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Welcome to Cash In The Attic - | 0:00:02 | 0:00:04 | |
the show that finds hidden treasures in your home and sells them at auction. | 0:00:04 | 0:00:07 | |
I'm just north of London and behind me is this beautiful abbey, | 0:00:07 | 0:00:11 | |
which gives the place its name. | 0:00:11 | 0:00:13 | |
Yes, I'm in Waltham Abbey, and although this building | 0:00:13 | 0:00:16 | |
may look slightly humble, it's got a very historic provenance. | 0:00:16 | 0:00:21 | |
A settlement existed here in Saxon times, but the earliest recorded history of the town | 0:00:24 | 0:00:29 | |
dates back to the reign of King Canute, when a member of the Royal Court, | 0:00:29 | 0:00:32 | |
Tovey The Proud, brought a stone crucifix from his estate in Somerset to Waltham. | 0:00:32 | 0:00:38 | |
From this is derived the old name for the district, Waltham Holy Cross. | 0:00:40 | 0:00:45 | |
In 1177, Henry II founded the church as an Augustine abbey | 0:00:45 | 0:00:49 | |
as part of his penance for the murder of Thomas Becket. | 0:00:49 | 0:00:54 | |
So, let's hope we find plenty of antiques and collectibles | 0:00:54 | 0:00:57 | |
that will excite the bidders when they go under the hammer at auction. | 0:00:57 | 0:01:02 | |
Coming up on today's Cash In The Attic, our expert Jonty gets to find out how the other half live. | 0:01:22 | 0:01:29 | |
Dinner is served, madam! Oh, wow! | 0:01:29 | 0:01:31 | |
While I might get to live it up a bit! | 0:01:31 | 0:01:33 | |
We will get Lorne dancing on the table. | 0:01:33 | 0:01:36 | |
She might scratch it! But, will we have something to party about when it comes to the auction? | 0:01:36 | 0:01:41 | |
Fantastic! Aw, great! That's brilliant. | 0:01:41 | 0:01:44 | |
Find out when the hammer falls. | 0:01:44 | 0:01:47 | |
I'm on my way to meet a lady and her niece who have called us in | 0:01:47 | 0:01:52 | |
not to their house, but to the home of a much loved member of the family. | 0:01:52 | 0:01:57 | |
This large Victorian house in Enfield, North London, used to be home | 0:01:57 | 0:02:01 | |
to 49 year old journalist Caroline, who grew up here with her family, | 0:02:01 | 0:02:05 | |
and it still belongs to her elderly mother. | 0:02:05 | 0:02:08 | |
Caroline's niece Lauren is also very attached to the house, having spent | 0:02:08 | 0:02:12 | |
a lot of her time here as a child visiting her grandparents. | 0:02:12 | 0:02:16 | |
Together, they've called in Cash In The Attic, so granny can enjoy | 0:02:16 | 0:02:19 | |
her new life somewhere a little bit more low maintenance. | 0:02:19 | 0:02:24 | |
Morning, Jonty! How it was the abbey? | 0:02:24 | 0:02:27 | |
Oh, absolutely beautiful, especially on a morning like this. | 0:02:27 | 0:02:31 | |
I know. This is an interesting property. | 0:02:31 | 0:02:33 | |
I know. I think it needs a bit of renovation | 0:02:33 | 0:02:36 | |
because today we're actually meeting the lady and her niece. OK. | 0:02:36 | 0:02:39 | |
The lady who owns this property has gone into a home. Right. | 0:02:39 | 0:02:42 | |
So, we've got a big clearance job here. Time to get my hands dirty. Yeah, and you're looking very smart. | 0:02:42 | 0:02:48 | |
And I've got white on! | 0:02:48 | 0:02:49 | |
Ah, hello, guys! Hi, Lorne! | 0:02:52 | 0:02:55 | |
So, you must be Caroline? Yeah. And you must be Lauren? | 0:02:55 | 0:02:57 | |
Yep. OK, so this is your mother's house, is that right? | 0:02:57 | 0:03:00 | |
This is my mother's house, and Lauren's grandmother's house, yes. | 0:03:00 | 0:03:03 | |
Right, OK. We've called in Cash In The Attic because my mother used to live here, for about 40 years, | 0:03:03 | 0:03:09 | |
and she's recently gone into a convalescent home, and we need to raise | 0:03:09 | 0:03:13 | |
as much money as we can to pay the home fees and to pay to make her room a little bit more comfortable. | 0:03:13 | 0:03:19 | |
And I understand you've just under A-levels, is that right? | 0:03:19 | 0:03:21 | |
Yeah, I've just done them now and then I'll be starting my A2 when I go back to school. | 0:03:21 | 0:03:24 | |
So, how did your exams go? OK, yeah. Yeah? I think so. Good, good. | 0:03:24 | 0:03:28 | |
OK, so the point of the rummage today is to clear out some stuff. | 0:03:28 | 0:03:32 | |
This sounds funny, because she used to go off to antiques sales and stuff like that and I don't remember it, | 0:03:32 | 0:03:39 | |
so we've come across a lot of stuff we actually didn't know she had. | 0:03:39 | 0:03:42 | |
We don't know what it's worth. We don't know what it's made of. | 0:03:42 | 0:03:45 | |
We don't know how old it is and that's why we've called in | 0:03:45 | 0:03:47 | |
the experts to give us some sort of advice. | 0:03:47 | 0:03:49 | |
So, tell me, Caroline, what sort of money are you looking to raise? | 0:03:49 | 0:03:52 | |
I really don't know! I mean, if we got, you know, ?500, ?600, ?700, ?800 I'd be very happy. | 0:03:52 | 0:03:59 | |
That would really help, so... OK, so, shall we start high and work our way down? Shall we say ?800? | 0:03:59 | 0:04:04 | |
Yes. Let's say ?800, which would be a contribution to the care home fees | 0:04:04 | 0:04:08 | |
and also to make her room a little bit more homely. | 0:04:08 | 0:04:11 | |
Well, shall we go and see what Jonty's found? Yep. | 0:04:11 | 0:04:14 | |
OK, come on, follow me! | 0:04:14 | 0:04:17 | |
Caroline's mum's house is full of fabulous antiques that she's | 0:04:17 | 0:04:21 | |
collected over the years, but now they're gathering dust, so it's time to turn them into hard cash. | 0:04:21 | 0:04:26 | |
With so much stuff to rummage through, our antique hunter, Jonty Hearnden, is in his element. | 0:04:26 | 0:04:31 | |
Already he's spotted something that has taken his fancy. Hi, Jonty! | 0:04:31 | 0:04:37 | |
Hello! Ah! You've found something beautiful, by the looks of it. | 0:04:37 | 0:04:41 | |
It's a fabulous lady's writing table. Oh, is it a lady's one? | 0:04:41 | 0:04:45 | |
These are known as Davenports. That's the technical name for these small, little desks. | 0:04:45 | 0:04:50 | |
So, what's the story here? | 0:04:50 | 0:04:52 | |
My grandfather was a butcher, and I can remember when I was very small | 0:04:52 | 0:04:55 | |
going into his butcher's shop with sawdust on the floor, a very old fashioned butcher's shop, | 0:04:55 | 0:05:00 | |
and in the back of the shop there was an office area and this desk was in the office area of the shop. | 0:05:00 | 0:05:06 | |
Now, I haven't found any sausages or anything in here, | 0:05:06 | 0:05:10 | |
but it's full of all sorts of goodies. Oh, look at those lovely drawers! | 0:05:10 | 0:05:13 | |
But look at this for an interior! Fabulous. This side drawer here | 0:05:13 | 0:05:16 | |
seems to go on and on and on. I know. It's supposed to be like a secret drawer, which I assume | 0:05:16 | 0:05:21 | |
is if it's in the shop this is where you put your cash. Absolutely. | 0:05:21 | 0:05:25 | |
That makes absolute sense that that is where it would go. | 0:05:25 | 0:05:28 | |
So, would it have been custom made, do you think? I think you're right. Because it looks as though, yeah... | 0:05:28 | 0:05:32 | |
