Browse content similar to Randall. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Welcome to Cash in the Attic, the show that finds the hidden treasures in your home, | 0:00:02 | 0:00:05 | |
which we help you to sell at auction. Well, today I'm in London, | 0:00:05 | 0:00:09 | |
where I'm at the actual Borough of Kensington and Chelsea, which of course is notoriously posh, | 0:00:09 | 0:00:14 | |
so I've decided it's time to have a bit of a look at some of the glorious shops. | 0:00:14 | 0:00:18 | |
The Kings Road saw the start of Swinging London in the mid 1960s, and the birth of punk in the 1970s. | 0:00:18 | 0:00:24 | |
At one end is Sloane Square, an area renowned for its wealthy inhabitants, | 0:00:24 | 0:00:29 | |
nearby Knightsbridge is home to exclusive designer stores, including Harrods and Harvey Nicks. | 0:00:29 | 0:00:34 | |
Unsurprisingly, this part of town is the most affluent local authority in Britain. | 0:00:34 | 0:00:40 | |
Well, let's hope we manage to bag plenty of top-notch collectables | 0:00:40 | 0:00:44 | |
that will tempt the bidders when they go under the hammer at auction. | 0:00:44 | 0:00:48 | |
Today on Cash in the Attic, we find a whole world of interesting items in the Kings Road. | 0:01:08 | 0:01:13 | |
Well, I'd say - good heavens... I've never seen anything quite like it. | 0:01:13 | 0:01:18 | |
Our expert, John Cameron, certainly knows his place. | 0:01:18 | 0:01:21 | |
John, come and look at this. | 0:01:21 | 0:01:24 | |
Ah, you rang, m'lady? | 0:01:24 | 0:01:26 | |
And, after a roller coaster ride at auction, there are high hopes of a big family reunion. | 0:01:26 | 0:01:33 | |
That's bang on estimate, £40. You happy with that? | 0:01:33 | 0:01:36 | |
Yes, I'm not taking them home. | 0:01:36 | 0:01:39 | |
That's all when our goodies go under the hammer. | 0:01:39 | 0:01:41 | |
I'm about to meet two very glamorous ladies who've called in | 0:01:43 | 0:01:46 | |
the Cash in the Attic team to help them raise some funds | 0:01:46 | 0:01:49 | |
for a very important family visit. | 0:01:49 | 0:01:51 | |
Art therapist Diana Randall has lived a fascinating life. | 0:01:53 | 0:01:56 | |
She's travelled the world extensively, going with her parents from a very early age. | 0:01:56 | 0:02:02 | |
The travel bug remains with her to this day. | 0:02:02 | 0:02:04 | |
With the help of her cousin Pat, she hopes to raise enough money | 0:02:04 | 0:02:07 | |
to extend the family globe-trotting tradition. | 0:02:07 | 0:02:11 | |
-Morning, John. -Oh, good morning, Lorne. | 0:02:11 | 0:02:13 | |
So, how are we meeting today? | 0:02:13 | 0:02:14 | |
We're meeting Diana Randall and her cousin Pat, they've got plans for a rather special | 0:02:14 | 0:02:19 | |
-family visit they want us to get involved in. -Sounds interesting. Shall we get on with it? | 0:02:19 | 0:02:23 | |
I thought perhaps if I meet the family, | 0:02:23 | 0:02:25 | |
-and you start having a look round, all right? -Come on. -Well, it's very posh round here. | 0:02:25 | 0:02:29 | |
Oh, here we go. | 0:02:31 | 0:02:33 | |
-Ah, good morning, ladies. -Hi. -What are you going through here? | 0:02:35 | 0:02:39 | |
-We're looking through some old photographs. -Ah, fantastic. | 0:02:39 | 0:02:43 | |
Diana, it's your house, isn't it? | 0:02:43 | 0:02:44 | |
Well, actually it's my mother's place, and I've been living here for some time, helping to care for her. | 0:02:44 | 0:02:51 | |
Well, you've called in Cash in the Attic, so what do you want us for? | 0:02:51 | 0:02:54 | |
Well, Mum has an awful lot of stuff that she'd collected over the years and, | 0:02:54 | 0:03:00 | |
because I move round a lot, I really wanted to get rid of a lot of it. | 0:03:00 | 0:03:05 | |
So, if we do take some of this stuff to auction, what do you want to use the money for? | 0:03:05 | 0:03:10 | |
Well, I'd love to bring my son Sheridan, his partner | 0:03:10 | 0:03:13 | |
Bonnie, and the baby James, | 0:03:13 | 0:03:16 | |
over to see Mum, | 0:03:16 | 0:03:17 | |
she's never seen her great-grandchild, and it would be fantastic. | 0:03:17 | 0:03:21 | |
So how much money are you looking to raise then, Diana? | 0:03:21 | 0:03:24 | |
Well, I mean, £500 would be brilliant, and also I'd really like to perhaps | 0:03:24 | 0:03:29 | |
