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Welcome to Cash In The Attic. We search out your hidden treasures and sells them at auction. | 0:00:03 | 0:00:08 | |
Today I'm in Wales and I've stopped off at one of the largest medieval | 0:00:08 | 0:00:12 | |
fortresses in western Europe, the fantastic Caerphilly Castle. | 0:00:12 | 0:00:16 | |
The castle was built in the 13th century as a powerful symbol of medieval Anglo-Norman rule. | 0:00:17 | 0:00:23 | |
Stretching over 30 acres, it was designed to provide protection from the Welsh, | 0:00:23 | 0:00:27 | |
although in 1316 it wasn't enough to stop an army of 10,000 Welshmen trying to capture it. | 0:00:27 | 0:00:34 | |
So let's hope we find plenty of items to pull in those pounds at auction. | 0:00:34 | 0:00:39 | |
Coming up on today's Cash In The Attic, a house jam-packed with collectibles. | 0:01:00 | 0:01:05 | |
There's so much stuff in here. | 0:01:05 | 0:01:07 | |
It's like an Aladdin's cave, isn't it? | 0:01:07 | 0:01:10 | |
A slightly disorientated expert... | 0:01:11 | 0:01:14 | |
Which way's the antiques? Hmm? | 0:01:14 | 0:01:15 | |
That way? You're not interested, are you? | 0:01:15 | 0:01:18 | |
And some in-depth auction analysis. | 0:01:18 | 0:01:21 | |
Did you see the buyer? He's got very thick glasses. | 0:01:21 | 0:01:25 | |
Yeah, it explains a lot. | 0:01:25 | 0:01:27 | |
Let's hope we'll all still be smiling when the final hammer falls. | 0:01:27 | 0:01:31 | |
This semi in the heart of south Wales is home to professional singer Karina Warrington. | 0:01:36 | 0:01:41 | |
Karina is an auction addict with a real passion for antiques and, | 0:01:41 | 0:01:45 | |
having lived in this house for seven years, the rooms are overflowing. | 0:01:45 | 0:01:50 | |
But now she's planning to downsize to a smaller property. | 0:01:50 | 0:01:53 | |
So, with help from her sister, Catherine, a busy working mum, it's time for a clear-out. | 0:01:53 | 0:02:00 | |
Hello, Jules. Mr Jonty, how are you, sir? You've brought me to your next of the woods, haven't you? | 0:02:00 | 0:02:05 | |
I certainly have. Wales - always full of surprises. | 0:02:05 | 0:02:07 | |
What I've got for you here is a lovely lady, Karina, and her sister who are hoping for a bit of cash. | 0:02:07 | 0:02:12 | |
Rightio. Now, no surprise being Welsh, she's a bit of a singer, | 0:02:12 | 0:02:16 | |
so you may find yourself in front of a karaoke machine a bit later. Karaoke? Bad memories. | 0:02:16 | 0:02:22 | |
Well, I can't sing a note, but pound notes, Jonty, that's the order the day. That's your job. | 0:02:22 | 0:02:27 | |
So why don't you start having a little rummage round and I'll go and meet the girls? Let's go inside. | 0:02:27 | 0:02:32 | |
Hello, you two. Hi. Hello, you must be Karina? I am. | 0:02:34 | 0:02:37 | |
Hello, Karina, and Catherine, obviously. That's right, hello. | 0:02:37 | 0:02:40 | |
Looking around this place, it's like an Aladdin's cave! | 0:02:40 | 0:02:43 | |
Yeah, or Steptoe's back yard, depends how you look at it. | 0:02:43 | 0:02:47 | |
It looks like you've emptied every auction house in the county to fill this place up. | 0:02:47 | 0:02:50 | |
We've gone a certain way towards it. | 0:02:50 | 0:02:52 | |
Now, why have you called in Cash In The Attic? | 0:02:52 | 0:02:55 | |
Well, I thought it was time to declutter, because I'm planning on downsizing a bit. | 0:02:55 | 0:03:00 | |
So you're thinking of moving home to somewhere a bit smaller? Yes. | 0:03:00 | 0:03:03 | |
And you've been roped in to help out with this mammoth task. I have, yes. | 0:03:03 | 0:03:06 | |
Just looking around me, there's so much stuff in here. My goodness me. | 0:03:06 | 0:03:10 | |
I get the feeling you are a compulsive hoarder? | 0:03:10 | 0:03:13 | |
I don't know what makes you think that! | 0:03:13 | 0:03:15 | |
And you, I suspect, are the exact opposite. I am. I am the complete opposite. | 0:03:15 | 0:03:20 | |
I like space. Are you the ruthless one? | 0:03:20 | 0:03:23 | |
Yes. Yes, I think I am. | 0:03:23 | 0:03:25 | |
What are you hoping to use the money for? | 0:03:25 | 0:03:27 | |
Well, because Cath's been so helpful, I thought it would be nice | 0:03:27 | 0:03:31 | |
to treat her and myself, so we're planning on a pampering weekend. | 0:03:31 | 0:03:36 | |
So a bit of pampering at a spa? | 0:03:36 | 0:03:39 | |
Yes, that was my idea. | 0:03:39 | 0:03:40 | |
Oh, I see! So it's your stuff and your cash and it's your idea. | 0:03:40 | 0:03:45 | |
She'd only buy more stuff otherwise, so I'm just saving her from herself. Thank you! | 0:03:45 | 0:03:49 | |
How much do you think that's going to set you back? | 0:03:49 | 0:03:51 | |
I think it'll be a few hundred pounds, | 0:03:51 | 0:03:53 | |
because we want to stay overnight and go down Cheltenham and sort of, you know... | 0:03:53 | 0:03:58 | |
Cheltenham or Bath, somewhere like that. Going posh? Exactly, yeah. The auction houses... | 0:03:58 | 0:04:02 | |
Right, so how much exactly, then? | 0:04:02 | 0:04:06 | |
We were hoping for about ?500. | 0:04:06 | 0:04:08 | |
500 quid. Well, there's a lot of stuff in here. | 0:04:08 | 0:04:10 | |
If you sold everything for ?1 a piece I'm sure you'd probably manage it, | 0:04:10 | 0:04:14 | |
but Jonty is man to tell us exactly how much you'll get. He's been having a good look already. | 0:04:14 | 0:04:19 | |
Let's go and see what he's found and see if we can get you towards ?500 for a nice girly weekend. Excellent. | 0:04:19 | 0:04:24 | |
Super. Yeah? Come on, then. | 0:04:24 | 0:04:26 | |
Raising money for a relaxing spa break sounds like a fantastic idea, but I have a feeling Karina is going | 0:04:27 | 0:04:33 | |
to find it hard to choose which items to part with. | 0:04:33 | 0:04:37 | |
One man who can help our ladies decide what to save and what to sell | 0:04:37 | 0:04:40 | |
is our very own antiques expert, Jonty Hearnden. | 0:04:40 | 0:04:45 | |
Ah...I've found one of your pets! | 0:04:45 | 0:04:47 | |
Not just the birds next door squawking away. | 0:04:47 | 0:04:50 | |
No, I've got this fabulous bulldog here. You're a bit of a collector. | 0:04:50 | 0:04:54 | |
Yes. Well, it's made by Beswick which is a fantastic collecting name. | 0:04:54 | 0:04:58 | |
Where do you buy most of your collectibles from? I go to auction a lot. | 0:04:58 | 0:05:01 | |
I bought him from an antique fair. | 0:05:01 | 0:05:03 | |
OK. Do you remember what you paid for him? | 0:05:03 | 0:05:06 | |
I'm not sure if it was about ?20. | 0:05:06 | 0:05:08 | |
OK. Well, our bulldog here was issued by the factory right towards the end of its closure. | 0:05:08 | 0:05:13 | |
It closed at the end of 2002, but he was only issued from 1999, | 0:05:13 | 0:05:18 | |
so for a very short period of time, | 0:05:18 | 0:05:21 | |
and the great thing about collecting Beswick is the attention to detail. | 0:05:21 | 0:05:26 | |
Now, our bulldog here is great, | 0:05:26 | 0:05:28 | |
