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Right now, all of us are feeling the pinch | 0:00:02 | 0:00:04 | |
and our nation's charities are no exception. | 0:00:04 | 0:00:06 | |
It's difficult to give as much as we used to | 0:00:06 | 0:00:08 | |
and sadly it's the small charities that are suffering the most. | 0:00:08 | 0:00:12 | |
It is a struggle to find extra money. | 0:00:12 | 0:00:15 | |
I'm up to my limit. I can't work any harder than what I'm doing. | 0:00:15 | 0:00:18 | |
These charities are run by volunteers | 0:00:18 | 0:00:20 | |
who dedicate their lives to helping others. | 0:00:20 | 0:00:23 | |
One adult, one child? | 0:00:23 | 0:00:24 | |
That's correct, yep. | 0:00:24 | 0:00:25 | |
'My life is a world away from Britain's struggling charities, | 0:00:25 | 0:00:29 | |
'but now I want to give something back. | 0:00:29 | 0:00:32 | |
'My name is Andrew Lamberty. I'm an international antiques dealer | 0:00:32 | 0:00:36 | |
'based in London's Belgravia. | 0:00:36 | 0:00:39 | |
'I find beautiful, esoteric, unusual, amazing things.' | 0:00:39 | 0:00:43 | |
I've found a collection of glass eyes. | 0:00:43 | 0:00:46 | |
I buy them and I sell them. | 0:00:46 | 0:00:48 | |
'But now I think I can use my talent for buying art and antiques...' | 0:00:48 | 0:00:53 | |
-550, is it. -No. Well, 500 is it. | 0:00:53 | 0:00:56 | |
'..to sell to my wealthy clients...' | 0:00:56 | 0:00:58 | |
That has actually seen the Cuban Missile Crisis. | 0:00:58 | 0:01:01 | |
'..and give the profits to these heroic small charities.' | 0:01:01 | 0:01:04 | |
-Always go round the front of the horse. -Hi. | 0:01:04 | 0:01:07 | |
'But it's not going to be easy. | 0:01:07 | 0:01:09 | |
'The recession has hit the antiques trade too...' | 0:01:09 | 0:01:11 | |
Well, they're not right for this room. | 0:01:11 | 0:01:13 | |
1,600 quid. | 0:01:13 | 0:01:14 | |
MAN SIGHS | 0:01:14 | 0:01:16 | |
In isolation, I probably wouldn't buy either of these. | 0:01:16 | 0:01:19 | |
'..and making money is harder than ever before.' | 0:01:19 | 0:01:23 | |
When the market was really buoyant, people would have to have your | 0:01:23 | 0:01:26 | |
arm off for those, cos otherwise someone else would buy them. | 0:01:26 | 0:01:28 | |
'I've given myself just three months to make the money | 0:01:28 | 0:01:31 | |
'the charities need. | 0:01:31 | 0:01:32 | |
'So I'm going to bid at auction, travel overseas to trade fairs | 0:01:32 | 0:01:36 | |
'and even organise a special auction evening.' | 0:01:36 | 0:01:39 | |
I am going to sell, thank you! | 0:01:39 | 0:01:41 | |
CHEERING AND APPLAUSE | 0:01:41 | 0:01:42 | |
'And rather than keeping the money, I'll give all the profits | 0:01:42 | 0:01:45 | |
'to these small charities who make Britain a better place.' | 0:01:45 | 0:01:49 | |
This represents changed lives, Andrew, it does. | 0:01:51 | 0:01:54 | |
'I've been buying and selling art and antiques for the past 20 years. | 0:02:05 | 0:02:09 | |
'Today I have a gallery in Belgravia, | 0:02:09 | 0:02:11 | |
'but it hasn't been easy to get here.' | 0:02:11 | 0:02:14 | |
Started as a van driver for a local auction house. | 0:02:15 | 0:02:18 | |
I think my opening salary was 45 quid a week. | 0:02:18 | 0:02:21 | |
I then left and worked for a dealer and in the evenings | 0:02:21 | 0:02:24 | |
and at the weekends, I went to auctions | 0:02:24 | 0:02:27 | |
and I started buying and selling, trading. | 0:02:27 | 0:02:30 | |
Pine trunks, 50 quid, sell for 70 and it was graft. | 0:02:30 | 0:02:36 | |
We call it in the trade "grocering", just simple buying and selling. | 0:02:36 | 0:02:41 | |
And, you know, there was passion behind it, but I can't say | 0:02:41 | 0:02:44 | |
the goods were particularly exceptional at that stage of my career. | 0:02:44 | 0:02:48 | |
When you're driving around in a van that cost you 500 quid | 0:02:48 | 0:02:50 | |
and you're driving 60,000 miles a year, | 0:02:50 | 0:02:53 | |
you're on a steep learning curve and you're learning the value of money. | 0:02:53 | 0:02:57 | |
'With some expert help, I've selected two small charities | 0:02:59 | 0:03:02 | |
'whose donations are drying up. | 0:03:02 | 0:03:04 | |
'In each case, I'm putting up my own money | 0:03:04 | 0:03:07 | |
'to buy and sell art and antiques. | 0:03:07 | 0:03:09 | |
'I'll do the work, the charities will get all the profits. | 0:03:09 | 0:03:14 | |
'The first charity has brought me north of the border to Aberdeen. | 0:03:14 | 0:03:17 | |
'In Britain, more than a million disabled people live alone | 0:03:17 | 0:03:21 | |
'and this charity, called Future Choices, | 0:03:21 | 0:03:24 | |
'provides a community club to bring disabled people together. | 0:03:24 | 0:03:27 | |
'It's run by David Forbes, who's turned his own | 0:03:27 | 0:03:31 | |
'family crisis into a reason to help others.' | 0:03:31 | 0:03:34 | |
I was actually working. I got told to come through to the office | 0:03:34 | 0:03:37 | |
and my manager at the time said, | 0:03:37 | 0:03:39 | |
"Your mum's been rushed into hospital. | 0:03:39 | 0:03:41 | |
"There's a taxi coming for you straight away." | 0:03:41 | 0:03:44 | |
I realised it was a lot worse than that, cos you don't just get a taxi | 0:03:44 | 0:03:48 | |
straight for you if it's just a fall. | 0:03:48 | 0:03:50 | |
And I went into the room to see her lying on the bed, motionless. | 0:03:50 | 0:03:55 | |
Seeing this person you've always called Mum lying there | 0:03:55 | 0:03:59 | |
and then the doctor said that she'd been clinically dead... | 0:03:59 | 0:04:03 | |
I was there... | 0:04:04 | 0:04:06 | |
I was there all the time, | 0:04:09 | 0:04:11 | |
by her side, talking a load of rubbish. | 0:04:11 | 0:04:15 | |
It was three, four days down the line that nothing was happening. | 0:04:15 | 0:04:19 | |
The machines was beeping and everything, | 0:04:19 | 0:04:22 | |
the machines were keeping her there. | 0:04:22 | 0:04:24 | |
And then there was one minute and her eyelash started to flicker and | 0:04:24 | 0:04:28 | |
I've never shouted for the doctor so, so fast and so quick in my life. | 0:04:28 | 0:04:35 | |
And then, when I went back in, she looked at me | 0:04:35 | 0:04:38 | |
and I kind of thought... I didn't know what to expect, | 0:04:38 | 0:04:40 | |
I didn't know if she was going to recognise me or who I was. | 0:04:40 | 0:04:43 | |
And then when she said... silently whispered, "Hi, David." | 0:04:43 | 0:04:46 | |
Nobody thought she would come through it and she did. | 0:04:46 | 0:04:49 | |
They did some tests and it proved that she had a condition | 0:04:49 | 0:04:52 | |
called hypoxic brain injury, | 0:04:52 | 0:04:55 | |
and in English and broken-down terms, | 0:04:55 | 0:04:57 | |
that's basically short-term memory loss. | 0:04:57 | 0:05:00 | |
So it's made her require full-time, 24-hour care | 0:05:00 | 0:05:04 | |
and so I decided to take the plunge, so to say. | 0:05:04 | 0:05:08 | |
And a lot of people say that I was ridiculously stupid | 0:05:08 | 0:05:10 | |
and, at such a young age, | 0:05:10 | 0:05:11 | |
you're only mid-20 your life's just starting. | 0:05:11 | 0:05:14 | |
But I decided to take care of her and eight years later, | 0:05:14 | 0:05:17 | |
something like that, I love every minute of it. | 0:05:17 | 0:05:20 | |
When the council was forced to reduce disability care | 0:05:21 | 0:05:24 | |
because of budget cuts, David set up this charity to plug the gap. | 0:05:24 | 0:05:29 | |
Not only does the charity provide a weekly social group, | 0:05:29 | 0:05:32 | |
they also run a minibus to collect members from their homes. | 0:05:32 | 0:05:35 | |
It was bought second hand and now needs vital repairs | 0:05:35 | 0:05:38 | |
to keep it on the road. | 0:05:38 | 0:05:40 | |
Without it, most of the members would be stranded at home, alone. | 0:05:40 | 0:05:44 | |
-Hello. -Hello. -I'm Andrew. | 0:05:47 | 0:05:49 | |
Hi, I'm David, I'm the chairman of Future Choices charity. | 0:05:49 | 0:05:51 | |
Hello, nice to meet you. | 0:05:51 | 0:05:53 | |
I'm obviously here to learn a little bit about the set-up | 0:05:53 | 0:05:55 | |
of what you do and how you operate and what you need. | 0:05:55 | 0:05:59 | |
People come here to socialise and they get to do activities, | 0:05:59 | 0:06:04 | |
so it's kind of like being back at school. | 0:06:04 | 0:06:06 | |
They can have a good old laugh and joke, catch up. | 0:06:06 | 0:06:08 | |
Are a lot of them on their own for the rest of the week? | 0:06:08 | 0:06:10 | |
Yeah, so this is the only time they get to see their friends. | 0:06:10 | 0:06:13 | |
It is vital. | 0:06:13 | 0:06:15 | |
It's a great place to come to, because you make new friends, | 0:06:15 | 0:06:20 | |
you actually meet folk and you'd remember. | 0:06:20 | 0:06:24 | |
Yes. I mean, we all need things to live for. | 0:06:24 | 0:06:26 | |
I mean, would you say that you live for coming here? | 0:06:26 | 0:06:29 | |
Oh, yes. Definitely. | 0:06:29 | 0:06:32 | |
On a scale of one to ten, how important is it to you? | 0:06:32 | 0:06:36 | |
-Ten. -It is. Well, that was a quick answer, that was easy. | 0:06:36 | 0:06:40 | |
'Another thing that struck me about the charity | 0:06:40 | 0:06:43 | |
'was the number of young people volunteering.' | 0:06:43 | 0:06:46 | |
It kind of seems really commendable that young people | 0:06:46 | 0:06:49 | |
are coming and helping, you know. | 0:06:49 | 0:06:51 | |
