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Hello. Welcome to Cash In The Attic, the show that helps you find hidden treasures in your home | 0:00:02 | 0:00:06 | |
and then sells them for you at auction. | 0:00:06 | 0:00:09 | |
I'm on the outskirts of Guildford today, | 0:00:09 | 0:00:11 | |
where this beautiful Elizabethan mansion house | 0:00:11 | 0:00:14 | |
has been the home to the More-Molyneux family for more than 500 years. | 0:00:14 | 0:00:18 | |
When the house was built, Elizabeth I was a regular, and very demanding, visitor. | 0:00:18 | 0:00:22 | |
More recently, it's been home to a set of more placid inhabitants | 0:00:22 | 0:00:26 | |
in the form of a herd of Jersey cows | 0:00:26 | 0:00:28 | |
who supply the world with the famous Loseley Park ice cream. | 0:00:28 | 0:00:32 | |
Sadly, it's not made here any more. | 0:00:32 | 0:00:34 | |
Used as a venue for weddings, films and rock concerts, | 0:00:34 | 0:00:38 | |
this is a house that really earns its keep. | 0:00:38 | 0:00:41 | |
But we're going to visit somewhere a little bit smaller, and hope to raise some funds too. | 0:00:41 | 0:00:46 | |
I'm in the lovely Surrey countryside | 0:01:06 | 0:01:08 | |
to visit a couple who are into fly-fishing, horses and antiques | 0:01:08 | 0:01:11 | |
and are hoping Cash In The Attic will be able to fund | 0:01:11 | 0:01:14 | |
a truly scrumptious day out in town. | 0:01:14 | 0:01:17 | |
'Coming up on today's Cash In The Attic... | 0:01:18 | 0:01:20 | |
'Has our expert, Paul, stumbled across an important find?' | 0:01:20 | 0:01:24 | |
We tried to sell it at a car-boot sale. We tried to get 50p for it. | 0:01:24 | 0:01:28 | |
You are lucky you didn't sell it for that price. | 0:01:28 | 0:01:30 | |
'Does true love always follow an easy path?' | 0:01:30 | 0:01:34 | |
I set a rule that we weren't allowed to have relationships with the staff, so I sacked her. | 0:01:34 | 0:01:39 | |
-So you could go out with her? -So I could go out with her. | 0:01:39 | 0:01:43 | |
'And when we get to auction, it's a roller coaster ride of ups...' | 0:01:43 | 0:01:47 | |
THEY CHUCKLE | 0:01:47 | 0:01:48 | |
'..and downs.' | 0:01:48 | 0:01:50 | |
-At least it's sold. -Yeah, it's disappointing though, isn't it? | 0:01:50 | 0:01:54 | |
'Find out more when today's collectables go under the hammer.' | 0:01:54 | 0:01:57 | |
'Matthew and Nicola Foxton-Duffy have been together for over ten years. | 0:02:00 | 0:02:06 | |
'Nicola's an estate agent, while Matthew runs his own hospitality business. | 0:02:06 | 0:02:11 | |
'But when they're not working, they like to indulge themselves in the sweetest ways. | 0:02:11 | 0:02:16 | |
'They've called in the Cash In The Attic team to raise the funds for their latest treat.' | 0:02:16 | 0:02:23 | |
It's this one. | 0:02:23 | 0:02:25 | |
-Ah, just in time, mate. -Ah! Mr Hayes, you made me a cup of tea. | 0:02:25 | 0:02:28 | |
-How good's that? -Welcome home. -Are they Earl Greys? -No, they're ours. | 0:02:28 | 0:02:32 | |
Who's Earl Grey? Is he here? | 0:02:32 | 0:02:34 | |
Isn't it great here? You can hear the bird song and everything! | 0:02:34 | 0:02:38 | |
Ten minutes ago, there was horses going past here, exercising. | 0:02:38 | 0:02:41 | |
-The family's quite horsey today, isn't it? -Definitely - there are lots of horses in there. | 0:02:41 | 0:02:45 | |
-Have you had a look around? -Yes, I'll show you. | 0:02:45 | 0:02:47 | |
-Hello, guys. -Hi. | 0:02:47 | 0:02:49 | |
Matthew, Nicola. Ooh, that's nice - are we selling that? | 0:02:49 | 0:02:52 | |
We're discussing but I don't think so. | 0:02:52 | 0:02:55 | |
Why've you called Cash In The Attic to your house today? | 0:02:55 | 0:02:58 | |
We're going to do a chocolate-tasting day up in London | 0:02:58 | 0:03:02 | |
and have a day out in London and make some chocolates. | 0:03:02 | 0:03:05 | |
-Chocolate-making? -Yeah. -Wow! That rocks. | 0:03:05 | 0:03:09 | |
-How much does that cost? How much are we trying to raise? -About £800. | 0:03:09 | 0:03:12 | |
£800's worth of chocolate?! | 0:03:12 | 0:03:15 | |
With a little bit left over. | 0:03:15 | 0:03:16 | |
There's a lot of chocolate going in there. Watch your cholesterol level! | 0:03:16 | 0:03:20 | |
-We might have a little bit left over for renovations on the house. -Oh, right. OK. | 0:03:20 | 0:03:24 | |
-That's boring. -Yeah, right. | 0:03:24 | 0:03:26 | |
-Let's say you're going to spend £800 on chocolate. -Yay! | 0:03:26 | 0:03:30 | |
-I notice Paul's already been in here, so let's find him and we can start valuing. -All right. | 0:03:30 | 0:03:36 | |
'So, with £800 worth of antiques and collectables to track down, our rummage gets under way. | 0:03:37 | 0:03:42 | |
'Top of our list of things to find is Paul. | 0:03:42 | 0:03:45 | |
'After two decades in the business, there's not much that gets past the expert eye of Paul Hayes. | 0:03:47 | 0:03:53 | |
'Perfect form is one thing that never escapes his attention.' | 0:03:53 | 0:03:56 | |
Hello. How are you, all right? Hello. | 0:03:59 | 0:04:01 | |
-Hi, Paul. What have you found? -Exactly! | 0:04:01 | 0:04:04 | |
I leave you alone for ten seconds and you come up with a bit of naughtiness. | 0:04:04 | 0:04:09 | |
Two naked ladies in your dining room. There we are. There's a joke there somewhere! | 0:04:09 | 0:04:13 | |
It's a very striking piece - where's it from? | 0:04:13 | 0:04:16 | |
It comes from Cornwall. | 0:04:16 | 0:04:18 | |
It's made by an artist called John Mulvey, | 0:04:18 | 0:04:21 | |
who sold it to my grandparents in 1973. | 0:04:21 | 0:04:24 | |
I used to polish it as a child and earned my pocket money doing that, | 0:04:24 | 0:04:28 | |
as did everybody else. So it's been there ever since. | 0:04:28 | 0:04:31 | |
You know what? These sort of sculptures now - | 0:04:31 | 0:04:34 | |
there was a time they were terribly old-fashioned - things from the 1970s were definitely a no-go area. | 0:04:34 | 0:04:39 | |
Now it's very trendy, all this '70s memorabilia. | 0:04:39 | 0:04:43 | |
More important, this comes under contemporary art - anything that's really post-war - | 0:04:43 | 0:04:48 | |
and there were lots of sculptors and painters that were working in the '60s and '70s now, | 0:04:48 | 0:04:52 | |
which really do have cult status. | 0:04:52 | 0:04:55 | |
-Francis Bacon, Banksy, actually. Have you heard of the artist Banksy? -Yes. -He's having a great time. | 0:04:55 | 0:05:00 | |
Nobody knows who he is - he's a secretive character - | 0:05:00 | 0:05:03 | |
and he does these fantastic murals. They sell for thousands of pounds. | 0:05:03 | 0:05:06 | |
As regards John Mulvey, I believe he's a Cornish artist, you know. | 0:05:06 | 0:05:11 | |
There is little known about him and I think what will happen | 0:05:11 | 0:05:14 | |
is that when he does pass on, we'll realise how great he was. | 0:05:14 | 0:05:16 | |
That's Paul - he's so diplomatic. "He's not a Picasso...yet!" | 0:05:16 | 0:05:20 | |
Yeah, but you never know, you know. | 0:05:20 | 0:05:22 | |
-How much is our not-yet-Picasso worth? -Would it have been expensive at the time? | 0:05:22 | 0:05:26 | |
It would have been - my grandfather would have had to | 0:05:26 | 0:05:29 | |
satisfy my grandmother by buying something | 0:05:29 | 0:05:31 | |
for a fair bit of money and so, yes, I think they would have paid quite a lot for it. | 0:05:31 | 0:05:35 | |
