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Right now, all of us are feeling the pinch, | 0:00:02 | 0:00:04 | |
and our nation's charities are no exception. | 0:00:04 | 0:00:06 | |
It's difficult to give as much as we used to, | 0:00:06 | 0:00:08 | |
and sadly, it's the small charities that are suffering the most. | 0:00:08 | 0:00:12 | |
It is a struggle to find extra money. | 0:00:12 | 0:00:15 | |
I'm up to my limit. I can't work any harder than what I'm doing. | 0:00:15 | 0:00:18 | |
These charities are run by volunteers, | 0:00:18 | 0:00:20 | |
who dedicate their lives to helping others. | 0:00:20 | 0:00:23 | |
-One adult, one child? -That's correct, yeah. | 0:00:23 | 0:00:26 | |
My life is a world away from Britain's struggling charities, | 0:00:26 | 0:00:29 | |
but now, I want to give something back. | 0:00:29 | 0:00:32 | |
My name is Andrew Lamberty, | 0:00:32 | 0:00:34 | |
and I'm an international antiques dealer based in London's Belgravia. | 0:00:34 | 0:00:39 | |
I find beautiful, esoteric, unusual, amazing things. | 0:00:39 | 0:00:43 | |
I have found a collection of glass eyes. | 0:00:43 | 0:00:46 | |
I buy them and I sell them. | 0:00:46 | 0:00:48 | |
'Now, I think I can use my talent for buying art and antiques...' | 0:00:48 | 0:00:53 | |
-550, is it? -No, well, 500 is it. | 0:00:53 | 0:00:56 | |
'..to sell to my wealthy clients...' | 0:00:56 | 0:00:58 | |
That has actually seen the Cuban Missile Crisis. | 0:00:58 | 0:01:01 | |
'..and give the profits to these heroic small charities.' | 0:01:01 | 0:01:04 | |
-Always go round the front of the horse. -Hi! | 0:01:04 | 0:01:07 | |
But it's not going to be easy. | 0:01:07 | 0:01:09 | |
The recession has hit the antiques trade, too. | 0:01:09 | 0:01:11 | |
Well, they're not right for this room. | 0:01:11 | 0:01:13 | |
1,600 quid. | 0:01:13 | 0:01:16 | |
In isolation, I probably wouldn't buy either of these. | 0:01:16 | 0:01:19 | |
And making money is harder than ever before. | 0:01:19 | 0:01:23 | |
When the market was really buoyant, | 0:01:23 | 0:01:24 | |
people would have your arm off for those, because otherwise, someone would just buy them. | 0:01:24 | 0:01:28 | |
I've given myself just three months to make the money | 0:01:28 | 0:01:31 | |
the charities need, so I'm going to bid at auction, travel overseas | 0:01:31 | 0:01:35 | |
to trade fairs, and even organise a special auction evening. | 0:01:35 | 0:01:39 | |
-I'm going to sell, thank you! -APPLAUSE | 0:01:39 | 0:01:42 | |
'And rather than keeping the money, I will give all the profits | 0:01:42 | 0:01:45 | |
'to these small charities who make Britain a better place.' | 0:01:45 | 0:01:49 | |
This represents changed lives, Andrew. It does. | 0:01:49 | 0:01:53 | |
I've been in the art and antiques trade for over 20 years, buying and | 0:02:07 | 0:02:11 | |
selling from around the world for my own gallery in the heart of London. | 0:02:11 | 0:02:16 | |
I first started in this business at the very bottom. | 0:02:16 | 0:02:21 | |
I started as a van driver. | 0:02:21 | 0:02:23 | |
Each week, you're doing a tour round the Southwest, | 0:02:23 | 0:02:25 | |
a tour round the Midlands, a tour round East Anglia. | 0:02:25 | 0:02:28 | |
You're visiting maybe 30 auctions a week, | 0:02:28 | 0:02:31 | |
and come back to town on a Friday and sell round the dealers. | 0:02:31 | 0:02:35 | |
If you're selling to dealers, you're selling to people who know what they are about, | 0:02:35 | 0:02:38 | |
so you cannot make mistakes. | 0:02:38 | 0:02:40 | |
So, I learned from that a great deal. | 0:02:40 | 0:02:43 | |
I have been there, I've run out of cash, and it's not nice. | 0:02:43 | 0:02:47 | |
I'm going to help two small, struggling charities. | 0:02:49 | 0:02:53 | |
I will be putting up my own cash to buy art and antiques. | 0:02:53 | 0:02:57 | |
The money I make selling them on will go straight to the charities. | 0:02:57 | 0:03:01 | |
I'll do the work. The charities will get all the profits. | 0:03:01 | 0:03:05 | |
But the three months I've given myself is a pretty small window | 0:03:06 | 0:03:10 | |
to make the sales, either to my personal network of clients | 0:03:10 | 0:03:13 | |
or at a charity auction I've got planned. | 0:03:13 | 0:03:16 | |
The first charity I'm helping is in Manchester, | 0:03:20 | 0:03:23 | |
where I'm meeting Maxine McCarthy. | 0:03:23 | 0:03:26 | |
She's a featherweight boxer, and she set up the not-for-profit Pro Box Academy. | 0:03:26 | 0:03:31 | |
OK, get angry, come on! | 0:03:35 | 0:03:37 | |
It's a fitness gym aimed at women. | 0:03:37 | 0:03:39 | |
All of Maxine's clients have been through rough times - | 0:03:39 | 0:03:43 | |
everything from depression and long-term unemployment to domestic violence. | 0:03:43 | 0:03:48 | |
Can you tell me a little bit more about your boxing club? | 0:03:48 | 0:03:51 | |
Fitness is the key to having a good life. | 0:03:51 | 0:03:54 | |
You know, a lot of these women, they wouldn't step in a gym. A lot of them can't afford it. | 0:03:54 | 0:03:58 | |
They have children, you know, they are single parents, | 0:03:58 | 0:04:01 | |
some of them have weight issues, mental health. | 0:04:01 | 0:04:04 | |
-You know, it's all walks of life that come in here. -Yeah. | 0:04:04 | 0:04:07 | |
'One of the women that inspired Maxine to set up the place is her very own sister, Kathy. | 0:04:09 | 0:04:14 | |
'The gym is her lifeline, and she uses it five days a week | 0:04:14 | 0:04:18 | |
'to help deal with a deeply traumatic experience.' | 0:04:18 | 0:04:22 | |
Six years ago, I was stabbed by three men. | 0:04:22 | 0:04:27 | |
They broke into my home at five o'clock in the morning, | 0:04:27 | 0:04:30 | |
and I was repeatedly stabbed. Eight times. | 0:04:30 | 0:04:34 | |
I lost a kidney, | 0:04:34 | 0:04:36 | |
I've got horrendous scarring on my stomach, my back, my legs, nerve damage, | 0:04:36 | 0:04:43 | |
through the amount of injuries that I sustained at the time. | 0:04:43 | 0:04:46 | |
I lost my unborn child, too. | 0:04:46 | 0:04:49 | |
-Right. -Which is quite hard to talk about. | 0:04:50 | 0:04:54 | |
-This is a godsend, this gym. -Right. | 0:05:02 | 0:05:03 | |
-The gym has given my mind something to do. -Mm-hmm. | 0:05:03 | 0:05:08 | |
When something bad... When you've been through trauma like I have, | 0:05:08 | 0:05:11 | |
-you seem to tend to overthink things. -Do you come here every day? | 0:05:11 | 0:05:15 | |
I come here Monday to Friday, and it sets the tone for the day for me. | 0:05:15 | 0:05:19 | |
-OK. -It's something for me to get up for. | 0:05:19 | 0:05:22 | |
I couldn't go to a normal gym where it's all different people | 0:05:22 | 0:05:26 | |
-and it's mixed, it's men, women... -Cos you've got community here? | 0:05:26 | 0:05:29 | |
This is. Coming to the gym and being around lots of women made me feel normal again. | 0:05:29 | 0:05:35 | |
I'm not meant to be lost for words, | 0:05:37 | 0:05:40 | |
but you come up somewhere out of your own comfort zone | 0:05:40 | 0:05:44 | |
and then you find out that there's someone so brave like this who is, | 0:05:44 | 0:05:48 | |
you know, out of their comfort zone every single day | 0:05:48 | 0:05:51 | |
because of this horrendous thing that has happened to them. | 0:05:51 | 0:05:55 | |
Each woman that comes here is given the personal attention she needs. | 0:05:58 | 0:06:03 | |
-Julie's reason is more... it's health. -More health. | 0:06:04 | 0:06:07 | |
She's been advised by her doctor. Would you go into a normal gym? | 0:06:07 | 0:06:11 | |
-No, because I need Sharon to shout at me. -You need that kick! | 0:06:11 | 0:06:15 | |
I'm diabetic, I've got high blood pressure, high cholesterol, plus | 0:06:15 | 0:06:19 | |
my allergies, plus I'm asthmatic, so it's more health for me. | 0:06:19 | 0:06:22 | |
That's why I'm here. | 0:06:22 | 0:06:23 | |
'Jenny Black is a single mum of three. | 0:06:25 | 0:06:28 | |
'She comes here to fight off depression.' | 0:06:28 | 0:06:31 | |
I love coming here. It benefits me so much. | 0:06:31 | 0:06:33 | |
My confidence, I've gained a lot of confidence from it, and I feel | 0:06:33 | 0:06:38 | |
more relieved when I go home rather than anxious and stressed. | 0:06:38 | 0:06:42 | |
Again and again, Maxine has seen lives completely changed | 0:06:42 | 0:06:46 | |
for the women that have come through her door. | 0:06:46 | 0:06:49 | |
I've watched them from the beginning, transform. | 0:06:49 | 0:06:52 | |
You know, from somebody who was like this and lost weight, | 0:06:52 | 0:06:55 | |
-and now they're dating. -So they feel better about themselves? | 0:06:55 | 0:06:58 | |
-Yeah, yeah, and then you've got, like... -Are these people all paying? | 0:06:58 | 0:07:01 | |
Yeah, but we only charge £5 a week. | 0:07:01 | 0:07:03 | |
