Kendal Antiques Roadshow


Kendal

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This week, the Roadshow's in Kendal, Cumbria,

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known as "the Gateway to the Lake District" and "the Old Grey Town".

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It's the famous mint cake - energy supplier for weary hill walkers -

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that the town is really famous for.

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Three companies still manufacture it,

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and it's exported all over the world.

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Yeah! Oh, yeah. My goodness, it works!

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One firm supplied Kendal Mint Cake

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to the British expedition to Mount Everest in 1953,

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led by Sir Edmund Hilary and his guide, Sherpa Tensing.

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As the triumphant climber wrote,

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"On the summit, Tensing embraced me. We nibbled Kendal Mint Cake."

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A less heroic clamber brings you to Kendal's circular Norman castle.

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It was the birthplace of Catherine Parr, wife of King Henry VIII.

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She drew the lucky number six, and was the only one to outlive him.

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As ever, dramatic scenery equals artists.

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Turner and Ruskin are among the painters who have committed

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the Lake District to canvas.

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And legendary fell walker and guidebook writer Alfred Wainwright

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can take credit for the generations of walkers whose boot prints

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have been left all over Cumbria.

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Wainwright was honorary curator of Kendal Museum for many years,

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and here you can inspect some of his personal belongings,

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including his trademark pipe and well-darned socks.

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In the centre of town, in a Georgian mansion called Abbot Hall,

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is one of Britain's smallest independent art galleries.

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It contains a large collection of the work of George Romney,

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one of the most sought-after painters of the late 18th century.

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"The Gower Children" is reckoned to be his undisputed masterpiece.

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Tucked away in a side street is Kendal Brown House.

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It's one of the last snuff mills in the country,

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still milling using traditional methods.

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They've been turning the leaf and stalk of the tobacco plant

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into snuff since 1792.

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I don't personally know anybody who takes snuff, but somebody must,

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because more than 60 varieties are produced here,

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and they're fired off all across the world.

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Now this, I believe, is how you take it -

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snap on the top, loosen the snuff,

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a little pinch like that, take it in the nose.

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59 to go.

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We'll be on the look-out for a few snuff boxes on today's Roadshow.

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Our venue has an historical ring to it - the Queen Catherine School.

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-Cleared the house, have you?

-Yeah.

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-There's some books.

-Beautifully wrapped.

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-Where did it come from? Is it an inherited piece?

-No, about...

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I was once in general practice,

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and about 50 years ago I saw a patient and tried to help him,

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didn't think I'd helped him much,

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but one day he gave me this.

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I've slightly neglected it - the sun's bleached the back of it

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-and I haven't dared mend it yet.

-Well, let's have a look at it,

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because it really is the most gorgeous object!

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The box itself -

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the wood is a veneer of kingwood,

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which you can see has been quartered

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so that you have this wonderful chevron effect.

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-Kingwood?

-Kingwood.

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Now, it wouldn't surprise me... A-ha! There we go.

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Is that called marquetry?

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This is...really it's almost parquetry rather than marquetry,

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because it is this geometric design rather than a more natural design,

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and this is almost certainly tulipwood,

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with perhaps a little piece of satin wood or boxwood

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as the stringing. I particularly like things like

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the decorative engraving here on the hinges -

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beautifully done.

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And the same one can find on the escutcheon here -

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again, a lovely piece of engraving.

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Here, we've got a little bottle,

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would have held medicaments or some sort of curative.

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Silver mounted. I'm not surprised that these aren't hallmarked,

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-because, in fact, this little set is French.

-Is it? Oh, gosh!

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And the accessories that go with it...

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we have a little funnel here of cut glass,

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a little beaker,

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which you would have used to down your preparation,

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and a little...salver, really, which would be used for mixing compounds.

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It is charming, and I would date it to about 1740.

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-Then it was pre-1800. I wondered about that.

-Yes.

-How intriguing!

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When one puts it back to the 1740s, it becomes a more important object,

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and, as such, I think it really needs to have a professional

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-looking at the restoration.

-Yes.

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And I don't think it's going to be an inexpensive job,

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because when I tell you that the value, as it is,

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is between perhaps £3,000 and £4,000,

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you can see that it is actually worth it.

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-Thank you for bringing it in.

-Thank you. I've learnt a lot.

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I'm sorry to say I'd never heard of J H Cookson,

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and yet here we have this rather beautiful sketchbook.

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-Can you tell me about him?

-I know very little about this person

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-except that he was a very distant relation of mine.

-Oh, right.

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And what I assume from these wonderful drawings -

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and if we look through...

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he was obviously in the Border Regiment

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-during the First World War.

-Yes.

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Most of them went to the Somme, but he went to Peshawar in India.

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And this probably saved his life.

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-I would imagine so.

-Not on the Somme, he was in a relatively...

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-Peaceful area.

-Peaceful area.

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-Kendal has been described as "the town of widows".

-Oh, has it?

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Because of the number of soldiers who gave their lives at the Somme

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-in the First World War.

-Gosh.

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Well, I love this sketchbook,

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-because I think it shows the amateur at their best.

-Yes.

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And this portrait of - I assume a friend,

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a fellow officer in the Regiment - is just magical.

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The detail is beautiful.

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We just thumb through it and we come across a number of nice drawings,

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and here he's attempted

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to make a quick study of one of the women water carriers in Peshawar...

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And what I like also is these colouring notes -

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"light pinkish edge,

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"reddish black with light spots...

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"..pink and white stripes, darker pink, one colour."

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Here...we see this other album...

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Here is the finished study,

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which, obviously when he had more time, he finished,

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and he's been very faithful - look at the pink trousers here

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and the white shroud. It's a wonderful sort of thought process -

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you see the colouring notes, a rough sketch,

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and then he goes back home, back to his tent or wherever,

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and paints these rather detailed watercolours.

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Very beautiful indeed.

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And then we can move to these...

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-Now, that is a beautiful watercolour.

-That's one of my favourites.

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For an amateur artist,

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he's really captured the whole sort of flavour of that area.

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-You can feel the heat, can't you?

-Yes.

-And this also is interesting.

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It doesn't look so Indian, this, but actually if we look on the back

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-it says "near Helm Lodge, Kendal, 1913", so before he went there.

-Yes.

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I think this again is extremely charming.

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-How does one value something like that?

-I daren't ask.

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I think, um, for the group of the two sketchbooks,

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I would probably say £500 to £700.

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-Really?

-Because they're very interesting.

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Wonderful insight into a talented amateur.

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-Thank you.

-Thank you.

-You've taught me something.

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Well, the story is that I got it from my brother-in-law,

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who died about seven years ago.