buy a little present for James from the Kings Road, Chelsea, and send that over to Australia beforehand. | 0:03:29 | 0:03:35 | |
So, Pat, you're obviously Diana's cousin, how do you feel about helping out with the rummage? | 0:03:35 | 0:03:40 | |
I don't mind, I love it. | 0:03:40 | 0:03:41 | |
It's been very interesting, looking through all the photographs and bits and pieces that she has. | 0:03:41 | 0:03:47 | |
Right, if we're going to raise the £500 you need, both towards bringing Sheridan and the family over | 0:03:47 | 0:03:52 | |
and a bit of a shopping trip to buy a present for baby James, then I think we'd better crack on. | 0:03:52 | 0:03:57 | |
-Come on, let's get started. -OK. | 0:03:57 | 0:03:59 | |
Thanks to her family's love of art and travel, Diana's home is littered with intriguing items, | 0:04:00 | 0:04:06 | |
but in her compact and bijou flat, I'm concerned we won't find enough to take to auction. With luck, | 0:04:06 | 0:04:12 | |
our own globetrotter, John Cameron, will have the experience to help. | 0:04:12 | 0:04:16 | |
Ah, John. | 0:04:16 | 0:04:18 | |
-Ah, hello, ladies. -Hello. -Ah, now, that looks rather nice. | 0:04:18 | 0:04:21 | |
Well, it's rather interesting, I think it might be a bit of an outsize cream jug, | 0:04:21 | 0:04:24 | |
but it is an interesting jug nevertheless. Where did it come from? | 0:04:24 | 0:04:28 | |
Well, my mother took it from the family home, which was in Sheffield. | 0:04:28 | 0:04:31 | |
Well, it's actually referred to as majolica, it's a very distinctive | 0:04:31 | 0:04:36 | |
type of Victorian pottery, and it took its name from maiolica, | 0:04:36 | 0:04:39 | |
which was a tin-glazed earthenware produced in Italy and Spain in the 15th, 16th and 17th centuries. | 0:04:39 | 0:04:46 | |
Sadly, there's no makers name on there, and with most things these days, | 0:04:46 | 0:04:50 | |
there is some added value when you can put a designer's name on something. | 0:04:50 | 0:04:54 | |
It does have a couple of chips to the rim here, | 0:04:54 | 0:04:57 | |
but because of the nature of the glaze, it kind of obscures that, and you don't notice it, | 0:04:57 | 0:05:02 | |
but anybody looking to buy that would see that it had some damage. | 0:05:02 | 0:05:05 | |
-Yes, sure, I hadn't noticed it. -So what sort of value are we talking about at auction? | 0:05:05 | 0:05:09 | |
I think it's a nice item and at auction these days with two collectors in the room, | 0:05:09 | 0:05:13 | |
-you'll probably get about £50, £70 for it. -Really? That would be amazing! | 0:05:13 | 0:05:17 | |
OK, that's a very good start, but we've got some way to go, | 0:05:17 | 0:05:21 | |
-so never mind strawberries and cream, I think we'd better get going... Come on. -OK. | 0:05:21 | 0:05:26 | |
It's fascinating, the history, and I had no idea it would be worth that much. | 0:05:26 | 0:05:30 | |
To me, it was just an old jug sitting on the windowsill that I put flowers in, so it was great. | 0:05:30 | 0:05:35 | |
Looks like you'll have to find another vase, Diana, but not right now. | 0:05:35 | 0:05:40 | |
We need to keep searching if we're going to reach the £500 target. | 0:05:40 | 0:05:44 | |
Splitting up should give us a better chance of success. | 0:05:44 | 0:05:48 | |
We've an international mission on our hands. | 0:05:48 | 0:05:50 | |
Thankfully, Diana has come to the rescue. | 0:05:50 | 0:05:53 | |
John, come and look at this. | 0:05:53 | 0:05:56 | |
Oh, you rang, m'lady? | 0:05:56 | 0:05:58 | |
-That's a nice thing. -Gorgeous. -Is it yours? | 0:05:59 | 0:06:02 | |
It belonged to my son... back in the probably '70s? | 0:06:02 | 0:06:05 | |
Well, that would fit perfectly... were you a fan of Thunderbirds? | 0:06:05 | 0:06:10 | |
I remember them, yes, they were pretty fun. | 0:06:10 | 0:06:12 | |
Jeff Tracy - retired astronaut - and his five sons, | 0:06:12 | 0:06:16 | |
and their English counterpart, the agent in the UK... | 0:06:16 | 0:06:20 | |
Lady Penelope. | 0:06:20 | 0:06:22 | |
There we are, brilliant, this is fab, as you can see. | 0:06:22 | 0:06:24 | |
It's a nice thing, it's in decent condition. | 0:06:24 | 0:06:27 | |
-On the bottom we can see, it's Dinky Toys. -Yes, good old Dinky. | 0:06:27 | 0:06:30 | |
The one thing a collector will do in auction rooms | 0:06:30 | 0:06:33 | |
-is look at the paintwork to see if it's been touched up at all. -Hmm. | 0:06:33 | 0:06:36 | |