You know, they don't have a lot of money, these ladies that use it. | 0:07:03 | 0:07:06 | |
I'd give it away for free if I could, but I have to keep it running. | 0:07:06 | 0:07:09 | |
Last time! Four, three, two, one... Time! Well done, everyone! | 0:07:09 | 0:07:15 | |
Have a drink. | 0:07:15 | 0:07:16 | |
She does all this on just £8,600 a year, which she tops up | 0:07:16 | 0:07:21 | |
with charitable donations and some of our own fight prize money. | 0:07:21 | 0:07:25 | |
I want to know what Maxine and the women that come here need the most. | 0:07:25 | 0:07:31 | |
Most of the members are single parents and they have children. | 0:07:31 | 0:07:35 | |
They really struggle to get here sometimes because they don't have anyone they can turn to. | 0:07:35 | 0:07:39 | |
Do you have something tangible that you need here? | 0:07:39 | 0:07:41 | |
We have an empty room at the front, | 0:07:41 | 0:07:43 | |
so this room would be turned into a childcare room just for one hour | 0:07:43 | 0:07:46 | |
in the morning and one hour in the evening, and some of our ladies | 0:07:46 | 0:07:49 | |
-are child minders, and they are offering their time to volunteer. -That's great. | 0:07:49 | 0:07:53 | |
So you just need to convert the room and then you've got people who are offering to do the child minding. | 0:07:53 | 0:07:58 | |
-Yeah. -OK. | 0:07:58 | 0:07:59 | |
What kind of money are you needing? | 0:07:59 | 0:08:01 | |
Give me a breakdown of how you're going to spend it. | 0:08:01 | 0:08:04 | |
Roughly, about 2,000-3,000 for the childcare room, | 0:08:04 | 0:08:07 | |
which would be spent on equipment, making it comfortable, | 0:08:07 | 0:08:11 | |
making safety an issue and, yeah, roughly about 2,000-3,000. | 0:08:11 | 0:08:15 | |
'A childcare facility will mean mums can use the gym more regularly. | 0:08:15 | 0:08:20 | |
'I won't let these girls down.' | 0:08:20 | 0:08:23 | |
This place is fabulous. | 0:08:23 | 0:08:25 | |
It's a veritable cauldron of self-improvement. | 0:08:25 | 0:08:31 | |
You couldn't not want to contribute something here. | 0:08:31 | 0:08:34 | |
WOMEN LAUGH | 0:08:34 | 0:08:35 | |
Thanks. I'll be in touch. Yeah. Got your phone number off the producer. | 0:08:35 | 0:08:39 | |
Aw! Can I have a kiss, Andrew, too? | 0:08:39 | 0:08:42 | |
-See ya! Aw, thank you. That's beautiful. -Bye. -See you later. | 0:08:42 | 0:08:47 | |
See you, Andrew. | 0:08:47 | 0:08:49 | |
I've got three months to make that three grand for the childcare room. | 0:08:51 | 0:08:55 | |
'It's September, start of the buying season after the summer holidays. | 0:08:57 | 0:09:02 | |
'I need to find art and antiques that I feel sure | 0:09:02 | 0:09:05 | |
'I can make a profit on, and I know a great place to look.' | 0:09:05 | 0:09:09 | |
I'm in the south of France on one of the buying trips | 0:09:14 | 0:09:17 | |
I regularly make for my business. | 0:09:17 | 0:09:19 | |
There's a quarterly trade fair held in Montpellier, | 0:09:19 | 0:09:22 | |
and it's one of the highlights of my annual buying calendar. | 0:09:22 | 0:09:26 | |
I've been going here for 17 or 18 years, | 0:09:26 | 0:09:30 | |
so, yeah, I know the ropes here. | 0:09:30 | 0:09:32 | |
It's exciting, actually. You never know what you'll find here. | 0:09:34 | 0:09:37 | |
I've found some pretty interesting stuff. | 0:09:37 | 0:09:40 | |
I found a table by Gilbert Peyre once, which I bought for, I think, about 2,000 euros here. | 0:09:40 | 0:09:45 | |
Actually, I sold it to Ridley Scott. | 0:09:45 | 0:09:48 | |
Buyers and sellers come from around Europe for this one-day bonanza, | 0:09:50 | 0:09:53 | |
which increases the chances of finding something unusual | 0:09:53 | 0:09:57 | |
and at a great price. | 0:09:57 | 0:09:58 | |
It's very French and very busy. A lot of Gauloises and coffee. | 0:10:01 | 0:10:04 | |
And, in the French spirit of egalite and fraternite, | 0:10:06 | 0:10:10 | |
there's a unique way of starting the day down here. | 0:10:10 | 0:10:15 | |
This is the scrum. | 0:10:15 | 0:10:17 | |
This will be a mixture of sellers and buyers. | 0:10:17 | 0:10:20 | |
Because no one's allowed in before the start | 0:10:20 | 0:10:23 | |
so there's no trading before eight o'clock. | 0:10:23 | 0:10:25 | |
It gives everyone a level playing field. | 0:10:25 | 0:10:27 | |
As soon as eight o'clock comes, | 0:10:27 | 0:10:29 | |
there will be a massive stampede through the porte. | 0:10:29 | 0:10:33 | |
OK. Here we go. This is the crush. | 0:10:33 | 0:10:37 | |
There you go. Trucks opening. | 0:10:37 | 0:10:39 | |
You've got to be able to look in the back of a van | 0:10:39 | 0:10:42 | |
and pick out a piece you want to look at, | 0:10:42 | 0:10:43 | |
just by seeing an arm or a leg. | 0:10:43 | 0:10:45 | |
And you've got to move fast to get to the pick of the crop. | 0:10:50 | 0:10:54 | |
The best stuff goes in the first hour. | 0:10:54 | 0:10:56 | |
This is the kind of madness you see here. | 0:10:56 | 0:10:59 | |
Something's already caught my eye. | 0:11:06 | 0:11:08 | |
Some Scandinavian chairs - bang on trend. | 0:11:08 | 0:11:11 | |
But these are original pieces - potential high earners. | 0:11:11 | 0:11:14 | |
Ah! They're very nice, these chairs. They're by Hans Wagner, | 0:11:21 | 0:11:24 | |
who's a very good Scandinavian designer | 0:11:24 | 0:11:27 | |
but he wanted 8,000 for them. Too much! | 0:11:27 | 0:11:29 | |
I was hoping to buy those for about 1,000. | 0:11:29 | 0:11:32 | |
I need to find something that I can be sure will bring in a profit | 0:11:33 | 0:11:36 | |
back in London. | 0:11:36 | 0:11:38 | |
It's always worth looking at the famous names. | 0:11:38 | 0:11:41 | |
We've got a set of four Barcelona chair stools, | 0:11:41 | 0:11:43 | |
designed by Mies van der Rohe. | 0:11:43 | 0:11:45 | |
The early ones are in 1931 - they're very valuable. | 0:11:45 | 0:11:48 | |
Single chair, top price about 100,000. | 0:11:48 | 0:11:50 | |
These look like they're from the '50s or '60s | 0:11:50 | 0:11:53 | |
so they'll be a later edition. But they're still early ones. | 0:11:53 | 0:11:55 | |
I don't know where the cushions are, so let's find out. | 0:11:55 | 0:11:58 | |
Mies van der Rohe was a pioneer of modern architecture and design | 0:11:58 | 0:12:02 | |
and he adopted the motto "less is more" to describe his work. | 0:12:02 | 0:12:07 | |
No cushions, that's a bit of a disaster. | 0:12:07 | 0:12:09 | |
The old leather's kind of important for that. | 0:12:09 | 0:12:11 | |
It doesn't matter how iconic it is, you have to walk away | 0:12:11 | 0:12:15 | |
from something that's incomplete. | 0:12:15 | 0:12:17 | |
But buying in pairs is often an easy way to make double the profit. | 0:12:17 | 0:12:21 | |
Oh, they're quite fine! | 0:12:21 | 0:12:23 | |
'You may not think these lamps would be in demand | 0:12:52 | 0:12:54 | |
'but I know that 1970s design is reaching good prices back in London.' | 0:12:54 | 0:12:59 | |
'450 euros is a good price but I'm still going to try for less.' | 0:13:15 | 0:13:19 | |
'I think they're kind of cool. | 0:13:37 | 0:13:38 | |
'There's a fine line between kitsch and cool.' | 0:13:38 | 0:13:41 | |
And those are it. | 0:13:41 | 0:13:45 | |
The lamps are going on display back in my gallery in London, | 0:13:51 | 0:13:55 | |
to draw in a buyer. | 0:13:55 | 0:13:57 | |
Now that I've got the trading ball rolling for Maxine's gym, | 0:13:57 | 0:14:00 | |
it's time to meet my second charity. | 0:14:00 | 0:14:02 | |
I'm on my way to Farnham in Surrey this morning. | 0:14:04 | 0:14:07 | |
And it's a charity that runs riding for disabled children. | 0:14:07 | 0:14:12 | |
I'm a father myself and children are something that's close to my heart. | 0:14:12 | 0:14:17 | |
There are 500 volunteer groups for Riding for the Disabled | 0:14:17 | 0:14:21 | |
up and down the country. | 0:14:21 | 0:14:23 | |
Each group operates as a small charity and is responsible | 0:14:23 | 0:14:27 | |
for raising its own funds and offering its own menu of activities. | 0:14:27 | 0:14:31 | |
The Farnham group focuses on riding lessons for disabled children. | 0:14:33 | 0:14:38 | |
It's run by Anne Payne, | 0:14:38 | 0:14:40 | |
and she pulls this off on just £7,000 a year. | 0:14:40 | 0:14:44 | |
Helping disabled children is very dear to my heart. | 0:14:44 | 0:14:48 | |
I was a sister on a children's ward so I came across | 0:14:48 | 0:14:51 | |
quite a few disabilities and they were lovely to nurse. | 0:14:51 | 0:14:54 | |
Also I have a grandson who has dyspraxia. | 0:14:54 | 0:14:57 | |
He had no co-ordination with his legs, arms or any muscles, | 0:14:57 | 0:15:00 | |
and he was able to get on a pony. | 0:15:00 | 0:15:02 | |
And he improved so much now that he's even playing football. | 0:15:02 | 0:15:06 | |