Yeah, because how it would ordinarily have looked is that you | 0:05:32 | 0:05:35 | |
would have had another barley twist support on the front here. | 0:05:35 | 0:05:38 | |
Oh, right, OK. Without this side drawer. Oh, right! | 0:05:38 | 0:05:40 | |
But I've had a close look, and I do believe that it's all integral, | 0:05:40 | 0:05:45 | |
which is fascinating. The material they've used is walnut. | 0:05:45 | 0:05:48 | |
And date, we're looking at about 1840, so it wouldn't have been made for your grandfather. | 0:05:48 | 0:05:54 | |
Without this on, I think, quite frankly, it would be more attractive, but... | 0:05:54 | 0:05:57 | |
Although... Yes? | 0:05:57 | 0:06:00 | |
Although, given that now computers have come down so much in size | 0:06:00 | 0:06:03 | |
and laptops are the favoured sort of equipment, you could | 0:06:03 | 0:06:05 | |
work there with a laptop and you could have all your CDs in there. | 0:06:05 | 0:06:09 | |
And you can put your printer on the side. Yes! | 0:06:09 | 0:06:11 | |
So, they were forward thinking in the Victorian era. | 0:06:11 | 0:06:13 | |
I should be in sales, shouldn't I? As far as value, have you ever... | 0:06:13 | 0:06:18 | |
I bet you've never even thought about how much this is worth. No, I've absolutely no idea. | 0:06:18 | 0:06:22 | |
No? Well, I think in the market today we're looking at ?400 to ?600. | 0:06:22 | 0:06:25 | |
Fantastic! God, that just amazes me, I have to say! So, what do you think? | 0:06:25 | 0:06:29 | |
Is that something we can put in the auction? | 0:06:29 | 0:06:31 | |
I'm not sure about that, because it's got so much family history and because it's a lovely piece, | 0:06:31 | 0:06:36 | |
I'm tempted to keep it. | 0:06:36 | 0:06:38 | |
But on the other hand, ?400 to ?600 is quite a lot of money, so... | 0:06:38 | 0:06:42 | |
Why don't we work on the basis then that you just let us know on the day | 0:06:42 | 0:06:46 | |
of the auction, because we've got a few weeks to worry about that? Yeah. | 0:06:46 | 0:06:49 | |
Right, that would have been a substantial sum towards our target, | 0:06:49 | 0:06:52 | |
but we can't count on this, so plenty of other rooms to go through. | 0:06:52 | 0:06:55 | |
So, shall we go and see what we can sell? | 0:06:55 | 0:06:57 | |
Caroline's faced with a dilemma. | 0:06:57 | 0:07:00 | |
Holding on to a family heirloom or trading it in for an estimated ?400 to ?600 towards her mum's care fees? | 0:07:00 | 0:07:07 | |
But the search must go on and I've come up with this Victorian Staffordshire washstand set, | 0:07:10 | 0:07:16 | |
including basin and chamber pot. | 0:07:16 | 0:07:18 | |
In today's market, it's definitely more decorative than practical, | 0:07:18 | 0:07:23 | |
but should still be worth between ?60 to ?80 to a collector. | 0:07:23 | 0:07:27 | |
Dinner is served, madam! | 0:07:27 | 0:07:28 | |
Oh, wow! Look at that! | 0:07:28 | 0:07:31 | |
That is a real butcher's serving dish, isn't it? | 0:07:31 | 0:07:35 | |
Yes! You can imagine the joint of beef underneath that. | 0:07:35 | 0:07:39 | |
It would be enormous, wouldn't it? Wow! It'd feed a family of 10! | 0:07:39 | 0:07:43 | |
Do you remember it at all? Yes, I can remember this round my grandparents' place, | 0:07:43 | 0:07:48 | |
but I can't say I've really seen it since, and that was a long time ago! | 0:07:48 | 0:07:52 | |
This serving dish, or serving top, really came from another family | 0:07:52 | 0:07:58 | |
because what we've got here is what has to be a family crest. | 0:07:58 | 0:08:03 | |
So, I suspect that your grandfather wouldn't have had a family crest. | 0:08:03 | 0:08:06 | |
No, not as far as I know, no. And the other thing to note, really, is that it's not silver. | 0:08:06 | 0:08:11 | |
You can tell it's plated silver, and not by looking for hallmarks, | 0:08:11 | 0:08:15 | |
but by, can you see this bubbling that has taken place here? | 0:08:15 | 0:08:19 | |
Well, that's literally the plate, the plating moving away from the copper that's underneath. | 0:08:19 | 0:08:24 | |
Right. So, it's oxidising. and changing form. | 0:08:24 | 0:08:27 | |
And the only other thing to note is that the tray itself didn't start life with the lid. | 0:08:27 | 0:08:33 | |
Really? The decoration is slightly different. You've got beads running around the side here | 0:08:33 | 0:08:37 | |
and this embossed decoration round the tray. | 0:08:37 | 0:08:41 | |
And if you see, as I place it over the tray like so... | 0:08:41 | 0:08:44 | |
It doesn't quite fit, does it? It's not quite snug enough, is it? | 0:08:44 | 0:08:47 | |
Right! Gosh! But don't worry about that. | 0:08:47 | 0:08:49 | |
We can sell the two together and we're looking at ?40 to ?60. | 0:08:49 | 0:08:52 | |
Oh, wow! Yeah? That will be lovely. | 0:08:52 | 0:08:54 | |
All we need to do now is find a bidder at auction who likes dinner to be served the old fashioned way! | 0:08:54 | 0:09:00 | |
While Caroline is reluctant to sell the desk from her grandfather's butcher's shop, | 0:09:00 | 0:09:06 | |
this Edwardian mahogany roll top desk has less sentimental value, | 0:09:06 | 0:09:10 | |
and ?80 to ?120 is a useful addition to her mother's care home fund. | 0:09:10 | 0:09:17 | |
While Jonty carries on his journey through the house that time forgot, | 0:09:17 | 0:09:21 | |
I'm keen to find out a bit more about why Caroline's called us in. | 0:09:21 | 0:09:26 | |
So, Caroline, tell me a little bit about this house. Has it changed much since you were a child? | 0:09:26 | 0:09:29 | |
No! Not at all, actually. It's a beautiful old house, | 0:09:29 | 0:09:34 | |
but it's very dark and it's very big. | 0:09:34 | 0:09:37 | |
I used to love it as a child because there was plenty of rooms, | 0:09:37 | 0:09:40 | |
but a lot of them were out of bounds to children. | 0:09:40 | 0:09:43 | |
Like the dining room was out of bounds | 0:09:43 | 0:09:45 | |
and the study, because my father was working in there. | 0:09:45 | 0:09:48 | |
So, how do you feel about the fact that the property is not in use now? | 0:09:48 | 0:09:52 | |
Well, it's very sad, but you do feel that you need to make the most of what has been invested here, because, | 0:09:52 | 0:09:59 | |
you know, we're looking to the future, looking to my mum's future, and she needs the money now. | 0:09:59 | 0:10:04 | |
So, we need to capitalise on her investments. | 0:10:04 | 0:10:07 | |
So, what were the circumstances leading up to your mother going into the home? | 0:10:07 | 0:10:11 | |
Well, she lived here for about two years by herself after my father died | 0:10:11 | 0:10:15 | |
and then she had a fall and went into hospital. | 0:10:15 | 0:10:17 | |
And after she was in hospital, she wasn't able to look after herself, | 0:10:17 | 0:10:22 | |
so it was probably best to go into some sort of care home. | 0:10:22 | 0:10:27 | |
Don't you think though, situations like this bring families together? | 0:10:27 | 0:10:30 | |
Yes, I do. It's quite a big problem we've got here and we've got to pool all our resources to solve it. | 0:10:30 | 0:10:36 | |
