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Welcome to Cash In The Attic. The show that finds the treasures in your home | 0:00:02 | 0:00:06 | |
and then helps you sell them at auction. | 0:00:06 | 0:00:08 | |
I'm in Essex and you may wonder what I'm doing in the middle of woodland. | 0:00:08 | 0:00:12 | |
I've come to see this bungalow which | 0:00:12 | 0:00:14 | |
may look insignificant, but hides a very big secret. | 0:00:14 | 0:00:18 | |
Kelvedon Bunker stretches deep underground and is encased in ten feet of reinforced concrete. | 0:00:18 | 0:00:24 | |
It was built in 1952 and at the height of the Cold War | 0:00:24 | 0:00:27 | |
in the 1960s, it became a regional government bunker. | 0:00:27 | 0:00:31 | |
600 people could have survived three months behind the blast-proof doors to organise | 0:00:31 | 0:00:36 | |
the survival of the population in the aftermath of our worst nightmare - a nuclear war. | 0:00:36 | 0:00:42 | |
Let's just hope as we dig deep today we find plenty of treasures | 0:00:42 | 0:00:46 | |
that will make us lots of cash when they go under the hammer at auction. | 0:00:46 | 0:00:49 | |
Coming up on today's Cash In The Attic... | 0:01:11 | 0:01:14 | |
an unusual challenge for our expert. | 0:01:14 | 0:01:16 | |
The question is what price for love? | 0:01:16 | 0:01:19 | |
Oh, priceless. They're priceless...exactly. | 0:01:19 | 0:01:22 | |
And although some of his valuations go down well... | 0:01:22 | 0:01:24 | |
Not bad for a jumble sale! | 0:01:24 | 0:01:27 | |
No, not bad at all! Wonderful! | 0:01:27 | 0:01:30 | |
Others are more of a shock! | 0:01:30 | 0:01:31 | |
No! No! Yeah! | 0:01:31 | 0:01:34 | |
But it's not all bad news at auction... Fifty pounds! | 0:01:34 | 0:01:39 | |
That's really good! | 0:01:39 | 0:01:40 | |
So, will we be dancing for joy when the final hammer falls? | 0:01:40 | 0:01:44 | |
I'm on my way to meet a lady who has called Cash In The Attic | 0:01:46 | 0:01:49 | |
to help her raise some funds for a day of family fun. | 0:01:49 | 0:01:54 | |
This cosy semi in Stanford-le-Hope in Essex | 0:01:54 | 0:01:56 | |
is home to trainee Reiki master, Angie Joughin-Coppin. | 0:01:56 | 0:02:00 | |
Angie has inherited a real mixture of items from her family and having lived, and hoarded, | 0:02:00 | 0:02:05 | |
in this house for eight years, the clutter is beginning to take over. | 0:02:05 | 0:02:09 | |
Now, she's decided it's time for a clear-out | 0:02:09 | 0:02:12 | |
and has big ideas on how to spend the cash. | 0:02:12 | 0:02:15 | |
So with help from her only daughter, Melissa, it's time to get to work. | 0:02:15 | 0:02:19 | |
Hey, you'll never guess where I've been? | 0:02:19 | 0:02:21 | |
Where? I've been to a nuclear bunker underground. What have you been doing there? | 0:02:21 | 0:02:25 | |
Just having a look round, like you do. | 0:02:25 | 0:02:28 | |
It sounds like it's out of a James Bond movie! | 0:02:28 | 0:02:30 | |
Not quite that glamorous, I'm afraid. | 0:02:30 | 0:02:32 | |
You've always been my favourite James Bond girl! That's very kind of you. | 0:02:32 | 0:02:37 | |
The lady that we're seeing today does Reiki and massage, all that kind of thing. | 0:02:37 | 0:02:40 | |
I've got a bit of a bad back coming on. | 0:02:40 | 0:02:42 | |
I'll get her to have a look at you after you've rummaged around. | 0:02:42 | 0:02:46 | |
Rummage away. Ooh! | 0:02:46 | 0:02:48 | |
Morning. Hello. | 0:02:48 | 0:02:50 | |
You must be Angie, and Melissa? Yes. | 0:02:50 | 0:02:52 | |
Well you've called us in so what do you want us here for, Angie? | 0:02:52 | 0:02:55 | |
To try and get as many pennies as I can to help towards my travelling. | 0:02:55 | 0:03:01 | |
I want to go around the world. It's something I've wanted to do since I was a teenager. | 0:03:01 | 0:03:06 | |
So what countries do you want to go to? Is there anywhere in particular? | 0:03:06 | 0:03:10 | |
Yes. I'd like to end up in Australia, having gone to India. | 0:03:10 | 0:03:15 | |
It's very holistic there and I'm into holistic medicine and theories and therapies. | 0:03:15 | 0:03:20 | |
Isn't it slightly the wrong way round? | 0:03:20 | 0:03:22 | |
Isn't it the kids that go back-packing | 0:03:22 | 0:03:24 | |
and you look after the grandkids? | 0:03:24 | 0:03:26 | |
Well, it's not something I would do myself. | 0:03:26 | 0:03:29 | |
I like the comforts of home and the comforts of hotels | 0:03:29 | 0:03:32 | |
whereas mum would be quite happy going backpacking | 0:03:32 | 0:03:36 | |
and staying in hostels, where it's not a thing that I'd like to do... | 0:03:36 | 0:03:39 | |
No... I'm a hotel sort of person. | 0:03:39 | 0:03:41 | |
I'm more a power shower person, I have to say. All my comforts. | 0:03:41 | 0:03:45 | |
What do you think about her therapies? | 0:03:45 | 0:03:47 | |
Has she tried them out on you? | 0:03:47 | 0:03:49 | |
Yes, she has and I've had the Indian head massage and back massage. | 0:03:49 | 0:03:53 | |
Oh lovely, no wonder you're looking so smiley and relaxed, hey? | 0:03:53 | 0:03:57 | |
What money are we looking for? | 0:03:57 | 0:03:59 | |
?300 to ?400 I think I'll get with the stuff I've got. | 0:03:59 | 0:04:05 | |
It would pay towards perhaps the plane trip, | 0:04:05 | 0:04:08 | |
but also I'd like to take the grandchildren to Ceroc which is French rock 'n' roll. | 0:04:08 | 0:04:13 | |
OK, right OK, well that sounds fun. | 0:04:13 | 0:04:15 | |
OK, so we're looking to raise around ?300 to get you off on your trip | 0:04:15 | 0:04:19 | |
and also for everyone to have a good dance. | 0:04:19 | 0:04:22 | |
That sounds like a great idea. | 0:04:22 | 0:04:24 | |
Shall we go and meet our expert? | 0:04:24 | 0:04:26 | |
Yeah. So do you want to follow me? | 0:04:26 | 0:04:29 | |
Getting money for a round the world ticket and dancing lessons for the grandkids | 0:04:29 | 0:04:33 | |
sounds fantastic and I have the feeling we're in for a fun day with this mother and daughter team. | 0:04:33 | 0:04:39 | |
With so many items to choose from, I'm glad we have our antiques | 0:04:39 | 0:04:42 | |
expert, James Rylands, on hand, to steer us in the right direction. | 0:04:42 | 0:04:46 | |
It looks like he's already got one eye on Angie's family heirlooms. | 0:04:47 | 0:04:51 | |
Hello, James. Hi, Angie, hi, Mel. Now, where did this come from? | 0:04:51 | 0:04:55 | |
As far as I know, it's my granddad and he probably got it | 0:04:55 | 0:04:58 | |
down the docks because he was a docker in the late 1800s. | 0:04:58 | 0:05:04 | |
OK. Do you know what it is? No, no. | 0:05:04 | 0:05:06 | |
It's just a box we use to put the cigarette cards in. | 0:05:06 | 0:05:10 | |
Well, what it started life as is a tea caddy. | 0:05:10 | 0:05:14 | |
Oh, gosh! | 0:05:14 | 0:05:15 | |
And it dates probably to round about 1850s, 1860s. | 0:05:15 | 0:05:19 | |
The reason I know that is because of the size of the caddy, | 0:05:19 | 0:05:22 | |
the point being that the earlier ones tend to be a lot smaller because tea was much more expensive. | 0:05:22 | 0:05:29 | |
