Nielsen Cash in the Attic


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Welcome to Cash In The Attic.

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This is the show that helps you find the hidden treasures around your home, and we sell them at auction.

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Today I'm in Suffolk, where I've stopped off at Bury St Edmunds

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to take a look at the famous St Edmundsbury Cathedral.

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Although it looks medieval, this stunning Gothic-style building

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was named in 1914, and officially opened just a few years ago.

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The enormous cathedral tower and its ornate and elegant stonework

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is a beautifully-matched extension to the original Church of St James.

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It was built by a team of just six stonemasons,

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over five years, using many of the original construction techniques.

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So let's hope we can recapture history today, as we go in search

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of a house full of antiques that we can take to auction.

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'On today's Cash In The Attic, we're taking a trip down memory lane.'

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Wow, so were you actually there?

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-Yes. I was there.

-Never!

-At the fight, yes.

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'But some mementos are best kept to oneself...'

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He's not selling that, because he couldn't even get a bid at £20, unfortunately.

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'...whilst others bring in a fabulous return.'

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Are you pleased with that?

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-Yes.

-Yes?

-Yes, very.

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All to come when the final hammer falls.

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I'm on my way to meet Peter and Joyce Nielsen.

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They've called in the Cash In The Attic team

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to help them raise some funds for a rather racy day out.

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This house has been home to Joyce and Peter Nielsen since they retired 20 years ago.

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Peter hails from Denmark originally, and he joined the British Army in 1945.

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He met Joyce after the war, and, after their marriage in 1949,

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she persuaded him to stay in Britain.

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And after 60 years of marriage, this couple still share lots of interests.

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They're both keen sports fans and avid readers,

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as well as being active in their local community.

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I'm glad we have our expert, Paul Hayes, on hand to help.

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-Good morning, Paul!

-Hello. How are you?

-Fine!

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I just stopped off at the cathedral, which is amazing.

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-Beautiful town.

-Isn't England a fantastic country?

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-Yes. And you should know, because you've driven around most of it!

-Yes, I've seen everywhere!

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I hope you don't race too much, because today's family are really into racing.

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Really? OK. Obviously in the safety of the track?

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-Well, yeah. But, more importantly, we need to find plenty of antiques for them to sell.

-OK.

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So no time for any tea pit-stops.

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Oh, really? Are you sure?

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All right, just the one!

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Ah, good morning!

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-Good morning.

-Good morning.

-It's very fresh, isn't it, today?

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-It is, yes.

-A bit chilly.

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So, Joyce, I understand you called in Cash In The Attic.

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We're here now, so tell us what you want us to do.

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I'd love Peter to be able to go out on the racing track. He used to race when we were younger.

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And, of course, he hasn't had a chance up here, but I'd like him just to have a go,

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and maybe drive a Ferrari or something similar.

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-Is this true, Peter?

-That is true, yes.

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OK, so have you always been into fast cars?

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Well, first of all, we went to Brands Hatch to watch the racing,

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and I got hooked on it.

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So how much do you think that's going to cost?

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I'm not sure, but it'll be at least 500.

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So we need to raise £500 so that Peter can have a racing day out in a Ferrari!

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So, one man who hasn't arrived by Ferrari today,

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I bet he came down by bus from Morecombe,

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is our expert, Paul. So shall we go and crack on?

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-Yes.

-And see whether he's found anything yet.

-OK.

-Come on, then.

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'This well-organised family home has signs everywhere of a lifetime of collecting.

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'But both Peter and Joyce know it's time for some of their antiques to go.'

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-Ah, hello!

-Hello, Paul. I see you've found the clock.

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Yes. Actually, you can hardly miss it, there.

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If you move it a fraction, a thousandth of an inch, it won't go.

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We used to draw lines when we decorated so we got it back in the right place.

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For the simple reason that the way it's regulated is a pendulum.

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It swings side to side.

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If you get that slightly at one angle, it can't make its way back and it just stops.

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So it has to be dead, dead straight.

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It has a continental look about it though, doesn't it? So it is British?

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This is American, but at the time we were going to places like India,

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where rosewood grows, and we were bringing all this timber back.

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-This is a rosewood case.