But what happens, you know, my sister thinks one thing's worth something, and I think it's not and vice versa. | 0:10:36 | 0:10:42 | |
So, we disagree over the value of a lot of items. | 0:10:42 | 0:10:46 | |
So, Jonty is playing judge and jury almost in there then today? | 0:10:46 | 0:10:49 | |
Yes, exactly, yeah. Well, we're going to do it here! No, we're not! | 0:10:49 | 0:10:54 | |
So, shall we go and see if Jonty has made any progress inside? Lovely! | 0:10:54 | 0:10:57 | |
With so many vintage collectibles to rummage through, Jonty has got his work cut out, | 0:10:57 | 0:11:02 | |
but luckily he's got keen student Lauren to help sift through her granny's possessions. | 0:11:02 | 0:11:07 | |
Jonty! | 0:11:07 | 0:11:09 | |
There are some books here. I'm not sure if they're any good or not. | 0:11:09 | 0:11:13 | |
You mean you're still studying! Yes! | 0:11:13 | 0:11:16 | |
You can't keep your nose out of a good book, can you? Now, what have we got here? | 0:11:16 | 0:11:22 | |
We have Descriptive Album Of London. | 0:11:22 | 0:11:24 | |
OK, let's have a quick look. | 0:11:24 | 0:11:26 | |
Aha! Now, this is a photographical illustrated book here | 0:11:26 | 0:11:30 | |
and this would have been made around the turn of the century. | 0:11:30 | 0:11:32 | |
You can tell that just by looking at the images. Oh, right. So, was it for tourists, or... | 0:11:32 | 0:11:38 | |
They were, literally, for people to peruse. | 0:11:38 | 0:11:40 | |
So, not necessarily for tourists, but for people to show off | 0:11:40 | 0:11:43 | |
just on this particular book here, just how grand London was. | 0:11:43 | 0:11:47 | |
And round the turn of the century, London was the all happening, all singing, all dancing city. | 0:11:47 | 0:11:53 | |
I mean, look there's Buckingham Palace, | 0:11:53 | 0:11:55 | |
and you can see just how different it kind of looks, as well. | 0:11:55 | 0:11:59 | |
Very deserted! Yes, yeah. | 0:11:59 | 0:12:01 | |
But these are great to just to look through because it sums up the era, it sums up the time. Yeah. | 0:12:01 | 0:12:06 | |
So, what have we got here? This is The Atlas Of The British Isles. Yes. | 0:12:06 | 0:12:10 | |
Wow! Look at the size of that! And it's heavy, too! | 0:12:10 | 0:12:14 | |
OK, if you turn the first few pages of any book, the right information should pop up in front of you. | 0:12:14 | 0:12:19 | |
Oh, right. So, this is your title here, The New Large Scale Atlas Of The British Isles. | 0:12:19 | 0:12:24 | |
And we've got the date here of 1893, so that's when it would have been published. | 0:12:24 | 0:12:29 | |
So, all that information is here, but then we've got all these | 0:12:29 | 0:12:32 | |
fabulous plates of, of course, Great Britain. | 0:12:32 | 0:12:36 | |
Again, it's a snapshot in time, but done topographically, rather than photographically. Oh, right, yeah. | 0:12:36 | 0:12:43 | |
It has seen better days. Yeah. | 0:12:43 | 0:12:45 | |
And for all those reasons, we will sell these... Together? | 0:12:45 | 0:12:48 | |
Three books together. Yeah. All right? Value? | 0:12:48 | 0:12:50 | |
Not a huge amount, but ?40 to ?60. | 0:12:50 | 0:12:53 | |
Oh, right. That's great. I mean, it all adds up, so... So, geography not your thing? | 0:12:53 | 0:12:58 | |
Not really, but I find it all very interesting anyway. | 0:12:58 | 0:13:00 | |
Rummaging through this house is like having a history lesson. | 0:13:00 | 0:13:04 | |
There are so many antiques from a bygone age. | 0:13:04 | 0:13:07 | |
These 12 large 19th century willow pattern service plates | 0:13:07 | 0:13:13 | |
belong to an era of elegant suppers and formal dining, | 0:13:13 | 0:13:17 | |
but they're still worth between ?100 and ?150 in today's market. | 0:13:17 | 0:13:22 | |
The next item I've stumbled across is also evocative of times gone by. | 0:13:22 | 0:13:27 | |
Oh, this is a lovely clock. Look at this! | 0:13:27 | 0:13:29 | |
Gosh, it weighs a ton, doesn't it? | 0:13:29 | 0:13:31 | |
Right, OK. So, tell me the history about this, then? | 0:13:31 | 0:13:35 | |
Well, this was in my grandfather's butcher's shop. Right. | 0:13:35 | 0:13:39 | |
Bush Hill Parade, that's just down the road. OK. | 0:13:39 | 0:13:42 | |
Now, Dennis Slow, I don't know what that is. | 0:13:42 | 0:13:45 | |
I don't know if that might be the clockmaker? I have no idea. | 0:13:45 | 0:13:48 | |
Well, shall we find out? Let's see what Jonty says? Jonty! | 0:13:48 | 0:13:51 | |
What have we got? Wall clock! Wow! | 0:13:51 | 0:13:54 | |
We know that it's come from the family butcher's shop, but we're not sure about | 0:13:54 | 0:13:58 | |
the Dennis Slow connection, because that's not the family name. | 0:13:58 | 0:14:01 | |
Well, I think Dennis Slow would be another retailer on the High Street. | 0:14:01 | 0:14:05 | |
If you see here that the size of the lettering is exactly the same size just down here, as well. | 0:14:05 | 0:14:11 | |
So, would this be a standard clock that you'd phone up and say, | 0:14:11 | 0:14:15 | |
I want this name and this address on it, and it'd be done individually? | 0:14:15 | 0:14:19 | |
Yes, it's the sort of thing that you would customise a clock like this and the retailer, or whoever sold | 0:14:19 | 0:14:25 | |
you the clock, would be able to put the lettering of the name of who you were and where you were, | 0:14:25 | 0:14:30 | |
or whatever else you wanted to put on the clock facia, as well. | 0:14:30 | 0:14:34 | |
Now, we need to take a closer look at the workings at the back, | 0:14:34 | 0:14:37 | |
because that will give us some indication as to the quality of the clock itself. | 0:14:37 | 0:14:41 | |
So, let's have a look at this. | 0:14:41 | 0:14:44 | |
Let's have a look on the inside, there. | 0:14:44 | 0:14:46 | |
Now, that's great! Now, we've got this plate here which doesn't tell | 0:14:46 | 0:14:48 | |
us very much, but if I put my hand in on the inside here and... | 0:14:48 | 0:14:53 | |
That's really good. On the inside here we have a fuso movement, | 0:14:53 | 0:14:56 | |
which regulates the strength of the pendulum | 0:14:56 | 0:15:00 | |
so that you get much more accuracy in telling time. | 0:15:00 | 0:15:05 | |
And that was a British invention and it's another indicator | 0:15:05 | 0:15:08 | |
that shows you that the clock itself is a British made clock. I think it's fabulous! | 0:15:08 | 0:15:13 | |
So, what sort of price are we talking about? I think that clock is worth ?200 to ?300. | 0:15:13 | 0:15:18 | |
That's not bad, is it? That's not bad for a clock, is it? | 0:15:18 | 0:15:19 | |
So, are you happy to sell it? Yes, definitely. | 0:15:19 | 0:15:21 | |
Well, that's going to chip in to the total very nicely, isn't it? Isn't it? Definitely. | 0:15:21 | 0:15:25 | |
I think it's best to leave it there for safe keeping. Yeah. | 0:15:25 | 0:15:28 | |
So, shall we see where you've been? Pack this one up! | 0:15:28 | 0:15:32 | |
So, despite the family connection, Caroline is happy to let the clock go to auction. | 0:15:32 | 0:15:38 | |
This set of bleached walnut bedroom furniture, | 0:15:38 | 0:15:41 | |
including two wardrobes and dressing table, | 0:15:41 | 0:15:44 | |