When it first came in in the 17th century, it was hugely, hugely expensive and valuable so it | 0:05:29 | 0:05:35 | |
was kept in much smaller tea caddies which had a lock on them | 0:05:35 | 0:05:39 | |
so the servants couldn't steal the tea. | 0:05:39 | 0:05:42 | |
We couldn't have that, could we? | 0:05:42 | 0:05:44 | |
And as time went on through the 18th century and the 19th century, | 0:05:44 | 0:05:48 | |
the caddies tended to get bigger and bigger as the tea became less expensive and with this one, | 0:05:48 | 0:05:56 | |
inside you can see two lines on the inside there. That's it, yeah. | 0:05:56 | 0:06:00 | |
Is there compartments for different...? | 0:06:00 | 0:06:02 | |
That's right, so this would have been lined and then there would have been a compartment on either side. | 0:06:02 | 0:06:08 | |
One side would have had green tea, | 0:06:08 | 0:06:10 | |
the other side would have had black tea, so Indian or China, | 0:06:10 | 0:06:14 | |
and then the middle bit would actually have had | 0:06:14 | 0:06:16 | |
a little glass silver mixing bowl if you wanted to mix your teas, | 0:06:16 | 0:06:20 | |
but like so many tea caddies, it's been through the wars a bit, someone has taken | 0:06:20 | 0:06:26 | |
the lock out and I notice someone's dropped it at some stage | 0:06:26 | 0:06:29 | |
because the top doesn't quite shut, so let's see. | 0:06:29 | 0:06:32 | |
What do we think this is worth? | 0:06:32 | 0:06:34 | |
Because it's had the guts taken out of it | 0:06:34 | 0:06:36 | |
I'm probably thinking about something like ?25 to ?40. Ah. | 0:06:36 | 0:06:39 | |
But that's still...it's not bad. Yes, it's a step on the runway. | 0:06:39 | 0:06:43 | |
Yep, yep. Well, that's the good news. | 0:06:43 | 0:06:46 | |
The bad news is, we haven't got time to stop for tea... | 0:06:46 | 0:06:49 | |
we've got to find some more things! | 0:06:49 | 0:06:51 | |
Come on, this way. | 0:06:51 | 0:06:53 | |
It may have been through the wars, | 0:06:53 | 0:06:55 | |
but ?25 for the tea caddy is still a good start to our search. | 0:06:55 | 0:06:59 | |
We need to rack up a lot more finds if we're going to reach out ?300 target, though. | 0:06:59 | 0:07:04 | |
Angie has got that plane ticket in her sights | 0:07:04 | 0:07:07 | |
and gets stuck in straightaway in the search, digging out this collection of costume jewellery. | 0:07:07 | 0:07:12 | |
James thinks it could be worth a very sparkly ?15 to ?30 at auction. | 0:07:12 | 0:07:16 | |
In the living room, Melissa comes up trumps | 0:07:16 | 0:07:19 | |
when she finds this collection of card games | 0:07:19 | 0:07:21 | |
which used to belong to her great-grandfather. | 0:07:21 | 0:07:24 | |
They get packed off to auction with a ?10 to ?15 price tag. | 0:07:24 | 0:07:27 | |
Our search has got off to a cracking start and in the kitchen, | 0:07:27 | 0:07:31 | |
Angie has dug out a rather tasty-looking find. | 0:07:31 | 0:07:34 | |
Ooh, Angie, what have you got there? | 0:07:34 | 0:07:37 | |
Well, this belongs to a dinner set, given by a friend, many moons ago, | 0:07:37 | 0:07:41 | |
because I used to do a lot of dinner parties | 0:07:41 | 0:07:44 | |
and quite often there's a dozen of us at dinner each night. | 0:07:44 | 0:07:48 | |
OK. | 0:07:48 | 0:07:50 | |
Well, look, I can see here we've got the actual maker. | 0:07:50 | 0:07:53 | |
Oh, isn't this wonderful. Look at this. | 0:07:53 | 0:07:55 | |
W Holme, North Road, Burslem, England, and more specifically | 0:07:55 | 0:08:00 | |
it's potteries country, so the nearest big city is going to be Stoke-on-Trent. | 0:08:00 | 0:08:05 | |
That's where huge quantities of china have been made | 0:08:05 | 0:08:08 | |
from the 18th century right the way through to today. | 0:08:08 | 0:08:11 | |
We've got the mark on the back, picture of a kiln, so you've got "Reliable", | 0:08:11 | 0:08:16 | |
that tells you how hard-wearing it is and then "England" | 0:08:16 | 0:08:19 | |
and then "Princess" that's the name of the pattern | 0:08:19 | 0:08:22 | |
and then we've got "Made in England" | 0:08:22 | 0:08:25 | |
and a registration stamp. "Made in England" tells me it was made probably about 1900, | 0:08:25 | 0:08:30 | |
because if it had been pre-that, it would just have had "England" | 0:08:30 | 0:08:33 | |
written on it. | 0:08:33 | 0:08:35 | |
The registration number, that will actually tell us what date | 0:08:35 | 0:08:39 | |
the pattern was first registered. | 0:08:39 | 0:08:41 | |
Oh, gosh, what's wonderful. So a lot of information there. | 0:08:41 | 0:08:44 | |
OK, so how many bits have you got? | 0:08:44 | 0:08:46 | |
I think I've got five or six plates, | 0:08:46 | 0:08:50 | |
yes, five or six dinner plates, side plates, two serving plates, two tureens and a gravy bowl. | 0:08:50 | 0:08:56 | |
You've broken some, haven't you? | 0:08:56 | 0:08:59 | |
Yes. | 0:08:59 | 0:09:00 | |
Well, I'll tell you what, you've contributed to the value | 0:09:00 | 0:09:04 | |
because with maybe five or six plates and other bits and pieces, | 0:09:04 | 0:09:09 | |
I'm going to disappoint you with the valuation. | 0:09:09 | 0:09:11 | |
It's probably going to be ?20 to ?30 worth. No! | 0:09:11 | 0:09:16 | |
Yeah! Goodness! But listen, look on the bright side. | 0:09:16 | 0:09:20 | |
It's money in the kitty towards making sure that you have a nice time. Excellent. | 0:09:20 | 0:09:25 | |
Let's find some more. Lead the way. | 0:09:25 | 0:09:27 | |
Angie's dinner parties may have to go on hold for a while, but ?20 to ?30 | 0:09:27 | 0:09:31 | |
is another addition to our globetrotting fund. | 0:09:31 | 0:09:34 | |
Whilst James and Melissa carry on the search indoors, | 0:09:34 | 0:09:37 | |
I take a few minutes to catch up with our holistic therapist. | 0:09:37 | 0:09:40 | |
So how long have you been into the Reiki? | 0:09:40 | 0:09:44 | |
I started about 1999 - 2000 | 0:09:44 | 0:09:48 | |
and I'm learning to be a master now and then hopefully a teacher afterwards. | 0:09:48 | 0:09:52 | |
What is the significance of becoming a master? | 0:09:52 | 0:09:55 | |
You're more powerful, so you can heal better and more quickly | 0:09:55 | 0:10:01 | |
and also from being a master you can help and teach others. | 0:10:01 | 0:10:06 | |
So how exactly does it work? | 0:10:06 | 0:10:08 | |
It actually speeds up recovery | 0:10:08 | 0:10:11 | |
by initiating the energy within you to self-heal itself, | 0:10:11 | 0:10:16 | |
so there's no drugs, there's no unclothing, | 0:10:16 | 0:10:22 | |
it's just touch. | 0:10:22 | 0:10:24 | |
And it complements medical healing as well and it speeds that up. | 0:10:24 | 0:10:29 | |
Now apart from that, you also want to go on this fantastic trip | 0:10:29 | 0:10:32 | |
so where do you think that has come from in your family background? | 0:10:32 | 0:10:36 | |
I really, really don't know. | 0:10:36 | 0:10:38 | |
I like the excitement of different places, | 0:10:40 | 0:10:45 | |
different areas and I want to see it and hear it, feel it and touch it. | 0:10:45 | 0:10:50 | |