-So would that be where the mother of pearl...

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Possibly. Mother of pearl tends to be from Australasia. They buy it in bulk.

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But the clocks themselves, these are American.

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They're called octagonal faces, with these drop dials, or drop pendulums.

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And they're very much a simple clock.

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I can tell that from the simple reason that it only has one winding hole. It's purely a timepiece.

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If we have two winding holes, it's a chime, on the hour or the quarter-hour.

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And if it has three, then it's a Westminster chime or plays a tune,

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and they're the most advanced movements you can get.

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What sort of valuation would you put on that?

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These decorative clocks, you're looking 100, maybe up to £200.

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So what you think of that, Joyce?

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That doesn't sound too bad, does it?

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-Are you happy for that to go to auction, Joyce?

-Yes, I think so.

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-That's a fifth of our total.

-It's a nice piece.

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So I think we'll leave it on the wall where it is at the moment,

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and let's go and see what else we can find. Follow me.

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OK. I'm happy with the valuation for the wall clock.

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Hopefully, it will make that price on the day.

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And I shall miss that, really, the ticking.

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When you're on your own, it's got a comforting sound.

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That's a good start, but there's still plenty more to find to reach our £500 target.

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There are quite a few treasures tucked away in this house.

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In the shed, something has caught Joyce's eye.

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This coach and horses mirror could bring home £20 to £30 at auction.

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And in the living room, Peter's found something with a Scandinavian theme.

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-Paul?

-Yes?

-Would you like to see this?

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-Look at this.

-Oh, right. Oh, that's pretty, isn't it?

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-Yes, it is.

-Oh, Royal Copenhagen!

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-Yes.

-So was this something that you brought back with you, then, from Denmark?

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-Yes, we did. It was a present from a lady we knew then, to Joyce.

-Right.

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And as far as we know, it's the first one of this batch. Am I right?

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Oh, I can see what you're saying there, yes.

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-It looks like it's number one out of 1016.

-Correct.

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Wow. So it's like a limited edition.

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But the actual design is typical of Copenhagen.

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It's called a Dresden spray. It's actually a German-inspired design.

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They used to do this wonderful pierced work,

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and everything is hand-painted, so you can imagine the length of time it's taken to make that.

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That's a nice example. It's early 20th century, hand-painted, great condition.

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So if I said £30 to £50, how does that sound?

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Well...

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-OK.

-Is that all right?

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-Yes, all right.

-All right. So that's it.

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I'm not sure that Peter wasn't hoping for a little more for the limited edition Dresden spray,

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but he seems happy to take it to auction.

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And with Peter's background, it's not surprising that the house is full of Royal Copenhagen.

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But in the bedroom, Paul's found something that might cut a swathe through the auction room.

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This British officer's sword from 1822 is a fine example of military memorabilia,

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and could entice a collector at £60 to £120.

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That brings us up to £210 towards our £500 target

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for a day out on the racetrack.

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And with Paul still firing on all cylinders, Joyce, Peter and I take a pit-stop.

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So, Peter, how did the interest in racing start?

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It started by me going out to see a race, at Brands Hatch,

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and I got hooked from there.

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I joined a club and got a car,

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and started racing a little bit.

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-What made you decide not to carry on with that?

-I ran out of money.

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It's quite expensive when you're not sponsored,

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and in those days there was no such thing as sponsorship.

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-Right. So it was all down to how much you could afford, I guess.

-Yes.

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So, did you use to go to this? Have you ever actually raced yourself?

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No, I didn't have a driving licence in those days.

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I didn't get my licence until the late Sixties.

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I used to go there every weekend with Peter.

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In fact, our son used to time him with a stopwatch going round, and if he wasn't as fast as Jim Clark...

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that was the driver...

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'Jim Clark does it in 21 seconds, you've taken 28,' or something like that.

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Quite fun, really. You look back and laugh about it.

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One person who's had his motor running is our Paul, and he's been making good time.

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He's found this attractive wall clock with a pendulum,

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which he thinks could fetch £80 to £120.

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And in the living room, Joyce is surrounded with potential.

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Now then, Joyce, I don't blame you.

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I'm going to come and join you here.

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What have you found, anything good?

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Well, this horse.

