Browse content similar to Jones. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello. We're on the trail of those hidden treasures around your home | 0:00:03 | 0:00:06 | |
that we can help you sell at auction, even in the pouring rain. | 0:00:06 | 0:00:10 | |
Today, I've brought you to the heart of the English countryside, | 0:00:10 | 0:00:13 | |
here to not-so-sunny Dorset. | 0:00:13 | 0:00:16 | |
It's a county that's inspired some of our greatest writers and artists, | 0:00:16 | 0:00:19 | |
including Jane Austen, Beatrix Potter and Turner. | 0:00:19 | 0:00:23 | |
It's also great for holidays, | 0:00:23 | 0:00:25 | |
because you're never far from the sea. | 0:00:25 | 0:00:27 | |
Just down the road is Lyme Regis, | 0:00:27 | 0:00:29 | |
immortalised in the 1980s film The French Lieutenant's Woman, | 0:00:29 | 0:00:33 | |
when Meryl Streep stood on the harbour wall, the Cobb, | 0:00:33 | 0:00:37 | |
waiting for Jeremy Irons. | 0:00:37 | 0:00:38 | |
This spectacular shoreline forms part of the Jurassic Coast, | 0:00:38 | 0:00:43 | |
which means it's about 180 million years old - | 0:00:43 | 0:00:47 | |
and a real fossil-hunting hot spot. | 0:00:47 | 0:00:49 | |
Let's hope the house we're heading for | 0:00:49 | 0:00:51 | |
turns out to be another hot spot, | 0:00:51 | 0:00:53 | |
full of antiques and collectibles of its own. | 0:00:53 | 0:00:57 | |
'Coming up on today's Cash In The Attic, | 0:01:17 | 0:01:20 | |
'we've got a rather large property to tackle...' | 0:01:20 | 0:01:23 | |
There's so much more to see! I'm never going to have time to do it. | 0:01:23 | 0:01:27 | |
'..so we conduct our search with military precision...' | 0:01:27 | 0:01:30 | |
So, let's keep looking, OK. | 0:01:30 | 0:01:32 | |
After you. One, two! | 0:01:32 | 0:01:34 | |
Move them legs! | 0:01:34 | 0:01:35 | |
'..and fight our way to some victorious moments at auction.' | 0:01:35 | 0:01:39 | |
The old 'uns still have it. Brilliant. | 0:01:39 | 0:01:42 | |
'Let's hope we've won the battle when the final hammer falls.' | 0:01:42 | 0:01:47 | |
I'm on my way to meet a woman who swapped city life | 0:01:47 | 0:01:49 | |
for the rural idyll, | 0:01:49 | 0:01:51 | |
and she now runs her business literally from her home. | 0:01:51 | 0:01:54 | |
She's hoping that the Cash In The Attic team | 0:01:54 | 0:01:56 | |
can help her hard-working family take a bit of a break. | 0:01:56 | 0:02:00 | |
Susan and Duncan Jones live in this 13-bedroom manor house | 0:02:00 | 0:02:04 | |
on the idyllic Dorset coast. | 0:02:04 | 0:02:06 | |
They rent out part of it as a holiday home, | 0:02:06 | 0:02:08 | |
along with six on-site self-catering cottages. | 0:02:08 | 0:02:11 | |
Susan has bought and inherited a wealth of collectibles, | 0:02:11 | 0:02:14 | |
which she brought with her when she moved here from London in 2001. | 0:02:14 | 0:02:19 | |
But, with a busy and costly family business to run, | 0:02:19 | 0:02:22 | |
she's decided it's time to let some of her possessions go. | 0:02:22 | 0:02:24 | |
With her daughters, Emma and Julia, and Duncan's son, Ashley, | 0:02:24 | 0:02:29 | |
ready to pitch in and help, it's time to tackle the treasures. | 0:02:29 | 0:02:33 | |
There you are! Good morning! | 0:02:33 | 0:02:36 | |
I tell you. Welcome to Hayes Mansions. | 0:02:36 | 0:02:38 | |
I know, it's beautiful. A shame about the weather, isn't it? | 0:02:38 | 0:02:41 | |
What a place. Apparently there are ten acres. | 0:02:41 | 0:02:44 | |
Really? Gosh knows how many living rooms. | 0:02:44 | 0:02:46 | |
It's amazing, isn't it? Gosh, a good prospect for today. | 0:02:46 | 0:02:49 | |
I've made a start - I've found the kettle. Let's have a look round. | 0:02:49 | 0:02:52 | |
Thank you, m'lord. You're welcome. You seem surprisingly at home. Just wipe your feet. Oh, thank you! | 0:02:52 | 0:02:58 | |
Good morning, everybody. Hello. | 0:03:01 | 0:03:03 | |
This is so lovely. I feel like the lady of the manor, I must say. That must be you, Susan? | 0:03:04 | 0:03:09 | |
I'm not sure I'm the lady of the manor, but I am the lady here! | 0:03:09 | 0:03:12 | |
What are we going to be raising the money for? That's the big question. | 0:03:12 | 0:03:16 | |
We run our own business and all the children are involved in that. | 0:03:16 | 0:03:19 | |
All the money seems to be ploughed back in. The self-catering... | 0:03:19 | 0:03:23 | |
The self-catering cottages, trying to progress them forward, get them to a good four-star standard. | 0:03:23 | 0:03:29 | |
So... Two of them are going to university in September. Two of them at once. | 0:03:29 | 0:03:33 | |
So, there's not very much money left over for fun things. | 0:03:33 | 0:03:36 | |
What are you going to spend it on? | 0:03:36 | 0:03:37 | |
I'd like to get some art materials and get back to doing art. | 0:03:37 | 0:03:40 | |
That was my subject originally. We thought we'd have a day quad biking, | 0:03:40 | 0:03:44 | |
which we're all looking forward to. | 0:03:44 | 0:03:46 | |
What do you think about that, Ashley? Should be great. | 0:03:46 | 0:03:49 | |
I've just started driving so it would be good fun to go off-road. | 0:03:49 | 0:03:52 | |
How much money do you think we need for this? | 0:03:52 | 0:03:55 | |
About ?800 to ?1,000 if that's possible. | 0:03:55 | 0:03:58 | |
That's quite a lot of money. Let's call it 800 minimum. | 0:03:58 | 0:04:02 | |
We'll go for 800. It is a huge house. | 0:04:02 | 0:04:06 | |
It's going to take us a couple of weeks so go through, I think. | 0:04:06 | 0:04:09 | |
So, let's go! | 0:04:09 | 0:04:11 | |
'It seems this busy family are long overdue a fun day out together, | 0:04:11 | 0:04:16 | |
'and turning the unused antiques into cash for colourful new art supplies for Susan | 0:04:16 | 0:04:20 | |
'sounds like a great idea as well. | 0:04:20 | 0:04:22 | |
'With a whole manor house to search, | 0:04:22 | 0:04:24 | |
'I'm glad we have our very own lord - of the antiques, that is - on hand to help. | 0:04:24 | 0:04:30 | |
'It's Paul Hayes, who's been working in the antiques trade for most of his life.' | 0:04:30 | 0:04:35 | |
A fantastic house - it really is impressive. I love this dining room. | 0:04:35 | 0:04:39 | |
These fit in quite nicely, these chairs. Are they a family heirloom? | 0:04:39 | 0:04:43 | |
No, I bought them in London. They are very nice, | 0:04:43 | 0:04:46 | |
but there's only six of them. | 0:04:46 | 0:04:47 | |
I need a large amount of chairs for the family at Christmas so I'd like to get perhaps some more | 0:04:47 | 0:04:52 | |
reproduction chairs that would be more affordable to get more. | 0:04:52 | 0:04:55 | |
I've got you. Cos the table is new, isn't it? Yes. | 0:04:55 | 0:04:58 | |
How many does it sit? At least a dozen. | 0:04:58 | 0:05:01 | |
OK. But these are genuine antiques? These are Victorian. | 0:05:01 | 0:05:04 | |
I think they're about 1830, but I've only been told that, so I'd like to know. | 0:05:04 | 0:05:09 | |
They're on the cusp and they're classed as a Victorian chair. | 0:05:09 | 0:05:12 | |
1837 is the first year of Queen Victoria's reign. | 0:05:12 | 0:05:17 | |
It went right until 1901. | 0:05:17 | 0:05:20 | |
The one thing you look for, actually, is the size. | 0:05:20 | 0:05:23 | |
They were made very sturdy, very strong. | 0:05:23 | 0:05:25 | |
