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It's the nation's favourite antiques experts, | 0:00:02 | 0:00:04 | |
-with £200 each, a classic car... -We're going roond! | 0:00:04 | 0:00:08 | |
..And a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
I want to spend lots of money. | 0:00:11 | 0:00:14 | |
The aim - to make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:17 | |
-Oh, no! -There'll be worthy winners... | 0:00:17 | 0:00:20 | |
-Yes! -We've done it. | 0:00:20 | 0:00:21 | |
..And valiant losers. | 0:00:21 | 0:00:23 | |
You are kidding me on! | 0:00:23 | 0:00:25 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
What am I doing? | 0:00:29 | 0:00:30 | |
Got a deal. | 0:00:30 | 0:00:31 | |
This is the Antiques Road Trip! | 0:00:31 | 0:00:33 | |
Yeah! | 0:00:33 | 0:00:35 | |
This week, we're hitching a ride with two antiques experts, | 0:00:37 | 0:00:39 | |
Christina Trevanion and Charlie Ross. | 0:00:39 | 0:00:43 | |
Are you looking for an antiques shop? Cos that's what we're here for. | 0:00:43 | 0:00:46 | |
You don't want an interior shop, you want an antiques shop. | 0:00:46 | 0:00:49 | |
Bakery! Bakery! | 0:00:49 | 0:00:51 | |
Christina loves anything old that sparkles. | 0:00:51 | 0:00:54 | |
She's a Shropshire lass who loves to shop. | 0:00:54 | 0:00:57 | |
I will absolutely bite your hand off for that. | 0:00:57 | 0:00:59 | |
Co-driver and veteran road-tripper Charlie is a tough task master | 0:00:59 | 0:01:03 | |
when it comes to doing deals. | 0:01:03 | 0:01:05 | |
If I offer you 35 quid will you put the phone down? | 0:01:05 | 0:01:08 | |
You'd put the phone down? | 0:01:08 | 0:01:09 | |
They've take to the road in a 1977 Volkswagen camper van. | 0:01:09 | 0:01:13 | |
Do you know? The weather is so lovely today. | 0:01:13 | 0:01:15 | |
It is. | 0:01:15 | 0:01:17 | |
I think I've got a suggestion for tonight. | 0:01:17 | 0:01:21 | |
Don't look at me like that! | 0:01:22 | 0:01:24 | |
Let's sleep in the van tonight. | 0:01:24 | 0:01:25 | |
OK. | 0:01:25 | 0:01:26 | |
-Yes? -Yes, I'm up for that. | 0:01:26 | 0:01:28 | |
-Definitely. -Have you got a hotty? | 0:01:28 | 0:01:29 | |
-I've got you! -A-ha-ha, matron! | 0:01:30 | 0:01:34 | |
Lordy! It's all very Carry On Camping. | 0:01:34 | 0:01:38 | |
Both experts kicked off with £200. | 0:01:38 | 0:01:40 | |
After a disappointing start, | 0:01:41 | 0:01:42 | |
Christina has just £153.10 to take to the shops. | 0:01:42 | 0:01:46 | |
But Charlie's still in the money. | 0:01:48 | 0:01:50 | |
He has £359.14 in his kitty to spend on this leg. | 0:01:50 | 0:01:55 | |
Charlie won the first two auctions, but Christina's fighting back. | 0:01:55 | 0:01:59 | |
You've narrowed the gap, haven't you? | 0:01:59 | 0:02:02 | |
-I think that's... -You have narrowed the gap. | 0:02:02 | 0:02:05 | |
You were 300 behind, now you're 200 behind. | 0:02:05 | 0:02:08 | |
After the next auction, you'll be 100 behind, | 0:02:08 | 0:02:10 | |
therefore it'll be absolutely nip and tuck at the end. | 0:02:10 | 0:02:13 | |
SHE LAUGHS | 0:02:13 | 0:02:16 | |
Christina and Charlie are travelling over 500 miles, from Inverness | 0:02:16 | 0:02:19 | |
in the Scottish Highlands to the Lincolnshire coastal town of Boston. | 0:02:19 | 0:02:23 | |
Today, they're starting in the city of York | 0:02:25 | 0:02:27 | |
and heading south to the auction in Bourne, Lincolnshire. | 0:02:27 | 0:02:31 | |
-Oh, God! -Mind these bicycles. -Cyclists make me nervous. | 0:02:32 | 0:02:36 | |
-Look! York Minster! -Really? -Oh, it's fantastic. | 0:02:36 | 0:02:39 | |
Cyclists make me nervous, Charlie. | 0:02:39 | 0:02:41 | |
SHE GASPS | 0:02:41 | 0:02:44 | |
I've seen York Minster, you can now take me away. | 0:02:44 | 0:02:48 | |
York is renowned for its Roman and Viking heritage. | 0:02:48 | 0:02:52 | |
Iconic York Minster Cathedral in the heart of the city is one of | 0:02:52 | 0:02:55 | |
the largest of its kind in Northern Europe. | 0:02:55 | 0:02:58 | |
Up to the bollard and stop. | 0:02:58 | 0:03:00 | |
Whoa! | 0:03:00 | 0:03:01 | |
-Perfect. Well done. We're here! -Marvellous. | 0:03:01 | 0:03:04 | |
-Happy shopping. -Yeah, best of luck. | 0:03:04 | 0:03:06 | |
Charlie and Christina will head their separate ways to | 0:03:06 | 0:03:09 | |
take on the antique dealers of York. | 0:03:09 | 0:03:12 | |
Christina's first shop is The Red House Antiques Centre. | 0:03:14 | 0:03:17 | |
Before the browsing starts, she's calling the auction house. | 0:03:19 | 0:03:22 | |
It'd be really helpful to know what sells well, | 0:03:22 | 0:03:24 | |
what you've got really strong buyers for. | 0:03:24 | 0:03:27 | |
'Collectibles...' | 0:03:27 | 0:03:28 | |
What about jewellery and things like that? | 0:03:28 | 0:03:31 | |
'Jewellery's fine, we have a fair bit of jewellery.' | 0:03:31 | 0:03:33 | |
Thanks so much for you help. Cheers. | 0:03:33 | 0:03:35 | |
Bye now. Bye-bye. | 0:03:35 | 0:03:37 | |
Great! | 0:03:37 | 0:03:39 | |
Jewellery and silver do well. | 0:03:39 | 0:03:41 | |
Hello, gents. Could I possibly have a look in a cabinet? | 0:03:41 | 0:03:43 | |
-Yes. -Would that be all right? | 0:03:43 | 0:03:46 | |
Dealer Steven is on hand to help. | 0:03:46 | 0:03:48 | |
I will give huge discounts because I am here and I want to sell. | 0:03:48 | 0:03:52 | |
Yay! | 0:03:52 | 0:03:54 | |
Sounds promising! | 0:03:54 | 0:03:56 | |
What about the dog bookends? | 0:03:56 | 0:03:58 | |
They're signed. | 0:03:59 | 0:04:01 | |
Yeah, but they're massively over my budget, Steven. | 0:04:01 | 0:04:03 | |
They're not jewellery, either. | 0:04:03 | 0:04:05 | |
The ticket price is £250 for the pair - | 0:04:05 | 0:04:07 | |
that's £100 over Christina's budget. | 0:04:07 | 0:04:10 | |
I would be looking at £80-£100 for them. | 0:04:10 | 0:04:12 | |
Ah, couldn't do that, though. I would do 150 on them. | 0:04:12 | 0:04:15 | |
That is all my money. | 0:04:17 | 0:04:19 | |
Yeah. If I were you, I wouldn't want to tie all my money up in them. | 0:04:19 | 0:04:23 | |
Neither would I! | 0:04:23 | 0:04:25 | |
But I can see why Christina was drawn to them. | 0:04:25 | 0:04:28 | |
They sport a signature by Prosper Lecourtier. | 0:04:28 | 0:04:32 | |
Known for sculpting life-like bronze animals. | 0:04:32 | 0:04:35 | |
A Lecourtier bronze is worth thousands of pounds. | 0:04:35 | 0:04:38 | |
But these bookends were cast later and they're not bronze. | 0:04:39 | 0:04:44 | |
So they're just a couple of dogs. | 0:04:44 | 0:04:47 | |
Couldn't go any more on them? | 0:04:47 | 0:04:49 | |
Sadly not, no. 140. | 0:04:50 | 0:04:52 | |
They actually cost me, and people say this all the time, | 0:04:52 | 0:04:55 | |
but on this occasion it is the truth... | 0:04:55 | 0:04:57 | |
SHE LAUGHS | 0:04:57 | 0:04:58 | |
-They cost me £150. -Not a word of a lie. | 0:04:58 | 0:05:01 | |
-They're quite lovely, aren't they? -Yeah, they are. | 0:05:01 | 0:05:03 | |
Dog things are always in. | 0:05:03 | 0:05:06 | |
They could show a profit, actually, them. They could. | 0:05:06 | 0:05:10 | |
