tight and miserable, | 0:16:25 | 0:16:27 | |
and I think I could squeeze a fiver off. | 0:16:27 | 0:16:29 | |
You are a gentleman, mate. Thank you very much. | 0:16:29 | 0:16:31 | |
Philip, sitting down worked out well for you after all. | 0:16:31 | 0:16:35 | |
That's a fantastic deal for £25. | 0:16:35 | 0:16:38 | |
Philip has now paid £145 for his four items - | 0:16:38 | 0:16:41 | |
the fire extinguisher, dentist's chair, | 0:16:41 | 0:16:45 | |
corn grinder and loo seat, | 0:16:45 | 0:16:47 | |
-leaving just £70. -Cheers, now. Bye. | 0:16:47 | 0:16:50 | |
James is lagging, having only bought one item. | 0:16:50 | 0:16:54 | |
He'll need to be on top shopping form tomorrow. | 0:16:54 | 0:16:56 | |
But for now, off to bed with you chaps. | 0:16:56 | 0:16:59 | |
An early start the next morning sees them | 0:17:05 | 0:17:08 | |
back behind the wheel of the open top Austin-Healey. | 0:17:08 | 0:17:11 | |
-This is no longer dreish... -No, this is wet. -This is rain. Not dreish. | 0:17:11 | 0:17:16 | |
No, it's dreich! But it's not all gloom and doom. | 0:17:16 | 0:17:20 | |
-I feel quite chilled about today. -Do you? | 0:17:20 | 0:17:23 | |
Well, I bought four things yesterday. | 0:17:23 | 0:17:25 | |
I think I've got something that might just put out the Braxton fire. | 0:17:25 | 0:17:29 | |
-Really? -I see what you did there. | 0:17:29 | 0:17:32 | |
And Philip certainly ground down the prices yesterday, | 0:17:32 | 0:17:35 | |
spending £145 on his four items, | 0:17:35 | 0:17:38 | |
trying to go out in a blaze of glory at auction | 0:17:38 | 0:17:41 | |
rather than down the Swanee. | 0:17:41 | 0:17:43 | |
Whereas James still has over £220 to spend after buying only | 0:17:43 | 0:17:47 | |
a copper bowl for £30. | 0:17:47 | 0:17:49 | |
What are you going to spend your money on? | 0:17:50 | 0:17:53 | |
Kendal was peopled by all those northern industrialists. | 0:17:53 | 0:17:56 | |
I'm going to be looking for Arts and Crafts stuff. | 0:17:56 | 0:17:58 | |
Sounds like a plan but in this game, | 0:17:58 | 0:18:00 | |
having a shopping list doesn't always work. | 0:18:00 | 0:18:03 | |
Our experts began in Biggar and are now turning south | 0:18:03 | 0:18:06 | |
towards the largest of the Border towns, Hawick. | 0:18:06 | 0:18:10 | |
Often a winner in the national floral awards, | 0:18:12 | 0:18:15 | |
this pretty town is known worldwide for its knitwear and textiles. | 0:18:15 | 0:18:19 | |
It was also home to the voice of rugby, Bill McLaren, | 0:18:19 | 0:18:23 | |
who used to play for the local team. | 0:18:23 | 0:18:25 | |
I love it because being a rugby man, | 0:18:25 | 0:18:28 | |
you've got all those... Borders was the hotbed of Scottish rugby and, | 0:18:28 | 0:18:31 | |
you know, Hawick, Jed, Kelso, Melrose. | 0:18:31 | 0:18:35 | |
I played in the Hawick sevens light years ago. | 0:18:35 | 0:18:39 | |
Now, that I would have liked to have seen. | 0:18:39 | 0:18:42 | |
The only sport taking place today is seeing which of the fellas | 0:18:42 | 0:18:45 | |
can hook an antique gem and who will be getting a shoeing at auction. | 0:18:45 | 0:18:50 | |
-All right, James. Don't buy anything cheap. Go for broke! -Bye. | 0:18:50 | 0:18:54 | |
To try and score his second lot, James is meeting | 0:18:56 | 0:18:59 | |
owner of one of Hawick's newest antiques shops, Scott McIntosh. | 0:18:59 | 0:19:04 | |
-Hello, James. -Nice to meet you, James, Scott. | 0:19:04 | 0:19:06 | |
Hi, good to meet you, Scott. | 0:19:06 | 0:19:07 | |
Great Scott, James looks like he means business. | 0:19:07 | 0:19:10 | |
-OK, well, I'll have a good look round. -Please do. | 0:19:10 | 0:19:12 | |
Are there any bargains that you think I should be looking at? | 0:19:15 | 0:19:18 | |
Everything's a bargain in here. | 0:19:18 | 0:19:20 | |
JAMES LAUGHS | 0:19:20 | 0:19:21 | |
James is following his plan and asking Scott for advice. | 0:19:21 | 0:19:24 | |
Even though his shop's only been open for ten months, | 0:19:24 | 0:19:28 | |
Scott's managed to amass quite an assortment. | 0:19:28 | 0:19:31 | |
It's a copper chafing dish that's caught James' eye. | 0:19:31 | 0:19:34 | |
So, chafing dish, I've quickly looked up, | 0:19:36 | 0:19:38 | |
it comes from the French word chauffeur, "to make warm." | 0:19:38 | 0:19:42 | |