What I like about these - they have a sabre leg at the back | 0:05:25 | 0:05:28 | |
and that's based on an officer's sword. The old sabres used to... | 0:05:28 | 0:05:32 | |
There you are, you see. | 0:05:32 | 0:05:33 | |
You learn something every day. | 0:05:33 | 0:05:36 | |
The top is called a kidney-shaped top, which is quite unusual. | 0:05:36 | 0:05:39 | |
More often than not they were balloon-back, which is like a complete circle. | 0:05:39 | 0:05:44 | |
What's happened with this Victorian furniture, it has gone out of fashion. | 0:05:44 | 0:05:47 | |
You'll hear from the auction rooms, the brown furniture just hasn't got that demand. | 0:05:47 | 0:05:51 | |
But a good set of six kidney-shaped chairs, leather backed, | 0:05:51 | 0:05:55 | |
you're looking at at least ?150, | 0:05:55 | 0:05:59 | |
possibly up to about ?250 as a set. | 0:05:59 | 0:06:01 | |
Well, we've used them for nine years, | 0:06:01 | 0:06:04 | |
so I've had the value of paying for them, | 0:06:04 | 0:06:06 | |
like you would with modern ones - they'd be broken by now. | 0:06:06 | 0:06:09 | |
They've done their turn for me. That's at least two of you on a quad! Yes, definitely. | 0:06:09 | 0:06:13 | |
OK! It's going to be sorted. | 0:06:13 | 0:06:16 | |
A good start. More to go. | 0:06:16 | 0:06:18 | |
I am dying to see the rest of the house. Let's have a look. | 0:06:18 | 0:06:21 | |
'?150 is a sizable start to today's search - | 0:06:21 | 0:06:25 | |
'but with a target of ?800, we've got a long way to go. | 0:06:25 | 0:06:29 | |
'So it's lucky we've got plenty of helping hands to divide and conquer in the manor. | 0:06:29 | 0:06:33 | |
'Emma comes up trumps straightaway | 0:06:33 | 0:06:36 | |
'with this lovely Poole pottery jug with a floral design. | 0:06:36 | 0:06:39 | |
'Duncan brought it with him when he moved in. | 0:06:39 | 0:06:42 | |
'Paul thinks it could fetch a very welcome ?25 to 35 at auction. | 0:06:42 | 0:06:47 | |
'Susan also finds a saleable piece of pottery | 0:06:47 | 0:06:50 | |
'when she digs out this owl, by the well-known manufacturer, Beswick. | 0:06:50 | 0:06:54 | |
'It was inherited from her mother and we're hoping | 0:06:54 | 0:06:57 | |
'it'll fly off the shelf at auction with a price tag of ?25 to ?30.' | 0:06:57 | 0:07:02 | |
'In the hallway, Emma seems to be developing a bit of a knack for spotting antiques.' | 0:07:02 | 0:07:07 | |
Paul, do you want to look at this and see if it's worth anything? | 0:07:07 | 0:07:10 | |
Let's have a look. It's not a riding crop, it's a swagger stick. | 0:07:10 | 0:07:13 | |
Where has that come from? | 0:07:13 | 0:07:16 | |
It used to be in my grandparents' house and it belonged to my grandfather. | 0:07:16 | 0:07:20 | |
My mother's told me he was given it for his officer training at school. | 0:07:20 | 0:07:23 | |
Right, that fits in. | 0:07:23 | 0:07:25 | |
It says "Skinners' School OTC". Yeah, that's right. Yeah. | 0:07:25 | 0:07:29 | |
Officer Training Corps, yes. There you go. | 0:07:29 | 0:07:33 | |
They would train the pupils of the school in leadership skills. | 0:07:33 | 0:07:37 | |
Some of them did go into the Army and become officers, | 0:07:37 | 0:07:40 | |
but the main idea was to teach them management, discipline and how to order people about. | 0:07:40 | 0:07:44 | |
Do you know whether your grandad went in the Army? | 0:07:44 | 0:07:47 | |
No, I know that he had to leave school at 15 to become an engineer | 0:07:47 | 0:07:50 | |
because the war had broken out, so he couldn't carry on. | 0:07:50 | 0:07:53 | |
It's an interesting item. These swagger sticks are very collectible. | 0:07:53 | 0:07:56 | |
It depends on what regiment, or what particular area... | 0:07:56 | 0:07:59 | |
Is that what they were for? They just held them? They held them like that. | 0:07:59 | 0:08:03 | |
"Right, you lot!" | 0:08:03 | 0:08:04 | |
I feel all masterful! But they're interesting things, and people do collect them. | 0:08:04 | 0:08:09 | |
Do you know what this Skinners' School was? No. | 0:08:09 | 0:08:12 | |
They were a charitable organisation very similar to the Masons. | 0:08:12 | 0:08:15 | |
The Masons get their name because they were originally stonemasons. OK. | 0:08:15 | 0:08:19 | |
But they ended up this charitable organisation that helped people. | 0:08:19 | 0:08:23 | |
The Skinners were people that worked in the fur trade. | 0:08:23 | 0:08:27 | |
Oh, obviously. People who worked in the skin industry, leather and fur. | 0:08:27 | 0:08:32 | |
They formed an organisation and they sponsored the schools. | 0:08:32 | 0:08:36 | |
The Skinners' School, were the sponsors of your grandad's school. | 0:08:36 | 0:08:40 | |
Oh, OK, I see, yeah. There you are. | 0:08:40 | 0:08:42 | |
Value wise, ?20 to 50. | 0:08:42 | 0:08:45 | |
It all adds up. | 0:08:45 | 0:08:47 | |
Yeah, that's not bad. It's a tank of petrol on them quad bikes. | 0:08:47 | 0:08:51 | |
Let's keep looking. After you. | 0:08:51 | 0:08:54 | |
One, two. Move them legs! | 0:08:54 | 0:08:57 | |
'I think Paul quite fancies himself as a sergeant major. He's always trying to boss me about. | 0:08:57 | 0:09:01 | |
'While he carries on rummaging downstairs, I take a few minutes to catch up with Susan.' | 0:09:01 | 0:09:07 | |
I can see all the trappings of your artistic background. | 0:09:09 | 0:09:12 | |
You're quite a serious painter, aren't you? | 0:09:12 | 0:09:15 | |
I did graphic design at art college, but I've always loved to paint and draw. | 0:09:15 | 0:09:18 | |
I've also painted furniture when I got my first job. | 0:09:18 | 0:09:22 | |
Touting my folio around London, I didn't find a graphic design job, | 0:09:22 | 0:09:25 | |
so I fell into an interior decoration company and painted furniture and restored antiques. | 0:09:25 | 0:09:29 | |
How long did you work in that field? About five years in a company | 0:09:29 | 0:09:34 | |
and then I had my own studio for a little while and then I had babies. | 0:09:34 | 0:09:38 | |
This is where you want to recreate your artistic background and relearn? | 0:09:38 | 0:09:42 | |
Yes, I want to tidy everything out of here and just have paint and tables and easels. | 0:09:42 | 0:09:47 | |
What do you want to paint? | 0:09:47 | 0:09:49 | |
Goodness me, you've just got to look out of the window | 0:09:49 | 0:09:51 | |
and something hits you all the time. The sheep and the greenery - it's fantastic. | 0:09:51 | 0:09:55 | |
Is that what you do, landscapes? | 0:09:55 | 0:09:57 | |
Yes, but I do a lot of interior, still-life pictures more. | 0:09:57 | 0:10:00 | |
Really? I would like to teach people who think they can't paint and draw | 0:10:00 | 0:10:04 | |
to set up a still life and jump into it. | 0:10:04 | 0:10:07 | |
It'd be very interesting to do, I think, and satisfying, but also | 0:10:07 | 0:10:10 | |
to fill the cottages in the quieter times, give people different reasons to come out to the countryside. | 0:10:10 | 0:10:15 | |
This is a huge enterprise. You've got this massive manor house. | 0:10:15 | 0:10:20 | |
I haven't even managed to count how many bedrooms in your section, then there's a whole other wing. | 0:10:20 | 0:10:25 | |
And then you've got, how many cottages? | 0:10:25 | 0:10:27 | |
We've got six at the moment. Six cottages. | 0:10:27 | 0:10:29 | |
You can house how many people? | 0:10:29 | 0:10:31 | |
