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Welcome to Cash In The Attic, | 0:00:02 | 0:00:03 | |
programme that helps you search out those hidden treasures in your home and then sell them at auction. | 0:00:03 | 0:00:09 | |
Today I'm in North London and I stopped off to enjoy this rather splendid Georgian country house. | 0:00:09 | 0:00:15 | |
Hendon Hall was built in 1756 and is believed to have been the home of David Garrick, | 0:00:17 | 0:00:21 | |
the famous 18th-century actor and manager of the Theatre Royal, Drury Lane. | 0:00:21 | 0:00:27 | |
After a number of years as a school, the hall was turned into a luxury hotel, | 0:00:27 | 0:00:31 | |
and it was here that the England football squad stayed in 1966, the night before winning the World Cup. | 0:00:31 | 0:00:37 | |
Well, let's hope we'll be able to find antiques and collectables | 0:00:37 | 0:00:41 | |
which will give a star performance when they go under the hammer at auction. | 0:00:41 | 0:00:45 | |
Today on Cash In The Attic, it's family affair. What a team! Mother and daughter, already hard at work. | 0:01:05 | 0:01:11 | |
With girls who aren't afraid to speak their mind. | 0:01:11 | 0:01:15 | |
-I think it's worth a lot more. -50 quid?! | 0:01:15 | 0:01:18 | |
I know what Swarovski crystals cost if you have to buy something. | 0:01:18 | 0:01:22 | |
At the auction, Jonty is almost lost for words. | 0:01:22 | 0:01:25 | |
-500! -HE GASPS -My word! | 0:01:25 | 0:01:28 | |
Find out why when today's collectables go under the hammer. | 0:01:28 | 0:01:32 | |
I'm off to meet a fashion-conscious, | 0:01:33 | 0:01:35 | |
hard-working mother and daughter who've called in the team | 0:01:35 | 0:01:38 | |
to help them raise money because they think it's time they had a bit of pampering. | 0:01:38 | 0:01:43 | |
Christine and her daughter Jo have collected many antiques over the years. | 0:01:43 | 0:01:47 | |
Now their home is packed with a wide variety of items, so it should be a very interesting day. | 0:01:47 | 0:01:53 | |
Morning, Jonty. | 0:01:53 | 0:01:55 | |
-What are you doing up there? -A bit taller than you for a change. | 0:01:55 | 0:01:59 | |
I'm glad to see you looking really dapper today, because we're about to meet two ladies who are designers. | 0:01:59 | 0:02:05 | |
-Good. I hope they've got some stylish antiques. -I'm sure they will. Let's see what they've got. | 0:02:05 | 0:02:10 | |
Christine, Jo, what a team! Mother and daughter. | 0:02:14 | 0:02:17 | |
Already hard at work. So why have you called in Cash In The Attic? | 0:02:17 | 0:02:22 | |
I'd like to declutter because I have so much stuff. I'm getting too old for dusting every day. | 0:02:22 | 0:02:27 | |
Have you earmarked some stuff? | 0:02:27 | 0:02:29 | |
The things I like have been put away, but there are some nice bits that can still go. | 0:02:29 | 0:02:35 | |
What are you going to spend the money on? | 0:02:35 | 0:02:37 | |
Health farm, massage, treatments. | 0:02:37 | 0:02:40 | |
Body, face, the lot. Hair, nails. | 0:02:40 | 0:02:43 | |
And how much do you reckon it'll cost? | 0:02:43 | 0:02:45 | |
If we get £500, I'll be happy. | 0:02:45 | 0:02:47 | |
It takes more than fingers crossed to raise £500, it takes "Roll up your sleeves and let's get to work", | 0:02:47 | 0:02:53 | |
-so why don't we do just that? -All right. -Let's go. | 0:02:53 | 0:02:56 | |
Christine's treasures will keep us busy rummaging all day. | 0:02:56 | 0:02:59 | |
But to be sure the girls enjoy their luxury pampering experience, we have to make £500. | 0:02:59 | 0:03:04 | |
Jonty's the first to find something worth admiring, amongst a glorious collection of glass. | 0:03:07 | 0:03:12 | |
-Jonty. Christine and Jo. -Hi. -Hi. | 0:03:12 | 0:03:16 | |
That's a handsome-looking jug, Christine. | 0:03:16 | 0:03:19 | |
-Where did that come from? -I was engaged to a guy that lasted three days, from Sunday to Tuesday. | 0:03:19 | 0:03:25 | |