So, we've got the burner here, making warm. | 0:19:42 | 0:19:45 | |
It's been cleaned within an inch of its life | 0:19:45 | 0:19:47 | |
so it's taken off the silver plating here and revealed its copper body. | 0:19:47 | 0:19:53 | |
So, here we are. Sheffield-plated here. | 0:19:55 | 0:19:57 | |
Copper has been plated with silver since the mid-18th century | 0:19:58 | 0:20:03 | |
when Sheffield-based metal worker Thomas Boulsover discovered | 0:20:03 | 0:20:06 | |
that metals could be fused, resulting in a finish with | 0:20:06 | 0:20:09 | |
the appearance of solid silver but far less expensive. | 0:20:09 | 0:20:13 | |
This method is now generically termed Sheffield plate. | 0:20:13 | 0:20:17 | |
How much on something like this? | 0:20:17 | 0:20:20 | |
-We were looking for... -Think cheap, Scott. | 0:20:20 | 0:20:22 | |
We were looking for 50, James, but I can do... | 0:20:22 | 0:20:25 | |
What's the best price you could do on that one? | 0:20:25 | 0:20:29 | |
25. | 0:20:29 | 0:20:31 | |
25? That's very kind. | 0:20:31 | 0:20:33 | |
I'll definitely take that at 25, that's very kind, Scott. | 0:20:33 | 0:20:36 | |
-Thank you, you're welcome. -And another lot for James. | 0:20:36 | 0:20:39 | |
-But that's still only two to Philip's four. -Thank you very much. | 0:20:39 | 0:20:42 | |
Thank you very much indeed. | 0:20:42 | 0:20:44 | |
Meanwhile, Philip's en route to his next shop in the historic | 0:20:47 | 0:20:51 | |
royal borough of Jedburgh, just ten miles north of the border, | 0:20:51 | 0:20:56 | |
and it's nice to see Philip's got the roof working this time. | 0:20:56 | 0:20:59 | |
I've got to rely on my judgment, not James' misfortune, | 0:20:59 | 0:21:03 | |
so what I've really got to do now is focus on this last job. | 0:21:03 | 0:21:07 | |
I've got one thing to buy. | 0:21:07 | 0:21:08 | |
You know, that could make it or break it for me | 0:21:08 | 0:21:10 | |
so I've really got to keep a... | 0:21:10 | 0:21:11 | |
You know, keep your buying head on. | 0:21:11 | 0:21:15 | |
Be a bit hard-nosed. | 0:21:15 | 0:21:17 | |
Watch out, Jedburgh. | 0:21:17 | 0:21:19 | |
This enchanting town has captivated people for centuries. | 0:21:19 | 0:21:22 | |
Sir Walter Scott, Robert Burns and William Wordsworth all walked | 0:21:22 | 0:21:26 | |
the streets here but its most famous resident was Mary, Queen of Scots. | 0:21:26 | 0:21:32 | |
Philip's come to meet the slightly less well-known Mary Swann. | 0:21:32 | 0:21:36 | |
-How are you? -I'm fine, thank you. -Good to see you. | 0:21:36 | 0:21:38 | |
And as Philip's known for buying his rural bygones, | 0:21:40 | 0:21:43 | |
where is more appropriate than a shop called Bygone Days? | 0:21:43 | 0:21:47 | |
I'm on a real mission today. I've got one item to buy. | 0:21:47 | 0:21:50 | |
What I really need is a profit, you know? | 0:21:50 | 0:21:53 | |
-I quite like those brass bits there. -Oh, right. | 0:21:53 | 0:21:55 | |
Have you got any other bits that we could perhaps put with it? | 0:21:55 | 0:21:58 | |
I've got a couple of pieces of copper in the cellar. | 0:21:58 | 0:22:01 | |
-You've got a cellar? -Yeah. | 0:22:01 | 0:22:03 | |
If I'm not back in ten minutes, just send a search party for me, please. | 0:22:03 | 0:22:07 | |
And off Philip goes again. | 0:22:07 | 0:22:09 | |
-There's another saucepan, isn't it? -Eh, yeah. Copper saucepan. | 0:22:11 | 0:22:16 | |
-You know how you tell an old pan? -Mm, no. -It's effectively the seam. | 0:22:16 | 0:22:21 | |
It's where they join the copper together. | 0:22:21 | 0:22:23 | |
It's where the top joins the sides and on newer copper, | 0:22:23 | 0:22:28 | |
it's a straight line and on old copper, you've got this zigzag. | 0:22:28 | 0:22:32 | |
Can we take it upstairs? | 0:22:32 | 0:22:33 | |
-Blimey, that's a good omen. -Walk away, Philip, walk away. | 0:22:35 | 0:22:39 | |
Right. So, what we've got is two old saucepans. | 0:22:39 | 0:22:45 | |
The larger one has a ticket price of £40 and the smaller is 20. | 0:22:45 | 0:22:49 | |
I'd quite like to buy these. | 0:22:49 | 0:22:51 | |
But it means I've got to try and buy them at between 25 and 30 quid. | 0:22:51 | 0:22:55 | |
-Right. -Can I do that, do you think? | 0:22:55 | 0:22:57 | |
-I could do the two of them for 30. -And that's the best-best-best? | 0:22:57 | 0:23:01 | |