That looks perfect to me, it's got all the bits and pieces there. | 0:06:36 | 0:06:40 | |
-Is this something you'd let us put into auction? -Yes, it can go to auction. | 0:06:40 | 0:06:44 | |
Well, in this condition, I've seen them make about £40 or £50 before, so would that be acceptable? | 0:06:44 | 0:06:49 | |
-That'd be great. -Well, it looks like Thunderbirds are go! -Yes. | 0:06:49 | 0:06:52 | |
-Come on, let's see what the others are doing... -Hopefully, | 0:06:52 | 0:06:56 | |
we'll get a fab result on auction day, but we're still a long way from our target. | 0:06:56 | 0:07:00 | |
Maybe this smart field compass with hinged sighting | 0:07:02 | 0:07:07 | |
and in a leather hide case will give us another £50 to £70. | 0:07:07 | 0:07:11 | |
If we want Diana's son and family to see the glamour of the city, | 0:07:11 | 0:07:15 | |
we need this plush pad to furnish us with many more colourful goods. | 0:07:15 | 0:07:19 | |
I think my next find could do just that. John, Diana... | 0:07:19 | 0:07:22 | |
I think I've found a light at the end of the tunnel. Come and look. | 0:07:22 | 0:07:25 | |
Where did you get that from then, Diana? | 0:07:25 | 0:07:28 | |
Well, my mother got it in the Bakewell area in the '50s I think. | 0:07:28 | 0:07:32 | |
Right, that makes sense, it has that '50s look about it, doesn't it? | 0:07:32 | 0:07:35 | |
What do you make of it, John? | 0:07:35 | 0:07:36 | |
Well, I'd say good heavens. I've never seen anything quite like it. | 0:07:36 | 0:07:39 | |
The effect of the light does remind me, very loosely I might add, | 0:07:39 | 0:07:44 | |
of Tiffany glass, back of the early 20th century, late Victorian period. | 0:07:44 | 0:07:49 | |
It's been put together in a similar way, using kind of lead cells, | 0:07:49 | 0:07:52 | |
they've been fixed into position, you can see the leadwork here. | 0:07:52 | 0:07:55 | |
Now, in terms of date, you said the '50s... | 0:07:55 | 0:07:58 | |
I think possibly later than that, and the reason I say that is, if you think about decoration | 0:07:58 | 0:08:02 | |
in the home around the '60s and '70s, you saw a lot of that kind of... | 0:08:02 | 0:08:07 | |
quarried stone look around, with mock fireplaces and things like that. | 0:08:07 | 0:08:11 | |
That was a fashion and a craze, after all, | 0:08:11 | 0:08:13 | |
-so it kind of echoes that style to me. -What sort of value would you put on it? | 0:08:13 | 0:08:18 | |
I would suggest a guestimate of about £60 to £80, something like that. | 0:08:18 | 0:08:21 | |
Right, so what do you think of that valuation, Diana? | 0:08:21 | 0:08:24 | |
I'm not sure, because it was one of Mum's favourite items, she really loved it, so I'm really not sure. | 0:08:24 | 0:08:31 | |
OK, in that case, we'll just wait until the day of the auction, | 0:08:31 | 0:08:34 | |
and see whether it turns up, but if we can't count on that, | 0:08:34 | 0:08:37 | |
we need to find some other things, so shall we crack on? Follow me. | 0:08:37 | 0:08:41 | |
I'm very fond of the lamp, because it meant such a lot to Mum, | 0:08:41 | 0:08:44 | |
and so I'm not sure whether I'd want to part with it or not. | 0:08:44 | 0:08:50 | |
I'll have to think about it. | 0:08:50 | 0:08:51 | |
Diana's attachment is understandable, but if we want to scoop that £500, | 0:08:52 | 0:08:57 | |
we need to track down collectables with a little less sentimental value. | 0:08:57 | 0:09:01 | |
John thinks this stylish grained leather picture frame | 0:09:01 | 0:09:05 | |
that opens to reveal an opal matt gilt mount | 0:09:05 | 0:09:09 | |
could add another £50 to £70 to our fund, | 0:09:09 | 0:09:12 | |
while Diana is hoping this Victorian photograph album | 0:09:12 | 0:09:16 | |
will make us £60 to £70. No stranger to style herself, | 0:09:16 | 0:09:21 | |
Diana and I head down to the Kings Road to soak up the ambiance, | 0:09:21 | 0:09:25 | |
and find out more about her cosmopolitan lifestyle. | 0:09:25 | 0:09:29 | |
Your connection here goes back quite a way, doesn't it? You had some sort of connection in the '60s. | 0:09:29 | 0:09:34 | |
Well, yes, I used to work in a boutique on the Kings Road, | 0:09:34 | 0:09:39 | |
and that was a really colourful flower power time, there was lots and lots going on. | 0:09:39 | 0:09:44 | |
Kings Road was an amazing place. | 0:09:44 | 0:09:46 | |
