Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car... | 0:00:04 | 0:00:06 | |
We're going round! | 0:00:06 | 0:00:08 | |
..and a goal to scour Britain for antiques. | 0:00:08 | 0:00:12 | |
I want to spend lots of money. | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:18 | |
-Oh, no! -There'll be worthy winners... | 0:00:18 | 0:00:20 | |
-Yes! -We've done it. -..and valiant losers. | 0:00:20 | 0:00:23 | |
You're kidding me on. | 0:00:23 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
-What am I doing? -You've got a deal. -This is the Antiques Road Trip. | 0:00:29 | 0:00:33 | |
Yeah! | 0:00:33 | 0:00:35 | |
On this rather foggy road trip, | 0:00:36 | 0:00:38 | |
we're joining two esteemed experts for the third leg of their journey. | 0:00:38 | 0:00:42 | |
I'm getting the impression we're lost here. | 0:00:42 | 0:00:44 | |
There's not going to be any antique shops around here, are there? | 0:00:44 | 0:00:47 | |
Let's live in hope. | 0:00:47 | 0:00:48 | |
Charlie Ross is an auctioneer whose decades in the business have | 0:00:48 | 0:00:52 | |
made him cunning, confident and a little cocky. | 0:00:52 | 0:00:55 | |
I'm on a roll here and the problem is having so much money, | 0:00:55 | 0:00:58 | |
because you just want to spend it, spend it, spend it. | 0:00:58 | 0:01:00 | |
Freshfaced Christina Trevanion | 0:01:00 | 0:01:02 | |
hopes her vim and vigour will make her a formidable rival. | 0:01:02 | 0:01:06 | |
-I'll give him a cuddle. -Oh, yes. | 0:01:06 | 0:01:09 | |
Our duelling duo are driving a 1977 Volkswagen Camper through | 0:01:11 | 0:01:16 | |
a bit of a peasouper. | 0:01:16 | 0:01:17 | |
Strategy, I think we need to find an antique shop where we can | 0:01:17 | 0:01:20 | |
actually see the antiques because the fog is... | 0:01:20 | 0:01:22 | |
I think the strategy for you, frankly, is to find an antique | 0:01:22 | 0:01:25 | |
shop that has got something cheap enough for you to buy. | 0:01:25 | 0:01:28 | |
SHE LAUGHS | 0:01:28 | 0:01:30 | |
Both experts started with £200 but Christina has had an unlucky start. | 0:01:30 | 0:01:34 | |
After two disappointing auctions, she has just £128.80 to spend. | 0:01:34 | 0:01:40 | |
But old hand Charlie's coffers have swelled to £457.14 | 0:01:43 | 0:01:48 | |
and it's starting to go to his head. | 0:01:48 | 0:01:50 | |
I bought ten things and only one thing has made a loss. | 0:01:51 | 0:01:55 | |
Oh, that's impressive. What are you going to spend it on? | 0:01:55 | 0:01:58 | |
-I might spend it on presents for you. -Ah. -A box of chocolates. -Oh, yes. | 0:01:58 | 0:02:04 | |
-A new frock to replace the curtains. -I am not wearing curtains. | 0:02:04 | 0:02:08 | |
Our pair started their journey in Inverness. | 0:02:10 | 0:02:13 | |
Their route will see them take in the beauty of the east coast | 0:02:13 | 0:02:17 | |
on their way to Boston in Lincolnshire. | 0:02:17 | 0:02:19 | |
Today, Charlie and Christina | 0:02:19 | 0:02:21 | |
are heading towards their next auction in Newcastle. | 0:02:21 | 0:02:25 | |
They're starting in the heart of Northumberland in the small | 0:02:25 | 0:02:28 | |
market town of Alnwick. If only you could see the place. | 0:02:28 | 0:02:32 | |
You would have thought, wouldn't you, leaving Scotland | 0:02:32 | 0:02:34 | |
and coming into England, that you'd have better weather. | 0:02:34 | 0:02:37 | |
For 1,000 years, Alnwick Castle has dominated the landscape, | 0:02:37 | 0:02:41 | |
even in fog. | 0:02:41 | 0:02:42 | |
Originally built to defend England from the Scots, | 0:02:42 | 0:02:45 | |
it's now one of the largest inhabited castles in the country. | 0:02:45 | 0:02:48 | |
Christina's first stop is just a few miles away. | 0:02:48 | 0:02:52 | |
This looks really quite exciting. | 0:02:52 | 0:02:54 | |
-I think you might find the objects of your dreams here. -Do you think? | 0:02:54 | 0:02:58 | |
Just let me know if you need to borrow some money. Give me a ring. | 0:02:58 | 0:03:01 | |
-Yes, will do. -Cheeky so-and-so. | 0:03:01 | 0:03:04 | |
-Hello. -Good morning. -Hi. -Pleased to meet you. | 0:03:04 | 0:03:06 | |
-Hi, I'm Christina, who are you? -Peter. -Peter, nice to meet you. | 0:03:06 | 0:03:09 | |
-Nice to meet you. -This is rather lovely, isn't it? | 0:03:09 | 0:03:12 | |
Peter bought Alnwick Lodge 36 years ago. | 0:03:12 | 0:03:15 | |
It's become his home and his business. Everything is for sale. | 0:03:15 | 0:03:18 | |
The architectural salvage outside, when we were driving in, | 0:03:18 | 0:03:21 | |
I noticed there were some anchors and that sort of thing. | 0:03:21 | 0:03:25 | |
I might go and have a hunt and see what those are outside. | 0:03:25 | 0:03:29 | |
-It's a bit rainy at the moment, isn't it? -We have umbrellas. -Do you? | 0:03:29 | 0:03:33 | |
-Have you got any wellies? -Yes, we've got lots of wellies. | 0:03:33 | 0:03:36 | |
What tremendous customer service. | 0:03:36 | 0:03:39 | |
See, this is what you need when you're antique hunting, | 0:03:39 | 0:03:42 | |
none of these fancy shoes. | 0:03:42 | 0:03:44 | |
Now, I thought those look quite fun. | 0:03:44 | 0:03:47 | |
-What's that? How do I get over there, Peter? -You stand on a stone. | 0:03:47 | 0:03:50 | |
-Can I come up here? -I will send somebody to get it for you. | 0:03:50 | 0:03:53 | |
I don't want to crush your tete a tetes. | 0:03:53 | 0:03:55 | |
-That's fine, there's nothing to crush in there. -Am I OK up here? | 0:03:55 | 0:03:57 | |
-Yes, you're fine up there. -These are actually from a fishing boat? | 0:03:57 | 0:04:00 | |
-Yes, yes, yes. -Fab, OK. | 0:04:00 | 0:04:03 | |
I need to think outside the box to beat this pesky Charlie Ross | 0:04:03 | 0:04:07 | |
-and I think an anchor is quite cool. -The heaviest one, eh, Peter? | 0:04:07 | 0:04:12 | |
-What do you want for your anchors? -£20 for this one. -£20. | 0:04:12 | 0:04:17 | |
-Would you take 15? -I'll take 15. -You'd take 15. -I'll take 15. | 0:04:20 | 0:04:24 | |
-You're a gentleman, Peter. Thank you very much. -Thank you very much. | 0:04:24 | 0:04:28 | |
-£15 for an anchor. -That's one deal shipshape then. | 0:04:28 | 0:04:30 | |
I wonder how Charlie is getting on. | 0:04:30 | 0:04:32 | |
Where is the antique shop? Keep our eyes peeled for an antique shop. | 0:04:32 | 0:04:37 | |
Charlie is headed to the foothills of the Cheviot Hills | 0:04:37 | 0:04:40 | |
in the pretty village of Powburn. | 0:04:40 | 0:04:42 | |
With the best part of £406 already burning a hole in his pocket, | 0:04:42 | 0:04:46 | |
can Charlie find anything to further increase his lead | 0:04:46 | 0:04:49 | |
at Hedgeley Antique Centre? | 0:04:49 | 0:04:51 | |
-You must be Charlie. -I am. You're Brian? -I am, Brian. | 0:04:52 | 0:04:55 | |
Nice to see you, Brian. Looks like you've plenty for me here. | 0:04:55 | 0:04:58 | |
It's a feast for the eyes, Charlie. | 0:04:58 | 0:05:00 | |
It's quite striking. | 0:05:03 | 0:05:05 | |
I don't know whether this chap has been shot or whether... | 0:05:05 | 0:05:08 | |
I think he's been attacked by moths, probably. | 0:05:08 | 0:05:11 | |
I think all the buttons have gone. | 0:05:11 | 0:05:14 | |
Military buttons are very collectable. | 0:05:14 | 0:05:17 | |
That's why they've been pulled off. Brian has priced the tunic at £80. | 0:05:17 | 0:05:22 | |
I would have to buy that so cheaply. | 0:05:22 | 0:05:24 | |
