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Welcome. We find the hidden treasures | 0:00:02 | 0:00:04 | |
around your home and help you sell them at auction. | 0:00:04 | 0:00:07 | |
Today, I'm in the Edgware area of London, which is very multicultural. | 0:00:07 | 0:00:11 | |
You'll find halal butchers and mosques nudging for space alongside | 0:00:11 | 0:00:15 | |
kosher bakers and synagogues. | 0:00:15 | 0:00:17 | |
Away from all the hustle and bustle is Canons Park. | 0:00:17 | 0:00:22 | |
Now, this once home to the Duke of Chandos, | 0:00:22 | 0:00:24 | |
but is now open to the public for everyone to enjoy. | 0:00:24 | 0:00:28 | |
In the 1700s, this was one of the grandest estates of its day, | 0:00:28 | 0:00:32 | |
but after a change in the Duke's fortunes, | 0:00:32 | 0:00:35 | |
the house fell into disrepair. It was later adapted and bought | 0:00:35 | 0:00:38 | |
in 1929, by the elite North London Colley Gate School. | 0:00:38 | 0:00:43 | |
During the Duke's residency, storks, flamingos and even a tiger | 0:00:43 | 0:00:46 | |
were thought to roam the grounds here, but at our | 0:00:46 | 0:00:49 | |
next port of call, let's hope we find some traditional treasures. | 0:00:49 | 0:00:52 | |
Coming up on today's Cash In The Attic... | 0:01:12 | 0:01:15 | |
It's a shock to the system for Paul. | 0:01:15 | 0:01:17 | |
?20 to ?30 each. Each? | 0:01:17 | 0:01:21 | |
Our hard work takes its toll on me... | 0:01:21 | 0:01:23 | |
Well, time for bed then, I think. Ooh, wrong show! No, no! | 0:01:23 | 0:01:26 | |
And I can't believe what I'm hearing! | 0:01:26 | 0:01:29 | |
I've heard of "born with a silver spoon in their mouth", not a gold pocket watch! | 0:01:29 | 0:01:33 | |
But will we make plenty of sales? Find out when the final hammer falls. | 0:01:33 | 0:01:37 | |
We're about to meet a couple who've been married | 0:01:37 | 0:01:40 | |
for 40 years and lived in this area of London for even longer. | 0:01:40 | 0:01:43 | |
They've called in | 0:01:43 | 0:01:45 | |
the Cash In The Attic team to help them make life a little easier. | 0:01:45 | 0:01:49 | |
This is the quiet residential home of happy couple | 0:01:49 | 0:01:52 | |
Marilyn Becker and her husband, Michael, who like to live | 0:01:52 | 0:01:55 | |
life to the full, now that their two children have fled the nest. | 0:01:55 | 0:01:59 | |
While Michael's passions include keeping tropical fish, | 0:01:59 | 0:02:03 | |
Marilyn can mostly be found in her embroidery room, where she perfects | 0:02:03 | 0:02:07 | |
the little-known Victorian craft of ribbon-weaving, | 0:02:07 | 0:02:10 | |
which she teaches locally. | 0:02:10 | 0:02:12 | |
Today, they're tearing themselves away from their hobbies long enough | 0:02:12 | 0:02:15 | |
to be able to raise cash for a special treat, both home and away. | 0:02:15 | 0:02:20 | |
Morning, a cup of coffee awaits! Good morning, how are you? | 0:02:20 | 0:02:23 | |
How's that for a cup of tea? Wonderful. | 0:02:23 | 0:02:25 | |
Are you ready to delve into a bit of family history? | 0:02:25 | 0:02:27 | |
Well, funny you should ask that, because I've done my family tree | 0:02:27 | 0:02:31 | |
and found we're a nation of tea drinkers, but have a keen eye for collectables. | 0:02:31 | 0:02:34 | |
Right, so that's your family history sorted. You mean this family? Yes, indeed. | 0:02:34 | 0:02:39 | |
Well, if you want to have a good look round, to see what they've got, I'll meet Marilyn and Michael. | 0:02:39 | 0:02:43 | |
OK. Marilyn? Any relation? | 0:02:43 | 0:02:45 | |
Good morning. Good morning, Lorne. Crikey, look at that! | 0:02:47 | 0:02:50 | |
Help yourself! | 0:02:50 | 0:02:52 | |
Maybe a bit later, not at the moment. | 0:02:52 | 0:02:54 | |
So you've called in the Cash In The Attic, Marilyn and Michael. What do you want us for? | 0:02:54 | 0:02:58 | |
Well, my mother's family originated in Poland and the family split up. | 0:02:58 | 0:03:04 | |
We're Jewish and we split up due to the pogroms and they are | 0:03:04 | 0:03:09 | |
planning a reunion in Canada | 0:03:09 | 0:03:12 | |
of all the family and we just thought it would be nice to | 0:03:12 | 0:03:18 | |
raise some money towards the trip. | 0:03:18 | 0:03:19 | |
And Michael, I understand you've also got plans for the garden? Yes, that's right. | 0:03:19 | 0:03:24 | |
At the moment, as Marilyn is saying, | 0:03:24 | 0:03:26 | |
we're putting all our spare money away towards this trip, but as I'm | 0:03:26 | 0:03:29 | |
getting older, I'm finding that the work in the garden gets harder | 0:03:29 | 0:03:33 | |
and what we want to do is to get it designed in such a way | 0:03:33 | 0:03:37 | |
as it becomes more manageable and less labour-intensive, | 0:03:37 | 0:03:42 | |
so we're hoping to get somebody in who will do a little bit of tidying | 0:03:42 | 0:03:46 | |
and some planting up, which will then be permanent, | 0:03:46 | 0:03:49 | |
rather than temporary as it is at the moment. | 0:03:49 | 0:03:51 | |
What sort of money do you think you might be talking about? | 0:03:51 | 0:03:54 | |
It would be nice to raise ?1,000. | 0:03:54 | 0:03:56 | |
If we get a little bit more, it will go to the battle fund | 0:03:56 | 0:03:59 | |
to go out to Canada next year. | 0:03:59 | 0:04:01 | |
All right, so we need to raise ?1,000, then... Yes. | 0:04:01 | 0:04:05 | |
..towards the garden becoming a little less of a problem | 0:04:05 | 0:04:07 | |
than it is at the moment... That's right. | 0:04:07 | 0:04:10 | |
..and also, any surplus, I guess, going towards the flight fund? | 0:04:10 | 0:04:12 | |
That's right. OK, well in that case, shall we go and see what you've got? Lovely. Come on, then. | 0:04:12 | 0:04:17 | |
Marilyn and Michael have lived in this house for 39 years | 0:04:19 | 0:04:23 | |
and there's a really homely feel to each room. | 0:04:23 | 0:04:25 | |
Self-confessed hoarders, they've accumulated a lot of valuable bits and pieces | 0:04:25 | 0:04:29 | |
throughout their married life and it's down to our expert, | 0:04:29 | 0:04:32 | |
Paul Hayes, to assess those collectables. | 0:04:32 | 0:04:35 | |
He's been trading antiques since he was a boy | 0:04:35 | 0:04:37 | |
and always surrenders to the charms of the treasures he finds, | 0:04:37 | 0:04:40 | |
although I wouldn't advise he does so with this particular piece. | 0:04:40 | 0:04:43 | |
Aah, Paul! Hello. | 0:04:43 | 0:04:45 | |
How are you? All right? That's a very significant piece, isn't it? | 0:04:45 | 0:04:49 | |
It's incredible. Has it been a table top at some point? | 0:04:49 | 0:04:52 | |
Never. No, it's always been a wall hanging. | 0:04:52 | 0:04:54 | |
Where did you get that from? Have you been to, well, it looks like South America? | 0:04:54 | 0:04:58 | |
It was given to me by one of my clients, when I was in the curtain business. | 0:04:58 | 0:05:02 | |
We had done his house full of curtains and I'd seen it | 0:05:02 | 0:05:06 | |
just laying there and I commented on it, because it's an incredible piece | 0:05:06 | 0:05:11 | |
of work and he, for some reason, didn't want it himself, so he asked me if I would like it. | 0:05:11 | 0:05:16 | |
Well, it's a very impressive piece. | 0:05:16 | 0:05:18 | |
Actually, it's an Aztec calendar and the Aztecs used to worship | 0:05:18 | 0:05:22 | |
the sun god and they believed that they were the fifth universe. | 0:05:22 | 0:05:26 | |
There had been four universes that had survived and died before them, | 0:05:26 | 0:05:30 | |
and they used to actually perform human sacrifices, | 0:05:30 | 0:05:33 | |