I think more young people should generally do it, | 0:06:51 | 0:06:53 | |
cos it's a good thing to get into, | 0:06:53 | 0:06:55 | |
it's not really any stress to do it and it's good to help out | 0:06:55 | 0:06:58 | |
-other people that maybe aren't as fortunate as yourself. -Yeah. | 0:06:58 | 0:07:01 | |
It's just something good to do, really. | 0:07:01 | 0:07:03 | |
I'm learning what kind of difficulties people | 0:07:03 | 0:07:05 | |
have got in life, you know what I mean? | 0:07:05 | 0:07:07 | |
It's not easy going out there | 0:07:07 | 0:07:09 | |
and trying to push yourself in a wheelchair. | 0:07:09 | 0:07:11 | |
You know, it's not easy using a walking stick either. | 0:07:11 | 0:07:14 | |
I can see these people with the disabilities they've | 0:07:14 | 0:07:17 | |
got are benefiting a great deal from coming here. | 0:07:17 | 0:07:19 | |
Not only that, terrific group of volunteers who are energetic | 0:07:19 | 0:07:25 | |
and generous-spirited and I want to match that generosity of spirit | 0:07:25 | 0:07:30 | |
and I want to contribute something here myself. | 0:07:30 | 0:07:33 | |
'David runs this charity on just £5,500 a year.' | 0:07:33 | 0:07:38 | |
So, what an interesting morning. | 0:07:38 | 0:07:40 | |
I now need to know what you need | 0:07:40 | 0:07:43 | |
and what kind of target I need to set myself. | 0:07:43 | 0:07:45 | |
One thing that springs to mind automatically is our bus. | 0:07:45 | 0:07:49 | |
It is second hand. | 0:07:49 | 0:07:51 | |
Always something to pay for to keep it running, | 0:07:51 | 0:07:54 | |
to keep it legally on the road, et cetera. | 0:07:54 | 0:07:56 | |
To pick up members, to take them to our class. | 0:07:56 | 0:07:59 | |
So I'm looking for, say, 1,500 for the bus, | 0:07:59 | 0:08:03 | |
just to keep the bus on the road. | 0:08:03 | 0:08:05 | |
And then there's the social interaction and recreational | 0:08:05 | 0:08:09 | |
activities and I would like a cinema screen, cos not | 0:08:09 | 0:08:12 | |
a lot of people can go out into the town centre to go to the cinema, and | 0:08:12 | 0:08:15 | |
a lot of our members would be over the moon in having a cinema screen | 0:08:15 | 0:08:19 | |
so they can come together, | 0:08:19 | 0:08:21 | |
very community-based group, come together. | 0:08:21 | 0:08:23 | |
That would probably set us a target of around about £1,000. | 0:08:23 | 0:08:27 | |
So we have to shake on that, | 0:08:27 | 0:08:28 | |
on getting you £2,500, if I possibly can. | 0:08:28 | 0:08:31 | |
And I shall go and head south and see what I can do. | 0:08:31 | 0:08:33 | |
OK, thank you very much. Good seeing you. | 0:08:33 | 0:08:35 | |
-My pleasure. -Thank you. | 0:08:35 | 0:08:37 | |
'The bus is only just on the road. | 0:08:41 | 0:08:44 | |
'David needs money for it as soon as possible. | 0:08:44 | 0:08:48 | |
'Six years ago, making money was easy, | 0:08:48 | 0:08:51 | |
'but even my wealthy customers are cutting back these days. | 0:08:51 | 0:08:55 | |
'So there are no guarantees, and the market goes dead in January, | 0:08:55 | 0:08:59 | |
'so I have to make the deals before Christmas, | 0:08:59 | 0:09:02 | |
'which is three months away.' | 0:09:02 | 0:09:03 | |
I'm going to buy a number of items that I think I can trade quickly. | 0:09:03 | 0:09:07 | |
I'm going to use everything at my disposal to buy really | 0:09:07 | 0:09:10 | |
well on behalf of these charities. I'm going to go to little auctions, | 0:09:10 | 0:09:14 | |
I'm going to go to trade fairs, I'm going to get my address book out | 0:09:14 | 0:09:17 | |
to make the most sales I possibly can, | 0:09:17 | 0:09:19 | |
get into my private clients. | 0:09:19 | 0:09:21 | |
And I'm going to have a big charity auction | 0:09:21 | 0:09:23 | |
coming up to Christmas, cos that's the way to make the big money. | 0:09:23 | 0:09:26 | |
'I absolutely love antique globes. | 0:09:29 | 0:09:31 | |
'Not only are they beautiful objects | 0:09:31 | 0:09:34 | |
'but they tell us so much about the way the world has changed. | 0:09:34 | 0:09:37 | |
'Previously, the most valuable globes documented the age | 0:09:37 | 0:09:40 | |
'of exploration, but I've spotted a rare and rather different one that's | 0:09:40 | 0:09:45 | |
'coming up for auction in Cirencester | 0:09:45 | 0:09:47 | |
'that is out of this world.' | 0:09:47 | 0:09:49 | |
It's a globe of Mars and it's a big one. | 0:09:50 | 0:09:52 | |
It's very rare, I've never seen one as big. | 0:09:52 | 0:09:55 | |
I'm hoping it's in good condition. | 0:09:55 | 0:09:58 | |
I don't know, if you've seen a lot of globes, like I have, | 0:09:58 | 0:10:01 | |
you get more interested in the quirky, rarer ones. | 0:10:01 | 0:10:04 | |
So celestial globes, so the ones with the stars and | 0:10:04 | 0:10:06 | |
the heavens, they're rather nice and they're always dark blue or black. | 0:10:06 | 0:10:09 | |
And then the moon ones are very attractive, as well, | 0:10:09 | 0:10:12 | |
and they were brought out after the lunar landings in 1969. | 0:10:12 | 0:10:16 | |
You tend to gravitate towards the rare things, the unusual. | 0:10:16 | 0:10:21 | |
And Mars globes are rare and unusual. | 0:10:21 | 0:10:24 | |
'If the Mars globe is as good as I'm hoping, I should be able to | 0:10:26 | 0:10:29 | |
'sell it on quickly to make a profit for the disabled community group. | 0:10:29 | 0:10:33 | |
'I found an error in the catalogue. | 0:10:33 | 0:10:36 | |
'That puts me at a distinct advantage, | 0:10:36 | 0:10:38 | |
'as rival buyers are likely to overlook it. | 0:10:38 | 0:10:41 | |
'In the antiques trade we call that a sleeper.' | 0:10:41 | 0:10:45 | |
I must read you the catalogue description. | 0:10:45 | 0:10:49 | |
"A good moon globe. | 0:10:49 | 0:10:51 | |
"Unsigned and unlabelled by the maker. | 0:10:51 | 0:10:55 | |
"Printed with named craters, mountain ranges, | 0:10:55 | 0:10:58 | |
"valley seas and other distinctive features on stand." | 0:10:58 | 0:11:02 | |
It's red. It's the Red Planet. | 0:11:02 | 0:11:05 | |
The clue's in the colour. | 0:11:05 | 0:11:07 | |
HE LAUGHS | 0:11:07 | 0:11:09 | |
So it's a Mars, not a moon. | 0:11:09 | 0:11:13 | |
'Today's a viewing day for dealers at this auction house which | 0:11:14 | 0:11:17 | |
'specialises in historical artefacts and I'm in heaven.' | 0:11:17 | 0:11:21 | |
Look at these. | 0:11:27 | 0:11:28 | |
They're heavy, eh? Sorry, I'm meant to be looking for a globe, | 0:11:30 | 0:11:33 | |
but I got distracted by machine guns. That's a... | 0:11:33 | 0:11:36 | |
That is a rare Lewis gun. | 0:11:36 | 0:11:39 | |
Look at that. | 0:11:40 | 0:11:42 | |
Look at that. | 0:11:42 | 0:11:44 | |
Have a look at this. | 0:11:45 | 0:11:47 | |
I rather like the old signs for buses and Tubes. | 0:11:47 | 0:11:51 | |
In fact, I bought... Last year, | 0:11:51 | 0:11:53 | |
I bought about ten of the old enamel | 0:11:53 | 0:11:56 | |
Tube signs and they were really lovely. | 0:11:56 | 0:11:58 | |
I made them into kitchen tables and they sold like that. | 0:11:58 | 0:12:00 | |
CLICKS FINGERS | 0:12:00 | 0:12:01 | |
Some quite interesting kit here, | 0:12:05 | 0:12:08 | |
but I can't find what I'm looking for yet. So try another room. | 0:12:08 | 0:12:12 | |
Some seats from Concorde. | 0:12:12 | 0:12:16 | |
'Concorde has its own collectors' market. | 0:12:16 | 0:12:18 | |
'I once bought and sold the iconic nose cone, which was | 0:12:18 | 0:12:22 | |
'a beautiful object, and I made a tidy profit. | 0:12:22 | 0:12:25 | |
'But the seats, they're not pretty, so they're not saleable. | 0:12:25 | 0:12:30 | |
'This is better. A wind tunnel model from the '60s.' | 0:12:30 | 0:12:34 | |
A big one, as well. Nice, interesting. | 0:12:34 | 0:12:37 | |
But the nose is down on the front, | 0:12:37 | 0:12:39 | |
which is kind of not so attractive. | 0:12:39 | 0:12:41 | |
'Right, back to what I've come here to find, the Mars globe.' | 0:12:42 | 0:12:47 | |
Brilliant, the lot's really well hidden and it's basically been | 0:12:47 | 0:12:51 | |
dumped under a girder in the corner and you can't see it. | 0:12:51 | 0:12:55 | |
Oooh! | 0:12:57 | 0:12:58 | |
It's nice! | 0:13:03 | 0:13:05 | |
'This is one of the first ever globes of Mars, | 0:13:05 | 0:13:10 | |
'with surface features provided by NASA's Mariner 4.' | 0:13:10 | 0:13:14 | |
I don't want to attract too much attention to myself here. | 0:13:14 | 0:13:18 | |
Let's view this quickly. | 0:13:20 | 0:13:21 | |
It dates from the 1960s. | 0:13:23 | 0:13:26 | |
That's a big Mars. | 0:13:26 | 0:13:28 | |
'Sorry, I've got to say it - with globes, size is important'. | 0:13:28 | 0:13:33 | |
Well, Scotland have lucked out today. | 0:13:33 | 0:13:35 | |
Let's get out of here. There's more people coming. | 0:13:35 | 0:13:38 | |
I really love it when you turn something up like this. | 0:13:38 | 0:13:41 | |
It's like shucking oysters, isn't it, and then, "Whoa, pearl! | 0:13:41 | 0:13:45 | |
"Result!" | 0:13:45 | 0:13:47 | |
So what I'm going to do later on today is I'll book a telephone line | 0:13:48 | 0:13:52 | |
and they will phone me live in the auction and I will bid live. | 0:13:52 | 0:13:55 | |
Top limit's a grand. | 0:13:55 | 0:13:57 | |
I don't want to pay a grand. I want to nick it, | 0:13:57 | 0:13:59 | |
I want to nick it for 250 quid. | 0:13:59 | 0:14:01 | |
PHONE RINGS | 0:14:07 | 0:14:09 | |
OK, this is the auction house. | 0:14:09 | 0:14:11 | |
The globes, great, thank you. The globe, yep. | 0:14:13 | 0:14:15 | |