I want to put him to one side, because I've also got some sheep as well. | 0:05:28 | 0:05:33 | |
Ah, no surprise being in Wales, Jonty. | 0:05:33 | 0:05:36 | |
Well, have a look at the black-faced sheep here. | 0:05:36 | 0:05:39 | |
Now, he was issued for 40 years, | 0:05:39 | 0:05:43 | |
so in 1962 he first came on the market, which will give you some indication about value. Yeah. | 0:05:43 | 0:05:48 | |
Not so high as a consequence cos there'll be a lot of them around, | 0:05:48 | 0:05:52 | |
but I found another little sheep here as well. A little lamb. | 0:05:52 | 0:05:55 | |
He was first designed by the big name from Beswick, Arthur Gredington. | 0:05:55 | 0:06:01 | |
He was one of their chief designers and he oversaw lots of fantastic work. | 0:06:01 | 0:06:08 | |
Again, he was around for 40-odd years. | 0:06:08 | 0:06:10 | |
That's the reason why I'm going to put all of our collection together, | 0:06:10 | 0:06:14 | |
so we've got our bulldog and our three sheep. | 0:06:14 | 0:06:17 | |
Put them into one lot and ballpark, sort of, ?50 to ?80 for the collection. That's not bad. | 0:06:17 | 0:06:22 | |
That's my manicure sorted! | 0:06:22 | 0:06:25 | |
The money's being spent already! Yeah! | 0:06:25 | 0:06:27 | |
That's all you're concerned about. Never mind the collection, it's what you're gonna get for it, isn't it? | 0:06:27 | 0:06:33 | |
That's 50 quid or so. Not a bad start. Good. There's a lot in this house to look through. I've seen. | 0:06:33 | 0:06:38 | |
Where shall we go, back this way? OK. Come on. Come on, then. | 0:06:38 | 0:06:42 | |
?50 is a great start to today's search, but with a ?500 target, we've a long way to go yet. | 0:06:42 | 0:06:48 | |
The girls are already planning their pampering treatments, | 0:06:48 | 0:06:52 | |
so they're keen to roll up their sleeves and get rummaging. | 0:06:52 | 0:06:55 | |
The search gets under way and, in the dining room, I spot this | 0:06:55 | 0:06:58 | |
lovely little piano stool, which Jonty thinks could bag us ?30 to ?40 at auction. | 0:06:58 | 0:07:03 | |
And clutterphobic Catherine wastes no time in spotting things | 0:07:03 | 0:07:07 | |
that she thinks Karina should be getting rid of. | 0:07:07 | 0:07:11 | |
Jonty! | 0:07:11 | 0:07:13 | |
Hi, what about this? What have you got there? | 0:07:13 | 0:07:16 | |
I say. She looks like a rather plump lady carrying a samovar. | 0:07:16 | 0:07:22 | |
Do you know what a samovar is? No. | 0:07:22 | 0:07:24 | |
It's Russian and it's a container for keeping your liquid warm, often tea. | 0:07:24 | 0:07:29 | |
All right. OK, and that's Russian. | 0:07:29 | 0:07:32 | |
If we look on the underside here, this is Russian too. | 0:07:32 | 0:07:35 | |
So our little plump lady here... | 0:07:35 | 0:07:37 | |
She is a bit. She's not particularly old but she would have been made when | 0:07:37 | 0:07:42 | |
Russia itself was under tight Communist rule, so, maybe 20, 30, 40 years ago. That kind of ballpark. | 0:07:42 | 0:07:48 | |
It's difficult to say exactly when. Yeah. | 0:07:48 | 0:07:51 | |
But certain Russian fine art is hugely increasing in value and there's one reason for that | 0:07:51 | 0:07:58 | |
and that's because the Russians themselves are starting to buy it back. | 0:07:58 | 0:08:01 | |
Have you any idea where she bought this? | 0:08:01 | 0:08:03 | |
I haven't got a clue, but at a guess probably an auction, knowing Karina! | 0:08:03 | 0:08:07 | |
So let's consider value for our rather jolly lady here. | 0:08:07 | 0:08:10 | |
Erm... I reckon we're looking at ?40 to ?60, I reckon. | 0:08:10 | 0:08:13 | |
Really! That much? Yeah. | 0:08:13 | 0:08:15 | |
Excellent. It's a good little find. | 0:08:15 | 0:08:17 | |
Yeah. I'll pop her back down there for safekeeping and we'll go this way. | 0:08:17 | 0:08:21 | |
Lovely, keep looking. | 0:08:21 | 0:08:24 | |
I don't think she's the most attractive lady to have on your mantelpiece. | 0:08:24 | 0:08:28 | |
It'll probably be a good one to get rid of out of the house. | 0:08:28 | 0:08:30 | |
I think Karina will be more than happy to see the back of her. | 0:08:30 | 0:08:34 | |
Catherine might not be her biggest fan, | 0:08:34 | 0:08:37 | |
but the jolly lady came with a rather jolly price tag, | 0:08:37 | 0:08:40 | |
adding ?40 to ?60 towards today's target. | 0:08:40 | 0:08:42 | |
Not even the garden shed goes unsearched today as I dig out this Victorian pine stepladder | 0:08:44 | 0:08:48 | |
which Jonty estimates at between ?15 and ?25. | 0:08:48 | 0:08:53 | |
The man himself finds this lovely, wooden jewellery box | 0:08:53 | 0:08:57 | |
which is packed off to auction with a ?10 to ?20 price tag. | 0:08:57 | 0:09:03 | |
We're progressing towards the ?500 that Karina and Catherine are hoping | 0:09:03 | 0:09:07 | |
to raise for their spa trip together. | 0:09:07 | 0:09:09 | |
Whilst the search continues, I take a few minutes out to find the cause of Karina's auction addiction. | 0:09:09 | 0:09:15 | |
Anybody walking into your home is going to know you're something of an antique nut. | 0:09:15 | 0:09:20 | |
Yeah. Where did it all begin? | 0:09:20 | 0:09:24 | |
Well, my late fiance, Pat, and I used to be real, sort of, auction hounds | 0:09:24 | 0:09:29 | |
and we'd love to get a bargain and Pat was great at restoration so we bought loads of furniture. | 0:09:29 | 0:09:35 | |
At one point, we had 11 wardrobes in the house. | 0:09:35 | 0:09:38 | |
11 wardrobes?! Yes. In this house? In this house. Where did you put them all? | 0:09:38 | 0:09:42 | |
There were four in the front room at one point. | 0:09:42 | 0:09:45 | |
So the plan was always to restore them and sell them, but because we were both | 0:09:45 | 0:09:50 | |
sort of hoarders, we ended up really just keeping most of the furniture. | 0:09:50 | 0:09:55 | |
And then when it got too full, we'd put some of it in storage. Yep. | 0:09:55 | 0:09:58 | |
And then we'd have more space, so we'd go to more auctions and buy more. | 0:09:58 | 0:10:02 | |
Now, tragedy did strike your life, didn't it, a few years ago? | 0:10:02 | 0:10:05 | |
Yeah, it was Boxing Day last year that he had a heart attack and passed away, | 0:10:05 | 0:10:11 | |
that was very sudden and unexpected. | 0:10:11 | 0:10:13 | |
Are you going to find it quite difficult to let go of some of these items that you found together? | 0:10:13 | 0:10:18 | |
Um, I am certainly attached to quite a few of them. | 0:10:18 | 0:10:23 | |
But because we bought a lot of them with a view to selling it on, I don't feel so sentimental about it | 0:10:23 | 0:10:29 | |
and also I just can't take everything with me, so I do have to be a bit ruthless. | 0:10:29 | 0:10:34 | |
The plan is that you are going to move, downsize - are you going to stay in and around Caerphilly? | 0:10:34 | 0:10:39 | |
I'm not 100% sure - I wouldn't mind staying either in Caerphilly or on the outskirts. | 0:10:39 | 0:10:44 | |
There's a lot going on in Caerphilly. There's good nightlife. | 0:10:44 | 0:10:48 | |
