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Right now all of us are feeling the pinch, | 0:00:02 | 0:00:03 | |
and our nation's charities are no exception. | 0:00:03 | 0:00:06 | |
It's difficult to give as much as we used to | 0:00:06 | 0:00:08 | |
and, sadly, it's the small charities that are suffering the most. | 0:00:08 | 0:00:12 | |
It is a struggle to find extra money. | 0:00:12 | 0:00:15 | |
I'm up to my limit, I can't work any harder than what I'm doing. | 0:00:15 | 0:00:18 | |
These charities are run by volunteers who | 0:00:18 | 0:00:20 | |
dedicate their lives to helping others. | 0:00:20 | 0:00:23 | |
-One adult, one child? -That's correct, yeah. | 0:00:23 | 0:00:26 | |
'My life is a world away from Britain's struggling charities, | 0:00:26 | 0:00:29 | |
'but now I want to give something back. | 0:00:29 | 0:00:32 | |
'My name is Andrew Lamberty, | 0:00:32 | 0:00:34 | |
'I'm an international antiques dealer based in London's Belgravia. | 0:00:34 | 0:00:39 | |
'I find beautiful esoteric, unusual, amazing things.' | 0:00:39 | 0:00:43 | |
I've found a collection of glass eyes. | 0:00:43 | 0:00:46 | |
'I buy them, and I sell them. | 0:00:46 | 0:00:49 | |
'But now I think I can use my talent for buying art and antiques...' | 0:00:49 | 0:00:53 | |
-550, is it? -Look, well, 500, is it? | 0:00:53 | 0:00:56 | |
'..to sell to my wealthy clients...' | 0:00:56 | 0:00:58 | |
That has actually seen Cuban missile crisis. | 0:00:58 | 0:01:01 | |
'..and give the profits to these heroic small charities.' | 0:01:01 | 0:01:04 | |
-Always go round the front of the horse. -Hi. | 0:01:04 | 0:01:07 | |
'But it's not going to be easy. | 0:01:07 | 0:01:09 | |
'The recession has hit the antiques trade too.' | 0:01:09 | 0:01:11 | |
-Well, they're not right for this room. -1,600 quid. | 0:01:11 | 0:01:15 | |
In isolation, I probably wouldn't buy either of these. | 0:01:16 | 0:01:20 | |
'And making money is harder than ever before.' | 0:01:20 | 0:01:23 | |
When the market was really buoyant, people would to have your | 0:01:23 | 0:01:25 | |
arm off for those, otherwise someone else would just buy them. | 0:01:25 | 0:01:28 | |
'I've given myself just three | 0:01:28 | 0:01:30 | |
'months to make the money the charities need. | 0:01:30 | 0:01:32 | |
'So I'm going to bid at auction, travel overseas to trade fairs | 0:01:32 | 0:01:36 | |
'and even organise a special auction evening.' | 0:01:36 | 0:01:39 | |
I am going to sell, thank you. | 0:01:39 | 0:01:41 | |
'And rather than keeping the money, I'll give all the profits to | 0:01:42 | 0:01:46 | |
'these small charities who make Britain a better place.' | 0:01:46 | 0:01:50 | |
This represents changed lives Andrew, it does. | 0:01:51 | 0:01:53 | |
'The art and antiques business has been my passion | 0:02:06 | 0:02:09 | |
'for the past 20 years. | 0:02:09 | 0:02:11 | |
'But I haven't always been based in Belgravia.' | 0:02:11 | 0:02:13 | |
When I started out on my own, it was in a 500 quid van, | 0:02:13 | 0:02:17 | |
driving 60,000 miles a year, covering a lot of auctions, | 0:02:17 | 0:02:20 | |
really working hard and learning the business from the ground up. | 0:02:20 | 0:02:25 | |
I know what it's like to have run out of money. | 0:02:25 | 0:02:27 | |
I know what it's like to be down to your last few hundred quid, | 0:02:27 | 0:02:30 | |
and having to trade out of that position. | 0:02:30 | 0:02:32 | |
But it's something you don't forget, and it gives you your sense of | 0:02:32 | 0:02:34 | |
value and your sense of proportion, even if you're successful, | 0:02:34 | 0:02:37 | |
you always draw on the foundations you built in the old days. | 0:02:37 | 0:02:41 | |
And so I'm here now in Belgravia, and I love what I do. | 0:02:41 | 0:02:45 | |
It's not lost on me | 0:02:45 | 0:02:47 | |
that I'm bringing together | 0:02:47 | 0:02:48 | |
two very different worlds, of wealthy collectors, | 0:02:48 | 0:02:52 | |
and charities who are struggling for money. | 0:02:52 | 0:02:56 | |
'Usually I sell expensive goods to high rollers with big bank accounts. | 0:02:58 | 0:03:04 | |
'But now I'm going to work for a very different type of client.' | 0:03:04 | 0:03:07 | |
Today, I am heading down to Surrey to Runnymede. | 0:03:12 | 0:03:16 | |
And I'm going to meet a charity run by a lady called Frances, | 0:03:17 | 0:03:21 | |
and the charity is concerned with dementia. | 0:03:21 | 0:03:26 | |
'Dementia is a devastating illness that affects | 0:03:26 | 0:03:30 | |
'over 800,000 people in Britain and with an ageing population, | 0:03:30 | 0:03:34 | |
'this number is set to grow dramatically.' | 0:03:34 | 0:03:37 | |
They're finding it hard to raise funds | 0:03:37 | 0:03:40 | |
and I'm going to see how I can help. | 0:03:40 | 0:03:42 | |
'I'll put up my own cash to buy and sell | 0:03:42 | 0:03:45 | |
'and donate the mark up on each trade. | 0:03:45 | 0:03:47 | |
'I'll do the work, the charities will get all the profits. | 0:03:47 | 0:03:51 | |
'The Runnymede Dementia Carer Support Group is held once a week, | 0:03:57 | 0:04:01 | |
'it was started three years ago by Frances Dyble-Goode.' | 0:04:01 | 0:04:04 | |
-Hi, Frances, I'm Andrew. -Oh, hello. | 0:04:06 | 0:04:08 | |
-I'll give you a hand with those. -Thank you. -Pleased to meet you. | 0:04:08 | 0:04:10 | |
That will be fine, thank you, thank you, we need help. | 0:04:10 | 0:04:13 | |
So what inspired you to start this up? | 0:04:13 | 0:04:16 | |
My husband was 54 years old and he was diagnosed with Alzheimer's. | 0:04:16 | 0:04:20 | |
He was a businessman, he owned his own company, he worked hard, | 0:04:20 | 0:04:24 | |
he was a very clever guy. | 0:04:24 | 0:04:26 | |
You actually don't realise because when they start saying, | 0:04:26 | 0:04:29 | |
"Do you want a cup of tea?" and you say, "Well, yes, OK, fine," | 0:04:29 | 0:04:32 | |
and then he'd come ask you again, "Do you want a cup of tea?" | 0:04:32 | 0:04:35 | |
"Yes, well you asked me that five minutes ago." | 0:04:35 | 0:04:37 | |
If I took him shopping, I had to watch him, that he didn't take | 0:04:37 | 0:04:42 | |
somebody else's trolley, so it gets worse and worse, and the later | 0:04:42 | 0:04:47 | |
stages are horrendous, and they're horrendous for the carer. | 0:04:47 | 0:04:52 | |
My husband had to go into a nursing home | 0:04:52 | 0:04:55 | |
and he was a total vegetable when he died. | 0:04:55 | 0:04:58 | |
He was blind, deaf, it was absolutely dreadful, | 0:04:58 | 0:05:01 | |
at the age of 66. | 0:05:01 | 0:05:03 | |
It just tears you apart, which is why I decided to start this. | 0:05:03 | 0:05:08 | |
I feel that this little club brings all these people together, | 0:05:08 | 0:05:12 | |
and it gives them just something to look forward to, | 0:05:12 | 0:05:14 | |
which is what I never had. | 0:05:14 | 0:05:17 | |
'I knew that dementia was a debilitating illness | 0:05:18 | 0:05:22 | |
'but I hadn't realised the impact it has on the carers.' | 0:05:22 | 0:05:25 | |
Oh, Speedy Gonzales. | 0:05:25 | 0:05:27 | |
I braved that step. | 0:05:28 | 0:05:30 | |
'Frances welcomes up to 50 dementia sufferers | 0:05:30 | 0:05:33 | |
'and their carers each week.' | 0:05:33 | 0:05:35 | |
-Hello, Gordon. -Hello. -Hello, gorgeous. | 0:05:35 | 0:05:37 | |
-Hello. -How are you? Are you all right? | 0:05:37 | 0:05:39 | |
'Dementia hasn't affected anyone close to me yet, | 0:05:39 | 0:05:42 | |
'it will be interesting to learn first-hand more about what | 0:05:42 | 0:05:45 | |
'it's like to live with it. | 0:05:45 | 0:05:47 | |
'For many people with dementia, | 0:05:50 | 0:05:52 | |
'their spouses become their main carer. | 0:05:52 | 0:05:54 | |
'Shirley has been caring for her husband, Gordon, since he was | 0:05:54 | 0:05:57 | |
'diagnosed eight years ago, and they come to the group every week.' | 0:05:57 | 0:06:02 | |
I mean, I find now when you get into the situation that we've got, | 0:06:02 | 0:06:06 | |
it's our social life, really. | 0:06:06 | 0:06:10 | |
I mean, it's the only time that we can sort of go somewhere because... | 0:06:10 | 0:06:15 | |
-This is all big. -Yes, I know. | 0:06:15 | 0:06:17 | |
-Look, it's right on your head. -Yes, I know, darling, yes, I know. | 0:06:17 | 0:06:21 | |
Because you don't get invited out as much as you used to. | 0:06:21 | 0:06:23 | |
-Yes. -Do we smile? | 0:06:23 | 0:06:26 | |
-Yes. -Do we smile? -Yes. -Yes, of course you do. | 0:06:26 | 0:06:32 | |
-I'm smiling all right? -Yeah. | 0:06:33 | 0:06:36 | |
'At present, Frances's budget only allows her to open once a week, | 0:06:36 | 0:06:40 | |
'and doesn't give her any extra funds to put on special activities. | 0:06:40 | 0:06:44 | |
'I found a snooker partner in David, | 0:06:45 | 0:06:48 | |
'who has been living with dementia for the past eight years.' | 0:06:48 | 0:06:52 | |
Nearly went in, didn't it? Didn't it nearly go in? | 0:06:52 | 0:06:55 | |