should also bolster her mum's care home fund by ?180 to ?230. | 0:15:44 | 0:15:50 | |
Caroline's found some more crockery that she's happy to sell, if it's worth taking to auction. | 0:15:50 | 0:15:55 | |
Jonty, I was just about to call you. Yeah? What do you think of this? It says Royal Doulton, | 0:15:55 | 0:16:00 | |
but I don't know if that's genuine or not. | 0:16:00 | 0:16:03 | |
Absolutely spot on. It is Royal Doulton | 0:16:03 | 0:16:06 | |
and this back stamp absolutely correct. So, where was it from? | 0:16:06 | 0:16:10 | |
I assume it belonged to my grandmother. | 0:16:10 | 0:16:12 | |
That's my grandmother over there in the portrait, over there. | 0:16:12 | 0:16:16 | |
That's great. Now, let's have a look in closer detail at the pattern, here. | 0:16:16 | 0:16:20 | |
We've got this sort of stylised, I suppose, leaf decoration. | 0:16:20 | 0:16:23 | |
Yes, yes. Which is very simple in its form | 0:16:23 | 0:16:26 | |
and if you look at the mark on the back here, that's the pattern name, Lynn. | 0:16:26 | 0:16:31 | |
Oh, right, OK. OK? And this back stamp here is used, or was used, | 0:16:31 | 0:16:36 | |
by the Royal Doulton factory at the first part of the 20th century. | 0:16:36 | 0:16:40 | |
And they became Royal Doulton in 1901, | 0:16:40 | 0:16:43 | |
so this is obviously a 20th century serving, dinner serving set. | 0:16:43 | 0:16:49 | |
Very, very stylish. This cream ground with this very simple, | 0:16:49 | 0:16:53 | |
very light, sort of almost like spring green lawn colour, isn't it? | 0:16:53 | 0:16:58 | |
Yes. It is, yeah. And the angles. Look at this sauce boat here. Deco. | 0:16:58 | 0:17:02 | |
So, we're talking 1920s, 1930s. Oh, brilliant! | 0:17:02 | 0:17:06 | |
So, this dinner service would have been made really between the wars. | 0:17:06 | 0:17:09 | |
Right, right. OK? I noticed that there are a few chips and breaks. | 0:17:09 | 0:17:13 | |
Yes, I was going to ask you about those. Yeah. There's one there, I see. Yeah, exactly. | 0:17:13 | 0:17:17 | |
Ballpark figure, ?40 to ?60. | 0:17:17 | 0:17:19 | |
Oh, wow. That would be nice. That's because of the damage. | 0:17:19 | 0:17:22 | |
If it had been less damaged, more money. Right, yes. | 0:17:22 | 0:17:25 | |
But don't worry about that because it's all totting up quite nicely. | 0:17:25 | 0:17:28 | |
It is, isn't it? Yes. Good! | 0:17:28 | 0:17:30 | |
Let's go this way. OK. | 0:17:30 | 0:17:32 | |
Despite the damage, there should be plenty of takers for this | 0:17:32 | 0:17:35 | |
Royal Doulton art deco dinner service at ?40 to ?60. | 0:17:35 | 0:17:39 | |
Jonty has put the same valuation on this Victorian classic, | 0:17:39 | 0:17:44 | |
consisting of cups, jugs, cake stand and coffee pot. | 0:17:44 | 0:17:49 | |
We're edging towards our target of ?800, but we seem to have barely made a dent in granny's clutter! | 0:17:49 | 0:17:55 | |
Well, there's certainly a lot of stuff here. Yeah! | 0:17:55 | 0:17:59 | |
Was it always like this? Yeah, always. I don't think you could ever get into this room. | 0:17:59 | 0:18:04 | |
It's looking quite, you know... | 0:18:04 | 0:18:05 | |
There was always so much more stuff and we've filled two skips up of rubbish. | 0:18:05 | 0:18:12 | |
Crikey! So, yeah. My grandma never used to throw anything away, so... | 0:18:12 | 0:18:16 | |
Now, what do you think about the idea of selling some of these items? | 0:18:16 | 0:18:19 | |
I think it's a good idea. I mean, they're no good staying in this house at all. | 0:18:19 | 0:18:25 | |
And I think if it benefits my grandma and staying in the home, I think it's a great idea. | 0:18:25 | 0:18:31 | |
Now, I notice in this room there's what looks like the original servants' bell, is that right? | 0:18:31 | 0:18:37 | |
Yes, they were always really fun to play with when I was little! | 0:18:37 | 0:18:40 | |
Every room has a bell which, when you press it, it tells the servants | 0:18:40 | 0:18:46 | |
in the kitchen which room to come into, you know, back in the Victorian times. | 0:18:46 | 0:18:52 | |
So, it's always really fun to go and play with the bells and guess which will room you were in and stuff. | 0:18:52 | 0:18:57 | |
So, it was really great fun! | 0:18:57 | 0:18:59 | |
So, do you think you're going to miss this house eventually, when it goes? | 0:18:59 | 0:19:03 | |
I think I will, because it's always such a nice house, you know? | 0:19:03 | 0:19:06 | |
And you walk past the house with your friends, you always point out, | 0:19:06 | 0:19:09 | |
ah, that's my grandma's house, and they were always very astonished at the size of it. | 0:19:09 | 0:19:15 | |
Are you looking forward to the auction? | 0:19:15 | 0:19:17 | |
Yes, very much so. I've never been to an auction before, so it would be a really good experience, I think. | 0:19:17 | 0:19:21 | |
They're jolly exciting. But, we're not going to get to the auction | 0:19:21 | 0:19:25 | |
if we don't get rid of some of this stuff, are we? | 0:19:25 | 0:19:28 | |
So, shall we carry on and see what we can find? | 0:19:28 | 0:19:30 | |
OK, cool. Well, Caroline's has managed to dig out yet more china. | 0:19:30 | 0:19:34 | |
This time it's a set of five art nouveau period tureens | 0:19:34 | 0:19:38 | |
that should pot us another ?40 to ?80. | 0:19:38 | 0:19:41 | |
And, with time running out, she's also uncovered | 0:19:41 | 0:19:44 | |
one last piece of furniture that might be worth taking to auction. What about this? | 0:19:44 | 0:19:50 | |
Crikey! | 0:19:50 | 0:19:51 | |
That's a table that doesn't usually belong in a bedroom, I would say! | 0:19:51 | 0:19:54 | |
Yeah, yeah. Was it in the dining room once upon a time? Yes. | 0:19:54 | 0:19:57 | |
When my parents moved to sleep downstairs, we brought, obviously, the downstairs stuff upstairs. | 0:19:57 | 0:20:02 | |
So, do you remember using this for family dinners? | 0:20:02 | 0:20:05 | |
Yes. My mother used to be a fantastic cook and we used to have big family dinners in the dining room, | 0:20:05 | 0:20:11 | |
which is quite a big room, and it's a beautiful table. | 0:20:11 | 0:20:14 | |
Yeah, it served very well. So, how did you all get round here, then? | 0:20:14 | 0:20:18 | |
Well, actually, it becomes bigger. There's a leaf here somewhere. | 0:20:18 | 0:20:21 | |
We've got the winder there. Oh, right, OK. There's the leaf. | 0:20:21 | 0:20:25 | |
Fabulous. Let me show you how it works. You put this in here like so, | 0:20:25 | 0:20:28 | |
and it winds up, and that's the reason why the legs are on castors, so that the table moves. | 0:20:30 | 0:20:36 | |
It moves, yes. Can you see that? Yes. | 0:20:36 | 0:20:38 | |
So, here, that extends all the way out, so you place the leaf inside, like so, | 0:20:38 | 0:20:44 | |
so you have the option of being an eight seater or a six seater table. | 0:20:44 | 0:20:46 | |
Solid as a rock. | 0:20:46 | 0:20:49 | |
And have a look at those feet, those really chunky, solid feet there. | 0:20:49 | 0:20:52 | |
That's really good quality, and all of that shows us that this is a mid Victorian table. | 0:20:52 | 0:20:57 | |
Value wise, we're talking ?150 to ?250. | 0:20:57 | 0:21:01 | |