Live music. Karaoke. I suppose with all the music going on here, | 0:10:48 | 0:10:53 | |
it's no surprise that you are a bit of a musician, aren't you? | 0:10:53 | 0:10:56 | |
Tell us a bit more about your singing career. | 0:10:56 | 0:10:59 | |
Well, I did start off with the karaoke. I'm afraid | 0:10:59 | 0:11:02 | |
I didn't like giving the mic back at the end of the night! | 0:11:02 | 0:11:05 | |
So I joined a local band for a short while | 0:11:05 | 0:11:09 | |
and then from there I just went on to do it on my own. | 0:11:09 | 0:11:14 | |
And just loved it, really. So, now you're full-time singing? Yeah. That's my job. | 0:11:14 | 0:11:20 | |
It's a great job. That's fantastic. I get paid to do something I love doing. | 0:11:20 | 0:11:24 | |
That's what everybody wants to do. Have you heard Jonty singing? | 0:11:24 | 0:11:28 | |
No. Is he good? Hopefully you'll never get the chance to find out. We could have done a duet! | 0:11:28 | 0:11:33 | |
The good thing is, he's around and about rummaging. | 0:11:33 | 0:11:35 | |
Let's see if he's found any more to get you and your sister tucked up in a spa. Come on. | 0:11:35 | 0:11:41 | |
It sounds like Karina thoroughly deserves a bit of pampering, | 0:11:41 | 0:11:45 | |
so we need to crack on with today's search and raise that ?500, | 0:11:45 | 0:11:50 | |
although our expert seems to have got a little lost. | 0:11:50 | 0:11:53 | |
Which way to the antiques? | 0:11:53 | 0:11:55 | |
That way? You're not interested, are you? | 0:11:55 | 0:11:57 | |
Oh, dear, Jonty. At least Karina's got her eye on the task today. | 0:11:57 | 0:12:02 | |
Jonty? | 0:12:02 | 0:12:04 | |
Oh, I say, a little wall clock here, OK. | 0:12:06 | 0:12:10 | |
I reckon this was an auction purchase. How did you guess? | 0:12:10 | 0:12:13 | |
What it is, Pat always had a bit of a thing for clocks, he liked clocks, so we bought a few from the auction. | 0:12:13 | 0:12:20 | |
How many did you buy in all? | 0:12:20 | 0:12:23 | |
About a dozen or so. A dozen? | 0:12:23 | 0:12:25 | |
OK. And have you still got them all? | 0:12:25 | 0:12:27 | |
Most of them, yes. I nearly gave one away but most of them. | 0:12:27 | 0:12:31 | |
So this really should go to the auction sale? It really should. | 0:12:31 | 0:12:35 | |
Have we got the extra finial along back here, have we got that? | 0:12:35 | 0:12:39 | |
I'm not sure if we've got it inside. Oh, we do. That's very good. | 0:12:39 | 0:12:42 | |
OK. Here's one I made earlier. | 0:12:42 | 0:12:44 | |
Good. OK, Yes. So, that's fine to be able to stick that on there. | 0:12:44 | 0:12:48 | |
With that applied down at the bottom there, it's just going to make all the difference to the value. Yeah. | 0:12:48 | 0:12:53 | |
So, I'm going to pop that back in there. Originally. If you look at the style of the clock, | 0:12:53 | 0:12:57 | |
it's in the style of a Viennese wall clock, | 0:12:57 | 0:13:00 | |
which really was a clock that was developed in Vienna and exported | 0:13:00 | 0:13:04 | |
around the western world. Now, traditionally, | 0:13:04 | 0:13:08 | |
your face here would be Roman numerals. | 0:13:08 | 0:13:11 | |
And the dial would be enamelled. | 0:13:11 | 0:13:14 | |
So again I'm going to look on the inside. | 0:13:14 | 0:13:16 | |
And have a look there and, if you run your finger across there, can you feel it's relatively warm? | 0:13:16 | 0:13:21 | |
Yes. That should be cold, it should be enamel. | 0:13:21 | 0:13:24 | |
That's resin. | 0:13:24 | 0:13:25 | |
So, it means that this clock is really of relatively late date, | 0:13:25 | 0:13:30 | |
so it's probably even late '20s, early 1930s. | 0:13:30 | 0:13:34 | |
Can you remember how much you paid for it? | 0:13:34 | 0:13:36 | |
I can't remember exactly, but I think we got that at the same | 0:13:36 | 0:13:39 | |
time as another clock and we got the pair for around ?28, I think. | 0:13:39 | 0:13:44 | |
Wow, you are a magpie around the auction rooms, aren't you? Yeah. | 0:13:44 | 0:13:48 | |
That's great because, value-wise, I suppose we're looking at 30, 40, maybe ?50. OK. | 0:13:48 | 0:13:53 | |
It's all mounting up, isn't it? It certainly is. Come on, follow me. Thanks. | 0:13:53 | 0:13:57 | |
I really like that clock and I do feel a bit sentimental about that because Pat got it working. | 0:13:57 | 0:14:03 | |
It's been down since we had the room painted | 0:14:03 | 0:14:07 | |
and it's just going to gather more dust, so it might as well go somewhere useful. | 0:14:07 | 0:14:11 | |
That's the attitude, Karina! You're really getting the knack of this decluttering. | 0:14:11 | 0:14:16 | |
Our search continues and Jonty spots this colourful painting | 0:14:16 | 0:14:20 | |
which he estimates at being between ?20 and ?40. | 0:14:20 | 0:14:25 | |
Meanwhile, in the living room, I've spotted a rather intriguing piece of furniture. | 0:14:25 | 0:14:30 | |
This is quite an interesting thing - what's this? | 0:14:30 | 0:14:33 | |
It's lovely. I think it's an old dentist cabinet. | 0:14:33 | 0:14:35 | |
That's what I bought it as. Yeah. | 0:14:35 | 0:14:38 | |
And it's got very shallow drawers here which I guess they could have used for their implements of torture! | 0:14:38 | 0:14:44 | |
I'm guessing somebody would find this useful around the home. | 0:14:44 | 0:14:46 | |
But I wouldn't like to say how much it's worth. | 0:14:46 | 0:14:49 | |
The only man who knows that is Jonty, who I think is lurking somewhere. ..Jonty? | 0:14:49 | 0:14:53 | |
Jonty, come in here a second. Karina says this is an old dental cabinet. | 0:14:55 | 0:14:59 | |
It makes sense that it would be called a dentist cabinet because you've got all these tiny little | 0:14:59 | 0:15:03 | |
drawers down below to keep all those instruments in. | 0:15:03 | 0:15:06 | |
And we've got this big cupboard here. | 0:15:06 | 0:15:08 | |
See all the storage? | 0:15:08 | 0:15:10 | |
Stuffed full of bits and pieces. | 0:15:11 | 0:15:13 | |
There you go. Handy for storage! I better close that up, quick. | 0:15:13 | 0:15:17 | |
Full of all your stuff. Well, I can see the handle's been changed. | 0:15:17 | 0:15:20 | |
It's moved from that position to there so it has been altered in its time. | 0:15:20 | 0:15:24 | |
But if you look at the style, it has a sort of pre-war feel to it. | 0:15:24 | 0:15:28 | |
A 1930s feel. It's a walnut carcass, | 0:15:28 | 0:15:31 | |
and to be described as a dentist cabinet is a really good thing | 0:15:31 | 0:15:35 | |
because it's just different. | 0:15:35 | 0:15:37 | |
The market always loves something that's just slightly quirky, | 0:15:37 | 0:15:40 | |
slightly different in style as well. | 0:15:40 | 0:15:42 | |
This is very stylish at the moment, it's simple, | 0:15:42 | 0:15:44 | |
It would fit almost anywhere in anybody's house. | 0:15:44 | 0:15:47 | |
OK, Jonty, what sort of value would you place on this? | 0:15:47 | 0:15:50 | |
Well, I suppose, ballpark is ?50 to ?80. | 0:15:50 | 0:15:53 | |
Maybe more if two people want to fight for it. | 0:15:53 | 0:15:55 | |