-That's the best-best-best. -OK, I'm going to buy those off you. -OK. | 0:23:01 | 0:23:03 | |
-You're an angel, thank you very much indeed. -Such a charmer, Philip. | 0:23:03 | 0:23:06 | |
-30, there we are. -That's lovely, thank you very much. | 0:23:06 | 0:23:09 | |
-And with that, Philip's shopping is done. -Cheers, bye. -Bye. | 0:23:09 | 0:23:13 | |
Meanwhile, the old smoothie James is crossing | 0:23:13 | 0:23:16 | |
the border from Scotland to England, heading to Brampton in Cumbria. | 0:23:16 | 0:23:20 | |
This small market town was one of the first 100 UK towns to be | 0:23:20 | 0:23:23 | |
given Fairtrade status. This means that people | 0:23:23 | 0:23:26 | |
and businesses of Brampton had made a commitment to supporting | 0:23:26 | 0:23:30 | |
some of the poorest farmers and workers | 0:23:30 | 0:23:32 | |
around the world by using products with the Fairtrade mark. | 0:23:32 | 0:23:36 | |
Today, James is hoping to do some fair trade of his own. | 0:23:36 | 0:23:39 | |
Nice to get out of the rain. | 0:23:39 | 0:23:41 | |
Now, I've got three more items to buy and I need to beat that Serrell. | 0:23:41 | 0:23:45 | |
And helping him | 0:23:46 | 0:23:47 | |
is owner of the Cumbrian Antiques Centre, Steve Summerson-Wright. | 0:23:47 | 0:23:52 | |
-Hello. -Hi, how are you doing, James? Steve. | 0:23:52 | 0:23:56 | |
Oh, you've got so many goodies here, haven't you? | 0:23:57 | 0:24:00 | |
The Centre is home to 40 different dealers, | 0:24:00 | 0:24:02 | |
so James should be able to source something from his shopping list. | 0:24:02 | 0:24:06 | |
-Oh, there you go, there's a nice piece of Keswick. -Right. | 0:24:06 | 0:24:10 | |
-But this is actually... -But this is stamped. | 0:24:10 | 0:24:12 | |
It's got everything you want on it - patent number, everything. | 0:24:12 | 0:24:16 | |
It's a nicely-made object, isn't it? | 0:24:16 | 0:24:18 | |
The Lake District's natural beauty | 0:24:21 | 0:24:23 | |
and resources inspired local craftspeople in the late 19th | 0:24:23 | 0:24:27 | |
century as part of the Arts and Crafts movement. | 0:24:27 | 0:24:31 | |
The Keswick School of Industrial Art was known for its metalwork, | 0:24:31 | 0:24:33 | |
producing trays, bowls and brass bellows like these. | 0:24:33 | 0:24:37 | |
So, you've got some boards here and then you've got this brass | 0:24:37 | 0:24:40 | |
skin which is nicely stamped up and a very nicely turned nozzle there. | 0:24:40 | 0:24:44 | |
-That's definitely on my list. -Right. -Definitely on my list. | 0:24:44 | 0:24:48 | |
Meanwhile, Philip's staying in Jedburgh to find out | 0:24:48 | 0:24:51 | |
more about the town's most renowned - albeit temporary - resident. | 0:24:51 | 0:24:55 | |
Mary, Queen of Scots spent six weeks at this 16th-century towerhouse | 0:24:57 | 0:25:02 | |
whilst on an official tour in 1566. | 0:25:02 | 0:25:05 | |
Curator of the visitor centre, Shona Sinclair, | 0:25:05 | 0:25:08 | |
is going to show Philip around. | 0:25:08 | 0:25:10 | |
-Good to see you. -Yeah, good to see you. | 0:25:10 | 0:25:12 | |
Mary became Queen of Scotland at only six days old. | 0:25:12 | 0:25:15 | |
In 1542, the key to her success was marrying well | 0:25:15 | 0:25:19 | |
and producing a male heir. | 0:25:19 | 0:25:22 | |
After Mary's first husband died, she married again, bearing a son | 0:25:22 | 0:25:26 | |
who would eventually become the first King of the united crown. | 0:25:26 | 0:25:30 | |
But Mary already doubted her choice of husband | 0:25:30 | 0:25:34 | |
and began looking elsewhere, growing close to one of her advisers. | 0:25:34 | 0:25:38 | |
And who is Bothwell? | 0:25:38 | 0:25:39 | |
Bothwell was seemingly a charismatic character, a strong character. | 0:25:39 | 0:25:43 | |
So, she'd appointed Bothwell by that time Lieutenant General. | 0:25:43 | 0:25:46 | |
When Mary got here to preside over the court, | 0:25:46 | 0:25:48 | |
she heard that Bothwell had been in a skirmish | 0:25:48 | 0:25:52 | |
and he was seriously ill and lying in Hermitage Castle. | 0:25:52 | 0:25:55 | |
So, she went to see him. | 0:25:55 | 0:25:56 | |
It was quite an achievement | 0:25:56 | 0:25:58 | |
because she travelled by horseback from Jedburgh to | 0:25:58 | 0:26:00 | |