and they were done five times each year and that's these ones here... | 0:05:33 | 0:05:36 | |
one, two, three, four, five. Yes. Yes! Not very nice! | 0:05:36 | 0:05:40 | |
No. When you look into it, it's not the most pleasant thing. But he actually has | 0:05:40 | 0:05:45 | |
a knife for a tongue. Can you see that? Yes. | 0:05:45 | 0:05:48 | |
That's actually a knife there and it represents it, but whether it is myth | 0:05:48 | 0:05:52 | |
and legend or folklore, but this was a huge stone that was found that | 0:05:52 | 0:05:56 | |
depicted the ancient world and it's believed these sort of things | 0:05:56 | 0:06:00 | |
did actually go on and this one is actually made from micro-mosaic. | 0:06:00 | 0:06:03 | |
What actually happens is they get different-shaped rods of wood, | 0:06:03 | 0:06:07 | |
which can be ten or 12 feet long, | 0:06:07 | 0:06:09 | |
they make the design and then they slice through it, | 0:06:09 | 0:06:12 | |
almost like a stick of rock, if you like, | 0:06:12 | 0:06:15 | |
and the end piece is what you get, so they can make lots of them at a time. | 0:06:15 | 0:06:18 | |
So, Paul, what sort of price do you think we're talking about in terms of auction values? | 0:06:18 | 0:06:22 | |
I think value-wise, I mean, ?50-100. I mean, I don't know how that sounds. | 0:06:22 | 0:06:26 | |
Hopefully, somebody would like it and if you get two people who want it, who knows on the day. | 0:06:26 | 0:06:32 | |
What do you think of that? | 0:06:32 | 0:06:33 | |
I think a little less than we would have expected, | 0:06:33 | 0:06:37 | |
because of the workmanship in it, but it has to go. | 0:06:37 | 0:06:40 | |
Well, we know that's not going to be in the family much longer, | 0:06:40 | 0:06:44 | |
it is going to auction. Shall we see what else we can find? | 0:06:44 | 0:06:47 | |
Come this way, then. | 0:06:47 | 0:06:48 | |
With the disagreeable thought of human sacrifice, Marilyn and Michael have no hesitation in saying goodbye | 0:06:48 | 0:06:54 | |
'to the Aztec calendar. But, with a ?1,000 target to hit, | 0:06:54 | 0:06:58 | |
we need to cover every inch of this house for plenty of goodies | 0:06:58 | 0:07:01 | |
to accompany it and Michael hopes that time is on our side with his first discovery. | 0:07:01 | 0:07:07 | |
Ooh, look at that! Wow! | 0:07:07 | 0:07:10 | |
What a cracking pocket watch that is! | 0:07:10 | 0:07:13 | |
That's beautiful. Was that something that you bought, then? | 0:07:13 | 0:07:16 | |
No, it was given to me. It was my father's and, before that, my grandfather's. | 0:07:16 | 0:07:20 | |
This is solid gold. This would have been a gentleman's dress watch, | 0:07:20 | 0:07:24 | |
and the idea was it would go on your Albert chain. | 0:07:24 | 0:07:27 | |
Before the wrist watch, this is the way that watches used to be, | 0:07:27 | 0:07:30 | |
but this is called a demi-Hunter. | 0:07:30 | 0:07:32 | |
Where it gets its name from is that when you had the original pocket | 0:07:32 | 0:07:36 | |
watch with a full case, you couldn't see the dial, so what they did, | 0:07:36 | 0:07:40 | |
they placed an aperture, or this sort of viewing hole, in the middle, | 0:07:40 | 0:07:44 | |
which allows you to tell the time, | 0:07:44 | 0:07:46 | |
but it's still protected Very clever invention. | 0:07:46 | 0:07:48 | |
It's in beautiful condition! | 0:07:48 | 0:07:50 | |
What you look for with these watches, gold is a very soft material and this | 0:07:50 | 0:07:55 | |
one has a few dents in the back. Can you see that? | 0:07:55 | 0:07:58 | |
Yes, that was my fault. | 0:07:58 | 0:07:59 | |
Apparently, when I was a baby, | 0:07:59 | 0:08:02 | |
I was given it to teethe on, so it's got my tooth marks. | 0:08:02 | 0:08:05 | |
Wow, what an interesting story! I've never heard that before. | 0:08:05 | 0:08:08 | |
Was the chain always with it, or..? | 0:08:08 | 0:08:10 | |
No, that's something I bought myself. | 0:08:10 | 0:08:12 | |
The original chain was given to somebody else. I bought that five or six years ago. | 0:08:12 | 0:08:17 | |
So what you've got, then, is a solid gold | 0:08:17 | 0:08:19 | |
demi-Hunter, or half-Hunter, watch, with a good quality Albert chain, | 0:08:19 | 0:08:24 | |
so a very collectable item, indeed, but value-wise, | 0:08:24 | 0:08:27 | |
if I was conservative here, at least ?200, possibly ?250. | 0:08:27 | 0:08:32 | |
How does that sound? Sounds a little bit on the low side to me. | 0:08:32 | 0:08:36 | |
I'd have thought it would have been, with the chain, worth a little bit more than that. | 0:08:36 | 0:08:40 | |
Well, hopefully, we'll get two people who want it and it will fetch a bit more. | 0:08:40 | 0:08:44 | |
I hope so. Are you sure? Yep. | 0:08:44 | 0:08:46 | |
OK. Let's go tell the others, eh? | 0:08:46 | 0:08:47 | |
I felt very disappointed. | 0:08:49 | 0:08:51 | |
The half-Hunter has been in the family for a long time, | 0:08:51 | 0:08:54 | |
and when you consider the amount of work that's gone into it and the | 0:08:54 | 0:08:58 | |
weight of the gold of the chain, I would have thought it would have been a higher figure. | 0:08:58 | 0:09:04 | |
'With such an important trip and a garden renovation resting on this rummage, | 0:09:04 | 0:09:08 | |
'it's understandable Michael wants as much as he can for his valuables, | 0:09:08 | 0:09:12 | |
'and while Paul's next find can't go directly into the kitty, | 0:09:12 | 0:09:15 | |
'this collection, including a set of first-day coins | 0:09:15 | 0:09:18 | |
'introduced when British currency was decimalised in 1971, | 0:09:18 | 0:09:23 | |
'could get us another ?40-90.' | 0:09:23 | 0:09:26 | |
This house has given Marilyn and Martin many happy memories | 0:09:26 | 0:09:29 | |
and I'm hoping to find out the secret to a successful marriage. | 0:09:29 | 0:09:33 | |
So how did you two meet, then? | 0:09:33 | 0:09:35 | |
We met at a charity dance. | 0:09:35 | 0:09:37 | |
We were out one Sunday night and she went out with my best friend. | 0:09:37 | 0:09:41 | |
Oh, really! | 0:09:41 | 0:09:43 | |
OK. How did you end up being her boyfriend, then, | 0:09:43 | 0:09:46 | |
rather than your best mate being her boyfriend? | 0:09:46 | 0:09:48 | |
He had a lot of girlfriends. | 0:09:48 | 0:09:50 | |
Oh, did he, now?! Right, OK. | 0:09:50 | 0:09:52 | |
And what about you? What were you doing when you met? | 0:09:52 | 0:09:56 | |
I was a secretary, which was really the norm for that age, | 0:09:56 | 0:10:01 | |
for the 1950s, 1960s. | 0:10:01 | 0:10:03 | |
And what about you, Michael? | 0:10:03 | 0:10:05 | |
I worked in retail. I was working in a shop in Oxford Street | 0:10:05 | 0:10:10 | |
in dress fabrics, when we first met, and then I went into a shop that was | 0:10:10 | 0:10:15 | |
more of a haberdashers, where they made linens and curtain materials. | 0:10:15 | 0:10:20 | |
So what hobbies do you share, now? We like travelling and... | 0:10:20 | 0:10:24 | |
what else do we do together? | 0:10:24 | 0:10:26 | |
We like visiting gardens, | 0:10:26 | 0:10:28 | |
we like bringing back little collectable items, | 0:10:28 | 0:10:32 | |
just to remind us of our trips. | 0:10:32 | 0:10:35 | |
So, with regard to the trip to Canada, then, | 0:10:35 | 0:10:37 | |
are you looking forward to that? | 0:10:37 | 0:10:39 | |
We've never been across the Atlantic, so it will be | 0:10:39 | 0:10:43 | |
a first trip to Canada and to that side of the world. | 0:10:43 | 0:10:45 | |
And are you looking forward to it? Very much. | 0:10:45 | 0:10:48 | |