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He collected guns of all kinds

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and he was a keen shooter of, you know, rabbits, etc.

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Now, he worked for the Electricity Board - he was a linesman,

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and he came across one house

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and it was just an old lady, a small farmstead, and...

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and he started chatting, he did a few extra jobs for her,

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and he asked her if he could shoot rabbits on her land -

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this is quite a lot of years ago -

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and she said yes, she didn't mind.

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And so he got talking about his guns and she said, "Oh,

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"I've an old one that Dad left.

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"It's no good to me. You can't fire it or anything.

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"If you're interested, you can have it."

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And we found that this didn't need a licence, and so I hung onto it.

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Right. I'm happy to confirm that this doesn't need a licence

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because it's an antique firearm,

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providing that you keep it as a curiosity or an ornament.

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Now, it says on the top of the barrels in this lovely gold script,

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"Invention Pauly Brevetee a Paris"

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and my awful schoolboy French

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tells me that that says "Pauly's invention, patented in Paris".

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Now, Samuel Pauly was a Swiss chap who was an artilleryman.

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He came over to England towards the end of the Napoleonic Wars

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and he was granted a patent in 1816

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for a breech-loading gun that used a separate cartridge

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-which you could stick in the back of it.

-OK.

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It was ignited by compressed air that was heated by a piston, and

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that was the basis of his system.

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He'd tried to get the French authorities interested in it,

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-but they were wedded to the muzzle-loading musket...

-Yes, yes.

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..and they didn't want to know.

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So he came to England to see if he could do any better over here.

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And this gun is a very late version of his early gun,

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and it's almost the same.

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It relies on this rather elegantly shaped breech lever

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which exposes the two chambers.

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-Yes.

-And if I just tip it up, you can see coming out of there

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-is one of the little reloadable cartridges.

-Yes, yes.

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That would have had a charge of gunpowder in there

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and either a ball or some shot for shooting birds in a twist of paper,

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-and you would have dropped that into there.

-Yes.

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Push that home, close the breech,

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and then put a percussion cap on that nipple. Pull the hammer back.

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And when you pulled the trigger, the hammer fell forward, crushed the cap

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which had fulminate of mercury in it - that flashed and it ran through

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into there, and off went the gun.

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-This was when everybody was standing with a rod...

-Rodding.

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..whacking it all down, so it was revolutionary.

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And you can see this design carried on into other French sporting guns

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-well into the 1860s, 1870s...

-Right.

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So, whilst it didn't catch on at the time, it was the start,

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and it was really the sort of...

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-The beginning of doing away with rodding.

-Yes.

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It would have been a very expensive firearm in its day.

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When you think that a London gun of the period would be 120 guineas,

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this would have been in that sort of parish, a lot of money.

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Today, about £5,000.

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Never!

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-Very, very nice, very rare gun.

-I bet the old lady didn't know that!

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-Well, she got the benefit from your brother's kindness...

-That's right.

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..and that's worked its way down.

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And he kept going back and helping her out, I think, so...

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-Thank you.

-It's a lovely gun.

-I've enjoyed that!

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-Is this something you dug up?

-We found it in the coal shed.

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-The neighbour had left it in our...

-The barrow?

-The clock.

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Went out to get coal, and there's a clock.

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I said, "There's a clock in the coal hole. I'll bring it in."

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I put it in the cellar and thought no more of it.

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And our neighbour had found it in a skip.

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-He found it in a skip...

-Didn't want it...

-So he gave it to us.

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He said, "You like old things."

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-What have you done to the case?

-I just polished it with ordinary...

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-You haven't had it restored?

-Done nothing to it.

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No, nothing at all. In fact, we nearly had it working.

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-You nearly had it working?

-Yes.

-Hold onto that.

-Shall I hold that?

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Hold that.

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-You nearly had it working, eh?

-Yes.

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-Well, we made it tick.

-Right. Well, that is the original movement.

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-Yeah.

-Um...it's quite interesting, actually.

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You've got what they call shape plates -

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they're A-frame plates, shaped like an A -

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a standard weight-driven timepiece,

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and you should, on the back of the dial - if you can hold that...

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that will fit on the four pins...

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-Yeah.

-..that we've got here.

-Right.

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You've also got a name on here which looks like Valentine...

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-Never noticed that.

-..Hitchin...

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I can't read that.

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That could be the name. I'll turn it around. I can't hold all these bits.

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It's quite heavy - that's why we've got it in a wheelbarrow.

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-Fantastic thing to find in a coal hole.

-I know.

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Let's put it back down together.

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-Um, do you know the date of it?

-No, no idea.

-No, no idea at all.

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-Well, I'll tell you.

-Pendulum.

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Don't give it any more damage!

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Let me tell you, it's 18th century.

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-Wow! I didn't know that!

-That old?

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If you look at the design of the case...very well-figured mahogany.

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That's the sort of quality mahogany you'd see on a good long-case clock.

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These little decorative scroll ears here,

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-that's typical 18th century, and this cast concave bezel.

-Yeah.

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And the amount of turning work, circling work...

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-we've got in the actual mahogany.

-Right.

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That's a very nice thing. Um...

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getting it restored...

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The best thing I can do is tell you what you'd have to pay for it

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if you went into a shop and it was fully restored and in perfect order.

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Yes.

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I wouldn't think you'd get much change out of...

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-about £4,000.

-Goodness!

-Right.

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-So you can make up your mind...

-How much to spend on it.

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It needs sympathetic restoration.

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-Yes.

-I don't think you'll be doing it yourself, then.

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No.

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Just hope the neighbour doesn't want it back now.

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So, when did you buy it?

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20 years ago.

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-What was the occasion?

-It was for our silver wedding.

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It was a present for my husband.

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I knew he liked paperweights.

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-And this is it?

-That is it.

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Because the great French glass paperweight makers

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are Clichy, Baccarat and St Louis,

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and you can tell this is Baccarat - do you know why?

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-There's a bee in it somewhere.

-There's a bee in it. That's right.

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There's a bee or a butterfly right in the centre, and the date 1848.

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And then the rest of the canes - we call these coloured canes -

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many of them are actually little animal silhouettes -

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you've got a dog, cockerel, goat,

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but, rather more interestingly, this one here,

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a little running... Do you know?

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-No.

-It's a little devil.

-Oh! Is it?

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-Yes, jolly nice. What did you pay for it?

-I'm not saying.

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-You're not telling me?

-No.

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OK, I won't... OK.

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It's a pretty little thing and Baccarat is a great name,

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and I'm not going to tell you what it's worth.

