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Welcome to Cash In The Attic, the show that finds the hidden treasures around your home | 0:00:02 | 0:00:06 | |
then helps sell them at auction. | 0:00:06 | 0:00:08 | |
Today, I'm in Northamptonshire, a county blessed with plenty of stately homes, | 0:00:08 | 0:00:12 | |
including this one, Kelmarsh Hall. | 0:00:12 | 0:00:14 | |
This elegant 18th-century house is set in 3,500 acres of beautiful gardens and its own working estate. | 0:00:14 | 0:00:22 | |
The building is comprised of a central hall with pavilions to the north and south. | 0:00:22 | 0:00:26 | |
Later additions to the Georgian architecture of Kelmarsh include a gorgeous Victorian ballroom. | 0:00:26 | 0:00:33 | |
So, let's hope we find plenty of stylish antiques and collectibles | 0:00:33 | 0:00:37 | |
that the bidders will have grand designs on, when they go under the hammer at auction. | 0:00:37 | 0:00:42 | |
Coming up on today's Cash in the Attic... | 0:01:02 | 0:01:05 | |
Jonty turns detective. | 0:01:05 | 0:01:08 | |
I need to know if you could throw any light on who these gentlemen are. | 0:01:08 | 0:01:13 | |
While I turn green with envy. | 0:01:13 | 0:01:15 | |
Do you know, I've always wanted one of these. Always. | 0:01:15 | 0:01:18 | |
That's fantastic! | 0:01:18 | 0:01:19 | |
But how will it turn out at auction? | 0:01:19 | 0:01:22 | |
-Disappointing. -No bids. -No bids. -I can't believe that! -I know! | 0:01:22 | 0:01:27 | |
Will we make our money? Find out when the final hammer falls. | 0:01:27 | 0:01:31 | |
I'm on my way to meet Bridget Neeham and her friend, Lynne. | 0:01:31 | 0:01:34 | |
They've called in the Cash In The Attic team | 0:01:34 | 0:01:36 | |
to help them raise some funds for a theatrical night out. | 0:01:36 | 0:01:39 | |
Bridget and her friend, Lynne, have a huge passion for musicals and theatre. | 0:01:39 | 0:01:44 | |
In fact, they're both members of the local operatic society. | 0:01:44 | 0:01:47 | |
Their dream is to raise plenty of cash to enjoy an all-singing, all-dancing night on the town. | 0:01:47 | 0:01:53 | |
-Good morning, Jonty. -Morning, Lorne. How are you? -I'm fine, thank you. | 0:01:53 | 0:01:57 | |
Two lovely ladies today. They're raising money for something a bit dramatic. | 0:01:57 | 0:02:01 | |
OK, sounds interesting. | 0:02:01 | 0:02:02 | |
I'm hoping to find out more but in the meantime no rehearsals on valuations, just a top performance! | 0:02:02 | 0:02:07 | |
-You know me. Always get top performance from me. -Huh! Well, you are my leading man! | 0:02:07 | 0:02:12 | |
-Good morning, ladies. -Good morning. | 0:02:17 | 0:02:20 | |
-Right, so Bridget. I take it this is your home and your clutter. -It is. | 0:02:20 | 0:02:23 | |
What's made you decide to have a clear out? | 0:02:23 | 0:02:25 | |
I have collected an awful lot of bits and pieces over the years | 0:02:25 | 0:02:29 | |
and I need to actually get rid of some of them. | 0:02:29 | 0:02:32 | |
Well, if we're going to de-clutter and get rid of some of this stuff, | 0:02:32 | 0:02:35 | |
have you got anything in mind to spend the money on or is it just moving house? | 0:02:35 | 0:02:39 | |
Well, Lynne and I like to go to the theatre because we're into amateur operatics, | 0:02:39 | 0:02:44 | |
so we're hoping to go down to London and go and see a show. | 0:02:44 | 0:02:48 | |
Oh, that's a great idea! | 0:02:48 | 0:02:49 | |
And also I'd like to take my daughter and my grandchildren back to Germany, | 0:02:49 | 0:02:54 | |
where my daughter was born and where my husband was born, and to meet some of the family. | 0:02:54 | 0:03:00 | |
-How much are you looking to raise? -Erm, probably about £700. | 0:03:00 | 0:03:04 | |
OK, well look, if we're going to raise £700 towards you two ladies | 0:03:04 | 0:03:08 | |
having a very nice night out in London AND a trip to Germany, | 0:03:08 | 0:03:12 | |
-we better crack on. Come on. -Yes. | 0:03:12 | 0:03:14 | |
With two big activities to fund, fingers crossed there are plenty of valuable items to be found. | 0:03:16 | 0:03:21 | |
Our keen antique hunter, Jonty, is already hard at work, sniffing out antiques with top selling potential. | 0:03:21 | 0:03:27 | |
-Jonty, there you are. Found something already?! -Yes, I have, look at this. | 0:03:27 | 0:03:31 | |
That's jolly handy. | 0:03:31 | 0:03:32 | |
-How about that? -Beautiful. | 0:03:32 | 0:03:33 | |
That's a beautiful little pendant, a gold pendant on a really lovely weighted chain, | 0:03:33 | 0:03:38 | |