Well, I think if you're going to get those tickets to Canada, | 0:10:48 | 0:10:51 | |
we need to find Mr Hayes and see if he's found something to sell. | 0:10:51 | 0:10:54 | |
'I'm glad to be helping make Marilyn and Michael's garden dreams, | 0:10:54 | 0:10:57 | |
'and travelling adventures, a possibility, but it's Michael's determination | 0:10:57 | 0:11:01 | |
'that is next to pay off, when he finds this Victorian silver-plated tea set, | 0:11:01 | 0:11:06 | |
'which once belonged to his parents and could serve us up | 0:11:06 | 0:11:08 | |
'a very nice ?60 to ?80. | 0:11:08 | 0:11:12 | |
'While upstairs, there's an aroma that's got Marilyn and Paul's attention.' | 0:11:12 | 0:11:16 | |
What have you found? Anything good? Well, these scent bottles. | 0:11:16 | 0:11:19 | |
Oh, wow, look at those! I'm rather attached to them. | 0:11:19 | 0:11:23 | |
Those are beautiful! May I have a look? With pleasure. | 0:11:23 | 0:11:26 | |
Where have these come from? | 0:11:26 | 0:11:27 | |
They belonged to my late mother-in-law and I think they're very attractive, | 0:11:27 | 0:11:31 | |
I think the older you get, the more you appreciate ancient items! | 0:11:31 | 0:11:35 | |
Well, they're not so ancient. | 0:11:35 | 0:11:37 | |
I mean these are really art deco, from the 1920s. | 0:11:37 | 0:11:40 | |
Yes, they are. I like the style and the shape of them. | 0:11:40 | 0:11:44 | |
In the 1920s, the fashion was for very angular appearance, | 0:11:44 | 0:11:48 | |
overlays, contrasting colours, you've got the silver and the black here, with this very art deco, | 0:11:48 | 0:11:53 | |
sort of, feel to it and there was a major thing that happened. | 0:11:53 | 0:11:57 | |
If I just pick this other one up here, this really does emphasise it. | 0:11:57 | 0:12:01 | |
There was a massive thing to happen in 1922. | 0:12:01 | 0:12:03 | |
They discovered Tutankhamen's tomb, so the pyramid actually does feature | 0:12:03 | 0:12:07 | |
an awful lot on lots of items, you get these wonderful triangular items. | 0:12:07 | 0:12:12 | |
Well, I think you've got two collectors who will buy these. | 0:12:12 | 0:12:14 | |
Anybody interested in scent bottles and perfume themselves, | 0:12:14 | 0:12:18 | |
but also any art deco collectors, and that's a major collecting area, | 0:12:18 | 0:12:22 | |
so if I said about ?20 to ?30 each... | 0:12:22 | 0:12:27 | |
Each?! Yes, so about ?80 to ?100 there for that lot. | 0:12:27 | 0:12:31 | |
Good heavens, yes. So they can definitely go? | 0:12:31 | 0:12:34 | |
Yes, definitely. The sweet smell of success! | 0:12:34 | 0:12:36 | |
I can't argue with that! Well, that's great. | 0:12:36 | 0:12:39 | |
I think they're wonderful and I'm sure they'll find a good home. | 0:12:39 | 0:12:42 | |
I hope so. Thank you. | 0:12:42 | 0:12:43 | |
I was very surprised at the valuation for the bottles | 0:12:45 | 0:12:48 | |
and very interested in the history and the design and the way Paul explained | 0:12:48 | 0:12:52 | |
the geometric design and the pyramid and the connections. | 0:12:52 | 0:12:58 | |
We've still got a long way to go if we're intending to raise that | 0:12:58 | 0:13:02 | |
staggering ?1,000 target Marilyn and Michael need to attend | 0:13:02 | 0:13:05 | |
the planned family reunion in Canada and have a garden revamp. | 0:13:05 | 0:13:09 | |
'And, if it wasn't going to auction, | 0:13:09 | 0:13:11 | |
'I'm sure this Waltham traveller pocket watch in solid gold | 0:13:11 | 0:13:15 | |
'would come in handy for their | 0:13:15 | 0:13:17 | |
'journey, but unfortunately we can't ignore that ?150 to ?200 price tag.' | 0:13:17 | 0:13:22 | |
The family garden is a haven of peace and tranquillity, | 0:13:22 | 0:13:25 | |
but it's also a perfect hideaway for our two boys and their toys. | 0:13:25 | 0:13:29 | |
Now, then, Michael, there's no time for playing. | 0:13:29 | 0:13:32 | |
Whose is this? It's something that was bought for me when I was 11. | 0:13:32 | 0:13:36 | |
It was a prize for having passed the scholarship. | 0:13:36 | 0:13:39 | |
Really? Yes, I'd always wanted one and my parents saw it. | 0:13:39 | 0:13:43 | |
In those days, they were difficult to get, | 0:13:43 | 0:13:46 | |
so when we saw it, we bought it. | 0:13:46 | 0:13:47 | |
Well, can you imagine at the time, this Mallard was the fastest steam | 0:13:47 | 0:13:51 | |
locomotive of its day and it actually won the world record in the 1930s. | 0:13:51 | 0:13:55 | |
It did 126 mph. | 0:13:55 | 0:13:57 | |
And you can see the aerodynamic shape, because most of those were flat-fronted, weren't they? | 0:13:57 | 0:14:03 | |
Right, yeah, course, very, sort of, art deco-looking, almost, isn't it? | 0:14:03 | 0:14:07 | |
This one looks almost mint condition. | 0:14:07 | 0:14:09 | |
You've really looked after it and that's a real plus. | 0:14:09 | 0:14:12 | |
I mean, lots of these tend to turn up very scuffed and damaged, | 0:14:12 | 0:14:16 | |
but this one is almost mint. Is it sentimental to you? Not really. | 0:14:16 | 0:14:19 | |
I've had it a long time and it's been sitting in the shed, | 0:14:19 | 0:14:24 | |
so it's time for it to go on its last journey. | 0:14:24 | 0:14:27 | |
But if I was being conservative and said maybe ?50 to ?100, I mean, | 0:14:27 | 0:14:32 | |
how would you feel about that? That sounds all right to me, yes. | 0:14:32 | 0:14:35 | |
Are we on the right track? Definitely! | 0:14:35 | 0:14:37 | |
Come on, let's keep looking. | 0:14:37 | 0:14:39 | |
A lot of childhood memories are being given up today, but it's all for a good cause. | 0:14:39 | 0:14:43 | |
Until we've hit our target, though, we need to keep exploring this house. | 0:14:43 | 0:14:47 | |
'I spot this fabulous collection of Victorian cranberry glass - | 0:14:47 | 0:14:52 | |
'another gift from Michael's mother, | 0:14:52 | 0:14:54 | |
'which Paul values at a favourable ?45 to ?75.' | 0:14:54 | 0:14:58 | |
Michael and Marilyn's home is nestled | 0:14:58 | 0:15:01 | |
in the heart of this North London community and it is here that they | 0:15:01 | 0:15:04 | |
feel most comfortable, surrounded by friends and family, | 0:15:04 | 0:15:07 | |
who share similar backgrounds. | 0:15:07 | 0:15:09 | |
But on the walls of her home is a constant reminder | 0:15:09 | 0:15:12 | |
of Marilyn's extended family, | 0:15:12 | 0:15:14 | |
some of whom she never got the chance to meet. | 0:15:14 | 0:15:17 | |
There are pictures | 0:15:17 | 0:15:18 | |
everywhere around this house. | 0:15:18 | 0:15:20 | |
I'm dying to know who's who? Who's this lot here? | 0:15:20 | 0:15:22 | |
This is my mother's family. | 0:15:22 | 0:15:24 | |
This is the oldest picture that we have of her. | 0:15:24 | 0:15:27 | |
This lady here is my mother, with her parents and four siblings. | 0:15:27 | 0:15:31 | |
It was taken in Poland, round about 1913. | 0:15:31 | 0:15:35 | |
So what happened to the family after that time, then? | 0:15:35 | 0:15:38 | |
Well, they lived in Poland and there were problems for the Jews in Poland | 0:15:38 | 0:15:42 | |
and life became very uncomfortable, | 0:15:42 | 0:15:44 | |
but my mother and her siblings came over to England. | 0:15:44 | 0:15:47 | |
My uncle brought them over, gave them a roof over their heads, | 0:15:47 | 0:15:53 | |
helped them to get established. | 0:15:53 | 0:15:55 | |
This son stayed on in Poland, | 0:15:55 | 0:15:59 | |
got married, had two children | 0:15:59 | 0:16:03 | |
and he, his wife and one of his children | 0:16:03 | 0:16:06 | |
died in the Holocaust in the 1940s. | 0:16:06 | 0:16:08 | |