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Well, I'm not going to tell YOU. ..Somewhere in the region of £200.

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-Is that good?

-Yes.

-Good.

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-Another signed piece of furniture, this time from Kendal.

-Yes.

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What do you know about Simpson?

0:17:210:17:22

Not a great deal, really, only that he was based in Kendal

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and was Arts and Crafts movement. We have one or two bits of furniture

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which we've inherited over the years.

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It's a lovely little oak drop-leaf table.

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As you say, Arts and Crafts, with this wonderful inlay here.

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The way they've done the pegging and jointing, typical Arts and Crafts.

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People seem to sign all their furniture round here.

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I'm delighted, as a historian of furniture - signed pieces!

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Simpson is a good local maker.

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I'm not up to speed on local prices for Simpson.

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-250, something like that?

-Yes, that's excellent.

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I went into what would be the playroom and I kicked this box...

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-On the floor?

-On the floor, yeah.

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It was in that same condition, all battered,

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and I had a look inside and the young boy came out of me again.

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It has a handbrake, and the steering linkage works and everything.

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-You can actually wind it up, set the handbrake.

-And it holds it.

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-Take the handbrake off...

-And it flies away!

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-It's great because it's in such fantastic condition.

-Yeah.

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These constructor toys were a feature of the inter-war years.

0:18:320:18:37

We're talking of the '20s, '30s. Meccano did them in Britain.

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-There were cars and planes.

-Yes.

0:18:400:18:43

But here we've got an American version.

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It's a model of a rather earlier vehicle -

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by the time this was made, this was an old-fashioned design.

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Well engineered. It's very sturdy. But the appeal to a collector today

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is not just that it works, but that it is absolutely mint - it's as new.

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Because of the condition and because of the rarity,

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a collector's going to pay at least £300 for that.

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Just as well you kicked that box!

0:19:090:19:11

I've heard of multiple personalities but this really takes the biscuit.

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Well, yes...

0:19:170:19:19

They certainly are very unusual and I'm surprised to find one here.

0:19:190:19:24

What's the background on this one?

0:19:240:19:26

Well, it belonged to my aunt

0:19:260:19:29

and she gave them to me when I was a child

0:19:290:19:34

and, um, that's all I know about it, really.

0:19:340:19:37

-When she gave you the - what shall we call it? - the set...

-Yeah.

0:19:370:19:41

-..did you like it or did you find it a bit...?

-No, I liked it.

0:19:410:19:45

I was rather fascinated by it

0:19:450:19:48

and I did used to put the different heads on from time to time...

0:19:480:19:52

It was like having four dolls.

0:19:520:19:55

Exactly! It's a very clever system.

0:19:550:19:58

You have the body,

0:19:580:20:00

a very nice jointed body

0:20:000:20:03

with lovely layers and layers of...

0:20:030:20:06

underskirts and petticoats, and then this very pretty overdress on top -

0:20:060:20:12

a nightdress, perhaps.

0:20:120:20:14

We have one here with eyes that open and close

0:20:140:20:18

and then three other heads with different sorts of hairstyles.

0:20:180:20:23

This one could almost be a boy's haircut, couldn't it?

0:20:230:20:27

-I used to think of that as the boy.

-And one with golden curly locks

0:20:270:20:32

and the last one... This is great.

0:20:320:20:35

She's got what I call a pair of headsets on,

0:20:350:20:38

a pair of telephone headsets,

0:20:380:20:40

wonderful sort of horns like croissants of plaits either side.

0:20:400:20:45

She is made of bisque, or the heads are made of bisque,

0:20:460:20:51

and hopefully... There we go. On the back of this one,

0:20:510:20:55

we have everything that we want to know about,

0:20:550:20:59

because it says here Germany and the number 174.

0:20:590:21:04

Now, that number actually refers to this particular head -

0:21:040:21:09

-it's known as a number 174 head...

-Right.

0:21:090:21:12

..so that's easy to identify.

0:21:120:21:15

Ah, there's a bit more information, here on the box lid itself.

0:21:150:21:19

It actually says Kestner,

0:21:190:21:21

and Kestner will be or is the name of the manufacturer.

0:21:210:21:26

Now, JD Kestner, the makers,

0:21:260:21:29

were based in Waltershausen in Thuringia, in Germany.

0:21:290:21:34

And Thuringia was the great doll-making area of Germany

0:21:340:21:39

in the 19th century

0:21:390:21:41

and, in fact, Germany was the great doll-producing nation.

0:21:410:21:45

And I think that one of the aspects of this that appeals to me so much

0:21:450:21:50

is the fact it is in its original case with the label still there,

0:21:500:21:55

-almost unplayed with.

-We did used to play with it.

0:21:550:21:59

I'd almost say that you're fibbing,

0:21:590:22:02

because it is in such great condition.

0:22:020:22:05

You were obviously careful. Date-wise...

0:22:050:22:09

she's going to be dating from between about 1900 and 1910 -

0:22:090:22:13

that sort of period -

0:22:130:22:15

and I would have said that the doll herself,

0:22:150:22:19

just as she comes, would be worth

0:22:190:22:21

-perhaps £300 or £400...

-Yes.

0:22:210:22:24

But with the other heads,

0:22:240:22:27

and the fact that she is complete in her original box,

0:22:270:22:30

-we are talking about more like £1,500.

-Gosh!

0:22:300:22:34

My great-grandfather, John Shotten Boon,

0:22:340:22:37

-went out to Russia in the 1860s in the cotton industry.

-Oh, yes.

0:22:370:22:42

-He went to this mill near Tver, near Moscow.

-Right.

0:22:420:22:46

And he finished up being general manager of the mill,

0:22:460:22:50

and this was presented to him at a fire insurance dinner.

0:22:500:22:54

-Oh, yes.

-Whether it was to everybody at the dinner

0:22:540:22:57

or whether he was a director, we're not sure,

0:22:570:23:00

but it was given to them then and it's been in the family ever since.

0:23:000:23:04

I can't imagine that this would have been given to everyone,

0:23:040:23:08

because it's of exceptionally good quality

0:23:080:23:12

and it would have been jolly costly if they'd handed out 10 or 20.

0:23:120:23:16

It's obviously all in its original fitted case

0:23:160:23:20

and bears the label of Ovchinikov,

0:23:200:23:22

-who was a very well known Russian silversmith and also retailer.

-Yes.

0:23:220:23:27

So, in this case, he is partly the manufacturer

0:23:270:23:31

and partly the retailer.

0:23:310:23:33

Um...the set, as you can see, consists of...

0:23:330:23:37

two vodka cups, I suppose, because they used to give lots of toasts...