The bookends would be an incredible risk at auction. | 0:05:10 | 0:05:13 | |
Lecourtier's name could draw bidders but they're not original, | 0:05:13 | 0:05:16 | |
and if Christina buys them, it'll be the gamble of the Road Trip. | 0:05:16 | 0:05:21 | |
Oh, Steven...120. | 0:05:21 | 0:05:23 | |
-I can't. -120. | 0:05:23 | 0:05:24 | |
-I can't. -Go on, it gives me... | 0:05:24 | 0:05:26 | |
Look - 130. | 0:05:26 | 0:05:28 | |
That's it, we've met halfway. | 0:05:28 | 0:05:30 | |
OK. That's as far as I'm going. | 0:05:30 | 0:05:32 | |
130. | 0:05:32 | 0:05:33 | |
-130? -130. | 0:05:37 | 0:05:39 | |
That's £120 off the list price. | 0:05:40 | 0:05:42 | |
If I got them for 130... | 0:05:43 | 0:05:45 | |
Yes? | 0:05:45 | 0:05:47 | |
..You've got another store, you said. | 0:05:47 | 0:05:49 | |
Vintage emporium on the top floor. | 0:05:49 | 0:05:51 | |
-Has it got clothing? -Clothing. | 0:05:51 | 0:05:54 | |
If I got those for 130, could you throw in something? | 0:05:54 | 0:05:57 | |
I know the way this is going. | 0:05:57 | 0:05:58 | |
You can choose from a selected range - a scarf. | 0:05:58 | 0:06:01 | |
-A scarf. All right. Is that deal? -Absolutely. | 0:06:01 | 0:06:04 | |
-Oh, no! Really? -I'm waiting for you to shake my hand. | 0:06:04 | 0:06:06 | |
Oh, no! | 0:06:06 | 0:06:08 | |
-Are you ready? -Yeah. | 0:06:08 | 0:06:09 | |
-It's got to be a good scarf. -Well, we'll see. | 0:06:09 | 0:06:12 | |
-Am I going to make any money on these? -I would think so. | 0:06:12 | 0:06:15 | |
I would dearly hope so, for your sake. | 0:06:15 | 0:06:18 | |
-Oh, God! OK. £130. -Done! Done! | 0:06:18 | 0:06:21 | |
Deal's done - £129 for the bookends and a token £1 for the scarf. | 0:06:21 | 0:06:26 | |
What a gamble. If those bookends don't rack up profit, | 0:06:28 | 0:06:30 | |
Christina's lost a huge chunk of her money. | 0:06:30 | 0:06:34 | |
Meanwhile, Charlie's been browsing the three | 0:06:34 | 0:06:36 | |
floors of York's Antiques Centre, | 0:06:36 | 0:06:38 | |
and he's called dealer Rebecca over to open a cabinet that | 0:06:38 | 0:06:42 | |
belongs to her mother. | 0:06:42 | 0:06:44 | |
Ah! There's something I like. | 0:06:44 | 0:06:47 | |
There's something I really like. You know what that is? | 0:06:47 | 0:06:50 | |
-Hat pin. -This is a hat pin by a man called Charles Horner. | 0:06:50 | 0:06:55 | |
-Heard of him? -Yes. | 0:06:55 | 0:06:57 | |
Very good. | 0:06:57 | 0:06:59 | |
Charles Horner's silver is incredibly collectable. | 0:06:59 | 0:07:02 | |
He produced exquisite work in silver and enamels from the 1850s, | 0:07:02 | 0:07:06 | |
his factory was in Halifax and that's only 45 miles away. | 0:07:06 | 0:07:11 | |
I think that's absolutely glorious. | 0:07:11 | 0:07:14 | |
The problem is it's £78. | 0:07:14 | 0:07:18 | |
And I think it's been damaged and soldered. | 0:07:18 | 0:07:22 | |
Do you see there? | 0:07:22 | 0:07:24 | |
So I'm afraid, fabulous though it is, | 0:07:24 | 0:07:28 | |
probably have to be bought for...30 quid or something. | 0:07:28 | 0:07:32 | |
That's a cheeky low offer - less than half the asking price. | 0:07:32 | 0:07:35 | |
-Is she nice, your mum? -She is nice. | 0:07:35 | 0:07:37 | |
Nothing ventured, nothing gained - you go make a phone call, | 0:07:37 | 0:07:39 | |
-I'll carry on having a look round. -OK. -OK? Thank you. | 0:07:39 | 0:07:43 | |
Probably think I'm being a bit mean here, | 0:07:47 | 0:07:49 | |
but that damage is all-important to a bit of silver like that, | 0:07:49 | 0:07:53 | |
so I'll keep my fingers crossed. | 0:07:53 | 0:07:55 | |
It's never going to make a huge amount of money, | 0:07:55 | 0:07:58 | |
and if I buy it for 30, it's going to make £40/£50 at auction, I think. | 0:07:58 | 0:08:02 | |
It's what I would call a "Christina buy" - safe... | 0:08:02 | 0:08:06 | |
and a little bit boring. | 0:08:06 | 0:08:07 | |
You rotter! | 0:08:07 | 0:08:10 | |
I wonder if Christina's found her scarf? | 0:08:10 | 0:08:12 | |
You can pick any one of those. | 0:08:12 | 0:08:15 | |
-One! -One. -Oh, Steven, come on! | 0:08:15 | 0:08:17 | |
One scarf - that was the deal. | 0:08:17 | 0:08:19 | |
Oh! | 0:08:20 | 0:08:22 | |
That's quite sweet, isn't it? | 0:08:23 | 0:08:25 | |
-So £130 for our scarf and my bookends? -Yeah. | 0:08:25 | 0:08:30 | |
Done! And I have been! | 0:08:32 | 0:08:34 | |
I feel the same. | 0:08:34 | 0:08:36 | |
Christina walked into this shop with £153.10, | 0:08:36 | 0:08:40 | |
she's leaving with £23.10, two dog bookends and a scarf. | 0:08:40 | 0:08:44 | |
Across town, how's old Charlie-boy doing? | 0:08:46 | 0:08:49 | |
I've got hold of my mum and she says you can have that for 30. | 0:08:49 | 0:08:52 | |
She didn't? | 0:08:52 | 0:08:54 | |
-She did. -Did she think I was being rude? | 0:08:54 | 0:08:56 | |
-It's OK. -Are you sure? -Yeah! | 0:08:56 | 0:08:59 | |
Would you tell your mum...? Give me your hand. Mwah! | 0:08:59 | 0:09:02 | |
Tell your mum she's a star. | 0:09:02 | 0:09:05 | |
Now...while you were twisting Mum's arm, | 0:09:05 | 0:09:07 | |
I spotted a little something down here. | 0:09:07 | 0:09:10 | |
There's a little scent bottle down there. | 0:09:10 | 0:09:13 | |
Sort of pod-shaped. I love it. | 0:09:13 | 0:09:16 | |
-And it's got a simulated sort of crocodile skin... -Mm-hm. | 0:09:16 | 0:09:21 | |
..Effect to it. And it's got some age. | 0:09:21 | 0:09:23 | |
I can see here... | 0:09:23 | 0:09:25 | |
I'm afraid, with my glasses... | 0:09:25 | 0:09:26 | |
It's Birmingham, but it's 1906 so it's Edwardian. | 0:09:26 | 0:09:30 | |
Ticket price - £49. | 0:09:30 | 0:09:31 | |
It's owned by another dealer. | 0:09:31 | 0:09:33 | |
Could you just simply ask what the best price would be on it? | 0:09:33 | 0:09:38 | |
-I will do. -I'll keep my fingers crossed. -OK. | 0:09:38 | 0:09:40 | |
There's a painted bronze figure... | 0:09:44 | 0:09:48 | |
What can you notice about that? | 0:09:48 | 0:09:50 | |
There's a hinge here and there - what does that tell you? | 0:09:51 | 0:09:55 | |
That tells you that when Rossco does this... | 0:09:55 | 0:09:58 | |
HE GASPS ..All is revealed. | 0:10:00 | 0:10:03 | |
Isn't that splendidly risque? | 0:10:03 | 0:10:07 | |
And I think this is by Bergman... | 0:10:07 | 0:10:09 | |
Now...his name was Bergman, but he's signed it Greb here. | 0:10:09 | 0:10:15 | |
Why Greb? | 0:10:15 | 0:10:16 | |
Bergman was Jewish, mid-European, | 0:10:16 | 0:10:19 | |
and what you expect in the end of the 19th, | 0:10:19 | 0:10:22 | |
beginning of the 20th century - a certain amount of persecution. | 0:10:22 | 0:10:26 | |
So as not to be...found out, persecuted, | 0:10:26 | 0:10:31 | |
when he signed his name, he quite often signed it "Greb". | 0:10:31 | 0:10:35 | |
Why Greb? | 0:10:35 | 0:10:37 | |
Bergman - first four letters of Bergman backwards - G-R-E-B. | 0:10:37 | 0:10:42 | |
B-R-E-G going to the other way. | 0:10:42 | 0:10:45 | |
Hugely collectable and so | 0:10:45 | 0:10:47 | |
delightfully unaffordable for old Rossco, | 0:10:47 | 0:10:49 | |
this Bergman bronze is priced at £2,200. | 0:10:49 | 0:10:52 | |