This was all because he went to RDA and strengthened his muscles | 0:15:06 | 0:15:10 | |
and his posture. | 0:15:10 | 0:15:11 | |
It's such a transformation. It was absolutely wonderful. | 0:15:11 | 0:15:15 | |
Once a week, local children with disabilities | 0:15:16 | 0:15:19 | |
come for a riding lesson. | 0:15:19 | 0:15:21 | |
And, as with her own grandson, | 0:15:21 | 0:15:23 | |
Ann and her team of dedicated volunteers | 0:15:23 | 0:15:26 | |
see the improvement in the children's lives week in, week out. | 0:15:26 | 0:15:31 | |
Because they all have special needs, it helps the co-ordination | 0:15:31 | 0:15:35 | |
and their posture. Not only is it a physical attitude, also mentally. | 0:15:35 | 0:15:39 | |
The children, they come here - some of them | 0:15:39 | 0:15:42 | |
have probably never seen a horse - they are scared to go near a horse. | 0:15:42 | 0:15:45 | |
They get on a pony and once they get on that pony | 0:15:45 | 0:15:47 | |
-you just see the transformation over a matter of weeks. -Really? | 0:15:47 | 0:15:51 | |
Their confidence grows. They're in charge of a pony. | 0:15:51 | 0:15:55 | |
They just thoroughly enjoy it. | 0:15:55 | 0:15:57 | |
They look forward to it every week and it's so important we keep going. | 0:15:57 | 0:16:01 | |
But Ann offers far more than what goes on in the paddock. | 0:16:01 | 0:16:04 | |
We send them on holidays every year. | 0:16:04 | 0:16:07 | |
That is very important because they are away from home, | 0:16:07 | 0:16:10 | |
away from the parents, away from the normal environment. They just adapt. | 0:16:10 | 0:16:15 | |
Sometimes they sleep in a stable. | 0:16:15 | 0:16:16 | |
-That's confidence building, isn't it? -Confidence building. | 0:16:16 | 0:16:19 | |
Self-esteem. And they come home absolutely full of it. | 0:16:19 | 0:16:22 | |
-It's worth every penny. -And how much does that cost per child? | 0:16:22 | 0:16:25 | |
-It varies - about £50, £60 a child. -It's not a lot. -Not a lot. | 0:16:25 | 0:16:29 | |
We can't afford a lot. | 0:16:29 | 0:16:31 | |
We're limited to how many we can send and how often. | 0:16:31 | 0:16:35 | |
It's very clear to me that Ann is totally dedicated | 0:16:38 | 0:16:41 | |
to this riding school here and her wonderful volunteers. | 0:16:41 | 0:16:44 | |
This volunteer team help children with a wide range of disabilities. | 0:16:44 | 0:16:49 | |
Can you bounce? One, two, three, well done! What a good bounce! | 0:16:49 | 0:16:54 | |
11-year-old James has learning difficulties. | 0:16:54 | 0:16:57 | |
One of the highlights of his week is riding his favourite horse here. | 0:16:57 | 0:17:01 | |
-Do you always have the same horse? -I'm always on Puzzle, which is this. | 0:17:01 | 0:17:06 | |
Kind of nice looking, isn't he? | 0:17:06 | 0:17:08 | |
Probably a supermodel horse. | 0:17:08 | 0:17:11 | |
The children get so much out of this. | 0:17:13 | 0:17:15 | |
As a father, I really get their little faces lighting up | 0:17:15 | 0:17:19 | |
when they're on top of those horses, enjoying their lessons. | 0:17:19 | 0:17:23 | |
I'm committed to the cause. I'm on board. | 0:17:23 | 0:17:26 | |
We've got to get Ann what she wants. | 0:17:26 | 0:17:29 | |
-We're in desperate need of new equipment. -Yes. | 0:17:29 | 0:17:31 | |
-We need stirrups, safety toe caps, reins, and helmets. -Yes. | 0:17:31 | 0:17:37 | |
We need all that. And, of course, one of the most important things | 0:17:37 | 0:17:40 | |
is sending the children on holiday. | 0:17:40 | 0:17:41 | |
Yes! Yes! That would be something to look forward to, wouldn't it? | 0:17:41 | 0:17:45 | |
-Yes, it would. -I'd love to be able to contribute that. | 0:17:45 | 0:17:48 | |
So, it's hats and hols. | 0:17:48 | 0:17:49 | |
That's it. Hats and hols. | 0:17:49 | 0:17:51 | |
-Kit is going to cost what? -Say £1,000. -1,000 for kit. And holiday? | 0:17:51 | 0:17:57 | |
-Hopefully about £1,500. -1,500, 1,000 on kit. 2,500 target. | 0:17:58 | 0:18:05 | |
Ooh, that sounds good! | 0:18:05 | 0:18:07 | |
Two and a half grand will get all the equipment Ann needs | 0:18:11 | 0:18:14 | |
and send 30 children on holiday. | 0:18:14 | 0:18:17 | |
I'm determined to raise it. | 0:18:17 | 0:18:20 | |
I'm still looking for bargains in the South of France | 0:18:23 | 0:18:26 | |
but this time fired up by my visit to the riding school. | 0:18:26 | 0:18:29 | |
I've always done well in the antique shops of Nice, | 0:18:30 | 0:18:33 | |
helped by my schoolboy French. | 0:18:33 | 0:18:36 | |
The French are very much more amenable to you | 0:18:36 | 0:18:39 | |
if you can communicate to them in French. | 0:18:39 | 0:18:41 | |
They will not make an effort to speak to you in English | 0:18:41 | 0:18:44 | |
until you've made an effort to speak to them in French. | 0:18:44 | 0:18:47 | |
It's one of the bylaws of doing business in France. Speak French. | 0:18:47 | 0:18:53 | |
The antiques quarter in Nice has over 40 different shops. | 0:18:56 | 0:19:00 | |
Because I've been coming here for years, | 0:19:00 | 0:19:02 | |
I know the ones that have the best kit. | 0:19:02 | 0:19:05 | |
Some interesting old bits and pieces. | 0:19:05 | 0:19:08 | |
I like having a rummage in galleries like this. | 0:19:08 | 0:19:11 | |
It's just you never know what you're going to find. | 0:19:11 | 0:19:14 | |
'There's always a chance of finding something that may not make | 0:19:16 | 0:19:19 | |
'much here but, when shipped back to London, | 0:19:19 | 0:19:22 | |
'can sell for a much higher price.' | 0:19:22 | 0:19:25 | |
Mm. I've found something I like now. | 0:19:25 | 0:19:28 | |
He's got a great face. | 0:19:28 | 0:19:31 | |
A sort of Triton or something. He looks like he could be | 0:19:31 | 0:19:33 | |
a sort of sea god. He's quite crusty. Hoary. | 0:19:33 | 0:19:37 | |
With stone, any type of stone - it could be carved | 0:19:38 | 0:19:41 | |
but it can also be cast. We call that "composition" in the trade. | 0:19:41 | 0:19:46 | |
The most famous composition type of stone is probably Coade | 0:19:46 | 0:19:49 | |
from the 18th century - Coade stone. | 0:19:49 | 0:19:51 | |
It was really an early type of cement. | 0:19:51 | 0:19:53 | |
No-one has ever found the ingredients. | 0:19:53 | 0:19:55 | |
They were kept as a secret and they are lost. | 0:19:55 | 0:19:57 | |
They are the Coca-Cola of the antiques world. | 0:19:57 | 0:20:00 | |
And it doesn't crack when it's frosty. | 0:20:00 | 0:20:03 | |
It is very, very resilient to the elements. | 0:20:03 | 0:20:07 | |
It also colours beautifully and it casts very crisply. | 0:20:07 | 0:20:11 | |
Carved stonework is a lot more valuable than cast stone work. | 0:20:11 | 0:20:15 | |
Because obviously ramming it into a mould, you can produce it | 0:20:15 | 0:20:18 | |
as many times as you like, whereas having to carve something | 0:20:18 | 0:20:21 | |
takes someone rather a long time and quite a bit of skill. | 0:20:21 | 0:20:24 | |
It's reflected in the price. | 0:20:24 | 0:20:26 | |
If you want to see whether something's carved, | 0:20:26 | 0:20:29 | |
and you're not quite sure because it's all weathered like this, | 0:20:29 | 0:20:32 | |
and you're thinking, it's quite tricky to see, look at the back! | 0:20:32 | 0:20:35 | |
At the back, it will all be carved away. | 0:20:35 | 0:20:38 | |
Whereas if it's a cast one, it would just be straight. | 0:20:40 | 0:20:44 | |
Carved! | 0:20:46 | 0:20:48 | |
'This means the price may be way beyond | 0:20:48 | 0:20:50 | |
'what I'm prepared to risk here.' | 0:20:50 | 0:20:53 | |
-Monsieur Ginac. Salut! -Ca va? -Oui. Tres bien. Et vous? Oui? | 0:20:53 | 0:20:58 | |
J'avais vu un truc dans l'autre salle. La tete d'homme pierre. | 0:20:58 | 0:21:02 | |
I'm just saying I've seen a head carved from stone. | 0:21:02 | 0:21:06 | |
'Carved and nearly 500 years old, I think we've just blown the budget.' | 0:21:24 | 0:21:29 | |
So, Monsieur Ginac. | 0:21:29 | 0:21:31 | |
It's not bad for that. | 0:21:39 | 0:21:42 | |
'It's a great piece. | 0:21:42 | 0:21:45 | |
'I know I could make money on it but I can't guarantee | 0:21:45 | 0:21:48 | |
'I can do it in three months and the charity needs the money now.' | 0:21:48 | 0:21:52 | |
So, on y va. let's go and have a look round some other galleries. | 0:21:53 | 0:21:57 | |
'This is one of my favourite galleries in Nice. | 0:22:20 | 0:22:23 | |
'It's owned by Mr Harter, | 0:22:23 | 0:22:25 | |
'who specialises in 20th century classics.' | 0:22:25 | 0:22:28 | |
I like the sofa. | 0:22:28 | 0:22:31 | |
-Beau sofa. -It is, isn't it? | 0:22:32 | 0:22:34 | |
-Convivial? -Oui. | 0:22:34 | 0:22:37 | |
This is 1980s. | 0:22:37 | 0:22:40 | |
It's very South of France looking. Is this Herman Miller? | 0:22:40 | 0:22:42 | |