Now, you're also into your dancing, too. | 0:10:50 | 0:10:52 | |
It's a very unusual form of dancing. How did you get involved in that? | 0:10:52 | 0:10:57 | |
I've always, always loved dancing, from a little one. | 0:10:57 | 0:11:00 | |
My feet are all weird from dancing as a child and trying to tippy-toes. | 0:11:00 | 0:11:05 | |
I danced as a teenager, but I love the freedom of dancing. | 0:11:05 | 0:11:08 | |
I don't like the technical side of... | 0:11:08 | 0:11:11 | |
you have to do this and you have to do that, but when you can | 0:11:11 | 0:11:14 | |
just let the music come in your body and just flow it out through your body, | 0:11:14 | 0:11:20 | |
it's, oh...it's lovely! | 0:11:20 | 0:11:23 | |
And what about the grandchildren? Have they been to a class? | 0:11:23 | 0:11:25 | |
I've been doing Ceroc for over a year, so they know I do it, but they haven't seen it... | 0:11:25 | 0:11:31 | |
they haven't seen it or seen me do it, | 0:11:31 | 0:11:33 | |
but I'd love to drag them along as well | 0:11:33 | 0:11:36 | |
cos I know they'll just roll over on the floor, laughing! | 0:11:36 | 0:11:41 | |
Hopefully we'll be able to drag them along to a class, but not unless we | 0:11:41 | 0:11:44 | |
get enough stuff to sell, | 0:11:44 | 0:11:46 | |
shall we see what Mr Rylands has found for us? | 0:11:46 | 0:11:50 | |
Angie is a colourful character and the dancing sounds like a lot of fun. | 0:11:50 | 0:11:54 | |
We need to crack on with the search and raise ?300 for her travels, | 0:11:54 | 0:11:58 | |
so I hope the others have been busy indoors. | 0:11:58 | 0:12:01 | |
Mel. Yes, James. | 0:12:01 | 0:12:04 | |
Where did all these come from? | 0:12:04 | 0:12:06 | |
They were my great uncle Albert's and they were passed down to my mum. | 0:12:06 | 0:12:10 | |
Was she a very keen smoker? I believe so. | 0:12:10 | 0:12:12 | |
Do you know how they came about? | 0:12:12 | 0:12:14 | |
No, I've got no idea at all. | 0:12:14 | 0:12:16 | |
Well, what happened was in the early cigarette packets, | 0:12:16 | 0:12:19 | |
and I'm talking in the sort of late 1800s here, | 0:12:19 | 0:12:23 | |
they needed card to stiffen up the packet so that the cigarettes wouldn't get crushed | 0:12:23 | 0:12:29 | |
and then after a while they thought | 0:12:29 | 0:12:32 | |
why don't we actually put a picture on them, | 0:12:32 | 0:12:34 | |
and that's actually how the cigarette cards evolved. | 0:12:34 | 0:12:38 | |
Some of it was advertising and then they thought | 0:12:38 | 0:12:41 | |
well let's have a bit of fun with this and funnily enough, | 0:12:41 | 0:12:44 | |
these ones were all produced by WD and HO Wills | 0:12:44 | 0:12:47 | |
who were one of the leading tobacco companies and they | 0:12:47 | 0:12:52 | |
were also the first ones to produce cigarette cards in, I think, about 1888. | 0:12:52 | 0:12:56 | |
Oh. And they produced lots and lots of different sets. | 0:12:56 | 0:13:00 | |
This one is Association Footballers for 1935 -1936. | 0:13:00 | 0:13:04 | |
That was the heyday of cigarette cards. | 0:13:04 | 0:13:08 | |
It was also the heyday of when lots and lots of people smoked. | 0:13:08 | 0:13:11 | |
Some of them were just produced as blank books to put them in. | 0:13:11 | 0:13:14 | |
Some of them, like this one, it actually says | 0:13:14 | 0:13:17 | |
you've got a place for each card and then you stick them in. | 0:13:17 | 0:13:20 | |
Could you buy these separately? | 0:13:20 | 0:13:22 | |
You bought them separately. "Price one penny". Not bad. | 0:13:22 | 0:13:26 | |
The fags cost a lot more than that, | 0:13:26 | 0:13:28 | |
but the actual book you put them in cost a penny | 0:13:28 | 0:13:31 | |
and funnily enough, some of the ones that aren't stuck in, | 0:13:31 | 0:13:34 | |
because it damages the card, can be worth more | 0:13:34 | 0:13:37 | |
because people quite like to have the loose ones that she could frame up | 0:13:37 | 0:13:41 | |
and then put in sets on the wall. | 0:13:41 | 0:13:43 | |
They're probably not worth quite as much as they were. | 0:13:43 | 0:13:46 | |
They were more fashionable at one point. | 0:13:46 | 0:13:49 | |
I think a lot of it is the whole smoking thing | 0:13:49 | 0:13:51 | |
being less and less fashionable. Quite a nice collection here. | 0:13:51 | 0:13:55 | |
From what I can see there, it's probably ?20 or ?30, something like that. | 0:13:55 | 0:13:59 | |
I'm probably being a bit mean, but that's great. | 0:13:59 | 0:14:02 | |
Although we don't want all of our profits to go up in smoke, | 0:14:02 | 0:14:05 | |
I want you to find me some things to look at. | 0:14:05 | 0:14:08 | |
Thank you. Let's go. | 0:14:08 | 0:14:10 | |
?20 may not seem a lot for the cards, but every pound counts towards our target today. | 0:14:10 | 0:14:15 | |
Angie has been busy, too and has found this Yves Saint Laurent dress, | 0:14:15 | 0:14:19 | |
which her mum bought from a charity shop for the sum of two shillings and ten pence. | 0:14:19 | 0:14:25 | |
Having worn it many times, she's decided it's | 0:14:25 | 0:14:27 | |
time to let it go to a new home, and James values it at ?25 to ?50. | 0:14:27 | 0:14:33 | |
Downstairs in the living room, I'm pitching in with the search, | 0:14:33 | 0:14:36 | |
and find this pair of glass vases. | 0:14:36 | 0:14:39 | |
They belonged to Angie's parents and we're hoping they'll put a sparkle | 0:14:39 | 0:14:42 | |
in the bidder's eye at auction, with a ?10 to ?20 price tag. | 0:14:42 | 0:14:47 | |
Our search is going well so far today, but we've still got to | 0:14:47 | 0:14:50 | |
bag a few more collectables if we're going to get Angie that round the world ticket. | 0:14:50 | 0:14:55 | |
Whilst Melissa carries on the hunt downstairs, | 0:14:55 | 0:14:57 | |
in the bedroom, I think I might have struck gold. | 0:14:57 | 0:15:00 | |
Angie, this is lovely, I like this. | 0:15:00 | 0:15:03 | |
Where did that come from? | 0:15:03 | 0:15:05 | |
I know. I found that, actually. | 0:15:05 | 0:15:07 | |
That was at a jumble, years and years and years ago. | 0:15:07 | 0:15:10 | |
That was a good find. | 0:15:10 | 0:15:12 | |
So can it now be sold? Oh, gosh, yes. | 0:15:12 | 0:15:14 | |
We need to get James in. James. | 0:15:14 | 0:15:16 | |
I've found a nice vase which came from a jumble sale. | 0:15:16 | 0:15:19 | |
Really?! You did well with this. | 0:15:19 | 0:15:22 | |
Well, I'll tell you what's unusual about it is this bit at the bottom here... The bellow? | 0:15:22 | 0:15:27 | |
Yeah. What that is, is usually on the French ones it's quite rough, | 0:15:27 | 0:15:30 | |
it's what we call a pontil mark | 0:15:30 | 0:15:32 | |
and that's where when the glass is blown, | 0:15:32 | 0:15:35 | |
they snap it off on the end of the rod and you get a rough bit, | 0:15:35 | 0:15:40 | |
but on the French ones they usually left it quite rough, | 0:15:40 | 0:15:44 | |
but on the English ones, they finished it off. | 0:15:44 | 0:15:48 | |
That actually reminds me far more of an English maker | 0:15:48 | 0:15:52 | |
