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Welcome to Cash In The Attic. | 0:00:02 | 0:00:03 | |
This is the show that helps you find the hidden treasures around your home, and we sell them at auction. | 0:00:03 | 0:00:08 | |
Today I'm in Suffolk, where I've stopped off at Bury St Edmunds | 0:00:08 | 0:00:12 | |
to take a look at the famous St Edmundsbury Cathedral. | 0:00:12 | 0:00:15 | |
Although it looks medieval, this stunning Gothic-style building | 0:00:15 | 0:00:19 | |
was named in 1914, and officially opened just a few years ago. | 0:00:19 | 0:00:23 | |
The enormous cathedral tower and its ornate and elegant stonework | 0:00:23 | 0:00:27 | |
is a beautifully-matched extension to the original Church of St James. | 0:00:27 | 0:00:32 | |
It was built by a team of just six stonemasons, | 0:00:32 | 0:00:34 | |
over five years, using many of the original construction techniques. | 0:00:34 | 0:00:39 | |
So let's hope we can recapture history today, as we go in search | 0:00:39 | 0:00:43 | |
of a house full of antiques that we can take to auction. | 0:00:43 | 0:00:47 | |
'On today's Cash In The Attic, we're taking a trip down memory lane.' | 0:01:09 | 0:01:13 | |
Wow, so were you actually there? | 0:01:13 | 0:01:15 | |
-Yes. I was there. -Never! -At the fight, yes. | 0:01:15 | 0:01:18 | |
'But some mementos are best kept to oneself...' | 0:01:18 | 0:01:22 | |
He's not selling that, because he couldn't even get a bid at £20, unfortunately. | 0:01:22 | 0:01:28 | |
'...whilst others bring in a fabulous return.' | 0:01:28 | 0:01:30 | |
Are you pleased with that? | 0:01:30 | 0:01:32 | |
-Yes. -Yes? -Yes, very. | 0:01:32 | 0:01:34 | |
All to come when the final hammer falls. | 0:01:34 | 0:01:37 | |
I'm on my way to meet Peter and Joyce Nielsen. | 0:01:39 | 0:01:42 | |
They've called in the Cash In The Attic team | 0:01:42 | 0:01:45 | |
to help them raise some funds for a rather racy day out. | 0:01:45 | 0:01:48 | |
This house has been home to Joyce and Peter Nielsen since they retired 20 years ago. | 0:01:48 | 0:01:52 | |
Peter hails from Denmark originally, and he joined the British Army in 1945. | 0:01:52 | 0:01:58 | |
He met Joyce after the war, and, after their marriage in 1949, | 0:01:58 | 0:02:02 | |
she persuaded him to stay in Britain. | 0:02:02 | 0:02:04 | |
And after 60 years of marriage, this couple still share lots of interests. | 0:02:04 | 0:02:09 | |
They're both keen sports fans and avid readers, | 0:02:09 | 0:02:11 | |
as well as being active in their local community. | 0:02:11 | 0:02:14 | |
I'm glad we have our expert, Paul Hayes, on hand to help. | 0:02:14 | 0:02:17 | |
-Good morning, Paul! -Hello. How are you? -Fine! | 0:02:17 | 0:02:20 | |
I just stopped off at the cathedral, which is amazing. | 0:02:20 | 0:02:22 | |
-Beautiful town. -Isn't England a fantastic country? | 0:02:22 | 0:02:25 | |
-Yes. And you should know, because you've driven around most of it! -Yes, I've seen everywhere! | 0:02:25 | 0:02:29 | |
I hope you don't race too much, because today's family are really into racing. | 0:02:29 | 0:02:34 | |
Really? OK. Obviously in the safety of the track? | 0:02:34 | 0:02:36 | |
-Well, yeah. But, more importantly, we need to find plenty of antiques for them to sell. -OK. | 0:02:36 | 0:02:41 | |
So no time for any tea pit-stops. | 0:02:41 | 0:02:43 | |
Oh, really? Are you sure? | 0:02:43 | 0:02:44 | |
All right, just the one! | 0:02:44 | 0:02:46 | |
Ah, good morning! | 0:02:46 | 0:02:48 | |
-Good morning. -Good morning. -It's very fresh, isn't it, today? | 0:02:48 | 0:02:51 | |
-It is, yes. -A bit chilly. | 0:02:51 | 0:02:54 | |
So, Joyce, I understand you called in Cash In The Attic. | 0:02:54 | 0:02:56 | |
We're here now, so tell us what you want us to do. | 0:02:56 | 0:02:59 | |
I'd love Peter to be able to go out on the racing track. He used to race when we were younger. | 0:02:59 | 0:03:03 | |
And, of course, he hasn't had a chance up here, but I'd like him just to have a go, | 0:03:03 | 0:03:09 | |
and maybe drive a Ferrari or something similar. | 0:03:09 | 0:03:12 | |
-Is this true, Peter? -That is true, yes. | 0:03:12 | 0:03:14 | |
OK, so have you always been into fast cars? | 0:03:14 | 0:03:16 | |
Well, first of all, we went to Brands Hatch to watch the racing, | 0:03:16 | 0:03:20 | |
and I got hooked on it. | 0:03:20 | 0:03:21 | |
So how much do you think that's going to cost? | 0:03:21 | 0:03:24 | |
I'm not sure, but it'll be at least 500. | 0:03:24 | 0:03:26 | |
So we need to raise £500 so that Peter can have a racing day out in a Ferrari! | 0:03:26 | 0:03:30 | |
