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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car... | 0:00:05 | 0:00:06 | |
-IN SCOTTISH ACCENT: -We're going roon'! | 0:00:06 | 0:00:08 | |
..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
I want to spend lots of money! | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, | 0:00:13 | 0:00:15 | |
but it's no mean feat. | 0:00:15 | 0:00:17 | |
Oh, no! | 0:00:17 | 0:00:19 | |
There'll be worthy winners... | 0:00:19 | 0:00:20 | |
-Yes! -We've done it! | 0:00:20 | 0:00:21 | |
..and valiant losers. | 0:00:21 | 0:00:23 | |
You are kidding me on! | 0:00:23 | 0:00:25 | |
So will it be the high road to glory, | 0:00:25 | 0:00:27 | |
or the slow road to disaster? | 0:00:27 | 0:00:29 | |
-What am I doing? -Got a deal. -This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
Yeah... | 0:00:33 | 0:00:35 | |
On this trip, we've been on an antique adventure, | 0:00:35 | 0:00:38 | |
from the Highlands to the flatlands | 0:00:38 | 0:00:41 | |
and it's all to play for on this final leg, | 0:00:41 | 0:00:43 | |
with experts Christina Trevanion and Charlie Ross. | 0:00:43 | 0:00:48 | |
Will you miss me? | 0:00:48 | 0:00:49 | |
Will I miss you?! | 0:00:49 | 0:00:51 | |
I don't intend to miss you, because I'm going to stay with you. | 0:00:51 | 0:00:53 | |
Wild horses will not remove me from you! | 0:00:55 | 0:00:59 | |
Christina's been attending auctions since she was a child, | 0:00:59 | 0:01:02 | |
not very long ago, | 0:01:02 | 0:01:03 | |
and can spot a bargain from miles away. | 0:01:03 | 0:01:05 | |
I spy... | 0:01:05 | 0:01:07 | |
huge profits. | 0:01:07 | 0:01:08 | |
Veteran Road Tripper and all-round entertainer Charlie | 0:01:08 | 0:01:12 | |
is on a song this week. | 0:01:12 | 0:01:13 | |
# Am I a fool without a mind? # | 0:01:14 | 0:01:17 | |
Our pair kicked off with £200 each. | 0:01:17 | 0:01:20 | |
Over the week, Charlie got a scent for victory... | 0:01:20 | 0:01:23 | |
-I love it. -..winning the first two auctions, | 0:01:23 | 0:01:25 | |
but since then, Christina has come up smelling of roses, | 0:01:25 | 0:01:28 | |
so it's all to play for. | 0:01:28 | 0:01:30 | |
Oh, my...! | 0:01:30 | 0:01:31 | |
After a disappointing start, | 0:01:31 | 0:01:33 | |
Christina has managed to get herself into profit | 0:01:33 | 0:01:37 | |
and has £232.06 to spend. | 0:01:37 | 0:01:39 | |
But she's got a lot of catching up to do - | 0:01:39 | 0:01:41 | |
despite losing the last two auctions, | 0:01:41 | 0:01:44 | |
Charlie still has the much healthier sum of £346.68 | 0:01:44 | 0:01:49 | |
to splash out today. | 0:01:49 | 0:01:50 | |
You've got your work cut out, honey. | 0:01:50 | 0:01:52 | |
I've seriously got my work cut out. | 0:01:52 | 0:01:53 | |
I think you're the sort of girl that could handle that sort of challenge. | 0:01:53 | 0:01:56 | |
I do love a challenge. | 0:01:56 | 0:01:58 | |
Oh, yes, they've been clocking up the miles | 0:01:58 | 0:02:00 | |
in a 1977 Volkswagen camper van called Geoffrey II. | 0:02:00 | 0:02:03 | |
I think we ought to buy Geoffrey a present. | 0:02:03 | 0:02:06 | |
I know! Fluffy dice! | 0:02:06 | 0:02:08 | |
SHE GASPS | 0:02:08 | 0:02:09 | |
-Fluffy dice! -Fluffy dice? -He's kitsch, isn't he? -Yeah. | 0:02:09 | 0:02:12 | |
Christina and Charlie are travelling over 500 miles | 0:02:14 | 0:02:16 | |
from Inverness in the Scottish Highlands | 0:02:16 | 0:02:18 | |
to the coastal town of Boston in Lincolnshire. | 0:02:18 | 0:02:21 | |
Today they're starting the last leg of the trip | 0:02:23 | 0:02:26 | |
in the Norfolk sea port of King's Lynn | 0:02:26 | 0:02:28 | |
and heading to the final auction in Boston. | 0:02:28 | 0:02:32 | |
How do they "tork" in Norfolk? | 0:02:32 | 0:02:33 | |
They "tork" like "thart" in Norfolk. | 0:02:33 | 0:02:35 | |
-They "tork" like "thart"? -They do. | 0:02:35 | 0:02:37 | |
I say, chaps, I'd work on the accents. | 0:02:37 | 0:02:39 | |
Last time I checked, Norfolk wasn't in the West Country. | 0:02:39 | 0:02:42 | |
Anyway, King's Lynn was one of England's most important ports | 0:02:42 | 0:02:47 | |
from as early as the 12th century | 0:02:47 | 0:02:48 | |
and this maritime past is still very much in evidence today. | 0:02:48 | 0:02:52 | |
Whoa-ho-ho-ho! | 0:02:52 | 0:02:54 | |
-Fantastic! -A grandfather clock! | 0:02:54 | 0:02:56 | |
-Can I come too? -Well out of your price range, dear. Goodbye. | 0:02:56 | 0:02:59 | |
-Mwah! -Have fun. | 0:02:59 | 0:03:01 | |
This looks just up your street. | 0:03:01 | 0:03:02 | |
I think it does. | 0:03:02 | 0:03:04 | |
Even I might not have enough money! | 0:03:04 | 0:03:06 | |
Charlie's starting off his shopping at Jubilee Antiques, | 0:03:06 | 0:03:09 | |
which specialises in furniture. | 0:03:09 | 0:03:12 | |
English Victorian furniture, | 0:03:12 | 0:03:15 | |
Georgian furniture, | 0:03:15 | 0:03:16 | |
Georgian three-tier dumbwaiter... | 0:03:16 | 0:03:19 | |
Urgh! | 0:03:19 | 0:03:21 | |
Nothing that I can see anywhere near my miserable £340-whatever. | 0:03:21 | 0:03:27 | |
But if I keep looking, there might be something. | 0:03:29 | 0:03:32 | |
Time to get owner Arthur involved. | 0:03:32 | 0:03:34 | |
-I need to find something out of your sphere, don't I? -You certainly... | 0:03:34 | 0:03:37 | |
Nothing I can teach you about Georgian furniture, I can tell that. | 0:03:37 | 0:03:41 | |
That's rather splendid. | 0:03:41 | 0:03:43 | |
That's not really you, is it? | 0:03:43 | 0:03:44 | |
-This bit of bamboo? -No, no, not really me. | 0:03:44 | 0:03:47 | |
What are you doing with a bit of bamboo? | 0:03:47 | 0:03:48 | |
Well, it's not a bad bit, is it? | 0:03:48 | 0:03:50 | |
It's lovely! | 0:03:50 | 0:03:51 | |
It might not be Arthur's style, | 0:03:51 | 0:03:53 | |
but this early 20th century bamboo overmantel | 0:03:53 | 0:03:56 | |
seems to be in Charlie's taste. | 0:03:56 | 0:03:58 | |
What a magnificent thing! | 0:03:58 | 0:04:00 | |
You know what this is? | 0:04:01 | 0:04:02 | |
It's a love it or hate it. | 0:04:02 | 0:04:04 | |
At the £200 asking price, | 0:04:04 | 0:04:06 | |
this would be a huge gamble. | 0:04:06 | 0:04:09 | |
The bad news is, Arthur, I don't really want to pay £200 for it. | 0:04:09 | 0:04:12 | |
Oh, don't be like that! | 0:04:12 | 0:04:14 | |
Would you take £100 off an old man for it? | 0:04:16 | 0:04:18 | |
-No, no, no, no. -What about a young man? | 0:04:18 | 0:04:20 | |
-Not even an old man. -What about me? | 0:04:20 | 0:04:22 | |
Not even a young man. | 0:04:22 | 0:04:23 | |
Not even you! | 0:04:23 | 0:04:25 | |
What?! Not even to our Charlie?! | 0:04:25 | 0:04:28 | |
Looks like you'll have to keep looking, Rossco. | 0:04:28 | 0:04:30 | |
Arthur, may I borrow you again? | 0:04:32 | 0:04:34 | |
Right... | 0:04:34 | 0:04:35 | |
-I've seen something at long range, here. -Oh, right. | 0:04:35 | 0:04:38 | |
Bit of chinoise with the stool, how much is that? | 0:04:38 | 0:04:41 | |
50 quid. | 0:04:41 | 0:04:43 | |
Oh, it's cheap, Arthur! | 0:04:43 | 0:04:45 | |
Got him excited! | 0:04:45 | 0:04:46 | |
Steady on, you'll do yourself a mischief. | 0:04:46 | 0:04:49 | |
