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Welcome to the show that finds hidden treasures in your home | 0:00:02 | 0:00:06 | |
and then helps you sell them at auction. | 0:00:06 | 0:00:08 | |
Today, I'm in south London, where I've stopped at Morden Hall Park. | 0:00:08 | 0:00:11 | |
It'll be a busy day, so I'll be making the most of these beautiful grounds before we get cracking. | 0:00:11 | 0:00:16 | |
Morden Hall was built in 1770 and over the years | 0:00:16 | 0:00:20 | |
has been used as a family home, boarding school and a military hospital. | 0:00:20 | 0:00:25 | |
The historic parkland, with its maze of waterways, is also home to no less than two water mills, | 0:00:25 | 0:00:30 | |
which were much used in the 1800s for the tobacco trade, but were eventually closed in 1922. | 0:00:30 | 0:00:37 | |
The mills are open to the public and they are used | 0:00:37 | 0:00:39 | |
to educate local school children in the art of bygone manufacturing. | 0:00:39 | 0:00:44 | |
So we're hoping we find plenty of antiques from a bygone era | 0:00:44 | 0:00:47 | |
that will get the bidders excited when they go under the hammer. | 0:00:47 | 0:00:51 | |
Coming up on today's Cash In The Attic - | 0:01:12 | 0:01:14 | |
I fear for our safety... | 0:01:14 | 0:01:15 | |
It looks like something out of the Hammer House of Horror! | 0:01:15 | 0:01:19 | |
..our expert shows a fondness for the unusual... | 0:01:19 | 0:01:21 | |
I love the nose pinchers(!) Yes! | 0:01:21 | 0:01:23 | |
I didn't at the time! | 0:01:23 | 0:01:26 | |
..and when we go to auction, it's torture. | 0:01:26 | 0:01:29 | |
Are you crying? Almost. Oh! | 0:01:29 | 0:01:31 | |
But will it be pleasure or pain when the final hammer falls? | 0:01:31 | 0:01:35 | |
I'm in the suburb of Mitcham, and I've come here to meet a family | 0:01:36 | 0:01:40 | |
who have called in the Cash In The Attic team to help give the family home a new lease of life. | 0:01:40 | 0:01:45 | |
This large semidetached house has belonged to the Carter family for over 80 years, | 0:01:45 | 0:01:49 | |
and it's currently home to head of the brood Julie and her twin sons Lee and Danny, | 0:01:49 | 0:01:54 | |
who, following complications at birth, were both born with learning difficulties, | 0:01:54 | 0:01:59 | |
making them totally dependent on Mum. Without their help today, | 0:01:59 | 0:02:02 | |
Julie's other two children Maria and Alan have returned to the nest | 0:02:02 | 0:02:06 | |
to lend a hand and sift out enough collectables for some long-overdue maintenance work. | 0:02:06 | 0:02:12 | |
Good morning, Jonty. | 0:02:12 | 0:02:14 | |
This house is full of stuff. Several generations of the same family | 0:02:14 | 0:02:17 | |
have lived here so there should be some original furnishings. Let's get inside. | 0:02:17 | 0:02:22 | |
If you have a look at everything that is available to sell, I'll meet the family. | 0:02:22 | 0:02:26 | |
Ah, good morning. Oh, good morning! | 0:02:30 | 0:02:33 | |
Nice to see you. Nice to see you. You've called us in, you've got people to help. | 0:02:33 | 0:02:37 | |
This is Alan, my son, and my daughter, Maria. | 0:02:37 | 0:02:39 | |
And what's the plan? | 0:02:39 | 0:02:42 | |
Yes, I want to go back to the parquet flooring, particularly in the back room to start with anyway, | 0:02:42 | 0:02:48 | |
and get it sanded down and redone, | 0:02:48 | 0:02:50 | |
and also the fireplace lightened up, as it's a bit dark and heavy in there. | 0:02:50 | 0:02:54 | |
Who'll be doing that? My son is going to do that, I hope. | 0:02:54 | 0:02:57 | |
Yep, I've been roped into it! All right, OK. | 0:02:57 | 0:03:00 | |
Helps make the money go a bit further. That's right, yes. | 0:03:00 | 0:03:03 | |
In terms of what we are going to be seeing to sell, | 0:03:03 | 0:03:06 | |
where has all that stuff come from? | 0:03:06 | 0:03:09 | |
A lot, my husband collected. | 0:03:09 | 0:03:11 | |
He died last year. If anybody had something and, you know, was throwing it out, | 0:03:11 | 0:03:15 | |
he would find them in skips, he'd go to jumbles, second-hand shops, the charity shops, antique fairs. | 0:03:15 | 0:03:23 | |
If he died a year ago, how do you feel about...? He used to say, "You can...", you know? | 0:03:23 | 0:03:27 | |
He didn't have life insurance, he said... He said that all this stuff is... | 0:03:27 | 0:03:31 | |
THEY ALL SPEAK AT ONCE | 0:03:31 | 0:03:34 | |
And also, I always wanted to size-down. | 0:03:34 | 0:03:37 | |
In terms of the renovations, what sort of money are you looking to raise? | 0:03:37 | 0:03:40 | |
About ?600, apparently, should do the back...what we want done in the back room, | 0:03:40 | 0:03:45 | |
which would make a start for doing other things to the house. It needs a bit of upgrading. | 0:03:45 | 0:03:50 | |
Well, we better get started, so, shall we go? | 0:03:50 | 0:03:53 | |
Yes. Fine. Right. | 0:03:53 | 0:03:56 | |
Steeped in family history, Julie's home is littered with magnificent treasures, | 0:03:56 | 0:03:59 | |
and our expert Jonty Hearnden holds all the knowledge when it comes to fine antiques. | 0:03:59 | 0:04:05 | |
Ah, Jonty, reading up already, are you, on the day(?) No, I'm looking at the bookcase. | 0:04:05 | 0:04:10 | |
OK. Very impressive. Now, I know your grandparents bought this house new, but what date was that? | 0:04:10 | 0:04:17 | |
About 1926. So this bookcase would have been an older piece of furniture, | 0:04:17 | 0:04:24 | |
so they would have brought this to the house? Yes, that's right. | 0:04:24 | 0:04:27 | |
The date, really, for this bookcase here is late 19th century, | 0:04:27 | 0:04:31 | |
so we are looking at 1890 to possibly 1905, | 0:04:31 | 0:04:35 | |
and there's a few indicators that will tell us the reason for that. | 0:04:35 | 0:04:40 | |
If you, first, always start at the top, and you have a look at the style of this pediment here, | 0:04:40 | 0:04:45 | |
and you have this acanthus leaf decoration, now, that is a 19th-century concept. | 0:04:45 | 0:04:50 | |
The construction is very, very classic, British design. | 0:04:50 | 0:04:54 | |
You have your two glazed doors above a lower section, | 0:04:54 | 0:04:58 | |
where there are usually two doors and two drawers as well. | 0:04:58 | 0:05:01 | |
If we have a closer look down here, the brass drop-handles. | 0:05:01 | 0:05:05 | |
This style of handle is very popular on furniture dated around the late-19th century periods. | 0:05:05 | 0:05:13 | |
What are we talking about, in terms of going to auction? I mean, the piece has got to go. | 0:05:13 | 0:05:17 | |
Because of the heavy line, | 0:05:17 | 0:05:21 | |
we have to be sensible on price. | 0:05:21 | 0:05:23 | |
Where auction value is concerned, at the moment, the price for this will be between ?150 and ?250. | 0:05:23 | 0:05:31 | |
