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Welcome to Cash in the Attic, the show that finds | 0:00:03 | 0:00:05 | |
the hidden treasures around your home and helps you sell them at auction. | 0:00:05 | 0:00:09 | |
I've come to the Kent countryside. As you can see, I'm not alone. | 0:00:09 | 0:00:12 | |
I'm surrounded by 800 deer. This is Knole Park, | 0:00:12 | 0:00:16 | |
believed to be home to one of the last surviving Tudor deer herds. | 0:00:16 | 0:00:20 | |
One of the lots that have survived the last 500 years. | 0:00:20 | 0:00:24 | |
The park in Sevenoaks surrounds Knole House and it is believed that | 0:00:25 | 0:00:28 | |
an estate has been in existence here since the 12th century. | 0:00:28 | 0:00:33 | |
In 1456, the then Archbishop of Canterbury, Thomas Bouchier, | 0:00:33 | 0:00:38 | |
bought Knole for little more than ?266. | 0:00:38 | 0:00:41 | |
Today, the house and estate are open to the public in the care of the National Trust. | 0:00:41 | 0:00:45 | |
So let's hope we find plenty of great items that will | 0:00:45 | 0:00:49 | |
pull in the pounds when they go under the hammer at auction. | 0:00:49 | 0:00:52 | |
Coming up on today's Cash in the Attic, I take a shine to the man of the house. | 0:01:12 | 0:01:18 | |
He must be the only man I've ever met who can possibly understand what women love about shoes. | 0:01:18 | 0:01:23 | |
'He drives a hard bargain.' So, is it something we can sell, Derek? | 0:01:23 | 0:01:26 | |
Erm...If the price is right. | 0:01:26 | 0:01:29 | |
But crumbles when we get to auction. | 0:01:29 | 0:01:31 | |
Don't cry, Derek, we haven't sold it yet. It'll be all right, honestly. | 0:01:31 | 0:01:35 | |
Will we get a good result at the end of the day? | 0:01:35 | 0:01:37 | |
Find out when the final hammer falls. | 0:01:37 | 0:01:39 | |
I'm on my way to meet a family who called in the Cash in the Attic team | 0:01:41 | 0:01:45 | |
to help them raise funds for a foreign adventure. | 0:01:45 | 0:01:48 | |
This oast house, set in the beautiful village of Crockenhill, north Kent, is home to retired baker | 0:01:48 | 0:01:54 | |
Derek McCulloch Grant, and his wife Christine. | 0:01:54 | 0:01:56 | |
Their love of nothing but the best has led to their country retreat | 0:01:56 | 0:02:00 | |
being crammed full of fine antiques and collectables, but it's now time for a major clear-out. | 0:02:00 | 0:02:06 | |
Today, with the help of Derek's eldest daughter, Lindsay, they're hoping to empty | 0:02:06 | 0:02:09 | |
the house of its unwanted goods to pursue their travelling dreams. | 0:02:09 | 0:02:15 | |
Morning, Paul. Good morning, how are you? | 0:02:15 | 0:02:17 | |
I'm fine, thank you. We've got a great couple today, they're newlyweds. Oh, really? | 0:02:17 | 0:02:21 | |
Yeah, well, I say newlyweds. | 0:02:21 | 0:02:23 | |
It's the second marriage, but they have combined two homes. | 0:02:23 | 0:02:25 | |
There should be plenty of rich pickings for you to go through. | 0:02:25 | 0:02:28 | |
It sounds fantastic. What a location. It's great. | 0:02:28 | 0:02:31 | |
No time to walk around, though, because we've got to crack on. OK. | 0:02:31 | 0:02:34 | |
Good morning. Good morning. | 0:02:38 | 0:02:40 | |
Nice to see you've started already then. | 0:02:40 | 0:02:43 | |
We certainly have. | 0:02:43 | 0:02:44 | |
Now, Derek, this is your home with Christine, is that correct? | 0:02:44 | 0:02:47 | |
And Lindsay, you're Derek's daughter? | 0:02:47 | 0:02:50 | |
So, who called us in? Me, I'm afraid. | 0:02:50 | 0:02:53 | |
OK, so you're responsible. What made you do that? | 0:02:53 | 0:02:56 | |
We just had so much stuff that we decided to declutter. | 0:02:56 | 0:03:00 | |
So, here we are. And what do you make of all of this, Lindsay? | 0:03:00 | 0:03:03 | |
I'm so pleased he's finally having a clear-out. | 0:03:03 | 0:03:08 | |
Every time I come round here, I'm like, "Thank God I don't live here! There's so much stuff." | 0:03:08 | 0:03:13 | |
So if we clear out some of the stuff then, tell me what you'd like to raise the money for. | 0:03:13 | 0:03:18 | |
Have you got anything in mind? | 0:03:18 | 0:03:21 | |
Yes, we'd like to hire a motor home and travel down to France. | 0:03:21 | 0:03:27 | |
Our ultimate aim is to buy one, but we'd like to try it before. | 0:03:27 | 0:03:35 | |
And what sort of money are we talking about then? | 0:03:35 | 0:03:37 | |
Well, we're hoping from the things that are selected, around ?1,400, ?1,500. | 0:03:37 | 0:03:42 | |
That's what you'd need to hire one and actually get down to France? | 0:03:42 | 0:03:47 | |
Yes. Sounds like we've got plenty of stuff to see. Are you staying for the day to help out? Yes, good. | 0:03:47 | 0:03:52 | |
I don't know why I asked the question. | 0:03:52 | 0:03:54 | |
OK, well, shall we go and have a good look round? Come on then. | 0:03:54 | 0:03:58 | |
OK. | 0:03:58 | 0:04:00 | |
Derek and Christine's home is as glorious on the outside as it is on the inside. | 0:04:01 | 0:04:05 | |
Everywhere you look is testament to a couple who liked to be surrounded by luxury. | 0:04:05 | 0:04:09 | |
And knowing one or two things about extravagance himself is our expert Paul Hayes, who, with a lifetime | 0:04:09 | 0:04:15 | |
of experience in the antiques trade, is in seventh heaven and has already spotted the perfect gem. | 0:04:15 | 0:04:22 | |
Hello, hi, how are you? All right? Yes, you? | 0:04:22 | 0:04:25 | |
I think you're going to have an easy job. It's everywhere, isn't it? | 0:04:25 | 0:04:28 | |
Have you found anything yet? I've found this beautiful ring. Where does that come from, do you know? | 0:04:28 | 0:04:33 | |
My mother inherited it from my grandmother. | 0:04:33 | 0:04:37 | |
So is it something we can sell, Derek? | 0:04:37 | 0:04:39 | |
Um... If the price is right. | 0:04:39 | 0:04:42 | |
Not something you've got your eye on then, Lindsay? No. | 0:04:42 | 0:04:45 | |
All right, OK. They look very glittery diamonds. | 0:04:45 | 0:04:47 | |
Yeah, these are dead right. | 0:04:47 | 0:04:50 | |
The four main precious stones you've got are diamonds, emeralds, rubies and sapphires. | 0:04:50 | 0:04:54 | |
And they actually have two here, the diamonds here and the sapphire in the middle, the dark blue. | 0:04:54 | 0:04:59 | |
So this has been quite an expensive ring, I think, when it's been bought. | 0:04:59 | 0:05:02 | |
But the way that diamonds are valued, these look | 0:05:02 | 0:05:05 | |
around a quarter of a carat each, possibly about half a carat. | 0:05:05 | 0:05:10 | |
The carat is the weight of the diamond | 0:05:10 | 0:05:12 | |
and that needs to be done specifically with a special tool. | 0:05:12 | 0:05:15 | |
You say it's your Grandma's and I know for definite this is made after 1920. | 0:05:15 | 0:05:20 | |
And the way I can tell that, these are diamonds. | 0:05:20 | 0:05:22 | |