So, one man who hasn't arrived by Ferrari today, | 0:03:30 | 0:03:32 | |
I bet he came down by bus from Morecombe, | 0:03:32 | 0:03:35 | |
is our expert, Paul. So shall we go and crack on? | 0:03:35 | 0:03:37 | |
-Yes. -And see whether he's found anything yet. -OK. -Come on, then. | 0:03:37 | 0:03:41 | |
'This well-organised family home has signs everywhere of a lifetime of collecting. | 0:03:41 | 0:03:47 | |
'But both Peter and Joyce know it's time for some of their antiques to go.' | 0:03:47 | 0:03:51 | |
-Ah, hello! -Hello, Paul. I see you've found the clock. | 0:03:51 | 0:03:54 | |
Yes. Actually, you can hardly miss it, there. | 0:03:54 | 0:03:56 | |
If you move it a fraction, a thousandth of an inch, it won't go. | 0:03:56 | 0:04:00 | |
We used to draw lines when we decorated so we got it back in the right place. | 0:04:00 | 0:04:05 | |
For the simple reason that the way it's regulated is a pendulum. | 0:04:05 | 0:04:08 | |
It swings side to side. | 0:04:08 | 0:04:09 | |
If you get that slightly at one angle, it can't make its way back and it just stops. | 0:04:09 | 0:04:13 | |
So it has to be dead, dead straight. | 0:04:13 | 0:04:15 | |
It has a continental look about it though, doesn't it? So it is British? | 0:04:15 | 0:04:19 | |
This is American, but at the time we were going to places like India, | 0:04:19 | 0:04:22 | |
where rosewood grows, and we were bringing all this timber back. | 0:04:22 | 0:04:25 | |
-This is a rosewood case. -So would that be where the mother of pearl... | 0:04:25 | 0:04:29 | |
Possibly. Mother of pearl tends to be from Australasia. They buy it in bulk. | 0:04:29 | 0:04:33 | |
But the clocks themselves, these are American. | 0:04:33 | 0:04:36 | |
They're called octagonal faces, with these drop dials, or drop pendulums. | 0:04:36 | 0:04:40 | |
And they're very much a simple clock. | 0:04:40 | 0:04:42 | |
I can tell that from the simple reason that it only has one winding hole. It's purely a timepiece. | 0:04:42 | 0:04:47 | |
If we have two winding holes, it's a chime, on the hour or the quarter-hour. | 0:04:47 | 0:04:51 | |
And if it has three, then it's a Westminster chime or plays a tune, | 0:04:51 | 0:04:55 | |
and they're the most advanced movements you can get. | 0:04:55 | 0:04:57 | |
What sort of valuation would you put on that? | 0:04:57 | 0:04:59 | |
These decorative clocks, you're looking 100, maybe up to £200. | 0:04:59 | 0:05:04 | |
So what you think of that, Joyce? | 0:05:04 | 0:05:06 | |
That doesn't sound too bad, does it? | 0:05:06 | 0:05:08 | |
-Are you happy for that to go to auction, Joyce? -Yes, I think so. | 0:05:08 | 0:05:10 | |
-That's a fifth of our total. -It's a nice piece. | 0:05:10 | 0:05:13 | |
So I think we'll leave it on the wall where it is at the moment, | 0:05:13 | 0:05:15 | |
and let's go and see what else we can find. Follow me. | 0:05:15 | 0:05:19 | |
OK. I'm happy with the valuation for the wall clock. | 0:05:19 | 0:05:22 | |
Hopefully, it will make that price on the day. | 0:05:22 | 0:05:25 | |
And I shall miss that, really, the ticking. | 0:05:25 | 0:05:30 | |
When you're on your own, it's got a comforting sound. | 0:05:30 | 0:05:34 | |
That's a good start, but there's still plenty more to find to reach our £500 target. | 0:05:34 | 0:05:40 | |
There are quite a few treasures tucked away in this house. | 0:05:40 | 0:05:43 | |
In the shed, something has caught Joyce's eye. | 0:05:43 | 0:05:46 | |
This coach and horses mirror could bring home £20 to £30 at auction. | 0:05:46 | 0:05:50 | |
And in the living room, Peter's found something with a Scandinavian theme. | 0:05:50 | 0:05:55 | |
-Paul? -Yes? -Would you like to see this? | 0:05:55 | 0:05:58 | |
-Look at this. -Oh, right. Oh, that's pretty, isn't it? | 0:05:58 | 0:06:01 | |
-Yes, it is. -Oh, Royal Copenhagen! | 0:06:01 | 0:06:03 | |
-Yes. -So was this something that you brought back with you, then, from Denmark? | 0:06:03 | 0:06:08 | |
-Yes, we did. It was a present from a lady we knew then, to Joyce. -Right. | 0:06:08 | 0:06:15 | |
And as far as we know, it's the first one of this batch. Am I right? | 0:06:15 | 0:06:21 | |
Oh, I can see what you're saying there, yes. | 0:06:21 | 0:06:24 | |
-It looks like it's number one out of 1016. -Correct. | 0:06:24 | 0:06:27 | |
Wow. So it's like a limited edition. | 0:06:27 | 0:06:29 | |
But the actual design is typical of Copenhagen. | 0:06:29 | 0:06:32 | |
It's called a Dresden spray. It's actually a German-inspired design. | 0:06:32 | 0:06:36 | |
They used to do this wonderful pierced work, | 0:06:36 | 0:06:39 | |