We've got a nice piece of modern art. | 0:05:35 | 0:05:38 | |
It's well done, it's well polished. | 0:05:38 | 0:05:40 | |
It's a good artist. I think that's a great item. | 0:05:40 | 0:05:44 | |
The only difficult thing is you can't compare it with anything. | 0:05:44 | 0:05:47 | |
There isn't another that's turned up of his work. | 0:05:47 | 0:05:49 | |
But I would imagine you're looking around the £500 mark upwards - | 0:05:49 | 0:05:53 | |
and it could be anywhere upwards. | 0:05:53 | 0:05:55 | |
I've been cleaning it all my life and my brothers and sisters have cleaned it as well. | 0:05:55 | 0:06:00 | |
It's just been there, so I... | 0:06:00 | 0:06:03 | |
I'm not sure. We'll have to see. | 0:06:03 | 0:06:06 | |
That's fine. If you can't part with it, | 0:06:06 | 0:06:07 | |
or you want to have a think about it, we don't want to put pressure on you, | 0:06:07 | 0:06:11 | |
but right now you do have to show us something we can sell for definite. | 0:06:11 | 0:06:14 | |
-So, let's keep on hunting. -OK. -OK. -After you. | 0:06:14 | 0:06:18 | |
Personally, I wouldn't mind seeing the statue leave, | 0:06:18 | 0:06:22 | |
but I do understand Matthew's connections with it. | 0:06:22 | 0:06:26 | |
If he chooses to keep it, that's fine with me. | 0:06:26 | 0:06:29 | |
'So with some uncertainty over whether or not | 0:06:29 | 0:06:32 | |
'Matthew will be prepared to part with our bronze ladies, we crack on with our rummage.' | 0:06:32 | 0:06:36 | |
'The hunt is on for anything that could steal the show when we get to auction.' | 0:06:36 | 0:06:40 | |
Paul, have a look what I've got. | 0:06:40 | 0:06:43 | |
Let's have a look. | 0:06:43 | 0:06:45 | |
What you found - anything good? | 0:06:45 | 0:06:47 | |
It's a T-shirt from Robbie Williams. | 0:06:47 | 0:06:50 | |
Robbie Williams wore it at a concert. | 0:06:50 | 0:06:52 | |
No! Really? Well, that's fantastic. Has he signed it? | 0:06:52 | 0:06:55 | |
He has. "Love Robbie," it says here. | 0:06:55 | 0:06:57 | |
-How'd you manage to get hold of that? -After the concert, Robbie was backstage | 0:06:57 | 0:07:02 | |
and I went backstage and said, "Great concert. Thank you very much, | 0:07:02 | 0:07:06 | |
"and can I have your T-shirt?" He was sort of like "Oh, well..." | 0:07:06 | 0:07:09 | |
I said, "I'll donate £100 to the Princess Diana fund," at the time. | 0:07:09 | 0:07:12 | |
He took it off and I said, "Can you sign it?" | 0:07:12 | 0:07:15 | |
I got him to sign it and it's been sat in the bag ever since. | 0:07:15 | 0:07:20 | |
That's a really collectable item. | 0:07:20 | 0:07:22 | |
It says here "Robbie Williams, Life Thru A Lens." | 0:07:22 | 0:07:25 | |
That's his first solo album, isn't it? | 0:07:25 | 0:07:27 | |
It was his first live gig he did as a solo artist | 0:07:27 | 0:07:30 | |
after splitting up with the band - to the public, anyway. | 0:07:30 | 0:07:34 | |
It was a great concert - really, really good concert. | 0:07:34 | 0:07:38 | |
What was he like - was he a nice guy? Did he have any special requests? | 0:07:38 | 0:07:41 | |
No, he didn't have any special requests. He was quite quiet. | 0:07:41 | 0:07:44 | |
He just got on with what he had to do, really. | 0:07:44 | 0:07:47 | |
At the end of the night, he had a drink in the bar and didn't have anything special - | 0:07:47 | 0:07:50 | |
no blue Smarties or anything like that. It was a very easy concert, really. | 0:07:50 | 0:07:56 | |
Have you anything to prove that you were there? You need what they call provenance. | 0:07:56 | 0:08:00 | |
We've got the contract from the night that was there | 0:08:00 | 0:08:03 | |
and a few other bits and pieces and some of the promotional material, | 0:08:03 | 0:08:07 | |
so we've got a few bits and pieces to go with it. | 0:08:07 | 0:08:09 | |
The more information you've got that proves that this was the T-shirt, the better. | 0:08:09 | 0:08:14 | |
Then we can talk again, but I think for the sake of our target today, | 0:08:14 | 0:08:19 | |
if I said at least £100 and we'll put it into the auction. | 0:08:19 | 0:08:23 | |
If you can get two Robbie Williams fans there, then who knows? | 0:08:23 | 0:08:26 | |
-Great, I'd be very pleased with that. -Great! Music to my ears. -Yeah! | 0:08:26 | 0:08:30 | |
Let's keep looking. | 0:08:30 | 0:08:32 | |
'After a hesitant start, | 0:08:32 | 0:08:33 | |
'our chocolate fund is up and running, thanks to a piece of music memorabilia.' | 0:08:33 | 0:08:39 | |
It would be nice if it would make more. | 0:08:39 | 0:08:43 | |
If you get a fan in the auction room, it might go for a lot more. | 0:08:43 | 0:08:48 | |
'As Matthew rightly says, anything can happen at auction, | 0:08:48 | 0:08:51 | |
'so we need to search for as many items as possible to tempt the bidders. | 0:08:51 | 0:08:55 | |
'Not to be outdone by her husband, Nicola's eyeing up her first find of the day. | 0:08:56 | 0:09:01 | |
'Paul thinks this pair of French leather-bound racing binoculars | 0:09:01 | 0:09:05 | |
'could see our total grow by another £15 to £20.' | 0:09:05 | 0:09:09 | |
Ah, what a great little garden. | 0:09:11 | 0:09:12 | |
-Yeah. -So each of the cottages have their own little strip of garden? | 0:09:12 | 0:09:16 | |
Yeah, and this guy's got chickens on this side. It's very nice. | 0:09:16 | 0:09:20 | |
-How long have you and Nicola been living here? -About four years. | 0:09:20 | 0:09:23 | |
-Did you grow up in the countryside? Are you a country boy? -Very much so. | 0:09:23 | 0:09:27 | |
I was born in Salisbury and lived there all my life until I had to come up to London. | 0:09:27 | 0:09:31 | |
-Is that where the horses and the fishing comes from? -Oh, yes, very much so. | 0:09:31 | 0:09:35 | |
The horses there are my father's horses | 0:09:35 | 0:09:37 | |
and there's some very nice rivers around there as well. | 0:09:37 | 0:09:40 | |
-It's a lovely part of the world. -True enough. | 0:09:40 | 0:09:42 | |
And do any of your family ride? | 0:09:42 | 0:09:45 | |
My father did - he was a jockey. I used to ride. | 0:09:45 | 0:09:48 | |
I haven't ridden for some time. | 0:09:48 | 0:09:50 | |
I had a bit of an accident | 0:09:50 | 0:09:51 | |
and just get a bit scared of getting back on a horse. | 0:09:51 | 0:09:54 | |
It doesn't help having a grandfather who's a bookmaker as well. | 0:09:54 | 0:09:57 | |
-Your grandfather was a bookie? -Yes. | 0:09:57 | 0:10:00 | |
So you really grew up in the whole racing world? | 0:10:00 | 0:10:02 | |
Everywhere you look, racing. | 0:10:02 | 0:10:04 | |
Seems like we're selling a lot of heirlooms from your family. | 0:10:04 | 0:10:07 | |
Is that because you feel you don't see enough of Nicola? | 0:10:07 | 0:10:10 | |
Is there a guilty conscience there? | 0:10:10 | 0:10:13 | |
I'm away a lot with work and Nicola sometimes works at the weekends, | 0:10:13 | 0:10:18 | |
so when we get time together, we like to do something special. | 0:10:18 | 0:10:21 | |
We're going up to London and just enjoy a day out together. | 0:10:21 | 0:10:26 | |
We don't get a lot of quality time and it's just nice to do. | 0:10:26 | 0:10:29 | |
-How did you and Nicola meet? -I built a venue in Woking | 0:10:29 | 0:10:33 | |
and we needed some staff. | 0:10:33 | 0:10:36 | |
I sent my brother out to go and get some staff | 0:10:36 | 0:10:40 | |
and he went round the petrol station and brought back Nicola. | 0:10:40 | 0:10:43 | |
