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Welcome to Cash In The Attic, the show that finds the hidden treasures around your home | 0:00:03 | 0:00:08 | |
and then helps you sell them at auction. | 0:00:08 | 0:00:09 | |
Well, today I'm in East Sussex at this stunning location, Bodiam Castle. | 0:00:09 | 0:00:16 | |
The castle was built in 1385 by Sir Edward Dalyngrigge | 0:00:16 | 0:00:19 | |
as a defence against French invasion and a comfortable home. | 0:00:19 | 0:00:22 | |
The shape is based on designs that he'd have seen while fighting in France | 0:00:22 | 0:00:27 | |
and was intended to be a personal statement of wealth and power. | 0:00:27 | 0:00:31 | |
The exterior is still virtually complete and there's just enough | 0:00:31 | 0:00:34 | |
of the interior left to give an impression of castle life. | 0:00:34 | 0:00:37 | |
From the top of the towers are wonderful views of the surrounding Rother Valley. | 0:00:37 | 0:00:42 | |
So let's hope we find plenty of antiques that will cast a magical spell over the bidders | 0:00:42 | 0:00:47 | |
when they go under the hammer at auction. | 0:00:47 | 0:00:49 | |
I've come to Battle High Street, where I'm about to meet | 0:01:10 | 0:01:12 | |
a couple who called us in to help them raise some funds | 0:01:12 | 0:01:16 | |
for some vital repairs. | 0:01:16 | 0:01:17 | |
Coming up on today's Cash In The Attic, our expert has some royal aspirations. | 0:01:19 | 0:01:24 | |
You won't be getting a loo, you'll be getting a throne. | 0:01:24 | 0:01:26 | |
Oh, that's right. | 0:01:26 | 0:01:27 | |
But he's looking for a helping hand with a valuation. | 0:01:27 | 0:01:30 | |
I'm going to turn the tables on you. | 0:01:30 | 0:01:32 | |
What do you think it's worth? | 0:01:32 | 0:01:34 | |
And our family are lost for words at auction. | 0:01:34 | 0:01:37 | |
That is amazing. Are you all right? | 0:01:37 | 0:01:40 | |
I can't believe it. | 0:01:40 | 0:01:42 | |
Let's hope they'll be shouting for joy when the final hammer falls. | 0:01:42 | 0:01:46 | |
This historic house in the heart of the Sussex town of Battle is home to hospital nurse Jackie Butler. | 0:01:47 | 0:01:53 | |
When Jackie inherited the house from her parents, she also inherited all the contents. | 0:01:53 | 0:01:58 | |
And coming from a family with generations of collectors, that adds up to a lot of stuff. | 0:01:58 | 0:02:04 | |
But now she's planning to move in with new partner, Simon, | 0:02:04 | 0:02:07 | |
so it's time to tackle those family treasures. | 0:02:07 | 0:02:11 | |
A-ha! Good morning, Jonty. | 0:02:11 | 0:02:12 | |
Just been to the castle, yes? Yes, what a beautiful castle. | 0:02:12 | 0:02:15 | |
Has no interior, which is a bit of a shame. | 0:02:15 | 0:02:17 | |
But anyway, there you go. Fantastic place to go. | 0:02:17 | 0:02:20 | |
I'm sure there's lots inside. | 0:02:20 | 0:02:22 | |
Yes, there is a lot to get through and this couple have got some really unusual interests. | 0:02:22 | 0:02:26 | |
I'll find out more if you have a good look at the stuff, yeah? Get my hands dirty. OK. | 0:02:26 | 0:02:30 | |
Ah, good morning. | 0:02:31 | 0:02:34 | |
Morning. Wow, this looks like quite a strenuous job, I must say. | 0:02:34 | 0:02:38 | |
But I guess we've got a strenuous job ahead of us, cos you've called us in. | 0:02:38 | 0:02:41 | |
Yes. So what do you want us to do? | 0:02:41 | 0:02:43 | |
We want to raise money to do some work on Simon's boat. | 0:02:43 | 0:02:47 | |
Oh, what sort of boat have you got? | 0:02:47 | 0:02:49 | |
I've got a 30ft sailing boat that I keep in Eastbourne, which is about 20 miles away. | 0:02:49 | 0:02:53 | |
And...a bit of repair wanted. | 0:02:53 | 0:02:56 | |
It got damaged. Seen better days. | 0:02:56 | 0:02:58 | |
Yeah, got damaged in the wind... | 0:02:58 | 0:03:00 | |
Yeah, so... Last year and we've got to do some repairs. | 0:03:00 | 0:03:04 | |
So what sort of repairs are we talking about? | 0:03:04 | 0:03:06 | |
Well, it's the head. The toilet area. | 0:03:06 | 0:03:08 | |
It's sort of cosmetic as much as anything. So it's the lining. | 0:03:08 | 0:03:12 | |
It's all sort of hanging down and it needs quite a bit doing there I think, so... Yeah. | 0:03:12 | 0:03:17 | |
So how much money are we looking to raise? | 0:03:17 | 0:03:20 | |
?1,000 and a little bit more if we can. It depends. | 0:03:20 | 0:03:23 | |
?1,000 is what we estimate. | 0:03:23 | 0:03:25 | |
So where are the items from, Jackie? | 0:03:25 | 0:03:28 | |
I've inherited them from my grandparents and my parents. | 0:03:28 | 0:03:32 | |
OK, all right. So you're quite happy for them to go now? | 0:03:32 | 0:03:35 | |
Yes, I'm moving from quite a large house and I need to get rid | 0:03:35 | 0:03:39 | |
of them anyway, and it's just a way of making some money out of them. | 0:03:39 | 0:03:44 | |
And I know they'd want them to go to a good use, anyway. | 0:03:44 | 0:03:47 | |
OK, so I take it you're going to enjoy the boat as well then? | 0:03:47 | 0:03:50 | |
Yes, I do. I enjoy it anyway, yeah. Galley slave. We go sailing. | 0:03:50 | 0:03:53 | |
Ah, OK. While you're pulling the sails, is it? All right, OK. Right. | 0:03:53 | 0:03:58 | |
So we need to raise ?1,000 in order to get this boat shipshape and Bristol fashion. | 0:03:58 | 0:04:03 | |
That's it. Well, ready to rummage? | 0:04:03 | 0:04:05 | |
Yep. Yes. We certainly are. Follow me. | 0:04:05 | 0:04:07 | |
We've got a lot of work to do if we're going to make the ?1,000 needed to make Simon's boat | 0:04:07 | 0:04:13 | |
fit for its new lady crew member. | 0:04:13 | 0:04:15 | |
But luckily, I don't think we'll be short of items to rummage through in this house. | 0:04:15 | 0:04:20 | |
And we've brought along our very own expert to get that search under way. | 0:04:20 | 0:04:25 | |
Jonty Hearnden has years of experience in the trade | 0:04:25 | 0:04:27 | |
and it looks like he's spotted our first find of the day. | 0:04:27 | 0:04:31 | |
Ah! Jonty, I can't believe it. We're just literally one step away from the High Street and you've found... | 0:04:31 | 0:04:37 | |
Well, what sort of period figures are they? Well, talk about Battle. | 0:04:37 | 0:04:40 | |
This is a man in full battle dress. | 0:04:40 | 0:04:42 | |
Oh. Quite extraordinary. | 0:04:42 | 0:04:44 | |
I've got a pair of what look like French officers. | 0:04:44 | 0:04:50 | |
At the bottom here, it says "32nd Demi Brigade". | 0:04:50 | 0:04:55 | |
Now the phrase "demi brigade" | 0:04:55 | 0:04:57 | |
was used just after the French Revolution, because the name "regiment" | 0:04:57 | 0:05:02 | |
was regarded as too sort of feudal. | 0:05:02 | 0:05:04 | |
All right. So they changed everything to demi brigade. | 0:05:04 | 0:05:06 | |
But by the beginning of the 19th century, Napoleon changed it all back to regiment. | 0:05:06 | 0:05:11 | |
It sounded much more... So we're looking at figures, French figures, | 0:05:11 | 0:05:16 | |
probably depicting that sort of time just after the French Revolution, so late 18th century. | 0:05:16 | 0:05:22 | |
But these figures would have been cast really 100 years after that, so we're looking at late 19th century, | 0:05:22 | 0:05:29 | |
