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Welcome to Cash In The Attic, | 0:00:03 | 0:00:05 | |
the show that helps you find hidden treasure at home and sells it for you at auction. | 0:00:05 | 0:00:09 | |
Today, we're in Surrey | 0:00:09 | 0:00:10 | |
and I've stopped off to take in one of the most beautiful landscape parks of the 18th century. | 0:00:10 | 0:00:17 | |
Painshill Park was created by Charles Hamilton between 1738 and 1773. | 0:00:17 | 0:00:23 | |
Following major restoration work, the 158 acres of parks and gardens | 0:00:23 | 0:00:28 | |
have been returned to their former landscaped glory. | 0:00:28 | 0:00:31 | |
A gothic temple constructed of timber and rendered to look like stone has been put in a position | 0:00:31 | 0:00:36 | |
to catch the visitors' eye from all over the estate. | 0:00:36 | 0:00:41 | |
And let's hope our items have exactly the same effect on our bidders | 0:00:41 | 0:00:45 | |
when they go under the hammer at auction. | 0:00:45 | 0:00:48 | |
Coming up on today's Cash In The Attic, a bewildered expert... | 0:01:10 | 0:01:13 | |
What is it? I don't know what it is. | 0:01:13 | 0:01:16 | |
..a family full of surprises... | 0:01:16 | 0:01:19 | |
Actually, I played him on television. | 0:01:19 | 0:01:21 | |
..and is it all getting too much for James? | 0:01:21 | 0:01:24 | |
Do I feel under pressure? Yes. Yeah. LAUGHTER | 0:01:24 | 0:01:27 | |
Let's hope we will still be smiling when the final hammer falls. | 0:01:28 | 0:01:32 | |
So we skipped across from Painshill | 0:01:33 | 0:01:36 | |
to nearby Surbiton because I'm about to meet a family | 0:01:36 | 0:01:38 | |
who called in Cash In The Attic | 0:01:38 | 0:01:40 | |
because they want to leave Surrey and start a new life north of the border. | 0:01:40 | 0:01:45 | |
'This lovely Victorian semi has been has been home to retired actor Alan | 0:01:45 | 0:01:49 | |
'and accountant Sheila Forrest for the last 35 years. | 0:01:49 | 0:01:52 | |
'But since their daughter Fiona and granddaughter Amy moved in, things have got a little close for comfort. | 0:01:52 | 0:02:00 | |
'Turning his back on the showbiz world of dramas and commercials, | 0:02:00 | 0:02:04 | |
'Alan's desire to trace his roots has encouraged him and his family to head to pastures new.' | 0:02:04 | 0:02:09 | |
Morning, James. Nice to see you. Morning, Alastair. And bright sunshine as well. | 0:02:09 | 0:02:14 | |
Yeah, we've got the Forrest family today. Three generations of them moving up to Scotland. | 0:02:14 | 0:02:18 | |
It's resting on your capable shoulders. You have to fund their move. | 0:02:18 | 0:02:22 | |
I've got to find lots of valuables from their old life to make way for their new life? | 0:02:22 | 0:02:27 | |
You're transforming their life. I'm glad the responsibility is with you, not me. No pressure! | 0:02:27 | 0:02:31 | |
Hello, guys. Hi, Alastair. | 0:02:33 | 0:02:35 | |
Ah, family photos. Whose family's that? Well, this is my family. | 0:02:35 | 0:02:39 | |
It's my father's side of the family. The Scottish side. Right. The Forrest side of the family. | 0:02:39 | 0:02:46 | |
Are you moving back to Scotland to trace your roots? | 0:02:46 | 0:02:49 | |
I mean, it's not the main reason, but it's one of the reasons. | 0:02:49 | 0:02:53 | |
It's a very good reason for me to actually get up there. | 0:02:53 | 0:02:56 | |
One, you can do an awful lot of research on the internet. | 0:02:56 | 0:02:59 | |
There is nothing like actually going to the locations where they lived | 0:02:59 | 0:03:03 | |
and looking at the local records, you know, to get real, down-to-earth information. | 0:03:03 | 0:03:08 | |
Sheila, is that enough of a reason to up sticks and move to Scotland? Well, not just for that, no. | 0:03:08 | 0:03:13 | |
We've got another daughter up there that we don't see as often as we'd like to. | 0:03:13 | 0:03:18 | |
Fiona's come to live with us with our granddaughter | 0:03:18 | 0:03:21 | |
and all of us would go up there and be a complete family again. | 0:03:21 | 0:03:26 | |
Wonderful. Just live near together. | 0:03:26 | 0:03:28 | |
The sale of this house is going to fund your move up to Scotland, but what are we raising money for? | 0:03:28 | 0:03:33 | |
Something new for the new house. Something to put into the house maybe. | 0:03:33 | 0:03:39 | |
I've got my eye on, um, a couple of table lamps. | 0:03:39 | 0:03:43 | |
So how much you think we're trying to raise? | 0:03:43 | 0:03:45 | |
What's the sort of ballpark figure? About 500. Something like that. | 0:03:45 | 0:03:50 | |
Great. James is looking around so let's find him | 0:03:50 | 0:03:53 | |
and hope we make some money for your move. Good. Come on, let's go. | 0:03:53 | 0:03:56 | |
'Raising money to buy something for the new family home is a lovely idea | 0:03:57 | 0:04:02 | |
'and the more we sell at auction, the less there is to pack. | 0:04:02 | 0:04:05 | |
'Hoping to shine some light on today's rich pickings is our expert, James Rylands, | 0:04:05 | 0:04:11 | |
'who earned his antiques stripes working at Sotheby's auction rooms in the 1980s. | 0:04:11 | 0:04:16 | |
'His eyes have already fallen on some rather fruitful delights.' | 0:04:16 | 0:04:21 | |
Ah, James, you found some pink glass. | 0:04:21 | 0:04:24 | |
Not pink. Cranberry. Exactly! Here is our cranberry lady here. | 0:04:24 | 0:04:30 | |
Do you know what they put into the glass to make it the cranberry colour? No. Not cranberries. | 0:04:30 | 0:04:36 | |
No, it's actually gold chloride. | 0:04:36 | 0:04:39 | |
Yeah, which actually does make it quite expensive. They actually made it in two layers. | 0:04:39 | 0:04:44 | |
So you have a layer of clear glass with the ruby-coloured glass on top. | 0:04:44 | 0:04:49 | |
And this I particularly like. It's called a muffineer. | 0:04:49 | 0:04:52 | |
Right, I've never heard that before. | 0:04:52 | 0:04:54 | |
I just call it a sugar shaker. Well, it is. It's a posh name for a sugar shaker. | 0:04:54 | 0:04:58 | |
You filled it up with either sugar or cinnamon | 0:04:58 | 0:05:01 | |
for actually putting on your muffins at breakfast. Oh, right. | 0:05:01 | 0:05:04 | |
And that's why it's called a muffineer. But, funnily enough, my favourite piece here is this. | 0:05:04 | 0:05:10 | |
It looks like a Georgian, late-18th-century silver salt. | 0:05:10 | 0:05:15 | |
The original of this was dated to 1780, something like this. | 0:05:15 | 0:05:18 | |
This is a copy. It's hallmarked Sheffield, | 0:05:18 | 0:05:20 | |
but what I love about it is virtually all the salts you that see | 0:05:20 | 0:05:24 | |
have got blue glass lining. Yes. | 0:05:24 | 0:05:26 | |
But you being the pink lady that you are, managed to find one that's pink. | 0:05:26 | 0:05:32 | |