250 would be wonderful, wouldn't it? Do think we get 250 out of it? | 0:21:01 | 0:21:04 | |
And, if we do, we will get Lorne dancing on the table! Yeah, but she might scratch it! | 0:21:04 | 0:21:09 | |
OK, well never mind dancing on the table, which I'm not going to do, | 0:21:09 | 0:21:14 | |
we have run out of time for clearing out any more stuff, but we've done quite well. | 0:21:14 | 0:21:18 | |
So the value of everything going to auction comes to ?970. My goodness! | 0:21:18 | 0:21:23 | |
Well, that's more than the 800 we were hoping for, so it's great! | 0:21:23 | 0:21:26 | |
Now, if you take the Davenport desk, it does make quite a big difference, | 0:21:26 | 0:21:29 | |
because then the value of everything comes to ?1,370. | 0:21:29 | 0:21:34 | |
It's tempting, isn't it? No pressure! No! Well, it is quite significant difference, isn't it? | 0:21:34 | 0:21:38 | |
Just under ?1,000 to almost ?1,400. | 0:21:38 | 0:21:41 | |
So, I guess that will be open for discussion, will it? | 0:21:41 | 0:21:44 | |
Yes, we'll talk about this, yeah. Well, the next and we'll see this beautiful mahogany table | 0:21:44 | 0:21:48 | |
and everything else, will be in the auction house. | 0:21:48 | 0:21:51 | |
Oh, fantastic! Look forward to it! | 0:21:51 | 0:21:53 | |
So, our rummage around this treasure trove of fabulous antiques has thrown up some wonderful items. | 0:21:53 | 0:21:59 | |
Packed up and ready for auction are, | 0:21:59 | 0:22:02 | |
this silver plated serving dish, which hopefully will whet the bidders' appetites at ?40 to ?60. | 0:22:02 | 0:22:09 | |
A large bracket clock, which should sell for in excess of ?200. | 0:22:09 | 0:22:14 | |
This stylish Royal Doulton art deco dinner service, valued at ?40 to ?60. | 0:22:14 | 0:22:21 | |
And, finally, the Victorian Davenport, or writing table, | 0:22:21 | 0:22:26 | |
which could be worth almost ?400 | 0:22:26 | 0:22:28 | |
if Caroline's head wins out over her heart | 0:22:28 | 0:22:32 | |
and she decides to put it into the auction. | 0:22:32 | 0:22:35 | |
Still to come in Cash In The Attic, I'm keen to get to know the bidders. | 0:22:35 | 0:22:38 | |
I want to find out who has bought that and go round there for Christmas dinner! | 0:22:38 | 0:22:42 | |
Caroline is desperate to get top dollar for her mum's possessions. | 0:22:42 | 0:22:46 | |
I just hope it goes for a reasonable amount of money because I don't want to take it home! | 0:22:46 | 0:22:51 | |
OK! But are her sale room tactics about to backfire? | 0:22:51 | 0:22:55 | |
We're doing really badly. | 0:22:55 | 0:22:58 | |
Find out when the hammer finally falls. | 0:22:58 | 0:23:02 | |
Now, it's been just over a week since we helped Caroline and her | 0:23:06 | 0:23:09 | |
niece Lauren to clear out the grandmother's home, and we | 0:23:09 | 0:23:12 | |
found lots of interesting items that we've brought here to Chiswick Auction Rooms in West London. | 0:23:12 | 0:23:17 | |
Now, remember, Caroline is hoping to help her mother out. | 0:23:17 | 0:23:20 | |
Her mother has gone into a residential home and they are hoping to raise | 0:23:20 | 0:23:22 | |
?800, so let's hope the bidders are feeling very generous when their items go under the hammer today. | 0:23:22 | 0:23:28 | |
The bidders are arriving and our expert, the timeless Jonty Hearnden knows his stuff, | 0:23:31 | 0:23:36 | |
so with a bit of luck, we'll soon be well on our way to a good result. | 0:23:36 | 0:23:39 | |
Ah, Jonty, now if I needed to know the time, I'd know where to go, except it doesn't work. | 0:23:39 | 0:23:44 | |
No, it really is Denis Slow. It's stopped! It is a lovely piece. These things are popular, aren't they? | 0:23:44 | 0:23:49 | |
A good quality clock, that. | 0:23:49 | 0:23:51 | |
It was a very interesting house. We did find some lovely items. | 0:23:51 | 0:23:54 | |
No, it really was a typical day for a general valuer when you go to a house like that. | 0:23:54 | 0:23:58 | |
It was very typical of what you do find, so it was an interesting one from that point of view. | 0:23:58 | 0:24:03 | |
There were some nice items, but we don't know whether they're all here. | 0:24:03 | 0:24:06 | |
Now, if they bring that beautiful quality Davenport, | 0:24:06 | 0:24:10 | |
then I think we will get our target very, very easily, but I'm not sure whether they have brought it or not. | 0:24:10 | 0:24:15 | |
We've the other table, the wind out table. Really good quality, that. Again, hidden under a cloth. | 0:24:15 | 0:24:21 | |
There was a lot that was hidden away. | 0:24:21 | 0:24:22 | |
You did a very good job of finding it, Jonty. We did, don't you think, yeah? | 0:24:22 | 0:24:26 | |
Let's just hope they haven't changed their mind about selling anything. Shall we go and meet them? | 0:24:26 | 0:24:31 | |
With the sale room filling up, Caroline and Lauren are taking one last look | 0:24:31 | 0:24:35 | |
at Granny's stuff before it goes under the hammer. | 0:24:35 | 0:24:39 | |
Really? Ah, good morning, ladies. Hi, how are you? Hi! All right? | 0:24:39 | 0:24:43 | |
You've spotted one of your items, haven't you? | 0:24:43 | 0:24:45 | |
I'm so pleased to see it. It's fantastic. | 0:24:45 | 0:24:47 | |
It does look very different in an auction house setting. | 0:24:47 | 0:24:50 | |
It really looks really quite beautiful, and laid out with the Chinese plates. | 0:24:50 | 0:24:55 | |
There's so much in the sale room that's yours. | 0:24:55 | 0:24:57 | |
I know! I keep looking around and spotting things and saying, oh, that looks familiar! | 0:24:57 | 0:25:01 | |
Something that will help us, is whether you've brought the desk. Is it here? | 0:25:01 | 0:25:06 | |
I just couldn't part with it. | 0:25:06 | 0:25:08 | |
There's so much history to do with the desk, and when you mentioned about being | 0:25:08 | 0:25:11 | |
a computer desk, I thought, that will make a perfect computer desk. | 0:25:11 | 0:25:15 | |
So have you put any reserves on anything? Well, I have. | 0:25:15 | 0:25:18 | |
I've put a reserve on the table. Right. | 0:25:18 | 0:25:20 | |
I think it was 150. Yeah. And also the wall clock. | 0:25:20 | 0:25:24 | |
Yes. The clock that was in my grandfather's shop. | 0:25:24 | 0:25:26 | |
Any others? I have got several reserves. | 0:25:26 | 0:25:29 | |
I can't actually remember them all. Well, let's go and see what they will make, shall we? | 0:25:29 | 0:25:34 | |
Come on then, let's get in position. | 0:25:34 | 0:25:36 | |
So, Caroline has decided she can't bear to part with her grandfather's desk, but that's going to make our | 0:25:38 | 0:25:43 | |
?800 target much harder to reach, particularly as she's put high reserves on many of the lots. | 0:25:43 | 0:25:50 | |
Remember, if you'd like to buy or sell at auction, you will have to | 0:25:50 | 0:25:54 | |
pay commission, plus possibly other charges, so do check with your local auction house for more details. | 0:25:54 | 0:26:00 | |
Let's hope the first lot, the huge collection of fine china, | 0:26:02 | 0:26:05 | |
makes its ?40 to ?60 estimate. | 0:26:05 | 0:26:07 | |
Now, we've got a dinner service, or part dinner service. | 0:26:07 | 0:26:10 | |
Lots of bits, that's for sure. There are lots of bits there, yes. | 0:26:10 | 0:26:13 | |