and everything is hand-painted, so you can imagine the length of time it's taken to make that. | 0:06:39 | 0:06:44 | |
That's a nice example. It's early 20th century, hand-painted, great condition. | 0:06:44 | 0:06:48 | |
So if I said £30 to £50, how does that sound? | 0:06:48 | 0:06:52 | |
Well... | 0:06:52 | 0:06:54 | |
-OK. -Is that all right? | 0:06:54 | 0:06:56 | |
-Yes, all right. -All right. So that's it. | 0:06:56 | 0:06:59 | |
I'm not sure that Peter wasn't hoping for a little more for the limited edition Dresden spray, | 0:06:59 | 0:07:04 | |
but he seems happy to take it to auction. | 0:07:04 | 0:07:07 | |
And with Peter's background, it's not surprising that the house is full of Royal Copenhagen. | 0:07:07 | 0:07:12 | |
But in the bedroom, Paul's found something that might cut a swathe through the auction room. | 0:07:12 | 0:07:17 | |
This British officer's sword from 1822 is a fine example of military memorabilia, | 0:07:17 | 0:07:24 | |
and could entice a collector at £60 to £120. | 0:07:24 | 0:07:27 | |
That brings us up to £210 towards our £500 target | 0:07:27 | 0:07:31 | |
for a day out on the racetrack. | 0:07:31 | 0:07:34 | |
And with Paul still firing on all cylinders, Joyce, Peter and I take a pit-stop. | 0:07:34 | 0:07:39 | |
So, Peter, how did the interest in racing start? | 0:07:39 | 0:07:43 | |
It started by me going out to see a race, at Brands Hatch, | 0:07:43 | 0:07:48 | |
and I got hooked from there. | 0:07:48 | 0:07:51 | |
I joined a club and got a car, | 0:07:51 | 0:07:57 | |
and started racing a little bit. | 0:07:57 | 0:07:59 | |
-What made you decide not to carry on with that? -I ran out of money. | 0:07:59 | 0:08:03 | |
It's quite expensive when you're not sponsored, | 0:08:03 | 0:08:07 | |
and in those days there was no such thing as sponsorship. | 0:08:07 | 0:08:12 | |
-Right. So it was all down to how much you could afford, I guess. -Yes. | 0:08:12 | 0:08:16 | |
So, did you use to go to this? Have you ever actually raced yourself? | 0:08:16 | 0:08:20 | |
No, I didn't have a driving licence in those days. | 0:08:20 | 0:08:23 | |
I didn't get my licence until the late Sixties. | 0:08:23 | 0:08:25 | |
I used to go there every weekend with Peter. | 0:08:25 | 0:08:27 | |
In fact, our son used to time him with a stopwatch going round, and if he wasn't as fast as Jim Clark... | 0:08:27 | 0:08:32 | |
that was the driver... | 0:08:32 | 0:08:35 | |
'Jim Clark does it in 21 seconds, you've taken 28,' or something like that. | 0:08:35 | 0:08:40 | |
Quite fun, really. You look back and laugh about it. | 0:08:40 | 0:08:43 | |
One person who's had his motor running is our Paul, and he's been making good time. | 0:08:43 | 0:08:48 | |
He's found this attractive wall clock with a pendulum, | 0:08:48 | 0:08:52 | |
which he thinks could fetch £80 to £120. | 0:08:52 | 0:08:55 | |
And in the living room, Joyce is surrounded with potential. | 0:08:55 | 0:08:59 | |
Now then, Joyce, I don't blame you. | 0:09:00 | 0:09:01 | |
I'm going to come and join you here. | 0:09:01 | 0:09:03 | |
What have you found, anything good? | 0:09:03 | 0:09:06 | |
Well, this horse. | 0:09:06 | 0:09:07 | |
I tell you what I did notice before was this tantalus. | 0:09:07 | 0:09:10 | |
Is that something that's come down the family? | 0:09:10 | 0:09:13 | |
Well, it was my father's. | 0:09:13 | 0:09:16 | |
Oh, it's heavy! | 0:09:16 | 0:09:18 | |
It was given to him by his ex-boss. | 0:09:18 | 0:09:20 | |
But the reason it's called a tantalus is that you can see these wonderful liqueurs. | 0:09:20 | 0:09:25 | |
In here would be your cognac, your whisky, your gin... | 0:09:25 | 0:09:29 | |
your quite expensive alcohol items. | 0:09:29 | 0:09:31 | |
And it was kept locked away, under lock and key, | 0:09:31 | 0:09:34 | |
so that it would tantalise you from the sideboard. | 0:09:34 | 0:09:37 | |
Unless you had the key to get into this, then you couldn't take a drink. They are very saleable items. | 0:09:37 | 0:09:41 | |
-Are they? -They're the sort of thing that people don't really use in private houses now, | 0:09:41 | 0:09:46 | |
but if you've got a restaurant, | 0:09:46 | 0:09:47 | |
and of course a restaurant is an ideal situation where you would need to lock your alcohol away. | 0:09:47 | 0:09:52 | |
A hotel, something like that. These are perfect things to sell. | 0:09:52 | 0:09:55 | |
-Have you got the key? -No, I haven't. | 0:09:55 | 0:09:58 | |
-There we go, it works. So when you release that, then the bottles can be taken out. -Yes. | 0:09:58 | 0:10:02 | |
So what you've got there is a 19th century tantalus in reasonable condition. | 0:10:02 | 0:10:07 | |