He told me I could keep the ring, and I thought, I don't want to wear his ring, so I took it to the shop. | 0:03:25 | 0:03:31 | |
I said, "I don't want any money but I want to take goods to the value of the ring." | 0:03:31 | 0:03:37 | |
This is a claret jug and they usually come in this style. | 0:03:37 | 0:03:42 | |
They usually have a cut-glass base, | 0:03:42 | 0:03:44 | |
and more often than not you get silvered tops to them, | 0:03:44 | 0:03:48 | |
in varying styles, and that is how you can date them, by looking at the design they've used, | 0:03:48 | 0:03:54 | |
usuallyb on the top. | 0:03:54 | 0:03:56 | |
Looking at the style of this, this has a very 19th century feel, | 0:03:56 | 0:04:00 | |
but I believe it just to be a bit later than that. | 0:04:00 | 0:04:03 | |
I would suspect that this claret jug would be made in the 1920s. | 0:04:03 | 0:04:08 | |
Because it's not silver, we're looking a figure of £40-£50, maybe £60. | 0:04:08 | 0:04:12 | |
If it's going to stop me polishing, it has to go. | 0:04:12 | 0:04:16 | |
It's a start, that's for sure, but I think your pampering is | 0:04:16 | 0:04:20 | |
going to cost a bit more than that, so let's see what else we can find. | 0:04:20 | 0:04:24 | |
Estimated at up to £60, this traditional early 20th century silver-plated claret jug | 0:04:24 | 0:04:31 | |
has given us a great start. | 0:04:31 | 0:04:33 | |
With so many antiques, it's difficult to know where to start or what to choose from. | 0:04:33 | 0:04:38 | |
So let's hope we'll enjoy the sweet smell of success with Jo's first discovery. | 0:04:40 | 0:04:46 | |
Jonty, check this out. I believe that's good name. | 0:04:46 | 0:04:50 | |
Lalique, Paris. Let's have a look. | 0:04:50 | 0:04:54 | |
-It looks like it's never been used. -I doubt it has. | 0:04:54 | 0:04:57 | |
Perhaps we can get it out. Rene Lalique was one of the most influential | 0:04:57 | 0:05:01 | |
art glass designers of the 20th century. | 0:05:01 | 0:05:04 | |
-Originally he was designing jewellery... -Right. | 0:05:04 | 0:05:07 | |
..but he was then asked to design scent bottles, | 0:05:07 | 0:05:09 | |
so his signature label is this frosted, often opalescent glass. | 0:05:09 | 0:05:16 | |
Let's have a look on the underside. | 0:05:16 | 0:05:18 | |
-This is etched "Lalique, France," on the underside there. -Right. | 0:05:18 | 0:05:22 | |
-Yes. -So that's very nice to see. | 0:05:22 | 0:05:24 | |
-It's good news that this has never been...looks like it has never been used. -Good. | 0:05:24 | 0:05:28 | |
It's great we have the box, | 0:05:28 | 0:05:32 | |
and I suppose value at auction would be, I suppose, between £40-£60. | 0:05:32 | 0:05:37 | |
-Will Mum be pleased with that? -I doubt it! -HE CHUCKLES | 0:05:37 | 0:05:42 | |
Right. Let's pop it back in the box. Let's see what else we can find. | 0:05:42 | 0:05:45 | |
Rene Lalique died in 1945, but the firm he founded is still active today, | 0:05:45 | 0:05:50 | |
so I wonder if this latter-day piece will attract interest. | 0:05:50 | 0:05:55 | |
As the rummage continues, Jo shows us that she's on the ball | 0:05:55 | 0:05:59 | |
with two carved soapstone Buddhas. | 0:05:59 | 0:06:02 | |
The laughing Buddha symbolises luck and generosity - | 0:06:02 | 0:06:05 | |
will he bring us good fortune? | 0:06:05 | 0:06:06 | |
Downstairs, I am curious about my next find. | 0:06:06 | 0:06:11 | |
Christine, in your work room there is this absolutely beautiful lump of crystal, | 0:06:11 | 0:06:16 | |
but the name on the bottom, Swarovski, | 0:06:16 | 0:06:20 | |
is a very important name in the crystal world, and I bet Jonty knows a lot about this. | 0:06:20 | 0:06:25 | |
Jonty, come and take a look at this. | 0:06:25 | 0:06:27 | |
-This beautiful lump of crystal. -Look at the colour. It's quite extraordinary, isn't it? | 0:06:27 | 0:06:32 | |
And yes, the name "Swarovski" on the underside. | 0:06:32 | 0:06:36 | |
One of the biggest factories in production today, selling glass, | 0:06:37 | 0:06:41 | |