Then we had a rule that I wasn't... | 0:10:43 | 0:10:46 | |
Well, I set a rule that we weren't allowed to have | 0:10:46 | 0:10:49 | |
relationships with the staff, so I sacked her. | 0:10:49 | 0:10:52 | |
So you could go out with her? | 0:10:52 | 0:10:54 | |
So I could go out with her. | 0:10:54 | 0:10:55 | |
That's fantastic! | 0:10:55 | 0:10:57 | |
And then, eight years later, we got married. | 0:10:57 | 0:10:59 | |
-She forgave you, then? -She did, but she reminds me frequently. | 0:10:59 | 0:11:04 | |
Very good. I totally admire you for spending the best part of £800 on chocolate - it's wonderful. | 0:11:04 | 0:11:09 | |
-We should go and find some stuff to sell. -OK. | 0:11:09 | 0:11:11 | |
'If Matthew was prepared to sack Nicola just to ask her out, | 0:11:11 | 0:11:15 | |
'I'm sure he'll have the determination to see us hit our target here today. | 0:11:15 | 0:11:19 | |
'Although with a luxurious day of chocolate and champagne-tasting on the line, | 0:11:20 | 0:11:25 | |
'it's hardly surprising that Nicola's keen to add to the pot.' | 0:11:25 | 0:11:28 | |
Paul, come and have a look at this. | 0:11:28 | 0:11:31 | |
He's a cracker, isn't he? Look at that! | 0:11:31 | 0:11:34 | |
He's Max. He's been up in the attic now for four years, | 0:11:34 | 0:11:38 | |
but we've had him for ten. | 0:11:38 | 0:11:40 | |
-Right. -Unfortunately, he just doesn't fit here. | 0:11:40 | 0:11:44 | |
About ten years ago, they used to do lots of reproduction bronzes - | 0:11:44 | 0:11:48 | |
it was very trendy. That's obviously when you bought it. | 0:11:48 | 0:11:52 | |
What you would do, you'd buy an original bronze and take a cast from it. | 0:11:52 | 0:11:56 | |
Of course, an original antique one like this would cost a fortune, | 0:11:56 | 0:12:00 | |
but it was quite cost-effective cos the end result is very similar, but could be sold a lot cheaper. | 0:12:00 | 0:12:05 | |
What's happened with lots of these bronze items | 0:12:05 | 0:12:09 | |
is that they are starting to reproduce them. | 0:12:09 | 0:12:11 | |
They'll take an old mould or an old feel of an item and remake it. | 0:12:11 | 0:12:16 | |
-It doesn't have the same demand as the original antique does. -Yes. | 0:12:16 | 0:12:21 | |
An antique bronze this size would be in a museum and would be priceless. | 0:12:21 | 0:12:24 | |
-Yes. -The way that bronzes are valued are on the artist. | 0:12:24 | 0:12:28 | |
The biggest animal artist who worked in bronze was a guy called Pierre Jules Mene. | 0:12:28 | 0:12:33 | |
His bronzes are worth a fortune. It's definitely not one of those. | 0:12:33 | 0:12:36 | |
But also, you get a patina | 0:12:36 | 0:12:38 | |
and that's a natural build-up of age, dirt and grease | 0:12:38 | 0:12:43 | |
and what tends to happen, you get a wonderful warm glow with the item | 0:12:43 | 0:12:47 | |
-which builds up over time and that hasn't got that. -Sure. | 0:12:47 | 0:12:50 | |
So what you've got is a great modern sculpture. | 0:12:50 | 0:12:53 | |
He must have become one of the family. Is he sentimental to you? | 0:12:53 | 0:12:56 | |
He's been up in the attic for four years, and you bring him back down again | 0:12:56 | 0:13:01 | |
and the memories come back. You fall in love with him all over again. | 0:13:01 | 0:13:05 | |
In fact, a little funny story - | 0:13:05 | 0:13:07 | |
I used to, whenever Matthew rang and said he was going to be late | 0:13:07 | 0:13:11 | |
or miss his dinner, | 0:13:11 | 0:13:13 | |
I would make sure that his dinner was sitting right there | 0:13:13 | 0:13:17 | |
-when he got home. -That's the saying, isn't it? "Dinner's in the dog". | 0:13:17 | 0:13:21 | |
-Absolutely. -Well, it sounds like he's had a great life, actually. | 0:13:21 | 0:13:25 | |
Yeah. We will be very sad to see him go. | 0:13:25 | 0:13:27 | |
So, what you've got, then, is a reproduction bronze. | 0:13:27 | 0:13:30 | |
You've got lots of dog lovers. I mean, it's got the great subject, | 0:13:30 | 0:13:33 | |
so I think you could do quite well, actually. | 0:13:33 | 0:13:35 | |
But if I was being realistic... | 0:13:35 | 0:13:38 | |
-If I said £150, maybe £200? -That sounds great - I'm pleased with that. -All right. | 0:13:38 | 0:13:44 | |
Well, he's come from a good home. Let's try and find him another one. | 0:13:44 | 0:13:47 | |
-Great. Let's keep looking. -Great. | 0:13:47 | 0:13:50 | |
Max has been sitting up in the loft, | 0:13:50 | 0:13:52 | |
so that's £150 towards all that chocolate, so that's great. | 0:13:52 | 0:13:57 | |
'So, Max could well prove to be the cash that WAS in the attic. | 0:13:57 | 0:14:01 | |
'But to be sure of hitting the £800 mark, | 0:14:01 | 0:14:03 | |
'we've got a long way to go yet. | 0:14:03 | 0:14:05 | |
'Fortunately, though, there are plenty of things left for us to choose from. | 0:14:05 | 0:14:09 | |
'These two pieces of Sylvac pottery will be making the trip to auction | 0:14:11 | 0:14:15 | |
'with an estimated price tag of £20-£30. | 0:14:15 | 0:14:19 | |
'While Nicola tackles the bedrooms, our expert casts his eye | 0:14:21 | 0:14:24 | |
'over one of the many racing collectables that has been passed down to Matthew.' | 0:14:24 | 0:14:29 | |
-Hi, Paul. Look what we've found. -Hello! | 0:14:29 | 0:14:31 | |
Look at that. Anyone for tennis? | 0:14:31 | 0:14:33 | |
Yes. It's fresh catch that we've found. | 0:14:33 | 0:14:36 | |
-Look at that. These are fishing rods. So who's the fisherman, then? -It's me. -Oh, right. | 0:14:36 | 0:14:41 | |
Wow! These are great, aren't they? | 0:14:41 | 0:14:43 | |
Are they any particular maker, do you know? | 0:14:43 | 0:14:45 | |
-This one's a Hardy. -Yes. -Is that a Hardy as well? It says on the box. Let's have a look. | 0:14:45 | 0:14:49 | |
-Yes, it's a Hardy. -House of Hardy, yes, there we go. Gosh! | 0:14:49 | 0:14:52 | |
Now, Hardy's - it's almost like the Rolls-Royce. | 0:14:52 | 0:14:55 | |
There are a few makers in the fishing world that people look for | 0:14:55 | 0:14:58 | |
and Hardy's definitely one of them. | 0:14:58 | 0:15:00 | |
And they tended to make things really for the gentry, so their items are quite expensive. | 0:15:00 | 0:15:04 | |
And what happened of course, one of the gentleman's favourite sports | 0:15:04 | 0:15:08 | |
became fishing, so they moved into the fishing world, | 0:15:08 | 0:15:10 | |
so they made these wonderful, top-quality items | 0:15:10 | 0:15:13 | |
and they actually came up with a reel called the "Perfect". | 0:15:13 | 0:15:17 | |
That was first produced the late 19th century and it's still in production today, it's that good. | 0:15:17 | 0:15:21 | |
It's thought to be the best reel you could have if you're a keen fisherman. There y'are. | 0:15:21 | 0:15:25 | |
-I'm not sure about this net. Is that Hardy as well, or...? -No. -The net's great, isn't it? | 0:15:25 | 0:15:29 | |
Attractive - it's like bamboo. | 0:15:29 | 0:15:31 | |
If you just look at the quality, | 0:15:31 | 0:15:33 | |
you've got brass fittings, you've got a bamboo shaft. | 0:15:33 | 0:15:36 | |
A good clear name on the bottom there, and that's what people go for, really. | 0:15:36 | 0:15:39 | |
-So these we can sell? -Yes. -Right. How much is it going to be worth? | 0:15:39 | 0:15:43 | |
I'm afraid the auction game's like fishing - you never really know what you're going to get. | 0:15:43 | 0:15:47 | |