0:23:370:23:41

-That's right.

-..a napkin ring,

0:23:410:23:44

a serving spoon, knife and fork,

0:23:440:23:47

and this is a technique that's known as niello.

0:23:470:23:50

Niello is a sort of soft alloy which melts at quite a low temperature.

0:23:500:23:56

You engrave the piece by hand,

0:23:560:23:59

and then you melt the niello onto the surface

0:23:590:24:02

and then you just polish it off and it stays in the grooves.

0:24:020:24:06

-It's really the most super quality.

-Yes.

0:24:060:24:08

Looking underneath at the hallmarks...

0:24:080:24:11

Russian hallmarks are very informative,

0:24:110:24:14

so they actually have the date 1877.

0:24:140:24:17

-Right.

-And the maker's mark here, which looks like BC, is actually...

0:24:170:24:24

The B is a V in Russian, in Cyrillic, and the C is an S,

0:24:240:24:29

-so this is Vasili Semenov.

-Right.

0:24:290:24:32

Not a maker I've come across before,

0:24:320:24:34

but obviously a very high quality one...

0:24:340:24:37

..and he's the maker of the hollow ware.

0:24:380:24:42

-Right.

-The knife and fork are actually made by Ovchinikov,

0:24:420:24:48

and there's his name stamped in full in Cyrillic characters

0:24:480:24:52

and the same date, 1877.

0:24:520:24:54

-I can see there's a piece missing. Any idea where it is?

-No.

0:24:540:24:58

-There would be another spoon there.

-I think people split things up.

0:24:580:25:02

This was away. We had that.

0:25:020:25:04

And then we got this back from a cousin.

0:25:040:25:07

-Maybe another cousin's got the spoon.

-That's interesting.

0:25:070:25:10

-That's the plaque off the door in Tver.

-In his office?

-Yes.

0:25:100:25:15

Office door. And so that says Boon in Russian,

0:25:150:25:19

and Boon in English. Interesting.

0:25:190:25:22

I've been trying to work out what it should be on a piece-by-piece basis,

0:25:220:25:27

-but of course it's worth much more as a set.

-Yes.

0:25:270:25:31

And I really think something like this...you'd have to insure

0:25:310:25:35

-for between £4,000 and £5,000.

-Right. Thank you.

0:25:350:25:39

Outstanding quality for Russian silver of that period,

0:25:390:25:42

-so thank you for bringing it.

-Thank you.

0:25:420:25:44

Here we have a 17th-century subject

0:25:440:25:47

and yet the picture was painted at the end of the 19th century,

0:25:470:25:51

and we can see here that it's signed and dated by an artist called Lewin,

0:25:510:25:56

and I think it says 91, for 1891.

0:25:560:26:00

Do you know anything about Lewin?

0:26:000:26:02

He's not a very prolific painter,

0:26:020:26:05

-as far as I know.

-Well, he's one of these interesting artists,

0:26:050:26:09

and it's typical in the 19th century that they are not very well known

0:26:090:26:14

and there isn't much information about them in the record books,

0:26:140:26:18

and yet Stephen Lewin was known

0:26:180:26:20

for painting these sort of historical scenes,

0:26:200:26:23

and here we have a rather intriguing subject, don't we?

0:26:230:26:27

The label says "a visit to the attorney",

0:26:270:26:30

but what do you think's going on?

0:26:300:26:33

Well, I think he's pleading, but he looks as if he's saying,

0:26:330:26:37

"I don't believe a word you're saying."

0:26:370:26:40

Right. That's what I enjoy about these pictures -

0:26:400:26:44

you can add your own interpretation to what's going on.

0:26:440:26:47

I had a different feeling.

0:26:470:26:50

I thought this wonderful swashbuckling,

0:26:500:26:53

Errol Flynn-like character,

0:26:530:26:55

who's spent all his money, no doubt, on women, wine and good clothes,

0:26:550:27:00

perhaps he's having to sell his property,

0:27:000:27:03

and we see certainly perhaps deeds of a house

0:27:030:27:07

or deeds of property, and I think he's in serious debt, this man,

0:27:070:27:11

and, you know, he's lived the life of Riley and now he's paying for it.

0:27:110:27:17

And I love this very sort of rather po-faced gentleman here

0:27:170:27:22

who's just sort of saying, "Well, you silly old fool," really...

0:27:220:27:26

-Has it been in your family for many years?

-Since 1926.

0:27:260:27:30

-Right.

-Here's the original...

0:27:300:27:32

And you've kept it all that time?

0:27:320:27:35

-Yes.

-That's wonderful!

0:27:350:27:37

"Original painting by Stephen Lewin, £85."

0:27:370:27:42

I would have thought something like this...

0:27:420:27:45

In a way, the fashion for these,

0:27:450:27:48

these sort of historical period pieces,

0:27:480:27:51

has perhaps fallen a little bit,

0:27:510:27:54

but I would say £3,000 to £5,000.

0:27:540:27:57

-How much?

-Between £3,000 and £5,000, that sort of thing.

-Yes.

0:27:570:28:02

-So not bad on your original investment of £85.

-No.

0:28:020:28:06

-Thank you for showing it to me.

-Thank you.

0:28:060:28:09

I'll make it very simple - it's a universal, equinoxial sundial.

0:28:120:28:16

Right.

0:28:160:28:18

Let me explain how it works simply. This is called the gnomon.

0:28:180:28:22

You've seen a sundial in a garden, and the sun strikes the gnomon.

0:28:220:28:26

The thing about a sundial in a garden -

0:28:260:28:29

if it isn't perfectly set up, perfectly orientated,

0:28:290:28:31

it won't work. That's fine -

0:28:310:28:33

if you've got it on a nice big stone plinth, it will work,

0:28:330:28:38

but when you go out into the countryside

0:28:380:28:41

and you want to tell the time,

0:28:410:28:43

-you need a universal...

-Right.

-..and for different levels.

0:28:430:28:48

The way this one works is you have a compass underneath,

0:28:480:28:51

so you can set it where you want it,

0:28:510:28:53

obviously pointing to north,

0:28:530:28:56

and then you can set this, the chapter plate,

0:28:560:29:02

which has the actual chapters on it,

0:29:020:29:05

to the right latitude. Now, we're missing one bit.

0:29:050:29:10

There should be a folding piece...

0:29:100:29:12

-Right.

-There should be a piece that folds up and runs in that groove,

0:29:120:29:17

and that would be engraved with the latitude.

0:29:170:29:21

Right.

0:29:210:29:23

45, 50, 55, 59 degrees...