38 and babies. | 0:10:31 | 0:10:33 | |
All those beds to change! | 0:10:33 | 0:10:34 | |
We've got it down to a fine art. | 0:10:34 | 0:10:37 | |
We have a laundry room and presses and a table where it's stacked on neatly | 0:10:37 | 0:10:40 | |
and the girls will know what to put where when the come in and do it. | 0:10:40 | 0:10:44 | |
It only works if we pull together, or we wouldn't be able to stay here. | 0:10:44 | 0:10:47 | |
Fantastic, and what a business you've got. | 0:10:47 | 0:10:49 | |
But if we're to get you any time off and a bit of fun, | 0:10:49 | 0:10:52 | |
we need to make more money. | 0:10:52 | 0:10:54 | |
Which way to go? This way. There's so much more to see! I'm never going to have time to do it. | 0:10:54 | 0:10:59 | |
'We really have to press on if we're going to get this family quad biking | 0:10:59 | 0:11:04 | |
'and get Susan back in front of an easel as well. | 0:11:04 | 0:11:06 | |
'I hope the rest of the gang have been busy. | 0:11:06 | 0:11:09 | |
'Downstairs in the kitchen, Duncan's spotted something with a bit of a West Country accent.' | 0:11:09 | 0:11:14 | |
What about these, Paul? Oh, right! They're great. How many have you got? | 0:11:14 | 0:11:18 | |
Currants, rice and sultanas. | 0:11:18 | 0:11:20 | |
These are really interesting items. | 0:11:20 | 0:11:22 | |
They are called Cornishware, but they're not from Cornwall. | 0:11:22 | 0:11:26 | |
They're made in Derby. | 0:11:26 | 0:11:29 | |
T G Green were a massive ceramic manufacturer throughout the 19th and early 20th Century. | 0:11:29 | 0:11:35 | |
They're mostly known for this Cornish design. | 0:11:35 | 0:11:38 | |
The idea was, apparently, that it represents the blue sky | 0:11:38 | 0:11:42 | |
of Cornwall and the white waves of the crests of the waves. | 0:11:42 | 0:11:46 | |
This hooped effect was very popular in the 1930s to 1950s. | 0:11:46 | 0:11:51 | |
Were these handed down the family? | 0:11:51 | 0:11:53 | |
No, they were found when Susan moved here in '01. | 0:11:53 | 0:11:57 | |
The previous people left them here and she found them in one of the cottages. Oh, right. | 0:11:57 | 0:12:01 | |
That was handy. That was really handy. | 0:12:01 | 0:12:04 | |
These are great. If you want that instant antique or retro look, | 0:12:04 | 0:12:08 | |
these fit perfectly in a country kitchen. | 0:12:08 | 0:12:11 | |
A little tip here - these are reproduced today. Oh, are they? | 0:12:11 | 0:12:14 | |
The way to tell the difference - the modern ones don't have a real ribbed effect. Can you feel that? | 0:12:14 | 0:12:20 | |
That's been done on a wheel, that takes that away. | 0:12:20 | 0:12:23 | |
You tend to find now they're just transfers, blue and white. | 0:12:23 | 0:12:26 | |
That's a good tip, just feel that ridge. | 0:12:26 | 0:12:29 | |
If I said, sort of, er... | 0:12:29 | 0:12:32 | |
?60 to 80, how does that sound? It sounds good to me. | 0:12:32 | 0:12:36 | |
All right. Hope there's some strong "currents" at the auction! | 0:12:36 | 0:12:41 | |
Terrible. Let's keep looking. THEY CHUCKLE | 0:12:41 | 0:12:44 | |
'?60 to ?80 for the colourful Cornishware jars makes them a great find. | 0:12:44 | 0:12:50 | |
'The teenagers are still busy searching and Ashley digs out these records, | 0:12:50 | 0:12:54 | |
'most of which were collected by his stepsister, Julia. | 0:12:54 | 0:12:57 | |
'Paul hopes they'll spark some interest in the saleroom | 0:12:57 | 0:13:01 | |
'with their estimate of ?30 to ?40. | 0:13:01 | 0:13:04 | |
'And I am hoping my latest find, this collection of comics, will prove equally successful. | 0:13:04 | 0:13:09 | |
'They include American titles like Superman. | 0:13:09 | 0:13:12 | |
'Paul reckons they could fetch between ?30 and ?40. | 0:13:12 | 0:13:16 | |
'In the kitchen, | 0:13:16 | 0:13:18 | |
'Paul's got two of his favourite things to hand - | 0:13:18 | 0:13:20 | |
'a mug of tea and a beautiful piece of furniture.' | 0:13:20 | 0:13:24 | |
Time for a cup of tea. | 0:13:24 | 0:13:25 | |
This is a lovely table - look at that. How has this table stayed in this condition? | 0:13:25 | 0:13:30 | |
It looks almost like it's just been polished. | 0:13:30 | 0:13:33 | |
It's too lovely to be in a kitchen, so it's had a thick protective cover and a tablecloth. | 0:13:33 | 0:13:38 | |
I've never taken off except to have a little look and put it back. | 0:13:38 | 0:13:41 | |
It is in the wrong place - it wants to be in a dining room | 0:13:41 | 0:13:44 | |
but it doesn't suit the dining room we've got. | 0:13:44 | 0:13:46 | |
I hope it'll go to a new home where it'll suit better. | 0:13:46 | 0:13:49 | |
These highly polished surfaces do scuff easily, | 0:13:49 | 0:13:52 | |
but this is the golden age of dining, the Victorian period. | 0:13:52 | 0:13:56 | |
These are massive sheets of mahogany, absolutely solid wood. | 0:13:56 | 0:13:59 | |
This is the best type - it's called flame mahogany. | 0:13:59 | 0:14:02 | |
If you have a look, it looks almost like the top of a flame, like it's on fire. | 0:14:02 | 0:14:06 | |
That's the richest grain you can get with mahogany. It's a beautiful colour. | 0:14:06 | 0:14:11 | |
We're looking at 1870, 1880 - you've got these sturdy ballast legs. | 0:14:11 | 0:14:15 | |
With antiques, a lot of people don't realise - | 0:14:15 | 0:14:17 | |
they can go in and out of fashion or desirability, | 0:14:17 | 0:14:20 | |
so you get a fantastic polished surface like this | 0:14:20 | 0:14:23 | |
at the moment aren't quite as popular as they used to be. | 0:14:23 | 0:14:27 | |
A realistic guide price today, you're looking around the ?500 mark. | 0:14:27 | 0:14:31 | |
If I said ?400 to ?600, how does that sound? | 0:14:31 | 0:14:35 | |
It doesn't sound as expensive as when I bought it, but as you say, | 0:14:35 | 0:14:39 | |
they're out of fashion a bit now, | 0:14:39 | 0:14:41 | |
so best to get something back now than keep it longer. It might even go down. | 0:14:41 | 0:14:45 | |
There's a saying - "the man who never lost any money, never made any." | 0:14:45 | 0:14:48 | |
It's very true. You're far better buying this ten years ago. At least you're showing some return, | 0:14:48 | 0:14:53 | |
whereas if you'd bought a new table, you would have no return at all. | 0:14:53 | 0:14:56 | |
Everyone wins. That can go? | 0:14:56 | 0:14:59 | |
It can. Excellent. Cheers. | 0:14:59 | 0:15:01 | |
Thanks for the brew. | 0:15:01 | 0:15:03 | |
'Great work! ?400 is a hefty addition to our target. | 0:15:03 | 0:15:07 | |
'I hope the bidders aren't too furniture fashion-conscious | 0:15:07 | 0:15:09 | |
'at auction and appreciate Susan's lovely mahogany table. | 0:15:09 | 0:15:13 | |
'With so many people around to help, we're having a very productive day so far. | 0:15:13 | 0:15:18 | |
'Susan and Duncan only met five years ago, | 0:15:18 | 0:15:22 | |
'but their newly combined family seems to work well together | 0:15:22 | 0:15:25 | |
'and I'm keen to find out a bit more about them.' | 0:15:25 | 0:15:27 | |
I discovered that you met on a blind date. | 0:15:27 | 0:15:30 | |
We did, yes. Did you know that? | 0:15:30 | 0:15:33 | |
Yeah, they did. | 0:15:33 | 0:15:35 | |
What was it like? I spent ages looking for the house | 0:15:35 | 0:15:38 | |
and ended up in the courtyard, thinking that, er... | 0:15:38 | 0:15:42 | |