It would be nice to have more, but we all say that, don't we? I think it's got to go. | 0:05:31 | 0:05:36 | |
They're not fashionable any more, are they? | 0:05:36 | 0:05:39 | |
Making up to ?250 will never go out of fashion, | 0:05:39 | 0:05:43 | |
and takes us well on the way to our ?600 target, and the revamping of Julie's dining room. | 0:05:43 | 0:05:48 | |
If the rest of the treats we unearth are as good as that, we'll have the new floor laid in no time. | 0:05:48 | 0:05:54 | |
Maria hopes this brass-case Schatz marine clock, which was bought by Alan | 0:05:54 | 0:05:59 | |
for his dad will steer us in the right direction | 0:05:59 | 0:06:02 | |
with its estimate of ?40 to ?60. | 0:06:02 | 0:06:04 | |
While Jonty can't believe his luck with the classic British timepiece he's got his hands on. | 0:06:04 | 0:06:09 | |
Julie, are you up there? | 0:06:09 | 0:06:11 | |
Yes. Look what I found. | 0:06:11 | 0:06:12 | |
Oh, yes. Yes, that watch. Yes. | 0:06:12 | 0:06:15 | |
Who did this belong to? That belonged to my husband's brother. OK. | 0:06:15 | 0:06:18 | |
I don't know if you have noticed, can you see there, it says, Tudor? | 0:06:18 | 0:06:24 | |
Oh, yes. Yes. Can you see that? Yes, I can. OK. | 0:06:24 | 0:06:27 | |
This - nobody is listening - is made by Rolex, the company. | 0:06:27 | 0:06:32 | |
Right. Oh, I see. Yes. | 0:06:32 | 0:06:34 | |
So, very exciting news. Yeah. | 0:06:34 | 0:06:36 | |
Now, they marketed this, really, as another tier to their range, | 0:06:36 | 0:06:42 | |
so this came out in 1946, the name, Tudor. | 0:06:42 | 0:06:45 | |
So, it is obviously post-Second World War, this, but it is probably an earlier version. | 0:06:45 | 0:06:51 | |
It looks late-'40s, early-'50s, and they use the name Tudor because | 0:06:51 | 0:06:56 | |
it had all the resonance of quality. | 0:06:56 | 0:06:59 | |
You're talking British Tudor solidity. | 0:06:59 | 0:07:03 | |
The gold body IS gold... Yes. ..but because it's not hallmarked, it's quite difficult to say exactly what. | 0:07:03 | 0:07:11 | |
But, still worth selling. Yes. | 0:07:11 | 0:07:14 | |
Value in the market today, I think we're looking at between ?100 and ?200. | 0:07:14 | 0:07:18 | |
Very good. Yeah? Exceedingly good. | 0:07:18 | 0:07:20 | |
So we can... Time to sell? | 0:07:20 | 0:07:22 | |
Yes. Time to put it back in the box. It will only sit there... Very good. | 0:07:22 | 0:07:26 | |
..for another, I don't know how long. I'll leave that there. But, one for the auction room. | 0:07:26 | 0:07:30 | |
OK. Lovely, thank you very much. | 0:07:30 | 0:07:32 | |
Thank you. | 0:07:32 | 0:07:35 | |
Another family heirloom to boost our fund. | 0:07:35 | 0:07:38 | |
Julia's valuables are tucked away all over this house, | 0:07:38 | 0:07:41 | |
but nothing is escaping our Jonty, including these two Royal Doulton Lambeth vases, | 0:07:41 | 0:07:47 | |
being kept out of harm's way. They belonged to Julie's grandparents, | 0:07:47 | 0:07:51 | |
and are worth at least ?80 to ?150 to us. | 0:07:51 | 0:07:54 | |
But it's Julie's late husband Dave who is mainly responsible for filling up their home with delights. | 0:07:54 | 0:08:00 | |
When he wasn't working as a carpenter, he was housing his hoards. | 0:08:00 | 0:08:03 | |
Tell me a bit about your husband. | 0:08:03 | 0:08:05 | |
When you met him, how old were you? | 0:08:05 | 0:08:07 | |
I was still 16, almost 17 then. | 0:08:07 | 0:08:11 | |
And how old were you when you got married? 18. | 0:08:11 | 0:08:14 | |
Was he always a collector? | 0:08:14 | 0:08:17 | |
Not really. It was a gradual thing I think, you know, and, got more interested. | 0:08:17 | 0:08:23 | |
He was always interested in a lot of things, | 0:08:23 | 0:08:26 | |
he never wanted to let go of anything any way, you know. | 0:08:26 | 0:08:29 | |
If someone offered him something and he fancied it... | 0:08:29 | 0:08:32 | |
"Yes, yes, I'll have that", whether we had room to put it any way. | 0:08:32 | 0:08:35 | |
What sort of things did he bring back to the house? | 0:08:35 | 0:08:38 | |
Bits of silver and things he found in skips. He found a load of notes once. | 0:08:38 | 0:08:42 | |
I assume your husband had a good eye, one way or another. Yes. | 0:08:42 | 0:08:46 | |
He picked them up for interest. He never thought they'd be of value. | 0:08:46 | 0:08:50 | |
Did you ever take up the same habit? No. | 0:08:50 | 0:08:52 | |
How did you remain immune? | 0:08:52 | 0:08:54 | |
I would like things, but I would often say, "I like that" and he would want to buy it. | 0:08:54 | 0:08:59 | |
There are a lot of things I like but I don't want to keep, | 0:08:59 | 0:09:04 | |
I like castles and stately homes, but I don't want one. | 0:09:04 | 0:09:08 | |
You want to do renovations, is that hard, | 0:09:08 | 0:09:11 | |
because you have inherited the house as is? | 0:09:11 | 0:09:14 | |
I know I have to, you know, get rid of quite a few things anyway | 0:09:14 | 0:09:18 | |
and my husband expected me, anyway, to sell things, | 0:09:18 | 0:09:22 | |
and the big things, anyway, you know, I've looked after them for, | 0:09:22 | 0:09:27 | |
the bookcase particularly for, what, 44 years, haven't I? | 0:09:27 | 0:09:33 | |
The family took out what they wanted, and I, you know, had what was left. | 0:09:33 | 0:09:39 | |
OK, well, if it's time for some of it to go, shall we get back in and get going? | 0:09:39 | 0:09:43 | |
Yes. | 0:09:43 | 0:09:46 | |
If we're going to raise enough money to get that back room up to scratch | 0:09:46 | 0:09:49 | |
we'll need to find plenty more treats. | 0:09:49 | 0:09:52 | |
Julie gets back to the hunt and comes up trumps | 0:09:52 | 0:09:54 | |
with this mixed selection of hallmarked silver pieces. | 0:09:54 | 0:09:57 | |
Past car boot finds of husband Dave's | 0:09:57 | 0:10:00 | |
which could spice up the sale room by a very reasonable ?30-?40. | 0:10:00 | 0:10:04 | |
And in the garage, Alan has tracked down some tools that might not be | 0:10:04 | 0:10:08 | |
useful when laying floors but could easily chip into our kitty. | 0:10:08 | 0:10:12 | |
Hello, Jonty. Look what I've found. | 0:10:12 | 0:10:14 | |
Is that your lunch? No, it's a box of chisels. | 0:10:16 | 0:10:20 | |
Wow! I remember it being given to my dad by a pal of his from down the pub | 0:10:20 | 0:10:25 | |
who said he would give them to him when he retired. And that's what happened. | 0:10:25 | 0:10:29 | |
Can we take a closer look at one? | 0:10:29 | 0:10:30 | |
There should be a name on one of the blades. | 0:10:30 | 0:10:33 | |
There's names on all the blades. What have we got here? | 0:10:33 | 0:10:35 | |
There is a complete set. JB Addis Sons. | 0:10:35 | 0:10:38 | |
That's James Bacon Addis | 0:10:38 | 0:10:40 | |
