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Welcome to Cash In The Attic, | 0:00:02 | 0:00:04 | |
the show that searches out the hidden treasures around your home | 0:00:04 | 0:00:07 | |
and helps you sell them at auction. | 0:00:07 | 0:00:08 | |
Well, today I'm in Kensal Green in northwest London... | 0:00:08 | 0:00:12 | |
which borders with trendy Ladbroke Grove, a popular hang-out for many celebrities | 0:00:12 | 0:00:17 | |
and where the Notting Hill Carnival takes place every year. | 0:00:17 | 0:00:20 | |
A stone's throw away from this bustling high street is one of London's oldest public cemeteries | 0:00:20 | 0:00:25 | |
where the famous British engineer, Isambard Kingdom Brunel, was finally laid to rest. | 0:00:25 | 0:00:30 | |
Well, not far from this fascinating spot is a home | 0:00:30 | 0:00:34 | |
that today we'll be searching for more historic treasures. | 0:00:34 | 0:00:37 | |
Coming up on today's Cash In The Attic, Paul needs some fashion advice. | 0:00:57 | 0:01:02 | |
It's for your bra and knickers, Paul, but I didn't like to tell you! | 0:01:02 | 0:01:06 | |
Really! He's getting a little bit fruity. | 0:01:06 | 0:01:08 | |
Who was the lady with the pineapples in her hair? | 0:01:08 | 0:01:11 | |
And he's obviously got me on his mind. | 0:01:11 | 0:01:14 | |
We're just looking for an elegant lady with lots of taste and style. | 0:01:14 | 0:01:17 | |
But will all this frivolity affect our sales? Find out when the final hammer falls. | 0:01:17 | 0:01:22 | |
I'm on my way to meet a couple | 0:01:22 | 0:01:24 | |
with a passion for yoga, travel and antiques. | 0:01:24 | 0:01:28 | |
They've called in the Cash In The Attic team | 0:01:28 | 0:01:31 | |
to help raise some funds so we can pack them off on a big adventure to India. | 0:01:31 | 0:01:35 | |
This two-bedroom flat is the spiritual home | 0:01:35 | 0:01:37 | |
of Pilates instructor, Debra, and her yoga teacher husband, Siraj. | 0:01:37 | 0:01:40 | |
It's here they live a very tranquil life, with Debra's 14-year-old cats, Jake and Zula. | 0:01:40 | 0:01:48 | |
But since meeting and marrying in India eight years ago, | 0:01:48 | 0:01:51 | |
they have longed to return and are hoping the Cash In The Attic team can help them all relocate. | 0:01:51 | 0:01:57 | |
Morning, Paul. Oh, good morning. How are you? | 0:01:57 | 0:02:00 | |
Have you been practising your yogic poses? I usually pose like this... near the kettle! | 0:02:00 | 0:02:06 | |
We've got a lovely family today, so I have a feeling | 0:02:06 | 0:02:09 | |
we might come out of the house with more Zen than we go in with! | 0:02:09 | 0:02:12 | |
My body is now a temple, so I'm ready when you are. | 0:02:12 | 0:02:15 | |
If your body can find the kettle, that will be good. OK! | 0:02:15 | 0:02:17 | |
Is there a knack to turning the kettle on? Well, I think you've got it! | 0:02:17 | 0:02:21 | |
Ah, good morning. I see you've started the rummage, then, already, which is good to see. | 0:02:21 | 0:02:27 | |
Tell me a bit about why you've called in Cash In The Attic? | 0:02:27 | 0:02:29 | |
Because we're going to be moving to India and we want to let go of some of our possessions | 0:02:29 | 0:02:36 | |
that will probably get rusty there, for one, and make some of our shipping costs. | 0:02:36 | 0:02:41 | |
What made you decide to move to India? Our family is there, basically, | 0:02:41 | 0:02:45 | |
the weather, I love the culture and we are going to start a business. | 0:02:45 | 0:02:51 | |
We've bought a guesthouse. | 0:02:51 | 0:02:53 | |
So what sort of money would you like to raise? | 0:02:53 | 0:02:55 | |
I'd like to raise money for shipping costs for my cats, to ship my cats to India. | 0:02:55 | 0:03:00 | |
And how much is that going to cost? About 650. | 0:03:00 | 0:03:03 | |
So we need to raise ?650 so we can get the two cats to India. | 0:03:03 | 0:03:07 | |
We'd better crack on and get rummaging, so follow me. OK. | 0:03:07 | 0:03:12 | |
On the surface, Debra and Siraj's home is a relaxed haven in a state of calm, but with the imminent move, | 0:03:12 | 0:03:18 | |
chaos is not far away, and hoping to cut through that clutter is our very own Paul Hayes. | 0:03:18 | 0:03:24 | |
With his antique expertise gained over 20 years, he can't hide his passion for collectables, | 0:03:24 | 0:03:30 | |
and he'll all fired up about his first discovery of the day. | 0:03:30 | 0:03:33 | |
Have you found something already? | 0:03:33 | 0:03:34 | |
Yes. There's loads of interesting bits and pieces, but I've found a fantastic Japanese case. | 0:03:34 | 0:03:40 | |
So Debra, where is this from? | 0:03:40 | 0:03:42 | |
I got it in Seattle at my friend's shop | 0:03:42 | 0:03:45 | |
called Deluxe Junk. | 0:03:45 | 0:03:46 | |
What did you like about it? | 0:03:46 | 0:03:48 | |
I've always really liked Asian things, so anything from Japan, | 0:03:48 | 0:03:53 | |
China, India - the older things I love, they're absolutely beautiful. | 0:03:53 | 0:03:57 | |
I think the quality is superb. | 0:03:57 | 0:03:59 | |
You do tend to find with Japanese items that the smaller items, | 0:03:59 | 0:04:02 | |
they spent months on sometimes creating these wonderful things, | 0:04:02 | 0:04:06 | |
but this is called lacquer work, | 0:04:06 | 0:04:08 | |
which is a very traditional material that you'll find out in Japan, | 0:04:08 | 0:04:12 | |
and the way it works is that they have a metal case, in this case, brass, | 0:04:12 | 0:04:16 | |
and then they would overlay it with several layers of lacquer, | 0:04:16 | 0:04:19 | |
and then what happens, someone carves through, and what you end up with | 0:04:19 | 0:04:23 | |
is the brass showing underneath and you get this sort of three-dimensional effect. | 0:04:23 | 0:04:27 | |
On the front here, we have a dragon and an eagle, and the dragon is two things in Japanese culture. | 0:04:27 | 0:04:33 | |
It's a power symbol but it's also a symbol of wisdom, and then on the back here we have Mount Fuji, | 0:04:33 | 0:04:38 | |
which is very typical to what you find in Japanese export things, | 0:04:38 | 0:04:41 | |
things made for the European market. | 0:04:41 | 0:04:44 | |
So, Paul, what sort of value could we be talking about? | 0:04:44 | 0:04:47 | |
Well, if I said ?50 to ?100 and see how it goes. | 0:04:47 | 0:04:50 | |
Yes, that sounds good. That's not bad, is it? | 0:04:50 | 0:04:53 | |
That will help the cats go on their voyage to India! It certainly will. | 0:04:53 | 0:04:57 | |
It will help them leave the country! I'm not sure if it's enough to get to India! | 0:04:57 | 0:05:01 | |
Come on, let's see what else we can find. OK. | 0:05:01 | 0:05:04 | |
Well, the cigarette case might not be making the long trip to India, | 0:05:04 | 0:05:08 | |
but if we want to raise the ?650 needed for Jake and Zula to go, | 0:05:08 | 0:05:11 | |
we'll need a lot more valuables to tempt the bidders. | 0:05:11 | 0:05:14 | |
Could Siraj's stash of 19th-century photographs in this leather-bound album, | 0:05:14 | 0:05:21 | |