I thought I'd ask the question before I clambered over there | 0:04:49 | 0:04:52 | |
and had a look at it. Chinese Chippendale. | 0:04:52 | 0:04:54 | |
-It's quite nice. -Isn't it? -Yeah. | 0:04:54 | 0:04:56 | |
I think, what, erm... | 0:04:56 | 0:04:58 | |
..what Christina would call "Chinese Chippendale effect". | 0:05:00 | 0:05:05 | |
Or style, for you, Christina, cos it isn't period. | 0:05:05 | 0:05:08 | |
You're right, it isn't, I'd say 20th century, | 0:05:08 | 0:05:11 | |
so it could be a real gamble. | 0:05:11 | 0:05:12 | |
Well, it's cheap enough, innit? | 0:05:14 | 0:05:16 | |
I must say, Arthur, your starting price was almost...reasonable. | 0:05:16 | 0:05:22 | |
No, it's not the starting price. | 0:05:22 | 0:05:24 | |
-That's the death of it, that is. -That's the death, is it, 50 quid? | 0:05:26 | 0:05:29 | |
Hmm, you're not dancing now, though, are you? | 0:05:29 | 0:05:31 | |
I suppose the only thing about that at auction is who would buy it? | 0:05:31 | 0:05:34 | |
I suppose it could make 20 quid and it could make 70 quid. | 0:05:34 | 0:05:38 | |
It'd be a complete gamble. | 0:05:38 | 0:05:40 | |
So while Charlie mulls over a risky overmantel and stool, | 0:05:40 | 0:05:45 | |
Christina has made her way 28 miles west to Spalding | 0:05:45 | 0:05:49 | |
to see what John has to offer in Spalding Antiques. | 0:05:49 | 0:05:53 | |
In an effort to claw back Charlie's lead, | 0:05:53 | 0:05:55 | |
Christina's headed straight for what she knows best - | 0:05:55 | 0:05:57 | |
jewellery. | 0:05:57 | 0:05:59 | |
Little knick-knacks in here. | 0:05:59 | 0:06:01 | |
A pearl missing out of that one, but a little diamond, OK. | 0:06:02 | 0:06:06 | |
He looks a bit of a skew-whiff spider, doesn't he? | 0:06:06 | 0:06:08 | |
Yeah, it does a bit, yeah. | 0:06:08 | 0:06:09 | |
-Not climbing the drainpipe. -But it's nine-carat, I think. -It... | 0:06:09 | 0:06:14 | |
is, yes. | 0:06:14 | 0:06:15 | |
How much are on your brooches, John? | 0:06:15 | 0:06:18 | |
They can be... | 0:06:18 | 0:06:19 | |
-..40 each. -40 each? | 0:06:21 | 0:06:24 | |
Christina, however, | 0:06:24 | 0:06:25 | |
is eyeing up a better price on this 15-carat golden diamond bar brooch | 0:06:25 | 0:06:29 | |
and nine-carat gold spider brooch. | 0:06:29 | 0:06:32 | |
-What's best, best price on that? -If I said... | 0:06:32 | 0:06:35 | |
..60 for those two...? | 0:06:38 | 0:06:39 | |
That, really, I'm not particularly interested in. | 0:06:39 | 0:06:42 | |
Yes, it's gold, but unfortunately | 0:06:42 | 0:06:44 | |
it's got a stone missing, it's a bit damaged. | 0:06:44 | 0:06:46 | |
That one has got a little old-cut diamond in it and it's nice, | 0:06:46 | 0:06:51 | |
so your main value obviously is in that one, | 0:06:51 | 0:06:54 | |
but, really, I would be wanting to pay £30 for the two. | 0:06:54 | 0:06:59 | |
I would do them at 40. | 0:06:59 | 0:07:00 | |
-£40? -Yes. -For the two? -For the two. | 0:07:00 | 0:07:03 | |
And the box. | 0:07:03 | 0:07:04 | |
-And the box? -And the box. | 0:07:04 | 0:07:05 | |
You are generosity personified, sir. Thank you very much. | 0:07:05 | 0:07:09 | |
That's half of John's original asking price. Nice work, girl. | 0:07:09 | 0:07:12 | |
Back in King's Lynn, how's Charlie doing? | 0:07:14 | 0:07:16 | |
Now, going back to your bamboo... | 0:07:16 | 0:07:18 | |
-Right. -..I don't suppose you want to go back to your bamboo, but... | 0:07:18 | 0:07:22 | |
..I think if I'm going to pay £200 for that, | 0:07:23 | 0:07:26 | |
I would lose money at auction. | 0:07:26 | 0:07:28 | |
How much did the stool cost? We might do a deal. | 0:07:28 | 0:07:31 | |
Could you do two for the price of one, do you think? | 0:07:31 | 0:07:34 | |
What, £200 for the two? | 0:07:34 | 0:07:35 | |
-£200 for the two. -Yep. | 0:07:35 | 0:07:37 | |
That's the very best, isn't it? | 0:07:37 | 0:07:39 | |
There's not a penny to be had off that, is there? | 0:07:39 | 0:07:41 | |
-No. -But if I gave you £200 for the two, | 0:07:41 | 0:07:43 | |
-you would find that acceptable, would you? -Just about. | 0:07:43 | 0:07:46 | |
Put it there. I'm going to give you £200 for those two. | 0:07:48 | 0:07:51 | |
£200 on two very chancy pieces - | 0:07:51 | 0:07:53 | |
let's hope your luck's returned, Charlie. | 0:07:53 | 0:07:56 | |
Meanwhile, Christina's made her way across Spalding | 0:07:58 | 0:08:01 | |
to learn about an ancient and traditional way of life. | 0:08:01 | 0:08:05 | |
"Museum entrance." | 0:08:05 | 0:08:07 | |
Hello, pony! | 0:08:07 | 0:08:08 | |
The Romany people have a rich and varied travelling history | 0:08:08 | 0:08:12 | |
dating back thousands of years | 0:08:12 | 0:08:14 | |
and are said to have reached these shores about 1500, | 0:08:14 | 0:08:18 | |
but one man of Romany descent has laid down his roots here in Spalding | 0:08:18 | 0:08:22 | |
to document their fascinating past at the Gordon Boswell Romany Museum. | 0:08:22 | 0:08:27 | |
-Hello! -Hello. | 0:08:27 | 0:08:29 | |
-Is it Gordon? -Nice to meet you. Yes, Gordon. | 0:08:29 | 0:08:31 | |
-Christina, lovely to meet you. -And you. | 0:08:31 | 0:08:33 | |
Gordon began the museum with his own family's caravans back in 1995. | 0:08:33 | 0:08:38 | |
He has since built up a large collection | 0:08:38 | 0:08:40 | |
in memory of his father, Silvester. | 0:08:40 | 0:08:42 | |
-The proper word for these is "vardo". -"Vardo"? | 0:08:43 | 0:08:48 | |
Yes. You would call them, as you were saying, | 0:08:48 | 0:08:50 | |
a caravan, something like that, but the proper word is "vardo". | 0:08:50 | 0:08:54 | |
Can I have a look in one? | 0:08:54 | 0:08:55 | |
-You can do. -Would you mind? -No. | 0:08:55 | 0:08:57 | |
Oh, wow! | 0:08:58 | 0:09:00 | |
Oh, my goodness. | 0:09:00 | 0:09:02 | |
If you're a Romany man, | 0:09:02 | 0:09:03 | |
did you... | 0:09:03 | 0:09:05 | |
did you start out in one of these? | 0:09:05 | 0:09:07 | |
-I was born in a tent at the side of one of these. -No, you weren't! | 0:09:07 | 0:09:12 | |
-Were you?! -Yes. | 0:09:12 | 0:09:13 | |
And then I was like that until I was eight, | 0:09:13 | 0:09:16 | |
and then we progressed on to trailer caravans, | 0:09:16 | 0:09:19 | |
so this is how I've started my life off. | 0:09:19 | 0:09:23 | |
That explains to me why you collect these, then. | 0:09:23 | 0:09:26 | |
This is nostalgia for you. | 0:09:26 | 0:09:28 | |
People say, "How did they live in here?" | 0:09:28 | 0:09:30 | |
You've got to compare this | 0:09:30 | 0:09:33 | |
-to the average working man's house... -At the time. | 0:09:33 | 0:09:36 | |
-..at the same period. -So what date would this have been? | 0:09:36 | 0:09:38 | |
This is about 1920, | 0:09:38 | 0:09:40 | |
so go back to houses of 1920. | 0:09:40 | 0:09:43 | |
-Tiny little terraces. -Yes. | 0:09:43 | 0:09:44 | |
And four or five children in one bed, | 0:09:44 | 0:09:47 | |
-a tin bath, one bath a week. -Yeah. | 0:09:47 | 0:09:48 | |
-So you've got to compare them to them days. -Yeah. | 0:09:48 | 0:09:51 | |
The Romany people was living probably more comfortable, | 0:09:51 | 0:09:56 | |
more warmth, | 0:09:56 | 0:09:57 | |