Yes, bid, good. Come in any time you like. | 0:14:15 | 0:14:18 | |
150, we'll have that, yep, bid, bid, bid. | 0:14:18 | 0:14:21 | |
Yes, go. | 0:14:24 | 0:14:26 | |
220. Yes. | 0:14:26 | 0:14:28 | |
Just bid 500. | 0:14:30 | 0:14:32 | |
Oh, did you? Oh, thank you, was it my bid? | 0:14:34 | 0:14:36 | |
Oh, goodness, I thought it was against me | 0:14:36 | 0:14:38 | |
and I was going to try and blow them out. | 0:14:38 | 0:14:40 | |
OK, we got it, done. | 0:14:40 | 0:14:42 | |
Often a good tactic in a auction, | 0:14:42 | 0:14:44 | |
if it's kind of like you're going from 300, 320, 340, 360, 380 | 0:14:44 | 0:14:49 | |
and you get into a habit-forming thing where the person just bids. | 0:14:49 | 0:14:52 | |
Whereas if you actually stop them up by going, "No, actually," | 0:14:52 | 0:14:55 | |
bang, put in a big top bid, that normally holds them up. | 0:14:55 | 0:14:59 | |
But he said actually they'd fallen out and that it was mine | 0:14:59 | 0:15:01 | |
at £420, so yes, bought. | 0:15:01 | 0:15:03 | |
'I'm on my way to meet the second small charity I'd like to help.' | 0:15:06 | 0:15:11 | |
And I guess, in a way, these people are broadly similar to myself | 0:15:11 | 0:15:14 | |
when I first started out. | 0:15:14 | 0:15:16 | |
They are individuals with a passion or a drive who care | 0:15:16 | 0:15:19 | |
particularly for something. | 0:15:19 | 0:15:22 | |
In this case, it's not a business, but a charitable cause. | 0:15:23 | 0:15:29 | |
'I'm going to use my expertise in the antiques business to help | 0:15:30 | 0:15:33 | |
'the people who spend their lives helping others. | 0:15:33 | 0:15:37 | |
'In Gosport on the South coast, Steve Dent | 0:15:37 | 0:15:40 | |
'and his volunteers run a food bank on just £7,500 a year. | 0:15:40 | 0:15:45 | |
'Relying on donations from the local community, | 0:15:45 | 0:15:47 | |
'they provide emergency food parcels for families in crisis.' | 0:15:47 | 0:15:51 | |
So, Steve, do you think demand is increasing, stayed the same? | 0:15:51 | 0:15:55 | |
It's been increasing year on year, | 0:15:55 | 0:15:57 | |
but this year we saw a significant increase. | 0:15:57 | 0:16:00 | |
You think that's down to the economy? | 0:16:00 | 0:16:02 | |
Yes, yeah, undoubtedly. | 0:16:02 | 0:16:04 | |
It's difficult to actually pinpoint if there's one particular thing, | 0:16:04 | 0:16:07 | |
but we've saw a 40% increase compared to the same time last year. | 0:16:07 | 0:16:11 | |
And that's not just cos you're reaching out to more people more successfully? | 0:16:11 | 0:16:15 | |
I don't think so, no. | 0:16:15 | 0:16:17 | |
I just think the demand, the need, has just grown to that level now. | 0:16:17 | 0:16:21 | |
'Across Britain, the number of food banks has DOUBLED in the past year. | 0:16:21 | 0:16:25 | |
'This charity operates from the back | 0:16:25 | 0:16:27 | |
'of a second-hand furniture warehouse.' | 0:16:27 | 0:16:30 | |
Full of particularly choice furniture, yeah. | 0:16:30 | 0:16:33 | |
We are not in Belgravia. | 0:16:33 | 0:16:35 | |
'Because of the increased demand, | 0:16:35 | 0:16:37 | |
'the existing storage space for food is now too small. | 0:16:37 | 0:16:40 | |
'Eileen is one of the charity's 30 volunteers.' | 0:16:40 | 0:16:44 | |
I've come to have a look at your setup today. | 0:16:44 | 0:16:46 | |
We'd like a bigger place, | 0:16:46 | 0:16:47 | |
we'd like a place where we can speak to the clients more. | 0:16:47 | 0:16:50 | |
Yeah, it's a bit public here, isn't it? | 0:16:50 | 0:16:52 | |
They find it embarrassing enough coming along. | 0:16:52 | 0:16:55 | |
'Mark is one of 2,500 people in the Gosport area who use | 0:16:56 | 0:16:59 | |
'the food bank every year.' | 0:16:59 | 0:17:01 | |
-Oh, hi. -Hello, love. | 0:17:02 | 0:17:04 | |
I've got a voucher. | 0:17:04 | 0:17:07 | |
Thanks. Have you been before, Mark? | 0:17:07 | 0:17:10 | |
-Yes. -You have. | 0:17:10 | 0:17:12 | |
And it's one adult and one child? | 0:17:12 | 0:17:15 | |
That's correct, yep. | 0:17:15 | 0:17:16 | |
OK, won't keep you long. There's a seat there, | 0:17:16 | 0:17:18 | |
-if you want to have a sit down, but won't be long. -OK, thank you. | 0:17:18 | 0:17:22 | |
So how do you end up... I mean, I know it's personal thing, | 0:17:22 | 0:17:25 | |
but how do you end up stuck in a corner like you've... | 0:17:25 | 0:17:29 | |
Well, I was in privately rented accommodation. Landlord decided | 0:17:29 | 0:17:32 | |
-he wanted to put his house on the market, so we had to move out. -Yeah. | 0:17:32 | 0:17:35 | |
And the council said the only place they've got at the moment, | 0:17:35 | 0:17:38 | |
until they re-house us, is a family hostel. | 0:17:38 | 0:17:42 | |
-Right. -All the food I had, like, frozen has been like defrosted now | 0:17:42 | 0:17:47 | |
-cos there's no freezers at the hostel. -OK. | 0:17:47 | 0:17:49 | |
Basically, whatever I get here today, obviously, | 0:17:49 | 0:17:52 | |
is going to help this week, until next week when I get paid. | 0:17:52 | 0:17:54 | |
Right, so how long do you think you'll be there? | 0:17:54 | 0:17:56 | |
Well, they said, "Up to four months, you could be there." | 0:17:56 | 0:18:00 | |
-Four months? -Yeah. -Wow, OK. Good luck, Mark. | 0:18:00 | 0:18:02 | |
-Thank you very much. -And have a nice journey home. | 0:18:02 | 0:18:05 | |
And thank you very much for the food. | 0:18:05 | 0:18:07 | |
-You're very welcome. -Bye, Mark. -Thank you very much. | 0:18:07 | 0:18:10 | |
-Hope it goes well for you. -Thank you, see you later. -Bye. -Bye. | 0:18:10 | 0:18:14 | |
It was bit of an eye-opener to meet Mark. | 0:18:14 | 0:18:18 | |
It's not that easy to witness it, actually. It's not that, you know... | 0:18:18 | 0:18:22 | |
It's slightly uncomfortable, cos it's... | 0:18:22 | 0:18:25 | |
You know, you feel very sorry for people | 0:18:27 | 0:18:31 | |
who've arrived at that kind of position in life. | 0:18:31 | 0:18:36 | |
I feel very lucky, feel a bit guilty to be so lucky. | 0:18:36 | 0:18:39 | |
Steve, thank you for asking me down here today. | 0:18:42 | 0:18:45 | |
It's been an eye-opener meeting Mark, talking with him, | 0:18:45 | 0:18:48 | |
talking with Eileen. | 0:18:48 | 0:18:51 | |
Now, what do you need? | 0:18:51 | 0:18:53 | |
Well, as you've seen, where we | 0:18:53 | 0:18:55 | |
currently are is just totally unsuitable. | 0:18:55 | 0:18:58 | |
We just can't support the need. | 0:18:58 | 0:19:00 | |
What we need is basically to move | 0:19:00 | 0:19:02 | |
and we're under a tight timescale, really. | 0:19:02 | 0:19:05 | |
I guess, you know, we're going to have to move within the next | 0:19:05 | 0:19:08 | |
three, three and a half months if we're going to be able to continue. | 0:19:08 | 0:19:11 | |
So you want to move. What's it going to cost and what do you...? | 0:19:11 | 0:19:14 | |
Well, probably in the region of about £2,000 in terms | 0:19:14 | 0:19:19 | |
of running costs, I guess. | 0:19:19 | 0:19:21 | |
There's the cost of moving and the cost of rent. | 0:19:21 | 0:19:25 | |
And then probably, you know, another thousand pounds, I guess, | 0:19:25 | 0:19:29 | |
in terms of being able to get set up. | 0:19:29 | 0:19:32 | |
OK, so I've got it clear, | 0:19:32 | 0:19:35 | |
you need £3,000 to move | 0:19:35 | 0:19:38 | |
and get a new place set up | 0:19:38 | 0:19:41 | |
and you need that money in three and a half months' time. | 0:19:41 | 0:19:45 | |
So I'm up against it on the time a little bit, as well? | 0:19:45 | 0:19:48 | |
OK, well, I'll have to bear that in mind. | 0:19:48 | 0:19:51 | |
That puts me under a bit of time pressure, but I'm sure I'll cope. | 0:19:51 | 0:19:54 | |
I will do my very best. | 0:19:54 | 0:19:56 | |
Oh, bless you, thank you. That'll be fabulous. | 0:19:56 | 0:19:58 | |
All right, well, I'm going to depart back for town. | 0:19:58 | 0:20:01 | |
'Steve is on a deadline to move and I've only got three months to make | 0:20:01 | 0:20:04 | |
'the money he needs, as the antiques market shuts down at Christmas.' | 0:20:04 | 0:20:08 | |
'I regularly go to Paris on buying trips for my business so, while | 0:20:11 | 0:20:15 | |
'I'm there, I can be on the lookout | 0:20:15 | 0:20:17 | |
'for my first item for the food bank.' | 0:20:17 | 0:20:20 | |
I'm here in Paris, the palaces of the Louvre to my left, | 0:20:20 | 0:20:23 | |
formerly the seats of the kings of France. | 0:20:23 | 0:20:25 | |
They were the wealthiest people in the world | 0:20:25 | 0:20:27 | |
in the 17th and 18th centuries. | 0:20:27 | 0:20:29 | |
It's not lost on me that I'm now here shopping for Steve | 0:20:29 | 0:20:31 | |
and some of the most disadvantaged people in our country. | 0:20:31 | 0:20:35 | |
'I've come to one of my favourite hunting grounds, | 0:20:37 | 0:20:39 | |
'the Marche aux Puces on the northern edge of the city. | 0:20:39 | 0:20:42 | |
'It's the biggest flea market in the world with over 2,000 stalls | 0:20:42 | 0:20:46 | |
'and a huge variety of items on offer.' | 0:20:46 | 0:20:48 | |
Great place to visit. | 0:20:50 | 0:20:52 | |
You always feel a sense of anticipation coming up here. | 0:20:52 | 0:20:54 | |
There's a lot of gear to look at and you always, | 0:20:54 | 0:20:56 | |
always find something interesting here. | 0:20:56 | 0:20:59 | |
It's inspiring too. | 0:20:59 | 0:21:00 | |
Few nice little pair of chairs here, always commercial, | 0:21:02 | 0:21:05 | |
small pair of chairs. | 0:21:05 | 0:21:07 | |