which he bought at a market in New Mexico, | 0:05:21 | 0:05:23 | |
do the trick at ?50 to ?100? | 0:05:23 | 0:05:26 | |
And while those Victorians might not be the brightest treasure | 0:05:26 | 0:05:29 | |
we've found so far today, the same can't be said | 0:05:29 | 0:05:32 | |
for the decorative pieces Paul has got his hands on. | 0:05:32 | 0:05:35 | |
Hello. What have you found there, Paul? | 0:05:35 | 0:05:38 | |
I hope you don't mind - I've come across this box of costume jewellery. I don't mind at all. | 0:05:38 | 0:05:42 | |
It's fabulous, isn't it? | 0:05:42 | 0:05:44 | |
It's like the "who's who" of costume. Are these items that you bought? | 0:05:44 | 0:05:47 | |
Yes, they are. I've bought them over the past 30 years. | 0:05:47 | 0:05:51 | |
I can't stop myself! | 0:05:51 | 0:05:53 | |
This one here is Miriam Haskell. You have several pieces by her. I mean, do you know who she was? | 0:05:53 | 0:05:59 | |
I know she's quite desirably collectable and I know I just love her designs. | 0:05:59 | 0:06:03 | |
I think she does a really wonderful job. | 0:06:03 | 0:06:06 | |
Well, she really was one of the very first to cotton onto the whole costume jewellery scene | 0:06:06 | 0:06:11 | |
and what's very rare to find with all costume jewellery, really, is the maker's name on the back. | 0:06:11 | 0:06:16 | |
A lot of it was very mass-produced, | 0:06:16 | 0:06:18 | |
but there are one or two designers that you look for, and Miriam Haskell is one of those. | 0:06:18 | 0:06:22 | |
She was best friends with Coco Chanel, and what she did is, | 0:06:22 | 0:06:25 | |
she did the accessories for the Chanel outfits, | 0:06:25 | 0:06:27 | |
and that's really where the term "costume jewellery" comes from. | 0:06:27 | 0:06:30 | |
It's your costume, your full regalia, your accessories, really, that made your outfit. | 0:06:30 | 0:06:36 | |
Then you've got another well-known name in the jewellery world. Is it a belt or something? | 0:06:36 | 0:06:41 | |
No, it's a necklace, actually, and... | 0:06:41 | 0:06:44 | |
Let's see if we can get it untangled, there we go. | 0:06:44 | 0:06:47 | |
So it would be worn like that. That's amazing, isn't it! | 0:06:47 | 0:06:50 | |
It's really beautiful. On a plain top, it's just a stunning piece. | 0:06:50 | 0:06:54 | |
And this one here really reminded me of the 1930s and '40s, | 0:06:54 | 0:06:59 | |
when you've got this feeling of travel and escapism, and these ladies here remind me of... | 0:06:59 | 0:07:04 | |
Who was the lady with the big pineapples in her hair? | 0:07:04 | 0:07:07 | |
Carmen Miranda. That's what it reminds me of, that period, | 0:07:07 | 0:07:11 | |
with these wonderful exotic characters, | 0:07:11 | 0:07:14 | |
and then you're looking into the 1950s for some of this as well. | 0:07:14 | 0:07:18 | |
So what I would suggest we do, I think quite easily we could find | 0:07:18 | 0:07:21 | |
?100, maybe ?150-worth, say, of these items - items that you are willing to part with, and go from there. | 0:07:21 | 0:07:28 | |
How does that sound? Great. That sounds really good. | 0:07:28 | 0:07:31 | |
Let's keep looking. OK. | 0:07:31 | 0:07:33 | |
It's a little hard to sell my costume jewellery | 0:07:33 | 0:07:38 | |
because I've collected it for so long and I've got a vast collection, | 0:07:38 | 0:07:42 | |
but it's time to let some of it go. | 0:07:42 | 0:07:44 | |
So far we've found some marvellous goodies - | 0:07:44 | 0:07:46 | |
some slightly more extraordinary than others. | 0:07:46 | 0:07:49 | |
But I hope our rummaging ways haven't turned Debra to the drink! | 0:07:49 | 0:07:53 | |
Thankfully not, but she does think this commemorative Russian spirit flask from the Second World War | 0:07:53 | 0:07:58 | |
could lead us to victory, which Paul values at ?30 to ?50. | 0:07:58 | 0:08:01 | |
And Siraj has uncovered another first-class find. | 0:08:01 | 0:08:06 | |
Paul, come and have a look at this. | 0:08:06 | 0:08:10 | |
All right, look at that! It's an old stamp album, is it? | 0:08:10 | 0:08:12 | |
Whose is this, then? It's mine. Really! Wow! | 0:08:12 | 0:08:16 | |
I didn't know you were a philatelist! | 0:08:16 | 0:08:18 | |
So is this something that you've bought, then? | 0:08:18 | 0:08:20 | |
Yeah. Well, let's have a look. This is a great album. It's not in the best condition... | 0:08:20 | 0:08:26 | |
Oh, that's a great giveaway here, right in the front page it says here, "2,910 stamps", | 0:08:26 | 0:08:33 | |
so that's how many are in this album. | 0:08:33 | 0:08:35 | |
It becomes a bit of an obsession, if you think about it, but there are two types of stamp album. | 0:08:35 | 0:08:40 | |
One is called a schoolboy collection and one is a serious collection, and what would happen | 0:08:40 | 0:08:45 | |
is that an album like this would be aimed really at the schoolchild, | 0:08:45 | 0:08:50 | |
and what he would do is that when the letters came into the family home, | 0:08:50 | 0:08:53 | |
he would take off the stamp from the envelope and stick them into an album like this, | 0:08:53 | 0:08:58 | |
so you have all different ones from different countries and nationalities. | 0:08:58 | 0:09:02 | |
But a serious collector would pay a week's wages for one stamp at the time, you'd handle it with tweezers | 0:09:02 | 0:09:07 | |
and it would be in a beautiful bound album, and they're obviously the ones which are very desirable indeed. | 0:09:07 | 0:09:13 | |
There is something here for everybody. | 0:09:13 | 0:09:15 | |
You've got all the stamps of the world. | 0:09:15 | 0:09:17 | |
You never really get a full album, but there's a lot of stamps in there. | 0:09:17 | 0:09:21 | |
If that came into auction... | 0:09:21 | 0:09:24 | |
If I said a minimum of ?100, see how that goes, I mean, does that sound all right to you? | 0:09:24 | 0:09:30 | |
Yeah, that's good. | 0:09:30 | 0:09:32 | |
So does that have your stamp of approval? | 0:09:32 | 0:09:35 | |
Come on, let's keep looking! OK. | 0:09:35 | 0:09:38 | |
We're edging closer to our target, | 0:09:40 | 0:09:42 | |
but if we want to make that ?650, we're going to have to poke around some more, | 0:09:42 | 0:09:47 | |
and with Paul doing such a sterling job, I take Debra and Siraj off | 0:09:47 | 0:09:51 | |
to a more peaceful location at their local park. | 0:09:51 | 0:09:55 | |
So tell me, how did you two meet? | 0:09:55 | 0:09:58 | |
We met when I went to India for a year, teacher's training, | 0:09:58 | 0:10:01 | |
and Siraj was doing the same training in the south of India. | 0:10:01 | 0:10:06 | |
So was it love at first sight? | 0:10:06 | 0:10:07 | |
Yeah. Was it? How romantic! | 0:10:07 | 0:10:11 | |
So tell me a little bit about, not just how you met, but you got married in India, is that right? | 0:10:11 | 0:10:16 | |
We did. OK. So what was the wedding like, then? | 0:10:16 | 0:10:19 | |
She'll.... Do you want me to explain? | 0:10:21 | 0:10:23 | |
Yeah, you're going to explain. It was very fast. | 0:10:23 | 0:10:26 | |