and he started making carving tools like this in the 1870s in Sheffield. | 0:10:40 | 0:10:44 | |
The reason people collect them is because they're made of such high-quality steel. | 0:10:44 | 0:10:50 | |
They are beautiful objects, so there's a big collecting market for tools just like this. | 0:10:50 | 0:10:55 | |
We're not talking very old here though, these are certainly 1920s, 1930s. | 0:10:55 | 0:11:01 | |
If you look at the stylised handle, that's the reason why one is dating it. | 0:11:01 | 0:11:06 | |
If they were 19th century they would be worth a bit more. | 0:11:06 | 0:11:09 | |
They are housed in their original box. | 0:11:09 | 0:11:11 | |
I'm amazed they're all still there. Under lock and key, which is a very good sign | 0:11:11 | 0:11:16 | |
and the great thing is the whole tool collection is intact. | 0:11:16 | 0:11:20 | |
There's not one missing. | 0:11:20 | 0:11:21 | |
Very conservatively you're talking between ?60 and ?80. | 0:11:21 | 0:11:25 | |
Is that good news? Yes. Very good. | 0:11:25 | 0:11:28 | |
Fantastic. I'll put that back. | 0:11:28 | 0:11:30 | |
Right. And we'll go onwards and upwards. | 0:11:30 | 0:11:33 | |
Very good. Good. Thanks. | 0:11:33 | 0:11:35 | |
Let's go back through there. | 0:11:35 | 0:11:36 | |
The box of chisels, never came out of the cupboard. | 0:11:38 | 0:11:42 | |
They just stayed in the box. | 0:11:42 | 0:11:43 | |
I think my husband looked at them, enjoyed looking at them | 0:11:43 | 0:11:46 | |
and would put them away again. | 0:11:46 | 0:11:48 | |
He isn't here to look at them so they may as well go to someone who will enjoy them. | 0:11:48 | 0:11:52 | |
It's a great addition to our ?600 target but still not enough | 0:11:52 | 0:11:55 | |
so we need to uncover some more rich pickings. | 0:11:55 | 0:11:59 | |
On my travels I find these early boxed Pelham puppets, among them a striking Mr Turnip | 0:11:59 | 0:12:05 | |
as seen in the 1950s television show Whirligig, | 0:12:05 | 0:12:08 | |
one of the first children's programmes to be broadcast live. | 0:12:08 | 0:12:13 | |
They might give the bidders food for thought at a collective ?30-?50. | 0:12:13 | 0:12:16 | |
As could Maria's next discovery. What have you got there? | 0:12:16 | 0:12:20 | |
Asparagus tongs. I remember when dad brought them home I must have been about seven | 0:12:20 | 0:12:25 | |
and I asked him what they were, | 0:12:25 | 0:12:27 | |
and he said they were nose pinchers and pinched my nose. | 0:12:27 | 0:12:30 | |
I can see where he was coming from! | 0:12:30 | 0:12:33 | |
So, where they ever used in the house? | 0:12:33 | 0:12:35 | |
No, not at all. Most things were put away | 0:12:35 | 0:12:38 | |
because Mum was fed up with everything that he kept bringing in. | 0:12:38 | 0:12:41 | |
So she would put them away in the cupboard. | 0:12:41 | 0:12:44 | |
A bit of a hoarder? He was, yes. | 0:12:44 | 0:12:46 | |
Yes. | 0:12:46 | 0:12:48 | |
A bit of a magpie. Definitely. | 0:12:48 | 0:12:50 | |
These are fantastic quality. Solid silver. | 0:12:50 | 0:12:53 | |
A nice retailer's mark here from Windsor and they are | 0:12:53 | 0:12:57 | |
around the turn of the century, Edwardian set of asparagus forks. | 0:12:57 | 0:13:01 | |
What else have we got? | 0:13:01 | 0:13:03 | |
This. Look at that. | 0:13:03 | 0:13:06 | |
That is charming. That's a scallop shell. | 0:13:06 | 0:13:08 | |
Again, can you see these lovely big hallmarks down there | 0:13:08 | 0:13:12 | |
that shows us it's solid silver | 0:13:12 | 0:13:14 | |
and again that is turn of the century. Yes. | 0:13:14 | 0:13:16 | |
So an Edwardian lovely scallop shell butter dish and knife. | 0:13:16 | 0:13:22 | |
All in the original presentation box. | 0:13:22 | 0:13:24 | |
Anything else? | 0:13:24 | 0:13:26 | |
This one. That's lovely. And look, cracking hallmarks as well. | 0:13:26 | 0:13:32 | |
Wow! Original presentation box, | 0:13:32 | 0:13:34 | |
looks like that serving spoon and fork have never been out. | 0:13:34 | 0:13:37 | |
Yes. It's not worn at all. | 0:13:37 | 0:13:39 | |
That's really good quality. You want to sell the lot together? Yes. | 0:13:39 | 0:13:43 | |
Value? We are looking round the ?100 mark. | 0:13:43 | 0:13:46 | |
So ?80-?100 mark. Lovely. | 0:13:46 | 0:13:49 | |
I love the nose pinchers(!) Yes. | 0:13:49 | 0:13:52 | |
I didn't at the time! | 0:13:52 | 0:13:54 | |
Let's see if we can find any more. OK. | 0:13:54 | 0:13:57 | |
Dad may have cluttered up the home but he could certainly spot top-quality goods | 0:13:58 | 0:14:04 | |
and all these bits and pieces are inching us closer to that ?600 and Julie's luxury new floor. | 0:14:04 | 0:14:09 | |
'But I wonder whether my slightly unusual find will spark enough interest | 0:14:09 | 0:14:13 | |
'in the sale room and get us even more cash.' | 0:14:13 | 0:14:17 | |
Julie? | 0:14:17 | 0:14:19 | |
Yes. Jonty, look, I found something intriguing. | 0:14:19 | 0:14:22 | |
Is there anyone in the family who has been a doctor or anything? | 0:14:22 | 0:14:25 | |
No. It was... We assumed it was my grandfather's. | 0:14:25 | 0:14:30 | |
Right. OK. It was here when we came, | 0:14:30 | 0:14:32 | |
in the floor of the bottom of a wardrobe. | 0:14:32 | 0:14:34 | |
This is described as an electrotherapeutic machine | 0:14:34 | 0:14:39 | |
and the name here is fascinating. | 0:14:39 | 0:14:42 | |
Can you see the maker's name, Ediswan? | 0:14:42 | 0:14:44 | |
It was the Ediswan name that first produced the commercial light bulb. | 0:14:44 | 0:14:49 | |
It looks like the light bulb was a wee bit more successful than this, | 0:14:49 | 0:14:53 | |
because it looks like it's not been used. | 0:14:53 | 0:14:56 | |
It looks like a dangerous item to even get out. | 0:14:56 | 0:14:59 | |
It looks like something out of the Hammer House of Horror films, actually. | 0:14:59 | 0:15:03 | |
This is the vibrating handle part of the machine, | 0:15:03 | 0:15:06 | |
with the electrical cable, | 0:15:06 | 0:15:08 | |
but look at these heads, they look quite sinister. | 0:15:08 | 0:15:11 | |
I really don't think I want to get anywhere near it. | 0:15:11 | 0:15:14 | |
So if we take this glass head for instance. | 0:15:14 | 0:15:17 | |
I mean, is that for the head? | 0:15:17 | 0:15:18 | |
It looks really scary to me. | 0:15:18 | 0:15:21 | |
I imagine it must have been. | 0:15:21 | 0:15:23 | |
It's like a rake isn't it? And that would be...I don't know. | 0:15:23 | 0:15:26 | |
Do you want to use it? I don't think I would want to touch it. I'll put it straight back. | 0:15:26 | 0:15:30 | |
What do you think it is worth? | 0:15:30 | 0:15:32 | |
?40 to ?60. A back massage costs ?40, so I don't know. | 0:15:32 | 0:15:36 | |
I wouldn't have thought anything more than a fiver. There you are. | 0:15:36 | 0:15:41 | |