These little chairs are called salon chairs. | 0:21:07 | 0:21:10 | |
Now, 18th or 19th century? | 0:21:10 | 0:21:12 | |
I know what they are just looking at them from here. | 0:21:12 | 0:21:15 | |
First thing, style is 18th century, Louis XVI. | 0:21:15 | 0:21:19 | |
This, stylistically, first came about in about 1780. | 0:21:19 | 0:21:25 | |
What you want to do, though, is you want to look underneath the seat | 0:21:25 | 0:21:27 | |
in here and you see that's cut by a machine, not by hand. | 0:21:27 | 0:21:30 | |
If it's hand cut it's all serrated and rough, | 0:21:30 | 0:21:32 | |
that would mean it's 18th century. | 0:21:32 | 0:21:34 | |
If you look at the top here, it would be pegged here and here if it | 0:21:34 | 0:21:38 | |
was an 18th century chair. | 0:21:38 | 0:21:39 | |
This one is just tenoned through the joint. | 0:21:39 | 0:21:41 | |
So, these, 18th or 19th century? | 0:21:41 | 0:21:44 | |
19th, these came from about 18... | 0:21:46 | 0:21:49 | |
Ah, here we are. | 0:21:49 | 0:21:50 | |
These date from about 1890, 1880. | 0:21:50 | 0:21:53 | |
Smooth seat rail, | 0:21:53 | 0:21:55 | |
wear on the bottom of the feet, not too much. | 0:21:55 | 0:21:57 | |
Nice original paintwork, | 0:21:57 | 0:22:00 | |
but 120 years old, not 220 years old. | 0:22:00 | 0:22:04 | |
I would only buy a 19th century chair if it was absolutely | 0:22:04 | 0:22:08 | |
exceptional, a very interesting, quirky piece of design. | 0:22:08 | 0:22:12 | |
Otherwise, the market is stronger in the 18th century. | 0:22:12 | 0:22:18 | |
'I need to find an item that I can sell quickly. | 0:22:18 | 0:22:22 | |
'Time is ticking and I need to make the food bank £3,000.' | 0:22:22 | 0:22:26 | |
I've found a collection of glass eyes, | 0:22:26 | 0:22:29 | |
old glass eyes. | 0:22:29 | 0:22:30 | |
Judging from the box, I think they'd be around the turn of | 0:22:30 | 0:22:35 | |
the last century, about 1900. | 0:22:35 | 0:22:38 | |
They're fabulous. There's something really surreal about them. | 0:22:38 | 0:22:41 | |
'The box is covered in shagreen, which is stingray skin, | 0:22:41 | 0:22:44 | |
'and always an indication of quality. | 0:22:44 | 0:22:46 | |
'It become fashionable, again, from 1900.' | 0:22:46 | 0:22:49 | |
Vous m'avez dit mille cinq cents? | 0:22:49 | 0:22:51 | |
Mille cinq cents. | 0:22:51 | 0:22:53 | |
So these are 1,500. They're not cheap but it's given me an idea. | 0:22:53 | 0:22:56 | |
Today I think I might build a collection for Steve. | 0:22:56 | 0:22:59 | |
That might be the way forward. | 0:22:59 | 0:23:00 | |
When you put a lot of similar objects together, there's | 0:23:00 | 0:23:04 | |
an added value in there and make the objects really more appealing. | 0:23:04 | 0:23:08 | |
OK, we're in here. | 0:23:15 | 0:23:16 | |
This is fantastic. | 0:23:16 | 0:23:18 | |
Really nice collections | 0:23:20 | 0:23:23 | |
of starburst mirrors dating from the 1940s. | 0:23:23 | 0:23:25 | |
They're metal spiky ones and they're really cool. | 0:23:25 | 0:23:28 | |
I recently sold a set of ten of these for £11,000. | 0:23:28 | 0:23:33 | |
Oh, let's have a look at this fella. | 0:23:33 | 0:23:36 | |
OK, this one, condition-wise, | 0:23:36 | 0:23:38 | |
is what we don't want. | 0:23:38 | 0:23:40 | |
That's all rusted and oxidising | 0:23:40 | 0:23:42 | |
and the gilding's gone off it. | 0:23:42 | 0:23:44 | |
Nice plate, you do want that pitting on a plate there. | 0:23:44 | 0:23:47 | |
That's a nice old mercury gilded plate. | 0:23:47 | 0:23:49 | |
Let's have a look at the back. | 0:23:49 | 0:23:50 | |
Probably an original back, but it's not stamped. | 0:23:50 | 0:23:53 | |
I bet one of these is stamped. | 0:23:53 | 0:23:54 | |
Let's find one with a stamp. | 0:23:54 | 0:23:56 | |
'The stamp I'm looking for will read "Chaty Vallauris" after | 0:23:56 | 0:23:59 | |
'the designer and town of manufacture | 0:23:59 | 0:24:01 | |
'and is therefore an original.' | 0:24:01 | 0:24:03 | |
Yes. | 0:24:03 | 0:24:05 | |
OK, that's got an original back, that one there. | 0:24:05 | 0:24:08 | |
Gold spray cardboard back, Chaty Vallauris. | 0:24:08 | 0:24:13 | |
You should always look at the back of a piece of furniture. | 0:24:13 | 0:24:15 | |
Look at its oxidation, grub, general rusting from use. | 0:24:15 | 0:24:20 | |
You'd look for some wear on the hook where it'd been hung up, | 0:24:20 | 0:24:22 | |
obviously got some old dents. | 0:24:22 | 0:24:24 | |
You can tell it's an old one. | 0:24:24 | 0:24:26 | |
There's also a very rare one, which will be the centre of the | 0:24:26 | 0:24:29 | |
collection, which is an oval shape. I've never seen an oval one before. | 0:24:29 | 0:24:32 | |
I know I shouldn't get excited about an oval sunburst mirror, but I can. | 0:24:32 | 0:24:38 | |
Including the oval one behind me, | 0:24:38 | 0:24:42 | |
I would like to buy... I've looked around and I'd like to buy nine. | 0:24:42 | 0:24:46 | |
The price, it's... | 0:24:46 | 0:24:48 | |
Nine... 2,700. | 0:24:48 | 0:24:52 | |
For nine, let's call it 2,500. | 0:24:52 | 0:24:56 | |
-No, no, no. -No? | 0:24:56 | 0:24:58 | |
No, because I buy sometimes 200, | 0:24:58 | 0:25:01 | |
sometimes I pay 250. | 0:25:01 | 0:25:03 | |
When I sell for 200, I will only... | 0:25:03 | 0:25:06 | |
So you want 2,700, but that includes this oval one here? | 0:25:06 | 0:25:09 | |
Yes, this is one I sell for the same price, | 0:25:09 | 0:25:11 | |
the big one I make the same price. | 0:25:11 | 0:25:13 | |
-OK. -And sometimes I don't win. | 0:25:13 | 0:25:15 | |
'At just under £2,200 they are a really good buy. | 0:25:15 | 0:25:20 | |
'And I've got a client in mind. | 0:25:20 | 0:25:22 | |
Those... | 0:25:22 | 0:25:23 | |
'I'm back in Britain with my haul of mirrors in the back of the van. | 0:25:28 | 0:25:31 | |
'I've bought them at a great price. Let's hope I can sell them | 0:25:31 | 0:25:35 | |
'for an even better one. | 0:25:35 | 0:25:37 | |
'I'm meeting James Perkins at his country house | 0:25:37 | 0:25:40 | |
'to try and make a sale. | 0:25:40 | 0:25:42 | |
'He's a collector with eclectic tastes | 0:25:42 | 0:25:44 | |
'who made his money as a rave promoter in the '90s. | 0:25:44 | 0:25:48 | |
'I need to move these mirrors on quickly | 0:25:48 | 0:25:51 | |
'so I'm looking to sell for around £3,500, £4,000.' | 0:25:51 | 0:25:55 | |
I mean they're '40s/'50s. French, from Vallauris. | 0:25:55 | 0:25:59 | |
A few of them have the original backs on with the stamped label. | 0:25:59 | 0:26:03 | |
That's the really rare one, that oval one there. | 0:26:04 | 0:26:07 | |
That's a really nice one. | 0:26:07 | 0:26:08 | |
Yes, I've never seen an oval one. | 0:26:08 | 0:26:10 | |
I mean, my only comment would be they all seem to be quite | 0:26:10 | 0:26:15 | |
similar types of starbursts. | 0:26:15 | 0:26:17 | |
Hmmm... No, that one's round. | 0:26:17 | 0:26:19 | |
No, but you know in the way that they're detailed, | 0:26:19 | 0:26:22 | |
they all seem to have this sort of roping around. | 0:26:22 | 0:26:24 | |
With the rope twist, yeah? | 0:26:24 | 0:26:25 | |
Let me get up on a chair and have a look up here, | 0:26:25 | 0:26:29 | |
cos I think that's the only way you're going to get to see them. | 0:26:29 | 0:26:31 | |
Well, the thing that I obviously have to ask is - how much are they? | 0:26:31 | 0:26:36 | |
Well, you know I want to look after you. | 0:26:36 | 0:26:39 | |
3,800 quid for the lot. | 0:26:39 | 0:26:42 | |
I mean, can I ask you what they cost you? | 0:26:44 | 0:26:47 | |
You can, but I'd probably lie. | 0:26:47 | 0:26:50 | |
HE LAUGHS | 0:26:50 | 0:26:52 | |
See, that's honesty between friends, you see. | 0:26:52 | 0:26:54 | |
Err... | 0:26:54 | 0:26:56 | |
Hmm... | 0:26:58 | 0:27:00 | |
Well, look, they're very interesting. | 0:27:00 | 0:27:02 | |
I think it's a bloody good look as well, | 0:27:02 | 0:27:04 | |
and it's not a look that I've covered. | 0:27:04 | 0:27:06 | |
That's the thing... I say I haven't covered it, | 0:27:06 | 0:27:08 | |
-we're looking at a giant convex behind the polar bears. -Yes, yeah. | 0:27:08 | 0:27:12 | |
-So shall we go and see if we can find a place for them? -Mmm. | 0:27:12 | 0:27:15 | |
And then you can beat me up on the price. | 0:27:15 | 0:27:19 | |
Well, that's good. | 0:27:19 | 0:27:20 | |
I've learnt something - there's room for margin. | 0:27:20 | 0:27:23 | |
There you are, I thought I'd better just feed that one out. | 0:27:23 | 0:27:26 | |
Let me have a think on it. | 0:27:26 | 0:27:28 | |
I don't want to talk myself into it if it doesn't work. | 0:27:28 | 0:27:31 | |
Back in the day, when the market was really buoyant, | 0:27:31 | 0:27:34 | |
people would have to have your arm off for those, | 0:27:34 | 0:27:36 | |
cos otherwise someone else would just buy them. | 0:27:36 | 0:27:39 | |
I'd put them in the window of my gallery, they'd be gone. 24 hours, bang, done. | 0:27:39 | 0:27:42 | |
And for quite a lot more money. | 0:27:42 | 0:27:44 | |
But we are in more cautious times. There's less money about, | 0:27:44 | 0:27:47 | |
people are more cautious and they know they can drive a good bargain. | 0:27:47 | 0:27:50 | |
He knows it. He knows I know it. | 0:27:50 | 0:27:54 | |
'It's not lost on me, | 0:27:56 | 0:27:58 | |
'the contrast between James' millionaire pile | 0:27:58 | 0:28:00 | |
'and the food bank I'm trying to help. | 0:28:00 | 0:28:03 | |
'I've left the mirrors with James so he can decide | 0:28:05 | 0:28:08 | |