Put the girl down, Charlie. | 0:10:54 | 0:10:55 | |
-Hello. -Hello! | 0:11:01 | 0:11:03 | |
I've spoke to Catherine, the dealer. | 0:11:04 | 0:11:06 | |
What's the damage? | 0:11:06 | 0:11:08 | |
-She says she can do it for 25 for you. -£25? | 0:11:08 | 0:11:12 | |
-Yes. -I'll have it. Thank you very much indeed, | 0:11:12 | 0:11:14 | |
and I'll pay you, too! | 0:11:14 | 0:11:16 | |
Charlie leaves, having spent £30 on a Charles Horner hat pin | 0:11:16 | 0:11:20 | |
and £25 for a silver Edwardian scent bottle. | 0:11:20 | 0:11:24 | |
Christina's made her was across York to hear a story of secrecy, | 0:11:24 | 0:11:28 | |
resistance and determination - | 0:11:28 | 0:11:30 | |
she's visiting the oldest active convent in the country, | 0:11:30 | 0:11:34 | |
and nun Sister Agatha Leitch. | 0:11:34 | 0:11:37 | |
-How lovely to see you. -Thank you. | 0:11:37 | 0:11:39 | |
I'm longing to tell you all about the exciting people who have | 0:11:39 | 0:11:44 | |
lived here over the ages. | 0:11:44 | 0:11:45 | |
In the 16th century, Catholicism was outlawed. | 0:11:47 | 0:11:49 | |
Catholic families had a stark choice - | 0:11:49 | 0:11:52 | |
loyalty to their church or Protestant King Henry VIII. | 0:11:52 | 0:11:57 | |
For priests, it meant a life on the run | 0:11:57 | 0:11:59 | |
and in some cases, death for treason. | 0:11:59 | 0:12:03 | |
York's Bar Convent was founded in secret in 1686. | 0:12:03 | 0:12:07 | |
The nuns took on aliases and became teachers. | 0:12:08 | 0:12:11 | |
And the convent's secret chapel remained a closely guarded | 0:12:12 | 0:12:15 | |
secret for well over 100 years. | 0:12:15 | 0:12:19 | |
All that gold leaf as well. | 0:12:19 | 0:12:21 | |
-So when was that built? -1767. -Gosh. | 0:12:21 | 0:12:25 | |
To avoid detection, | 0:12:25 | 0:12:27 | |
the chapel was built secretly in the centre of the building. | 0:12:27 | 0:12:31 | |
The beautiful neo-classical designed dome is ingeniously | 0:12:31 | 0:12:34 | |
concealed from outside by a pitched slate roof. | 0:12:34 | 0:12:39 | |
It's stunning! | 0:12:39 | 0:12:40 | |
It's... | 0:12:40 | 0:12:41 | |
It's just so decadent! | 0:12:41 | 0:12:43 | |
Look at that gold. | 0:12:43 | 0:12:45 | |
Why are there so many doors? | 0:12:45 | 0:12:47 | |
You've got one, two, three, four... | 0:12:47 | 0:12:50 | |
Five, six, seven, eight. | 0:12:50 | 0:12:51 | |
-Eight! -Get out quickly. | 0:12:51 | 0:12:53 | |
People coming up the stairs, | 0:12:53 | 0:12:55 | |
priest saying mass - he would have said it that way. | 0:12:55 | 0:12:58 | |
Right. He goes straight out of that door there, shoots down the stairs, | 0:12:58 | 0:13:04 | |
comes up through a secret stairway and ends up in the priests' | 0:13:04 | 0:13:08 | |
hiding hole there. | 0:13:08 | 0:13:10 | |
Really?! | 0:13:10 | 0:13:11 | |
So there was so many doors cos they had to get out. | 0:13:11 | 0:13:15 | |
Fortunately, as far as records tell, | 0:13:15 | 0:13:17 | |
the clandestine escape routes never had to be used. | 0:13:17 | 0:13:22 | |
The convent is custodian of a unique artefact, | 0:13:22 | 0:13:25 | |
a brutal reminder of the persecution Catholics | 0:13:25 | 0:13:28 | |
faced in medieval England - | 0:13:28 | 0:13:30 | |
the 400-year-old hand of Catholic martyr Margaret Clitherow. | 0:13:30 | 0:13:35 | |
Margaret lived 200 years before the chapel was built, | 0:13:35 | 0:13:38 | |
in a time when sheltering a Catholic priest was a criminal offence, | 0:13:38 | 0:13:42 | |
punishable by death. | 0:13:42 | 0:13:44 | |
However, she had created a secret room in her house for priests | 0:13:44 | 0:13:49 | |
to give mass. | 0:13:49 | 0:13:50 | |
The authorities were suspicious and raided her home. | 0:13:50 | 0:13:54 | |
They tried to do everything to make her say, | 0:13:54 | 0:13:58 | |
"Right, I will renounce being a Catholic." | 0:13:58 | 0:14:01 | |
But she wouldn't - she wanted to protect her children. | 0:14:03 | 0:14:06 | |
Margaret knew if she ended up in court, | 0:14:06 | 0:14:09 | |
her children would be forced to give evidence and tortured. | 0:14:09 | 0:14:12 | |
By refusing trial by jury, | 0:14:12 | 0:14:15 | |
she was automatically sentenced to execution - | 0:14:15 | 0:14:18 | |
she would be pressed to death. | 0:14:18 | 0:14:21 | |
That doesn't sound very nice. | 0:14:21 | 0:14:22 | |
No, it doesn't and I'll show exactly what happened too. | 0:14:22 | 0:14:25 | |
Oh. OK. | 0:14:25 | 0:14:26 | |
She was brought down and someone, | 0:14:26 | 0:14:30 | |
mercifully, put a stone there. | 0:14:30 | 0:14:34 | |
Then they put heavy weights, doors on until she was pressed to death. | 0:14:34 | 0:14:40 | |
But in fact, the stone pierced her spinal cord | 0:14:40 | 0:14:46 | |
and she died within a quarter of an hour. | 0:14:46 | 0:14:50 | |
Jesus have mercy on their souls. | 0:14:50 | 0:14:53 | |
Margaret Clitherow died while refusing to renounce her faith | 0:14:53 | 0:14:56 | |
and became a Catholic martyr. | 0:14:56 | 0:14:59 | |
But Margaret's grizzly demise didn't end there. | 0:14:59 | 0:15:02 | |
She was thrown onto the dung heap | 0:15:02 | 0:15:06 | |
and at night, a Catholic came | 0:15:06 | 0:15:09 | |
forward and cut off, I don't know | 0:15:09 | 0:15:13 | |
whether it was one hand or two hands. | 0:15:13 | 0:15:16 | |
Margaret's 400-year-old preserved hand is a solemn reminder of | 0:15:16 | 0:15:21 | |
when Catholicism was effectively suppressed in England. | 0:15:21 | 0:15:25 | |
I think it's a wonderful thing to have an object that you know | 0:15:25 | 0:15:31 | |
has belonged to a holy woman. | 0:15:31 | 0:15:35 | |
People come form all over the world to venerate this woman. | 0:15:35 | 0:15:41 | |
Margaret became a saint in 1970 | 0:15:41 | 0:15:43 | |
and her hand is kept as an exhibit at the convent. | 0:15:43 | 0:15:46 | |
Sister Agatha, it has been such a pleasure meeting you. | 0:15:46 | 0:15:49 | |
It is just fascinating, it really is. | 0:15:49 | 0:15:52 | |
Thank you so much for having us. | 0:15:52 | 0:15:53 | |
And I've loved meeting you, Christina, | 0:15:53 | 0:15:56 | |
and good luck with those antiques. | 0:15:56 | 0:15:59 | |
Thank you - I do need it, desperately. | 0:15:59 | 0:16:03 | |
Meanwhile, Charlie's headed to Kirkstall, | 0:16:03 | 0:16:06 | |
a few miles west of Leeds city centre. | 0:16:06 | 0:16:09 | |
Not far from the beautiful 12th-century abbey | 0:16:09 | 0:16:12 | |
is Aquarius Antiques, where Pete's been trading for 30 years. | 0:16:12 | 0:16:16 | |
-Pete, I assume? -Hello. -Charlie here. | 0:16:16 | 0:16:19 | |
-Hello, Charlie. -Nice to see you. | 0:16:19 | 0:16:21 | |
Over that time, he's packed his sizeable shop with | 0:16:21 | 0:16:23 | |
furniture from every decade, and the odd collectable. | 0:16:23 | 0:16:27 | |
It's a minefield here! | 0:16:31 | 0:16:33 | |
That's a nice hinge. | 0:16:33 | 0:16:34 | |
Really lovely hinge. | 0:16:36 | 0:16:37 | |
Ah, I've seen something there. | 0:16:39 | 0:16:43 | |
There's no ticket - Pete's off to his office to find a price. | 0:16:43 | 0:16:47 | |