and I'll stick my neck out slightly on this one and say that I think it | 0:15:52 | 0:15:56 | |
could be by a firm called Whitefriars, but they weren't called that when this was made. | 0:15:56 | 0:16:03 | |
When this was made, it was made by a firm called James Powell Sons. | 0:16:03 | 0:16:07 | |
The factory actually goes back to, I think, about 1834 | 0:16:07 | 0:16:12 | |
and I would think this dates to 1910, something like that, 1900 to 1910. | 0:16:12 | 0:16:17 | |
In the 1960s, I think it was, they actually renamed themselves | 0:16:17 | 0:16:23 | |
the Whitefriars Glass Company. | 0:16:23 | 0:16:26 | |
From then onwards that their most collectable designs have been, | 0:16:26 | 0:16:31 | |
but we'll have to see at the auction if anybody agrees, | 0:16:31 | 0:16:34 | |
but I'm going to stick my neck out and put a value of ?60 to ?80 on it. | 0:16:34 | 0:16:37 | |
I'm happy with that. Not bad for a jumble sale! | 0:16:37 | 0:16:40 | |
No, not bad at all! Wonderful! | 0:16:40 | 0:16:42 | |
That would top up the coffers, wouldn't it? | 0:16:42 | 0:16:44 | |
The proof of the pudding will be see what's on... | 0:16:44 | 0:16:46 | |
The proof of the pudding will be getting it to auction in one piece, so, wrapping I think! | 0:16:46 | 0:16:51 | |
Come on! Yes, exactly! Well done. | 0:16:51 | 0:16:53 | |
I hope he doesn't drop it! | 0:16:53 | 0:16:55 | |
?60 to ?80 for the vase is a fantastic addition to our kitty. | 0:16:55 | 0:16:58 | |
Angie's house really is proving to be full of surprises. | 0:16:58 | 0:17:01 | |
I'll leave Mr Rylands to do the rummaging | 0:17:01 | 0:17:05 | |
and take a few minutes to find out more about this mother and daughter duo. | 0:17:05 | 0:17:08 | |
You two seem very close. | 0:17:08 | 0:17:10 | |
Has it always been like that? | 0:17:10 | 0:17:12 | |
Yes. Yes, we are very close. | 0:17:12 | 0:17:14 | |
Yes, we talk to each other all the time and go out on days and... | 0:17:14 | 0:17:18 | |
Mainly out with the children, really. | 0:17:18 | 0:17:21 | |
Zoos and days out in the park, theme parks.. | 0:17:21 | 0:17:24 | |
Swings... | 0:17:24 | 0:17:26 | |
How easy is that for you, you've got some problems with your foot, haven't you? | 0:17:26 | 0:17:30 | |
Yes, but when we go out I have a wheelchair that I can use | 0:17:30 | 0:17:33 | |
or my crutches, I can always find a way to get around. | 0:17:33 | 0:17:36 | |
I was born with extra bones in my feet and then throughout the years, | 0:17:36 | 0:17:40 | |
they're rubbing together and rubbing on the ligaments made them in-turn, | 0:17:40 | 0:17:46 | |
so I have had to have lots of operations to bring them back to normal | 0:17:46 | 0:17:49 | |
which they are looking normal now, but pain-wise, not getting any better. | 0:17:49 | 0:17:53 | |
So do any of your mum's therapies help? | 0:17:53 | 0:17:56 | |
She has done Reiki on my feet. | 0:17:56 | 0:18:00 | |
Because it's a condition with the bones of my feet, she does help, | 0:18:00 | 0:18:04 | |
obviously, pain-wise she can help and it does help | 0:18:04 | 0:18:08 | |
on the day when she does it, but long-term, there's nothing she can do. | 0:18:08 | 0:18:12 | |
It's still nice to have a massage, or a facial or something... | 0:18:12 | 0:18:16 | |
She'll give me a nice massage, makes me feel better, so that's always good. | 0:18:16 | 0:18:20 | |
I'd have to do it every day with Mel because it's such a long-term thing. | 0:18:20 | 0:18:25 | |
Usually, the healing amounts to how long you've had it | 0:18:25 | 0:18:29 | |
and because Mel's has been long-term, I would have to give | 0:18:29 | 0:18:33 | |
long-term continual healing every day and it isn't practical. | 0:18:33 | 0:18:37 | |
Now, this is quite a bit adventure that she's going on, isn't she? | 0:18:37 | 0:18:41 | |
Have you got any concerns about it? | 0:18:41 | 0:18:43 | |
It is, but Mum wouldn't want it any other way, she loves travelling. | 0:18:43 | 0:18:47 | |
She'll make friends at the drop of a hat, | 0:18:47 | 0:18:51 | |
she'll be fine, she'll really enjoy it. | 0:18:51 | 0:18:54 | |
We won't to be able to do those things, unless we find something to sell. | 0:18:54 | 0:18:58 | |
We're nearly at the end of today's search and still need to rack up a few more finds, | 0:18:58 | 0:19:03 | |
but we're in safe hands, as James is leaving no stone unturned in his quest for collectables. | 0:19:03 | 0:19:08 | |
He's been searching in the garage and finds this pair of coffee tables. | 0:19:08 | 0:19:12 | |
One came from a jumble sale and the other was given to Angie by a friend | 0:19:12 | 0:19:16 | |
and although they've been well-used over the years, | 0:19:16 | 0:19:18 | |
James thinks they could still bag us ?20 to ?30 at auction. | 0:19:18 | 0:19:23 | |
Back inside the house two of Angie's grandkids are back from school and hard at work, | 0:19:23 | 0:19:27 | |
but no piece of furniture is safe from our expert's eagle eye. | 0:19:27 | 0:19:31 | |
I can see there's a lot of industry going on here, Megan and Harry. | 0:19:31 | 0:19:35 | |
So, do you use this table much? | 0:19:35 | 0:19:37 | |
Yeah. Harry, what do you use it for? | 0:19:37 | 0:19:39 | |
Homework and having dinner on it and everything. | 0:19:39 | 0:19:42 | |
But do you know what the really sad thing is? Yeah, go on. | 0:19:42 | 0:19:46 | |
The last few years, millions of dining rooms across this country | 0:19:46 | 0:19:51 | |
have just been turned into entertainment rooms or cinema rooms | 0:19:51 | 0:19:55 | |
and what that means is that something like this, | 0:19:55 | 0:19:59 | |
really nice mahogany dining room table, | 0:19:59 | 0:20:01 | |
you've got a set of six chairs as well, it's not antique, | 0:20:01 | 0:20:05 | |
it was made very much in the 20th century, but in an 18th century style, | 0:20:05 | 0:20:10 | |
and having a look underneath I can actually see that | 0:20:10 | 0:20:14 | |
it's got what we call concertina action which means that you've got the leaf and you wind it up. | 0:20:14 | 0:20:20 | |
It's probably got a big windy handle that goes with it. | 0:20:20 | 0:20:23 | |
What is it worth? | 0:20:23 | 0:20:24 | |
Angie, I know I'm going to disappoint you when I say this, | 0:20:24 | 0:20:29 | |
but I could see on a not very good auction day | 0:20:29 | 0:20:32 | |
a set of six chairs like this and the table, a hundred quid. | 0:20:32 | 0:20:37 | |
No! I might be erring on the mean side, but that is where the market has gone. | 0:20:37 | 0:20:43 | |
We haven't done very well with this so, guys, | 0:20:43 | 0:20:46 | |
what do you think about my valuation on the table? | 0:20:46 | 0:20:49 | |
It's not very good. We do everything on this table. | 0:20:49 | 0:20:51 | |
Well, that means that we've got to go off round the house | 0:20:51 | 0:20:55 | |
and see if we can find something valuable. | 0:20:55 | 0:20:58 | |
Come on, let's go. | 0:20:58 | 0:21:01 | |
?100 obviously isn't as much as Angie or the kids hoped for, for the table, | 0:21:01 | 0:21:05 | |