and it was Daniel Swarovski who founded it. He comes from modern-day Czechoslovakia, which is Bohemia, | 0:06:41 | 0:06:47 | |
which is where all that wonderful glass came from, | 0:06:47 | 0:06:52 | |
and because he had a march on everybody else, his business really took off, | 0:06:52 | 0:06:56 | |
and it's gone from strength to strength. | 0:06:56 | 0:06:59 | |
How much do you think it is worth, Jonty? | 0:06:59 | 0:07:01 | |
If I was to look into my crystal ball and give you a value, | 0:07:01 | 0:07:05 | |
-I suppose we are looking at £50-£70. -I think it's worth a lot more. -What makes you think that? | 0:07:05 | 0:07:11 | |
They are very limited editions and it was worth then £300. | 0:07:11 | 0:07:17 | |
-So this is something you seriously want to think about, whether or not you take it? -Yes. | 0:07:17 | 0:07:22 | |
So, if you're going to think about that, Christine, you need to put that away somewhere safe, | 0:07:22 | 0:07:28 | |
and we'll wait until auction day. | 0:07:28 | 0:07:30 | |
If it's not going to come to auction, we'll have to find some other things! | 0:07:30 | 0:07:35 | |
Back to work, guys. | 0:07:35 | 0:07:37 | |
Christine clearly loves her glassware. | 0:07:37 | 0:07:40 | |
First, the Lalique and now the Swarovski, also dating from the early '70s. | 0:07:40 | 0:07:44 | |
Their age, less than 40 years old, may explain why the items are worth | 0:07:44 | 0:07:48 | |
less in Jonty's eyes than Christine was hoping for. | 0:07:48 | 0:07:52 | |
Here's hoping these three striking glass ornaments WILL help to boost our funds. | 0:07:52 | 0:07:57 | |
They are estimated to fetch between £40-£60. | 0:07:57 | 0:08:02 | |
As you can see from this beautiful garden, Christine enjoys working as a designer, | 0:08:02 | 0:08:06 | |
so it's time to find out a little more about her career. | 0:08:06 | 0:08:09 | |
This is a good old rumpus room, you have plenty of stuff in here to take a look at, clothes... | 0:08:09 | 0:08:15 | |
Is this a little bridesmaid's dress? Is this one of your creations, Christine? | 0:08:15 | 0:08:20 | |
Well, it's something I'm altering at the moment for a little girl. | 0:08:20 | 0:08:23 | |
You used to be a designer of wedding dresses and evening dresses, how did you get into that? | 0:08:23 | 0:08:30 | |
By chance, actually. I went there as a quality controller. | 0:08:30 | 0:08:34 | |
This was in a dress manufacturer? | 0:08:34 | 0:08:36 | |
Sample machinist, then the designer walked out and I said, "Don't worry, I'll help you," | 0:08:36 | 0:08:41 | |
then I started designing. | 0:08:41 | 0:08:44 | |
I had no idea what I was doing but it was a success. | 0:08:44 | 0:08:46 | |
Jo, you've picked up your mother's creativity, because you design jewellery? | 0:08:46 | 0:08:51 | |
Yeah, I make jewellery, this is a piece of it | 0:08:51 | 0:08:54 | |
and they will be simple like this, or I will do an intricate beaded necklace. | 0:08:54 | 0:09:00 | |
After all that hard work for both of you, I think you deserve a real good break. | 0:09:00 | 0:09:06 | |
What sort of thing do you think you are going to enjoy when you go on this break? | 0:09:06 | 0:09:11 | |
I want a massage, really, the whole back and shoulders, | 0:09:11 | 0:09:15 | |
because you know the way you sit, you end up stooping over, so I'd like to be loosened up. | 0:09:15 | 0:09:21 | |
Well, we'll have to do a bit more rummaging to find something that will make that £500, | 0:09:21 | 0:09:26 | |
-so I'm going to leave you to the box and see what else I can find. -All right, darling. | 0:09:26 | 0:09:30 | |
Christine and Jo are very independent, hard-working women. | 0:09:30 | 0:09:35 | |
I want to make their dreams come true, so we'd better keep our search up to scratch. | 0:09:35 | 0:09:40 | |
We soon turn up these gold pendants, | 0:09:40 | 0:09:42 | |
including a gold half sovereign, estimated to fetch £75-£90. | 0:09:42 | 0:09:48 | |
The rummage also produces another beautiful piece of glass. | 0:09:48 | 0:09:53 | |