'His wife, Pam, brings him to the club each week. | 0:06:55 | 0:06:59 | |
'She gets as much out of the visits as he does.' | 0:06:59 | 0:07:02 | |
This is a lifeline, I would say it really is a lifeline. | 0:07:02 | 0:07:06 | |
We are more like family because, you know, the carers | 0:07:06 | 0:07:10 | |
hold each other up, because times can get very hard, they really can. | 0:07:10 | 0:07:16 | |
I mean, you know, we come here, we have a laugh and we have a moan. | 0:07:16 | 0:07:21 | |
-Yes. -Seeing him here is like seeing him as he was 20 years ago. | 0:07:21 | 0:07:26 | |
-Good shot. -CHEERING | 0:07:26 | 0:07:28 | |
I think it's super important that this place exists, | 0:07:30 | 0:07:33 | |
it's the only time they get to communicate, | 0:07:33 | 0:07:36 | |
to interact every week. It keeps them anchored, | 0:07:36 | 0:07:39 | |
it also gives their carers an opportunity to either go out | 0:07:39 | 0:07:41 | |
and do something different, or to come here and meet some other | 0:07:41 | 0:07:45 | |
people who are experiencing the same kind of problems. | 0:07:45 | 0:07:48 | |
'Like all of the small charities I want to help, | 0:07:48 | 0:07:50 | |
'Frances runs hers on a shoestring. | 0:07:50 | 0:07:53 | |
'She provides this vital support on just £9,300 a year.' | 0:07:53 | 0:07:57 | |
Frances, I've been giving some thought | 0:08:00 | 0:08:03 | |
to this lovely place that you run, | 0:08:03 | 0:08:05 | |
I was thinking, you know, how you're going to improve yourselves, | 0:08:05 | 0:08:07 | |
well, you can't improve yourselves because it's already great. | 0:08:07 | 0:08:10 | |
So talk to me about some ideas you might have. | 0:08:10 | 0:08:12 | |
I think an additional day would be absolutely brilliant, | 0:08:12 | 0:08:16 | |
we could maybe get in an artist or some things that they could | 0:08:16 | 0:08:20 | |
actually do to stimulate them. | 0:08:20 | 0:08:22 | |
I wrote down on my notes, artists, musicians, dance class, | 0:08:22 | 0:08:27 | |
so we're on the same page. | 0:08:27 | 0:08:29 | |
Oh, that's really good, thank you very much. | 0:08:29 | 0:08:32 | |
'Frances is thinking about an additional day a month. | 0:08:33 | 0:08:36 | |
'I've now done the maths and with £2,000 she could | 0:08:36 | 0:08:40 | |
'put on an extra two sessions a month for the next year. | 0:08:40 | 0:08:43 | |
'That's a small price to pay for a huge result.' | 0:08:43 | 0:08:46 | |
It would really make a difference, because being a small, little | 0:08:48 | 0:08:52 | |
charity, it is a struggle to find extra money. | 0:08:52 | 0:08:57 | |
Personally, I... | 0:08:57 | 0:09:00 | |
I suppose it's always been a tribute to my late husband. | 0:09:00 | 0:09:03 | |
He's left a legacy... | 0:09:06 | 0:09:07 | |
SOBBING | 0:09:07 | 0:09:09 | |
..that I can continue and help people that | 0:09:11 | 0:09:17 | |
were in my position, and help them get through this awful illness. | 0:09:17 | 0:09:24 | |
So that what it means to me, it's a legacy to John. | 0:09:24 | 0:09:27 | |
'The sooner Frances has the extra money, | 0:09:33 | 0:09:36 | |
'the sooner she can put on the extra days at the centre. | 0:09:36 | 0:09:39 | |
'I've only got three months to raise this cash, | 0:09:40 | 0:09:43 | |
'and the economic downturn really has slowed my business too. | 0:09:43 | 0:09:47 | |
'So I'd better form a pretty clear strategy | 0:09:47 | 0:09:49 | |
'on how I'm going to meet this target.' | 0:09:49 | 0:09:51 | |
I'm going to buy a number of items that I think I can trade quickly. | 0:09:52 | 0:09:56 | |
I'm going to use everything at my disposal to buy really | 0:09:56 | 0:09:59 | |
well on behalf of these charities. | 0:09:59 | 0:10:01 | |
I'm going to go to little auctions, I'm going | 0:10:01 | 0:10:03 | |
to go to trade fairs, I'm going to get my address book out to | 0:10:03 | 0:10:06 | |
make the most sales I can possibly can, get into my private | 0:10:06 | 0:10:09 | |
clients and I'm going to have a big charity auction coming up to | 0:10:09 | 0:10:12 | |
Christmas, because that's the way to make the big money. | 0:10:12 | 0:10:15 | |
'Every year, I make buying trips to an antiques | 0:10:19 | 0:10:21 | |
'market in Avignon, in the south of France. | 0:10:21 | 0:10:25 | |
'In the dealer's calendar it's one of my favourite fairs. | 0:10:25 | 0:10:28 | |
'I've been here so many times I know my way around, and this time | 0:10:29 | 0:10:33 | |
'I'll be on the lookout for my first buy for the dementia support group.' | 0:10:33 | 0:10:38 | |
Early doors as usual, | 0:10:38 | 0:10:40 | |
all the gear's just been got out of the trucks, I'm just here in time. | 0:10:40 | 0:10:44 | |
We're going to have to operate pretty quickly | 0:10:44 | 0:10:46 | |
because if we want to get something really good for Runnymede, | 0:10:46 | 0:10:49 | |
it's going to happen in the first hour. | 0:10:49 | 0:10:51 | |
All the best things get bought then. | 0:10:51 | 0:10:53 | |
'Thousands of vendors come here from all over France, | 0:10:53 | 0:10:57 | |
'so any of these vans could contain a hidden gem.' | 0:10:57 | 0:11:00 | |
The competition is heavy here, | 0:11:00 | 0:11:02 | |
there's a few people who know a good thing when they see it. | 0:11:02 | 0:11:04 | |
We're all up against each other here, it's a fox-eat-rabbit world. | 0:11:04 | 0:11:10 | |
'Antique fair rule number one - | 0:11:11 | 0:11:13 | |
'if you look rich, you'll pay over the odds.' | 0:11:13 | 0:11:15 | |
Qu'est-ce que c'est, un tableau? | 0:11:15 | 0:11:17 | |
Un tableau, oui. | 0:11:17 | 0:11:19 | |
'Rule number two - speak the local language...' | 0:11:19 | 0:11:21 | |
HE MUMBLES IN FRENCH | 0:11:21 | 0:11:24 | |
'..as best you can. | 0:11:26 | 0:11:27 | |
'Rule number three - if you want to sell something on quickly, | 0:11:27 | 0:11:31 | |
'picking up something by a known designer or artist is a good bet.' | 0:11:31 | 0:11:34 | |
This is kind of cool, if you want a bit of a boy's toy in a desk. | 0:11:37 | 0:11:41 | |
It's a section of a plane wing made into a desk | 0:11:41 | 0:11:43 | |
so it's polished aluminium, it's kind of fun. | 0:11:43 | 0:11:45 | |
But I've seen it all before. | 0:11:45 | 0:11:47 | |
This is quite an interesting little table, this is by Capron. | 0:11:49 | 0:11:53 | |
The signs, just a distinctly... He's a bit of a fave of mine. | 0:11:53 | 0:11:58 | |
'He influenced Picasso's pottery.' | 0:11:58 | 0:12:00 | |
I want a pair of them, or a bigger one. | 0:12:01 | 0:12:05 | |
'Rule number four, for a pair the price is doubled, | 0:12:05 | 0:12:08 | |
'then doubled again. | 0:12:08 | 0:12:10 | |
'But this Capron table is damaged goods, so I'm moving on.' | 0:12:10 | 0:12:15 | |
Need to put a bit of nitrous in my tank today, | 0:12:15 | 0:12:18 | |
because it's going to be some work, cover some ground. | 0:12:18 | 0:12:22 | |
Prouve table. | 0:12:22 | 0:12:25 | |
'Now this table is in the spirit of Jean Prouve, | 0:12:28 | 0:12:31 | |
'one of my favourite French designers | 0:12:31 | 0:12:34 | |
'from the mid-20th century.' | 0:12:34 | 0:12:37 | |
Bonjour. | 0:12:37 | 0:12:38 | |
'This is what I've been looking for. | 0:12:42 | 0:12:45 | |
'Prouve-style pieces are very saleable in today's market. | 0:12:45 | 0:12:49 | |
'He was a self-taught architect and designer and a modernist | 0:12:49 | 0:12:53 | |
'pioneer of the industrial style, particularly in metal furniture. | 0:12:53 | 0:12:57 | |
'Despite the wear to the paintwork, this is an exciting find.' | 0:12:57 | 0:13:01 | |
'Large pieces of furniture take longer to sell, | 0:13:18 | 0:13:21 | |
'I've got just three months to find a buyer before the antiques | 0:13:21 | 0:13:25 | |
'trade goes quiet in January. | 0:13:25 | 0:13:27 | |
'Whilst time is tight, it's too good an opportunity to miss.' | 0:13:27 | 0:13:31 | |
Merci, OK, tres bien. | 0:13:39 | 0:13:41 | |
Did you see me move quite quickly then? | 0:13:46 | 0:13:49 | |
'I can't go wrong at 1,400 euros, that's around £1,100.' | 0:13:49 | 0:13:54 | |
-Et voila. -Merci, Isabel. -Merci beaucoup. | 0:13:55 | 0:13:59 | |
The last one I had, I sold for around 5,000. | 0:13:59 | 0:14:03 | |
In the interests of getting this sold quickly, | 0:14:04 | 0:14:07 | |
I might take a smaller price on this one. | 0:14:07 | 0:14:09 | |
Anyway, I am absolutely over the moon about that table, | 0:14:09 | 0:14:13 | |
that's a belting piece of mid-20th century design, | 0:14:13 | 0:14:16 | |
the table dates from around 1955. | 0:14:16 | 0:14:18 | |
Super refined, nice proportion, good original paint finish on it, | 0:14:18 | 0:14:23 | |
everything you want from a piece of furniture, very nice, very nice. | 0:14:23 | 0:14:27 | |
Probably looks like any old bit of tat there, | 0:14:27 | 0:14:29 | |
you wait till I get that in my gallery and lit properly. | 0:14:29 | 0:14:33 | |
I love that table, look at it. | 0:14:42 | 0:14:44 | |
That's a super piece of design, it stands well, as we say in the trade. | 0:14:45 | 0:14:50 | |