But there are definitely serious collectors for these and you have got named examples. | 0:15:47 | 0:15:52 | |
So I think if I was being conservative here, | 0:15:52 | 0:15:55 | |
I'd like to say £100-£150 | 0:15:55 | 0:15:58 | |
but I'd expect them to bring a bit more if you get the right collector at the auction. | 0:15:58 | 0:16:02 | |
-Is that good? -Yes. -Happy for that? -Very happy. | 0:16:02 | 0:16:04 | |
-Excellent. -So, we've netted £100 - ba-tish! - and time to press on. | 0:16:04 | 0:16:09 | |
Excellent, OK. | 0:16:09 | 0:16:10 | |
The Hardy rods, I would love to have been more. | 0:16:10 | 0:16:13 | |
That's just the way life is. | 0:16:13 | 0:16:15 | |
I've used them, so it would be nice if someone buys them and uses them as well. | 0:16:15 | 0:16:19 | |
'Still hard at work, Nicola steps up our total by another gear | 0:16:19 | 0:16:23 | |
'when she finds this assortment of vintage car badges. | 0:16:23 | 0:16:27 | |
'Popular with collectors at auction, | 0:16:27 | 0:16:30 | |
'Paul thinks they could add another £40 to £50 to our total. | 0:16:30 | 0:16:33 | |
'It might not be the largest of homes, | 0:16:33 | 0:16:36 | |
'but there's definitely no shortage of places for us to look. | 0:16:36 | 0:16:39 | |
'With the boys busy hunting for more antiques and collectables to take to auction, | 0:16:39 | 0:16:43 | |
'I can't resist finding out a little bit more about how Nicola and Matthew got together.' | 0:16:43 | 0:16:49 | |
Nicola, I have to run this story past you cos it's so priceless, | 0:16:51 | 0:16:54 | |
but I want to hear your side of it. | 0:16:54 | 0:16:56 | |
Is it true that Matthew fired you in order to marry you? | 0:16:56 | 0:17:00 | |
Yes, yes, it is. | 0:17:00 | 0:17:02 | |
We went on a date up to London and at the end, he asked for a kiss and | 0:17:02 | 0:17:07 | |
I was quite clear in saying, "You were the one who mentioned 'Don't mix business with pleasure'." | 0:17:07 | 0:17:12 | |
So when I met him the next day, he referred back to that and said, | 0:17:12 | 0:17:18 | |
"Due to your comment last night, you're sacked." | 0:17:18 | 0:17:22 | |
That's just the best story. | 0:17:22 | 0:17:23 | |
-It's so fantastic. -So... | 0:17:23 | 0:17:26 | |
Was it a fair swap? | 0:17:26 | 0:17:28 | |
-Do you fancy your bar job back? -No. | 0:17:28 | 0:17:32 | |
Now, the house is full of Matthew's heirlooms and we've talked a lot about his things - | 0:17:32 | 0:17:37 | |
his riding and his fishing. What are your passions? | 0:17:37 | 0:17:41 | |
What are the things that drive you? | 0:17:41 | 0:17:42 | |
For me, it's about getting a space together. | 0:17:42 | 0:17:45 | |
So, all of his things, as much as they've come from his family, | 0:17:45 | 0:17:50 | |
to me, it's a good challenge - to be able to put them into one space, and make that space really work. | 0:17:50 | 0:17:56 | |
If you had a clean slate, how would you do the house? | 0:17:56 | 0:17:59 | |
I think that if it's a period property, | 0:17:59 | 0:18:03 | |
it needs to reflect that with the furniture within it. | 0:18:03 | 0:18:07 | |
I don't appreciate contemporary furnishings within a period space. | 0:18:07 | 0:18:12 | |
Talking about the house, it's a beautiful little cottage. | 0:18:12 | 0:18:15 | |
What sort of work are you thinking of doing? | 0:18:15 | 0:18:18 | |
You're not going to spend all the money on the chocolate, so what will the leftovers go to? | 0:18:18 | 0:18:23 | |
Sure. Well, unfortunately, it's very boring but necessary. | 0:18:23 | 0:18:27 | |
The roof at the back here does need replacing. | 0:18:27 | 0:18:30 | |
-So that's where it would go. -It's a lovely property and it would be nice | 0:18:30 | 0:18:34 | |
-to have a bit of money over to do those outstanding bits of repair. -Absolutely. | 0:18:34 | 0:18:38 | |
-But we're not going to have anything unless we actually go and find some items, so... -That's true. | 0:18:38 | 0:18:44 | |
'Our £800 target is still some way off, | 0:18:44 | 0:18:47 | |
'so we get straight back to work. | 0:18:47 | 0:18:49 | |
'With the boys now scouring the bedrooms, it isn't long before we find something else. | 0:18:49 | 0:18:54 | |
'This large, gilt-framed mirror was originally bought by Matthew's grandmother, | 0:18:54 | 0:18:59 | |
'but now is off to auction, where Paul thinks it should sell for at least £50. | 0:18:59 | 0:19:04 | |
'With a few hundred pounds' worth of items still to find, | 0:19:06 | 0:19:09 | |
'we're all rummaging hard. | 0:19:09 | 0:19:11 | |
'However, it's our expert who's next to find something | 0:19:11 | 0:19:14 | |
'that could tip things in our favour.' | 0:19:14 | 0:19:16 | |
Matthew? | 0:19:16 | 0:19:18 | |
Now, are you all right, mate? What is going on with all these horses? | 0:19:19 | 0:19:23 | |
There's loads of them! | 0:19:23 | 0:19:24 | |
It's better than most of my dad's horses - it goes a lot faster! | 0:19:24 | 0:19:27 | |
Really? Your dad breeds them or is he a racing...? | 0:19:27 | 0:19:31 | |
Yeah, he breeds and he has a few racehorses. | 0:19:31 | 0:19:33 | |
Oh, right. And this is obviously a toy horse. | 0:19:33 | 0:19:37 | |
When these rocking horses first came out, they were big enough to hold an adult. | 0:19:37 | 0:19:41 | |
And they were to train people swordsmanship and to ride, and the elegance of riding and so on. | 0:19:41 | 0:19:46 | |
But by the Victorian times, really, they became a thing you'd find | 0:19:46 | 0:19:50 | |
in a child's nursery. And that, again, was very important. It taught them how to be on a horse. | 0:19:50 | 0:19:54 | |
It was the time before cars and vehicles, so it was part of their education, really. | 0:19:54 | 0:19:58 | |
But more and more now, they've just become a plaything. | 0:19:58 | 0:20:00 | |
You do often find them in children's bedrooms. | 0:20:00 | 0:20:02 | |
Where it's all sort of gone on the sides and all that, is that a problem or is it just part of it? | 0:20:02 | 0:20:07 | |
Well, to be honest, I quite like that and I tell you why. | 0:20:07 | 0:20:10 | |
People that tend to buy items like this, it's perfect for a doll or a teddy bear. | 0:20:10 | 0:20:15 | |
-Right. -And you get lots of people interested in old toys. | 0:20:15 | 0:20:17 | |
You can see an old teddy bear on the back of that. | 0:20:17 | 0:20:20 | |
It's a great showpiece and it adds a bit of character, adds a bit of age to it. | 0:20:20 | 0:20:24 | |
I think that's actually a good sign. Value-wise, | 0:20:24 | 0:20:27 | |
I think you're looking at £40-£60, that sort of price. | 0:20:27 | 0:20:30 | |
I'd be delighted with that. I'd be very, very happy with that. | 0:20:30 | 0:20:34 | |
-OK. Well, that's definitely going to auction. Let's keep looking, eh? -Good. -OK, let's take it with us. | 0:20:34 | 0:20:39 | |
'There's more good news when Paul goes on to find this 19th-century beachscape in oils. | 0:20:39 | 0:20:44 | |
'Despite the presence of the artist's initials, | 0:20:44 | 0:20:48 | |
'he or she remains unknown. | 0:20:48 | 0:20:49 | |
'But Paul still values it at an impressive £100. | 0:20:49 | 0:20:53 | |
'Our time here may be drawing to a close, but we're still finding some fantastic pieces. | 0:20:54 | 0:20:59 | |
'This spelter horse was a winning prize for one of Matthew's father's racehorses, | 0:20:59 | 0:21:04 | |
'but with an estimated price tag of £50-£100, it's being sent to auction. | 0:21:04 | 0:21:09 | |