Tell me a little bit about the travelling, because that's sort of in the blood, isn't it? | 0:09:46 | 0:09:50 | |
Well, my grandfather travelled a lot, he was a scholar and he travelled all over the place. | 0:09:50 | 0:09:55 | |
My mother was called Petra, because he'd travelled to that city in Jordan, and Mum certainly | 0:09:55 | 0:10:00 | |
followed in his footsteps - she was always an adventurer and a traveller. | 0:10:00 | 0:10:05 | |
She was in the Spanish Civil War at the beginning, worked on the Riviera and places like that. | 0:10:05 | 0:10:10 | |
-So, how do you feel with the fact that your son's the other side of the world? -Yes, it's very painful, | 0:10:10 | 0:10:15 | |
it's very sad, you know? | 0:10:15 | 0:10:17 | |
I miss them lots, it would be lovely if they were... | 0:10:17 | 0:10:20 | |
living in the same city, you know? | 0:10:20 | 0:10:23 | |
So, how important is this whole trip for them to come over here? | 0:10:23 | 0:10:27 | |
It's a dream in a way, to be able to do that, because I really want Mum to see her great-grandson, | 0:10:27 | 0:10:34 | |
it'd be a wonderful thing, I'd love that to happen. | 0:10:34 | 0:10:37 | |
Well, I could sit here all day, but we'd better get back to the flat, | 0:10:37 | 0:10:41 | |
where Pat and John have already got to grips with the rummage. | 0:10:41 | 0:10:44 | |
It's not long before Diana finds this stunning silver-plated dressing table set. | 0:10:44 | 0:10:49 | |
However, with a price tag of £30 to £40, | 0:10:49 | 0:10:52 | |
will it be our crowning glory at auction? | 0:10:52 | 0:10:56 | |
Diana's home has offered up some splendid array of overseas delights, and John's interest in fine art | 0:10:56 | 0:11:01 | |
has drawn him to the next find of the day. | 0:11:01 | 0:11:04 | |
Have a look at this, have you ever seen this before? | 0:11:04 | 0:11:07 | |
I believe it was brought back by my grandfather from Burma. | 0:11:07 | 0:11:11 | |
The process of lacquering items originated in China. It's been around since about the Han dynasty, | 0:11:11 | 0:11:17 | |
4th Century AD, something like that, and I guess the first lacquer objects | 0:11:17 | 0:11:21 | |
would have made their way into Europe after the adventures of Marco Polo. | 0:11:21 | 0:11:25 | |
It wasn't long before Europeans were prizing lacquer and this kind of unique, plasticky shine that it has. | 0:11:25 | 0:11:32 | |
The actual box itself, it's a pretty simple thing, but it's a nice thing. | 0:11:32 | 0:11:36 | |
It does have a bit of wear to some of the gilding on the top of the cover, and there's | 0:11:36 | 0:11:40 | |
a little bit of damage to the lid inside, but nevertheless, I think to a collector of lacquer | 0:11:40 | 0:11:45 | |
or to a collector of pretty boxes, this would be a fairly desirable object. | 0:11:45 | 0:11:49 | |
At auction, I think we'd hope for about £30 or £40 for it. | 0:11:49 | 0:11:53 | |
-Do you think Diana would be happy with that? -I think she'll be delighted. | 0:11:53 | 0:11:56 | |
Well, we've no time to waste, let's go and see what they've found. | 0:11:56 | 0:11:59 | |
I thought an empty box with a bit of damage on the top, then it wouldn't be worth anything, but... | 0:12:01 | 0:12:07 | |
if it fetches that at auction, that'll be great. | 0:12:07 | 0:12:10 | |
We've covered every square inch of this flat, but if we're going to reach our £500 target, | 0:12:10 | 0:12:16 | |
we need to retrace our steps. | 0:12:16 | 0:12:19 | |
Second time around, I find this beautiful nest of tables, | 0:12:19 | 0:12:22 | |
each with an intricate carved frieze which John values at £40 to £50. | 0:12:22 | 0:12:27 | |
Then a fantastic pair of dark blue cabin trunks, with brass fittings | 0:12:27 | 0:12:31 | |
and leather handles, that'll soon be back on their travels again. | 0:12:31 | 0:12:35 | |
But if we're to get Diana's family over from Australia, we need to pull out a masterpiece. | 0:12:35 | 0:12:40 | |
Diana, can I talk to you about this painting for a minute? | 0:12:42 | 0:12:45 | |
What do you know about it? | 0:12:45 | 0:12:47 | |
Well, my mother bought it some time in the '80s when she was working at | 0:12:47 | 0:12:51 | |
either the Kensington Hypermarket, or the Chelsea Antique Market. | 0:12:51 | 0:12:55 | |
It's a shame it isn't signed, I can't see a signature anywhere. Have you had a look? | 0:12:55 | 0:12:58 | |