The hook's in the water and it's in the best pool. | 0:14:52 | 0:14:56 | |
So, hopefully, we'll have a fish on fairly soon. | 0:14:56 | 0:15:00 | |
'I've travelled from London to rural Cornwall to meet the second | 0:15:04 | 0:15:07 | |
'small charity I'd like to help. | 0:15:07 | 0:15:10 | |
'It's an animal shelter just outside Truro, which provides | 0:15:10 | 0:15:14 | |
'a home for 70 unwanted animals. | 0:15:14 | 0:15:16 | |
'This charity is run by Maria Mulkeen. | 0:15:18 | 0:15:22 | |
'She has a full-time job working at night caring for the terminally ill. | 0:15:22 | 0:15:26 | |
'She volunteers the rest of her waking hours to | 0:15:27 | 0:15:30 | |
'caring for these abandoned animals. | 0:15:30 | 0:15:32 | |
'And what really struck me is how she funds the place.' | 0:15:33 | 0:15:38 | |
At the moment, I'm putting, I'd say 90% of my wages | 0:15:38 | 0:15:42 | |
goes into the shelter, and it's becoming a struggle for me. | 0:15:42 | 0:15:46 | |
If I don't go to work, I don't get paid, | 0:15:46 | 0:15:48 | |
if I don't get paid, I can't buy any food for the animals, | 0:15:48 | 0:15:52 | |
so I have to start | 0:15:52 | 0:15:54 | |
thinking of other ways, apart from myself, where I can get money from. | 0:15:54 | 0:15:58 | |
Hello. All right, Andrew? Nice to meet you. | 0:16:01 | 0:16:04 | |
I'm Andrew, hello. | 0:16:04 | 0:16:05 | |
So tell me a little bit about what you do here. | 0:16:05 | 0:16:08 | |
We rescue and take in small animals and farm animals, | 0:16:08 | 0:16:13 | |
mainly the small, rabbits, guinea pigs, gerbils. | 0:16:13 | 0:16:17 | |
We're quite unique, a lot of people take in cats and dogs, | 0:16:17 | 0:16:20 | |
but not the rest of the animals. | 0:16:20 | 0:16:22 | |
Right, I really want to know why you do this. | 0:16:22 | 0:16:25 | |
What fires your belief in this? | 0:16:25 | 0:16:27 | |
All of my life, since a little girl, I've always taken in strays | 0:16:27 | 0:16:31 | |
and I got told off by my mum, | 0:16:31 | 0:16:33 | |
"Don't you bring no more stray animals home here." | 0:16:33 | 0:16:35 | |
So I've grew up like that, | 0:16:35 | 0:16:37 | |
99% of my life now is trying to help these animals. | 0:16:37 | 0:16:41 | |
So if I couldn't get any extra money, it would have to close. | 0:16:41 | 0:16:45 | |
I want to help Maria, so I've asked her to show me | 0:16:48 | 0:16:51 | |
what she most needs for her shelter. | 0:16:51 | 0:16:54 | |
This one's falling down, yeah, this is the sheep's house, | 0:16:54 | 0:16:56 | |
and it hasn't even got a concrete floor, | 0:16:56 | 0:16:59 | |
it's mud and that's another project, there's so many projects. | 0:16:59 | 0:17:03 | |
And then we've got fencing over I can see, | 0:17:03 | 0:17:05 | |
you've got pallets leant up against those, what's that about? | 0:17:05 | 0:17:08 | |
Unfortunately, when we first started here, | 0:17:08 | 0:17:11 | |
we didn't realise that goats could actually break cattle fencing. | 0:17:11 | 0:17:14 | |
The field next door, it actually goes out onto a very busy | 0:17:14 | 0:17:18 | |
fast road, and the goats have tried to get out on numerous | 0:17:18 | 0:17:22 | |
occasions, and have nearly made it through. | 0:17:22 | 0:17:25 | |
They know where there's a weakness and they'll push it | 0:17:25 | 0:17:27 | |
until they destroy it and get out. | 0:17:27 | 0:17:29 | |
And have you had some quotes to get the work done? | 0:17:29 | 0:17:32 | |
We have, yeah, and it's about £5,000 to have it all... | 0:17:32 | 0:17:35 | |
-Five grand? -5,000. -To do this amount of fencing? -Yeah, yeah, | 0:17:35 | 0:17:39 | |
and that's 150 metres. | 0:17:39 | 0:17:40 | |
'So cash for essential fencing is scarce, | 0:17:42 | 0:17:45 | |
'but volunteers to help Maria aren't.' | 0:17:45 | 0:17:48 | |
-This is Keeley and Jade. -Hello, Keeley. -Hiya. | 0:17:48 | 0:17:51 | |
-Jade? You're Jade? Who's Jade? -Me. | 0:17:51 | 0:17:53 | |
Jade, hello. Got it the other way round. Hello, Keeley. Hello, Jade. | 0:17:53 | 0:17:56 | |
Try and explain to me what you get out of working with the animals. | 0:17:56 | 0:17:59 | |
I've studied animals, so I want to work with them anyway | 0:17:59 | 0:18:02 | |
so I'm gaining more experience while I'm unemployed. | 0:18:02 | 0:18:06 | |
'A number of the volunteers are out of work, | 0:18:06 | 0:18:08 | |
'and they give their time to keep the shelter running.' | 0:18:08 | 0:18:11 | |
-This is John. -Hello, John. -This is Andrew. -Pleased to meet you. | 0:18:11 | 0:18:14 | |
Pleased to meet you too. How did you hear about the place? | 0:18:14 | 0:18:17 | |
-Why did you...? how did you start here? -Jobcentre. | 0:18:17 | 0:18:20 | |
I was a bit reluctant to come down volunteering but, oh, no, | 0:18:20 | 0:18:23 | |
as soon as I got here, that's it. | 0:18:23 | 0:18:25 | |
You know, I haven't looked back, it's brilliant. | 0:18:25 | 0:18:27 | |
The place is just about held together with a few screws | 0:18:27 | 0:18:31 | |
and some nails. | 0:18:31 | 0:18:32 | |
Is that what you essentially busy yourself with, | 0:18:34 | 0:18:36 | |
sort of keeping it all just hanging together? | 0:18:36 | 0:18:39 | |
I mean, yeah, if need be, we have corrugated sheets to replace, | 0:18:39 | 0:18:43 | |
but again, it's all recycled, it's... | 0:18:43 | 0:18:46 | |
I mean, you're replacing the old with, basically, the old. | 0:18:46 | 0:18:50 | |
What's really struck me here is, you know | 0:18:51 | 0:18:53 | |
talking to a couple of volunteers, | 0:18:53 | 0:18:55 | |
they've not got employment but, you know, they're not sitting at home | 0:18:55 | 0:18:59 | |
doing nothing, they're not workshy. | 0:18:59 | 0:19:02 | |
John is... You know, he's flat out here, fixing stuff all the time | 0:19:02 | 0:19:05 | |
with hardly any tools and not much in the way of materials. | 0:19:05 | 0:19:09 | |
He's got one jam jar of screws. And there's a great sense of pride, | 0:19:09 | 0:19:14 | |
you can tell here in the work that they do and they really love it. | 0:19:14 | 0:19:17 | |
It's very nice to see, and this is the place that is contributing | 0:19:17 | 0:19:21 | |
to the community as well as looking after all these animals. | 0:19:21 | 0:19:24 | |
'With a target of £5,000 for the new fencing | 0:19:24 | 0:19:27 | |
'and just three months before the antiques market | 0:19:27 | 0:19:29 | |
'shuts down for Christmas, time is of the essence. | 0:19:29 | 0:19:33 | |
'But the prospects for keeping those goats in are looking good. | 0:19:37 | 0:19:41 | |
'I'm on one of my buying trips in Italy, | 0:19:41 | 0:19:43 | |
'at the Rolls-Royce of European trade fairs.' | 0:19:43 | 0:19:46 | |
So here in Parma in Italy, not Palma, Mallorca, | 0:19:47 | 0:19:52 | |
and one of the biggest and best fairs in the calendar. | 0:19:52 | 0:19:55 | |
I want to get my bearings here, | 0:19:59 | 0:20:00 | |
because they've also changed the entrance. Let's go down here. | 0:20:00 | 0:20:06 | |
Lots of pretty Italian girls, as well, which is quite nice. | 0:20:07 | 0:20:11 | |
'There are well over a thousand vendors here with pieces | 0:20:14 | 0:20:17 | |
'dating from the 1800s, right up to the 1980s.' | 0:20:17 | 0:20:19 | |
I love doing this, this is what we live for. | 0:20:21 | 0:20:24 | |
'When I'm looking to buy, the more in vogue a piece is, | 0:20:25 | 0:20:28 | |
'the faster it will sell.' | 0:20:28 | 0:20:30 | |
Things go in and out of fashion stylistically. | 0:20:30 | 0:20:33 | |
Can't try and sell people flares when they want drainpipes. | 0:20:33 | 0:20:36 | |
You know, and a case and point are these, | 0:20:36 | 0:20:38 | |
obviously you spike your candle onto the top there. | 0:20:38 | 0:20:41 | |
These are about 1820, right? I wouldn't buy these | 0:20:41 | 0:20:44 | |
because they're not really that current, stylistically. | 0:20:44 | 0:20:50 | |
'Twenty years ago, the near classical look was the big seller, | 0:20:50 | 0:20:55 | |
'in today's market, it's good designs from the 20th century | 0:20:55 | 0:20:58 | |
'that get snapped up.' | 0:20:58 | 0:21:00 | |
Scusi, se quanta? Venduto. | 0:21:00 | 0:21:02 | |
-Sold. -BLEEP! | 0:21:04 | 0:21:06 | |
Those are valuable. | 0:21:06 | 0:21:08 | |
They're called an artichoke lamp, they're iconic, those. | 0:21:08 | 0:21:11 | |
'These artichoke lamps were designed in 1958 by | 0:21:11 | 0:21:15 | |
'Danish architect, Poul Henningsen. | 0:21:15 | 0:21:17 | |
'They're handsome and they're practical. | 0:21:17 | 0:21:20 | |
'The layered shades create a lovely ambient light.' | 0:21:20 | 0:21:23 | |
They're still expensive new, but those are original ones, | 0:21:23 | 0:21:26 | |
and they are big. | 0:21:26 | 0:21:27 | |
If I'd have bought something like that, I'd have known, you know... | 0:21:31 | 0:21:35 | |
I'd have probably made £15,000 and I could relax a little bit. | 0:21:35 | 0:21:40 | |