Now we've got there a Georgian, oak, tray-top commode. | 0:16:47 | 0:16:52 | |
Commode comes from the French for "convenient", | 0:16:52 | 0:16:56 | |
and this would have been at a time before homes had indoor loos. | 0:16:56 | 0:17:00 | |
In the middle of the night, you'd have that by your bed and you'd | 0:17:00 | 0:17:03 | |
think, "Hm, I think the time has come...Rossco's in position." | 0:17:03 | 0:17:09 | |
When you're finished, you put your lid back on your... | 0:17:09 | 0:17:12 | |
Ah! | 0:17:12 | 0:17:13 | |
Now you just slide that back in, | 0:17:13 | 0:17:15 | |
and get back into bed and go to sleep. | 0:17:15 | 0:17:19 | |
Pete's back - what's the damage? | 0:17:19 | 0:17:20 | |
Is it just too insulting to offer you £40 for it? | 0:17:20 | 0:17:24 | |
Cheeky! | 0:17:24 | 0:17:25 | |
I'll take 50 and that is it for me. | 0:17:25 | 0:17:29 | |
To hell with it. | 0:17:29 | 0:17:31 | |
I will pay you £50 for that. | 0:17:31 | 0:17:34 | |
If someone doesn't want to pay more, well, bother them! | 0:17:34 | 0:17:38 | |
-Put it there. -OK. Thanks, Charlie. | 0:17:38 | 0:17:40 | |
Now that's a great price for a nice piece of Georgian furniture. | 0:17:40 | 0:17:43 | |
# Good night, sweetheart, well, it's time to go... # | 0:17:46 | 0:17:51 | |
It's the end of a very busy day of buying. | 0:17:51 | 0:17:53 | |
Looks like our tired twosome are true to their word | 0:17:53 | 0:17:56 | |
and have set up camp. | 0:17:56 | 0:17:59 | |
It's time for some shut-eye, and Christina's bagged the top bunk. | 0:17:59 | 0:18:02 | |
-Right, I'm putting the lights out, is that all right? -OK. Good night then. | 0:18:03 | 0:18:07 | |
-Night-night! -Sleep tight. | 0:18:07 | 0:18:09 | |
Don't let the bed bugs bite, eh? | 0:18:09 | 0:18:10 | |
-Charlie? -Mm? | 0:18:12 | 0:18:14 | |
Are you warm? | 0:18:14 | 0:18:16 | |
I'm toasty. | 0:18:16 | 0:18:18 | |
I'm a bit cold. | 0:18:18 | 0:18:20 | |
Oh, don't be so wet! | 0:18:20 | 0:18:22 | |
Will we go and find somewhere to stay? | 0:18:22 | 0:18:24 | |
-You're pathetic! -I know! | 0:18:24 | 0:18:27 | |
Your camping's about as bad as your antique buying. | 0:18:27 | 0:18:32 | |
But I love you. | 0:18:32 | 0:18:34 | |
Off to a hotel - night-night, you two. | 0:18:34 | 0:18:36 | |
It's day two of the Road Trip! | 0:18:38 | 0:18:39 | |
Yesterday, Charlie haggled hard for some bargains | 0:18:41 | 0:18:44 | |
and picked up a Charles Horner silver hat pin, | 0:18:44 | 0:18:47 | |
a silver scent bottle and an oak commode. | 0:18:47 | 0:18:51 | |
He spent a total of £105, leaving him with £254.14 to spend today. | 0:18:51 | 0:18:57 | |
Today, I'm going to spend, spend, spend like there's no tomorrow. | 0:18:58 | 0:19:03 | |
I'm going got thrill you with the quality of my purchases. | 0:19:03 | 0:19:07 | |
-Oh, OK. Good, good. -For the first time on this tour! | 0:19:07 | 0:19:10 | |
Christina started with £153.10. | 0:19:10 | 0:19:13 | |
She bought some dog bookends and a scarf, all for £130. | 0:19:13 | 0:19:18 | |
She has just £23.10 for the day ahead. | 0:19:18 | 0:19:22 | |
You know I about roughly 150 quid? | 0:19:22 | 0:19:24 | |
Yes. | 0:19:24 | 0:19:25 | |
I've spent 130. | 0:19:25 | 0:19:28 | |
Ooh! I'm liking this, Christina. | 0:19:28 | 0:19:30 | |
Christina, to use a horrible modern expression that I can't stand, | 0:19:30 | 0:19:35 | |
you've come to the party. | 0:19:35 | 0:19:37 | |
SHE LAUGHS | 0:19:37 | 0:19:39 | |
This morning sees our pair | 0:19:40 | 0:19:41 | |
make their way across West Yorkshire to Menston, | 0:19:41 | 0:19:45 | |
a village in the picturesque Wharfe Valley, | 0:19:45 | 0:19:47 | |
about six miles northeast of Bradford. | 0:19:47 | 0:19:50 | |
First stop for the day - Park Antiques. | 0:19:50 | 0:19:53 | |
-What a lovely shop. -Does lovely mean expensive? | 0:19:53 | 0:19:55 | |
No, no! Cheap with your charm. | 0:19:55 | 0:19:58 | |
-Wish me luck. -I will. -I might need it. | 0:19:58 | 0:20:01 | |
Park Antiques is run by Brian and Les. | 0:20:01 | 0:20:04 | |
Brian looks after the furniture, | 0:20:04 | 0:20:06 | |
Les, the smalls and porcelain. | 0:20:06 | 0:20:08 | |
-Hello. -Hi! -Hi, I'm Christina. | 0:20:08 | 0:20:11 | |
-I'm Les. Pleased to meet you. -Nice to meet you, Les. | 0:20:11 | 0:20:14 | |
-Hello. Who are you? -I'm Brian. -Brian? | 0:20:14 | 0:20:15 | |
Nice to meet you. Hi, Brian. Oh, my goodness. | 0:20:15 | 0:20:18 | |
This looks amazing. | 0:20:18 | 0:20:21 | |
And I wish I had more money to spend! | 0:20:21 | 0:20:23 | |
Yeah, so will they when they find out you've only got £20. | 0:20:23 | 0:20:27 | |
What have we got in here? | 0:20:27 | 0:20:29 | |
This looks like my kind of lot. What have we got in here? | 0:20:29 | 0:20:32 | |
That's just an assortment... | 0:20:32 | 0:20:33 | |
It's my kind of price tag as well! Here we go. | 0:20:33 | 0:20:36 | |
A box of goodies, 14 pieces in all, for a fiver. | 0:20:36 | 0:20:39 | |
The auction house said jewellery sold well. | 0:20:39 | 0:20:42 | |
What have we got here? | 0:20:42 | 0:20:43 | |
Some brooches, Wedgwood Blue, jasper cameo ware. | 0:20:43 | 0:20:46 | |
And then we've got... What on earth is that? | 0:20:46 | 0:20:48 | |
It's got a stamp on, hasn't it? | 0:20:48 | 0:20:51 | |
It has. Some really nice enamel work on there. | 0:20:51 | 0:20:55 | |
Can I ask you hold that for me? | 0:20:55 | 0:20:57 | |
Have I got my trusty...? | 0:20:57 | 0:20:59 | |
I never usually leave home without it - here we are. | 0:20:59 | 0:21:02 | |
Let's have a look. | 0:21:02 | 0:21:03 | |
This one bears all the hallmarks of being a Charles Horner piece. | 0:21:03 | 0:21:06 | |
Looks like the Charles Horner hat pin Rossco picked up | 0:21:06 | 0:21:09 | |
yesterday might have some competition in the auction. | 0:21:09 | 0:21:12 | |
Oh-ho! Hello! | 0:21:12 | 0:21:15 | |
-Sterling silver - CH. -There we go. | 0:21:15 | 0:21:17 | |
-Charles Horner. -Lovely. -Perfect. | 0:21:17 | 0:21:19 | |
Well done - there's your bargain. | 0:21:19 | 0:21:21 | |
There is a bargain! | 0:21:21 | 0:21:24 | |
Christina needed a bit of luck - | 0:21:24 | 0:21:25 | |
no wonder our jewellery expert is smiling. | 0:21:25 | 0:21:28 | |
So we've got £5 on that. | 0:21:28 | 0:21:29 | |
That's the box to make your fortune on, isn't it? | 0:21:29 | 0:21:32 | |
I will absolutely bite your hand off for that. | 0:21:32 | 0:21:34 | |
-OK. -At £5, thank you very much. | 0:21:34 | 0:21:37 | |
Thank you - it's a deal. | 0:21:37 | 0:21:38 | |
-But I have got some change. -Excellent! | 0:21:38 | 0:21:42 | |
Still with £18.10 left, | 0:21:43 | 0:21:45 | |
Christina is shopping on. | 0:21:45 | 0:21:48 | |
That's rather lovely. | 0:21:48 | 0:21:50 | |
Well, that's priced at...£30. | 0:21:50 | 0:21:55 | |
Oh, is it? | 0:21:55 | 0:21:56 | |
Lots of lovely little natural inclusions in there. | 0:21:56 | 0:21:58 | |
She's spotted a spray brooch, set with 14 semi-precious stones, | 0:21:58 | 0:22:03 | |
including some sapphires. | 0:22:03 | 0:22:05 | |
With just a sniff over £18 in her pocket, | 0:22:05 | 0:22:08 | |