This delicate scent bottle, with a cut-glass top and silver neck, is valued at £30-£50. | 0:09:53 | 0:09:57 | |
In the living room, Jonty is pulling out all the stops with his next discovery. | 0:09:57 | 0:10:02 | |
This is great. Look at this decanter and stopper. | 0:10:04 | 0:10:07 | |
-It's lovely, isn't it? Is it Art Deco? -Yes. The style, these lines. | 0:10:07 | 0:10:11 | |
Straight lines, Art Deco. | 0:10:11 | 0:10:13 | |
When it comes to decanters, when it comes to glass you have got to check for condition, | 0:10:13 | 0:10:20 | |
because often the stoppers have been lost, or they've been chipped or damaged. | 0:10:20 | 0:10:24 | |
-This looks absolutely fine, so check the body... -Oh-oh! | 0:10:24 | 0:10:29 | |
Whoops. We have a chip down at the bottom. | 0:10:29 | 0:10:32 | |
That's quite a large chip. | 0:10:32 | 0:10:34 | |
So instantly, we've cut this decanter and stopper by half. | 0:10:34 | 0:10:39 | |
The market would go crazy for this if it was in mint condition, | 0:10:39 | 0:10:43 | |
-but because we have the chip, the damage, we are only talking £30-£40 here. -Really? | 0:10:43 | 0:10:47 | |
Simply because of that break. | 0:10:47 | 0:10:50 | |
-Put it in the sale? -Go on, then. | 0:10:50 | 0:10:52 | |
-Yeah. -If that's only £30, we have some more work to do. | 0:10:52 | 0:10:56 | |
Come on. | 0:10:56 | 0:10:58 | |
What a shame this decanter has been damaged, because the market for Art Deco is very healthy at the moment. | 0:11:00 | 0:11:06 | |
We have quite a collection of interesting items on the roster so far, | 0:11:06 | 0:11:10 | |
but if we're going to get anywhere near that £500, we need quite a few more. | 0:11:10 | 0:11:14 | |
And it's not long before Christine digs up | 0:11:14 | 0:11:16 | |
this intricately engraved silver spade. | 0:11:16 | 0:11:19 | |
We hope it will reach £25-£30. | 0:11:19 | 0:11:23 | |
We're almost out of time, but with the girls' day out at stake, | 0:11:23 | 0:11:28 | |
we need at least one more valuable item. Let's hope Christine's next find is just the ticket. | 0:11:28 | 0:11:33 | |
-Look what I've got. -What have you got there? | 0:11:33 | 0:11:36 | |
I think I saved the best for last. | 0:11:36 | 0:11:39 | |
-Saved the best till last. What do we have here? -What a lovely picture. | 0:11:39 | 0:11:43 | |
-What do you know about this picture? -Well, | 0:11:43 | 0:11:46 | |
I thought it was Madonna and child, then I was told it is | 0:11:46 | 0:11:50 | |
young John the Baptist but I am not sure which is which. | 0:11:50 | 0:11:53 | |
This is the seated Madonna and child. | 0:11:53 | 0:11:56 | |
This is literally one of the most famous pictures in the world. | 0:11:56 | 0:12:01 | |
When I say most famous, | 0:12:01 | 0:12:03 | |
it's probably one of the most reproduced pictures in the world. And the original... | 0:12:03 | 0:12:07 | |
I know what's coming! | 0:12:07 | 0:12:09 | |
The original is by Raphael, high Renaissance painter from Italy, | 0:12:09 | 0:12:13 | |
so the important thing is to check whether it's original copy. | 0:12:13 | 0:12:17 | |
When I say original copy, is it an oil painting? | 0:12:17 | 0:12:21 | |
So let's look across the canvas, and what we're looking for | 0:12:21 | 0:12:24 | |
is the layers of paint, the brush strokes. Can you see, it's relatively even, | 0:12:24 | 0:12:29 | |
relatively smooth? Now that's an indicator that it's not an oil painting, | 0:12:29 | 0:12:34 | |
so therefore this is a facsimile of a kind. | 0:12:34 | 0:12:38 | |
Sadly I can't put a lot on it. I suppose it'll be around the £50 mark. | 0:12:38 | 0:12:42 | |
-£50?! -Yes. You've obviously got a huge disappointed look. | 0:12:42 | 0:12:47 | |
-Very. £50? You sure? -Yes, it's gonna be that kind of figure. | 0:12:47 | 0:12:50 | |
-We could always put a reserve on it. -Yes, I think, yeah, definitely. | 0:12:50 | 0:12:56 | |
You don't have to tell us what the reserve is now, we can sort that out at the time, | 0:12:56 | 0:13:01 | |