That makes it rare and rather special. Really? I didn't know that. | 0:05:32 | 0:05:35 | |
Yes, quite a nice little collection. I've got to be honest with you. | 0:05:35 | 0:05:39 | |
Cranberry glass is not as collected as it used to be. No. | 0:05:39 | 0:05:43 | |
It's probably worth around about ?100, something like that. So that's very good. | 0:05:43 | 0:05:47 | |
So, about ?100 in the pot. | 0:05:47 | 0:05:50 | |
Five more of those and we'll be there. Let's get cracking. | 0:05:50 | 0:05:54 | |
Well, I've learned something. | 0:05:54 | 0:05:57 | |
I now know what a muffineer is, which I didn't know before. | 0:05:57 | 0:06:00 | |
It was just a sugar shaker to me before. | 0:06:00 | 0:06:03 | |
My thoughts about going to auction - | 0:06:03 | 0:06:06 | |
I'm sad in a lot of ways because I collected it over quite a few years. | 0:06:06 | 0:06:12 | |
But it's got to go. | 0:06:12 | 0:06:14 | |
What a treasure trove of antiques, which will hopefully sweeten our funds. | 0:06:14 | 0:06:19 | |
To hit our ?500 target and brighten up Sheila's new home, | 0:06:19 | 0:06:22 | |
we'll need to find lots more goodies. | 0:06:22 | 0:06:24 | |
What better way to set the auction alight than with this amazing collection of silver? | 0:06:24 | 0:06:30 | |
Included are a wonderful ruffle edged dish, a single goblet, | 0:06:30 | 0:06:35 | |
and six napkin rings, which James values at a reasonable ?30-?50. | 0:06:35 | 0:06:40 | |
There's no rest for our expert. He's upstairs in the bedroom to examine Alan's next find. | 0:06:40 | 0:06:45 | |
Well, here's something else, James, I've got. | 0:06:45 | 0:06:48 | |
I don't know whether you'd be interested, but I think you'll find it very colourful. | 0:06:48 | 0:06:51 | |
Gosh, they really are very spick and spangly. They are, aren't they? | 0:06:51 | 0:06:55 | |
Where did they come from? Well, I acquired them from a printer that I knew up in town in 1974, I think. | 0:06:55 | 0:07:03 | |
And they are illustrations for a book called The Butterfly Ball And The Grasshopper's Feast. | 0:07:03 | 0:07:10 | |
Produced and drawn by Alan Aldridge. | 0:07:10 | 0:07:16 | |
He was, in the '60s and '70s, THE man when it came to illustrating. | 0:07:16 | 0:07:20 | |
I think he worked with the Beatles. | 0:07:20 | 0:07:22 | |
Yes, he did. And he did the artwork for, I think, Captain Fantastic And The Brown Dirt Cowboy | 0:07:22 | 0:07:29 | |
for Elton John in the early '70s. Oh, gosh, yes, that's going back a bit. So talk me through them. | 0:07:29 | 0:07:35 | |
Each of these have a particular name. | 0:07:35 | 0:07:38 | |
That's the Kingfisher Waiting. | 0:07:38 | 0:07:42 | |
This is called Sir Maximus Mouse. | 0:07:42 | 0:07:45 | |
You can see he's a bit of an entrepreneur in the city. | 0:07:45 | 0:07:49 | |
Yes, I can see he really is a little tycoon | 0:07:49 | 0:07:52 | |
with the ticker-tape coming out with all the share prices on it. | 0:07:52 | 0:07:55 | |
Oh, look at that one. I know. | 0:07:55 | 0:07:58 | |
That's almost spooky, isn't it? | 0:07:58 | 0:07:59 | |
It's off-the-wall completely. Newts. Absolutely fascinating. | 0:07:59 | 0:08:05 | |
In terms of value, it's a tricky one because I notice they are not signed at all. No. | 0:08:05 | 0:08:13 | |
Conservatively, we put ?20-?40 and see how you get on. OK. That's good. What a great story. | 0:08:13 | 0:08:18 | |
What a great story. | 0:08:18 | 0:08:20 | |
But, Alan, it's never enough. We need more. | 0:08:20 | 0:08:24 | |
You want some more? I want some more. OK. Lead on. Let's see what we can find. Right. | 0:08:24 | 0:08:28 | |
'Even though they are 1970s originals, | 0:08:28 | 0:08:31 | |
'without the artist's signature, these fabulous prints may go unnoticed at auction. | 0:08:31 | 0:08:36 | |
'So we'll just have to wait and see how they perform on the day. | 0:08:36 | 0:08:39 | |
'And taking centre stage in the kitchen is this glorious tableware. | 0:08:39 | 0:08:45 | |
'Since 1904, Noritake, named after a small suburb in Japan, | 0:08:45 | 0:08:49 | |
'have brought quality to dinner tables around the world. | 0:08:49 | 0:08:53 | |
'There is also an abundance of decorative glassware | 0:08:53 | 0:08:56 | |
'in the Forrest home and it seems Alan is not the only artist in the family.' | 0:08:56 | 0:09:01 | |
Sheila, I've noticed a lot of this painted glass. | 0:09:01 | 0:09:03 | |
Do I detect your artistic hand in this? Yes. I painted that, yes. Really? | 0:09:03 | 0:09:07 | |
And are you looking forward to expand that, to do more? I'm hoping to do more when we've got more room. | 0:09:07 | 0:09:14 | |
Now Fiona and Amy have moved into the house, it must be quite cramped? | 0:09:14 | 0:09:18 | |
That's another reason why we are moving because we really are running out of space. | 0:09:18 | 0:09:23 | |
They share the middle bedroom, which is not good. | 0:09:23 | 0:09:25 | |
Mother and daughter sharing with all their stuff. | 0:09:25 | 0:09:28 | |
And I've had to move out. There's my desk there where I used to paint. | 0:09:28 | 0:09:32 | |
And we just need more space. We just need a new start, all of us. | 0:09:32 | 0:09:36 | |
So are you excited or a bit nervous? Both. | 0:09:36 | 0:09:39 | |
Some days I'm very excited and want it to hurry up and happen. | 0:09:39 | 0:09:43 | |
Other days I think, are we doing the right thing? | 0:09:43 | 0:09:46 | |
But we'll never know if we don't do it. | 0:09:46 | 0:09:48 | |
How has Fiona been - it must have been difficult splitting up with her husband? | 0:09:48 | 0:09:52 | |
Well, we've had a tough couple of years, actually, all of us. | 0:09:52 | 0:09:55 | |
I think this is going to be a nice break for us all. | 0:09:55 | 0:09:59 | |
Right. What's been going on? Well, I've... | 0:09:59 | 0:10:02 | |
A year last Christmas I had a heart attack... | 0:10:02 | 0:10:05 | |
Oh, no. I was in hospital all over Christmas. | 0:10:05 | 0:10:09 | |
And then I had to have an operation because an angiogram went wrong. Gosh. | 0:10:09 | 0:10:14 | |
But just before that was when Fiona split with her husband and came back here to live. | 0:10:14 | 0:10:20 | |
So we have had to sort things out more or less. | 0:10:20 | 0:10:24 | |
So this is going to be a new clean break? A new clean break for us all, yes. | 0:10:24 | 0:10:28 | |
Tell me what we are raising money for. It's a lamp. | 0:10:28 | 0:10:31 | |
I saw them in a show house and I thought, "I'd really like those. | 0:10:31 | 0:10:36 | |
"They are different. And I want something like that in our new house." | 0:10:36 | 0:10:41 | |
It's like a house-warming present to ourselves. | 0:10:41 | 0:10:44 | |