I think that would make, I don't know, 30 quid at auction or | 0:05:24 | 0:05:27 | |
something, in which case I would have to buy it for 20 quid. | 0:05:27 | 0:05:32 | |
That might be useless to you. | 0:05:32 | 0:05:33 | |
On the other hand, you might think, I've had enough of this tunic. | 0:05:33 | 0:05:36 | |
It did come in a box with other stuff. I have sold the other stuff. | 0:05:36 | 0:05:39 | |
Yes, 20 quid, you can have that for 20 quid. | 0:05:39 | 0:05:41 | |
I'm having that for 20 quid. Are you happy with that? | 0:05:41 | 0:05:44 | |
That's fine, thank you very much indeed. | 0:05:44 | 0:05:46 | |
Thank you very much, that's very good. | 0:05:46 | 0:05:47 | |
Hopefully the auctioneer will have a mannequin which he can put it on. | 0:05:47 | 0:05:51 | |
Actually, hopefully he'll have a small porter he can dress in it. | 0:05:51 | 0:05:56 | |
It'll have to be a very small porter. | 0:05:56 | 0:05:58 | |
A fantastic first buy for Charlie though, | 0:05:59 | 0:06:01 | |
at a quarter of the ticket price. | 0:06:01 | 0:06:03 | |
Meanwhile, Christina is still in antique dealer Peter's back yard. | 0:06:04 | 0:06:09 | |
See that coffee table base in there? It's got a nice shape to it. | 0:06:09 | 0:06:13 | |
-How much is on that? -We'll have to get it out. | 0:06:13 | 0:06:16 | |
-How did she spot a table in all that lot? -I'm coming in, Peter. | 0:06:19 | 0:06:22 | |
-It's all right, I'm getting it out, I'm nearly there. -I'm coming in. | 0:06:22 | 0:06:26 | |
-Careful! -This is magic. -It's a hard hat area in here. | 0:06:26 | 0:06:30 | |
This is what antique hunting is all about. I like it. | 0:06:30 | 0:06:34 | |
Brilliant, right, now, how do we get it out? | 0:06:34 | 0:06:36 | |
Let's see if we can... Oh, I'm wearing it like a necklace. | 0:06:38 | 0:06:43 | |
Angle it down there. I think I just blocked our escape route. | 0:06:43 | 0:06:47 | |
I think it's there. | 0:06:50 | 0:06:52 | |
-Now don't tell me you want 300 quid for this now. -No, I don't think so. | 0:06:54 | 0:06:59 | |
It's certainly seen better days. | 0:06:59 | 0:07:00 | |
It looks like she's found a piece of 1960 G-Plan furniture. | 0:07:00 | 0:07:05 | |
Originally, it would have had a glass or tiled top. | 0:07:05 | 0:07:07 | |
-What do you want for it? -£40? -£40? No! | 0:07:09 | 0:07:15 | |
£40, is that including the bird poo or without? | 0:07:15 | 0:07:19 | |
-Oh, well, it can stay in the rain. -I would give you a fiver for that. | 0:07:19 | 0:07:25 | |
Up a little bit, up a little bit. | 0:07:25 | 0:07:28 | |
I think it needs seriously cleaning up. | 0:07:29 | 0:07:32 | |
It's a bit battered around the edges but a fiver. | 0:07:32 | 0:07:37 | |
-Save it for a fiver. -Fiver. | 0:07:37 | 0:07:39 | |
-I feel like I've rescued it. -You have rescued it. | 0:07:39 | 0:07:43 | |
-From the fire pile. -That poker round has paid off. | 0:07:43 | 0:07:47 | |
This is what antiques hunting is all about for me. | 0:07:47 | 0:07:49 | |
-A memorable experience. -Brilliant, a fiver. I'm happy. | 0:07:49 | 0:07:53 | |
But there's no rest for a bargain hunter. | 0:07:55 | 0:07:58 | |
Now the owner of an anchor | 0:07:58 | 0:07:59 | |
and coffee table without a top, | 0:07:59 | 0:08:01 | |
Christina still has £108.80 left to spend. | 0:08:01 | 0:08:04 | |
Scrub-a-dub-dub, now. | 0:08:04 | 0:08:06 | |
Charlie's headed 40 miles south to North Shields, | 0:08:06 | 0:08:10 | |
just outside Newcastle upon Tyne. | 0:08:10 | 0:08:13 | |
He's headed not far | 0:08:13 | 0:08:16 | |
from the former home of one of the area's most famous | 0:08:16 | 0:08:18 | |
former residents, George Stephenson. | 0:08:18 | 0:08:21 | |
He became one of the greatest British engineers of all time, | 0:08:21 | 0:08:25 | |
celebrated for his contribution to creating the world's railways. | 0:08:25 | 0:08:29 | |
But it's one of his early life-saving inventions | 0:08:29 | 0:08:32 | |
that kick-started George's | 0:08:32 | 0:08:35 | |
illustrious career at the frontier of British innovation. | 0:08:35 | 0:08:39 | |
Charlie's come to the Stephenson Museum | 0:08:39 | 0:08:42 | |
to find out more about this local lad | 0:08:42 | 0:08:44 | |
with the help of curator John Clayson. | 0:08:44 | 0:08:46 | |
Are you the controller? | 0:08:46 | 0:08:47 | |
I am indeed. John Clayson. | 0:08:47 | 0:08:49 | |
Illiterate until he was 18, | 0:08:49 | 0:08:51 | |
George Stephenson spent his teenage years | 0:08:51 | 0:08:53 | |
working in the mining industry, | 0:08:53 | 0:08:55 | |
attending night school to gain an education. | 0:08:55 | 0:08:58 | |
George Stephenson was born into the coal industry. | 0:08:58 | 0:09:02 | |
He was brought up in a cottage | 0:09:02 | 0:09:04 | |
right beside a colliery wagon way. | 0:09:04 | 0:09:08 | |
With the increasing demand for coal to fuel | 0:09:08 | 0:09:11 | |
the Industrial Revolution, | 0:09:11 | 0:09:12 | |
pits in this area ventured deeper than any others | 0:09:12 | 0:09:16 | |
in the United Kingdom. | 0:09:16 | 0:09:18 | |
Men and boys worked in primitive conditions, | 0:09:18 | 0:09:20 | |
hundreds of feet underground. | 0:09:20 | 0:09:23 | |
One of the biggest threats to life came from explosions, | 0:09:23 | 0:09:26 | |
caused by naturally occurring gases, | 0:09:26 | 0:09:28 | |
ignited by the workers' only source of light. | 0:09:28 | 0:09:31 | |
This is a naked flame lamp. It would burn whale oil. | 0:09:31 | 0:09:35 | |
This is the container of the oil. There would be a wick in here. | 0:09:35 | 0:09:38 | |
The problem was they were going ever deeper into the ground | 0:09:38 | 0:09:41 | |
just to get the coal | 0:09:41 | 0:09:43 | |
and they were going into ever more gassy seams. | 0:09:43 | 0:09:45 | |
So these sort of lamps | 0:09:45 | 0:09:47 | |
were beginning to set off explosions. | 0:09:47 | 0:09:49 | |
So they had to think of something. | 0:09:49 | 0:09:52 | |
What could possibly be a little less dangerous than a naked flame? | 0:09:52 | 0:09:55 | |
Stephenson knew only too well the dangers of working in the mines. | 0:09:55 | 0:09:59 | |
In 1812, 92 miners were killed | 0:09:59 | 0:10:01 | |
when a lamp caused an explosion at nearby Felling mine. | 0:10:01 | 0:10:05 | |
It killed everyone working at the coal face. | 0:10:05 | 0:10:09 | |
Over a third were children, the youngest an eight-year-old boy. | 0:10:09 | 0:10:14 | |
In the aftermath, Stephenson got to work, | 0:10:14 | 0:10:16 | |
and in 1815 he presented his revolutionary prototype. | 0:10:16 | 0:10:20 | |
He worked out that if the wick was burning, | 0:10:20 | 0:10:24 | |
-it would be drawing in air through this tube. -Yeah. | 0:10:24 | 0:10:27 | |
If it drew in air fast enough, | 0:10:27 | 0:10:29 | |
then the flame of propagation, if you like, | 0:10:29 | 0:10:32 | |
-wouldn't be able to get out of the tube. -I see! | 0:10:32 | 0:10:34 | |
So the flame would be contained within there. | 0:10:34 | 0:10:37 | |
-You still have the air get to the gases. -Absolutely. | 0:10:37 | 0:10:41 | |
At the same time, another man had also come up with a solution. | 0:10:41 | 0:10:44 | |
Humphrey Davy was a celebrated chemist and scientist | 0:10:44 | 0:10:47 | |
based in London. | 0:10:47 | 0:10:49 | |
-He came up with a gauze idea. -Right. | 0:10:49 | 0:10:51 | |
Davy's invention differed only slightly to Stephenson's, | 0:10:51 | 0:10:55 | |
using metal gauze rather than glass. | 0:10:55 | 0:10:57 | |