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I tell you what I did notice before was this tantalus.

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Is that something that's come down the family?

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Well, it was my father's.

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Oh, it's heavy!

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It was given to him by his ex-boss.

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But the reason it's called a tantalus is that you can see these wonderful liqueurs.

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In here would be your cognac, your whisky, your gin...

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your quite expensive alcohol items.

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And it was kept locked away, under lock and key,

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so that it would tantalise you from the sideboard.

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Unless you had the key to get into this, then you couldn't take a drink. They are very saleable items.

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-Are they?

-They're the sort of thing that people don't really use in private houses now,

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but if you've got a restaurant,

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and of course a restaurant is an ideal situation where you would need to lock your alcohol away.

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A hotel, something like that. These are perfect things to sell.

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-Have you got the key?

-No, I haven't.

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-There we go, it works. So when you release that, then the bottles can be taken out.

-Yes.

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So what you've got there is a 19th century tantalus in reasonable condition.

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You haven't got the key, which does make a little bit of

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difference, but if I said at least £100, £150, how does that sound?

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-Really? As much as that? That's a lot.

-Does that sound all right?

-Mm.

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Come on, let's find something else.

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I'm happy that's going, because I'm so scared I'm going to drop it.

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I can't lift it any more.

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I have to slide it when I dust,

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slide it from one end of the cabinet to the other, so it's a good...

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I shall miss it, but hopefully it'll go to a good home.

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'So we're doing well in our search, and in the bedroom Peter's found something to crow about as well.

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'This Royal Copenhagen figurine of a cockerel and hen

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'could reach £30 to £50 in the sale.

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'There are so many delightful pieces in his house,

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'but I've found a real beauty, or two, to be precise.'

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-Paul?

-Yes?

-I think I might have found something.

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-Oh, right.

-A pair of fair maidens.

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-Unfortunately, one has been decapitated.

-Oh, what a shame.

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-We'll overlook that for now.

-What a shame, I mean this has to be...

-Careful, it's heavy.

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My favourite style. This is called art nouveau.

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Round about the turn of the century, about 1900, they went back to all this wonderful...

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Grecian Ladies with organic poses.

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It looks like they're on the back of a mushroom, there, doesn't it?

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Or a tree stump. Often depicted by lily pads, and so on.

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It looks like the work of a firm called Royal Dux. And it is... there we are.

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We have a pink triangle, there. And they were based in Czechoslovakia.

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The original idea with these, I mean fine porcelain is wonderful but,

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what they were actually trying to do was copy bronze sculptures.

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And at the time, in the year 1900 they used to make these figurines from bronze and ivory-mounted.

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And they came up with the ceramic version,

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so the real version would be carved ivory with bronze fittings.

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And obviously tremendously expensive.

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I think you've got one of the best factories,

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you've got what I think is the best style,

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there's a bit of damage on it but it's nothing you can't repair.

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I think at least £150 upwards, really. How does that sound?

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-Sounds fine.

-Is that the sort of price you were expecting?

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-Yes, I think that's great.

-Yes?

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-Yes. It's lovely.

-OK, let's go and see what else we can find, then.

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I think the valuation on the fruit bowl was very good.

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It is a very pretty combination, with the figures and the vase,

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and the fruit bowl each side, or sweets...

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whatever you like to put in it.

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We're racing towards our £500 total for that day out on the track,

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and I've found something that could boost it further.

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This pair of Victorian opaque glass vases

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might hold their value at auction at around £40 to £80.

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And you know what they say about men and their sheds.

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Well, it looks like Peter's used his as a shrine to the noble art.

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Ah, now then, Peter, where have these come from?

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Is this something you got yourself, some boxing gloves and...

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-Yes.

-The fight at Madison Square Garden.

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-Joe Frazier and Mohammed Ali.

-That's correct.

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Let's have a closer look at them.

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Wow, so were you actually there?

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-Yes, I was there.

-So tickets were quite expensive even then?

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-Very expensive. Yes, very expensive.

-And did you have a good seat?

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Yes, right at the top place, and that's a big place there.

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Did you buy these as well there?

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Yes, and the Condor posters.

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-So were you living in America?

-No, I never lived in America.