Hermitage Castle in one day and it's an almost 50-mile round trip. | 0:26:00 | 0:26:04 | |
-So, the fact that she's got a four-month-old son... -Yeah. | 0:26:04 | 0:26:07 | |
..she's got Darnley in Edinburgh | 0:26:07 | 0:26:09 | |
and she's hoofing up to Hermitage to see Bothwell. | 0:26:09 | 0:26:12 | |
-Bit of a girl, isn't she? -She is a bit of a girl. | 0:26:12 | 0:26:14 | |
The arduous 50-mile journey to Hermitage Castle and back, just | 0:26:16 | 0:26:20 | |
four months after Mary had given birth, was extremely dangerous. | 0:26:20 | 0:26:25 | |
It was said that Mary fell from her horse en route and since then, | 0:26:25 | 0:26:29 | |
several objects have been recovered which tie in with | 0:26:29 | 0:26:32 | |
reports of the incident. | 0:26:32 | 0:26:33 | |
First of all, we have the watch. | 0:26:33 | 0:26:35 | |
Mary is said to have dropped the watch | 0:26:35 | 0:26:37 | |
and it was found almost 100 years later by a local shepherd. | 0:26:37 | 0:26:42 | |
Oh, that's a great romantic story, isn't it? | 0:26:42 | 0:26:44 | |
And again, when Mary fell from her horse, ripped her dress | 0:26:44 | 0:26:49 | |
and one of her ladies-in-waiting then made a repair to her dress | 0:26:49 | 0:26:53 | |
and in doing so must have dropped the thimble. | 0:26:53 | 0:26:55 | |
-And what about this? -The stirrup? | 0:26:55 | 0:26:57 | |
Again, it's just something that has been retrieved again from that | 0:26:57 | 0:27:01 | |
route and donated to the house as part of the cult of Mary. | 0:27:01 | 0:27:07 | |
What I think is really lovely about these is | 0:27:07 | 0:27:09 | |
whether they were Mary's or not is irrelevant in a way - | 0:27:09 | 0:27:12 | |
they're part of the folklore and the legend that is Mary, isn't it? | 0:27:12 | 0:27:16 | |
Mary's affair and subsequent marriage to Bothwell | 0:27:16 | 0:27:20 | |
eventually led to her demise. | 0:27:20 | 0:27:22 | |
She was forced to abdicate the throne, imprisoned by her cousin, | 0:27:22 | 0:27:27 | |
Queen Elizabeth I, for 19 years and finally beheaded at the age of 44. | 0:27:27 | 0:27:31 | |
-BLADE SLICES -Ooh. | 0:27:31 | 0:27:33 | |
Bad luck. | 0:27:34 | 0:27:35 | |
-So, this is a copy of Queen Mary's death mask? -Yeah. | 0:27:35 | 0:27:40 | |
As soon as possible after death, you would strike a wax mask | 0:27:40 | 0:27:46 | |
and then it's covered in plaster to get an impression of what | 0:27:46 | 0:27:51 | |
somebody looked like. | 0:27:51 | 0:27:52 | |
So, if anybody of note in history would have a death mask, | 0:27:52 | 0:27:55 | |
usually they would be white. | 0:27:55 | 0:27:57 | |
This isn't because friends of the person who donated | 0:27:57 | 0:28:01 | |
the mask to the museum thought it would be a good idea to have | 0:28:01 | 0:28:05 | |
it painted to make it look more lifelike. | 0:28:05 | 0:28:07 | |
Really stunning-looking lady, isn't she? | 0:28:07 | 0:28:09 | |
What in your view is Mary's legacy that she left? | 0:28:09 | 0:28:13 | |
Mary means a lot of things to a lot of different people | 0:28:13 | 0:28:17 | |
but her main legacy is she was the mother of the man, | 0:28:17 | 0:28:21 | |
the future monarch, who would unite the crowns of England | 0:28:21 | 0:28:25 | |
and Scotland and her lineage has now gone through | 0:28:25 | 0:28:28 | |
the United Kingdom's crowns to the current day, | 0:28:28 | 0:28:31 | |
so if that's not a legacy, I don't know what is. | 0:28:31 | 0:28:35 | |
Back in Brampton, James' Arts and Crafts wishlist | 0:28:39 | 0:28:43 | |
got off to a good start, but he's not done yet. | 0:28:43 | 0:28:47 | |
Mirrors are always popular, aren't they? | 0:28:47 | 0:28:50 | |
Yeah, that's Arts and Crafts, it's probably more likely Scottish. | 0:28:50 | 0:28:54 | |
-Do you think so? -I'm no expert on Arts and Crafts, but possibly. | 0:28:54 | 0:28:58 | |
You see a lot of Ruskin enamel in here. | 0:28:58 | 0:29:02 | |
The two most influential figures in the Arts and Crafts MOVEMENT | 0:29:02 | 0:29:07 | |
were designer and writer William Morris | 0:29:07 | 0:29:09 | |
and theorist and art critic John Ruskin. | 0:29:09 | 0:29:12 | |
Ruskin Pottery was formed following Ruskin's principles, | 0:29:12 | 0:29:16 | |
making enamels or plaques that were mounted on wood or metal. | 0:29:16 | 0:29:20 | |