I couldn't see one either, no. | 0:12:58 | 0:13:01 | |
Looking at portraiture, very pretty ladies are very commercial, | 0:13:01 | 0:13:04 | |
much better than ugly old men, but I think we probably have the next best thing - | 0:13:04 | 0:13:09 | |
a very handsome young man, that I think would have | 0:13:09 | 0:13:11 | |
much crossover appeal in the auction house. | 0:13:11 | 0:13:13 | |
We ought to be hoping for about £150 to £250, and who knows... | 0:13:13 | 0:13:17 | |
a couple of determined young ladies in the room, we might see a bidding battle, so how does that sound? | 0:13:17 | 0:13:22 | |
I'd be very happy, yes. | 0:13:22 | 0:13:23 | |
-Let's hope he does well. -Yes. | 0:13:23 | 0:13:25 | |
More good news... My! | 0:13:25 | 0:13:27 | |
-My, my, my, what a handsome fella! -Flattery'll get you everywhere, Lorne! | 0:13:27 | 0:13:31 | |
You want to raise £500 at least, so that would be a contribution towards Sheridan and the family | 0:13:31 | 0:13:35 | |
coming over. Obviously, we don't know whether the lamp's going to appear or not at auction. | 0:13:35 | 0:13:40 | |
Well, the valuation of the items that are definitely going to auction comes to exactly £500. | 0:13:40 | 0:13:45 | |
-Wow, that's amazing! -But if you do choose to bring the lamp, that adds another £60, so it'll be £560, | 0:13:45 | 0:13:52 | |
giving you a bit more room to manoeuvre, but it's your decision. | 0:13:52 | 0:13:55 | |
Well, the next stop will be meeting up at the auction room, where everything will be on display | 0:13:55 | 0:13:59 | |
ready to be sold. | 0:13:59 | 0:14:00 | |
We've spent a great day at Diana's lovely West London flat, | 0:14:00 | 0:14:05 | |
and found a wealth of goodies from all over the globe. | 0:14:05 | 0:14:09 | |
Among the items heading for auction are... | 0:14:09 | 0:14:12 | |
the simply fab Thunderbirds car | 0:14:12 | 0:14:15 | |
that belonged to Diana's son, Sheridan. | 0:14:15 | 0:14:18 | |
The 19th-century majolica jug that has some slight damage, | 0:14:18 | 0:14:21 | |
but could still raise £50 to £70 at auction. | 0:14:21 | 0:14:25 | |
The striking portrait of a young man | 0:14:25 | 0:14:27 | |
that Diana's mother found in an antique market in Chelsea. | 0:14:27 | 0:14:31 | |
And the stained-glass lamp, which could bring in as much as £80 | 0:14:31 | 0:14:35 | |
if Diana can bring herself to part with it. | 0:14:35 | 0:14:38 | |
Still to come on Cash in the Attic - | 0:14:40 | 0:14:42 | |
when we get to auction, a few things go to plan... | 0:14:42 | 0:14:46 | |
£150! | 0:14:47 | 0:14:50 | |
..but not everything turns out as we expected. | 0:14:50 | 0:14:53 | |
-Oh, that's a shame. -That is a shame. | 0:14:53 | 0:14:56 | |
Find out if we can bring this family closer together when the final hammer falls. | 0:14:56 | 0:15:01 | |
Now, it's been a couple of weeks since we had a good look around Diana and Pat's home, | 0:15:06 | 0:15:11 | |
and we brought the antiques and collectables we found to Chiswick auction rooms in West London. | 0:15:11 | 0:15:15 | |
Now remember, Diana's looking to raise around £500 towards the cost of bringing over her son, | 0:15:15 | 0:15:21 | |
his partner and also their new baby from Australia, and that of course will mean it's the first time | 0:15:21 | 0:15:27 | |
the baby has met great-grandma, so let's hope that today they make the money they need | 0:15:27 | 0:15:32 | |
so they also get a bit extra for a shopping trip down the Kings Road. | 0:15:32 | 0:15:35 | |
The doors are open and the auction room is filling up rapidly, | 0:15:35 | 0:15:39 | |
with experts and enthusiasts alike inspecting the items up for grabs. | 0:15:39 | 0:15:44 | |
Across the room, I spy a handsome young face that might set pulses | 0:15:44 | 0:15:48 | |
racing today... Oh, and John Cameron is standing nearby too! | 0:15:48 | 0:15:52 | |
-Morning, John. -Ah, good morning, Lorne. -Fresh as the day it was painted, just like your good self. | 0:15:52 | 0:15:57 | |
Thank you for saying so, he certainly is as handsome as I remember him. | 0:15:57 | 0:16:00 | |
Even in this light, | 0:16:00 | 0:16:01 | |
he looks quite striking, doesn't he? | 0:16:01 | 0:16:03 | |
We've got the other extreme - Lady Penelope's car! | 0:16:03 | 0:16:05 | |
-And her faithful chauffeur, Parker - it should do OK. -Of course, | 0:16:05 | 0:16:09 | |