Brilliant. That's great. | 0:15:55 | 0:15:57 | |
Would you be happy to put this in the auction? I would, yes. | 0:15:57 | 0:16:00 | |
Good, well fingers crossed that will deliver at least 50 quid. | 0:16:00 | 0:16:03 | |
And you know what? I'd spend more than that on it. | 0:16:03 | 0:16:06 | |
Make me an offer! I think you've got a buyer already! | 0:16:06 | 0:16:09 | |
There you go. Brilliant. | 0:16:09 | 0:16:10 | |
I think that adds to our good start. | 0:16:10 | 0:16:12 | |
Plenty more to look at, Jonty. Let's see what else we can find. | 0:16:12 | 0:16:15 | |
Lead on. | 0:16:15 | 0:16:17 | |
Let's see what else we can extract. | 0:16:17 | 0:16:19 | |
I like it because it's so unusual. | 0:16:19 | 0:16:21 | |
But I really haven't got room for all the furniture I've got. | 0:16:21 | 0:16:24 | |
So maybe a dentist will find it handy? | 0:16:24 | 0:16:27 | |
Put his scalpels in, or whatever they use! | 0:16:27 | 0:16:30 | |
The dental cabinet has added a very tasty ?50 to ?80 to our kitty today. | 0:16:31 | 0:16:36 | |
Catherine has been working hard as well, | 0:16:36 | 0:16:38 | |
and spots this lovely drop-leaf table with barley twist legs in the hallway. | 0:16:38 | 0:16:43 | |
Which Jonty thinks could make us ?20 to ?30 at auction. | 0:16:43 | 0:16:47 | |
There are still plenty of collectibles to search through | 0:16:47 | 0:16:50 | |
and while Karina and Jonty continue the hunt, | 0:16:50 | 0:16:52 | |
I take the chance to catch up with Catherine | 0:16:52 | 0:16:54 | |
and find out a bit more about her hoard-a-holic sister. | 0:16:54 | 0:16:58 | |
Catherine, you're the ordered one in this relationship, aren't you? | 0:16:58 | 0:17:02 | |
I think I am, yes! | 0:17:02 | 0:17:05 | |
I mean, I get the sense that this business of decluttering | 0:17:05 | 0:17:09 | |
is something that's going to really help Karina move on. | 0:17:09 | 0:17:12 | |
Yeah. What kind of a man was he, Pat? | 0:17:12 | 0:17:14 | |
He was a wonderful man, Pat was. | 0:17:14 | 0:17:16 | |
He loved everything made of wood as you can tell, | 0:17:16 | 0:17:18 | |
one of the reasons that she's got all those things around. | 0:17:18 | 0:17:22 | |
He used to love restoring and fixing things. | 0:17:22 | 0:17:24 | |
No matter where he went, everybody wanted to talk to him | 0:17:24 | 0:17:27 | |
and he always had a good story to tell. Brilliant. | 0:17:27 | 0:17:30 | |
Tell me about the singing. | 0:17:30 | 0:17:32 | |
You accompany her as something of a roadie, is that right? | 0:17:32 | 0:17:35 | |
I've been known to be a roadie, lift a couple of heavy speakers, yes! | 0:17:35 | 0:17:39 | |
What kind of singer is she? Is she really popular? | 0:17:39 | 0:17:41 | |
She's very good, to be honest. She does a mixture of things. | 0:17:41 | 0:17:44 | |
Pop, she does '70s, '80s, '90s, | 0:17:44 | 0:17:47 | |
country and western she loves as well. | 0:17:47 | 0:17:49 | |
She does get the crowd going. She's really good. | 0:17:49 | 0:17:52 | |
Very powerful voice she's got. Yeah. | 0:17:52 | 0:17:54 | |
Now, the collecting - | 0:17:54 | 0:17:56 | |
nay, hoarding - | 0:17:56 | 0:17:58 | |
is something of a passion, my worry is that at the auction | 0:17:58 | 0:18:02 | |
we're going to come back with more stuff than we took. | 0:18:02 | 0:18:05 | |
It is a potential so I shall try and rein her in while she's there. | 0:18:05 | 0:18:08 | |
I'll be the voice of conscience. | 0:18:08 | 0:18:10 | |
There is clearly an awful lot of stuff to go through in this house. | 0:18:10 | 0:18:14 | |
I don't think there's any time to waste, is there? No. | 0:18:14 | 0:18:17 | |
Come on, then. | 0:18:17 | 0:18:19 | |
No time to waste, indeed. We're nearing the end of today's search | 0:18:19 | 0:18:23 | |
and Jonty has got his eye on one of Karina's collection of wardrobes. | 0:18:23 | 0:18:27 | |
What about this wardrobe, what do you think? | 0:18:27 | 0:18:29 | |
It's a lovely-looking wardrobe. | 0:18:29 | 0:18:32 | |
But it's a little bit narrow for hangers of today, I'd guess. | 0:18:32 | 0:18:36 | |
I don't know if they were different before, but it's quite a squash. | 0:18:36 | 0:18:40 | |
To get things in you sort of have to push them down a bit. | 0:18:40 | 0:18:43 | |
I see what you mean. | 0:18:43 | 0:18:45 | |
Put in beautifully ironed clothes and they come out looking creased. | 0:18:45 | 0:18:48 | |
So where did this come from? | 0:18:48 | 0:18:50 | |
Well, I bought it from an auction. Don't tell me, an auction? Sorry! | 0:18:50 | 0:18:54 | |
It was one of the first auctions that we went to. Myself and Pat. | 0:18:54 | 0:18:58 | |
And there were generally two other people who used to go there | 0:18:58 | 0:19:02 | |
on a regular basis. | 0:19:02 | 0:19:04 | |
We got some great bargains. | 0:19:04 | 0:19:05 | |
Well, this wardrobe was made about 100 years ago. | 0:19:05 | 0:19:09 | |
It's Edwardian. It's mahogany. | 0:19:09 | 0:19:11 | |
And if you look at the design work, look at all of this. | 0:19:11 | 0:19:14 | |
All of this inlay work here and on the cornice | 0:19:14 | 0:19:18 | |
is all replicating Georgian styles. | 0:19:18 | 0:19:20 | |
So there was a look back, in Edwardian times, | 0:19:20 | 0:19:25 | |
to Georgian designs from the 18th century. | 0:19:25 | 0:19:27 | |
So it's their interpretation of that style, of that design. | 0:19:27 | 0:19:31 | |
And how much did you pay for it? About ?5. | 0:19:31 | 0:19:33 | |
A fiver? Yeah. | 0:19:33 | 0:19:35 | |
That's outrageous! That's so cheap. | 0:19:35 | 0:19:38 | |
I mean, at auction we're not talking a vast amount of money. | 0:19:38 | 0:19:41 | |
Ballpark, really, it should be ?40 to ?60. | 0:19:41 | 0:19:44 | |
Great. Not bad for a fiver investment. | 0:19:44 | 0:19:46 | |
No, it isn't. Good profit. | 0:19:46 | 0:19:48 | |
That's the kind of maths I like, Jonty. | 0:19:48 | 0:19:50 | |
?40 to ?60 for the wardrobe is a great find. | 0:19:50 | 0:19:54 | |
And downstairs, I've spotted another collection of figurines | 0:19:54 | 0:19:58 | |
which I think could get us on to the home stretch for today's search. | 0:19:58 | 0:20:01 | |
Guys? | 0:20:02 | 0:20:05 | |
Come in over here. | 0:20:05 | 0:20:06 | |
What's strange about this is that in a house full of such a varied range of stuff, | 0:20:08 | 0:20:12 | |
there is clearly a theme emerging about horses. | 0:20:12 | 0:20:17 | |
When we were kids, we had a couple of ponies, | 0:20:17 | 0:20:20 | |
so I guess that's where the interest started. | 0:20:20 | 0:20:22 | |
Jonty, anything of interest here for you? | 0:20:22 | 0:20:25 | |
I'm seeing here that they're all Beswick as far as I can see. | 0:20:25 | 0:20:28 | |
Is this your collection? You've gathered all this together? | 0:20:28 | 0:20:32 | |
They weren't gifts or presents? | 0:20:32 | 0:20:34 | |
No, unfortunately not! | 0:20:34 | 0:20:36 | |
Really?! Which was your first purchase? | 0:20:36 | 0:20:40 | |
The first one I bought was this one. | 0:20:40 | 0:20:42 | |