And the diamonds are cut, what they called brilliant cut, gives it maximum sparkle. | 0:05:22 | 0:05:27 | |
What valuation are you going to put on this? | 0:05:27 | 0:05:29 | |
Because I think that might depend whether or not it goes to auction. | 0:05:29 | 0:05:32 | |
Now, if I was to value this, really, on the diamonds, I would say at least 300, upwards, that sort of price. | 0:05:32 | 0:05:40 | |
Does that sound all right? That sounds brilliant. | 0:05:40 | 0:05:43 | |
You look quite surprised by that, Derek. Are you? | 0:05:43 | 0:05:45 | |
I am, yes. Excellent, we've found one gem for auction, let's see if we can find some more. | 0:05:45 | 0:05:49 | |
OK. Come on then, follow me. With a ?1,500 target to reach, | 0:05:49 | 0:05:53 | |
we're going to need plenty more finds like that. | 0:05:53 | 0:05:57 | |
So we head to different corners of the house in search of top-quality valuables to take to auction. | 0:05:57 | 0:06:02 | |
But I found a couple of pieces that don't sit quite so comfortably in a house of this nature. | 0:06:02 | 0:06:08 | |
Paul, Derek, are you out there? | 0:06:08 | 0:06:10 | |
I think I've found a very nice pair of chairs here. | 0:06:10 | 0:06:14 | |
So, what's the story behind these, then? I've have them for about 25 years. | 0:06:14 | 0:06:18 | |
I had a best friend, Margaret, and we used to go round the auction houses and what have you. | 0:06:18 | 0:06:23 | |
She, sadly, passed away. And she left them to me. | 0:06:23 | 0:06:27 | |
OK, so what you make of them, Paul? | 0:06:27 | 0:06:29 | |
Well, they are extremely Art Deco. You couldn't get any more Deco than that, could you, really? | 0:06:29 | 0:06:33 | |
They're actually a French invention. | 0:06:33 | 0:06:34 | |
The Bauhaus is like a German design school but these are actually by Corbusier. | 0:06:34 | 0:06:40 | |
Yes, they are Corbusier chairs. They are, see, so that's right. | 0:06:40 | 0:06:43 | |
She bought them knowing that, did she? Oh, yes. | 0:06:43 | 0:06:46 | |
Right. Can I just have a quick look at one of the leather panels here? | 0:06:46 | 0:06:49 | |
What I do tend to find is just general wear and tear. | 0:06:49 | 0:06:52 | |
What you would expect to find for items that were pre-war | 0:06:52 | 0:06:55 | |
would be for somebody to have sat in these for 80 years. | 0:06:55 | 0:06:59 | |
So I would expect just a little bit more wear and tear in them. | 0:06:59 | 0:07:02 | |
But they could have been stored away. They could be the original ones and have just been hardly used. | 0:07:02 | 0:07:07 | |
But I would expect, it's a rule of thumb, really, a bit more wear on those. | 0:07:07 | 0:07:11 | |
I would say they were definitely the style, but I don't think they are the original bits and pieces. | 0:07:11 | 0:07:16 | |
So if you were going to send them to auction, what would you say? | 0:07:16 | 0:07:19 | |
I see those go to auction with an estimate of ?400 to ?600. | 0:07:19 | 0:07:24 | |
You're not miles out as reproduction copies. So what do you think of Paul's valuation? | 0:07:24 | 0:07:29 | |
My son also admires this particular style | 0:07:29 | 0:07:33 | |
and he's giving me a bit of a hard time about them. | 0:07:33 | 0:07:39 | |
The jury's out at the moment. OK, well, maybe you can let us know on the day of the auction. | 0:07:39 | 0:07:43 | |
I'd be delighted, yes. | 0:07:43 | 0:07:45 | |
OK. We're not sure about these than. | 0:07:45 | 0:07:46 | |
We better find something else. Come on. OK. | 0:07:46 | 0:07:48 | |
I've had them a very long time and, rightly or wrongly, | 0:07:50 | 0:07:53 | |
thought they were maybe worth a bit more than the estimate given. | 0:07:53 | 0:07:57 | |
But I've taken on board what Paul has said and, realistically, | 0:07:57 | 0:08:03 | |
it's very difficult to know if they're originals or not. | 0:08:03 | 0:08:07 | |
As we can't guarantee the Corbusier chairs will be heading to the sale room, we need to track down | 0:08:07 | 0:08:12 | |
some more first-rate treats to get Christine and Derek that motor home test drive. | 0:08:12 | 0:08:16 | |
And it's not long before Paul spots these two porcelain Capodimonte figures | 0:08:16 | 0:08:21 | |
of a watchmaker and a winemaker at work. | 0:08:21 | 0:08:23 | |
At 100 to ?150 the pair, he's making this rummage job look easy. | 0:08:23 | 0:08:29 | |
This has been the family home for over 25 years. | 0:08:31 | 0:08:34 | |
But, following the loss of his first wife, Janice, 15 years ago, | 0:08:34 | 0:08:37 | |
Derek remained single until meeting his second wife, Christine. | 0:08:37 | 0:08:41 | |
I decide it's time to find out more from him and his daughter, Lindsay. | 0:08:41 | 0:08:46 | |
Derek, having a bit of a snooze on the job, are we? | 0:08:46 | 0:08:47 | |
Look, I found this oast house. | 0:08:47 | 0:08:49 | |
I'm not sure it's this particular oast house, but where did that come from? | 0:08:49 | 0:08:54 | |
I think my beloved found that in a charity shop, if I'm correct. | 0:08:54 | 0:08:59 | |
OK. So Chris is into charity shops, is she? Yes, yes. | 0:08:59 | 0:09:04 | |
You did say that a lot of the stuff | 0:09:04 | 0:09:06 | |
that we're going to be looking at and have seen so far is from your first wife. | 0:09:06 | 0:09:10 | |
So, was she a bit of a hoarder? | 0:09:10 | 0:09:12 | |
Well, she was good at picking up clocks and all manner of things, really. | 0:09:12 | 0:09:19 | |
So, how do you feel about this stuff being cleared out now? | 0:09:19 | 0:09:23 | |
It's definitely due now, especially as both Dad and Chrissy have got a lot of stuff together, | 0:09:23 | 0:09:28 | |
so it'll be nice for them to do this together. | 0:09:28 | 0:09:31 | |
So what did you first think then, when your dad 'fessed up that he'd met somebody? | 0:09:31 | 0:09:36 | |
I was quite surprised because it was quite soon after meeting her | 0:09:36 | 0:09:42 | |
that he was like, "Oh, yeah, she's lovely." | 0:09:42 | 0:09:45 | |
I was like, "OK." | 0:09:45 | 0:09:47 | |
Pleased, but obviously cautious for him. | 0:09:47 | 0:09:49 | |
But it's turned out... It's brilliant. The amount of times I heard him say, | 0:09:49 | 0:09:54 | |
"I'm never getting married again," and then not long after meeting Chrissy, "We're getting married." | 0:09:54 | 0:09:59 | |
I was like, "Oh, wow, OK. It's cool." | 0:09:59 | 0:10:01 | |
It took me 15 years to find her. | 0:10:01 | 0:10:03 | |
Yeah, she was worth waiting for. | 0:10:03 | 0:10:05 | |
'It was after the fatal collapse of their mother at home in the early 1990s | 0:10:05 | 0:10:09 | |
'and the help of the air ambulance at the time, | 0:10:09 | 0:10:12 | |
'that Lindsay and her brother James chose careers borne out of their mother's untimely death.' | 0:10:12 | 0:10:17 | |
So tell me a little bit about your career and also your brother's. | 0:10:17 | 0:10:20 | |
James has always been interested in helicopters. | 0:10:20 | 0:10:23 | |