Fiver. ?40 to ?60. Somewhere between a fiver and ?60. | 0:15:41 | 0:15:44 | |
There'll be someone that collects these things. | 0:15:44 | 0:15:47 | |
A little tease. Could I take this to the auction | 0:15:47 | 0:15:49 | |
and tell you the value before the sale? | 0:15:49 | 0:15:51 | |
Yes, you can, but only on condition that if that's what we do you test it on the day. | 0:15:51 | 0:15:57 | |
That would be too shocking. | 0:15:57 | 0:16:00 | |
Shall we do that? Yes. Right. OK. So we will have to wait for the auction for that. | 0:16:00 | 0:16:04 | |
Interesting though it is, we better find something | 0:16:04 | 0:16:07 | |
that we definitely know the value of. Come on. Right, lovely. | 0:16:07 | 0:16:10 | |
Let's hope that the buyers on the day aren't put off | 0:16:10 | 0:16:14 | |
and we rake in a decent amount. | 0:16:14 | 0:16:15 | |
But if we want to reach that ?600 target | 0:16:15 | 0:16:18 | |
we need to search the house some more. | 0:16:18 | 0:16:20 | |
Maybe this 19th-century card table with its folded twist top, | 0:16:20 | 0:16:23 | |
used by Julie and her relatives | 0:16:23 | 0:16:25 | |
for regular card games for over 40 years, will deal up a further ?80 to ?120. | 0:16:25 | 0:16:31 | |
And trawling through a home that has housed three generations | 0:16:31 | 0:16:34 | |
is bound to have stirred up past family memories. | 0:16:34 | 0:16:38 | |
Here you are. Right. Having a bit of a break are you? Yes. | 0:16:38 | 0:16:42 | |
Children of the '60s, I see, from that fashion trend. | 0:16:42 | 0:16:46 | |
Have you got any in here of the house as it was? The front. | 0:16:46 | 0:16:50 | |
The front door has changed. What about inside? And there's here. | 0:16:50 | 0:16:56 | |
The bookcase. | 0:16:56 | 0:16:57 | |
This is this room. | 0:16:57 | 0:16:58 | |
That's the four of us. | 0:16:58 | 0:17:00 | |
Me, Alan. Danny and Lee. | 0:17:00 | 0:17:03 | |
And there's the bookcase. | 0:17:03 | 0:17:05 | |
Still in the corner and never moved from there. | 0:17:05 | 0:17:08 | |
So who is this in these? | 0:17:08 | 0:17:10 | |
That is my great grandparents. | 0:17:10 | 0:17:14 | |
My father's grandparents. | 0:17:14 | 0:17:16 | |
And have you got any of the stuff in the photographs? | 0:17:16 | 0:17:18 | |
Yes, you have this little table. | 0:17:18 | 0:17:20 | |
I'm keeping that. | 0:17:20 | 0:17:22 | |
My daughter has this table and I'm selling these vases here. | 0:17:22 | 0:17:27 | |
That is a lot of stuff to still have from that. Keeping some. | 0:17:27 | 0:17:31 | |
What was their life like? | 0:17:31 | 0:17:32 | |
It looks like they were quite well-to-do. Yes, they were. | 0:17:32 | 0:17:35 | |
If they were going out to the theatre or something in the evening | 0:17:35 | 0:17:39 | |
they would send a telegram to the stables | 0:17:39 | 0:17:42 | |
and the carriage would come for them in that evening. | 0:17:42 | 0:17:46 | |
So, OK, so we're not going to have servants and butlers | 0:17:46 | 0:17:49 | |
and things today then. No. | 0:17:49 | 0:17:52 | |
There were bells here. | 0:17:52 | 0:17:54 | |
Yes, there were bells in this house when we first came. | 0:17:54 | 0:17:57 | |
Each room had a bell on the wall. | 0:17:57 | 0:17:59 | |
I remember the bell at the side of that. | 0:17:59 | 0:18:02 | |
There was one in the bathroom, you could press the bell. | 0:18:02 | 0:18:05 | |
That's the sort of life I could become accustomed to. | 0:18:05 | 0:18:08 | |
Let's see what else we can find to sell. | 0:18:08 | 0:18:13 | |
We've been spoiled for choice today, | 0:18:13 | 0:18:15 | |
with so many relatives having a hand in supporting the floor fund we must be nearing our ?600 goal, | 0:18:15 | 0:18:21 | |
but not before Maria has off-loaded this massive collection of brass items | 0:18:21 | 0:18:26 | |
which her mum is keen to get rid of, | 0:18:26 | 0:18:28 | |
if only to reduce the amount of polishing she has to do. | 0:18:28 | 0:18:32 | |
Jonty prices the lot at ?80 to ?120 | 0:18:32 | 0:18:34 | |
although has Julie already been pushed over the edge? | 0:18:34 | 0:18:37 | |
I think I will leave Jonty to deal with that. | 0:18:37 | 0:18:40 | |
What have you got there? | 0:18:43 | 0:18:44 | |
An offensive weapon! | 0:18:44 | 0:18:47 | |
Wow, lovely. What do we have here? | 0:18:47 | 0:18:49 | |
We have a label here says "1796 patent officer's light cavalry." | 0:18:49 | 0:18:55 | |
So where was this from? | 0:18:55 | 0:18:56 | |
It was bought at an antiques fair. | 0:18:56 | 0:19:00 | |
Can we take a closer look at it? | 0:19:00 | 0:19:02 | |
So first what we need to do is take the sword out of the scabbard, | 0:19:02 | 0:19:07 | |
and you have to be very careful with these, OK, | 0:19:07 | 0:19:09 | |
so if you are taking a blade out of a scabbard | 0:19:09 | 0:19:13 | |
like this, never hold it like so. Oh, no. Right. | 0:19:13 | 0:19:15 | |
Because the blade itself, sometimes if it is a leather scabbard, | 0:19:15 | 0:19:19 | |
can pierce, so let's take it out. | 0:19:19 | 0:19:21 | |
Have a look. | 0:19:21 | 0:19:24 | |
There we are. Can you hold that scabbard there for me? Look at that. | 0:19:24 | 0:19:28 | |
That blade is in very, very good order. Can you see? | 0:19:28 | 0:19:33 | |
And we have got this piped rim to the top of the blade. | 0:19:33 | 0:19:37 | |
And you see this very large hilt here, | 0:19:37 | 0:19:41 | |
this pierced basket decoration? | 0:19:41 | 0:19:44 | |
That is an indicator of date. | 0:19:44 | 0:19:46 | |
We are looking at a blade that is a little later than 1796. | 0:19:46 | 0:19:50 | |
This belonged to an officer that was more of the Heavy Brigade rather than the Light Brigade, | 0:19:50 | 0:19:57 | |
and when I mean heavy I mean fully-blown armour in the thick of things. | 0:19:57 | 0:20:02 | |
We are talking the period of the Battle of Waterloo, | 0:20:02 | 0:20:05 | |
so this label is warm but not exactly correct. | 0:20:05 | 0:20:10 | |
I think that happens. | 0:20:10 | 0:20:12 | |
Would you have any idea what your husband would have paid for it? | 0:20:12 | 0:20:15 | |
I doubt if he would have paid more than ?20, ?25. | 0:20:15 | 0:20:18 | |
Julie, it's very good news indeed | 0:20:18 | 0:20:20 | |
because this is going to be worth between ?100 and ?150. Very good. | 0:20:20 | 0:20:24 | |
Do you think you ought to put it away rather quickly? | 0:20:24 | 0:20:27 | |
I think we should before we have any accidents. | 0:20:27 | 0:20:30 | |
I assume this is an instrument of torture you wish to sell. | 0:20:30 | 0:20:33 | |
Yes. oh, yes, definitely. | 0:20:33 | 0:20:36 | |
Sell what? Have a look at this. We have this English officer's cavalry sword. | 0:20:36 | 0:20:41 | |
Dated around 1880, that sort of date, | 0:20:41 | 0:20:44 | |