Ah, that's very nice. OK. | 0:20:44 | 0:20:45 | |
That's wonderful. Tell me about her. | 0:20:45 | 0:20:48 | |
Cos I know it's a her. | 0:20:48 | 0:20:50 | |
Her name is Another Bunch and she was one of a limited edition, I think. | 0:20:50 | 0:20:55 | |
There was Warlord, was her stallion, and her foal, Another Star. | 0:20:55 | 0:21:00 | |
Do you have Another Star? | 0:21:00 | 0:21:02 | |
I do have Another Star, but she's a little bit battered. | 0:21:02 | 0:21:06 | |
She's been through the wars. OK. | 0:21:06 | 0:21:09 | |
When did you buy Another Bunch? I think it was about seven years ago. | 0:21:09 | 0:21:12 | |
She was issued in 1997, | 0:21:12 | 0:21:14 | |
and Another Star came out the following year. | 0:21:14 | 0:21:18 | |
There are only 1,500 ever made of these. | 0:21:18 | 0:21:22 | |
Do you remember how much you paid for this one? ?12. | 0:21:22 | 0:21:25 | |
Wow. Because the market today, she's worth in excess of ?50. | 0:21:25 | 0:21:28 | |
So you've done very well. Right, yeah! | 0:21:28 | 0:21:31 | |
Do you have any ponies or horses with any damage in your collection? | 0:21:31 | 0:21:36 | |
There's one... | 0:21:36 | 0:21:39 | |
Oops! There was nearly another one, there! | 0:21:39 | 0:21:42 | |
This one has actually been decapitated at some point. | 0:21:42 | 0:21:46 | |
Can you see? Oh, I see, yeah. | 0:21:46 | 0:21:48 | |
I glued her together and from a distance, she fits in with the others. | 0:21:48 | 0:21:52 | |
From a collecting point of view, there's not much value in our Shire horse here. | 0:21:52 | 0:21:56 | |
Have you ever considered their value? | 0:21:56 | 0:21:58 | |
Have you ever summed it all up? Not really, no. | 0:21:58 | 0:22:01 | |
I have to say, just looking across the shelf, | 0:22:01 | 0:22:03 | |
we're talking, ?400 to ?600 worth of horses. | 0:22:03 | 0:22:07 | |
Really?! ?400 to ?600?! | 0:22:07 | 0:22:09 | |
Just for the horse collection? | 0:22:09 | 0:22:11 | |
Just for the horse collection. It's fabulous. | 0:22:11 | 0:22:13 | |
Would you be happy for all of this lot to go to auction? | 0:22:13 | 0:22:17 | |
I would, yes. With the possible exception of Another Bunch. | 0:22:17 | 0:22:21 | |
OK. Because she was my first. Right, OK. | 0:22:21 | 0:22:23 | |
We were looking for about ?500 for you girls to go and have a lovely pampering weekend. | 0:22:23 | 0:22:29 | |
Without that particular horse, the figure in the order of ?655. | 0:22:29 | 0:22:35 | |
Excellent! Fabulous! | 0:22:35 | 0:22:38 | |
Not bad, eh? And if you put the horse in, | 0:22:38 | 0:22:40 | |
another 50 quid perhaps, so nearly ?705. | 0:22:40 | 0:22:42 | |
We're going to be the most pampered sisters going! | 0:22:42 | 0:22:45 | |
THAT is the idea! | 0:22:45 | 0:22:47 | |
So, I think, quite an interesting collection of stuff, Jonty. | 0:22:47 | 0:22:50 | |
Let's see what happens at the auction. | 0:22:50 | 0:22:52 | |
Thank you very much! | 0:22:52 | 0:22:54 | |
Well, our hard work searching Karina's treasure filled home | 0:22:54 | 0:22:58 | |
has really paid off. | 0:22:58 | 0:22:59 | |
We've got a fantastic haul of items to take to auction. | 0:22:59 | 0:23:03 | |
We've got the dental cabinet, | 0:23:04 | 0:23:05 | |
valued at between ?50 and ?80. | 0:23:05 | 0:23:08 | |
The sheep and dog figurines by Beswick. | 0:23:09 | 0:23:11 | |
Again with a combined estimate of between ?50 and ?80. | 0:23:11 | 0:23:14 | |
And, the collection of Beswick horses, | 0:23:16 | 0:23:18 | |
with a massive estimate of between ?350 and ?550. | 0:23:18 | 0:23:22 | |
But, we'll have to wait and see | 0:23:23 | 0:23:25 | |
whether Karina decides to bring her very first Beswick horse to auction too. | 0:23:25 | 0:23:29 | |
With an estimate of ?50, will she be able to part with it? | 0:23:29 | 0:23:33 | |
Still to come on Cash In The Attic... | 0:23:34 | 0:23:38 | |
I'm a calming some pre-sale nerves. | 0:23:38 | 0:23:40 | |
If you think you're nervous, he's really nervous cos it'll be his fault! | 0:23:40 | 0:23:43 | |
It's always my fault! | 0:23:43 | 0:23:45 | |
And we're hoping to find homes for all of our lots. | 0:23:45 | 0:23:48 | |
You're quite happy to see this go? I'd be very glad to see this go. | 0:23:49 | 0:23:53 | |
Will we have reached our target when the final hammer falls? | 0:23:53 | 0:23:56 | |
It's been a week since we helped Karina Warrington and her sister Catherine | 0:24:02 | 0:24:05 | |
rifle through Karina's somewhat cluttered home in Caerphilly, | 0:24:05 | 0:24:09 | |
as we searched for antiques and collectibles | 0:24:09 | 0:24:11 | |
they could sell at auction here in Wrexham. | 0:24:11 | 0:24:15 | |
The idea is that Karina wants to spend about 500 quid | 0:24:15 | 0:24:18 | |
treating her and her sister to a well-earned spa weekend. | 0:24:18 | 0:24:22 | |
Let's hope the punters have come with money in their pockets, | 0:24:22 | 0:24:25 | |
as we see their items go under the hammer. | 0:24:25 | 0:24:28 | |
The auction house is filling up with eager bidders | 0:24:28 | 0:24:31 | |
and I'm hoping the items will attract lots of worthy attention. | 0:24:31 | 0:24:35 | |
One man with an eye for antiques is our expert Jonty Hearnden, | 0:24:35 | 0:24:39 | |
who's already checking out how our items look in the saleroom. | 0:24:39 | 0:24:42 | |
Hey, Jonty. Hi, how are you? All right, mate. How are you? | 0:24:44 | 0:24:47 | |
Good, yeah. It looks like some of the stuff from the girls has arrived. | 0:24:47 | 0:24:50 | |
Completely empty. Remember how full it was? | 0:24:50 | 0:24:52 | |
Looking somewhat decluttered from the other day. | 0:24:52 | 0:24:56 | |
Yes, the house was full, to say the very least. | 0:24:56 | 0:24:58 | |
Busy is the word I'm going for. | 0:24:58 | 0:25:01 | |
Some interesting items here today, not least all those horses. | 0:25:01 | 0:25:04 | |
We've got a mixed bag, but you're absolutely right. | 0:25:04 | 0:25:07 | |
The horses are the star of the show, the Beswick horses. | 0:25:07 | 0:25:10 | |
I valued them as a group, but with Beswick, | 0:25:10 | 0:25:12 | |
some people want individual lots, individual model numbers. | 0:25:12 | 0:25:16 | |
As a consequence, the auctioneer has split them into individual lots, | 0:25:16 | 0:25:20 | |
which allows the buyer to do just that. | 0:25:20 | 0:25:22 | |
The big question is, did she bring the star of the horse collection? | 0:25:22 | 0:25:26 | |
Another Bunch? Yeah, yeah, that would help. | 0:25:26 | 0:25:28 | |
Well, all the stuff's here. Yep. | 0:25:28 | 0:25:30 | |
Let's find out if the horse is here | 0:25:30 | 0:25:32 | |
and let's find out, more importantly, if the girls are here! | 0:25:32 | 0:25:35 | |
I certainly hope they are, as the bidders are already taking their seats. | 0:25:35 | 0:25:40 | |
Let's hope they're feeling generous with the cash, | 0:25:40 | 0:25:42 | |
especially when it comes to Karina and Catherine's collectibles. | 0:25:42 | 0:25:46 | |
Ah, there you are! | 0:25:46 | 0:25:48 | |