He's in America now, having trained to be a helicopter pilot. | 0:10:23 | 0:10:27 | |
And I'm a paramedic. You must be very proud of both of them. I am very proud of them, yes. | 0:10:27 | 0:10:33 | |
Particularly as they lost their mother when they were at a very vulnerable age. | 0:10:33 | 0:10:39 | |
So, yeah, very proud of them. You're probably a very good dad, I would imagine. I try to be. | 0:10:39 | 0:10:44 | |
If you want this trip, we won't get it sitting here. | 0:10:44 | 0:10:47 | |
Hopefully, with this stuff, Mr Hayes has found something else of value. | 0:10:47 | 0:10:51 | |
So, shall we go and track him down? Yes. Come on then. | 0:10:51 | 0:10:54 | |
'Well, while we've been chatting, | 0:10:54 | 0:10:56 | |
'Paul's been using his animal instinct to hunt out possible rich pickings to tempt the bidders. | 0:10:56 | 0:11:01 | |
'With a mammoth ?1,500 target to achieve, we need to be ruthless. | 0:11:01 | 0:11:04 | |
'Which, thankfully, Derek IS when he offers up | 0:11:04 | 0:11:08 | |
'this ornate, 1930s hall table, | 0:11:08 | 0:11:10 | |
'made of solid walnut and adding a further ?60 to ?80 to the kitty. | 0:11:10 | 0:11:15 | |
'And Christine's got some of her own loot which she wants our expert to take a look at.' | 0:11:15 | 0:11:20 | |
Paul, I wondered if you would like to come and have a look at some of my Art Deco collection, | 0:11:20 | 0:11:27 | |
which I've accumulated over quite a few years. | 0:11:27 | 0:11:30 | |
Lost some along the way... Is that an ice bucket? | 0:11:30 | 0:11:33 | |
It is, yes. Functional, I might add. | 0:11:33 | 0:11:36 | |
Right, as regarding an ice bucket, what a cracker! | 0:11:36 | 0:11:39 | |
But don't forget, the 1920s and '30s, the whole Art Deco period was the age of the cocktail. | 0:11:39 | 0:11:44 | |
It looks like it could have belonged to, due to the size of it, | 0:11:44 | 0:11:48 | |
a hotel or some sort of drinking establishment. | 0:11:48 | 0:11:50 | |
At the time, it was actually called the modern style. | 0:11:50 | 0:11:53 | |
What happened, we'd just come out of the First World War, 1918, 1920, | 0:11:53 | 0:11:57 | |
and the new style then was very clean lines, very simple, very bright colours - | 0:11:57 | 0:12:02 | |
the paintings and the architecture. It's mainly geometry. | 0:12:02 | 0:12:05 | |
And this just screams out, really. It's a cube, it's got a square top. | 0:12:05 | 0:12:09 | |
You get triangles, you get complete circles in clocks, things like that. | 0:12:09 | 0:12:13 | |
Geometry is a major key. And once you understand that, then you can spot it a mile off, can't you? | 0:12:13 | 0:12:18 | |
It looks great. You could use that for a number of things, you don't have to use it for ice, do you? | 0:12:18 | 0:12:23 | |
It's nice to have something you can re-use today. Absolutely. | 0:12:23 | 0:12:27 | |
Well, you've got two collectors here actually, people who are interested in the Art Deco form | 0:12:27 | 0:12:32 | |
but also alcohol-related items are very collectible, vintage wines, the whole ceremony of drink. | 0:12:32 | 0:12:38 | |
Ice buckets, cocktail shakers and sticks, there's a massive market for that as well. | 0:12:38 | 0:12:43 | |
So I'd say at least ?50 to ?80, does that sound all right? That sounds reasonable to me. | 0:12:43 | 0:12:49 | |
OK, I'll take that with us and let's keep looking. Right, OK. | 0:12:49 | 0:12:52 | |
'It's like an Aladdin's cave in Derek and Christine's home, brimming with outstanding goodies. | 0:12:52 | 0:12:58 | |
'A motor home trip doesn't come cheap, though, so we need plenty of treasure. | 0:12:58 | 0:13:02 | |
'This carved cameo hardstone, which is surrounded by diamonds on an 18 carat gold shank | 0:13:02 | 0:13:08 | |
'is a great find and worth an astounding ?500 to ?700. | 0:13:08 | 0:13:12 | |
'Downstairs, Paul, unfortunately, doesn't have a full hand when it comes to this set of chairs.' | 0:13:12 | 0:13:18 | |
Derek, Lindsay? Where did these come from? These are beautiful. | 0:13:18 | 0:13:21 | |
I bought those as a present for my late wife. | 0:13:21 | 0:13:25 | |
They're something that is not my style, really, so... | 0:13:25 | 0:13:29 | |
Well, these are obviously part of a set, like a bridge set. | 0:13:29 | 0:13:33 | |
Were they ever complete? | 0:13:33 | 0:13:35 | |
No, there was only the two. | 0:13:35 | 0:13:36 | |
She obviously realised that there was originally four, | 0:13:36 | 0:13:41 | |
but these were the only two that were for sale. | 0:13:41 | 0:13:45 | |
They're based on a set of cards, you've got the clubs, you've got hearts. | 0:13:45 | 0:13:49 | |
All that's missing are the spades and the diamonds. | 0:13:49 | 0:13:53 | |
It would have been around a lady's bridge table or games table. | 0:13:53 | 0:13:56 | |
And you'd have several tables with lots of people playing. | 0:13:56 | 0:14:00 | |
But the style is very Art Nouveau. | 0:14:00 | 0:14:02 | |
The basic style is very organic and the whole thing runs around. | 0:14:02 | 0:14:06 | |
It's almost like it's alive. Are they sentimental at all to you? | 0:14:06 | 0:14:10 | |
Well, yes, they are, but I took the view that rather than be stuck up in the loft, | 0:14:10 | 0:14:16 | |
it was better that somebody who would appreciate them should have them. | 0:14:16 | 0:14:21 | |
What we've got here are a part set of chairs, a nice pair of chairs. | 0:14:21 | 0:14:25 | |
They're mahogany, they're Art Nouveau. | 0:14:25 | 0:14:28 | |
They are in fairly good condition, but it's very popular. | 0:14:28 | 0:14:31 | |
100 years later when we look back, we can appreciate the quality of the workmanship. | 0:14:31 | 0:14:35 | |
They're superbly made but they are part of a set and the complete set would be very valuable. | 0:14:35 | 0:14:41 | |
I would say, if they went to auction, I'd say at least ?80 to ?120. Does that sound all right? | 0:14:41 | 0:14:47 | |
Yes, that sounds reasonable, yes. | 0:14:47 | 0:14:50 | |
That's great. Let's keep looking. | 0:14:50 | 0:14:53 | |
With regard to the chairs, I did a lot of heart-searching for those. | 0:14:55 | 0:14:59 | |
They have got sentimental value but there again, what's the point of being stuck in the loft | 0:14:59 | 0:15:06 | |
when somebody else would get the pleasure of them and appreciate them. | 0:15:06 | 0:15:11 | |
Yes, I'm happy for them to go. | 0:15:11 | 0:15:13 | |
'We're doing pretty well so far but still need to find more | 0:15:13 | 0:15:16 | |
'to reach Derek and Christine's target of ?1,500. | 0:15:16 | 0:15:21 | |
'Paul thinks this silver-plated punch bowl set, | 0:15:21 | 0:15:24 | |
'complete with ladle and cups could cheer up the bidders | 0:15:24 | 0:15:28 | |
'with its price tag of ?90 to ?150. | 0:15:28 | 0:15:30 | |
'And our happy couple is already looking to their planned motorhome adventure, | 0:15:30 | 0:15:35 | |
'giving their one-year marriage a chance to grow.' | 0:15:35 | 0:15:38 | |