'In my business, I have to have an eye on future trends.' | 0:21:42 | 0:21:45 | |
Here, you have the table from the... very 1980s, it's too far ahead of | 0:21:47 | 0:21:50 | |
the kerb at the moment, the market's not really caught on to this. | 0:21:50 | 0:21:54 | |
It will do, it'll embrace this, | 0:21:54 | 0:21:56 | |
and this is a superb designed piece of furniture, very much of its era. | 0:21:56 | 0:22:03 | |
That's only going to go up in value, that. | 0:22:03 | 0:22:05 | |
But the market's not ready for it yet. | 0:22:06 | 0:22:08 | |
You have a sort of sense of style, | 0:22:08 | 0:22:10 | |
a sort of feel for what's cool, and what's now, | 0:22:10 | 0:22:15 | |
and what people want. | 0:22:15 | 0:22:17 | |
Or you create what people want, and I've just seen something over there, | 0:22:17 | 0:22:20 | |
I've got to go and actually look at. Over here. | 0:22:20 | 0:22:23 | |
Nicoletta. | 0:22:23 | 0:22:24 | |
How are you? Ciao. | 0:22:27 | 0:22:29 | |
OK, now what have you got...? | 0:22:29 | 0:22:30 | |
'I've been coming to this fair for years | 0:22:30 | 0:22:32 | |
'and I know which dealers have the good kit. | 0:22:32 | 0:22:35 | |
'Nicoletta is a friend, | 0:22:35 | 0:22:36 | |
'but I'll still never pay her the asking price. | 0:22:36 | 0:22:39 | |
'I'll worry about her feelings later. This is business.' | 0:22:39 | 0:22:43 | |
Now, how much are you going to ask me for this? | 0:22:43 | 0:22:46 | |
This is good news. | 0:22:46 | 0:22:47 | |
'I've spotted a piece that I really want for the animal shelter.' | 0:22:47 | 0:22:50 | |
Give me a gift today. | 0:22:50 | 0:22:51 | |
Down. | 0:22:54 | 0:22:55 | |
'Called a Z lamp because of its shape, | 0:22:58 | 0:23:00 | |
'it was made in New York by the Majestic Lamp Company in the '50s. | 0:23:00 | 0:23:04 | |
'I've got to buy this for under 1,000 euros | 0:23:04 | 0:23:07 | |
'to be sure of a half-decent profit.' | 0:23:07 | 0:23:09 | |
Because I'm buying this one and trading it for this charity, | 0:23:09 | 0:23:12 | |
I've got to get the price as absolutely as low I can... | 0:23:12 | 0:23:16 | |
to make the most. Did you? | 0:23:16 | 0:23:17 | |
And you're selling it to me for 900? | 0:23:17 | 0:23:19 | |
-Yes. -Yeah, OK. | 0:23:19 | 0:23:21 | |
You can't, I agree. | 0:23:25 | 0:23:27 | |
Go on, then, done, sold. | 0:23:29 | 0:23:31 | |
'I've bought the lamp for 900 euros, that's around £750. | 0:23:31 | 0:23:36 | |
'At that price, I'm not asking myself | 0:23:36 | 0:23:38 | |
'if I'm going to make a profit, | 0:23:38 | 0:23:40 | |
'I'm asking myself - how much?' | 0:23:40 | 0:23:42 | |
I know these are very saleable, | 0:23:42 | 0:23:44 | |
they're the kind of coolest lamps out there. | 0:23:44 | 0:23:47 | |
'The lamp I bought for Maria's animal shelter won't even hit | 0:23:57 | 0:24:00 | |
'the gallery floor. My clients trust my taste, | 0:24:00 | 0:24:03 | |
'and I have just the man in mind for this treasure.' | 0:24:03 | 0:24:07 | |
Jonny, I've set him up, I've given him a phone call, | 0:24:07 | 0:24:10 | |
I've piqued his interest, I said, "I've got a really amazing lamp, | 0:24:10 | 0:24:13 | |
"very rare, unusual shape, really super cool." | 0:24:13 | 0:24:16 | |
I said, "Are you sure your house is not too, like, country? | 0:24:16 | 0:24:19 | |
You know, "Can you cope with something really cool in there?" | 0:24:19 | 0:24:21 | |
He was like, "Yes, course I can, mate, course I can." | 0:24:21 | 0:24:24 | |
He's nosing the bait at the moment. | 0:24:24 | 0:24:26 | |
'In the current economic climate, | 0:24:26 | 0:24:29 | |
'the antiques trade has become a buyers' market. | 0:24:29 | 0:24:32 | |
'Even though I'm selling for charity, | 0:24:32 | 0:24:34 | |
'Jonny will still drive a hard bargain.' | 0:24:34 | 0:24:36 | |
Rosemary... Oh, it's open. Oh, there you are. | 0:24:36 | 0:24:42 | |
What do you think of that? | 0:24:42 | 0:24:43 | |
That's fantastic, where was that from? | 0:24:43 | 0:24:45 | |
I bought that in Parma, but it's American. | 0:24:45 | 0:24:48 | |
You know me, I'm not really one for this sort of thing | 0:24:48 | 0:24:51 | |
but I do strangely like that. | 0:24:51 | 0:24:54 | |
Now what's this made of? | 0:24:54 | 0:24:56 | |
Well, it's stitched leather at the top here, | 0:24:56 | 0:24:59 | |
but I think this might be parchment, it's all handmade. | 0:24:59 | 0:25:02 | |
The one I had two years ago, I sold that, hand on heart, £2,500. | 0:25:02 | 0:25:06 | |
-No chin music? -No chin music, £2,500 sold. This could be 1,600 quid. | 0:25:06 | 0:25:14 | |
Yeah, are you able to sharpen your pencil a little bit lower? | 0:25:18 | 0:25:22 | |
I'm open to offers, | 0:25:22 | 0:25:24 | |
I'm under some time pressure to get this thing sold. | 0:25:24 | 0:25:27 | |
-It's a good cause, I'm not trousering the money myself. -No. | 0:25:27 | 0:25:33 | |
Erm...how does £1,200... Does that hurt? | 0:25:33 | 0:25:37 | |
That's too close to what I paid for it. | 0:25:37 | 0:25:41 | |
Erm...I thought 1,600 was a natural counter offer of 1,500. | 0:25:41 | 0:25:48 | |
Sure. I'm not sure if £1,500 is a bit rich. | 0:25:48 | 0:25:51 | |
-I like it, though. I do like it, Andrew, I just... -Yeah. | 0:25:51 | 0:25:57 | |
Why don't we say £1,350 and you shout the lunch? | 0:25:57 | 0:26:02 | |
Go on, press the flesh. | 0:26:03 | 0:26:06 | |
'The animal shelter needs £5,000 for the new fence, | 0:26:06 | 0:26:09 | |
'I bought this lamp for £750, I'm almost doubling up, I'm going | 0:26:09 | 0:26:14 | |
'to take a quick profit and move on.' | 0:26:14 | 0:26:17 | |
I suppose... It's an offer in a recession. | 0:26:17 | 0:26:21 | |
-£1,350 with a cheeseboard, port and a cigar. -You are a gentleman. | 0:26:23 | 0:26:29 | |
-And a scholar. -Yeah, and scholar. | 0:26:29 | 0:26:32 | |
'I knew Jonny would take the bait. | 0:26:32 | 0:26:35 | |
'But with clients like him, trading sometimes goes both ways | 0:26:35 | 0:26:41 | |
'so I always check out what else he's been buying.' | 0:26:41 | 0:26:44 | |
-Now, what about this chap? -Yeah, he's great. | 0:26:44 | 0:26:48 | |
I like it, it's sort of like, sort of... | 0:26:48 | 0:26:50 | |
it's just about to sort of give someone a bit of a grrr... | 0:26:50 | 0:26:53 | |
It's got a very good look, hasn't it? | 0:26:53 | 0:26:55 | |
It's got that sort of small dog sort of attitude. | 0:26:55 | 0:26:57 | |
It's a great thing to have, though, and look, it's cheap to run. | 0:26:57 | 0:27:03 | |
And, yeah, you don't have to waste too much time exercising it. | 0:27:03 | 0:27:06 | |
No, no. | 0:27:06 | 0:27:07 | |
'Another client of mine collects taxidermy, | 0:27:07 | 0:27:10 | |
'I could flip this in a day, | 0:27:10 | 0:27:12 | |
'though I'm not sure Maria at the animal shelter would approve.' | 0:27:12 | 0:27:16 | |
Is it for sale? | 0:27:16 | 0:27:17 | |
-I'm not in a rush to sell it but I'm happy... -Course not. | 0:27:17 | 0:27:20 | |
But I'm happy to sell it to you. | 0:27:20 | 0:27:21 | |
'Antiques are as varied as people's tastes. | 0:27:21 | 0:27:24 | |
'My job is matching dog to owner. | 0:27:24 | 0:27:26 | |
'Literally, in this case.' | 0:27:26 | 0:27:28 | |
-I hope this is not... -It's not going to upset me, is it? | 0:27:28 | 0:27:31 | |
Not going to upset you Jonny, I don't want to upset you. | 0:27:31 | 0:27:33 | |
I know that glazed look you get. | 0:27:33 | 0:27:35 | |
-£500. -Press the flesh. -Done. -Well done you. | 0:27:35 | 0:27:39 | |
Thank you, thank you, super. Yeah, I'm pleased with that. | 0:27:39 | 0:27:44 | |
-Thanks, chap. -No worries, see you soon. | 0:27:44 | 0:27:47 | |
Yeah, now go steady with it. | 0:27:47 | 0:27:49 | |
Well, I will, with my low maintenance pet. | 0:27:49 | 0:27:52 | |
-I'll see you soon. -Yes. -Bye, matey. | 0:27:52 | 0:27:55 | |
One of the most important things when you buy something, actually, | 0:27:57 | 0:28:01 | |
is to just get out the house | 0:28:01 | 0:28:03 | |
and in the back of your vehicle and then it's yours. | 0:28:03 | 0:28:06 | |
'Back in Belgravia, it's time for me to call a man about a dog, | 0:28:08 | 0:28:12 | |
'and make a second sale to benefit some living animals.' | 0:28:12 | 0:28:16 | |
Hi, James, you're busy at the moment, OK, I'll be really quick. | 0:28:16 | 0:28:19 | |
You know the dog I told you about? | 0:28:19 | 0:28:20 | |
The stuffed one and I know you want to put | 0:28:20 | 0:28:22 | |
a collection of all the stuffed dogs together. | 0:28:22 | 0:28:25 | |
Well, I found the Pomeranian, I popped him in the shop this morning | 0:28:25 | 0:28:28 | |
and someone's has enquired about it, and I said, "No, it's reserved." | 0:28:28 | 0:28:31 | |
Are you still interested in that? | 0:28:31 | 0:28:33 | |
OK, great, what are we going to agree on a price and then... | 0:28:33 | 0:28:38 | |
and then we'll get it done? | 0:28:38 | 0:28:40 | |
No, no, I assure you it is in good nick. | 0:28:41 | 0:28:43 | |
£850 is fine, shall we say yes? | 0:28:45 | 0:28:49 | |