Hi! Good morning. Morning! How are we today? | 0:25:48 | 0:25:50 | |
Fine, thank you. Very excited? | 0:25:50 | 0:25:52 | |
Bit nervous. Why are you nervous? | 0:25:52 | 0:25:54 | |
In case they don't sell for a huge amount of money! | 0:25:54 | 0:25:57 | |
We're going to do so well today! | 0:25:57 | 0:25:59 | |
If you think you're nervous, he's really nervous, cos it will be his fault. | 0:25:59 | 0:26:02 | |
It's always my fault! | 0:26:02 | 0:26:04 | |
Have you brought Another Bunch? I have. You have?! Yes. | 0:26:04 | 0:26:07 | |
There he is, poking his head out behind us. | 0:26:07 | 0:26:09 | |
Was that a difficult decision? | 0:26:09 | 0:26:11 | |
Took a bit of soul-searching, but my sister talked me into it. | 0:26:11 | 0:26:15 | |
A lot of nagging! | 0:26:15 | 0:26:17 | |
You're thinking of spa treatments and massages and stuff! | 0:26:17 | 0:26:20 | |
Selfish about it, yeah! We know where you're coming from! | 0:26:20 | 0:26:23 | |
Have you seen some of your other stuff lurking around the auction room? | 0:26:23 | 0:26:27 | |
Yes. There have been a few people looking at it as well, so that's a good sign. | 0:26:27 | 0:26:31 | |
Well, we are heading for a spa weekend, we hope, with your items. | 0:26:31 | 0:26:34 | |
Let's get on with the auction, shall we? Excellent! | 0:26:34 | 0:26:37 | |
Remember, if you're planning on heading to your local auction house, | 0:26:37 | 0:26:41 | |
be aware that commission and possible other charges will be added to your bill, | 0:26:41 | 0:26:46 | |
so always check the details with the saleroom first. | 0:26:46 | 0:26:49 | |
With a packed house, the auctioneer is in position. | 0:26:49 | 0:26:52 | |
Right, good morning, ladies and gentlemen. | 0:26:52 | 0:26:55 | |
We'll make a start. | 0:26:55 | 0:26:56 | |
We take our places just in time | 0:26:56 | 0:26:58 | |
as our first lot comes under the hammer. | 0:26:58 | 0:27:01 | |
It's the first of a few Beswick lots for us today, | 0:27:01 | 0:27:04 | |
so we're hoping there are plenty of collectors in the room. | 0:27:04 | 0:27:07 | |
Beswick figure of a bulldog and the Beswick figure of a black-faced sheep. | 0:27:07 | 0:27:11 | |
Their estimate is ?50-?80 for those two. | 0:27:11 | 0:27:13 | |
Let's hope somebody here thinks they're worth it too. | 0:27:13 | 0:27:17 | |
How much for the two? Nice, collectible lot, this. | 0:27:17 | 0:27:20 | |
Gimme, what? ?50, ?80. | 0:27:20 | 0:27:22 | |
I'll take ?30 for the two of them, then. | 0:27:22 | 0:27:25 | |
20, then? 25, I'm bid. 30? And 5? | 0:27:25 | 0:27:29 | |
In the door? | 0:27:29 | 0:27:31 | |
At ?30, the bid, With you at ?30. | 0:27:31 | 0:27:34 | |
I'll take five anywhere else now? 40, and five. At ?45. | 0:27:34 | 0:27:36 | |
It's still cheap, that. At ?45. | 0:27:36 | 0:27:38 | |
Take 50, anywhere else now? | 0:27:38 | 0:27:41 | |
Slowly going, standing at ?45, then. | 0:27:41 | 0:27:46 | |
?5 under estimate. Not bad. | 0:27:46 | 0:27:48 | |
Does that bode well or bad for the rest of it? | 0:27:48 | 0:27:51 | |
It's watch this space, because you just cannot tell. | 0:27:51 | 0:27:54 | |
It really depends who is going to be there. | 0:27:54 | 0:27:56 | |
If you notice there were two people bidding. | 0:27:56 | 0:27:59 | |
That's all you need to get the price up. | 0:27:59 | 0:28:01 | |
?45 is only just under estimate and gives us a solid start | 0:28:01 | 0:28:04 | |
but, if we're going to make our ?500 target today, | 0:28:04 | 0:28:07 | |
we'll need the bidders to get a bit more excited | 0:28:07 | 0:28:10 | |
about the rest of our lots. | 0:28:10 | 0:28:13 | |
Next up is the reproduction jewellery box. | 0:28:13 | 0:28:16 | |
The estimate is ?10 to ?20. | 0:28:16 | 0:28:19 | |
Let's hope it's at the top end of that. | 0:28:19 | 0:28:21 | |
A nice decorative thing, that. | 0:28:21 | 0:28:22 | |
Give me ?20 for it. | 0:28:22 | 0:28:24 | |
I'll take ?10 to start it. Must be that. Nobody want it at ?10? | 0:28:25 | 0:28:29 | |
Five, then! Start me! ?5, 8, I'm bid. 10, 12... | 0:28:31 | 0:28:34 | |
15 - she's worth it! | 0:28:34 | 0:28:37 | |
?12 I'm bid. Behind you, there. | 0:28:37 | 0:28:39 | |
I'll take 15 anywhere else? | 0:28:39 | 0:28:40 | |
Come on, 15. | 0:28:40 | 0:28:41 | |
Sold and away at 12, then. | 0:28:41 | 0:28:45 | |
Ooh! ?12. Well, you've got your money back, yes. I have. | 0:28:45 | 0:28:50 | |
Good. Every little helps. | 0:28:50 | 0:28:52 | |
?12 is OVER Jonty's low estimate and the girls seem pleased. | 0:28:52 | 0:28:57 | |
But the Victorian stepladder only takes us a small step closer towards the target | 0:28:57 | 0:29:03 | |
when it goes under the hammer next, selling for a really disappointing ?10. | 0:29:03 | 0:29:07 | |
Only going to the maiden bid of ten, then. | 0:29:07 | 0:29:11 | |
We really do need things to pick up if we're going to make the ?500 | 0:29:11 | 0:29:15 | |
for Karina and Catherine to have that girly spa trip. | 0:29:15 | 0:29:18 | |
Maybe the Russian lady will do us proud, | 0:29:18 | 0:29:20 | |
although even Karina is struggling to see her merits. | 0:29:20 | 0:29:25 | |
What inspired you to buy that? I have no idea! | 0:29:25 | 0:29:29 | |
You're quite happy to see this go? | 0:29:29 | 0:29:31 | |
I will be very glad to see this go! | 0:29:31 | 0:29:33 | |
What, ?30-?40 for that? | 0:29:33 | 0:29:35 | |
I'll take ?20 to start her, then. | 0:29:35 | 0:29:38 | |
Must be that. Nobody want it at ?20? Got to be 20, surely! | 0:29:38 | 0:29:42 | |
A cheap-looking lot there at ?20. | 0:29:42 | 0:29:44 | |
I'm only bid at ?20. I'll take two anywhere else now. | 0:29:44 | 0:29:48 | |
Sold, it's going to the maiden bid of 20, then. | 0:29:48 | 0:29:51 | |
That's not sold again, I'm afraid. | 0:29:51 | 0:29:53 | |
That's coming home with you again. | 0:29:53 | 0:29:55 | |
Oh, no! Still fit in your car, though! | 0:29:55 | 0:29:57 | |
You could have had it for 20! | 0:29:57 | 0:30:00 | |
Unsold. | 0:30:00 | 0:30:02 | |
Our slow start isn't getting any better, | 0:30:02 | 0:30:04 | |
although Karina's still smiling. | 0:30:04 | 0:30:06 | |
I'm very disappointed about that. | 0:30:06 | 0:30:09 | |
I'd quite like somebody to have taken her. | 0:30:09 | 0:30:11 | |
The bidders are proving to be a tricky crowd and ceramics don't seem to be doing well so far. | 0:30:12 | 0:30:17 | |
Will the furniture buyers be any better? | 0:30:17 | 0:30:21 | |
Jonty, next up, this small oak table. What did you make of that? | 0:30:21 | 0:30:25 | |
Nice, small, compact but, because it's 1920s, there are still a lot of them around. | 0:30:25 | 0:30:30 | |
You can't get a vast amount of money for them. | 0:30:30 | 0:30:33 | |
But ?30 would be great if possible. Here it comes. | 0:30:33 | 0:30:37 | |
Nice little table, that. Lot 88a. | 0:30:37 | 0:30:40 | |
Take 20 to go for this? ?20 I've got. Thank you. | 0:30:40 | 0:30:43 | |
Right by me. 22? 25? 28? | 0:30:43 | 0:30:45 | |
30? 32? 35? | 0:30:45 | 0:30:47 | |
?32, the bid's with you at the back. | 0:30:47 | 0:30:49 | |