-Herman Miller! -You can tell from the feet that it's '80s - a very '80s leg. | 0:22:42 | 0:22:49 | |
'Surprising as it seems, the '80s look is back. | 0:22:49 | 0:22:53 | |
'The Herman Miller company in America was one of the most | 0:22:53 | 0:22:55 | |
'influential manufacturers in that decade.' | 0:22:55 | 0:22:58 | |
It is 6,500 euros, which is far too much money. | 0:23:03 | 0:23:08 | |
'Good business is all about buying cheap and selling high. | 0:23:09 | 0:23:13 | |
'But this price isn't cheap enough. | 0:23:13 | 0:23:17 | |
'But something else has caught my eye that might just fit the bill.' | 0:23:17 | 0:23:21 | |
There's some nice little objects out the back here, actually. | 0:23:21 | 0:23:24 | |
I'm asking about these two decanters. | 0:23:24 | 0:23:27 | |
And the other one...? | 0:23:35 | 0:23:37 | |
(These are good!) | 0:23:39 | 0:23:41 | |
Il y la carafe de monsieur. | 0:23:41 | 0:23:44 | |
-C'est plus grand? -Un peu plus grande, la carafe de monsieur. | 0:23:44 | 0:23:47 | |
He's saying the mister's carafe is a little bigger than missus. | 0:23:47 | 0:23:51 | |
Look at those! | 0:23:51 | 0:23:53 | |
-From the 1930s/40s. -Yeah. -By Venini. | 0:23:59 | 0:24:03 | |
-Venini. -C'est sur? -C'est sur. | 0:24:03 | 0:24:06 | |
He's absolutely sure they're by Venini | 0:24:06 | 0:24:08 | |
and that's a very, very good glassmaker/designer. | 0:24:08 | 0:24:10 | |
I mean, the best. | 0:24:10 | 0:24:12 | |
A Venini chandelier can make £150,000. So... | 0:24:12 | 0:24:17 | |
'I've got to get these for under 1,000 euros.' | 0:24:30 | 0:24:33 | |
Ils sont collection prive. | 0:24:33 | 0:24:36 | |
He's so smart. I asked him how long they've been resting | 0:24:36 | 0:24:40 | |
on this bibliotheque? I'm like, look at them, | 0:24:40 | 0:24:42 | |
they're covered in dust! They've been here forever. | 0:24:42 | 0:24:45 | |
No one's noticed them at the top there. I'm looking at them. | 0:24:45 | 0:24:48 | |
He said, "They're the private collection." | 0:24:48 | 0:24:51 | |
From the home, you know. | 0:24:51 | 0:24:53 | |
He's the best. | 0:24:53 | 0:24:56 | |
So, I mean, for 800 euros, they are fabulous. | 0:24:56 | 0:25:00 | |
Good! Not a bad haggle. | 0:25:12 | 0:25:14 | |
1,200 euros down to 950 - that's £760. | 0:25:14 | 0:25:19 | |
I'm confident I can make a profit on these. | 0:25:19 | 0:25:22 | |
Nice has been nice to the disabled riders. | 0:25:23 | 0:25:27 | |
And I've bagged myself a pair of sitting ducks. | 0:25:27 | 0:25:29 | |
So that's one item for each of my two charities now. | 0:25:36 | 0:25:39 | |
The duck decanters for Ann's riding school | 0:25:39 | 0:25:42 | |
and the palm tree lamps for Maxine's boxing gym. | 0:25:42 | 0:25:44 | |
But I have to make a lot more trades to hit the targets I've set myself. | 0:25:46 | 0:25:51 | |
Till now, I've been looking at antiques, but I also deal | 0:25:51 | 0:25:55 | |
in modern art, and it's time to pick up something more contemporary. | 0:25:55 | 0:25:59 | |
So I'm heading to the studio of Ryan Callanan. | 0:25:59 | 0:26:02 | |
You know, Ryan is part of a scene that's going on | 0:26:02 | 0:26:05 | |
that's almost like a contemporary pop art, really. | 0:26:05 | 0:26:08 | |
They like to call it street art and that sort of thing, | 0:26:08 | 0:26:11 | |
just because that's the sort of buzz word. | 0:26:11 | 0:26:14 | |
It's very hard to find good, contemporary artists. | 0:26:14 | 0:26:18 | |
There's an awful lot of competition for them. | 0:26:18 | 0:26:20 | |
This bloke has not really broken into main market yet. | 0:26:20 | 0:26:24 | |
He is good. He's witty, he's immediately accessible. | 0:26:24 | 0:26:31 | |
He's got what it takes, this guy. | 0:26:31 | 0:26:33 | |
Hello, Ryan. | 0:26:39 | 0:26:41 | |
-How you doing? -I'm good. | 0:26:41 | 0:26:43 | |
-All right? -Yes. A few smileys. | 0:26:43 | 0:26:47 | |
RYAN LAUGHS | 0:26:47 | 0:26:48 | |
-It's a happy time. -Yeah, it is. It is happy times. Happy days. | 0:26:48 | 0:26:51 | |
The story behind the origin of the smiley face is fascinating. | 0:26:51 | 0:26:56 | |
Apparently, it was created by American commercial artist | 0:26:56 | 0:27:00 | |
Harvey Ball, who, in 1963, was asked to create a logo to cheer up | 0:27:00 | 0:27:05 | |
the staff of an ailing insurance company. | 0:27:05 | 0:27:08 | |
He was paid 45 at the time, but unfortunately for him, | 0:27:08 | 0:27:13 | |
he never applied for the copyright of his work. | 0:27:13 | 0:27:16 | |
I'm just experimenting with different finishes at the moment, | 0:27:16 | 0:27:19 | |
so I don't know what's next. | 0:27:19 | 0:27:21 | |
Everybody loves these. | 0:27:21 | 0:27:22 | |
They epitomise for me what really good art is about. | 0:27:22 | 0:27:25 | |
They're simple, effective, they create a great impact. | 0:27:25 | 0:27:32 | |
And they make you smile. | 0:27:32 | 0:27:34 | |
What more could you ask for from something? | 0:27:34 | 0:27:36 | |
Do you want to do me a super-super price today, | 0:27:36 | 0:27:39 | |
as it's going to be for Maxine's boxing charity? | 0:27:39 | 0:27:41 | |
I know what you normally want for them, | 0:27:41 | 0:27:44 | |
but can we do 1,200 in this instance? | 0:27:44 | 0:27:46 | |
-Because it's for a good cause, I'll do it. -OK, super. Done. | 0:27:46 | 0:27:50 | |
-Cheers. -Thanks, Ryan. | 0:27:50 | 0:27:51 | |
This is a great piece at a great price, | 0:27:51 | 0:27:55 | |
and I know I can make money on it. | 0:27:55 | 0:27:57 | |
I've got a client lined up for this particular one. | 0:27:57 | 0:28:01 | |
And it's going to a great home. | 0:28:03 | 0:28:04 | |
The palatial Aynhoe Park is home to James Perkins. | 0:28:10 | 0:28:14 | |
Last time I was here, I tried to sell him some starburst mirrors, which I thought he'd really love. | 0:28:14 | 0:28:19 | |
But he didn't bite. | 0:28:19 | 0:28:22 | |
However, I know he'll find the smiley face irresistible. | 0:28:22 | 0:28:26 | |
He built his fortune on the back of acid house music and 1990s raves. | 0:28:26 | 0:28:32 | |
James is no pushover. | 0:28:35 | 0:28:38 | |
He's going to beat me up over the price. | 0:28:38 | 0:28:41 | |
I'm going to end up getting less than I want, he's going to end up | 0:28:41 | 0:28:45 | |
getting a glass of champagne for beer money. I know it. | 0:28:45 | 0:28:49 | |
We're in those kind of times. | 0:28:49 | 0:28:51 | |
To increase the chances of what I can raise today for Maxine's gym, | 0:28:51 | 0:28:56 | |
I have also brought the palm lamps with me. | 0:28:56 | 0:28:59 | |
They've not sold in my gallery in London, and I wonder | 0:28:59 | 0:29:01 | |
if I can tempt James to take them off my hands for a good price. | 0:29:01 | 0:29:06 | |
Right, James, thank you for seeing me. Pair of palm lamps. | 0:29:06 | 0:29:11 | |
Which you know I'm rather fond of, | 0:29:11 | 0:29:13 | |
although I've not seen any like this before. So, tell me about these. | 0:29:13 | 0:29:16 | |
Well, bought in France. 1970s, late '70s. | 0:29:16 | 0:29:21 | |
-Original paint. I have had them rewired. -Erm, they're very nice. | 0:29:21 | 0:29:24 | |
They're quite small-scale for the house. They're probably designed to be floor lamps, aren't they? | 0:29:24 | 0:29:29 | |
-They would have to be more of a sort of table lamp for me. -Right. | 0:29:29 | 0:29:32 | |
-They shouldn't look like that, should they? They should have the domes on the top. -Absolutely. | 0:29:32 | 0:29:36 | |
I think we should plug one in and try it. | 0:29:36 | 0:29:38 | |
At this point, I'm going to sit down and see how they look. | 0:29:38 | 0:29:42 | |
It's difficult for me to imagine how that is going to set this room off. | 0:29:42 | 0:29:46 | |
-But let's have a look. -If you put a very low-watt bulb in that... | 0:29:46 | 0:29:50 | |
Well, they're not right for this room. | 0:29:51 | 0:29:53 | |
I think the problem I've got is scale. | 0:29:53 | 0:29:55 | |
-I think they're going to give off a right nasty light. -Right. | 0:29:55 | 0:29:58 | |
'I don't think he's going to go for the lamps. | 0:29:58 | 0:30:00 | |
'But I know he's not going to be able to resist Ryan's smiley face. | 0:30:00 | 0:30:04 | |
Come on, let's have a look, what else have you got? | 0:30:04 | 0:30:06 | |
I've brought a really cool thing, and I think you might recognise the motif. | 0:30:06 | 0:30:10 | |
Well, straight away from my early career, | 0:30:11 | 0:30:13 | |
this was our logo, the smiley face. | 0:30:13 | 0:30:16 | |
I find these sorts of things very interesting, | 0:30:16 | 0:30:19 | |
because I'm from that time. | 0:30:19 | 0:30:20 | |
I'd like to give that one to you for 1,800, inc... | 0:30:20 | 0:30:25 | |
..and the lamps for 1,000. | 0:30:26 | 0:30:30 | |
In isolation I probably wouldn't buy either of these. | 0:30:30 | 0:30:33 | |
Look, I'm trying to be charitable. | 0:30:33 | 0:30:35 | |