'So, having searched the house from top to bottom, it's finally time to call it a day. | 0:21:11 | 0:21:16 | |
'But for our expert Paul, it's never too late to make one last find.' | 0:21:16 | 0:21:20 | |
It's often the smaller things hidden away that are the most interesting. | 0:21:20 | 0:21:24 | |
Where's this vase come from? | 0:21:24 | 0:21:25 | |
It was a gift from when I left a job a few years ago. | 0:21:25 | 0:21:29 | |
-It was given to me then. -Do you like it? I mean, is that your cup of tea? | 0:21:29 | 0:21:32 | |
-No, I don't like it at all, actually. -Right. -We tried to sell it at a car-boot sale. | 0:21:32 | 0:21:36 | |
We tried to get 50p for it and no-one was interested, so it keeps coming back. | 0:21:36 | 0:21:41 | |
-Honestly? So it's actually been on a car-boot sale? -Yeah. | 0:21:41 | 0:21:44 | |
Well, you were lucky you didn't sell it for that sort of price. | 0:21:44 | 0:21:48 | |
This is a firm called Sevres. What you've got to remember | 0:21:48 | 0:21:50 | |
is that the Chinese had the secret of making true porcelain | 0:21:50 | 0:21:53 | |
for over 2,000 years, and it was only the 18th century that in Europe, | 0:21:53 | 0:21:58 | |
where they discovered how to make it. | 0:21:58 | 0:22:00 | |
And one of the very first factories was the Sevres factories. | 0:22:00 | 0:22:03 | |
It was Louis XV himself who actually developed and found | 0:22:03 | 0:22:07 | |
a natural deposit of the correct substance. And what Sevres did themselves | 0:22:07 | 0:22:11 | |
was they came up with their own European designs, | 0:22:11 | 0:22:13 | |
so you've got this wonderful rococo floral look. | 0:22:13 | 0:22:16 | |
Think of the Scarlet Pimpernel. | 0:22:16 | 0:22:18 | |
You know, the whole thing really is very elegant, | 0:22:18 | 0:22:21 | |
very fancy and they've always been fashion leaders. | 0:22:21 | 0:22:23 | |
One of the things they did - because it was so precious, they used to mount it in bronze. | 0:22:23 | 0:22:28 | |
-Is that bronze? -This is bronze here. | 0:22:28 | 0:22:29 | |
And they would take these Chinese cups and these early porcelain items | 0:22:29 | 0:22:34 | |
and they would actually embellish them with these gilded bronze effects, if you like, | 0:22:34 | 0:22:38 | |
and that's where this stems from. This one's a 19th-century version, | 0:22:38 | 0:22:41 | |
but it does have these bronze mountings. | 0:22:41 | 0:22:44 | |
What you've got here is a 19th-century Sevres porcelain ormolu-mounted vase - | 0:22:44 | 0:22:49 | |
value-wise now, about £50. | 0:22:49 | 0:22:52 | |
-That'd be very nice, wouldn't it? -Don't tell me you've got another one? -No, no, no, no. | 0:22:52 | 0:22:57 | |
All right. Let's tell the others. Alistair, Nicola? | 0:22:57 | 0:22:59 | |
-Ah! -You all right? -Ah, what did you find? -Another £50 towards the target. | 0:22:59 | 0:23:04 | |
-Really? -Excellent. -Is that one of your pieces or his? | 0:23:04 | 0:23:06 | |
-One of his. -Ah, very good. | 0:23:06 | 0:23:08 | |
-It's as thought we're just clearing out all of Matthew's stuff, just very slowly. -Yes! | 0:23:08 | 0:23:13 | |
-Yeah! -Just for some more shopping to come in. I like that. | 0:23:13 | 0:23:17 | |
-So, £50, you say? -Yes. -I know there's a big question mark | 0:23:17 | 0:23:20 | |
over the Mulvey statue of the two ladies because it has a lot of sentimental value for you, | 0:23:20 | 0:23:24 | |
but that's OK, because without that, | 0:23:24 | 0:23:27 | |
we've still made £715 today. | 0:23:27 | 0:23:29 | |
-With it, we will have made £1,215. -Right, OK. | 0:23:29 | 0:23:33 | |
Still, If you don't want to take that, that's absolutely fine. | 0:23:33 | 0:23:36 | |
You know, what's £75 when you've already eaten £715 worth of chocolate? | 0:23:36 | 0:23:42 | |
That's probably a reprieve. | 0:23:42 | 0:23:44 | |
Perfect. It all depends how things go at auction, so fingers crossed. | 0:23:44 | 0:23:47 | |
And I'm going to be coming along with you, picking up your crumbs. | 0:23:47 | 0:23:52 | |
'Matthew and Nicola's home has given us some very lucrative items for auction, | 0:23:52 | 0:23:57 | |
'including their old friend Max the dog... | 0:23:57 | 0:24:01 | |
'and the fishing equipment, with which we're hoping to reel in | 0:24:01 | 0:24:04 | |
'enough bidders to reach its estimate. | 0:24:04 | 0:24:06 | |
'We'll be looking for some competing Robbie Williams fans | 0:24:06 | 0:24:10 | |
'desperate to take the shirt off his back. | 0:24:10 | 0:24:12 | |
'And if Matthew chooses to sell it, the Mulvey statuette | 0:24:12 | 0:24:15 | |
'could single-handedly raise an impressive £500. | 0:24:15 | 0:24:19 | |
'Still to come on Cash In The Attic, when we get to auction, will it be smiles all round...' | 0:24:20 | 0:24:25 | |
-MATTHEW CHEERS -Yes! -Well done! That's great. | 0:24:25 | 0:24:28 | |
'..or a complete disaster?' | 0:24:28 | 0:24:31 | |
-I've got to go home. -No. -I can't believe it. | 0:24:31 | 0:24:33 | |
'All will be revealed when the auctioneer's hammer falls.' | 0:24:33 | 0:24:36 | |
Last chance at £42. | 0:24:36 | 0:24:38 | |
It's been less than a week since we were out in the Surrey countryside at Matthew and Nicola's, | 0:24:42 | 0:24:46 | |
but we've brought all the treasure we found there here to west London at Chiswick Auction Rooms. | 0:24:46 | 0:24:51 | |
We're hoping to raise £800 for those home improvements, | 0:24:51 | 0:24:54 | |
but more importantly, for that day of chocoholic pleasure in London. | 0:24:54 | 0:24:58 | |
'First things first, and that means finding Paul, | 0:25:01 | 0:25:04 | |
'who's busy giving some of our pieces a final inspection.' | 0:25:04 | 0:25:07 | |
-Mr Hayes. -Ah, hello. -That's a lovely sand dune painting. Very good. -I quite like that. | 0:25:11 | 0:25:16 | |
What's nice is that Matthew and Nicola have lots of countryside things. | 0:25:16 | 0:25:20 | |
Fishing rods, dogs, horses. | 0:25:20 | 0:25:23 | |
Well, fishing things tend to be bought by the gentry. | 0:25:23 | 0:25:26 | |
It's a very expensive hobby and people do pay money to buy good-quality items, | 0:25:26 | 0:25:30 | |
-so those Hardy rods and things could do quite well. -Let's go and see if we can find Matthew and Nicola. -OK. | 0:25:30 | 0:25:35 | |
'It's always encouraging to hear that Paul's confident about some of our items. | 0:25:35 | 0:25:39 | |
'But what I really want to know is whether or not we'll be selling the stunning Mulvey statuette, | 0:25:39 | 0:25:44 | |
'which Paul valued at a whopping £500.' | 0:25:44 | 0:25:48 | |
-Here they are. -Hey. Hello. -You're saying a fond farewell to Max. | 0:25:48 | 0:25:51 | |
Are you missing him already? | 0:25:51 | 0:25:53 | |
-Missing him greatly. -Aww! | 0:25:53 | 0:25:55 | |
-He must have left a huge gap in your house. -He has - we can actually move around now! | 0:25:55 | 0:25:59 | |
It's probably a room's worth! Now, what about the statuettes? | 0:25:59 | 0:26:03 | |
You were very emotional about those. | 0:26:03 | 0:26:05 | |
-We decided that I'd polished them too much to swap them for some chocolate. -I thought as much. | 0:26:05 | 0:26:10 | |
Well, I, for one, am very excited because we've never had a target | 0:26:10 | 0:26:13 | |
that's about eating lots of chocolate, | 0:26:13 | 0:26:15 | |
which I think is a good thing. So let's go and raise some money. | 0:26:15 | 0:26:18 | |
-Walkies time? -Walkies! | 0:26:18 | 0:26:20 | |