We'd better find some money to make sure we can buy them. | 0:10:44 | 0:10:47 | |
We ought to keep on looking. Let's go and see what James has found. | 0:10:47 | 0:10:50 | |
'Well, he's got this marvellous 1966 silver rose bowl in his sights. | 0:10:50 | 0:10:55 | |
'An eye-catching piece with intricate detail, | 0:10:55 | 0:10:58 | |
'used to which freshen a room | 0:10:58 | 0:11:01 | |
'and hopefully flourish our funds by ?20-?40. | 0:11:01 | 0:11:04 | |
'Fiona intends to dazzle the bidders with her next find too.' | 0:11:05 | 0:11:09 | |
James, I think I found something here. | 0:11:11 | 0:11:14 | |
I knew I had them somewhere. | 0:11:14 | 0:11:16 | |
Fiona, is this the case that all that glitters is not gold? Yip! | 0:11:16 | 0:11:21 | |
I think it probably is. Do you know what they are made of? Marcasite? | 0:11:21 | 0:11:25 | |
Absolutely right, which actually is iron pyrites, which, funnily enough, is called fool's gold. | 0:11:25 | 0:11:31 | |
So it's pretending to be perhaps more valuable than it is. | 0:11:31 | 0:11:35 | |
But what happens is that the iron pyrites, when you actually flatten out the facets on it, | 0:11:35 | 0:11:42 | |
it does look like jewellery. | 0:11:42 | 0:11:44 | |
It's sort of bling, really. | 0:11:44 | 0:11:46 | |
So, from the 1600s onwards, they were quite often used as a diamond substitute. | 0:11:46 | 0:11:51 | |
Only the very wealthy and nobility could afford the real thing. | 0:11:51 | 0:11:55 | |
But you could pretend. That's what they did. | 0:11:55 | 0:11:58 | |
And certainly in the 19th century, with mass production and things like that, | 0:11:58 | 0:12:02 | |
a huge amount of marcasite jewellery was made. | 0:12:02 | 0:12:05 | |
And the brooch here, I'll tell you what, it's actually rather clever because... It opens. | 0:12:05 | 0:12:09 | |
It opens and comes apart into two halves. | 0:12:09 | 0:12:12 | |
And you can then wear both of these as a little brooch like that. | 0:12:12 | 0:12:18 | |
So, very, very ingenious. So what have we got here? | 0:12:18 | 0:12:20 | |
We have got the brooch, the bracelet, and then we've got a pair of earrings as well. | 0:12:20 | 0:12:26 | |
So I would think, for the whole lot, probably about ?30-?50. OK. | 0:12:26 | 0:12:31 | |
If you don't wear them very much, the bracelet and little bits, it's still money in the bank. | 0:12:31 | 0:12:37 | |
That's right, yes. Well, I like baubles so let's see if you can find me some more. OK. | 0:12:37 | 0:12:43 | |
Fiona's proved she's no slouch when finding top-notch collectibles | 0:12:43 | 0:12:47 | |
although dad Alan doesn't appear to be taking the search quite so seriously. | 0:12:47 | 0:12:51 | |
But if we want to reach that ?500 target for those dream lamps, we must check every nook and cranny. | 0:12:51 | 0:12:59 | |
Sheila's tracked down even more of her much loved cranberry glass. | 0:12:59 | 0:13:03 | |
This Art Nouveau glass-style basket with white metal holder | 0:13:03 | 0:13:07 | |
and charming custard cup could be the dream topping at ?20-?40. | 0:13:07 | 0:13:13 | |
And Alan appears to have stopped acting up but I wonder for how long?! | 0:13:13 | 0:13:16 | |
James, have a look at this. What have you got there, Alan? Well, there's some postcards. | 0:13:19 | 0:13:24 | |
Let's see what you think. Oh, postcards. Victorian ones. You've got a nice collection here. | 0:13:24 | 0:13:29 | |
They're fairly bog-standard, these ones. Oh, are they? | 0:13:29 | 0:13:33 | |
Ah, now we're getting later in date. | 0:13:33 | 0:13:37 | |
Yeah, it's got the magic name. | 0:13:37 | 0:13:38 | |
Donald McGill. | 0:13:38 | 0:13:40 | |
Probably the best known of all of the sort of postcard illustrators. | 0:13:40 | 0:13:45 | |
You've heard of him? | 0:13:45 | 0:13:46 | |
Yes, I have, yes. | 0:13:46 | 0:13:48 | |
Actually, I played him on television. | 0:13:48 | 0:13:51 | |
No? I did, yes. So you probably know a huge amount about him. | 0:13:51 | 0:13:55 | |
Well, had to do quite a lot of research, yes. | 0:13:55 | 0:13:57 | |
I did get to know a lot about his life. | 0:13:57 | 0:14:00 | |
I love this. This is a typical one. | 0:14:00 | 0:14:03 | |
"All you want is a little sun and air." | 0:14:03 | 0:14:05 | |
The lady in the bed goes, "Oh, Doctor, you naughty man! | 0:14:05 | 0:14:08 | |
"At my time of life!" | 0:14:08 | 0:14:10 | |
That's actually quite tame compared to some of them. Yes. | 0:14:10 | 0:14:15 | |
As you probably know, he was charged with, er... Obscenity. | 0:14:15 | 0:14:19 | |
Absolutely. In the 1950s. Did he actually go to jail? | 0:14:19 | 0:14:22 | |
I think he did. He was certainly in jail for a while because I actually spent some time in a cell. Really? | 0:14:22 | 0:14:28 | |
Yes, all done for art, you know. | 0:14:28 | 0:14:30 | |
I'm glad they let you out in the end! | 0:14:30 | 0:14:33 | |
So what have we got here? We have got four McGills, I think. | 0:14:33 | 0:14:37 | |
And then other later slightly smutty ones. | 0:14:37 | 0:14:42 | |
I would think that, collectively, for the lot, we are probably talking about ?40-?60, something like that. | 0:14:42 | 0:14:49 | |
Oh, good. All right. Excellent. | 0:14:49 | 0:14:51 | |
Donald would have been proud. He would, yes. | 0:14:51 | 0:14:54 | |
It resonates, shall we say, with part of my life a couple of years ago. | 0:14:54 | 0:14:58 | |
But I do have some more which my elder daughter framed for me, | 0:14:58 | 0:15:04 | |
so I'm keeping the link there, actually. | 0:15:04 | 0:15:06 | |
What a great piece of history. Something Alan feels very passionately about preserving. | 0:15:06 | 0:15:11 | |
However, Sheila's memories are being rapidly reduced | 0:15:11 | 0:15:14 | |
as Fiona packs two more pieces of her cherished Victorian cranberry glass off to auction. | 0:15:14 | 0:15:19 | |
And James resorts to drastic measures in order to hunt out more valuables. | 0:15:21 | 0:15:27 | |
James, I bought this about ten years ago. | 0:15:27 | 0:15:31 | |
I think it's a grain measure. What do you think? | 0:15:31 | 0:15:33 | |
Is that what it was sold to you as? | 0:15:33 | 0:15:35 | |
Yes. OK. Well, Sheila, I'm not sure I agree with that | 0:15:35 | 0:15:40 | |
because all the grain measures I've come across before have been quite light, quite often made of beech. | 0:15:40 | 0:15:47 | |
And also they always have a royal cipher on them. | 0:15:47 | 0:15:54 | |
And this one just doesn't have that at all. | 0:15:54 | 0:15:57 | |
So I'm just a little bit sceptical about that being a grain measure. | 0:15:57 | 0:16:03 | |
Right. The good news is I think it's terrific. | 0:16:03 | 0:16:06 | |
It's lovely. It's got a nice feel, isn't it? | 0:16:06 | 0:16:08 | |
It's a very, very tactile, beautifully warm coloured wood. | 0:16:08 | 0:16:11 | |