0:29:230:29:26

Where you are between the equator and the North Pole is your latitude.

0:29:260:29:30

So you can set it to the latitude,

0:29:300:29:32

and then it's perfectly orientated and you can get the time anywhere.

0:29:320:29:37

They're not particularly rare.

0:29:370:29:39

It dates from sometime about 1830, 1840,

0:29:390:29:43

but having its original case with the velvet lining is lovely.

0:29:430:29:48

Making that scale is quite a problem,

0:29:480:29:51

so, as it stands, I would say it's probably worth

0:29:510:29:54

a couple of hundred pounds or so.

0:29:540:29:57

It doesn't surprise me that these were originally in Bolton because

0:29:570:30:02

up in the north-west of England, as in much of the country,

0:30:020:30:06

there was a great vogue in and around about 1890,

0:30:060:30:10

through to about 1910, for bisque figures.

0:30:100:30:14

Whoever sold them in the north-west

0:30:140:30:16

must have made a fortune. Biscuit figures were in everybody's home.

0:30:160:30:21

I say biscuit. Biscuit or bisque, it's the same thing.

0:30:210:30:25

What we're looking at is a porcelain

0:30:250:30:27

that's been given a very, very fine glaze.

0:30:270:30:31

-Almost like a matt glaze.

-Yes.

0:30:310:30:34

What I like about your two figures

0:30:340:30:36

is that they're in pretty reasonable condition.

0:30:360:30:40

-This type are referred to as piano babies.

-Yes.

0:30:400:30:43

People used to stick them on the piano.

0:30:430:30:46

They were certainly made in Germany.

0:30:460:30:48

-Right.

-And I would suspect that they were probably made in about 1900.

0:30:480:30:55

When valuing your piano babies,

0:30:550:30:57

I think you would be hard-pressed

0:30:570:31:01

to find a pair like this for less than £1,000.

0:31:010:31:03

Gosh!

0:31:050:31:07

Is it getting harder to tell the real thing from reproduction?

0:31:070:31:12

It's always the same with horrors -

0:31:120:31:15

once you know, it's easy. If you don't know, it's easy to be had.

0:31:150:31:20

I've brought two things which are fooling people at the moment.

0:31:200:31:24

This has been flooding the market over the last 15 years.

0:31:240:31:30

It comes from China,

0:31:300:31:32

it's a porcelain decorated with various subject matters,

0:31:320:31:36

including Japanese subject matter

0:31:360:31:39

and Mason's ironstone - reproducing that.

0:31:390:31:43

If someone saw something like that, what should they look out for?

0:31:430:31:48

In this particular case, very much this smoky black outline here.

0:31:480:31:53

If you've got that,

0:31:530:31:56

you're pretty definitely looking at a reproduction.

0:31:560:32:00

The gold should be real gold,

0:32:000:32:03

but here they've used a sort of metallic orange.

0:32:030:32:07

This is mine, by the way.

0:32:070:32:10

-I bought this from a retail shop for £18.

-£18.

0:32:100:32:14

That is with the shop profit -

0:32:140:32:17

High Street price, with the profit -

0:32:170:32:19

shipped all the way from China and they can be economic at £18.

0:32:190:32:24

-But this is all legal trade.

-Yes, there's no problem with it,

0:32:240:32:28

unless it's sold as the real thing,

0:32:280:32:32

or it's in an "antiques fair"

0:32:320:32:36

and you're led to believe that it's got some age to it.

0:32:360:32:40

and it really comes down to

0:32:400:32:42

demanding of the person that's selling it to you,

0:32:420:32:46

"What is this object?" and getting a receipt -

0:32:460:32:51

that is absolutely vital.

0:32:510:32:55

This was brought in today by a gentleman, and up until yesterday,

0:32:550:33:00

when I was at a lecture given by a dealer at an antiques fair,

0:33:000:33:04

-I

-would have said that that was genuine.

0:33:040:33:08

It's apparently made by Sylvac -

0:33:080:33:10

got a mark on it there -

0:33:100:33:12

and it's the sort of thing that Sylvac made. BUT...

0:33:120:33:18

these are being made in Stoke-on-Trent NOW.

0:33:180:33:23

This company has bought up the rights to Sylvac,

0:33:230:33:27

Charlotte Reed, Shorter,

0:33:270:33:29

Wood and of one or two others,

0:33:290:33:32

and are legally entitled to put those names onto whatever they like.

0:33:320:33:37

And they're reproducing something...

0:33:370:33:39

That's not even a reproduction of a Sylvac piece.

0:33:390:33:43

It's just in the STYLE of Sylvac,

0:33:430:33:45

so it's not any kind of a forgery.

0:33:450:33:48

They're doing nothing illegal,

0:33:480:33:51

but these are in fairs being sold as the real thing,

0:33:510:33:57

and they're jolly difficult to tell.

0:33:570:34:01

And how much was that doggie in the window?

0:34:020:34:05

I didn't ask, but probably not a lot of money.

0:34:050:34:08

It's a jolly nice dog,

0:34:080:34:10

but it probably sold off the shelf in Stoke-on-Trent for £30,

0:34:100:34:15

but if you bought it at a fair, they might charge you £100.

0:34:150:34:19

It's an awful warning.

0:34:190:34:21

The balance of this is perfect.

0:34:230:34:25

I love the shape of it and I'm particularly fond of pendants,

0:34:250:34:29

but is this something you look at and think, "This is very pretty"?

0:34:290:34:33

Yes, it's beautiful. The shape is lovely,

0:34:330:34:38

and just the emerald drop is absolutely beautiful.

0:34:380:34:41

Remembering that it was my mother-in-law's, it's very special.

0:34:410:34:47

-All the right ingredients are there. The principal stone is there.

-Yes.

0:34:470:34:52

They're interesting, because they're not always fantastic quality.

0:34:520:34:58

The best of them come from Columbia, and they are characterised

0:34:580:35:03

by this very intense blue-green colour.

0:35:030:35:07

They get very wishy-washy sometimes -

0:35:070:35:11

so pale that, frankly, they look like very pale marked glass.

0:35:110:35:14

But the very best ones come from Columbia,

0:35:140:35:17

and it's got that intense blue-green colour.

0:35:170:35:20

Looking at the diamonds,

0:35:200:35:23

we've got what you might call a sort of stylised palmette-shaped top.

0:35:230:35:28

The diamonds themselves are set in individual little settings,

0:35:280:35:33

where you've almost got a cup that grips the diamonds in place.

0:35:330:35:38

The front of it is all mounted - as you might have thought -

0:35:380:35:41

in this very white finish, in platinum,

0:35:410:35:44

but then when we turn it over,

0:35:440:35:46

look at the back of it, we see that it's actually backed in yellow gold.