"There's no way she's going to be in the house - it's too big a house." | 0:15:42 | 0:15:46 | |
So I went round the courtyard, back down the drive | 0:15:46 | 0:15:50 | |
and I came back up and thought, "I'm going to have to knock on the door." | 0:15:50 | 0:15:53 | |
As I sort of stopped and walked up to the door, I think Julia came out. | 0:15:53 | 0:15:57 | |
OK. Followed by you | 0:15:57 | 0:16:00 | |
and then we headed off down the pub. | 0:16:00 | 0:16:03 | |
We walked in and I asked her what she wanted to drink, | 0:16:03 | 0:16:06 | |
and she said, "I'll have a pint of Guinness." | 0:16:06 | 0:16:09 | |
I thought, "This is my type of girl." | 0:16:09 | 0:16:12 | |
He's saying all the right things, I must say. How many years ago was this? | 0:16:12 | 0:16:16 | |
This was December '03. | 0:16:16 | 0:16:18 | |
Aww, he remembers. Do you remember the date? The 6th. | 0:16:18 | 0:16:22 | |
He's a perfect man! I'm not sure about that! | 0:16:22 | 0:16:26 | |
So, what happened next? That was it, really. By Christmas, I think we'd decided | 0:16:26 | 0:16:30 | |
that we had a future and we were married in October in a marquee out the back. Short story. | 0:16:30 | 0:16:36 | |
It's a very nice story. Now here you are running this... | 0:16:36 | 0:16:39 | |
It's an estate, isn't it? | 0:16:39 | 0:16:42 | |
It's great. People that come from town come down to the countryside | 0:16:42 | 0:16:45 | |
and it's great to see the kids' faces and that sort of thing, | 0:16:45 | 0:16:48 | |
and the parents. And the best thing is if they come back. | 0:16:48 | 0:16:52 | |
That's the greatest reward, because you know that you've done | 0:16:52 | 0:16:55 | |
something right. They come back and it's nice to recognise people. | 0:16:55 | 0:16:58 | |
So you both get a lot of satisfaction out of it? Yes, real satisfaction, definitely. | 0:16:58 | 0:17:03 | |
It's a family business. Do you help out? | 0:17:03 | 0:17:05 | |
Yeah, I am having a gap year at the moment, | 0:17:05 | 0:17:07 | |
so I've been helping with the cleaning and laundry and yeah, it's OK. | 0:17:07 | 0:17:12 | |
It's nice to have as a holiday job. | 0:17:12 | 0:17:14 | |
Well, before you become millionaires running this business, come on - let's get some more money. | 0:17:14 | 0:17:19 | |
Where shall we go next? Which room do you think would beckon us? | 0:17:19 | 0:17:24 | |
'With so many rooms to search through, we've a great selection of treasures to choose from. | 0:17:24 | 0:17:28 | |
'In the dining room, Paul spots this lovely porcelain cheese cover. | 0:17:28 | 0:17:33 | |
'It's made by the popular tea and dinner set manufacturer Shelley, who ceased trading in 1966. | 0:17:33 | 0:17:39 | |
'Complete sets are very valuable | 0:17:39 | 0:17:41 | |
'and although the cheese cover is a single piece, Paul still thinks | 0:17:41 | 0:17:45 | |
'it's worth sending to auction with an estimate of ?15 to ?25. | 0:17:45 | 0:17:49 | |
'Downstairs, Duncan finds this Victorian chest of drawers. | 0:17:49 | 0:17:54 | |
'It's made from mahogany with turned wooden handles. | 0:17:54 | 0:17:56 | |
'Paul thinks it could bag us a very tidy ?100 to ?200 at auction. | 0:17:56 | 0:18:01 | |
'As our search continues, I find our expert himself | 0:18:01 | 0:18:05 | |
'in a rather unusual room for rummaging.' | 0:18:05 | 0:18:07 | |
Hello, how are you? What are you doing skulking in the bathroom, young man?! | 0:18:07 | 0:18:11 | |
Touching yourself up in the mirror? | 0:18:11 | 0:18:13 | |
You always have to search everywhere in the house. | 0:18:13 | 0:18:16 | |
You do. It's unusual to find something in a bathroom. | 0:18:16 | 0:18:18 | |
They've often been updated, but this has a really nice wash stand in here. | 0:18:18 | 0:18:22 | |
Where did it come from? | 0:18:22 | 0:18:24 | |
I think there were originally quite a few here, one in each bedroom, | 0:18:24 | 0:18:28 | |
in use until quite recent times, | 0:18:28 | 0:18:31 | |
because the mains water didn't come until the late '60s. | 0:18:31 | 0:18:33 | |
Really? Well, that's amazing. That's very late. This would have been used. | 0:18:33 | 0:18:38 | |
What you'd do, first thing in the morning, the gentleman or the lady | 0:18:38 | 0:18:41 | |
would actually use this to do his grooming, if you like. | 0:18:41 | 0:18:43 | |
The idea was that you would gather water from the well | 0:18:43 | 0:18:47 | |
or a source in the house, which had been boiled or made warm for you. | 0:18:47 | 0:18:50 | |
You would wash yourself or shave and any splashes would be caught | 0:18:50 | 0:18:55 | |
actually by this wash stand. | 0:18:55 | 0:18:57 | |
The idea is it has a marble top with this tile back. | 0:18:57 | 0:19:00 | |
That's all waterproof and the water is contained. | 0:19:00 | 0:19:02 | |
Round about the turn of the century, most houses here in the British Isles | 0:19:02 | 0:19:06 | |
incorporated inside plumbing, | 0:19:06 | 0:19:08 | |
so these things instantly became a thing of the past. | 0:19:08 | 0:19:11 | |
Do you like it, Susan? | 0:19:11 | 0:19:13 | |
I do like it, but we do plan to modernise this strange '60s pink bathroom. | 0:19:13 | 0:19:17 | |
That's quite nice - a bit of social history really. | 0:19:17 | 0:19:19 | |
I'm not sure what you could do with one of these today - make a desk or something out of it. | 0:19:19 | 0:19:23 | |
Value-wise... | 0:19:23 | 0:19:26 | |
if I said ?40 to ?70, how does that sound? That's quite nice. | 0:19:26 | 0:19:30 | |
That's all right? Happy with that? Mm-hm. She's happy with that. | 0:19:30 | 0:19:33 | |
Somebody might "splash out" on it! | 0:19:33 | 0:19:35 | |
You couldn't resist it. Let's see what else there is. | 0:19:35 | 0:19:38 | |
'?40 to ?70 for the wash stand is a nice addition to our coffers. | 0:19:38 | 0:19:42 | |
'We're just about at the end of our rummage. | 0:19:42 | 0:19:44 | |
'While Paul takes a short, musical break, | 0:19:44 | 0:19:47 | |
'Susan has one last item up her sleeve.' | 0:19:47 | 0:19:51 | |
Of all the mansion houses in all of Dorset, | 0:19:51 | 0:19:53 | |
you had to walk in this one. Nice piano. | 0:19:53 | 0:19:56 | |
I've got something to show you. Right, OK. | 0:19:56 | 0:19:59 | |
It's a great bureau, as well. | 0:19:59 | 0:20:01 | |
It's a lovely bureau, which I probably wouldn't want to part with. | 0:20:01 | 0:20:04 | |
No, of course. It does get a bit junked up but I do remember that I had this. | 0:20:04 | 0:20:08 | |
Let's have a look. | 0:20:08 | 0:20:11 | |
What you got - an old indenture, is it? | 0:20:11 | 0:20:13 | |
It's a parchmenty document which is something that... | 0:20:13 | 0:20:16 | |
Quite awkward to open out. | 0:20:18 | 0:20:20 | |
Right. So there are lots of these around. | 0:20:20 | 0:20:22 | |
Every time there was a land deal or agreement, | 0:20:22 | 0:20:25 | |
this an indenture, this would have been drawn up by a solicitor. It made an item legal. | 0:20:25 | 0:20:30 | |
At the time they would make these wonderful documents, which are very decorative, | 0:20:30 | 0:20:34 | |
and you have these stamps on - that means you've paid the stamp duty. | 0:20:34 | 0:20:38 | |
That's exactly the same as what we pay now | 0:20:38 | 0:20:41 | |
when we're buying or selling houses. | 0:20:41 | 0:20:43 | |
Was this a member of your family? | 0:20:43 | 0:20:45 | |