But the best thing about it for me, funnily enough, is not the outside. | 0:16:11 | 0:16:15 | |
It's actually the inside. | 0:16:15 | 0:16:16 | |
It's actually been hacked out using what we would call an axe... | 0:16:16 | 0:16:20 | |
almost like a little axe chisel. | 0:16:20 | 0:16:23 | |
Yes. And it's given it that really charming rustic feel. Yes, I liked it when I bought it. | 0:16:23 | 0:16:29 | |
And it's rather like half a barrel. | 0:16:29 | 0:16:31 | |
But the thing I love is the patina on the wood. | 0:16:31 | 0:16:35 | |
The colour of the wood is just glorious. | 0:16:35 | 0:16:37 | |
Is it something you think you want to sell? Yes, I might do. | 0:16:37 | 0:16:41 | |
Right, I think that nowadays it's probably going to be worth, | 0:16:41 | 0:16:45 | |
and I think it would have been worth more, so I've got a feeling I might disappoint you. Right. | 0:16:45 | 0:16:50 | |
I think it's probably going to make about between ?20 and ?40. | 0:16:50 | 0:16:55 | |
I don't know what it is. | 0:16:55 | 0:16:57 | |
Well, that's got to be a first. | 0:16:57 | 0:16:59 | |
But while the wooden thingamabob might have got us stumped, | 0:16:59 | 0:17:03 | |
Alan's pretty clear about his plans for the future. | 0:17:03 | 0:17:06 | |
So you're saying that this photo | 0:17:06 | 0:17:08 | |
was the one that unlocked all the family history for you? Yes. That's right. | 0:17:08 | 0:17:12 | |
Here's my great-grandparents with all of their children, | 0:17:12 | 0:17:16 | |
apart from this lady who is the wife, I believe, of the eldest son there. | 0:17:16 | 0:17:20 | |
So they're all boys? Yes. One sister. That's right. | 0:17:20 | 0:17:23 | |
They're from Scotland. Did that inform your choice of going to Scotland now? | 0:17:23 | 0:17:27 | |
You have to balance these things up, the fors and againsts. | 0:17:27 | 0:17:32 | |
And that was one of the things that helped us decide. | 0:17:32 | 0:17:35 | |
But Moira didn't move up there because of that? No, she went up with her job ten years ago. | 0:17:35 | 0:17:43 | |
She enjoyed it up there, bought a place, | 0:17:43 | 0:17:47 | |
found somebody to marry and she's very settled and she likes it very much. | 0:17:47 | 0:17:53 | |
Sheila was saying you've had a rotten two years, | 0:17:53 | 0:17:55 | |
what with her health scare and Fiona's marriage. How have you coped? | 0:17:55 | 0:17:59 | |
When somebody who's so close to you and has been for so long, | 0:17:59 | 0:18:04 | |
their life comes into question, as it were, | 0:18:04 | 0:18:09 | |
it's quite a difficult thing to actually take in. | 0:18:09 | 0:18:13 | |
Fiona, when she moved in with Amy after her marriage broke up, we were a bit crowded. | 0:18:13 | 0:18:20 | |
A few problems. But we've come to accommodate each other, but it's still not easy. | 0:18:20 | 0:18:26 | |
Nicer with some more space. That's right. We're upsizing rather than downsizing. | 0:18:26 | 0:18:31 | |
It's a big move up to Scotland. You're an actor, or you were an actor. Are you retired? | 0:18:31 | 0:18:35 | |
Yes, I do the odd job when it comes up. Actors never retire, do they? No. | 0:18:35 | 0:18:41 | |
Well, it should get better as you get older, so they say. | 0:18:41 | 0:18:46 | |
Well, there's work up there, hopefully. | 0:18:46 | 0:18:50 | |
There are lots of agents in Glasgow. | 0:18:50 | 0:18:52 | |
I've looked in my contacts book up there. | 0:18:52 | 0:18:56 | |
So there are agents. I'm hoping to establish myself up there, perhaps. | 0:18:56 | 0:19:01 | |
Talking of labour, we must get to work and see if we can find some more things to evaluate. Right. | 0:19:01 | 0:19:08 | |
'And guess what? Sheila's stash of cranberry glass yields yet more opportunities | 0:19:08 | 0:19:13 | |
'to make up the target. | 0:19:13 | 0:19:14 | |
'This jug and matching salt cellar, once seen as a symbol of status, | 0:19:14 | 0:19:18 | |
'will definitely make a grand entrance | 0:19:18 | 0:19:21 | |
'and could top up our fund by ?30-?50. | 0:19:21 | 0:19:23 | |
'And I've got high hopes for this quality timepiece too.' | 0:19:23 | 0:19:27 | |
This is quite a substantial carriage clock. Yeah. Is there family history attached to it? | 0:19:27 | 0:19:32 | |
It belonged to my grandfather on my mother's side. | 0:19:32 | 0:19:36 | |
So, that's... Not the Forrests, the Scottish Forrests? No. | 0:19:36 | 0:19:40 | |
And is it for sale? No. | 0:19:40 | 0:19:43 | |
Usually comes in a nice leather box. | 0:19:43 | 0:19:45 | |
Oh, do they? Now James... Look here. | 0:19:45 | 0:19:47 | |
I've been having a bit of a rummage up in the attic. Let's have a look. What a bag of swag! | 0:19:47 | 0:19:52 | |
I think we can turn this into a bit of cash. | 0:19:52 | 0:19:55 | |
Silver-plated tray, condiment sets, plated again. | 0:19:55 | 0:19:59 | |
And we've also got a complete dressing-table set here. Right. | 0:19:59 | 0:20:03 | |
Brushes. OK. | 0:20:03 | 0:20:05 | |
And we've got, a silver "Mirror, mirror, on the wall, who is the fairest of us all?" | 0:20:05 | 0:20:11 | |
Don't break it, don't break it. And then, my favourite thing of all is this. Do you know what it is? | 0:20:11 | 0:20:16 | |
It's a button hook. | 0:20:16 | 0:20:18 | |
The good news is that there are lot of collectors of button hooks. Yes. | 0:20:18 | 0:20:22 | |
And they come in all sorts of sizes. Some much smaller than this. | 0:20:22 | 0:20:26 | |
Quite often they will have a silver handle. | 0:20:26 | 0:20:29 | |
Usually with a steel hook at the end. | 0:20:29 | 0:20:32 | |
So people do collect these. Yeah. | 0:20:32 | 0:20:34 | |
What else have we got in the bag? We've got... | 0:20:34 | 0:20:37 | |
Cigarette box. | 0:20:37 | 0:20:40 | |
Yes. With a monogram. Actually, that sort of does devalue it a little bit. | 0:20:40 | 0:20:44 | |
H-A-O. Any Hs, As or Os in the family? Not really, although there was one by the name of Horace. | 0:20:44 | 0:20:51 | |
And how much would Horace's hoard be worth? | 0:20:51 | 0:20:55 | |
Well, we've also got a three-piece Victorian condiment set which is in plate. | 0:20:55 | 0:21:00 | |
And a plated tray. So I would think, for the whole collection, | 0:21:00 | 0:21:03 | |
probably around about ?40 to ?60. Oh, right. | 0:21:03 | 0:21:06 | |
You think all that silver would be more. Well... It's all about elbow grease. | 0:21:06 | 0:21:11 | |
People just don't want to clean it any more. I can understand that. | 0:21:11 | 0:21:15 | |
Let's get the ladies in. Sheila, are you there? Yes. | 0:21:15 | 0:21:18 | |
Sheila, Fiona, come on in. | 0:21:18 | 0:21:19 | |
Final tot up. This going for about ?40, is that all right? | 0:21:19 | 0:21:23 | |
Yeah. I suppose so. | 0:21:24 | 0:21:26 | |