but I need to know if you can throw any light on who these gentlemen are. | 0:03:38 | 0:03:43 | |
I inherited it from my Godmother and I believe it's a photograph | 0:03:43 | 0:03:47 | |
of her father and the other one, probably his brother. | 0:03:47 | 0:03:50 | |
If you look at the style of the pendant, it's very, very simple. | 0:03:50 | 0:03:55 | |
If it had looked more, say Victorian, more busy as far as the decoration's concerned, | 0:03:55 | 0:04:01 | |
I think it would have had less value. | 0:04:01 | 0:04:03 | |
-The great thing also, if you see the depth of the glass itself, it's all bevelled so it has real weight. -Yes. | 0:04:03 | 0:04:09 | |
-Was it originally a pendant? It looks like a pocket watch chain. | 0:04:09 | 0:04:12 | |
I don't know. I actually bought the chain. | 0:04:12 | 0:04:14 | |
Well, I think it's been very cleverly put together. | 0:04:14 | 0:04:18 | |
It matches and looks very comfortable together. So, well matched, you! | 0:04:18 | 0:04:22 | |
Not so long ago | 0:04:22 | 0:04:23 | |
I would have valued this at way less than £100, | 0:04:23 | 0:04:26 | |
but now you're looking at £100, £150. | 0:04:26 | 0:04:30 | |
-That's nice to know. -Ooh! | 0:04:30 | 0:04:31 | |
So, how do you feel about selling all this? | 0:04:31 | 0:04:34 | |
-It's intriguing, that you actually wear it... -I do. | 0:04:34 | 0:04:37 | |
It's not like it's been tucked away and not used. | 0:04:37 | 0:04:39 | |
Erm... Oh, a little bit... not quite sure. | 0:04:39 | 0:04:44 | |
OK, why not think about it and let us know on auction day? | 0:04:44 | 0:04:47 | |
-It's not a problem... -Yes. -It is though, in terms of getting our target off the ground! | 0:04:47 | 0:04:51 | |
-Not doing myself any favours, am I?! -No, we've got only £700 left to go. | 0:04:51 | 0:04:55 | |
We want to make 700 and we've got 700 left to go. | 0:04:55 | 0:04:57 | |
We'd better crack on, girls. | 0:04:57 | 0:04:59 | |
-OK, then. Let's see if we can find more treasure of some description. Come on! -I'll put that down. | 0:04:59 | 0:05:05 | |
This gold pendant has been lovingly restored but with it being so special to Bridget, | 0:05:05 | 0:05:09 | |
it may not be an ideal start for our theatre fund. | 0:05:09 | 0:05:12 | |
In case she decides not to bring it, we need to get busy elsewhere. | 0:05:12 | 0:05:16 | |
Bridget soon comes up trumps, | 0:05:16 | 0:05:18 | |
finding a collection that could pull at the bidders' heartstrings. | 0:05:18 | 0:05:22 | |
Jonty, what about these puppets? | 0:05:22 | 0:05:25 | |
Oh, wow! | 0:05:25 | 0:05:26 | |
Let's have a look, see what we've got. | 0:05:26 | 0:05:30 | |
-So, we've got five in all. -Yes. -But this looks like a Pelham puppet. | 0:05:30 | 0:05:33 | |
This one is a Pelham puppet and this is supposed to be Gretel. | 0:05:33 | 0:05:36 | |
-OK. Can I have a look? -Yes. | 0:05:36 | 0:05:40 | |
She's in very good order. | 0:05:41 | 0:05:42 | |
-Look at the condition of her clothes! -Mm, I know. | 0:05:42 | 0:05:45 | |
But I suppose she must be... She has to be a good 40 years old. | 0:05:45 | 0:05:50 | |
The Pelham puppets were first made just after the war, | 0:05:50 | 0:05:53 | |
but really by the time that this puppet was made, we're talking early '60s. | 0:05:53 | 0:05:58 | |
-The business had really developed and expanded. -Yes. | 0:05:58 | 0:06:01 | |
I notice you've go four others there. Where are they from? | 0:06:01 | 0:06:04 | |
Yes, they were just four that I purchased from somebody I worked with and I forgot all about them. | 0:06:04 | 0:06:10 | |
So, what I suggest we do, | 0:06:10 | 0:06:12 | |
-because it's our Gretel here that has the value... -Yes. | 0:06:12 | 0:06:15 | |
We'll put them all in one lot together | 0:06:15 | 0:06:17 | |
and collectively we have a lot that has to be worth, what? £30 to £50. | 0:06:17 | 0:06:22 | |
-Great. That's good! -So, thanks greatly for showing me. | 0:06:22 | 0:06:25 | |
-I'll put Gretel safely back in the box. -Yes, put her back to bed. | 0:06:25 | 0:06:28 | |
-OK. Leave her there. -Thank you. -Wonderful. | 0:06:28 | 0:06:31 | |
-Well, I think we've done this room. Shall we go and try another one? -OK, lovely, thank you. | 0:06:31 | 0:06:36 | |
Launched by Bob Pelham in 1947, the puppets quickly became a great success. | 0:06:36 | 0:06:41 | |
40,000 had been sold by the end of 1950. | 0:06:41 | 0:06:45 | |
The Pelham Company was also known for mass producing puppets | 0:06:45 | 0:06:48 | |
of Muffin the Mule, Andy Pandy and Kermit the Frog. | 0:06:48 | 0:06:51 | |