-but you're happy for it to go to auction with a reserve? -With a reserve, yeah. | 0:13:01 | 0:13:05 | |
Jo? Do you want to join us? | 0:13:05 | 0:13:07 | |
-Hi, guys. -Unfortunately, Jonty has bad news on the picture, | 0:13:07 | 0:13:11 | |
because your mum was hoping she had a valuable oil painting, | 0:13:11 | 0:13:15 | |
and it hasn't turned out that way. | 0:13:15 | 0:13:17 | |
-Sadly, it's only worth about £50 at auction. -50 quid?! -I know. | 0:13:17 | 0:13:23 | |
I thought we were both going to be retiring on that! | 0:13:23 | 0:13:26 | |
I'm fraid at the moment if we take away the picture and the paperweight, it comes to £300. | 0:13:26 | 0:13:33 | |
-Right. -Very disappointed. | 0:13:33 | 0:13:37 | |
If we add the paperweight at its lowest estimate, it's 350, | 0:13:37 | 0:13:41 | |
and if we add the picture at its lowest, at £50, it's 400. | 0:13:41 | 0:13:46 | |
-Right. -So we're still £100 short. | 0:13:46 | 0:13:49 | |
So I think what we need to do is | 0:13:49 | 0:13:52 | |
to look round the house, see whether or not between now and the auction | 0:13:52 | 0:13:57 | |
-there is anything else we can take to auction, that will give you that extra £100. -OK. | 0:13:57 | 0:14:02 | |
And we'll see you at auction. | 0:14:02 | 0:14:06 | |
Poor Christine and Jo! | 0:14:06 | 0:14:07 | |
I do hope our valuations haven't been too disappointing for them. | 0:14:07 | 0:14:13 | |
But as we all know, anything can happen at auction! | 0:14:13 | 0:14:16 | |
Among the items going under the hammer are the beautiful 1920s | 0:14:16 | 0:14:20 | |
glass clarat jug with the silver-plated stopper. | 0:14:20 | 0:14:23 | |
In pristine condition, this early 1970s frosted Lalique glass scent bottle, | 0:14:23 | 0:14:27 | |
still in its gift box, estimated to fetch up to £60. | 0:14:27 | 0:14:32 | |
The beautiful Swarovski crystal paperweight, made in 1972, which could bring in up to £70. | 0:14:32 | 0:14:39 | |
And finally, a copy of the famous painting by Raphael, of the Seated Madonna, | 0:14:39 | 0:14:43 | |
which Jonty estimates could fetch £50-£80, | 0:14:43 | 0:14:47 | |
though I'm sure Christine would prefer more. | 0:14:47 | 0:14:51 | |
Still to come - which of our items find favour with the bidders? | 0:14:51 | 0:14:57 | |
-You're going to get your £80. -£75... | 0:14:57 | 0:15:00 | |
How much will Jonty's gamble cost him? | 0:15:00 | 0:15:02 | |
If it makes £500, the meal's on me. | 0:15:02 | 0:15:06 | |
Find out, when the hammer falls. | 0:15:06 | 0:15:09 | |
Well, it's been a week or two since we joined Christine and Jo | 0:15:14 | 0:15:17 | |
at her home in North London, looking for all those antiques and collectables | 0:15:17 | 0:15:22 | |
that we could sell today her today at Gaze & Son auction rooms at Diss in Norfolk. | 0:15:22 | 0:15:28 | |
Remember, she wants £500 so the two of them can go off and spend a relaxing day at a luxurious spa. | 0:15:28 | 0:15:33 | |
But unfortunately on the rummage we didn't quite make the total, | 0:15:33 | 0:15:38 | |
so let's hope we do get some really good bidding today, or the girls could end up taking an early bath. | 0:15:38 | 0:15:43 | |
This auction house in Norfolk attracts antique enthusiasts from far afield, | 0:15:43 | 0:15:48 | |
and today's collectables are certainly catching their eyes. | 0:15:48 | 0:15:53 | |
Thank goodness Jonty is here to help us through what could be a nerve-wracking day. | 0:15:53 | 0:15:58 | |
-Jonty, morning. -Hi. -I have to admit I'm a bit anxious about our auction today. | 0:15:58 | 0:16:02 | |
I'm glad you're the first one to say that because I am, too! | 0:16:02 | 0:16:07 | |
The problem is that Christine thought some of her items | 0:16:07 | 0:16:09 | |
were worth a lot more than you were prepared to value them at. | 0:16:09 | 0:16:13 | |
And as a consqequence it was difficult to find the £500 that she needs. | 0:16:13 | 0:16:17 | |
Yes, because we've got some damage on them as well. | 0:16:17 | 0:16:19 | |
Damage, all sorts of things, | 0:16:19 | 0:16:21 | |