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I went over to see the fight.

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Wow. So were you a big boxing fan?

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-Oh, yes. Yes.

-Hiya, Joyce, you all right?

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-Hi.

-So did you go out to this fight as well?

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No, I was at home looking after the shop!

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I don't know... racing driving, boxing...

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You have been a lucky boy over the years, haven't you?

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What sort of value are we talking about with those, then?

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Well, these are very unusual.

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There's a massive history between Joe Frazier and Mohammed Ali.

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-Yes, there is.

-And basically, what happened, Mohammed Ali was undisputed world champion.

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-Absolutely.

-But he refused to go to Vietnam, and there was a massive story at the time.

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So he lost his licence.

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And in the meantime, Joe Frazier became the number one champion,

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so when Mohammed Ali got his licence back, he had this massive fight

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and I think Joe Frazier won the first one, is that right?

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He did. He won the first one, and the second one, that's the one...

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-You went to the second one.

-So what do you think they might sell for today, Paul?

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Well, I think quite a lot.

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I think you've got a couple of nice boxing gloves,

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-you've got the programme, you got a couple of posters...

-Yes.

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And that will create a lot of interest at the auction.

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If I said £200, maybe £300, how does that sound?

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-Wow.

-That's all right.

-Is that all right?

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-Yes.

-That sounds pretty good to me.

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-What do you think, Joyce?

-Yes. Not half, yes!

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There might be a fight over them.

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Well, let's hope so, because then the price will go up, won't it?

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That's good news, then, because that helps our total no end.

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You wanted £500, didn't you?

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So that you can have this day out in a Ferrari.

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Thanks to the gloves and the other boxing memorabilia,

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the total value of all your items going to auction is £810.

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-Ooh, heck, that's a lot!

-That's very good.

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But we can't guarantee that amount.

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Obviously it will depend on the day, when you go to auction.

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-We understand that.

-But fingers crossed, that's the amount you should make.

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-Great.

-So, Peter, there'll be some left over.

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So what are you going to spend that on?

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On petrol!

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Well, it's certainly been a rumble in Peter and Joyce's antiques jungle today,

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and we've found some items that could really be contenders at auction.

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They include the beautiful Royal Dux figurines with fruit bowl,

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which could put a smile on somebody's face for £150 to £200.

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And the Mohammed Ali gloves, programme and posters.

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A lot like this should have the bidders fighting over it,

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for between £200 and £300.

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'Still to come on Cash In The Attic,

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'we're fighting fit and ready for auction.

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150...

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'Will we be going another round?'

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-Pleased with that?

-Yes.

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'Or will we be knocked out?'

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That's tragic. So he's left those unsold.

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'Find out when the final hammer falls.'

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It's been a few weeks since we had a good look

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around Joyce and Peter Nielsen's home in Bury St Edmunds.

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We found lots of lovely antiques and collectibles to bring here

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to Sworders & Olivers Auction House in Sudbury in Suffolk.

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Remember, they're looking to raise £500 so that Peter can have the drive of his life,

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so let's hope today that our items race away when they go under the hammer.

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There's almost a studious air in the saleroom today,

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with the buyers wandering around deep in thought over the antiques.

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Our man, Paul Hayes, is certainly absorbed by the Ali versus Frazier programme.

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-Ah, hello.

-Fantastic, I love that advert in there.

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The man with the moustache. Goodness gracious.

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These are great. What a piece of nostalgia!

0:16:480:16:50

If we get two people who want them, then they should sell very well.

0:16:500:16:53

The only concern is that there's nothing else of any sporting memorabilia in this sale.

0:16:530:16:58

So what I'm going to suggest we do is put a reserve on them and see how we get on.

0:16:580:17:02

-We've got the tantalus.

-The tantalus is beautiful.

0:17:020:17:04

That's calling from the sideboard, there. And also that sword.

0:17:040:17:07

There's a lovely sword, which I think could do quite well.

0:17:070:17:10

OK. I just really hope we get a good price for those art nouveau ladies,

0:17:100:17:13

because they're quite close to her heart, aren't they?

0:17:130:17:17

Yes, those really are stunning.

0:17:170:17:18

I think that sort of period, for me, is the best.