0:35:460:35:52

-I've never noticed that.

-Yeah, it's unusual.

0:35:520:35:56

That sort of yellow mount means we can date this to about 1905.

0:35:560:36:02

-Right.

-After then, jewellery was more or less

0:36:020:36:05

superseded by platinum, so it's quite an early piece.

0:36:050:36:09

On the platinum chain - let me just look at that...

0:36:090:36:13

What an emerald! It is a CRACKING stone, and a deep blue-green colour

0:36:130:36:18

of an intensity and uniformity that is just what people look for.

0:36:180:36:23

So there's the ingredients.

0:36:240:36:26

The value for something like this is far higher than you would expect

0:36:260:36:31

to break the stones out for.

0:36:310:36:33

With a lot of pieces of jewellery that are made in the 1950s and '60s,

0:36:330:36:38

they are "break-up" - you look at the diamonds and think,

0:36:380:36:41

"The mount's not particularly beautiful.

0:36:410:36:44

"All I'd reckon it at is the break-up of the stones."

0:36:440:36:47

No way on that. That'll fetch a price based on its beauty

0:36:470:36:52

and its wearability.

0:36:520:36:54

If this was auctioned, it would make something like £3,000 to £3,500.

0:36:550:37:01

Lovely. It belongs to my daughter, so she'll be very pleased.

0:37:010:37:05

Can you get them out? My hand will get stuck inside. Heavens!

0:37:050:37:10

-This is from the Moorcrofts?

-Yes, this is from Walter Moorcroft

0:37:100:37:14

-and this is from his sister Beatrice.

-Good Lord!

0:37:140:37:18

So, this is a while ago?

0:37:180:37:21

-Yes.

-Because they've both died now.

0:37:210:37:23

-1997 - both of them.

-And it talks about this pot?

-Yes.

-Heavens!

0:37:230:37:29

So, how did you come to have it?

0:37:290:37:32

My parents both come from Staffordshire,

0:37:320:37:36

and my father's parents were friends with Mr and Mrs Moorcroft.

0:37:360:37:40

-Heavens!

-And my mother went to school with Walter and Beatrice.

0:37:400:37:46

Good Lord!

0:37:460:37:47

-That's how it happened.

-They were a great family of potters.

0:37:470:37:51

-They were lovely.

-Wonderful potters. This is a super vase.

0:37:510:37:56

-I've always loved it.

-You do?

-Yes.

0:37:560:37:59

It's a pattern which is generally called Berry and Leaf,

0:37:590:38:01

after these berries and the leaves.

0:38:010:38:03

The particularly interesting thing about it

0:38:030:38:06

is that it's got not an ordinary glaze - it's got a flambe glaze,

0:38:060:38:11

which turns it an iridescent red colour, like the Chinese.

0:38:110:38:15

It's exceptionally well done.

0:38:150:38:18

I think I like that more than almost any Moorcroft I have seen.

0:38:180:38:23

It's a super piece.

0:38:230:38:25

This flambe effect - this lustrous glaze on top of it -

0:38:250:38:29

is very difficult to do,

0:38:290:38:31

and, generally, most of it comes around about the 1927-30 period.

0:38:310:38:37

This is probably about that date.

0:38:370:38:39

I think the effect is absolutely splendid and it turns it

0:38:390:38:45

from just an ordinary pot into a special pot,

0:38:450:38:49

so it's rather valuable.

0:38:490:38:51

I don't know whether you've thought about the value,

0:38:510:38:54

but something like this is going to be about £1,500

0:38:540:38:58

and should be insured for £2,000.

0:38:580:39:02

It's gone up considerably then since I last spoke to anybody about it.

0:39:020:39:06

-Has it?

-Yes.

-I'm pleased about that.

0:39:060:39:09

This battle's going on between the man and his...

0:39:110:39:16

Got him! I love it. When he gets him, he opens his mouth

0:39:160:39:22

in excitement and then starts the sort of teasing bit.

0:39:220:39:26

It was made in...probably in Germany in about 18...

0:39:260:39:32

1880, something like that.

0:39:320:39:34

Now, what is it worth?

0:39:340:39:37

It's the sort of PlayStation of its time.

0:39:370:39:41

-I would have said we're talking about £300 to maybe £350.

-Oh!

-Yes.

0:39:410:39:48

-Do you like it?

-Yes.

-Yes.

-That's great.

0:39:480:39:51

I remember when I was a child, my dad telling me

0:39:510:39:54

-it was to do with cows and turnips.

-Where do we go from there?

0:39:540:39:59

I presume the turnip gets stuck in the cow's throat

0:39:590:40:03

and that is pushed in to knock the turnip down.

0:40:030:40:06

-That's what I presume.

-I think it's only half the story,

0:40:060:40:10

because it's very long and flexible, it's double-ended,

0:40:100:40:13

and it's much more likely to be for putting a pill

0:40:130:40:16

-or something like that down a cow's throat.

-Ah, it could be.

0:40:160:40:20

If you put a pill in the tube and you rammed it through with that,

0:40:200:40:24

-it would fly out the end and down its throat.

-Never thought of that.

0:40:240:40:30

This is small and this is bigger, so you've got a choice of ends,

0:40:300:40:35

depending on the size of the throat.

0:40:350:40:38

-Yes.

-Or you go to the other end of the cow...

-I'd rather not.

0:40:380:40:42

We'd both rather not go! But then you could equally inject something

0:40:420:40:47

into the other end of the cow.

0:40:470:40:49

-Yes...

-We look at each other blankly at that point.

0:40:490:40:54

-It's clearly made for farming. Your family were farmers?

-Yes.

0:40:540:40:58

-It's professionally-made by a London maker.

-Oh?

0:40:580:41:01

It's very finely made in the cased leather.

0:41:010:41:04

-Now, we have to think what it's worth.

-Wouldn't have a clue.

0:41:040:41:09

I would say, to someone who is a keen collector of agricultural implements,

0:41:090:41:14

-I can see this fetching... £100 - £150.

-Yes.

0:41:140:41:17

It says...

0:41:190:41:21

"fired from the natural fern

0:41:210:41:24

-"by GJ Cox, inventor..."

-Yes.

0:41:240:41:28

"..Royal Polytechnic Institute, London, March 4th, 1871."

0:41:280:41:35

This is Minton - Minton bone china plate.

0:41:350:41:38

He's bought a blank, he's got an actual fern

0:41:380:41:42

and he's painted it in enamel colours.