turn of the century, bronze-cast figures. | 0:05:29 | 0:05:31 | |
Now, when it comes to bronze, it's all down to the detail. | 0:05:31 | 0:05:35 | |
But have a look at this figure here and look at the quality of his face. | 0:05:35 | 0:05:39 | |
The facial expression, the helmet, the moustache. It's wonderful. | 0:05:39 | 0:05:45 | |
They really are beautiful figures. | 0:05:45 | 0:05:46 | |
Really good quality, but there's a little twist in the tale here | 0:05:46 | 0:05:50 | |
because we've got a bit of damage. | 0:05:50 | 0:05:52 | |
Here it's snapped and that's very unusual for bronze because bronze just tends to bend. | 0:05:52 | 0:05:57 | |
But that's really been snapped off. | 0:05:57 | 0:05:59 | |
But I can see why, because it's so fine there. Mm. | 0:05:59 | 0:06:01 | |
And also the officer's sword here, there's some kind of soldering | 0:06:01 | 0:06:06 | |
or repair here to the sabre or officer's sword here. | 0:06:06 | 0:06:09 | |
It pains me because we've got that damage. | 0:06:09 | 0:06:12 | |
Yeah. Because without the damage, you could be looking at a lot of money. | 0:06:12 | 0:06:15 | |
But with the damage, I'm going to have to be rather conservative on it, | 0:06:15 | 0:06:19 | |
because the market needs items that are in mint condition. | 0:06:19 | 0:06:23 | |
Without the damage they are, but I'm afraid we've got that damage there | 0:06:23 | 0:06:27 | |
and it's a little bit difficult, as it's the bayonet and the sabre sword. But don't really worry. | 0:06:27 | 0:06:32 | |
We can certainly put them to the auction sale and we'll get a really nice, tidy sum. Of? | 0:06:32 | 0:06:37 | |
250, 350, maybe more. | 0:06:37 | 0:06:40 | |
Blimey. Wow. Does that surprise you, Jackie? | 0:06:40 | 0:06:42 | |
That is surprising, yeah, cos I didn't know what material they were made from. | 0:06:42 | 0:06:46 | |
I wasn't sure if they were bronze. | 0:06:46 | 0:06:48 | |
I knew they were extremely heavy. | 0:06:48 | 0:06:50 | |
No, I think it was a great find. | 0:06:50 | 0:06:52 | |
I thing it was a great find. ?250, that's a quarter... | 0:06:52 | 0:06:55 | |
That's a toilet seat. It is! | 0:06:55 | 0:06:57 | |
Definitely. Hey? | 0:06:57 | 0:06:59 | |
I'll spend a penny there. | 0:06:59 | 0:07:01 | |
OK, well, let's hope they sell at the auction. | 0:07:01 | 0:07:03 | |
In the meantime, let's see what else we can find. Come on then. | 0:07:03 | 0:07:07 | |
?250 for the 19th-century bronzes is a fantastic first find, but we've got a long way to go yet | 0:07:07 | 0:07:14 | |
if we're going to get the sailing boat a loo to be proud of. | 0:07:14 | 0:07:18 | |
So it's all hands on deck for the rummage. | 0:07:18 | 0:07:21 | |
Jonty comes up trumps straightaway finding these lead insurance plaques, | 0:07:21 | 0:07:25 | |
which Jackie's dad bought at auction. | 0:07:25 | 0:07:27 | |
Once used by fire insurance companies to identify which properties had paid for cover, | 0:07:27 | 0:07:32 | |
Jonty hopes they'll set the saleroom alight with their ?45-?65 estimate. | 0:07:32 | 0:07:37 | |
And upstairs, Jackie spots this duchess dressing table, which used to belong to her mother. | 0:07:37 | 0:07:43 | |
It gets packed off to auction with a ?60-?80 price tag. | 0:07:43 | 0:07:48 | |
We've made a cracking start in today's search, but I feel we've only just scratched | 0:07:48 | 0:07:53 | |
the surface of Jackie's collectables and in the dining room something sparkly has caught my eye. | 0:07:53 | 0:07:58 | |
Jonty. We've got a lovely tankard here. | 0:07:58 | 0:08:02 | |
It seems to be hallmarked. Oh, really? | 0:08:02 | 0:08:04 | |
I don't know what that signifies. | 0:08:04 | 0:08:06 | |
Now isn't that beautiful? Now that's very sophisticated. | 0:08:06 | 0:08:09 | |
I love the simplicity of it. | 0:08:09 | 0:08:11 | |
Most tankards that you will see will be pewter. | 0:08:11 | 0:08:13 | |
Yes. Sometimes a solid-silver tankard, but most will be pewter. | 0:08:13 | 0:08:17 | |
But it's great to see something that's hallmarked like that. | 0:08:17 | 0:08:20 | |
And if you look closely here, there's a little head. | 0:08:20 | 0:08:24 | |
You see that? That's a queen's head. | 0:08:24 | 0:08:26 | |
That gives you some sort of idea of date. | 0:08:26 | 0:08:30 | |
These hallmarks give a clear indication of date. | 0:08:30 | 0:08:33 | |
That's 1856. Oh, wow. | 0:08:33 | 0:08:36 | |
Yeah? 150 years old. | 0:08:36 | 0:08:38 | |
Amazing that the glass has survived, really. | 0:08:38 | 0:08:41 | |
Yeah, yeah. 150 years. | 0:08:41 | 0:08:43 | |
But, for me, I'm a big fan of that. | 0:08:43 | 0:08:45 | |
So can we sell this? You say that it's a family piece. | 0:08:45 | 0:08:48 | |
Yes. We can? Yes. So what do you think it's worth? | 0:08:48 | 0:08:51 | |
I'm going to turn the tables on you. | 0:08:51 | 0:08:53 | |
What do you think it's worth? I don't know. | 0:08:53 | 0:08:56 | |
Shall I say 80, maybe? | 0:08:56 | 0:08:59 | |
OK. Now you've told me the history of it. Yes, yes, ?80? | 0:08:59 | 0:09:03 | |
That sort of ball park? Lorne? I would say the same. | 0:09:03 | 0:09:05 | |
OK. I think you'd easily get ?80 for that, because even though it's got 150 years to it, | 0:09:05 | 0:09:10 | |
which makes it obviously a genuine antique, | 0:09:10 | 0:09:12 | |
it's also got that simple look which people are looking for today. | 0:09:12 | 0:09:16 | |
What a lovely present for somebody. | 0:09:16 | 0:09:18 | |
Well, it seems like Jonty's trying to be a man of mystery | 0:09:18 | 0:09:21 | |
and he's keeping his valuation a secret until the auction. | 0:09:21 | 0:09:24 | |
I hope Jackie and I are right | 0:09:24 | 0:09:26 | |
with our guesstimates of ?80, though, | 0:09:26 | 0:09:28 | |
as with a hefty ?1,000 target, every item counts. | 0:09:28 | 0:09:33 | |
Our search is going well so far and whilst Jonty and Simon carry on rummaging, I take a few minutes | 0:09:33 | 0:09:38 | |
to find out more about this beautiful house from Jackie. | 0:09:38 | 0:09:41 | |
Ah, Jackie. | 0:09:41 | 0:09:43 | |
Look what I found here, the deeds to the house. Mm. | 0:09:43 | 0:09:47 | |
So this is a really interesting property, isn't it? Mm. | 0:09:47 | 0:09:49 | |
I mean, where does it date back to? | 0:09:49 | 0:09:51 | |
Erm, about 1500s. It was two cottages. | 0:09:51 | 0:09:54 | |
This is one part of one cottage and there was another part. | 0:09:54 | 0:09:58 | |
My dad joined them together properly. | 0:09:58 | 0:10:01 | |
Ah, OK. So why are you selling it now? | 0:10:01 | 0:10:05 | |
I met Simon just over two years ago and we're possibly thinking of moving | 0:10:05 | 0:10:10 | |
in together, so selling the house and moving to a smaller one. | 0:10:10 | 0:10:14 | |
So how did you and Simon meet? | 0:10:14 | 0:10:17 | |
We met through my brother and sister-in-law, | 0:10:17 | 0:10:20 | |
who I didn't know, but were his friends from college years and years ago. | 0:10:20 | 0:10:25 | |
And we met... | 0:10:25 | 0:10:27 | |
They took me on a kind of blind date and we met in the local pub. | 0:10:27 | 0:10:32 | |
So tell me a little bit about the sailing. Were you into that before you met him? | 0:10:32 | 0:10:36 | |
No, never, no. I've learnt to like it. It's beautiful. | 0:10:36 | 0:10:41 | |