It was after the tragic events of the Second World War that Marilyn's surviving family | 0:16:11 | 0:16:16 | |
was scattered across the world - some further away than others. | 0:16:16 | 0:16:21 | |
It wasn't until the 1960s that a cousin of mine, | 0:16:21 | 0:16:27 | |
after he'd finished university, went with a friend over to Canada, | 0:16:27 | 0:16:32 | |
but on his travels he visited the cousins that were actually | 0:16:32 | 0:16:37 | |
in Canada and he brought back a rough draft of the family tree. | 0:16:37 | 0:16:41 | |
In the 1970s, I produced...a family tree. | 0:16:41 | 0:16:46 | |
These were all the relatives that we could either trace, who were still alive, | 0:16:48 | 0:16:54 | |
or who had died and we knew the connection. | 0:16:54 | 0:16:56 | |
That's interesting. I like this bit at the bottom. | 0:16:56 | 0:16:59 | |
It says, "This is the record of a wonderful family. | 0:16:59 | 0:17:01 | |
"Most of us will never meet, but perhaps this family tree will link us and keep us close". | 0:17:01 | 0:17:07 | |
That's wonderful, isn't it? | 0:17:07 | 0:17:08 | |
Well, that was written in 1970 and the tree HAS kept us close. | 0:17:08 | 0:17:12 | |
So how important is this reunion to you? | 0:17:12 | 0:17:15 | |
To meet up with people who have got the same blood as you, | 0:17:15 | 0:17:19 | |
who have got the same history as you, | 0:17:19 | 0:17:22 | |
there is a familiarity that runs through the family. | 0:17:22 | 0:17:25 | |
Some of the cousins that I've met, | 0:17:25 | 0:17:27 | |
you can actually see a family resemblance, either in a trait, | 0:17:27 | 0:17:31 | |
in their hairstyle, in their manner, | 0:17:31 | 0:17:33 | |
and they might be strangers to other people, but to us, they are family. | 0:17:33 | 0:17:37 | |
Well, frankly, I think I could sit here and listen for about another | 0:17:37 | 0:17:41 | |
six generations, but we don't have time for that. | 0:17:41 | 0:17:43 | |
Shall we see if the others have found anything to sell? Come on. | 0:17:43 | 0:17:47 | |
Listening to such a moving family story enforces just how crucial | 0:17:47 | 0:17:51 | |
it is for us to make enough money | 0:17:51 | 0:17:53 | |
for Marilyn to be reunited with her relatives in Canada, | 0:17:53 | 0:17:56 | |
so we need to look in every | 0:17:56 | 0:17:58 | |
nook and cranny and, hopefully, this desirable drinks decanter, | 0:17:58 | 0:18:02 | |
with matching glasses set, by a Czechoslovakian company, | 0:18:02 | 0:18:05 | |
will be to the bidders' taste and top up our fund by ?50 to ?100. | 0:18:05 | 0:18:09 | |
While upstairs, Michael has found something for Paul | 0:18:09 | 0:18:12 | |
to clown around with - like he needs encouraging! | 0:18:12 | 0:18:15 | |
Now then, Michael, look at these! | 0:18:15 | 0:18:18 | |
Wow! These are fantastic, aren't they? Pelham Puppets, original ones. | 0:18:18 | 0:18:22 | |
Is this all Magic Roundabout, then? All the Magic Roundabout... | 0:18:22 | 0:18:25 | |
there's a whole set of them, everyone that was in it. | 0:18:25 | 0:18:28 | |
Oh, Florence! You've got Florence there. Oh, wow, look! | 0:18:28 | 0:18:32 | |
She's absolutely gorgeous. | 0:18:32 | 0:18:34 | |
I've not seen a set like this before, though, I mean, obviously | 0:18:34 | 0:18:37 | |
with the strings, but these look like they stand alone, don't they? | 0:18:37 | 0:18:40 | |
Normally, they'd have this string mechanism, which you hang up and | 0:18:40 | 0:18:44 | |
use as hand puppets, but to have stands on them, that's what they | 0:18:44 | 0:18:46 | |
were for, like a window display. | 0:18:46 | 0:18:48 | |
Some of them have got strings, there you are. | 0:18:48 | 0:18:50 | |
Oh, Ermintrude... my favourite character. | 0:18:50 | 0:18:52 | |
Yes, she's got the strings. They've hardly been played with. | 0:18:52 | 0:18:56 | |
No they haven't, they're immaculate! | 0:18:56 | 0:18:59 | |
So what made you buy these? | 0:18:59 | 0:19:00 | |
We bought these when I had the shop in Wembley and we used to | 0:19:00 | 0:19:04 | |
use them as a window display. | 0:19:04 | 0:19:05 | |
The children used to look in the window and the parents | 0:19:05 | 0:19:08 | |
could go shopping without worrying about their children. | 0:19:08 | 0:19:11 | |
Well, what I know about the Magic Roundabout, it was a French cartoon, | 0:19:11 | 0:19:15 | |
but I remember Zebedee was a fantastic character. | 0:19:15 | 0:19:18 | |
He's here somewhere. Yeah, don't worry. Is it all boxed and mint? | 0:19:18 | 0:19:22 | |
All in their boxes... Let's have a look here. Apart from the dust. | 0:19:22 | 0:19:25 | |
That's another stick puppet. Yeah, see I've never seen any like this. | 0:19:25 | 0:19:29 | |
As you say, normally you'd get them in this sort of design, with the strings attached like this. | 0:19:29 | 0:19:34 | |
So what would you think they might be worth, then? | 0:19:34 | 0:19:37 | |
Well, it's hard... I've never seen a set like this. | 0:19:37 | 0:19:39 | |
No, so I think you're going to have serious collectors' interest here - | 0:19:39 | 0:19:43 | |
I think if you've got the full set here, you must be looking... | 0:19:43 | 0:19:46 | |
?250 upwards, really, depending how rare each individual one is. | 0:19:46 | 0:19:51 | |
How does that sound? | 0:19:51 | 0:19:53 | |
I'd be delighted if it fetches that. Well, time for bed then, I think! | 0:19:53 | 0:19:57 | |
Ooh, wrong show, no, no, it's not time for bed. | 0:19:57 | 0:19:59 | |
We need to find some more stuff to sell. Come on, this way. OK. | 0:19:59 | 0:20:02 | |
Although we've had them a long time, I hadn't realised they had gone up that much in value | 0:20:02 | 0:20:07 | |
and that they were highly regarded, so very pleased about that. | 0:20:07 | 0:20:12 | |
We're getting closer to our target but, with the day drawing to a close, | 0:20:12 | 0:20:16 | |
we need a final push in our hunt for tempting delights to take to auction. | 0:20:16 | 0:20:20 | |
This art deco walnut table | 0:20:20 | 0:20:21 | |
was handed down to Michael from his parents and will take us another ?40 | 0:20:21 | 0:20:25 | |
to ?60 in the right direction, and | 0:20:25 | 0:20:28 | |
I'd like to be heading off to the location Paul's got his hands on. | 0:20:28 | 0:20:32 | |
Now then, there's an old painting here. | 0:20:32 | 0:20:35 | |
Is this something that you've bought recently, or are due to put up on the wall? | 0:20:35 | 0:20:39 | |
We've had it for some time. It belonged to my mother. | 0:20:39 | 0:20:42 | |
She had it in her lounge and it was a painting | 0:20:42 | 0:20:46 | |
that she liked, but as you can see, we don't have very much wall space. | 0:20:46 | 0:20:51 | |
Well, this is typically Scottish. | 0:20:51 | 0:20:53 | |
It's a wonderful landscape oil | 0:20:53 | 0:20:55 | |
painting and what happened, late 19th century, early 20th century but more | 0:20:55 | 0:20:59 | |
1880-1900, Queen Victoria | 0:20:59 | 0:21:02 | |
made her base at Balmoral in Scotland and of course anything Scottish then | 0:21:02 | 0:21:07 | |
was very patriotic so we have lots of paintings of deer | 0:21:07 | 0:21:10 | |
on the mountains or you get say fishing scenes | 0:21:10 | 0:21:13 | |
or beautiful landscapes like this, so Scotland | 0:21:13 | 0:21:16 | |
was really trendy at that time, and you do get one or two | 0:21:16 | 0:21:20 | |
commercial artists who used to do it for a living. Well, this one is by... | 0:21:20 | 0:21:23 | |
we can just about make the signature out here, look at that, F E Jamieson. | 0:21:23 | 0:21:27 | |
That's a name that does tend to turn up quite a lot. | 0:21:27 | 0:21:29 | |