0:41:420:41:46

-Right?

-He's painted the fern.

0:41:460:41:49

All the way along the real leaf,

0:41:490:41:52

he's painted it green and then purple at the end,

0:41:520:41:55

touches of yellow.

0:41:550:41:57

He's then laid it onto the porcelain

0:41:570:42:00

and stuck it in a kiln,

0:42:000:42:03

and he's taken the temperature up to 900 degrees centigrade.

0:42:030:42:08

The fern's burned away

0:42:080:42:10

and left its...ghost behind.

0:42:100:42:15

I love it desperately, because I love silliness.

0:42:150:42:18

If I saw this in a shop,

0:42:180:42:21

in an antiques fair, and I read that on the back, I'd happily pay £100.

0:42:210:42:26

-Gosh!

-It's such a mad object.

0:42:260:42:29

-Thank you very much for bringing it.

-Thank you.

-Made my day!

0:42:290:42:33

I know it came from Denmark - probably Copenhagen.

0:42:330:42:36

-It was given to my mother as a token for her 21st birthday.

-Yes?

0:42:360:42:41

That would have been around 1945.

0:42:410:42:44

Well, that ties up beautifully with the piece.

0:42:440:42:48

Denmark ties up, because it's made by the George Jensen manufacturers.

0:42:480:42:54

You normally see pieces made in silver,

0:42:540:42:57

but during the war, silver was at a premium.

0:42:570:43:00

Businesses had to continue,

0:43:000:43:02

so this is almost a gun metal of sorts as the basis,

0:43:020:43:06

then made a bit more elaborate by the application of the silver detail

0:43:060:43:11

and the little gold fish.

0:43:110:43:13

This was designed by a Danish sculptor called Arno Malinowski.

0:43:130:43:18

He did several of this type.

0:43:180:43:21

-It looks a bit Japanese because it's a Japanese technique.

-Yes.

0:43:210:43:25

His work and Jensen's combined -

0:43:250:43:29

and this short period of time when these pieces were made -

0:43:290:43:33

makes it very desirable at auction. A piece like this

0:43:330:43:37

would make in the region of £500 to £700 - something of that order.

0:43:370:43:41

-Good Lord!

-It's lovely to see it, and they are very rare,

0:43:410:43:46

-so thank you for bringing it in.

-Thank you.

0:43:460:43:49

I thought that was a spade that's gone wrong,

0:43:490:43:53

-but I'm not right, am I?

-No, it is a special spade for cutting peat.

0:43:530:43:58

-Ah.

-This one was used in the Lyth Valley.

0:43:580:44:01

-Chop down and square it off with this?

-No, it's cut horizontally.

0:44:010:44:05

-The peat is left on here, then lifted off.

-Yes.

-And dried.

0:44:050:44:11

And that looks like something for Moses.

0:44:110:44:14

Well, yes, it does look like that.

0:44:140:44:17

It's a scoop for handling grain.

0:44:170:44:20

They were peculiar to Cumbria and southern Scotland.

0:44:200:44:24

-And the grain goes into here?

-Yes,

0:44:240:44:27

after he'd thrashed his corn with the flail,

0:44:270:44:29

he would put it here and measure it in this bushel measure.

0:44:290:44:32

Bushel measure. But what on earth is that?

0:44:320:44:35

It's a strange item. It's a horse pattern -

0:44:350:44:40

to extend the area of the horse's hoof.

0:44:400:44:43

On the marshlands of south-west and north Lancashire,

0:44:430:44:47

they needed these things after the lands were drained and reclaimed.

0:44:470:44:51

-That's quite old and early.

-Sort of horse galoshes?

-In a way, yes!

0:44:510:44:57

-How extraordinary. Is this part of a huge collection of yours?

-Yes.

0:44:570:45:03

-You're a farmer yourself?

-Yes.

-So, you know your business.

-Try to.

0:45:030:45:07

How on earth do you get hold of this?

0:45:100:45:12

We bought a hotel in the Lake District and it was there.

0:45:120:45:16

It became part of our contents.

0:45:160:45:19

-Part of the fixtures and fittings.

-Yes.

-What do you know about it?

0:45:190:45:24

I know that it's come from a home in Tuscany.

0:45:240:45:28

It was brought back to England by the previous hotel proprietor,

0:45:280:45:33

and we've tried to piece together the history ever since.

0:45:330:45:36

We've had every kind of person come to the hotel to tell us about this.

0:45:360:45:41

Everything from "I can give you 50 quid for that..."

0:45:410:45:45

Even I'D give you more than 50!

0:45:450:45:47

From people who have tried to research it for us.

0:45:470:45:51

Right. Well, firstly the nationality...

0:45:510:45:56

Have a go at that one.

0:45:560:45:58

-Well, we would think France...

-Right.

0:45:580:46:01

..though it was found in Italy. And we think a christening font.

0:46:010:46:05

Ten points for France, nil points for the font.

0:46:050:46:10

-Nil points, right.

-No.

-Really?

0:46:100:46:13

These didn't have any use at all. They're completely useless.

0:46:130:46:16

It's just a decorative item.

0:46:160:46:20

But it's certainly French, let's start with that.

0:46:200:46:23

Clearly you've got Louis here,

0:46:230:46:26

-and this is Louis XVI.

-16th?

-Yeah. And Louis XVI,

0:46:260:46:29

as far as I remember, was a pretty celibate sort of chap,

0:46:290:46:34

so I don't think these are his mistresses.

0:46:340:46:37

If it had been Louis XV or XIV,

0:46:370:46:40

they might have been mistresses, but they were just elegant ladies.

0:46:400:46:44

The bowl is very nice quality -

0:46:440:46:48

some of these are early Sevre plates which are painted later.

0:46:480:46:53

Because the actual Sevre porcelain factory in the late 18th century

0:46:530:46:57

was making white porcelain and it was either painted then,

0:46:570:47:02

or 20, 30, 50 years later.

0:47:020:47:05

And I love this almost incised gilding here. You can feel it,

0:47:050:47:09

it's almost channelled in, and it's gold leaf inlaid into it.

0:47:090:47:13

I want to look underneath because the quality, although quite good,

0:47:130:47:17

is not actually brilliant for French mid-19th century work.

0:47:170:47:21

You've got the typical ram's head, and various motifs from the period.

0:47:230:47:27

This ram's head was very common,

0:47:270:47:29

again, part of the Bacchic revelry scene -

0:47:290:47:32

these little satyrs and cherubs chasing goats around a field.

0:47:320:47:35

If it's in a hotel, I hope it's insured.

0:47:370:47:40

-Well, it's insured in the general inventory...