'whether to buy them or not. | 0:28:08 | 0:28:10 | |
'Let's hope he does the decent thing.' | 0:28:10 | 0:28:13 | |
'The Mars globe that I bought for the disabled community group | 0:28:18 | 0:28:22 | |
'in Aberdeen has arrived from the auction house.' | 0:28:22 | 0:28:26 | |
OK, well, I'll see you tomorrow night anyway... | 0:28:26 | 0:28:28 | |
'The charity needs £2,500 to keep their bus on the road.' | 0:28:28 | 0:28:32 | |
CAR ENGINE SPLUTTERS | 0:28:32 | 0:28:35 | |
Jim has been a volunteer driver for the charity | 0:28:39 | 0:28:42 | |
since his disabled wife joined the group six months ago. | 0:28:42 | 0:28:45 | |
This bus, it needs a new fuel tank. | 0:28:47 | 0:28:51 | |
We can only put half a tank of fuel in it. | 0:28:51 | 0:28:55 | |
And it needs new heaters for starting the engine in the frost. | 0:28:55 | 0:28:59 | |
And it's due an MOT in two or three months. | 0:28:59 | 0:29:04 | |
It will fail its MOT without spending money on it. | 0:29:05 | 0:29:08 | |
Cos I used to be an MOT tester. | 0:29:10 | 0:29:12 | |
HE LAUGHS | 0:29:12 | 0:29:15 | |
The bus is a vital resource for the members who have mobility problems. | 0:29:15 | 0:29:19 | |
Without it, they wouldn't be able to come to the community group. | 0:29:19 | 0:29:23 | |
DAVID: 'They've already told me they're scared to lose the service. | 0:29:23 | 0:29:26 | |
'If they lose the service, they have nothing left and I just can't... | 0:29:26 | 0:29:30 | |
'I can't even think like that.' | 0:29:30 | 0:29:32 | |
If we had £2,500, it would just be amazing. | 0:29:32 | 0:29:37 | |
I mean, we would allocate £1,500 - it's a nice figure. | 0:29:37 | 0:29:43 | |
We would have that for the bus, which I can't express how much... | 0:29:43 | 0:29:48 | |
..that would mean, especially to the members. | 0:29:50 | 0:29:53 | |
These people don't have anything | 0:29:53 | 0:29:56 | |
and because they're on benefits, | 0:29:56 | 0:29:59 | |
to have that kind of money to be given to us for the charity | 0:29:59 | 0:30:03 | |
for us to spend on them... | 0:30:03 | 0:30:05 | |
it would just... It would just be amazing. | 0:30:05 | 0:30:07 | |
My fundraising team wouldn't stop fighting, my fundraising team | 0:30:07 | 0:30:10 | |
would still be out there tomorrow getting as much things as | 0:30:10 | 0:30:13 | |
they can, but it would be a morale boost for them and it would be | 0:30:13 | 0:30:17 | |
a great boost of confidence and self esteem for the members. | 0:30:17 | 0:30:21 | |
'It's now October. I've got just two months to make both charities | 0:30:27 | 0:30:30 | |
'the money they need before the market goes quiet at Christmas. | 0:30:30 | 0:30:34 | |
'I'm getting a little worried. | 0:30:34 | 0:30:36 | |
'I've yet to hear from James Perkins about the starburst mirrors | 0:30:36 | 0:30:39 | |
'and in my business, no news is usually bad news.' | 0:30:39 | 0:30:44 | |
'I'm back in Paris for another buying trip for my business.' | 0:30:48 | 0:30:51 | |
Not glamorous Paris, in gritty banlieue Paris. | 0:30:51 | 0:30:55 | |
This is the Marche aux Puces, the flea market, | 0:30:55 | 0:30:58 | |
largest antiques market in the world. | 0:30:58 | 0:31:01 | |
'This is where I bought the starburst mirrors on my last visit | 0:31:01 | 0:31:04 | |
'so while I'm here, I'll be on the lookout | 0:31:04 | 0:31:06 | |
'for a companion piece for the Mars globe. | 0:31:06 | 0:31:08 | |
'Collections have more impact and they're worth more money.' | 0:31:08 | 0:31:11 | |
I don't know what I'm going to find here. | 0:31:11 | 0:31:13 | |
This is not stuff that's going to feature on the internet. | 0:31:13 | 0:31:16 | |
You know, this is graft. | 0:31:16 | 0:31:17 | |
You have to just do the miles. | 0:31:17 | 0:31:20 | |
'As yet, I've not made a penny towards the £2,500 the charity | 0:31:20 | 0:31:24 | |
'needs to keep the bus on the road.' | 0:31:24 | 0:31:26 | |
So you can see, there's a huge variety of stands here | 0:31:26 | 0:31:30 | |
selling all sorts of things. | 0:31:30 | 0:31:32 | |
'My strategy is to find pieces I can sell on quickly for profit. | 0:31:32 | 0:31:37 | |
'That means not paying over the odds.' | 0:31:37 | 0:31:40 | |
I like the look of this one. | 0:31:40 | 0:31:42 | |
Le prix? | 0:31:44 | 0:31:45 | |
OK, merci. | 0:31:47 | 0:31:49 | |
So this is a very nice lamp by Pierre Giraudon and he | 0:31:49 | 0:31:53 | |
pioneered making resin by putting | 0:31:53 | 0:31:56 | |
large volts of electricity through | 0:31:56 | 0:31:58 | |
it as it was drying and then that creates that kind of fractured look. | 0:31:58 | 0:32:03 | |
He started as a chemist, actually, | 0:32:03 | 0:32:05 | |
and then he became an artist and | 0:32:05 | 0:32:08 | |
he worked for all the big fashion houses in the '70s, | 0:32:08 | 0:32:12 | |
refitting shops and things like that. | 0:32:12 | 0:32:14 | |
And this became terribly fashionable, this look. | 0:32:14 | 0:32:16 | |
That's a very big one. | 0:32:16 | 0:32:18 | |
Super cool, but it's 3,500 euros. | 0:32:18 | 0:32:22 | |
That's a walk-away price. | 0:32:23 | 0:32:25 | |
Oh, that's a big globe. | 0:32:27 | 0:32:29 | |
Combien, le monde? | 0:32:29 | 0:32:31 | |
'The countries aren't labelled, so that tells me it's a military globe | 0:32:33 | 0:32:36 | |
'and would've been used for basic navigational training by pilots.' | 0:32:36 | 0:32:40 | |
I think it's expensive. | 0:32:40 | 0:32:42 | |
I've bought and sold a lot of globes in my life. | 0:32:42 | 0:32:45 | |
I think I can make a price. | 0:32:45 | 0:32:48 | |
'I'd say from the look of it's '50s, | 0:32:48 | 0:32:50 | |
'probably used during the Cold War by the air force or the navy.' | 0:32:50 | 0:32:54 | |
So what's the best price? | 0:32:54 | 0:32:56 | |
I can make 900. | 0:32:56 | 0:32:59 | |
I'd want to pay more like 600 for that. | 0:32:59 | 0:33:02 | |
I can make 750 cash. | 0:33:02 | 0:33:05 | |
If we talk livres sterling now, | 0:33:05 | 0:33:07 | |
cos I have livres sterling in my pocket. | 0:33:07 | 0:33:09 | |
I mean, I really... 500 is it. 500 sterling. | 0:33:09 | 0:33:13 | |
OK, give me £550... | 0:33:13 | 0:33:15 | |
-No, 500. -550. -500. | 0:33:15 | 0:33:18 | |
550 is it. | 0:33:18 | 0:33:19 | |
No, 500 is it. | 0:33:19 | 0:33:21 | |
-500? -Yeah. | 0:33:21 | 0:33:22 | |
500 is very difficult... | 0:33:24 | 0:33:29 | |
Hmmm... | 0:33:29 | 0:33:32 | |
OK, OK, OK. | 0:33:32 | 0:33:34 | |
Done. | 0:33:34 | 0:33:35 | |
500 is good. | 0:33:35 | 0:33:37 | |
Ambush. Thank you. OK, I'm happy. | 0:33:37 | 0:33:40 | |
'At £500, I'm guaranteed to make a profit | 0:33:45 | 0:33:49 | |
'for the disabled community group. | 0:33:49 | 0:33:50 | |
'I'm going to see a collector who's bought many globes | 0:33:50 | 0:33:53 | |
'from me in the past.' | 0:33:53 | 0:33:55 | |
So, this chap. | 0:33:55 | 0:33:58 | |
I am selling this on behalf of a charity based up in Aberdeen | 0:33:58 | 0:34:01 | |
who are in need of some funding. | 0:34:01 | 0:34:03 | |
'Now to talk up the provenance and seal the deal. | 0:34:03 | 0:34:06 | |
'Where there's a story, there's a profit.' | 0:34:06 | 0:34:09 | |
So I went to Paris and bought this from a trader there who | 0:34:09 | 0:34:13 | |
bought it from an American who'd been based in Paris | 0:34:13 | 0:34:17 | |
all his life who was, I don't know, an admiral. | 0:34:17 | 0:34:19 | |
That's what he said, anyway. | 0:34:19 | 0:34:21 | |
So we can actually probably imagine, looking at the date of it, | 0:34:21 | 0:34:24 | |
from the '50s, that that has | 0:34:24 | 0:34:26 | |
actually seen the Cuban Missile Crisis. | 0:34:26 | 0:34:29 | |
Oh, yes, of course, yes. | 0:34:29 | 0:34:31 | |
It may have been plotting global defence. | 0:34:31 | 0:34:36 | |
No, it's beautiful. It's rather unusual, | 0:34:36 | 0:34:38 | |
because there's no names on it, country names. | 0:34:38 | 0:34:40 | |
No, I think you're expected to know your geography | 0:34:40 | 0:34:43 | |
if you're a rear admiral in the US Navy. | 0:34:43 | 0:34:45 | |
So it's them and us. | 0:34:45 | 0:34:47 | |
-This is a Cold War globe. -Yes. | 0:34:47 | 0:34:49 | |
And these military globes are always very plain. | 0:34:49 | 0:34:53 | |
Sometimes you get just absolutely plain black ones | 0:34:53 | 0:34:56 | |
which you can chalk on. | 0:34:56 | 0:34:57 | |
-And rub out as you destroy the opposition. -That's it. | 0:34:57 | 0:35:01 | |
Very best on this is... | 0:35:02 | 0:35:05 | |
750. | 0:35:05 | 0:35:06 | |
-Fine. -And I think £750 is a very reasonable price. | 0:35:07 | 0:35:13 | |
Yeah, no, I think that's fair. | 0:35:13 | 0:35:14 | |
-I'm a good judge. -Yeah. | 0:35:14 | 0:35:16 | |
-So shall we shake on that one? -I think we've got a deal. | 0:35:16 | 0:35:18 | |
-Shall we get that done? -Thank you very much. | 0:35:18 | 0:35:20 | |
Let's move that out of the way. | 0:35:20 | 0:35:21 | |
'So I bought that globe in a Paris flea market for £500, | 0:35:21 | 0:35:25 | |
'I just sold it for 750.' | 0:35:25 | 0:35:28 | |
It's a good start. It's a profit, I'm on the way. | 0:35:28 | 0:35:32 | |
'And with Pascal in a buying mood, I've sold him | 0:35:32 | 0:35:35 | |
'the Mars globe as well, for another £750.' | 0:35:35 | 0:35:40 | |
And you're now the proud owner of a rather wonderful Mars globe. | 0:35:40 | 0:35:45 | |
OK, cheers, cheers, bye. | 0:35:45 | 0:35:47 | |
'With both globes sold quickly, that's almost £500 towards | 0:35:49 | 0:35:53 | |