than the average house - people who lived in houses. | 0:09:57 | 0:10:01 | |
One particular vardo in the collection takes pride of place. | 0:10:01 | 0:10:05 | |
So whose vardo was this? | 0:10:05 | 0:10:07 | |
This one, my father actually built this when he was 70... | 0:10:07 | 0:10:12 | |
-Really? -..just to prove to his family that he knew how to do it | 0:10:12 | 0:10:18 | |
and to keep his hand in. | 0:10:18 | 0:10:20 | |
How many brothers and sisters did you have? | 0:10:20 | 0:10:23 | |
There's five boys and two girls, seven of us. | 0:10:23 | 0:10:25 | |
-So seven, plus your mother? -Plus my mother was nine. -And your father. | 0:10:25 | 0:10:28 | |
-There was nine. -Nine of you? | 0:10:28 | 0:10:30 | |
-Yes. -In one of these? -Yes. | 0:10:30 | 0:10:32 | |
Was it a way of life that you enjoyed? | 0:10:32 | 0:10:34 | |
Was it a way of life that you have fond memories of? | 0:10:34 | 0:10:38 | |
That fond memories, you'll never forget them. | 0:10:38 | 0:10:41 | |
Some people in the Romany world who were brought up in wagons | 0:10:42 | 0:10:47 | |
couldn't wait to get out of them. | 0:10:47 | 0:10:49 | |
So why do you cherish it so much? | 0:10:49 | 0:10:51 | |
Why do I cherish it? | 0:10:51 | 0:10:53 | |
Well, if I didn't cherish it, what would happen to all this? | 0:10:53 | 0:10:57 | |
You wouldn't be coming to a Romany museum, would you? | 0:10:57 | 0:10:59 | |
It'd be lost, wouldn't it? | 0:10:59 | 0:11:01 | |
How wonderful Gordon is keeping history alive for future generations | 0:11:01 | 0:11:05 | |
and a visit to the museum wouldn't be complete | 0:11:05 | 0:11:07 | |
without Christina hitching a ride. | 0:11:07 | 0:11:10 | |
Giddy-up. | 0:11:10 | 0:11:12 | |
-It's a wonderful, peaceful way of travelling, isn't it? -Isn't it, yeah. | 0:11:14 | 0:11:19 | |
You're in a country lane and you've got no worries. | 0:11:19 | 0:11:22 | |
Yeah, absolutely. | 0:11:22 | 0:11:23 | |
It's time for our little antique traveller | 0:11:23 | 0:11:26 | |
to vamoose from the vardo and carry on shopping. | 0:11:26 | 0:11:29 | |
Which is exactly what Charlie's doing. | 0:11:31 | 0:11:33 | |
He has £196.68 left as he heads for The Old Granary Antique Centre. | 0:11:33 | 0:11:38 | |
Look out. | 0:11:38 | 0:11:39 | |
With a number of independent antiques dealers to choose from, | 0:11:39 | 0:11:43 | |
a familiar face is on hand to help. | 0:11:43 | 0:11:45 | |
-Hello! -Hello. -It's Ruth, isn't it? -It is, yes. -We've met before. | 0:11:46 | 0:11:50 | |
Pleased to meet you. | 0:11:50 | 0:11:51 | |
And Charlie wastes no time in pursuit of his third item. | 0:11:51 | 0:11:54 | |
Oh-ho-ho-ho! | 0:11:54 | 0:11:56 | |
Where did this trip start? | 0:11:58 | 0:12:00 | |
-IN SCOTTISH ACCENT: -North of Inverness. | 0:12:01 | 0:12:03 | |
And what was I wearing? | 0:12:04 | 0:12:06 | |
A kilt. Not this kilt. | 0:12:06 | 0:12:08 | |
I think this kilt must be a... | 0:12:08 | 0:12:12 | |
..Stewart tartan, probably. | 0:12:13 | 0:12:16 | |
It's certainly not a Ross tartan. | 0:12:16 | 0:12:18 | |
Stewart tartan, but it's got the jacket as well. | 0:12:18 | 0:12:21 | |
Just hold on a moment. | 0:12:21 | 0:12:23 | |
RAUNCHY MUSIC | 0:12:23 | 0:12:26 | |
Oh, lordy. I thought this was a family show. | 0:12:29 | 0:12:32 | |
Uh-oh. | 0:12:35 | 0:12:36 | |
Looks like Charlie's going back to his roots again. | 0:12:36 | 0:12:39 | |
Look at that - it's not a Ross tartan, but it's not bad. | 0:12:39 | 0:12:44 | |
Ruth! | 0:12:44 | 0:12:45 | |
What do you reckon? | 0:12:45 | 0:12:47 | |
Yes! | 0:12:47 | 0:12:48 | |
Yes? I started my tour wearing my kilt, my Ross kilt, | 0:12:48 | 0:12:52 | |
up north of Inverness, you see, so soon as I left Scotland, | 0:12:52 | 0:12:55 | |
I came out of my kilt, | 0:12:55 | 0:12:57 | |
and ever since I took my kilt off, I've started losing, | 0:12:57 | 0:13:00 | |
whereas I was winning when I was wearing my kilt, | 0:13:00 | 0:13:02 | |
so if I go back into a kilt, | 0:13:02 | 0:13:04 | |
-I could start winning again. -Ah, that sounds logical. | 0:13:04 | 0:13:07 | |
The outfit belongs to Rachel, who isn't in today. | 0:13:07 | 0:13:10 | |
It's priced at £164, | 0:13:10 | 0:13:12 | |
so Charlie gives her a bell. | 0:13:12 | 0:13:15 | |
Um, it's got to go to auction. | 0:13:15 | 0:13:17 | |
I don't see the whole ensemble making more than £60-£70 at auction. | 0:13:17 | 0:13:23 | |
Rachel's sticking at £70, | 0:13:23 | 0:13:25 | |
but that leaves no profit for Charlie, | 0:13:25 | 0:13:27 | |
so he's back on the prowl. | 0:13:27 | 0:13:29 | |
There's nothing as appealing as a kilt here, to be perfectly honest. | 0:13:29 | 0:13:33 | |
Ooh, this is rather fun. | 0:13:35 | 0:13:37 | |
HE CHUCKLES | 0:13:42 | 0:13:45 | |
A weathervane, but not just a weather vane - | 0:13:45 | 0:13:47 | |
a weather vane with Christina on the top. | 0:13:47 | 0:13:50 | |
Look at her go! Look at Christina go. | 0:13:50 | 0:13:54 | |
Charming. This weather vane also belongs to Rachel. | 0:13:54 | 0:13:58 | |
Could I be really cheeky and say, | 0:13:58 | 0:14:00 | |
"At 70 quid, would you chuck in the weather vane?" | 0:14:00 | 0:14:02 | |
Huh! Nothing ventured, nothing gained, | 0:14:02 | 0:14:05 | |
so Charlie makes another call. | 0:14:05 | 0:14:07 | |
Are you sure you're all right with that? | 0:14:07 | 0:14:09 | |
-You're an angel! -And you're a lucky devil. | 0:14:11 | 0:14:15 | |
The money is going on the table. | 0:14:15 | 0:14:17 | |
Perhaps Rossco's luck has changed. | 0:14:17 | 0:14:20 | |
Rachel's happy to do a deal on the lot - £65 for the outfit | 0:14:20 | 0:14:23 | |
-and £5 for the weather vane. -How good is that? | 0:14:23 | 0:14:26 | |
-Brilliant. -That's a celebration, girls, come on. Mwah! Mwah! | 0:14:26 | 0:14:30 | |
Come here, darling! | 0:14:30 | 0:14:31 | |
Mwah! Mwah! | 0:14:31 | 0:14:33 | |
Oh! | 0:14:33 | 0:14:34 | |
I'll do a little fling. | 0:14:34 | 0:14:36 | |
And so a busy day wraps up for our intrepid travellers. | 0:14:36 | 0:14:41 | |
What's he on? | 0:14:41 | 0:14:42 | |
Night-night. | 0:14:42 | 0:14:43 | |
Rise and shine! | 0:14:45 | 0:14:46 | |
It's an early start for our duo, though it seems their mood | 0:14:46 | 0:14:49 | |
is as overcast as the weather - look at her face. | 0:14:49 | 0:14:51 | |
Charlie, this is our last day. | 0:14:51 | 0:14:53 | |
Oh, don't! | 0:14:53 | 0:14:54 | |
I can't bear it! | 0:14:54 | 0:14:56 | |
Can we make this day last for ever? | 0:14:57 | 0:15:00 | |
Oh, bless... | 0:15:00 | 0:15:01 | |
Charlie's been taking big risks so far, | 0:15:02 | 0:15:05 | |
forking out £270 of his budget on a bamboo overmantel, | 0:15:05 | 0:15:09 | |
a chinoiserie stool, | 0:15:09 | 0:15:11 | |
a weather vane and a Scottish national outfit. | 0:15:11 | 0:15:13 | |
That leaves him with £76.68 still to spend. | 0:15:13 | 0:15:18 | |
Christina, in contrast, is playing safe, buying what she knows best - | 0:15:18 | 0:15:22 | |
two gold brooches. | 0:15:22 | 0:15:24 | |
She's got some catching up to do, | 0:15:24 | 0:15:26 | |
but a healthy £192.06 to do it with. | 0:15:26 | 0:15:29 | |
I've got some serious work to do before we part, though. | 0:15:29 | 0:15:31 | |