He accused Stephenson of stealing his design | 0:10:57 | 0:11:00 | |
and claimed an uneducated northerner wasn't capable | 0:11:00 | 0:11:03 | |
of producing such an invention. | 0:11:03 | 0:11:05 | |
Consequently, Davy was widely credited | 0:11:05 | 0:11:08 | |
with designing the first miners' safety lamp. | 0:11:08 | 0:11:11 | |
That seems unjust to me. | 0:11:11 | 0:11:13 | |
It was unjust and people did support George Stephenson | 0:11:13 | 0:11:17 | |
and created a bit of a fuss round this part of the world. | 0:11:17 | 0:11:20 | |
Quite right, too! | 0:11:20 | 0:11:21 | |
In 1833, some 18 years later, | 0:11:21 | 0:11:24 | |
a House of Commons committee | 0:11:24 | 0:11:25 | |
found Stephenson had equal claim to the invention. | 0:11:25 | 0:11:29 | |
Although Davy's lamp became standard issue | 0:11:29 | 0:11:31 | |
in British mines, | 0:11:31 | 0:11:33 | |
Stephenson's invention | 0:11:33 | 0:11:34 | |
was used exclusively in the north-east of England, | 0:11:34 | 0:11:37 | |
greatly reducing explosions in mines. | 0:11:37 | 0:11:40 | |
But another of its lasting legacies | 0:11:40 | 0:11:42 | |
is perhaps its name, | 0:11:42 | 0:11:44 | |
as it became known as the Geordie lamp. | 0:11:44 | 0:11:47 | |
George Stephenson's lamp was well-liked by the local miners, | 0:11:47 | 0:11:51 | |
in preference to the Davy lamp. | 0:11:51 | 0:11:53 | |
They were such skilled miners that they were in great demand | 0:11:53 | 0:11:56 | |
when new pits were being opened up in other parts of the UK. | 0:11:56 | 0:11:59 | |
They took their lamps with them and were known as "Geordies". | 0:11:59 | 0:12:02 | |
Logical, isn't it? | 0:12:02 | 0:12:04 | |
Yeah. Having earned recognition and success, | 0:12:04 | 0:12:07 | |
Stephenson went on to design the world's first passenger railway. | 0:12:07 | 0:12:10 | |
Although Charlie has come to see the lamps, | 0:12:10 | 0:12:13 | |
before he leaves, he's keen to have a go on the big boys' toys. | 0:12:13 | 0:12:18 | |
-Right, Charlie. -That's a yes, sir! | 0:12:18 | 0:12:20 | |
This is where the real work starts. Up you go. | 0:12:20 | 0:12:24 | |
Huh! Up she comes. | 0:12:24 | 0:12:26 | |
-Hello, sir! -Pleased to meet you, sir. | 0:12:26 | 0:12:27 | |
-Are you the boss? -Aye. -What's her name? | 0:12:27 | 0:12:30 | |
-My name's Roly. -Roly. | 0:12:30 | 0:12:31 | |
Can we go somewhere? | 0:12:31 | 0:12:32 | |
Yes, we'll go up the yard. You're the driver. | 0:12:32 | 0:12:35 | |
I'm the driver?! | 0:12:35 | 0:12:36 | |
What do I have to do? | 0:12:36 | 0:12:38 | |
-Steam brake. -Steam brake. | 0:12:38 | 0:12:40 | |
Turn it on. | 0:12:40 | 0:12:41 | |
STEAM HISSES | 0:12:41 | 0:12:42 | |
I can hear things going on. | 0:12:42 | 0:12:44 | |
WHISTLE BLOWS | 0:12:44 | 0:12:46 | |
Roscoe's coming! | 0:12:46 | 0:12:49 | |
Christina's made her way across Tyne and Wear | 0:12:54 | 0:12:58 | |
to Cleadon, a village located between South Shields | 0:12:58 | 0:13:00 | |
and Sunderland. | 0:13:00 | 0:13:02 | |
Her destination - Cleadon Antiques & Gifts. | 0:13:02 | 0:13:06 | |
This is a bit smart, isn't it? | 0:13:06 | 0:13:08 | |
We've got chandeliers and everything! | 0:13:08 | 0:13:10 | |
Christina has called in helpful owner Judith to find a bargain. | 0:13:10 | 0:13:13 | |
That's a bit different. It's got tiles on. | 0:13:13 | 0:13:16 | |
Oh, yes, a windmill. It's very Flander-y, isn't it? | 0:13:16 | 0:13:20 | |
I thought that would be reasonable. | 0:13:20 | 0:13:22 | |
My negotiator will do a good price on that. | 0:13:22 | 0:13:24 | |
THEY LAUGH | 0:13:24 | 0:13:26 | |
-Mr Negotiator. -Why do you call him the Negotiator? -Cos he's hard. | 0:13:26 | 0:13:29 | |
Oh! | 0:13:29 | 0:13:31 | |
SHE LAUGHS | 0:13:31 | 0:13:32 | |
Do I need to stick with Judith? | 0:13:32 | 0:13:33 | |
I think you should. | 0:13:33 | 0:13:35 | |
I mean, that's rather lovely. | 0:13:35 | 0:13:37 | |
I like that coffee set. | 0:13:37 | 0:13:39 | |
It's nice, isn't it? | 0:13:39 | 0:13:40 | |
That can be done at a reasonable price. | 0:13:40 | 0:13:43 | |
It's quite a collectable pattern, as well. | 0:13:43 | 0:13:45 | |
This palette, with gilding, iron red and cobalt blue, | 0:13:45 | 0:13:48 | |
is known as the Imari palette. | 0:13:48 | 0:13:50 | |
It's a generic name | 0:13:50 | 0:13:52 | |
from Japanese porcelain | 0:13:52 | 0:13:54 | |
that was originally exported from the port of Imari | 0:13:54 | 0:13:57 | |
in Japan. | 0:13:57 | 0:13:58 | |
What have I got here? I have one, two, three, four, | 0:13:58 | 0:14:01 | |
-five...that's seven! -Yeah. -Wow! | 0:14:01 | 0:14:04 | |
Usually you'd only find six, wouldn't you? | 0:14:04 | 0:14:06 | |
I think if they've got a coffee pot, it makes a tremendous difference. | 0:14:06 | 0:14:09 | |
It sort of doubles the price with a coffee pot, doesn't it? | 0:14:09 | 0:14:12 | |
Yeah, I like that. | 0:14:12 | 0:14:14 | |
-He's a good seller, isn't he? -He IS a good seller! | 0:14:14 | 0:14:16 | |
THEY LAUGH | 0:14:16 | 0:14:18 | |
And a good negotiator! | 0:14:18 | 0:14:19 | |
If I give him a cuddle... | 0:14:19 | 0:14:21 | |
Oh, yes, feel free! | 0:14:21 | 0:14:23 | |
Hey, anything to knock a few pounds off, eh? | 0:14:23 | 0:14:25 | |
So, how many of the saucers have we got? | 0:14:25 | 0:14:28 | |
Five saucers... | 0:14:28 | 0:14:29 | |
Ah! That's our problem, isn't it? | 0:14:29 | 0:14:31 | |
Five saucers, seven cups... | 0:14:31 | 0:14:33 | |
I think you're being over-picky. | 0:14:33 | 0:14:35 | |
-Ooh! -Ooh! -Ha-ha-ha-ha! | 0:14:35 | 0:14:39 | |
That's your cuddle gone! | 0:14:39 | 0:14:41 | |
I'm going to cuddle Judith instead. | 0:14:41 | 0:14:43 | |
Yeah, stick close to Judith. | 0:14:43 | 0:14:45 | |
It's time to start haggling with Mr Negotiator. | 0:14:45 | 0:14:48 | |
What have we got on that coffee set? | 0:14:48 | 0:14:50 | |
It's got £48 on it. | 0:14:50 | 0:14:53 | |
I think we could probably tuck that under 30 for you. | 0:14:53 | 0:14:57 | |
Probably 25. | 0:14:57 | 0:14:59 | |
25? That's about half-price. | 0:14:59 | 0:15:02 | |
That's hardly negotiating. | 0:15:02 | 0:15:04 | |
What's that? | 0:15:04 | 0:15:05 | |
-She's on to something else now. -Carlton Ware. -Carlton Ware. | 0:15:05 | 0:15:08 | |
That's rather lovely. | 0:15:08 | 0:15:10 | |
That's a sort of silhouette, | 0:15:10 | 0:15:12 | |
couples dancing, but I'm just not sure... | 0:15:12 | 0:15:15 | |
Has that been restored? | 0:15:15 | 0:15:17 | |
Careful! You'll be accused of being picky again. | 0:15:17 | 0:15:20 | |
I really quite like these. | 0:15:20 | 0:15:22 | |
She's gone from a coffee set to Carlton Ware | 0:15:22 | 0:15:25 | |
to lawn bowls. | 0:15:25 | 0:15:27 | |
Christina's rather indecisive today. | 0:15:27 | 0:15:30 | |
Judith... | 0:15:30 | 0:15:31 | |
Bowling balls or silhouettes? | 0:15:31 | 0:15:33 | |
Silhouettes. | 0:15:33 | 0:15:35 | |
-Silhouettes. -Yeah? -Yeah. | 0:15:35 | 0:15:36 | |
SHE LAUGHS | 0:15:36 | 0:15:38 | |
Right, Judith, we have to negotiate with him now. | 0:15:38 | 0:15:40 | |
Can we do...? | 0:15:40 | 0:15:41 | |
THEY LAUGH | 0:15:41 | 0:15:43 | |
Judith and I would like to make you an offer. | 0:15:43 | 0:15:45 | |
Judith's become an ally, look. | 0:15:45 | 0:15:47 | |
Can we do 20 on the coffee set, and a fiver on the silhouettes? | 0:15:47 | 0:15:51 | |
Yeah, I think that would be fine. | 0:15:51 | 0:15:53 | |