one thing we don't know if it's here or not is that lamp. Have you spotted it? | 0:16:09 | 0:16:12 | |
It'd be pretty hard to miss. I hadn't seen anything like it and I haven't seen it here today, | 0:16:12 | 0:16:17 | |
-so I don't think they've brought that. -I know that they're here, I spotted them in the foyer, | 0:16:17 | 0:16:21 | |
-so shall we find out whether it's here or not? -Come on... -Diana has brought an assortment | 0:16:21 | 0:16:25 | |
of collectables with her today from the family's worldwide travels, | 0:16:25 | 0:16:29 | |
but I wonder whether the bidders will be interested in our global market goods. | 0:16:29 | 0:16:34 | |
I find Diana and Pat checking out the market too. | 0:16:34 | 0:16:38 | |
Ah, good morning, ladies. | 0:16:38 | 0:16:40 | |
-Good morning, ladies. -How are you? | 0:16:40 | 0:16:42 | |
-Fine. -Apprehensive, nervous. | 0:16:42 | 0:16:45 | |
Oh, really? Why's that? | 0:16:45 | 0:16:47 | |
Well, I want to obviously raise the money to bring the family over. | 0:16:47 | 0:16:50 | |
-I also felt a bit sentimental about seeing the items. -Now, there is something we did want to know - | 0:16:50 | 0:16:56 | |
whether you've brought that lamp or not? | 0:16:56 | 0:16:58 | |
Well, I sort of thought, because Mum really loved the lamp, | 0:16:58 | 0:17:02 | |
-I'd keep that. -Fortunately, that doesn't make too much difference, as the valuation of everything | 0:17:02 | 0:17:07 | |
excluding that came to £500, which is the money that you want, isn't it? | 0:17:07 | 0:17:10 | |
Well, the auction is going to start fairly shortly, so I think the best idea is to... | 0:17:10 | 0:17:15 | |
find a lovely armchair somewhere that we can go and wait for the auction to start... Come on. | 0:17:15 | 0:17:20 | |
Remember that if you're interested in buying or selling at auction, | 0:17:20 | 0:17:23 | |
you will be required to pay commission, VAT and possibly other charges. | 0:17:23 | 0:17:27 | |
Your local auction house can provide you with more information. | 0:17:27 | 0:17:32 | |
Good afternoon, ladies and gentlemen! | 0:17:33 | 0:17:35 | |
Welcome to Chiswick auctions. | 0:17:35 | 0:17:37 | |
-We will start... -The bidders are poised and ready, so we get into position | 0:17:37 | 0:17:42 | |
-as our first item goes on sale. -The modern British school | 0:17:42 | 0:17:46 | |
-portrait of a man. -They've put £150 to £200 on that, John, | 0:17:46 | 0:17:50 | |
are you confident of that? | 0:17:50 | 0:17:51 | |
We're hoping that people will just find it attractive because it's a nice picture. | 0:17:51 | 0:17:56 | |
OK, let's see what it makes. | 0:17:56 | 0:17:58 | |
What am I bid for that? I'm bid £110 straight off, £110... | 0:17:58 | 0:18:01 | |
£110 straight off! | 0:18:01 | 0:18:02 | |
..£110, at 110, 120... At £120 now, at 120, 120... | 0:18:02 | 0:18:08 | |
Any more? 130 in the room... | 0:18:08 | 0:18:10 | |
At £130, 130, it's selling then for £130. At 130 then... | 0:18:10 | 0:18:18 | |
-I think that's quite good. -What was the estimate again? | 0:18:18 | 0:18:20 | |
We had £150 to £200, we were relying on his natural good looks, but didn't seem to charm the whole room today. | 0:18:20 | 0:18:27 | |
Well, we may not have quite reached our estimate, but that's still | 0:18:27 | 0:18:31 | |
a superb £130 closer to our target. | 0:18:31 | 0:18:35 | |
If we want to reunite Diana and her family though, we're going to need a lot more cash. | 0:18:36 | 0:18:42 | |
Maybe our next item will pack in the bidders? | 0:18:42 | 0:18:45 | |
-Lot 140a is a pair of dark blue cabin trunks. -Now, they were rather blocking up the hallway | 0:18:45 | 0:18:51 | |
at one point during the rummage. So, we want £50 to £70 for that? | 0:18:51 | 0:18:54 | |
As a student, I used to cart my clothes around in one, | 0:18:54 | 0:18:57 | |
so let's hope we see students here today. | 0:18:57 | 0:19:00 | |
30 for those, 20 for those... | 0:19:00 | 0:19:02 | |
-20, 20 I'm bid, and 25... -£20, we need more than that. | 0:19:02 | 0:19:05 | |
..30, 35, 40... | 0:19:05 | 0:19:08 | |
£40 to the gentleman there, at £40, at £40... | 0:19:08 | 0:19:10 | |
I'm going to sell them then for £40 for the cabin trunks, at £40... | 0:19:10 | 0:19:15 | |
That's a bang-on estimate, £40. | 0:19:15 | 0:19:17 | |