-Right.

0:47:400:47:45

-..at what was a guestimate amount of about £10,000.

-Right, right.

0:47:450:47:49

-It seems a lot for a table you can't do anything with, doesn't it?

-Yes.

0:47:510:47:55

But that's what it would make MINIMUM price at auction.

0:47:550:48:00

Possibly up to £15,000 or even £20,000 at auction.

0:48:010:48:04

I think if it was in a top-rate antiques fair,

0:48:040:48:08

I can see this being retailed - it's a very fine one -

0:48:080:48:10

-for £30,000.

-Goodness.

0:48:100:48:13

-Right.

-Amazing.

-That is amazing.

0:48:130:48:16

This picture has been in the wars, I feel.

0:48:160:48:21

It's dirty and has been bashed around a bit. Where's it been hanging?

0:48:210:48:26

-It hasn't been hanging anywhere.

-Face downwards in a loft!

-A loft?!

0:48:260:48:30

-Is that just because you didn't like it, or...?

-No.

0:48:300:48:35

When my mother died in 1977, we cleared her house and we found it.

0:48:350:48:40

Oh, right.

0:48:400:48:41

And because it was not ready for hanging, we just left it in our loft

0:48:410:48:46

and then moved it from loft to loft as we moved.

0:48:460:48:49

And we'd like to know something about it.

0:48:490:48:53

I'm delighted you're here and I hope I can help you a little bit.

0:48:530:48:57

When I first looked at it,

0:48:570:48:59

I thought that it was probably Amsterdam, but it isn't.

0:48:590:49:03

If you look carefully you can see a signature and date in the corner.

0:49:030:49:09

It's by a Danish artist called Christian Molsted, 1890.

0:49:090:49:15

He is actually quite a well-known late-19th-century Danish painter.

0:49:160:49:20

Therefore, I feel very strongly, and looking at the buildings,

0:49:200:49:25

this is definitely a view of Copenhagen.

0:49:250:49:27

I love it! I think it's absolutely wonderful.

0:49:280:49:31

Danish art has rarely been looked at quite seriously,

0:49:310:49:35

especially in the last 20 years.

0:49:350:49:38

The school started in the early part of the 19th century,

0:49:390:49:43

and it was called The Golden Age of Danish Painting.

0:49:430:49:46

Although it was a golden age for art,

0:49:460:49:48

it was certainly not a golden age for the Danish population.

0:49:480:49:52

In the early part of the century they had been bombed by Nelson,

0:49:520:49:57

they had lost the Battle of Copenhagen,

0:49:570:50:00

they were absolutely morally defeated and militarily defeated.

0:50:000:50:04

There was awful hunger and poverty, and it was actually these artists

0:50:040:50:09

that restored confidence in the Danish nationality.

0:50:090:50:13

They painted very local scenes of everyday life,

0:50:130:50:17

and they're very quiet and tranquil.

0:50:170:50:20

It's really due to this little core group of painters

0:50:200:50:23

that you get the later 19th century painters coming through.

0:50:230:50:26

This is a wonderful example.

0:50:260:50:29

I assume that if it's in your loft, it hasn't been insured?

0:50:290:50:33

-Oh, no.

-Never.

0:50:330:50:36

-It needs a bit of love and attention.

-Yes.

-A light clean and...

0:50:360:50:40

The thumbholes and the scratches...

0:50:400:50:43

It's just a little bit battered, and I think all this -

0:50:430:50:47

what we call blooming varnish, when the varnish is rotting -

0:50:470:50:52

will come off with a clean.

0:50:520:50:54

Something like this is worth at least £2,000 - £3,000.

0:50:540:50:59

-Good gracious!

-Possibly a bit more.

0:50:590:51:02

Is this a first edition?

0:51:020:51:04

It is, I believe so.

0:51:040:51:06

And it's inscribed? Oh, wonderful! Is it personal, is it a family item?

0:51:060:51:11

It is actually, it belongs to the family, I was an Atkinson,

0:51:110:51:15

and it was inscribed to a Mrs Atkinson.

0:51:150:51:19

It actually says Mrs Heelis, which was Beatrix Potter's married name.

0:51:190:51:23

So Mrs Atkinson - that was your...?

0:51:230:51:26

-Great, great...

-Great, great-grandmother.

0:51:260:51:29

"With kind regards from Mrs W Heelis

0:51:290:51:32

"and thanks for the copy of Fireplace and Kitchen."

0:51:320:51:35

Oven fireplace, yes.

0:51:350:51:37

The pictures were actually drawn of the inside at Spout House,

0:51:370:51:41

-which is still my parent's house.

-Some pictures in the book?

-Yes.

0:51:410:51:46

-Were based on your family house?

-Yes.

-Really?

0:51:460:51:50

If you look a bit further into the book, you can see...

0:51:500:51:55

-Show me. Where do you think?

-All the insides - the fire hearth,

0:51:550:51:59

wood panelling and the beams and some of them...the kettle.

0:51:590:52:04

All these beams,

0:52:040:52:06

This little axe there is actually this.

0:52:060:52:08

It's all there now on the same beams.

0:52:080:52:12

-That's as it is now.

-That was last week.

-That's wonderful.

0:52:120:52:15

So, there's absolutely no doubt about it -

0:52:150:52:19

Beatrix Potter inscribed the book with thanks for her visit,

0:52:190:52:22

and here's evidence of the two axes still on the beam!

0:52:220:52:26

Well...the condition is reasonable -

0:52:260:52:31

reasonable for this sort of book.

0:52:310:52:33

The inscription is very nice, the contents are in good order,

0:52:330:52:39

and it's true to say that any inscribed Beatrix Potter

0:52:390:52:43

-is worth between £2,000 and £3,000 in auction.

-Goodness!

-Wow!

0:52:430:52:47

Might hold onto that one!

0:52:470:52:51

-Mine!

-Yes, look after that one.

0:52:510:52:54

-Thank you very much indeed for coming in today.

-Thank you.

0:52:540:52:57

As I'm sure you'll know, apart from Catherine Parr

0:52:590:53:01

and Kendal Mint Cake, this is Postman Pat country.

0:53:010:53:05

The Post Office that Mrs Goggins used to run was based

0:53:050:53:09

on a real establishment near here.

0:53:090:53:11

Sadly, it's recently closed down,

0:53:110:53:14

and I'm wondering if that means that Postman Pat is now "Pat".

0:53:140:53:19

That's show business! To the people of Kendal, thank you for having us.

0:53:190:53:24

From the lovely Lake District, goodbye.

0:53:240:53:27

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0:53:310:53:35

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