'With the Cornish bronze statuette left out of the sale, | 0:26:22 | 0:26:26 | |
'Matthew and Nicola have deprived themselves of the chance to make an extra £500. | 0:26:26 | 0:26:30 | |
'I hope that won't have a detrimental effect on their final total.' | 0:26:30 | 0:26:34 | |
I've never been to a proper auction before, | 0:26:36 | 0:26:39 | |
so it'll be a really unique experience for both of us. | 0:26:39 | 0:26:43 | |
So, I'm very, very excited and looking forward to it. | 0:26:43 | 0:26:46 | |
'Auctions are great places to find bargains, | 0:26:46 | 0:26:49 | |
'but remember that commission and possible other charges will be added to your bill, | 0:26:49 | 0:26:54 | |
'so be sure to check these rates before you go. | 0:26:54 | 0:26:56 | |
'So, with the sale under way, it's time for our first lot.' | 0:26:56 | 0:27:00 | |
Lot number 138 now. | 0:27:00 | 0:27:02 | |
-The Sevres vase now, number 138. -Which you got given, didn't you? | 0:27:02 | 0:27:06 | |
-And you tried to sell it - and thankfully didn't sell it - for 50p at a car boot. -That's it. | 0:27:06 | 0:27:10 | |
This really is a beautiful little vase. | 0:27:10 | 0:27:12 | |
But you've made me think twice about it now | 0:27:12 | 0:27:14 | |
and hopefully looking at anything over 30 really, but £50 would be lovely. | 0:27:14 | 0:27:18 | |
£50 for it? £30 for it? I'm bid at 30. Can you give me 32? | 0:27:18 | 0:27:21 | |
At £30, take two at £30. | 0:27:21 | 0:27:23 | |
Give me 32, 35, 38, | 0:27:23 | 0:27:25 | |
-40, 42, 45. -Come on! | 0:27:25 | 0:27:28 | |
Bid at £42, take 45, £42. That's the bid at £42, done at 42 and gone. | 0:27:28 | 0:27:31 | |
Last chance at £42. | 0:27:31 | 0:27:33 | |
-Better than 50p. -Yeah, better than 50p, exactly. | 0:27:33 | 0:27:37 | |
'Considering that Matthew couldn't sell the vase for 50p | 0:27:37 | 0:27:41 | |
'at a boot sale, £42 is an excellent result. | 0:27:41 | 0:27:45 | |
'But for our chocoholics, | 0:27:45 | 0:27:46 | |
'there's a long way to go before we reach their £800 target. | 0:27:46 | 0:27:51 | |
'So when our next lot, the gilt-framed mirror, found by Matthew, goes under the hammer...' | 0:27:51 | 0:27:55 | |
£50. | 0:27:55 | 0:27:57 | |
'..we're delighted to see it sell for Paul's £50 estimate. | 0:27:57 | 0:28:01 | |
That's a fair price for a mirror and it was OK. | 0:28:01 | 0:28:04 | |
'It's a full house here in Chiswick today and so far, our items are going down a treat with the bidders. | 0:28:06 | 0:28:11 | |
'So, with one of our star items waiting in the wings, Matthew is optimistic.' | 0:28:11 | 0:28:16 | |
I've got really high hopes for the Robbie Williams T-shirt. | 0:28:16 | 0:28:19 | |
I think that if someone actually sees that for what it is, then I think it could go really high. | 0:28:19 | 0:28:24 | |
But we'll have to wait and see. | 0:28:24 | 0:28:26 | |
148 now. | 0:28:27 | 0:28:29 | |
For the Robbie Williams fans, 148. | 0:28:29 | 0:28:31 | |
This is the one you bought off him? | 0:28:31 | 0:28:33 | |
-Yes, yeah. -Backstage? -Backstage. | 0:28:33 | 0:28:36 | |
He took it off and I bought it. | 0:28:36 | 0:28:37 | |
Has it been washed? | 0:28:37 | 0:28:39 | |
-No. -Eurgh! | 0:28:39 | 0:28:41 | |
148 - said to have worn it and sweat into it, there you are. Is that good or bad? | 0:28:41 | 0:28:44 | |
-148, start me £100 for it. -Beautifully sold there by Tom. | 0:28:44 | 0:28:47 | |
£50 for it? | 0:28:47 | 0:28:49 | |
No Robbie Williams fans in by the looks of things. £50 for it? | 0:28:49 | 0:28:52 | |
No bids at £50? | 0:28:52 | 0:28:54 | |
No bids at £50. Sorry, not sold. No bid. | 0:28:54 | 0:28:58 | |
-THEY GROAN -Oh, well. There we are. | 0:28:58 | 0:29:00 | |
He needs to go back to Take That. | 0:29:00 | 0:29:02 | |
Exactly, you see - he should have. | 0:29:02 | 0:29:04 | |
'Despite Matthew's confidence, | 0:29:04 | 0:29:07 | |
'Robbie has failed to entertain the room.' | 0:29:07 | 0:29:10 | |
I'm going to save it and keep it, | 0:29:10 | 0:29:12 | |
and if we can find the picture of him wearing it, which I know exists, then it'll be a lot more valuable. | 0:29:12 | 0:29:18 | |
So, yeah, give it another day. | 0:29:18 | 0:29:19 | |
'Our piece of Robbie Williams memorabilia may have failed to rock the room, | 0:29:19 | 0:29:24 | |
'but that certainly won't be a problem for our next lot.' | 0:29:24 | 0:29:27 | |
OK, so, it's the miniature rocking horse now. | 0:29:27 | 0:29:29 | |
But there is actually a tail missing. Did that actually arrive at the...? | 0:29:31 | 0:29:35 | |
-I don't know, it's gone somewhere. -It's not missing in transit? | 0:29:35 | 0:29:39 | |
-It's missing in transit. -We're looking for about £40. | 0:29:39 | 0:29:42 | |
£50 for it? £30 for it? | 0:29:42 | 0:29:45 | |
Worth more, bid at £30. | 0:29:45 | 0:29:46 | |
Take 32 at £30. 32, 35. | 0:29:46 | 0:29:48 | |
35, 38, 40? | 0:29:48 | 0:29:49 | |
42, 45? 45. 48? | 0:29:49 | 0:29:51 | |
45, bid at £45. Somebody give me 48 for it? Are you bidding or waving? | 0:29:51 | 0:29:55 | |
At £45, the bid at £45, sold at 45. | 0:29:55 | 0:29:57 | |
45, that's good. That's good. | 0:29:57 | 0:30:01 | |
Romped over the finishing line. | 0:30:01 | 0:30:04 | |
'After the disappointing performance from our T-shirt, | 0:30:04 | 0:30:07 | |
'the rocking horse sees us return to form, | 0:30:07 | 0:30:10 | |
'with a welcome boost to the chocolate-and-champagne fund.' | 0:30:10 | 0:30:14 | |
The rocking horse price - I thought that was really good, | 0:30:14 | 0:30:17 | |
especially considering the tail went missing. | 0:30:17 | 0:30:21 | |
'So far, our items haven't exactly set the room alight. | 0:30:21 | 0:30:24 | |
'As we approach the end of the first half, | 0:30:24 | 0:30:27 | |
'let's see what auctioneer Tom Keane makes of their next lot.' | 0:30:27 | 0:30:30 | |
Foxton-Duffys' Hardy fishing rods should do very well. | 0:30:30 | 0:30:33 | |
A nice collection. It should make the top end rather than the bottom. About £200, I think. | 0:30:33 | 0:30:37 | |
Lot 178 here. | 0:30:37 | 0:30:39 | |
A lot for the money here, 178. A Hardy four-piece trout-fishing rod. | 0:30:39 | 0:30:43 | |
Good lot. £50. I'm bid at £50. | 0:30:43 | 0:30:45 | |
-Take 55, £50, five... -That's good. | 0:30:45 | 0:30:48 | |
£50. Hardy rods. 55, 60, 5? | 0:30:48 | 0:30:51 | |
70, 5, 80, 5. | 0:30:51 | 0:30:53 | |
£80 bid, do you want 5? £80. Bid 5. Thank you. | 0:30:53 | 0:30:56 | |
-90, 5, 100, 110. -Mm, very good. | 0:30:56 | 0:31:00 | |
£100. Do you want 110? A bit at £100. | 0:31:00 | 0:31:02 | |
All out at £100, all done at £100 selling? Cheap lot. | 0:31:02 | 0:31:05 | |
There you go. | 0:31:05 | 0:31:06 | |
£100 right on the nose. | 0:31:06 | 0:31:08 | |
Good, though. | 0:31:08 | 0:31:10 | |
'Our fishing lot may have made Paul's estimate, | 0:31:10 | 0:31:13 | |
'but perhaps this could be the one that got away. | 0:31:13 | 0:31:15 | |
'A higher price for our rods would have been good but with our earlier items failing to deliver, | 0:31:18 | 0:31:23 | |
'it's a relief that the fishing equipment managed to sell for our expert's estimate. | 0:31:23 | 0:31:28 | |
'So, with the first half of our items now done and dusted, | 0:31:28 | 0:31:32 | |
'just how well are we doing?' | 0:31:32 | 0:31:34 | |
So it's half-time and we're lagging a bit, I have to say. | 0:31:34 | 0:31:37 | |
We should be around 400 at this point, | 0:31:37 | 0:31:39 | |