Nobody wants much silver these days. No, so I hear. | 0:21:26 | 0:21:29 | |
It looks like more, but James is being conservative today. | 0:21:29 | 0:21:32 | |
We wanted ?500 and with 40, that takes us up to 390. Oooh! | 0:21:32 | 0:21:38 | |
So we are about ?100 short. | 0:21:38 | 0:21:39 | |
But, you know, I'm hoping... It's all going to happen on the day. | 0:21:39 | 0:21:43 | |
Are you confident that we are going to get the 500 on the day? | 0:21:43 | 0:21:47 | |
Do I feel under pressure? Yeah. Yeah, I do! | 0:21:47 | 0:21:50 | |
Well, we've had a terrific day helping the Forrest family declutter their home. | 0:21:50 | 0:21:55 | |
If we want to illuminate their new Scottish pad, we will need these items to impress our bidders - | 0:21:55 | 0:22:01 | |
one of Sheila's many treasured cranberry collections, | 0:22:01 | 0:22:04 | |
including that Georgian muffineer, worth a magnificent ?100 to ?120... | 0:22:04 | 0:22:10 | |
..the marcasite jewellery that you would be a fool to miss | 0:22:12 | 0:22:16 | |
at ?30 to ?50... | 0:22:16 | 0:22:17 | |
.. the trio of prints by famous illustrator, Alan Aldridge, | 0:22:19 | 0:22:24 | |
with the price tag of ?20 to ?40... | 0:22:24 | 0:22:26 | |
..and the delightful wooden half a keg valued at ?20 to ?40, | 0:22:27 | 0:22:32 | |
that so puzzled our James - will any of our bidders know what it is? | 0:22:32 | 0:22:36 | |
Still to come on Cash In The Attic. | 0:22:36 | 0:22:39 | |
'Fanfares are out.' | 0:22:39 | 0:22:41 | |
You can blow your own trumpet on that one. | 0:22:41 | 0:22:44 | |
'I'm sticking to my guns.' | 0:22:44 | 0:22:46 | |
I know, but I don't care, I'm going to call it a muffineer. | 0:22:46 | 0:22:49 | |
'Will we reach their target when the final hammer falls?' | 0:22:49 | 0:22:52 | |
It's literally only been a few days since I was helping Sheila and Alan and Fiona | 0:22:57 | 0:23:02 | |
find some treasures to bring here to the auctioneers in Chertsey. | 0:23:02 | 0:23:07 | |
Now remember, we're trying to get ?500 together so they can buy themselves | 0:23:07 | 0:23:11 | |
a sort of house-warming present for their new home in Scotland - a set of beautiful lamps. | 0:23:11 | 0:23:16 | |
And we're hoping that their items are going to light up the saleroom today. | 0:23:16 | 0:23:20 | |
'The doors are open and the auction house is already packed with amateur enthusiasts and experts | 0:23:20 | 0:23:27 | |
'having a closer look at what's on offer. | 0:23:27 | 0:23:29 | |
'But, of course, our James is here too, with his eye on a particular treasure.' | 0:23:29 | 0:23:34 | |
Morning, James. Morning, Alastair. | 0:23:34 | 0:23:36 | |
What are you looking at there - a dog? | 0:23:36 | 0:23:38 | |
It is a dog. It's a jolly nice dog. | 0:23:38 | 0:23:40 | |
This actually does belong to the Forrest family. | 0:23:40 | 0:23:43 | |
Oh, does it? Well, after we left the other day they had their own little rummage, | 0:23:43 | 0:23:47 | |
and found a pair of these little dog pictures behind the wardrobe. | 0:23:47 | 0:23:51 | |
And they're by one of his Scottish ancestors, Benjamin Copplestone. | 0:23:51 | 0:23:55 | |
So they have a family connection. The auctioneers have been conservative. | 0:23:55 | 0:23:58 | |
They've put ?50 to ?80 on the pair. | 0:23:58 | 0:24:01 | |
But I think with a following, we're going to be north of ?100. | 0:24:01 | 0:24:04 | |
Good. Let's go and find the guys. OK. | 0:24:04 | 0:24:06 | |
'The superb pair of dog paintings is really going to help us out today | 0:24:07 | 0:24:11 | |
'and take our total to an impressive ?440. | 0:24:11 | 0:24:15 | |
'Let's hope the bidders are generous when it comes to Alan and Sheila's collectibles. | 0:24:15 | 0:24:19 | |
'That's if they know what they all are, of course.' | 0:24:19 | 0:24:24 | |
Hello, guys. | 0:24:24 | 0:24:26 | |
Hello. Hi, James. | 0:24:26 | 0:24:28 | |
A last fond look at your maybe-not wheat measure. | 0:24:28 | 0:24:32 | |
I don't know what it is. Having one last look and one last feel. It's attractive. | 0:24:32 | 0:24:36 | |
I was impressed with the paintings. They're beautiful and very saleable. | 0:24:36 | 0:24:41 | |
I don't know if they'll make lots of money. We'll see. | 0:24:41 | 0:24:44 | |
Would be nice if they did. Make money out of your ancestors. | 0:24:44 | 0:24:47 | |
LAUGHTER | 0:24:47 | 0:24:49 | |
Are you sad to see some things go? | 0:24:49 | 0:24:51 | |
Have they left a gap in the house? | 0:24:51 | 0:24:53 | |
Yes. Sad to see it all go. When I put it out... | 0:24:53 | 0:24:56 | |
Just think of the lamps, Sheila. Think of the lamps. | 0:24:56 | 0:24:59 | |
I know, I do keep thinking of those. | 0:24:59 | 0:25:01 | |
Great, well, let's put that down and let's go get our places and let's see some things sell. | 0:25:01 | 0:25:06 | |
'Remember, if you're planning to buy or sell in this way, | 0:25:06 | 0:25:09 | |
'bear in mind that commission and other charges will be added to your bill. | 0:25:09 | 0:25:13 | |
'It's always a good idea to check with your saleroom first. | 0:25:13 | 0:25:18 | |
'With the auctioneer ready to go, I hope the bidders will swarm into our first lot.' | 0:25:18 | 0:25:22 | |
No.6, lovely bit of cranberry there. | 0:25:23 | 0:25:26 | |
Interest here at ?30 and looking for five. | 0:25:26 | 0:25:29 | |
?30, ?30, and two pieces you're buying. | 0:25:29 | 0:25:32 | |
?35 is right and 40, bid 40, 45? | 0:25:32 | 0:25:35 | |
45, ?50, ?50, 50, and five. | 0:25:35 | 0:25:39 | |
55, 55, 60 bid, 60 bid right, | 0:25:39 | 0:25:42 | |
60, 60, 60, | 0:25:42 | 0:25:44 | |
right-hand side at 60, 65, the lady's bid, new face in, | 0:25:44 | 0:25:47 | |
65, 65, 70, he's back in, | 0:25:47 | 0:25:50 | |
80 bid for the lady, 80 bid for the lady, 90, sir, 90, sir, | 0:25:50 | 0:25:54 | |
the gentleman's bid, the gentleman's bid, 9 and 0, | 0:25:54 | 0:25:58 | |
Closed up at 90. | 0:25:58 | 0:25:59 | |
90, wow! | 0:25:59 | 0:26:02 | |
Excellent, so well over target. | 0:26:02 | 0:26:05 | |
That's a good sign. | 0:26:05 | 0:26:06 | |
Straight in at ?90. What a brilliant start. | 0:26:06 | 0:26:10 | |
But how does Sheila feel about it? | 0:26:10 | 0:26:13 | |
I've been collecting it over the years from different places. | 0:26:13 | 0:26:17 | |
So each piece has got a memory for me. But we do have to move on. | 0:26:17 | 0:26:22 | |
Things have to go. | 0:26:22 | 0:26:23 | |
'Good for you, Sheila. It's time to say goodbye to old memories and make way for new ones. | 0:26:23 | 0:26:28 | |
'Hold that thought as another of your select pieces is presented to the room.' | 0:26:28 | 0:26:33 | |
So, now, next one up is the little silver rose bowl - it's hallmarked Sheffield 1966. | 0:26:33 | 0:26:40 | |