I've always loved the sea and to go out is beautiful and just sail away and you can forget everything. | 0:10:41 | 0:10:48 | |
Very sort of exhilarating. | 0:10:48 | 0:10:51 | |
And I'm learning all the time. | 0:10:51 | 0:10:53 | |
Well, if we're going to raise the money that you need, | 0:10:53 | 0:10:56 | |
I think we'd better find Jonty, see what he's got. Shall we? Yeah. | 0:10:56 | 0:11:00 | |
It sounds like Jackie is getting into the spirit of this sailing lark, | 0:11:01 | 0:11:05 | |
so we'd better get on with today's search and raise that much-needed ?1,000. | 0:11:05 | 0:11:09 | |
Downstairs, the boys have been hard at work and Simon has found | 0:11:09 | 0:11:13 | |
an interesting-looking piece of furniture. | 0:11:13 | 0:11:15 | |
Ah, what have you found, Simon. Chair, yes? I found this tucked away. | 0:11:15 | 0:11:18 | |
Can I bring it out and have a closer look? | 0:11:18 | 0:11:21 | |
Now, do you know anything about this at all? | 0:11:21 | 0:11:24 | |
Other than I believe it used to belong to Jackie's grandparents up in London | 0:11:24 | 0:11:29 | |
a long time ago and when the mum and dad moved down here, they brought it with them. | 0:11:29 | 0:11:33 | |
Well, what we're looking at here, the frame is a mahogany frame. Yes. | 0:11:33 | 0:11:37 | |
And you've got the cane back, sides and, once upon a time, you'd have had a cane seat. | 0:11:37 | 0:11:42 | |
Now the chair frame itself, the style of this | 0:11:42 | 0:11:46 | |
is what's known as a bergere chair or library chair. | 0:11:46 | 0:11:51 | |
And they were highly fashionable, this style of chair, | 0:11:51 | 0:11:54 | |
highly fashionable in the early part of the 19th century. | 0:11:54 | 0:11:57 | |
So you're looking at a Regency style of chair. | 0:11:57 | 0:12:00 | |
And you can tell that by these pillared supports on the front, the legs and the reeded effect. | 0:12:00 | 0:12:06 | |
It's almost like a stylised column... Yeah, I see that, yeah. | 0:12:06 | 0:12:09 | |
..which was very fashionable at the time. | 0:12:09 | 0:12:11 | |
Sometimes you would have upholstered cushions on the seat | 0:12:11 | 0:12:14 | |
and back, but essentially the caning would still be there. | 0:12:14 | 0:12:17 | |
So you wouldn't have upholstery, you would have this stylish caning. | 0:12:17 | 0:12:21 | |
Yeah. So if this was a fine, period, Regency, library, bergere chair, | 0:12:21 | 0:12:26 | |
it would be worth, retail, between ?2,000 and ?3,000, maybe more. Really? OK. | 0:12:26 | 0:12:32 | |
But don't get excited. Because this is a copy. Yeah. | 0:12:32 | 0:12:35 | |
And, of course, you've got to build in the fact that this seat has to be replaced. Yes. | 0:12:35 | 0:12:40 | |
The trade will build that into their purchasing, | 0:12:40 | 0:12:45 | |
the way the hammer falls, OK? | 0:12:45 | 0:12:47 | |
And when the hammer falls, I reckon that we're looking between ?100 and ?150. Really? | 0:12:47 | 0:12:51 | |
OK. So I've built up your hopes. Maybe they'll come crashing down. | 0:12:51 | 0:12:55 | |
No, but... But we have to be realistic. | 0:12:55 | 0:12:58 | |
Yes, yeah. And I still think one day, once it's restored, it will be a fine chair again. | 0:12:58 | 0:13:04 | |
All right? That's nice, yeah. | 0:13:04 | 0:13:06 | |
OK. So you take the ply board. | 0:13:06 | 0:13:08 | |
Oh, take that. Make good use of it. | 0:13:08 | 0:13:10 | |
We'll take the chair to auction. Excellent. All right? | 0:13:10 | 0:13:12 | |
OK. Come on, let's go. Right. | 0:13:12 | 0:13:14 | |
Even without restoration, that's a sizeable addition to our target. | 0:13:15 | 0:13:19 | |
One item in mint condition is this colourful set of wine glasses, which Jackie inherited from her aunt. | 0:13:19 | 0:13:25 | |
I hope they'll catch the bidders' attention at auction, | 0:13:25 | 0:13:29 | |
as Jonty estimates their value at ?60-?80. | 0:13:29 | 0:13:32 | |
And in the kitchen, Jackie's family has done us proud again, | 0:13:32 | 0:13:36 | |
when she finds this lovely Coalport tea service, which used to belong to her grandparents. | 0:13:36 | 0:13:41 | |
It was only used on special occasions and Christmas, | 0:13:41 | 0:13:45 | |
and Jonty gives a very festive ?80-?120. | 0:13:45 | 0:13:49 | |
Well, our search is going well, but Jonty still has plenty of treasures to rummage through in Jackie's home. | 0:13:49 | 0:13:54 | |
So I'll leave him to it and catch up with our nautical couple. | 0:13:54 | 0:13:58 | |
Now, the sailing. That all sounds really interesting, | 0:13:58 | 0:14:00 | |
but that's something you've come on board to later. | 0:14:00 | 0:14:03 | |
How long have you been sailing for, Simon? | 0:14:03 | 0:14:05 | |
Erm, years ago, I started off dinghy sailing | 0:14:05 | 0:14:10 | |
and moved into the larger boats back in '97. | 0:14:10 | 0:14:14 | |
So...11 years I've been doing it now. | 0:14:14 | 0:14:18 | |
We've had a few close... Have you? | 0:14:18 | 0:14:20 | |
..encounters, yeah. So it's a... | 0:14:20 | 0:14:23 | |
You know, you've got to be on watch and sensible with it all the time. | 0:14:23 | 0:14:28 | |
And now you get all these electronic aids. | 0:14:28 | 0:14:30 | |
When I first started sailing, I had a compass and that was about it. | 0:14:30 | 0:14:34 | |
And I had one particular occasion when I did have a lot of trouble. | 0:14:34 | 0:14:38 | |
I was out on my own, the weather turned and I sailed out of Dieppe | 0:14:38 | 0:14:43 | |
and I was 13 hours on the water on my own and ended going back into Dieppe | 0:14:43 | 0:14:47 | |
with the help of the French coastguards. | 0:14:47 | 0:14:49 | |
So that was... But I learnt from it, because the next weekend, when I did get back, | 0:14:49 | 0:14:54 | |
I went out and the first thing I did was buy a GPS, so I knew what part of the English Channel I was in. | 0:14:54 | 0:14:59 | |
With a compass, unless you can sight on something, you don't know where you are. | 0:14:59 | 0:15:03 | |
Well, I can understand all the stuff about safety equipment. That is common sense, | 0:15:03 | 0:15:08 | |
but it seems to me that you haven't even provided the basics of life so far. | 0:15:08 | 0:15:12 | |
What, like the loo? Yes. | 0:15:12 | 0:15:14 | |
Well, I guess none of these things are cheap. | 0:15:14 | 0:15:16 | |
They're not. In fact, anything to do with marine is expensive | 0:15:16 | 0:15:21 | |
and it's particularly when it... | 0:15:21 | 0:15:23 | |
We think it's going to cost about ?1,000 to... Just for that. It's amazing, isn't it? | 0:15:23 | 0:15:28 | |
Cos it's all the cutting and shaping and all that kind of thing. | 0:15:28 | 0:15:31 | |
So it's quite a tricky thing to have done. | 0:15:31 | 0:15:33 | |
They have to scrape off all the existing lining that's on there | 0:15:33 | 0:15:37 | |
before they can stick the new lining on, so it's quite a tricky job. | 0:15:37 | 0:15:41 | |
Well, Jonty Hearnden's going to have a tricky job if he doesn't find some more stuff to sell! | 0:15:41 | 0:15:46 | |
Cos I really want you getting that loo on that boat. Let's see what he's found. | 0:15:46 | 0:15:50 | |
Let's have a look. | 0:15:50 | 0:15:51 | |