0:17:180:17:21

It's damaged but it's a great centrepiece, so let's see.

0:17:210:17:24

-Let's hope can get a good price. Shall we go and meet them?

-Of course.

-Come on.

0:17:240:17:27

'Peter and Joyce have arrived today minus one important piece.

0:17:270:17:31

'Peter decided that he would keep hold of the pretty little Copenhagen

0:17:310:17:34

vase, so he didn't bring it with him today.

0:17:340:17:38

But at the moment, everything is eclipsed by these beauties.

0:17:380:17:42

-Hello!

-Hi!

-They are lovely, aren't they?

-It is beautiful.

0:17:420:17:45

But how would you feel about seeing his piece in the auction house and not in your house any more?

0:17:450:17:50

I feel a bit sad, really, but they had to go.

0:17:500:17:53

And how are you feeling?

0:17:530:17:54

-Are you feeling fighting fit, to sell those Ali gloves?

-Oh, yes. Yes.

0:17:540:17:59

Paul, have you got any fears?

0:17:590:18:00

What I suggested we do is put a reserve on those, just to make sure that they're looked after.

0:18:000:18:05

-Yes. All right, Paul.

-Auctions are very exciting places, so I'm sure you'll have a good day.

0:18:050:18:10

-Come on then, let's get ready.

-Come on.

0:18:100:18:12

'If you're planning to buy or sell at an auction,

0:18:120:18:15

'then please bear in mind that charges and VAT may apply.'

0:18:150:18:18

Right, morning ladies and gentlemen.

0:18:180:18:20

'The auctioneer is in fine fettle today, and with a quiet spot to watch proceedings,

0:18:200:18:26

'we're excited to see the impressive engraved sword

0:18:260:18:30

'taking its first lunge.'

0:18:300:18:32

I'm going to start this at 50.

0:18:320:18:33

-50, we're in. Here we go.

-5, 60, 5, 70, 5, 80...

-Yes!

0:18:330:18:37

-5, 90, 5...

-Yes!

0:18:370:18:40

-100, 5, 10...

-Yes!

0:18:400:18:42

-Yes!

-15, 115 in the back. I'm out.

0:18:420:18:45

20, 5, 30, 5,

0:18:450:18:49

140, 5, 145 still at the back...

0:18:490:18:54

-That's great.

-145. All finished and done with it at 145?

0:18:540:18:58

-£145! Are you pleased with that?

-Yes.

0:18:590:19:03

What a first-class result...

0:19:030:19:05

£145 on our first sale.

0:19:050:19:09

I'd no idea the sword would fetch that kind of money,

0:19:090:19:13

but it was more than I expected.

0:19:130:19:15

And our next item to strut its stuff

0:19:150:19:19

is the Royal Copenhagen cockerel and hen figurine.

0:19:190:19:22

At £85, all finished and done at £85?

0:19:220:19:27

-£85!

-Great.

0:19:270:19:29

And we still don't know which came first... the chicken or the egg.

0:19:290:19:33

Another fantastic wake-up call.

0:19:330:19:36

£85 is nearly three times the lower estimate.

0:19:360:19:38

I was really surprised at how much the cockerels fetched,

0:19:380:19:42

the Royal Copenhagen cockerels.

0:19:420:19:43

I never liked them but I was quite happy with the price they bought!

0:19:430:19:48

We're clocking up some great sales here,

0:19:480:19:52

and when this single-pendulum timepiece sells...

0:19:520:19:55

We're all finished and done with that at £75. Selling at 75.

0:19:550:19:58

£75, is that OK?

0:20:000:20:02

-Yes?

-Yes.

-Good, OK.

0:20:020:20:03

Just £5 short of the estimate.

0:20:030:20:06

We're not too concerned.

0:20:060:20:08

A pattern followed by the Victorian opaque patterned glass vases

0:20:090:20:12

when they also sell...

0:20:120:20:13

< Selling at 35.

0:20:130:20:15

Are you happy with that price? Yeah?

0:20:150:20:18

...for £5 under the estimate, at £35.

0:20:180:20:22

After a succession of good sales, we've already achieved £340 towards

0:20:220:20:28

the £500 for Peter and Joyce's day racing supercars.