So just a nice little stand-alone item. Let's see how we get on. | 0:26:40 | 0:26:43 | |
20 up, 20 up and two, | 0:26:43 | 0:26:45 | |
and five, 30 right side, | 0:26:45 | 0:26:46 | |
35 is in the room, 40 down there, ?40, ?40, 45 close to me, | 0:26:46 | 0:26:52 | |
4 and 5, going in the front seats, 4 and 5. | 0:26:52 | 0:26:55 | |
23. Thank you. | 0:26:55 | 0:26:57 | |
That would make a great wedding present for someone. | 0:26:57 | 0:27:00 | |
It's just a nice stand-alone thing. | 0:27:00 | 0:27:02 | |
Good condition. So I think that's a worthwhile price. | 0:27:02 | 0:27:05 | |
'Selling way over James's estimate at ?45, | 0:27:05 | 0:27:09 | |
'the stunning rose bowl really blossomed. | 0:27:09 | 0:27:11 | |
'I hope there are plenty of silver specialists among the crowd today | 0:27:11 | 0:27:16 | |
'so that our next collection fares equally well.' | 0:27:16 | 0:27:20 | |
This is a nice little collection of silver. | 0:27:20 | 0:27:23 | |
We've got the napkin ring, the little goblet. | 0:27:23 | 0:27:27 | |
A bit in this lot for everybody. | 0:27:27 | 0:27:29 | |
?50 for these, ?50, 30? | 0:27:29 | 0:27:33 | |
30 bid, five on the web, 35, 40 in the room, | 0:27:33 | 0:27:37 | |
?40, ?40, 45 is in the brown, | 0:27:37 | 0:27:39 | |
50 bid on the web, 55, 55 front row, | 0:27:39 | 0:27:42 | |
55 front row, 60 bid on the web, ?60, 65, back in the room again | 0:27:42 | 0:27:47 | |
65, 70 bid on the web, 80 I want now, | 0:27:47 | 0:27:52 | |
70 is right, 70 is right, right-hand side, that is it. | 0:27:52 | 0:27:56 | |
Going on the web here... | 0:27:56 | 0:27:57 | |
at 70. Sold at home. | 0:27:57 | 0:28:00 | |
Silver goodies bags - they do really well. | 0:28:00 | 0:28:02 | |
That is technology for you. That's good. It's amazing how quick the bids come in. | 0:28:02 | 0:28:06 | |
Yeah. You could bid anywhere in the world. Yeah. And it comes through. | 0:28:06 | 0:28:10 | |
Thanks to the wonders of the World Wide Web, | 0:28:10 | 0:28:13 | |
someone somewhere is now the proud owner of the Forrest family silver. | 0:28:13 | 0:28:17 | |
That's another ?70 towards our lamp fund. | 0:28:17 | 0:28:22 | |
But will Sheila's next hoard of glass do as well? | 0:28:22 | 0:28:26 | |
This is another one of our cranberry lots. | 0:28:26 | 0:28:29 | |
Both the little bowls have frilled edges. | 0:28:29 | 0:28:32 | |
We've actually got a reserve of ?40 on this to protect your collection, Sheila. Very important. | 0:28:32 | 0:28:37 | |
Interest at 20, two I take, | 0:28:37 | 0:28:40 | |
five got, eight got, | 0:28:40 | 0:28:42 | |
30, got 30, got 30, got 30, | 0:28:42 | 0:28:45 | |
?30, 35, 35, 35... | 0:28:45 | 0:28:48 | |
Yes, yes, yes. | 0:28:48 | 0:28:50 | |
?40 now, ?40 now, ?40 now, 45, 45, 45 right, 45 on the right-hand side, | 0:28:50 | 0:28:55 | |
4 and 5 then. HE BANGS GAVEL Two pieces of cranberry go to 65. | 0:28:55 | 0:29:00 | |
Surpassing its estimate and Sheila's reserve, | 0:29:00 | 0:29:03 | |
the Victorian cranberry glass is a hit with the bidders. | 0:29:03 | 0:29:07 | |
There's plenty more to come. | 0:29:07 | 0:29:10 | |
Lot No.57, cranberry basket and custard cup as well. | 0:29:10 | 0:29:15 | |
Two bits of cranberry now. That's it done then. Sold at 40. | 0:29:15 | 0:29:19 | |
Another ?40. | 0:29:19 | 0:29:21 | |
But will then fine jug and salt cellar be to everyone's taste? | 0:29:21 | 0:29:25 | |
40, 40, 40, left-hand side, left-hand side | 0:29:25 | 0:29:28 | |
Finished and selling. | 0:29:28 | 0:29:30 | |
40, yes, ma'am, 50. | 0:29:30 | 0:29:33 | |
'The Forrests' collectibles are being snapped up and I hope our luck continues | 0:29:33 | 0:29:38 | |
'with our next assortment of treats from their attic.' | 0:29:38 | 0:29:41 | |
James, one of your favourite moments, that big haul of silver you brought down - Horace's hoard. | 0:29:41 | 0:29:47 | |
That's right, with the button hook. | 0:29:47 | 0:29:49 | |
Stashed in the attic. It's got that nice dressing table set with the button hook | 0:29:49 | 0:29:54 | |
and the silver cigarette box and some condiments - a nice job lot. | 0:29:54 | 0:29:57 | |
Since you'd forgotten you had it, I think it's a bonus here. | 0:29:57 | 0:30:02 | |
We've got ?40 to ?60, let's see how we get on. | 0:30:02 | 0:30:05 | |
60 for that, 60 for that, 40, 20's a start, two is better, five is close, | 0:30:05 | 0:30:11 | |
and eight is left, 28, ?30, ?30, ?30 and five, 40 bid, 45, 45, 45, | 0:30:11 | 0:30:18 | |
55... Oh, good. | 0:30:18 | 0:30:21 | |
55 there, there's two bids on here, 5 and 5, 5 and 5, | 0:30:21 | 0:30:27 | |
at 5 and 5, still battling on the right-hand side, at 5 and 5 here. | 0:30:27 | 0:30:31 | |
Right-handy. | 0:30:32 | 0:30:34 | |
Thanks to Horace we have an acceptable ?55. | 0:30:34 | 0:30:37 | |
As the family waits anxiously, I tot up the amount we've reached so far. | 0:30:37 | 0:30:42 | |
That's actually the halfway point in the auction, how do you think we've done? I'm quite excited. | 0:30:42 | 0:30:49 | |
I have to say, that was a really good first half. | 0:30:49 | 0:30:53 | |
I think most things came midway. In fact, we've done really rather well. We wanted ?500 overall. | 0:30:53 | 0:30:58 | |
And do you remember we were a bit short of our target on the day? Yes. | 0:30:58 | 0:31:01 | |
Well, halfway through, we've actually made ?385. Wow. | 0:31:01 | 0:31:07 | |
Brilliant. That's good. | 0:31:07 | 0:31:09 | |
Not wanting to count our cranberry chickens before they've hatched, | 0:31:09 | 0:31:13 | |
but I think if the second half goes as well as the first, we're going to be easily over ?500. | 0:31:13 | 0:31:17 | |
So, we're not going at home with anything anyway...at the moment. Not at the moment. | 0:31:17 | 0:31:21 | |
You've got lots of interesting items in the second half, the paintings, the prints. | 0:31:21 | 0:31:26 | |
That's a different kind of market so we've got to hope that they sell as well. | 0:31:26 | 0:31:30 | |
It will be interesting to see. OK, let's have a little breather. | 0:31:30 | 0:31:34 | |
There's no rest for the bidders who are keen to check out this afternoon's lots. | 0:31:39 | 0:31:43 | |
James, however, is more interested in putting his feet up. | 0:31:43 | 0:31:46 | |
Well, here's a nice honest piece of furniture. | 0:31:47 | 0:31:50 | |
It's called a settle. | 0:31:50 | 0:31:52 | |
Well, I can vouch for that, settling down comfortably on it. | 0:31:52 | 0:31:55 | |
And it's probably made in the middle of the 18th century around about 1750, 1760. | 0:31:55 | 0:32:00 | |
Made of solid oak. | 0:32:00 | 0:32:02 | |
But what I like are some of the little extra touches that the craftsman's given it. | 0:32:02 | 0:32:07 | |