Fingers crossed the collectors at auction will be like puppets on a string for us | 0:06:51 | 0:06:57 | |
and pay top dollar for Bridget's items. | 0:06:57 | 0:07:00 | |
These two cast iron table canons and carriages | 0:07:00 | 0:07:03 | |
could fetch up to £60. | 0:07:03 | 0:07:04 | |
Jonty's out in the garage and needs some answers from Bridget. | 0:07:04 | 0:07:08 | |
Girls, come and have a look at this amazing vase. | 0:07:08 | 0:07:12 | |
So, what's this doing in the garage? | 0:07:12 | 0:07:14 | |
Erm...because I'm trying to sort out and downsize at the moment | 0:07:14 | 0:07:17 | |
so I'm starting to think about packing if I sell my house. | 0:07:17 | 0:07:20 | |
-Is it something you like, Bridget? -I do actually. | 0:07:20 | 0:07:23 | |
I like the design on it, I think it's very pretty. | 0:07:23 | 0:07:26 | |
-If you look at the stylised decoration on the outside. -Yes. | 0:07:26 | 0:07:29 | |
-Can you see that everything is applied? -Yes. | 0:07:29 | 0:07:32 | |
So, if you have a look at our rather large bird of prey there, you see he rattles. | 0:07:32 | 0:07:36 | |
-Yes. -He's literally just screwed on, which is the standard form and the standard way it's decorated. | 0:07:36 | 0:07:41 | |
By looking at the decoration, looking at the busyness of the stand, again this is an applied stand. | 0:07:41 | 0:07:47 | |
It's very busy, which also means that it's probably late 19th century, | 0:07:47 | 0:07:52 | |
so it's the second half of the 19th century. | 0:07:52 | 0:07:55 | |
As far as value's concerned, I don't know if you've really noticed | 0:07:55 | 0:07:59 | |
and had a close study of our bird of prey here, | 0:07:59 | 0:08:01 | |
but he's lost his claws | 0:08:01 | 0:08:03 | |
and, as it's almost like a central focus to the design of the vase, | 0:08:03 | 0:08:08 | |
I think that will affect its value. | 0:08:08 | 0:08:10 | |
-But, it's still worth a very, very hefty £150, £250. That sort of ballpark. -Oh, right. | 0:08:10 | 0:08:17 | |
-So, £150, that's not too bad at all, is it? -Yep. | 0:08:17 | 0:08:20 | |
OK, let's go back in and see what else we can find. Come on! | 0:08:20 | 0:08:23 | |
It was interesting to find out more about the vase. I didn't know anything about it. | 0:08:25 | 0:08:29 | |
I'm pleasantly surprised but I shall be reluctant to see it go because I'm quite fond of it. | 0:08:29 | 0:08:35 | |
Still plenty to cover in this great home and Jonty's next find has no emotional ties for Bridget. | 0:08:35 | 0:08:40 | |
This engraved brass tray, influenced by the Far East, | 0:08:40 | 0:08:45 | |
could fetch £40 to £60. | 0:08:45 | 0:08:47 | |
Jonty is clearly absorbed by his work, | 0:08:47 | 0:08:49 | |
which gives me a chance to enjoy a chinwag with our floor-tapping ladies. | 0:08:49 | 0:08:53 | |
Ah! Here you are! | 0:08:53 | 0:08:54 | |
I wondered where you'd got to. What are these boxes about, then? | 0:08:54 | 0:08:57 | |
This is my souvenir box from the shows that we do. | 0:08:57 | 0:09:01 | |
I keep all the programmes | 0:09:01 | 0:09:03 | |
and we all send cards and little presents to each other, the people who are in the show. | 0:09:03 | 0:09:07 | |
They're little mementoes. Usually they've got some significance, don't they? | 0:09:07 | 0:09:12 | |
-They pick a theme out. -Yes, to do with a song in the show. | 0:09:12 | 0:09:14 | |
So, tell me, Bridget, how many shows have you done? | 0:09:14 | 0:09:18 | |
Well, I've only done seven. | 0:09:18 | 0:09:21 | |
Yes, I've done seven. I started really late because it was something I always wanted to do | 0:09:21 | 0:09:25 | |
but I moved around, being in the Air Force. | 0:09:25 | 0:09:28 | |
Until I came to Wellingborough and met Lynne, who was doing the operatic society. | 0:09:28 | 0:09:32 | |
-I said, "Would you like to audition with me?" And you said, "Go on, then." -I did. | 0:09:32 | 0:09:36 | |
-So... -And there we are! | 0:09:36 | 0:09:38 | |
..I started late but I've enjoyed it for the last seven years. | 0:09:38 | 0:09:42 | |
-How much of your time does this take up? -September to March, probably just two evenings a week. | 0:09:42 | 0:09:48 | |
-The nearer it gets to February it starts to get to three or four. -About six month's work. | 0:09:48 | 0:09:53 | |
What did you think when she said she wanted to do Cash in the Attic? | 0:09:53 | 0:09:56 | |
She asked had I heard of it and I said "Yes." | 0:09:56 | 0:09:59 | |
Then she said, "Would you like to join me?" | 0:09:59 | 0:10:01 | |