I like that. That's on the list. | 0:29:20 | 0:29:22 | |
And Steve's picked out something that's usually more Philip's style. | 0:29:22 | 0:29:26 | |
Steve, what's this? | 0:29:26 | 0:29:28 | |
It's an old antique cart jack for fixing... | 0:29:28 | 0:29:32 | |
It wouldn't be a puncture in those days, would it? | 0:29:32 | 0:29:35 | |
-..your broken spoke or something. -Yeah. | 0:29:35 | 0:29:37 | |
-Basically, a spring... -Release spring's there. | 0:29:37 | 0:29:40 | |
The release spring would sit in there | 0:29:40 | 0:29:42 | |
and then you would have a toggle in here for turning | 0:29:42 | 0:29:45 | |
and it just keeps going up until it lifts you off the ground | 0:29:45 | 0:29:50 | |
so you can take your wheel off and sort your wheel. | 0:29:50 | 0:29:53 | |
That is amazing, isn't it? | 0:29:53 | 0:29:54 | |
This would be taking Philip Serrell on at his own game. | 0:29:54 | 0:29:58 | |
-This is a rural bygone. -Without a doubt. | 0:29:58 | 0:30:02 | |
James is taking a risk, stomping on Philip's rural bygone territory. | 0:30:02 | 0:30:08 | |
But will it pay off? | 0:30:08 | 0:30:09 | |
-How much are these priced at, Steve? -The bellow was at 55. | 0:30:09 | 0:30:14 | |
-We could stretch it and let you have him for 45. The mirror, 75. -Yeah. | 0:30:14 | 0:30:20 | |
And I'm sure we'd be able to let you have that for about 60. | 0:30:20 | 0:30:22 | |
These guys, a chancy £50. | 0:30:22 | 0:30:26 | |
It could be a bit rich. It did come in with some other things. | 0:30:26 | 0:30:30 | |
If you give me two minutes, I shall go and have a look. | 0:30:30 | 0:30:33 | |
Philip will be so jealous if I buy this. | 0:30:33 | 0:30:36 | |
Not only does this car jack have a lovely look to it, very unusual, | 0:30:36 | 0:30:40 | |
very novel, but it also has rust, has a bit of worm, | 0:30:40 | 0:30:43 | |
and I don't think you can beat a rural bygone like this. | 0:30:43 | 0:30:47 | |
Cor, listen to that. He wouldn't be saying it if Philip had bought it. | 0:30:47 | 0:30:51 | |
-Oh, blimey. -I'm like the Grim Reaper. | 0:30:51 | 0:30:55 | |
That is an offensive weapon, Steve. | 0:30:55 | 0:30:57 | |
I had a look and this actually came from the same farm | 0:30:57 | 0:31:01 | |
so I suppose it should stay together. | 0:31:01 | 0:31:03 | |
-You can have the jack and the scythe for £40. -£40. | 0:31:03 | 0:31:10 | |
Well, I'm definitely going to take those. | 0:31:10 | 0:31:12 | |
-Could you do the other two for 100, chief? -Yeah, that'll be fine. | 0:31:12 | 0:31:17 | |
Really lovely afternoon. | 0:31:17 | 0:31:18 | |
You've got fabulous stock and I'm spoilt for choice. | 0:31:18 | 0:31:22 | |
-But I'm very pleased with this. -I love that. | 0:31:22 | 0:31:24 | |
Yeah, Philip will be weeping when he sees that. | 0:31:24 | 0:31:27 | |
At £140, James has managed to knock off £40 from the ticket | 0:31:27 | 0:31:32 | |
prices of his bellows, mirror and cart jack and get a free scythe. | 0:31:32 | 0:31:38 | |
He's now done for the day and along with his copper bowl | 0:31:38 | 0:31:41 | |
and chafing dish, James has six items ready for auction, | 0:31:41 | 0:31:44 | |
costing a grand total of £195. | 0:31:44 | 0:31:47 | |
After spending £175, Philip also has six items - a pair of saucepans, | 0:31:47 | 0:31:52 | |
a dentist's chair, a loo seat, corn grinder and the fire extinguisher. | 0:31:52 | 0:31:58 | |
But what will they think of each other's lots? Fire away, chaps. | 0:31:58 | 0:32:02 | |
He is trying to out-Serrell Serrell. | 0:32:02 | 0:32:05 | |
He's been and bought a scythe and now, well, | 0:32:05 | 0:32:07 | |
I'm not quite sure what you'd call it, | 0:32:07 | 0:32:08 | |
but where he's been really, really clever, | 0:32:08 | 0:32:10 | |
he's been and bought himself some Keswick School of Industrial Art | 0:32:10 | 0:32:13 | |
bellows and I think that's his real banker for this auction. | 0:32:13 | 0:32:16 | |
Always touching the boundaries of antiques, | 0:32:16 | 0:32:19 | |
he's found some nice items. | 0:32:19 | 0:32:20 | |
I like his dentist's chair, that fire extinguisher is a flashy | 0:32:20 | 0:32:24 | |
item and as for the loo seat, where does one stand on it? | 0:32:24 | 0:32:28 | |
Will Philip Serrell be going down the proverbial? | 0:32:28 | 0:32:33 | |
We shall see, | 0:32:33 | 0:32:35 | |