-So, let's go and see what this looks like somewhere else. -OK. | 0:30:35 | 0:30:39 | |
James, you're thinking in here, aren't you? | 0:30:39 | 0:30:41 | |
Well, I thought the TV room, | 0:30:41 | 0:30:43 | |
but the rest of my similar paraphernalia is in the boys' loos. | 0:30:43 | 0:30:48 | |
So, are you thinking about here? | 0:30:48 | 0:30:50 | |
-Well, maybe. -Good. | 0:30:50 | 0:30:52 | |
It's certainly going to provoke a conversation. | 0:30:52 | 0:30:55 | |
I think it's another reason to make you smile when you come to | 0:30:55 | 0:30:57 | |
-the bathroom, as well as the spinning chandelier. -Yes. Good. | 0:30:57 | 0:31:01 | |
I really like the smiley face, | 0:31:02 | 0:31:04 | |
but I'm not sure about the palm lamps, so... | 0:31:04 | 0:31:07 | |
..where have we got to? | 0:31:08 | 0:31:09 | |
I think we've got to a place where I'm going to be taking a pair | 0:31:11 | 0:31:14 | |
of palm lamps back to London, | 0:31:14 | 0:31:17 | |
and I'm going to be leaving a smiley face. | 0:31:17 | 0:31:20 | |
At what price, what level are we going to do the smiley face at? | 0:31:20 | 0:31:23 | |
1,800. | 0:31:23 | 0:31:24 | |
Including the VAT? | 0:31:27 | 0:31:29 | |
-All right then. Deal. -Done. | 0:31:29 | 0:31:31 | |
Very happy for the charity. | 0:31:31 | 0:31:33 | |
Enjoy. I'm happy for you. | 0:31:33 | 0:31:35 | |
In this game, you win some, you lose some. | 0:31:38 | 0:31:41 | |
I've made my first bankable profit for Maxine's gym, | 0:31:41 | 0:31:44 | |
£600 from the smiley face. | 0:31:44 | 0:31:46 | |
But the lamps are on their way back to my gallery. | 0:31:46 | 0:31:50 | |
I need to find a buyer for them to keep moving towards | 0:31:50 | 0:31:53 | |
the £3,000 target for the childcare room. | 0:31:53 | 0:31:56 | |
The need is becoming more urgent every week. | 0:31:56 | 0:32:01 | |
Since Andrew was last here, we've had an influx of new members, | 0:32:01 | 0:32:04 | |
most of them being, like, mothers and daughters, | 0:32:04 | 0:32:06 | |
so I'm just concerned about the children - what do we do? | 0:32:06 | 0:32:09 | |
Maxine puts some of her own prize money from her | 0:32:09 | 0:32:12 | |
professional boxing career into the gym to keep the lights on, | 0:32:12 | 0:32:16 | |
so I don't want to let her and the rest of the girls down. | 0:32:16 | 0:32:19 | |
'It's a constant worry for me.' | 0:32:20 | 0:32:22 | |
I've put my heart and soul into it, I love this place | 0:32:22 | 0:32:24 | |
and I love helping every person that comes through the door, | 0:32:24 | 0:32:28 | |
so I don't want my hard work and the volunteers, | 0:32:28 | 0:32:31 | |
you know, just to crumble, to go under. | 0:32:31 | 0:32:33 | |
I also don't want to let down | 0:32:36 | 0:32:38 | |
the Riding For The Disabled school in Farnham. | 0:32:38 | 0:32:41 | |
Ann has asked for £2,500 - | 0:32:41 | 0:32:44 | |
1,000 for essential equipment updates, | 0:32:44 | 0:32:46 | |
and another 1,500 for holidays for the children. | 0:32:46 | 0:32:50 | |
-Hello, Ann. -Hi, Andrew, how are you? | 0:32:52 | 0:32:54 | |
-How nice to see you. -And you. | 0:32:54 | 0:32:56 | |
-It's been a while. -It has, it has. | 0:32:56 | 0:32:58 | |
-Is this all the safety kit that you urgently need, then? -Yes, yes. | 0:32:58 | 0:33:02 | |
We've got these new toecaps, which every child has to have, | 0:33:02 | 0:33:05 | |
a safety toecap, and we have some but we need so many different sizes. | 0:33:05 | 0:33:09 | |
You were saying last time about helmets. | 0:33:09 | 0:33:11 | |
We urgently need some more because the children grow | 0:33:11 | 0:33:14 | |
and we have different children each term, and so they've all | 0:33:14 | 0:33:18 | |
got different head sizes, so we haven't got enough choice of helmets. | 0:33:18 | 0:33:22 | |
And, of course, the leathers are getting very badly damaged and worn. | 0:33:22 | 0:33:26 | |
And, of course, our poor little reins, | 0:33:26 | 0:33:29 | |
which are specially designed so they know where to hold the pony | 0:33:29 | 0:33:32 | |
when he's trotting, or when he's walking. | 0:33:32 | 0:33:34 | |
And we need different sizes of these, because they're all one size | 0:33:34 | 0:33:37 | |
and of course we've got big horses, or ponies. | 0:33:37 | 0:33:41 | |
OK, everyone, I'm in charge now. | 0:33:41 | 0:33:43 | |
They have a great time down here, these children. | 0:33:43 | 0:33:46 | |
And I've got to deliver that money fairly soon, | 0:33:46 | 0:33:49 | |
because, you know, they need the kit in order to carry on riding, | 0:33:49 | 0:33:52 | |
simple as that. | 0:33:52 | 0:33:54 | |
But so far I haven't made a bean for Ann. | 0:33:55 | 0:33:58 | |
The duck decanters still haven't sold, but I'm convinced they will. | 0:33:58 | 0:34:03 | |
I still love my ducks. | 0:34:04 | 0:34:05 | |
I don't mind that they haven't sold yet. | 0:34:05 | 0:34:08 | |
Someone's going to fall in love with those. | 0:34:08 | 0:34:11 | |
I think they're really fun and quirky little objects. | 0:34:11 | 0:34:14 | |
There's a rule in my game that things that make you smile sell. | 0:34:14 | 0:34:19 | |
And those make me smile. | 0:34:19 | 0:34:21 | |
In the meantime, | 0:34:24 | 0:34:26 | |
I've got to turn my attention to the charity auction I'm hosting, | 0:34:26 | 0:34:29 | |
and a piece of jewellery has caught my dealer's eye. | 0:34:29 | 0:34:32 | |
It's a ring studded with yellow sapphires, a real knuckle-duster. | 0:34:34 | 0:34:38 | |
The reserve price is only £2,400. | 0:34:40 | 0:34:43 | |
If I can pick it up for around that figure, | 0:34:43 | 0:34:46 | |
I reckon I could sell it for a whole lot more. | 0:34:46 | 0:34:48 | |
At auction, the spot I like best is at the back of the room. | 0:34:50 | 0:34:53 | |
Standing here, I can watch what everyone else is doing | 0:34:53 | 0:34:57 | |
and hopefully outsmart them in a bidding war. | 0:34:57 | 0:34:59 | |
AUCTIONEER: We can start with Lot 201, showing there on screen. | 0:35:01 | 0:35:04 | |
A yellow sapphire ring, | 0:35:04 | 0:35:06 | |
and I can start at 15, 16, 17, 18, £1,900. | 0:35:06 | 0:35:09 | |
At £1,900. | 0:35:09 | 0:35:10 | |
2,000 is bid, and 22. | 0:35:10 | 0:35:12 | |
24, standing at the back of the room. | 0:35:12 | 0:35:14 | |
I can sell, unless there is a higher bid. | 0:35:14 | 0:35:17 | |
£2,400, selling them, 2,400... | 0:35:17 | 0:35:20 | |
Sold to paddle 379. | 0:35:22 | 0:35:25 | |
'What a result.' | 0:35:25 | 0:35:26 | |
Success. Bought on reserve at the bottom estimate, | 0:35:26 | 0:35:29 | |
so that's really great. | 0:35:29 | 0:35:31 | |
'I'm really relieved about that. | 0:35:31 | 0:35:33 | |
'And I've spotted something else in a future sale that I think | 0:35:33 | 0:35:37 | |
'could also be perfect for the charity auction.' | 0:35:37 | 0:35:39 | |
These are Coronation chairs from Elizabeth II's | 0:35:40 | 0:35:44 | |
Coronation in Westminster Abbey. | 0:35:44 | 0:35:46 | |
I'm really excited about those chairs, and the reason is | 0:35:46 | 0:35:49 | |
that these things have become rather popular, | 0:35:49 | 0:35:52 | |
their market has gone up significantly | 0:35:52 | 0:35:54 | |
since this Olympic year and the Jubilee. | 0:35:54 | 0:35:57 | |
They're numbered, and they've got the original "ER", | 0:35:57 | 0:36:00 | |
with the Latin two numerals on them, signifying her reign, | 0:36:00 | 0:36:05 | |
and a pair recently made £7,500. | 0:36:05 | 0:36:10 | |
These are in at 1,000-1,500. | 0:36:10 | 0:36:12 | |
'They'll do very nicely for Maxine's gym, especially | 0:36:13 | 0:36:17 | |
'if I manage to get them around the reserve price, as well. | 0:36:17 | 0:36:20 | |
'I'll be back to bid on auction day.' | 0:36:20 | 0:36:23 | |
Ryan Callanan's smiley face made £600 for Maxine's gym, | 0:36:28 | 0:36:32 | |
so for Ann's riding school I've asked him to sell me | 0:36:32 | 0:36:35 | |
another piece that I can auction off at the charity event. | 0:36:35 | 0:36:38 | |
OK, Christmas comes every day if you're in the antiques trade | 0:36:39 | 0:36:43 | |
or if you're an art dealer, and today's Christmas present | 0:36:43 | 0:36:47 | |
is a smiley face from Ryan Callanan. | 0:36:47 | 0:36:50 | |
And he's done me a special, one-off sparkly one in Swarovski crystals. | 0:36:50 | 0:36:55 | |
He produced the multicoloured telephone boxes around | 0:36:57 | 0:37:00 | |
the Olympic village, so people will be familiar with his work. | 0:37:00 | 0:37:03 | |
This is new, I mean this is a new design, this is, you know... | 0:37:03 | 0:37:07 | |
This is right there, cutting edge. | 0:37:07 | 0:37:11 | |
I think this should make £2,500-£3,000. | 0:37:11 | 0:37:14 | |
'And if I'm right, those children in Farnham will be going on holiday.' | 0:37:14 | 0:37:18 | |
But I've still got lots to buy before the charity auction. | 0:37:21 | 0:37:26 | |