I tell you what, you've got some buying to do today, my girl. | 0:15:31 | 0:15:34 | |
You have got some buying to do. | 0:15:34 | 0:15:35 | |
Rossco and Trevanion are making their way 48 miles southwest | 0:15:35 | 0:15:39 | |
to Oundle in Northamptonshire, | 0:15:39 | 0:15:41 | |
where Christina has an appointment to browse. | 0:15:41 | 0:15:44 | |
The market town of Oundle | 0:15:44 | 0:15:46 | |
was originally a trading place for farmers and craftsmen, | 0:15:46 | 0:15:49 | |
but Christina's been on the hunt for all things sparkly. | 0:15:49 | 0:15:52 | |
And Vicky's standing by. | 0:15:55 | 0:15:57 | |
Hello, Vicky. | 0:15:57 | 0:15:59 | |
-This is my last leg. -Right, OK. -This is my last chance to make an impact. | 0:15:59 | 0:16:02 | |
You've got some really beautiful things. | 0:16:04 | 0:16:06 | |
Is there anything, anything that you might think... | 0:16:06 | 0:16:09 | |
Well, something did come in | 0:16:09 | 0:16:11 | |
that I haven't actually had a chance to get out yet, | 0:16:11 | 0:16:14 | |
-which you can have a look... -Oh, let me see. | 0:16:14 | 0:16:16 | |
Rather a job lot. | 0:16:16 | 0:16:18 | |
That's what we like. Ooh, OK! | 0:16:18 | 0:16:19 | |
Little bits of silver and... | 0:16:19 | 0:16:21 | |
..a few novelty pieces. | 0:16:23 | 0:16:24 | |
OK, so we've got a little paste... | 0:16:24 | 0:16:26 | |
..and opaline brooch, that's quite nice. | 0:16:27 | 0:16:30 | |
OK, we've got a little sovereign case there with nice spring action. | 0:16:30 | 0:16:37 | |
-No hallmarks and feels plated as well. -Yeah. | 0:16:37 | 0:16:40 | |
Then we've got a little... That's silver. | 0:16:40 | 0:16:43 | |
OK, so silver shell butter dish there. | 0:16:43 | 0:16:47 | |
Oh, very sweet locket. | 0:16:47 | 0:16:49 | |
And again, that looks plate, doesn't it? But that's rather nice. | 0:16:50 | 0:16:53 | |
-It's sweet. -OK, and then what looks to be... | 0:16:53 | 0:16:56 | |
That feels... OK, that's stamped "sterling". I like a job lot. | 0:16:56 | 0:17:01 | |
I do like a job lot. What have you got on that? | 0:17:01 | 0:17:03 | |
25? | 0:17:03 | 0:17:05 | |
25. I will happily give you 25 for that. | 0:17:05 | 0:17:09 | |
Not finished yet, | 0:17:09 | 0:17:10 | |
eagle-eyed Christina has spotted some beads behind the counter, | 0:17:10 | 0:17:14 | |
but there could be a problem. | 0:17:14 | 0:17:15 | |
These haven't been priced up because I'm not sure what they are. | 0:17:15 | 0:17:20 | |
They might be jade, but one of them is a bit light. | 0:17:20 | 0:17:24 | |
-Oh, it is, isn't it? -Yeah. | 0:17:25 | 0:17:26 | |
Time for our expert to decide - jade or glass? | 0:17:26 | 0:17:30 | |
I agree with you that they could and they couldn't be. | 0:17:30 | 0:17:33 | |
Oh, yeah? Well, that's cleared that one up, then. | 0:17:33 | 0:17:36 | |
What's on those? | 0:17:36 | 0:17:37 | |
They're £40 each. | 0:17:37 | 0:17:39 | |
-Each?! -Each. | 0:17:39 | 0:17:40 | |
I like them, but I like them at £40 for the two. | 0:17:40 | 0:17:44 | |
£40 each is, if they're glass, | 0:17:44 | 0:17:47 | |
a heck of a risk. | 0:17:47 | 0:17:49 | |
Seeing as you're taking a risk on them, I can do that. | 0:17:49 | 0:17:52 | |
Jade is extremely popular at the moment, | 0:17:52 | 0:17:54 | |
but finally Christina's taking a risk to get back in the game. | 0:17:54 | 0:17:58 | |
I like a risk, I like to take a chance, | 0:17:58 | 0:18:00 | |
and frankly, at this stage of the competition, | 0:18:00 | 0:18:03 | |
I need to, so at £40 and did we say £20? | 0:18:03 | 0:18:08 | |
-25, I believe. -25. | 0:18:08 | 0:18:11 | |
-Yep. -Can we do £60 for the lot? -Yep, we can do that. | 0:18:11 | 0:18:14 | |
-Yeah? -Yep. | 0:18:14 | 0:18:15 | |
-Happy? -Yep. | 0:18:15 | 0:18:17 | |
-£60, thank you very much. -You're very welcome. | 0:18:17 | 0:18:20 | |
-Bye-bye. -Bye! | 0:18:20 | 0:18:22 | |
-LOUDLY: -Bye-ee! | 0:18:22 | 0:18:23 | |
Charlie, meanwhile, has made his way to Huntingdon in Cambridgeshire | 0:18:25 | 0:18:29 | |
to visit the former schoolhouse of Oliver Cromwell, | 0:18:29 | 0:18:32 | |
a man who dominated politics | 0:18:32 | 0:18:34 | |
at a very unique time in the country's past - | 0:18:34 | 0:18:37 | |
the time that saw the monarch executed | 0:18:37 | 0:18:40 | |
and England became a republic. | 0:18:40 | 0:18:42 | |
To find out more, Charlie's meeting museum curator John Goldsmith. | 0:18:43 | 0:18:47 | |
Hello, John. Nice to meet you. | 0:18:47 | 0:18:49 | |
An ordinary local lad, Cromwell entered politics aged 29 | 0:18:51 | 0:18:55 | |
and rose through the political ranks in 17th century England | 0:18:55 | 0:18:58 | |
during the reign of Charles I. | 0:18:58 | 0:19:00 | |
At this time, the king held absolute power | 0:19:02 | 0:19:04 | |
over the people and the Parliament. | 0:19:04 | 0:19:06 | |
But this was about to be challenged | 0:19:08 | 0:19:09 | |
and Cromwell was about to play a significant role. | 0:19:09 | 0:19:13 | |
Did he form his own opinions of the king in a detrimental way? | 0:19:13 | 0:19:16 | |
Cromwell didn't certainly start off, I think, being opposed to the king. | 0:19:16 | 0:19:21 | |
What he would have been in favour of | 0:19:21 | 0:19:24 | |
-was greater power for Parliament. -Yeah. | 0:19:24 | 0:19:27 | |
It was that tension between the king and Parliament | 0:19:27 | 0:19:30 | |
which, of course, led to the outbreak of the Civil War. | 0:19:30 | 0:19:33 | |
STEEL CLANGS | 0:19:33 | 0:19:36 | |
The English Civil War pitted Parliamentarians against Royalists | 0:19:36 | 0:19:40 | |
in bloody conflicts across the country. | 0:19:40 | 0:19:43 | |
Taking up the fight against the monarchy, Cromwell joined the army, | 0:19:43 | 0:19:46 | |
and within three years, he'd been promoted to lieutenant general. | 0:19:46 | 0:19:51 | |
Cromwell is a senior figure in the army | 0:19:51 | 0:19:53 | |
and, of course, he still has his role as an MP, | 0:19:53 | 0:19:57 | |
so that's Cromwell's great strength - | 0:19:57 | 0:19:59 | |
he manages to have both a political and military role. | 0:19:59 | 0:20:02 | |
War raged for nine years and Cromwell became ever more powerful. | 0:20:02 | 0:20:07 | |
Then, in 1649, the Royalists were defeated. | 0:20:09 | 0:20:12 | |
Charles I was captured, put on trial and beheaded. | 0:20:12 | 0:20:15 | |
His son Charles went into exile in France | 0:20:17 | 0:20:19 | |
and the country was left without a leader. | 0:20:19 | 0:20:22 | |
The monarch had gone. What happened next? | 0:20:22 | 0:20:25 | |
-What Parliament did was to declare itself a Commonwealth. -Yeah. | 0:20:25 | 0:20:31 | |
It's the only time in this country's history when we've had a Republic. | 0:20:31 | 0:20:36 | |
For four years, Cromwell is part of a republican parliament. | 0:20:36 | 0:20:40 | |
But he is also head of the country's armed forces, | 0:20:40 | 0:20:43 | |
and in a bid for more power, and partly driven by his Puritan beliefs, | 0:20:43 | 0:20:47 | |
he committed heinous atrocities in Ireland and Scotland. | 0:20:47 | 0:20:52 | |
And then, in 1653, | 0:20:52 | 0:20:54 | |
Cromwell becomes very frustrated with Parliament's lack of progress. | 0:20:54 | 0:21:00 | |