'the two and a half grand that the disabled community group | 0:35:53 | 0:35:56 | |
'need to keep that bus on the road.' | 0:35:56 | 0:35:58 | |
'But, so far, I have failed in my efforts to make any money | 0:36:05 | 0:36:09 | |
'for the Gosport food bank.' | 0:36:09 | 0:36:11 | |
So James didn't buy the starburst mirrors, | 0:36:11 | 0:36:13 | |
which is pretty disappointing. | 0:36:13 | 0:36:15 | |
I need to get going with those and get them sold. | 0:36:15 | 0:36:19 | |
They're a lovely-looking item and I've sold them before, | 0:36:19 | 0:36:22 | |
so I've got to get my skates on. | 0:36:22 | 0:36:24 | |
I haven't got long. | 0:36:24 | 0:36:25 | |
Steve needs to get that food bank open | 0:36:25 | 0:36:27 | |
and I need to get him the money. | 0:36:27 | 0:36:29 | |
The Gosport food bank is struggling to keep up with demand. | 0:36:32 | 0:36:35 | |
Tucked away in the back of a furniture warehouse, | 0:36:35 | 0:36:38 | |
they desperately need more space so they can continue to operate. | 0:36:38 | 0:36:42 | |
'Steve and one of the volunteers, Eileen, | 0:36:48 | 0:36:51 | |
'have invited me down to see their potential new premises.' | 0:36:51 | 0:36:54 | |
Ah, it's so much better. Look at the light coming in here. | 0:36:54 | 0:36:57 | |
Yes, yeah, wonderful. | 0:36:57 | 0:36:59 | |
It's over twice the space of where we currently are | 0:36:59 | 0:37:02 | |
and we can actually store probably three to four times as much | 0:37:02 | 0:37:07 | |
food here, which is absolutely wonderful. | 0:37:07 | 0:37:10 | |
This is the room, Andrew, that we're planning to use as a reception room. | 0:37:11 | 0:37:16 | |
And to make it more welcoming, we're going to be putting in some sofas. | 0:37:16 | 0:37:20 | |
I can really feel for these people and want to lift them | 0:37:20 | 0:37:24 | |
out of the mud that they're in, or whatever you want to call it. | 0:37:24 | 0:37:30 | |
Just lift their lives, so they can have a better life. | 0:37:30 | 0:37:34 | |
I have, in the past, had a hard time myself, way back in the past. | 0:37:34 | 0:37:39 | |
I married young, unfortunately it was not a good marriage... | 0:37:39 | 0:37:44 | |
but one perseveres. | 0:37:44 | 0:37:47 | |
We were very hard up. I had two children, | 0:37:47 | 0:37:50 | |
my first child had cancer | 0:37:50 | 0:37:53 | |
and eventually died of the cancer... | 0:37:53 | 0:37:56 | |
..and my husband was leaving me at the same time. | 0:37:58 | 0:38:01 | |
So... | 0:38:01 | 0:38:03 | |
It was not a good time in your life. | 0:38:03 | 0:38:05 | |
No and very, very hard up as well... Excuse me. | 0:38:05 | 0:38:09 | |
But that was a long time ago and things | 0:38:11 | 0:38:14 | |
are much, much better. And... | 0:38:14 | 0:38:17 | |
You bring the joy of your recovery to other people now, really, don't you? | 0:38:17 | 0:38:20 | |
-Yes, I know... -You know there's a way. | 0:38:20 | 0:38:23 | |
Yes, exactly. I know there is a way, things can happen. | 0:38:23 | 0:38:27 | |
-It's about... -Oh, come on. | 0:38:27 | 0:38:30 | |
I'm no nearer to making the food bank the £3,000 | 0:38:37 | 0:38:40 | |
they need to move premises. | 0:38:40 | 0:38:42 | |
I need to sell these starburst mirrors. | 0:38:42 | 0:38:45 | |
And I've now just got one month to do it before the antiques market | 0:38:45 | 0:38:48 | |
shuts down at Christmas. | 0:38:48 | 0:38:50 | |
This is our dialogue with our customers | 0:38:52 | 0:38:55 | |
right here and so I thought we'll put these in the window. | 0:38:55 | 0:39:00 | |
They're quite Christmassy, we're coming up to Christmas, | 0:39:02 | 0:39:05 | |
they're kind of jewel-like, they're jewellery for your wall. | 0:39:05 | 0:39:09 | |
And I think they look absolutely terrific | 0:39:09 | 0:39:13 | |
and I'm hoping we'll stop a bit of traffic. | 0:39:13 | 0:39:16 | |
You know, people do actually drive past and call us up, | 0:39:16 | 0:39:18 | |
so it's giving them the best shot they can possibly have. | 0:39:18 | 0:39:23 | |
'I started in this trade 20 years ago, | 0:39:31 | 0:39:34 | |
'buying antique boxes for 50 quid and selling them for 70. | 0:39:34 | 0:39:37 | |
'With time against me, I'm going | 0:39:38 | 0:39:40 | |
'back to basics to make a quick turn for the food bank.' | 0:39:40 | 0:39:44 | |
'I'm seeing a local dealer who specialises in antique memento mori. | 0:39:46 | 0:39:51 | |
'Memento mori is Latin for "remember you will die" | 0:39:53 | 0:39:58 | |
'and this symbolic reminder has been used | 0:39:58 | 0:40:01 | |
'mainly in Christian art since medieval times.' | 0:40:01 | 0:40:03 | |
-Can we have a look at that? -Yeah. | 0:40:03 | 0:40:05 | |
Thank you. | 0:40:08 | 0:40:09 | |
Has it got its liner? Yes. | 0:40:09 | 0:40:12 | |
This is made from brass, probably late 19th century. | 0:40:12 | 0:40:17 | |
-What, 1890? -About right. -Yep. | 0:40:17 | 0:40:20 | |
How much is it? | 0:40:20 | 0:40:21 | |
That's £100. | 0:40:21 | 0:40:24 | |
So, done. | 0:40:24 | 0:40:25 | |
OK, thank you. Would you like it wrapped, sir? | 0:40:25 | 0:40:27 | |
No, I don't need it wrapped, thank you. | 0:40:27 | 0:40:29 | |
I don't need the full service. Trade price. | 0:40:29 | 0:40:32 | |
I can take it out on my own. | 0:40:32 | 0:40:33 | |
'I've got a collector in mind who I'm seeing tomorrow evening. | 0:40:33 | 0:40:37 | |
'He's a bit of a fan of memento mori and I'm sure he's going to bite.' | 0:40:37 | 0:40:42 | |
'At the end of our business dinner, | 0:40:46 | 0:40:48 | |
'I slip the memento mori into the conversation.' | 0:40:48 | 0:40:51 | |
You see, they remind you of your own mortality, | 0:40:51 | 0:40:53 | |
they don't do anything to assuage it. | 0:40:53 | 0:40:55 | |
So you still end up looking like that. | 0:40:55 | 0:40:58 | |
I'm sure we can shake on...300. | 0:40:58 | 0:41:01 | |
Well, I'm going to pause for effect, | 0:41:03 | 0:41:05 | |
but I'm going to take your hand. | 0:41:05 | 0:41:07 | |
Thank you. | 0:41:07 | 0:41:09 | |
'That's a quick £200 for the food bank.' | 0:41:09 | 0:41:12 | |
'And I've had some great news about the starburst mirrors.' | 0:41:16 | 0:41:20 | |
Sold, yes. | 0:41:20 | 0:41:22 | |
I got a phone call. | 0:41:22 | 0:41:23 | |
They left a message on my mobile | 0:41:23 | 0:41:26 | |
saying they'll take them. | 0:41:26 | 0:41:29 | |
So we'll invoice those out today. | 0:41:29 | 0:41:31 | |
Sold for £4,000 for the whole lot. | 0:41:31 | 0:41:33 | |
So a nice, tidy little profit, actually. | 0:41:33 | 0:41:37 | |
'Added to the profit for the memento mori, that's £2,000 towards | 0:41:37 | 0:41:41 | |
'the £3,000 total that the food bank need to move premises. | 0:41:41 | 0:41:46 | |
'But with less than a month to make the rest of the money, | 0:41:46 | 0:41:49 | |
'I've now got to turn my attention to the charity auction that I've | 0:41:49 | 0:41:53 | |
'planned the week before Christmas. | 0:41:53 | 0:41:56 | |
'My strategy is to buy small, luxury items that will appeal | 0:41:56 | 0:42:00 | |
'to a festive crowd. | 0:42:00 | 0:42:01 | |
'I'm hoping in a single night I'll make | 0:42:01 | 0:42:04 | |
'the rest of the money for both charities.' | 0:42:04 | 0:42:07 | |
'I'm going to buy for the food bank first and I've spotted | 0:42:10 | 0:42:13 | |
'a piece of jewellery that's coming up for auction in Monte Carlo. | 0:42:13 | 0:42:17 | |
'While it would be nice, I don't actually have to be | 0:42:18 | 0:42:21 | |
'there in person to bid.' | 0:42:21 | 0:42:23 | |
Phone call from Monte Carlo coming through any moment | 0:42:25 | 0:42:29 | |
now for a rather lovely gold bracelet. | 0:42:29 | 0:42:31 | |
'This gold bracelet with pearl inlay from the '70s is the perfect | 0:42:31 | 0:42:36 | |
'impulse buy for my charity auction and it has a low estimate, | 0:42:36 | 0:42:40 | |
'so I hope to nick it for less than 1,500 quid.' | 0:42:40 | 0:42:44 | |
Deuxieme enchere. | 0:42:45 | 0:42:47 | |
Cinq cents. | 0:42:49 | 0:42:50 | |
Sept cents. | 0:42:56 | 0:42:58 | |
-Huit cents. -Huit cents. | 0:42:58 | 0:42:59 | |
Oui, OK. | 0:42:59 | 0:43:01 | |
HE SPEAKS IN FRENCH | 0:43:01 | 0:43:02 | |
GAVEL BANGS | 0:43:02 | 0:43:04 | |
That is one beautiful 1970s gold and pearl bracelet. | 0:43:04 | 0:43:08 | |
Very wearable, very chic, Parisian chic. | 0:43:08 | 0:43:11 | |
'And at just under £1,400, it's a sure winner.' | 0:43:11 | 0:43:15 | |
'From Monte Carlo to Paris for my next buy for the food bank.' | 0:43:23 | 0:43:27 | |
-Bonjour. -Ca va? | 0:43:28 | 0:43:31 | |
'It's a piece by French modernist sculptor Philippe Hiquily.' | 0:43:31 | 0:43:35 | |
A long time. It's called the Roberts, you know about it. | 0:43:35 | 0:43:38 | |
Yes, let me just say I can translate that, but I won't. | 0:43:38 | 0:43:41 | |
But if you think about the first thing that comes into your head | 0:43:41 | 0:43:44 | |
when you see this sculpture, that is the title. | 0:43:44 | 0:43:46 | |
'Hiquily has been exhibited at the Guggenheim in New York | 0:43:46 | 0:43:49 | |
'and the Pompidou Centre here in Paris. | 0:43:49 | 0:43:52 | |
'This piece is made of Perspex and polished bronze.' | 0:43:52 | 0:43:55 | |
Hiquily, he's quite irreverent, isn't it? | 0:43:55 | 0:43:57 | |
It's always quite naughty and it's quite sexual and... | 0:43:57 | 0:44:02 | |
Yes it was, he was. | 0:44:02 | 0:44:03 | |
And the furniture's very organic, and that's his style, isn't it? | 0:44:03 | 0:44:07 | |
Like this one, I mean, this is obvious what it is | 0:44:07 | 0:44:10 | |