Ah, there you are, Chris. Look, I've found this fantastic photograph. | 0:15:38 | 0:15:42 | |
Obviously your wedding day. | 0:15:42 | 0:15:44 | |
Yes, yes. Would you say it's harder or easier second time around? | 0:15:44 | 0:15:47 | |
I think when you get to our age, I say our age, | 0:15:47 | 0:15:53 | |
you look at life differently. I don't plan ahead very much. | 0:15:53 | 0:15:58 | |
I do believe life is very precious, that's owing to personal experiences | 0:15:58 | 0:16:03 | |
and my husband has personal experiences. | 0:16:03 | 0:16:05 | |
It's still a learning curve. You know, finding out about his foibles. | 0:16:05 | 0:16:11 | |
What sort of foibles has he got, then? | 0:16:11 | 0:16:13 | |
My husband, we have similar things, but his are shoes. So Derek's into shoes? | 0:16:13 | 0:16:19 | |
He's been collecting shoes for many years. | 0:16:19 | 0:16:21 | |
When his late wife was alive, they didn't fly and they used to drive down to Italy every year | 0:16:21 | 0:16:28 | |
and Lindsay and James, I've been told, used to be in the back | 0:16:28 | 0:16:32 | |
surrounded by shoe boxes on the way back. | 0:16:32 | 0:16:35 | |
Evidence of that is in the trunks, in the wardrobes, they're absolutely packed. | 0:16:35 | 0:16:40 | |
Each box has these beautifully preserved Italian shoes, spats, all kinds... | 0:16:40 | 0:16:45 | |
He must be the only man I've ever met who could understand what women love about shoes. | 0:16:45 | 0:16:50 | |
He's got, I mean... | 0:16:50 | 0:16:51 | |
He outnumbers my shoes. | 0:16:51 | 0:16:53 | |
The whole point of having this motorhome is so he can jam it full of shoes, isn't it? | 0:16:53 | 0:16:57 | |
Yes...and handbags. Ah... Don't forget the handbags. OK. | 0:16:57 | 0:17:01 | |
You won't be raising any money at all if we carry on chatting like this. No. | 0:17:01 | 0:17:05 | |
I've not got time to look at his shoe collection, although maybe I have. | 0:17:05 | 0:17:09 | |
Where are these shoes? | 0:17:09 | 0:17:11 | |
'Thankfully the boys are more focused and have continued with the quest | 0:17:11 | 0:17:15 | |
'to find top-notch bits and pieces to take to the auction house. | 0:17:15 | 0:17:18 | |
'We're finding some quite valuable antiques today | 0:17:18 | 0:17:21 | |
'and on my way to Derek's shoe collection, I spy this gold bracelet with a selection of ten charms | 0:17:21 | 0:17:27 | |
'that once belonged to his mother and could bring us an incredible ?250 to ?350. | 0:17:27 | 0:17:33 | |
'Christine and Derek may dream of motorhome travels to France in the future, | 0:17:33 | 0:17:37 | |
'and already have an obvious love of Italy, | 0:17:37 | 0:17:40 | |
'but for a detour to Austria they need go no further than their own hallway.' | 0:17:40 | 0:17:45 | |
Ah, now I must say I like this clock. | 0:17:45 | 0:17:47 | |
Where has that come from? | 0:17:47 | 0:17:49 | |
Well, that's been handed down from my mother. | 0:17:49 | 0:17:52 | |
You know, obviously, | 0:17:52 | 0:17:54 | |
it's got some sentimental value. | 0:17:54 | 0:17:56 | |
This made in Vienna. It's a Vienna wall clock. It's not a regulator. Have you heard that expression? | 0:17:56 | 0:18:02 | |
Yes, I have, yes. The earlier examples of these were very simple, | 0:18:02 | 0:18:06 | |
very straight-lined, and the reason being that they were called a regulator. | 0:18:06 | 0:18:10 | |
What they were... This actually was the clock that you'd set the time for all the other clocks in the house. | 0:18:10 | 0:18:16 | |
This one's a little bit later, it's spring driven. The way this one works is that as you wind it up, | 0:18:16 | 0:18:22 | |
the springs get tighter - the release of the spring causes it to move. This is a good quality one. | 0:18:22 | 0:18:27 | |
Can you see the pendulum there? Yes. It's made up of two different metals. One's steel and one's brass. | 0:18:27 | 0:18:32 | |
They expand and contract at different rates and what that means is that in extreme temperature changes, | 0:18:32 | 0:18:38 | |
it keeps accurate, it compensates for that. This is very elaborate. | 0:18:38 | 0:18:42 | |
This one's around 1890, 1900. | 0:18:42 | 0:18:45 | |
It's quite a late example. | 0:18:45 | 0:18:47 | |
What is unusual about this one is the fact it's still got its eagle on the top. Can you see that? | 0:18:47 | 0:18:52 | |
Yes. What happened during the war, those were taken off. Oh, really. | 0:18:52 | 0:18:56 | |
They were the symbol of the enemy at the time | 0:18:56 | 0:18:59 | |
and those are often lost, so it is nice to find one like that. | 0:18:59 | 0:19:03 | |
Is it running, do you know? | 0:19:03 | 0:19:04 | |
I had it repaired recently but I haven't wound it. | 0:19:04 | 0:19:09 | |
So what you've got is a late 19th century Vienna wall clock with an eagle. It's in nice condition. | 0:19:09 | 0:19:14 | |
I should say at least ?150, possibly ?200, that sort of price band. Does that sound all right? | 0:19:14 | 0:19:22 | |
Yeah, that sounds fine. | 0:19:22 | 0:19:24 | |
Great, I'm happy for that. Do you think it's the right time to sell it? I think so. | 0:19:24 | 0:19:29 | |
OK, well, let's keep our eagle eye out for that one. OK, good man. | 0:19:29 | 0:19:33 | |
'It's near the end of the day and we're running out of places to look | 0:19:33 | 0:19:37 | |
'but with such a large target of ?1,500 to hit we need to have a final trawl, | 0:19:37 | 0:19:43 | |
'which pays off when Christine strikes gold with this nine carat engraved bracelet, | 0:19:43 | 0:19:47 | |
'inherited from Derek's mother and valued at ?180 to ?380. | 0:19:47 | 0:19:53 | |
'Meanwhile, Derek has found another family heirloom but will he be prepared to let it go?' | 0:19:53 | 0:19:59 | |
Paul, Lorne, look what I've found! | 0:19:59 | 0:20:01 | |
Are you all right there? You shouted. Wow, look at that. What have we got? | 0:20:01 | 0:20:06 | |
What a cracker! Can I take it out of the box? | 0:20:06 | 0:20:09 | |
It's a charm bracelet. What a beauty, look at that one! | 0:20:09 | 0:20:13 | |
Have you collected all these, then? Well, I guess my mother collected them. | 0:20:13 | 0:20:17 | |
Yes, she enjoyed her charm bracelet. | 0:20:17 | 0:20:20 | |
That's taken an awful long time to collect, hasn't it? Yes. | 0:20:20 | 0:20:25 | |
Each one would be put on individually. | 0:20:25 | 0:20:27 | |
I think the actual bracelet they're on is an old Albert watch chain - | 0:20:27 | 0:20:32 | |
probably your grandad's old watch chain. | 0:20:32 | 0:20:34 | |
When the ladies inherited that, they would make it into a female item like this. | 0:20:34 | 0:20:39 | |
They made these in solid silver and solid gold. This is a gold example. | 0:20:39 | 0:20:44 | |
It was Queen Victoria that started off the charm bracelet fashion, similar to what happens today, | 0:20:44 | 0:20:49 | |
you get celebrities who buy a certain thing, | 0:20:49 | 0:20:51 | |