Parliament really weren't doing what he wanted them to do, were they? | 0:21:00 | 0:21:03 | |
They're not doing what he believed they ought to be doing. | 0:21:03 | 0:21:06 | |
Cromwell dismissed Parliament and took complete control. | 0:21:06 | 0:21:10 | |
The image of him from this time in his black hat is now iconic, | 0:21:10 | 0:21:14 | |
and the museum holds the very hat believed to have been worn | 0:21:14 | 0:21:17 | |
by the man himself at the dissolution. | 0:21:17 | 0:21:21 | |
Is there any significance to the size of the rim? | 0:21:21 | 0:21:23 | |
-It might have been an odd statement of wealth... -Ah! | 0:21:23 | 0:21:26 | |
..because the bigger the hat, the costlier it would have been. | 0:21:26 | 0:21:31 | |
An imposing figure, Cromwell was now effectively ruling the country | 0:21:31 | 0:21:34 | |
with much the same powers as the monarch he had fought against. | 0:21:34 | 0:21:37 | |
Cromwell ends up as Lord Protector, the head of state, | 0:21:39 | 0:21:44 | |
living in royal palaces, and he continues in this role | 0:21:44 | 0:21:49 | |
until he dies peacefully in his bed. | 0:21:49 | 0:21:52 | |
At Cromwell's death, a death mask was taken. | 0:21:52 | 0:21:57 | |
You can see the imperfections, | 0:21:57 | 0:21:58 | |
-and you can see clearly above the right eye a big wart. -Yeah. | 0:21:58 | 0:22:04 | |
And Cromwell is said to have said, "paint me warts and all." | 0:22:04 | 0:22:07 | |
Oh, "warts and all"? Is that where the expression warts and all comes from? | 0:22:07 | 0:22:11 | |
-That's where the expression comes from. -Well, well! | 0:22:11 | 0:22:14 | |
Following Cromwell's death, support for the republic soon wavered. | 0:22:14 | 0:22:18 | |
Within two years, Charles II returned from France to reign | 0:22:18 | 0:22:22 | |
and settle a score with an old foe. | 0:22:22 | 0:22:25 | |
It was decided that those who'd been... | 0:22:25 | 0:22:28 | |
who were held responsible for the death of the King were to be pursued. | 0:22:28 | 0:22:32 | |
-But, of course, Cromwell was dead. -Yeah. | 0:22:32 | 0:22:34 | |
To what they did with Cromwell, his body, | 0:22:34 | 0:22:37 | |
was to dig him up from Westminster | 0:22:37 | 0:22:39 | |
and then the head was detached from the body with an executioner's axe. | 0:22:39 | 0:22:44 | |
So he was posthumously executed. | 0:22:44 | 0:22:47 | |
The head was gibbeted, put on a spike on Westminster Hall | 0:22:47 | 0:22:50 | |
where it stayed for the next 20 years. | 0:22:50 | 0:22:53 | |
-It's an extraordinary story. -Pleasure. -Absolutely fascinating. -Pleasure. | 0:22:55 | 0:22:58 | |
-Thank you very much for coming, Charlie. -If I may, I'll spend a little more time | 0:22:58 | 0:23:01 | |
-looking round your wonderful museum. -Please do. Thank you. -Thank you. | 0:23:01 | 0:23:05 | |
So, while Charlie indulges himself further, | 0:23:05 | 0:23:07 | |
Christina's made her own way to the university town of Cambridge. | 0:23:07 | 0:23:11 | |
According to research in 2009, residents of Cambridge spend | 0:23:11 | 0:23:15 | |
more per head on takeaway meals than any other town or city in Britain. | 0:23:15 | 0:23:19 | |
Huh! Let's hope Christina can take away a bargain. | 0:23:19 | 0:23:23 | |
Her next stop is Hope Street Yard Antiques, | 0:23:23 | 0:23:25 | |
which houses a row of lock-up units and shops | 0:23:25 | 0:23:28 | |
selling an array of vintage and antique goods, | 0:23:28 | 0:23:31 | |
though it doesn't look like Christina will find any bling in here. | 0:23:31 | 0:23:35 | |
In fact, she seems to have changed tack entirely. | 0:23:35 | 0:23:38 | |
I quite like those, they're quite impressive, aren't they? | 0:23:38 | 0:23:41 | |
-Let's see if we can find somebody... Somebody. Hello, sir! -Hi. | 0:23:41 | 0:23:47 | |
-Hello, I'm Christina. -I'm Warren. | 0:23:47 | 0:23:49 | |
-Nice to meet you, Warren. How are you? Are you well? -I'm very well, thank you. -Good. | 0:23:49 | 0:23:53 | |
Owner Warren has been trading here since the early 1970s, | 0:23:53 | 0:23:56 | |
so he should be the man to help turn these planters into winning pieces. | 0:23:56 | 0:24:00 | |
I quite like your urns, they're just quite impressive. | 0:24:00 | 0:24:03 | |
There's no serious age to them, is there? | 0:24:03 | 0:24:05 | |
No, but they're not, sort of, precast concrete. | 0:24:05 | 0:24:08 | |
-Do they come as a pair? -They come as a pair, they're a matching pair. | 0:24:08 | 0:24:11 | |
-I'm assuming that we don't have the... -You don't have to have them. | 0:24:11 | 0:24:14 | |
-Slugs. And spiders. -But there isn't a discount if you DON'T have them. | 0:24:14 | 0:24:18 | |
CHRISTINA LAUGHS | 0:24:18 | 0:24:21 | |
-Are you sure? -Positive. | 0:24:21 | 0:24:23 | |
-What's your absolute death on them? -I suppose that... | 0:24:23 | 0:24:27 | |
Well, to move them on, I've had good use out of them, | 0:24:27 | 0:24:30 | |
-they could be £20 a pair. -I'd be happy with that. -Good. | 0:24:30 | 0:24:33 | |
I'll give you £20 for those. I will shake your hand, and I will give you some cold, hard cash. | 0:24:33 | 0:24:38 | |
Can the planters make Christina a cold, hard profit? Green fingers crossed. | 0:24:38 | 0:24:43 | |
And a 20. Perfect. | 0:24:43 | 0:24:45 | |
Meanwhile, Charlie's also making | 0:24:46 | 0:24:49 | |
the 19-mile journey down to Cambridge with Geoffrey. | 0:24:49 | 0:24:52 | |
Geoffrey, it's rather lonely being just alone with you. | 0:24:52 | 0:24:56 | |
-Geoffrey... -HE TOOTS HORN | 0:24:56 | 0:24:58 | |
..are you enjoying your day, although Christina's not here? | 0:24:58 | 0:25:01 | |
SAD TOOT SOUND | 0:25:01 | 0:25:02 | |
-Oh, no, you're not! No. You like it when Christina's here, don't you? -RAPID TOOTS | 0:25:02 | 0:25:06 | |
(Oh, lordy.) Charlie's off to meet another old acquaintance - | 0:25:06 | 0:25:09 | |
Stephen, owner of Cambs Antiques. | 0:25:09 | 0:25:11 | |
Shop! Shop! | 0:25:11 | 0:25:12 | |
-Hi, Charlie, how are you? -How are you? Nice to see you. | 0:25:12 | 0:25:17 | |
I've got a couple of silver bits down the front you might be interested in. | 0:25:20 | 0:25:23 | |
-Hallmarked silver bits? -Yes. Hallmarked. -Lead on. Come on, come on! | 0:25:23 | 0:25:28 | |
Well, this could be a stroke of good fortune. | 0:25:28 | 0:25:30 | |
You've got a little bit of a sort of corner of excitement here, haven't you? | 0:25:30 | 0:25:33 | |
-You've been polishing. -I have been cleaning, yes. -A pair of rouge pots. | 0:25:33 | 0:25:38 | |
Or trinket jars. Rouge pots, aren't they? | 0:25:39 | 0:25:42 | |
These silver-topped rouge pots are hallmarked Birmingham 1919. | 0:25:42 | 0:25:46 | |
Nice little item. | 0:25:46 | 0:25:47 | |
That's pretty. Little vesta, look at that. | 0:25:47 | 0:25:51 | |
-Isn't it gorgeous? -Isn't that sweet? -Original little matchboxes. | 0:25:51 | 0:25:54 | |
-Oh, I know. -And even better, this one's from Chester, dated 1907. | 0:25:54 | 0:25:59 | |
You're going up in the world, Charlie boy! | 0:25:59 | 0:26:01 | |
-Look - and a vacant cartouche. -Absolutely. -You could give that to somebody. | 0:26:01 | 0:26:05 | |