It sounds like Simon's boat is in need of a few home comforts. | 0:15:51 | 0:15:55 | |
So we'd better get back on with the search for items we can sell. | 0:15:55 | 0:15:58 | |
Luckily, our Jonty Hearnden has indeed been busy and has spotted a picture | 0:15:58 | 0:16:03 | |
with a rather familiar landmark. | 0:16:03 | 0:16:05 | |
Have a look at this picture with me. | 0:16:05 | 0:16:06 | |
It's intriguing. Now tell me more. | 0:16:06 | 0:16:09 | |
Erm, obviously Big Ben. Yes. | 0:16:09 | 0:16:13 | |
Erm, it's been in my parents' house ever since I can remember. | 0:16:13 | 0:16:18 | |
As a nipper, it was in the house. | 0:16:18 | 0:16:20 | |
But it's Big Ben with a difference. | 0:16:20 | 0:16:22 | |
Big Ben with a difference. It chimes Home Sweet Home. | 0:16:22 | 0:16:26 | |
All right. On the hour. | 0:16:27 | 0:16:28 | |
And you've got two winding mechanisms, one for the movement and one for the chiming. | 0:16:28 | 0:16:33 | |
Chiming, yes. Wow. | 0:16:33 | 0:16:35 | |
We don't have it working now, because it strikes every quarter of an hour. | 0:16:35 | 0:16:39 | |
And that was enough? And that was enough, yes. | 0:16:39 | 0:16:41 | |
But it's in the moonlight as well. Yes. | 0:16:41 | 0:16:43 | |
Because we have the moon here, but in the form of mother-of-pearl. | 0:16:43 | 0:16:47 | |
Yes. And the mother-of-pearl is also replicated down here on the side | 0:16:47 | 0:16:50 | |
of the clock tower, the sails and also on the water there. | 0:16:50 | 0:16:55 | |
Yes. So it has that atmospheric sort of feel to it. | 0:16:55 | 0:16:58 | |
And if you look at the framing, this is very un-British. | 0:16:58 | 0:17:02 | |
This is continental. Oh. | 0:17:02 | 0:17:04 | |
So this is where it came from. The frame is continental. | 0:17:04 | 0:17:07 | |
But you don't get more British than the scene of the Houses of Parliament and the clock tower. | 0:17:07 | 0:17:11 | |
Now, values? What's it worth? | 0:17:11 | 0:17:14 | |
Well, I have to say that a good ten years ago, | 0:17:14 | 0:17:17 | |
pictures like this, novelty items like this, set the market alight. | 0:17:17 | 0:17:21 | |
People would pay lots of money. | 0:17:21 | 0:17:23 | |
But because we're not looking at real genuine quality here. | 0:17:23 | 0:17:27 | |
This is a mass-produced, fun wall-hanging, effectively. | 0:17:27 | 0:17:30 | |
So we're looking at ?80-?120, that sort of ball park. | 0:17:30 | 0:17:34 | |
Oh. Are you happy about that? Yes. Yes? Yeah. That's good. | 0:17:34 | 0:17:37 | |
Somebody else can enjoy it. | 0:17:37 | 0:17:38 | |
Somebody else can wind it, too. Yes, definitely. Lovely, thank you. | 0:17:38 | 0:17:43 | |
I quite agree, Jackie. Our sailor-to-be is really getting into this de-cluttering. | 0:17:43 | 0:17:48 | |
I'm very impressed. | 0:17:48 | 0:17:50 | |
Simon is hard at work today as well, as he finds this etched glass tankard. | 0:17:50 | 0:17:54 | |
It might not have a hallmarked silver handle | 0:17:54 | 0:17:57 | |
like the other one we found earlier, but Jonty still estimates it at a very saleable ?70-?90. | 0:17:57 | 0:18:04 | |
And in the kitchen, I find this fantastic collection of stamps, | 0:18:04 | 0:18:07 | |
which used to belong to Jackie's dad. | 0:18:07 | 0:18:09 | |
Jonty thinks they could bag us a first-class ?70-?100 at auction. | 0:18:09 | 0:18:14 | |
Our search is getting closer to its end, but Jackie thinks | 0:18:14 | 0:18:17 | |
she might have another item that could get Jonty's pulse racing. | 0:18:17 | 0:18:21 | |
Aw, I say, let's have a look at that. | 0:18:21 | 0:18:23 | |
Reveal all. Can we take the cover off? Yeah. | 0:18:23 | 0:18:26 | |
OK, so what we're looking at here, looks likely to be a card table. | 0:18:26 | 0:18:29 | |
Obviously, hidden up in your attic space here. | 0:18:29 | 0:18:32 | |
Now, where did it come from? My grandparents gave it to me. | 0:18:32 | 0:18:37 | |
Did they? Yes. I used to play cribbage with my granddad. | 0:18:37 | 0:18:40 | |
Did you? Yeah. Did you beat him? | 0:18:40 | 0:18:42 | |
Er, sometimes. I think perhaps he used to let me win. | 0:18:42 | 0:18:46 | |
So I'm sure you know how it works. | 0:18:46 | 0:18:48 | |
The top hinges up, like so. | 0:18:48 | 0:18:50 | |
Then we've got the baize on the inside, like that. | 0:18:50 | 0:18:53 | |
And these rounded corners really were designed originally for counters. | 0:18:53 | 0:18:59 | |
Oh. That's essentially what you're looking at here. | 0:18:59 | 0:19:01 | |
So a card table is always really designed for, | 0:19:01 | 0:19:04 | |
really comfortably, four people to sit round. | 0:19:04 | 0:19:06 | |
Let me just close it up because I want to show you how it should open up at the back. | 0:19:06 | 0:19:10 | |
There's always this concertina or gate-leg action of the table legs | 0:19:10 | 0:19:14 | |
at the back here. | 0:19:14 | 0:19:15 | |
So those two legs fold back, like so, which then reveals a flip-over | 0:19:15 | 0:19:21 | |
for the top, like so. | 0:19:21 | 0:19:24 | |
All right? So one always stands back from a card table like this | 0:19:24 | 0:19:28 | |
and there's a lovely symmetry still to it, open as well as closed. | 0:19:28 | 0:19:32 | |
As far as the value of this table's concerned, you're looking at really ?120, ?180. | 0:19:32 | 0:19:38 | |
Oh! All right? Yes. So it's still definitely worth selling in the auction sale. | 0:19:38 | 0:19:42 | |
Are you happy about that? Yes, yes, definitely. | 0:19:42 | 0:19:45 | |
?120. It's a fantastic find. Great work, Jackie. | 0:19:45 | 0:19:49 | |
As our day of rummaging draws to an end, there's one last item to be added to our auction haul. | 0:19:49 | 0:19:55 | |
Now what do you know about this? Has it got a name? | 0:19:55 | 0:19:57 | |
I think it's called a Wellington chest, after the Duke of Wellington. | 0:19:57 | 0:20:03 | |
You're absolutely right to call it a Wellington chest, because that's what they're known as. | 0:20:03 | 0:20:06 | |
And they are characteristic chests of drawers in this slender form | 0:20:06 | 0:20:11 | |
and they lock in this unique fashion, | 0:20:11 | 0:20:14 | |
which is this bar that comes across, like so, with one lock you can lock all six drawers at the same time. | 0:20:14 | 0:20:21 | |
And if you look, as a consequence, it's matched up with this same pillar on the other side. | 0:20:21 | 0:20:26 | |
So closed it has a very beautiful symmetrical form to it. | 0:20:26 | 0:20:31 | |
Now there's one thing, | 0:20:31 | 0:20:33 | |
for my money, it screams at me, it shouts at me, | 0:20:33 | 0:20:36 | |
"It's all wrong." And I don't know if you know what I'm talking about. | 0:20:36 | 0:20:40 | |
I think it's the feet. | 0:20:40 | 0:20:41 | |
Yes, it is! It is. They're so wrong. | 0:20:41 | 0:20:44 | |
They're so wrong for this particular piece of furniture. | 0:20:44 | 0:20:46 | |
Now what you should have there, at roughly the same kind | 0:20:46 | 0:20:50 | |
of height, maybe an inch taller, | 0:20:50 | 0:20:52 | |
is just a single, flat piece of mahogany, so a plinth. | 0:20:52 | 0:20:56 | |
From a restorational point of view, it's very easy to replace a piece of | 0:20:56 | 0:21:00 | |
mahogany that has no mouldings on it at all. It's just square cut. | 0:21:00 | 0:21:04 | |