For instance, on these nice fielded panels, we've actually got what we call cross-banding in mahogany. | 0:32:07 | 0:32:13 | |
Now, mahogany was an expensive wood in those days, especially in the country. | 0:32:13 | 0:32:17 | |
So, it just gives it that extra little bit. | 0:32:17 | 0:32:19 | |
He's also employed a nice cabriole leg there, | 0:32:19 | 0:32:23 | |
which you normally expect to see in pieces of furniture in the early part of the 18th century. | 0:32:23 | 0:32:29 | |
Well, all that's good news. | 0:32:29 | 0:32:32 | |
The bad news is that a piece of furniture this sort of size does not fit into many people's houses. | 0:32:32 | 0:32:40 | |
Auctioneer's estimate, about ?250. | 0:32:40 | 0:32:44 | |
If you think about it, that's only ?1 for every year since this was made. | 0:32:44 | 0:32:49 | |
Not a lot really, is it? | 0:32:49 | 0:32:50 | |
That's definitely an investment worth looking out for at the auction. | 0:32:55 | 0:32:59 | |
For now, we need to hurry back to our places as the last | 0:32:59 | 0:33:02 | |
of Sheila's fabulous cranberry collection goes on display. | 0:33:02 | 0:33:06 | |
I think this is probably my favourite lot. The cranberry epergnes and the muffineer. | 0:33:06 | 0:33:11 | |
Do you know what? They haven't called it a muffineer. It's just down as a sugar shaker. | 0:33:11 | 0:33:15 | |
I don't care, I'm going to call it a muffineer. | 0:33:15 | 0:33:18 | |
?30, ?30, ?30 and five. | 0:33:18 | 0:33:20 | |
?35, ?35 and 40. | 0:33:20 | 0:33:22 | |
45, 50, 55 on the phone, 55, | 0:33:22 | 0:33:28 | |
60, 60 in the room, 65, 65 back on the phone, 65, 70 on the room, | 0:33:28 | 0:33:33 | |
?70, ?70, 80 bid, 80 bid, 90, back in the room at 90, | 0:33:33 | 0:33:40 | |
bid 100, ?90, ?90, ?90, we're in the room on the left-hand side. | 0:33:40 | 0:33:46 | |
HE BANGS GAVEL Sold for 90. | 0:33:46 | 0:33:48 | |
?90. That's our star cranberry lot. It was the muffineer, that's what did it. | 0:33:48 | 0:33:54 | |
You can blow your own trumpet on that one. 'Scuse me, I do the puns here. Oh, sorry. | 0:33:54 | 0:34:01 | |
LAUGHTER | 0:34:01 | 0:34:03 | |
Increasing our total by a staggering ?90, that certainly brought a smile to Sheila's face. | 0:34:03 | 0:34:08 | |
Hopefully, the mixed bag of tableware will furnish us with a further 20 to ?40. | 0:34:09 | 0:34:15 | |
Lot No.165, bit of Noritake and some other sundries there. | 0:34:15 | 0:34:21 | |
30, 30, 20, 10 for these? | 0:34:21 | 0:34:24 | |
?10, ?10, any interest in the Noritake? | 0:34:24 | 0:34:29 | |
HE BANGS GAVEL Stays behind. | 0:34:31 | 0:34:32 | |
Not sold, so you get to take that home with you. | 0:34:32 | 0:34:35 | |
Yeah. That's all right, that's OK. | 0:34:35 | 0:34:38 | |
They're quite nice anyway. And you've got a completely skewed image of auctions. | 0:34:38 | 0:34:43 | |
Often you take a lot home, you should be glad you've only got one thing. | 0:34:43 | 0:34:46 | |
One lot, that's a very good average. Frankly, if you couldn't get a bid of ?10, it wasn't worth selling. | 0:34:46 | 0:34:53 | |
Sheila and Alan don't seem too disappointed to be taking it home but we need all our items to sell | 0:34:53 | 0:34:59 | |
if we're going to reach that ?500 target and brighten up their new home. | 0:34:59 | 0:35:02 | |
Maybe the new auctioneer will bring us some luck and the bidders will take a shine | 0:35:02 | 0:35:07 | |
to our stunning 19th-century marcasite jewellery. | 0:35:07 | 0:35:10 | |
This is your find, Fiona. | 0:35:10 | 0:35:13 | |
The bracelet, the pendant. Yes. | 0:35:13 | 0:35:15 | |
Brooch. You going to be sad to see this go? | 0:35:15 | 0:35:17 | |
I will. Which bit? The bracelet in particular. You quite like that one. | 0:35:17 | 0:35:21 | |
I do, I quite like the bracelet. It's modern. Do you think it'll sell here? | 0:35:21 | 0:35:25 | |
I think so. It's very pretty. | 0:35:25 | 0:35:27 | |
As pictured here, it's going to be on shortly. 60, 40, 30. 35, 40. | 0:35:27 | 0:35:34 | |
At 40, at 40. 45, 45, 45. At 45. | 0:35:34 | 0:35:39 | |
At 45, on the internet, at 45. | 0:35:39 | 0:35:43 | |
Front row. 50, thank you. At 50 now. 50 now. | 0:35:43 | 0:35:47 | |
At 50, at 50, at 50, the sum of ?50 on my right. | 0:35:47 | 0:35:50 | |
At ?50, thank you, madam, at ?50. | 0:35:50 | 0:35:53 | |
That's good. Yes. Good bling price. Yes. | 0:35:53 | 0:35:59 | |
A fantastic ?50, which takes us further in the right direction. | 0:36:00 | 0:36:03 | |
Back by popular demand, the first auctioneer. | 0:36:03 | 0:36:06 | |
Will he be successful in selling the wooden half a keg? | 0:36:06 | 0:36:09 | |
OK, it's the grain measure that never was. | 0:36:09 | 0:36:13 | |
It might have been an umbrella stand or any other myriad of functions. | 0:36:13 | 0:36:18 | |
Yes. I think it's just a really nice, warm colour. Great patina on the wood. | 0:36:18 | 0:36:23 | |
So, let's hope, Sheila, that lots of other people like it as well. Yes. | 0:36:23 | 0:36:26 | |
60 for that. 60 for that. 40. | 0:36:26 | 0:36:30 | |
?20, to start me up. 20, thank you, Matty. | 0:36:30 | 0:36:33 | |
20 bid, 20 bid, ?20. 22. 25. 28. 30. | 0:36:33 | 0:36:39 | |
30 bid, 30, ?30. | 0:36:39 | 0:36:42 | |
You should try... try bidding yourself. | 0:36:42 | 0:36:45 | |
35, 40 bid, 40 bid. | 0:36:45 | 0:36:48 | |
40, 40. At ?40. At ?40. | 0:36:48 | 0:36:51 | |
The keg goes under the hammer this time, selling in the middle, then, 40, ?40. | 0:36:51 | 0:36:56 | |
Great, that reached James's top estimate. | 0:36:56 | 0:36:59 | |
I think the auctioneer's safe description did the trick. | 0:36:59 | 0:37:03 | |
Let's hope they'll be barking mad | 0:37:03 | 0:37:05 | |
for our next lot too. | 0:37:05 | 0:37:07 | |
These are our interloper lots, | 0:37:07 | 0:37:09 | |
the two dogs that snuck in behind my back. Yes! | 0:37:09 | 0:37:12 | |
THEY CHUCKLE | 0:37:12 | 0:37:13 | |
I think they're very attractive. | 0:37:13 | 0:37:15 | |
It's a question of whether enough people have seen them, I guess. Do you think that...? | 0:37:15 | 0:37:19 | |
I hope so, as well, yes. The little kennel behind the wardrobe. | 0:37:19 | 0:37:23 | |
They've got 50 to 80 on them as an estimate. We've got a reserve of 50. | 0:37:23 | 0:37:27 | |
I'm hoping they'll make north of ?100. | 0:37:27 | 0:37:29 | |
100 for these. | 0:37:29 | 0:37:31 | |
Quite little fun subjects. ?100. | 0:37:31 | 0:37:33 | |
?100. 80. | 0:37:33 | 0:37:35 | |
50 for the pair. | 0:37:36 | 0:37:37 | |
30 is low, 30 is low, 30 is low. | 0:37:37 | 0:37:39 | |
?30. 35. 40 bid. | 0:37:39 | 0:37:41 | |
45. | 0:37:41 | 0:37:43 | |
50 bid. | 0:37:43 | 0:37:45 | |
55. 55. 60. 60. 60. 65. | 0:37:45 | 0:37:49 | |
70 bid. | 0:37:49 | 0:37:51 | |
70 in the black. 70 in the black. | 0:37:51 | 0:37:53 | |