Over £20 off the Carlton Ware | 0:15:53 | 0:15:55 | |
and a coffee set better than half-price. | 0:15:55 | 0:15:57 | |
Mr Hard Negotiator didn't even need a cuddle. | 0:15:57 | 0:16:01 | |
I'll bowl my bowling ball out. | 0:16:01 | 0:16:03 | |
I will shake your hand and say thank you very much. | 0:16:03 | 0:16:05 | |
-You're more than welcome. -That's brilliant! | 0:16:05 | 0:16:08 | |
Christina now has four items to challenge Charlie's lead. | 0:16:08 | 0:16:12 | |
One day down, one to go on the road trip. | 0:16:12 | 0:16:14 | |
Time for a well-earned rest all round, I'd say. | 0:16:14 | 0:16:17 | |
Night-night, you two. | 0:16:17 | 0:16:19 | |
It's day two of the road trip and another misty start. | 0:16:21 | 0:16:24 | |
-Have you any idea where we are? -It's really rather beautiful, isn't it? | 0:16:26 | 0:16:29 | |
-It is, but the weather hasn't got much better. -It really hasn't. | 0:16:29 | 0:16:32 | |
Yesterday, Christina haggled hard and bought four items for just £45. | 0:16:32 | 0:16:37 | |
£40?! No! | 0:16:37 | 0:16:39 | |
Is that including the bird poo or without? | 0:16:39 | 0:16:43 | |
An old fishing boat anchor, | 0:16:43 | 0:16:45 | |
an Imari coffee service, | 0:16:45 | 0:16:47 | |
a Carlton Ware bowl | 0:16:47 | 0:16:49 | |
and a G-Plan coffee table, | 0:16:49 | 0:16:51 | |
leaving her £83.80 today. | 0:16:51 | 0:16:54 | |
Charlie is lagging behind on the shopping front. | 0:16:54 | 0:16:58 | |
He's spent just £20 on a Victorian infantry officer's dress tunic. | 0:16:58 | 0:17:03 | |
He still has a wallet full of cash. | 0:17:03 | 0:17:05 | |
£437.14, to be precise. | 0:17:05 | 0:17:09 | |
Are you feeling positive about your purchases yesterday? | 0:17:09 | 0:17:12 | |
Well, I bought something that is going to require you, | 0:17:12 | 0:17:16 | |
so that it can be seen in its full glory. | 0:17:16 | 0:17:19 | |
Why would I help you make more money? | 0:17:21 | 0:17:23 | |
-Oh, God! -Because you're a kind soul and you love me. | 0:17:23 | 0:17:27 | |
-Because I love you... -Yeah. | 0:17:27 | 0:17:29 | |
..I will help as long | 0:17:29 | 0:17:32 | |
as it doesn't involve taking any clothes off. | 0:17:32 | 0:17:34 | |
No, no...oh! | 0:17:34 | 0:17:36 | |
SHE LAUGHS | 0:17:36 | 0:17:37 | |
First shop of the day is for Charlie, | 0:17:39 | 0:17:41 | |
in the market town of Chester-le-Street | 0:17:41 | 0:17:44 | |
in County Durham, | 0:17:44 | 0:17:45 | |
seven miles south of Newcastle upon Tyne. | 0:17:45 | 0:17:48 | |
It's somewhere along here. | 0:17:48 | 0:17:50 | |
There it is. "Antiques". | 0:17:50 | 0:17:52 | |
-Oh. -"Old and interesting". | 0:17:52 | 0:17:54 | |
-How appropriate! -How dare you! | 0:17:54 | 0:17:56 | |
SHE LAUGHS | 0:17:56 | 0:17:57 | |
As opposed to "young and fascinating" like you, I suppose. | 0:17:57 | 0:18:00 | |
-Have fun. -Mwah, bye! | 0:18:00 | 0:18:02 | |
See you later. | 0:18:02 | 0:18:04 | |
Might do. | 0:18:04 | 0:18:05 | |
Bye! | 0:18:07 | 0:18:08 | |
HORN BEEPS | 0:18:11 | 0:18:12 | |
Colin's been dealing in antiques and collectables | 0:18:15 | 0:18:18 | |
for almost 30 years. | 0:18:18 | 0:18:19 | |
His shop, a former electrical substation, | 0:18:19 | 0:18:22 | |
is packed with treasures. | 0:18:22 | 0:18:24 | |
All a bit sparky. | 0:18:24 | 0:18:26 | |
When I walked in, there's something that really took my eye. | 0:18:26 | 0:18:29 | |
Hanging up there are three | 0:18:29 | 0:18:33 | |
Art Deco ceiling lights, | 0:18:33 | 0:18:36 | |
with frosted glass. | 0:18:36 | 0:18:37 | |
There's a central light, | 0:18:37 | 0:18:39 | |
with brass arms to it, | 0:18:39 | 0:18:43 | |
and there's a pair of hanging lights. | 0:18:43 | 0:18:46 | |
I haven't got a clue how much they are, they have no price on them. | 0:18:46 | 0:18:50 | |
But they really took my eye. | 0:18:50 | 0:18:52 | |
The Art Deco style originated in France during the roaring | 0:18:52 | 0:18:56 | |
1920s. The geometric shapes, bold colours and lavish ornamentation | 0:18:56 | 0:19:01 | |
was popular until after the Second World War. | 0:19:01 | 0:19:04 | |
Argh! | 0:19:04 | 0:19:06 | |
Careful. | 0:19:06 | 0:19:07 | |
They need a damn good clean. | 0:19:10 | 0:19:12 | |
I love this Deco, a real Deco look to them. | 0:19:12 | 0:19:16 | |
I think they're French or Belgian. | 0:19:17 | 0:19:20 | |
Oh, hang on, we've got a label on it. | 0:19:20 | 0:19:22 | |
May I have a look? | 0:19:22 | 0:19:23 | |
"Made in Taiwan." Oh, no, no! | 0:19:25 | 0:19:27 | |
HE LAUGHS | 0:19:27 | 0:19:29 | |
French... | 0:19:29 | 0:19:30 | |
"Hand crafted uniqueness." | 0:19:32 | 0:19:34 | |
Perhaps they're not old, they look... | 0:19:34 | 0:19:37 | |
Oh, no, looking at the glass, they're reproduction ones. | 0:19:37 | 0:19:40 | |
I mean, they're so Deco looking. | 0:19:40 | 0:19:43 | |
I can see from the wires in there, they're reproduction. | 0:19:43 | 0:19:47 | |
Well, you'd have to list them as Art Deco style, Charlie, | 0:19:47 | 0:19:50 | |
because period they are not | 0:19:50 | 0:19:52 | |
but they DO... do the business. | 0:19:52 | 0:19:54 | |
How much would they be? | 0:19:54 | 0:19:56 | |
-Er, £100. -£100. | 0:19:56 | 0:19:59 | |
Jolly tempting, that is. | 0:20:00 | 0:20:01 | |
Jolly tempting. | 0:20:01 | 0:20:03 | |
Modern reproduction lights are more likely to work | 0:20:03 | 0:20:06 | |
than an item with older electrics. | 0:20:06 | 0:20:08 | |
This may make them considerably more attractive at auction | 0:20:08 | 0:20:11 | |
and could be a very astute purchase, Charlie. | 0:20:11 | 0:20:14 | |
The lights come complete with ceiling mounts, too. | 0:20:14 | 0:20:17 | |
Can you shave them a little bit on price? Have you got any leeway | 0:20:17 | 0:20:20 | |
for an old man standing on a chair? | 0:20:20 | 0:20:23 | |
£80 finished. | 0:20:23 | 0:20:25 | |
At £80, Colin... | 0:20:25 | 0:20:27 | |
-..you've got yourself a deal. -Thank you. | 0:20:27 | 0:20:29 | |
That's Charlie's second purchase of the trip. | 0:20:29 | 0:20:33 | |
A three-branch ceiling light and a pair of hanging lights, | 0:20:33 | 0:20:35 | |
all in Art Deco style, and for £20 off the asking price. | 0:20:35 | 0:20:39 | |
Charlie still has just over £350 to spend. | 0:20:39 | 0:20:42 | |
He's been drawn to a collection of tin-plate toys - | 0:20:42 | 0:20:44 | |
memories of yesterday's steam train, eh, Charlie? | 0:20:44 | 0:20:47 | |
About a dozen bits of rolling stock, some in good condition. | 0:20:49 | 0:20:52 | |
Well, very few bits in good condition, a couple of them. | 0:20:52 | 0:20:54 | |
The rest of them are in poor condition. | 0:20:54 | 0:20:56 | |
A couple of the better pieces are priced at £10 each. | 0:20:56 | 0:20:59 | |
The Chad Valley Company... | 0:20:59 | 0:21:01 | |
Erm, wonderful makers of toys | 0:21:03 | 0:21:05 | |
and we've got the model there. | 0:21:05 | 0:21:07 | |
Again, the transfer printing is both sides and in good condition. | 0:21:07 | 0:21:12 | |
If they were very cheap I would buy them as one lot | 0:21:12 | 0:21:15 | |
and hope that the two tankers, which are in good condition, | 0:21:15 | 0:21:19 | |
would provide the bulk of the price. Colin... | 0:21:19 | 0:21:21 | |
-Yes, Charlie? -I've been peeping into your cabinet, here. -Right. | 0:21:21 | 0:21:24 | |
You've got a couple of pieces of rolling stock there, | 0:21:24 | 0:21:27 | |
-the tankers... -Yeah. | 0:21:27 | 0:21:29 | |