Very straightforward to do. | 0:21:04 | 0:21:06 | |
So as a consequence, that's not really a big issue down there. | 0:21:06 | 0:21:09 | |
So a restorer can put all that back together again. | 0:21:09 | 0:21:11 | |
And what sort of value are we talking about? | 0:21:11 | 0:21:14 | |
Ball park for this, because we need a new plinth, still a very handsome - | 0:21:14 | 0:21:18 | |
like the piece of furniture - ?300-?500. Unbelievable. | 0:21:18 | 0:21:22 | |
I just... Incredible, that is. | 0:21:22 | 0:21:24 | |
Good. Half the load. | 0:21:24 | 0:21:26 | |
Half the load, yeah, definitely. | 0:21:26 | 0:21:28 | |
Now, well. You wanted ?1,000, didn't you? | 0:21:28 | 0:21:31 | |
For these boat repairs, or should I say, more precisely, the loo? | 0:21:31 | 0:21:34 | |
And let's be honest, that's desperately needed. | 0:21:34 | 0:21:37 | |
So how do you feel about the valuations today? | 0:21:37 | 0:21:40 | |
Well, with that and some of the other prices, we might be quite a bit nearer, don't you think? | 0:21:40 | 0:21:46 | |
Yeah, you're not doing too bad actually. Cos the value of everything adds up to ?1,235! Oh! | 0:21:46 | 0:21:51 | |
Wow! That'll be excellent. | 0:21:51 | 0:21:53 | |
Yeah, what else do you want done on the boat? | 0:21:53 | 0:21:55 | |
You won't be getting a loo, you'll be getting a throne! | 0:21:55 | 0:21:58 | |
Yeah, that's right. | 0:21:58 | 0:21:59 | |
We've had a really successful day rummaging through Jackie's lovely family home | 0:21:59 | 0:22:04 | |
and have a pretty impressive collection of items heading off to auction. | 0:22:04 | 0:22:08 | |
We've got the pair of impressive bronze figures, valued at ?250-?300. | 0:22:08 | 0:22:13 | |
The elegant mahogany card table with an estimate of ?120-?180. | 0:22:13 | 0:22:19 | |
And don't forget the unusual Wellington chest, | 0:22:19 | 0:22:21 | |
which Jonty valued at ?300-?500. | 0:22:21 | 0:22:25 | |
But we'll have to wait until we get to auction for Jonty to reveal | 0:22:25 | 0:22:28 | |
whether Jackie and I were right with our ?80 guesstimation on the tankard. | 0:22:28 | 0:22:34 | |
Still to come on Cash In The Attic, | 0:22:34 | 0:22:37 | |
our sea-loving couple have to ride out some stormy weather. | 0:22:37 | 0:22:40 | |
Oh, dear. No stamp collectors in today. You can't win 'em all. No. | 0:22:40 | 0:22:44 | |
Jonty wonders if he's to blame. | 0:22:44 | 0:22:46 | |
Isn't there, Jonty? Yes, it's a bit like me. Bad legs. | 0:22:46 | 0:22:49 | |
But some of our items sail to victory. | 0:22:49 | 0:22:51 | |
So that's double the top-end estimate. Great. | 0:22:51 | 0:22:54 | |
That's really good going, isn't it? | 0:22:54 | 0:22:56 | |
I can't believe it. Isn't it wonderful? Yeah. | 0:22:56 | 0:22:58 | |
So how will we have fared when the final hammer falls? | 0:22:58 | 0:23:01 | |
It's two weeks later and we're here at Chiswick Auctions in West London, | 0:23:05 | 0:23:08 | |
where Jackie and Simon's antiques will go under the hammer. | 0:23:08 | 0:23:12 | |
They're hoping to raise ?1,000 to put towards a new toilet for Simon's boat. | 0:23:12 | 0:23:17 | |
And with our Jonty Hearnden on hand to help, let's hope we don't have choppy seas in the saleroom. | 0:23:17 | 0:23:23 | |
Ah, good morning, Jonty. | 0:23:23 | 0:23:25 | |
Hello. Lovely piece, isn't it? | 0:23:25 | 0:23:26 | |
I've just been admiring it. Very tactile. | 0:23:26 | 0:23:29 | |
I know. I still don't like the legs. | 0:23:29 | 0:23:31 | |
How much of a problem is that going to be? It's not going to go top end. | 0:23:31 | 0:23:35 | |
No. It's not too much of a problem at all. A dealer will spot that. | 0:23:35 | 0:23:38 | |
They know they can put this into a restorer's and, once it's come out, it would look fantastic. | 0:23:38 | 0:23:43 | |
So we're very hopeful about this. Yeah. | 0:23:43 | 0:23:45 | |
What else have we got that you're interested in seeing how it does? | 0:23:45 | 0:23:48 | |
I love those two... Remember the bronze army figures, | 0:23:48 | 0:23:51 | |
the French figures? Yeah. They're really good quality. | 0:23:51 | 0:23:54 | |
Again, shame about the slight damage, because without that | 0:23:54 | 0:23:57 | |
I think they would march out of the auction room. | 0:23:57 | 0:24:00 | |
The interesting thing... In auctions now you see bronzes coming up, but not all of them have age, have they? | 0:24:00 | 0:24:06 | |
No, that's true. There's an awful lot of reproductions hanging around, | 0:24:06 | 0:24:09 | |
so you've got to be very, very wary. Look for the quality of the detail. | 0:24:09 | 0:24:13 | |
OK. So what about the tankard? | 0:24:13 | 0:24:15 | |
Are you going to let me in on the valuation? Absolutely not, no. | 0:24:15 | 0:24:18 | |
In that case, I want to find the family so that you will let me in. I will. I promise, I promise. | 0:24:18 | 0:24:23 | |
'He may be trying to keep an air of mystery, but hopefully he'll have to reveal all soon. | 0:24:23 | 0:24:28 | |
'Jackie's ancestors' love of antique collecting means that we've got some great items here today | 0:24:28 | 0:24:34 | |
'and I hope our sea-loving couple are as excited as I am.' | 0:24:34 | 0:24:37 | |
Ah, good morning. Hi, guys. How are you? Nice to see you. | 0:24:37 | 0:24:40 | |
So how's the boat getting on? | 0:24:40 | 0:24:41 | |
Very well thank you. Yeah, we've been out sailing the other week, didn't we? And it's looking good. | 0:24:41 | 0:24:46 | |
But no loo on board yet? No. Of your standards anyway. | 0:24:46 | 0:24:49 | |
Not quite, no. We've got a good bucket, though. | 0:24:49 | 0:24:52 | |
All that might change. Now I notice you're looking at that beautiful tankard. Yes. | 0:24:52 | 0:24:56 | |
We've been talking about it. Wondering what it's worth. | 0:24:56 | 0:25:00 | |
So what is it worth? Well, I've put ?100-?150 | 0:25:00 | 0:25:03 | |
because I think it's a very beautiful object. | 0:25:03 | 0:25:06 | |
Are you looking forward to today, though? We are now! | 0:25:06 | 0:25:09 | |
THEY LAUGH Yes, there's nothing like that to lift your day. | 0:25:09 | 0:25:12 | |
Mixed emotions really. Getting rid of some of my mum's things, erm, but I can't store them, so... | 0:25:12 | 0:25:20 | |
Well, we've got some fabulous items to sell today, really good quality, so I'm sure we'll do very well. | 0:25:20 | 0:25:25 | |
So pop that down because we've got our places to take in the auction sale. | 0:25:25 | 0:25:30 | |
Follow me, guys. Come on then. | 0:25:30 | 0:25:32 | |
Jackie seems a bit emotional about parting with her family possessions, | 0:25:32 | 0:25:36 | |
but with ?1,000 needed for the work on Simon's boat, | 0:25:36 | 0:25:39 | |
I am keeping everything crossed that we have a successful day. | 0:25:39 | 0:25:43 | |
The auction house is full of eager-looking bidders | 0:25:43 | 0:25:46 | |
and we take our places in time for our first lot. | 0:25:46 | 0:25:48 | |
It's the pair of lead insurance plaques, | 0:25:48 | 0:25:52 | |
which Jonty values at ?45-?65. | 0:25:52 | 0:25:54 | |
96A is our two metal insurance plaques. | 0:25:54 | 0:26:00 | |
Little bit of interest in this lot. | 0:26:00 | 0:26:02 | |
I'm bid ?30 with me. Straight off at 30. Good. | 0:26:02 | 0:26:05 | |