35? 38? 40? And 2? | 0:30:49 | 0:30:52 | |
If you like it, sir? At ?40, standing against you now, at ?40. | 0:30:52 | 0:30:56 | |
I'll take 5 anywhere else? | 0:30:56 | 0:30:58 | |
Sold and away with you, sir. | 0:30:58 | 0:31:00 | |
?40! Great! ?10 over your own estimate. | 0:31:00 | 0:31:04 | |
Steady on! Making up for lost ground, I think, probably! | 0:31:04 | 0:31:09 | |
Phew! At last something has sold for over its estimate. | 0:31:09 | 0:31:13 | |
?40 is a great price tag for the table, and not before time. | 0:31:13 | 0:31:17 | |
Let's see how we've done so far. | 0:31:17 | 0:31:19 | |
Well, guys, we're halfway through now. | 0:31:19 | 0:31:22 | |
Heading towards, we hope, 500 quid for that luxury spa weekend. | 0:31:22 | 0:31:26 | |
How do you think we've done. A bit slow. Slow? | 0:31:26 | 0:31:30 | |
I should say so. The grand total at the moment is ?107. | 0:31:30 | 0:31:34 | |
So, Jonty, we've a lot of ground to make up. | 0:31:34 | 0:31:37 | |
We've got a lot to make up. But I do think the best is yet to come. | 0:31:37 | 0:31:40 | |
We've got the rest of the Beswick horse collection. | 0:31:40 | 0:31:43 | |
Another Bunch, of course, and that dentist's cabinet. Yeah. | 0:31:43 | 0:31:46 | |
Fancy a coffee? Come on, let's take a break. | 0:31:46 | 0:31:50 | |
While the girls grab a well-earned cuppa, Jonty proves that he's never one to put his feet up | 0:31:56 | 0:32:01 | |
as he hunts out an interesting little lot in the saleroom. | 0:32:01 | 0:32:04 | |
Jonty, I love letting you loose because I'm never quite sure what you'll come up with. | 0:32:04 | 0:32:08 | |
What are you looking at here? This is a drop-dial clock. It's late 19th century. | 0:32:08 | 0:32:13 | |
In the catalogue the auctioneers have valued it at between ?30 and ?50, which is fine, | 0:32:13 | 0:32:18 | |
but it should sell for more and there's a reason for that. | 0:32:18 | 0:32:22 | |
You've got the maker and the maker's name here. | 0:32:22 | 0:32:26 | |
But it has been made in Llangollen, which is not very far | 0:32:26 | 0:32:29 | |
away from here at all, which means there will be local interest. | 0:32:29 | 0:32:34 | |
The dealers will be fighting for this. The casing here is rosewood. | 0:32:34 | 0:32:37 | |
And you have lots of nice detail here. So it will restore very well. | 0:32:37 | 0:32:41 | |
The actual enamel fascia has seen better days, but this clock still has potential. | 0:32:41 | 0:32:47 | |
Let's get back to the auction and see what happens. | 0:32:47 | 0:32:50 | |
The second half of the auction is well under way when we get back. | 0:32:54 | 0:32:58 | |
It's time for the clock section of the sale. | 0:32:58 | 0:33:02 | |
Next up is that late-Victorian wall clock that, | 0:33:03 | 0:33:05 | |
Jonty, you took some interest in. | 0:33:05 | 0:33:07 | |
Yes, one of many in your house! | 0:33:07 | 0:33:09 | |
It's seen better days, but it is restorable, so I reckon it is a dealer's lot, this one. | 0:33:11 | 0:33:16 | |
Let's see how we go. Should be, what, ?30-?40 for that, somebody? | 0:33:16 | 0:33:20 | |
I'll take ?20 to start, then. Must be 20?! | 0:33:20 | 0:33:22 | |
Nobody want it? ?20. | 0:33:22 | 0:33:25 | |
Good man. ?20. | 0:33:26 | 0:33:28 | |
?20 is under estimate. It just doesn't seem to be our lucky day. | 0:33:28 | 0:33:33 | |
But will the locally-made wall clock that Jonty spotted earlier fare any better? | 0:33:33 | 0:33:38 | |
Lot 159. The rosewood case, drop-dial wall clock. | 0:33:38 | 0:33:41 | |
WA Thomas of Llangollen. | 0:33:41 | 0:33:42 | |
Quality clock, that. | 0:33:42 | 0:33:45 | |
Sold and gone at ?80, then? | 0:33:45 | 0:33:47 | |
Well, the bidders reached deep into their wallets on that sale. | 0:33:48 | 0:33:52 | |
It's just a shame they're not as generous when it comes to ours. | 0:33:52 | 0:33:57 | |
Maybe our next lot will have some more success. | 0:33:57 | 0:33:59 | |
Next up, one of your dozen or so wardrobes, | 0:33:59 | 0:34:03 | |
that's come from your house. Jonty, what do you make of it? | 0:34:03 | 0:34:07 | |
I valued it at ?40-?60. Who says antiques are expensive? | 0:34:07 | 0:34:10 | |
Real value for money. But there is a flaw to this, isn't there? | 0:34:10 | 0:34:13 | |
It's a bit too narrow for clothes hangers. Don't tell anyone in the auction room! | 0:34:13 | 0:34:17 | |
It looks big enough! | 0:34:19 | 0:34:20 | |
Let's see how it goes. Here we go. | 0:34:20 | 0:34:23 | |
Good wardrobe. I'll take, what, ?40 to ?50 to go for it, somebody? | 0:34:23 | 0:34:29 | |
Start me, then, ?20? | 0:34:29 | 0:34:30 | |
?10. Straight in at 10. Who'll say ?12? ?10. | 0:34:32 | 0:34:35 | |
I'm only bid at ?10. Take 12 anywhere else now? | 0:34:35 | 0:34:38 | |
It's going at the maiden bid of ?10, then. | 0:34:40 | 0:34:43 | |
Selling it for a tenner. | 0:34:43 | 0:34:44 | |
Good. I won't have to take it home! | 0:34:44 | 0:34:48 | |
?10 is well under estimate and we're short of our target. | 0:34:49 | 0:34:53 | |
The girls are putting on a brave face but their day of pampering | 0:34:53 | 0:34:57 | |
in the spa is looking further and further away. | 0:34:57 | 0:34:59 | |
But will the bidders finally sing our tune | 0:35:01 | 0:35:03 | |
as the lovely piano stool comes up for sale? | 0:35:03 | 0:35:05 | |
We're hoping to raise at least ?30. | 0:35:05 | 0:35:08 | |
Under way at 20. I am slightly disappointed that wasn't higher. | 0:35:10 | 0:35:14 | |
It's a sweet Victorian pedestal. Cute. Useful in any home. It is. | 0:35:14 | 0:35:19 | |
If you have a piano. Or not. | 0:35:19 | 0:35:20 | |
?20 is just under estimate | 0:35:20 | 0:35:24 | |
and our luck just doesn't seem to be improving. | 0:35:24 | 0:35:27 | |
Our target is a long way off and we need the next lot to get | 0:35:27 | 0:35:30 | |
us back on track if we're going to make anything like our target today. | 0:35:30 | 0:35:34 | |
With an estimate of between ?50 and ?80, | 0:35:34 | 0:35:37 | |
will the 1930s dental cabinet manage to extract some cash | 0:35:37 | 0:35:41 | |
from the bidders' wallets? | 0:35:41 | 0:35:43 | |
So, it's considerably emptier and lighter than when I last saw it. | 0:35:43 | 0:35:47 | |
You could tell, could you? You can see inside it now, which is a bonus. | 0:35:47 | 0:35:52 | |
?50 to ?80, but we're struggling a bit today, to be honest. | 0:35:52 | 0:35:56 | |
Just a bit. Can we get to 50 quid? | 0:35:56 | 0:35:59 | |
Yes, well, who knows? Here goes. | 0:35:59 | 0:36:02 | |
Nice, interesting piece. Lot 207A, ?50 for that somebody? | 0:36:02 | 0:36:05 | |
I'll take ?20 to start. It must be that. | 0:36:05 | 0:36:09 | |
Nobody at ?20? No bid for it. | 0:36:09 | 0:36:13 | |
?20 I've got. Thank you, madam, straight in at 25 I'm bid. 30. | 0:36:13 | 0:36:17 | |
If you like it, add 5. | 0:36:17 | 0:36:19 | |
At ?30. With you at ?30. 40, and 5. | 0:36:19 | 0:36:24 | |
At 40, that's still cheap. Take 5 anywhere else? | 0:36:24 | 0:36:28 | |
There's no doubt about it, we're really struggling today. | 0:36:28 | 0:36:31 | |