and we're actually only at 237. | 0:31:39 | 0:31:42 | |
Yeah, it's disappointing, isn't it? We've got this afternoon, I suppose. | 0:31:42 | 0:31:45 | |
And having the odd item that doesn't sell doesn't, obviously, | 0:31:45 | 0:31:49 | |
really help either, and is a bit disappointing even more so. | 0:31:49 | 0:31:53 | |
We've still got the final furlong to catch up, so don't panic. | 0:31:53 | 0:31:56 | |
I've seen something really interesting. Could I meet you back here? | 0:31:56 | 0:31:59 | |
Sure. Actually, we can take a little turn round the auction. | 0:31:59 | 0:32:02 | |
'From antique furniture to rare pieces of art, | 0:32:09 | 0:32:12 | |
'there's no end to the variety of items that can be picked up at an auction - | 0:32:12 | 0:32:16 | |
'although Paul has found something that I don't think anyone would expect to see in an auction house.' | 0:32:16 | 0:32:21 | |
Now, you honestly never know what you're going to find in auction, | 0:32:21 | 0:32:25 | |
and I've come here today and come across this. | 0:32:25 | 0:32:27 | |
You could hardly not notice it, really. | 0:32:27 | 0:32:29 | |
It's a solid-copper coffee dispenser. How fantastic is that? | 0:32:29 | 0:32:33 | |
And in the bottom here would drop through your coffee beans, | 0:32:33 | 0:32:36 | |
whichever choice you wanted, whichever brand you wanted, or blend. | 0:32:36 | 0:32:39 | |
And of course, you'd then go and make your coffee from it. But this one has a pedigree. | 0:32:39 | 0:32:44 | |
It's actually from Harrods. Isn't that fantastic? | 0:32:44 | 0:32:47 | |
And of course, what happens is that fashion changes, shops are constantly being updated. | 0:32:47 | 0:32:52 | |
What you're left with are a wonderful artefact like this. | 0:32:52 | 0:32:54 | |
Now, this one is made from solid copper, so it has two values - | 0:32:54 | 0:32:58 | |
it has the scrap value as well as the actual item itself. | 0:32:58 | 0:33:00 | |
It's in the catalogue today at between £800 and £1,200. | 0:33:00 | 0:33:04 | |
I think it's an absolute bargain. And who knows? It might be going home with me! | 0:33:04 | 0:33:08 | |
'With just £237 banked so far, | 0:33:14 | 0:33:18 | |
'Matthew and Nicola's antiques haven't exactly gone down a storm. | 0:33:18 | 0:33:21 | |
'To be sure of sending them on their chocolate extravaganza, | 0:33:21 | 0:33:25 | |
'we need really good results this afternoon. | 0:33:25 | 0:33:28 | |
'No need to panic yet because there are some enticing lots to come, | 0:33:28 | 0:33:31 | |
'including our highest-valued item of the day, Max the dog.' | 0:33:31 | 0:33:36 | |
I'd be sad to see Max go. | 0:33:38 | 0:33:41 | |
He has been part of our lives for so long, | 0:33:41 | 0:33:44 | |
albeit he has been up in the attic, | 0:33:44 | 0:33:48 | |
so it would be fair enough to see him go to a new home, | 0:33:48 | 0:33:51 | |
as sad as that would be. | 0:33:51 | 0:33:52 | |
'We'll see whether Max finds a new owner later on. But now it's time for our first lot of the afternoon.' | 0:33:53 | 0:33:58 | |
430A now - a turn of the last century, | 0:33:59 | 0:34:02 | |
cold-painted spelter figure of a horse, number 430A. | 0:34:02 | 0:34:05 | |
You must have been devastated to part with this. | 0:34:05 | 0:34:07 | |
Yes, I am a bit, | 0:34:07 | 0:34:10 | |
but it's not moving - it's standing still, so... | 0:34:10 | 0:34:14 | |
We want £50, or at the top, we'd like £100. | 0:34:14 | 0:34:17 | |
It if gets 100, I'll be pleased. | 0:34:17 | 0:34:19 | |
£50? £30? | 0:34:19 | 0:34:22 | |
-I'm bid at £30, value on 32 at £30, take two. -That's low, isn't it? | 0:34:22 | 0:34:25 | |
32, 32, 35, 38, 40, | 0:34:25 | 0:34:27 | |
42, 45, 48, 50, 5. | 0:34:27 | 0:34:31 | |
50 bid, take 5 at £50. I'm selling at £50. | 0:34:31 | 0:34:34 | |
No, you're just waving. | 0:34:34 | 0:34:35 | |
At £50, got excited at £50. 205, £50. | 0:34:35 | 0:34:39 | |
-Excellent. How's that? -Is that all right with you? -That's £50. Yes. | 0:34:39 | 0:34:42 | |
'So, we're up and running again, | 0:34:42 | 0:34:44 | |
'with the spelter horse selling for Paul's £50 estimate. | 0:34:44 | 0:34:47 | |
'It's not quite the £100 that Matthew wanted, | 0:34:47 | 0:34:50 | |
'but even so, it's a good start. | 0:34:50 | 0:34:52 | |
'Will that trend hold up, though, with our next lot?' | 0:34:55 | 0:34:58 | |
OK, now, continuing the theme, coming in as an outsider, | 0:34:58 | 0:35:02 | |
this is the French racing binoculars. | 0:35:02 | 0:35:05 | |
-Oh, Lordy! -THEY CHUCKLE | 0:35:05 | 0:35:07 | |
This one's odds-on favourite and the estimate is 10-1. | 0:35:07 | 0:35:11 | |
Lordy! I'm going to put a bet on how many more horse jokes | 0:35:11 | 0:35:14 | |
-Paul can squeeze out before the end of the auction. -It's all horse play, Alistair! -Oh! | 0:35:14 | 0:35:18 | |
Start me £20, please. £20. | 0:35:18 | 0:35:20 | |
I'm going to go... £20? | 0:35:20 | 0:35:22 | |
£10? Where's the bid at £10, please, £10? | 0:35:22 | 0:35:25 | |
No bid at £10. Surely must be £10. Thank you, I'm bid at 10, give me 12. | 0:35:25 | 0:35:28 | |
It's £10, give me 12 at 12. | 0:35:28 | 0:35:30 | |
15? 18. | 0:35:30 | 0:35:33 | |
£15, the bid, at £15. Is that all at £15? Selling all at 15? | 0:35:33 | 0:35:36 | |
They've gone for £15. | 0:35:36 | 0:35:38 | |
-Yeah, we got the price. -On estimate. | 0:35:38 | 0:35:40 | |
It's a photo finish! | 0:35:40 | 0:35:42 | |
Oh, no! | 0:35:42 | 0:35:44 | |
Paul, I'm going to have to put you out to pasture. | 0:35:46 | 0:35:49 | |
-I think you are. -If not, send you to the glue yard. | 0:35:49 | 0:35:51 | |
-He's definitely not going to stud so... -Exactly. -Hey! | 0:35:51 | 0:35:55 | |
SHE CHUCKLES LOUDLY | 0:35:55 | 0:35:56 | |
'Ooh, keep it down, Nicola! Tom the auctioneer's looking. | 0:35:58 | 0:36:00 | |
'Paul's one-liners might be losing their edge, | 0:36:00 | 0:36:03 | |
'but his valuations still seem to be spot on. | 0:36:03 | 0:36:05 | |
'The binoculars sell just as he predicted. | 0:36:05 | 0:36:09 | |
'Up next are the car badges, | 0:36:10 | 0:36:13 | |
'which used to be on Matthew's grandfather's Rolls-Royce. | 0:36:13 | 0:36:16 | |
'But unfortunately, our auctioneer isn't able to drive the price up | 0:36:16 | 0:36:22 | |
'to our expert's £40 estimate, and so they sell for just £32. | 0:36:22 | 0:36:27 | |
'With just three lots left to sell, our remaining items | 0:36:28 | 0:36:31 | |
'will need to do really well if we're to stand any chance | 0:36:31 | 0:36:35 | |
'of reaching Matthew and Nicola's £800 target. | 0:36:35 | 0:36:38 | |
'But with our unknown painting up next, who knows what might be on the horizon?' | 0:36:38 | 0:36:43 | |
Right, this is 450A. "EKY" initialled. | 0:36:43 | 0:36:46 | |
A 19th-century oil-on-canvas, beachscape, 450A. | 0:36:46 | 0:36:49 | |
I like it. It's a shame we don't know the artist. The secret with all paintings, | 0:36:49 | 0:36:53 | |
it's all about the artist. But let's see how we get on. I'm looking for about £100. OK? | 0:36:53 | 0:36:57 | |
-But you don't like it at all? -You reckon someone will pay that? | 0:36:57 | 0:37:01 | |
£100 for it? £50 for it? Is it to buy at £50? | 0:37:01 | 0:37:04 | |
£50, no bids at £50. Surprising lot, £50 or not. No bids at £50, then? | 0:37:04 | 0:37:08 | |
Again, no takers, no bids at £50. | 0:37:08 | 0:37:10 | |
Another one that'll go back in the garage. | 0:37:10 | 0:37:12 | |