I thought Lynne would be good to have beside me cos she knows me well. | 0:10:01 | 0:10:05 | |
We've been on holiday together and our families know each other very well. | 0:10:05 | 0:10:09 | |
-I haven't really got any secrets much from you, have I? -No! | 0:10:09 | 0:10:12 | |
And I wasn't embarrassed about her looking in my cupboards and finding all sorts of things! | 0:10:12 | 0:10:17 | |
I must admit, I think both ladies, you're putting on a jolly good performance | 0:10:17 | 0:10:22 | |
but we're not going to raise the money you need looking at this stuff, | 0:10:22 | 0:10:26 | |
so, we should put that back nice and safely and track down Mr Hearndon, wherever he is. | 0:10:26 | 0:10:31 | |
Close friends for eight years, Bridget and Lynne's love for the theatre knows no bounds. | 0:10:31 | 0:10:36 | |
I really hope we can help them on their way to a top West End show | 0:10:36 | 0:10:41 | |
and any money left over will fund the family trip to Germany. | 0:10:41 | 0:10:45 | |
Speaking of which, | 0:10:45 | 0:10:46 | |
this German pottery punchbowl with six drinking cups | 0:10:46 | 0:10:49 | |
will make a useful contribution. | 0:10:49 | 0:10:52 | |
It's decorated with scenes, in relief, of deer in a forest | 0:10:52 | 0:10:55 | |
and Jonty values it at between £30 and £50. | 0:10:55 | 0:10:57 | |
If only we could lay our hands on some items with higher price tags. | 0:10:57 | 0:11:02 | |
Maybe Bridget's next find will be just the ticket. | 0:11:02 | 0:11:04 | |
Jonty, I've just found something else. This pocket watch. | 0:11:04 | 0:11:08 | |
-Oh! Can I have a look? -Yes. | 0:11:08 | 0:11:10 | |
Well, we've got a lovely fob chain as well. | 0:11:10 | 0:11:14 | |
-So, whose is this? -My husband's. -Where did it come from? | 0:11:14 | 0:11:17 | |
From his uncle in Germany. | 0:11:17 | 0:11:18 | |
OK. We've got the maker, Levrette, here. | 0:11:18 | 0:11:22 | |
That's Swiss made but I have to say this pocket watch | 0:11:22 | 0:11:24 | |
is in excellent order, there's not a scratch or blemish on it. | 0:11:24 | 0:11:28 | |
This is 14 carat gold which is another indication that it's Continental, and it's very late. | 0:11:28 | 0:11:33 | |
-We're talking, without doing any further research, it has to be 1920s, 1930s. -Oh, right. | 0:11:33 | 0:11:41 | |
But have a look at the fob chain as well. | 0:11:41 | 0:11:44 | |
That's wonderful! And I love this at the end, this little pistol here. | 0:11:44 | 0:11:49 | |
There's a hole at the end so there's probably a lead there | 0:11:49 | 0:11:52 | |
so, at some point this would have been a propelling pencil. So, can we sell it? | 0:11:52 | 0:11:56 | |
Yes, I'm sure he'd be happy. | 0:11:57 | 0:11:59 | |
-Sell it for the girls. -Yes. -What a husband! | 0:11:59 | 0:12:03 | |
Very generous, isn't he? | 0:12:03 | 0:12:05 | |
Value-wise, it's £200 to £300, it's that much of a good news story. | 0:12:05 | 0:12:09 | |
Wow! That is good news. | 0:12:09 | 0:12:12 | |
Well, I won't put it in my pocket because it's off to the auction room. | 0:12:12 | 0:12:16 | |
As the search goes on, Bridget makes another great find with this collection of white metal cutlery. | 0:12:16 | 0:12:22 | |
Sets like this are often found at auctions | 0:12:22 | 0:12:25 | |
but it could still fetch up to £60. | 0:12:25 | 0:12:28 | |
Then there's this wonderful, early 19th century barometer in mahogany, | 0:12:28 | 0:12:32 | |
with a satinwood wheel. | 0:12:32 | 0:12:34 | |
It has an engraved silver dial, a mercury thermometer | 0:12:34 | 0:12:37 | |
and a healthy price tag of between £90 and £150. | 0:12:37 | 0:12:41 | |
With the curtain about to come down, I think I've found today's most exciting item. | 0:12:42 | 0:12:46 | |
Do you know, I've always wanted one of these. Always! | 0:12:46 | 0:12:49 | |
That's fantastic! Where did you get this from? | 0:12:49 | 0:12:52 | |
-That was my Godmother's as well. -Was it really? -Yes. | 0:12:52 | 0:12:56 | |
Well, let's see if Jonty's got a view on it. Jonty! | 0:12:56 | 0:12:58 | |
-He's supposed to be up here. -What have we got? Oh, the clock! | 0:12:58 | 0:13:02 | |
Wow! It's a Vitascope clock. | 0:13:02 | 0:13:04 | |
-It's so of its time. Now, it looks very Art Deco. -Yes. | 0:13:04 | 0:13:08 | |
There should be a label on the back. There we go... | 0:13:08 | 0:13:11 | |
Yeah, there we go, can you see that? | 0:13:11 | 0:13:13 | |
-And it's actually got a patent number there as well. -Yes. | 0:13:13 | 0:13:16 | |
Let's turn it around so we can see the full fascia. | 0:13:16 | 0:13:18 | |