..which are nice. | 0:21:29 | 0:21:30 | |
I have to say the ones with the wood, or cardboard on the top, | 0:21:30 | 0:21:35 | |
-are so badly bashed. -Right. | 0:21:35 | 0:21:38 | |
Can I have a price for the whole blooming lot? | 0:21:38 | 0:21:40 | |
-A good price 50 quid. -50 quid for the lot. | 0:21:40 | 0:21:44 | |
I'll be honest, Colin, I wouldn't want to pay more than 30 for the lot. | 0:21:44 | 0:21:48 | |
35? | 0:21:48 | 0:21:50 | |
-Are you happy with that? -I'm happy. | 0:21:52 | 0:21:54 | |
I'm on a roll here and the problem is having so much money | 0:21:54 | 0:21:58 | |
because you just want to spend it, spend it, spend it. | 0:21:58 | 0:22:00 | |
I've probably spent, in the last ten minutes, | 0:22:00 | 0:22:03 | |
the whole of Christina's budget! | 0:22:03 | 0:22:05 | |
HE LAUGHS | 0:22:05 | 0:22:07 | |
Oh, dear! | 0:22:07 | 0:22:08 | |
The wonderful feeling of superiority! | 0:22:08 | 0:22:11 | |
How's that big head feel, old bean? | 0:22:11 | 0:22:14 | |
Now, unlike the lights, and the rolling stock, | 0:22:14 | 0:22:19 | |
I'm in dangerous ground here because I simply don't know enough. | 0:22:19 | 0:22:25 | |
I know it's superbly made. | 0:22:26 | 0:22:28 | |
With regard to its value...? | 0:22:28 | 0:22:30 | |
Roscoe! Not your field. | 0:22:32 | 0:22:35 | |
Charlie's found what looks like a late 19th century | 0:22:35 | 0:22:39 | |
British officer's dress sword. | 0:22:39 | 0:22:40 | |
It's missing the leather scabbard and there's no provenance. | 0:22:40 | 0:22:43 | |
There's no ticket price either. | 0:22:43 | 0:22:46 | |
A wonderful coronet on the top. | 0:22:47 | 0:22:49 | |
And, er, splendid detailing. | 0:22:49 | 0:22:53 | |
I wish I knew more about militaria, I must say. | 0:22:55 | 0:22:57 | |
If he's going to gamble on something he knows nothing about, | 0:22:57 | 0:23:00 | |
he'd better negotiate a good price with Colin. | 0:23:00 | 0:23:04 | |
How much is it? To me, now, cash? | 0:23:04 | 0:23:07 | |
To you, now, £100. | 0:23:07 | 0:23:10 | |
-I'm going to give you £100 for that. -Are you? | 0:23:10 | 0:23:13 | |
That's a quick, instant buy. No messing. | 0:23:13 | 0:23:16 | |
You quote the price, I give you the price | 0:23:16 | 0:23:19 | |
and I haven't got a clue what I'm doing. I love it! | 0:23:19 | 0:23:21 | |
Thank you very much, indeed, sir. | 0:23:21 | 0:23:23 | |
Big spender Charlie has just splurged £215 | 0:23:23 | 0:23:26 | |
on some reproduction Art Deco lights, | 0:23:26 | 0:23:30 | |
some rather tatty tin-plate toys | 0:23:30 | 0:23:32 | |
and a sword he knows nothing about. | 0:23:32 | 0:23:35 | |
This could cost him dear at auction and give Christina a chance | 0:23:35 | 0:23:38 | |
to take the lead. | 0:23:38 | 0:23:39 | |
Meanwhile, Christina's taking the camper van west | 0:23:41 | 0:23:44 | |
to the pretty town of Corbridge, in Northumberland. | 0:23:44 | 0:23:47 | |
She's been spending shrewdly, so far, | 0:23:47 | 0:23:50 | |
and still has £85 in her purse. | 0:23:50 | 0:23:52 | |
I'm going to try and spend as much as I can | 0:23:52 | 0:23:54 | |
on something that is going to be the mutt's nuts of antiques. | 0:23:54 | 0:23:59 | |
That's the spirit! | 0:23:59 | 0:24:01 | |
Not far from Hadrian's Wall, Corbridge is built on the remains | 0:24:01 | 0:24:03 | |
of a Roman garrison town. | 0:24:03 | 0:24:05 | |
Today, Christina's hoping to build on her fortunes | 0:24:05 | 0:24:08 | |
at Corbridge Antique Centre. | 0:24:08 | 0:24:11 | |
Oh... | 0:24:13 | 0:24:14 | |
There's lot of things here and I'm very, very... | 0:24:14 | 0:24:17 | |
..spoilt for choice. | 0:24:17 | 0:24:20 | |
Wow! | 0:24:20 | 0:24:21 | |
Well, there's an old mother-of-pearl card case | 0:24:21 | 0:24:24 | |
which could be of interest. | 0:24:24 | 0:24:28 | |
The cabinet belongs to a dealer, the lovely Margaret. | 0:24:28 | 0:24:31 | |
I wanted to have a look at this. | 0:24:31 | 0:24:33 | |
So we have got a mother-of-pearl card case in here | 0:24:33 | 0:24:36 | |
and it's still got its interior, as well, hasn't it? | 0:24:36 | 0:24:39 | |
We've got a little bit of loss on there. | 0:24:39 | 0:24:42 | |
Of course, it would have been used for your calling cards, originally. | 0:24:42 | 0:24:46 | |
You would have arrived at somebody's grand home | 0:24:46 | 0:24:50 | |
and been welcomed by their butler and got out your calling card case | 0:24:50 | 0:24:54 | |
-and put it down on the silver salver. -Yes. -Or the card salver. | 0:24:54 | 0:24:58 | |
The butler would have trolleyed away and given it to his mistress. | 0:24:58 | 0:25:02 | |
Oh, yes, there's a strong collectors' market | 0:25:02 | 0:25:05 | |
for these elegant 19th and 20th century calling card holders. | 0:25:05 | 0:25:09 | |
Ticket price for this one is £45 | 0:25:09 | 0:25:10 | |
but what will Margaret let it go for? | 0:25:10 | 0:25:13 | |
-25. -£25, put it there, great. | 0:25:15 | 0:25:17 | |
Thank you very much. | 0:25:17 | 0:25:20 | |
A neat £25 for that case is a great buy. | 0:25:20 | 0:25:23 | |
Meanwhile, just five miles down the road in Hexham, | 0:25:23 | 0:25:25 | |
Charlie's made his way to Instinct Antiques. | 0:25:25 | 0:25:28 | |
Dealer Michael has been in the business for almost 20 years. | 0:25:28 | 0:25:33 | |
-Hello! -Hello, Charlie. | 0:25:33 | 0:25:35 | |
-Are you Michael? -I am, Charlie. | 0:25:35 | 0:25:36 | |
-Nice to see you. -Are you all right? -I'm very well. | 0:25:36 | 0:25:39 | |
Right, where am I going to start in this fantastic establishment? | 0:25:39 | 0:25:43 | |
There's a certain drink influence here. | 0:25:47 | 0:25:49 | |
Michael, obviously, likes a drop, I think. | 0:25:49 | 0:25:51 | |
There's a nice bottle of Merlot in the corner. | 0:25:51 | 0:25:55 | |
Sauvignon Blanc... | 0:25:55 | 0:25:56 | |
Look out, he's croaked. One too many? | 0:25:56 | 0:25:58 | |
I wonder if you get a nice glass of Merlot with every purchase? | 0:25:58 | 0:26:01 | |
You'd be lucky! | 0:26:01 | 0:26:03 | |
-Can I draw your attention to this? -Yes. | 0:26:03 | 0:26:05 | |
I love high Victorian mechanical things | 0:26:05 | 0:26:09 | |
-and this is a money box. -It is. | 0:26:09 | 0:26:12 | |
It's so beautifully moulded. | 0:26:12 | 0:26:14 | |
-You've got the mother bird here. -Yes. | 0:26:14 | 0:26:17 | |
Presumably... How does that work? | 0:26:17 | 0:26:19 | |
-Can you get your coin in there? -I'll see if I've got a coin to put in. | 0:26:19 | 0:26:22 | |
-I've got a 2p piece. -2p. -I'll put that in there | 0:26:22 | 0:26:26 | |
and give it a try, see what happens. | 0:26:26 | 0:26:28 | |
-There you go. -That's marvellous. | 0:26:34 | 0:26:36 | |
What sort of date is that? | 0:26:36 | 0:26:38 | |
-That's dated 1883. -Is it? -Yeah. | 0:26:38 | 0:26:41 | |
-It's got a patent mark on it, has it? -Yes. | 0:26:41 | 0:26:43 | |
If you look at the bottom... | 0:26:43 | 0:26:45 | |
..on there it tells you patent. | 0:26:45 | 0:26:47 | |
January 28th, 1883. | 0:26:47 | 0:26:51 | |
In the 1980s, huge numbers of Victorian-style money boxes | 0:26:51 | 0:26:55 | |
were reproduced and imported from the Far East. | 0:26:55 | 0:26:58 | |
This diluted the market for originals, | 0:26:58 | 0:27:01 | |
as buyers lost confidence, but this looks every bit the original. | 0:27:01 | 0:27:04 | |
It has the pattern and colour finish and is really rather fun. | 0:27:04 | 0:27:08 | |