Yeah, we will take it home - it's not going to a charity shop. | 0:37:12 | 0:37:15 | |
'The painting's not selling is a disaster for Matthew and Nicola's chocolate fund. | 0:37:15 | 0:37:19 | |
'But auctioneer Tom Keane has a good idea why it failed to impress the bidders.' | 0:37:19 | 0:37:25 | |
If they had signed it the full name, perhaps it'd have made 100, £150, | 0:37:25 | 0:37:28 | |
but the artist didn't give you a chance, really. | 0:37:28 | 0:37:31 | |
To invest £100 in the painting for an unknown artist, no chance. | 0:37:31 | 0:37:34 | |
'So, with our painting failing to sell, | 0:37:34 | 0:37:37 | |
'we have high hopes for our next lot, | 0:37:37 | 0:37:39 | |
'the two pieces of Sylvac pottery.' | 0:37:39 | 0:37:41 | |
Sylvac jug, for the two bits, £20? £20? | 0:37:43 | 0:37:45 | |
£10? Please, £10? No bids at £10? Start me at £10. £10 or not? | 0:37:45 | 0:37:49 | |
Room full of people, no bids at £10? | 0:37:49 | 0:37:51 | |
No-one wants them at £10, then. No interest at all. No-one likes these. | 0:37:51 | 0:37:54 | |
It's got to go home - I can't believe it. | 0:37:54 | 0:37:56 | |
-Oh, no. -You thought you were rid of it! | 0:37:56 | 0:37:59 | |
'Much to Matthew's disappointment, | 0:37:59 | 0:38:02 | |
'our auctioneer couldn't get a single bid for the Sylvac pieces. | 0:38:02 | 0:38:06 | |
'They'll be going back home with Matthew and Nicola.' | 0:38:06 | 0:38:08 | |
People tend to overvalue them. | 0:38:08 | 0:38:10 | |
Rabbits of pink and blue and green colours do well. Pots - useless. | 0:38:10 | 0:38:15 | |
'The second half of the sale's been a disaster for Matthew and Nicola, | 0:38:16 | 0:38:20 | |
'but there's one last chance for them to reclaim the lost ground. | 0:38:20 | 0:38:23 | |
'Their highest-valued lot is about to face the room | 0:38:23 | 0:38:26 | |
'and it's time for the couple to say goodbye to their old friend.' | 0:38:26 | 0:38:30 | |
When you take something out of the loft and then put it in the house | 0:38:32 | 0:38:36 | |
and then you see it go out of the door... | 0:38:36 | 0:38:38 | |
Yeah, I'll be sad to see Max go. | 0:38:38 | 0:38:40 | |
'He may not have a pedigree but the good news is | 0:38:40 | 0:38:43 | |
'that Paul thinks the bidders might spend at least £150 | 0:38:43 | 0:38:47 | |
'to become Max's new owner.' | 0:38:47 | 0:38:49 | |
468 now, | 0:38:49 | 0:38:51 | |
the large bronze statue of a bloodhound, number 468. | 0:38:51 | 0:38:53 | |
I know you're very reluctant to sell this, Max the Dog. | 0:38:53 | 0:38:56 | |
Is it going to be something that people snap up? | 0:38:56 | 0:38:58 | |
It's very striking and that's in its favour, and of course, | 0:38:58 | 0:39:01 | |
if you get two dog lovers who really fancy this, | 0:39:01 | 0:39:04 | |
then it's actually cheap and we've put the estimate, £150. | 0:39:04 | 0:39:07 | |
If that was an antique, it would have been a lot more money, | 0:39:07 | 0:39:10 | |
so I think for £150, it's a good bet, really. | 0:39:10 | 0:39:13 | |
Big heavy thing, almost life-size... for a puppy. | 0:39:13 | 0:39:16 | |
A large bronze statue of a bloodhound. | 0:39:16 | 0:39:19 | |
What's that worth? £100, start me £100. £100 for it? | 0:39:19 | 0:39:23 | |
Thank you, I'm bid £100. Take 110, at £100, take 110 for it. | 0:39:23 | 0:39:25 | |
£100. 110, 120, 130, 140. | 0:39:25 | 0:39:28 | |
140, 150. 160, 170, | 0:39:28 | 0:39:31 | |
180, 190, 200, and 10, | 0:39:31 | 0:39:33 | |
220, 230, 240, | 0:39:33 | 0:39:36 | |
250, 260. | 0:39:36 | 0:39:38 | |
No, at £250, in front of me, £250. Who else wants to come in at 250? | 0:39:38 | 0:39:41 | |
I'm selling, all done. Thank you for the bid. 250. | 0:39:41 | 0:39:43 | |
-THEY CHEER -Well done! That's great. | 0:39:43 | 0:39:47 | |
'After an anxious and frustrating afternoon for the Foxton-Duffys, | 0:39:47 | 0:39:51 | |
'Max has proved to be their best friend. | 0:39:51 | 0:39:53 | |
'But will that £250 make enough of a difference?' | 0:39:53 | 0:39:58 | |
And there we are. We cross the finishing post. | 0:39:59 | 0:40:01 | |
And all is not lost. It looked a bit grim at halfway mark. | 0:40:01 | 0:40:05 | |
And I have to say, we haven't quite made our target. | 0:40:05 | 0:40:08 | |
We wanted £800, we've made £584. | 0:40:08 | 0:40:11 | |
-Really pleased. For a load of old stuff in the attic, we haven't done too badly. -Thank you very much. | 0:40:11 | 0:40:16 | |
I know you're going to spend some of the money on home improvements, | 0:40:16 | 0:40:19 | |
but I can't wait to hear how your day of chocolate went. | 0:40:19 | 0:40:22 | |
-Well done. -Thanks. -Thank you. | 0:40:22 | 0:40:25 | |
Having set aside some of the money they made at auction for home improvements, | 0:40:29 | 0:40:34 | |
'the day has arrived for Matthew and Nicola to spend the rest on their chocolate experience.' | 0:40:34 | 0:40:39 | |
Cutting chocolates up and dipping strawberries, I think. | 0:40:39 | 0:40:43 | |
-Erm... -And eating it, hopefully! | 0:40:43 | 0:40:46 | |
'First up is a demonstration of how to make perfect fudge | 0:40:46 | 0:40:50 | |
'by master chocolatier Hannah Saxton.' | 0:40:50 | 0:40:52 | |
Now we've made a really lovely caramel sauce. | 0:40:52 | 0:40:54 | |
So you can see how simple it is to make. | 0:40:54 | 0:40:57 | |
You just pour it and make a big slab out of it. | 0:40:57 | 0:41:00 | |
'Once the fudge has set, | 0:41:00 | 0:41:02 | |
'it'll be used as the base for Matthew and Nicola to make their own chocolates.' | 0:41:02 | 0:41:07 | |
We're going to get to the really fun part of cutting, dipping and decorating. | 0:41:07 | 0:41:10 | |
Let me show you what you do in terms of cutting, dipping and decorating. You cut a shape, you see? | 0:41:10 | 0:41:15 | |
Then you get your chocolate dipping fork. | 0:41:15 | 0:41:18 | |
Yeah, looks like a little devil's fork. | 0:41:18 | 0:41:20 | |
And you pick it up, you drop it in the chocolate, | 0:41:20 | 0:41:23 | |
try not to lose it, cover it with the chocolate and then fish it out. | 0:41:23 | 0:41:26 | |
And then you just pop it onto the parchment paper | 0:41:26 | 0:41:30 | |
and there we go. | 0:41:30 | 0:41:32 | |
'So, after a few pointers from a professional chocolatier, | 0:41:32 | 0:41:35 | |
'Matthew and Nicola are left to their own devices.' | 0:41:35 | 0:41:39 | |
-It's a Loch Ness monster one. -NICOLA CHUCKLES | 0:41:39 | 0:41:42 | |
There you go. | 0:41:42 | 0:41:43 | |
Oh, that looks disgusting! | 0:41:43 | 0:41:46 | |
HE CHUCKLES | 0:41:46 | 0:41:47 | |
'And in no time at all, | 0:41:47 | 0:41:49 | |
'our chocolate-loving couple are creating havoc in the kitchen.' | 0:41:49 | 0:41:53 | |
We both work so hard, | 0:41:53 | 0:41:55 | |
so it's nice to come here, do something different | 0:41:55 | 0:41:57 | |
-and spend some quality time. -Yeah. | 0:41:57 | 0:42:00 | |
'And most importantly, days like these are all about having fun.' | 0:42:00 | 0:42:05 | |
Cor, look at that! | 0:42:05 | 0:42:06 | |
Bit of dust. Come along now! | 0:42:10 | 0:42:13 | |
Argh, that's going to be gross! | 0:42:15 | 0:42:18 | |
Mmm. Delicious(!) | 0:42:18 | 0:42:21 | |
-I think we'd better get cleaned up now. -I think so. | 0:42:22 | 0:42:25 | |
'Judging by the mess and the gales of laughter, | 0:42:26 | 0:42:28 | |
'I'd say that today has been a complete success.' | 0:42:28 | 0:42:31 | |
Subtitles by Red Bee Media Ltd | 0:42:44 | 0:42:47 |