He was a prolific artist, but it's all about condition. | 0:21:29 | 0:21:33 | |
If I hold it up to the light, you can see any faults. | 0:21:33 | 0:21:36 | |
Can you see a little tear in it there? Oh, yes. | 0:21:36 | 0:21:38 | |
That's a good little thing. Sometimes you get items which are | 0:21:38 | 0:21:41 | |
covered up with thick paint and you don't always realise, but there's a little tear | 0:21:41 | 0:21:45 | |
which can be repaired easily. The rest of it is in good nick. | 0:21:45 | 0:21:49 | |
What you've got is a very popular scene, | 0:21:49 | 0:21:51 | |
it's in good condition, it's an oil painting, | 0:21:51 | 0:21:53 | |
it's early 20th century and would I surprise you if I said ?200, possibly ?300? | 0:21:53 | 0:21:59 | |
Yes, you would... | 0:21:59 | 0:22:01 | |
pleasantly surprised. | 0:22:01 | 0:22:03 | |
Well, that's great. That's ?200 towards the target! Good. | 0:22:03 | 0:22:06 | |
All right. Well, let's tell the others. Michael, Lorne. | 0:22:06 | 0:22:09 | |
What have you found? A beautiful painting. Very Scottish. | 0:22:09 | 0:22:11 | |
And what's the estimate on that? About ?200. | 0:22:11 | 0:22:15 | |
That will sum up our total quite nicely because you were looking for ?1,000, | 0:22:15 | 0:22:19 | |
so that you can get the garden sorted and any extra going towards the flights to Canada | 0:22:19 | 0:22:23 | |
and I'm delighted to tell you that the value of everything that is going to auction comes to ?1,215. | 0:22:23 | 0:22:29 | |
Good heavens! Great! It's not bad, is it? No. That's very good. | 0:22:29 | 0:22:33 | |
That's really good cos it's taking the bottom end of the estimate, | 0:22:33 | 0:22:37 | |
so with a bit of luck, and the wind in the right direction, | 0:22:37 | 0:22:40 | |
on the day of the auction we may even do better. | 0:22:40 | 0:22:42 | |
The next time we see you will be at the auction house. Lovely. Look forward to it. | 0:22:42 | 0:22:47 | |
It's been great to share the day with Michael and Marilyn | 0:22:47 | 0:22:50 | |
and learn about their family history. | 0:22:50 | 0:22:52 | |
But if we want to create happy memories, | 0:22:52 | 0:22:54 | |
we need all their lots to do well, including: | 0:22:54 | 0:22:57 | |
the wooden Aztec calendar | 0:22:57 | 0:23:00 | |
which Marilyn will be glad to see the back of, at ?50 to ?100, | 0:23:00 | 0:23:04 | |
five Art Deco scent bottles worth ?80 to ?100, | 0:23:04 | 0:23:10 | |
the assortment of Pelham puppets | 0:23:10 | 0:23:12 | |
which will hopefully get us around about ?250, | 0:23:12 | 0:23:16 | |
and finally that gold Demi Hunter pocket watch on an Albert chain, | 0:23:16 | 0:23:20 | |
which Paul thinks will make ?200 to ?250, | 0:23:20 | 0:23:23 | |
although Michael is hoping for a little more! | 0:23:23 | 0:23:26 | |
Still to come on Cash In The Attic: | 0:23:28 | 0:23:30 | |
we start off well... | 0:23:30 | 0:23:31 | |
That's a relief on both fronts, isn't it? Absolutely! | 0:23:31 | 0:23:34 | |
Crikey! Whoa, that's a narrow escape for me now! | 0:23:34 | 0:23:37 | |
..but take a turn for the worse. | 0:23:38 | 0:23:40 | |
Are you happy with that? Not over-happy. | 0:23:40 | 0:23:43 | |
And I wonder if there's a doctor in the house? | 0:23:43 | 0:23:46 | |
I dunno about medicine man, looks like he could do with new teeth. | 0:23:46 | 0:23:49 | |
And how much will we make come the end of the day? | 0:23:49 | 0:23:52 | |
Find out when the final hammer falls. | 0:23:52 | 0:23:55 | |
Now it's been a couple of weeks | 0:24:00 | 0:24:02 | |
since we looked around Marilyn and Michael Becker's home in Edgware. | 0:24:02 | 0:24:05 | |
They had lots of lovely things, | 0:24:05 | 0:24:07 | |
some of which we've brought to Chiswick Auction Rooms in West London. | 0:24:07 | 0:24:10 | |
Remember, they're looking to raise ?1,000 to landscape their garden | 0:24:10 | 0:24:14 | |
and I'm just hoping when their items go under the hammer | 0:24:14 | 0:24:17 | |
there's plenty of interest. | 0:24:17 | 0:24:19 | |
While today's bidders congregate in the sale room, | 0:24:21 | 0:24:24 | |
it looks like Paul Hayes has headed to the Scottish Highlands, | 0:24:24 | 0:24:27 | |
in mind if not in body! | 0:24:27 | 0:24:30 | |
Morning, Paul. Good morning. This looks nice. | 0:24:30 | 0:24:32 | |
Yeah, it looks great, amongst these lovely works. It could do quite well. | 0:24:32 | 0:24:36 | |
It's got a Scottish connection. That's usually good in the art world, isn't it? | 0:24:36 | 0:24:39 | |
Yeah, they're very fashionable. | 0:24:39 | 0:24:41 | |
This could do quite well. It's a very pleasing scene. | 0:24:41 | 0:24:44 | |
Now what else have we got of interest? | 0:24:44 | 0:24:46 | |
Well, we have that wonderful mosaic table top | 0:24:46 | 0:24:50 | |
or picture of the sun gods. | 0:24:50 | 0:24:51 | |
Yes, that's interesting. Really interesting. | 0:24:51 | 0:24:53 | |
And we've got those fantastic Pelham puppets, the Magic Roundabout set. | 0:24:53 | 0:24:57 | |
Yeah, those are very rare indeed, to find them all together, | 0:24:57 | 0:25:01 | |
so I think those could do very well. | 0:25:01 | 0:25:03 | |
I won't be surprised if there's a phone bid lined up. | 0:25:03 | 0:25:05 | |
I don't know how they'll feel about parting with them, | 0:25:05 | 0:25:08 | |
now that they're in the auction house. Shall we find out? Of course. | 0:25:08 | 0:25:12 | |
We've got a really varied selection of lots to sell today, | 0:25:12 | 0:25:15 | |
but what will the buyers think of them, | 0:25:15 | 0:25:17 | |
and will our dear couple be able to let go of treasured possessions? | 0:25:17 | 0:25:21 | |
Good morning! Hello. How are you? | 0:25:21 | 0:25:24 | |
I bet this is going to be a bit of a wrench, isn't it? | 0:25:24 | 0:25:27 | |
A little bit, yes. Yeah? | 0:25:27 | 0:25:29 | |
And what about those Pelham puppets? | 0:25:29 | 0:25:31 | |
Yes... We'll miss those things. They're part of our family. | 0:25:31 | 0:25:35 | |
Yeah, they're in beautiful condition, as are these, | 0:25:35 | 0:25:37 | |
you've obviously looked after everything very well, | 0:25:37 | 0:25:40 | |
so are you looking forward to the auction? Very much so, yes. | 0:25:40 | 0:25:43 | |
Marilyn, what about you? Yes. I've not been to an auction before, | 0:25:43 | 0:25:46 | |
I'm really quite interested to see what is going to go on. | 0:25:46 | 0:25:49 | |
OK, and how do you feel about today, then? | 0:25:49 | 0:25:51 | |
You've got great items, actually. | 0:25:51 | 0:25:53 | |
It will be interesting to see how the Aztec plaque goes, | 0:25:53 | 0:25:56 | |
whether there are any Aztec followers here, or anybody interested in that. | 0:25:56 | 0:26:00 | |
You're not going to miss that, are you? I'd be delighted to see it go! | 0:26:00 | 0:26:04 | |
Let's hope it appeals to a certain type of buyer. | 0:26:04 | 0:26:06 | |
Yes, I'm sure there is the right place for it somewhere, | 0:26:06 | 0:26:09 | |
which is not in my room. | 0:26:09 | 0:26:10 | |
OK. Well, said! Shall we get in position for the auction to start? | 0:26:10 | 0:26:15 | |
Yes, of course. Come on, then. | 0:26:15 | 0:26:17 | |
We'll see what happens with the table top and other lots very shortly | 0:26:17 | 0:26:20 | |
but, remember, if you're thinking of buying or selling at auction, | 0:26:20 | 0:26:24 | |
you'll be responsible for paying commission plus, possibly, other charges. | 0:26:24 | 0:26:27 | |
So it's a good idea to check with your local auction house for details. | 0:26:27 | 0:26:31 | |