and the Madonna and Child, I think she was convinced it was an oil painting. | 0:16:21 | 0:16:25 | |
Let's see what she has decided to do with her things. | 0:16:25 | 0:16:29 | |
Remember, when you're selling or buying at auction, you must budget for VAT | 0:16:29 | 0:16:33 | |
and the commission that will be added. | 0:16:33 | 0:16:36 | |
Your local auction house will give you more information. | 0:16:36 | 0:16:40 | |
I really hope the girls make enough to enjoy a day of blissful pampering, | 0:16:40 | 0:16:44 | |
but with all these fabulous antiques on display, we'd better go over the Christine | 0:16:44 | 0:16:49 | |
before she's tempted to buy something. | 0:16:49 | 0:16:52 | |
-Morning, Christine! -Hi, Angela. -You haven't got Jo, your daughter, with you... -No, Jo has a cold, | 0:16:52 | 0:16:57 | |
-so Anne, my sister-in-law, is standing in for Jo. -Have you been to an auction before? | 0:16:57 | 0:17:03 | |
-No, it's the first time. -Oh, really? -What have you decided to do with all of your items? | 0:17:03 | 0:17:07 | |
I've put a reserve on two of them. | 0:17:07 | 0:17:10 | |
-Two? OK. What are they? -The Swarovski paperweight and the Madonna and Child. | 0:17:10 | 0:17:17 | |
-What have you put on them? -Five on the Madonna and three on the... -£5? | 0:17:17 | 0:17:20 | |
£500, Jonty, come on. | 0:17:20 | 0:17:22 | |
£500! My word! | 0:17:22 | 0:17:26 | |
I think we're going to have a bit of drama today, girls, so shall we take our places in the auction? | 0:17:26 | 0:17:32 | |
-Let's go. -Come on. | 0:17:32 | 0:17:33 | |
It's looking likely that Christine may be taking two of her reserved items home, | 0:17:33 | 0:17:38 | |
but auctions can be unpredictable, we'll have to wait and see. | 0:17:38 | 0:17:42 | |
We take our positions and watch our first least controversial lot go under the hammer. | 0:17:42 | 0:17:48 | |
Lot 121, that comes back to the front. | 0:17:48 | 0:17:51 | |
We have the late 20th century Lalique scent bottle with its box. | 0:17:51 | 0:17:56 | |
Look at that, nicely presented for you. | 0:17:56 | 0:17:59 | |
-You happy to see it go, Christine? -Yes, definitely. -OK. Let's see what we get on this one. | 0:17:59 | 0:18:04 | |
I start at £22. At 22, 25, 28, 30, | 0:18:04 | 0:18:08 | |
32, 35, 38, 40, 42, 48, 50, 55... | 0:18:08 | 0:18:12 | |
55 with me. 60 bid. | 0:18:12 | 0:18:15 | |
65, 70, gallery, at 75 below. | 0:18:15 | 0:18:20 | |
I'll take 80. At 75, make no mistake where we're at. | 0:18:20 | 0:18:24 | |
She's up to 75! | 0:18:24 | 0:18:26 | |
Hammer comes down on 75. | 0:18:26 | 0:18:29 | |
-£75, how about that? -Very good. | 0:18:29 | 0:18:32 | |
If all our items keep coming in over estimate, | 0:18:32 | 0:18:35 | |
it may just be that Christine has the last laugh today. | 0:18:35 | 0:18:40 | |
But we need the rest of our items to fare just as well if we're to reach that target. | 0:18:40 | 0:18:44 | |
Let's hope our second lot will do us proud. | 0:18:44 | 0:18:48 | |
Here we have a nice decanter with a geometric design and you have put £30-40 on it. | 0:18:48 | 0:18:55 | |
It would have been worth a lot more without that chip, | 0:18:55 | 0:18:57 | |
do you remember I pointed that out? It's still a charming thing. | 0:18:57 | 0:19:01 | |
-Let's hope it's going to go for a bit more. -I start at £28. | 0:19:01 | 0:19:06 | |
Interest shown at 28. I'll take 30. | 0:19:06 | 0:19:08 | |
At 28 now, the decanter at 28. | 0:19:08 | 0:19:11 | |
Any advance? 30 on the phone. 32... | 0:19:11 | 0:19:17 | |
35. 38... 40 is now the telephone. At 40 the telephone and I'm out. | 0:19:17 | 0:19:23 | |
At 40 the telephone. I'll take two if it helps. At 40, are you all done? | 0:19:23 | 0:19:28 | |
With that chip, uh! Without it, it would have been worth an awful lot more money. | 0:19:28 | 0:19:33 | |
On the nose of Jonty's highest estimate. | 0:19:33 | 0:19:38 | |
But will we be as lucky with the pretty Dutch silver spade? | 0:19:38 | 0:19:41 | |
At £35 the room is quiet. | 0:19:41 | 0:19:44 | |