So that is a sale. In fact, that's the second sale. | 0:28:49 | 0:28:52 | |
Two profits. Maria, I hope, happy. | 0:28:52 | 0:28:56 | |
'That's almost a grand towards the five Maria needs for her fence. | 0:29:00 | 0:29:04 | |
'But I'm not faring so well for the dementia support group. | 0:29:05 | 0:29:10 | |
'The table I bought in Avignon has been | 0:29:10 | 0:29:12 | |
'showing in my gallery for over a month, and still no sale.' | 0:29:12 | 0:29:15 | |
I'm not worried at all about being able to sell this table, | 0:29:16 | 0:29:22 | |
I mean, what slightly concerns me is I won't be able to sell | 0:29:22 | 0:29:25 | |
it for the profit I could sell it for if I had more time. | 0:29:25 | 0:29:29 | |
'In just two months, the antiques market winds down for the year, | 0:29:29 | 0:29:33 | |
'so I've changed my strategy for my next buy. | 0:29:33 | 0:29:37 | |
'It's an artwork I bought from another dealer, | 0:29:37 | 0:29:39 | |
'and this time I have a client lined up.' | 0:29:39 | 0:29:41 | |
Right, Christmas has come early. There we go. | 0:29:43 | 0:29:47 | |
Oh, yes. This is a weaving of a painting by William Scott, | 0:29:50 | 0:29:55 | |
called Nearing Circles. | 0:29:55 | 0:29:56 | |
The original painting sold for, drum roll, I think | 0:29:56 | 0:29:59 | |
£220,000 a few years ago. | 0:29:59 | 0:30:02 | |
This is worth nothing like that, because it's a weaving | 0:30:02 | 0:30:05 | |
but it's a really nice thing, it's a lovely image. | 0:30:05 | 0:30:07 | |
I've got a client in mind for it and I was very pleased to buy it. | 0:30:07 | 0:30:11 | |
'William Scott was a leading light of the British abstract | 0:30:11 | 0:30:14 | |
'movement in the '50s. | 0:30:14 | 0:30:15 | |
'For me, he's right up there with Ben Nicholson and Barbara Hepworth. | 0:30:15 | 0:30:19 | |
'A major retrospective of his work is coming up at the Tate gallery | 0:30:19 | 0:30:23 | |
'and so his market value is set to rise.' | 0:30:23 | 0:30:25 | |
What am I going to spin this for? | 0:30:25 | 0:30:27 | |
I bought this after a pretty hard negotiation actually for £2,000. | 0:30:27 | 0:30:33 | |
I think, you know, around the £2,500 mark is about right. | 0:30:33 | 0:30:38 | |
'I'm confident my client will buy, | 0:30:39 | 0:30:42 | |
'and I'll be off the mark towards the £2,000 | 0:30:42 | 0:30:45 | |
'Frances needs for the extra sessions | 0:30:45 | 0:30:46 | |
'at the dementia support group.' | 0:30:46 | 0:30:48 | |
We are really hoping that Andrew comes up trumps, | 0:30:52 | 0:30:55 | |
because there's so much more that we can do. | 0:30:55 | 0:30:58 | |
With Alzheimer's, you never get better, it just gets worse. | 0:30:58 | 0:31:01 | |
They're fine for maybe a year, and then all of a sudden it drops | 0:31:01 | 0:31:06 | |
down and they will never, never go back to what they were before. | 0:31:06 | 0:31:10 | |
Never. Two, three, go. | 0:31:10 | 0:31:12 | |
'Running extra sessions would be a lifeline for the couples I met. | 0:31:14 | 0:31:18 | |
'Frances has asked for a relatively small amount of money. | 0:31:18 | 0:31:21 | |
'But with it, she can make a huge difference to people like Gordon | 0:31:21 | 0:31:24 | |
'and Shirley, as the club is their only social support.' | 0:31:24 | 0:31:28 | |
Gordon. Come in. | 0:31:28 | 0:31:30 | |
I want to be at home in London. | 0:31:30 | 0:31:34 | |
He hasn't lived there for over 50 years. | 0:31:34 | 0:31:37 | |
That's what I want. | 0:31:39 | 0:31:41 | |
-Well... -I want to go home. | 0:31:41 | 0:31:43 | |
-We'll go home, we can't do it now because... -Eh? | 0:31:43 | 0:31:46 | |
We can't do it now because we're busy, | 0:31:46 | 0:31:48 | |
but we'll do it afterwards, I promise I'll drive you up there. | 0:31:48 | 0:31:52 | |
-You promise me? -I promise you, I will drive you up there, | 0:31:52 | 0:31:55 | |
but don't keep on about it now. All right? | 0:31:55 | 0:31:58 | |
Yeah, I mean, this is what we have. | 0:31:58 | 0:32:01 | |
-OK. -And there's nothing to do. You know, that's, this is... | 0:32:01 | 0:32:05 | |
For better or for worse, isn't it, really? | 0:32:07 | 0:32:10 | |
-What is? -Marriage. And we've been married 56 years on Saturday. | 0:32:10 | 0:32:15 | |
-Haven't we? -Eh? -We've been married 56 years on Saturday. | 0:32:18 | 0:32:22 | |
-Is it as long as that? -Yeah. | 0:32:22 | 0:32:23 | |
Yeah, and I'm not, I'm not throwing you away or anything. | 0:32:25 | 0:32:29 | |
I should hope not. I should hope not. | 0:32:29 | 0:32:31 | |
Just don't like it being here. | 0:32:31 | 0:32:33 | |
Mmm. OK. Just not the person you married. | 0:32:33 | 0:32:37 | |
We don't meet people here or anything like that, | 0:32:37 | 0:32:40 | |
we're just alone. | 0:32:40 | 0:32:42 | |
You don't meet people, you don't get invited like you used to. | 0:32:44 | 0:32:48 | |
Isn't it sad? | 0:32:49 | 0:32:51 | |
We used to have dinner parties all the time. | 0:32:54 | 0:33:00 | |
-We've lost you haven't we, darling? -Eh? | 0:33:05 | 0:33:07 | |
-I said, "We've lost you." -I want to go home. | 0:33:07 | 0:33:12 | |
'With less than two months to go, I'm still no | 0:33:18 | 0:33:21 | |
'closer to the £2,000 target for the dementia support group. | 0:33:21 | 0:33:25 | |
'I've had some interest in the table I bought on their behalf, | 0:33:25 | 0:33:28 | |
'but so far no sale.' | 0:33:28 | 0:33:31 | |
A customer came in yesterday and came zooming over, | 0:33:31 | 0:33:34 | |
homed in on this, this fellow here and said, "Oh, what a wonderful | 0:33:34 | 0:33:40 | |
"table, I'm looking for an eight-seater dining table, just | 0:33:40 | 0:33:44 | |
"that kind of style," and I was kind of like, | 0:33:44 | 0:33:47 | |
"Oh, here we go, here we go." | 0:33:47 | 0:33:49 | |
I went on to a point and, erm... came and had a good chat with him, | 0:33:49 | 0:33:54 | |
and then he said, "Yeah, but we've got a couple of red | 0:33:54 | 0:33:57 | |
"things in the room and I don't want too much red," | 0:33:57 | 0:34:00 | |
and I was like, "Oh, no." | 0:34:00 | 0:34:03 | |
As you can possibly see, it's got a red top. | 0:34:05 | 0:34:09 | |
And maybe he will go and think about it and come back to me, | 0:34:09 | 0:34:11 | |
but I haven't got the time for him to go and think about it. | 0:34:11 | 0:34:15 | |
That's the issue. | 0:34:16 | 0:34:18 | |
Yeah, 12 o'clock is grand, well, OK, I'll see you tomorrow anyway. | 0:34:18 | 0:34:21 | |
'But for the William Scott tapestry, it's all good news.' | 0:34:21 | 0:34:26 | |
A little red dot on there, we like to see those. | 0:34:26 | 0:34:28 | |
Red dot in the trade means vendu, sold, gone, deal, done. | 0:34:28 | 0:34:33 | |
And dealers always like sticking those on, it gives me | 0:34:33 | 0:34:37 | |
a sort of rather childish frisson. And I enjoy doing it. | 0:34:37 | 0:34:41 | |
Bought for £2,000. Sold promptly for £2,600, £600 profit. | 0:34:41 | 0:34:49 | |
In this recession, it is proving quite hard to get things sold, | 0:34:49 | 0:34:53 | |
and trying to get things sold in a hurry is even harder. | 0:34:53 | 0:34:57 | |
I have made a pretty stiff rod for my back with this enterprise. | 0:34:57 | 0:35:01 | |
But I'm kind of enjoying it, you know, I'm in, yeah, come | 0:35:01 | 0:35:04 | |
and bring it on. | 0:35:04 | 0:35:06 | |
'Finally, a sale for the dementia support group. | 0:35:06 | 0:35:10 | |
'It's a slow but solid start with the first £600 in the bank | 0:35:10 | 0:35:13 | |
'for the extra sessions. | 0:35:13 | 0:35:16 | |
'And with a Z lamp and a taxidermy dog sold for Maria's animal | 0:35:16 | 0:35:19 | |
'shelter, that's £850 towards to the five grand needed for the new fence. | 0:35:19 | 0:35:25 | |
'But I've got a long way to go to reach my targets, | 0:35:25 | 0:35:28 | |
'and not a lot of time left to do it. | 0:35:28 | 0:35:30 | |
'In less than a month, I'll be hosting a charity auction to a room | 0:35:35 | 0:35:38 | |
'full of potential heavy hitters. | 0:35:38 | 0:35:40 | |
'I'll have just one night and one chance of raising | 0:35:40 | 0:35:44 | |
'the rest of the money from my network of regular clients.' | 0:35:44 | 0:35:47 | |
-I think it'll be about 200. -OK. Great. | 0:35:49 | 0:35:52 | |
That's my address book rinsed out. | 0:35:52 | 0:35:54 | |
Mary, have you got a lectern that could go here? | 0:35:54 | 0:35:56 | |
We have so do we need to... | 0:35:56 | 0:35:58 | |
'To work the room and drive the prices on the night, | 0:35:58 | 0:36:01 | |
'I'm going to be the auctioneer.' | 0:36:01 | 0:36:02 | |
No problem at all because obviously I'll be taking bids | 0:36:02 | 0:36:05 | |
and writing things down, hopefully writing down some big numbers. | 0:36:05 | 0:36:08 | |
-It'll take me a while just to put the noughts on. -Let's hope so. | 0:36:08 | 0:36:10 | |
This has got to work, this is it. | 0:36:10 | 0:36:15 | |
It's one throw of the die and I want a six. | 0:36:15 | 0:36:19 | |
Success. | 0:36:20 | 0:36:21 | |