And you find some more since we've been to yours, haven't you? | 0:26:13 | 0:26:16 | |
We surprisingly found more sort of serving plates and stuff. | 0:26:16 | 0:26:19 | |
OK. Now, how do you feel about selling this? | 0:26:19 | 0:26:23 | |
I have no emotional attachment to it, but I think it's rather nice. It's rather attractive. | 0:26:23 | 0:26:28 | |
Is it with ?20? 20. | 0:26:28 | 0:26:29 | |
22. 24. 26. ?26 for the lot. At 26. | 0:26:29 | 0:26:33 | |
28 I'll take. At ?26. At 26, then. | 0:26:33 | 0:26:38 | |
Unsold. | 0:26:38 | 0:26:40 | |
Unsold. That's understandable. | 0:26:40 | 0:26:41 | |
I mean, looking across there, there must be, what, 60 pieces of the stuff. Well, ?26... | 0:26:41 | 0:26:47 | |
It's probably better we keep it. | 0:26:47 | 0:26:49 | |
I think so, don't you? Even though there was no reserve on the dinner | 0:26:49 | 0:26:52 | |
service, the auctioneer has used his discretion | 0:26:52 | 0:26:56 | |
and decided that ?26 is too low a price to sell at. | 0:26:56 | 0:26:59 | |
With a target of ?800 to reach, we're going to have to hope that this set of | 0:27:03 | 0:27:06 | |
five Art Nouveau tureens generates interest. | 0:27:06 | 0:27:10 | |
What do we want for these? | 0:27:10 | 0:27:11 | |
I've put ?40 for the collection. Were they your grandmother's? Yes. | 0:27:11 | 0:27:17 | |
So, she had a penchant for china? | 0:27:17 | 0:27:18 | |
Yes, she did, yes. Right, well, they're up for sale. | 0:27:18 | 0:27:21 | |
Start me for this for ?20. ?20. 22. | 0:27:21 | 0:27:23 | |
24. 26. 28. | 0:27:23 | 0:27:27 | |
?28 for this lot. At ?28. | 0:27:27 | 0:27:28 | |
30 I'll take. For ?28. Anybody? | 0:27:28 | 0:27:31 | |
For 28. | 0:27:31 | 0:27:33 | |
No good. Unsold. | 0:27:33 | 0:27:36 | |
It seems that the china collectors | 0:27:36 | 0:27:38 | |
haven't turned out for today's auction | 0:27:38 | 0:27:41 | |
With more crockery to come and another high reserve on the next lot, | 0:27:41 | 0:27:45 | |
suddenly our target is looking a long way off. | 0:27:45 | 0:27:49 | |
Now, our next lot I believe you have put the reserve on, it's the books. | 0:27:49 | 0:27:53 | |
Yes, cos I think they're rather lovely, and I'd be sad to see them go | 0:27:53 | 0:27:56 | |
for very little money, so it's worth keeping. | 0:27:56 | 0:27:59 | |
It's probably because you're a journalist. | 0:27:59 | 0:28:01 | |
Cos most journalists do collect books. Really? It's something about the written word, you know? | 0:28:01 | 0:28:05 | |
Maybe I rate books. Yes, yes. | 0:28:05 | 0:28:07 | |
Starting me at ?30. ?30. 30. Five. | 0:28:07 | 0:28:10 | |
40. Five. ?45 for that lot. | 0:28:10 | 0:28:14 | |
At ?45. Anybody want it for 50? | 0:28:14 | 0:28:16 | |
For ?45. At 45. | 0:28:16 | 0:28:18 | |
They're going home with you. No. There are going home. | 0:28:18 | 0:28:21 | |
But I don't think that's a bad thing, especially | 0:28:21 | 0:28:24 | |
if it's something you really like, cos there's nothing worse than seeing that go too cheaply. Yeah. | 0:28:24 | 0:28:28 | |
So, you happy about that, now? | 0:28:28 | 0:28:30 | |
Well, I suppose so, yeah. Now I'm thinking we shouldn't have put a reserve on it! | 0:28:30 | 0:28:35 | |
So, none of our three lots so far have found a buyer. | 0:28:35 | 0:28:39 | |
Jonty put a bottom estimate of ?40 on our next item, | 0:28:41 | 0:28:45 | |
but Caroline's chosen to put the reserve at the ?60 top estimate. | 0:28:45 | 0:28:49 | |
Even so, I've got a feeling that our luck may be about to change. | 0:28:49 | 0:28:53 | |
Now, our next lot I have to say is truly stunning. | 0:28:53 | 0:28:56 | |
It's art deco design and Royal Doulton, two great things, and people love the art deco. | 0:28:56 | 0:29:01 | |
It really is striking, don't you think? It looks striking here, yes. | 0:29:01 | 0:29:04 | |
A bit of interest in it already. I'm bid ?60. At 60. Five. 70. | 0:29:04 | 0:29:07 | |
Five. 80. Five. 85 in the room. Against commission, it's at ?85. | 0:29:07 | 0:29:12 | |
At 85. It looks like it's going for ?85. | 0:29:12 | 0:29:14 | |
Anybody else want to come in? ?85. | 0:29:14 | 0:29:17 | |
85. So, just in there, but you are pleased with that? Yeah, I'm really pleased with that. | 0:29:17 | 0:29:23 | |
Did you've any idea it might have that sort of value? | 0:29:23 | 0:29:25 | |
I was a bit concerned cos he said there's a bit of damage to | 0:29:25 | 0:29:28 | |
it, and I don't know how much that puts people off. | 0:29:28 | 0:29:30 | |
It would have done a lot more, if we didn't have that damage, but we still got there. | 0:29:30 | 0:29:34 | |
No, that's fantastic. It's good, isn't it? | 0:29:34 | 0:29:36 | |
Yeah. So, at last we're on our way. | 0:29:36 | 0:29:40 | |
Let's just hope we can clean up with our next lot. | 0:29:40 | 0:29:42 | |
165a. | 0:29:42 | 0:29:45 | |
A late Victorian five piece wash stand set. 165a. | 0:29:45 | 0:29:50 | |
These were all the rage in the '80s, weren't they, Jonty? Every bathroom you had a wash set. | 0:29:50 | 0:29:55 | |
Everybody bathroom had to be decorated with a | 0:29:55 | 0:29:58 | |
set like this, but not necessarily any more, and as a consequence the market hasn't really moved with the | 0:29:58 | 0:30:03 | |
times, or it has moved with the times and prices for these sets have fallen rather than risen. | 0:30:03 | 0:30:08 | |
Start me at 30. ?30. 32. 34. 36. | 0:30:08 | 0:30:13 | |
Over there at ?36. ?36. | 0:30:13 | 0:30:15 | |
Anybody want 38? For ?36. | 0:30:15 | 0:30:18 | |
We're not selling them for 36. | 0:30:18 | 0:30:19 | |
Oh! | 0:30:19 | 0:30:21 | |
Oh, I'm doing really badly. | 0:30:21 | 0:30:23 | |
Oh, dear. | 0:30:23 | 0:30:25 | |
So, it seems we're victim to fashion and yet another lot will be | 0:30:25 | 0:30:29 | |
going home with Caroline and Lauren. | 0:30:29 | 0:30:31 | |
Halfway through the auction and we've made only one sale. | 0:30:31 | 0:30:35 | |
So, how did you find that? | 0:30:35 | 0:30:36 | |
Oh, well, it was really nerve-racking and I'm | 0:30:36 | 0:30:39 | |
quite upset that we didn't get the prices we wanted for some things. Jonty, why do you think that is? | 0:30:39 | 0:30:44 | |
If you think about all of the ceramics that we've sold, if you think about the design, | 0:30:44 | 0:30:48 | |
a lot of it is early 20th century or Victorian, and the market at the | 0:30:48 | 0:30:51 | |
moment is it just so flat for those kinds of designs, that kind of look. | 0:30:51 | 0:30:56 | |
There was hardly any bidding in the room. But, on a positive note, we've got a lot to look forward to. | 0:30:56 | 0:31:02 | |
For the time being, so far this morning we've made ?85. Well, it's not a lot, is it? | 0:31:02 | 0:31:08 | |
So, everything is going to ride on this afternoon, so let's hope we can get the money in for you, OK? OK. | 0:31:08 | 0:31:12 | |
Caroline's decision to put high reserves on her items means that the ?800 target is | 0:31:19 | 0:31:24 | |
looking like a distant dream, so Jonty thinks it might be time to consider a different approach. | 0:31:24 | 0:31:29 | |
Well, oh, dear. So, as a valuer, where would you stand on reserves? | 0:31:29 | 0:31:34 | |