You haven't got the key, which does make a little bit of | 0:10:07 | 0:10:10 | |
difference, but if I said at least £100, £150, how does that sound? | 0:10:10 | 0:10:13 | |
-Really? As much as that? That's a lot. -Does that sound all right? -Mm. | 0:10:13 | 0:10:16 | |
Come on, let's find something else. | 0:10:16 | 0:10:19 | |
I'm happy that's going, because I'm so scared I'm going to drop it. | 0:10:20 | 0:10:23 | |
I can't lift it any more. | 0:10:23 | 0:10:25 | |
I have to slide it when I dust, | 0:10:25 | 0:10:27 | |
slide it from one end of the cabinet to the other, so it's a good... | 0:10:27 | 0:10:31 | |
I shall miss it, but hopefully it'll go to a good home. | 0:10:31 | 0:10:35 | |
'So we're doing well in our search, and in the bedroom Peter's found something to crow about as well. | 0:10:35 | 0:10:41 | |
'This Royal Copenhagen figurine of a cockerel and hen | 0:10:41 | 0:10:44 | |
'could reach £30 to £50 in the sale. | 0:10:44 | 0:10:47 | |
'There are so many delightful pieces in his house, | 0:10:47 | 0:10:51 | |
'but I've found a real beauty, or two, to be precise.' | 0:10:51 | 0:10:53 | |
-Paul? -Yes? -I think I might have found something. | 0:10:53 | 0:10:56 | |
-Oh, right. -A pair of fair maidens. | 0:10:56 | 0:10:58 | |
-Unfortunately, one has been decapitated. -Oh, what a shame. | 0:10:58 | 0:11:01 | |
-We'll overlook that for now. -What a shame, I mean this has to be... -Careful, it's heavy. | 0:11:01 | 0:11:06 | |
My favourite style. This is called art nouveau. | 0:11:06 | 0:11:09 | |
Round about the turn of the century, about 1900, they went back to all this wonderful... | 0:11:09 | 0:11:13 | |
Grecian Ladies with organic poses. | 0:11:13 | 0:11:15 | |
It looks like they're on the back of a mushroom, there, doesn't it? | 0:11:15 | 0:11:19 | |
Or a tree stump. Often depicted by lily pads, and so on. | 0:11:19 | 0:11:22 | |
It looks like the work of a firm called Royal Dux. And it is... there we are. | 0:11:22 | 0:11:25 | |
We have a pink triangle, there. And they were based in Czechoslovakia. | 0:11:25 | 0:11:30 | |
The original idea with these, I mean fine porcelain is wonderful but, | 0:11:30 | 0:11:34 | |
what they were actually trying to do was copy bronze sculptures. | 0:11:34 | 0:11:38 | |
And at the time, in the year 1900 they used to make these figurines from bronze and ivory-mounted. | 0:11:38 | 0:11:44 | |
And they came up with the ceramic version, | 0:11:44 | 0:11:46 | |
so the real version would be carved ivory with bronze fittings. | 0:11:46 | 0:11:50 | |
And obviously tremendously expensive. | 0:11:50 | 0:11:52 | |
I think you've got one of the best factories, | 0:11:52 | 0:11:55 | |
you've got what I think is the best style, | 0:11:55 | 0:11:57 | |
there's a bit of damage on it but it's nothing you can't repair. | 0:11:57 | 0:12:01 | |
I think at least £150 upwards, really. How does that sound? | 0:12:01 | 0:12:06 | |
-Sounds fine. -Is that the sort of price you were expecting? | 0:12:06 | 0:12:09 | |
-Yes, I think that's great. -Yes? | 0:12:09 | 0:12:11 | |
-Yes. It's lovely. -OK, let's go and see what else we can find, then. | 0:12:11 | 0:12:16 | |
I think the valuation on the fruit bowl was very good. | 0:12:16 | 0:12:19 | |
It is a very pretty combination, with the figures and the vase, | 0:12:19 | 0:12:23 | |
and the fruit bowl each side, or sweets... | 0:12:23 | 0:12:26 | |
whatever you like to put in it. | 0:12:26 | 0:12:28 | |
We're racing towards our £500 total for that day out on the track, | 0:12:28 | 0:12:31 | |
and I've found something that could boost it further. | 0:12:31 | 0:12:35 | |
This pair of Victorian opaque glass vases | 0:12:35 | 0:12:39 | |
might hold their value at auction at around £40 to £80. | 0:12:39 | 0:12:42 | |
And you know what they say about men and their sheds. | 0:12:44 | 0:12:47 | |
Well, it looks like Peter's used his as a shrine to the noble art. | 0:12:47 | 0:12:50 | |
Ah, now then, Peter, where have these come from? | 0:12:50 | 0:12:54 | |
Is this something you got yourself, some boxing gloves and... | 0:12:54 | 0:12:57 | |
-Yes. -The fight at Madison Square Garden. | 0:12:57 | 0:12:59 | |
-Joe Frazier and Mohammed Ali. -That's correct. | 0:12:59 | 0:13:01 | |
Let's have a closer look at them. | 0:13:01 | 0:13:03 | |
Wow, so were you actually there? | 0:13:03 | 0:13:04 | |
-Yes, I was there. -So tickets were quite expensive even then? | 0:13:04 | 0:13:08 | |
-Very expensive. Yes, very expensive. -And did you have a good seat? | 0:13:08 | 0:13:11 | |
Yes, right at the top place, and that's a big place there. | 0:13:11 | 0:13:17 | |