'With my auction planned the week before Christmas, | 0:36:24 | 0:36:27 | |
'I'll be targeting small luxury items to appeal to a festive crowd. | 0:36:27 | 0:36:32 | |
'The big table won't do well there, so it's got to go.' | 0:36:32 | 0:36:35 | |
That's one of my favourite pieces of furniture in this gallery, at | 0:36:35 | 0:36:39 | |
the moment, and it's going to break my heart to have to knock this out. | 0:36:39 | 0:36:43 | |
That's what the trade term is for selling something | 0:36:43 | 0:36:45 | |
cheaply to another dealer. | 0:36:45 | 0:36:47 | |
That's going to have to be knocked out. | 0:36:47 | 0:36:49 | |
I could cry how much money I'd make on this for the charity, | 0:36:49 | 0:36:52 | |
with enough time. | 0:36:52 | 0:36:54 | |
'I only made a £500 profit on the deal, | 0:36:54 | 0:36:57 | |
'but added to the William Scott weaving, | 0:36:57 | 0:36:59 | |
'I'm up to £1,100 for the dementia support group, just £900 to raise. | 0:36:59 | 0:37:05 | |
'And I know exactly how I'm going to do it. | 0:37:05 | 0:37:07 | |
'It's part of my job to routinely scan upcoming auctions, | 0:37:10 | 0:37:13 | |
'and one in particular has caught my eye, in Paris. | 0:37:13 | 0:37:16 | |
'I've seen two pieces of extremely fine jewellery, | 0:37:18 | 0:37:21 | |
'some high-end bling that I know | 0:37:21 | 0:37:23 | |
'will go down a storm back in London.' | 0:37:23 | 0:37:26 | |
So I've come here to look particularly at a Chanel ring today. | 0:37:26 | 0:37:29 | |
Lot 80, here we are, that's a ring with quartz and diamonds. | 0:37:29 | 0:37:34 | |
It's got this sort of reticulated quartz that's very hard to see, | 0:37:35 | 0:37:39 | |
but they've got these little like black needles running through | 0:37:39 | 0:37:43 | |
and then diamonds set here, obviously being by Chanel, | 0:37:43 | 0:37:47 | |
it's got a certain cachet. | 0:37:47 | 0:37:50 | |
The estimate today, 5,000-7,000 euros so it's right on the cusp, | 0:37:52 | 0:37:57 | |
I'm going to be buying it at 5,000-5,500 euros. | 0:37:57 | 0:37:59 | |
I talked to the auctioneer earlier, | 0:37:59 | 0:38:00 | |
there is a bid on it which means it may be away, which is a real shame. | 0:38:00 | 0:38:06 | |
'There's no way of knowing how high that bid with the auctioneer is. | 0:38:09 | 0:38:13 | |
'I might have to push my bid up to around 8,000 euros. | 0:38:13 | 0:38:16 | |
'Much above that, and I won't make a profit at the charity auction. | 0:38:16 | 0:38:20 | |
'So tactics at an auction, well, the bad boys sit at the back of the bus. | 0:38:23 | 0:38:29 | |
'All the dealers of the trade will be loitering at the back | 0:38:29 | 0:38:33 | |
'of the room, and private buyers | 0:38:33 | 0:38:34 | |
'will be sat down and behaving nicely. | 0:38:34 | 0:38:37 | |
'I like to have a good overview, I like to see what's | 0:38:37 | 0:38:39 | |
'going on in front of me, I like to see who I'm bidding against, | 0:38:39 | 0:38:42 | |
'whether I'm bidding against a telephone, someone in the room, or | 0:38:42 | 0:38:45 | |
'the auctioneer may have some bids on their book, | 0:38:45 | 0:38:47 | |
'which people have left. | 0:38:47 | 0:38:49 | |
'So from the back of the room, you get the whole view | 0:38:49 | 0:38:51 | |
'and you can take in what's going on.' | 0:38:51 | 0:38:54 | |
AUCTIONEER STARTS AUCTION | 0:38:54 | 0:38:56 | |
Well, the auctioneer obviously had a very big bid on her book, | 0:39:33 | 0:39:36 | |
she kept returning to herself, she had a bit right in front of her, | 0:39:36 | 0:39:40 | |
and it was pretty obvious that she had some way to go. | 0:39:40 | 0:39:44 | |
When I dropped at nine, it wouldn't have surprised me | 0:39:44 | 0:39:47 | |
if I'd gone on till 11, I'd have still been out of the running. | 0:39:47 | 0:39:50 | |
I think whoever had left a bid on that ring really, really | 0:39:50 | 0:39:54 | |
wanted it, and I'm not surprised because it's a really cool thing. | 0:39:54 | 0:39:58 | |
I'm feeling a little bit cornered at the minute | 0:39:58 | 0:40:00 | |
with quite a lot of work to do. | 0:40:00 | 0:40:04 | |
'The second lot that caught my eye is up next in the sale. | 0:40:07 | 0:40:10 | |
'I can't go home empty-handed.' | 0:40:10 | 0:40:13 | |
But, you know, there's a... there's a pair of cultured pearl | 0:40:13 | 0:40:16 | |
and diamond earrings in there which are very, | 0:40:16 | 0:40:18 | |
very elegant and, you know, | 0:40:18 | 0:40:21 | |
any woman would desire those so, you know, that's my back-up. | 0:40:21 | 0:40:26 | |
I think there are two lots here that I want to try and buy, I've | 0:40:26 | 0:40:30 | |
not got the first one and I'm going to see if I can get the second one. | 0:40:30 | 0:40:33 | |
'The earrings have a timeless design | 0:40:33 | 0:40:35 | |
'and they're keenly priced in the catalogue. | 0:40:35 | 0:40:37 | |
'They date from the 1970s and feature cultured pearls | 0:40:42 | 0:40:45 | |
'and diamonds set in platinum. | 0:40:45 | 0:40:47 | |
'If I can buy them for under 5,000 euros, I'm sure of a profit. | 0:40:48 | 0:40:52 | |
'4,200 euros. That's about £3,500. Those are well bought.' | 0:41:09 | 0:41:15 | |
I'm delighted, I'm so pleased. That's a really good buy. | 0:41:15 | 0:41:20 | |
Shall we go? | 0:41:22 | 0:41:23 | |
'Back in London, I've put the word out to my friendly fellow dealers | 0:41:30 | 0:41:33 | |
'that I'm on the lookout for some great pieces, | 0:41:33 | 0:41:36 | |
'for some great causes.' | 0:41:36 | 0:41:37 | |
Welcome. | 0:41:38 | 0:41:39 | |
You got this lovely mirror? | 0:41:41 | 0:41:43 | |
-I have a fantastic mirror, downstairs. -Great. | 0:41:43 | 0:41:45 | |
'One of them has come up trumps with just the thing, | 0:41:45 | 0:41:47 | |
'something for the sporting gent.' | 0:41:47 | 0:41:50 | |
What do you think? How original is that? | 0:41:50 | 0:41:51 | |
That is nice, where do you get him from? | 0:41:51 | 0:41:54 | |
I got it from... off the wall of a gunsmith. | 0:41:54 | 0:41:57 | |
Oh, great provenance. | 0:41:57 | 0:41:58 | |
Yeah, and anything sort of good to do with shooting | 0:41:58 | 0:42:01 | |
-is getting quite valuable. -It is. | 0:42:01 | 0:42:03 | |
Well, often it's because it's done by wealthy people, of course. | 0:42:03 | 0:42:06 | |
Exactly. | 0:42:06 | 0:42:07 | |
'It's an original Edwardian advertising mirror made | 0:42:07 | 0:42:10 | |
'in 1910 for Kynoch, | 0:42:10 | 0:42:11 | |
'once the largest cartridge manufacturers in Britain.' | 0:42:11 | 0:42:15 | |
So what is the best price? | 0:42:15 | 0:42:17 | |
I'm not trying to...you know, I'm not trying to get rich off it | 0:42:20 | 0:42:23 | |
and I certainly don't want to be accused of being uncharitable. | 0:42:23 | 0:42:26 | |
Let's make it really simple and say, I'll give it to you for £1,500. | 0:42:27 | 0:42:33 | |
-Go on, then. -OK. -Done. | 0:42:33 | 0:42:35 | |
'With all items bought for the dementia support group, | 0:42:42 | 0:42:46 | |
'I thought I'd make another visit to see how they're getting on. | 0:42:46 | 0:42:51 | |
'I caught up with David, my snooker partner from last time.' | 0:42:53 | 0:42:58 | |
-You're not done yet. Right. -22. | 0:42:58 | 0:43:03 | |
Now, you're going to see a full house here. | 0:43:03 | 0:43:07 | |
-Hi, Shirley. -Oh, hello, Andrew. Nice to see you again. | 0:43:07 | 0:43:09 | |
How are you? Nice to see you again. | 0:43:09 | 0:43:11 | |
-Hello, Gordon. -Hello. -All well? -Yes, yes, thanks. | 0:43:11 | 0:43:14 | |
He's gone down a little bit. | 0:43:14 | 0:43:16 | |
Now unfortunately Gordon's gone into a care home. | 0:43:16 | 0:43:19 | |
But you were at home last time? | 0:43:19 | 0:43:21 | |
I know, I know, but I'm afraid it got a bit worse. | 0:43:21 | 0:43:23 | |
And how did you make a decision to move him to a home, | 0:43:23 | 0:43:26 | |
-was that you, or was that an outside decision? -Bit of both, really. | 0:43:26 | 0:43:30 | |
-Right. -So it's very, very difficult to live with this. | 0:43:30 | 0:43:34 | |
-Right. -Sad that it has to happen because he'll never come home. | 0:43:34 | 0:43:40 | |
-How many years have you been married and together? -56. | 0:43:40 | 0:43:43 | |
-That's a long time, that's a big change. -Absolutely. | 0:43:43 | 0:43:47 | |
'Frances is constantly reminded of what | 0:43:47 | 0:43:50 | |
'she went through with her own husband, John.' | 0:43:50 | 0:43:54 | |
It's... just brings it all back, you know. | 0:43:54 | 0:43:58 | |
-Yes. -Somebody who was such a brilliant person as John, | 0:43:58 | 0:44:03 | |
and as Gordon was, the process of watching them | 0:44:03 | 0:44:06 | |
deteriorate before your eyes | 0:44:06 | 0:44:11 | |
and having to put them in a home. | 0:44:11 | 0:44:16 | |
It's such a struggle. | 0:44:20 | 0:44:21 | |
Do you...? I suppose, there are... when you put someone in a home, | 0:44:21 | 0:44:24 | |
you feel like your own home is breaking up? | 0:44:24 | 0:44:27 | |
-Well, it's the guilt. -Yes. | 0:44:27 | 0:44:28 | |