can she get this at a better price? | 0:22:08 | 0:22:11 | |
Would you take £18.10 for it, | 0:22:11 | 0:22:14 | |
should the need require? | 0:22:14 | 0:22:15 | |
-If it will help, go on. £18. -£18.10 - I like that very much. | 0:22:15 | 0:22:18 | |
Christina has gone for broke. | 0:22:18 | 0:22:21 | |
She started this leg with £153.10 and has spent every single penny and | 0:22:21 | 0:22:26 | |
is leaving Park Antiques with a nice collection of brooches and fobs. | 0:22:26 | 0:22:31 | |
Meanwhile, Charlie's on his way to | 0:22:31 | 0:22:33 | |
Shipley on the outskirts of Bradford. | 0:22:33 | 0:22:35 | |
His next stop is Carlton Antiques Centre. | 0:22:35 | 0:22:38 | |
35 dealers trade from here, including Alan. | 0:22:38 | 0:22:42 | |
-Hello there. -Hello, Charlie. Alan. -Alan. Good to see you, Alan. -And you. | 0:22:42 | 0:22:46 | |
Alan's keen to show Charlie round. | 0:22:46 | 0:22:48 | |
Lovely bowl as well. | 0:22:48 | 0:22:51 | |
The work that's gone into that... | 0:22:51 | 0:22:53 | |
Superb! That's phenomenal workmanship, isn't it? | 0:22:53 | 0:22:57 | |
Dated as Victorian - I don't think there's any doubt it's Victorian. | 0:22:57 | 0:23:00 | |
-About 1870. -Yeah, which is nice. | 0:23:00 | 0:23:02 | |
It's what the French would call a bonbon dish, | 0:23:02 | 0:23:05 | |
a bowl for sweeties to you and me. | 0:23:05 | 0:23:07 | |
The over-the-top decoration, the bobbin handle | 0:23:07 | 0:23:11 | |
and the vine-leaf decoration are typical of the period. | 0:23:11 | 0:23:14 | |
Ticket price is £85. | 0:23:14 | 0:23:17 | |
I wish it was silver! | 0:23:17 | 0:23:18 | |
-It'd be about £385 then. -I think it would be! | 0:23:18 | 0:23:22 | |
It certainly looks he part, | 0:23:22 | 0:23:23 | |
but it comes down to getting a good price over | 0:23:23 | 0:23:25 | |
the phone from the dealer. | 0:23:25 | 0:23:28 | |
-Let's see if we can do a deal. -OK. -What's his name? -Paul. | 0:23:28 | 0:23:31 | |
-Paul? -Yeah. -Is he a nice man? | 0:23:31 | 0:23:33 | |
-He's lovely. -Ask him if he'll speak to me. | 0:23:33 | 0:23:36 | |
Hiya, Paul, it's Alan from Carlton Antiques. | 0:23:36 | 0:23:39 | |
I've got Charlie Ross on the phone for you. Just one moment... | 0:23:39 | 0:23:41 | |
There you go, Charlie. | 0:23:41 | 0:23:44 | |
Is that Paul? I'm doing extremely well. | 0:23:44 | 0:23:47 | |
I've spotted something which I'm told belongs to you. | 0:23:47 | 0:23:50 | |
Whether this is good news or bad news, I don't know. | 0:23:50 | 0:23:53 | |
I'm going to try one-one ditch effort here - | 0:23:53 | 0:23:56 | |
if I offer you 35 quid, will you put the phone down or say, | 0:23:56 | 0:23:59 | |
"Charlie, I'd like to sell it."? | 0:23:59 | 0:24:01 | |
You'd put the phone down. | 0:24:01 | 0:24:03 | |
40's the death. Right, you've got a deal. | 0:24:03 | 0:24:05 | |
-I'll have it. -Well done. Better than half price. | 0:24:05 | 0:24:08 | |
Looks like something else has caught his eye too. | 0:24:08 | 0:24:11 | |
That's a very ornate Victorian claret jug. | 0:24:11 | 0:24:14 | |
With a lid. | 0:24:14 | 0:24:17 | |
Strangely... | 0:24:17 | 0:24:20 | |
it... | 0:24:20 | 0:24:22 | |
You'd think, to all intents and purposes, it is silver plate. | 0:24:22 | 0:24:26 | |
If you look at the bottom of it... | 0:24:26 | 0:24:28 | |
you'll find a stamp on the bottom and that looks silver. | 0:24:28 | 0:24:31 | |
Having said that, that looks plate - | 0:24:31 | 0:24:33 | |
it's rubbed away - but this looks silver. | 0:24:33 | 0:24:37 | |
And this looks silver. | 0:24:37 | 0:24:39 | |
And it's a complete mystery. | 0:24:39 | 0:24:41 | |
The jug is priced at £120. | 0:24:41 | 0:24:44 | |
If it's silver, it could be worth up to £200 for scrap alone, | 0:24:44 | 0:24:48 | |
but if it's silver plate, | 0:24:48 | 0:24:49 | |
it will struggle to make a third of that. | 0:24:49 | 0:24:53 | |
Are you the owner of this exceptional object? | 0:24:53 | 0:24:55 | |
-Yes, I am, certainly. -Tell me all about it. What's your name, sir? | 0:24:55 | 0:24:58 | |
-Malcolm. -Malcolm, I'm Charlie. -Hello, Charlie. | 0:24:58 | 0:25:00 | |
I've been looking at that and I can't work it out, | 0:25:00 | 0:25:02 | |
-so explain it to me. -Well, you and me both. | 0:25:02 | 0:25:05 | |
-I bought it as silver plate. -Yes. | 0:25:05 | 0:25:07 | |
Presumably, if you bought it as silver plate, | 0:25:07 | 0:25:10 | |
you paid 30 quid for it? | 0:25:10 | 0:25:11 | |
-I paid more than that. -You didn't! | 0:25:11 | 0:25:13 | |
I paid double that and you can have it for 80. | 0:25:13 | 0:25:15 | |
-And that is it. -You're all heart. | 0:25:15 | 0:25:18 | |
-I know. -What do you mean, "That's it."? -That's it. That's it. | 0:25:18 | 0:25:21 | |
I want 20 quid profit out it. | 0:25:21 | 0:25:22 | |
If it's silver plate, it'll make 35 quid at auction, won't it? | 0:25:22 | 0:25:25 | |
But, ah! If it IS silver plate. | 0:25:25 | 0:25:28 | |
I'm not that much of a gambler! | 0:25:28 | 0:25:29 | |
There's only one way this is going, isn't there? | 0:25:29 | 0:25:32 | |
Look at me. It's going to begin with a seven, isn't it? | 0:25:32 | 0:25:36 | |
And it's then going to have a nought and we'll both have won. | 0:25:37 | 0:25:40 | |
-You've worn me down. You've worn me down. -Yeah? | 0:25:40 | 0:25:43 | |
-Go on, then. -Put it there. | 0:25:43 | 0:25:46 | |
Charlie leaves Shipley with two lots - | 0:25:47 | 0:25:49 | |
the ornate silver-plated Victorian bonbon dish, bought for £40, | 0:25:49 | 0:25:53 | |
and the claret jug - could be silver, | 0:25:53 | 0:25:56 | |
could be silver-plated - a gamble for £70. | 0:25:56 | 0:25:59 | |
While Charlie shops, Christina's got her feet up. | 0:26:01 | 0:26:04 | |
Earlier, she picked up a job lot of brooches and fobs for just a fiver. | 0:26:04 | 0:26:08 | |
This, for me, it's my bargain day. | 0:26:08 | 0:26:12 | |
What I've actually done, the box of 14 items, | 0:26:12 | 0:26:16 | |
I've actually split them into two separate lots. | 0:26:16 | 0:26:18 | |
So I've split the enamel brooches on here, | 0:26:18 | 0:26:21 | |
and then I've put the remainder over | 0:26:21 | 0:26:24 | |
here as a single lot as well. | 0:26:24 | 0:26:26 | |
That's now two £2.50 lots - a shrewd move. | 0:26:26 | 0:26:30 | |
Dividing her jewellery means she stands a better | 0:26:30 | 0:26:33 | |
chance of conquering at auction. | 0:26:33 | 0:26:36 | |
Meanwhile, back in the van, is Charlie as chipper? | 0:26:36 | 0:26:39 | |
Was I kidding myself with that claret jug? | 0:26:39 | 0:26:42 | |
Did I really think it might be silver? | 0:26:42 | 0:26:45 | |
It's a gamble. However, all is not lost. | 0:26:45 | 0:26:48 | |
I've got a fascinating bit of history to attend to now. | 0:26:48 | 0:26:51 | |
Yes, you have! | 0:26:52 | 0:26:54 | |
Charlie's driven to Boothtown | 0:26:54 | 0:26:55 | |
on the outskirts of Halifax in West Yorkshire, | 0:26:55 | 0:26:58 | |
and the former home of road contractor Percy Shaw, | 0:26:58 | 0:27:00 | |
whose invention has saved thousands of lives. | 0:27:00 | 0:27:04 | |
Charlie's meeting Percy's niece, Glenda, to hear the story of how | 0:27:04 | 0:27:08 | |