wear a certain dress or type of jewellery and people buy into that market. | 0:20:51 | 0:20:55 | |
She was getting lots of gold presents from various dignitaries | 0:20:55 | 0:20:59 | |
that would be mounted onto bracelets and she was buried with them so she was fond of them. | 0:20:59 | 0:21:04 | |
What would happen with this, Paul? I mean, gold's at quite a high at the moment, | 0:21:04 | 0:21:08 | |
would it be bought for scrap, selling on or breaking down for the individual charms? | 0:21:08 | 0:21:13 | |
How would it work? That's right. Somebody would sell these charms off individually. | 0:21:13 | 0:21:17 | |
You've got two values. You've got your bullion value which is the weight of your gold. | 0:21:17 | 0:21:22 | |
If you melted all that down, it has one value, but as articles they're worth a lot more, | 0:21:22 | 0:21:28 | |
so the scrap price doesn't really come into it. | 0:21:28 | 0:21:30 | |
What will it make at auction? | 0:21:30 | 0:21:32 | |
I can certainly feel the weight's there. | 0:21:32 | 0:21:36 | |
Without weighing it and without taking into account each charm, | 0:21:36 | 0:21:39 | |
I'd say you've around a ballpark figure of about ?1,000, that sort of price. | 0:21:39 | 0:21:45 | |
You're joking! Blimey! | 0:21:45 | 0:21:47 | |
I'd like to see that go in with an ?800 to ?1,000 estimate and see how it goes. | 0:21:47 | 0:21:52 | |
Does that sound all right? Sounds all right to me, what do you think? Yes. It is, isn't it? What a cracker. | 0:21:52 | 0:21:58 | |
We've run out of rummaging time, not that it matters with THAT going into the total. | 0:21:58 | 0:22:03 | |
You wanted ?1,500 for this trip - well, including this, the value of everything going to auction, | 0:22:03 | 0:22:10 | |
excluding our chairs, comes to ?2,560! | 0:22:10 | 0:22:16 | |
Wow! Now, of course, if you did decide to send those chairs, I know you're in two minds about them, | 0:22:16 | 0:22:21 | |
but if they go to auction, that'll tot up the total to ?2,960. | 0:22:21 | 0:22:26 | |
Almost ?3,000. Indeed, yes. Handbags. Plenty of handbags. | 0:22:26 | 0:22:31 | |
That's just for me and you, Derek! So are you pleased with that? Yes, yes. | 0:22:31 | 0:22:36 | |
So the next time we'll see you is when everything is laid out at the auction. | 0:22:36 | 0:22:40 | |
Hopefully plenty of people will want to buy the stuff. | 0:22:40 | 0:22:44 | |
So are you looking forward to the auction? Absolutely. Good, good, we'll see you there. OK. | 0:22:44 | 0:22:49 | |
Derek and Christine's plush pad has presented us with some fabulous spoils today. | 0:22:49 | 0:22:54 | |
Packed up and ready for auction are... | 0:22:54 | 0:22:56 | |
the two Art Nouveau chairs made to go round a card table | 0:22:56 | 0:22:59 | |
and, although not a complete set, they're still worth ?80 to ?120, | 0:22:59 | 0:23:04 | |
the Art Deco ice bucket, valued at ?50 to ?80, | 0:23:06 | 0:23:10 | |
a wonderful sapphire and diamond ring hoping to shine at ?300 - ?500, | 0:23:11 | 0:23:17 | |
and finally those Corbusier cube leather chairs | 0:23:17 | 0:23:21 | |
which Paul isn't convinced are the genuine article at ?400 to ?600. | 0:23:21 | 0:23:26 | |
'Still to come on Cash In The Attic, we're faced with indecision...' | 0:23:28 | 0:23:31 | |
So are you happy to take that home? I dunno. | 0:23:31 | 0:23:35 | |
'..Paul searches for someone to blame...' | 0:23:35 | 0:23:38 | |
I have noticed, actually, that one of these chairs has been damaged. | 0:23:38 | 0:23:42 | |
I think because they're so delicate, somebody has sat on them. Not guilty. | 0:23:42 | 0:23:46 | |
'..and it all gets a bit too much for Derek.' | 0:23:46 | 0:23:48 | |
Are you chuffed with that? | 0:23:48 | 0:23:50 | |
Yeah, I am. Yeah. A bit emotional. | 0:23:50 | 0:23:53 | |
But will they be satisfied with their sales when the final hammer falls? | 0:23:53 | 0:23:56 | |
It's been a couple of weeks since we had a good look around Derek and Christine's home in Kent | 0:24:01 | 0:24:06 | |
where we found antiques and collectibles | 0:24:06 | 0:24:09 | |
which we've brought to Chiswick auction rooms in West London. | 0:24:09 | 0:24:12 | |
Now, remember, they're looking to raise ?1,500 so they can hire a camper van and go on a camping trip. | 0:24:12 | 0:24:18 | |
So let's just hope when our items go under the hammer today, the bidders are ready to splash the cash. | 0:24:18 | 0:24:24 | |
'With what we've got on offer today, we should have no problem charming the saleroom, | 0:24:24 | 0:24:29 | |
'if not with our expert, Paul Hayes, then definitely with the mix of lots we've got to sell.' | 0:24:29 | 0:24:34 | |
Morning, Paul. I love this. It's absolutely fantastic. | 0:24:34 | 0:24:37 | |
There are some interesting charms, aren't there? | 0:24:37 | 0:24:40 | |
Yeah, I mean, at the height of fashion, these will have cost a fortune. | 0:24:40 | 0:24:44 | |
Realistically today, I think we're looking at around the ?1,000 - between ?800 and ?1,000. | 0:24:44 | 0:24:49 | |
Now we've also got those two chairs which are part of the set of four, the bridge chairs. | 0:24:49 | 0:24:55 | |
Anybody wanting a nice pair of chairs, there's theme going through them. | 0:24:55 | 0:25:00 | |
I think those are quite attractive. My favourite piece is the Art Deco ice bucket. | 0:25:00 | 0:25:04 | |
That's so extravagant, isn't it? It is, yes - a very angular, very Art Deco, very smart looking | 0:25:04 | 0:25:10 | |
and don't forget the diamond ring, lots of jewellery today. Yes. | 0:25:10 | 0:25:13 | |
I haven't seen those black Art Deco chairs. | 0:25:13 | 0:25:16 | |
I don't know whether they've brought them, we'll have to wait and see. | 0:25:16 | 0:25:19 | |
If they don't bring them, at least we can make the money up on gold. Hope so. Come on! | 0:25:19 | 0:25:24 | |
'The bidders are already in position, so we quickly track down Christine and Derek | 0:25:24 | 0:25:28 | |
'who with daughter, Lindsay, are checking on their valuables possibly for the last time.' | 0:25:28 | 0:25:35 | |
Good morning. Hello. Good morning. | 0:25:35 | 0:25:37 | |
This is one of my favourite pieces, I think it's stunning but it takes up... Would you like to buy it? | 0:25:37 | 0:25:42 | |
It takes up a lot of space, though, doesn't it? | 0:25:42 | 0:25:44 | |
Now you have got some lovely pieces in, including that lovely gold bracelet. | 0:25:44 | 0:25:48 | |
With the price of gold being so high, it'll be interesting. | 0:25:48 | 0:25:52 | |
Have you put a reserve on it? Yes, yes, we did. | 0:25:52 | 0:25:54 | |
We discussed it and because the sentimental attachment we put what we thought was a reasonable reserve. | 0:25:54 | 0:26:00 | |
What is the figure for the reserve? ?1,000. ?1,000, does that sound fair enough? | 0:26:00 | 0:26:05 | |
It sounds great but it's tugging at the heartstrings a bit there. | 0:26:05 | 0:26:08 | |