We've got a William Sammon here. | 0:20:45 | 0:20:47 | |
It turned up in a book that was at my parents' house | 0:20:47 | 0:20:50 | |
when we cleared out the effects there. | 0:20:50 | 0:20:52 | |
I have done a bit of research on the Internet but haven't managed to find out anything about William Sammon. | 0:20:52 | 0:20:58 | |
But I have found a few clues for Catherine Knight, | 0:20:58 | 0:21:00 | |
the lady that was involved, the two of them, one party to the other. | 0:21:00 | 0:21:03 | |
She was obviously in Whitefriars in Canterbury. | 0:21:03 | 0:21:07 | |
Do you know what year that was? Yes, we've got 1799 on there. | 0:21:07 | 0:21:11 | |
Wow! OK. That relates to this particular agreement at that time. Who was Catherine Knight? | 0:21:11 | 0:21:16 | |
Well, if I'm right, I believe she was the lady that brought up Jane Austen's brother. | 0:21:16 | 0:21:20 | |
She adopted Jane Austen's brother. I found bits and pieces on the Internet and there are enough clues | 0:21:20 | 0:21:25 | |
that fit together to make me believe that is the case. Somebody else might be able to verify it. | 0:21:25 | 0:21:30 | |
Jane Austen is a huge name now in the writing world. | 0:21:30 | 0:21:33 | |
Are you a fan of her work? Yes, I am a fan. | 0:21:33 | 0:21:36 | |
I even read them as a child, and one of my favourite books was Emma. | 0:21:36 | 0:21:39 | |
I called my first daughter Emma, so perhaps it's imprinted in my brain. | 0:21:39 | 0:21:44 | |
These documents turn up a lot. | 0:21:44 | 0:21:47 | |
You can buy them ?20, ?30 for a decorative piece of paper really. | 0:21:47 | 0:21:52 | |
The fact you have this Jane Austen connection, or potentially, | 0:21:52 | 0:21:55 | |
that makes it something special. | 0:21:55 | 0:21:58 | |
I think what we should do is do our homework on this | 0:21:58 | 0:22:01 | |
and put your research together that you've managed to accumulate, | 0:22:01 | 0:22:05 | |
then put this in with a realistic estimate of say ?50 to ?100. | 0:22:05 | 0:22:10 | |
That's pricing it really as an indenture with a bit of interest. | 0:22:10 | 0:22:14 | |
If we can find out it definitely is her, who knows where it could end up? | 0:22:14 | 0:22:17 | |
OK. Sound all right with you? That's fine. We need to put our thinking caps on for that one. | 0:22:17 | 0:22:22 | |
Let's tell the others. Jennie, Emma. | 0:22:22 | 0:22:24 | |
That's appropriate, isn't it? Everyone else, come on through. | 0:22:24 | 0:22:27 | |
We were just having a little natter out there. | 0:22:27 | 0:22:29 | |
What have you found? We've found a fantastic document. | 0:22:29 | 0:22:32 | |
It could relate to Jane Austen - can you believe that? | 0:22:32 | 0:22:35 | |
Potentially, fingers crossed. Didn't belong to her, did it? No, but it could be a relative. | 0:22:35 | 0:22:40 | |
50 quid? Yeah. That's what I like to hear - another ?50 in the pot. | 0:22:40 | 0:22:43 | |
Fantastic because, actually, ladies and gents, | 0:22:43 | 0:22:46 | |
that brings us to the end of our day's rummaging. | 0:22:46 | 0:22:49 | |
Did you enjoy it? Yeah, it's been good. | 0:22:49 | 0:22:52 | |
A bit tiring. Everyone says it's more tiring than they expected. Was it? | 0:22:52 | 0:22:56 | |
Yeah. Really tiring but good fun. It's interesting. | 0:22:56 | 0:22:58 | |
It was interesting. I don't think I've got all round your house yet. No, you haven't. | 0:22:58 | 0:23:03 | |
We were looking for... ?800, you said at the beginning. | 0:23:03 | 0:23:07 | |
?1,000 would have been nice, but ?800 is the target. | 0:23:07 | 0:23:11 | |
Hopefully, if everything sells at auction, you will make ?945. | 0:23:11 | 0:23:17 | |
That's brilliant! You're happy with that? I would be, yes. | 0:23:17 | 0:23:20 | |
It would buy quite a lot. Yes, it'd certainly start me off with the art materials as well as the outings. | 0:23:20 | 0:23:26 | |
And you're going to go quad biking too? Oh, yes. Excellent! | 0:23:26 | 0:23:29 | |
Well, all we've got to do now is to pack up everything ready for the auction. | 0:23:29 | 0:23:33 | |
Give yourself a big round of applause. You've done very, very well. | 0:23:33 | 0:23:37 | |
'We've had a fantastic day lording it up at the Jones's manor, | 0:23:37 | 0:23:40 | |
'and our team has come up with a great collection of items to take to auction. | 0:23:40 | 0:23:45 | |
'We have the swagger stick that belonged to Susan's father, | 0:23:45 | 0:23:48 | |
'valued at ?20 to ?50. | 0:23:48 | 0:23:50 | |
'The trio of colourful Cornishware pots, | 0:23:50 | 0:23:52 | |
'which Paul estimates at ?60 to ?80. | 0:23:52 | 0:23:55 | |
'The set of six Victorian, mahogany dining chairs, | 0:23:55 | 0:23:58 | |
'valued at ?150 to ?250. | 0:23:58 | 0:24:02 | |
'And our most highly valued lot is the lovely mahogany dining table, | 0:24:02 | 0:24:06 | |
'which Paul hopes could make a massive ?400 to ?600 at auction. | 0:24:06 | 0:24:10 | |
'Still to come on Cash In The Attic... | 0:24:10 | 0:24:14 | |
'I take a fancy to one of our family's lots...' | 0:24:14 | 0:24:17 | |
I think it's worth at least the 15... | 0:24:17 | 0:24:19 | |
In fact, I'm talking myself into buying this. | 0:24:19 | 0:24:22 | |
'..and fall for one of Paul's terrible jokes.' | 0:24:22 | 0:24:25 | |
It says titles include Metal Men, Aquaman, Superman and Auctionman. | 0:24:25 | 0:24:30 | |
There we are. No! Something for everybody. | 0:24:30 | 0:24:32 | |
No, only joking. I believed you. SHE CHUCKLES | 0:24:32 | 0:24:36 | |
'..but I'm very happy to be proved wrong about one item.' | 0:24:36 | 0:24:40 | |
What do I know? Absolutely nothing. | 0:24:40 | 0:24:43 | |
That's brilliant! | 0:24:43 | 0:24:44 | |
'So will we have reached our target when the final hammer falls?' | 0:24:44 | 0:24:48 | |
Well, Marshwood Manor certainly is a beautiful place | 0:24:54 | 0:24:57 | |
and over the past few weeks, Susan and her family | 0:24:57 | 0:24:59 | |
have been packing up those items we found to bring them here | 0:24:59 | 0:25:02 | |
to Chiswick Auction Rooms in west London. | 0:25:02 | 0:25:05 | |
Remember, we're hoping to raise ?800 towards some fabulous days out | 0:25:05 | 0:25:09 | |
so they can all have a well-earned break from the family business. | 0:25:09 | 0:25:12 | |
'The auction house is filling up with bidders and there's | 0:25:12 | 0:25:16 | |
'a fantastic selection of items on show to whet their appetite. | 0:25:16 | 0:25:18 | |
'One man who's always hungry for a bargain is our expert Paul Hayes, | 0:25:18 | 0:25:23 | |
'who's already giving our lots the once-over in the saleroom.' | 0:25:23 | 0:25:27 | |
Morning, me old son. Morning. Lovely day. It's sunny and hot - is that good or bad for auctions? | 0:25:27 | 0:25:32 | |
That's a good thing. People do tend to venture out and have a look. | 0:25:32 | 0:25:35 | |
I saw you looking at this - I wonder if that's going to find a buyer. I think it will. | 0:25:35 | 0:25:40 | |
It's nice and light. I was checking they'd emptied the drawers. You never know. | 0:25:40 | 0:25:43 | |
People sometimes bring the whole lot. The gas bill and everything. You were just hoping to find something! | 0:25:43 | 0:25:49 | |
It's all a rumour. They might have that other treasure - that lease. | 0:25:49 | 0:25:52 | |
I did find something out about that - it does look quite promising. | 0:25:52 | 0:25:56 | |