a cat on a foggy night inspired her uncle's inventive mind. | 0:27:08 | 0:27:13 | |
You must live in the only house in the world that has Catseyes | 0:27:13 | 0:27:16 | |
-going up to the front door! -Yes, I think so. | 0:27:16 | 0:27:19 | |
It was here that Great Uncle Percy invented the Catseye, was it? | 0:27:19 | 0:27:23 | |
-It was. -Yeah. | 0:27:23 | 0:27:24 | |
-If you like, come inside and I'll tell you more about it. -Thank you. | 0:27:24 | 0:27:29 | |
In the 1930s, driving a car was becoming an affordable reality. | 0:27:29 | 0:27:32 | |
But there was a real danger to this new-found luxury. | 0:27:32 | 0:27:37 | |
At night, poor street lighting made driving hazardous | 0:27:37 | 0:27:40 | |
and in foul weather, it could be deadly. | 0:27:40 | 0:27:43 | |
One night in April, 1933, | 0:27:45 | 0:27:48 | |
driving home from the pub through bad weather, | 0:27:48 | 0:27:50 | |
Percy struggled to see the road ahead. | 0:27:50 | 0:27:53 | |
As he as coming past a very dangerous part of the road, | 0:27:53 | 0:27:56 | |
it happened by sheer fluke, | 0:27:56 | 0:27:59 | |
he saw a cat sat on the edge of the road. | 0:27:59 | 0:28:04 | |
And it reflected in his headlights | 0:28:04 | 0:28:07 | |
and so he stopped the car, immediately, | 0:28:07 | 0:28:10 | |
realised he'd averted sure disaster | 0:28:10 | 0:28:15 | |
and then that's when he got his eureka moment. | 0:28:15 | 0:28:20 | |
Percy knew if he could replicate the reflection of cats' eyes, | 0:28:20 | 0:28:24 | |
he could prevent thousands of accidents. | 0:28:24 | 0:28:27 | |
Then in 1934, after tinkering with ideas in his workshop, | 0:28:27 | 0:28:31 | |
he produced a reflecting road stud prototype. | 0:28:31 | 0:28:35 | |
Although this was a useless idea that he made, | 0:28:35 | 0:28:39 | |
but the idea's there - | 0:28:39 | 0:28:41 | |
you can see it's made of the three component parts | 0:28:41 | 0:28:44 | |
that are still in existence today. | 0:28:44 | 0:28:46 | |
-You've got the glass eyes... -Yes. -..You've got the rubber | 0:28:46 | 0:28:51 | |
-that protects the glass... -Yes. | 0:28:51 | 0:28:54 | |
-..And then you've got the metal casting to protect the rubber. -Yeah. | 0:28:54 | 0:28:58 | |
And that goes in the road. | 0:28:58 | 0:29:00 | |
That really is quite different from the modern one, isn't it? | 0:29:00 | 0:29:03 | |
He soon developed this idea - | 0:29:03 | 0:29:06 | |
that you've got to have the eyes pointing this way, | 0:29:06 | 0:29:10 | |
so that they can pick up the car headlights. | 0:29:10 | 0:29:15 | |
Percy's Catseyes worked in all weathers, | 0:29:15 | 0:29:18 | |
were robust enough to be repeatedly driven over by heavy trucks | 0:29:18 | 0:29:22 | |
and required minimal maintenance, | 0:29:22 | 0:29:24 | |
but he struggled to persuade the Ministry Of Transport | 0:29:24 | 0:29:28 | |
to invest in his invention. | 0:29:28 | 0:29:30 | |
It wasn't until almost ten years later, | 0:29:30 | 0:29:32 | |
during the Second World War blackouts, | 0:29:32 | 0:29:34 | |
that Percy's Catseyes were adopted. | 0:29:34 | 0:29:37 | |
Business boomed, Percy built a factory beside his house, | 0:29:38 | 0:29:42 | |
employed around 130 locals | 0:29:42 | 0:29:44 | |
and was soon manufacturing 1.5 million Catseyes a year. | 0:29:44 | 0:29:48 | |
-This is the modern one, which has larger eyes. -Yeah, yeah. | 0:29:50 | 0:29:55 | |
Specification for modern-day conditions. | 0:29:55 | 0:29:57 | |
Surely, the problem with these is that you get a bit of rain, | 0:29:57 | 0:30:00 | |
bit of mud and it just covers over the lens | 0:30:00 | 0:30:03 | |
and you've lost the function. | 0:30:03 | 0:30:06 | |
-Yes, you get rain, but it goes into the dish there... -Yeah. | 0:30:06 | 0:30:11 | |
..And there you've got a slit there... | 0:30:11 | 0:30:13 | |
These are your cat's eyes, | 0:30:13 | 0:30:15 | |
and it works exactly like a cat's eye or a human eye, for that matter. | 0:30:15 | 0:30:20 | |
When a car goes over it, it goes into the water | 0:30:20 | 0:30:24 | |
and the eyelid washes it. | 0:30:24 | 0:30:26 | |
-Oh, that's amazing. So it's self-cleaning. -Yes. | 0:30:26 | 0:30:30 | |
Catseyes went on to be a global success. | 0:30:30 | 0:30:33 | |
In 1965, Percy was awarded an OBE in recognition for services to export. | 0:30:33 | 0:30:38 | |
By the time Percy died in 1976, aged 86, | 0:30:40 | 0:30:44 | |
around 15 million Catseyes had been made. | 0:30:44 | 0:30:48 | |
Today, the component parts are manufactured abroad, | 0:30:48 | 0:30:53 | |
but Catseyes are still assembled in the same factory 80 years on. | 0:30:53 | 0:30:57 | |
And it's still a family business. The company's run by Glenda's dad. | 0:30:57 | 0:31:01 | |
Thank you so much for showing me around. It's been wonderful. | 0:31:01 | 0:31:04 | |
Wonderful. When I drive home, I shall think of Percy. | 0:31:04 | 0:31:07 | |
And, as our experts take the road at auction, | 0:31:09 | 0:31:11 | |
here's a rundown of what Charlie and Christina | 0:31:11 | 0:31:14 | |
picked up on their travels. | 0:31:14 | 0:31:15 | |
Charlie bought a Georgian oak tray-top commode. Handy. | 0:31:15 | 0:31:20 | |
An Edwardian silver scent bottle. | 0:31:20 | 0:31:22 | |
A Charles Horner silver hatpin. | 0:31:22 | 0:31:25 | |
An ornate Victorian bonbon dish. | 0:31:25 | 0:31:28 | |
And a possibly silver Victorian lidded claret drug. | 0:31:28 | 0:31:32 | |
All that lot cost £215. | 0:31:32 | 0:31:35 | |
But challenger Christina's gone for broke | 0:31:37 | 0:31:40 | |
on a pair of bronzed-effect dog bookends, | 0:31:40 | 0:31:43 | |
an Indian-style shawl, a spray brooch, | 0:31:43 | 0:31:46 | |
and a box of jewellery she split into two lots for auction. | 0:31:46 | 0:31:51 | |
All for a grand total of £153.10. | 0:31:51 | 0:31:56 | |
But what do our experts think of each other's purchases? | 0:31:56 | 0:31:59 | |
There's nothing in Charlie's purchases which is really kind of... | 0:31:59 | 0:32:03 | |
lighting my fire. | 0:32:03 | 0:32:05 | |
Sugar basket... | 0:32:05 | 0:32:06 | |
Yeah... | 0:32:06 | 0:32:08 | |
Scent bottle... | 0:32:08 | 0:32:09 | |
Yeah... | 0:32:09 | 0:32:10 | |
Dog bookends, I don't like dog bookends. | 0:32:10 | 0:32:14 | |
I think there could be a bit of a clanger there. | 0:32:14 | 0:32:17 | |
It cost £129. | 0:32:17 | 0:32:19 | |
Value? | 0:32:19 | 0:32:21 | |
I shouldn't take off the hundred if I were you! | 0:32:21 | 0:32:25 | |
HE LAUGHS | 0:32:25 | 0:32:26 | |
I have a big fat zero in my pocket. | 0:32:26 | 0:32:31 | |
So I have invested everything into this auction. | 0:32:31 | 0:32:35 | |
Oh, dear. | 0:32:36 | 0:32:37 | |
So, will it be boom or bust for Christina at auction in Bourne? | 0:32:39 | 0:32:43 | |
Situated in the heart of South Lincolnshire, Bourne is a small | 0:32:45 | 0:32:49 | |
historic market town. | 0:32:49 | 0:32:50 | |
-Oh, it's a bit bumpy. -It is very bumpy. | 0:32:52 | 0:32:54 | |
It's also very, very, very flat, isn't it? | 0:32:54 | 0:32:57 | |
It's very flat. Have you ever been to Lincolnshire before? | 0:32:57 | 0:32:59 | |