With auctioneer Tom Keene in position, | 0:26:31 | 0:26:33 | |
we take our places at the back of the room | 0:26:33 | 0:26:36 | |
as our first lot goes on display. | 0:26:36 | 0:26:39 | |
Lot number 40A now, | 0:26:39 | 0:26:42 | |
the profusely-inlaid circular tabletop of abstract form. | 0:26:42 | 0:26:45 | |
This is not one you want to take home, is it? | 0:26:45 | 0:26:47 | |
Not at all, I hope I've seen the last of it. | 0:26:47 | 0:26:50 | |
OK, well let's hope it definitely makes a sale. | 0:26:50 | 0:26:53 | |
?50 for it... At least ?50. ?50? | 0:26:53 | 0:26:55 | |
?30, I'm bid ?30, take two. | 0:26:55 | 0:26:58 | |
32, 35, 38, 40, 42, 45, 48, 50, 55. | 0:26:58 | 0:27:05 | |
At ?50, standing bid of 55. | 0:27:05 | 0:27:07 | |
55 there, thank you. 60? A new bid of ?55, take 60? At ?55. | 0:27:07 | 0:27:10 | |
Sold at 55 and got it. | 0:27:10 | 0:27:12 | |
Hey, that's great! ?55, and it's not going home! | 0:27:12 | 0:27:16 | |
That's a relief on both fronts, isn't it? Absolutely! Crikey! | 0:27:16 | 0:27:19 | |
Whoa, that's a narrow escape for me now! | 0:27:19 | 0:27:22 | |
Well, it's definitely no sacrifice for Marilyn or Michael | 0:27:22 | 0:27:25 | |
as our first lot sells a healthy ?5 over Paul's lower estimate. | 0:27:25 | 0:27:29 | |
I think for the workmanship that is in it, forget what it portrays, | 0:27:29 | 0:27:33 | |
the workmanship is superb and somebody has had a very good buy. | 0:27:33 | 0:27:38 | |
That's an encouraging start | 0:27:38 | 0:27:40 | |
and exactly the kind of result we need to be achieving today | 0:27:40 | 0:27:44 | |
if we're to go ahead with the plans for a low-maintenance garden and a family reunion. | 0:27:44 | 0:27:48 | |
We're hoping for great things from our next lot, | 0:27:48 | 0:27:51 | |
the late 19th century oil painting by FE Jamieson. | 0:27:51 | 0:27:55 | |
Known and admired specifically for his highland and coastal landscapes, | 0:27:55 | 0:27:59 | |
this popular artist could fetch up to ?300. | 0:27:59 | 0:28:03 | |
It's a nice picture. You happy about this being sold? Yes. Yes? | 0:28:03 | 0:28:07 | |
The time has come? It has. | 0:28:07 | 0:28:08 | |
Let's see what it makes. OK, here we go. | 0:28:08 | 0:28:11 | |
What's that worth...? ?100 for it? | 0:28:11 | 0:28:14 | |
?100, who will start me at ?100? | 0:28:14 | 0:28:15 | |
?100, start me at ?100. | 0:28:15 | 0:28:17 | |
So no bids at all, start me off at ?100, no bids at all at ?100 then, | 0:28:17 | 0:28:20 | |
sorry, no bids of ?100. | 0:28:20 | 0:28:21 | |
Oh, there we are! That's a shame. | 0:28:21 | 0:28:24 | |
So nobody interested in that, not even at ?100. | 0:28:24 | 0:28:27 | |
It's a great shame. Disappointed. | 0:28:27 | 0:28:30 | |
That no sale is a real shock to the system | 0:28:30 | 0:28:34 | |
and I'm beginning to think we might have our work cut out here today. | 0:28:34 | 0:28:37 | |
Perhaps we'd be safer trying our luck with a less high-profile item, | 0:28:37 | 0:28:42 | |
like this stylish four-piece tea set, | 0:28:42 | 0:28:45 | |
first bought by Michael's Mum and Dad in the 1960s. | 0:28:45 | 0:28:48 | |
Is that your cup of tea? | 0:28:48 | 0:28:50 | |
HE CHUCKLES | 0:28:50 | 0:28:52 | |
?50. Not a hand moves. | 0:28:52 | 0:28:54 | |
I'm bid at ?50, at ?50, take 55, 55. | 0:28:54 | 0:28:56 | |
60... 5, 70, 5, 80, 5, 90, 5, 100? | 0:28:56 | 0:29:03 | |
?95... ?95... | 0:29:03 | 0:29:05 | |
Down here at ?95, give me 100. | 0:29:05 | 0:29:07 | |
At ?95, if you're done at 95, you've got it. | 0:29:07 | 0:29:09 | |
There you go, that's all right! | 0:29:09 | 0:29:11 | |
That's all right, isn't it? Yes. | 0:29:11 | 0:29:13 | |
I thought we were going to struggle for a moment! | 0:29:13 | 0:29:15 | |
The auction is certainly full of surprises | 0:29:15 | 0:29:18 | |
but with the set selling ?35 over estimate, we're not complaining. | 0:29:18 | 0:29:22 | |
Michael's parents obviously had an eye for collectables, like our Paul, | 0:29:22 | 0:29:27 | |
but will their Art Deco walnut table make its ?40 to ?60 asking price? | 0:29:27 | 0:29:33 | |
Are we finished at 45, hammer on the table at 45? It goes. ?45. 141. | 0:29:33 | 0:29:37 | |
Excellent, all right. Great. | 0:29:37 | 0:29:39 | |
I'm pleased to say it does, | 0:29:40 | 0:29:42 | |
plus an extra ?5 into the bargain. | 0:29:42 | 0:29:44 | |
We want to raise ?1,000 | 0:29:44 | 0:29:47 | |
towards a trouble-free garden and a trip to Canada, | 0:29:47 | 0:29:50 | |
but our failure with the oil painting | 0:29:50 | 0:29:52 | |
has left a huge ?200 gap in our funds. | 0:29:52 | 0:29:56 | |
We're going to have to hit those top estimates, | 0:29:56 | 0:29:58 | |
otherwise our plans could hit the buffers. | 0:29:58 | 0:30:00 | |
Lot number 58 now, 58. | 0:30:00 | 0:30:02 | |
A rare Hornby toy train. | 0:30:02 | 0:30:05 | |
A Mallard class engine. | 0:30:05 | 0:30:07 | |
This is a marvellous example. Bought in 1948, four pieces all together. | 0:30:07 | 0:30:11 | |
I'm looking for about ?50, all right, so let's see how we get on. | 0:30:11 | 0:30:14 | |
?50 for it? ?30 for it... | 0:30:14 | 0:30:17 | |
Come on! | 0:30:17 | 0:30:19 | |
I'm bid at ?30. 32, 35, 38, 40, 42... | 0:30:19 | 0:30:21 | |
Come on... | 0:30:21 | 0:30:23 | |
One more. 42, 45, 48. Now at ?45. | 0:30:23 | 0:30:26 | |
Standing at a bid of ?45. | 0:30:26 | 0:30:28 | |
At ?45. Are we done at 45? | 0:30:28 | 0:30:30 | |
I'm going to sell it at ?45, and gone. | 0:30:30 | 0:30:33 | |
Are you happy with that? | 0:30:33 | 0:30:34 | |
Not over-happy, but it's got to go, so... OK. | 0:30:34 | 0:30:39 | |
Sadly, not quite full steam ahead | 0:30:39 | 0:30:41 | |
as the immaculate Hornby train set fails to quite hit its ?50 estimate. | 0:30:41 | 0:30:46 | |
I can understand why Marilyn and Michael look apprehensive. | 0:30:48 | 0:30:51 | |
With a new-look garden and a foreign trip at stake, we need a really good sale to cheer us all up. | 0:30:51 | 0:30:56 | |
Maybe this Waltham Traveller pocket watch | 0:30:56 | 0:30:59 | |
Michael's father bought just after the Second World War | 0:30:59 | 0:31:02 | |
will clock up some hard cash. | 0:31:02 | 0:31:05 | |
I was saying to Michael it's a shame there weren't more celebrities | 0:31:05 | 0:31:08 | |
that would wear a pocket watch, because that would start the fashion. | 0:31:08 | 0:31:11 | |
No, I haven't got one, don't worry! | 0:31:11 | 0:31:13 | |
Start the trend yourself! Well, exactly! | 0:31:13 | 0:31:15 | |
I never thought of that, actually, to go into business! | 0:31:15 | 0:31:18 | |
Joking apart, if somebody was to start to wear these, | 0:31:18 | 0:31:21 | |
they would all be collectable and usable again, | 0:31:21 | 0:31:23 | |
but at the moment, they're just interesting objects. | 0:31:23 | 0:31:26 | |
Start me at 150 for it, give me ?150 for it? | 0:31:26 | 0:31:28 | |
150 for it? Nobody wants it at ?150? I'm bid at 150, is that 160 there? | 0:31:28 | 0:31:32 | |
160? We've got a bid of 160. | 0:31:32 | 0:31:35 | |
170, 180, 190... Come on... | 0:31:35 | 0:31:37 | |
Are you bidding down there? 190, 200, 210, 220, 230, 240, 250. | 0:31:37 | 0:31:43 | |
240 is bid. Do you want 250 there? | 0:31:43 | 0:31:45 | |
250, 260, 270, 280, 290, 300. | 0:31:45 | 0:31:48 | |
At 290 I'm bid. Do you want 300? At 300 new bidder. | 0:31:48 | 0:31:51 | |
310, 320, 330, 340, 350, | 0:31:51 | 0:31:56 | |
360, 370, 380, 390, 400, | 0:31:56 | 0:31:59 | |
and 20? | 0:31:59 | 0:32:01 | |
It's there at ?400. I'll take 20, at ?400. | 0:32:01 | 0:32:03 | |
Are you all out at ?400? Selling. | 0:32:03 | 0:32:05 | |