-It looks like it's an old TV screen as well, doesn't it? -Mmm. | 0:13:18 | 0:13:24 | |
But the casing here... HE KNOCKS | 0:13:24 | 0:13:26 | |
-is of plastic. It's Bakelite. -Hmm. | 0:13:26 | 0:13:29 | |
Now Bakelite was used in the '20s and '30s prolifically but it was first patented in America in 1907. | 0:13:29 | 0:13:35 | |
It's also in this green. | 0:13:35 | 0:13:37 | |
This green colour is unusual so it's going to attract an awful lot of interest in the saleroom. | 0:13:37 | 0:13:42 | |
So, what sort of value are we talking about? | 0:13:42 | 0:13:45 | |
Well, I would conservatively put £250 to maybe £450. | 0:13:45 | 0:13:49 | |
That's very good and very interesting cos I was offered £300 for it when I had it restored. | 0:13:49 | 0:13:55 | |
-Wouldn't it be exciting if we could get more for you? -It would, it would. Maybe my ship will come in! | 0:13:55 | 0:14:00 | |
Well, it's fantastic but we're going to have to call time, I'm afraid, because we have run out of time. | 0:14:00 | 0:14:05 | |
You wanted to raise £700, Bridget, do you think you've got that much? | 0:14:05 | 0:14:09 | |
I don't know. I haven't been totting it up! | 0:14:09 | 0:14:12 | |
OK, well I've added it all up and the value of everything going to the auction comes to £870. | 0:14:12 | 0:14:19 | |
but I have to say I haven't put that lovely locket into the figure. | 0:14:19 | 0:14:24 | |
-If you did bring that, that would be another £100 taking us to £970. -That would be lovely. | 0:14:24 | 0:14:30 | |
Are you looking forward to the auction? | 0:14:30 | 0:14:32 | |
-Yes, very much. -Yeah? -Definitely. | 0:14:32 | 0:14:34 | |
Good because the next time we see you, the clock and all the other bits will be in the saleroom. | 0:14:34 | 0:14:39 | |
-Lovely! -Great! -I'll look forward to it. | 0:14:39 | 0:14:41 | |
Bridget's home has given us a wonderful range of items to take to the saleroom | 0:14:41 | 0:14:45 | |
so let's take another look at the most interesting ones. | 0:14:45 | 0:14:49 | |
The bygone puppets, including the wonderful Pelham edition of Gretel. | 0:14:49 | 0:14:53 | |
Together they could make between £30 and £50. | 0:14:53 | 0:14:57 | |
The stunning Japanese bronze vase with fine relief panels, | 0:14:57 | 0:15:01 | |
valued at £150 to £250. | 0:15:01 | 0:15:03 | |
The Art Deco Bakelite mantel clock, | 0:15:05 | 0:15:08 | |
framing the model of a ship at sea. | 0:15:08 | 0:15:11 | |
That could bring on £250 to £450. | 0:15:11 | 0:15:14 | |
Finally, and incredibly close to Bridget's heart, | 0:15:16 | 0:15:19 | |
is her godmother's gold pendant but we won't know until sale day if Bridget's prepared to part with it. | 0:15:19 | 0:15:25 | |
Still to come on Cash in the Attic, joyous moments... | 0:15:27 | 0:15:31 | |
-Yes! -Wow! -Fabulous! That is great! | 0:15:31 | 0:15:34 | |
And an unexpected reaction... | 0:15:34 | 0:15:36 | |
-OK, so it's going home. -It's going home with you. | 0:15:36 | 0:15:40 | |
-Are you pleased about that? -I am, actually! | 0:15:40 | 0:15:42 | |
Will we make it or will it be curtains for Bridget's theatre plans? | 0:15:42 | 0:15:46 | |
Find out when the final hammer falls. | 0:15:46 | 0:15:49 | |
It's been a few weeks since we had a good look through Bridget Neeham's Northamptonshire home | 0:15:53 | 0:15:58 | |
With her friend, Lynne, we found plenty of antiques and collectibles to bring here, | 0:15:58 | 0:16:02 | |
to Chiswick Auction Rooms in West London. | 0:16:02 | 0:16:05 | |
Now, remember, they're avid theatre fans and are looking to raise £700 so they can enjoy a trip to London, | 0:16:05 | 0:16:11 | |
taking in the theatre, the stage and maybe an overnight stay. | 0:16:11 | 0:16:14 | |
So, let's hope we can make the money they need today when our items go under the hammer. | 0:16:14 | 0:16:20 | |
This auction house always has a good turnout and has lots of interesting antiques for sale. | 0:16:20 | 0:16:25 | |
I wonder, though, if there'll be anything quite as unique as this Bakelite mantel clock. | 0:16:25 | 0:16:29 | |
It's put a gleam in Jonty's eye. | 0:16:29 | 0:16:32 | |
-Morning, Jonty. -Lorne, how are you? -I'm fine. This is lovely. | 0:16:33 | 0:16:37 | |
I'm a bit disappointed it's not plugged in though. | 0:16:37 | 0:16:39 | |
Yeah, it needs to demonstrate the movement. | 0:16:39 | 0:16:41 | |
And also the light. It makes so much difference | 0:16:41 | 0:16:44 | |
but I assume anyone looking at it knows what it is and knows what happens if you plug it in. | 0:16:44 | 0:16:48 | |