I don't think I have. | 0:32:59 | 0:33:01 | |
The town was built around natural springs, hence the name Bourne, | 0:33:01 | 0:33:05 | |
which derives from the Anglo-Saxon, meaning water or stream. | 0:33:05 | 0:33:09 | |
-I do feel nervous about today, I do. -What are you doing buying dogs?! | 0:33:09 | 0:33:15 | |
-Well... -I mean, dog bookends. | 0:33:15 | 0:33:17 | |
-Well... -Do you honestly think dog bookends are commercial? | 0:33:17 | 0:33:21 | |
Today's auction takes place at Golding, Young & Mawer. | 0:33:21 | 0:33:25 | |
The company has a history of selling since 1864, | 0:33:25 | 0:33:29 | |
and old hand Colin Young is at the rostrum. | 0:33:29 | 0:33:32 | |
The bits that are a little bit more interesting are that wonderful | 0:33:32 | 0:33:36 | |
pair of bookends because they sit so well | 0:33:36 | 0:33:39 | |
and they look a little bit better than they probably are. | 0:33:39 | 0:33:42 | |
The claret jug is a really interesting one. | 0:33:42 | 0:33:44 | |
It is stamped 925, so it doesn't have a full set of English | 0:33:44 | 0:33:47 | |
hallmarks on it, and for that reason it's catalogued as white metal, | 0:33:47 | 0:33:52 | |
and we'll let the buyers decide how far they want to go with it. | 0:33:52 | 0:33:55 | |
Well, now's the time for Colin to grab his gavel and our experts | 0:33:55 | 0:33:59 | |
to take their seats because Charlie's claret jug is first up. | 0:33:59 | 0:34:03 | |
Good luck, good luck. | 0:34:03 | 0:34:04 | |
Could be silver, could be plated. A gamble by Charlie, bought for £70. | 0:34:06 | 0:34:10 | |
Stamped 925 on the bottom... | 0:34:10 | 0:34:12 | |
Yes! | 0:34:12 | 0:34:13 | |
At 30 and bid. 5 now, do I see? | 0:34:13 | 0:34:16 | |
Bid 40. 45? | 0:34:16 | 0:34:18 | |
45, bid 50? 50, bid 5? | 0:34:18 | 0:34:19 | |
Bid 60, 65. | 0:34:19 | 0:34:20 | |
See, see, see, see! | 0:34:20 | 0:34:22 | |
£70 on the internet... | 0:34:22 | 0:34:24 | |
-He thinks it's silver. -Well, it'll do. | 0:34:24 | 0:34:27 | |
He has done well, Colin. | 0:34:27 | 0:34:29 | |
You're all out in the room, then. All out, going at £70. | 0:34:29 | 0:34:31 | |
STRIKES GAVEL | 0:34:31 | 0:34:33 | |
A small loss after auction costs. | 0:34:33 | 0:34:35 | |
It could have been worse, it could have been better. | 0:34:35 | 0:34:37 | |
It was such a gamble, I think it must have been plate, | 0:34:37 | 0:34:40 | |
in which case it is a miracle. | 0:34:40 | 0:34:42 | |
Christina's first lot is the richly embroidered Indian-style shawl, | 0:34:42 | 0:34:47 | |
bought as part of a job lot with the expensive bookends, | 0:34:47 | 0:34:51 | |
it cost just £1, modelled by Charlie. | 0:34:51 | 0:34:53 | |
Oh, no. | 0:34:53 | 0:34:55 | |
Who's going to start me at £80? | 0:34:55 | 0:34:56 | |
£80? My goodness. | 0:34:56 | 0:34:58 | |
I've got to get the bids in early before he displays it! | 0:34:58 | 0:35:01 | |
At 50 bid. 5 anywhere else cos that's going to kill it dead?! | 0:35:01 | 0:35:04 | |
How dare you! | 0:35:04 | 0:35:06 | |
£50, anyone? | 0:35:06 | 0:35:07 | |
All right, then, start me at £20. £20, anyone? 10 to go, surely. | 0:35:07 | 0:35:11 | |
£10, anybody? £10. | 0:35:11 | 0:35:13 | |
£10, surely. | 0:35:13 | 0:35:14 | |
It didn't work, Charles! £10? Surely, £10 for it. | 0:35:14 | 0:35:20 | |
It's not mine! | 0:35:20 | 0:35:22 | |
That's the whole point - he was trying to wreck it for her! | 0:35:22 | 0:35:25 | |
You were supposed to twirl magnificently! | 0:35:25 | 0:35:28 | |
I've never been so embarrassed. | 0:35:28 | 0:35:30 | |
This is five times more than you paid for it. | 0:35:30 | 0:35:33 | |
Selling at £5. | 0:35:33 | 0:35:36 | |
With a £5 winning bid, Christina has the first profit of the day. | 0:35:36 | 0:35:40 | |
You realise if I hadn't modelled it, it would have made 30? | 0:35:40 | 0:35:43 | |
Yes, possibly, yeah! | 0:35:43 | 0:35:44 | |
Next, Charlie's Edwardian silver scent bottle. | 0:35:44 | 0:35:48 | |
50 to go, surely. £50, anybody? | 0:35:48 | 0:35:50 | |
Yeah, it started at 80 for my scarf. | 0:35:50 | 0:35:52 | |
HE GASPS | 0:35:52 | 0:35:54 | |
5 anywhere else? 5, surely? | 0:35:54 | 0:35:56 | |
At 40. | 0:35:56 | 0:35:58 | |
Do we do 2? We do on the net. 45, 48 now. | 0:35:58 | 0:36:01 | |
48 bid. £48 now, surely. It's no money at all here at £48. | 0:36:01 | 0:36:05 | |
45. Got a bid back in the room. 48 is the last call, then. | 0:36:05 | 0:36:07 | |
At £45, the whole world has seen it, the whole world is bidding. | 0:36:07 | 0:36:11 | |
£20 profit! | 0:36:11 | 0:36:12 | |
Back in the room at 45, selling at £45, all done. | 0:36:12 | 0:36:15 | |
STRIKES GAVEL | 0:36:15 | 0:36:16 | |
Sold for a £20 profit. | 0:36:16 | 0:36:19 | |
-£20 up. -£20 up. -Well done. | 0:36:19 | 0:36:22 | |
Christina's spray brooch is next. | 0:36:23 | 0:36:26 | |
Can it keep up their run of profits? | 0:36:26 | 0:36:30 | |
30? | 0:36:30 | 0:36:32 | |
Thank you, the lady's bid at 30. | 0:36:32 | 0:36:33 | |
5, I've got, 35. | 0:36:33 | 0:36:35 | |
Oh, my goodness! | 0:36:35 | 0:36:37 | |
45, bid 50, do I see? | 0:36:37 | 0:36:40 | |
It's a fantastic profit, £50. | 0:36:40 | 0:36:42 | |
5 again now, surely. 50 with me. | 0:36:42 | 0:36:44 | |
-We are doing so well. -Last call, then. It's on the market at 50. | 0:36:45 | 0:36:48 | |
All done and finished, I will sell, you've all seen it. | 0:36:48 | 0:36:51 | |
STRIKES GAVEL | 0:36:51 | 0:36:52 | |
Cracking result! A profit of over £31, wow. | 0:36:52 | 0:36:55 | |
You're doing so well, Christina. | 0:36:55 | 0:36:57 | |
SHE LAUGHS | 0:36:57 | 0:36:58 | |
Charlie's damaged Charles Horner hatpin now. Here it goes. | 0:36:58 | 0:37:04 | |
£10, anyone? £10, 12 with you, | 0:37:04 | 0:37:07 | |
15, 18, 20, 22, | 0:37:07 | 0:37:09 | |
25, at 25, surely? | 0:37:09 | 0:37:12 | |
Fresh blood. | 0:37:12 | 0:37:13 | |
-28? -28, I've got. 30? 30 bid. | 0:37:13 | 0:37:16 | |
At 30, standing in the middle of the room. | 0:37:16 | 0:37:18 | |
That's commission. | 0:37:18 | 0:37:19 | |
Last call, then. Selling at £30, all done. | 0:37:19 | 0:37:21 | |
STRIKES GAVEL | 0:37:21 | 0:37:22 | |
That's the second lot to sell at the cost price, | 0:37:22 | 0:37:25 | |
technically a loss after auction costs. | 0:37:25 | 0:37:27 | |
Next under the hammer is the first of Christina's fobs and brooches. | 0:37:27 | 0:37:32 | |
She bought her job lot for a fiver and split them into two for auction. | 0:37:32 | 0:37:36 | |
This lot includes her Charles Horner Hallmark brooch. | 0:37:36 | 0:37:39 | |
£30, anyone? 20 to go, surely. | 0:37:39 | 0:37:42 | |
Oh! | 0:37:42 | 0:37:43 | |
I've got two on the book. 25 now, 28. | 0:37:43 | 0:37:46 | |
He's making ten times more than it cost you. | 0:37:46 | 0:37:48 | |
The internet is flashing, but you have to roll onto 32 now. | 0:37:48 | 0:37:51 | |
My 30's in the room. 2 now, do I see on the net? | 0:37:51 | 0:37:54 | |
At 30, back in the room at 30, are we all done? | 0:37:54 | 0:37:56 | |
Selling this time at £30. | 0:37:56 | 0:37:58 | |
STRIKES GAVEL | 0:37:58 | 0:37:59 | |