and as family meals are important in this house, | 0:21:05 | 0:21:07 | |
I wonder if she can bear to part with it. | 0:21:07 | 0:21:11 | |
Something Angie is happy to let go, is this landscape painting | 0:21:11 | 0:21:14 | |
by Frank Wyams, that I find in the living room. | 0:21:14 | 0:21:17 | |
It was bought on her 21st birthday from an art show on Hampstead Heath | 0:21:17 | 0:21:21 | |
and we're hoping it could raise ?20 to ?50 at auction. | 0:21:21 | 0:21:25 | |
Time has almost run out on today's rummage, | 0:21:25 | 0:21:28 | |
but our expert has been busy and has one last item up his sleeve. | 0:21:28 | 0:21:33 | |
Ladies, look what I've found! | 0:21:33 | 0:21:37 | |
Goodness! | 0:21:37 | 0:21:38 | |
Fun and games! Now, I have to say, this really does take me back. | 0:21:38 | 0:21:43 | |
I had one of these with the bricks in. | 0:21:43 | 0:21:46 | |
Er, yeah, great fun. Where do they come from? | 0:21:46 | 0:21:48 | |
Passed down through the family, basically. | 0:21:48 | 0:21:52 | |
What's interesting about these is that they're all made by the same company. | 0:21:52 | 0:21:56 | |
Really! I thought that was Pedigree and these were Tri-ang? | 0:21:56 | 0:21:59 | |
Well, basically, Angie, the whole story started with G J Lines - | 0:21:59 | 0:22:04 | |
George and Joseph Lines - | 0:22:04 | 0:22:06 | |
and they established their first toy-making business | 0:22:06 | 0:22:09 | |
in London in the 1850s and it was Joseph's three sons who came back | 0:22:09 | 0:22:14 | |
from the First World War and decided that they wanted to form their own company - | 0:22:14 | 0:22:18 | |
William, Arthur and Walter - and in 1924 they set up their own company | 0:22:18 | 0:22:22 | |
and they thought, "Well, we're the Lines brothers, | 0:22:22 | 0:22:25 | |
"there are three of us. What shall we call the company?" | 0:22:25 | 0:22:28 | |
and in the end they thought, "Three lines make a triangle" | 0:22:28 | 0:22:32 | |
so they called the company Tri-ang. | 0:22:32 | 0:22:35 | |
I'm not sure why it wasn't Triangle, but it was Tri-ang | 0:22:35 | 0:22:38 | |
and that was the basis of the company. | 0:22:38 | 0:22:40 | |
After that, the company really expanded. They were in toy-making, | 0:22:40 | 0:22:44 | |
in 1931 they bought Hamleys, the toy store. Oh, gosh! | 0:22:44 | 0:22:49 | |
And here's the other thing. They set up another company called Pedigree | 0:22:49 | 0:22:53 | |
making dolls and soft toys and that's where this chap comes in, | 0:22:53 | 0:22:57 | |
because you'll see he's got actually a thing saying "Pedigree" | 0:22:57 | 0:23:01 | |
and then "Made in Northern Ireland." | 0:23:01 | 0:23:03 | |
That was another one of their things. So huge expansion, | 0:23:03 | 0:23:07 | |
but generations of children grew up with these and both of these here, | 0:23:07 | 0:23:12 | |
I think the little dog and the cart with the building blocks dates to the 1950s. | 0:23:12 | 0:23:16 | |
The rocking horse, I think, is probably slightly later in date | 0:23:16 | 0:23:21 | |
and it goes without saying that the ones that are really rare | 0:23:21 | 0:23:24 | |
are the ones that are still in really good condition. | 0:23:24 | 0:23:27 | |
How much would you say...this is a job lot or individually, what would you suggest? | 0:23:27 | 0:23:31 | |
We'll leave it to the auctioneers, so the question is, what price for love? | 0:23:31 | 0:23:36 | |
Ooh, priceless! They're priceless, exactly! | 0:23:36 | 0:23:39 | |
I would think collectively, if they did put them all in the same lot | 0:23:39 | 0:23:42 | |
we might make 100 quid or something, | 0:23:42 | 0:23:45 | |
but I'd probably put something like 50 to 80. Gosh! | 0:23:45 | 0:23:48 | |
How do you feel about that? Is that good enough? | 0:23:48 | 0:23:50 | |
That's good. You've had your time from them, haven't you? | 0:23:50 | 0:23:53 | |
Yeah. It will be sad to give them... | 0:23:53 | 0:23:55 | |
It will be sad to see them go, but... But it's practicality. | 0:23:55 | 0:23:58 | |
Yeah...and they're big things to store, really, aren't they? | 0:23:58 | 0:24:01 | |
OK, well, look, we've got no more time for rummaging, I'm afraid, | 0:24:01 | 0:24:06 | |
cos we're completely out there, but you did want to raise ?300, | 0:24:06 | 0:24:09 | |
for a bit towards the trip and also towards the dancing. How do you think you've done? | 0:24:09 | 0:24:14 | |
Hopefully...it seems like it. | 0:24:14 | 0:24:17 | |
Yeah. We've found lots of nice stuff, so hopefully we've made our ?300. | 0:24:17 | 0:24:21 | |
Well, actually you've made ?375! | 0:24:21 | 0:24:24 | |
Wow, that's good, yes. That would be lovely. | 0:24:24 | 0:24:26 | |
All we need to do now is make sure that everything sells | 0:24:26 | 0:24:29 | |
for at least the lowest estimate on the day and there's your money. | 0:24:29 | 0:24:33 | |
So the next time we'll see you, and all of this lot, is at auction. | 0:24:33 | 0:24:36 | |
Excellent. | 0:24:36 | 0:24:37 | |
We've really had a fun day here with Angie and Melissa | 0:24:37 | 0:24:40 | |
and our hard work has earned us a great haul of items for the auction. | 0:24:40 | 0:24:44 | |
We've got the rosewood tea caddy valued at ?25 to ?40. | 0:24:44 | 0:24:49 | |
The colourful piece of Whitefriars-style glass, | 0:24:49 | 0:24:52 | |
valued at ?60 to ?80. | 0:24:52 | 0:24:54 | |
And the toys, with a combined estimate of ?50 to ?80. | 0:24:54 | 0:24:58 | |
But only time will tell whether our dinner party lover | 0:24:58 | 0:25:01 | |
will be able to part with her mahogany table and chairs | 0:25:01 | 0:25:03 | |
with their ?100 estimate. | 0:25:03 | 0:25:06 | |
Still to come on Cash In The Attic - Some testing times at auction... | 0:25:08 | 0:25:12 | |
Oh, no! | 0:25:12 | 0:25:14 | |
And our ladies get rather feisty! | 0:25:14 | 0:25:16 | |
You're sacked! Out! | 0:25:16 | 0:25:19 | |
I think you'll find you can't fire the auctioneer! | 0:25:19 | 0:25:23 | |
But the highs are as big as the lows... | 0:25:23 | 0:25:25 | |
Oooh! Excellent! | 0:25:25 | 0:25:28 | |
So, will we have reached our target when the final hammer falls? | 0:25:28 | 0:25:32 | |
It's been a couple of weeks since we had a good look around | 0:25:37 | 0:25:40 | |
Angie's home in Essex, and with her daughter, Melissa, | 0:25:40 | 0:25:43 | |
we've found lots of lovely items to bring here | 0:25:43 | 0:25:45 | |
to Hampshire Auction House in Andover. | 0:25:45 | 0:25:48 | |
Now remember Angie is looking to raise ?300, | 0:25:48 | 0:25:50 | |
part of that as a contribution to her back-packing around the world | 0:25:50 | 0:25:54 | |
later on next year and another part towards a trip with the grandchildren | 0:25:54 | 0:25:57 | |
to a dancing class. So let's just hope that she makes the money today | 0:25:57 | 0:26:01 | |
and the bidders are feeling generous when our items go under the hammer. | 0:26:01 | 0:26:04 | |
There are plenty of bidders in the sale room this morning | 0:26:04 | 0:26:09 | |
and whilst they get into position, our expert, James Rylands, | 0:26:09 | 0:26:12 | |