You hear about Hindu weddings being three days long and elaborate | 0:10:26 | 0:10:30 | |
and we were married and I was converted to Hinduism within 45 minutes! Really! | 0:10:30 | 0:10:36 | |
Yeah, it was very quick! What did you do, the speedy option, then?! | 0:10:36 | 0:10:40 | |
I think we must have, yeah, but I had to ask him because it was all in his language, | 0:10:40 | 0:10:44 | |
and I said, "Are we married yet?" | 0:10:44 | 0:10:46 | |
And he's like, "Yes." I said, "Am I Hindu?" | 0:10:46 | 0:10:49 | |
And he said, "Yes." | 0:10:49 | 0:10:50 | |
Oh, excellent! Did you enjoy the day? | 0:10:50 | 0:10:52 | |
We did. We had a big party afterwards with all his friends and family in a hotel nearby. | 0:10:52 | 0:10:58 | |
Now it's very different, isn't it, actually living in a country, as you know yourself. | 0:10:58 | 0:11:02 | |
Do you have any fears about this move to India? | 0:11:02 | 0:11:05 | |
I'm sure I'll have my moments of melting down, but Siraj will help me through that. | 0:11:05 | 0:11:10 | |
I told him to just give me a hug if I start shouting or crying too much. | 0:11:10 | 0:11:15 | |
I think I'm going to have a meltdown of the wrong variety if we don't find more stuff to sell, | 0:11:15 | 0:11:19 | |
but I'm not going to hug Paul Hayes. | 0:11:19 | 0:11:21 | |
Shall we go back to the house and see how he's getting on? | 0:11:21 | 0:11:24 | |
In our absence, ever the expert, Paul has continued with the hunt for collectables, | 0:11:26 | 0:11:30 | |
putting in some serious legwork in the process, | 0:11:30 | 0:11:32 | |
which eventually pays off when he spots a huge collection of postcards | 0:11:32 | 0:11:36 | |
that Siraj has collected over many years - | 0:11:36 | 0:11:39 | |
a mixture of European images with a price tag of ?80 to ?120. | 0:11:39 | 0:11:45 | |
At this rate, we'll easily have raised the fare needed for Jake and Zula to travel in style to India. | 0:11:45 | 0:11:51 | |
This home is simply overflowing with fantastic bits and pieces, ripe for Paul's picking. | 0:11:51 | 0:11:56 | |
I must admit, Debra, something that you don't really see over here in the UK is native Indian art. | 0:11:56 | 0:12:03 | |
Where has this come from? A friend of mine left it to me, a very dear friend, so... | 0:12:03 | 0:12:07 | |
The reason I'm not taking it to India is...I'm afraid it's going to get eaten. | 0:12:07 | 0:12:12 | |
I don't want to see it in a chest for ever. | 0:12:12 | 0:12:14 | |
I want someone to enjoy it, because it's a beautiful piece. | 0:12:14 | 0:12:19 | |
The nice thing about this one is that you've got a label on it, and it says here... | 0:12:19 | 0:12:24 | |
Right. Now, what I know about Oregon region was that it's very much a farming community. | 0:12:31 | 0:12:35 | |
There are lots of sheep out there. That's the reason why lots of factories relocated | 0:12:35 | 0:12:39 | |
to get the wool from the local sheep, and it says at the bottom here, | 0:12:39 | 0:12:43 | |
"Robes and Shawls", | 0:12:43 | 0:12:44 | |
so these were actually designed to be worn, then, I take it. | 0:12:44 | 0:12:48 | |
I think it probably would be worn or perhaps used as a horse blanket. | 0:12:48 | 0:12:54 | |
I'm not sure, but that's what my guess would be, because I have seen them on horses. | 0:12:54 | 0:12:58 | |
But I do know one thing about these sort of items, | 0:12:58 | 0:13:01 | |
is that when they have a plain edge like this, it tends to be designed for a male. OK. | 0:13:01 | 0:13:06 | |
And when they have the frilly edges, it's for a female, which translates globally, I suppose. | 0:13:06 | 0:13:10 | |
Yeah. So this would have been the male blanket or robe, but the way they made them is fabulous. | 0:13:10 | 0:13:15 | |
Nobody knows how old these designs are. | 0:13:15 | 0:13:18 | |
They know that they're pre-European, before we had any influence on them, | 0:13:18 | 0:13:22 | |
so this is a very traditional item, very much in the American culture, | 0:13:22 | 0:13:26 | |
and the great thing about them is they used vegetable dyes, and those dyes will outlive me and you. | 0:13:26 | 0:13:32 | |
This rug will last literally for ever if it's looked after, | 0:13:32 | 0:13:37 | |
so you've got a real find here, actually, and I think if we put that into a general sale, | 0:13:37 | 0:13:41 | |
what I would have to do is put it in with a fairly conservative estimate... | 0:13:41 | 0:13:45 | |
Right. ..and maybe make a few phone calls, get the right people interested and go from there. | 0:13:45 | 0:13:49 | |
How would you feel about that? | 0:13:49 | 0:13:52 | |
Maybe, maybe not. I'm not sure. | 0:13:52 | 0:13:54 | |
Well, if you did decide to go ahead, I'd put an estimate of at least ?50 to ?80. | 0:13:54 | 0:14:02 | |
I think that's a minimum, but on the day we could probably do a lot better than that, | 0:14:02 | 0:14:06 | |
but it's obviously something you have to decide. | 0:14:06 | 0:14:08 | |
I'm not convinced Debra is ready to let go of her cherished blanket, and if that is the case, | 0:14:08 | 0:14:13 | |
we have to make sure we have a host of alternatives, | 0:14:13 | 0:14:16 | |
so the team has turned the searching skills up a notch. | 0:14:16 | 0:14:19 | |
Once again, Siraj's obsession for collecting all and everything comes to our rescue. | 0:14:19 | 0:14:24 | |
These two stamp albums full of first-day covers, | 0:14:24 | 0:14:28 | |
along with his selection of cigarette cards, | 0:14:28 | 0:14:30 | |
could help boost our sales by at least ?80 to ?150. | 0:14:30 | 0:14:34 | |
While upstairs, Debra thinks she can help make up our funds, too. | 0:14:34 | 0:14:38 | |
Paul... Yep. Do you think this could be worth anything? | 0:14:38 | 0:14:42 | |
What have we got in here? Is it a gramophone or something? | 0:14:42 | 0:14:44 | |
No. Let me open it up for you. | 0:14:44 | 0:14:46 | |
Oh, wow, that's lovely! | 0:14:46 | 0:14:48 | |
It's a whole vanity case. You've got your brushes and your toothpaste holders and your mirror. | 0:14:48 | 0:14:53 | |
Where did this come from? I bought this at a yard sale in Seattle. | 0:14:53 | 0:14:58 | |
Did you? About 20, 25 years ago. | 0:14:58 | 0:15:01 | |
Do you know, I really like that, actually. | 0:15:01 | 0:15:03 | |
It brings back the golden age of travel, and when you go back to the 1920s and '30s, | 0:15:03 | 0:15:07 | |
you know, you need a whole accessory of items to go with you, | 0:15:07 | 0:15:11 | |
so you'd have your matching suitcase, your outfits, your handbag, | 0:15:11 | 0:15:15 | |
and your vanity case would mix in as well. | 0:15:15 | 0:15:17 | |
If you have a look at one of the brushes here, it's very Art Deco. | 0:15:17 | 0:15:20 | |
The use of geometry is one of the major things with Art Deco period, | 0:15:20 | 0:15:24 | |
and the dead rectangular handle there. | 0:15:24 | 0:15:26 | |
This is melamine or possibly Bakelite, but is it a double compartment, then? | 0:15:26 | 0:15:31 | |