Brilliant. Wow! | 0:26:05 | 0:26:06 | |
AUCTIONEER: ..35, 40, 45, | 0:26:06 | 0:26:08 | |
50. 55. And then I've got 57. | 0:26:08 | 0:26:11 | |
Do you want 60? ?60. | 0:26:11 | 0:26:14 | |
In the corner then at ?60. 65 there now. | 0:26:14 | 0:26:16 | |
Wonderful. | 0:26:16 | 0:26:18 | |
75, 80, 85, 90, | 0:26:18 | 0:26:22 | |
95. Fantastic. 100. | 0:26:22 | 0:26:23 | |
110. 110 then. In the pink at ?110. | 0:26:23 | 0:26:27 | |
Anybody else at ?110? 110. | 0:26:27 | 0:26:30 | |
At 110. | 0:26:30 | 0:26:32 | |
?110! Goodness me. Are you pleased with that? Yeah. | 0:26:32 | 0:26:34 | |
That's set the auction room on fire. That's amazing! | 0:26:34 | 0:26:37 | |
Crikey. I wouldn't have thought they'd be worth anything like that. Isn't that great? Mm. | 0:26:37 | 0:26:42 | |
It's smiles all round and I don't think they're due to Jonty's joke. | 0:26:42 | 0:26:47 | |
?110 is a great result for the plaques. | 0:26:47 | 0:26:50 | |
Let's see if our next lot can follow suit. | 0:26:50 | 0:26:54 | |
Big Ben, 102A. There we go. | 0:26:54 | 0:26:58 | |
50 for the lot. 55, 60. | 0:26:58 | 0:27:01 | |
AUCTIONEER: ?60 for that lot. It's cheap for ?60. And five I'll take. For 6, 65. | 0:27:01 | 0:27:06 | |
70. 75. In the doorway now at ?75. | 0:27:06 | 0:27:08 | |
I'm going to sell it for 75. | 0:27:08 | 0:27:11 | |
Going then. ?75. | 0:27:11 | 0:27:14 | |
He's sold it for 75. | 0:27:14 | 0:27:15 | |
Well done. It's gone for 75. | 0:27:15 | 0:27:18 | |
?75 is just under estimate | 0:27:18 | 0:27:19 | |
and the saleroom wasn't feeling the same excitement for that lot. | 0:27:19 | 0:27:24 | |
With a whopping ?1,000 target, | 0:27:24 | 0:27:26 | |
we need the rest of our lots to sell well today | 0:27:26 | 0:27:29 | |
and it's the first of our two glass tankards up next. | 0:27:29 | 0:27:32 | |
This one is the slightly cheaper of the two | 0:27:32 | 0:27:34 | |
and we're hoping for at least ?70-?90. | 0:27:34 | 0:27:37 | |
108A, there we go. | 0:27:37 | 0:27:39 | |
What shall we start this at? | 0:27:39 | 0:27:40 | |
?30 to start me. Everywhere. | 0:27:40 | 0:27:42 | |
30 upstairs. 35, 40. | 0:27:42 | 0:27:45 | |
5, 50, 5, 60, 5, 70, 5. | 0:27:45 | 0:27:49 | |
Some very strong bidding going on here. | 0:27:49 | 0:27:51 | |
90, 5, 100, 110, 120, 130, | 0:27:51 | 0:27:55 | |
140, 150... I can't believe this. | 0:27:55 | 0:27:57 | |
..160, 170, 180, | 0:27:57 | 0:28:00 | |
180. Upstairs at ?180. Anybody else? 180. | 0:28:00 | 0:28:04 | |
180! I'm selling at 180. | 0:28:04 | 0:28:07 | |
?180, that's double the top-end estimate. Great. That's pretty good going, isn't it? | 0:28:07 | 0:28:12 | |
I can't believe it. Isn't that wonderful? | 0:28:12 | 0:28:15 | |
Yes. Gramps would be really chuffed. | 0:28:15 | 0:28:17 | |
That's an incredible result for the first of our tankards | 0:28:17 | 0:28:20 | |
and Jackie's family heirlooms | 0:28:20 | 0:28:23 | |
are proving very popular with the bidders. Let's hope they're all sitting comfortably | 0:28:23 | 0:28:27 | |
as it's our first furniture lot up next. | 0:28:27 | 0:28:31 | |
This lot, Simon, is the bergere chair you found in the bedroom. Yeah. Ready to sell it? | 0:28:31 | 0:28:35 | |
Definitely, yeah. What's it up for? I valued it around the ?100 mark, that sort of ball park, | 0:28:35 | 0:28:40 | |
so let's see what it makes. OK. Fingers crossed. | 0:28:40 | 0:28:43 | |
114A. A turn of the century, mahogany, bergere chair. | 0:28:43 | 0:28:48 | |
Nice chair, that. 114A. | 0:28:48 | 0:28:50 | |
Bit of interest in it as well. | 0:28:50 | 0:28:52 | |
I'm bid ?100 for it. | 0:28:52 | 0:28:54 | |
With me at 100. ?100, 110, 120, 130. | 0:28:54 | 0:28:56 | |
Oh! Crikey! | 0:28:56 | 0:28:58 | |
AUCTIONEER: 140, 150... | 0:28:58 | 0:28:59 | |
I don't believe that! | 0:28:59 | 0:29:00 | |
?150. 160 there. | 0:29:00 | 0:29:03 | |
170, 180, 190, 200, | 0:29:03 | 0:29:05 | |
210, 220, 230, 240, | 0:29:05 | 0:29:09 | |
240. With Tony at ?240. 240 is the bid then. For 240. | 0:29:09 | 0:29:17 | |
?240! That's double the estimate again. I can't believe it. | 0:29:17 | 0:29:21 | |
How about that? Cor, you're having a good day, aren't you? How fantastic. | 0:29:21 | 0:29:25 | |
You're not only going to get your loo, you're going to get your cooker, too! | 0:29:25 | 0:29:29 | |
?240 is a fantastic result and even I was speechless. | 0:29:29 | 0:29:35 | |
We're having a cracking day at auction so far. | 0:29:35 | 0:29:38 | |
Will our colourful wine glasses do just as well? | 0:29:38 | 0:29:41 | |
Start me for 30 for these. For ?30. 35, 40, | 0:29:41 | 0:29:45 | |
AUCTIONEER: ?40 for the glasses. ?40. | 0:29:45 | 0:29:47 | |
Come on. We need to get more than that. | 0:29:47 | 0:29:49 | |
?40. With me at 40. At ?40. | 0:29:49 | 0:29:51 | |
?40 then. For 40. | 0:29:51 | 0:29:55 | |
?40. Unsold. That's unsold. | 0:29:55 | 0:29:57 | |
Oh, unsold? Didn't make the grade. | 0:29:57 | 0:29:59 | |
Well, that's good news. | 0:29:59 | 0:30:01 | |
Put those out, maybe, now! Yes. | 0:30:02 | 0:30:05 | |
It's our first unsold lot and although Jackie didn't seem | 0:30:05 | 0:30:08 | |
too disappointed, I hope it doesn't signal the end of our lucky streak. | 0:30:08 | 0:30:12 | |
It's almost half-time, | 0:30:12 | 0:30:14 | |
but our second tankard is next under the hammer. | 0:30:14 | 0:30:17 | |
With an estimate of ?100-?200, | 0:30:17 | 0:30:19 | |
can it possibly perform as well as the first one? | 0:30:19 | 0:30:22 | |
Now remember, we've sold the other tankard as well. Yes. | 0:30:22 | 0:30:25 | |
Which has done incredibly well, so I'm very hopeful we should do even more than that. | 0:30:25 | 0:30:29 | |
So, that's going to be very exciting. Here it comes. | 0:30:29 | 0:30:32 | |
Bit of interest in this. I can start the bidding at 160. With me at ?160. | 0:30:33 | 0:30:38 | |
160? 170, 180, | 0:30:38 | 0:30:40 | |
190, 200, 210, 220, 230, 240, 250, | 0:30:40 | 0:30:45 | |
260, 270, 280, 290... | 0:30:45 | 0:30:48 | |
?290! I don't believe it. | 0:30:48 | 0:30:50 | |
AUCTIONEER: ..325. | 0:30:50 | 0:30:53 | |
330. 335, you want? 335. | 0:30:53 | 0:30:55 | |
AUCTIONEER: In the room at 335. At 335. | 0:30:55 | 0:30:59 | |
335 it is. 340 I'll take, somebody else. | 0:30:59 | 0:31:01 | |
335. | 0:31:01 | 0:31:03 | |
Wow! ?335. | 0:31:03 | 0:31:06 | |
I knew it was nice, but I didn't realise it was going for that sort of money. Wonderful. | 0:31:06 | 0:31:11 | |
?335 for one piece. That is good. That is amazing. Are you all right? | 0:31:11 | 0:31:17 | |
Just can't believe it. | 0:31:17 | 0:31:19 | |
Well, your father and your grandfather did you proud, didn't they? | 0:31:19 | 0:31:23 | |
Yeah, they did. I can't believe it. | 0:31:23 | 0:31:24 | |
That's brilliant. Yeah, amazing. ?335. Pay that for a glass tankard? | 0:31:24 | 0:31:31 | |
?335 is a phenomenal result for the tankard | 0:31:31 | 0:31:35 | |
'and although Jackie was lost for words, | 0:31:35 | 0:31:38 | |
'the expression on her face spoke volumes.' | 0:31:38 | 0:31:40 | |
We've had a great morning in the saleroom and I can't wait to tot up our total so far. | 0:31:40 | 0:31:46 | |
Well, what can I say? What a stunning morning at auction for you guys. | 0:31:46 | 0:31:50 | |