Did you buy these as well there? | 0:13:17 | 0:13:18 | |
Yes, and the Condor posters. | 0:13:18 | 0:13:20 | |
-So were you living in America? -No, I never lived in America. | 0:13:20 | 0:13:25 | |
I went over to see the fight. | 0:13:25 | 0:13:26 | |
Wow. So were you a big boxing fan? | 0:13:26 | 0:13:29 | |
-Oh, yes. Yes. -Hiya, Joyce, you all right? | 0:13:29 | 0:13:32 | |
-Hi. -So did you go out to this fight as well? | 0:13:32 | 0:13:34 | |
No, I was at home looking after the shop! | 0:13:34 | 0:13:36 | |
I don't know... racing driving, boxing... | 0:13:36 | 0:13:39 | |
You have been a lucky boy over the years, haven't you? | 0:13:39 | 0:13:41 | |
What sort of value are we talking about with those, then? | 0:13:41 | 0:13:44 | |
Well, these are very unusual. | 0:13:44 | 0:13:46 | |
There's a massive history between Joe Frazier and Mohammed Ali. | 0:13:46 | 0:13:49 | |
-Yes, there is. -And basically, what happened, Mohammed Ali was undisputed world champion. | 0:13:49 | 0:13:54 | |
-Absolutely. -But he refused to go to Vietnam, and there was a massive story at the time. | 0:13:54 | 0:13:58 | |
So he lost his licence. | 0:13:58 | 0:14:00 | |
And in the meantime, Joe Frazier became the number one champion, | 0:14:00 | 0:14:04 | |
so when Mohammed Ali got his licence back, he had this massive fight | 0:14:04 | 0:14:07 | |
and I think Joe Frazier won the first one, is that right? | 0:14:07 | 0:14:10 | |
He did. He won the first one, and the second one, that's the one... | 0:14:10 | 0:14:14 | |
-You went to the second one. -So what do you think they might sell for today, Paul? | 0:14:14 | 0:14:18 | |
Well, I think quite a lot. | 0:14:18 | 0:14:19 | |
I think you've got a couple of nice boxing gloves, | 0:14:19 | 0:14:21 | |
-you've got the programme, you got a couple of posters... -Yes. | 0:14:21 | 0:14:25 | |
And that will create a lot of interest at the auction. | 0:14:25 | 0:14:27 | |
If I said £200, maybe £300, how does that sound? | 0:14:27 | 0:14:31 | |
-Wow. -That's all right. -Is that all right? | 0:14:31 | 0:14:33 | |
-Yes. -That sounds pretty good to me. | 0:14:33 | 0:14:35 | |
-What do you think, Joyce? -Yes. Not half, yes! | 0:14:35 | 0:14:38 | |
There might be a fight over them. | 0:14:38 | 0:14:40 | |
Well, let's hope so, because then the price will go up, won't it? | 0:14:40 | 0:14:43 | |
That's good news, then, because that helps our total no end. | 0:14:43 | 0:14:46 | |
You wanted £500, didn't you? | 0:14:46 | 0:14:48 | |
So that you can have this day out in a Ferrari. | 0:14:48 | 0:14:51 | |
Thanks to the gloves and the other boxing memorabilia, | 0:14:51 | 0:14:54 | |
the total value of all your items going to auction is £810. | 0:14:54 | 0:14:58 | |
-Ooh, heck, that's a lot! -That's very good. | 0:14:58 | 0:15:00 | |
But we can't guarantee that amount. | 0:15:00 | 0:15:02 | |
Obviously it will depend on the day, when you go to auction. | 0:15:02 | 0:15:05 | |
-We understand that. -But fingers crossed, that's the amount you should make. | 0:15:05 | 0:15:09 | |
-Great. -So, Peter, there'll be some left over. | 0:15:09 | 0:15:12 | |
So what are you going to spend that on? | 0:15:12 | 0:15:14 | |
On petrol! | 0:15:14 | 0:15:15 | |
Well, it's certainly been a rumble in Peter and Joyce's antiques jungle today, | 0:15:16 | 0:15:20 | |
and we've found some items that could really be contenders at auction. | 0:15:20 | 0:15:24 | |
They include the beautiful Royal Dux figurines with fruit bowl, | 0:15:24 | 0:15:28 | |
which could put a smile on somebody's face for £150 to £200. | 0:15:28 | 0:15:33 | |
And the Mohammed Ali gloves, programme and posters. | 0:15:33 | 0:15:36 | |
A lot like this should have the bidders fighting over it, | 0:15:36 | 0:15:39 | |
for between £200 and £300. | 0:15:39 | 0:15:43 | |
'Still to come on Cash In The Attic, | 0:15:43 | 0:15:45 | |
'we're fighting fit and ready for auction. | 0:15:45 | 0:15:48 | |
150... | 0:15:48 | 0:15:50 | |
'Will we be going another round?' | 0:15:50 | 0:15:51 | |
-Pleased with that? -Yes. | 0:15:53 | 0:15:54 | |
'Or will we be knocked out?' | 0:15:54 | 0:15:56 | |
That's tragic. So he's left those unsold. | 0:15:56 | 0:15:58 | |
'Find out when the final hammer falls.' | 0:15:58 | 0:16:01 | |
It's been a few weeks since we had a good look | 0:16:06 | 0:16:08 | |
around Joyce and Peter Nielsen's home in Bury St Edmunds. | 0:16:08 | 0:16:11 | |
We found lots of lovely antiques and collectibles to bring here | 0:16:11 | 0:16:15 | |
to Sworders & Olivers Auction House in Sudbury in Suffolk. | 0:16:15 | 0:16:18 | |
Remember, they're looking to raise £500 so that Peter can have the drive of his life, | 0:16:18 | 0:16:22 | |