Dreadful guilt, and all these years later, I still...I still think, | 0:44:28 | 0:44:34 | |
"Did I have to do it?" because you forget... | 0:44:34 | 0:44:36 | |
-How hard it was. -..forget how hard it was. | 0:44:36 | 0:44:39 | |
But the thing was now, I encourage the carers too. | 0:44:39 | 0:44:44 | |
I encouraged Shirley because I know she's got to have a life as well. | 0:44:44 | 0:44:49 | |
Yeah, you've made an awful lot of difference to an awful | 0:44:49 | 0:44:52 | |
lot of people and you know what it's like, as I can see. | 0:44:52 | 0:44:56 | |
OK, thank you. | 0:44:56 | 0:44:58 | |
Keep it up, because everybody loves you here. | 0:44:58 | 0:45:01 | |
-Thank you very much indeed. -Including me. | 0:45:01 | 0:45:03 | |
-OK, thank you, Andrew. -Bye now. -Bye. -See you again. | 0:45:03 | 0:45:08 | |
'Visiting Frances and the support group has brought home to me | 0:45:08 | 0:45:11 | |
'just how important the extra sessions will be.' | 0:45:11 | 0:45:14 | |
-Very nice to have met you, sir. -Very nice to meet you again. | 0:45:14 | 0:45:16 | |
'Looking at someone like David, | 0:45:16 | 0:45:18 | |
'you know, he comes alive in a place like this.' | 0:45:18 | 0:45:22 | |
He's thinking and he's enjoying himself and he's laughing, | 0:45:22 | 0:45:25 | |
and he's engaging with people | 0:45:25 | 0:45:27 | |
and he's got a community and he's got a society | 0:45:27 | 0:45:31 | |
and it's very, very important, and I like spending time with them, | 0:45:31 | 0:45:34 | |
-seeing them enjoying themselves so much. -Scottish. -Saint. | 0:45:34 | 0:45:38 | |
-Andrew. -Yes! | 0:45:38 | 0:45:41 | |
'Now it's time to turn my attention to doing more | 0:45:44 | 0:45:47 | |
'trades for Maria's animal shelter. | 0:45:47 | 0:45:50 | |
'She needs £5,000 for a new fence, | 0:45:50 | 0:45:53 | |
'and so far I haven't even raised a fifth of that. | 0:45:53 | 0:45:57 | |
'Sometimes I like to do a little online bidding, | 0:45:57 | 0:46:00 | |
'you've got just as much chance of bagging a bargain. | 0:46:00 | 0:46:03 | |
'This piece is a Victorian walnut decanter box complete with | 0:46:03 | 0:46:07 | |
'four hand-cut crystal decanters.' | 0:46:07 | 0:46:09 | |
About to sell, they're about to sell, | 0:46:09 | 0:46:12 | |
they're about to sell, sold. OK. That's ours at £850. | 0:46:12 | 0:46:15 | |
'Pieces like this came into fashion in the late-Regency period. | 0:46:15 | 0:46:18 | |
'Today, they're popular with single malt whisky enthusiasts, | 0:46:18 | 0:46:22 | |
'making them a perfect item for my auction. | 0:46:22 | 0:46:25 | |
'My next buy for the animal shelter comes from my man in Paris, | 0:46:26 | 0:46:30 | |
'Jean-Marc. It's pure French chic. | 0:46:30 | 0:46:33 | |
'As the profits are going to charity, he's doing me | 0:46:33 | 0:46:36 | |
'a cut-price deal on a stunning bronze necklace, | 0:46:36 | 0:46:39 | |
'made in the '70s by Argentine sculptor, Alicia Penalba. | 0:46:39 | 0:46:43 | |
'Penalba spent the majority of her life in France, and is best known | 0:46:44 | 0:46:47 | |
'for her abstract vertical sculptures | 0:46:47 | 0:46:50 | |
'made of bronze and ceramics. | 0:46:50 | 0:46:52 | |
'Sculptural jewellery is having a fashion moment, | 0:46:52 | 0:46:55 | |
'and I know this will be a sure-fire seller at my auction.' | 0:46:55 | 0:46:59 | |
'Allo. | 0:46:59 | 0:47:01 | |
'Hello, Jean-Marc, it's Andrew.' | 0:47:01 | 0:47:03 | |
I've been thinking about that really lovely necklace. | 0:47:03 | 0:47:05 | |
'What is the very best price?' | 0:47:05 | 0:47:07 | |
Listen, my dear Andrew, I can do a very good discount for you. | 0:47:07 | 0:47:15 | |
The normal price I was charging was 4,000, | 0:47:15 | 0:47:19 | |
but I'm going to do a 2,000 euros for you. | 0:47:19 | 0:47:25 | |
2,000 euros. | 0:47:25 | 0:47:26 | |
'Well, I think there's' | 0:47:26 | 0:47:27 | |
a profit in it at that, I think it's a very nice thing. | 0:47:27 | 0:47:30 | |
'OK, well, we have a deal.' | 0:47:30 | 0:47:31 | |
Thank you, I will buy that for 2,000. | 0:47:31 | 0:47:33 | |
OK, it's yours. | 0:47:33 | 0:47:34 | |
'I'm making one more purchase for the animal shelter. | 0:47:37 | 0:47:40 | |
'It's another accessory, but this time for big boys.' | 0:47:40 | 0:47:43 | |
Instantly James Bond. | 0:47:43 | 0:47:45 | |
They were making these, what, from the '60s, weren't they? | 0:47:45 | 0:47:49 | |
-They started from late '50s. -Late '50s. | 0:47:49 | 0:47:51 | |
Yeah, and they stopped making this Rolex without dates, | 0:47:51 | 0:47:55 | |
Submariner, I think, just the last three or four years. | 0:47:55 | 0:47:57 | |
Four years ago, OK. | 0:47:57 | 0:47:58 | |
'The Rolex Submariner is a highly sought-after model. | 0:47:58 | 0:48:02 | |
'Known as the "James Bond Watch", it has appeared in 11 Bond movies.' | 0:48:02 | 0:48:07 | |
-We have here the papers... -Great. | 0:48:07 | 0:48:09 | |
..OK, on it, and, you know, the box. | 0:48:09 | 0:48:12 | |
Look at that, beautiful Rolex box, original, that's really important. | 0:48:12 | 0:48:16 | |
'There are loads of copies on the market, | 0:48:16 | 0:48:18 | |
'so having the original box and certificates are key.' | 0:48:18 | 0:48:21 | |
-Do you want to keep this in here? -Yes, yes, thank you. | 0:48:21 | 0:48:24 | |
-For the 3,3... -3,300, as agreed. | 0:48:24 | 0:48:27 | |
-OK, bank transfer. -Super, Mike, thank you so much. | 0:48:27 | 0:48:29 | |
-No problem and... -And thank you for giving me such a good deal. -No, no. | 0:48:29 | 0:48:33 | |
'A steal for an investment piece.' | 0:48:33 | 0:48:35 | |
Look at that, they're not making these any more, | 0:48:37 | 0:48:39 | |
it's only going to go one way in value and that's up. | 0:48:39 | 0:48:43 | |
That watch in about five years' time | 0:48:43 | 0:48:46 | |
will be worth anything north of £5,500. | 0:48:46 | 0:48:50 | |
They'd be very silly boys in the auction if they didn't buy that. | 0:48:50 | 0:48:53 | |
'With all the items bought for the auction, all | 0:48:53 | 0:48:56 | |
'I have to do now is sell them for enough profit to reach my target.' | 0:48:56 | 0:49:00 | |
I feel really happy with the things that I've purchased, | 0:49:00 | 0:49:03 | |
and I can go into this auction feeling confident that I've | 0:49:03 | 0:49:07 | |
bought some fabulous things, and I bought them well. | 0:49:07 | 0:49:10 | |
'The day of the charity auction has arrived, | 0:49:21 | 0:49:24 | |
'and the pressure is on for me to perform to a packed ballroom.' | 0:49:24 | 0:49:28 | |
I've heard that it's fully booked, | 0:49:28 | 0:49:30 | |
and they're actually turning people away. | 0:49:30 | 0:49:32 | |
Incredible, 320 people, 32 tables. | 0:49:34 | 0:49:37 | |
'It's not just my clients coming tonight. | 0:49:40 | 0:49:42 | |
'Frances, from the dementia group, and Maria, from the animal shelter, | 0:49:42 | 0:49:46 | |
'are also going to be in the audience.' | 0:49:46 | 0:49:48 | |
Never ever come to London. | 0:49:48 | 0:49:50 | |
So this is a complete new experience, yeah. | 0:49:50 | 0:49:53 | |
And even when I'm down in Cornwall, I still don't travel around, | 0:49:54 | 0:49:58 | |
it's mainly work, sleep, and at the shelter, and that's about it. | 0:49:58 | 0:50:02 | |
Oh, you got a bit of greenery. | 0:50:02 | 0:50:04 | |
-Well, you could put a few sheep on there, Maria. -Yeah. | 0:50:04 | 0:50:07 | |
'I'm just £900 off my target for Frances to put on more | 0:50:11 | 0:50:14 | |
'sessions for the dementia group, | 0:50:14 | 0:50:17 | |
'but I need to make over £4,000 for the animal shelter fence, | 0:50:17 | 0:50:21 | |
'and it's down to me to pull it out of the bag.' | 0:50:21 | 0:50:24 | |
It's exciting and nerve-racking all at the same time to be here now. | 0:50:30 | 0:50:34 | |
I've got two charities depending on me, | 0:50:34 | 0:50:37 | |
I've got to go in there and I have got to light that place up, | 0:50:37 | 0:50:40 | |
and I've got to encourage everyone to dig deep and spend. | 0:50:40 | 0:50:44 | |
APPLAUSE | 0:50:47 | 0:50:49 | |
Thank you very much, Tony. | 0:50:51 | 0:50:54 | |
Right, first up, I am going to be auctioneering a rather interesting | 0:50:54 | 0:51:00 | |
mirror, so who will start me at £1,000 for this mirror? | 0:51:00 | 0:51:04 | |
Thank you very much, I have a thousand on my left. | 0:51:04 | 0:51:06 | |
£1,100 in front of me, | 0:51:06 | 0:51:08 | |
let's pick this up a bit, 1,500 thank you, sir, 1,500. | 0:51:08 | 0:51:11 | |
1,600 to my left, 1,600, 1,700, thank you, sir. | 0:51:11 | 0:51:14 | |
1,700 in front of me. | 0:51:14 | 0:51:16 | |
1,700, I'm going to sell at 1,700, any further bids? | 0:51:16 | 0:51:19 | |
1,700, going once, going twice, sold. | 0:51:19 | 0:51:22 | |
Thank you very much, sir. | 0:51:22 | 0:51:23 | |
This is a super lot, it's a pair of diamond and pearl earrings, | 0:51:25 | 0:51:29 | |
they are big sparklers. | 0:51:29 | 0:51:30 | |