Reserves are an issue because you cannot fix a market. | 0:31:34 | 0:31:38 | |
In an auction room like this, it's the marketplace. | 0:31:38 | 0:31:41 | |
Let the market decide. | 0:31:41 | 0:31:43 | |
I understand that we've got a few more reserves later on, and if we put too high a reserve, | 0:31:43 | 0:31:49 | |
then we just stand a chance of things just not selling again. | 0:31:49 | 0:31:52 | |
You can understand people being in two minds. Even if they say they're not sentimental | 0:31:52 | 0:31:57 | |
items, they feel a responsibility to the people that owned them before. | 0:31:57 | 0:32:00 | |
Absolutely. I completely understand all of that. | 0:32:00 | 0:32:03 | |
So, I hope the market is feeling a bit more generous this afternoon! | 0:32:03 | 0:32:06 | |
After the disappointment of this morning's auction, Caroline's had time to rethink her tactics. | 0:32:13 | 0:32:18 | |
Now, the pressure is definitely on us this afternoon. | 0:32:18 | 0:32:21 | |
?85 in the bank is not really good enough, is it? So, what are we going to do about those reserves? | 0:32:21 | 0:32:26 | |
Well, I've decided to take all the reserve prices off | 0:32:26 | 0:32:29 | |
because I'm really worried that we're going to be taking as much home as we brought to the auction. | 0:32:29 | 0:32:34 | |
The auctioneer does use their discretion. Does he? | 0:32:34 | 0:32:38 | |
They won't let things just sell for ?10 just for the sake of it. | 0:32:38 | 0:32:41 | |
If something is worth ?100, it's not going to sell for 10. | 0:32:41 | 0:32:44 | |
They usually use their 10%, 20%, sometimes 30% discretion, but no more than that. Right. All right? | 0:32:44 | 0:32:50 | |
So, let the market decide. | 0:32:50 | 0:32:52 | |
We've had a change of auctioneer, | 0:32:52 | 0:32:54 | |
and the first thing that we're selling is the | 0:32:54 | 0:32:56 | |
Edwardian mahogany roll top desk. Yes, yeah. | 0:32:56 | 0:33:00 | |
Now, the estimate is ?80 to ?120 on this, Jonty? It's sweet. | 0:33:00 | 0:33:03 | |
It's a lovely little desk. | 0:33:03 | 0:33:05 | |
Was it your mother's? It was my mother's. | 0:33:05 | 0:33:07 | |
She was always chair of this and secretary of that and she had lots of | 0:33:07 | 0:33:11 | |
different papers and things. So it was her desk, yeah. | 0:33:11 | 0:33:15 | |
All right, OK. So, I've put around ?80 for this lot set. | 0:33:15 | 0:33:18 | |
?100 for it? It should make at least that. ?100 for it? | 0:33:18 | 0:33:20 | |
?80 for it? I'm bid at ?80. At 85? | 0:33:20 | 0:33:22 | |
At ?80. At ?80. I'll take five. | 0:33:22 | 0:33:24 | |
I've got a bid of ?80. 85. | 0:33:24 | 0:33:26 | |
Do you want 90? | 0:33:26 | 0:33:27 | |
90 there. 95? 100. 110. Good! | 0:33:27 | 0:33:30 | |
Come on. 110 I'm bid. At 110. | 0:33:30 | 0:33:33 | |
Take 120. ?110. The standing bid at 110. I'll take 120 for it? | 0:33:33 | 0:33:37 | |
I'm done at 110. | 0:33:37 | 0:33:38 | |
?110. Feel better? I feel a bit better now. I feel a bit better now. | 0:33:38 | 0:33:43 | |
At least we're over the ?100 mark! | 0:33:43 | 0:33:45 | |
That's got to be good! | 0:33:45 | 0:33:47 | |
With the afternoon off to a flying start, | 0:33:47 | 0:33:50 | |
maybe we've still got a chance of reaching our ?800 target | 0:33:50 | 0:33:53 | |
and the set of bleached walnut bedroom furniture | 0:33:53 | 0:33:57 | |
could attract some interest at ?180 to ?230. | 0:33:57 | 0:34:01 | |
Now, this is a whole bedroom suite. | 0:34:01 | 0:34:04 | |
Do you remember, was it ever in your room, or... | 0:34:04 | 0:34:06 | |
It was partly in my room and partly in my sister's room. | 0:34:06 | 0:34:09 | |
Because it was so big! And it came from my father's aunt, and so... I mean, it is lovely. | 0:34:09 | 0:34:15 | |
I even liked it as a child, so... | 0:34:15 | 0:34:16 | |
Lauren really likes it, don't you? Yeah, I had a similar one in my room, yeah. | 0:34:16 | 0:34:21 | |
How do you find seeing it all being sold? What's your emotion right now? | 0:34:21 | 0:34:25 | |
I just hope it goes for a reasonable amount of money, because I don't want to take it home! OK! | 0:34:25 | 0:34:30 | |
Start me at ?100 for it. It should make more. ?100 for the lot? | 0:34:30 | 0:34:34 | |
?50 for it all in? Oh, no! ?50. Take 55. 55. Thank you. | 0:34:34 | 0:34:36 | |
60. Five. | 0:34:36 | 0:34:39 | |
I can't say no already. 65. 70. | 0:34:39 | 0:34:41 | |
Come on. Five. 75. 80. Five. 80 is bid. Take five. At ?80. The bid's at ?80. Take five. | 0:34:41 | 0:34:48 | |
At ?80. Is that all at ?80? | 0:34:48 | 0:34:50 | |
I'm selling at ?80, then? It's going to go at ?80. A bargain goes at ?80 and gone. ?80. | 0:34:50 | 0:34:54 | |
?80. That's half of all you thought. Yeah, yeah. It just shows you where the market is. | 0:34:54 | 0:35:00 | |
I know, exactly. Difficult, difficult. | 0:35:00 | 0:35:03 | |
Because, again, that sort of furniture competes head on with modern design. | 0:35:03 | 0:35:07 | |
Yes, exactly, yes. So, it's got to be cheap enough to sell, all right? | 0:35:07 | 0:35:10 | |
The bedroom set might not have reached its estimate, | 0:35:10 | 0:35:14 | |
but not having a reserve | 0:35:14 | 0:35:15 | |
means that Caroline and Lauren don't have to lug it all home again. | 0:35:15 | 0:35:18 | |
Jonty has got high hopes that | 0:35:18 | 0:35:20 | |
our next lot will manage to cook up some interest. | 0:35:20 | 0:35:24 | |
This is one of my favourite items that you possess, this lovely serving dish and cover. | 0:35:24 | 0:35:29 | |
Dinner is served, remember? Yes, exactly. For a big side of beef. Yes. It's a fabulous item. | 0:35:29 | 0:35:35 | |
?100 for it? Should make more. ?100 for it. I can't believe it. | 0:35:35 | 0:35:38 | |
Come on! ?50 for it? I'm bid at ?50. | 0:35:38 | 0:35:40 | |
Take 55. ?50. Take five. | 0:35:40 | 0:35:41 | |
At ?50. Do you want 55 or not? | 0:35:41 | 0:35:43 | |
So far, I'm at 55. | 0:35:43 | 0:35:45 | |
Thank you. In time. 60. Five. | 0:35:45 | 0:35:47 | |
70. Five. | 0:35:47 | 0:35:50 | |
80. Five. It's still half price at ?80. | 0:35:50 | 0:35:53 | |
I'll take 85. At ?80. I'll take five. Are you out at ?80? I'm selling at ?80. | 0:35:53 | 0:35:57 | |
You got a bargain at ?80. ?80. | 0:35:57 | 0:36:00 | |
I want to find out who's bought that and go there for Christmas dinner! | 0:36:00 | 0:36:03 | |
That would be spectacular, wouldn't it, the turkey arriving in that? | 0:36:03 | 0:36:07 | |
Another ?80 towards our total and things are starting to look up. | 0:36:07 | 0:36:10 | |
And if quality sells, the next item should fly out of the saleroom. | 0:36:10 | 0:36:16 | |
So, this is one of my favourite items, the extending dining table. | 0:36:16 | 0:36:20 | |
Good quality table, this. Very good quality. | 0:36:20 | 0:36:22 | |
If you did invite everybody round for dinner, I've worked out you'd have | 0:36:22 | 0:36:25 | |
to start unwinding it at breakfast, wouldn't you? | 0:36:25 | 0:36:28 | |
?200 for it? ?100 for it? Oh, no! I'm bid at ?100. | 0:36:28 | 0:36:30 | |
I'll take 110. I'm at ?100. 110 you want?. 110. 120? | 0:36:30 | 0:36:34 | |
Hey, we're flying. | 0:36:34 | 0:36:36 | |
140. There you are, you see. | 0:36:36 | 0:36:37 | |