but it's in such good order it will be worth ?100 to ?150. | 0:20:44 | 0:20:47 | |
That is good news because I'm rounding up the troops to say | 0:20:47 | 0:20:50 | |
we've run out of time for rummaging so we've got to make that our last item. | 0:20:50 | 0:20:54 | |
You might be pleasantly surprised by this | 0:20:54 | 0:20:56 | |
because you wanted ?600 for the renovations. Yes. | 0:20:56 | 0:20:59 | |
The total of everything going to auction - | 0:20:59 | 0:21:01 | |
of course we don't know about that very strange electrical machine - | 0:21:01 | 0:21:05 | |
the value of everything else comes to ?830. | 0:21:05 | 0:21:08 | |
Oh, that's brilliant. | 0:21:08 | 0:21:10 | |
So there you go. You can do a bit of extra elbow grease with that. | 0:21:10 | 0:21:13 | |
That is fine. That is lovely. | 0:21:13 | 0:21:15 | |
All we have to do is make sure everything gets safely to auction. | 0:21:15 | 0:21:18 | |
The next time we see you all will be at the auction house. Thank you. | 0:21:18 | 0:21:22 | |
With such a wide range of goodies to choose from in Julie's home | 0:21:23 | 0:21:26 | |
I've had great fun finding the best items to take to auction. | 0:21:26 | 0:21:30 | |
These include the Edwardian two-piece bookcase, | 0:21:30 | 0:21:32 | |
with the family for over 40 years | 0:21:32 | 0:21:35 | |
and now being cashed in at ?150 to ?250. | 0:21:35 | 0:21:40 | |
That magnificent stash of solid silverware | 0:21:40 | 0:21:42 | |
collected by Julie's late husband Dave and worth at least ?80 to ?100. | 0:21:42 | 0:21:47 | |
For ?100 to ?200 the golden-cased Tudor timepiece by Rolex. | 0:21:47 | 0:21:54 | |
And finally, the Ediswan electrotherapeutic machine, | 0:21:54 | 0:21:57 | |
or massager as well - the mind boggles, really - | 0:21:57 | 0:22:00 | |
whose price will be revealed when we get to the sale room. | 0:22:00 | 0:22:04 | |
Still to come on Cash In The Attic - | 0:22:04 | 0:22:06 | |
one of us has been doing their auction homework... | 0:22:06 | 0:22:09 | |
What did you know that we didn't know? | 0:22:09 | 0:22:11 | |
..our expert can't get enough... | 0:22:11 | 0:22:14 | |
I wanted a bit more. You always want a bit more, Jonty. | 0:22:14 | 0:22:18 | |
..and I think ignorance is bliss. | 0:22:18 | 0:22:20 | |
Usually I am interested to know what people will use something for | 0:22:20 | 0:22:23 | |
but in this case I think I'll pass. | 0:22:23 | 0:22:25 | |
But will we reach our target? Find out when the final hammer falls. | 0:22:25 | 0:22:29 | |
It's been a couple of weeks since we had a good look round Julie Carter's home, | 0:22:34 | 0:22:38 | |
and together with her daughter Maria and her son Alan | 0:22:38 | 0:22:41 | |
we found plenty of items to bring here to Blyth Co in Ely, Cambridgeshire. | 0:22:41 | 0:22:45 | |
Remember Julie is looking to raise ?600 | 0:22:45 | 0:22:48 | |
so she can restore the original parquet flooring in her home. | 0:22:48 | 0:22:52 | |
Let's hope when the items go under the hammer today, the bidders are feeling very generous. | 0:22:52 | 0:22:57 | |
The auction room is full with potential buyers waiting to get our goods, | 0:22:57 | 0:23:02 | |
but they will need to wait in line because our expert wants to check out all our equipment first. | 0:23:02 | 0:23:07 | |
Jonty, I'm not into tools but that is a lovely set. Very good quality. | 0:23:07 | 0:23:11 | |
We have loads of lovely pieces, we have bits of silver, | 0:23:11 | 0:23:15 | |
the Pelham puppets and that lovely bookcase. | 0:23:15 | 0:23:18 | |
And we have the vibrating machine! | 0:23:18 | 0:23:20 | |
Yes, well, I don't know whether to get excited about that. | 0:23:20 | 0:23:23 | |
You won't tell us what its potential value is. My lips are sealed. | 0:23:23 | 0:23:27 | |
Are you looking forward to today? I am. Very much so. I need to meet them. Come on then. | 0:23:27 | 0:23:33 | |
With not long to go before the sale starts we spot Julie | 0:23:33 | 0:23:36 | |
and her children and we're all drawn together. | 0:23:36 | 0:23:38 | |
I hope that's not due to any underlying current! | 0:23:38 | 0:23:42 | |
Good morning. How are you? | 0:23:42 | 0:23:43 | |
Fine. Good. I see you have found it already. | 0:23:43 | 0:23:46 | |
Yes, that's right. I'm sure no-one will want it. | 0:23:46 | 0:23:49 | |
I am dying to find out about this set. So Jonty, time to reveal all. | 0:23:49 | 0:23:53 | |
You said ?40 to ?60. Did I? | 0:23:53 | 0:23:55 | |
And I said about a fiver. | 0:23:55 | 0:23:57 | |
Well, I think, Julie, you're nearest. | 0:23:57 | 0:24:00 | |
Because really it's anybody's guess. | 0:24:00 | 0:24:03 | |
I put ?20 to ?40 on it, but today we're just going to sell to the highest bidder. | 0:24:03 | 0:24:07 | |
It's one of those fun, novelty items. | 0:24:07 | 0:24:10 | |
Is there anything you are in two minds about selling? No, not really. | 0:24:10 | 0:24:13 | |
No, you look at it and look at it, then you don't look at it for ages. It may as well go somewhere else. | 0:24:13 | 0:24:18 | |
So you're ready to go? Yes. | 0:24:18 | 0:24:20 | |
Come this way. | 0:24:20 | 0:24:22 | |
Remember, if, like the Carters, you're planning on buying or selling at auction | 0:24:24 | 0:24:29 | |
you will be required to pay commission and possibly other charges, | 0:24:29 | 0:24:33 | |
so check with your local auction house for details. | 0:24:33 | 0:24:35 | |
With bidders and auctioneer at the ready | 0:24:35 | 0:24:37 | |
we get into our position for our first lot | 0:24:37 | 0:24:39 | |
of mixed valuables which takes to the stand. | 0:24:39 | 0:24:42 | |
Lot 80, various silver items, | 0:24:42 | 0:24:44 | |
the salt, pepper, the sugar tongs or nips. | 0:24:44 | 0:24:48 | |
What do we want for this particular lot? | 0:24:48 | 0:24:51 | |
I put ?30 to ?40 on this lot but it's a dealers' lot so we will see where it goes. | 0:24:51 | 0:24:56 | |
Ten, I'm bid. | 0:24:56 | 0:24:58 | |
10, 12, 15, 18, 20, 22, 25, | 0:24:58 | 0:25:02 | |
back in front at 25, I sell standing at 25. | 0:25:02 | 0:25:07 | |
In the middle of the room then at 25, you are out on my right. | 0:25:07 | 0:25:10 | |
Finished at 25. | 0:25:10 | 0:25:14 | |
?25. Are you happy with that? | 0:25:14 | 0:25:16 | |
Yes. That's not bad. Not bad. | 0:25:16 | 0:25:18 | |
I wanted a bit more. | 0:25:18 | 0:25:20 | |
You always want a bit more, Jonty. | 0:25:20 | 0:25:23 | |
Only slightly under-estimate but it's a good start. | 0:25:23 | 0:25:26 | |
I hope all the rest of our sales go down as well with the room. | 0:25:26 | 0:25:30 | |
Up next is the 19th-century twist-top card table | 0:25:30 | 0:25:34 | |
but we are not playing around today. | 0:25:34 | 0:25:36 | |
We would like ?80 to ?120 for it. | 0:25:36 | 0:25:39 | |
20, 20. 20 only. It's got to be worth more that ?20. | 0:25:39 | 0:25:44 | |