I'm so pleased for you. I mean, everything was just... Well, superb, wasn't it? Mm. | 0:31:50 | 0:31:54 | |
I just can't believe some of those figures they went for. The tankard, I mean... | 0:31:54 | 0:31:58 | |
I think even you're surprised, aren't you, Jonty, by some of them? | 0:31:58 | 0:32:02 | |
Well, I'm still ceased to be amazed what good quality makes. It's unusual as well. | 0:32:02 | 0:32:08 | |
It ticks all the boxes. But over ?300, what a result for you. | 0:32:08 | 0:32:11 | |
I know. It's... I'm just amazed. That's all I can say, really. | 0:32:11 | 0:32:15 | |
So how do you feel it went? | 0:32:15 | 0:32:17 | |
Are you still a bit shell-shocked? | 0:32:17 | 0:32:18 | |
Still shell-shocked at the moment, I think. Cos 300-and-something for the mug... The tankard. | 0:32:18 | 0:32:24 | |
The tankard, sorry. And the insurance plates and... | 0:32:24 | 0:32:27 | |
Well, the total so far comes to ?940. | 0:32:27 | 0:32:29 | |
Well, the total so far comes to ?940. | 0:32:29 | 0:32:30 | |
You're joking! We're only halfway through. | 0:32:30 | 0:32:34 | |
And, and we've still got things to sell this afternoon. Yes. | 0:32:34 | 0:32:37 | |
We've got so much more to come. It's fantastic. | 0:32:37 | 0:32:40 | |
You looking forward to this afternoon? Definitely. Can't wait. | 0:32:40 | 0:32:43 | |
OK. Well, you've got a little bit of a breather in between, OK? | 0:32:43 | 0:32:46 | |
Yeah. It's not time for champagne just yet. This way. | 0:32:46 | 0:32:50 | |
I love being the bearer of such good news and I think our couple could definitely do with a sit down. | 0:32:50 | 0:32:55 | |
If you're planning on buying or selling at auction, then be aware | 0:32:55 | 0:32:59 | |
that commission and possibly other charges will be added to your bill. | 0:32:59 | 0:33:03 | |
So it's a good idea to check the details with your local saleroom. | 0:33:03 | 0:33:06 | |
The second half of the auction is under way when we return to our places, | 0:33:06 | 0:33:10 | |
and there's a new auctioneer on the rostrum. | 0:33:10 | 0:33:12 | |
After such an incredible morning, | 0:33:12 | 0:33:14 | |
I can only hope that our luck holds out, | 0:33:14 | 0:33:16 | |
as the pretty card table is up first. | 0:33:16 | 0:33:18 | |
Now, I've estimated this around the sort of ?120 mark, OK? | 0:33:18 | 0:33:22 | |
So let's see how we go. | 0:33:22 | 0:33:24 | |
The George I, mahogany, fold-over card table. ?100 for it? | 0:33:24 | 0:33:27 | |
?100 for it. I'm bid ?100. Take 110 for a good table. ?110. | 0:33:27 | 0:33:34 | |
AUCTIONEER: You want 110? 120, | 0:33:34 | 0:33:37 | |
130, 140, 150, | 0:33:37 | 0:33:39 | |
140 you've bid. Half price at 140. 150 for it? I'm selling at 140 only. | 0:33:39 | 0:33:44 | |
140 and going then. Your bid. | 0:33:44 | 0:33:47 | |
?140. That's not bad, is it? | 0:33:47 | 0:33:49 | |
Isn't, no. It's brilliant. | 0:33:49 | 0:33:51 | |
OK. 140 in the coffers. | 0:33:51 | 0:33:53 | |
That was the table that had all the marks on the top as well. | 0:33:53 | 0:33:56 | |
Yes, and scratches, yeah. | 0:33:56 | 0:33:57 | |
Had it not had that, do you think it would have made more? Yes. | 0:33:57 | 0:34:01 | |
I think we would have exceeded ?200, but everything's priced accordingly. | 0:34:01 | 0:34:05 | |
Yeah. We're doing well. | 0:34:05 | 0:34:06 | |
?140 is in the middle of Jonty's estimate | 0:34:06 | 0:34:09 | |
and a strong start to this half of the sale. | 0:34:09 | 0:34:12 | |
The pretty Coalport tea and dinner service is up next, | 0:34:12 | 0:34:16 | |
which Jonty estimated at ?80-?120. | 0:34:16 | 0:34:19 | |
?50 for it. ?50 for it. | 0:34:19 | 0:34:22 | |
Thank you. A bid at ?50. Say 55. 55. | 0:34:22 | 0:34:24 | |
60, 5, 70, 5, 80, 5, | 0:34:24 | 0:34:28 | |
90, 5... | 0:34:28 | 0:34:31 | |
Looking down. ?90. 95, new bidder. 100. | 0:34:31 | 0:34:34 | |
110, 120, 130, 140. Thanks for the bid. ?130. | 0:34:34 | 0:34:39 | |
130, are we done? 130. | 0:34:39 | 0:34:43 | |
?130. | 0:34:43 | 0:34:44 | |
I have to say, that there's a lot of dinner and tea sets here today. | 0:34:44 | 0:34:49 | |
A lot of them. And this is the one that's really sold well. | 0:34:49 | 0:34:52 | |
So I think you've done very well from that. It's good. | 0:34:52 | 0:34:55 | |
It's very interesting, there were two dealers there fighting for that, so we got up to that figure. | 0:34:55 | 0:35:01 | |
Spot-on with the valuation. It's good, good. Ah, well, he does his best. Don't you, Jonty? | 0:35:01 | 0:35:05 | |
I try my best. You've done it before. | 0:35:05 | 0:35:07 | |
?130 is a fantastic price for the Coalport | 0:35:07 | 0:35:10 | |
and I think our expert has two new fans today. | 0:35:10 | 0:35:13 | |
I hope their faith in him isn't shaken | 0:35:13 | 0:35:15 | |
when our next lot comes under the hammer. | 0:35:15 | 0:35:18 | |
It's the pair of bronze figures, | 0:35:18 | 0:35:20 | |
which are one of our most highly-valued lots. | 0:35:20 | 0:35:22 | |
Now, if you remember, we did say that we hoped there'd be | 0:35:22 | 0:35:25 | |
plenty of bidders ready to battle it out for these two figures. | 0:35:25 | 0:35:28 | |
They are excellent quality, aren't they, Jonty? | 0:35:28 | 0:35:31 | |
Very, very good quality. Remember, we have just a bit of damage which might affect where the market goes. | 0:35:31 | 0:35:37 | |
Simon, what do you think about these? | 0:35:37 | 0:35:39 | |
Must admit, I'll be glad to see them go, actually. | 0:35:39 | 0:35:42 | |
They're not my sort of figurine, really. | 0:35:42 | 0:35:45 | |
But, no, make a nice bit of space, there. | 0:35:45 | 0:35:48 | |
Yeah. Not even a doorstop? | 0:35:48 | 0:35:50 | |
Not even a doorstop for me, I'm afraid, no. | 0:35:50 | 0:35:53 | |
Two late 19th-century, bronze statues. ?200. | 0:35:53 | 0:35:55 | |
200 for this lot. | 0:35:55 | 0:35:58 | |
I'm bid at ?200. Give me 210. | 0:35:58 | 0:36:00 | |
At ?200, give me 210. 210. 220. | 0:36:00 | 0:36:03 | |
Crikey. 230, 240, 250, 260... | 0:36:03 | 0:36:06 | |
There's no money. At 260. Thank you. 270. | 0:36:06 | 0:36:10 | |
AUCTIONEER: 280, 290, 300, 310... Come on. | 0:36:10 | 0:36:14 | |
..320, 330, 330, 340, 350, 360, | 0:36:14 | 0:36:21 | |
370, 380, | 0:36:21 | 0:36:23 | |
390, 400, | 0:36:23 | 0:36:26 | |
and 20. | 0:36:26 | 0:36:28 | |
Bid's there at ?400. Take 20. | 0:36:28 | 0:36:31 | |
At ?400. And going, then. | 0:36:31 | 0:36:32 | |
Last chance. At ?400, then. | 0:36:32 | 0:36:34 | |
?400! I bet you like them a bit more now, don't you, Simon, eh? | 0:36:34 | 0:36:39 | |
I do, yeah! ?400. That's amazing, isn't it? Yeah. | 0:36:39 | 0:36:41 | |
Expensive doorstopper. It would've been, wouldn't it? Yes. | 0:36:41 | 0:36:45 | |
An expensive doorstop, indeed! | 0:36:45 | 0:36:46 | |
Simon might not have been their biggest fan, | 0:36:46 | 0:36:49 | |
but the bronze figures gave a gold medal-winning performance. | 0:36:49 | 0:36:53 | |
We may be looking very safe for our original ?1,000 target, | 0:36:53 | 0:36:57 | |
but with the saleroom packed with fully-walleted bidders, | 0:36:57 | 0:37:01 | |
I can't wait to see how the rest of Jackie's items do today. | 0:37:01 | 0:37:04 | |