The ticket price is £195. | 0:27:08 | 0:27:12 | |
What a gamble. | 0:27:12 | 0:27:14 | |
This is the moment of the road trip. | 0:27:14 | 0:27:19 | |
But I don't know what it's worth. | 0:27:19 | 0:27:20 | |
It's a bit like buying that sword earlier. | 0:27:20 | 0:27:23 | |
It's no good just going round the country buying things you don't know about. | 0:27:23 | 0:27:26 | |
Well, I suppose the only thing to do is to make you an offer | 0:27:26 | 0:27:29 | |
and see if you take it. | 0:27:29 | 0:27:31 | |
I would pay...£150 for that. | 0:27:31 | 0:27:36 | |
150? | 0:27:36 | 0:27:38 | |
Well, I think from one old man to another old man, we'll do the deal. | 0:27:38 | 0:27:43 | |
I like that! | 0:27:43 | 0:27:45 | |
I like that! Thank you. | 0:27:45 | 0:27:46 | |
You've made my day. You really have made my day. | 0:27:46 | 0:27:50 | |
Risky purchase. Will it make money at auction? | 0:27:50 | 0:27:53 | |
First, a sword for £100 and now a money box for £150. | 0:27:53 | 0:27:57 | |
Charlie's game for gambling today. | 0:27:57 | 0:28:00 | |
With her shopping done, Christina's headed off to explore | 0:28:00 | 0:28:03 | |
a formidable fortified tower in the middle of Hexham. | 0:28:03 | 0:28:06 | |
This imposing building is reputedly England's first purpose-built jail. | 0:28:06 | 0:28:12 | |
Christina's about to delve into Hexham's dark past | 0:28:12 | 0:28:16 | |
and its rather interesting take on the class system | 0:28:16 | 0:28:19 | |
in the Middle Ages with jail museum manager Janet Goodridge. | 0:28:19 | 0:28:23 | |
-It looks fairly foreboding, I have to be honest. -Yes. | 0:28:23 | 0:28:26 | |
-Do you want to come in and have a look round? -I'd love to, yes! | 0:28:26 | 0:28:29 | |
Let's go on in. The friendliest welcome I've ever had into a jail. | 0:28:29 | 0:28:32 | |
Construction of the sturdy stone structure was completed in 1333 | 0:28:32 | 0:28:37 | |
and for 500 years, the town's prisoners were held here. | 0:28:37 | 0:28:42 | |
-So, would you like to come and have a look... -Down there? | 0:28:42 | 0:28:45 | |
..and experience what the poorest and most dangerous prisoners did? | 0:28:45 | 0:28:49 | |
-Down here? -Down this ladder. -There was no ladder in the 14th century. | 0:28:49 | 0:28:54 | |
This is the most elegant thing I've ever done(!) | 0:28:54 | 0:28:57 | |
Steady! Prisoners were dropped through | 0:28:57 | 0:29:00 | |
the trap door on to the stone floor below. | 0:29:00 | 0:29:02 | |
So, how far is it from there to the floor? | 0:29:02 | 0:29:05 | |
It's about 18ft. | 0:29:05 | 0:29:06 | |
Oh, good grief! And they'd just drop you? | 0:29:06 | 0:29:08 | |
You'd get dropped down in here, yes. | 0:29:08 | 0:29:10 | |
And I'm assuming that most people would probably end up with | 0:29:10 | 0:29:14 | |
-some sort of injury from that. -You're going to damage yourself. | 0:29:14 | 0:29:17 | |
You're going to have a broken leg or a broken ankle, easily, yes. | 0:29:17 | 0:29:21 | |
Imprisonment was not generally given as a punishment in medieval Britain. | 0:29:21 | 0:29:26 | |
Prisoners were held in jails only | 0:29:26 | 0:29:27 | |
until a judge was in town to pass sentence. | 0:29:27 | 0:29:31 | |
Courts are held every three months, | 0:29:31 | 0:29:33 | |
so you could be down here for three months... | 0:29:33 | 0:29:35 | |
-And be innocent! -Be innocent, yes. Yes. | 0:29:35 | 0:29:39 | |
So it purely could be, he said you did this, and you get arrested, | 0:29:39 | 0:29:43 | |
you wait three months to even prove you're innocent. | 0:29:43 | 0:29:46 | |
Prisoners even had to pay to be locked up. | 0:29:46 | 0:29:49 | |
As soon as you arrived at the jail, | 0:29:49 | 0:29:51 | |
the jailer charged you four pennies to be taken in as a prisoner. | 0:29:51 | 0:29:55 | |
Really? So, what if you couldn't pay? | 0:29:55 | 0:29:59 | |
Then you ran up a debt. | 0:29:59 | 0:30:00 | |
And you couldn't leave the prison until your debt was cleared. | 0:30:00 | 0:30:04 | |
Debts soon escalated. | 0:30:04 | 0:30:06 | |
In the 1300s, a farm labourer would earn about two pennies a day. | 0:30:06 | 0:30:10 | |
The poor, no matter what crime they were accused of committing, | 0:30:10 | 0:30:13 | |
ended up in the underground cell. | 0:30:13 | 0:30:16 | |
If you're poor, this is where you end up. | 0:30:16 | 0:30:18 | |
So, there was no segregation between men and women and children... | 0:30:18 | 0:30:21 | |
-It was just everybody. -Everyone was put in. | 0:30:21 | 0:30:23 | |
It's a sort of dog eat dog situation. | 0:30:23 | 0:30:25 | |
The first thing they're going to do is think, "Right, easy meat," | 0:30:25 | 0:30:28 | |
they're going to take your clothes off you, they might take any food off you that you've got. | 0:30:28 | 0:30:33 | |
And they might mistreat you as well. | 0:30:33 | 0:30:35 | |
Oh, dear! Hexham jail, though, has several floors. | 0:30:35 | 0:30:39 | |
While the poor were thrown into the damp, dark dungeon, | 0:30:39 | 0:30:43 | |
facing death and disease, | 0:30:43 | 0:30:45 | |
prisoners from the upper echelons of society | 0:30:45 | 0:30:48 | |
had a very different time inside. | 0:30:48 | 0:30:51 | |
So, this feels quite palatial, compared to where we just were. | 0:30:51 | 0:30:54 | |
-Who would have been in here? -This is a rich prisoner... | 0:30:54 | 0:30:57 | |
-This is a prisoner? -And his servants and his family, yes. | 0:30:57 | 0:31:00 | |
OK. So, you could bring your family and your servants in here with you? | 0:31:00 | 0:31:06 | |
They can come and go as they please, but he has to stay here, | 0:31:06 | 0:31:09 | |
unless he pays someone to stay here as a pledge. | 0:31:09 | 0:31:13 | |
-He can pay someone to take his place. -No! -Yes. | 0:31:13 | 0:31:16 | |
-And he just walks away? -He walks away until his trial. | 0:31:16 | 0:31:19 | |
So, basically, if you've got money... | 0:31:19 | 0:31:22 | |
You can be as comfortable as you like. | 0:31:22 | 0:31:24 | |
You can even sleep in your own bed. | 0:31:24 | 0:31:27 | |
The sentence for serious crimes was death, but those found | 0:31:27 | 0:31:30 | |
guilty of minor misdemeanours were fined or faced gruesome penalties. | 0:31:30 | 0:31:35 | |
There were stocks, a pillory | 0:31:35 | 0:31:37 | |
and whipping post in the marketplace for shaming punishments. | 0:31:37 | 0:31:40 | |
-So, stocks is where your feet... -Your feet are through. | 0:31:40 | 0:31:43 | |
-And you sit there. -Yeah, people throw things at you. | 0:31:43 | 0:31:45 | |
Pillory is where your head and arms are through and if they really | 0:31:45 | 0:31:48 | |
don't like you, they'll nail your ears to the pillory as well. | 0:31:48 | 0:31:52 | |
So, when people throw things at you and you wince, you tear your ears. | 0:31:52 | 0:31:55 | |
Oh, my God! | 0:31:55 | 0:31:57 | |
The original pillory is still at Hexham jail. | 0:31:57 | 0:32:00 | |
Fortunately, these days, it's only a tourist attraction | 0:32:00 | 0:32:02 | |
and is not used on the people of Northumbria. | 0:32:02 | 0:32:05 | |
I know I haven't made any profit, but I don't think I deserve this quite yet. | 0:32:05 | 0:32:09 | |
No! Who's got any tomatoes? | 0:32:09 | 0:32:11 | |
Don't be so hard on yourself. Anything can change in this game. | 0:32:11 | 0:32:14 | |
As this leg of the journey draws to a close, here's a rundown | 0:32:14 | 0:32:17 | |