There you go! How's that! ?400! | 0:32:05 | 0:32:08 | |
Well, there you are. That is a bit over value, isn't it? | 0:32:08 | 0:32:10 | |
Gosh, yes! Let's not knock it, but, I mean... | 0:32:10 | 0:32:13 | |
That what's I would have put. | 0:32:13 | 0:32:15 | |
Let's be honest, it's because it's yours! | 0:32:15 | 0:32:17 | |
What a truly astonishing result. | 0:32:17 | 0:32:20 | |
Actually doubling Paul's highest valuation. | 0:32:20 | 0:32:22 | |
This is what auctions are all about, the unexpected, | 0:32:22 | 0:32:25 | |
when you put something up for auction | 0:32:25 | 0:32:28 | |
and it gets much more than you anticipate. | 0:32:28 | 0:32:30 | |
That's right, but as we reach half-time, | 0:32:31 | 0:32:33 | |
how have our erratic sales so far taken their toll on our target? | 0:32:33 | 0:32:38 | |
You wanted to raise ?1,000. How do you feel this morning has gone? | 0:32:38 | 0:32:42 | |
It's mixed. Some of it was good and some of it was very slow. | 0:32:42 | 0:32:47 | |
Well, you wanted ?1,000 towards landscaping the garden. | 0:32:47 | 0:32:50 | |
We've made more than half towards that, ?640. | 0:32:50 | 0:32:53 | |
That's great, isn't it! | 0:32:53 | 0:32:54 | |
Isn't that good! It's great! | 0:32:54 | 0:32:56 | |
Particularly after the way it started! | 0:32:56 | 0:32:58 | |
Let's hope the second half goes as well. Yes. | 0:32:58 | 0:33:01 | |
Paul is breathing a sigh of relief as well! | 0:33:01 | 0:33:03 | |
Yes! But there are one or two interesting items here. | 0:33:03 | 0:33:06 | |
There's something I want to show you, tribal art. | 0:33:06 | 0:33:08 | |
Oh, not more of that! Come on, then, let's go! | 0:33:08 | 0:33:10 | |
Auction rooms not only attract all kinds of people | 0:33:15 | 0:33:18 | |
but they're often filled with every kind of imaginable item. | 0:33:18 | 0:33:22 | |
But nothing has prepared me for Paul's latest find. | 0:33:22 | 0:33:25 | |
This is what I wanted to show you. | 0:33:25 | 0:33:27 | |
How about a piece of tribal art? Isn't that fantastic! | 0:33:27 | 0:33:30 | |
I have to be honest, I couldn't possibly give that house room, | 0:33:30 | 0:33:34 | |
garden room, shed room or loft room, to be honest! | 0:33:34 | 0:33:37 | |
Do you know, I think that's fantastic. | 0:33:37 | 0:33:39 | |
It's a medicine witch doctor. | 0:33:39 | 0:33:41 | |
Now tribal art is a massive-selling thing. | 0:33:41 | 0:33:43 | |
People pay hundreds of thousands of pounds for genuine items, | 0:33:43 | 0:33:47 | |
and it's very difficult, actually, to tell the real McCoy from the tourism bits and pieces, | 0:33:47 | 0:33:51 | |
but what you will find is that if anybody is interested in that African look, | 0:33:51 | 0:33:55 | |
or that bit of history, these are great things to have, aren't they? | 0:33:55 | 0:33:58 | |
OK, and what sort of price do you think that might go for? | 0:33:58 | 0:34:02 | |
The value today is about ?50 to ?80 so be interesting to see how it goes. | 0:34:02 | 0:34:06 | |
I don't know about medicine man, he could do with new teeth! | 0:34:06 | 0:34:09 | |
There you go! We'll see what that sells for later. Yeah, we'll have a look. Oh, dear! | 0:34:09 | 0:34:13 | |
Having thankfully escaped from that spooky little fellow, | 0:34:18 | 0:34:22 | |
we rejoin Marilyn and Michael as our plan to raise ?1,000 continues. | 0:34:22 | 0:34:27 | |
We've still got plenty of interesting items to go | 0:34:27 | 0:34:30 | |
and our first lot is a particularly stylish collection, | 0:34:30 | 0:34:33 | |
a bit like our Paul! | 0:34:33 | 0:34:34 | |
Art Deco period, there's a Chinese reproduction of these about at the moment, | 0:34:34 | 0:34:37 | |
but these are Art Deco period. | 0:34:37 | 0:34:39 | |
Number 260A, the Art Deco glass ladies' table set. | 0:34:39 | 0:34:43 | |
These are some of my favourite items. | 0:34:43 | 0:34:45 | |
Do you remember on your dressing table those lovely scent bottles? | 0:34:45 | 0:34:49 | |
What happened in 1922? | 0:34:49 | 0:34:51 | |
Something to do with Tutankhamun! There you go! | 0:34:51 | 0:34:53 | |
Bearing in mind they are damaged, OK, we're looking for about ?80. | 0:34:53 | 0:34:57 | |
And there's five bids for this lot. | 0:34:57 | 0:35:00 | |
Start me at ?50, here it goes. ?50, should make more. | 0:35:00 | 0:35:02 | |
I'm bid at ?50, take 55, 60, 5. | 0:35:02 | 0:35:05 | |
70, 5, 80, 5. | 0:35:05 | 0:35:06 | |
?80 bid, ?80, take 5 at ?80. At ?80. | 0:35:06 | 0:35:10 | |
Are we done at ?80? I'm selling at ?80 if you're done, at ?80. | 0:35:10 | 0:35:13 | |
Last chance for ?80, cheap lot for ?80. Sold. | 0:35:13 | 0:35:16 | |
?80 that made, so that was good, wasn't it? Fantastic! | 0:35:16 | 0:35:19 | |
Are you going to miss those, Marilyn? | 0:35:19 | 0:35:21 | |
My dressing table will look a little bare. | 0:35:21 | 0:35:23 | |
But my garden should look a bit better! | 0:35:23 | 0:35:26 | |
That's the right attitude! | 0:35:27 | 0:35:28 | |
And we sell bang on the money at ?80. | 0:35:28 | 0:35:32 | |
Our Art Deco lots have all sold well today, | 0:35:33 | 0:35:35 | |
so perhaps we can sustain that success with our next lot, | 0:35:35 | 0:35:39 | |
the 1920s drinks decanter and glasses, | 0:35:39 | 0:35:42 | |
a wedding present to Michael's parents. | 0:35:42 | 0:35:44 | |
But will it be our bidders' favourite tipple? | 0:35:44 | 0:35:46 | |
What's it worth? ?50 for the lot, please, ?50? | 0:35:46 | 0:35:50 | |
30, I'm bid at ?30... 80, we're in. | 0:35:50 | 0:35:51 | |
32 there, 35. 35 there, if you like. | 0:35:51 | 0:35:53 | |
38, 40, 42, 45, | 0:35:53 | 0:35:57 | |
48, 50, 55, 60. | 0:35:57 | 0:36:00 | |
55, take 60? At 55 down here, 60 there. 65. | 0:36:00 | 0:36:03 | |
I'm in at ?60, take 65. 70? 75? | 0:36:03 | 0:36:06 | |
At ?70 standing there at ?70, take 75. At ?70, are we done? | 0:36:06 | 0:36:09 | |
Thanks for the bid. At ?70. | 0:36:09 | 0:36:12 | |
There you go. There you are, wasn't bad, was it? | 0:36:12 | 0:36:14 | |
Excellent! | 0:36:14 | 0:36:15 | |
Topping up our fund by ?70? Let's drink to that. | 0:36:15 | 0:36:19 | |
Although not from these glasses, of course! | 0:36:19 | 0:36:22 | |
For our next trick, we'll be trying to make money out of selling money. | 0:36:22 | 0:36:25 | |
Michael's coin collection | 0:36:25 | 0:36:27 | |
includes the very first set of decimal coins | 0:36:27 | 0:36:30 | |
dating back to 1971. | 0:36:30 | 0:36:32 | |
At ?30, come and see me afterwards in relation to that. | 0:36:32 | 0:36:35 | |
?30 at the moment, provisionally sold at ?30, that's the bid. | 0:36:35 | 0:36:38 | |
Now he has made a note of the underbidder | 0:36:38 | 0:36:41 | |
the person who bid ?30, | 0:36:41 | 0:36:42 | |
to see him after the sale, so if you changed your mind, | 0:36:42 | 0:36:45 | |
or you might be able to negotiate some sort of deal afterwards, | 0:36:45 | 0:36:48 | |
if you're interested. | 0:36:48 | 0:36:49 | |
Yes. It's something we can talk about. Yes. | 0:36:49 | 0:36:52 | |
But at the end of the day, | 0:36:54 | 0:36:55 | |
Michael and Marilyn decide the offer is not acceptable | 0:36:55 | 0:36:58 | |
and choose to take the coins home. | 0:36:58 | 0:37:00 | |
It's time for Paul's little friend from earlier to face the bidders, | 0:37:00 | 0:37:04 | |
with a ?50 to ?80 estimate. | 0:37:04 | 0:37:06 | |
50, 55. I've got 60. 65? | 0:37:06 | 0:37:08 | |
?60, my bid at ?60. Take five. Are we done at ?60, are we done? | 0:37:08 | 0:37:13 | |
He needs more medicine, that fellow! At ?60, at ?60, at ?60 selling. | 0:37:13 | 0:37:16 | |