-What do we want for this? -We need about £300 for this so it's a huge part of our target today. | 0:16:48 | 0:16:53 | |
I also love that Japanese vase. Do you remember, with all the dragons around the outside? | 0:16:53 | 0:16:58 | |
Yes and that's prominently on display in a beautiful cabinet. | 0:16:58 | 0:17:01 | |
-Yeah, a bit of damage on that so I'm not sure about it. -OK. All right. What else took your fancy? | 0:17:01 | 0:17:06 | |
-The most important thing is, has she brought the necklace? -Yes. | 0:17:06 | 0:17:10 | |
That's the big critical point. I need to know. | 0:17:10 | 0:17:13 | |
-Shall we go and find out then? -Is she here...? -Nice tie, by the way! | 0:17:13 | 0:17:16 | |
If you're interested in going to auction, | 0:17:16 | 0:17:19 | |
remember your purchases are subject to commission and possibly other charges. | 0:17:19 | 0:17:23 | |
Contact your local auction house for all the details. | 0:17:23 | 0:17:27 | |
Bridget and Lynne are taking a last look at their treasured items. | 0:17:27 | 0:17:31 | |
Ah-ha! Good morning, ladies. | 0:17:31 | 0:17:33 | |
-Good morning. -Hello there, good morning. -Hi! | 0:17:33 | 0:17:35 | |
-I think I have the answer to your question, Jonty. -I've spotted it. | 0:17:35 | 0:17:39 | |
I see you're wearing that beautiful pendant so I assume you're not selling it? | 0:17:39 | 0:17:43 | |
No. No, not on your life. | 0:17:43 | 0:17:45 | |
-Have either of you been to auction before? -I have. | 0:17:45 | 0:17:47 | |
No, I've been to flower auctions but not... | 0:17:47 | 0:17:50 | |
OK, maybe a bit different. | 0:17:50 | 0:17:53 | |
-So, you're the seasoned pro? -That's right. Very exciting! | 0:17:53 | 0:17:56 | |
So, shall we go and make you the cash you need to come back down to the smoky city? | 0:17:56 | 0:18:01 | |
-Yes. -Come on then. -Great idea. | 0:18:01 | 0:18:03 | |
It's no surprise Bridget decided to keep the gold pendant. | 0:18:03 | 0:18:08 | |
Luckily she has plenty more items to grab the bidders' attention. | 0:18:08 | 0:18:12 | |
Auctioneer, Tom Keane, has some thoughts about which of 'em could be winners. | 0:18:12 | 0:18:16 | |
William's Bakelite clock. My favourite of their lots. Stylish, different, we don't often get them. | 0:18:16 | 0:18:22 | |
Good condition. Should fly away. | 0:18:22 | 0:18:24 | |
Let's hope he's right and that all Bridget's items go through the roof. | 0:18:24 | 0:18:30 | |
The auction's about to start. First up... | 0:18:30 | 0:18:32 | |
the wonderful collection of puppets. | 0:18:32 | 0:18:34 | |
Gretel is a very good character | 0:18:34 | 0:18:36 | |
because that's the Pelham puppet and you've also got the other puppets as well. | 0:18:36 | 0:18:41 | |
-Yes. -So, Gretel's gonna make the money for us. | 0:18:41 | 0:18:43 | |
What it's worth? | 0:18:43 | 0:18:44 | |
£30, £30? £20. | 0:18:44 | 0:18:47 | |
No bid at £20 on the puppets. | 0:18:47 | 0:18:49 | |
-Talking about collectibility and there's no bids! -I know! | 0:18:49 | 0:18:52 | |
No bids at £20 then? Disappointing. No bids. | 0:18:52 | 0:18:54 | |
-No bids. -No bids. -I can't believe it. -Oh, no! -That's unbelievable. | 0:18:54 | 0:18:58 | |
A little bit surprised but at the end of the day | 0:18:58 | 0:19:02 | |
I can let the grandchildren play with those so I'm not worried. | 0:19:02 | 0:19:05 | |
That's the spirit, Bridget. | 0:19:05 | 0:19:07 | |
Good to see that an unsold first lot isn't going to get her down. | 0:19:07 | 0:19:11 | |
There are many more wonderful items to go under the hammer. | 0:19:11 | 0:19:15 | |
Fingers crossed the next lot will win over today's crowd. | 0:19:15 | 0:19:18 | |
Lot number 52 now. 52a this is. | 0:19:18 | 0:19:20 | |
Number 52a in your catalogue, a collection of white metal cutlery. | 0:19:20 | 0:19:24 | |
Odd description, Jonty. | 0:19:24 | 0:19:26 | |
Yes. You call anything white metal that's non-solid silver. | 0:19:26 | 0:19:30 | |
So, often Continental silver will be described as white metal. | 0:19:30 | 0:19:35 | |
-Start me, what, £30? £10. -Come on... | 0:19:35 | 0:19:39 | |
I'm bid at 10, take 12, at 10, take 12, at £10... | 0:19:39 | 0:19:41 | |
12, I'll take 12, 12, 15... 18, thank you. 20, 22, 25, 25, 28, 30... At £28 seated. At £28. | 0:19:41 | 0:19:50 | |
Are we done at £28? Take 30. At £28, all done? | 0:19:50 | 0:19:53 | |
At £28, you all bid and gone? | 0:19:53 | 0:19:55 | |
Disappointing again. | 0:19:55 | 0:19:57 | |
-Mm. -Never mind! | 0:19:59 | 0:20:01 | |
Mm, below estimate but at least we got a sale. | 0:20:01 | 0:20:03 | |