?70. For ?70. For ?70. | 0:37:53 | 0:37:56 | |
I'm going once, twice, this time it's gone. 70. | 0:37:56 | 0:37:59 | |
Right-hand side. | 0:37:59 | 0:38:01 | |
It was within what they said. | 0:38:01 | 0:38:04 | |
I just thought that the pair of these would have gone on a bit... | 0:38:04 | 0:38:07 | |
I suppose here... | 0:38:07 | 0:38:08 | |
We can't be disappointed, because it was within estimate. But I thought... | 0:38:08 | 0:38:13 | |
Mmmm, I think someone got a bargain there. I think so too. | 0:38:13 | 0:38:16 | |
Selling for a very reasonable ?70, | 0:38:16 | 0:38:19 | |
I think the Forests were hoping for a little bit more. | 0:38:19 | 0:38:22 | |
Maybe the three prints by famous illustrator Alan Aldridge, | 0:38:22 | 0:38:26 | |
valued at ?20-?40, | 0:38:26 | 0:38:28 | |
will bring some more animal magic to the auction room. | 0:38:28 | 0:38:31 | |
They are a product of the hippy and the flower power era, aren't they? | 0:38:32 | 0:38:36 | |
The early '70s. | 0:38:36 | 0:38:38 | |
I acquired them at that time from a printer friend of mine. | 0:38:40 | 0:38:45 | |
Well, I don't know if they'll do very well, | 0:38:45 | 0:38:49 | |
but they're really quite attractive and very well done, of course. | 0:38:49 | 0:38:52 | |
I'd like ?40. ?40. ?30. | 0:38:52 | 0:38:57 | |
?20, you're buying three. | 0:38:57 | 0:38:59 | |
10 is low, 10 is low, 10 is low. | 0:38:59 | 0:39:01 | |
10. 12. 15. | 0:39:01 | 0:39:02 | |
18. ?18. | 0:39:02 | 0:39:05 | |
20, go, 20, go. 20, go. | 0:39:05 | 0:39:07 | |
22. ?22. Left hand, now. 22. | 0:39:07 | 0:39:10 | |
Left-hand side, last one going here. | 0:39:10 | 0:39:12 | |
There you go. Brilliant. Exactly, that's what we can ever hope for. | 0:39:12 | 0:39:16 | |
I agree. This is a very special item. | 0:39:16 | 0:39:19 | |
That takes us ?22 closer to our target. | 0:39:19 | 0:39:23 | |
Although I'm not sure our next lot will be suitable | 0:39:23 | 0:39:26 | |
for all the audience here today... | 0:39:26 | 0:39:28 | |
Time for some genteel smut. | 0:39:28 | 0:39:30 | |
It's the McGill postcards. Let's hope they fetch a funny price! | 0:39:30 | 0:39:35 | |
You never know, do you? Absolutely wonderful artwork. | 0:39:35 | 0:39:38 | |
The seaside saucies, how do you see those? ?50. | 0:39:38 | 0:39:41 | |
?50. ?30, I start. | 0:39:41 | 0:39:44 | |
?20, ?20, ?20. | 0:39:44 | 0:39:46 | |
22. 25. | 0:39:46 | 0:39:48 | |
25, 25, 25. 28. | 0:39:48 | 0:39:51 | |
30. | 0:39:51 | 0:39:52 | |
30 now. ?30. At ?30? | 0:39:52 | 0:39:56 | |
At ?30, on the saucy seaside, | 0:39:56 | 0:39:58 | |
we're going this time, finishing now, 30. | 0:39:58 | 0:40:02 | |
That's OK. I think that's all right. | 0:40:02 | 0:40:05 | |
I'm happy with that. It IS a specialised market. | 0:40:05 | 0:40:08 | |
Although most people have heard of him, | 0:40:08 | 0:40:10 | |
in a sort of general sale like this, | 0:40:10 | 0:40:12 | |
this is the sort of thing you're either going to get lucky or you're not. | 0:40:12 | 0:40:16 | |
We should be happy with that. We've done well on lots of other items. We have. | 0:40:16 | 0:40:20 | |
Under estimate at ?30, but still a sale nonetheless. | 0:40:20 | 0:40:24 | |
Hopefully it won't affect our final total too much. | 0:40:24 | 0:40:28 | |
What a day. How was your first day at the auctions? | 0:40:28 | 0:40:31 | |
Lovely. We enjoyed it. Very interesting. | 0:40:31 | 0:40:33 | |
I was worried on the day in Surbiton that we wouldn't to make it. We were quite short of the target. | 0:40:33 | 0:40:38 | |
We wanted ?500, you actually made ?687. You're joking?! | 0:40:38 | 0:40:43 | |
That's brilliant! That's really good. Excellent. | 0:40:43 | 0:40:45 | |
Absolutely wonderful. | 0:40:45 | 0:40:47 | |
That'll get your lamps and probably a little more. Something else. Maybe a meal out. | 0:40:47 | 0:40:51 | |
Very pleased. Thanks very much. Thanks, everyone. It's been good. | 0:40:51 | 0:40:55 | |
It's been a couple of weeks since Alan and Sheila raised ?687 at auction. | 0:41:02 | 0:41:06 | |
They've come along to their local lighting shop | 0:41:06 | 0:41:09 | |
to look for some suitable lamps to brighten up their new home. | 0:41:09 | 0:41:13 | |
Oh, an Art Deco one, look. | 0:41:13 | 0:41:16 | |
With such a wide array on display, they're spoilt for choice. | 0:41:16 | 0:41:20 | |
And while some seem perfect... | 0:41:20 | 0:41:22 | |
Another Tiffany one, that's really nice. Yeah. Isn't it? | 0:41:22 | 0:41:26 | |
..others are not quite up their street. | 0:41:26 | 0:41:28 | |
Oh, my goodness! | 0:41:28 | 0:41:30 | |
But it's certainly given Sheila something to think about. | 0:41:30 | 0:41:34 | |
I haven't quite seen what I wanted, but I've got some ideas now. | 0:41:34 | 0:41:38 | |
I didn't get the crystal and the black, but I've seen some Tiffany lamps, | 0:41:38 | 0:41:41 | |
so I've got some nice ideas now to take up with me to Scotland. | 0:41:41 | 0:41:45 | |
On the way home, they've decided to stop off for a taste of things to come. | 0:41:45 | 0:41:48 | |
I really fancy the haggis. I think I'll have it. | 0:41:50 | 0:41:53 | |
With their move to Scotland imminent, it's time to get familiar with local traditions. | 0:41:53 | 0:41:57 | |
Alan seems to have embraced that thought wholeheartedly. | 0:41:57 | 0:42:02 | |
That is a real one! You have to kill that first. | 0:42:02 | 0:42:05 | |
I stab him with my knife! | 0:42:05 | 0:42:08 | |
Pour this over. | 0:42:08 | 0:42:10 | |
And a little bit for me. Not too much! | 0:42:13 | 0:42:15 | |
Mmm! | 0:42:15 | 0:42:17 | |
Very nice. | 0:42:18 | 0:42:20 | |
It's just the sort of food you'd expect | 0:42:20 | 0:42:22 | |
on a cold, frosty day in Scotland, | 0:42:22 | 0:42:26 | |
with the haggis and the sausages, and the neeps...and the whisky! | 0:42:26 | 0:42:30 | |
No, it was really enjoyable, and it just put us in the frame of mind to start this process, | 0:42:30 | 0:42:37 | |
or carry on this process, to move up and achieve a new start in our life. | 0:42:37 | 0:42:42 | |
We can't wait to go now. | 0:42:42 | 0:42:43 | |
Subtitles by Red Bee Media Ltd | 0:43:06 | 0:43:10 | |
MUSIC: "Ring, Ring" by Abba | 0:43:14 | 0:43:17 | |
Menswear. | 0:43:17 | 0:43:18 | |
This is Night Hawk. Can you hear me? Over. | 0:43:18 | 0:43:21 | |
Of course I can hear you. | 0:43:21 | 0:43:24 | |
Where are you? | 0:43:24 | 0:43:25 | |
Naughty boy. | 0:43:25 | 0:43:27 | |
Anything I can do? | 0:43:27 | 0:43:30 | |
Just a routine inquiry. | 0:43:31 | 0:43:32 | |
Well, it's either a problem on the line or it's out of order. | 0:43:32 | 0:43:35 | |
The phones were simpler, but the mix-ups weren't. | 0:43:35 | 0:43:38 | |
Enjoy afternoon classics: | 0:43:38 | 0:43:40 |