-You could get your initials on there backwards. -You could. | 0:26:05 | 0:26:09 | |
That's interesting. It's a birthday book. | 0:26:09 | 0:26:11 | |
-I thought that was a Bible. -No. | 0:26:11 | 0:26:13 | |
You don't have any other small pieces of silver, do you, anywhere? | 0:26:13 | 0:26:16 | |
Try the front, Charlie, that's normally where the good stuff's kept. | 0:26:16 | 0:26:20 | |
-Ah, a vesta. -A little vesta. 1904. | 0:26:20 | 0:26:25 | |
That's sweet. Jolly nice, crisp marks again, Stephen. | 0:26:25 | 0:26:31 | |
-Love your scent bottle. Has it got any age? -Oh, yes. -Has it? -Yes. | 0:26:31 | 0:26:35 | |
What a gorgeous neck. Look at that enamel. | 0:26:36 | 0:26:39 | |
-The key here is to find that the enamel is perfect. -Perfect, absolutely perfect. | 0:26:39 | 0:26:44 | |
This scent bottle is made by the prestigious Birmingham silversmith | 0:26:44 | 0:26:48 | |
Levi and Salaman, dated 1926. | 0:26:48 | 0:26:51 | |
That's the most gorgeous thing. | 0:26:51 | 0:26:52 | |
-That's one of the most gorgeous things in your shop. -Thank you. | 0:26:52 | 0:26:56 | |
-How much is that? -Apart from me. | 0:26:56 | 0:26:58 | |
Well, you're absolutely priceless, not gorgeous. | 0:26:58 | 0:27:00 | |
Let's go and have a look, Charlie. | 0:27:00 | 0:27:03 | |
(Nice thing!) | 0:27:03 | 0:27:05 | |
Cos I think you could make a nice little parcel of silver... | 0:27:05 | 0:27:09 | |
-That's fabulous. -..that would have very wide appeal. | 0:27:09 | 0:27:11 | |
This has got lovely bright cut decoration on it. | 0:27:11 | 0:27:13 | |
-It has. -Don't know where we're going on pricewise, here. | 0:27:13 | 0:27:17 | |
Well, we've now got a lovely Art Deco scent bottle, | 0:27:17 | 0:27:20 | |
a couple of pretty vestas, a pair of rouge pots | 0:27:20 | 0:27:23 | |
and a charming silver-covered birthday book. | 0:27:23 | 0:27:26 | |
Have you got one last little bit of nonsense? | 0:27:26 | 0:27:30 | |
-I could go £76.68 if you had something else. -OK. | 0:27:30 | 0:27:34 | |
Something else? | 0:27:34 | 0:27:35 | |
You'll have the blood out of the stone next, Charlie. | 0:27:35 | 0:27:38 | |
But just for luck, Stephen's managed to add | 0:27:38 | 0:27:40 | |
a horseshoe brooch to the bundle. | 0:27:40 | 0:27:42 | |
It can be yours for the aforementioned sum, | 0:27:42 | 0:27:46 | |
cos it says "best wishes". | 0:27:46 | 0:27:48 | |
CHARLIE LAUGHS | 0:27:48 | 0:27:52 | |
Wonderful! | 0:27:52 | 0:27:53 | |
And for more luck, Stephen's forgoing the 68p, | 0:27:53 | 0:27:57 | |
so Charlie gets the whole lot for £76 exactly. | 0:27:57 | 0:28:00 | |
Shake the man's hand, Rossco! | 0:28:00 | 0:28:02 | |
Fingers crossed, old bean. | 0:28:02 | 0:28:04 | |
Well, Charlie's all spent out, but can Christina catch up? | 0:28:04 | 0:28:08 | |
She's going next door for her last shop of the trip - The Hive. | 0:28:08 | 0:28:12 | |
Owner, Bill, specialises in ceramic tiles, | 0:28:12 | 0:28:15 | |
but has a number of silver items, too. | 0:28:15 | 0:28:17 | |
And there's one piece in particular that has already caught Christina's eye. | 0:28:17 | 0:28:21 | |
I have got £72.06, | 0:28:21 | 0:28:24 | |
and I'm prepared to give you every single last one of my pennies. | 0:28:24 | 0:28:29 | |
-I don't think that will buy that, though. -Oh! | 0:28:29 | 0:28:32 | |
Wait a minute - £72? I think you need to have a recount, Christina. | 0:28:32 | 0:28:36 | |
60, 70... | 0:28:38 | 0:28:39 | |
Hang on a minute. | 0:28:41 | 0:28:43 | |
80. | 0:28:43 | 0:28:44 | |
I'm not used to having so much money. | 0:28:44 | 0:28:46 | |
There's more money here than I thought there was going... | 0:28:46 | 0:28:48 | |
And I've got change. | 0:28:48 | 0:28:50 | |
OK. So... | 0:28:51 | 0:28:54 | |
-That's £112.06. -That's more like it. | 0:28:54 | 0:28:56 | |
I might be able to afford it. | 0:28:56 | 0:28:59 | |
Let's go and see. Go and see Bill again, see what he says. | 0:28:59 | 0:29:04 | |
-Bill? -Yes? -Got a little bit of a confession to make. | 0:29:04 | 0:29:07 | |
It's great news - I've got more than I thought I had! | 0:29:07 | 0:29:11 | |
-Oh, right. -Happy days! -Happy days. | 0:29:11 | 0:29:13 | |
That'll be the mirror back in play. | 0:29:13 | 0:29:15 | |
It's Edwardian style, but it's got no age to it. Impressive, though. | 0:29:15 | 0:29:20 | |
What else do you want to have a look at if you've got slightly more money? | 0:29:20 | 0:29:23 | |
Well, I quite like the idea of doing a frame and a mirror | 0:29:23 | 0:29:26 | |
-cos I only want to buy one more lot. -Right. | 0:29:26 | 0:29:29 | |
So, to make a lot out of... | 0:29:29 | 0:29:32 | |
-That's nice, isn't it? -This is very elegant. | 0:29:32 | 0:29:37 | |
Oh, that's beautiful! | 0:29:37 | 0:29:38 | |
-Again, not terribly old, but it's got the look. -It has, hasn't it? | 0:29:40 | 0:29:44 | |
I've got left £112.06. | 0:29:44 | 0:29:48 | |
The 6p is still there. | 0:29:48 | 0:29:50 | |
6p is going to make all the difference, isn't it(?) | 0:29:50 | 0:29:52 | |
-Erm... -What's your thoughts about the two of those for £112.06? | 0:29:52 | 0:29:58 | |
Yes, go on. Definitely, now. | 0:30:00 | 0:30:03 | |
CHRISTINA LAUGHS | 0:30:03 | 0:30:05 | |
Thank you very, very much. I will give you everything that's left. | 0:30:05 | 0:30:09 | |
I've finished! That's it, I'm done! | 0:30:09 | 0:30:11 | |
SHE LAUGHS | 0:30:11 | 0:30:14 | |
Ha ha! Good on you, girl. Shopping's done, but what did they buy? | 0:30:14 | 0:30:18 | |
Charlie chalked up a weathervane, a Scottish national costume, | 0:30:19 | 0:30:23 | |
a chinoiserie stool, a bamboo overmantel, | 0:30:23 | 0:30:27 | |
and a selection of silver items, riskily spending | 0:30:27 | 0:30:29 | |
all but the small change from the £346.68p he started with, | 0:30:29 | 0:30:35 | |
while Christina has spent steadily on a pair of brooches, | 0:30:35 | 0:30:39 | |
what she hopes are jade necklaces, | 0:30:39 | 0:30:41 | |
a selection of silver and jewellery, | 0:30:41 | 0:30:43 | |
a mirror and frame, and two garden planters, | 0:30:43 | 0:30:46 | |
spending, in all, £232.06. | 0:30:46 | 0:30:47 | |
But what do Charlie and Christina think of each other's buys? | 0:30:50 | 0:30:53 | |
Charlie's buys this time are very much | 0:30:53 | 0:30:58 | |
reflective of his character. | 0:30:58 | 0:31:02 | |
Very wacky. What was he thinking with that overmantel thing? | 0:31:02 | 0:31:06 | |
She's going to make a profit, quite a good profit, I think. | 0:31:06 | 0:31:10 | |
And I've bought one or two safe things. | 0:31:10 | 0:31:13 | |
The kilt? Anybody's guess. | 0:31:13 | 0:31:15 | |
It's all going to boil down to that enormous, | 0:31:15 | 0:31:18 | |
wonderful bamboo monstrosity. | 0:31:18 | 0:31:22 | |
After starting out in King's Lynn and heading through four counties, | 0:31:22 | 0:31:26 | |
this final leg of our trip concludes at an auction show down in Boston. | 0:31:26 | 0:31:30 | |
Boston is a small port in the flatlands of Lincolnshire. | 0:31:32 | 0:31:36 | |
The town was used by filmmakers during the Second World War | 0:31:36 | 0:31:39 | |
to represent the Netherlands when they couldn't get the real thing. | 0:31:39 | 0:31:43 | |