0:20:280:20:32

That's an impressive average but let's not count our chickens too early.

0:20:320:20:37

Our next lot is a bit of a mystery item, as at the last minute,

0:20:370:20:41

Peter brought along this Carlton Ware pot.

0:20:410:20:43

The estimate on this is £30 to £50.

0:20:430:20:46

This is just a plain blue and white bowl, not the usual Carlton Ware.

0:20:460:20:50

-No.

-No, OK. So you're quite happy whatever we get for this will help?

0:20:500:20:55

-Yep.

-Cool.

0:20:550:20:56

-20, I'm bid.

-20, we're in.

0:20:560:20:59

At £20, 25, 30,

0:20:590:21:03

-35, 40.

-Oh, excellent.

-On the books with me at 40.

0:21:030:21:07

At £40, you're all finished and done with that at £40?

0:21:070:21:12

-There we go.

-That was good, £40.

0:21:130:21:15

-Are you pleased with that?

-Yes, I am.

0:21:150:21:17

'Well, Peter obviously knows his ceramics, and £40 is a good amount.

0:21:170:21:22

'Our next lot is the memorabilia

0:21:220:21:24

'from the 1974 Frazier verses Ali fight.'

0:21:240:21:27

Just remind us where you got these from.

0:21:290:21:31

-Madison Square Garden.

-You were there, weren't you?

0:21:310:21:34

I was there, yes.

0:21:340:21:35

Fantastic. Right, now, what do we want for this set?

0:21:350:21:39

We're looking for around the £200 mark. We've looked after them.

0:21:390:21:42

I've put a reserve of 150 on them.

0:21:420:21:44

It's less than the estimate,

0:21:440:21:45

but we just want to make sure that they get looked after.

0:21:450:21:48

OK, all right.

0:21:480:21:51

-At £95. At £95.

-No, he's going to withdraw it.

0:21:510:21:55

Are you all finished and done with that at 95? 100, and 5. At £105.

0:21:550:22:01

At £105.

0:22:010:22:03

All finished and done with £105?

0:22:030:22:08

Have to pass that.

0:22:090:22:10

Well, the bidders obviously weren't on form today,

0:22:100:22:13

and the £150 reserve wasn't reached.

0:22:130:22:16

I was rather disappointed when the boxing memorabilia didn't sell,

0:22:160:22:20

but I'd rather take it home than let it go for that.

0:22:200:22:23

And when the coach and horses mirror

0:22:230:22:25

also fails to gain any interest in the room...

0:22:250:22:27

Are you all finished and done with at £20?

0:22:280:22:31

Right, I'm passing that.

0:22:330:22:35

-No, he's not...

-He's not selling that because he couldn't even get a bid at £20, unfortunately.

0:22:350:22:40

...we're starting to feel a little disappointed, and after such a promising start.

0:22:400:22:45

Those two no-sales have really knocked us back.

0:22:450:22:48

With just three items to go, we're on tenterhooks.

0:22:480:22:52

What we need is a really good sale.

0:22:520:22:55

-So you're both happy about this being sold, yes?

-Yes.

0:22:550:22:58

It is a nice clock, because it's in good condition.

0:22:580:23:01

It has a fusee movement, which is great.

0:23:010:23:03

So yes, £100.

0:23:030:23:04

OK.

0:23:040:23:06

50, at £50? 5, 60, 5, 70...

0:23:060:23:10

-Yes, come on.

-5, 80, 5, 85 on my right, 90, 5, 100.

0:23:100:23:17

10, 20, 30, 40, 50, 60, 70, 80, 180.

0:23:170:23:23

At £180, right at the back.

0:23:230:23:26

-180, yes.

-All finished at 180?

0:23:260:23:28

-Hey!

-£180, that's not bad, is it?

0:23:300:23:32

Are you pleased with that?

0:23:320:23:34

That'll keep us ticking over.

0:23:340:23:36

And when the stylish tantalus sells...

0:23:360:23:40

All finished and done with it at 100?

0:23:410:23:43

..We're feeling giddy with success.

0:23:430:23:46

But will lady luck stay on our side?

0:23:460:23:49

Certainly we hope the bidders

0:23:490:23:51

will be charmed by the art nouveau fruit bowl.