?1,000 is just the top end of the estimate. | 0:26:08 | 0:26:11 | |
As long as you're prepared if it doesn't quite fetch that amount, then you'll take it back. | 0:26:11 | 0:26:16 | |
We have taken that into consideration. Great, well, everyone wins that way. OK. | 0:26:16 | 0:26:21 | |
The other thing I wanted to know, is have you brought those chairs? I'm afraid they didn't come. | 0:26:21 | 0:26:27 | |
They're now with my son. | 0:26:27 | 0:26:28 | |
As you were aware, they were sentimental, again, | 0:26:28 | 0:26:33 | |
and he'd always had his eye on them, so he's now the happy owner of them. | 0:26:33 | 0:26:36 | |
Right, well, we better make some money. Come on, follow me. OK. | 0:26:36 | 0:26:40 | |
'So with the leather chairs absent and having decided to hold on to the walnut hall table too, | 0:26:40 | 0:26:46 | |
'we've got our work cut out. | 0:26:46 | 0:26:48 | |
'If you would like to buy or sell at auction you will have to pay commission, | 0:26:48 | 0:26:53 | |
'plus possibly other charges, so do check with your local auction house for more details. | 0:26:53 | 0:26:58 | |
'Without further delay, we find enough space to oversee our sales | 0:26:58 | 0:27:02 | |
'and I hope our first lot manages to reach Derek's high expectations.' | 0:27:02 | 0:27:07 | |
We've got ?200 reserve on the Viennese wall clock. Is that reasonable, Paul? | 0:27:07 | 0:27:11 | |
That's about right. | 0:27:11 | 0:27:12 | |
I said ?150 to ?200, so it's the top end of the estimate. | 0:27:12 | 0:27:15 | |
Don't cry, Derek, we haven't sold it yet. It will be all right. | 0:27:15 | 0:27:19 | |
120a, who'll start me? ?100 for it. ?100 for it. I'm bid ?100. | 0:27:19 | 0:27:22 | |
I'll take 110, the bid's at ?100. 110, 120. 130, 140. 150. Come on. | 0:27:22 | 0:27:27 | |
I'll take 150. It's at 140. 150, or not? At 140 then. | 0:27:27 | 0:27:31 | |
The bid's so far at ?140. | 0:27:31 | 0:27:33 | |
Can't sell for that, come and see me after. 140. | 0:27:33 | 0:27:36 | |
It made 140. It hasn't sold, obviously, because of the reserve. | 0:27:36 | 0:27:40 | |
So are you happy to take that home? I dunno. He said, "Come and see me later." | 0:27:40 | 0:27:47 | |
The auctioneer has said to the room, "If anybody is interested after the auction, come and see me." | 0:27:47 | 0:27:52 | |
He'll talk to you and see if they can strike a deal. So think about that one. Yeah. | 0:27:52 | 0:27:56 | |
'Setting such a high reserve was always going to be a risk | 0:27:56 | 0:28:00 | |
'and Derek's also placed a ?600 reserve on his mother's 18 carat gold cameo.' | 0:28:00 | 0:28:06 | |
?400 for it, I'm bid ?400. 420, 440. | 0:28:06 | 0:28:09 | |
460, 480. | 0:28:09 | 0:28:10 | |
500. 500, 520. | 0:28:10 | 0:28:12 | |
540, 560. 580? | 0:28:12 | 0:28:15 | |
560. Come on. The bid's at 560, 580 I'll take. | 0:28:16 | 0:28:19 | |
?560, the bid's at ?560. Yes or no? | 0:28:19 | 0:28:22 | |
580 or not? The highest bidder's 560. Up to you at 560, yes or no now? | 0:28:22 | 0:28:26 | |
Do I have 580 there? 570, 580? | 0:28:26 | 0:28:29 | |
570, I'm bid ?570. At ?570 all done... Come and see me after. | 0:28:29 | 0:28:36 | |
Can't make their mind up yet. It's got a firm reserve of 600 on it. | 0:28:36 | 0:28:39 | |
So how do you feel about that? We can sell it at ?570 or not which ever you feel more comfortable with. | 0:28:39 | 0:28:44 | |
No, I think we'll go with that. Yes? OK. | 0:28:44 | 0:28:47 | |
'Having got so close to his reserve, | 0:28:47 | 0:28:50 | |
'I'm glad Derek's decided to accept the slightly lower amount of 570.' | 0:28:50 | 0:28:55 | |
Lot number 108, the Capodimonte group, the wine maker. | 0:28:55 | 0:28:59 | |
What I've noticed, actually, Lorne, is that they've split them into two lots | 0:28:59 | 0:29:03 | |
so it gives it a good chance to sell the items. | 0:29:03 | 0:29:06 | |
I know I said ?100 for the pair, so they've split them into two, we're looking at ?50 each. | 0:29:06 | 0:29:11 | |
'But Derek's got other ideas.' | 0:29:11 | 0:29:13 | |
So have we got a reserve on this, Derek? | 0:29:13 | 0:29:16 | |
Yes. Have we, what is it, come on? Break it to me. | 0:29:16 | 0:29:19 | |
55 quid. ?55, right. | 0:29:21 | 0:29:22 | |
Let's see what we can do. | 0:29:22 | 0:29:24 | |
Start me ?50 for it. I'm bid at 50. | 0:29:24 | 0:29:26 | |
?50, say 5 now. | 0:29:26 | 0:29:29 | |
55, thank you, 60? 5? 60 is bid, take 5. | 0:29:29 | 0:29:34 | |
Short and sweet. Who else wants to come in at ?60? | 0:29:34 | 0:29:37 | |
That's a bid at ?60. Are we done? Selling at ?60. | 0:29:37 | 0:29:40 | |
Oh, ?60, there we are ?5 over your reserve. Are you happy with that? Yeah. Good. | 0:29:40 | 0:29:45 | |
'Finally a reserve that WAS reached | 0:29:45 | 0:29:48 | |
'and takes us a step closer to our ?1,500 target. | 0:29:48 | 0:29:51 | |
'But will The Watchmaker follow suit and make Derek's desired ?55?' | 0:29:51 | 0:29:56 | |
?40 I'm bid. At ?40. ?40 for it. | 0:29:56 | 0:29:58 | |
42. 45? 48. 50? 55. 60? 5. 70? | 0:29:58 | 0:30:04 | |
5. 70 bid. Take 5. At ?70. | 0:30:04 | 0:30:07 | |
At ?70, are we done? 75. Back in. 80. Fantastic! | 0:30:07 | 0:30:11 | |
At 75, I think you've got it at ?75. | 0:30:11 | 0:30:13 | |
?75. Excellent. That's a bit more like it, isn't it? | 0:30:13 | 0:30:17 | |
It's ?20 above your reserve. | 0:30:17 | 0:30:19 | |
Are you happy? Wonderful. | 0:30:19 | 0:30:20 | |
'So far, Paul's valuations have been pretty accurate. | 0:30:20 | 0:30:25 | |
'I think Derek's high reserves might be discouraging the buyers, which we can't afford. | 0:30:25 | 0:30:30 | |
'To get that motor home break, we'll need the bidders to pay up big-time | 0:30:30 | 0:30:35 | |
'for his grandmother's engraved nine carat gold bracelet.' | 0:30:35 | 0:30:39 | |
Well, this one, I know you've put a ?300 reserve. | 0:30:39 | 0:30:43 | |
Let's see who is interested in this lot. | 0:30:43 | 0:30:45 | |
No-one likes that one? Can't get a bid. Sorry. At ?200? Oh, dear! | 0:30:45 | 0:30:50 | |
'Another no sale. Derek understandably wants to protect his treasures, | 0:30:50 | 0:30:55 | |
'but in some cases, their reserves are proving unrealistic. | 0:30:55 | 0:30:59 | |
'We just have to hope some of their star items do really well so they can get that holiday. | 0:30:59 | 0:31:05 | |
'Hopefully, Christine's 1920s delight will be welcomed by the room.' | 0:31:05 | 0:31:09 | |
Lot number 140a now. Excuse me. | 0:31:09 | 0:31:11 | |
The stylish silver-plated woven ice bucket. | 0:31:11 | 0:31:14 | |
What's the reserve on this? | 0:31:14 | 0:31:17 | |
I think ?60. ?60. OK. | 0:31:17 | 0:31:19 | |
Very useful for tea bags, these. | 0:31:19 | 0:31:22 | |
It always comes back to tea, doesn't it?! Let's see what we can make for this. | 0:31:22 | 0:31:26 | |
?40 for it. ?40 bid. 42. 45. | 0:31:26 | 0:31:29 | |
48. 50. 55. 60? | 0:31:29 | 0:31:33 | |
Five? | 0:31:33 | 0:31:35 | |