CHARLIE SOBS | 0:31:43 | 0:31:46 | |
Are you OK, Charlie? | 0:31:48 | 0:31:50 | |
-SOBBING: -I don't want it to end! | 0:31:50 | 0:31:53 | |
CHRISTINA LAUGHS | 0:31:53 | 0:31:55 | |
Pull yourself together, Rossco! | 0:31:55 | 0:31:57 | |
Having won two auctions each, | 0:31:57 | 0:31:59 | |
it's all down to the final showdown, with everything to play for at | 0:31:59 | 0:32:03 | |
Boston Auctions, a family business offering weekly general sales. | 0:32:03 | 0:32:07 | |
They also auction over the phone and online. | 0:32:07 | 0:32:10 | |
-Superb! -I'm nervous. | 0:32:10 | 0:32:12 | |
-Are you? -I'm shaking like a leaf. | 0:32:12 | 0:32:16 | |
-Right, come on! -Come on, then. -Come on, Miss Trevanion. | 0:32:16 | 0:32:19 | |
-Let's face the music. -Forward to battle. Oh, it's freezing! Come on! | 0:32:19 | 0:32:23 | |
CHRISTINA SHIVERS | 0:32:23 | 0:32:25 | |
Putting our pair under the hammer at today's auction is Graham Summerfield. | 0:32:25 | 0:32:30 | |
The two silver lots, the groups of silver items, | 0:32:30 | 0:32:34 | |
I think those'll do very well. | 0:32:34 | 0:32:35 | |
The chair. The chair, the stool, it isn't particularly a good example. | 0:32:35 | 0:32:40 | |
You might get £10, £15 on a good day. | 0:32:42 | 0:32:45 | |
I'm hoping I'm wrong, but that's what I think you'll get. | 0:32:45 | 0:32:48 | |
Christina's got a lot of catching up to do, | 0:32:48 | 0:32:50 | |
nearly £115 behind in the trip, but she'll be happy with that news. | 0:32:50 | 0:32:55 | |
Let the auction begin! | 0:32:55 | 0:32:57 | |
-I feel like the condemned man. -CHRISTINA LAUGHS | 0:32:59 | 0:33:03 | |
First up, Charlie's weathervane. | 0:33:03 | 0:33:05 | |
I've got a cheeky bid of £8, but it's a start. Have I got a ten? | 0:33:08 | 0:33:12 | |
It's more than you paid for it. £8?! Internet, 12. 12. | 0:33:12 | 0:33:15 | |
Look, the Internet's going. 15, 18, 20. | 0:33:15 | 0:33:18 | |
20 on the internet, is there 22? | 0:33:18 | 0:33:20 | |
£20 on Internet, is there 22? | 0:33:20 | 0:33:23 | |
22 in the room. Have I got 25? | 0:33:23 | 0:33:25 | |
-22 in the room, is there 25? -25?! | 0:33:25 | 0:33:28 | |
25 I've got, is there 28? It's a nice example, have I got 28? | 0:33:28 | 0:33:32 | |
-Try another! -Your last and final... -GAVEL FALLS | 0:33:32 | 0:33:37 | |
That turned a profit at a breeze! | 0:33:37 | 0:33:39 | |
-I've made a profit! -Well done! -I've made a profit, I've made a profit! | 0:33:39 | 0:33:44 | |
CHRISTINA LAUGHS | 0:33:44 | 0:33:45 | |
Now for Charlie's Scottish national dress ensemble. | 0:33:45 | 0:33:49 | |
It brought him luck in Scotland, but will it in Boston? | 0:33:49 | 0:33:52 | |
I will start at £20. Is there a little bit more? | 0:33:52 | 0:33:56 | |
Have I got 22? 25, is there 28? | 0:33:56 | 0:33:59 | |
28 I've got, 30 in the room, 32 on a commission. Have I got 35? | 0:33:59 | 0:34:04 | |
35 on the internet, have I got 38? 38 there is, is there 40? | 0:34:04 | 0:34:09 | |
40 on the internet. 42? 42. Have I got 45? | 0:34:09 | 0:34:13 | |
-This... I'm losing money. -No, you're not. | 0:34:13 | 0:34:16 | |
45 with the lady, have I got 48? | 0:34:16 | 0:34:18 | |
45 sitting on my left there, is there 48? | 0:34:18 | 0:34:20 | |
48 anywhere? | 0:34:22 | 0:34:23 | |
GAVEL FALLS | 0:34:24 | 0:34:26 | |
Dress it up any way you like, that's a loss. | 0:34:26 | 0:34:28 | |
-SCOTTISH ACCENT: -It's all gone pear shaped. | 0:34:28 | 0:34:32 | |
It's fine, it's fine. Think positive. | 0:34:32 | 0:34:34 | |
It's Christina's first chance to close the gap on Rossco. | 0:34:34 | 0:34:38 | |
-It's her garden planters. -I've got a cheeky bid of a tenner. | 0:34:38 | 0:34:41 | |
I've got to start somewhere, I'll start there. Have I got 12? | 0:34:41 | 0:34:44 | |
-Bells for 50. -12 on the internet. 15. -Listen to that Internet. | 0:34:44 | 0:34:47 | |
-Oh, look at this! -18, 22. -22. | 0:34:47 | 0:34:49 | |
28, 30. 30, 32. | 0:34:49 | 0:34:52 | |
£30 on my left, have I got 32? | 0:34:52 | 0:34:54 | |
-Come on! -32 I've got at the back. 35. Is there 38? | 0:34:54 | 0:34:57 | |
38 right behind you. 40 on the internet. 42? | 0:34:57 | 0:35:02 | |
42 sitting down. Have I got 45? | 0:35:02 | 0:35:04 | |
45 standing up. | 0:35:04 | 0:35:06 | |
I've got 48 on the internet. | 0:35:06 | 0:35:08 | |
-# Good night Rossco, good night. # -£50?! | 0:35:08 | 0:35:12 | |
55 there is, is there 60? 55 on the internet once. | 0:35:12 | 0:35:15 | |
-£60 sitting down. -£60! | 0:35:15 | 0:35:17 | |
Have got 65? 65 I've got. Is there 70? | 0:35:17 | 0:35:22 | |
65 on the internet, is there £70? | 0:35:22 | 0:35:25 | |
-Your last and final... 70 I've got. Is there 75. -£70! | 0:35:25 | 0:35:29 | |
£70 with the gent in the centre there. Is there 75? | 0:35:29 | 0:35:32 | |
-I don't know why I'm excited, they're yours! -I've actually made some money! | 0:35:32 | 0:35:35 | |
Final chance, I'm going to let them go at 70. | 0:35:35 | 0:35:37 | |
-GAVEL FALLS -A cracking profit to start with. | 0:35:37 | 0:35:40 | |
That's taken a large bite out of Charlie's lead already. | 0:35:40 | 0:35:43 | |
SHE SQUEALS | 0:35:43 | 0:35:45 | |
-Hang on. -Thank you! | 0:35:45 | 0:35:48 | |
-CHARLIE SIGHS Thank you! -Boo! | 0:35:48 | 0:35:52 | |
Worst news for Charlie, | 0:35:52 | 0:35:54 | |
the auctioneer things his next lot, the chinoiserie stool, will flop. | 0:35:54 | 0:35:58 | |
I've got a very low bid of £7. | 0:35:58 | 0:36:01 | |
Have I got eight? | 0:36:01 | 0:36:02 | |
Eight on the internet. Have I got a tenner? | 0:36:02 | 0:36:04 | |
-Oh, eight! -Ten at the back. Have I got 12? | 0:36:04 | 0:36:06 | |
-Ten! -Come on, folks. | 0:36:06 | 0:36:09 | |
We'll be paying you to take it. | 0:36:09 | 0:36:11 | |
12, I've got. 15, I've got. Is there 18? | 0:36:11 | 0:36:14 | |
Surely it's worth 18. | 0:36:14 | 0:36:16 | |
Nope, sold for £15, I'm afraid. | 0:36:18 | 0:36:20 | |
An even bigger loss for Charlie. Oh, dear. | 0:36:20 | 0:36:24 | |
It's going well this, isn't it? | 0:36:24 | 0:36:27 | |
This is going crackingly well. | 0:36:27 | 0:36:29 | |
Christina's next up with her silver and jewellery lot. | 0:36:29 | 0:36:32 | |
She'll be confident that this should go down well here. | 0:36:32 | 0:36:35 | |
Start the bidding at 45, 48. | 0:36:35 | 0:36:38 | |
Have I got £50? | 0:36:38 | 0:36:40 | |
50 on the phone first. | 0:36:43 | 0:36:45 | |
Have I got 55? £55 anywhere? | 0:36:45 | 0:36:47 | |
55. I've got 60 in the room. | 0:36:47 | 0:36:49 | |
60 with the lady. 65 I've got. | 0:36:49 | 0:36:51 | |
-Is there 70? -I give in. | 0:36:51 | 0:36:53 | |
-Anybody at 70? -Oh, no. | 0:36:53 | 0:36:56 | |
Your last and final at £70. | 0:36:56 | 0:36:58 | |
It's going to be sold. | 0:36:58 | 0:37:00 | |
On a commission bid at 65. | 0:37:00 | 0:37:03 | |
Anybody anywhere? | 0:37:03 | 0:37:04 | |
That commission bid has put Christina in the lead. How exciting. | 0:37:06 | 0:37:10 | |
That's really good, isn't it? | 0:37:10 | 0:37:12 | |
Fab(!) Cracking(!) | 0:37:12 | 0:37:15 | |
Christina's up again with her most expensive purchase, | 0:37:15 | 0:37:19 | |