What's underneath here? Underneath it's basically just a few more strange things there. | 0:15:31 | 0:15:36 | |
Aah! It's for your bra and knickers, Paul, | 0:15:36 | 0:15:39 | |
but I didn't like to tell you! Really? | 0:15:39 | 0:15:41 | |
I couldn't possibly comment. | 0:15:41 | 0:15:43 | |
I've never seen one like that, actually. | 0:15:43 | 0:15:46 | |
What did you pay for it? I think about 20 dollars. | 0:15:46 | 0:15:51 | |
Well, at today's exchange rate, it would be about a tenner. | 0:15:51 | 0:15:54 | |
?10, yeah. So what do you think about that? | 0:15:54 | 0:15:56 | |
It must be worth more than a tenner. | 0:15:56 | 0:15:58 | |
It's worth a lot more than a tenner, yes. | 0:15:58 | 0:16:01 | |
What I'm checking is that all the pieces are complete. | 0:16:01 | 0:16:04 | |
Now and again you find one that's missing and you'd never find the same design. | 0:16:04 | 0:16:08 | |
I'd say you were looking ?50 now. | 0:16:08 | 0:16:09 | |
?50 to ?70. Is that a price that... Does that sound all right? | 0:16:09 | 0:16:14 | |
I'm a little surprised at that. I thought it would be more. | 0:16:14 | 0:16:18 | |
Really? Yes. Why did you think it would be worth more? | 0:16:18 | 0:16:21 | |
I thought maybe ?150 to ?200, something like that. | 0:16:21 | 0:16:25 | |
I've got to be realistic, but it's up to you whether you want to sell it or not. | 0:16:25 | 0:16:29 | |
I do. Right. We'll see what happens. | 0:16:29 | 0:16:31 | |
OK, well, no time for titivating now. | 0:16:31 | 0:16:33 | |
I think we need to find some more stuff to sell, don't you? Come on! OK. | 0:16:33 | 0:16:38 | |
It's in perfect condition, the comb has all its teeth, | 0:16:38 | 0:16:41 | |
there aren't any cracks or chips or anything, | 0:16:41 | 0:16:44 | |
so I think it's worth a bit more than that, really. | 0:16:44 | 0:16:47 | |
Debra may have been disappointed with Paul's valuation, | 0:16:47 | 0:16:50 | |
but it's a good investment and all money towards the kitty... | 0:16:50 | 0:16:53 | |
Well, kitties, to be precise! If we want to raise that ?650, though, we need all the help we can get. | 0:16:53 | 0:17:00 | |
Not quite what I had in mind, Paul! | 0:17:00 | 0:17:03 | |
This late 19th-century Royal Doulton vase I found is more like it, | 0:17:03 | 0:17:06 | |
picked up by Debra at a car-boot sale | 0:17:06 | 0:17:09 | |
and decorated in relief with floral sprays, | 0:17:09 | 0:17:12 | |
it could take us ?40 to ?50 closer to our target. | 0:17:12 | 0:17:16 | |
I know we're here to raise money to ship the cats to India, | 0:17:16 | 0:17:20 | |
but I want to know more of what's in store for Debra and Siraj's new life overseas. | 0:17:20 | 0:17:25 | |
So tell me a little bit about what you plan to do when you get to India? | 0:17:25 | 0:17:30 | |
We'll start by decorating our guest house and our new home, I think, and just figuring all that out. | 0:17:30 | 0:17:37 | |
You refer to it as a guesthouse, but you have bigger plans than that. | 0:17:37 | 0:17:40 | |
What sort of guesthouse do you envisage this being? | 0:17:40 | 0:17:44 | |
I'm going to do theme rooms, like a Japanese room, I'm going to do an Australian and New Zealand room, | 0:17:44 | 0:17:50 | |
I'm going to do an African room, a British room, and then we'll probably have treatments. | 0:17:50 | 0:17:56 | |
Ayurvedic medicine is very big there, | 0:17:56 | 0:18:01 | |
so we'll probably extend into that and teach yoga and Pilates. | 0:18:01 | 0:18:06 | |
Do you see yourself staying in India for the rest of your life? | 0:18:06 | 0:18:09 | |
I don't say the rest of my life about many things, because you never know what's going to evolve, | 0:18:09 | 0:18:15 | |
but I'll probably be there for some time, | 0:18:15 | 0:18:17 | |
if not for the rest of my life. | 0:18:17 | 0:18:19 | |
We'll see, but I'm going to be there for a while. | 0:18:19 | 0:18:22 | |
You're not going to get there... | 0:18:22 | 0:18:24 | |
Well, you'll probably get there, but the cats won't get there if you don't find enough stuff, | 0:18:24 | 0:18:28 | |
so shall we see whether Paul's found anything else we can sell? That's a good idea. | 0:18:28 | 0:18:33 | |
Our trawl for treats must continue if we want the family pets to cruise off to their new home in India, | 0:18:33 | 0:18:38 | |
so it's crucial that we find plenty more antiques worthy of the auction saleroom. | 0:18:38 | 0:18:44 | |
This eye-catching Art Deco necklace that I've discovered hidden away | 0:18:44 | 0:18:47 | |
definitely lives up to that accolade. | 0:18:47 | 0:18:50 | |
Although without a hallmark, it's uncertain whether it's gold, | 0:18:50 | 0:18:53 | |
and so Paul must give it a conservative estimate of ?60 to ?80. | 0:18:53 | 0:18:57 | |
And his animal instinct for top-notch goods has led him to the possible king of this jungle. | 0:18:57 | 0:19:02 | |
Hello, Paul. Hello. What have you found now? | 0:19:02 | 0:19:05 | |
Is it a family heirloom, a little stuffed lion? | 0:19:05 | 0:19:08 | |
No, no, I bought that in Seattle, probably about 20 years back, 25 years, something like that. | 0:19:08 | 0:19:14 | |
Did you know this was actually made by Steiff? Yes! Right. | 0:19:14 | 0:19:18 | |
Margarete Steiff is the lady that's been credited to inventing the teddy bear, | 0:19:18 | 0:19:22 | |
and it was a story, funnily enough, it was about Teddy Roosevelt, the American President, | 0:19:22 | 0:19:28 | |
and what apparently happened, he was on a hunting trip | 0:19:28 | 0:19:32 | |
and refused to shoot a bear cub, and it became a massive story at the time, and she created Teddy's bear, | 0:19:32 | 0:19:38 | |
and it was very successful and it went on to be a massive factory, | 0:19:38 | 0:19:42 | |
but they went through a stage of making all sorts of animals, like a menagerie, | 0:19:42 | 0:19:46 | |
and they would make all the animals of the animal kingdom, and there are certain ones to look out for. | 0:19:46 | 0:19:51 | |
The elephants are very popular because the early symbol that Margareta Steiff used | 0:19:51 | 0:19:56 | |
was an elephant on the buttons, so they tend to be quite popular. | 0:19:56 | 0:20:00 | |
This is very collectable and it is in marvellous condition. | 0:20:00 | 0:20:03 | |
I don't think any children have got hold of this, so that's in your favour, | 0:20:03 | 0:20:08 | |
and add to the fact that it's a cat and it's by one of the best manufacturers, it's a good item. | 0:20:08 | 0:20:13 | |
Value-wise, it's not antique. It's probably 1950s, 1960s, but ?50 to ?100. How does that sound? | 0:20:13 | 0:20:20 | |
Good. Let's tell the others. | 0:20:20 | 0:20:22 | |
Lorne! Ah, here we are. Aah! | 0:20:22 | 0:20:24 | |
Now then, we've got another ?50 for the tiger there. | 0:20:24 | 0:20:27 | |
That's going to be a great help. | 0:20:27 | 0:20:29 | |
How have you found the rummage today? | 0:20:29 | 0:20:31 | |
Good! Yeah? It was a lot of fun. | 0:20:31 | 0:20:33 | |
Well, from one big cat to two slightly smaller pussy cats. | 0:20:33 | 0:20:38 | |