At 35 and selling... | 0:19:44 | 0:19:46 | |
-£35. -That's good. Very good. | 0:19:46 | 0:19:49 | |
-You pleased with that? -Yes. -Well done. | 0:19:49 | 0:19:51 | |
Great news. Not only is Christine delighted, | 0:19:51 | 0:19:54 | |
I think we're all relieved. | 0:19:54 | 0:19:56 | |
Today's buyers are warming up but how far will they be prepared to go for one of Christine's | 0:19:56 | 0:20:02 | |
most favourite and cherished items? | 0:20:02 | 0:20:05 | |
-You have got great hopes of this, haven't you? -I have. | 0:20:05 | 0:20:08 | |
-So great, you put a great reserve on it too. A weighty reserve. -Yes. | 0:20:08 | 0:20:12 | |
-What is it again? -£300. | 0:20:12 | 0:20:16 | |
It's a limited edition! | 0:20:16 | 0:20:19 | |
-So if it doesn't make £300 you're taking it home? -Back home. | 0:20:19 | 0:20:22 | |
And remember the good old days. | 0:20:22 | 0:20:24 | |
-Let's see what it does. -£100, surely. Anybody want that one? | 0:20:24 | 0:20:31 | |
Nobody in at 100. | 0:20:31 | 0:20:33 | |
-You are taking it home. -Yes. | 0:20:33 | 0:20:36 | |
You didn't want to part with that. | 0:20:36 | 0:20:39 | |
Christine clearly loves this crystal, and I'm glad we won't be splitting them up. | 0:20:39 | 0:20:44 | |
Next up are these striking glass ornaments... | 0:20:44 | 0:20:47 | |
At £38 on commission, any advance? | 0:20:47 | 0:20:51 | |
..which fly out of the room for a very respectable £38. | 0:20:51 | 0:20:56 | |
With half of our items already gone, things haven't gone too badly. | 0:20:56 | 0:21:00 | |
However, with a no-sale on the crystal paperweight, the pressure is on our remaining lots. | 0:21:00 | 0:21:06 | |
Next, Christine's pay-off from her three-day engagement... | 0:21:06 | 0:21:11 | |
-You ready to sell this one? -Yes. -You're not going back on your word? | 0:21:11 | 0:21:14 | |
-No. -No more reserves? -No more, no more polishing. -OK. Here it comes. | 0:21:14 | 0:21:18 | |
Interest on the sheets, and I start here at £28. | 0:21:18 | 0:21:21 | |
£28, I have. | 0:21:21 | 0:21:23 | |
-And 30, 32, 35, 38, 40, 42... -Going up quite rapidly. | 0:21:23 | 0:21:28 | |
..45 and I'm out. 45 is now in the room. Where's the eight? | 0:21:28 | 0:21:31 | |
Any advance on 45? 48, new bidder. | 0:21:31 | 0:21:37 | |
And 50. 55, 60. | 0:21:37 | 0:21:38 | |
60 on my right. Any advance on £60? To my right, | 0:21:38 | 0:21:43 | |
I've lost you all ahead of me at £60... | 0:21:43 | 0:21:47 | |
Jonty's top estimate! | 0:21:47 | 0:21:49 | |
-Very good. -He's the man. | 0:21:49 | 0:21:51 | |
We should put champagne in it. | 0:21:51 | 0:21:53 | |
Another excellent result and Jonty's estimates are proving to be spot on, | 0:21:53 | 0:21:58 | |
but will our good fortune continue with the two soapstone Buddhas? | 0:21:58 | 0:22:02 | |
At 38 to my right and selling... | 0:22:02 | 0:22:06 | |
-I'm pleased. Pleased? -Yes. | 0:22:06 | 0:22:09 | |
At nearly twice the estimate, it's smiles all round. | 0:22:09 | 0:22:12 | |
The paperweight aside, today has gone better than we all thought. | 0:22:12 | 0:22:17 | |
However, it's time to unveil the Seated Madonna. | 0:22:17 | 0:22:22 | |
Jonty, do we think we've got someone in the room that might pay £500 for this? | 0:22:22 | 0:22:28 | |
-No. -In a word! | 0:22:28 | 0:22:29 | |
Girls, if it makes £500, the meal's on me. | 0:22:29 | 0:22:34 | |
-You're on. -All right? | 0:22:34 | 0:22:35 | |
We'll remember that. | 0:22:35 | 0:22:37 | |
-We will. -Here she goes... | 0:22:37 | 0:22:39 | |
I did have interest at £50, but we'll leave that. Start me at £300. | 0:22:39 | 0:22:47 | |
£300 on the print, there. | 0:22:47 | 0:22:49 | |
£100, I'll take if it helps. | 0:22:49 | 0:22:51 | |
£100, she's gonna start. | 0:22:51 | 0:22:54 | |
No? No bid? No interest? | 0:22:54 | 0:22:58 | |
-You're taking it home. -You see, I want to take it home. | 0:22:58 | 0:23:01 | |
Christine, she did have interest at £50. | 0:23:01 | 0:23:04 | |
Are you sure you didn't want to sell it at that? | 0:23:04 | 0:23:07 | |