There you go! How's that? ?60! | 0:37:16 | 0:37:18 | |
What did the auctioneer say? Needs more medicine! | 0:37:18 | 0:37:22 | |
So, there you go. | 0:37:22 | 0:37:24 | |
Paul was right and this exotic figure is off to find a new home. | 0:37:24 | 0:37:27 | |
Just not mine! | 0:37:27 | 0:37:28 | |
We're having a day of ups and downs | 0:37:30 | 0:37:32 | |
and there's still some way to go before we hit our ?1,000 target. | 0:37:32 | 0:37:36 | |
Let's hope our next collection doesn't leave the bidders in too much of a spin! | 0:37:36 | 0:37:40 | |
Lot 300A now. | 0:37:40 | 0:37:42 | |
A set of six boxed Pelham puppets, | 0:37:42 | 0:37:44 | |
all from the Magic Roundabout series, number 300A. | 0:37:44 | 0:37:47 | |
This is my favourite lot. I know we've got some beautiful items | 0:37:47 | 0:37:50 | |
and lots of gold and all this, but I'm sorry, I can't kept help it, | 0:37:50 | 0:37:53 | |
I definitely love the Magic Roundabout puppets. They are superb! | 0:37:53 | 0:37:57 | |
Now let's see. Yeah. | 0:37:57 | 0:38:00 | |
?200? No hands moving, yet. 150, then? | 0:38:00 | 0:38:03 | |
Come on... Must do better than this. ?150. | 0:38:03 | 0:38:05 | |
Tell me ?150 or I pass the lot. | 0:38:05 | 0:38:07 | |
No interest above ?150? No bids at all at 150? | 0:38:07 | 0:38:09 | |
That's disappointing, isn't it! | 0:38:09 | 0:38:11 | |
Can't make it out! ?150, opening bid of ?150 then? I'll pass the lot. | 0:38:11 | 0:38:15 | |
They're worth much more than that. | 0:38:15 | 0:38:16 | |
They should have gone for a lot more than that. | 0:38:16 | 0:38:19 | |
I was actually hoping that they'd go well over the ?250 estimate. Yes. | 0:38:19 | 0:38:23 | |
That's not good news. | 0:38:23 | 0:38:25 | |
Fortunately, Marilyn keeps a cool head in the face of adversity. | 0:38:25 | 0:38:28 | |
We will take them back home. | 0:38:28 | 0:38:30 | |
We'll stop and recoup, think what we're going to do with them. | 0:38:30 | 0:38:34 | |
Perhaps keep them around and put them up for auction again. | 0:38:34 | 0:38:37 | |
With only two lots left, though, | 0:38:38 | 0:38:40 | |
will we able to scrape back enough cash to keep us on track? | 0:38:40 | 0:38:44 | |
I'm showing at ?40. Last chance, your bid and gone. ?40. | 0:38:44 | 0:38:47 | |
There you go. ?40, right, OK. | 0:38:47 | 0:38:49 | |
That's quite cheap per glass, isn't it? | 0:38:49 | 0:38:51 | |
Somebody has had a good buy! | 0:38:51 | 0:38:53 | |
Well, perhaps I was hoping for a miracle, | 0:38:53 | 0:38:57 | |
but ?40 is a very respectable sale. | 0:38:57 | 0:38:59 | |
If we're to landscape the garden, and help Michael and Marilyn with their trip, though, | 0:38:59 | 0:39:03 | |
we need an amazing final sale. | 0:39:03 | 0:39:06 | |
But we've learnt the hard way not to take anything for granted, | 0:39:06 | 0:39:09 | |
so will the bidders sink their teeth into our next item? | 0:39:09 | 0:39:12 | |
Lot number 290A. A nine carat gold | 0:39:12 | 0:39:15 | |
Waltham Half Hunter pocket watch. | 0:39:15 | 0:39:17 | |
Number 290A, Half Hunter gold pocket watch. | 0:39:17 | 0:39:19 | |
I couldn't tell the time when I first had hold of it. | 0:39:19 | 0:39:22 | |
I was a little bit young for that! | 0:39:22 | 0:39:23 | |
And what did you use it for? | 0:39:23 | 0:39:25 | |
A teething ring. OK! | 0:39:25 | 0:39:27 | |
My father used to give it to me to practice getting my molars out! | 0:39:27 | 0:39:31 | |
I've heard of "born with a silver spoon in their mouth" | 0:39:31 | 0:39:33 | |
but not gold pocket watch! | 0:39:33 | 0:39:35 | |
Where shall we start, ?200 for it? | 0:39:35 | 0:39:38 | |
No? No bids of ?200? Last one made ?400 and something. | 0:39:38 | 0:39:40 | |
Oh, dear! ?200 for it? Thank you. | 0:39:40 | 0:39:43 | |
I've got a bid of ?200, I'm bid at 200 and 210... 220, 230, 240, 250... | 0:39:43 | 0:39:48 | |
they all want to bid now, 260, 270, | 0:39:48 | 0:39:51 | |
280, 290, 300 and 10? | 0:39:51 | 0:39:55 | |
That's ?300 take 10 at ?300. | 0:39:55 | 0:39:57 | |
You want 310 there? | 0:39:57 | 0:39:58 | |
320, 330, 340, | 0:39:58 | 0:40:00 | |
350, 360, | 0:40:00 | 0:40:02 | |
370, 380, 390. 380, you bid. | 0:40:02 | 0:40:06 | |
Take 385 and we're onto something else. Take 5 now. | 0:40:06 | 0:40:09 | |
That's ?380. I'm going to sell at ?380 the bid is in the room at 380. | 0:40:09 | 0:40:12 | |
I'm going to take 380, gone! | 0:40:12 | 0:40:14 | |
Wow! ?380. That's pretty amazing, isn't it? Pleased with that? | 0:40:14 | 0:40:17 | |
Marvellous result, first class. | 0:40:17 | 0:40:19 | |
You got the extra money because of the teething! | 0:40:19 | 0:40:22 | |
Nearly ?200 over estimate. | 0:40:22 | 0:40:25 | |
What a fantastic end to the day, | 0:40:25 | 0:40:26 | |
but has it been enough to make our ?1,000 target? | 0:40:26 | 0:40:30 | |
The auction was a bit of a rollercoaster ride today, wasn't it? | 0:40:30 | 0:40:33 | |
We didn't sell that painting, | 0:40:33 | 0:40:35 | |
and we haven't sold the Magic Roundabout set, either. | 0:40:35 | 0:40:38 | |
Now, I mean, what's your experience of it today? | 0:40:38 | 0:40:41 | |
It's been very interesting. | 0:40:41 | 0:40:43 | |
We were surprised at what didn't sell, | 0:40:43 | 0:40:45 | |
but the other things did quite well, some of them. | 0:40:45 | 0:40:48 | |
Well, I'm delighted to tell you, you've raised ?1,210. | 0:40:48 | 0:40:53 | |
Good. That's good! We can do all we wanted! | 0:40:53 | 0:40:55 | |
Yes, lovely! | 0:40:55 | 0:40:56 | |
Are you pleased with that? Yes, thank you very much. | 0:40:56 | 0:40:59 | |
Well, don't forget you are taking some items home as well. Yes. Yes. | 0:40:59 | 0:41:02 | |
They'll live to see another day. | 0:41:02 | 0:41:04 | |
I can see the garden with the Magic Roundabout Pelham puppets in it! | 0:41:04 | 0:41:08 | |
More like fairies at the bottom of the garden! | 0:41:08 | 0:41:10 | |
It's been a week since Michael and Marilyn raised ?1,210 at auction | 0:41:15 | 0:41:19 | |
and they wasted no time in calling in a local gardener | 0:41:19 | 0:41:23 | |
to give their green space a makeover. | 0:41:23 | 0:41:25 | |
The idea is that it should be low maintenance, | 0:41:27 | 0:41:30 | |
and once all the plants have developed and grown, | 0:41:30 | 0:41:33 | |
I should have very little to do, other than cut the grass. | 0:41:33 | 0:41:36 | |
The changes to the garden will take some time, | 0:41:38 | 0:41:41 | |
and today David is clearing the borders | 0:41:41 | 0:41:43 | |
and plating plenty of new ground cover. | 0:41:43 | 0:41:46 | |
Because they did so well at auction, | 0:41:46 | 0:41:48 | |
the Beckers will also be using some of the money | 0:41:48 | 0:41:50 | |
towards Marilyn's forthcoming family reunion in Canada. | 0:41:50 | 0:41:54 | |
To actually meet them face-to-face | 0:41:54 | 0:41:56 | |
and put faces to the names that I know so well, | 0:41:56 | 0:41:59 | |
is going to be a very moving experience | 0:41:59 | 0:42:01 | |
and I'm really looking forward to it. | 0:42:01 | 0:42:03 | |
In the meantime there's going to be a new look | 0:42:05 | 0:42:07 | |
and a new garden to enjoy! | 0:42:07 | 0:42:09 | |
I'm really glad we did this. | 0:42:09 | 0:42:10 | |
It's given us an opportunity to have the garden done, | 0:42:10 | 0:42:13 | |
which is something we've wanted for a while, | 0:42:13 | 0:42:16 | |
and it's given us the chance to make firm plans to go to Canada | 0:42:16 | 0:42:20 | |
and I'm really looking forward to that. | 0:42:20 | 0:42:23 | |
That's great! | 0:42:23 | 0:42:24 | |
Subtitles by Red Bee Media Ltd | 0:42:41 | 0:42:44 |