The bid's here at ?60. I'll take 65. New bid. At 70. Five? 80. | 0:31:35 | 0:31:39 | |
Five? 90. | 0:31:39 | 0:31:42 | |
Five. 100. Wow. | 0:31:42 | 0:31:45 | |
110. 120. 120. | 0:31:45 | 0:31:48 | |
130? 140. 130 bid. | 0:31:48 | 0:31:51 | |
Are we done at 130? I think we are. 130. Fantastic! | 0:31:51 | 0:31:56 | |
?130! That's ridiculous! | 0:31:56 | 0:31:58 | |
It was really stylish, wasn't it, though? | 0:31:58 | 0:32:00 | |
You know, when I was looking at it, I thought, "Do you know what? I quite like that!" Yeah. | 0:32:00 | 0:32:05 | |
'Oh, well, too late for that, Lindsay, | 0:32:05 | 0:32:07 | |
'as the ice bucket is off to a new home. | 0:32:07 | 0:32:10 | |
'Derek may have accepted the slightly lower offer for his mother's diamond cameo, | 0:32:10 | 0:32:15 | |
'but after consideration, has declined to the sale of the Viennese wall clock, | 0:32:15 | 0:32:19 | |
'which unfortunately didn't reach his reserve. | 0:32:19 | 0:32:22 | |
'All in all, it's been a morning of tricky sales. I just hope it hasn't affected our target.' | 0:32:22 | 0:32:27 | |
Right now, that's the end of the first half of the sale. | 0:32:27 | 0:32:31 | |
So we've sold the cameo at only just under your reserve, ?570. | 0:32:31 | 0:32:35 | |
And of course, you want ?1,500. | 0:32:35 | 0:32:38 | |
You've actually made ?835! | 0:32:38 | 0:32:42 | |
So that's good, isn't it? That's fantastic. | 0:32:42 | 0:32:45 | |
I mean, that ice bucket in particular. Great. Brilliant. | 0:32:45 | 0:32:49 | |
We've got a bit of a break and I think you've spotted something you want to show us, don't you? | 0:32:49 | 0:32:54 | |
Come and see my etching! Oh, what?! He's always saying that. Not very original, is it?! | 0:32:54 | 0:32:59 | |
'So, while the family take some time out, Paul heads off to show me what's got him was so excited.' | 0:33:02 | 0:33:09 | |
Ah, what have you spotted? This is actually one of the best known designers | 0:33:09 | 0:33:13 | |
and best known painters using the wonderful Art Deco theme. | 0:33:13 | 0:33:17 | |
A guy called Louis Icart. | 0:33:17 | 0:33:18 | |
And he really is iconic in the painting world in the 1920s, 1930s. | 0:33:18 | 0:33:24 | |
And he was based in Paris and he did capture these wonderful Parisian scenes. | 0:33:24 | 0:33:29 | |
You get these half-dressed ladies | 0:33:29 | 0:33:31 | |
and the nightclubs of the day and his paintings now can fetch thousands of pounds. | 0:33:31 | 0:33:35 | |
But it says here, Copyright, 1926. Can you see that at the top? Yeah. | 0:33:35 | 0:33:39 | |
And it is signed by the artist at the bottom. So what's the estimate on this? | 0:33:39 | 0:33:43 | |
The estimate is ?120 - ?150. That seems quite cheap. | 0:33:43 | 0:33:47 | |
It does but normally, they would be smaller than this. | 0:33:47 | 0:33:50 | |
Not quite as erotic as some of the ones I've seen. | 0:33:50 | 0:33:53 | |
They do look a bit cold! Put a vest on, love, for goodness' sake! | 0:33:53 | 0:33:56 | |
Well, we'll see how they get on. They are something interesting to follow. | 0:33:56 | 0:34:00 | |
'Right, it's time to get back to the auction | 0:34:04 | 0:34:06 | |
'where the family are eagerly awaiting more sales of their goods.' | 0:34:06 | 0:34:10 | |
330a now. Quite a good lot of gold. | 0:34:10 | 0:34:13 | |
330a. An 18 carat gold bracelet, number 330a. | 0:34:13 | 0:34:17 | |
'But since the rummage, Paul's made an unexpected discovery.' | 0:34:17 | 0:34:21 | |
Now, this next lot, what I didn't realise, it's actually an 18 carat gold bracelet. | 0:34:21 | 0:34:26 | |
Now most bracelets actually are nine carats. | 0:34:26 | 0:34:29 | |
We have to adjust the estimate here. We're looking at between ?400 and 600. | 0:34:29 | 0:34:32 | |
And we've got a reserve on this, is that right? 500. | 0:34:32 | 0:34:36 | |
?500 reserve we've got on there. You're going to be about right | 0:34:36 | 0:34:39 | |
because, obviously, being 18 carat makes a big difference. | 0:34:39 | 0:34:42 | |
Start me at ?400. 400 in the room. | 0:34:42 | 0:34:44 | |
That's what we like to see. | 0:34:44 | 0:34:46 | |
20? 420. 440? 460. 480? 500. And 20? | 0:34:46 | 0:34:52 | |
540. 560. 580. | 0:34:52 | 0:34:55 | |
We've got a bigger holding his card at up, he looks determined. | 0:34:55 | 0:34:59 | |
660? 680. 700. | 0:34:59 | 0:35:01 | |
And 20? 740? 760. 780. Wow. 800. | 0:35:01 | 0:35:06 | |
And 20? | 0:35:06 | 0:35:08 | |
No? At ?800. I'll pinch you! | 0:35:08 | 0:35:11 | |
Are we done? At ?800. | 0:35:11 | 0:35:14 | |
All done. Last chance. All done. | 0:35:14 | 0:35:16 | |
Wah-hey! | 0:35:16 | 0:35:18 | |
?800! | 0:35:18 | 0:35:20 | |
'What a fantastic start to the second-half, | 0:35:20 | 0:35:23 | |
'surpassing all our estimates and reserves. | 0:35:23 | 0:35:26 | |
'With a motor home holiday at stake, though, the more we can make the better, | 0:35:26 | 0:35:30 | |
'for Christine and Derek to live it up in style, | 0:35:30 | 0:35:33 | |
'which is exactly what our next lot could be used for.' | 0:35:33 | 0:35:36 | |
Lot number 150a now. Silver plated punch. | 0:35:36 | 0:35:38 | |
Was it put to good use previously?! Oh, very much so, yes. | 0:35:38 | 0:35:43 | |
Yes, you could really get tanked up with that! | 0:35:43 | 0:35:47 | |
Well, there's a good sales point for it! | 0:35:47 | 0:35:50 | |
What do we want for it? Have you put a reserve on it? | 0:35:50 | 0:35:53 | |
?90. ?90. OK. Well, let's see if we can get ?90. Come on, then. | 0:35:53 | 0:35:57 | |
?100? | 0:35:57 | 0:35:59 | |
?50, start me. ?50? | 0:35:59 | 0:36:02 | |
He's going to withdraw it. No drinkers! | 0:36:02 | 0:36:04 | |
Oh! No bid at all at ?50. | 0:36:04 | 0:36:06 | |
No-one likes it. Sorry. | 0:36:06 | 0:36:08 | |
Oh, they couldn't even get ?50 for it! There you go. | 0:36:08 | 0:36:12 | |
That's how it goes, isn't it? | 0:36:12 | 0:36:13 | |
Well, why don't you take it back home and have a party? | 0:36:13 | 0:36:17 | |
We'll have a party now! | 0:36:17 | 0:36:18 | |
Put it to good use! | 0:36:18 | 0:36:21 | |
'Every cloud may have a silver lining, but nevertheless, a disappointing sale. | 0:36:21 | 0:36:27 | |
'There are only three items left to go | 0:36:27 | 0:36:29 | |
'and with another piece of jewellery about to take centre stage, | 0:36:29 | 0:36:32 | |
'it's difficult to know just how it will fare with our bidders today.' | 0:36:32 | 0:36:37 | |
Now, the next lot is the three stone diamond and sapphire ring. | 0:36:37 | 0:36:41 | |
It is in an 18 carat gold setting. | 0:36:41 | 0:36:42 | |
And we've got a ?300 reserve on it. | 0:36:42 | 0:36:45 | |
Right, let's see if we can make that, shall we? OK. | 0:36:45 | 0:36:49 | |
?200 for it? Come on! | 0:36:49 | 0:36:51 | |
200, we're in. Come on! | 0:36:51 | 0:36:54 | |
At ?200 then, I'll take. At ?200. That's the bid so far, at ?200. | 0:36:54 | 0:36:57 | |