We need to get them out to India, don't we? | 0:20:38 | 0:20:40 | |
What was the figure that you said? It's 650. | 0:20:40 | 0:20:43 | |
If I tot up the total of everything we know | 0:20:43 | 0:20:45 | |
is definitely going to auction, the value of the items comes to... | 0:20:45 | 0:20:48 | |
?690! | 0:20:48 | 0:20:50 | |
That's great! Isn't that good, darling? That's good. That's without the blanket. | 0:20:50 | 0:20:55 | |
If you did decide to bring the blanket along as well, then that will bring the total to ?740. OK. | 0:20:55 | 0:21:01 | |
So it means they could have some top quality food on the way! Yes. | 0:21:01 | 0:21:04 | |
Better than what's usually served on an airline! First class! | 0:21:04 | 0:21:07 | |
So are you pleased with that figure? | 0:21:07 | 0:21:10 | |
Yeah, that's great! That's very good! | 0:21:10 | 0:21:12 | |
The next time I'll see you guys is when all these items | 0:21:12 | 0:21:15 | |
will be laid out in the saleroom, ready to be sold. OK. I look forward to it. | 0:21:15 | 0:21:22 | |
It's been one of the most chilled rummage days that I can remember, | 0:21:22 | 0:21:25 | |
with Debra and Siraj today, and I've loved being around such a laid-back couple. | 0:21:25 | 0:21:30 | |
We just need the bidders to have a positive vibe for all their collectables on the day. | 0:21:30 | 0:21:34 | |
These will include... | 0:21:34 | 0:21:36 | |
Debra's huge collection of designer costume jewellery, | 0:21:36 | 0:21:37 | |
Debra's huge collection of designer costume jewellery, | 0:21:37 | 0:21:38 | |
dating back to the 1930s, and valued at ?100 to ?150. | 0:21:38 | 0:21:43 | |
The Japanese cigarette case, | 0:21:43 | 0:21:45 | |
hoping to light up the saleroom by ?50 to ?100. | 0:21:45 | 0:21:50 | |
And ?50 to ?70 for the Art Deco vanity case. | 0:21:50 | 0:21:54 | |
And finally, that Native American Indian blanket, | 0:21:54 | 0:21:57 | |
worth ?50 to ?80, if Debra decides to bring it to auction. | 0:21:57 | 0:22:03 | |
Still to come on Cash In The Attic... | 0:22:03 | 0:22:07 | |
I'm dishing out sound advice. | 0:22:07 | 0:22:08 | |
You should take it to India as your lucky mascot! | 0:22:08 | 0:22:11 | |
And Paul and I need to have words. | 0:22:11 | 0:22:14 | |
I haven't got room to clutter up my house with that, young man, believe me! Right! | 0:22:14 | 0:22:19 | |
But will we all be friends at the end of the day? | 0:22:19 | 0:22:21 | |
Find out when the final hammer falls. | 0:22:21 | 0:22:25 | |
It's been a week or so since we were at Debbie and Siraj's house in Kensal Green, | 0:22:28 | 0:22:33 | |
where we found plenty of antiques and collectables to bring here to Chiswick Auction Rooms. | 0:22:33 | 0:22:39 | |
Now remember, they're starting a new life in India, but not alone. | 0:22:39 | 0:22:43 | |
They want to take the cats with them, which is why they need to raise ?650, | 0:22:43 | 0:22:47 | |
so let's just hope that when the items go under the hammer today, | 0:22:47 | 0:22:51 | |
there are plenty of bidders looking to lap up their items. | 0:22:51 | 0:22:54 | |
Well, there's no shortage of potential buyers | 0:22:54 | 0:22:57 | |
in the auction house today, and while they spend time | 0:22:57 | 0:23:01 | |
perusing the items on offer Paul Hayes can't wait to get his hands on Debra's crown jewels. | 0:23:01 | 0:23:07 | |
Morning. Good morning. How are you? I'm fine. | 0:23:07 | 0:23:10 | |
These are stunning pieces, aren't they? Yeah. | 0:23:10 | 0:23:13 | |
We're looking for an elegant lady with lots of taste and style to buy a job lot of costume jewellery. | 0:23:13 | 0:23:18 | |
They're such nice pieces in here. | 0:23:18 | 0:23:19 | |
So this is all in, which is good news, isn't it? Yeah. | 0:23:19 | 0:23:22 | |
We don't know about the blanket, do we? | 0:23:22 | 0:23:25 | |
That had a lot of personal history to Debra, | 0:23:25 | 0:23:28 | |
and being made by the Navajo Indians, how fantastic is that, | 0:23:28 | 0:23:31 | |
so I don't think that will arrive here today. | 0:23:31 | 0:23:35 | |
That's understandable. One thing we do know is here is that lovely Steiff lion! | 0:23:35 | 0:23:40 | |
It is pride of place in the cabinet. Get it? | 0:23:40 | 0:23:42 | |
Let's go and meet the couple. It could be a roaring success! | 0:23:42 | 0:23:45 | |
If the jokes don't get any better than that, I think we could be in for a very long day. | 0:23:45 | 0:23:50 | |
But if it's successful for Debra and Siraj, that's all that really matters, | 0:23:50 | 0:23:55 | |
and judging from their cool composure, nothing will get this couple flustered. | 0:23:55 | 0:23:59 | |
Aah, good morning! Good morning! | 0:23:59 | 0:24:01 | |
So you have decided to bring it, then? | 0:24:01 | 0:24:04 | |
Yes. So what made you decide that now is the time for it to go? | 0:24:04 | 0:24:07 | |
I don't think it will do very well in India with different little critters | 0:24:07 | 0:24:11 | |
and all sorts, so I think it would be better to let it go. | 0:24:11 | 0:24:14 | |
And you've got the Steiff lion. | 0:24:14 | 0:24:16 | |
Yes, yes, it's one of my favourite items. | 0:24:16 | 0:24:18 | |
It doesn't half grow on you, that. | 0:24:18 | 0:24:20 | |
I know... It's been watching me from the cabinet, waving! | 0:24:20 | 0:24:23 | |
I just think it's ironic that we've got this lion | 0:24:23 | 0:24:25 | |
that's going to contribute to the cats going to India! | 0:24:25 | 0:24:28 | |
Are you looking forward to the auction? Yes. | 0:24:28 | 0:24:30 | |
The auction is about to start, you probably will have noticed that, so shall we go and get in position? | 0:24:30 | 0:24:36 | |
Come on, then. Follow me. | 0:24:36 | 0:24:38 | |
If you feel like going along to your local auction, you'll have to pay commission | 0:24:38 | 0:24:43 | |
and possibly other charges, so be sure to check what fees apply. | 0:24:43 | 0:24:47 | |
With a packed house in position and an auctioneer ready at the helm, | 0:24:47 | 0:24:50 | |
we find a quiet spot at the back of the room as our first lot goes on display. | 0:24:50 | 0:24:56 | |
We want ?60 to ?80 for this hand-crafted masterpiece, | 0:24:56 | 0:24:59 | |
but is Debra going to crack under the pressure? | 0:24:59 | 0:25:02 | |
The Art Deco necklace actually breaks my heart a bit, | 0:25:02 | 0:25:05 | |
because I've had it for ages, but I don't wear it that much, | 0:25:05 | 0:25:10 | |
so I might as well see what I can get for it. | 0:25:10 | 0:25:13 | |
Enamel-work is always popular, and the phrase "yellow metal" | 0:25:13 | 0:25:17 | |
means that they possibly think it could be gold, | 0:25:17 | 0:25:20 | |
but they can't officially call it gold because it's not hallmarked, so they put in "yellow metal". | 0:25:20 | 0:25:25 | |
?30 to start me for that. | 0:25:25 | 0:25:27 | |
?30, I'm bid. ?30. 35. ?40 now? | 0:25:27 | 0:25:31 | |
?40 I'm bid. ?45 I'm bid. | 0:25:31 | 0:25:33 | |
?50, ?55, ?60. | 0:25:33 | 0:25:36 | |
?65, ?70, ?75, ?80. | 0:25:36 | 0:25:40 | |
85. At ?85 on my left. | 0:25:40 | 0:25:43 | |