Right, our next lot is the Victorian dressing table. | 0:37:04 | 0:37:07 | |
I had one of these. You can't really store much in them, can you? No, it's only got a tiny drawer. | 0:37:07 | 0:37:13 | |
But they look lovely. Let's see what we get. | 0:37:13 | 0:37:15 | |
303A. Now the Victorian dressing table, number 303A. | 0:37:15 | 0:37:20 | |
Duchess table, what's it worth? ?50 for it. | 0:37:20 | 0:37:22 | |
AUCTIONEER: Low start. ?50. ?40 for it. | 0:37:22 | 0:37:25 | |
It's worth ?40 surely? ?40 I'm bid. Thank you. I'm bid at ?40. | 0:37:25 | 0:37:28 | |
Encouraging. At ?40. Want 42. | 0:37:28 | 0:37:30 | |
42, 45, 48... | 0:37:30 | 0:37:32 | |
AUCTIONEER: Thank you. 48, 50, 55, 60, 5, | 0:37:32 | 0:37:36 | |
70, 5, | 0:37:36 | 0:37:37 | |
Bid's here at ?70. Take 75. Are you out at ?70? | 0:37:37 | 0:37:40 | |
Selling at ?70, the duchess. | 0:37:40 | 0:37:43 | |
It might not be a as spectacular as some of the other sales, | 0:37:43 | 0:37:46 | |
but ?70 for the dressing table is still a solid result. | 0:37:46 | 0:37:49 | |
I hope the saleroom recreates some of its earlier excitement of our final two lots today. | 0:37:49 | 0:37:55 | |
Maybe Jackie's dad will come up trumps for us | 0:37:55 | 0:37:57 | |
as his collection of stamps is up next. | 0:37:57 | 0:37:59 | |
Jonty estimated their value at ?70-?100. | 0:37:59 | 0:38:04 | |
309A for the stamps. | 0:38:04 | 0:38:06 | |
These are worth ?100. | 0:38:06 | 0:38:08 | |
?80 for the lot? No bids of ?80. I'm going to pass them up. | 0:38:08 | 0:38:13 | |
AUCTIONEER: No bids of ?80 then? No-one wants these. | 0:38:13 | 0:38:15 | |
No-one likes this one? No. No bids. | 0:38:15 | 0:38:18 | |
No bids. No stamp collectors in today. | 0:38:18 | 0:38:20 | |
You can't win 'em all. No. | 0:38:20 | 0:38:22 | |
Unsold. After such a successful day though, | 0:38:22 | 0:38:25 | |
one knock-back clearly hasn't fazed our couple. | 0:38:25 | 0:38:28 | |
The auction is nearly over and we've one final item to go under the hammer. | 0:38:28 | 0:38:32 | |
With a huge valuation, | 0:38:32 | 0:38:35 | |
it's a really important lot for us today. | 0:38:35 | 0:38:37 | |
Our next lot is our piece de resistance in many ways, | 0:38:37 | 0:38:40 | |
that lovely Wellington chest, which is super. | 0:38:40 | 0:38:43 | |
But a bit of a problem with it, isn't there, Jonty? | 0:38:43 | 0:38:45 | |
Bit like me, bad legs. | 0:38:45 | 0:38:47 | |
Now you've put a reserve on this, haven't you? | 0:38:47 | 0:38:50 | |
Yes, ?200. OK, you have to take it back for that amount. | 0:38:50 | 0:38:54 | |
?200 for it? Thank you. | 0:38:54 | 0:38:55 | |
A bid at ?200. Give me 210. | 0:38:55 | 0:38:57 | |
At ?200, the bid there. That's the bid so far. | 0:38:57 | 0:39:00 | |
Give me 210. 210, 220, 230, | 0:39:00 | 0:39:03 | |
240, 250, 240 bid. ?240. Take 50. ?240. Are we done? | 0:39:03 | 0:39:08 | |
250, 260, | 0:39:08 | 0:39:10 | |
270, 280, 290, | 0:39:10 | 0:39:12 | |
300. And 10. 320, 330. At ?320. Take 30. At ?320. | 0:39:12 | 0:39:17 | |
Do you want 330? 330, 340, 350, 360, | 0:39:17 | 0:39:21 | |
370, 380, 390, | 0:39:21 | 0:39:26 | |
No. New bidder there. 390, | 0:39:26 | 0:39:29 | |
400, 420, 440, 460, | 0:39:29 | 0:39:33 | |
480, 500. | 0:39:33 | 0:39:35 | |
Can't believe it. | 0:39:35 | 0:39:36 | |
AUCTIONEER: And 20, 550, 580, | 0:39:36 | 0:39:39 | |
600... | 0:39:39 | 0:39:41 | |
At ?580. Take 600. | 0:39:41 | 0:39:42 | |
You want one more bid? Thank you. ?600, 620, | 0:39:42 | 0:39:44 | |
650... Yes, or no, please. | 0:39:44 | 0:39:47 | |
At ?620, bid there. At ?620. Do you want 650? | 0:39:47 | 0:39:50 | |
It's against you. It's your last chance. 650. | 0:39:50 | 0:39:52 | |
680? 700? | 0:39:52 | 0:39:55 | |
No. This time at... Are you sure? At 680 over this... 700, 720, 750... | 0:39:55 | 0:40:02 | |
Sure this time? 720, I'm bid. At ?720. You're out this time? | 0:40:04 | 0:40:06 | |
Saying no. At ?720. Selling. All done at 720. | 0:40:06 | 0:40:09 | |
?720! | 0:40:09 | 0:40:13 | |
Well... Oh, my goodness! That's just incredible. | 0:40:13 | 0:40:16 | |
I can't believe it. Isn't that wonderful? Yeah. That is brilliant. | 0:40:16 | 0:40:19 | |
So what do you think your mum would make of that? | 0:40:19 | 0:40:22 | |
She'd be shocked, I know. I just hope... That's been tucked in the corner all this time. I know. | 0:40:22 | 0:40:27 | |
700... It blows away what we were saying as well, when it came to restoration costs and retail prices. | 0:40:27 | 0:40:32 | |
?720. It's a superb quality piece of furniture. All we need to do... | 0:40:32 | 0:40:36 | |
All that the new owner will do is put a new plinth on it, it will look superb. | 0:40:36 | 0:40:41 | |
I can't believe it. | 0:40:41 | 0:40:42 | |
?720 is a staggering final result | 0:40:42 | 0:40:45 | |
and Jackie seems speechless yet again. | 0:40:45 | 0:40:49 | |
Our couple have obviously done well. Let's just see how well. | 0:40:49 | 0:40:52 | |
I don't know what to say about today, but next time you're going to auction, | 0:40:52 | 0:40:56 | |
will you let me know so that some of your good luck rubs off on the rest of us? | 0:40:56 | 0:41:00 | |
Extraordinary. Did you enjoy it? Yes, very much. | 0:41:00 | 0:41:03 | |
Yeah? Did you ever think it would go quite like that? No, never. No. I am absolutely, really surprised. | 0:41:03 | 0:41:08 | |
Flushed with success. Yes, definitely. | 0:41:08 | 0:41:11 | |
Can you remember how much you wanted to raise? | 0:41:11 | 0:41:13 | |
Between ?800 and ?1,000. OK. All right. | 0:41:13 | 0:41:16 | |
Well, you'll be delighted, I hope, to know that you've made ?2,400. | 0:41:16 | 0:41:21 | |
Oh, I can't believe it. That is brilliant. There you go - 2,400. | 0:41:21 | 0:41:24 | |
Just amazing. I just... Can we have a his and a hers loo now? | 0:41:24 | 0:41:28 | |
It's two weeks since Jackie and Simon doubled their target and made an incredible ?2,400 at auction. | 0:41:34 | 0:41:40 | |
And today, they're at the marina in Eastbourne. | 0:41:40 | 0:41:43 | |
Piece de resistance, here we go. | 0:41:43 | 0:41:44 | |
Oh, brilliant! | 0:41:44 | 0:41:47 | |
Thank you. Bit different, innit? Yeah. | 0:41:47 | 0:41:50 | |
Because we did so well on the auction and raised more money than expected, | 0:41:50 | 0:41:55 | |
we not only bought a toilet and fitted that, we've gone a step further and gone for a cooker. | 0:41:55 | 0:42:01 | |
So we've now gone from having just baked beans on toast, | 0:42:01 | 0:42:04 | |
we can actually cook some in the oven. So it's far better all round now. | 0:42:04 | 0:42:08 | |
With the boat decked out with all mod cons, the couple can finally take to the sea in style. | 0:42:08 | 0:42:13 | |
And our new sailor seems pleased. | 0:42:13 | 0:42:16 | |
This is going to mean now that we can do much more sailing to different places | 0:42:16 | 0:42:21 | |
and not even moor up actually in a harbour. We can actually stay out at sea. | 0:42:21 | 0:42:26 | |
If I've got a cooker and the toilet, | 0:42:26 | 0:42:30 | |
it's going to make sailing a pleasure. | 0:42:30 | 0:42:32 | |
I think probably do a lot more sailing. | 0:42:32 | 0:42:35 | |
Subtitles by Red Bee Media Ltd | 0:42:59 | 0:43:03 |