of what Charlie and Christina picked up on their travels. | 0:32:17 | 0:32:20 | |
Charlie marched away with a Victorian light infantry | 0:32:20 | 0:32:24 | |
major's tunic and, seemingly in the mood for militaria, | 0:32:24 | 0:32:28 | |
a Victorian officer's dress sword. | 0:32:28 | 0:32:31 | |
He bought two Chad Valley toy train tankers | 0:32:31 | 0:32:33 | |
and 11 other pieces of rolling stock. | 0:32:33 | 0:32:36 | |
A pair of Art Deco-style ceiling lights with moulded glass shades. | 0:32:36 | 0:32:39 | |
And he splashed out £150 on a Victorian cast iron | 0:32:39 | 0:32:43 | |
mechanical money box. Altogether, the five lots cost Charlie £385. | 0:32:43 | 0:32:48 | |
Last of the big spenders, eh? | 0:32:48 | 0:32:51 | |
Christina's purchases included a G-Plan teak mid-20th century | 0:32:51 | 0:32:56 | |
coffee table, a fishing boat anchor, | 0:32:56 | 0:32:58 | |
a Booths Rajah pattern Imari coffee service, a Carlton Ware bowl with | 0:32:58 | 0:33:04 | |
silhouettes of dancing couples and a mother-of-pearl calling card case. | 0:33:04 | 0:33:08 | |
All that lot cost her £70. | 0:33:08 | 0:33:10 | |
There's lots there, with lots of potential, | 0:33:10 | 0:33:13 | |
but what do the experts think of each other's lots? | 0:33:13 | 0:33:16 | |
Carlton Ware bowl - ridiculously cheap! £5, I like the look of that. | 0:33:16 | 0:33:21 | |
The sword... | 0:33:21 | 0:33:23 | |
Militaria is a very, very specialist area | 0:33:23 | 0:33:25 | |
and he's paid a lot of money for that sword. | 0:33:25 | 0:33:28 | |
You've got a mother-of-pearl card case, £25, about right. | 0:33:28 | 0:33:32 | |
I think...I might win it! | 0:33:32 | 0:33:34 | |
Who knows? | 0:33:34 | 0:33:37 | |
Time to let the buyers decide and head off to auction | 0:33:37 | 0:33:40 | |
and to Newcastle upon Tyne. | 0:33:40 | 0:33:42 | |
-Have you ever been to an auction before in Newcastle? -No. | 0:33:45 | 0:33:49 | |
Neither have I. | 0:33:49 | 0:33:51 | |
Situated on the north of the River Tyne, | 0:33:51 | 0:33:54 | |
Newcastle is one of the largest cities in England. | 0:33:54 | 0:33:57 | |
The modern city combines its industrial heritage with | 0:33:57 | 0:34:00 | |
impressive modern architecture. | 0:34:00 | 0:34:02 | |
Today's sale takes place at Thomas Miller Auctioneers. | 0:34:02 | 0:34:06 | |
The firm have been trading since 1902 | 0:34:06 | 0:34:08 | |
and now operate from a former tea factory. | 0:34:08 | 0:34:11 | |
Today's auctioneer, | 0:34:11 | 0:34:12 | |
Guy Macklam, has been working at Miller's for 11 years. | 0:34:12 | 0:34:15 | |
I think the item that's going to make the most money will be | 0:34:15 | 0:34:19 | |
the tin plate toys. | 0:34:19 | 0:34:20 | |
They're highly collectible and the condition is pretty good. | 0:34:20 | 0:34:24 | |
-How about Christina's anchor? -I'm not sure. | 0:34:24 | 0:34:26 | |
It's one of those things, sort of decorative item somebody | 0:34:26 | 0:34:29 | |
might put in the garden, or something like that. | 0:34:29 | 0:34:31 | |
But the value might be quite low on that, I think. | 0:34:31 | 0:34:33 | |
I think we'll have to see. The auction's about to start, | 0:34:33 | 0:34:36 | |
but there's just time for Charlie to call in his favour. | 0:34:36 | 0:34:39 | |
-It does fit you a treat! -I feel quite comfortable in it. -I'm not surprised. | 0:34:39 | 0:34:42 | |
I think it's more of a dancing tunic than a marching tunic. | 0:34:42 | 0:34:46 | |
Lovely, darling(!) | 0:34:46 | 0:34:48 | |
Christina's yet to come away from auction with a profit, | 0:34:48 | 0:34:51 | |
but can today's lots turn her fortunes? | 0:34:51 | 0:34:54 | |
Charlie's impulse buys means he's staked | 0:34:54 | 0:34:57 | |
hundreds of pounds on high-risk niche items. | 0:34:57 | 0:35:00 | |
-I've got one thing that's going to make a profit. -What's that? | 0:35:00 | 0:35:04 | |
I know, I love this. | 0:35:04 | 0:35:06 | |
Just as well, as you're modelling it for him. | 0:35:06 | 0:35:09 | |
Charlie's Victorian Light Infantry Major's outfit | 0:35:09 | 0:35:12 | |
without any buttons is our first lot. | 0:35:12 | 0:35:15 | |
All fits together with a hessian belt, at £50 for it, anyone? | 0:35:15 | 0:35:18 | |
380, we are selling. 50 bid. Thank you, madam. Any advance on 50? | 0:35:18 | 0:35:22 | |
£50. | 0:35:22 | 0:35:24 | |
-It's a profit! -I had better take it off now! No! | 0:35:24 | 0:35:27 | |
65, 70. | 0:35:27 | 0:35:29 | |
I don't come with it. I am not in it. | 0:35:29 | 0:35:33 | |
At £70, offered. Doesn't come with it, at 70. | 0:35:33 | 0:35:36 | |
All finished at 70? Selling to the lady in the seats at 70, all done. | 0:35:36 | 0:35:39 | |
Sell at 70. | 0:35:39 | 0:35:41 | |
Yay! | 0:35:41 | 0:35:43 | |
Well done, Charlie! | 0:35:43 | 0:35:45 | |
-Oh. -Well done. £70! -Thank you, Lord! -That's amazing! | 0:35:45 | 0:35:49 | |
Thank you, Christina. | 0:35:49 | 0:35:51 | |
Well done! | 0:35:51 | 0:35:52 | |
Well done, indeed. | 0:35:52 | 0:35:54 | |
With Christina's help, though, Charlie is off to a strong start. | 0:35:54 | 0:35:57 | |
A £50 profit. | 0:35:57 | 0:35:59 | |
Now Christina's first lot. Anchors aweigh! | 0:35:59 | 0:36:02 | |
£20 for it, anywhere? £20 bid. | 0:36:02 | 0:36:04 | |
-Come on. -£20, you're making a profit? | 0:36:04 | 0:36:06 | |
All done at 20? Five, surely? | 0:36:06 | 0:36:08 | |
No, come on. | 0:36:08 | 0:36:09 | |
We finish at £20. I sell to you, sir, for a maiden bid. | 0:36:09 | 0:36:12 | |
All finished at £20? | 0:36:12 | 0:36:14 | |
One bid, that's all it takes. | 0:36:14 | 0:36:16 | |
£5 profit, not a lot but every pound helps. | 0:36:16 | 0:36:19 | |
You've made a couple of quid! | 0:36:19 | 0:36:20 | |
Frankly, the way you've been going on those trips, | 0:36:20 | 0:36:22 | |
-I wouldn't... -It's not bad. -..turn my nose up at that. | 0:36:22 | 0:36:25 | |
Next, Christina's salvaged G-Plan teak coffee table | 0:36:27 | 0:36:30 | |
bought for just a fiver. | 0:36:30 | 0:36:32 | |
The auction house has kindly donated a piece of glass | 0:36:32 | 0:36:34 | |
and Christina's given the wood a jolly good wax and polish. | 0:36:34 | 0:36:37 | |
It looks rather nice now. | 0:36:37 | 0:36:39 | |
20th century design piece for £10? | 0:36:39 | 0:36:43 | |
-For £5? -Oh, no! No! | 0:36:43 | 0:36:46 | |
£5, that is for nothing. | 0:36:46 | 0:36:48 | |
Exactly! | 0:36:48 | 0:36:50 | |
Oh, it's got five. | 0:36:50 | 0:36:51 | |
-Four? -No! | 0:36:51 | 0:36:53 | |
Two? | 0:36:55 | 0:36:57 | |
He could get down to zero. | 0:36:57 | 0:36:58 | |
One? Would anybody like it for £1? | 0:36:58 | 0:37:02 | |
No! | 0:37:02 | 0:37:03 | |
One, two, three, four, five, six people want to bid £1. | 0:37:03 | 0:37:08 | |
Two? | 0:37:08 | 0:37:09 | |
It's lovely, I've cleaned it and everything. | 0:37:09 | 0:37:13 | |
I did. It was filthy. | 0:37:13 | 0:37:15 | |
-Four. -Don't listen to her! | 0:37:15 | 0:37:17 | |
Five. | 0:37:17 | 0:37:19 | |
Six... | 0:37:19 | 0:37:20 | |
We're away. | 0:37:20 | 0:37:21 | |
-Seven. -Pounds? -Yeah. | 0:37:21 | 0:37:23 | |
-Eight, nine. -Oh! Oh! | 0:37:23 | 0:37:26 | |
Double figures, sir, come on. | 0:37:26 | 0:37:28 | |
Any advance on £9? | 0:37:28 | 0:37:29 | |
All finished at nine? | 0:37:29 | 0:37:31 | |
-Ten. We got there! -Oh! | 0:37:31 | 0:37:34 | |
Thank you. | 0:37:34 | 0:37:36 | |
Two out of two for Christina and another £5 profit. | 0:37:36 | 0:37:40 | |