Do I see 90 anywhere else? | 0:25:43 | 0:25:45 | |
At ?85, going for 85, and selling... 90, lady's bid... Oooh, lady's bid! | 0:25:45 | 0:25:49 | |
95 I'm bid. | 0:25:49 | 0:25:51 | |
100, madam? At 95, then... | 0:25:51 | 0:25:53 | |
The gentleman wins the day. | 0:25:53 | 0:25:54 | |
Yes! Now, ?95, what a result, but is that based, do you think, on people thinking it is gold? | 0:25:54 | 0:26:01 | |
I think so. You can still sell it. It's a very attractive item, | 0:26:01 | 0:26:05 | |
so the fact that it's not hallmarked there doesn't really come into it. | 0:26:05 | 0:26:10 | |
So gold or not, the necklace gets us well on our way with ?95. | 0:26:10 | 0:26:14 | |
Let's hope the bidders' love of Debra's collectables continues and that they're prepared to pay | 0:26:14 | 0:26:19 | |
the ?50 to ?100 asking price for her next item. | 0:26:19 | 0:26:23 | |
He may be small, but they do say size isn't everything, eh, Paul? | 0:26:23 | 0:26:28 | |
Now, the next lot is my favourite. It's the Steiff lion. | 0:26:28 | 0:26:31 | |
Are you happy about this being sold? Yes. I've had it a long time, so... | 0:26:31 | 0:26:37 | |
This is one of your "mane" items to go! Oh, dear! | 0:26:37 | 0:26:40 | |
Can we just sell it?! Come on, it's coming up next! | 0:26:40 | 0:26:43 | |
?100 for that? 30 to start me, then, at ?30. | 0:26:43 | 0:26:46 | |
And 30, 35... Come on! At 40 now for lot 40a. | 0:26:46 | 0:26:49 | |
At ?35, at ?35 for the lion. Any advance on ?35? Where are you? | 0:26:49 | 0:26:55 | |
Any further bids on 35? Disappointing... ?35. | 0:26:55 | 0:26:59 | |
That is unsold. Oh, that's a shame! | 0:26:59 | 0:27:02 | |
It's good news and bad news there. | 0:27:02 | 0:27:04 | |
We didn't make the money we wanted to. | 0:27:04 | 0:27:06 | |
The good thing is he hasn't sold it for too little. | 0:27:06 | 0:27:09 | |
Right. What do you think you're going to do with it? | 0:27:09 | 0:27:11 | |
You should take it to India as your lucky mascot, surely! | 0:27:11 | 0:27:14 | |
OK, that's a good idea! Definitely, yeah! Yeah, why not! | 0:27:14 | 0:27:18 | |
So, it now looks like we've got a third cat | 0:27:18 | 0:27:23 | |
in need of transportation to a new home in India. | 0:27:23 | 0:27:28 | |
But we can't get disheartened. | 0:27:28 | 0:27:30 | |
Up next is that car-boot find of Debra's, | 0:27:30 | 0:27:33 | |
which I hope will see our funds flourish by at least ?40 to ?50. | 0:27:33 | 0:27:38 | |
Lot number 30a is the Royal Doulton vase, decorated in relief. | 0:27:38 | 0:27:42 | |
Royal Doulton, most people think of the figurines, the tea services and so on, | 0:27:42 | 0:27:47 | |
but they did have this wonderful art pottery going on, the late 19th century, early 20th century, | 0:27:47 | 0:27:52 | |
and some of it is stunning, and I think this is a great example, and ?40 is well worth it, I think. | 0:27:52 | 0:27:58 | |
?20 to start me, then, at ?20. | 0:27:58 | 0:28:01 | |
And 22, 25, 28, 30. At ?30. | 0:28:01 | 0:28:03 | |
Can I tempt you to 32? 32 I'm bid. | 0:28:03 | 0:28:06 | |
On my left at 32. Is it 35 now? | 0:28:06 | 0:28:09 | |
35 in a new place. Have another one at 35, with bar 246. Do I see 38? | 0:28:09 | 0:28:14 | |
Any advance on 35? Any more? 35. | 0:28:14 | 0:28:17 | |
Selling. 246, 35. | 0:28:17 | 0:28:20 | |
Fabulous! No attachment to it whatsoever and I'm glad it got near what we valued it at. | 0:28:20 | 0:28:28 | |
Coming in at just under estimate at ?35, | 0:28:28 | 0:28:32 | |
but that sale means one less thing to take to India. | 0:28:32 | 0:28:35 | |
If we want to raise enough for the family pets to be shipped there, | 0:28:35 | 0:28:39 | |
we're going to need some generous sales, but will our unusual war memorabilia | 0:28:39 | 0:28:44 | |
tempt anyone in the room, and push our total ahead by a further ?30 to ?50? | 0:28:44 | 0:28:49 | |
Our next lot is a "Russian spirit commemorating the heavy armoured weaponry of the USSR, | 0:28:49 | 0:28:55 | |
"1941 to 1945, in gilt and enamels". | 0:28:55 | 0:28:57 | |
I think that's a pretty good description. | 0:28:57 | 0:29:00 | |
Says it all. I couldn't have said it better myself. | 0:29:00 | 0:29:02 | |
20 to start me, then, at ?20. I'm bid ?20, 25. ?30 I'm bid on my left. | 0:29:02 | 0:29:07 | |
At ?30. ?35, ?40. | 0:29:07 | 0:29:10 | |
Have another one at ?40 on my left. | 0:29:10 | 0:29:12 | |
At 40. Do I see 45? | 0:29:12 | 0:29:14 | |
I'm selling at 40 unless I see further opposition. | 0:29:14 | 0:29:18 | |
Going for 40 and selling. Excellent! ?40! | 0:29:18 | 0:29:20 | |
That was good, wasn't it! That was good, yeah. | 0:29:20 | 0:29:22 | |
We're tanking towards our ?650 target now, which is great news. | 0:29:22 | 0:29:27 | |
But will we be winners at the end of this auction battle, | 0:29:27 | 0:29:31 | |
and can the cigarette case bought from a junk shop in Seattle | 0:29:31 | 0:29:34 | |
strike up enough interest with the bidders? | 0:29:34 | 0:29:36 | |
The next item, I think, is a really lovely quality piece. | 0:29:36 | 0:29:39 | |
It's that Japanese yellow metal with the sort of dragons on it. | 0:29:39 | 0:29:43 | |
We've got a good estimate on it. | 0:29:43 | 0:29:46 | |
They're under-rated, really. | 0:29:46 | 0:29:48 | |
The amount of work that goes into an item like this is fantastic. | 0:29:48 | 0:29:51 | |
The only drawback you've got is that not as many people these days smoke! | 0:29:51 | 0:29:55 | |
?30, at 30. 35 I'm bid. 40. 45 I'm bid. 50 I'll take. | 0:29:55 | 0:30:00 | |
I'm bid ?45. Do I see 50 anywhere? | 0:30:00 | 0:30:02 | |
At ?45. In the middle of the room, standing at ?45, it's going. | 0:30:02 | 0:30:06 | |
All done, are you sure? | 0:30:06 | 0:30:08 | |
Just under, ?45. | 0:30:08 | 0:30:10 | |
?45. That's all right. | 0:30:10 | 0:30:12 | |
Yeah? Are you sure? OK. | 0:30:12 | 0:30:14 | |
?5 shy of Paul's lowest estimate isn't bad, but I hope | 0:30:14 | 0:30:19 | |
we get top dollar for these fabulous postcards from around the world, worth a staggering ?80 to ?120. | 0:30:19 | 0:30:25 | |
I know you're well-travelled, but you've got a whole collection of postcards here! | 0:30:25 | 0:30:29 | |
That's down to him! Oh... | 0:30:29 | 0:30:31 | |
that's your collection, is it? Yeah. | 0:30:31 | 0:30:33 | |
You kept that quiet, didn't you? | 0:30:33 | 0:30:35 | |
So you're quite OK about them being sold now? | 0:30:35 | 0:30:38 | |
Yeah. It's time to go. | 0:30:38 | 0:30:39 | |
At ?20 for the postcards. | 0:30:39 | 0:30:41 | |
22 do I see? 22 I'm bid. 25, 28. | 0:30:41 | 0:30:45 | |
At 28. 30? | 0:30:45 | 0:30:47 | |
35, 40. Any more at ?40? | 0:30:47 | 0:30:50 | |
Not quite enough at ?40. | 0:30:50 | 0:30:51 | |
Do I see 45 anywhere? No further bidding. | 0:30:51 | 0:30:54 | |
The bidding got up to ?35, and the auctioneer has basically not sold them. | 0:30:54 | 0:31:00 | |
That's a really disappointing sale, but Debra can see the bright side. | 0:31:00 | 0:31:05 | |
I'm a little sad for Siraj that the postcards didn't sell, | 0:31:05 | 0:31:09 | |