I'll tell you and the family at the same time. You're so cheeky! | 0:25:56 | 0:25:59 | |
Don't build your hopes up, love. Don't book the holiday just yet. Let's see if they're here. OK. | 0:25:59 | 0:26:04 | |
'I'm keeping my fingers crossed for Susan and Duncan today because I think they really do | 0:26:04 | 0:26:08 | |
'deserve a break from all that hard work of running their business. | 0:26:08 | 0:26:12 | |
'We find them checking out how that lovely dining table looks in the saleroom.' | 0:26:12 | 0:26:16 | |
Good morning. You're not having second thoughts about selling it? | 0:26:16 | 0:26:20 | |
No, we are selling it. Good. | 0:26:20 | 0:26:22 | |
Doesn't it look different here? | 0:26:22 | 0:26:25 | |
Looks so much smaller. | 0:26:25 | 0:26:27 | |
I think so. | 0:26:27 | 0:26:28 | |
To be honest, it's the condition in its favour with this one. | 0:26:28 | 0:26:31 | |
Normally, they're scratched but you've looked after it. Hasn't got to be French polished. | 0:26:31 | 0:26:35 | |
How are you feeling? | 0:26:35 | 0:26:37 | |
Good. Hopefully it'll work out nicely. Optimistic. | 0:26:37 | 0:26:40 | |
Yeah. I'm sure it'll be good. | 0:26:40 | 0:26:42 | |
It will attract people - it looks handsome here in its position, doesn't it? Yeah, it does. | 0:26:42 | 0:26:47 | |
I'm very excited about the Jane Austen document that you've got, | 0:26:47 | 0:26:50 | |
because you've done some research, haven't you? Well, I have. | 0:26:50 | 0:26:53 | |
I've rang around a couple of people and it does look like that Catherine Knight was the aunty to Jane Austen. | 0:26:53 | 0:26:59 | |
So that is the connection. Right. | 0:26:59 | 0:27:03 | |
What that means - we have a few people interested in it, | 0:27:03 | 0:27:06 | |
because of that, but whether that means they'll bid for the item is hard to say. | 0:27:06 | 0:27:11 | |
What I would suggest we do - originally, I said ?50-100. | 0:27:11 | 0:27:15 | |
We put a reserve of ?100 on it. Is that OK with yourself? Yes. | 0:27:15 | 0:27:19 | |
And see how it goes and hopefully if we get a few commission bids and societies who want it, | 0:27:19 | 0:27:23 | |
then it could take off but I want to protect it and put a minimum of ?100. | 0:27:23 | 0:27:27 | |
Is that all right? Yes. | 0:27:27 | 0:27:29 | |
Let's see if we can get you on those quad bikes - that's the idea. | 0:27:29 | 0:27:33 | |
'There seem to be plenty of people here. I just hope they've come with lots of money to spend. | 0:27:33 | 0:27:38 | |
'As the auctioneer takes to the rostrum, | 0:27:38 | 0:27:40 | |
'we find a place with a perfect view of the action | 0:27:40 | 0:27:42 | |
'just as the first of our items comes up for sale.' | 0:27:42 | 0:27:45 | |
Lot 57A, a turn of the last century swagger stick. | 0:27:45 | 0:27:49 | |
Showing for you in the corner, 57A. | 0:27:49 | 0:27:51 | |
Quite a nice item - it's a bit of history. | 0:27:51 | 0:27:54 | |
It's in good condition, we're looking about ?20. | 0:27:54 | 0:27:57 | |
What's that worth? ?10 for it? 10 I'm bid there. | 0:27:57 | 0:27:59 | |
12, 14, 16. | 0:27:59 | 0:28:01 | |
18. ?18 in the door. 20 there. | 0:28:01 | 0:28:04 | |
22, 24, 26. | 0:28:04 | 0:28:07 | |
28, 30, 32. | 0:28:07 | 0:28:09 | |
34. 36. | 0:28:09 | 0:28:11 | |
38, 40. | 0:28:11 | 0:28:12 | |
And five, 45. | 0:28:12 | 0:28:13 | |
?45 there, then. At ?45. | 0:28:13 | 0:28:16 | |
To the left at 45, going for ?45. | 0:28:16 | 0:28:18 | |
HAMMER BANGS Excellent. How's that? | 0:28:18 | 0:28:22 | |
'?45 is more than double Paul's lowest estimate | 0:28:22 | 0:28:26 | |
'and a cracking start to the sale. But with a whopping | 0:28:26 | 0:28:29 | |
'?800 target, I hope the rest of our lots do just as well. | 0:28:29 | 0:28:33 | |
'It's our collection of American comics next, | 0:28:33 | 0:28:36 | |
'which Paul valued at ?30 to ?40.' | 0:28:36 | 0:28:39 | |
I noticed here it says titles include Metal Men, Aquaman, | 0:28:39 | 0:28:43 | |
Superman and Auctionman. No! Something for everybody. | 0:28:43 | 0:28:46 | |
No, I'm only joking. I believed you! SHE CHUCKLES | 0:28:46 | 0:28:50 | |
?10 to start me. 10, 12, 14. | 0:28:50 | 0:28:53 | |
?14 for the lot, ?14. Anybody want to come in? | 0:28:53 | 0:28:56 | |
For ?16. 16 in the blue. | 0:28:56 | 0:28:58 | |
18, do you want behind? 20, 22, | 0:28:58 | 0:29:02 | |
24. | 0:29:02 | 0:29:04 | |
26. | 0:29:04 | 0:29:06 | |
26 in the white. At ?26. | 0:29:06 | 0:29:08 | |
At ?26. They're going for 26. | 0:29:08 | 0:29:10 | |
HAMMER BANGS | 0:29:11 | 0:29:13 | |
Almost there. It's not too bad. | 0:29:13 | 0:29:16 | |
'Well, ?26 is only just under estimate and the family don't seem too disheartened. | 0:29:17 | 0:29:22 | |
'Hopefully, our next lot will set the saleroom in more of a spin.' | 0:29:22 | 0:29:26 | |
It's your box of records now. | 0:29:26 | 0:29:28 | |
I see you've got Rolling Stones, Genesis and Blondie - this is my whole youth! | 0:29:28 | 0:29:32 | |
You're too young for all this, really. No, I'm not. | 0:29:32 | 0:29:35 | |
Definitely not. Really? I've done well. You have. | 0:29:35 | 0:29:38 | |
?30, a bargain. | 0:29:38 | 0:29:39 | |
30? 30 I'm bid. | 0:29:39 | 0:29:42 | |
32, 34, 36. | 0:29:42 | 0:29:44 | |
38, 40, 45. | 0:29:44 | 0:29:47 | |
50. In the corner at ?50. | 0:29:47 | 0:29:51 | |
?50. They look like they're selling for 50. | 0:29:51 | 0:29:54 | |
Going, then, for ?50. | 0:29:54 | 0:29:55 | |
392 for 50. | 0:29:55 | 0:29:57 | |
The old 'uns still have it, you see. Brilliant! | 0:29:57 | 0:30:00 | |
'That's more like it. | 0:30:00 | 0:30:02 | |
'The records went down a treat, adding ?50 to our quad-biking kitty. | 0:30:02 | 0:30:06 | |
'So, will our first furniture lot capture the saleroom's attention? | 0:30:06 | 0:30:09 | |
'With an estimate of ?40 to ?70, | 0:30:09 | 0:30:12 | |
'it's the Art Nouveau wash stand that Paul spotted in the bathroom.' | 0:30:12 | 0:30:16 | |
It's quite a summery item, this one, today. | 0:30:16 | 0:30:18 | |
I've checked all the drawers - nothing in them. So we're quite safe. | 0:30:18 | 0:30:22 | |
Start me for 20. 22, 24. ?24 for a tile-back wash stand. | 0:30:22 | 0:30:25 | |
?24, doesn't seem a lot of money. | 0:30:25 | 0:30:28 | |
?24? | 0:30:28 | 0:30:29 | |
?24, then. | 0:30:29 | 0:30:30 | |
Not sold. | 0:30:30 | 0:30:32 | |
Oh, he's not sold that. Oh! | 0:30:32 | 0:30:34 | |
Gosh! | 0:30:34 | 0:30:35 | |
'Unsold. It's a disappointing result after such a strong start. | 0:30:35 | 0:30:40 | |
'We've a long way to go to reach our target of ?800, | 0:30:40 | 0:30:43 | |
'so I hope our next lot gets a better reaction. | 0:30:43 | 0:30:47 | |
'It's the Poole pottery jug.' We want ?25 for it. | 0:30:47 | 0:30:50 | |
It's quite a lot for a little jug. It's very collectible. | 0:30:50 | 0:30:52 | |
Poole pottery is having a real interest at the moment - | 0:30:52 | 0:30:56 | |
it's becoming highly valued now. Some of the pieces are fetching quite a lot. | 0:30:56 | 0:31:00 | |
This is a run-of-the-mill piece. ?25 is about right. Some pieces fetch a lot more. | 0:31:00 | 0:31:04 | |
OK. Let's see how we get on. | 0:31:04 | 0:31:06 | |
What's it worth, ?10 for that lot? ?10 for it. Anybody want the lot for ?10? | 0:31:06 | 0:31:11 | |
A bit of Poole for a tenner? | 0:31:11 | 0:31:12 | |