has been drawn to one of our more colourful lots. | 0:26:12 | 0:26:15 | |
Hi, James. Morning, Lorne. | 0:26:15 | 0:26:17 | |
Quite a tight squeeze here today, isn't it? | 0:26:17 | 0:26:19 | |
It is. Lots of things. Well if the stress continues, | 0:26:19 | 0:26:22 | |
we'll both need Reiki sessions after this. | 0:26:22 | 0:26:24 | |
Ooh, I could do with one of those, I tell you! | 0:26:24 | 0:26:26 | |
We'd better get a session in before she's off round the world. | 0:26:26 | 0:26:29 | |
She's a very brave lady doing that. | 0:26:29 | 0:26:31 | |
I don't think I'd do it! | 0:26:31 | 0:26:32 | |
And you're hoping this is going to help towards the travel fund? | 0:26:32 | 0:26:36 | |
I think so. ?60 to ?80 and they've got it down as possibly by Powell, | 0:26:36 | 0:26:40 | |
so in other words Whitefriars, which is where we want to be - fingers crossed. Nice thing. | 0:26:40 | 0:26:44 | |
It is. What about furniture? Because we've got a few bits of furniture, | 0:26:44 | 0:26:48 | |
but it's not top end and that's proving difficult to sell at the moment. | 0:26:48 | 0:26:52 | |
It is. I mean I wish I was furnishing a house now because in real terms, | 0:26:52 | 0:26:55 | |
all furniture, Georgian, Victorian, is so cheap, really. | 0:26:55 | 0:26:59 | |
Let's hope it doesn't go too cheaply, cos we've got to make the money. | 0:26:59 | 0:27:02 | |
Shall we go and find them? Absolutely. | 0:27:02 | 0:27:05 | |
It may be bargain time for people buying at auction, | 0:27:05 | 0:27:08 | |
but I certainly hope our two sellers will have a successful day as well. | 0:27:08 | 0:27:12 | |
Having finally decided to part with some of her beloved possessions, | 0:27:12 | 0:27:15 | |
how will Angie and Melissa feel about seeing them here? | 0:27:15 | 0:27:18 | |
Oh, hello! Hello. You're looking very relaxed, ahead of the auction? | 0:27:18 | 0:27:23 | |
Yeah. How does it feel to see your items here now? | 0:27:23 | 0:27:25 | |
Excited, yes...sad and excited. | 0:27:25 | 0:27:29 | |
And we've got those lovely toys? | 0:27:29 | 0:27:30 | |
Yes. That nice little ride-on dog and the little carts, so let's just hope they find good homes. | 0:27:30 | 0:27:36 | |
So is there anything that hasn't come today? | 0:27:36 | 0:27:38 | |
Yes. We haven't brought the table and chairs because it didn't make sense. | 0:27:38 | 0:27:42 | |
It cost like two, three, four times as much to replace it. | 0:27:42 | 0:27:45 | |
I think you're being sensible. | 0:27:45 | 0:27:47 | |
It doesn't make economic sense, does it? Absolutely not. | 0:27:47 | 0:27:50 | |
Well, we're all ready to go. Shall we get in position? | 0:27:50 | 0:27:52 | |
We'll follow you. | 0:27:52 | 0:27:53 | |
Remember that if you're planning on heading to your local auction house, | 0:27:53 | 0:27:57 | |
be aware that commission and other charges will be added to your bill, | 0:27:57 | 0:28:01 | |
so always check the details with the sale room first. | 0:28:01 | 0:28:04 | |
The bidders are ready and waiting for the sale to begin, | 0:28:04 | 0:28:07 | |
and we take our places in the corner of the room, | 0:28:07 | 0:28:10 | |
just in time for our first lot to come under the hammer. | 0:28:10 | 0:28:13 | |
Part 1920s green band dinner service with a Princess design. | 0:28:13 | 0:28:20 | |
Well, let's hope the Princess bit will help it... | 0:28:20 | 0:28:23 | |
sort of Royal association! | 0:28:23 | 0:28:24 | |
I think the thing with this is because it's part of a service | 0:28:24 | 0:28:29 | |
and it's very difficult to replace the bits, | 0:28:29 | 0:28:31 | |
that's why we've just got an estimate of ?20 to ?30. | 0:28:31 | 0:28:34 | |
Lot 135A. Got ten, 12, 14 I'll take. | 0:28:34 | 0:28:38 | |
At ?12 only and 14 I have and 16 here and 18. | 0:28:38 | 0:28:44 | |
At ?16 only. Do I hear 18? | 0:28:44 | 0:28:47 | |
18 I have. 20, 22. | 0:28:47 | 0:28:50 | |
No? ?20 only, at ?20 only. | 0:28:50 | 0:28:53 | |
I'll take one if it will help. | 0:28:53 | 0:28:55 | |
120. | 0:28:55 | 0:28:57 | |
No? At ?20 only then. | 0:28:57 | 0:28:59 | |
Ooooh! | 0:28:59 | 0:29:01 | |
I take it that's a disappointment! | 0:29:01 | 0:29:03 | |
Yeah! A sign of the times! | 0:29:03 | 0:29:05 | |
Angie may have wanted it to fetch a bit more, | 0:29:05 | 0:29:08 | |
but at least the dinner set has made its bottom end estimate. | 0:29:08 | 0:29:12 | |
There's a lot of pressure on our lots to perform well today | 0:29:14 | 0:29:17 | |
if we're going to have a chance of making the ?300 towards Angie's trip | 0:29:17 | 0:29:21 | |
and the dance classes. | 0:29:21 | 0:29:23 | |
Our next lot is the large rectangular coffee table | 0:29:24 | 0:29:27 | |
and another one as well. | 0:29:27 | 0:29:29 | |
Bearing in mind that we found them lurking in your garage, | 0:29:29 | 0:29:32 | |
buried under tonnes of things. I don't think you'll miss these much. | 0:29:32 | 0:29:35 | |
I've only got ?14 on this. | 0:29:35 | 0:29:38 | |
I'll take 16. | 0:29:38 | 0:29:40 | |
16 I have. 18 here, 20 it's yours. | 0:29:40 | 0:29:42 | |
20, I'm out at ?20. Do I hear 22? | 0:29:42 | 0:29:45 | |
At ?20 only. | 0:29:45 | 0:29:48 | |
No! ?20! | 0:29:48 | 0:29:50 | |
Well, they were lurking in the garage... | 0:29:50 | 0:29:53 | |
OK! | 0:29:53 | 0:29:56 | |
And you've now got a big space in your garage. | 0:29:56 | 0:29:59 | |
You might even want to put the car in it! | 0:29:59 | 0:30:01 | |
That's right, James, focus on the positives, | 0:30:01 | 0:30:05 | |
although it doesn't seem much for two coffee tables. | 0:30:05 | 0:30:08 | |
?20 was another sale bang on estimate. | 0:30:08 | 0:30:11 | |
Maybe our rosewood tea caddy, which Angie inherited from her grandpa | 0:30:11 | 0:30:15 | |
will heat things up in the sale room a bit. | 0:30:15 | 0:30:18 | |
We've got ?25 to ?40 on this, so Angie... | 0:30:18 | 0:30:20 | |
shall we make your grandpa proud! Absolutely! | 0:30:20 | 0:30:24 | |
I've got ten, 12, 14, 16 I'll take. | 0:30:24 | 0:30:28 | |
?14 only. 16 I have and 18 here. 20. | 0:30:28 | 0:30:31 | |
Finally 22. 25 it's yours. | 0:30:31 | 0:30:34 | |
Go on, I'll take four. | 0:30:34 | 0:30:36 | |
24 I have, at ?24. Do I hear six? | 0:30:36 | 0:30:39 | |
At ?24 only. I'll take six on the lot. | 0:30:39 | 0:30:43 | |
?24. Not bad considering the condition of it. Just ?1 below. | 0:30:43 | 0:30:47 | |
Angie and Melissa seem pleased with that result | 0:30:47 | 0:30:49 | |
and another family heirloom comes up trumps | 0:30:49 | 0:30:52 | |
as the box card games double their ?10 to ?15 estimate. | 0:30:52 | 0:30:56 | |
At ?20 then I'm selling. | 0:30:56 | 0:30:59 | |
Excellent! Yes! | 0:30:59 | 0:31:00 | |
?20. Not bad for a couple of old board games, is it? | 0:31:00 | 0:31:03 | |
The sale room seems to be getting going | 0:31:03 | 0:31:06 | |
and if we can get more sales like that, | 0:31:06 | 0:31:07 | |
then we should be back on track for our ?300 target. | 0:31:07 | 0:31:11 | |
Let's hope there are somme magpie-eyed bidders in the room, | 0:31:11 | 0:31:15 | |