but I think he's quite happy to actually keep them, | 0:31:09 | 0:31:11 | |
because he loves his postcards and stamps and coins. | 0:31:11 | 0:31:14 | |
That does mean a big hole in our funds though, surely! | 0:31:14 | 0:31:21 | |
That's the end of the first half of the sale, as far as we're concerned, anyway. | 0:31:21 | 0:31:25 | |
We've had a few of unsold lots. | 0:31:25 | 0:31:27 | |
The little Steiff, and the postcards, so I think that's fair enough because | 0:31:27 | 0:31:31 | |
it means you can keep something and you can keep something. | 0:31:31 | 0:31:35 | |
Now, we wanted ?650, didn't we, for the cats? | 0:31:35 | 0:31:38 | |
So far we've made ?215, so how do you feel about that? | 0:31:38 | 0:31:42 | |
That's not bad, that's a good start. | 0:31:42 | 0:31:44 | |
Absolutely! I've got more to sell a bit later on, so shall we have a bit of a break? | 0:31:44 | 0:31:49 | |
While Debra and Siraj head off for refreshments, | 0:31:54 | 0:31:57 | |
Paul can't help his inquisitive nature | 0:31:57 | 0:31:59 | |
and goes for a closer lot at what he considers the catch of the day. | 0:31:59 | 0:32:03 | |
A-ha! Ah! Ships ahoy! | 0:32:03 | 0:32:06 | |
You're thinking is that the Peregrine Galley? | 0:32:06 | 0:32:08 | |
I was thinking where on Earth do you house something that size! | 0:32:08 | 0:32:12 | |
For an office or for larger premises, | 0:32:12 | 0:32:14 | |
a big open flat or something, but this has a lot of history, this boat. | 0:32:14 | 0:32:18 | |
It was built in around 1700 and disappeared mysteriously in 1761. | 0:32:18 | 0:32:23 | |
Did it? Yeah. This is a scale model that somebody has made and it's beautifully done. | 0:32:23 | 0:32:28 | |
All these are individual planks. It has taken hours and hours to do this and nicely presented. | 0:32:28 | 0:32:33 | |
So what's the estimate on this? | 0:32:33 | 0:32:35 | |
Well, it's in at between ?150 and ?180. | 0:32:35 | 0:32:38 | |
Well ?150, I mean, that just seems like a bargain buy to me! | 0:32:38 | 0:32:42 | |
It's very decorative. It needs somebody who lives by the sea to buy it! | 0:32:42 | 0:32:45 | |
Can you think of anybody? | 0:32:45 | 0:32:47 | |
I haven't got room to clutter up my house with that, young man, believe me! Right, OK. | 0:32:47 | 0:32:52 | |
I've only got a tiny, weenie sea view, so... OK. | 0:32:52 | 0:32:55 | |
The second half of the auction is well under way when we return to our places, | 0:33:01 | 0:33:06 | |
just in time as our vanity case is shown to the room. | 0:33:06 | 0:33:08 | |
We're hoping to clean up a further ?50 to ?70 for this piece. | 0:33:08 | 0:33:12 | |
OK, now our next lot, I must say, one of my favourites, | 0:33:13 | 0:33:16 | |
is that lovely Art Deco travel set, in a beautiful colour. | 0:33:16 | 0:33:20 | |
I just love the design of it. | 0:33:20 | 0:33:23 | |
It's a beautiful set, but I have noticed one of the pieces is damaged. | 0:33:23 | 0:33:26 | |
Has that happened in transit, or happened here? | 0:33:26 | 0:33:29 | |
I think it's happened here. Oh, what's happened to it? | 0:33:29 | 0:33:32 | |
One of the pieces has snapped, because of the brittle age of it. | 0:33:32 | 0:33:36 | |
I think someone has viewed... OK. I think it's OK... | 0:33:36 | 0:33:38 | |
I think it could be repaired easily. Start me at ?40 for that. | 0:33:38 | 0:33:42 | |
There it is - fine case full at ?30, then at 30. | 0:33:42 | 0:33:45 | |
At ?30 at 35. 35 I'm bid. ?40?... | 0:33:45 | 0:33:48 | |
Come on! 45, 45 I'm bid. At ?45. | 0:33:48 | 0:33:52 | |
Lady seated at 45. Any further bidding on ?45? | 0:33:52 | 0:33:56 | |
In the room at 45. | 0:33:56 | 0:33:58 | |
?45. Are you happy with that? That's good. | 0:33:58 | 0:34:01 | |
Good, good. So, I don't think the damage, even though it's unfortunate, | 0:34:01 | 0:34:05 | |
I don't think made a difference to the price. | 0:34:05 | 0:34:07 | |
Yeah, that's good. A promising start and inches us closer | 0:34:07 | 0:34:11 | |
to getting Debra and Siraj's beloved cats, Jake and Zula, off to India, | 0:34:11 | 0:34:16 | |
but will we get a picture-perfect result | 0:34:16 | 0:34:18 | |
of ?50 to ?100 for Siraj's leather-bound photograph album? | 0:34:18 | 0:34:23 | |
Now were these your family or were they? | 0:34:23 | 0:34:25 | |
No! | 0:34:25 | 0:34:27 | |
Are you sure? Yeah. OK. Now these are interesting items, because people do | 0:34:30 | 0:34:34 | |
love this sort of social history, these old Victorian-looking people. | 0:34:34 | 0:34:38 | |
The ones that tend to go very well tend to be anybody in uniform, something like yourself... | 0:34:38 | 0:34:43 | |
you've got a hat or a military outfit or you know, a fabulous dress... | 0:34:43 | 0:34:47 | |
that's what people go for. ?30 to start me for that. | 0:34:47 | 0:34:51 | |
Bidding ?30, I'm bid here at ?30, I'm bid at 30. 35? | 0:34:51 | 0:34:55 | |
40 now? ?40 I'm bid at ?40. | 0:34:55 | 0:34:57 | |
Do I see 45? I'm bid ?40, the bid is near me at 40. | 0:34:57 | 0:35:01 | |
45 in a new place. 50 now? | 0:35:01 | 0:35:03 | |
Are you bidding? ?50... ?50. | 0:35:03 | 0:35:05 | |
55... That's great! | 0:35:05 | 0:35:07 | |
?60, 65, ?70, 75, | 0:35:07 | 0:35:11 | |
?80, 85, ?90, 95? | 0:35:11 | 0:35:17 | |
At 95. On my extreme right at 95. Anybody else coming in? 95, selling. | 0:35:17 | 0:35:21 | |
That's great, isn't it! | 0:35:21 | 0:35:23 | |
OK, who was in the photograph album? | 0:35:23 | 0:35:26 | |
There must have been somebody of note in there, I would have thought? | 0:35:26 | 0:35:30 | |
I don't know! Amazing! Well done, you! | 0:35:30 | 0:35:32 | |
Brilliant, well-spotted, that's great! | 0:35:32 | 0:35:35 | |
Coming in just under Paul's highest estimate, what a terrific sale that was! | 0:35:35 | 0:35:39 | |
But Debra's decided her precious native blanket | 0:35:39 | 0:35:42 | |
needs some protecting, and has put a ?50 reserve on it. | 0:35:42 | 0:35:45 | |
We did decide to bring the blanket in the end, | 0:35:45 | 0:35:48 | |
but we've put a reserve on it because I have mixed feelings about parting with it, | 0:35:48 | 0:35:53 | |
so, we'll see how it does. | 0:35:53 | 0:35:54 | |
This item will either sell, for more than that, or you might have to take it to India with you, | 0:35:54 | 0:35:59 | |
but let's just hope that two people want it and the bidding goes mad. | 0:35:59 | 0:36:03 | |
30 to start me, then. At ?30, at 30, 35. Is it 40, now? | 0:36:03 | 0:36:07 | |
At ?35. The real thing here at ?35. | 0:36:07 | 0:36:10 | |
Can I take 40 for it? Any advance on ?35? | 0:36:10 | 0:36:13 | |
No further interest. | 0:36:13 | 0:36:15 | |
I'm afraid that isn't sold. | 0:36:15 | 0:36:17 | |
Are you pleased that he's not sold it for ?35? | 0:36:17 | 0:36:20 | |
Yes, I am. I'm very pleased because it's worth more than that by a long shot. | 0:36:20 | 0:36:26 | |
The sentimental value obviously meant more to Debra than the cash | 0:36:26 | 0:36:30 | |
so I'm glad she's taking the blanket home. | 0:36:30 | 0:36:33 | |