Her shrewd move to split that box of trinkets has paid off. | 0:37:59 | 0:38:03 | |
-It's not bad, is it? -It's unbelievable! | 0:38:04 | 0:38:07 | |
Now Charlie's bonbon dish. | 0:38:08 | 0:38:10 | |
£40, anyone? | 0:38:12 | 0:38:13 | |
30? | 0:38:13 | 0:38:14 | |
Such a lovely thing. Oh, this is so cheap. | 0:38:14 | 0:38:17 | |
£20 to go, then, surely? Who is going to start me at £20? | 0:38:17 | 0:38:20 | |
Nobody interested? We'll move on if you don't. £20, anybody? | 0:38:20 | 0:38:23 | |
That didn't even make you bring your arm up, no? | 0:38:23 | 0:38:25 | |
-£10, then? -Oh, no. | 0:38:25 | 0:38:28 | |
10 bid? Oh, everyone, that's all right. | 0:38:28 | 0:38:30 | |
10 bid, 12 bid, 15, 18, 20, | 0:38:30 | 0:38:33 | |
20 bid, 2 bid. 22, 25 now... | 0:38:33 | 0:38:36 | |
At 22, the bid's down here at 22. | 0:38:36 | 0:38:37 | |
5 anywhere else? At £22. | 0:38:37 | 0:38:40 | |
At 22. Surely one more. | 0:38:40 | 0:38:42 | |
At 22, last call, then, selling... | 0:38:42 | 0:38:45 | |
Going then at £22, thank you. | 0:38:45 | 0:38:47 | |
GAVEL STRIKES | 0:38:47 | 0:38:48 | |
Oh, that is a loss of £18. It appears the tables have turned. | 0:38:48 | 0:38:52 | |
This is not Charlie's auction. | 0:38:52 | 0:38:54 | |
-Oh. -Welcome to my world. | 0:38:54 | 0:38:56 | |
SHE LAUGHS | 0:38:56 | 0:38:58 | |
That hurt. | 0:38:58 | 0:38:59 | |
Christina's second lot of brooches and fobs now. | 0:38:59 | 0:39:02 | |
Right, this is your big one. | 0:39:02 | 0:39:05 | |
-This is my leftovers. -This could make 50 quid. | 0:39:05 | 0:39:08 | |
Start me at £40. | 0:39:08 | 0:39:09 | |
£30, anybody? | 0:39:09 | 0:39:11 | |
-Oh, come on! -Don't worry, this will fly. | 0:39:11 | 0:39:13 | |
The lady has bid at 10. | 0:39:13 | 0:39:14 | |
-12 anywhere else? -12 on the internet. | 0:39:14 | 0:39:17 | |
Oh, we're up to 20 on the internet. | 0:39:17 | 0:39:18 | |
Oh! On the internet! | 0:39:18 | 0:39:21 | |
25 now? 25 bid, do I see now? | 0:39:21 | 0:39:24 | |
28 now? Well, there are a lot of them. | 0:39:24 | 0:39:25 | |
28 bid. 30, do I see? | 0:39:25 | 0:39:27 | |
£30 bid. 32 now, do I see? 32 now, surely? | 0:39:27 | 0:39:30 | |
HE GASPS | 0:39:30 | 0:39:32 | |
£32? | 0:39:32 | 0:39:33 | |
Christina! | 0:39:35 | 0:39:36 | |
You're all out in the room, back on the net, selling at 35 bid. | 0:39:36 | 0:39:40 | |
Oh! | 0:39:40 | 0:39:41 | |
At 35. If he gets excited at 35, he's going to be excited at this. | 0:39:41 | 0:39:45 | |
I've got 38. | 0:39:45 | 0:39:46 | |
Oh! | 0:39:46 | 0:39:48 | |
40 now, do I see? 40 is the last call. | 0:39:48 | 0:39:52 | |
Selling at £38. | 0:39:52 | 0:39:53 | |
STRIKES GAVEL | 0:39:53 | 0:39:54 | |
Another solid profit from the smart buy Christina. | 0:39:54 | 0:39:57 | |
Well done. | 0:39:57 | 0:39:59 | |
Oh! Christina, that's one of the biggest percentage profits | 0:39:59 | 0:40:03 | |
ever made on an auction. | 0:40:03 | 0:40:04 | |
SHE LAUGHS | 0:40:04 | 0:40:06 | |
Charlie's 18th-century commode is up next. | 0:40:06 | 0:40:08 | |
His profits have been going down the pan today. | 0:40:08 | 0:40:11 | |
Can he have any success with this last lot? | 0:40:11 | 0:40:15 | |
£30, anyone? I'll take 20 to go, then. | 0:40:15 | 0:40:17 | |
No. | 0:40:17 | 0:40:18 | |
£10. 15? 20? | 0:40:18 | 0:40:21 | |
Bid 30? Bid 40? | 0:40:21 | 0:40:24 | |
Bid 50? 50 bid. | 0:40:24 | 0:40:26 | |
5 now, surely. 55 bid. | 0:40:26 | 0:40:28 | |
Well done, Colin. | 0:40:28 | 0:40:30 | |
At 50 bid. Bid 60. It's 60. | 0:40:30 | 0:40:33 | |
5 anywhere else? Bid 70. | 0:40:33 | 0:40:34 | |
See?! | 0:40:34 | 0:40:36 | |
5 anywhere else? | 0:40:36 | 0:40:37 | |
-This is why I like furniture. -From £10 to £80, are you kidding me?! | 0:40:37 | 0:40:42 | |
5 now at 8, it's on the market, it's going to sell, make no mistake. | 0:40:42 | 0:40:45 | |
Done and finished at £80. | 0:40:45 | 0:40:47 | |
STRIKES GAVEL | 0:40:47 | 0:40:48 | |
Old Rossco is a furniture know-it-all and with a profit | 0:40:48 | 0:40:51 | |
like that, I wonder he didn't buy some more. | 0:40:51 | 0:40:54 | |
You know how people say brown furniture doesn't sell any more? | 0:40:54 | 0:40:57 | |
-Well, there you are, it does. -Well, that is why had faith in you. | 0:40:57 | 0:41:00 | |
HE SIGHS | 0:41:00 | 0:41:01 | |
Now their last lot of the day. | 0:41:01 | 0:41:04 | |
Christina is winning the auction | 0:41:04 | 0:41:06 | |
but if her bronze defect bookends don't sell well, | 0:41:06 | 0:41:09 | |
she could lose all the profits she's made so far. Here they come. | 0:41:09 | 0:41:13 | |
Straight in at the bottom estimate, start me at £40. | 0:41:13 | 0:41:15 | |
Thank you, 40. | 0:41:15 | 0:41:17 | |
Do I see 50? I'll take five, then. | 0:41:17 | 0:41:20 | |
45? 50? | 0:41:20 | 0:41:22 | |
60 and 5. Bid 70? | 0:41:22 | 0:41:25 | |
75 bid. 80 bid. | 0:41:25 | 0:41:28 | |
90 bid. 95 bid. 100. | 0:41:28 | 0:41:30 | |
110. 120 now, surely. | 0:41:30 | 0:41:32 | |
110, 120, 130 now, | 0:41:32 | 0:41:36 | |
140, 150, 160, | 0:41:36 | 0:41:40 | |
170 now. 160. | 0:41:40 | 0:41:43 | |
At 160, are we are all done and finished? | 0:41:43 | 0:41:45 | |
You're all out in the room, make no mistake. | 0:41:45 | 0:41:47 | |
At 160, you are out on the net. | 0:41:47 | 0:41:49 | |
All done and finished and selling at £160. | 0:41:49 | 0:41:52 | |
STRIKES GAVEL | 0:41:52 | 0:41:54 | |
SHE LAUGHS | 0:41:54 | 0:41:56 | |
Oh, my God! | 0:41:56 | 0:41:57 | |
A profit of £31. Christina's made a profit on every lot today. | 0:41:57 | 0:42:01 | |
That's two auctions in a row she's beaten Charlie. | 0:42:01 | 0:42:05 | |
-What about that, then? Four auctions down. -Yes. | 0:42:07 | 0:42:10 | |
-Two to you, two to me. -I think that's generous, but... | 0:42:10 | 0:42:13 | |
-Now we are going to the decider. -The final leg. -Come on. | 0:42:13 | 0:42:17 | |
It is all to play for. | 0:42:17 | 0:42:19 | |
After costs, Charlie made a loss of £12.46, | 0:42:19 | 0:42:23 | |
but Rossco still has £346.68 in his kitty to carry forward. | 0:42:23 | 0:42:29 | |
After paying auction house fees, | 0:42:30 | 0:42:32 | |
Christina has made a gain of £78.96. | 0:42:32 | 0:42:36 | |
As a result, Ms Trevanion has £232.06 to start the next leg. | 0:42:36 | 0:42:42 | |
She's catching up. | 0:42:42 | 0:42:45 | |
SHE LAUGHS | 0:42:45 | 0:42:46 | |
-Thank you. -Genius, we're genius. | 0:42:46 | 0:42:50 | |
I take it all back! | 0:42:50 | 0:42:52 | |
I take it all back! Those dogs were absolutely marvellous. | 0:42:52 | 0:42:55 | |
-In the passenger side. -All right, all right. | 0:42:55 | 0:42:58 | |
HORN HONKS | 0:42:58 | 0:42:59 | |
You're so good! | 0:42:59 | 0:43:01 | |
On the next Antiques Road Trip, with the last auction approaching, it is | 0:43:01 | 0:43:06 | |
all to play for. | 0:43:06 | 0:43:08 | |
Has Charlie rediscovered his lucky charm? | 0:43:08 | 0:43:11 | |
Look at that, it's not a Ross tartan, but is not bad. | 0:43:11 | 0:43:15 | |
Or will Christina's strong run continue? | 0:43:15 | 0:43:17 | |
It's heavy, it's really heavy! | 0:43:17 | 0:43:20 |