-Oh, my goodness. -Cracking auctioneering. | 0:37:40 | 0:37:42 | |
I thought he'd gone down to pence. | 0:37:42 | 0:37:44 | |
Charlie's toy trains are next. | 0:37:46 | 0:37:48 | |
Here we go. | 0:37:48 | 0:37:50 | |
£100, anywhere. Start me 50. | 0:37:50 | 0:37:52 | |
I'd be happy with 40. | 0:37:52 | 0:37:54 | |
£50, come along. 50 anywhere. | 0:37:54 | 0:37:55 | |
I'm bid £30 for it, only. Any advance on 30? | 0:37:55 | 0:37:58 | |
35, 40, 45, 50, 55... | 0:37:58 | 0:38:01 | |
That's pretty good. | 0:38:01 | 0:38:03 | |
60? Come along, sir. | 0:38:03 | 0:38:04 | |
60 with the lady. Any advance on £60? Selling to the lady. | 0:38:04 | 0:38:07 | |
All finished at £60. Sell at 60. | 0:38:07 | 0:38:10 | |
This is going so much better than I ever hoped. | 0:38:11 | 0:38:15 | |
I can't agree more, Charlie. £25 profit, well done. | 0:38:15 | 0:38:19 | |
Next under the hammer, Christina's coffee service. | 0:38:19 | 0:38:22 | |
£50, anywhere? | 0:38:22 | 0:38:23 | |
A splendid design, look at that. | 0:38:23 | 0:38:25 | |
£30 anywhere for it? | 0:38:25 | 0:38:27 | |
-Give me 20. -Oh... | 0:38:27 | 0:38:29 | |
-Give me 10. -Oh... | 0:38:29 | 0:38:30 | |
10, 12, 15. And again, Sir, 15. | 0:38:30 | 0:38:33 | |
Was that a bid on the right? 17. | 0:38:33 | 0:38:35 | |
-Come on. -This is cheap. | 0:38:35 | 0:38:37 | |
20 bid. 22. | 0:38:37 | 0:38:39 | |
25? Don't stop. | 0:38:39 | 0:38:41 | |
Getting better. Getting better. Getting better. | 0:38:41 | 0:38:43 | |
Middle of the room has it. At 25, all sure? | 0:38:43 | 0:38:47 | |
Can't complain, another £5 profit. | 0:38:47 | 0:38:50 | |
Now Charlie's reproduction Art Deco lights. | 0:38:50 | 0:38:54 | |
Start me at 100. | 0:38:54 | 0:38:56 | |
I'm bid 50, only. | 0:38:56 | 0:38:57 | |
Any advance of £50? | 0:38:57 | 0:38:59 | |
60, 70, 80, 90, 100... | 0:38:59 | 0:39:02 | |
See. | 0:39:02 | 0:39:03 | |
110, 120, 130, 140... | 0:39:03 | 0:39:06 | |
Gentleman has the bid at £140. | 0:39:06 | 0:39:09 | |
-How do you do it? -It's a piece of cake, really, isn't it? | 0:39:09 | 0:39:12 | |
You're unbelievable! | 0:39:12 | 0:39:13 | |
Selling to you, sir, away at £140. | 0:39:13 | 0:39:16 | |
Oh... | 0:39:17 | 0:39:18 | |
What's that, £60 profit? | 0:39:18 | 0:39:20 | |
-What did you pay, 80? -Yeah. -Well done, you. | 0:39:20 | 0:39:23 | |
Charlie's doing rather well. | 0:39:25 | 0:39:27 | |
£135 profit on his first three items. | 0:39:27 | 0:39:29 | |
No wonder he's looking so smug. | 0:39:29 | 0:39:31 | |
The Carlton Ware bowl is next for Christina. | 0:39:31 | 0:39:35 | |
Start me 20. | 0:39:35 | 0:39:36 | |
£20 for it, surely? It's worth every penny of 20. | 0:39:36 | 0:39:40 | |
15? Start me 10. | 0:39:40 | 0:39:41 | |
480. Come along, ten bid. | 0:39:41 | 0:39:44 | |
Thank you, sir, at £10 and the maiden bidder. | 0:39:44 | 0:39:46 | |
Looking for 12, elsewhere. | 0:39:46 | 0:39:48 | |
-At a maiden offer at ten. -Come on! | 0:39:48 | 0:39:50 | |
I thought this would bring a lot more. I'm bid ten only. | 0:39:50 | 0:39:52 | |
I thought it would bring a lot more, as well. Unusual for Carlton Ware. | 0:39:52 | 0:39:56 | |
Nice. With the hammer going down for a tenner, | 0:39:57 | 0:39:59 | |
Christina's made another £5 profit. | 0:39:59 | 0:40:02 | |
Charlie's Victorian dress sword now. | 0:40:03 | 0:40:05 | |
He staked a whopping £100 on this | 0:40:05 | 0:40:08 | |
and is hoping for bids from specialist collectors. | 0:40:08 | 0:40:10 | |
Will the gamble pay off? | 0:40:10 | 0:40:13 | |
-50 for a low start? -Oh, dear. | 0:40:13 | 0:40:15 | |
-I'm bid £20, then. -Come on! | 0:40:15 | 0:40:16 | |
-No, come on, it's fine, it's fine. -At £20. | 0:40:16 | 0:40:18 | |
25, 30, 35. | 0:40:18 | 0:40:20 | |
At £35. 35 down here. | 0:40:20 | 0:40:23 | |
At £35, seated. All finished at 35? | 0:40:23 | 0:40:26 | |
Selling in the seats at £35. | 0:40:26 | 0:40:29 | |
Charlie's lost £65. | 0:40:29 | 0:40:31 | |
That's wiped the smile off his face. | 0:40:31 | 0:40:33 | |
Where's that smile? Where's that smile? | 0:40:33 | 0:40:35 | |
I might have a tissue, somewhere. Hang on a minute. It'll be fine. | 0:40:37 | 0:40:40 | |
Now, Christina's calling card case is up next. | 0:40:41 | 0:40:45 | |
£50 anywhere? | 0:40:45 | 0:40:47 | |
Going the wrong way, 40, 30? | 0:40:47 | 0:40:49 | |
-He's going down. 20. -At £20. | 0:40:49 | 0:40:52 | |
-25, 30, 35... -Oh! | 0:40:52 | 0:40:55 | |
Hang in, sir, was that a bid? 40. | 0:40:55 | 0:40:57 | |
45, 50. At £50. | 0:40:57 | 0:41:01 | |
Middle of the room at 50. Any advance on £50. We'll sell for 50. | 0:41:01 | 0:41:05 | |
CHRISTINA LAUGHS | 0:41:06 | 0:41:09 | |
Bought for £25, sold for £50. | 0:41:09 | 0:41:12 | |
What a cracking auction for Christina. | 0:41:12 | 0:41:14 | |
Every lot has raked in a profit. Her luck and her fortunes have improved. | 0:41:14 | 0:41:19 | |
There's 50 quid. That's double your money. | 0:41:19 | 0:41:22 | |
Now their last lot of the day, | 0:41:22 | 0:41:24 | |
Charlie's cast iron Victorian money box. | 0:41:24 | 0:41:26 | |
It cost him a colossal chunk of his kitty. | 0:41:26 | 0:41:30 | |
£100 today? | 0:41:30 | 0:41:32 | |
£50 today? | 0:41:32 | 0:41:34 | |
-I saw the exact same one about six months ago and it made £160. -20. | 0:41:35 | 0:41:39 | |
-120? -Oh! | 0:41:39 | 0:41:42 | |
I am bid £20. | 0:41:42 | 0:41:44 | |
30, competition. 30. | 0:41:44 | 0:41:45 | |
40. | 0:41:45 | 0:41:47 | |
Five? | 0:41:47 | 0:41:49 | |
I've got £40 in the second row, any advance on £40? | 0:41:49 | 0:41:53 | |
I can't believe it! | 0:41:53 | 0:41:54 | |
CHARLIE GROANS | 0:41:56 | 0:41:57 | |
40 quid! | 0:41:57 | 0:41:58 | |
Are you sure? | 0:41:59 | 0:42:01 | |
45 bid. At £45, come along, another five, surely. | 0:42:01 | 0:42:05 | |
At 45, all finished at £45? | 0:42:05 | 0:42:08 | |
-Hammer's down. -I can't believe it. | 0:42:09 | 0:42:11 | |
£105 loss. | 0:42:13 | 0:42:15 | |
That's wiped out all the earlier profit | 0:42:15 | 0:42:17 | |
and sunk Charlie into the red. For the first time on this road trip, | 0:42:17 | 0:42:20 | |
Christina's come out on top. | 0:42:20 | 0:42:23 | |
-The sweet smell of success. -Congratulations. -Thank you. | 0:42:23 | 0:42:26 | |
You have done the business. | 0:42:26 | 0:42:28 | |
Well done, for losing. Come on. | 0:42:28 | 0:42:31 | |
It's not been Charlie's day. | 0:42:33 | 0:42:35 | |
After costs, he's made a loss of £98. | 0:42:35 | 0:42:37 | |
But Mr Ross still has £359.14 | 0:42:37 | 0:42:42 | |
in his kitty to carry forward. | 0:42:42 | 0:42:44 | |
After paying auction house fees, Ms Trevanion | 0:42:47 | 0:42:49 | |
has made a gain of £24.30. | 0:42:49 | 0:42:53 | |
As a result, Christina has £153.10 to start the next leg. | 0:42:53 | 0:42:58 | |
Well done, that girl. | 0:42:58 | 0:42:59 | |
-Come on, Miss Trevanion. -Why, thank you, Mr Ross. -Off we go again. | 0:43:02 | 0:43:05 | |
TOOTS HORN | 0:43:05 | 0:43:07 | |
Goodbye, chaps. Get some well-earned rest, eh? | 0:43:07 | 0:43:10 | |
Next time on the Antiques Road Trip, | 0:43:10 | 0:43:12 | |
Christina's going nowhere. | 0:43:12 | 0:43:14 | |
That's it, we've met halfway. OK, that's as far as I'm going. | 0:43:14 | 0:43:17 | |
And Charlie's at the end of the line. | 0:43:17 | 0:43:19 | |
If I offer you 35 quid, will you put the phone down? | 0:43:19 | 0:43:22 | |
You've put the phone down. | 0:43:22 | 0:43:24 |