So I'm turning to drink. | 0:37:26 | 0:37:27 | |
I'm heading to rural Essex to meet Robin Butler | 0:37:29 | 0:37:32 | |
and check out his collection of antique wine accessories. | 0:37:32 | 0:37:35 | |
-OK? -Yeah. | 0:37:35 | 0:37:37 | |
-Right, here we are, Andrew. -Oh, goodness. | 0:37:37 | 0:37:40 | |
'I think a vintage decanter would make a perfect auction item.' | 0:37:40 | 0:37:44 | |
I think all decanters were made for virtually any drink. | 0:37:46 | 0:37:49 | |
I've even seen a decanter for milk. | 0:37:49 | 0:37:52 | |
-Right. -And, certainly, you see them for beer. | 0:37:52 | 0:37:55 | |
And the ship's decanter, always obviously very broad-based | 0:37:55 | 0:37:58 | |
so it doesn't fall over. | 0:37:58 | 0:37:59 | |
They're very heavy. Just pick up one of those and feel it. | 0:37:59 | 0:38:03 | |
-Yes, and that's English lead crystal? -Yes, absolutely. | 0:38:03 | 0:38:06 | |
Which is the heaviest glass, isn't it? | 0:38:06 | 0:38:08 | |
-A lot heavier than continental glass. -Yes. | 0:38:08 | 0:38:11 | |
-It sort of feels more quality. -It's lead, as opposed to soda glass. | 0:38:11 | 0:38:14 | |
Up here is the chap I've come to see. | 0:38:14 | 0:38:17 | |
-Do you mind if I take him down? -Please do. | 0:38:17 | 0:38:19 | |
-I'm going to hold the stopper carefully. -Right. | 0:38:19 | 0:38:22 | |
Because a lot of people go like that... | 0:38:23 | 0:38:26 | |
-And out comes the stopper. -..out comes the stopper | 0:38:26 | 0:38:28 | |
and if there's a hard floor, then it's broken. | 0:38:28 | 0:38:30 | |
-Is the gilding original? -Yes. | 0:38:32 | 0:38:34 | |
Unusual to be on top of engraving. | 0:38:34 | 0:38:36 | |
Well, this is a very continental feature. | 0:38:36 | 0:38:39 | |
This is not an English decanter, like most of my stock. | 0:38:39 | 0:38:42 | |
-I fancy probably Sweden, but... -It does feel northern European. | 0:38:42 | 0:38:45 | |
I mean, it's very, very delicate and decorative, isn't it? | 0:38:45 | 0:38:50 | |
-It's why I picked it out, because it's just unusual, as well. -It is. | 0:38:50 | 0:38:54 | |
I think it's a very handsome thing, | 0:38:54 | 0:38:56 | |
-and being a magnum, of course... -Yes. | 0:38:56 | 0:38:58 | |
-..raises it above the ordinary. -I homed in on that. | 0:38:58 | 0:39:01 | |
-Actually, I did put some red wine in that to photograph it once. -Yes? | 0:39:01 | 0:39:05 | |
And the gilding against the red wine is fantastic to look at. | 0:39:05 | 0:39:09 | |
Right, I can imagine that, actually, yes. Lovely. | 0:39:09 | 0:39:12 | |
Robin has moved seamlessly into sales mode. | 0:39:14 | 0:39:17 | |
THEY LAUGH | 0:39:17 | 0:39:19 | |
Of course. | 0:39:20 | 0:39:21 | |
Let's talk some money. | 0:39:21 | 0:39:23 | |
What's the best trade price to me? | 0:39:23 | 0:39:26 | |
-The trade price to you, and it's not negotiable... -Right. | 0:39:26 | 0:39:30 | |
None of my prices are negotiable - | 0:39:30 | 0:39:32 | |
I have a trade price and I have a retail price. | 0:39:32 | 0:39:34 | |
-well, I notice that your prices are sensible, so... -Well, exactly. | 0:39:34 | 0:39:37 | |
-They're realistic. -I don't like haggling. | 0:39:37 | 0:39:40 | |
The price is £750. | 0:39:40 | 0:39:42 | |
That sounds very reasonable to me. | 0:39:42 | 0:39:44 | |
Well, you know, I price it to sell it, | 0:39:44 | 0:39:46 | |
I don't price it to look at it for ever. | 0:39:46 | 0:39:49 | |
Well, it's priced to sell, and it's sold. | 0:39:49 | 0:39:52 | |
-Thank you very much indeed. -Thank you. | 0:39:52 | 0:39:54 | |
'Robin's price is good, but I know I can get a lot more | 0:39:55 | 0:39:58 | |
'for this when I auction it for Maxine's gym.' | 0:39:58 | 0:40:01 | |
I've got just days to go now until the charity auction. | 0:40:03 | 0:40:07 | |
and I'm up against it. | 0:40:07 | 0:40:08 | |
I haven't got quite enough items to put under the hammer, | 0:40:08 | 0:40:11 | |
so I've put the word out to my network of fellow dealers. | 0:40:11 | 0:40:14 | |
One of them has called me about a piece I might be interested in. | 0:40:14 | 0:40:18 | |
-Hello. -Hello. | 0:40:20 | 0:40:21 | |
-How are you doing? -How are you? Nice to see you. | 0:40:21 | 0:40:24 | |
I have just the thing for you, and I've held it aside for you. | 0:40:24 | 0:40:27 | |
There he is, I can see. | 0:40:27 | 0:40:29 | |
'It's a tastevin, | 0:40:29 | 0:40:31 | |
'a wine taster used to scoop wine out of a barrel to sample it.' | 0:40:31 | 0:40:35 | |
Now that is a proper sized tastevin. | 0:40:36 | 0:40:39 | |
Obviously, the originals were very small, | 0:40:39 | 0:40:41 | |
they were carried in the pocket, and in the days... | 0:40:41 | 0:40:44 | |
You know, people weren't using bottles for wine until after 1800, | 0:40:44 | 0:40:48 | |
so you'd be down in a cellar checking the wine, | 0:40:48 | 0:40:51 | |
straight out of the vat, using only candlelight, | 0:40:51 | 0:40:53 | |
and by making it in silver and using all these relief patterns... | 0:40:53 | 0:40:57 | |
You'd get the reflection. | 0:40:57 | 0:40:59 | |
Yeah, you reflected the light, you've got the concave bottom | 0:40:59 | 0:41:02 | |
and it would show you the clarity of the wine. | 0:41:02 | 0:41:04 | |
I just think it's so cool. | 0:41:04 | 0:41:06 | |
It is fabulous. | 0:41:06 | 0:41:07 | |
I shouldn't be saying this, because I'm meant to be driving a bargain, | 0:41:07 | 0:41:11 | |
-but you know I'm already sold on it. -It's so good. | 0:41:11 | 0:41:13 | |
It is the largest tastevin I have ever seen. | 0:41:13 | 0:41:15 | |
It is the daddy. | 0:41:15 | 0:41:17 | |
And, as you know, normally they are three or four inches in diameter. | 0:41:17 | 0:41:20 | |
I've never seen an oversized one. | 0:41:20 | 0:41:22 | |
-Interesting, there's no maker's mark on it. -There's nothing. | 0:41:22 | 0:41:25 | |
I reckon it's 1920s, it's silver plate. | 0:41:25 | 0:41:28 | |
As you know, people were building stuff for exhibitions, | 0:41:28 | 0:41:31 | |
and I think it's probably one of the big American silver companies | 0:41:31 | 0:41:35 | |
used it as an exhibition piece. | 0:41:35 | 0:41:37 | |
I bought this in America and it just fits with all of those | 0:41:37 | 0:41:39 | |
American companies, like Gorham and Napier. | 0:41:39 | 0:41:41 | |
-You have covered yourself in glory. -Pulled it out of the bag, I think. | 0:41:41 | 0:41:45 | |
You have. | 0:41:45 | 0:41:47 | |
I'm not doing myself any favours on negotiating the price, | 0:41:47 | 0:41:50 | |
but we've done plenty of business before, | 0:41:50 | 0:41:52 | |
so I know you're going to be a good man. | 0:41:52 | 0:41:54 | |
I tell you what, I'm asking £2,200 for it, | 0:41:54 | 0:41:57 | |
you can have it for a straight 1,500. | 0:41:57 | 0:42:00 | |
I was thinking that you might shake my hand at £1,350. | 0:42:00 | 0:42:06 | |
I think that's fair. | 0:42:08 | 0:42:09 | |
-Done. -Done. Thank you. | 0:42:09 | 0:42:12 | |
'That's one more auction lot for Maxine's boxing gym, | 0:42:12 | 0:42:16 | |
'and at a good price, too.' | 0:42:16 | 0:42:18 | |
Another day, and some great news - | 0:42:24 | 0:42:27 | |
at long last the ducks and the palm trees have sold. | 0:42:27 | 0:42:31 | |
I was beginning to lose faith in my own judgement, | 0:42:31 | 0:42:34 | |
but sometimes this business is as much about patience as skill. | 0:42:34 | 0:42:38 | |
The palm lamps were an OK trade up. | 0:42:38 | 0:42:40 | |
It's around about £300 profit - it's not bad on a £400 investment. | 0:42:40 | 0:42:45 | |
So, in the grand scheme of things, pretty good. | 0:42:45 | 0:42:47 | |
So that's £340 going straight to the gym. | 0:42:47 | 0:42:52 | |
And the ducks have brought in £140 for the riding school. | 0:42:52 | 0:42:56 | |
That may be a modest profit, but at least I've got the ball rolling. | 0:42:56 | 0:42:59 | |
Another dealer's got a profit, but you know what they say, | 0:42:59 | 0:43:02 | |
always leave a profit in it for the next man, | 0:43:02 | 0:43:04 | |
I don't begrudge them that. It's fine. | 0:43:04 | 0:43:06 | |
There's always some more stuff out there. | 0:43:06 | 0:43:08 | |
And, after all, you know what? I'm in this business to buy things. | 0:43:08 | 0:43:11 | |
We're shopaholics, really. Tomorrow's another day. | 0:43:11 | 0:43:15 | |
'Tomorrow's actually a big day.' | 0:43:15 | 0:43:17 | |
It's the charity auction I've organised. | 0:43:18 | 0:43:21 | |
it doesn't matter how many you do - | 0:43:21 | 0:43:23 | |
the night before is always a little nerve-wracking. | 0:43:23 | 0:43:25 | |
Big day, yes. I've got my penguin suit, | 0:43:33 | 0:43:35 | |
and we have a few things to do today. | 0:43:35 | 0:43:38 | |
Actually, I bounced out of bed like Tigger this morning | 0:43:38 | 0:43:41 | |
and discovered an inner Buddha. | 0:43:41 | 0:43:44 | |