It's a tiny step closer to bagging those theatre tickets. | 0:20:03 | 0:20:07 | |
Will that pair of cast iron table canons and carriages | 0:20:07 | 0:20:11 | |
fare any better? | 0:20:11 | 0:20:12 | |
We're hoping for at least £40 for these. | 0:20:12 | 0:20:15 | |
The bid is at £28, lot 184, at £28, all done at £28 and gone? A cheap lot at £28 and sold. | 0:20:15 | 0:20:20 | |
C'est la vie. | 0:20:20 | 0:20:22 | |
Today's collectors are not really showing us their money | 0:20:22 | 0:20:25 | |
and this auction is becoming a bit of an uphill struggle. | 0:20:25 | 0:20:29 | |
Bridget is not too distraught and there were no emotional ties tested, unlike our next lot. | 0:20:30 | 0:20:36 | |
Lot 142a now. An early 19th century mahogany and satinwood line inlaid wheel barometer. | 0:20:36 | 0:20:41 | |
142a in your catalogue. | 0:20:41 | 0:20:42 | |
Is that a nice example, Jonty? | 0:20:42 | 0:20:44 | |
I noticed you put a fixed reserve of £150 on it. | 0:20:44 | 0:20:47 | |
Yes. I'm very fond of it actually. I shall be very sad to see it go, so... | 0:20:47 | 0:20:51 | |
Well, if we don't make the £150, nothing is lost. | 0:20:51 | 0:20:54 | |
No because I'd be quite happy to see it home. | 0:20:54 | 0:20:57 | |
OK, here is comes. | 0:20:57 | 0:20:58 | |
-This is it, yes? -Yep. -OK. | 0:20:58 | 0:21:00 | |
Start me at £50 for it, see where it goes. | 0:21:00 | 0:21:03 | |
£50, I'm bid at £50. 55 I'll take. £50, I'll take 5... | 0:21:03 | 0:21:07 | |
55, 60, 5, 70, 5, 80, 5, 90, 5. | 0:21:07 | 0:21:12 | |
It's all right cos you'll either get the money or it'll go home so don't worry. | 0:21:12 | 0:21:16 | |
100, 110, 120, 130,... £120, 130, I'll take 130, thank you. | 0:21:16 | 0:21:22 | |
140... £130, the bid's at £130. I'll take 140, £130. Are we done at 130? | 0:21:22 | 0:21:27 | |
See me afterwards, sir. I'll see if I can sell it to you. | 0:21:27 | 0:21:31 | |
-OK. -It's going home with you. | 0:21:31 | 0:21:33 | |
-It's going home. -Are you pleased about that? | 0:21:33 | 0:21:35 | |
I am, actually. | 0:21:35 | 0:21:37 | |
Bridget is pleased to take her barometer home | 0:21:37 | 0:21:40 | |
but the outlook isn't bright for the remainder | 0:21:40 | 0:21:42 | |
if we don't attract some sales. | 0:21:42 | 0:21:44 | |
I really hope the punters go for Bridget's engraved brass tray. | 0:21:44 | 0:21:49 | |
At £35, all done at 35? | 0:21:49 | 0:21:50 | |
-Saves all that cleaning. -It does. | 0:21:50 | 0:21:54 | |
No grumbles about that sale! | 0:21:54 | 0:21:55 | |
At just £5 below estimate the funds are slowly starting to build. | 0:21:55 | 0:22:00 | |
Most of Bridget's remaining antiques are the ones that Jonty estimated with higher price tags. | 0:22:00 | 0:22:05 | |
As our time-telling yacht sets sail, | 0:22:05 | 0:22:07 | |
let's hope the tide turns in our favour. | 0:22:07 | 0:22:10 | |
-A fantastic piece all round. -A wonderful object, but more importantly, | 0:22:10 | 0:22:14 | |
if we get our £300, we could all be laughing. | 0:22:14 | 0:22:18 | |
-Hopefully. -It could be stage, lights, camera, action. -Yes! | 0:22:18 | 0:22:21 | |
Somebody bid £300 for it. | 0:22:21 | 0:22:23 | |
£300... Start me at £300, £200 for it. | 0:22:23 | 0:22:26 | |
I see £200 down here, I'm bid £200, take 10, at £200, take 10. | 0:22:26 | 0:22:29 | |
Bid's here at £200, give me 210 for it, bids in at £200, I'll take 10. | 0:22:29 | 0:22:33 | |
210, I'm bid at 210, 220... 220, 230. | 0:22:33 | 0:22:37 | |
Bidding's slow. 230, 240, 250... | 0:22:37 | 0:22:40 | |
-It's creeping up... -It's coming up! | 0:22:40 | 0:22:43 | |
280, 290? | 0:22:43 | 0:22:45 | |
It's a no, at £280, bid's at £280. I'll take 90. | 0:22:45 | 0:22:48 | |
At £280, I'm selling, all done? Last chance at 280... | 0:22:48 | 0:22:51 | |
You're missing it. At 280, you've got it. 280... | 0:22:51 | 0:22:53 | |
-How do you feel you about that? -Fine, that's fine. -Yeah? | 0:22:53 | 0:22:57 | |
-Yeah, it's good. -It is sailing out the room. -Yes. | 0:22:57 | 0:23:02 | |
We had hoped for a little more for the Bakelite clock, | 0:23:02 | 0:23:04 | |
but it sold over estimate | 0:23:04 | 0:23:06 | |
and that £280 is a great boost for our theatre fund. | 0:23:06 | 0:23:10 | |
If the remaining lots sell well, Bridget may still have money for that trip to Germany. | 0:23:10 | 0:23:15 | |
Mention of that European country brings us to the pottery punchbowl and cups, up next. | 0:23:15 | 0:23:21 | |
£20, are you all done at £20 only? £20. | 0:23:21 | 0:23:24 | |
-That seems very cheap to me. -Yeah, it is but, again, not incredibly popular at the moment. | 0:23:24 | 0:23:30 | |