as Angie's sparkly costume jewellery comes under the hammer. | 0:31:15 | 0:31:19 | |
Remember we're hoping it will make ?15 to ?30. | 0:31:19 | 0:31:21 | |
I'll start the bidding at ?10. | 0:31:21 | 0:31:24 | |
12 I have and 14, 16, and 18 and 20... | 0:31:24 | 0:31:29 | |
Yes... 22, | 0:31:29 | 0:31:31 | |
24, 26... | 0:31:31 | 0:31:34 | |
28, 30. At ?28 only. | 0:31:34 | 0:31:37 | |
I'll take 30. 30 I have. 32. No? | 0:31:37 | 0:31:40 | |
At ?30 only at ?30 then I'm selling. | 0:31:40 | 0:31:44 | |
Oooh! Excellent! | 0:31:44 | 0:31:46 | |
?30 is a great price for the jewellery | 0:31:46 | 0:31:49 | |
and I think Angie was almost bursting for joy! | 0:31:49 | 0:31:52 | |
It's nearly half-time, | 0:31:52 | 0:31:53 | |
but not before our final lot goes under the hammer. | 0:31:53 | 0:31:56 | |
Now the next lot are those two enormous vases. | 0:31:56 | 0:32:00 | |
They're really weighty ones. They've got that lovely fleur-de-lis design. | 0:32:00 | 0:32:04 | |
Let's hope somebody fancies them because if you went into Harrods to buy those, | 0:32:04 | 0:32:08 | |
you would have to reach pretty deep into your pocket. | 0:32:08 | 0:32:11 | |
Quite nice, these. What shall we say? I've got ten, 12, | 0:32:11 | 0:32:14 | |
14, I'll take 16. | 0:32:14 | 0:32:16 | |
At ?14 only and 16 I have. 16 here... | 0:32:16 | 0:32:19 | |
and 20? | 0:32:19 | 0:32:21 | |
18 I have, 20? | 0:32:21 | 0:32:23 | |
At ?20 only, it's worth that. | 0:32:23 | 0:32:25 | |
22 I have, at 22. 24 I have. 26, 28. | 0:32:25 | 0:32:31 | |
At ?26 only, at 26 then, I'm selling at 26. | 0:32:31 | 0:32:36 | |
?26 is well over James' somewhat cautious original estimate | 0:32:36 | 0:32:40 | |
and is another good addition to our coffers. | 0:32:40 | 0:32:43 | |
And talking of money, it's time to tot up how we've done so far. | 0:32:43 | 0:32:47 | |
We're halfway through the auction, so we've got a bit of a break. | 0:32:47 | 0:32:50 | |
Before we get onto that, you wanted ?300. How do you think it's gone, Angie? | 0:32:50 | 0:32:55 | |
It's not gone as nice as I... Most things have reached their estimates, | 0:32:55 | 0:32:59 | |
so lower end... The lower end... unfortunately, | 0:32:59 | 0:33:02 | |
but that's how it's been going in the auction as general. | 0:33:02 | 0:33:05 | |
To be quite honest, you haven't done that badly. You've made ?140. That's not bad, is it? | 0:33:05 | 0:33:09 | |
That's good, that's lovely. That's brilliant. | 0:33:09 | 0:33:11 | |
Bearing in mind you've got more to sell, that's not bad going at all! | 0:33:11 | 0:33:16 | |
Right James has got things he wants to look at, | 0:33:16 | 0:33:18 | |
so we've got a break before we come back this afternoon, | 0:33:18 | 0:33:21 | |
so shall we? Yes! Follow me, then. | 0:33:21 | 0:33:23 | |
Well, it's been a mixed sale this morning, | 0:33:27 | 0:33:30 | |
but most of our items have sold for not far off their estimate, so our expert can stand easy for now. | 0:33:30 | 0:33:36 | |
Never one to rest on his laurels, though, he's on the lookout | 0:33:36 | 0:33:39 | |
for other interesting lots that are up for sale today. | 0:33:39 | 0:33:42 | |
Something that's caught my eye - the auctioneers have got these down | 0:33:42 | 0:33:46 | |
as a pair of contemporary polished and carved stone ornaments. | 0:33:46 | 0:33:50 | |
They may look contemporary and funky, but in reality they're probably the oldest thing | 0:33:50 | 0:33:55 | |
in this whole auction room because they're fossils, and these chaps | 0:33:55 | 0:34:01 | |
originally were from Morocco and if you look down the front here | 0:34:01 | 0:34:06 | |
you can see what looks like a little...cone shape. | 0:34:06 | 0:34:10 | |
This is what we call an orthoceros | 0:34:10 | 0:34:12 | |
and that would have been swimming along in the ocean | 0:34:12 | 0:34:16 | |
about 400 million years ago, | 0:34:16 | 0:34:19 | |
and then recently someone would have excavated these, dug them up | 0:34:19 | 0:34:22 | |
and then carved them into a contemporary sculpture. | 0:34:22 | 0:34:26 | |
For me, I like these because it's Mother Nature at its very, very best | 0:34:26 | 0:34:32 | |
and someone's given it a helping hand by carving them out. | 0:34:32 | 0:34:35 | |
Now the auctioneers have got an estimate | 0:34:35 | 0:34:37 | |
of between ?100 and ?200 on these which I think is quite a lot, | 0:34:37 | 0:34:41 | |
because they're not that rare. But the reason I like fossils so much | 0:34:41 | 0:34:46 | |
is because it doesn't matter how old you are, these make you feel young. | 0:34:46 | 0:34:51 | |
I like your logic, Mr Rylands! There's no time for archaeology now though, | 0:34:51 | 0:34:55 | |
as the second half of the sale is under way. | 0:34:55 | 0:34:58 | |
The bidders are raring to go and we get back into position | 0:34:58 | 0:35:00 | |
just in time as our cigarette cards go under the hammer. | 0:35:00 | 0:35:04 | |
James valued them at ?20 to ?30 | 0:35:04 | 0:35:06 | |
and it looks like they're off to a flying start. | 0:35:06 | 0:35:09 | |
..at five, at ?22, I'll take five, five I have and eight | 0:35:09 | 0:35:13 | |
and 30 and two and five and eight and 40 and two and five and eight? | 0:35:13 | 0:35:20 | |
No? ?45 then. I'll take eight. | 0:35:20 | 0:35:24 | |
Is that a bid? No! | 0:35:24 | 0:35:25 | |
?45 then, at 45 I'm selling. | 0:35:25 | 0:35:28 | |
?45! That's good, isn't it! Yes, yes! Above estimate. | 0:35:28 | 0:35:33 | |
Yes, very nice. | 0:35:33 | 0:35:34 | |
?45 is a cracking result. | 0:35:34 | 0:35:36 | |
The cigarette cards really set the sale room alight. | 0:35:36 | 0:35:39 | |
Will our next lot have the same effect? | 0:35:39 | 0:35:41 | |
It's our most highly valued item today, | 0:35:41 | 0:35:44 | |
so there's a lot riding on it. | 0:35:44 | 0:35:47 | |
Our next lot is one of our favourites, | 0:35:47 | 0:35:48 | |
that lovely, lovely vase which might be Whitefriars and Powell. | 0:35:48 | 0:35:53 | |
We're still not sure and nor are the auctioneers, by the look of it. | 0:35:53 | 0:35:56 | |
They've hedged their own bets with the word "possibly." | 0:35:56 | 0:35:59 | |
Anyway, Angie, the market will decide. Here we go. | 0:35:59 | 0:36:02 | |
What shall we say? | 0:36:02 | 0:36:04 | |
I've got ?40, I'll take two. | 0:36:04 | 0:36:06 | |
At ?40 only, do I hear 42 on the lot? ?40... Oh, no! | 0:36:06 | 0:36:10 | |
42, 45, 48 and 50. ?50 only. | 0:36:10 | 0:36:15 | |
I'll take five on the lot; two if it will help you, 52, 55, 58 and 60... | 0:36:15 | 0:36:22 | |
60. | 0:36:22 | 0:36:24 | |
At ?60 then, at ?60. Do I hear two? | 0:36:24 | 0:36:27 | |
Come on! No? At ?60 then. | 0:36:27 | 0:36:30 | |
Well, we got the 60. Yes! | 0:36:30 | 0:36:32 | |
Rhat's good, isn't it, hey? | 0:36:32 | 0:36:34 | |
Fantastic! It looks like James was on the right track | 0:36:34 | 0:36:36 | |
with his hunch about it being Whitefriars | 0:36:36 | 0:36:38 | |
and Angie thinks she's made a rather good investment. | 0:36:38 | 0:36:41 | |