Nobody want it? Pass the lot for ?10. | 0:31:12 | 0:31:14 | |
Not sold. | 0:31:14 | 0:31:16 | |
I can always keep the milk in it. Now you've unearthed it, perhaps you'll start using it! | 0:31:16 | 0:31:22 | |
'Unsold again. The family are putting a brave face on things, | 0:31:22 | 0:31:26 | |
'but we're nearly halfway through the sale | 0:31:26 | 0:31:29 | |
'and nowhere near halfway towards our target.' | 0:31:29 | 0:31:32 | |
Your lovely chairs are going to go under the hammer now. | 0:31:32 | 0:31:34 | |
They are very lovely, aren't they? | 0:31:34 | 0:31:36 | |
I think they're handsome. Not enough for what we want for Christmas. | 0:31:36 | 0:31:40 | |
We want to get something repro. Is there a problem there's only six? | 0:31:40 | 0:31:44 | |
Six is about the basic number you're going to find. | 0:31:44 | 0:31:46 | |
It's a respectable number. | 0:31:46 | 0:31:48 | |
If you wanted eight or 12, the chances of finding exactly the same model again, you can't. | 0:31:48 | 0:31:53 | |
With reproduction chairs, you can get hundreds of the same thing. | 0:31:53 | 0:31:56 | |
We're looking for about ?150. | 0:31:56 | 0:31:58 | |
I don't feel good about these. I don't know why, but... Here we go. | 0:31:58 | 0:32:02 | |
Start me for these at ?200. | 0:32:02 | 0:32:04 | |
210, 220, | 0:32:04 | 0:32:06 | |
230, 240, 250, | 0:32:06 | 0:32:07 | |
260, 270, 280. 290, 300. | 0:32:07 | 0:32:10 | |
?300. | 0:32:10 | 0:32:12 | |
310, 320, 330. | 0:32:12 | 0:32:16 | |
340, 350, 360. That's great! | 0:32:16 | 0:32:19 | |
370, 380. | 0:32:20 | 0:32:24 | |
390. 400? ?390. | 0:32:24 | 0:32:27 | |
That set of chairs at 390. | 0:32:27 | 0:32:30 | |
390, all done. | 0:32:30 | 0:32:32 | |
Whoa! | 0:32:32 | 0:32:34 | |
Twice as much as what we wanted. That's brilliant! | 0:32:34 | 0:32:37 | |
What do I know? Absolutely nothing! | 0:32:37 | 0:32:41 | |
That's brilliant. | 0:32:41 | 0:32:42 | |
'At last, a lot that got the bidders' pulses racing | 0:32:42 | 0:32:46 | |
'and I'm glad I was proved wrong. | 0:32:46 | 0:32:48 | |
'?390 for the chairs is a brilliant result. | 0:32:48 | 0:32:51 | |
'After that success, it's time to tot up our total so far.' | 0:32:51 | 0:32:55 | |
We're halfway through your sale. | 0:32:55 | 0:32:58 | |
Good. Look - he's still full of energy. I love it! | 0:32:58 | 0:33:01 | |
Still optimistic. I know. | 0:33:01 | 0:33:03 | |
And with some reason I might say, actually, | 0:33:03 | 0:33:05 | |
because you're looking for ?800 so you can all go quad biking. Maybe me too, eh? | 0:33:05 | 0:33:10 | |
And some other days out, perhaps. | 0:33:10 | 0:33:12 | |
Well, at this halfway point, you're more than halfway there. | 0:33:12 | 0:33:15 | |
You have made ?511. | 0:33:15 | 0:33:19 | |
Excellent! That's really good. | 0:33:19 | 0:33:21 | |
That's fantastic. It all mounts up. | 0:33:21 | 0:33:23 | |
The chairs did very well. | 0:33:23 | 0:33:24 | |
The other bits and bobs - well, they just ticked along. | 0:33:24 | 0:33:28 | |
?289 to go? | 0:33:28 | 0:33:29 | |
He's quick on his maths! | 0:33:29 | 0:33:32 | |
289 to go, if you're right. I can't do that. | 0:33:32 | 0:33:35 | |
And you've got some very nice items. You've got the Jane Austen to go. | 0:33:35 | 0:33:39 | |
Yeah, that could be the show-stopper. | 0:33:39 | 0:33:41 | |
I don't want to build your hopes up too much, but that is a good piece of memorabilia. | 0:33:41 | 0:33:46 | |
If you get two people who really want that, you have got a chance of it going quite well. | 0:33:46 | 0:33:50 | |
Fingers crossed for that. How are you feeling, missus? | 0:33:50 | 0:33:53 | |
I hope the room doesn't just look blank and think, "Why would I buy this old document?" | 0:33:53 | 0:33:58 | |
I want to see somebody who is excited go for it. | 0:33:58 | 0:34:01 | |
I hope so. Well done so far. | 0:34:01 | 0:34:03 | |
Let's take a little break - I think we've earned it. Come on. | 0:34:03 | 0:34:06 | |
'Paul seems quietly confident about the deeds with the Jane Austen connection, | 0:34:12 | 0:34:16 | |
'so I'm hoping we're in for a great second half. | 0:34:16 | 0:34:18 | |
'If you're planning to buy or sell at auction, | 0:34:18 | 0:34:21 | |
'remember that commission and possible other charges will be added to your bill, | 0:34:21 | 0:34:25 | |
'so make sure you check the details with your local saleroom. | 0:34:25 | 0:34:29 | |
'We've had our well-earned cup of tea and head back to our position | 0:34:29 | 0:34:33 | |
'just as the second half of the sale gets under way. | 0:34:33 | 0:34:36 | |
'There's a new auctioneer on the rostrum and hopefully, | 0:34:36 | 0:34:39 | |
'the success our chairs had mark the start of a lucky streak for us.' | 0:34:39 | 0:34:43 | |
It says here, "Storage house for sultanas, rice and currants." | 0:34:43 | 0:34:47 | |
What can you make with that, eh? | 0:34:47 | 0:34:49 | |
Lashings of ginger beer! | 0:34:49 | 0:34:51 | |
About ?60. OK. | 0:34:51 | 0:34:53 | |
240A, er... ?50? | 0:34:53 | 0:34:56 | |
?30? Only a tenner each, I'm bid, at ?30. | 0:34:56 | 0:34:59 | |
32, 35? | 0:34:59 | 0:35:00 | |
38, 40. 42? | 0:35:00 | 0:35:02 | |
?40, the bid. | 0:35:02 | 0:35:04 | |
?40 we've got. That's a bid at ?40. Are you going to bid me? At ?40. | 0:35:04 | 0:35:08 | |
Do you want ?40? Is that all right? | 0:35:08 | 0:35:09 | |
I'm going to sell at ?40. | 0:35:09 | 0:35:11 | |
?42, new bidder. Selling at 42. HAMMER BANGS | 0:35:11 | 0:35:14 | |
'?42 is a bit below Paul's estimate. | 0:35:14 | 0:35:17 | |
'We really need some stunning results | 0:35:17 | 0:35:20 | |
'if we're going to make that ?800 for the quad biking trip. | 0:35:20 | 0:35:23 | |
'The bidders may not have gone mad over the Cornishware, | 0:35:23 | 0:35:26 | |
'but maybe the Shelley cheese cover will do better.' | 0:35:26 | 0:35:29 | |
I love this item, actually. It's your cheese cover... Cheese dish. | 0:35:29 | 0:35:33 | |
I think it's very elegant, very beautiful. It's very unusual. | 0:35:33 | 0:35:36 | |
I think it's worth at least the ?15. | 0:35:36 | 0:35:38 | |
In fact, I'm talking myself into buying it! | 0:35:38 | 0:35:40 | |
Are you going to bid? | 0:35:40 | 0:35:43 | |
15 quid, yeah? It'd cost you more to fill it, wouldn't it? | 0:35:43 | 0:35:45 | |
Start me at ?10. ?10 for it. | 0:35:45 | 0:35:49 | |
Thank you. Bid at ?10. 12, bid at 12. 15. | 0:35:49 | 0:35:52 | |
18, 20. | 0:35:52 | 0:35:54 | |
22? | 0:35:54 | 0:35:55 | |
At ?20, 22? I'll take 22 at ?20. | 0:35:55 | 0:35:57 | |
That's a bid at ?20, I'm selling it, all done. | 0:35:57 | 0:36:01 | |
There you go. All right. | 0:36:01 | 0:36:04 | |
Very nice. I'm sorry I didn't go for it now. | 0:36:04 | 0:36:08 | |
I'll tell you, we've had cheese, sultanas, rice and currants - I'm starving! | 0:36:08 | 0:36:12 | |
'Keep your mind on the auction, Paul! | 0:36:12 | 0:36:15 | |
'The cheese cover may have fetched more than your lowest estimate, | 0:36:15 | 0:36:18 | |
'but we're still a way off our target. | 0:36:18 | 0:36:20 | |
'The Beswick owl comes up for sale next, with a ?25 to ?30 price tag. | 0:36:20 | 0:36:26 | |
Number 257A now, the Beswick figure of an owl. | 0:36:26 | 0:36:29 | |
257A, the Beswick owl. ?20 for it? ?10 for it. | 0:36:29 | 0:36:32 | |
I am bid at ten. 12, 15, 18. | 0:36:32 | 0:36:35 | |
20, 22, 25. 28. 30? | 0:36:35 | 0:36:39 | |