I am, actually, very calm. | 0:43:44 | 0:43:47 | |
But I doubt I'm going to stay that way for long. | 0:43:48 | 0:43:51 | |
I've got a shortfall of items to auction off tonight | 0:43:51 | 0:43:54 | |
and a ton of stuff to do before the evening begins. | 0:43:54 | 0:43:57 | |
These are all the items that are going up | 0:43:57 | 0:44:01 | |
to the auction this evening. | 0:44:01 | 0:44:05 | |
They're all here, they're all wrapped and ready | 0:44:05 | 0:44:07 | |
and they're going to go up by cab. | 0:44:07 | 0:44:09 | |
We've wrapped them all, cos we're not leaving any thing to chance. | 0:44:09 | 0:44:12 | |
We don't want any damage happening now. | 0:44:12 | 0:44:14 | |
'But the fact is, I haven't bought enough items for these charities, | 0:44:14 | 0:44:19 | |
'so to make up lost ground I need to dip into my own stock.' | 0:44:19 | 0:44:22 | |
Ivan, would you mind taking down that one, as well, | 0:44:22 | 0:44:25 | |
and wrapping that up? We're going to take that with us. | 0:44:25 | 0:44:28 | |
'For Maxine's boxing gym, I'm going to let go | 0:44:28 | 0:44:31 | |
'of my prized Sex Pistols posters. | 0:44:31 | 0:44:34 | |
'These iconic images epitomised the punk era and were designed | 0:44:34 | 0:44:38 | |
'around the official Jubilee portrait of the Queen in 1977.' | 0:44:38 | 0:44:43 | |
Those posters cost, from memory, 4,300. | 0:44:43 | 0:44:46 | |
They're not cheap original Sex Pistols memorabilia. | 0:44:47 | 0:44:52 | |
I sold a triptych of posters not long ago for 11,500. | 0:44:52 | 0:44:58 | |
They were graffitied by the Sex Pistols and they did come | 0:44:58 | 0:45:01 | |
from their dressing room from their last gig | 0:45:01 | 0:45:03 | |
so the provenance was very solid. | 0:45:03 | 0:45:05 | |
One of these posters here, I'm doing my market research, | 0:45:05 | 0:45:08 | |
I found sold five years ago for 6,000. | 0:45:08 | 0:45:12 | |
So there's a market precedent for them fetching a lot more money than I'm asking tonight. | 0:45:14 | 0:45:19 | |
Yeah, I mean I think that punk rock | 0:45:19 | 0:45:21 | |
encapsulates the very best of British attitude, frankly. | 0:45:21 | 0:45:26 | |
And on behalf of Ann's riding school, | 0:45:26 | 0:45:29 | |
I'm going to sell a model of a boat built to break speed records. | 0:45:29 | 0:45:33 | |
Its Ferrari engine was so powerful | 0:45:33 | 0:45:35 | |
it could spin the boat's propeller at 10,000 revs per minute. | 0:45:35 | 0:45:39 | |
I bought the model for £500 | 0:45:39 | 0:45:41 | |
but a Ferrari fan might be prepared to pay a lot more. | 0:45:41 | 0:45:45 | |
With only six hours till the guests arrive, | 0:45:49 | 0:45:52 | |
I'm checking all is well at the venue. | 0:45:52 | 0:45:54 | |
I think it looks amazing! | 0:45:56 | 0:45:58 | |
I can already tell it's going to look super when it's formally set. Look at all the flowers! | 0:45:58 | 0:46:02 | |
With everything on schedule in the ballroom, | 0:46:09 | 0:46:11 | |
it's time to unpack the auction lots. | 0:46:11 | 0:46:13 | |
'But there has been an accident.' | 0:46:15 | 0:46:18 | |
Look at that, that's what's happened. | 0:46:18 | 0:46:20 | |
Look at that. That survived for 230 years. | 0:46:22 | 0:46:24 | |
That's not mendable. | 0:46:24 | 0:46:26 | |
Soda glass, I'm afraid, is not as tough as lead crystal. | 0:46:27 | 0:46:30 | |
The decanter's history. | 0:46:30 | 0:46:32 | |
It was quite a good piece of history. | 0:46:32 | 0:46:35 | |
It's now recent history. | 0:46:35 | 0:46:37 | |
This day really isn't going to plan. | 0:46:40 | 0:46:43 | |
'I had high hopes of selling that decanter for megabucks tonight. | 0:46:43 | 0:46:46 | |
'And now I've got to get those coronation chairs | 0:46:46 | 0:46:50 | |
'or else I'm in serious trouble.' | 0:46:50 | 0:46:53 | |
The most important thing is to pick up these chairs for a good price. | 0:46:53 | 0:46:56 | |
That's what I care about now. | 0:46:56 | 0:46:58 | |
The reserve price is £1,500 so if I can buy close to that, | 0:46:58 | 0:47:02 | |
I'm sure I can make a good margin. | 0:47:02 | 0:47:05 | |
Lot 1736 is the pair of Elizabeth II coronation chairs... | 0:47:05 | 0:47:09 | |
'I know that a pair sold recently for £7,500.' | 0:47:09 | 0:47:12 | |
We have interest in this lot so we're going to start at 700. 750. | 0:47:12 | 0:47:16 | |
800. 850. 900, I have. | 0:47:16 | 0:47:18 | |
950. £1,000. | 0:47:18 | 0:47:21 | |
1,100. 1,200. | 0:47:21 | 0:47:22 | |
1,300. 1,400. 1,500. | 0:47:22 | 0:47:24 | |
1,600. 1,700. 1,800. | 0:47:24 | 0:47:27 | |
1,900. 2,000. | 0:47:28 | 0:47:30 | |
2,200 with you, sir. Commission has gone. At 2,200. | 0:47:30 | 0:47:32 | |
I've seen 2,400. Anywhere else? | 0:47:32 | 0:47:34 | |
'This is way beyond the reserve | 0:47:34 | 0:47:36 | |
'but there's still potential to make some decent cash at this level.' | 0:47:36 | 0:47:39 | |
2,400. I will take 2,600, would you like, online? | 0:47:39 | 0:47:42 | |
It's at 2,500. | 0:47:42 | 0:47:44 | |
It's at 2,500. 2,600 is bid online. | 0:47:45 | 0:47:49 | |
I will take 2,800, sir. Back in the room, now at £2,800. | 0:47:49 | 0:47:52 | |
3,000 is now bid in Thailand. At 3,000. | 0:47:52 | 0:47:54 | |
I'll take 3,200, sir. Thank you. £3,200. In the room had 3,200. | 0:47:54 | 0:47:59 | |
3,500 online, now. 3,800 back in the room. | 0:47:59 | 0:48:03 | |
4,000 online. | 0:48:03 | 0:48:05 | |
Next bid is 4,200, sir. | 0:48:05 | 0:48:06 | |
Thank you anyway, sir. | 0:48:06 | 0:48:08 | |
It's online now to the bidder bidding from Thailand. | 0:48:08 | 0:48:10 | |
'£4,000 was my upper bid and I'm not going over it.' | 0:48:10 | 0:48:14 | |
At £4,000. Do I see 4,200 anywhere else? | 0:48:14 | 0:48:17 | |
4,000. Are you sure, sir? | 0:48:17 | 0:48:19 | |
It's at 4,000 and selling online at 4,000. | 0:48:19 | 0:48:23 | |
4,000. Lot 3054. Thank you very much. | 0:48:23 | 0:48:26 | |
HE SIGHS | 0:48:26 | 0:48:28 | |
So just explain what happened? You got outbid? | 0:48:29 | 0:48:32 | |
-OK. I'll explain what happened but then I'll go because I'm -BLEEP -and I've got to do some thinking. | 0:48:32 | 0:48:37 | |
So what happened was I was outbid. | 0:48:37 | 0:48:39 | |
That's what happened. | 0:48:39 | 0:48:41 | |
Someone in Thailand was bidding on the Internet and bid more than me. | 0:48:41 | 0:48:44 | |
That's what happens at auctions and it's kind of annoying. | 0:48:44 | 0:48:47 | |
But there we go. | 0:48:47 | 0:48:49 | |
'This is a disaster for Maxine's gym. | 0:48:49 | 0:48:52 | |
'I'm out of options and I'm out of time. | 0:48:52 | 0:48:55 | |
'All I can do now is work the room tonight for every last penny on the lots I've got left for her.' | 0:48:55 | 0:49:01 | |
The moment has arrived and it's time to wield my gavel. | 0:49:03 | 0:49:07 | |
Maxine from the gym is in the audience with her sister Kathy. | 0:49:09 | 0:49:12 | |
They're down from Manchester for the evening. | 0:49:12 | 0:49:14 | |
And Ann from the riding school in Farnham is here too. | 0:49:14 | 0:49:19 | |
First up are the lots for Maxine's boxing gym. | 0:49:19 | 0:49:22 | |
The Sex Pistols posters and the tastevin. | 0:49:22 | 0:49:25 | |
'I need my clients to splash their cash tonight. | 0:49:25 | 0:49:28 | |
'I've still got two grand to pull in for the girls.' | 0:49:28 | 0:49:30 | |
APPLAUSE | 0:49:30 | 0:49:33 | |
I hope you've all drunk plenty of wine and you are all talked out | 0:49:33 | 0:49:38 | |
and now you're thinking about spending a few quid. | 0:49:38 | 0:49:41 | |
All in a good cause. | 0:49:42 | 0:49:44 | |
First up, there are two of these Sex Pistols posters. | 0:49:44 | 0:49:47 | |
I'm selling one and then the next one. | 0:49:47 | 0:49:49 | |
This one's God Save the Queen and I'm selling for 2,000. | 0:49:49 | 0:49:52 | |
Who will give me 2,000 for this lot? | 0:49:52 | 0:49:54 | |
Who's going to give me... 2,000 at the back, there. Thank you very much. | 0:49:54 | 0:49:58 | |
2,200. Thank you. I have 2,200 in the middle. | 0:49:58 | 0:50:00 | |
2,200. It's an iconic poster. | 0:50:00 | 0:50:03 | |
2,300, front left. Anyone else? | 0:50:03 | 0:50:06 | |
2,300. I am going to sell. | 0:50:06 | 0:50:08 | |
He's got himself a bargain. It's worth 3,500! 2,300. | 0:50:08 | 0:50:11 | |
It's going to sell. Sold. Thank you, sir. | 0:50:11 | 0:50:13 | |
APPLAUSE | 0:50:13 | 0:50:16 | |
Right. Who's going to give me 2,000? 2,000. Thank you very much, sir. | 0:50:16 | 0:50:20 | |
2,100. Are you going to give me 2,200? | 0:50:20 | 0:50:23 | |
2,200. Thank you, sir. Do I have 2,300? I have 2,200 here. | 0:50:23 | 0:50:26 | |
Who's going to give me more than 2,200? | 0:50:26 | 0:50:29 | |
Is anyone going to give me 2,300? | 0:50:29 | 0:50:31 | |
Do you not like the Sex Pistols? Are you all too old? | 0:50:31 | 0:50:33 | |