as the gents come to the end of their 200-mile journey, | 0:32:35 | 0:32:37 | |
crossing the finishing line at auction in Kendal. | 0:32:37 | 0:32:41 | |
That's if they ever get there. | 0:32:41 | 0:32:43 | |
I think you should just concentrate. | 0:32:43 | 0:32:44 | |
You're meandering again, you're over the white line again. What was that? | 0:32:44 | 0:32:49 | |
-Watch out, James. -How'd you get rid of whiplash? | 0:32:49 | 0:32:52 | |
Kendal is known worldwide for its mint cake | 0:32:54 | 0:32:57 | |
but the market town was almost the inspiration for Postman Pat's | 0:32:57 | 0:33:01 | |
village, Greendale, as it was home to the creator, John Cunliffe. | 0:33:01 | 0:33:06 | |
The Lake District's most famous writer | 0:33:06 | 0:33:08 | |
though is surely Beatrix Potter. | 0:33:08 | 0:33:10 | |
What do you call a drunken snooker player who does strange shots? | 0:33:10 | 0:33:16 | |
-Eh, Dodgy Potter. -No, Beertrix Potter. | 0:33:16 | 0:33:19 | |
-What? -Beer-trix Potter. | 0:33:19 | 0:33:21 | |
Beer-trix Potter. | 0:33:21 | 0:33:23 | |
THEY CHUCKLE | 0:33:23 | 0:33:24 | |
Eighteen Eighteen Auctioneers have been auctioning goods since, | 0:33:24 | 0:33:28 | |
funnily enough, 1818. | 0:33:28 | 0:33:30 | |
Today, it's the appropriately-named Kevin Kendal at the helm, | 0:33:30 | 0:33:35 | |
and who better to tell us what he thinks of the fellas' haul? | 0:33:35 | 0:33:39 | |
Phil's gone for the gamble with the interest in the unusual, | 0:33:39 | 0:33:43 | |
the items that could do well but could go either way, | 0:33:43 | 0:33:46 | |
whereas James stuck with the bankers, the items that there | 0:33:46 | 0:33:50 | |
will be a market for but with the prices, it could be a break-even. | 0:33:50 | 0:33:54 | |
Lord above. | 0:33:55 | 0:33:56 | |
-Ooh, dear me, James. -Ooh, dear. | 0:33:56 | 0:34:00 | |
-Careful, chaps, you don't want to do yourself a mischief. -Come on then. | 0:34:00 | 0:34:03 | |
Let's see what's going to happen. | 0:34:03 | 0:34:06 | |
Philip's still trying to tout his loo seat as a frame | 0:34:06 | 0:34:10 | |
-but James' face does look a picture. -That's lovely. | 0:34:10 | 0:34:13 | |
I love the way your lots have a theme, Philip. | 0:34:13 | 0:34:16 | |
But it's time to start proceedings. Let the auction commence. | 0:34:16 | 0:34:21 | |
First up, Philip's corn grinder. | 0:34:21 | 0:34:23 | |
£40 if you like, 40. | 0:34:23 | 0:34:25 | |
-£40 for a rural bygone. -See? Rural bygone. | 0:34:25 | 0:34:30 | |
Ten in the centre, thank you. 10, 12, 15, 18, 20. | 0:34:30 | 0:34:34 | |
22, 25, 28. | 0:34:34 | 0:34:37 | |
28 in the centre then and selling at 28. | 0:34:37 | 0:34:41 | |
-How much did you...? -Could you just wipe the smile off your face? | 0:34:41 | 0:34:44 | |
-No, but... -Just wipe that nasty smile off. | 0:34:44 | 0:34:47 | |
Ouch! What a way to start with a £12 loss, eh? | 0:34:47 | 0:34:50 | |
-Just remind me... -No, just shut up. -How much? | 0:34:50 | 0:34:52 | |
Just shut up, that's not a nice look. | 0:34:52 | 0:34:55 | |
Neither is the face of a sore loser. | 0:34:55 | 0:34:57 | |
Next up, it's James' copper Arts and Crafts bowl. | 0:34:57 | 0:35:01 | |
£30? We'll start at 20 then. | 0:35:01 | 0:35:04 | |
20, 22, 25, 28, 30. | 0:35:04 | 0:35:07 | |
32, 35, 38. 40. | 0:35:07 | 0:35:10 | |
James, I'm developing a very strong dislike for you. | 0:35:10 | 0:35:14 | |
45, 48. | 0:35:14 | 0:35:16 | |
-Get that smug, supercilious smile off your face, please. -48. | 0:35:16 | 0:35:21 | |
If you're done then at 48. | 0:35:21 | 0:35:24 | |
A solid profit at £18. | 0:35:24 | 0:35:27 | |
I got out of that one, didn't I? | 0:35:27 | 0:35:29 | |
"Oh, I got out of that one, didn't I?" I don't even like you. | 0:35:29 | 0:35:33 | |
Next in the hot seat is Philip's dentist's chair. | 0:35:33 | 0:35:37 | |
Really interesting and unusual, | 0:35:37 | 0:35:38 | |
who wouldn't want this in the living room? | 0:35:38 | 0:35:40 | |
Where are we going to go with it for a start? Couple of hundred? | 0:35:40 | 0:35:43 | |
Start me at £100 then. | 0:35:43 | 0:35:45 | |
Go 50 on the telephone then, 50 on the phone. | 0:35:45 | 0:35:47 | |
60 on the internet, I'll come back to the phone. 65, 70, 75. | 0:35:47 | 0:35:51 | |
80. 85. | 0:35:51 | 0:35:54 | |