so let's hope today that our items race away when they go under the hammer. | 0:16:22 | 0:16:26 | |
There's almost a studious air in the saleroom today, | 0:16:28 | 0:16:32 | |
with the buyers wandering around deep in thought over the antiques. | 0:16:32 | 0:16:36 | |
Our man, Paul Hayes, is certainly absorbed by the Ali versus Frazier programme. | 0:16:36 | 0:16:41 | |
-Ah, hello. -Fantastic, I love that advert in there. | 0:16:41 | 0:16:45 | |
The man with the moustache. Goodness gracious. | 0:16:45 | 0:16:48 | |
These are great. What a piece of nostalgia! | 0:16:48 | 0:16:50 | |
If we get two people who want them, then they should sell very well. | 0:16:50 | 0:16:53 | |
The only concern is that there's nothing else of any sporting memorabilia in this sale. | 0:16:53 | 0:16:58 | |
So what I'm going to suggest we do is put a reserve on them and see how we get on. | 0:16:58 | 0:17:02 | |
-We've got the tantalus. -The tantalus is beautiful. | 0:17:02 | 0:17:04 | |
That's calling from the sideboard, there. And also that sword. | 0:17:04 | 0:17:07 | |
There's a lovely sword, which I think could do quite well. | 0:17:07 | 0:17:10 | |
OK. I just really hope we get a good price for those art nouveau ladies, | 0:17:10 | 0:17:13 | |
because they're quite close to her heart, aren't they? | 0:17:13 | 0:17:17 | |
Yes, those really are stunning. | 0:17:17 | 0:17:18 | |
I think that sort of period, for me, is the best. | 0:17:18 | 0:17:21 | |
It's damaged but it's a great centrepiece, so let's see. | 0:17:21 | 0:17:24 | |
-Let's hope can get a good price. Shall we go and meet them? -Of course. -Come on. | 0:17:24 | 0:17:27 | |
'Peter and Joyce have arrived today minus one important piece. | 0:17:27 | 0:17:31 | |
'Peter decided that he would keep hold of the pretty little Copenhagen | 0:17:31 | 0:17:34 | |
vase, so he didn't bring it with him today. | 0:17:34 | 0:17:38 | |
But at the moment, everything is eclipsed by these beauties. | 0:17:38 | 0:17:42 | |
-Hello! -Hi! -They are lovely, aren't they? -It is beautiful. | 0:17:42 | 0:17:45 | |
But how would you feel about seeing his piece in the auction house and not in your house any more? | 0:17:45 | 0:17:50 | |
I feel a bit sad, really, but they had to go. | 0:17:50 | 0:17:53 | |
And how are you feeling? | 0:17:53 | 0:17:54 | |
-Are you feeling fighting fit, to sell those Ali gloves? -Oh, yes. Yes. | 0:17:54 | 0:17:59 | |
Paul, have you got any fears? | 0:17:59 | 0:18:00 | |
What I suggested we do is put a reserve on those, just to make sure that they're looked after. | 0:18:00 | 0:18:05 | |
-Yes. All right, Paul. -Auctions are very exciting places, so I'm sure you'll have a good day. | 0:18:05 | 0:18:10 | |
-Come on then, let's get ready. -Come on. | 0:18:10 | 0:18:12 | |
'If you're planning to buy or sell at an auction, | 0:18:12 | 0:18:15 | |
'then please bear in mind that charges and VAT may apply.' | 0:18:15 | 0:18:18 | |
Right, morning ladies and gentlemen. | 0:18:18 | 0:18:20 | |
'The auctioneer is in fine fettle today, and with a quiet spot to watch proceedings, | 0:18:20 | 0:18:26 | |
'we're excited to see the impressive engraved sword | 0:18:26 | 0:18:30 | |
'taking its first lunge.' | 0:18:30 | 0:18:32 | |
I'm going to start this at 50. | 0:18:32 | 0:18:33 | |
-50, we're in. Here we go. -5, 60, 5, 70, 5, 80... -Yes! | 0:18:33 | 0:18:37 | |
-5, 90, 5... -Yes! | 0:18:37 | 0:18:40 | |
-100, 5, 10... -Yes! | 0:18:40 | 0:18:42 | |
-Yes! -15, 115 in the back. I'm out. | 0:18:42 | 0:18:45 | |
20, 5, 30, 5, | 0:18:45 | 0:18:49 | |
140, 5, 145 still at the back... | 0:18:49 | 0:18:54 | |
-That's great. -145. All finished and done with it at 145? | 0:18:54 | 0:18:58 | |
-£145! Are you pleased with that? -Yes. | 0:18:59 | 0:19:03 | |
What a first-class result... | 0:19:03 | 0:19:05 | |
£145 on our first sale. | 0:19:05 | 0:19:09 | |
I'd no idea the sword would fetch that kind of money, | 0:19:09 | 0:19:13 | |
but it was more than I expected. | 0:19:13 | 0:19:15 | |
And our next item to strut its stuff | 0:19:15 | 0:19:19 | |
is the Royal Copenhagen cockerel and hen figurine. | 0:19:19 | 0:19:22 | |
At £85, all finished and done at £85? | 0:19:22 | 0:19:27 | |
-£85! -Great. | 0:19:27 | 0:19:29 | |
And we still don't know which came first... the chicken or the egg. | 0:19:29 | 0:19:33 | |
Another fantastic wake-up call. | 0:19:33 | 0:19:36 | |
£85 is nearly three times the lower estimate. | 0:19:36 | 0:19:38 | |
I was really surprised at how much the cockerels fetched, | 0:19:38 | 0:19:42 | |
the Royal Copenhagen cockerels. | 0:19:42 | 0:19:43 | |