LAUGHTER | 0:50:33 | 0:50:35 | |
2,300. Thank you. | 0:50:35 | 0:50:37 | |
Do I have any more? Cos I'm going to put the gavel down. | 0:50:37 | 0:50:40 | |
I do. 2,400. Thank you, sir. | 0:50:40 | 0:50:43 | |
2,500. Any more to my left? | 0:50:43 | 0:50:46 | |
2,500. It's going to sell. Sold. | 0:50:46 | 0:50:49 | |
APPLAUSE | 0:50:49 | 0:50:51 | |
This is a very oversized wine taster. | 0:50:53 | 0:50:55 | |
I think I'm going to start this at 1000. | 0:50:55 | 0:50:57 | |
1,000 over there. Thank you, sir. | 0:50:57 | 0:50:59 | |
1,100? I need more than this. | 0:50:59 | 0:51:01 | |
1,500. 1,600. | 0:51:01 | 0:51:04 | |
1,700. I'm holding this at 1,700. | 0:51:04 | 0:51:07 | |
Go 1,800, it's worth it! 1,800, sir. Thank you. | 0:51:07 | 0:51:10 | |
Do I have any advances on £1,800? Do I have no further bids? | 0:51:10 | 0:51:13 | |
I'm going to sell. Thank you, sir. | 0:51:13 | 0:51:16 | |
APPLAUSE | 0:51:16 | 0:51:18 | |
Now it's Riding for the Disabled's turn | 0:51:18 | 0:51:20 | |
and I've got to raise nearly £2,500. | 0:51:20 | 0:51:23 | |
I'm going to start first up with this sapphire ring. | 0:51:24 | 0:51:28 | |
This is yellow sapphire. It's very rare. | 0:51:30 | 0:51:32 | |
And I would like one of you to offer me £2,000 for it. | 0:51:32 | 0:51:35 | |
£2,000. Who's going to give me 2,200? | 0:51:35 | 0:51:38 | |
2,400. 2,600. 2,800. | 0:51:38 | 0:51:41 | |
Is anyone going to give me 3,000? | 0:51:41 | 0:51:43 | |
You are a love. 3,200. Thank you. | 0:51:43 | 0:51:47 | |
Will you give me 3,400 and I'm going to sell it? 3,400. | 0:51:47 | 0:51:49 | |
Thank you very much. | 0:51:49 | 0:51:51 | |
You've just sent a few children on holiday to Devon on horseback. | 0:51:51 | 0:51:55 | |
Do you want to just want to up it to 3,500 and be a hero? | 0:51:55 | 0:51:58 | |
3,500? Thank you. | 0:52:00 | 0:52:01 | |
-It's done. -APPLAUSE | 0:52:01 | 0:52:03 | |
Thank you. | 0:52:03 | 0:52:05 | |
Ryan Callanan is an up-and-coming street artist. | 0:52:08 | 0:52:11 | |
I don't know how street all of you are. | 0:52:11 | 0:52:13 | |
You're not looking particularly street tonight in your dicky bows. | 0:52:13 | 0:52:16 | |
I'm going to start it at £500. Thank you. | 0:52:16 | 0:52:19 | |
It's made from Swarovski crystals. 1,000. | 0:52:19 | 0:52:22 | |
1,500. 2,000 over there. | 0:52:22 | 0:52:24 | |
Anyone else with any imagination? | 0:52:24 | 0:52:28 | |
No. I'm going to sell for £2,000. | 0:52:28 | 0:52:30 | |
APPLAUSE | 0:52:30 | 0:52:32 | |
This is a bit of fun. | 0:52:34 | 0:52:36 | |
That is a model of the only boat that Ferrari ever produced | 0:52:36 | 0:52:40 | |
and I'm going to start you at 500 quid. It's hand built. | 0:52:40 | 0:52:44 | |
500. 600. | 0:52:44 | 0:52:46 | |
700. 800. | 0:52:46 | 0:52:48 | |
900. 1,000. | 0:52:48 | 0:52:50 | |
1,100. | 0:52:50 | 0:52:52 | |
1,200 at the back. | 0:52:52 | 0:52:53 | |
1,300 front. 1,400! That was nod! | 0:52:53 | 0:52:57 | |
Sold. Thank you. | 0:52:57 | 0:52:58 | |
APPLAUSE | 0:52:58 | 0:53:01 | |
'So I've done brilliantly for the riding school | 0:53:06 | 0:53:08 | |
'but really not for the boxing gym. | 0:53:08 | 0:53:11 | |
'My business is all about finding something at the right price for the right market.' | 0:53:11 | 0:53:16 | |
Some of the pieces I've found really paid off, | 0:53:17 | 0:53:20 | |
like the ring for Ann and the tastevin for Maxine but some didn't. | 0:53:20 | 0:53:24 | |
Perhaps those 1970s lamps are not quite back in fashion. | 0:53:24 | 0:53:28 | |
Ultimately, I know I haven't reached what I promised Maxine | 0:53:30 | 0:53:35 | |
and I'm heading back to Manchester with a heavy heart. | 0:53:35 | 0:53:38 | |
-Just let it fall. That's it. Just work on that. -Hello. -Oh! | 0:53:40 | 0:53:44 | |
-Hello, Andrew! -How are you? -OK? | 0:53:44 | 0:53:46 | |
-Yeah. Nice to see you. -Nice to see you. | 0:53:46 | 0:53:48 | |
-How are you doing? -I'm good, thank you. -And my interrupting? -No. | 0:53:48 | 0:53:51 | |
-She's just going hell for leather, there. -She is! -Go on, Ruth! | 0:53:51 | 0:53:55 | |
Come on, try a bit harder! | 0:53:55 | 0:53:56 | |
-This is Andrew, Ruth. -Hello. How are you? | 0:53:56 | 0:53:59 | |
You sort of go like that, don't you? | 0:53:59 | 0:54:01 | |
Say hello like that? Well, you know why I'm here, don't you? | 0:54:01 | 0:54:04 | |
I've obviously been working away on your behalf | 0:54:04 | 0:54:06 | |
and now I've come to deliver, so... | 0:54:06 | 0:54:08 | |
-Yes. -Woo-hoo! | 0:54:08 | 0:54:11 | |
So on this bright sunny day | 0:54:11 | 0:54:13 | |
-I've brought a little bit more sunshine with me. -OK. | 0:54:13 | 0:54:16 | |
-# De-de-de-de! # -Here we go. So, yeah. | 0:54:16 | 0:54:20 | |
To contribute to a little bit of financial health | 0:54:20 | 0:54:23 | |
to your emotional and physical fitness | 0:54:23 | 0:54:28 | |
and especially for the single mums here, that's for you. | 0:54:28 | 0:54:32 | |
And I hope that makes a difference. | 0:54:32 | 0:54:35 | |
-Eee! -Thank you very much. Thank you. | 0:54:35 | 0:54:37 | |
-Do I get another kiss? -Thank you. | 0:54:37 | 0:54:39 | |
'The girls here inspired me so much I've reached into my own pocket | 0:54:39 | 0:54:43 | |
'and given the money I think I could have made. Five grand.' | 0:54:43 | 0:54:46 | |
Honestly, it'll make a real difference to our club. Thank you very much. | 0:54:46 | 0:54:50 | |
I love this place. I think you're all terrific. | 0:54:50 | 0:54:52 | |
'Even antiques dealers have hearts.' | 0:54:52 | 0:54:54 | |
Right, ladies. We just got this cheque from Andrew. | 0:54:54 | 0:54:57 | |
-Has it got my name on? -No, it's not got your name on it but I'd like to show you. | 0:54:57 | 0:55:02 | |
-That's brilliant. -What do you think of that? -Oh, thank you, Andrew! | 0:55:02 | 0:55:05 | |
-You're welcome. -Thank you. We're really grateful. Thank you. | 0:55:05 | 0:55:08 | |
No, you're very welcome. Your story particularly inspired me... | 0:55:08 | 0:55:12 | |
'I'm just delighted to be helping women like Maxine's sister Kathy | 0:55:12 | 0:55:17 | |
'and mum of three, Jenny.' | 0:55:17 | 0:55:19 | |
It will make a huge difference. | 0:55:19 | 0:55:21 | |
Cos that was particularly a thing here, wasn't it? | 0:55:21 | 0:55:24 | |
To be able to have childcare so that mums can come and do some training. | 0:55:24 | 0:55:28 | |
Yeah, of course. | 0:55:28 | 0:55:30 | |
And it's help for the children as well. | 0:55:30 | 0:55:32 | |
They can see what their mums are doing and then they're brought up with it as well. | 0:55:32 | 0:55:36 | |
Yeah. So expansion next? | 0:55:36 | 0:55:38 | |
-All girls? -Bigger and better, yeah. | 0:55:38 | 0:55:40 | |
LAUGHTER | 0:55:40 | 0:55:42 | |
-You take care. -Thank you, Andrew. Thanks for everything. | 0:55:42 | 0:55:45 | |
You're very welcome. Bye. | 0:55:45 | 0:55:47 | |
-Bye, darling. -Thanks for your support. Cheers. | 0:55:47 | 0:55:50 | |
-We'll never forget you, Andrew. -Hope the children are well looked after. | 0:55:50 | 0:55:53 | |
Bye, darling. | 0:55:53 | 0:55:55 | |
'That's one happy charity. | 0:55:55 | 0:55:58 | |
'Now I'm bringing a cheque to the Farnham riding school. | 0:55:58 | 0:56:01 | |
'It's also for more than Ann asked for but this time no breakages | 0:56:01 | 0:56:04 | |
'and some smarter buying and selling.' | 0:56:04 | 0:56:07 | |
-Hello, Ann. -Andrew! Hello! Lovely to see you! -You, too. | 0:56:07 | 0:56:11 | |
If I can drag you away from your duties for a moment or two. | 0:56:11 | 0:56:14 | |
-Yes, lovely. -Well, if I show you that... | 0:56:14 | 0:56:17 | |
-Can I open it? -Yes. | 0:56:17 | 0:56:19 | |
I don't believe it! | 0:56:22 | 0:56:23 | |
Yeah, I think we've got a little bit over target. | 0:56:23 | 0:56:27 | |
-2,500, I think was the target. -That's wonderful! | 0:56:27 | 0:56:29 | |
I got you just over 3,000. | 0:56:29 | 0:56:31 | |
I can't believe it! Oh, that's absolutely fantastic. | 0:56:31 | 0:56:33 | |
-What are you going to be able to do with that? -What will we do? | 0:56:33 | 0:56:36 | |
We can keep going, Andrew. We can survive. | 0:56:36 | 0:56:38 | |
When I started this journey, | 0:56:40 | 0:56:42 | |
I didn't really know what to expect | 0:56:42 | 0:56:44 | |
and what I found is an amazing collection of people | 0:56:44 | 0:56:49 | |
in different places | 0:56:49 | 0:56:51 | |
who give a lot of their time and effort | 0:56:51 | 0:56:55 | |
to the benefit of others around them in their local community. | 0:56:55 | 0:56:59 | |
It's been humbling and enjoyable and informative | 0:57:03 | 0:57:06 | |
and very nice to be able to contribute in a small way | 0:57:06 | 0:57:11 | |
to enable them to carry on the great work that they are doing. | 0:57:11 | 0:57:14 | |
Subtitles by Red Bee Media Ltd | 0:57:42 | 0:57:44 |