85 now. 90. 95. | 0:35:54 | 0:35:57 | |
Crikey, it's flying away. | 0:35:57 | 0:36:00 | |
95 now. 100, new bidder. | 0:36:00 | 0:36:04 | |
100, 110 behind you. | 0:36:04 | 0:36:06 | |
110 in the doorway, we'll sell away then if you're all done at 110. | 0:36:06 | 0:36:10 | |
-My word. -Do you know? He's nearly choking. | 0:36:12 | 0:36:16 | |
He's almost doubled his money. A fantastic comeback from Serrell. | 0:36:16 | 0:36:20 | |
That is outrageous, isn't it? | 0:36:20 | 0:36:23 | |
Does that mean I'm about 20 quid behind you then? | 0:36:23 | 0:36:25 | |
Is that what it means? | 0:36:25 | 0:36:28 | |
Well, you've put on some weight there, haven't you, chief? | 0:36:28 | 0:36:31 | |
Hoo-hoo! That's a bit harsh. | 0:36:31 | 0:36:32 | |
Philip's catching up. | 0:36:32 | 0:36:34 | |
Let's see if James' chafing dish can heat things up further. | 0:36:34 | 0:36:37 | |
Nice thing, that. | 0:36:37 | 0:36:38 | |
Start me at 20, I will take 20 for a start. Thank you, lady's bid. | 0:36:38 | 0:36:41 | |
£20 now. 22, 25. | 0:36:41 | 0:36:45 | |
28, 30 now online. | 0:36:45 | 0:36:47 | |
30 now. 30 bid. | 0:36:47 | 0:36:49 | |
We're on the internet, you're all out in the room. 32, thank you. | 0:36:49 | 0:36:53 | |
32, 35. 38. | 0:36:53 | 0:36:57 | |
With £38 then in the room and selling, all done at 38. | 0:36:57 | 0:37:02 | |
I've got to tell you, that's a bit of relief, really, | 0:37:02 | 0:37:04 | |
cos you've only made a tenner out of that(!) | 0:37:04 | 0:37:07 | |
And every little counts in this game. | 0:37:07 | 0:37:09 | |
You've got that smile on your face again. | 0:37:09 | 0:37:11 | |
Please don't do it, James, it's not good. Don't cover that smile. | 0:37:11 | 0:37:14 | |
Will you please put your hand down? | 0:37:14 | 0:37:16 | |
THEY CHUCKLE | 0:37:16 | 0:37:18 | |
You're such a ratbag. | 0:37:18 | 0:37:21 | |
-Now, it's time for Philip's Edwardian toilet seat. -Lot 50A. | 0:37:21 | 0:37:26 | |
LAUGHTER IN CROWD | 0:37:26 | 0:37:28 | |
Yep, it just needs a little bit of imagination, that's all. | 0:37:28 | 0:37:32 | |
Picture frame, flower arrangement. £10 then, start me. | 0:37:32 | 0:37:36 | |
-£10 for the lavatory seat. -Five. -Are you bidding? Five! | 0:37:36 | 0:37:41 | |
10 bid. 12 anywhere? 12, thank you, 12 bid. | 0:37:41 | 0:37:45 | |
15. 18. 20, 22. | 0:37:45 | 0:37:49 | |
22. 22. | 0:37:49 | 0:37:51 | |
-I think it's washed its face. -Philip! | 0:37:51 | 0:37:55 | |
I'm going to sell away, the bid's in the room. If you're done then at 22. | 0:37:55 | 0:37:59 | |
Not bad, really, considering. So, can Philip's pans pan out for him? | 0:37:59 | 0:38:05 | |
Start me at £50. 30 then? | 0:38:05 | 0:38:08 | |
30 if you like. | 0:38:08 | 0:38:09 | |
-Right down. -Easy now, James. -Don't be so mean. | 0:38:09 | 0:38:12 | |
£20. Thank you, £20 bid. | 0:38:12 | 0:38:14 | |
22, 25. 28. | 0:38:14 | 0:38:18 | |
30. 30 now. | 0:38:18 | 0:38:21 | |
£30 bid on the front row. £30 only. | 0:38:21 | 0:38:24 | |
£30, we're going to sell if you're all done at 30. | 0:38:24 | 0:38:27 | |
You've got that look on your face. | 0:38:28 | 0:38:32 | |
-You are such a nasty piece of work, aren't you? -30. | 0:38:32 | 0:38:35 | |
And that's a loss after auction costs. | 0:38:35 | 0:38:38 | |
Now, it's James' turn to give Philip a run for his rural bygone money. | 0:38:38 | 0:38:43 | |
£20 if you like. 20? | 0:38:43 | 0:38:45 | |
£20? Thank you, £20 bid now, 20 bid. | 0:38:45 | 0:38:49 | |
You could have got it for a tenner. | 0:38:49 | 0:38:52 | |
30. 32, we're away on the net, 32, 35, 38. | 0:38:52 | 0:38:58 | |
-I don't believe it. -38. | 0:38:58 | 0:39:01 | |
-You're all out in the room. -40. 40. | 0:39:01 | 0:39:04 | |
40, 42, 45, the lady. | 0:39:04 | 0:39:06 | |
Well done. | 0:39:06 | 0:39:09 | |
48. | 0:39:09 | 0:39:10 | |
Bid's on the internet. Have you all done this time then at 48? | 0:39:10 | 0:39:15 | |
And at £48, James has just scraped a profit. | 0:39:17 | 0:39:20 | |
-Philip's up next with his antique fire extinguisher. -30 if you like. | 0:39:22 | 0:39:26 | |
£30. | 0:39:26 | 0:39:27 | |
£20. | 0:39:29 | 0:39:30 | |
James, I'm in real trouble here. | 0:39:31 | 0:39:34 | |
£20 bid, 20 bid. 22. | 0:39:34 | 0:39:36 | |
We've got lots of interest on the net. 25, 28, 30. 30 bid. | 0:39:36 | 0:39:41 | |