I never liked them but I was quite happy with the price they bought! | 0:19:43 | 0:19:48 | |
We're clocking up some great sales here, | 0:19:48 | 0:19:52 | |
and when this single-pendulum timepiece sells... | 0:19:52 | 0:19:55 | |
We're all finished and done with that at £75. Selling at 75. | 0:19:55 | 0:19:58 | |
£75, is that OK? | 0:20:00 | 0:20:02 | |
-Yes? -Yes. -Good, OK. | 0:20:02 | 0:20:03 | |
Just £5 short of the estimate. | 0:20:03 | 0:20:06 | |
We're not too concerned. | 0:20:06 | 0:20:08 | |
A pattern followed by the Victorian opaque patterned glass vases | 0:20:09 | 0:20:12 | |
when they also sell... | 0:20:12 | 0:20:13 | |
< Selling at 35. | 0:20:13 | 0:20:15 | |
Are you happy with that price? Yeah? | 0:20:15 | 0:20:18 | |
...for £5 under the estimate, at £35. | 0:20:18 | 0:20:22 | |
After a succession of good sales, we've already achieved £340 towards | 0:20:22 | 0:20:28 | |
the £500 for Peter and Joyce's day racing supercars. | 0:20:28 | 0:20:32 | |
That's an impressive average but let's not count our chickens too early. | 0:20:32 | 0:20:37 | |
Our next lot is a bit of a mystery item, as at the last minute, | 0:20:37 | 0:20:41 | |
Peter brought along this Carlton Ware pot. | 0:20:41 | 0:20:43 | |
The estimate on this is £30 to £50. | 0:20:43 | 0:20:46 | |
This is just a plain blue and white bowl, not the usual Carlton Ware. | 0:20:46 | 0:20:50 | |
-No. -No, OK. So you're quite happy whatever we get for this will help? | 0:20:50 | 0:20:55 | |
-Yep. -Cool. | 0:20:55 | 0:20:56 | |
-20, I'm bid. -20, we're in. | 0:20:56 | 0:20:59 | |
At £20, 25, 30, | 0:20:59 | 0:21:03 | |
-35, 40. -Oh, excellent. -On the books with me at 40. | 0:21:03 | 0:21:07 | |
At £40, you're all finished and done with that at £40? | 0:21:07 | 0:21:12 | |
-There we go. -That was good, £40. | 0:21:13 | 0:21:15 | |
-Are you pleased with that? -Yes, I am. | 0:21:15 | 0:21:17 | |
'Well, Peter obviously knows his ceramics, and £40 is a good amount. | 0:21:17 | 0:21:22 | |
'Our next lot is the memorabilia | 0:21:22 | 0:21:24 | |
'from the 1974 Frazier verses Ali fight.' | 0:21:24 | 0:21:27 | |
Just remind us where you got these from. | 0:21:29 | 0:21:31 | |
-Madison Square Garden. -You were there, weren't you? | 0:21:31 | 0:21:34 | |
I was there, yes. | 0:21:34 | 0:21:35 | |
Fantastic. Right, now, what do we want for this set? | 0:21:35 | 0:21:39 | |
We're looking for around the £200 mark. We've looked after them. | 0:21:39 | 0:21:42 | |
I've put a reserve of 150 on them. | 0:21:42 | 0:21:44 | |
It's less than the estimate, | 0:21:44 | 0:21:45 | |
but we just want to make sure that they get looked after. | 0:21:45 | 0:21:48 | |
OK, all right. | 0:21:48 | 0:21:51 | |
-At £95. At £95. -No, he's going to withdraw it. | 0:21:51 | 0:21:55 | |
Are you all finished and done with that at 95? 100, and 5. At £105. | 0:21:55 | 0:22:01 | |
At £105. | 0:22:01 | 0:22:03 | |
All finished and done with £105? | 0:22:03 | 0:22:08 | |
Have to pass that. | 0:22:09 | 0:22:10 | |
Well, the bidders obviously weren't on form today, | 0:22:10 | 0:22:13 | |
and the £150 reserve wasn't reached. | 0:22:13 | 0:22:16 | |
I was rather disappointed when the boxing memorabilia didn't sell, | 0:22:16 | 0:22:20 | |
but I'd rather take it home than let it go for that. | 0:22:20 | 0:22:23 | |
And when the coach and horses mirror | 0:22:23 | 0:22:25 | |
also fails to gain any interest in the room... | 0:22:25 | 0:22:27 | |
Are you all finished and done with at £20? | 0:22:28 | 0:22:31 | |
Right, I'm passing that. | 0:22:33 | 0:22:35 | |
-No, he's not... -He's not selling that because he couldn't even get a bid at £20, unfortunately. | 0:22:35 | 0:22:40 | |
...we're starting to feel a little disappointed, and after such a promising start. | 0:22:40 | 0:22:45 | |
Those two no-sales have really knocked us back. | 0:22:45 | 0:22:48 | |
With just three items to go, we're on tenterhooks. | 0:22:48 | 0:22:52 | |
What we need is a really good sale. | 0:22:52 | 0:22:55 | |
-So you're both happy about this being sold, yes? -Yes. | 0:22:55 | 0:22:58 | |
It is a nice clock, because it's in good condition. | 0:22:58 | 0:23:01 | |
It has a fusee movement, which is great. | 0:23:01 | 0:23:03 | |
So yes, £100. | 0:23:03 | 0:23:04 | |
OK. | 0:23:04 | 0:23:06 | |
50, at £50? 5, 60, 5, 70... | 0:23:06 | 0:23:10 | |
-Yes, come on. -5, 80, 5, 85 on my right, 90, 5, 100. | 0:23:10 | 0:23:17 | |
10, 20, 30, 40, 50, 60, 70, 80, 180. | 0:23:17 | 0:23:23 | |
At £180, right at the back. | 0:23:23 | 0:23:26 | |
-180, yes. -All finished at 180? | 0:23:26 | 0:23:28 | |