-but you know, it's kind of... It's kind of fun. -Yeah. | 0:44:10 | 0:44:13 | |
You look at that and you know it's naughty and it makes you smile | 0:44:13 | 0:44:17 | |
and it's quite sexy too. | 0:44:17 | 0:44:19 | |
It is sexy and the title of the sculpture, Les Roberts, | 0:44:19 | 0:44:24 | |
-in French means tits. -Yeah, I know.... | 0:44:24 | 0:44:26 | |
And a lot of sculptures, | 0:44:26 | 0:44:31 | |
his work, is turn on erotic things. | 0:44:31 | 0:44:36 | |
-Erotic things. -Yeah. | 0:44:36 | 0:44:37 | |
Hiquily is not well-known in the UK except by people like me | 0:44:37 | 0:44:42 | |
who are, you know... | 0:44:42 | 0:44:43 | |
Collectionneur. | 0:44:43 | 0:44:45 | |
Informed, yeah. | 0:44:45 | 0:44:46 | |
He's more famous in New York. | 0:44:46 | 0:44:49 | |
Come on, then, let's cut to some pricing. | 0:44:49 | 0:44:52 | |
What are you asking for it in here, in the gallery? | 0:44:52 | 0:44:55 | |
You know, my dear Andrew, | 0:44:55 | 0:44:57 | |
-the price, le prix public... -Oui. | 0:44:57 | 0:45:00 | |
-..is 10,000 euro. -Yes. | 0:45:01 | 0:45:04 | |
And the prix special pour le client special? | 0:45:04 | 0:45:08 | |
The prix special is something like 6,000 | 0:45:08 | 0:45:13 | |
and I won't go under that. | 0:45:13 | 0:45:14 | |
Jean-Marc, 6,000 is a very friendly price. | 0:45:14 | 0:45:18 | |
Thank you, you have a deal. | 0:45:18 | 0:45:19 | |
OK. | 0:45:19 | 0:45:21 | |
'Although Hiquily is less well-known in Britain, I'm inviting | 0:45:21 | 0:45:24 | |
'a number of international clients to the charity auction | 0:45:24 | 0:45:27 | |
'and at 6,000 euros, that's a fantastic price.' | 0:45:27 | 0:45:31 | |
With the sculpture and the gold bracelet bought for the food bank, | 0:45:37 | 0:45:40 | |
I hope to make the additional £1,000 I need to reach my £3,000 target. | 0:45:40 | 0:45:45 | |
'Now I'm turning my attention to the disabled community group. | 0:45:45 | 0:45:49 | |
'So far, I've made just under £500 from selling the Mars globe | 0:45:49 | 0:45:53 | |
'and the military globe. | 0:45:53 | 0:45:55 | |
'But they need £2,500 to repair their minibus. | 0:45:55 | 0:46:00 | |
'So I've decided to go for a famous name that is sure to drive up | 0:46:00 | 0:46:04 | |
'the bidding on the night. | 0:46:04 | 0:46:05 | |
'Pablo Picasso.' | 0:46:05 | 0:46:07 | |
If you want to own a Picasso, then you buy a ceramic, | 0:46:08 | 0:46:11 | |
because it's the inexpensive way to own one. | 0:46:11 | 0:46:13 | |
They're also absolutely typical of his work. | 0:46:13 | 0:46:16 | |
Anyway, this one, Dancing Figures, absolutely typical, | 0:46:16 | 0:46:19 | |
it's absolutely wonderful. | 0:46:19 | 0:46:21 | |
There's 400 copies of this produced in the world, | 0:46:21 | 0:46:23 | |
only 400 of them. | 0:46:23 | 0:46:24 | |
The guy's arriving any minute now, I've got an appointment with him. | 0:46:24 | 0:46:28 | |
The price is right. | 0:46:28 | 0:46:29 | |
If the condition's right, I'm going to buy it. | 0:46:29 | 0:46:31 | |
DOORBELL RINGS | 0:46:31 | 0:46:33 | |
Neil, come in. How are you? | 0:46:33 | 0:46:35 | |
-I'm very good. -Nice to see you. -Good to see you as well. | 0:46:35 | 0:46:38 | |
Come on in. | 0:46:38 | 0:46:39 | |
One Picasso. | 0:46:39 | 0:46:40 | |
Okey-doke. | 0:46:40 | 0:46:42 | |
Oh, yes, look at that. | 0:46:43 | 0:46:46 | |
So, you can see it's dated 1st August 1957. | 0:46:46 | 0:46:49 | |
It's called Dancing | 0:46:49 | 0:46:52 | |
and you have these three cavorting figures in the centre. | 0:46:52 | 0:46:57 | |
'Picasso began producing ceramics in 1947 at the | 0:46:57 | 0:47:00 | |
'Madoura Pottery in Vallauris, | 0:47:00 | 0:47:02 | |
'the same French town the starburst mirrors were made.' | 0:47:02 | 0:47:06 | |
Let's have a look at the thing at the back. | 0:47:06 | 0:47:09 | |
Oops, I don't want to tip it over too much. | 0:47:09 | 0:47:11 | |
So you've got the edition Picasso stamp. | 0:47:11 | 0:47:13 | |
Yep, so the ones you want are the ones with the small editions. | 0:47:13 | 0:47:16 | |
They're the really valuable ones, in the sort of 20s. | 0:47:16 | 0:47:19 | |
Yeah, I mean, to be honest, what sells is a pretty plate. | 0:47:19 | 0:47:23 | |
Yeah. | 0:47:23 | 0:47:24 | |
So if it's pretty, it sells, even if | 0:47:24 | 0:47:26 | |
it's an apres Picasso, | 0:47:26 | 0:47:29 | |
-frankly, there's not... -Have a seat. | 0:47:29 | 0:47:31 | |
..there's not too much difference in value | 0:47:31 | 0:47:33 | |
whether it's an apres Picasso | 0:47:33 | 0:47:35 | |
or whether it's an original Picasso plate. | 0:47:35 | 0:47:37 | |
That is such a nice thing. I've been looking for one. | 0:47:37 | 0:47:41 | |
I've been really looking for one, Neil. | 0:47:41 | 0:47:43 | |
Thank you so much for bringing that. | 0:47:43 | 0:47:45 | |
What are you asking for it, retail? | 0:47:45 | 0:47:49 | |
Well, you have to remember that recently prices have zoomed | 0:47:49 | 0:47:51 | |
-skywards for these things. -Yes. | 0:47:51 | 0:47:53 | |
I'm suggesting a retail price of | 0:47:53 | 0:47:57 | |
six and a quarter is quite a fair one | 0:47:57 | 0:47:59 | |
and seeing as you're a dealer, | 0:47:59 | 0:48:01 | |
I would afford you a 25% trade discount. | 0:48:01 | 0:48:05 | |
-A modest 4,650. -Yes. | 0:48:05 | 0:48:07 | |
How does that sound? | 0:48:07 | 0:48:08 | |
Well, I said to myself, | 0:48:08 | 0:48:11 | |
"If it's under 5,000, it's well priced." | 0:48:11 | 0:48:14 | |
Yeah, I'll shake your hand on that and say thank you. | 0:48:14 | 0:48:16 | |
-Thank you very much. -Thank you. | 0:48:16 | 0:48:18 | |
I'm going to sell this in a charity auction | 0:48:18 | 0:48:20 | |
and I'm going to give the profit away. | 0:48:20 | 0:48:22 | |
-I think there is a profit in it. -I think there's a profit in it too. | 0:48:22 | 0:48:25 | |
-If someone pays 7,000 for that, they've not done badly at all. -No, absolutely. | 0:48:25 | 0:48:29 | |
-You take care. -And you. -Bye. -Bye. Good night. | 0:48:30 | 0:48:33 | |
'I bought the second item for the disabled community group | 0:48:36 | 0:48:39 | |
'through an online auction. | 0:48:39 | 0:48:40 | |
'It's a beautiful decanter box, complete with four crystal | 0:48:40 | 0:48:43 | |
'decanters and I stole it for £870. | 0:48:43 | 0:48:47 | |
'To ensure the maximum profit, it's at my restorers for a sympathetic | 0:48:47 | 0:48:51 | |
'clean and polish. | 0:48:51 | 0:48:53 | |
'Dating from around 1870, the case is made from walnut and ebony. | 0:48:54 | 0:48:58 | |
'It's the perfect small, luxury item for wealthy buyers | 0:48:58 | 0:49:02 | |
'looking for Christmas presents. | 0:49:02 | 0:49:04 | |
'It also has provenance, which gives authenticity | 0:49:04 | 0:49:08 | |
'and will help attract a good price when I come to sell.' | 0:49:08 | 0:49:11 | |
This case of four decanters was | 0:49:13 | 0:49:15 | |
the property of Admiral Sir Francis Bridgeman, | 0:49:15 | 0:49:18 | |
one-time First Sea Lord. | 0:49:18 | 0:49:20 | |
Resided at Copgrove Hall, near Harrogate. | 0:49:20 | 0:49:24 | |
So it's come from Yorkshire. | 0:49:24 | 0:49:26 | |
That is, presumably, something like his ex libris card. | 0:49:26 | 0:49:29 | |
That's a super, super little box. That's going to find a new home | 0:49:29 | 0:49:33 | |
and that's going to make some good coin. | 0:49:33 | 0:49:36 | |
'The evening of the auction has arrived. | 0:49:41 | 0:49:44 | |
'Tonight is my last chance to get the rest of the money | 0:49:44 | 0:49:47 | |
'the charities need. | 0:49:47 | 0:49:48 | |
'It's a black tie event | 0:49:48 | 0:49:49 | |
'and I've invited my entire black book of international clients.' | 0:49:49 | 0:49:53 | |
Hi, Andrew. | 0:49:53 | 0:49:54 | |
'I've also invited Steve from the food bank. | 0:49:54 | 0:49:56 | |
'I'm selling the gold bracelet | 0:49:56 | 0:49:58 | |
'and the Hiquily sculpture on his charity's behalf.' | 0:49:58 | 0:50:01 | |
Nice to see you in your glad rags. | 0:50:02 | 0:50:04 | |
'I need to make him £1,000 tonight to reach my 3,000 total | 0:50:04 | 0:50:08 | |
'so they can move premises. | 0:50:08 | 0:50:11 | |
'David and volunteer Aaron | 0:50:11 | 0:50:12 | |
'from the disabled community group are also here. | 0:50:12 | 0:50:15 | |
'I've only made them £500 so far with the sale of the globes. | 0:50:15 | 0:50:21 | |
'Tonight I'm selling the Picasso plate and the decanter set for them. | 0:50:21 | 0:50:25 | |
'If I get the prices I want, | 0:50:25 | 0:50:27 | |
'they will be able to repair that minibus.' | 0:50:27 | 0:50:29 | |
'I'm going to be the auctioneer. I'm going to be working that room | 0:50:34 | 0:50:37 | |
'and driving those prices up.' | 0:50:37 | 0:50:40 | |
I hope you've all drunk plenty of wine and you're all talked out | 0:50:40 | 0:50:45 | |
and now you're thinking about spending | 0:50:45 | 0:50:48 | |
a few quid, all in a good cause. | 0:50:48 | 0:50:51 | |
I am now going to get on with selling the first lot, | 0:50:51 | 0:50:54 | |
so cut lead glass crystal, | 0:50:54 | 0:50:56 | |
walnut case. It's burr walnut. | 0:50:56 | 0:50:58 | |
It's English, it's from about 1840, 1850, | 0:50:58 | 0:51:01 | |
and I'm going to get bidding under way. | 0:51:01 | 0:51:03 | |
So, could you please, please start me at 800 quid on this? | 0:51:03 | 0:51:06 | |
I have 900, 1,000, | 0:51:06 | 0:51:08 | |
1,300. Will I go 1,500 here? | 0:51:08 | 0:51:11 | |
1,600, thank you. | 0:51:11 | 0:51:12 | |