The bidders seem incredibly cautious. | 0:36:31 | 0:36:33 | |
I really do feel for Karina and Catherine. | 0:36:33 | 0:36:36 | |
They did such good work decluttering and they deserve to get at least a few pampering treatments, | 0:36:36 | 0:36:41 | |
even if they can't afford a whole spa weekend. | 0:36:41 | 0:36:43 | |
Let's hope there are some art lovers in the room | 0:36:43 | 0:36:46 | |
as our colourful painting is up next which we're hoping could be worth... | 0:36:46 | 0:36:49 | |
It's a genuine oil painting but it's not to everyone's taste. | 0:36:53 | 0:36:57 | |
What inspired you to buy this one? It was cheap. Nobody else wanted it! | 0:36:57 | 0:37:02 | |
?20 I've got. Thank you, sir. Straight in at 20. | 0:37:02 | 0:37:05 | |
Who'll say 2 now? 22, 25, 28. | 0:37:05 | 0:37:08 | |
If you like it? At 28, 30, and 2. | 0:37:08 | 0:37:10 | |
You're the one laughing now! Take 2 anywhere else now? | 0:37:10 | 0:37:13 | |
Away at 30 then. Wow. | 0:37:13 | 0:37:16 | |
Well! I eat my hat, Jonty. That's fantastic. Did you see the buyer? | 0:37:18 | 0:37:21 | |
He's got very thick glasses. That explains a lot! | 0:37:21 | 0:37:26 | |
At last, ?30 is ?10 over estimate | 0:37:26 | 0:37:29 | |
and we're all pretty relieved, if somewhat surprised. | 0:37:29 | 0:37:32 | |
It's time for our star lots now to come under the hammer. | 0:37:33 | 0:37:37 | |
We're just over halfway to making our target and with such a massive amount still outstanding, | 0:37:37 | 0:37:42 | |
will the Beswick horses race us towards the finish line or fall at the first hurdle? | 0:37:42 | 0:37:46 | |
This is it, this is crunch time. | 0:37:48 | 0:37:50 | |
It's the main event. The Beswick collection. | 0:37:50 | 0:37:53 | |
The auctioneer's split these into around about nine lots. With an average of 30 to ?40. | 0:37:53 | 0:37:59 | |
They're either in pairs or individuals. | 0:37:59 | 0:38:02 | |
So, if we don't do well on this, it'll make the difference between a spa day and a spa weekend. | 0:38:02 | 0:38:07 | |
Let's see how we get on. | 0:38:07 | 0:38:09 | |
Beswick figure of a Shire horse. ?10 I've got, thank you, sir. | 0:38:09 | 0:38:13 | |
In at 10, 12, 15, 18, 20 I'm bid. | 0:38:13 | 0:38:16 | |
And 2? Over at the door at 20. | 0:38:16 | 0:38:20 | |
And they're off! It's a strong start as the Shire horse which Karina had | 0:38:20 | 0:38:23 | |
glued back together sells for a fantastic 20 quid. | 0:38:23 | 0:38:27 | |
And the next few lots bring home a few pounds as well. | 0:38:29 | 0:38:33 | |
?35 then. Sold. | 0:38:33 | 0:38:34 | |
At ?28 then. | 0:38:34 | 0:38:36 | |
But it's far from a smooth ride as the room suddenly goes quiet and the next few lots go unsold. | 0:38:36 | 0:38:42 | |
Not sold either I'm afraid. Come to us after. | 0:38:42 | 0:38:45 | |
Will Another Bunch perhaps prove to be our lucky charm? | 0:38:47 | 0:38:51 | |
This is your fave. Another Bunch. | 0:38:51 | 0:38:53 | |
?38 then? | 0:38:53 | 0:38:55 | |
It's gone. 38. | 0:38:55 | 0:38:59 | |
It might have sold but ?38 is under estimate again | 0:38:59 | 0:39:02 | |
and the girls look really worried. | 0:39:02 | 0:39:04 | |
There's one final horse to go under the hammer | 0:39:04 | 0:39:07 | |
and there's no question that there's a lot riding on this one. | 0:39:07 | 0:39:11 | |
Beswick figure of a grey hunter. At ?20, the maiden bid. | 0:39:11 | 0:39:14 | |
22, 25, 28. | 0:39:14 | 0:39:16 | |
30, 32, 35, 38 in the door. | 0:39:16 | 0:39:20 | |
40 and 2, 45, 48, 50... | 0:39:20 | 0:39:24 | |
That's better. 52, 55? At ?52, the bid is in the door. | 0:39:24 | 0:39:29 | |
Sold then at ?52 then. | 0:39:29 | 0:39:31 | |
Brilliant! ?52 is a result at last. | 0:39:33 | 0:39:37 | |
Just on those nine lots, on the horses, a grand total of ?201. That's a few facials. | 0:39:37 | 0:39:44 | |
And I got ?20 for the decapitated, legless Shire horse. | 0:39:46 | 0:39:50 | |
So that's not bad. That's the attitude, Karina! | 0:39:51 | 0:39:54 | |
It's been a turbulent day at the auction in Wrexham and the bidders | 0:39:54 | 0:39:58 | |
have driven a hard bargain but how have we done overall? | 0:39:58 | 0:40:03 | |
Well, guys, it's the end of the auction. | 0:40:03 | 0:40:06 | |
A bit disappointing, I think, Jonty, in some respects. Particularly all that Beswick. | 0:40:06 | 0:40:10 | |
I was very disappointed about that. I think we had dealers here, | 0:40:10 | 0:40:13 | |
not collectors and that's the reason why we only got the figure we did. | 0:40:13 | 0:40:17 | |
500 quid would get you a spa weekend away which clearly you both do very much deserve. Clearly. | 0:40:17 | 0:40:24 | |
Well, I'm happy to say we haven't blown the figure | 0:40:24 | 0:40:28 | |
but we have got ?428. That's great. Wow! | 0:40:28 | 0:40:31 | |
Which isn't bad, given the day we've had. Is that going to be enough? | 0:40:31 | 0:40:36 | |
That's going to cover a couple of facials, manicures and a couple of treats. | 0:40:36 | 0:40:41 | |
You've been working that out, haven't you? Yeah. I've got the price list at home. | 0:40:41 | 0:40:46 | |
Have you, Catherine, managed to stop Karina buying any stuff today? | 0:40:46 | 0:40:49 | |
Just about. I've had my hands glued together. | 0:40:49 | 0:40:52 | |
Good. Just as well, it means you're going to go away with ?428 in cash for what you intended it for. | 0:40:52 | 0:40:58 | |
And an empty boot. An empty boot. | 0:40:58 | 0:41:00 | |
It's been a few weeks since Karina and Catherine raised ?428 at auction and the time has come for them to | 0:41:05 | 0:41:11 | |
take a well-earned trip to their local health spa. | 0:41:11 | 0:41:15 | |
It's really nice to be able to spend some time with my sister. | 0:41:15 | 0:41:18 | |
She has such a manic life and she has been absolutely brilliant. | 0:41:18 | 0:41:22 | |
Whenever I've been feeling a bit miserable, I can always phone her up or visit her. | 0:41:22 | 0:41:28 | |
It's nice to be able to do something for her. | 0:41:28 | 0:41:31 | |
If you both want come with me, and I'll take you upstairs ready for the therapy. Lovely. | 0:41:31 | 0:41:35 | |
Having chosen from the extensive list of treatments on offer, the girls get straight down | 0:41:36 | 0:41:41 | |
to the business of relaxation, via the gift shop, of course. | 0:41:41 | 0:41:44 | |
The treatments were great. | 0:41:50 | 0:41:52 | |
The back massage was so relaxing. | 0:41:52 | 0:41:54 | |
It was really nice. You'd never had it before, had you? No. | 0:41:54 | 0:41:57 | |
But all that pampering is obviously thirsty work, so they head outside to the terrace to finish the day off | 0:41:59 | 0:42:06 | |
with a slap-up meal. I think I might have converted her a little bit to the facial. | 0:42:06 | 0:42:10 | |
The finer things in life. Yeah, you didn't need much converting though. | 0:42:10 | 0:42:16 | |
Here is to a lovely day. Thank you very much. | 0:42:16 | 0:42:18 | |
Subtitles by Red Bee Media Ltd | 0:42:40 | 0:42:44 |