Definitely. I want to take it home. | 0:23:07 | 0:23:09 | |
It was always unlikely that the high reserve would appeal, | 0:23:09 | 0:23:12 | |
but at least Christine and her beloved painting will stay together. | 0:23:12 | 0:23:17 | |
There's still a chance, though, that we might strike gold with the next lot. | 0:23:17 | 0:23:22 | |
At 95, any advance? | 0:23:22 | 0:23:25 | |
-How about that?! -£95. | 0:23:25 | 0:23:30 | |
What an amazing result. Mother and daughter are still in | 0:23:30 | 0:23:33 | |
with a chance of making to it the beauty spa. | 0:23:33 | 0:23:35 | |
Apart from the two items with reserves, our other items have sold as expected, so there's a lot | 0:23:35 | 0:23:41 | |
riding on our last collectable - the silver-topped scent bottle, if we're to make the £500 target. | 0:23:41 | 0:23:47 | |
I hope we get the sweet smell of success, Jonty and Christine, because we have that very pretty | 0:23:47 | 0:23:52 | |
little perfume bottle that was in the shape of a barrel, wasn't it? | 0:23:52 | 0:23:58 | |
-Time for it to be sold. Here it comes... -30-50 is what we were looking for. -I like 80. | 0:23:58 | 0:24:03 | |
Interest on the sheet is shown and I start here at £28. | 0:24:03 | 0:24:07 | |
-30, 32... -28, she's started at. | 0:24:07 | 0:24:10 | |
35. 38. 40. 42, 45. 48, 50. 55... | 0:24:10 | 0:24:13 | |
She's up to 50 already. | 0:24:13 | 0:24:14 | |
55 now. At £55 only on the barrel... Scent bottle there at 55. | 0:24:14 | 0:24:21 | |
60. 65. 70. 75... | 0:24:21 | 0:24:23 | |
-You are going to get your £80. -75 on the scent bottle. | 0:24:23 | 0:24:28 | |
Are you all done at £75? | 0:24:28 | 0:24:32 | |
-No. £75. -You're not disappointed with £75? -No. | 0:24:32 | 0:24:36 | |
And Jonty said the top price might be 60. You did well on that one. | 0:24:36 | 0:24:42 | |
It seems we saved the best till last, but has it made us enough to pay for a day of luxury pampering? | 0:24:42 | 0:24:48 | |
So the hammer has come down for the final time, it's the moment of reckoning, Christine. | 0:24:48 | 0:24:53 | |
-Right. Tell us. -You wanted £500 for the Madonna and Child, £300 for your paperweight... | 0:24:53 | 0:25:01 | |
That would have given you another £800 on top of whatever it is you have already made. | 0:25:01 | 0:25:06 | |
As it is, you started very well on the other things you sold. | 0:25:06 | 0:25:10 | |
Those two perfume bottles went for £75 each, which is above what we thought we might get for them. | 0:25:10 | 0:25:15 | |
You and Jo, and you might be able to take Anne along as well, you should have a nice time at the spa | 0:25:15 | 0:25:22 | |
because what you've actually made is £456. | 0:25:22 | 0:25:26 | |
That's very good. Thank you. | 0:25:26 | 0:25:30 | |
-Very good. -So I think you should tell Jo what you've made. | 0:25:30 | 0:25:35 | |
Share it with Anne and have a wonderful time at the spa. | 0:25:35 | 0:25:39 | |
We will. Thank you very much. | 0:25:39 | 0:25:41 | |
One week on, and Mum and daughter waste no time in heading down to their local health and beauty spa. | 0:25:48 | 0:25:54 | |
We're gonna go and have our lovely massage and with any luck, Jonty will be down for the final rub! | 0:25:54 | 0:26:01 | |
You'll be lucky, girls! | 0:26:01 | 0:26:03 | |
You've come to the right place for total indulgence. | 0:26:03 | 0:26:06 | |
What better way to round off a perfect day than to take the waters - and the bubbles?! | 0:26:18 | 0:26:23 | |
Well, what a relaxing day at the spa for Christine and Jo - after all that tension in the auction room. | 0:26:29 | 0:26:34 | |
If there's something you'd like to raise money for | 0:26:34 | 0:26:37 | |
and you think you have things in the house you'd like to sell at auction, | 0:26:37 | 0:26:41 | |
get in touch with the programme. | 0:26:41 | 0:26:43 | |
All you have to do is fill in our application form on our website... | 0:26:43 | 0:26:46 | |
Come and join us on Cash In The Attic. | 0:26:49 | 0:26:51 |