22. 22 here. Done at 22. | 0:25:44 | 0:25:47 | |
25. 28. 30. 35. 38. 40. | 0:25:47 | 0:25:50 | |
40. 45. 50. | 0:25:50 | 0:25:52 | |
At 50. You still in? | 0:25:52 | 0:25:54 | |
55. 60. 65. 70. 75. 80. | 0:25:54 | 0:25:58 | |
85, 90. | 0:25:58 | 0:26:00 | |
95. | 0:26:00 | 0:26:01 | |
At 95, are you in on the phone? | 0:26:01 | 0:26:03 | |
At 95. I sell down here at ?95. | 0:26:03 | 0:26:07 | |
Just needs a little glue. | 0:26:07 | 0:26:11 | |
It needs a bit more than that! | 0:26:11 | 0:26:13 | |
That's fine. I don't know about you, I was having a heart attack when he said 22. | 0:26:15 | 0:26:20 | |
I think we only paid ?2 for it. | 0:26:20 | 0:26:23 | |
You're joking! Did you really? | 0:26:23 | 0:26:25 | |
40 years ago. Gosh. | 0:26:25 | 0:26:27 | |
Selling at ?95. What an incredible investment, | 0:26:29 | 0:26:31 | |
but the bidders had me worried for a moment. | 0:26:31 | 0:26:34 | |
With the ?600 total to make, it's the big bucks we need | 0:26:34 | 0:26:38 | |
so hopefully our old classic - no, not Jonty - will be snapped up too. | 0:26:38 | 0:26:42 | |
This lot is the Tudor gold wristwatch. | 0:26:42 | 0:26:47 | |
I put a bottom estimate around ?100. | 0:26:47 | 0:26:49 | |
I know, a couple of hundred, straight in. 200, sir? | 0:26:50 | 0:26:53 | |
20 quid then. 20. 25, 30, 35, 40, 45, | 0:26:53 | 0:26:58 | |
50, 55, 60, 65, 70, 75, 80, 85, 90, 95. | 0:26:58 | 0:27:04 | |
At 95. 100. At 100 now. | 0:27:04 | 0:27:06 | |
110. At 110. | 0:27:06 | 0:27:10 | |
You out on the phone? | 0:27:10 | 0:27:11 | |
110. Goes then. Standing bid at 115. | 0:27:11 | 0:27:17 | |
I hope we're not paying for the call. | 0:27:17 | 0:27:19 | |
115. 120. At 120 now. | 0:27:19 | 0:27:23 | |
They're out on the phone. | 0:27:23 | 0:27:25 | |
At 120. You're out. | 0:27:25 | 0:27:28 | |
I sell at ?120 in the room. | 0:27:28 | 0:27:30 | |
Anyone else? Goes there at ?120. | 0:27:30 | 0:27:34 | |
Good estimate. The bidders are loving Julie's collectables, | 0:27:38 | 0:27:41 | |
paying another fantastic sum towards her new floor renovations. | 0:27:41 | 0:27:45 | |
But can our luck continue | 0:27:47 | 0:27:49 | |
and will our next cased set of 1920s tools | 0:27:49 | 0:27:52 | |
carve us out a tidy ?60? | 0:27:52 | 0:27:54 | |
Let us start low. Ten to start. | 0:27:54 | 0:27:57 | |
10, 12, 15, 18, 20, at 20 now. | 0:27:57 | 0:28:00 | |
22. 25, 25 here. 28. | 0:28:00 | 0:28:04 | |
30. 32. | 0:28:04 | 0:28:06 | |
At 32 now. Goes at 32. | 0:28:06 | 0:28:09 | |
New money at 35. 38. | 0:28:09 | 0:28:12 | |
40. 42. At 42. 45. 48. | 0:28:12 | 0:28:16 | |
At 48. | 0:28:16 | 0:28:18 | |
Against the lady at 48. | 0:28:18 | 0:28:20 | |
I sell there at 48. You are both out up front here. Is that 50? 50. | 0:28:20 | 0:28:25 | |
At 50 now. Sell at 50. Take your two, sir. 52. | 0:28:25 | 0:28:30 | |
52. | 0:28:30 | 0:28:32 | |
55. | 0:28:32 | 0:28:34 | |
At 55. In the blue. | 0:28:34 | 0:28:36 | |
At 55, I sell at 55. | 0:28:36 | 0:28:39 | |
60. | 0:28:39 | 0:28:41 | |
Back with the gentleman at 60. | 0:28:41 | 0:28:42 | |
I sell then at 60. This side at 60. | 0:28:42 | 0:28:46 | |
Good. | 0:28:47 | 0:28:49 | |
Very good. Well spotted, sir. | 0:28:49 | 0:28:53 | |
Another lucky find. | 0:28:53 | 0:28:56 | |
Bang-on estimate at ?60 and hopefully the quality | 0:28:56 | 0:28:59 | |
of our next nautical item will speak for itself too | 0:28:59 | 0:29:02 | |
and get the bidders delving deep into their pockets. | 0:29:02 | 0:29:05 | |
Lot 103 is a brass-cased Schatz marine clock. | 0:29:05 | 0:29:11 | |
10, 12, 15, 18, 20. 22. 25. | 0:29:11 | 0:29:19 | |
At 25 now. I sell then at 25. | 0:29:19 | 0:29:21 | |
Is that it? Goes though at ?25. All done at 25. | 0:29:21 | 0:29:26 | |
Are you in again, sir? You sure? | 0:29:26 | 0:29:29 | |
Sold at the back at ?25. | 0:29:29 | 0:29:33 | |
At ?25 that's rather unfortunate. | 0:29:33 | 0:29:36 | |
Not quite making Jonty's valuation. | 0:29:36 | 0:29:39 | |
But there is no time to dwell on it as we have a mammoth sale coming up | 0:29:39 | 0:29:42 | |
and we need to be fully-focused for this one. | 0:29:42 | 0:29:45 | |
I have to say you did have a lot of brassware at your house. | 0:29:45 | 0:29:49 | |
I'm a bit confused now, because in the catalogue | 0:29:49 | 0:29:51 | |
everything has been listed individually. What has happened? | 0:29:51 | 0:29:55 | |
Because you have such a large collection, | 0:29:55 | 0:29:57 | |
and you are the single reason why there is a world shortage of brass, | 0:29:57 | 0:30:02 | |
because it was in your house, so we are now flooding the market with it | 0:30:02 | 0:30:05 | |
and all these next 11 lots are your lots. | 0:30:05 | 0:30:08 | |
Collection of brass, I put ?80 to ?120 on the whole lot. Let us see if we can double it. | 0:30:08 | 0:30:13 | |
Let's have a bit of fun. | 0:30:13 | 0:30:15 | |
Let's watch them go through and add up the total at the end. | 0:30:15 | 0:30:19 | |
So, what do you think they will go for? | 0:30:19 | 0:30:21 | |
I really hate brass so I think it's worth about a fiver. | 0:30:21 | 0:30:25 | |
Alan? Well, in scrap value it's probably worth about ?100. | 0:30:25 | 0:30:29 | |
I hope we can get something around that. | 0:30:29 | 0:30:31 | |
I hope to get about ?120. | 0:30:31 | 0:30:34 | |
?120. Let's see what we can do. | 0:30:34 | 0:30:36 | |
Brass owl. Two, three, four, done at three. | 0:30:36 | 0:30:42 | |
?5 for those. Five. | 0:30:42 | 0:30:44 | |
Couple of pound then? All done at two. | 0:30:44 | 0:30:48 | |
20 behind me. | 0:30:48 | 0:30:51 | |
In the middle at four. | 0:30:51 | 0:30:52 | |
Take five now. | 0:30:52 | 0:30:54 | |
?120. Bang on the nose. What did you know that we didn't know? | 0:30:57 | 0:31:01 | |
You got that exactly right. | 0:31:01 | 0:31:04 | |
That's hard to do, isn't it? | 0:31:04 | 0:31:06 | |
I think there is a new saying. Where there's brass there's more brass. | 0:31:06 | 0:31:11 | |
There couldn't be more brass than this, | 0:31:11 | 0:31:13 | |
but thankfully it's no longer cluttering up Julie's home | 0:31:13 | 0:31:16 | |
and she's ?120 better off. | 0:31:16 | 0:31:18 | |
But just how close are we to our floor fund target? | 0:31:18 | 0:31:21 | |
We have a bit of a break coming up before we sell the rest of your lots, | 0:31:21 | 0:31:25 | |
but you want at least ?600 for the parquet flooring, don't you? | 0:31:25 | 0:31:28 | |
How do you think you've done? Hard to keep track. No idea. | 0:31:28 | 0:31:33 | |
Couple of hundred. | 0:31:33 | 0:31:34 | |
We've actually made ?445. Brilliant. | 0:31:34 | 0:31:38 | |
Excellent. Well over halfway. | 0:31:38 | 0:31:41 | |
Really good. Thank you. | 0:31:41 | 0:31:43 | |
I don't know about you but I feel like a well-deserved rest now. So follow me. | 0:31:43 | 0:31:47 | |