-Brilliant. -Are you happy with that? -Oh, yes, I'm not taking them home! | 0:19:17 | 0:19:21 | |
Another £40, that's brilliant, and Diana seems relieved | 0:19:21 | 0:19:24 | |
that they've been shipped off to a new home too. | 0:19:24 | 0:19:28 | |
But will our glorious silver-plated dressing table set | 0:19:28 | 0:19:31 | |
sail through the auction room at £30 to £40? | 0:19:31 | 0:19:36 | |
-Passing it then for £10... -HE BANGS GAVEL | 0:19:36 | 0:19:39 | |
-Oh, that's a shame. -That is a shame. | 0:19:39 | 0:19:41 | |
Oh, dear! Unfortunately, it's our first unsold item of the day, | 0:19:41 | 0:19:45 | |
and it's heading home with Diana. | 0:19:45 | 0:19:48 | |
The bidders are closely studying their catalogues, and I'm hoping that's a good sign. | 0:19:49 | 0:19:54 | |
Our next lot is that lovely majolica jug, | 0:19:54 | 0:19:56 | |
-and I know you were amazed at the valuation. -Yes, | 0:19:56 | 0:19:59 | |
it didn't realise it was worth anything like that much. | 0:19:59 | 0:20:02 | |
We'll have to see what happens. | 0:20:02 | 0:20:04 | |
Is it worth £30? 35, £35... At 35, £40. | 0:20:04 | 0:20:10 | |
At £40, five I want, at £40, with me at £40, and five anybody? | 0:20:10 | 0:20:16 | |
-For £40? At £40 then... -That looks like it's unsold, | 0:20:16 | 0:20:21 | |
I think there was only one person bidding, and he dropped out at £35. | 0:20:21 | 0:20:25 | |
Another no sale, that's really not good. | 0:20:25 | 0:20:29 | |
But can the Indian nest of tables, | 0:20:29 | 0:20:31 | |
valued at £40 to £50, break our run of bad luck? | 0:20:31 | 0:20:35 | |
I can sell them for £36... 36 then. | 0:20:35 | 0:20:39 | |
£36, so that's £4 under what we wanted... You happy with that? | 0:20:39 | 0:20:44 | |
-Yeah. -I think Diana is getting a bit disheartened, | 0:20:44 | 0:20:47 | |
but a sale is a sale after all, and tops up our fund by £36. | 0:20:47 | 0:20:53 | |
We started really well and then hit a difficult patch, but we still have five more items left to sell. | 0:20:53 | 0:20:58 | |
You never know what can happen in the auction room, so no need for us to panic just yet. | 0:20:58 | 0:21:03 | |
145a...is a Dinky die-cast model | 0:21:04 | 0:21:08 | |
of Lady Penelope's Rolls Royce - a bit of nostalgia for you... | 0:21:08 | 0:21:12 | |
This is a lady after my own heart, it's Lady Penelope driving | 0:21:12 | 0:21:16 | |
that fantastic pink car. Well, she's not driving, is she? | 0:21:16 | 0:21:19 | |
Parker is, that's even better. | 0:21:19 | 0:21:21 | |
Start me for £20 for it, for the Dinky toy, for £20, 20... | 0:21:21 | 0:21:25 | |
22, 24, 26, 28, £28 for the Dinky toy, at £28... | 0:21:25 | 0:21:30 | |
-At £28... -Ooh, we want more than that! -Nobody want this? | 0:21:30 | 0:21:34 | |
£28, 28 then... | 0:21:34 | 0:21:37 | |
I can't believe that, it hasn't sold! | 0:21:38 | 0:21:41 | |
The auctioneer's used his discretion, and chosen not to sell. | 0:21:41 | 0:21:46 | |
For once, Thunderbirds aren't go. | 0:21:46 | 0:21:48 | |
We desperately need the rest of our lots to sell if we want to make enough to fund that family reunion. | 0:21:50 | 0:21:56 | |
Lot 30a is a Chinese... | 0:21:56 | 0:21:59 | |
export lacquered and gilt box, lot 30a. | 0:21:59 | 0:22:02 | |
-Here we go. -At 24, 26 I need, £24 then... At 24... | 0:22:02 | 0:22:09 | |
-Not sold. -No, I don't think he sold it again. -Why not? | 0:22:09 | 0:22:12 | |
Now I'm getting worried. We've had four no sales, | 0:22:12 | 0:22:16 | |
and a couple of our lots have come in under estimate. | 0:22:16 | 0:22:19 | |
There's a family reunion at stake here. Time for some serious selling | 0:22:19 | 0:22:24 | |
and, if we want to get back on track, let's hope the bidders like the look of our next item. | 0:22:24 | 0:22:29 | |
55a is a grained leather cabinet portrait frame... | 0:22:29 | 0:22:34 | |
What am I bid for that, start me for £30? £30 for the frame, | 0:22:34 | 0:22:38 | |
£30, 30, 32, 34... | 0:22:38 | 0:22:41 | |
£34 for it, at 34, 36, 38, 40, | 0:22:41 | 0:22:45 | |
42, 44, 46, 48, £48 to my left... | 0:22:45 | 0:22:51 | |
-Come on! -..At 48. Going then for £48... | 0:22:51 | 0:22:55 | |
At last, a sale! And £48 takes us that much closer to our target. | 0:22:56 | 0:23:02 | |
Next up, will the small field compass in its leather case | 0:23:02 | 0:23:05 | |
bring us near the big money, at £50 to £70? | 0:23:05 | 0:23:08 | |