the mirror and frame. | 0:37:19 | 0:37:21 | |
I can start the bidding straight in at 48. Have I got 50? | 0:37:21 | 0:37:27 | |
50 bid. | 0:37:27 | 0:37:28 | |
55, I've got. | 0:37:28 | 0:37:30 | |
Have I got 60? | 0:37:30 | 0:37:31 | |
Anybody at 60? | 0:37:31 | 0:37:33 | |
Your last and final at 60. | 0:37:33 | 0:37:35 | |
I've got stand in. Have I got 65? | 0:37:35 | 0:37:37 | |
60 in the room first. | 0:37:37 | 0:37:38 | |
£65 anywhere? Anybody at 65? | 0:37:38 | 0:37:42 | |
65 I've got. | 0:37:42 | 0:37:43 | |
Is there 70? £70, I've got. | 0:37:43 | 0:37:46 | |
You're getting there. | 0:37:46 | 0:37:47 | |
-Have I got 75? -Milk it. | 0:37:47 | 0:37:50 | |
-The last and final. -Come on. | 0:37:50 | 0:37:53 | |
Ouch. Christina's first loss of the day, but it's a big one. | 0:37:54 | 0:37:59 | |
£70. £42 lost, Charlie. | 0:37:59 | 0:38:03 | |
-Ouch. -Less commission. -Yes, see, that's all my profits. | 0:38:03 | 0:38:07 | |
More like a £50 off, Christina. | 0:38:07 | 0:38:09 | |
Cheeky. | 0:38:09 | 0:38:11 | |
But that loss has Charlie back in front and his silver lot | 0:38:11 | 0:38:14 | |
and scent jar are a bit of quality. | 0:38:14 | 0:38:17 | |
Straight in at 65. | 0:38:17 | 0:38:19 | |
Have I got £70? | 0:38:19 | 0:38:21 | |
-MAN: 80! -80 straight in. | 0:38:21 | 0:38:23 | |
-I'm nearly into a profit. -See. | 0:38:23 | 0:38:24 | |
Five. 90. | 0:38:24 | 0:38:26 | |
95 right at the back. £100. | 0:38:26 | 0:38:29 | |
Synchronised porters. | 0:38:29 | 0:38:30 | |
Have I got 110? | 0:38:30 | 0:38:32 | |
I've got £100 with the lady in the centre. | 0:38:32 | 0:38:34 | |
-Need a bit more. -She's bidding. | 0:38:34 | 0:38:36 | |
Is there 110 anywhere? | 0:38:36 | 0:38:38 | |
MAN: 110! | 0:38:38 | 0:38:40 | |
110 on the left. | 0:38:40 | 0:38:41 | |
-Is she bidding again? -120 with the lady. | 0:38:41 | 0:38:43 | |
Have I got 130? | 0:38:43 | 0:38:45 | |
130 anywhere? | 0:38:45 | 0:38:46 | |
Anybody at 130? | 0:38:46 | 0:38:47 | |
It's not all doom and gloom. | 0:38:47 | 0:38:50 | |
Well done, Charlie. Quality items will always sell. | 0:38:52 | 0:38:56 | |
-Good boy. -Well done, Charlie. | 0:38:56 | 0:38:58 | |
-Good boy. -Well done. | 0:38:58 | 0:39:00 | |
-Well done, lady. -It's not all over yet, madam. | 0:39:00 | 0:39:03 | |
Christina did well in the last auction with her brooches. | 0:39:03 | 0:39:06 | |
How will these compare? | 0:39:06 | 0:39:08 | |
Straight in at £50. | 0:39:08 | 0:39:10 | |
Have I got 55? | 0:39:10 | 0:39:12 | |
55. 60 I've got on a commission. Have I got 65? | 0:39:12 | 0:39:15 | |
£65 anywhere? | 0:39:15 | 0:39:17 | |
Anybody at 65? | 0:39:17 | 0:39:19 | |
You are bidding on two, folks, not one. | 0:39:19 | 0:39:21 | |
There's two in the lot. | 0:39:21 | 0:39:23 | |
You're absolutely right. | 0:39:23 | 0:39:25 | |
Your last and final at 65. | 0:39:25 | 0:39:27 | |
-60. -Oh. | 0:39:29 | 0:39:31 | |
Not quite the profit you need to get back in front, I'm afraid. | 0:39:31 | 0:39:34 | |
It's Christina's last chance to catch Charlie. | 0:39:34 | 0:39:37 | |
The auctioneer thinks her beads are jade. | 0:39:37 | 0:39:40 | |
But will the bidders? | 0:39:40 | 0:39:42 | |
We'll start at 35. | 0:39:42 | 0:39:44 | |
Have I got 38? | 0:39:44 | 0:39:46 | |
38, I've got. It's your bid. Have I got £40? | 0:39:46 | 0:39:49 | |
They are genuine jade, folks, | 0:39:49 | 0:39:51 | |
you should be paying double that for one of them. | 0:39:51 | 0:39:53 | |
What?! | 0:39:53 | 0:39:54 | |
Don't you start saying things like that! | 0:39:54 | 0:39:56 | |
I've got 42. 45? | 0:39:56 | 0:39:59 | |
Keep going. | 0:39:59 | 0:40:00 | |
45. Have I got 48? 48. 50? | 0:40:00 | 0:40:02 | |
She's a bit excitable today. | 0:40:02 | 0:40:04 | |
£50. Have I got 55? | 0:40:04 | 0:40:05 | |
£50 standing right at the back by the heater there. Have I got 55? | 0:40:05 | 0:40:09 | |
Your last and final. | 0:40:09 | 0:40:12 | |
A small profit I suppose, | 0:40:14 | 0:40:15 | |
but it's all down to their last lot of the day. | 0:40:15 | 0:40:19 | |
That was very cheap. | 0:40:19 | 0:40:20 | |
If Charlie can avoid a heavy loss he'll be the Road Trip victor, | 0:40:22 | 0:40:26 | |
but his bamboo overmantle is a risky choice. | 0:40:26 | 0:40:29 | |
I've got a cheeky bid at £70. | 0:40:30 | 0:40:33 | |
-That's not enough. -Got to start somewhere. | 0:40:33 | 0:40:35 | |
I'm going to start there. Have I got 75? | 0:40:35 | 0:40:37 | |
Is there 75? | 0:40:37 | 0:40:39 | |
75, I've got. Is there 80? | 0:40:39 | 0:40:41 | |
It's worth a lot more, folks. | 0:40:41 | 0:40:43 | |
-Have I got £80? -Internet please go down. | 0:40:43 | 0:40:46 | |
Your last and final at £80. | 0:40:48 | 0:40:50 | |
It will be sold at 75. | 0:40:50 | 0:40:53 | |
SHE SCREAMS | 0:40:55 | 0:40:57 | |
HE GROANS | 0:40:57 | 0:40:58 | |
-Oh! -Blimey. | 0:40:59 | 0:41:01 | |
I think you can tell what that stonking great loss means. | 0:41:01 | 0:41:04 | |
What a turnaround. | 0:41:04 | 0:41:06 | |
Come on, then. You're driving. | 0:41:06 | 0:41:07 | |
I'm sitting in the back, my lady of leisure moment. | 0:41:07 | 0:41:10 | |
Oh, go on, then. | 0:41:10 | 0:41:11 | |
Bah humbug. | 0:41:13 | 0:41:15 | |
So, after that exciting decider Charlie has slid into second place. | 0:41:16 | 0:41:20 | |
He started this leg with £346.68 and took a risk too many. | 0:41:20 | 0:41:26 | |
Making a loss of £116.40 after auction costs. | 0:41:26 | 0:41:31 | |
And so ends the trip with £230.28. | 0:41:31 | 0:41:35 | |
Christina started this final leg with £232.06. | 0:41:36 | 0:41:40 | |
And made a steady profit of £26.24 after auction costs. | 0:41:40 | 0:41:45 | |
Making her not only today's winner | 0:41:45 | 0:41:48 | |
but also the winner of this week's Road Trip. | 0:41:48 | 0:41:51 | |
She's finished with a grand total of £258.30. Well done, Christina. | 0:41:51 | 0:41:56 | |
All profits go to Children In Need. | 0:41:56 | 0:41:59 | |
And now the end is near, but what a trip it's been. | 0:41:59 | 0:42:04 | |
From Inverness to Boston, | 0:42:04 | 0:42:06 | |
we've witnessed an entertaining expedition for antique glory. | 0:42:06 | 0:42:11 | |
# I've loved | 0:42:11 | 0:42:13 | |
# I've laughed and cried | 0:42:13 | 0:42:15 | |
# I've had my fill | 0:42:15 | 0:42:18 | |
# My share of losing... # | 0:42:19 | 0:42:21 | |
Oh. | 0:42:21 | 0:42:24 | |
# And now as tears subside | 0:42:24 | 0:42:27 | |
# I find it all so amusing | 0:42:28 | 0:42:33 | |
CAR HORN BLARES | 0:42:33 | 0:42:34 | |
# To think I did all that... # | 0:42:36 | 0:42:40 | |
Cheers. | 0:42:40 | 0:42:42 | |
# And may I say | 0:42:42 | 0:42:45 | |
# Not in a shy way... # | 0:42:45 | 0:42:48 | |
Oh, dear! Showing a bit of thigh there. | 0:42:48 | 0:42:50 | |
# Oh, no | 0:42:50 | 0:42:52 | |
# Oh, no, not me | 0:42:52 | 0:42:54 | |
# I did it my way. # | 0:42:54 | 0:43:00 | |
Next week on Antiques Road Trip, | 0:43:00 | 0:43:01 | |
Margie Cooper, all-round entertainer... | 0:43:01 | 0:43:05 | |
-Hey. -..versus Paul Laidlaw, antique inspector. | 0:43:05 | 0:43:10 | |
My mind will be with me in just a second. | 0:43:10 | 0:43:12 | |
Oh, thank you. | 0:43:12 | 0:43:13 |