A break is out of the question though for Jonty, whose mind is always on the job. | 0:31:51 | 0:31:57 | |
There you are, David. Good morning. I want to have a quick chat with you | 0:31:57 | 0:32:00 | |
because I know you are the man at the coal face of antiques and collectables | 0:32:00 | 0:32:05 | |
and whereby you go to people's houses on a regular basis valuing. | 0:32:05 | 0:32:10 | |
What in your mind is really hot at the moment and what's not? | 0:32:10 | 0:32:14 | |
The hot items at the moment is anything military, particularly medals. | 0:32:14 | 0:32:19 | |
And if the recipient of that medal achieved any note of distinction | 0:32:19 | 0:32:24 | |
in their career then those items are sought after. | 0:32:24 | 0:32:27 | |
When you go into somebody's house what makes your heart sink? Jewellery is taking a big dip. | 0:32:27 | 0:32:32 | |
Unless it's the best-quality jewellery, it's dipping out. | 0:32:32 | 0:32:37 | |
And is it your experience like it is my experience, I am always amazed, stunned by what you see? | 0:32:37 | 0:32:42 | |
There's always something very exciting round the corner. | 0:32:42 | 0:32:45 | |
I can give you an interesting story. | 0:32:45 | 0:32:47 | |
I worked for an auction house that sells from Northampton | 0:32:47 | 0:32:51 | |
and the auctioneer flew out to Israel and collected | 0:32:51 | 0:32:56 | |
a number of Tottenham Hotspur catalogues that were in year runs. | 0:32:56 | 0:33:02 | |
He flew out and came back, feeling very much like a spy, he said. | 0:33:02 | 0:33:06 | |
They were put in the sale, the first lot made ?20,000 | 0:33:06 | 0:33:10 | |
and the rest made varying amounts going down | 0:33:10 | 0:33:13 | |
and I totted it up at the end of the day | 0:33:13 | 0:33:16 | |
and it was something like ?160,000, ?170,000 they made. | 0:33:16 | 0:33:21 | |
And that, to me, is a substantial amount of money. | 0:33:21 | 0:33:24 | |
I'm glad you have the same buzz as I do. | 0:33:24 | 0:33:26 | |
That is the beauty of the business. | 0:33:26 | 0:33:28 | |
Isn't it? Absolutely. I must let you get back to your work. Bye. | 0:33:28 | 0:33:32 | |
I think our Jonty has found himself a soul mate! | 0:33:36 | 0:33:39 | |
So far the bidders have paid some generous prices for our goods. | 0:33:39 | 0:33:43 | |
And as we resume our places I hope they won't get a fright | 0:33:43 | 0:33:46 | |
when they are shown our next item. | 0:33:46 | 0:33:48 | |
OK, guys, it's our fun item, | 0:33:48 | 0:33:51 | |
if you can call it a fun item. | 0:33:51 | 0:33:53 | |
It's our shocking item. The electro-massager. | 0:33:53 | 0:33:56 | |
Which you have been trying because your hair is rather spiky! | 0:33:56 | 0:34:00 | |
Yes, it's usually flat. | 0:34:00 | 0:34:02 | |
Was it good for you? Amazing! | 0:34:02 | 0:34:04 | |
A fun little item this. ?10 for it. | 0:34:04 | 0:34:07 | |
Ten anywhere? Come on. | 0:34:07 | 0:34:09 | |
Ten, I am bid here. At ten now. | 0:34:09 | 0:34:12 | |
Thankfully that stops us having a demonstration from you. At 10, 12, | 0:34:12 | 0:34:16 | |
15, 12 over here. | 0:34:16 | 0:34:19 | |
It goes at 12. 15. | 0:34:19 | 0:34:21 | |
Funny it's all blokes bidding on this. At 15 I sell there. | 0:34:21 | 0:34:24 | |
At 15 now. Ladies, have a go. | 0:34:24 | 0:34:27 | |
Come on, ladies. I sell at ?15. 18. | 0:34:27 | 0:34:31 | |
At 18. Fill it up to 20. | 0:34:31 | 0:34:33 | |
At ?18. | 0:34:33 | 0:34:35 | |
Over here at 18. Make it 20 now. | 0:34:35 | 0:34:38 | |
At ?18, it goes then on my left at ?18. | 0:34:38 | 0:34:42 | |
Were you shocked? ?18. | 0:34:43 | 0:34:45 | |
Usually I'm quite interested to know what people | 0:34:48 | 0:34:50 | |
are going to use something for but in this case I think I'll pass! | 0:34:50 | 0:34:54 | |
Making much more than Julie's expected fiver | 0:34:54 | 0:34:56 | |
the medical device is packed off to who knows where. | 0:34:56 | 0:34:59 | |
As long as it's not my doctor's surgery. | 0:34:59 | 0:35:01 | |
Earlier, the auctioneer told Jonty | 0:35:01 | 0:35:04 | |
military items were hot, | 0:35:04 | 0:35:05 | |
so let's hope it's one of our secret weapons today. | 0:35:05 | 0:35:08 | |
I hope we have the buyers here for our lovely officer's sword | 0:35:09 | 0:35:13 | |
because this is a general sale. | 0:35:13 | 0:35:15 | |
I've put around the ?100 mark on it. ?150. | 0:35:15 | 0:35:19 | |
I'm hoping the buyers will be here. Cross our fingers. | 0:35:19 | 0:35:22 | |
30, 35, 40, 45, 50, 55, | 0:35:22 | 0:35:27 | |
60, 65, 70, 75, 80, 85, 90, | 0:35:27 | 0:35:32 | |
95, at 95 now. | 0:35:32 | 0:35:34 | |
Against you at 95. | 0:35:34 | 0:35:36 | |
It sells here in the room at 95. Is the phone bidding? | 0:35:36 | 0:35:39 | |
Done at 95. | 0:35:41 | 0:35:42 | |
?95. That is a good result, isn't it? | 0:35:44 | 0:35:47 | |
Only ?5 off Jonty's lowest estimate. | 0:35:47 | 0:35:50 | |
But if we want to reach that ?600 target | 0:35:50 | 0:35:52 | |
we need our remaining items to be a hit. | 0:35:52 | 0:35:55 | |
And while it may not be quite military | 0:35:55 | 0:35:57 | |
the uniformed Pelham puppets will hopefully reach at least 30. | 0:35:57 | 0:36:01 | |
?20 to start. 20 I am bid. | 0:36:01 | 0:36:04 | |
20, I sell on the maiden bid 20. | 0:36:04 | 0:36:07 | |
22. 25. 28. 30. | 0:36:07 | 0:36:09 | |
32. 35. 38. | 0:36:09 | 0:36:12 | |
40. 42. 42 at the back. | 0:36:12 | 0:36:15 | |
45. 48. 48. | 0:36:15 | 0:36:19 | |
Fill it up to 50. 50. At 50. | 0:36:19 | 0:36:21 | |
55. Behind you at 55. | 0:36:21 | 0:36:23 | |
I sell against you in the blue. | 0:36:23 | 0:36:25 | |
Goes with the lady at ?55. | 0:36:25 | 0:36:28 | |
Finished at 55. All done at 55. | 0:36:28 | 0:36:31 | |
?55. That is a good result, isn't it? | 0:36:33 | 0:36:37 | |
The auctioneer was really stringing them along! | 0:36:37 | 0:36:40 | |
Exceeding their top estimate and banking us ?55 towards | 0:36:40 | 0:36:44 | |
Julie's floor refurbishment, we are on a roll. | 0:36:44 | 0:36:47 | |
And I hope that momentum continues as | 0:36:47 | 0:36:49 | |
our next fabulous lot takes to the stage. | 0:36:49 | 0:36:51 | |
Next up the pair of Doulton vases. | 0:36:51 | 0:36:54 | |
How do you feel about these going? | 0:36:54 | 0:36:56 | |
I have enjoyed them but I am quite happy for them to go | 0:36:56 | 0:36:59 | |
because I worry about them. Why do you worry about them? | 0:36:59 | 0:37:02 | |
Getting broken. I would rather they went and somebody else enjoyed them. | 0:37:02 | 0:37:06 | |
Erm, ?20 for them. 20. | 0:37:06 | 0:37:11 | |
Tenner. Ten I am bid. | 0:37:12 | 0:37:14 | |
15, 18, 20, 22, at 22, 25, | 0:37:14 | 0:37:18 | |
28, 30, in the doorway at 30. | 0:37:18 | 0:37:21 | |
I sell them in the doorway at 32. | 0:37:21 | 0:37:23 | |