1,700, 1,800. | 0:51:12 | 0:51:15 | |
1,900. Was that a nod? | 0:51:15 | 0:51:17 | |
1,900. | 0:51:17 | 0:51:18 | |
GAVEL BANGS | 0:51:18 | 0:51:19 | |
Sold, thank you. | 0:51:19 | 0:51:20 | |
Next, a plate by the world's greatest 20th century artist, | 0:51:20 | 0:51:24 | |
Pablo Picasso. | 0:51:24 | 0:51:26 | |
4,500, I'll take 4,600, | 0:51:26 | 0:51:27 | |
we'll go up in hundreds. | 0:51:27 | 0:51:29 | |
4,600, 4,700. | 0:51:29 | 0:51:30 | |
5,000, 5,100. | 0:51:30 | 0:51:32 | |
5,200, I do have 5,200. | 0:51:32 | 0:51:35 | |
5,300, sir. | 0:51:35 | 0:51:36 | |
5,600, 5,700. | 0:51:36 | 0:51:38 | |
It's only money. | 0:51:38 | 0:51:39 | |
5,800, thank you. 5,800. | 0:51:39 | 0:51:41 | |
5,900. | 0:51:41 | 0:51:43 | |
And I am going to sell for £5,900. | 0:51:43 | 0:51:46 | |
6,000 behind you. | 0:51:46 | 0:51:48 | |
6,000. | 0:51:48 | 0:51:50 | |
£6,200, to the man who's heard of Pablo Picasso. | 0:51:50 | 0:51:54 | |
I am going to sell, thank you! | 0:51:54 | 0:51:56 | |
GAVEL BANGS | 0:51:56 | 0:51:57 | |
I'm going to cut to Monaco, that's where I bought this. | 0:51:57 | 0:52:00 | |
I would like to start you at £1,000. | 0:52:00 | 0:52:03 | |
1,000, thank you sir. | 0:52:03 | 0:52:04 | |
1,100. | 0:52:04 | 0:52:06 | |
1,200. | 0:52:06 | 0:52:08 | |
1,300. 1,400. | 0:52:08 | 0:52:10 | |
Would you like to bid, madam? | 0:52:10 | 0:52:12 | |
1,700. | 0:52:12 | 0:52:13 | |
2,300 at the front here. | 0:52:13 | 0:52:16 | |
Oh, 2,400! | 0:52:16 | 0:52:18 | |
Hammer down pronto, sold. | 0:52:18 | 0:52:20 | |
Thank you very much. I know you want it. | 0:52:20 | 0:52:23 | |
This is an artist's proof, | 0:52:23 | 0:52:25 | |
number one of the artist's proof. | 0:52:25 | 0:52:28 | |
Les Roberts by Philippe Hiquily, Perspex and polished bronze. | 0:52:28 | 0:52:32 | |
Who is going to start me at £4,000? | 0:52:32 | 0:52:36 | |
Are you really not going to buy this? | 0:52:38 | 0:52:40 | |
Come on! | 0:52:40 | 0:52:41 | |
Do you know what these retail for? | 0:52:42 | 0:52:44 | |
You'd be lucky to pick one of these up for under 8,000. | 0:52:44 | 0:52:48 | |
£4,000? No? | 0:52:49 | 0:52:52 | |
Is no-one going to buy this sculpture for 4,000, no? | 0:52:53 | 0:52:57 | |
Cos I will pass. No? | 0:52:57 | 0:52:59 | |
Pass. | 0:52:59 | 0:53:01 | |
'I knew that Philippe Hiquily wasn't that well-known in Britain, | 0:53:01 | 0:53:04 | |
'but I really thought that sculpture would sell.' | 0:53:04 | 0:53:07 | |
We have made you some money, as well, on the two trades | 0:53:07 | 0:53:10 | |
I've done, so you are going to be able set that thing up. | 0:53:10 | 0:53:13 | |
-Thank you very much. -And if you can't from the money I've made, | 0:53:13 | 0:53:16 | |
I'll make up the difference myself. | 0:53:16 | 0:53:17 | |
Oh, bless you, thank you, that's really kind of you. | 0:53:17 | 0:53:20 | |
I'll write the cheque, I don't care. | 0:53:20 | 0:53:22 | |
'People can spend large sums in galleries like mine | 0:53:23 | 0:53:26 | |
'quite easily and yet £3,000 will make such a difference | 0:53:26 | 0:53:30 | |
'to small charities like the food bank. | 0:53:30 | 0:53:33 | |
'And on the profits of the gold bangle alone, | 0:53:33 | 0:53:35 | |
'I've made the final £1,000 they need, | 0:53:35 | 0:53:38 | |
'which is fantastic and a relief.' | 0:53:38 | 0:53:41 | |
So this is my wonderful Roberts, which didn't sell | 0:53:41 | 0:53:44 | |
at the auction, which was a bit disappointing, actually. | 0:53:44 | 0:53:47 | |
But the good news is it's sold now. | 0:53:47 | 0:53:50 | |
So that has turned a £500 profit, | 0:53:50 | 0:53:53 | |
which I shall add to Steve's total. | 0:53:53 | 0:53:57 | |
And I'm very pleased too. | 0:53:57 | 0:53:58 | |
I'm off to see Steve and I'm going to hand him over a fat cheque | 0:54:05 | 0:54:10 | |
and I have to say it feels very good to be part of his team. | 0:54:10 | 0:54:15 | |
'With the promise I made Steve at the auction, | 0:54:15 | 0:54:18 | |
'today's the day they're moving into their new premises.' | 0:54:18 | 0:54:21 | |
Three months of work, all condensed today | 0:54:21 | 0:54:23 | |
into one piece of paper with some numbers written on it, | 0:54:23 | 0:54:25 | |
which is going to make a lot of difference to a lot of people. | 0:54:25 | 0:54:28 | |
That's a good feeling. | 0:54:28 | 0:54:29 | |
-Andrew! -Hello. -Hi, welcome. | 0:54:33 | 0:54:36 | |
-Happy New Year. -And to you, how are you? -I'm good. | 0:54:36 | 0:54:38 | |
Well, Steve, the place looks fantastic. | 0:54:38 | 0:54:41 | |
It's a hive of activity today, and we're really excited | 0:54:41 | 0:54:45 | |
because this is the day that we've been waiting for. | 0:54:45 | 0:54:47 | |
So, anyway, I wrote the cheque out earlier. | 0:54:47 | 0:54:50 | |
The last bit of the cheque says 4p. | 0:54:50 | 0:54:54 | |
STEVE LAUGHS | 0:54:54 | 0:54:55 | |
But that's the less significant part of it. | 0:54:55 | 0:54:57 | |
I don't know, it all helps. | 0:54:57 | 0:54:58 | |
Anyway, there's a cheque for | 0:54:58 | 0:55:00 | |
just over three and a half grand. | 0:55:00 | 0:55:02 | |
Wow, thank you so much! That is amazing. | 0:55:02 | 0:55:06 | |
That is just stunning. | 0:55:06 | 0:55:08 | |
This represents changed lives, Andrew. | 0:55:08 | 0:55:11 | |
It does. For those people that are going through | 0:55:11 | 0:55:14 | |
a crisis in their lives, | 0:55:14 | 0:55:15 | |
this makes a significant difference. | 0:55:15 | 0:55:17 | |
So, genuinely, I mean this, thank you so much. | 0:55:17 | 0:55:21 | |
Very pleasurable thing to be able to do, to make a small | 0:55:21 | 0:55:23 | |
difference for someone like Steve and his dedicated team here. | 0:55:23 | 0:55:27 | |
It's called the Basics Bank and as with many things in life, | 0:55:27 | 0:55:31 | |
simple things done very well make a big difference. | 0:55:31 | 0:55:34 | |
That's what he's doing here. | 0:55:34 | 0:55:36 | |
'I've come back to Aberdeen to meet up with David | 0:55:42 | 0:55:45 | |
'and the disabled community group.' | 0:55:45 | 0:55:47 | |
I've got a cheque in my pocket for him and it's going to exceed | 0:55:50 | 0:55:53 | |
his expectations and I'm delighted | 0:55:53 | 0:55:55 | |
that I'm going to be able to give that to him, | 0:55:55 | 0:55:57 | |
because it's a bit extra and if anyone deserves it, David does. | 0:55:57 | 0:56:01 | |
How are you? | 0:56:05 | 0:56:06 | |
I'm very well, how you doing? | 0:56:06 | 0:56:07 | |
-I know you weren't expecting me. How's things? -I'm shocked. | 0:56:07 | 0:56:10 | |
-How are you? -I'm very well, thank you. I'm doing good. | 0:56:10 | 0:56:12 | |
Well, hopefully we've got you what you wanted, I think. | 0:56:12 | 0:56:15 | |
So you'll be keeping your bus on the road | 0:56:15 | 0:56:18 | |
and hopefully installing a cinema screen. | 0:56:18 | 0:56:21 | |
That's for you, | 0:56:23 | 0:56:25 | |
and it's a little bit more than... | 0:56:25 | 0:56:27 | |
-Oh, my God. -..you requested. | 0:56:27 | 0:56:30 | |
And that should, as I said, | 0:56:30 | 0:56:33 | |
keep the bus on the road | 0:56:33 | 0:56:35 | |
and install a cinema screen, I hope, or a projector, yeah? | 0:56:35 | 0:56:40 | |
-Good. -Thank you so much. | 0:56:40 | 0:56:43 | |
-My pleasure. -Thank you so much. | 0:56:43 | 0:56:44 | |
I know you give your heart and soul into this charity, | 0:56:44 | 0:56:47 | |
-so it's nice to be able to help. -Oh! | 0:56:47 | 0:56:49 | |
This means a lot. | 0:56:51 | 0:56:53 | |
Oh, I'm shaking now. I'm shaking. Thank you. | 0:56:53 | 0:56:56 | |
-Oh, I mean, this is going to fix... -Good. -..so much | 0:56:56 | 0:57:00 | |
and I just can't thank you enough. | 0:57:00 | 0:57:02 | |
I really can't. Thank you so, so, so much. | 0:57:02 | 0:57:04 | |
My pleasure, my pleasure, David. No, really, really. | 0:57:04 | 0:57:07 | |
'In total, I raised £2,873 | 0:57:07 | 0:57:11 | |
'for David and the group.' | 0:57:11 | 0:57:13 | |
Ah-ha. | 0:57:13 | 0:57:15 | |
-WOMAN OFFSCREEN: -Which one, that one? -That one. | 0:57:18 | 0:57:20 | |
'This has been a humbling experience for me. | 0:57:20 | 0:57:22 | |
'I'm so glad I was able to help.' | 0:57:22 | 0:57:24 | |
I've been... I've been working away, sort of ducking and diving | 0:57:24 | 0:57:28 | |
and come up with that eventually. | 0:57:28 | 0:57:31 | |
So I hope that's going to help out a bit. | 0:57:31 | 0:57:33 | |
-Can I give you a hug? -Yeah, course you can. | 0:57:33 | 0:57:35 | |
-Thanks very much. -Thank you, thank you very much. | 0:57:35 | 0:57:37 | |
-Do I get one those every time I bring a cheque? -Yes. | 0:57:37 | 0:57:40 | |
-Ah-ha. -Oh. -Down the bottom. | 0:57:44 | 0:57:47 | |
This is brilliant, isn't it? | 0:57:47 | 0:57:49 | |
Give me a kiss, I'm so happy. I'm so happy. | 0:57:49 | 0:57:51 | |
It's going to be great, cos people are going to be more | 0:57:51 | 0:57:54 | |
and more and more fun. | 0:57:54 | 0:57:55 | |
People are going to get out and about. | 0:57:55 | 0:57:57 | |
-DAVID: -Seeing the members happy is why I do it. | 0:58:02 | 0:58:05 | |
I get to say to Mum that she's going to get out | 0:58:07 | 0:58:11 | |
and she's going to see her friends | 0:58:11 | 0:58:15 | |
more and it's just the best feeling. | 0:58:15 | 0:58:18 | |
It's, you know, it's like Mother's Day all comes at once. | 0:58:18 | 0:58:22 | |
It's the... | 0:58:22 | 0:58:23 | |
It's just the best feeling. | 0:58:25 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:42 | 0:58:44 |