0:23:510:23:54

And I'm starting this at 60.

0:23:550:23:57

-£60, we're in.

-60, I'm bid.

0:23:570:23:58

5, 70, 5, 80, 5, 90, 5, 100.

0:23:580:24:05

-110 on the phone.

-110 on the telephone.

0:24:050:24:09

110 on the phone.

0:24:090:24:11

120, 130, 140, 150...

0:24:110:24:15

-Yes!

-150, still on the phone at 150.

0:24:150:24:19

At £150.

0:24:190:24:21

-That's better.

-Are we all finished and done with that at 150?

0:24:210:24:25

150, are you pleased with that?

0:24:250:24:29

-Yes, very.

-Yes.

-Oh, good, I'm really pleased.

-That's good.

0:24:290:24:33

'Well, the auction was nothing if not varied,

0:24:330:24:36

'and after two items not selling, will Peter and Joyce

0:24:360:24:38

'be driving supercars for their big day out racing,

0:24:380:24:41

'or will they have to settle for a joyride in a Robin Reliant?'

0:24:410:24:45

Do you think you've made enough money?

0:24:450:24:47

I hope so.

0:24:470:24:48

Yes, well you've made a bit more than that.

0:24:480:24:50

-Really?

-She'll have to use some of her own money if it's not enough.

0:24:500:24:54

No, she won't be having to do that, you know. Because you've made £810!

0:24:540:24:57

-That's all right!

-So is that more than you were thinking?

0:24:570:25:00

-Yes.

-That's all right, yes.

0:25:000:25:01

-What are you go to do with the extra money?

-Well, we'll think about that.

0:25:010:25:05

It's our diamond wedding next year.

0:25:050:25:07

Ah! Congratulations.

0:25:070:25:09

Yes, so we can put it towards that.

0:25:090:25:12

Yes, absolutely.

0:25:120:25:13

A couple of weeks after the auction, and it's time to get the motor running.

0:25:170:25:21

You must be Peter and Joyce, am I right?

0:25:210:25:24

How are you doing?

0:25:240:25:25

It's a great day out for me today.

0:25:250:25:27

I've been looking forward to trying a Ferrari or two!

0:25:270:25:32

With his racing background, Peter needs no prompting.

0:25:320:25:35

Shall I start it?

0:25:350:25:36

Yes, just fire it up.

0:25:360:25:38

So, no throttle, just easing your foot off the clutch.

0:25:410:25:45

That's it, and up to second gear.

0:25:450:25:47

Keep it going. Up to fourth gear.

0:25:470:25:50

With a 3.6 litre engine and over 400 brake horsepower to play with,

0:25:500:25:55

there's no stopping Peter.

0:25:550:25:57

It's really nice to know Peter's enjoying himself.

0:25:590:26:03

He's been so excited about it.

0:26:030:26:06

In fact, now he's hooked, you can't hold him back.

0:26:060:26:08

That's it.

0:26:090:26:10

I'll have to go again, I think!

0:26:130:26:15

That's one of the best presents I've ever had.

0:26:160:26:19

Now I won't be hearing, 'Oh, I wish I could drive a Ferrari.'

0:26:190:26:23

He won't be saying that any more, will he?

0:26:230:26:26

He'll want to buy one, if possible!

0:26:260:26:28

No.

0:26:280:26:29

Well, the Nielsens had a great time at auction, and it's fantastic to see Peter racing around that track.

0:26:320:26:37

If you've got something you'd like to raise some funds for, a special treat perhaps,

0:26:370:26:42

and you've got plenty of antiques and collectibles lying around your home

0:26:420:26:45

that you'd rather sell at auction, then why not apply to come on Cash In The Attic?

0:26:450:26:49

You find more details at the BBC website.

0:26:490:26:53

We'll see you again next time.

0:26:530:26:54

For more information about Cash In The Attic,

0:26:570:26:59

including how the programme was made,

0:26:590:27:02

visit the website at bbc.co.uk/lifestyle.

0:27:020:27:04

Subtitles by Red Bee Media Ltd

0:27:040:27:07

E-mail [email protected]

0:27:070:27:09

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