Is no-one generous enough to give these to their wife for Christmas? | 0:51:30 | 0:51:33 | |
4,800, sir, 4,900. 4,900 over to my left. 5,000. | 0:51:33 | 0:51:37 | |
5,100, sir? | 0:51:37 | 0:51:39 | |
Just go the extra mile, it's for a very good cause. | 0:51:39 | 0:51:41 | |
5,100, thank you so much. | 0:51:41 | 0:51:43 | |
You're going to the proud owner of some sparklers. | 0:51:43 | 0:51:45 | |
'Now for the animals.' | 0:51:45 | 0:51:48 | |
OK, the James Bond Rolex Submariner. | 0:51:48 | 0:51:50 | |
This is the one that all the James Bonds wore, | 0:51:50 | 0:51:52 | |
and I'm going to start it at £3,000. | 0:51:52 | 0:51:55 | |
3,000, thank you, sir. 3,200. | 0:51:55 | 0:51:57 | |
4,400 on my left, I'm going to sell. | 0:51:57 | 0:52:00 | |
HE BANGS THE GAVEL | 0:52:00 | 0:52:03 | |
This is one of my favourite pieces of jewellery in the whole | 0:52:03 | 0:52:07 | |
auction evening, it's by a sculptress called Alicia Penalba. | 0:52:07 | 0:52:11 | |
1,800, thank you very much, madam? One more? 1,900. | 0:52:11 | 0:52:16 | |
2,000, do I have 2,100? I have 2,100, 2,200? | 0:52:16 | 0:52:21 | |
Yes, 2,300, I have £2,300, God, it's a bargain. | 0:52:21 | 0:52:25 | |
2,400, oh, you're hurting me now, 2,400 to my left. | 0:52:25 | 0:52:28 | |
Do you want 2,500? | 0:52:28 | 0:52:29 | |
Are you serious that this thing is going to be sold for £2,400? | 0:52:29 | 0:52:33 | |
-2,500, sir. -2,600. | 0:52:33 | 0:52:36 | |
Do you want one more, sir? It's going to be sold. | 0:52:36 | 0:52:41 | |
Sold, thank you. | 0:52:41 | 0:52:42 | |
This is a super quality English decanter box, | 0:52:44 | 0:52:46 | |
made it 1860 and I'm going to offer it to you now for 1,000. | 0:52:46 | 0:52:50 | |
So who's going to start me at 1,000? | 0:52:50 | 0:52:52 | |
I have 1,000, thank you. | 0:52:52 | 0:52:54 | |
2,200, 2,300, 2,400? He's back in. | 0:52:54 | 0:52:57 | |
Oh, I love it, pawing the dust, he's got the horns down, he's determined. | 0:52:57 | 0:53:01 | |
2,400 over to the right, can I get 2,500? | 0:53:01 | 0:53:04 | |
No, he's out, 2,400 to my right. | 0:53:04 | 0:53:06 | |
2,500, over to my left, fresh bidder, thank you very much. | 0:53:06 | 0:53:11 | |
Sold. | 0:53:11 | 0:53:12 | |
'Tonight, I've worked the room to squeeze every pound | 0:53:12 | 0:53:17 | |
'out of the buyers. | 0:53:17 | 0:53:18 | |
'But there's only one way to find out if I've hit the jackpot. | 0:53:18 | 0:53:21 | |
'Do the maths.' | 0:53:21 | 0:53:22 | |
Would you believe it? It's just short. | 0:53:29 | 0:53:33 | |
Frances, £56 short. | 0:53:33 | 0:53:36 | |
She wanted £2,000. | 0:53:38 | 0:53:40 | |
I've got to get it to her. | 0:53:41 | 0:53:44 | |
Maria, she wanted £5,000 for that fence, | 0:53:44 | 0:53:46 | |
I mean, she wanted plenty of dough, and I did pretty well, I think, | 0:53:46 | 0:53:50 | |
considering, under the circumstances, | 0:53:50 | 0:53:53 | |
but she is £602 short of target. | 0:53:53 | 0:53:56 | |
What's the answer? Do another trade. | 0:53:56 | 0:53:58 | |
Why not? | 0:53:58 | 0:54:00 | |
'I bought this metal side table on a buying trip in the south of France. | 0:54:03 | 0:54:07 | |
'It's a handmade sculptural piece from the early 1980s. | 0:54:07 | 0:54:11 | |
'I'm going to knock it out to a dealer friend of mine. | 0:54:11 | 0:54:15 | |
'It's the fastest way of raising the cash I'm missing. | 0:54:15 | 0:54:18 | |
'I paid just under £350, so if I can sell it for 1,000, | 0:54:19 | 0:54:23 | |
'I'll make up the shortfall.' | 0:54:23 | 0:54:26 | |
-I've made her look good, I hope you like her. -Yeah. | 0:54:26 | 0:54:29 | |
I think she's a bit of sculpture, really. | 0:54:29 | 0:54:31 | |
-Oh, stunning, really stunning. -Is that what...? | 0:54:31 | 0:54:34 | |
That's exactly, yeah, I mean, it's what I envisioned but I mean, | 0:54:34 | 0:54:37 | |
it's even better, to be honest. | 0:54:37 | 0:54:38 | |
You're a fellow dealer, so you get dealer's rates. | 0:54:38 | 0:54:41 | |
I'd normally ask £1,850, just shy of 2,000 for that. | 0:54:41 | 0:54:45 | |
I think it's worth it, it's a great looking thing, | 0:54:45 | 0:54:48 | |
but today, all I need to get for it is £1,000 | 0:54:48 | 0:54:51 | |
and I think it's worth a £1,000 all day long. | 0:54:51 | 0:54:54 | |
If I get a £1,000, | 0:54:54 | 0:54:55 | |
I get those two charities the numbers that they need. | 0:54:55 | 0:54:57 | |
Well, I'm not going to haggle on that, that seems fair to me | 0:54:57 | 0:55:00 | |
so let's do the deal at a £1,000. | 0:55:00 | 0:55:02 | |
-Yeah, thank you. -Thank you, Andrew. -£1,000 delivered. -Done. | 0:55:02 | 0:55:05 | |
Right. See you soon. | 0:55:05 | 0:55:07 | |
I'm so pleased I've got Maria her £5,000 to complete that fence, | 0:55:10 | 0:55:16 | |
and I got Frances her £2,000 | 0:55:16 | 0:55:18 | |
so she can put on these extra events for her dementia classes. | 0:55:18 | 0:55:21 | |
I... It just... They are such nice people. | 0:55:21 | 0:55:24 | |
'I've got a real spring in my step heading back to Cornwall | 0:55:26 | 0:55:29 | |
'to bring Maria her cheque. With enough to build the new fence, | 0:55:29 | 0:55:33 | |
'the goats will be tucked up tight fairly soon.' | 0:55:33 | 0:55:36 | |
GOAT BLEATS | 0:55:40 | 0:55:41 | |
Hello, Andrew, so nice to see you again. | 0:55:49 | 0:55:51 | |
-You too. How are you? -I'm fine, thank you. | 0:55:51 | 0:55:53 | |
When did I see you last? Was it at the charity auction? | 0:55:53 | 0:55:56 | |
-It was at the auction, yeah. -Did you have a nice evening? | 0:55:56 | 0:55:58 | |
It was an amazing evening. | 0:55:58 | 0:55:59 | |
Do you think I'm good for the money, then? | 0:55:59 | 0:56:01 | |
-Yeah, fingers crossed. -No, yes | 0:56:01 | 0:56:03 | |
I am, I do, I have a...actually I have a fence in my pocket here. | 0:56:03 | 0:56:06 | |
Oh, it'd be lovely, are you going to put it up for me as well? | 0:56:06 | 0:56:08 | |
No, I'm not very practical, I'm better at making money, | 0:56:08 | 0:56:11 | |
I think probably. So that's for you and that is a fence. | 0:56:11 | 0:56:14 | |
I was just short of what you wanted so I did one more deal for you, | 0:56:14 | 0:56:17 | |
and got you over the line so I hope that... | 0:56:17 | 0:56:19 | |
That's amazing, thank you so much, it means so much to us here. | 0:56:19 | 0:56:23 | |
And are the goats all right? Have we got a full complement still? | 0:56:23 | 0:56:26 | |
-Yes. -Right, OK. | 0:56:26 | 0:56:28 | |
'But as much as I care about the animals, | 0:56:28 | 0:56:30 | |
'it was the hard work of the volunteers here that inspired me.' | 0:56:30 | 0:56:35 | |
'To see them giving so much time, so much effort, so much commitment | 0:56:35 | 0:56:39 | |
'to things that matter to them and really, these people are | 0:56:39 | 0:56:44 | |
'the backbones of their local communities' | 0:56:44 | 0:56:47 | |
and it's been a wonderful experience | 0:56:47 | 0:56:49 | |
for me to engage with them and be part of the good work that they do. | 0:56:49 | 0:56:54 | |
Andrew's given us more than just a fence, he's given me peace | 0:56:54 | 0:56:57 | |
of mind now, we can get on with the charity and help more animals out. | 0:56:57 | 0:57:02 | |
'I've come back to Surrey to see Frances. | 0:57:09 | 0:57:12 | |
'I've been humbled by what she already achieves with | 0:57:12 | 0:57:15 | |
'the dementia support group, and I'm so pleased to have made | 0:57:15 | 0:57:18 | |
'the money she needed to put on the extra sessions.' | 0:57:18 | 0:57:21 | |
So, Frances, there's a piece of paper in there | 0:57:21 | 0:57:24 | |
which represents £2,000. | 0:57:24 | 0:57:26 | |
That's absolutely brilliant, it will mean a lot to us here. | 0:57:26 | 0:57:29 | |
It really will mean a lot to us. | 0:57:29 | 0:57:30 | |
We can't wait, I've got the first Friday of next month booked. | 0:57:30 | 0:57:34 | |
-Oh, super. -Oh, yes, it's all... | 0:57:34 | 0:57:36 | |
-You got on with it, then. -Oh, it's all running. | 0:57:36 | 0:57:38 | |
-It's lucky I delivered, then. -Exactly, thank God you did. | 0:57:38 | 0:57:41 | |
'My business makes money because of my passion for art | 0:57:41 | 0:57:44 | |
'and antiques, but I genuinely feel richer for having spent time | 0:57:44 | 0:57:48 | |
'with these charities, and the people they help.' | 0:57:48 | 0:57:52 | |
Right, I've got some really good news. You know Andrew? | 0:57:52 | 0:57:54 | |
He's given us a lovely cheque, so that we can start, for £2,000. | 0:57:54 | 0:57:59 | |
-Can I interrupt you ladies a minute? -Yeah, you can. | 0:57:59 | 0:58:03 | |
-Yeah, right, Andrew's just given us a cheque. -How much? | 0:58:03 | 0:58:09 | |
-How much for? -Oh, I haven't a clue. -£2,000. -Oh, how wonderful. | 0:58:09 | 0:58:12 | |
Yeah. | 0:58:12 | 0:58:14 | |
-I've got the cheque from Andrew. -Let's have a look, then. | 0:58:15 | 0:58:21 | |
Brilliant. It's really good, I'm so... | 0:58:21 | 0:58:24 | |
Subtitles by Red Bee Media Ltd | 0:58:50 | 0:58:51 |