150. 160. 170. Now at 160. I'm bid at 160. All done then at 160. | 0:36:37 | 0:36:40 | |
I'm selling them for ?160. It goes. | 0:36:40 | 0:36:43 | |
?160. Is that all right? What do you think? That's fine, that's fine. | 0:36:43 | 0:36:48 | |
I put 150 low end estimate and we got it away at 160. I want a big smile on your face, please! | 0:36:48 | 0:36:54 | |
So, the dining table has done the business. | 0:36:54 | 0:36:57 | |
So far, Caroline mum's china hasn't exactly been a smash hit, | 0:36:57 | 0:37:01 | |
but we're hoping for better luck with our next lot. | 0:37:01 | 0:37:04 | |
Lot number 354a now. | 0:37:04 | 0:37:07 | |
14 19th century willow pattern plates, they are all pottery ones. | 0:37:07 | 0:37:11 | |
There are 14 of them. ?100? | 0:37:11 | 0:37:13 | |
?50? | 0:37:13 | 0:37:14 | |
I'm bid at ?50. At ?50. | 0:37:14 | 0:37:16 | |
I'll take 55. At ?50. | 0:37:16 | 0:37:19 | |
55 next to you. 60. Five. 70. Five. | 0:37:19 | 0:37:21 | |
80? At ?75. I'm bid at ?75. | 0:37:21 | 0:37:24 | |
I'll take 80. At ?75. | 0:37:24 | 0:37:26 | |
Seems cheap at ?75. Are we done with ?75? Last chance. It goes at 75. | 0:37:26 | 0:37:30 | |
Oh, not quite. ?75. I'm actually quite pleased. | 0:37:30 | 0:37:33 | |
These were the plates that were in my bedroom as a teenager. | 0:37:33 | 0:37:36 | |
Plates in your bedroom? Yeah, there were up on the rail designed | 0:37:36 | 0:37:39 | |
for plates. I always used to have big arguments with my mother cos I wanted to take them down! | 0:37:39 | 0:37:44 | |
It's not the sort of thing a teenager has in their bedroom! | 0:37:44 | 0:37:46 | |
No, that's very true. So, to get, what was it ?75, for it? | 0:37:46 | 0:37:49 | |
Yes. I'm quite pleased with it. You're happy. I'm quite happy with that. | 0:37:49 | 0:37:53 | |
So, once again, Caroline's delighted that she doesn't have to pack up her | 0:37:53 | 0:37:57 | |
mum's possessions and take them home. | 0:37:57 | 0:37:59 | |
Our next item might have stopped working, but let's hope the bidders | 0:37:59 | 0:38:03 | |
think it's a timeless piece for the right reasons. | 0:38:03 | 0:38:06 | |
Right, it's the big one! It's the clock! | 0:38:06 | 0:38:09 | |
Yes, Denis Slow's clock! Yes. | 0:38:09 | 0:38:11 | |
Exactly. I'm hopeful for this one, yes. | 0:38:11 | 0:38:13 | |
Now, you've put ?180 reserve on it this morning. Have you taken that off? | 0:38:13 | 0:38:17 | |
I have, yes, because I don't want... | 0:38:17 | 0:38:20 | |
I don't mind taking the clock home cos it's not too big and it's also quite a nice piece, | 0:38:20 | 0:38:24 | |
but, we have got a bit more stuff, so... OK. | 0:38:24 | 0:38:28 | |
Start me off at ?100. Here it goes. Start me at ?100 for it? | 0:38:28 | 0:38:31 | |
?100 for it? Come on. I'm bid at ?100. At ?100. | 0:38:31 | 0:38:34 | |
I'll take 110. The bid's at ?100. I'll take 110. 110. 120. 130. 140. | 0:38:34 | 0:38:40 | |
Come on! 150. See! You see! | 0:38:40 | 0:38:42 | |
160. 170. 180. 190. 200. And 10. Yes. | 0:38:42 | 0:38:48 | |
At ?200. Do you want 210? At ?200. I'll take 10. At ?200 are we done? | 0:38:48 | 0:38:53 | |
For ?200, then. Last... Do you want 210? 210 back in. 220. | 0:38:53 | 0:38:56 | |
220! You came back in and you got it. | 0:38:56 | 0:38:58 | |
At ?210. Are you out? At ?210. | 0:38:58 | 0:39:00 | |
Last chance. At ?210 it goes. | 0:39:00 | 0:39:02 | |
Fantastic! ?210. | 0:39:02 | 0:39:03 | |
That's brilliant. There we are! | 0:39:03 | 0:39:05 | |
Our last item was the most amount, wasn't it? Absolutely fantastic. | 0:39:05 | 0:39:09 | |
Whether the reserve was there or not, we made more than that. Exactly. | 0:39:09 | 0:39:13 | |
So, you had the confidence to take the reserve off, and look. | 0:39:13 | 0:39:16 | |
So, at ?210, it looks like we've saved the best to last. | 0:39:16 | 0:39:22 | |
It's time to find out if we've managed to get close | 0:39:22 | 0:39:24 | |
to the ?800 Caroline wanted to raise for her mother's care home fund. | 0:39:24 | 0:39:28 | |
Did you find it more stressful this morning when items weren't selling with reserves on them, | 0:39:28 | 0:39:34 | |
or this afternoon were you were waiting to see if they would get near what you wanted? | 0:39:34 | 0:39:39 | |
It was much better this afternoon. I think we got into a bit of a downward spiral | 0:39:39 | 0:39:43 | |
which was a bit of a worry. | 0:39:43 | 0:39:45 | |
But this afternoon I was more nervous about it | 0:39:45 | 0:39:47 | |
cos we didn't have the reserves on it, but it went a lot better. Now, this morning we made ?85. | 0:39:47 | 0:39:52 | |
Would you like to hear how much we got this afternoon? Yes, we would. Overall, you've made ?800. | 0:39:52 | 0:39:57 | |
Oh, great! ?800. ?800. That was our target, so that's fantastic. | 0:39:57 | 0:40:01 | |
That will go a long way to help mum, you know, in her convalescent home. Has it been a good day overall? | 0:40:01 | 0:40:06 | |
Yeah, it was very instructive, actually, and yes... It's been really interesting. Yes. | 0:40:06 | 0:40:11 | |
Has it helped you on your journey to start the process of sorting the house out? | 0:40:11 | 0:40:16 | |
Yes, and I'll be getting the auctioneers back in cos there's still more. | 0:40:16 | 0:40:19 | |
Probably you've taken the best bits but there are a few more bits that really can be sold. | 0:40:19 | 0:40:24 | |
You've got so much more work to do. Yes, we have! Well done for today! | 0:40:24 | 0:40:28 | |
With ?800 raised for her mum's care home fund, Caroline has brought | 0:40:34 | 0:40:37 | |
niece Lauren along to help her gran settle into her new surroundings. | 0:40:37 | 0:40:43 | |
We've got this picture that you painted of your dad. Yes. | 0:40:43 | 0:40:47 | |
So, that's your dad, yeah, and we'll put that all up there like that. | 0:40:47 | 0:40:52 | |
We'll get the man to put something in the wall. | 0:40:52 | 0:40:54 | |
We're really glad we managed to raise quite a lot of money at the auction, | 0:40:54 | 0:40:58 | |
because it's important that Mum is happy in her retirement. | 0:40:58 | 0:41:03 | |
She's been much more happier since she's come to Beaumont, so... | 0:41:03 | 0:41:06 | |
Before she was living in that cold, dark house by herself and it must have been a bit of a worry for her. | 0:41:06 | 0:41:11 | |
As a special treat for her grandmother, and the rest of the residents, talented musician Lauren | 0:41:11 | 0:41:18 | |
has decided to entertain them with her harp playing. | 0:41:18 | 0:41:21 | |
Mum, what to do think of Lauren's harp playing? It was wonderful. Absolutely wonderful. | 0:41:35 | 0:41:40 | |
And it always makes me cry! It's a beautiful instruments that makes you cry, | 0:41:40 | 0:41:44 | |
and it makes you cry even more cos it's Lauren, isn't it? Yes. | 0:41:44 | 0:41:47 | |
That's right. And she works very hard at her harp playing. Yes, she does. | 0:41:47 | 0:41:51 | |
It's such a nice feeling to know that my mum is happy and that we've helped her | 0:41:51 | 0:41:56 | |
find a place to live in for the rest of her life where she can be happy. | 0:41:56 | 0:42:00 | |
Subtitles by Red Bee Media Ltd | 0:42:28 | 0:42:30 |