Not enough at the moment. 210? No, he was waving. ?200. | 0:36:57 | 0:37:00 | |
?200 and gone. | 0:37:00 | 0:37:03 | |
No further bid at ?200. | 0:37:03 | 0:37:05 | |
Gosh! That is a shock. | 0:37:05 | 0:37:07 | |
The bid was 200 and he's not sold it for that because of the ?300 reserve. | 0:37:07 | 0:37:11 | |
So are you happy to take it home, Christine? Yeah. Yeah? OK. | 0:37:11 | 0:37:15 | |
'I think on this occasion with such a low bid, | 0:37:15 | 0:37:17 | |
'Christine is sensible to hang on to the ring, | 0:37:17 | 0:37:20 | |
'although it won't help fuel their motor home fund. | 0:37:20 | 0:37:23 | |
'But will that Parisian based art | 0:37:23 | 0:37:25 | |
'that Paul and I looked at earlier in the sale room fare well?' | 0:37:25 | 0:37:29 | |
?390. At 390. | 0:37:29 | 0:37:31 | |
Last offer. Going for 390 then. | 0:37:31 | 0:37:33 | |
Wow! Look at that. ?390! | 0:37:33 | 0:37:36 | |
There you go! For a print - can you believe that? Amazing. Fantastic. | 0:37:36 | 0:37:39 | |
'The Art Deco period is doing well at auction today. | 0:37:39 | 0:37:43 | |
'Let's just hope the earlier Art Nouveau style is in too, | 0:37:43 | 0:37:47 | |
'as our pair of chairs that belonged to Derek's first wife | 0:37:47 | 0:37:50 | |
'are about to be sold.' | 0:37:50 | 0:37:52 | |
Now I have noticed that one of these chairs has been damaged. | 0:37:52 | 0:37:55 | |
Because they are so delicate, somebody has sat on them. | 0:37:55 | 0:37:59 | |
Not guilty! | 0:37:59 | 0:38:00 | |
Just in case you were wondering! | 0:38:00 | 0:38:03 | |
But what usually happens in that situation is that the auction room is covered. | 0:38:03 | 0:38:07 | |
So they will work out any recompense for those. OK? | 0:38:07 | 0:38:11 | |
We were looking for about ?80 for the pair. | 0:38:11 | 0:38:13 | |
Let's see how they get on. I think they could be restored quite easily. | 0:38:13 | 0:38:17 | |
Start me at ?50. ?50 for the pair. | 0:38:17 | 0:38:19 | |
55. 60. 5. 70. 5. Blimey! | 0:38:19 | 0:38:24 | |
75. 80? | 0:38:24 | 0:38:25 | |
One more. | 0:38:25 | 0:38:27 | |
The glue will fix them. 80. 85. 90. | 0:38:27 | 0:38:31 | |
Your bid at 85. We'll sell for ?85. Last chance, selling at ?85. Your bid. | 0:38:31 | 0:38:36 | |
There you go. 85 quid. | 0:38:36 | 0:38:39 | |
He's allowed for the restoration there, I think. | 0:38:39 | 0:38:42 | |
'Selling ?5 over Paul's lower estimate, even with the damage, | 0:38:42 | 0:38:46 | |
'the quality of these chairs obviously shone through. | 0:38:46 | 0:38:50 | |
'Our sales have been very up and down today and while Derek's smaller charm bracelet did well, | 0:38:50 | 0:38:55 | |
'we know that doesn't guarantee anything at auction as our final lot goes under the hammer.' | 0:38:55 | 0:39:01 | |
Lot number 360a now. | 0:39:01 | 0:39:04 | |
A nine carat gold bracelet. Festooned with gold charms. | 0:39:04 | 0:39:08 | |
Number 360a. | 0:39:08 | 0:39:10 | |
Now, you've put a reserve on this, haven't you? Which is? ?1,000. OK. | 0:39:10 | 0:39:15 | |
Now, I think that looks pretty good. | 0:39:15 | 0:39:17 | |
Don't you? Well, this is a heck of a weight, 218 grams. | 0:39:17 | 0:39:21 | |
I mean, that's roughly around ?800, a bit more, actually. | 0:39:21 | 0:39:24 | |
The fact that its nicely charmed, there's a nice selection of items, | 0:39:24 | 0:39:29 | |
I'm saying ?800, you're saying ?1,000. Let's see how we get on. | 0:39:29 | 0:39:32 | |
Start me at ?800. Here it goes. ?800. Thank you, I'm bid ?800. There we are. 820. 850? | 0:39:33 | 0:39:38 | |
880. 900. And 20? 950. 1,000? There you go. | 0:39:38 | 0:39:41 | |
50? 1,100? And 50? 1,200? And 50? | 0:39:41 | 0:39:45 | |
1,300? And 50? 1,400? | 0:39:45 | 0:39:47 | |
1,350 bid. Take 14. At 1,350. | 0:39:47 | 0:39:50 | |
1,400, thank you. New bidder. 1,450. | 0:39:50 | 0:39:54 | |
No? At 1,400, I'll take 50. | 0:39:54 | 0:39:56 | |
At 1,400, are we done? At 1,400, last chance and gone. For 1,400, you've got it. | 0:39:56 | 0:40:01 | |
?1,400! That's pretty good, isn't it? | 0:40:01 | 0:40:06 | |
Are you chuffed with that? I am. Yeah? | 0:40:06 | 0:40:09 | |
A bit emotional, to be honest! | 0:40:09 | 0:40:11 | |
Oh! I think it's fantastic! | 0:40:11 | 0:40:12 | |
'Making nearly our whole target figure all on its own, | 0:40:12 | 0:40:16 | |
'what a terrific end to the day. | 0:40:16 | 0:40:18 | |
'Understandably, an emotional journey for Derek. | 0:40:18 | 0:40:21 | |
'But just how much have our sales made towards his and Christine's planned travels?' | 0:40:21 | 0:40:26 | |
Right, well, that was a great day at auction. | 0:40:26 | 0:40:28 | |
I enjoyed that. Did you? I did, yes. What do you think you've made? | 0:40:28 | 0:40:32 | |
Around ?2,000-?2,500, I would imagine. | 0:40:32 | 0:40:35 | |
I would have said about ?2,500. | 0:40:35 | 0:40:37 | |
Lindsay? Yeah, I'd go for that. Right, so the consensus is ?2,500. All right. | 0:40:37 | 0:40:41 | |
Well, you've made ?3,120! | 0:40:41 | 0:40:45 | |
How's that for a result? | 0:40:47 | 0:40:50 | |
Brilliant! Do you think you'll go back to auction again? | 0:40:50 | 0:40:53 | |
Yeah, definitely. It's brilliant. | 0:40:53 | 0:40:56 | |
I don't think I will! | 0:40:56 | 0:40:57 | |
It's been a few weeks since Derek and Christine raised a massive ?3,120 at auction. | 0:41:03 | 0:41:09 | |
Today they've come along to their local motor homes specialist to see just what their money can buy. | 0:41:09 | 0:41:14 | |
We just want to make sure before we invest in actually purchasing one, | 0:41:14 | 0:41:18 | |
whether it is something that is for us. | 0:41:18 | 0:41:21 | |
This is the best way of doing it that we can think of, | 0:41:21 | 0:41:23 | |
to hire a really good one and go away for a week, enjoy it, and come back looking forward to the next. | 0:41:23 | 0:41:30 | |
And it's up to dealer Rob Jeffries to pick out the perfect van, or should I say, luxury mobile home? | 0:41:30 | 0:41:36 | |
It's got everything. Please have a look. I'll tell you a few things about it. | 0:41:36 | 0:41:40 | |
Today's modern motor homes are spacious and packed to the roof with every conceivable feature. | 0:41:40 | 0:41:46 | |
You've got a cocktail cabinet here. And you've got another space for a TV at the back. | 0:41:46 | 0:41:50 | |
But rather than hearing about all the mod cons, | 0:41:52 | 0:41:55 | |
it's the hands-on experience that Derek and Christine are really after. | 0:41:55 | 0:42:00 | |
Having got a feel for the vehicle, | 0:42:00 | 0:42:02 | |
they've taken it to the local caravan park in Herne Bay near where they live | 0:42:02 | 0:42:06 | |
to test the outdoor lifestyle. They couldn't have chosen a more perfect day. | 0:42:06 | 0:42:10 | |
Today's a typical example with the sky... | 0:42:10 | 0:42:13 | |
you know, the nice glass of red wine, the olives, what could be better? Exactly. | 0:42:13 | 0:42:19 | |
Subtitles by Red Bee Media Ltd | 0:42:24 | 0:42:28 |