However, I'm sure the owner of the model ship Paul and I looked at | 0:36:33 | 0:36:37 | |
earlier is hoping it will be sailing off to pastures new. | 0:36:37 | 0:36:41 | |
310 now is the model of the warship, Peregrine Galley. 150 I'm bid. | 0:36:41 | 0:36:45 | |
At ?150 is bid. 160, 180? | 0:36:45 | 0:36:50 | |
I have ?180 for Lot 310. At 180. | 0:36:50 | 0:36:53 | |
Do I see 200 now? I have ?180 and I'm selling at 180. | 0:36:53 | 0:36:57 | |
Sold. There you are! ?180! | 0:36:58 | 0:37:01 | |
?180. It could have been a darts player! | 0:37:01 | 0:37:03 | |
The bidders reached deep into their wallets on that sale, | 0:37:04 | 0:37:07 | |
and if we want to reach our ?650 target, | 0:37:07 | 0:37:11 | |
we need them to dish out another ?100 to ?150 for our international treat. | 0:37:11 | 0:37:16 | |
Our next lot is the stamps. | 0:37:16 | 0:37:18 | |
This is your collection? Yes, that's right. | 0:37:18 | 0:37:20 | |
I know you enjoy collecting these, so are you sad to see them go? | 0:37:20 | 0:37:23 | |
Yeah. Are you? | 0:37:23 | 0:37:26 | |
And I'm bid ?100 to start me, at ?100 I'm bid. 110, 110 I have. | 0:37:26 | 0:37:31 | |
120, 130. I have ?130. Do I see 140? | 0:37:31 | 0:37:37 | |
Have you finished at 130? | 0:37:37 | 0:37:40 | |
Selling for 130 unless I see 140 quickly. 130 going. | 0:37:40 | 0:37:43 | |
Sold for ?130, that's not bad at all, is it? | 0:37:43 | 0:37:47 | |
The stamp album which made 130, I'm very, very happy about | 0:37:47 | 0:37:51 | |
and I'm sure Siraj is very happy with that as well, cos I doubt that he paid that for it! | 0:37:51 | 0:37:57 | |
So far today, Siraj's items have fared pretty well. | 0:37:57 | 0:38:01 | |
The bidders can't get enough of his treasures, | 0:38:01 | 0:38:03 | |
but will his collection of cigarette cards | 0:38:03 | 0:38:06 | |
and first day stamp covers deliver us the ?80 to ?150 we so desperately want? | 0:38:06 | 0:38:12 | |
?80 to start me for them. | 0:38:12 | 0:38:15 | |
50 then, if you will. 40, ?40 and 40 for Lot 310A. | 0:38:15 | 0:38:19 | |
Do I see 45? Any further bidding on 40? No more at 40. | 0:38:19 | 0:38:22 | |
I'm afraid those are not sold. | 0:38:22 | 0:38:25 | |
Oh, dear! He's unsold them. Unsold. | 0:38:25 | 0:38:27 | |
It's a mystery to me why those fabulous collections didn't sell, | 0:38:27 | 0:38:31 | |
but with no takers, | 0:38:31 | 0:38:33 | |
our ?650 target could be on the rocks! | 0:38:33 | 0:38:36 | |
We need the fashionable selection | 0:38:36 | 0:38:38 | |
coming up next to be all the rage with the room | 0:38:38 | 0:38:40 | |
and lift our funds and spirits by ?100 to ?150. | 0:38:40 | 0:38:45 | |
What's amazing is you used to be able to buy collections like this affordably. | 0:38:45 | 0:38:49 | |
You've got some great designer names amongst that. | 0:38:49 | 0:38:52 | |
People are waking up for that market, so I'd be interested to see how these go on. | 0:38:52 | 0:38:56 | |
I don't think you'll be too sad to see these go. No. | 0:38:56 | 0:39:00 | |
?80 to start me there? 90, at ?90. | 0:39:00 | 0:39:03 | |
Is it 100? 100 in the doorway. | 0:39:03 | 0:39:05 | |
110, 120, 130, 140. | 0:39:05 | 0:39:10 | |
Five, 150... Yes... ?150. | 0:39:10 | 0:39:11 | |
That's excellent! 155, if we're in 5s? The bid is there at 150. | 0:39:11 | 0:39:17 | |
Are you bidding? Any more? 150. ?150! | 0:39:17 | 0:39:20 | |
That's great, isn't it! Well done! | 0:39:20 | 0:39:22 | |
What a fantastic end to the day, but with our earlier disappointments, | 0:39:22 | 0:39:26 | |
will we be anywhere near our target? | 0:39:26 | 0:39:30 | |
It's all over. | 0:39:30 | 0:39:31 | |
You're taking a couple of pieces home. You're taking home the blanket, and also the Steiff | 0:39:31 | 0:39:36 | |
and one of your collections, too, so there's a fair bit, really, hasn't sold. | 0:39:36 | 0:39:40 | |
Given that, do you think we've made the ?650 we were looking for? | 0:39:40 | 0:39:44 | |
I don't know. I haven't been keeping track, really. | 0:39:44 | 0:39:47 | |
And what about you? I've no idea! | 0:39:47 | 0:39:49 | |
No idea? OK, all right. | 0:39:49 | 0:39:51 | |
Well, I think we've done pretty well - ?635! Oh, really? | 0:39:51 | 0:39:55 | |
Yes. That's great! | 0:39:55 | 0:39:56 | |
Yes, and that obviously includes the fact that some of those items haven't sold at all! | 0:39:56 | 0:40:01 | |
That's really good. That's good. Happy with that. | 0:40:01 | 0:40:04 | |
So is that good enough to get the cats there? | 0:40:04 | 0:40:06 | |
Yep, that's it! Fantastic! | 0:40:06 | 0:40:08 | |
?15 below, that's it. | 0:40:08 | 0:40:09 | |
Safe in the knowledge that the shipping costs for the cats' passage to India is paid for, | 0:40:15 | 0:40:19 | |
Debra and Siraj have come to Brighton to turn their attentions to their planned future | 0:40:19 | 0:40:24 | |
of running a guest house, and want to check out an inspirational hotel. | 0:40:24 | 0:40:28 | |
Hello there, I'm Martin. Welcome to the Town House. | 0:40:28 | 0:40:32 | |
Hi, Martin. I hear you've got an exciting plan? | 0:40:32 | 0:40:34 | |
We do, we do. Off to India? Yeah. | 0:40:34 | 0:40:37 | |
Let me show you some of the hotel. Come and see Kasbah. | 0:40:37 | 0:40:40 | |
Wow! | 0:40:42 | 0:40:44 | |
This is amazing! Well, the idea here was | 0:40:44 | 0:40:47 | |
really to make it feel like you're sleeping and sitting in a Kasbah, so what we've tried to do | 0:40:47 | 0:40:52 | |
is to make sure that you can do a 360 degree turn in the room and not see anything that's out of place. | 0:40:52 | 0:40:59 | |
And it doesn't stop there. | 0:40:59 | 0:41:01 | |
Here you can travel to the jungle... | 0:41:01 | 0:41:03 | |
That's amazing! I'm speechless, actually! | 0:41:03 | 0:41:07 | |
One room is just better than the next, only not better! | 0:41:07 | 0:41:11 | |
Colonial India... Wow! | 0:41:11 | 0:41:15 | |
Amazing attention to detail! | 0:41:15 | 0:41:18 | |
And even a Mandarin temple! | 0:41:18 | 0:41:21 | |
While the couple is getting invaluable guidance, | 0:41:21 | 0:41:23 | |
creating a hotel of this calibre takes hard work, which Martin explains can sometimes be in vain. | 0:41:23 | 0:41:29 | |
We've had two complaints with this room | 0:41:29 | 0:41:31 | |
that there's plaster falling down the walls! | 0:41:31 | 0:41:33 | |
I had to explain that it cost me a lot of money to have that plaster fall off the wall! | 0:41:33 | 0:41:39 | |
Debra's not afraid of the task ahead, although the visit has made her question her plans. | 0:41:39 | 0:41:44 | |
Although I had ideas and I thought they were pretty well-formed, | 0:41:44 | 0:41:47 | |
they are certainly in the scrap heap now and I'm starting over! | 0:41:47 | 0:41:50 | |
I'm going to rethink everything we're doing, basically, but it's totally inspirational. | 0:41:50 | 0:41:56 | |
Yeah, we've got a lot of ideas, good ideas. | 0:41:56 | 0:41:59 | |
A lot of good ideas! | 0:41:59 | 0:42:01 | |
We enjoy it. Very much! | 0:42:01 | 0:42:04 | |
Subtitles by Red Bee Media Ltd | 0:42:07 | 0:42:11 |