I wouldn't have paid more than 20p, | 0:36:41 | 0:36:45 | |
or something like that, at a jumble sale | 0:36:45 | 0:36:47 | |
and I was so, so surprised when it was even worth money. | 0:36:47 | 0:36:51 | |
I thought James and Lorne might be mistaken, but no, they weren't, they was wonderful. | 0:36:51 | 0:36:56 | |
We've had a great start to this afternoon's sale | 0:36:56 | 0:36:59 | |
and I hope our winning streak continues as it's one of Melissa's favourite lots up next. | 0:36:59 | 0:37:05 | |
Next up we've got the collection of toys. So we've got the Tri-ang rocking horse, | 0:37:05 | 0:37:09 | |
the baby walker and the push-along dog. | 0:37:09 | 0:37:11 | |
Melissa, you remember these? I do, I played with them all the time | 0:37:11 | 0:37:14 | |
when I was younger. | 0:37:14 | 0:37:15 | |
?50 to ?80... Fond memories. | 0:37:15 | 0:37:17 | |
Let's hope we alleviate some of that nostalgic pain of them going | 0:37:17 | 0:37:20 | |
by them making a really good price. | 0:37:20 | 0:37:22 | |
What shall we say on this one? I've got ?30, I'll take two. | 0:37:22 | 0:37:26 | |
At ?30 only. At 32, do I hear? | 0:37:26 | 0:37:28 | |
At ?30 only. | 0:37:28 | 0:37:30 | |
At ?30, then? | 0:37:30 | 0:37:32 | |
Come on, it's got to be worth 32. | 0:37:32 | 0:37:34 | |
At ?30 then. | 0:37:34 | 0:37:36 | |
Oh, no! | 0:37:36 | 0:37:38 | |
Oh, dear! | 0:37:38 | 0:37:40 | |
Blimey! | 0:37:40 | 0:37:42 | |
I don't like you any more! | 0:37:42 | 0:37:44 | |
You're sacked! Out! | 0:37:47 | 0:37:49 | |
I think you'll find you can't fire the auctioneer! | 0:37:49 | 0:37:52 | |
Never mind! | 0:37:52 | 0:37:53 | |
Oh, dear! | 0:37:53 | 0:37:55 | |
They may be laughing, but ?30 is a tenner | 0:37:55 | 0:37:57 | |
for each of the Tri-ang toys, our ladies were hoping | 0:37:57 | 0:38:00 | |
for considerably more. | 0:38:00 | 0:38:02 | |
We're quite a long way off our target and with only two items left | 0:38:02 | 0:38:05 | |
to go under the hammer, we need the bidders to dig a bit deeper than they did for the toys. | 0:38:05 | 0:38:10 | |
It's the landscape painting up next which James valued at ?20 to ?50. | 0:38:10 | 0:38:15 | |
And what shall we say on this? | 0:38:15 | 0:38:16 | |
I've got 32, 34 I'll take. At ?32 only. | 0:38:16 | 0:38:21 | |
At 32, 34, 36, 38, and 40. | 0:38:21 | 0:38:28 | |
?38 only, 40 I'll take, 40 I have, 42, 45... Yes. | 0:38:28 | 0:38:33 | |
48 and 50, | 0:38:33 | 0:38:36 | |
and ?50 I have, 55. | 0:38:36 | 0:38:39 | |
I'm at ?50 only. Do I hear 55 at all? | 0:38:39 | 0:38:41 | |
At ?50 then. | 0:38:41 | 0:38:46 | |
?50, are you pleased with that? | 0:38:46 | 0:38:47 | |
Yeah! Good! | 0:38:47 | 0:38:49 | |
You'll knock me off my feet at this rate! Sorry! | 0:38:49 | 0:38:52 | |
?50 is an unexpected result | 0:38:52 | 0:38:54 | |
for the painting and a much needed addition to our kitty. | 0:38:54 | 0:38:59 | |
Angie has her dancing shoes on already | 0:38:59 | 0:39:01 | |
and with sales like that, her grandchildren | 0:39:01 | 0:39:03 | |
may be following in her dance class footsteps soon. | 0:39:03 | 0:39:06 | |
We're almost at the end of the sale and there's one last lot to go. | 0:39:06 | 0:39:10 | |
It's the Yves St Laurent dress that Angie's mother bought her | 0:39:10 | 0:39:13 | |
and we're hoping it will make ?25 to ?50. | 0:39:13 | 0:39:18 | |
My mum bought it for 10p in a second-hand shop. | 0:39:18 | 0:39:20 | |
Well, listen, at least we know we're going to make a profit on this one. | 0:39:20 | 0:39:24 | |
I can start straight in at ?25, ?26. | 0:39:24 | 0:39:28 | |
I'll take 28. | 0:39:28 | 0:39:30 | |
28 I have... Lady bidder. | 0:39:30 | 0:39:32 | |
..and 30, 32, 34 here, 36 it's yours, ma'am, | 0:39:32 | 0:39:37 | |
36 only, 38 I have and 40, 42, 45, 48 and 50 and five. | 0:39:37 | 0:39:45 | |
Go on, one more! At 50 only. | 0:39:45 | 0:39:48 | |
I'll take two? At ?50 then, at ?50. | 0:39:48 | 0:39:50 | |
Do I hear 52? | 0:39:50 | 0:39:52 | |
?50...that's great. | 0:39:54 | 0:39:56 | |
That's really good for 10p! | 0:39:56 | 0:39:58 | |
Not a bad return! I wish it was me, I'd have bought it? | 0:39:58 | 0:40:01 | |
My maths is too rubbish to work out what a percentage profit that is, but that's not bad, is it? | 0:40:01 | 0:40:06 | |
Well, whatever the maths, it's clearly another fantastic result | 0:40:06 | 0:40:10 | |
for our traveller to be and a whopping ?50 into today's kitty. | 0:40:10 | 0:40:14 | |
After that spectacular final sale, it's time to get my maths head on and add up our final total. | 0:40:14 | 0:40:20 | |
So you wanted ?300 to take the grandchildren to this dancing class | 0:40:20 | 0:40:24 | |
and as a contribution towards your world tour, which will be great fun. | 0:40:24 | 0:40:28 | |
Oh, yes, very much. | 0:40:28 | 0:40:29 | |
So, how do you think it went? | 0:40:29 | 0:40:32 | |
I think we got the bottom end of the market, | 0:40:32 | 0:40:35 | |
but obviously you always want double! | 0:40:35 | 0:40:38 | |
What about you, Melissa? | 0:40:38 | 0:40:39 | |
We did all right. I think we've reached our ?300, hopefully. | 0:40:39 | 0:40:42 | |
Well, actually you made more. You made ?375! Oh, excellent! | 0:40:42 | 0:40:46 | |
Wow, brilliant! Excellent. A lot better! | 0:40:46 | 0:40:48 | |
That is good, thank you. | 0:40:48 | 0:40:50 | |
It's been a couple of weeks since Angie raised ?375 at auction | 0:40:57 | 0:41:02 | |
and while she carries on saving for her round the world ticket, | 0:41:02 | 0:41:05 | |
it's time to take the grandchildren dancing. | 0:41:05 | 0:41:09 | |
First, Angie and the adult class show them how it's done. | 0:41:09 | 0:41:14 | |
Then it's time for the kids to have a special lesson of their own, | 0:41:17 | 0:41:20 | |
and our rock 'n' roll grandma has high hopes. | 0:41:20 | 0:41:23 | |
I'm really looking forward to the grandkids getting involved. | 0:41:23 | 0:41:27 | |
They love dancing and showing off and doing lots of silly things, | 0:41:27 | 0:41:31 | |
they're like me, really, so, yeah, they'll love it! | 0:41:31 | 0:41:34 | |
Did you think what your grandma was doing tonight was easy, kids? Yeah! | 0:41:34 | 0:41:38 | |
Do you think you can do better? | 0:41:38 | 0:41:40 | |
Yeah! | 0:41:40 | 0:41:42 | |
Let's pair up. The first thing we've got to do is step back, everybody. | 0:41:42 | 0:41:47 | |
I'm going to be teaching you the arm jive, and to do that... | 0:41:47 | 0:41:50 | |
'Oh, it's been a lovely, lovely experience' | 0:41:50 | 0:41:53 | |
bringing the grandchildren here today. | 0:41:53 | 0:41:55 | |
Their little faces! | 0:41:55 | 0:41:57 | |
First, they were really hesitant and now they're buzzing, | 0:41:57 | 0:42:00 | |
they're as high as kites they're so excited and they're so, so enjoying it. | 0:42:00 | 0:42:06 | |
Pull on the right... | 0:42:06 | 0:42:07 | |
Up to the shoulder. Now turn and... | 0:42:07 | 0:42:10 | |
The kids are picking up the moves quickly | 0:42:10 | 0:42:12 | |
and it looks like this family have rhythm in their genes! And step back. | 0:42:12 | 0:42:16 |