Going then for £60... All done, 60. | 0:23:08 | 0:23:11 | |
-£60, bang in the middle there, are you happy with that? -Yes. | 0:23:11 | 0:23:14 | |
Good, good, good. | 0:23:14 | 0:23:15 | |
We're nearly at the end of the day's sale. With just one lot left, | 0:23:16 | 0:23:20 | |
I'm hoping we've saved the best till last. | 0:23:20 | 0:23:23 | |
Lot 40a is a good Victorian album. | 0:23:23 | 0:23:26 | |
This is a nice album, including some interesting photographs of Burma. | 0:23:26 | 0:23:30 | |
OK, let's see what happens then. | 0:23:30 | 0:23:31 | |
-Bit of interest in the lot already, I'm bid already £40 for it... -Oooh! | 0:23:31 | 0:23:35 | |
..£40 and five I can take... | 0:23:35 | 0:23:37 | |
At £40. 45, 50, 55... | 0:23:37 | 0:23:40 | |
In the room against commission now, at 55, 60, 65, | 0:23:40 | 0:23:45 | |
-70, 75, 80, 85... -That's fantastic! | 0:23:45 | 0:23:50 | |
-..90, £90 to the lady seated at £90, 95 behind you, 100... -Oh, wow! | 0:23:50 | 0:23:57 | |
..Is that...110, 120, 120 seated at 120... Anybody else? | 0:23:57 | 0:24:02 | |
At £120, 120 with the lady... | 0:24:02 | 0:24:05 | |
130 on the telephone, 140... | 0:24:05 | 0:24:07 | |
..150, £150 now on the telephone at £150... | 0:24:09 | 0:24:14 | |
At £150. | 0:24:14 | 0:24:15 | |
It's going then for £150. 150 it is... | 0:24:15 | 0:24:18 | |
£150! | 0:24:19 | 0:24:23 | |
I'm so pleased you're pleased! | 0:24:23 | 0:24:25 | |
An astonishing £90 over John's estimate, and about time too. | 0:24:25 | 0:24:30 | |
But will it be enough to cover our losses from earlier on? | 0:24:30 | 0:24:34 | |
Right, that's the end of the auction. As far as we're concerned. How did you find it, Diana? | 0:24:34 | 0:24:39 | |
Well, it was very exciting, | 0:24:39 | 0:24:40 | |
-nerve-wracking. -You wanted £500, didn't you, as a contribution towards your son coming over? | 0:24:40 | 0:24:45 | |
Well, I'm delighted to say that you actually made £464. | 0:24:45 | 0:24:49 | |
That's not bad. That's really good. | 0:24:49 | 0:24:52 | |
Fantastic, yeah. | 0:24:52 | 0:24:53 | |
Right, well, enjoy your shopping trip, | 0:24:53 | 0:24:56 | |
-and enjoy your grandson, won't you, when he comes over? -I will, yes. | 0:24:56 | 0:25:00 | |
Today, it's back to the Kings Road for a spot of retail therapy with Diana, | 0:25:06 | 0:25:09 | |
following our snatched victory at auction. | 0:25:09 | 0:25:12 | |
Along with her cousin, Pat, Diana's keen to find a treat for her grandson, James. | 0:25:12 | 0:25:18 | |
-She's planning to fly him over from Australia with his parents later this year. -And... | 0:25:18 | 0:25:23 | |
he can have a baa-baa spoon. Aw! | 0:25:23 | 0:25:26 | |
-There's plenty to choose from. -He can have the Union Jack flag. | 0:25:26 | 0:25:30 | |
Not in Australia though. | 0:25:30 | 0:25:32 | |
I'm really, really excited and happy to be here today, | 0:25:32 | 0:25:35 | |
and thinking about James, looking for a little present for him, and the main thing is, | 0:25:35 | 0:25:41 | |
I'm looking forward to when he comes over with the family, and see his great-grandmother, I can't wait. | 0:25:41 | 0:25:47 | |
It's going to be so exciting to see him over here. Oh, look... | 0:25:47 | 0:25:50 | |
Oh, my God! Isn't it sweet? | 0:25:50 | 0:25:53 | |
At this rate, baby James could end up with the whole shop. | 0:25:53 | 0:25:56 | |
I just want to buy everything! I'm going to have these, please. Hi. | 0:25:56 | 0:26:00 | |
They've got such gorgeous things in here now. | 0:26:03 | 0:26:07 | |
Thank you very much. | 0:26:07 | 0:26:08 | |
It's so exciting, I can't wait for it all to happen. | 0:26:08 | 0:26:12 | |
Well, that was a great result for Diana and Pat. not only did they get to do a bit of shopping | 0:26:16 | 0:26:20 | |
on the Kings Road, but now they're just waiting for Diana's son, | 0:26:20 | 0:26:24 | |
his partner and the new baby to arrive from Australia. | 0:26:24 | 0:26:27 | |
Now, if you think you'd like to raise some money by selling antiques and collectables at auction, | 0:26:27 | 0:26:31 | |
why not apply to come on Cash in the Attic? You'll find more details | 0:26:31 | 0:26:34 | |
at our website, which is... | 0:26:34 | 0:26:36 | |
See you soon! | 0:26:39 | 0:26:40 | |
Subtitles by Red Bee Media Ltd | 0:26:53 | 0:26:56 | |
E-mail [email protected] | 0:26:56 | 0:26:59 |