Another low sale but £20 in the pot is not to be sniffed at. | 0:23:30 | 0:23:35 | |
Two lots left and fingers crossed the bidders go for broke. | 0:23:35 | 0:23:39 | |
Next to go before the room is the pocket watch, courtesy of Bridget's generous husband. | 0:23:39 | 0:23:44 | |
It's a lovely item but it sits locked away, | 0:23:44 | 0:23:48 | |
never seen by anybody so I'm hoping it'll find a nice, good home. | 0:23:48 | 0:23:51 | |
And, what's that worth? £100 for it. | 0:23:51 | 0:23:54 | |
£100, 110, 120, 130, 140, 150, 160, 170, 180, 190, 200... | 0:23:54 | 0:24:00 | |
and 10, 220, 230, 240, 250, 260, 270, 280? | 0:24:00 | 0:24:06 | |
£270, I see your bid at £270. Who else wants to come in at 270? | 0:24:06 | 0:24:10 | |
Are we done? Last chance at 270. Are we done at 270? Thank you. | 0:24:10 | 0:24:14 | |
-Wow! -Yes! | 0:24:14 | 0:24:16 | |
At last, a sale we can be ecstatic about. | 0:24:16 | 0:24:19 | |
Bridget's husband's sacrifice has definitely lifted the proceedings. | 0:24:19 | 0:24:24 | |
Let's just hope Lady Luck stays with us for our last item. | 0:24:24 | 0:24:29 | |
Lot number 166a, the Japanese bronze Meiji period export ware vase, 166a. | 0:24:29 | 0:24:36 | |
-I'm a bit concerned, we've got a bit of damage on it... -Yes. | 0:24:36 | 0:24:39 | |
..but it should still sell well. Here it comes. | 0:24:39 | 0:24:41 | |
Start me at £100 for it. £100 for it, I'm bid £100, I'll take 110. | 0:24:41 | 0:24:45 | |
Here we go, this is interesting. | 0:24:45 | 0:24:47 | |
120, 130, 140, 150, 160, 170, 180, 190, 200, and 10, 220. | 0:24:47 | 0:24:56 | |
Gosh! | 0:24:56 | 0:24:58 | |
220, back in, 230, 240, 240, 250, 260. | 0:24:59 | 0:25:03 | |
Yes! | 0:25:03 | 0:25:04 | |
270, 280... 270 bid. 280 I'll take, at £270. | 0:25:04 | 0:25:07 | |
Who wants to come in at £270? At 270, all done? At 270, last chance and gone then. | 0:25:07 | 0:25:12 | |
-Yes! -Yes! -Fabulous! That's great! | 0:25:12 | 0:25:16 | |
Despite a slow and disappointing start, | 0:25:16 | 0:25:18 | |
the auction ends in style | 0:25:18 | 0:25:20 | |
with two very happy sellers. | 0:25:20 | 0:25:22 | |
I'm intrigued to see how much the girls have made today. | 0:25:22 | 0:25:26 | |
OK, now you wanted £700. I'm really pleased to tell you, you've made more than that. | 0:25:26 | 0:25:31 | |
You've got £931! | 0:25:31 | 0:25:33 | |
-Wow! Well, done! -Thank you. -Well, done, Bridget. -That's really great. | 0:25:33 | 0:25:37 | |
-So, I reckon that's going to more than cover a very nice meal and a trip to London, don't you? -Yes! | 0:25:37 | 0:25:43 | |
With the money raised, Bridget and Lynne hot foot it back down to the capital | 0:25:47 | 0:25:51 | |
to enjoy a night out at a top West End musical. | 0:25:51 | 0:25:54 | |
Here we are in London. We've arrived at the Apollo Victoria Theatre | 0:25:54 | 0:25:58 | |
to see the wonderful show, Wicked, which we're really looking forward to, really excited about, | 0:25:58 | 0:26:03 | |
as the follow up to our auction to spend some of that wonderful money that we made. | 0:26:03 | 0:26:08 | |
-That's right. -Fabulous. | 0:26:08 | 0:26:11 | |
It's clear the girls are set for a perfect evening and this is only the beginning. | 0:26:11 | 0:26:15 | |
Bridget still has to organise a family trip to Germany. | 0:26:15 | 0:26:19 | |
LAUGHTER AND APPLAUSE | 0:26:19 | 0:26:22 | |
It looks like they've thoroughly enjoyed themselves. | 0:26:22 | 0:26:26 | |
-Superb! -Absolutely fabulous! -Thank you, Bridget. | 0:26:26 | 0:26:30 | |
No, thank you, Cash In The Attic! | 0:26:30 | 0:26:33 | |
Well, it looks like Bridget and Lynne found themselves centre stage | 0:26:37 | 0:26:41 | |
with a night to remember after that great time in London. | 0:26:41 | 0:26:44 | |
If you'd like to do something similar or have another project | 0:26:44 | 0:26:48 | |
that you'd like to get friends and family included in, | 0:26:48 | 0:26:51 | |
then why not apply to come on Cash in the Attic? | 0:26:51 | 0:26:53 | |
We'll help sell your antiques and collectibles | 0:26:53 | 0:26:56 | |
and you can apply at the website... | 0:26:56 | 0:26:57 | |
See you next time and good luck! | 0:27:00 | 0:27:02 | |
For more information about Cash In The Attic, | 0:27:06 | 0:27:09 | |
including how the programme was made, | 0:27:09 | 0:27:12 | |
visit the website at bbc.co.uk/lifestyle. | 0:27:12 | 0:27:15 | |
Subtitles by Red Bee Media Ltd | 0:27:17 | 0:27:19 | |
E-mail [email protected] | 0:27:19 | 0:27:22 |