32, 35, 38, 40. | 0:39:41 | 0:39:44 | |
40 bid. 42, thank you in the room. | 0:39:44 | 0:39:46 | |
45, 48, 50, 55. 55 in the room then. | 0:39:46 | 0:39:52 | |
If you're all done then... 60. | 0:39:52 | 0:39:54 | |
65. | 0:39:54 | 0:39:55 | |
Put it...put it... Put it down, put it down. | 0:39:55 | 0:39:59 | |
£75 then. In the room and selling, all done at 75. | 0:39:59 | 0:40:05 | |
Well done, Philip. He's tripled his money. | 0:40:06 | 0:40:10 | |
You made about 40 quid on that. | 0:40:10 | 0:40:11 | |
-Yeah, and I thought I was in the doo-doo there. -Not at all. | 0:40:11 | 0:40:15 | |
But let's see if James' next lot can puff up his profits too. | 0:40:15 | 0:40:19 | |
Are we going to give 100? £50 then, somebody? | 0:40:19 | 0:40:22 | |
£50, surely somewhere at 50. | 0:40:23 | 0:40:25 | |
Yes, 50 on the net. 55 on the net now. | 0:40:25 | 0:40:28 | |
-60, 70. -Well done, James. | 0:40:28 | 0:40:32 | |
75, 80. 80 bid. I'll take five in front if you like. | 0:40:32 | 0:40:36 | |
Don't lose them to the net now. £80, we're going to sell. | 0:40:36 | 0:40:40 | |
85, thank you. | 0:40:40 | 0:40:42 | |
85 in the room. 90 now. 95. 95. 100. | 0:40:42 | 0:40:47 | |
£100 on the internet, I'm going to sell if you're all done at 100. | 0:40:47 | 0:40:52 | |
That's not bad, is it? It's good. I'm pleased with that. | 0:40:52 | 0:40:55 | |
-Smug, smug smile's come back. -I know. You're allowed a small smile. | 0:40:55 | 0:41:01 | |
Especially when you've more than doubled your money, James. | 0:41:01 | 0:41:04 | |
-Well done. -I think my mirror's going to struggle here, don't you? | 0:41:04 | 0:41:07 | |
I hope so. I mean it might do, yes. | 0:41:07 | 0:41:09 | |
Let's see, as finally, it's James' Arts and Crafts mirror. | 0:41:10 | 0:41:15 | |
£50 if you like, somebody for a quick start. £50 on the net bid. | 0:41:15 | 0:41:18 | |
No, no, no. | 0:41:18 | 0:41:20 | |
70, 75, 80. | 0:41:20 | 0:41:23 | |
85 if you like, I've 80 on commission. 90 now. | 0:41:23 | 0:41:27 | |
-James, I'm snookered. -Oh, no. | 0:41:27 | 0:41:29 | |
90 bid. 95 in the room. | 0:41:29 | 0:41:31 | |
95, that's good. | 0:41:31 | 0:41:33 | |
-100. Let's have tens. -Don't rub it in, James. -110. | 0:41:33 | 0:41:37 | |
-Come on, keep going, Kendal. -110. You're both out on the internet. | 0:41:37 | 0:41:40 | |
120. 130. Selling at 130. | 0:41:40 | 0:41:46 | |
Jeepers. James has doubled his money again. What a way to finish, eh? | 0:41:46 | 0:41:50 | |
Well done, mate. | 0:41:50 | 0:41:51 | |
Well, I think you did very well with that mighty dentist's chair. | 0:41:51 | 0:41:54 | |
-That will live with me. -Ah, yeah, well. | 0:41:54 | 0:41:57 | |
I've got to learn to shop clever. Shop Braxton, shop clever. | 0:41:57 | 0:42:02 | |
Come on, mate. | 0:42:02 | 0:42:03 | |
Philip began today with £213.58 and after auction costs at the end of | 0:42:05 | 0:42:09 | |
a pretty good day, he's picked up a profit of £42.30, | 0:42:09 | 0:42:13 | |
giving him £255.88 to play with next time. | 0:42:13 | 0:42:18 | |
James has built on his lead on this leg. | 0:42:18 | 0:42:21 | |
He had £252.56 in the kitty, and after paying auction costs, he's | 0:42:21 | 0:42:27 | |
totted up a profit of £103.48 so now has £356.04 to use on the next leg. | 0:42:27 | 0:42:34 | |
There's now just over £100 between them so the gap is widening. | 0:42:34 | 0:42:39 | |
I've got to say to you, James, hats off, mate, you did really well. | 0:42:39 | 0:42:43 | |
I mean, you bought for the sale, didn't you? | 0:42:43 | 0:42:46 | |
I bought for the Lake District. | 0:42:46 | 0:42:48 | |
So, what are you going to buy for the next one? | 0:42:48 | 0:42:49 | |
We're in the industrial heartland of England, aren't we? | 0:42:49 | 0:42:53 | |
-So, what are you going to buy? -Over-engineered items. | 0:42:53 | 0:42:56 | |
-Over-engineered items? I'm on it, mate. -Off we hop. | 0:42:56 | 0:43:00 | |
-Next time, our talented twosome are trying new tactics... -50p. | 0:43:05 | 0:43:10 | |
It's a king's random, isn't it? | 0:43:10 | 0:43:12 | |
..Philip's playing the sympathy card... | 0:43:12 | 0:43:14 | |
I'm £100 behind at the minute. | 0:43:14 | 0:43:15 | |
..and James is always prepared. | 0:43:15 | 0:43:18 | |
I feel like a boy again. | 0:43:18 | 0:43:19 |