32 now, new money at 32. | 0:37:23 | 0:37:26 | |
35. At 35. 40. | 0:37:26 | 0:37:29 | |
Back down here at ?40. | 0:37:29 | 0:37:31 | |
I sell to the lady at 40. Make no mistake. They're going at ?40. | 0:37:31 | 0:37:35 | |
I will take two if you like, sir. Bidding? | 0:37:35 | 0:37:37 | |
At ?40, I sell down here at 40. | 0:37:37 | 0:37:41 | |
?40. That's half your estimate. | 0:37:43 | 0:37:46 | |
What a shock to the system. | 0:37:46 | 0:37:48 | |
We were doing so well. | 0:37:48 | 0:37:50 | |
With only two lots left to go | 0:37:50 | 0:37:51 | |
we must achieve those valuations | 0:37:51 | 0:37:53 | |
if we're going to make that ?600 target. | 0:37:53 | 0:37:56 | |
Surely the craftsmanship of our Edwardian masterpiece will be | 0:37:56 | 0:37:59 | |
worth its weight in gold, to the sum of ?150 to ?250. | 0:37:59 | 0:38:06 | |
Even I feel slightly sad to see this go | 0:38:06 | 0:38:08 | |
because I have been through the family photograph album. | 0:38:08 | 0:38:11 | |
I've seen it sitting there for so many years, | 0:38:11 | 0:38:14 | |
you remember it for ever in the house. | 0:38:14 | 0:38:16 | |
And now it has been it's being sold, the bookcase. | 0:38:16 | 0:38:19 | |
?100 for it. | 0:38:19 | 0:38:22 | |
OK. 20 quid. | 0:38:22 | 0:38:24 | |
20 I am bid. At 20. | 0:38:24 | 0:38:26 | |
I sell at 20. 25, 28. 30. 35. 40. | 0:38:26 | 0:38:30 | |
45. At 45 now. At ?45. | 0:38:30 | 0:38:36 | |
Is that it? You all finished at 45. | 0:38:36 | 0:38:38 | |
Fill it up to the 50, sir. | 0:38:38 | 0:38:40 | |
At ?45. | 0:38:40 | 0:38:42 | |
Finished with it at 45. | 0:38:42 | 0:38:44 | |
I don't think that's enough. We'll try that one somewhere else. | 0:38:44 | 0:38:47 | |
If you won't go 50. At 45. | 0:38:47 | 0:38:50 | |
You're out in front. Done at 45. | 0:38:50 | 0:38:54 | |
Not sold. | 0:38:54 | 0:38:55 | |
What's happened there? | 0:38:55 | 0:38:58 | |
What's happened he has made it unsold | 0:38:58 | 0:39:01 | |
and he will try it in another auction sale. | 0:39:01 | 0:39:04 | |
Rather than sell it for ?45, which does seem ridiculous. | 0:39:04 | 0:39:07 | |
A disappointing no sale and although it would be awful to see such | 0:39:07 | 0:39:11 | |
a fabulous family heirloom go for less than what it's worth, | 0:39:11 | 0:39:14 | |
if we want Julie to get her floor restoration project | 0:39:14 | 0:39:16 | |
off the ground we can't afford any more like that. | 0:39:16 | 0:39:19 | |
We need our luck to take a dramatic change as Julie's | 0:39:19 | 0:39:23 | |
quality stash of hallmarked silverware | 0:39:23 | 0:39:25 | |
still in their in presentation boxes goes under the hammer. | 0:39:25 | 0:39:28 | |
What do you want for the whole lot? I put ?80 to ?120 on the collection. | 0:39:28 | 0:39:32 | |
But what makes it so lovely is the fact they are all still in cases. | 0:39:32 | 0:39:36 | |
Great presents for people. | 0:39:36 | 0:39:38 | |
It's asparagus season. | 0:39:38 | 0:39:39 | |
This is what you need. | 0:39:39 | 0:39:41 | |
First bidding on this, 40, 45, 50, with me at ?60. | 0:39:41 | 0:39:45 | |
65. | 0:39:45 | 0:39:47 | |
70. 75. 80. 85. 90. | 0:39:47 | 0:39:51 | |
95. 100. 110. 120. | 0:39:51 | 0:39:55 | |
130. 140. 150. 160. | 0:39:55 | 0:40:01 | |
170. 180. 190. 200. | 0:40:01 | 0:40:06 | |
210. 210 down here. | 0:40:06 | 0:40:08 | |
Sold to the lady at ?210. | 0:40:08 | 0:40:12 | |
Julie, ?210, are you pleased with that? Really pleased. | 0:40:14 | 0:40:17 | |
Are you crying? Almost. | 0:40:17 | 0:40:19 | |
As long as it's tears of joy. | 0:40:19 | 0:40:20 | |
That's such a good result. | 0:40:20 | 0:40:22 | |
Yes, that was brilliant. Very good. | 0:40:22 | 0:40:25 | |
What an outstanding end to the day, but has it been enough | 0:40:25 | 0:40:28 | |
to cover our previous poor sales? | 0:40:28 | 0:40:31 | |
Right, that's the end of the auction as far as we are concerned. It has been an interesting day. | 0:40:31 | 0:40:36 | |
Yes, great fun. | 0:40:36 | 0:40:38 | |
Great results, that silver was fantastic. | 0:40:38 | 0:40:41 | |
We wanted to raise ?600 so we can get the parquet flooring sorted out. Do you think you made that amount? | 0:40:41 | 0:40:47 | |
It's hard to tell, you can't tot up as you go along. | 0:40:47 | 0:40:51 | |
The good news is I think you will be all right. | 0:40:51 | 0:40:54 | |
You have made ?863. | 0:40:54 | 0:40:57 | |
Well done. That is brilliant. Really good. | 0:40:57 | 0:41:00 | |
And that is pretty good considering the bookcase didn't sell. | 0:41:00 | 0:41:03 | |
That is very good. | 0:41:03 | 0:41:04 | |
What are you going to do with the extra money? | 0:41:04 | 0:41:07 | |
Well, we will probably need more money in our pockets. | 0:41:07 | 0:41:10 | |
I am taking the boys away while Alan gets on with the work. | 0:41:10 | 0:41:14 | |
Where you off to? | 0:41:14 | 0:41:16 | |
The Isle of Wight on a group holiday. | 0:41:16 | 0:41:18 | |
We go every year with family and friends. | 0:41:18 | 0:41:23 | |
Have a wonderful time. | 0:41:23 | 0:41:25 | |
It's been a few weeks since Julie made ?863 at auction | 0:41:28 | 0:41:33 | |
and today she is off to the Isle of Wight | 0:41:33 | 0:41:36 | |
with sons Danny and Lee for a break, | 0:41:36 | 0:41:38 | |
while leaving Alan behind to complete her floor transformation. | 0:41:38 | 0:41:43 | |
Alan soon got his team stripping up the carpet | 0:41:43 | 0:41:45 | |
to reveal the parquet flooring which Julie loves so much. | 0:41:45 | 0:41:49 | |
Although she is enjoying herself miles away | 0:41:49 | 0:41:51 | |
she can't help wondering what is happening in her absence. | 0:41:51 | 0:41:54 | |
While we are having a great time over here, with a bit of luck, Alan is working hard | 0:41:54 | 0:41:59 | |
at home sanding the floors down and getting them just right, I hope, | 0:41:59 | 0:42:03 | |
and we will be really pleased when we get home. | 0:42:03 | 0:42:07 | |
Fingers crossed! | 0:42:07 | 0:42:09 | |
It's a long, arduous job | 0:42:09 | 0:42:11 | |
but Alan is relentless and wants to get the best results for his mum. | 0:42:11 | 0:42:15 | |
With the two-day holiday coming to an end it's time to reveal | 0:42:15 | 0:42:19 | |
the brand-new floor and find out what Julie's verdict is. | 0:42:19 | 0:42:23 | |
All finished. That's lovely. | 0:42:23 | 0:42:26 | |
Very nice. Yes. | 0:42:26 | 0:42:27 | |
Very smart aren't we, Lee? Lovely. Thanks very much. | 0:42:27 | 0:42:30 | |
Just a bit of decorating to do now. | 0:42:30 | 0:42:32 | |
It was lovely to come back and see the floors done, | 0:42:32 | 0:42:35 | |
something I have wanted doing for a while and so, | 0:42:35 | 0:42:39 | |
the whole thing has been really good. | 0:42:39 | 0:42:41 | |
I feel really pleased. | 0:42:41 | 0:42:42 | |
Subtitles by Red Bee Media Ltd | 0:42:58 | 0:43:01 |