-Hey! -£180, that's not bad, is it? | 0:23:30 | 0:23:32 | |
Are you pleased with that? | 0:23:32 | 0:23:34 | |
That'll keep us ticking over. | 0:23:34 | 0:23:36 | |
And when the stylish tantalus sells... | 0:23:36 | 0:23:40 | |
All finished and done with it at 100? | 0:23:41 | 0:23:43 | |
..We're feeling giddy with success. | 0:23:43 | 0:23:46 | |
But will lady luck stay on our side? | 0:23:46 | 0:23:49 | |
Certainly we hope the bidders | 0:23:49 | 0:23:51 | |
will be charmed by the art nouveau fruit bowl. | 0:23:51 | 0:23:54 | |
And I'm starting this at 60. | 0:23:55 | 0:23:57 | |
-£60, we're in. -60, I'm bid. | 0:23:57 | 0:23:58 | |
5, 70, 5, 80, 5, 90, 5, 100. | 0:23:58 | 0:24:05 | |
-110 on the phone. -110 on the telephone. | 0:24:05 | 0:24:09 | |
110 on the phone. | 0:24:09 | 0:24:11 | |
120, 130, 140, 150... | 0:24:11 | 0:24:15 | |
-Yes! -150, still on the phone at 150. | 0:24:15 | 0:24:19 | |
At £150. | 0:24:19 | 0:24:21 | |
-That's better. -Are we all finished and done with that at 150? | 0:24:21 | 0:24:25 | |
150, are you pleased with that? | 0:24:25 | 0:24:29 | |
-Yes, very. -Yes. -Oh, good, I'm really pleased. -That's good. | 0:24:29 | 0:24:33 | |
'Well, the auction was nothing if not varied, | 0:24:33 | 0:24:36 | |
'and after two items not selling, will Peter and Joyce | 0:24:36 | 0:24:38 | |
'be driving supercars for their big day out racing, | 0:24:38 | 0:24:41 | |
'or will they have to settle for a joyride in a Robin Reliant?' | 0:24:41 | 0:24:45 | |
Do you think you've made enough money? | 0:24:45 | 0:24:47 | |
I hope so. | 0:24:47 | 0:24:48 | |
Yes, well you've made a bit more than that. | 0:24:48 | 0:24:50 | |
-Really? -She'll have to use some of her own money if it's not enough. | 0:24:50 | 0:24:54 | |
No, she won't be having to do that, you know. Because you've made £810! | 0:24:54 | 0:24:57 | |
-That's all right! -So is that more than you were thinking? | 0:24:57 | 0:25:00 | |
-Yes. -That's all right, yes. | 0:25:00 | 0:25:01 | |
-What are you go to do with the extra money? -Well, we'll think about that. | 0:25:01 | 0:25:05 | |
It's our diamond wedding next year. | 0:25:05 | 0:25:07 | |
Ah! Congratulations. | 0:25:07 | 0:25:09 | |
Yes, so we can put it towards that. | 0:25:09 | 0:25:12 | |
Yes, absolutely. | 0:25:12 | 0:25:13 | |
A couple of weeks after the auction, and it's time to get the motor running. | 0:25:17 | 0:25:21 | |
You must be Peter and Joyce, am I right? | 0:25:21 | 0:25:24 | |
How are you doing? | 0:25:24 | 0:25:25 | |
It's a great day out for me today. | 0:25:25 | 0:25:27 | |
I've been looking forward to trying a Ferrari or two! | 0:25:27 | 0:25:32 | |
With his racing background, Peter needs no prompting. | 0:25:32 | 0:25:35 | |
Shall I start it? | 0:25:35 | 0:25:36 | |
Yes, just fire it up. | 0:25:36 | 0:25:38 | |
So, no throttle, just easing your foot off the clutch. | 0:25:41 | 0:25:45 | |
That's it, and up to second gear. | 0:25:45 | 0:25:47 | |
Keep it going. Up to fourth gear. | 0:25:47 | 0:25:50 | |
With a 3.6 litre engine and over 400 brake horsepower to play with, | 0:25:50 | 0:25:55 | |
there's no stopping Peter. | 0:25:55 | 0:25:57 | |
It's really nice to know Peter's enjoying himself. | 0:25:59 | 0:26:03 | |
He's been so excited about it. | 0:26:03 | 0:26:06 | |
In fact, now he's hooked, you can't hold him back. | 0:26:06 | 0:26:08 | |
That's it. | 0:26:09 | 0:26:10 | |
I'll have to go again, I think! | 0:26:13 | 0:26:15 | |
That's one of the best presents I've ever had. | 0:26:16 | 0:26:19 | |
Now I won't be hearing, 'Oh, I wish I could drive a Ferrari.' | 0:26:19 | 0:26:23 | |
He won't be saying that any more, will he? | 0:26:23 | 0:26:26 | |
He'll want to buy one, if possible! | 0:26:26 | 0:26:28 | |
No. | 0:26:28 | 0:26:29 | |
Well, the Nielsens had a great time at auction, and it's fantastic to see Peter racing around that track. | 0:26:32 | 0:26:37 | |
If you've got something you'd like to raise some funds for, a special treat perhaps, | 0:26:37 | 0:26:42 | |
and you've got plenty of antiques and collectibles lying around your home | 0:26:42 | 0:26:45 | |
that you'd rather sell at auction, then why not apply to come on Cash In The Attic? | 0:26:45 | 0:26:49 | |
You find more details at the BBC website. | 0:26:49 | 0:26:53 | |
We'll see you again next time. | 0:26:53 | 0:26:54 | |
For more information about Cash In The Attic, | 0:26:57 | 0:26:59 | |
including how the programme was made, | 0:26:59 | 0:27:02 | |
visit the website at bbc.co.uk/lifestyle. | 0:27:02 | 0:27:04 | |
Subtitles by Red Bee Media Ltd | 0:27:04 | 0:27:07 | |
E-mail [email protected] | 0:27:07 | 0:27:09 |