In the pink at ?28? | 0:36:39 | 0:36:43 | |
Gone for ?28 only. At ?28. | 0:36:43 | 0:36:45 | |
That was a hoot! THEY CHUCKLE | 0:36:45 | 0:36:48 | |
You've been saving that one! | 0:36:48 | 0:36:49 | |
'The jokes never get any better, do they? | 0:36:49 | 0:36:53 | |
'?28 was a good price for the owl, | 0:36:53 | 0:36:55 | |
'but we need our three remaining lots to be real stars of the show if we're going to hit that target. | 0:36:55 | 0:37:00 | |
'After the earlier success with the dining chairs, | 0:37:00 | 0:37:03 | |
'I hope the furniture bidders are as enthusiastic about our next lot.' | 0:37:03 | 0:37:06 | |
It's the mahogany chest of drawers, | 0:37:06 | 0:37:09 | |
which is two short drawers over three long ones. | 0:37:09 | 0:37:12 | |
This is a nice, quality piece of furniture. | 0:37:12 | 0:37:14 | |
Vastly underrated, I think, items like this. | 0:37:14 | 0:37:16 | |
Looking at about ?100, for a nice Victorian chest. | 0:37:16 | 0:37:19 | |
263A, ?100 for it? ?50 for it? | 0:37:19 | 0:37:22 | |
I've a bid at ?50. 55, 60. Five. | 0:37:22 | 0:37:25 | |
70. Five. 80. Five. 90? | 0:37:25 | 0:37:28 | |
No, ?85 bid. | 0:37:28 | 0:37:30 | |
That's about right. | 0:37:30 | 0:37:31 | |
I'll take 90 for it, ?85. Selling at ?85, are we done? | 0:37:31 | 0:37:35 | |
You've got it for 85, I'm selling it. That's really cheap. | 0:37:35 | 0:37:39 | |
'?85 is just under estimate, but the family are still smiling. | 0:37:39 | 0:37:44 | |
'The second half of our sale is going reasonably well. | 0:37:44 | 0:37:47 | |
'Our biggest lot - in both size and value - is next under the hammer.' | 0:37:47 | 0:37:51 | |
Out of all your items, this is the one that stands out for me. | 0:37:51 | 0:37:55 | |
It's that beautiful dining table. | 0:37:55 | 0:37:57 | |
It's got a fantastic finish. | 0:37:57 | 0:37:59 | |
It's got nice, strong, sturdy legs. | 0:37:59 | 0:38:02 | |
An underrated item, this one. We're looking for about ?400. | 0:38:02 | 0:38:05 | |
Let's see how we do. | 0:38:05 | 0:38:07 | |
Victorian mahogany dining table with one extra leaf. Start me at ?300? | 0:38:07 | 0:38:11 | |
I've a bid of ?300. 310, 320, 330. | 0:38:11 | 0:38:15 | |
340, 350, 360. | 0:38:15 | 0:38:19 | |
370, 380, 390? | 0:38:19 | 0:38:22 | |
Are you out? 380, are we done? | 0:38:22 | 0:38:24 | |
That's gone. | 0:38:24 | 0:38:26 | |
Is that all right? Are you happy with that? Close, wasn't it? | 0:38:26 | 0:38:30 | |
'?380 is only just below Paul's estimate | 0:38:30 | 0:38:33 | |
'and though I think Susan hoped it might fetch a bit more, | 0:38:33 | 0:38:36 | |
'it's a big addition to our total. | 0:38:36 | 0:38:39 | |
'It's almost the end of the sale, but we've one last lot to go - | 0:38:39 | 0:38:42 | |
'and it's a really important one.' | 0:38:42 | 0:38:45 | |
It's the turn of that fantastic lease | 0:38:45 | 0:38:47 | |
with the Jane Austen connection - Emma and Mr Darcy. | 0:38:47 | 0:38:51 | |
This really is a fantastic item. | 0:38:51 | 0:38:54 | |
I've noticed we have a couple of phone lines here. | 0:38:54 | 0:38:57 | |
I noticed that. People on the phones. | 0:38:57 | 0:38:59 | |
I'm just hoping it's for us. I hope it's for our lot. | 0:38:59 | 0:39:02 | |
This really is a fantastic thing. We put a reserve of ?100, OK? | 0:39:02 | 0:39:06 | |
Let's see how we get on. | 0:39:06 | 0:39:08 | |
It could do anything, couldn't it? Are you connected on the phone? | 0:39:08 | 0:39:11 | |
Tony's on the phone. Telephone bidder with this. | 0:39:11 | 0:39:13 | |
It's been confirmed as relatives of Jane Austen. | 0:39:13 | 0:39:17 | |
What's it worth? ?50, here it goes. | 0:39:17 | 0:39:18 | |
I am bid, 50. 55, 60, 65. | 0:39:18 | 0:39:22 | |
70. Five? | 0:39:22 | 0:39:23 | |
80. Five? | 0:39:23 | 0:39:26 | |
90. Five? 100, 110. | 0:39:26 | 0:39:28 | |
120, 130, | 0:39:28 | 0:39:30 | |
140, 150? | 0:39:30 | 0:39:33 | |
160? 150 is bid. Take 160. You're looking down. | 0:39:33 | 0:39:36 | |
Going for 150? Last chance. | 0:39:36 | 0:39:39 | |
And gone. There you go. | 0:39:39 | 0:39:41 | |
Is that good? Yeah. Lovely! | 0:39:41 | 0:39:43 | |
That's really good. | 0:39:43 | 0:39:45 | |
It's got a new home and we've got ?150 coming our way. | 0:39:45 | 0:39:47 | |
Yeah! Well done. That's great. That's a result, isn't it? | 0:39:47 | 0:39:52 | |
'?150 is a fantastic result for the deeds. | 0:39:52 | 0:39:56 | |
'Our family can't stop smiling. | 0:39:56 | 0:39:58 | |
'Jane Austen really did us proud. | 0:39:58 | 0:40:01 | |
'We've had some great sales today, | 0:40:01 | 0:40:03 | |
'but a couple of unsold lots as well. | 0:40:03 | 0:40:05 | |
'Let's find out what it all adds up to.' | 0:40:05 | 0:40:08 | |
We've had fun today, haven't we? It's been a right giggle. | 0:40:08 | 0:40:11 | |
And you've made some money. How much did you want? ?800. | 0:40:11 | 0:40:14 | |
Do you think you've made 800? | 0:40:14 | 0:40:17 | |
I think so. I've lost count a little. I'm quietly optimistic. | 0:40:17 | 0:40:20 | |
Quietly optimistic? Well, I think it's been a pretty good sale. | 0:40:20 | 0:40:23 | |
I have to tell you, at the end of the day, | 0:40:23 | 0:40:25 | |
you made well over your target. You wanted ?800. | 0:40:25 | 0:40:29 | |
I have to say, you have made ?1,216. | 0:40:29 | 0:40:33 | |
Brilliant. That's fantastic. That's what we wanted, really. | 0:40:33 | 0:40:36 | |
We said 800 but we wanted 1,000. That's wonderful. | 0:40:36 | 0:40:39 | |
I hope you have many happy days painting and you enjoy your time out. | 0:40:40 | 0:40:44 | |
Good luck with the quad biking. | 0:40:44 | 0:40:46 | |
It's been two weeks since the Jones family raised a fantastic ?1,216 at auction. | 0:40:51 | 0:40:56 | |
Today's the day for a well-earned break from the business and that trip to the quad biking track. | 0:40:56 | 0:41:02 | |
If you'd like to come over with me, we'll get you some overalls | 0:41:02 | 0:41:05 | |
and helmets and we'll make a start. Come on over. | 0:41:05 | 0:41:08 | |
If I take you through step-by-step, if there's anything you're not sure about, please ask. | 0:41:08 | 0:41:13 | |
After donning the not so glamorous overalls and listening to a safety briefing with the instructor, | 0:41:13 | 0:41:18 | |
it's time to jump on the bikes. | 0:41:18 | 0:41:20 | |
There's some healthy competition on the starting grid as they wait for the green light. | 0:41:23 | 0:41:28 | |
OK, it wasn't quite a Grand Prix start, but our fearless family soon get the hang of it. | 0:41:30 | 0:41:36 | |
The best bits were the lumpy bits where you go up and down and lose control a bit. That was quite cool! | 0:41:43 | 0:41:48 | |
That was my favourite bit, as well. | 0:41:48 | 0:41:50 | |
And the corners where it's higher on one side, so you're sort of tilted. That was quite cool. | 0:41:50 | 0:41:54 | |
Really scary at first, though. | 0:41:54 | 0:41:56 | |
It's more fun when you go round the second time. You know what you're going into. | 0:41:56 | 0:42:00 | |
You're not in fear of there being a sheer drop. Obviously there isn't! | 0:42:00 | 0:42:04 | |
Second time round, you can get a bit braver with the controls. | 0:42:04 | 0:42:08 | |
A great family afternoon out. Brilliant. It's what we wanted. | 0:42:12 | 0:42:16 | |
Subtitles by Red Bee Media Ltd | 0:42:31 | 0:42:34 |